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Mike Bergeron Sep 2012
There was a house fire on my street last night …well… not exactly my street, but on a little, sketchy, dead-end strip of asphalt, sidewalks, weeds, and garbage that juts into my block two houses down. It was on that street. Rosewood Court, population: 12, adjusted population: 11, characterized by anonymity and boarded windows, peppered with the swift movements of fat street rats. I’ve never been that close to a real, high-energy, make-sure-to-spray-down-your-roof-with-a-hose-so-it-doesn’t-catch­ fire before. It was the least of my expectations for the evening, though I didn’t expect a crate of Peruvian bananas to fall off a cargo plane either, punching through the ceiling, littering the parking lot with damaged fruit and shingles, tearing paintings and shelves and studs from the third floor walls, and crashing into our kitchen, shattering dishes and cabinets and appliances. Since that never happened, and since neither the former nor the latter situation even crossed my mind, I’ll stick with “least of my expectations,” and bundle up with it inside that inadequate phrase whatever else may have happened that I wouldn’t have expected.



I had been reading in my living room, absently petting the long calico fur of my roommate’s cat Dory. She’s in heat, and does her best to make sure everyone knows it, parading around, *** in the air, an opera of low trilling and loud meows and deep purring. As a consequence of a steady tide of feline hormones, she’s been excessively good humored, showering me with affection, instead of her usual indifference, punctuated by occasional, self-serving shin rubs when she’s hungry. I saw the lights before I heard the trucks or the shouts of firemen or the panicked wail of sirens, spitting their warning into the night in A or A minor, but probably neither, I’m no musician. Besides, Congratulations was playing loud, flowing through the speakers in the corners of the room, connected to the record player via the receiver with the broken volume control, travelling as excited electrons down stretches of wire that are, realistically, too short, and always pull out. The song was filling the space between the speakers and the space between my ears with musings on Brian Eno, so the auditory signal that should have informed me of the trouble that was afoot was blocked out. I saw the lights, the alternating reds and whites that filled my living room, drawing shifting patterns on my walls, ceiling, floor, furniture, and shelves of books, dragging me towards the door leading outside, through the cluttered bike room, past the sleeping, black lump of oblivious fur that is usually my boisterous male kitten, and out into the bedlam I  had previously been ignorant to. I could see the smoke, it was white then gray then white, all the while lending an acrid taste to the air, but I couldn’t see where it was issuing from. The wind was blowing the smoke toward my apartment, away from Empire Mills. I tried to count the firetrucks, but there were so many. I counted six on Wilmarth Ave, one of which was the awkward-looking, heavy-duty special hazards truck. In my part of the city, the post-industrial third-wave ***** river valley, you never know if the grease fire that started with homefries in a frying pan in an old woman’s kitchen will escalate into a full-blown mill fire, the century-old wood floors so saturated with oil and kerosene and ****** and manufacturing chemicals and ghosts and god knows what other flammable **** that it lights up like a fifth of July leftover sparkler, burning and melting the hand of the community that fed it for so many decades, leaving scars that are displayed on the local news for a week and are forgotten in a few years’ time.



The night was windy, and the day had been dry, so precautions were abundant, and I counted two more trucks on Fones Ave. One had the biggest ladder I’ve ever seen. It was parked on the corner of Fones and Wilmarth, directly across from the entrance into the forgotten dead-end where the forgotten house was burning, and the ladder was lifting into the air. By now my two roommates had come outside too, to stand on our rickety, wooden staircase, and Jeff said he could see flames in the windows of one of the three abandoned houses on Rosewood, through the third floor holes where windows once were, where boards of plywood were deemed unnecessary.



“Ay! Daddy!”



My neighbor John called up to us. He serves as the eyes and ears and certainly the mouth of our block, always in everyone’s business, without being too intrusive, always aware of what’s going down and who’s involved. He proceeded to tell us the lowdown on the blaze as far as he knew it, that there were two more firetrucks and an ambulance down Rosewood, that the front and back doors to the house were blocked by something from inside, that those somethings were very heavy, that someone was screaming inside, that the fire was growing.



Val had gone inside to get his jacket, because despite the floodlights from the trucks imitating sunlight, the wind and the low temperature and the thought of a person burning alive made the night chilly. Val thought we should go around the block, to see if we could get a better view, to satisfy our congenital need to witness disaster, to see the passenger car flip over the Jersey barrier, to watch the videos of Jihadist beheadings, to stand in line to look at painted corpses in velvet, underlit parlors, and sit in silence while their family members cry. We walked down the stairs, into full floodlight, and there were first responders and police and fully equipped firefighters moving in all directions. We watched two firemen attempting to open an old, rusty fire hydrant, and it could’ve been inexperience, the stress of the situation, the condition of the hydrant, or just poor luck, but rather than opening as it was supposed to the hydrant burst open, sending the cap flying into the side of a firetruck, the water crashing into the younger of the two men’s face and torso, knocking him back on his ***. While he coughed out surprised air and water and a flood of expletives, his partner got the situation under control and got the hose attached. We turned and walked away from the fire, and as we approached the turn we’d take to cut through the rundown parking lot that would bring us to the other side of the block, two firemen hurried past, one leading the other, carrying between them a stretcher full of machines for monitoring and a shitload of wires and tubing. It was the stiff board-like kind, with handles on each end, the kind of stretcher you might expect to see circus clowns carry out, when it’s time to save their fallen, pie-faced cohort. I wondered why they were using this archaic form of patient transportation, and not one of the padded, electrical ones on wheels. We pushed past the crowd that had begun forming, walked past the Laundromat, the 7Eleven, the carwash, and took a left onto the street on the other side of the parking lot, parallel to Wilmarth. There were several older men standing on the sidewalk, facing the fire, hands either in pockets or bringing a cigarette to and from a frowning mouth. They were standing in the ideal place to witness the action, with an unobstructed view of the top two floors of the burning house, its upper windows glowing orange with internal light and vomiting putrid smoke.  We could taste the burning wires, the rugs, the insulation, the asbestos, the black mold, the trash, and the smell was so strong I had to cover my mouth with my shirt, though it provided little relief. We said hello, they grunted the same, and we all stood, watching, thinking about what we were seeing, not wanting to see what we were thinking.

Two firefighters were on the roof by this point, they were yelling to each other and to the others on the ground, but we couldn’t hear what they were saying because of the sirens from all the emergency vehicles that were arriving.  It seemed to me they sent every firetruck in the city, as well as more than a dozen police cars and a slew of ambulances, all of them arriving from every direction. I guess they expected the fire to get really out of hand, but we could already see the orange glow withdrawing into the dark of the house, steam and smoke rippling out of the stretched, wooden mouths of the rotted window frames. In a gruff, habitual smoker’s voice, we heard

                                      “Chopper called the fire depahtment

We was over at the vet’s home

                He says he saw flames in the windas

                                                                                                                                                We all thought he was shittin’ us

We couldn’t see nothin’.”

A man between fifty-five to sixty-five years old was speaking, no hair on his shiny, tanned head, old tattoos etched in bluish gray on his hands, arms, and neck, menthol smoke rising from between timeworn fingers. He brought the cigarette to his lips, drew a hearty chest full of smoke, and as he let it out he repeated

                                                “Yea, chopper called em’

Says he saw flames.”

The men on the roof were just silhouettes, backlit by the dazzling brightness of the lights on the other side.  The figure to the left of the roof pulled something large up into view, and we knew instantly by the cord pull and the sound that it was a chainsaw. He began cutting directly into the roof. I wasn’t sure what he was doing, wondered if he was scared of falling into the fire, assumed he probably was, but had at least done this before, tried to figure out if he was doing it to gain entry or release pressure or whatever. The man to the right was hacking away at the roof with an axe. It was surreal to watch, to see two men transformed from public servants into fingers of destruction, the pinkie and ring finger fighting the powerful thumb of the controlled chemical reaction eating the air below them, to watch the dark figures shrouded in ethereal light and smoke and sawdust and what must’ve been unbearable heat from below, to be viewing everything with my own home, my belongings, still visible, to know it could easily have gone up in flames as well.

I should’ve brought my jacket. I remember complaining about it, about how the wind was passing through my skin like a window screen, chilling my blood, in sharp contrast to the heat that was morphing and rippling the air above the house as it disappeared as smoke and gas up into the atmosphere from the inside out.

Ten minutes later, or maybe five, or maybe one, the men on the roof were still working diligently cutting and chopping, but we could no longer see any signs of flames, and there were figures moving around in the house, visible in the windows of the upper floors, despite the smoke. Figuring the action must be reaching its end, we decided to walk back to our apartment. We saw Ken’s brown pickup truck parked next to the Laundromat, unable to reach our parking lot due to all the emergency vehicles and people clogging our street. We came around the corner and saw the other two members of the Infamous Summers standing next to our building with the rest of the crowd that had gathered. Dosin told us the fire was out, and that they had pulled someone from inside the gutted house, but no ambulance had left yet, and his normally smiling face was flat and somber, and the beaten guitar case slung over his shoulder, and his messed up hair, and the red in his cheeks from the cold air, and the way he was moving rocks around with the toe of his shoe made him look like a lost child, chasing a dream far from home but finding a nightmare in its place, instead of the professional who never loses his cool or his direction.

The crowd all began talking at once, so I turned around, towards the dead end and the group of firefighters and EMTs that were emerging. Their faces were stoic, not a single expression on all but one of those faces, a young EMT, probably a Basic, or a Cardiac, or neither, but no older than twenty, who was silently weeping, the tears cutting tracks through the soot on his cheeks, his eyes empty of emotion, his lips drawn tight and still. Four of them were each holding a corner of the maroon stretcher that took two to carry when I first saw it, full of equipment. They did not rush, they did not appear to be tending to a person barely holding onto life, they were just carrying the weight. As they got close gasps and cries of horror or disgust or both issued from the crowd, some turned away, some expressions didn’t change, some eyes closed and others stayed fixed on what they came to see. One woman vomited, right there on the sidewalk, splashing the shoes of those near her with the partially digested remains of her EBT dinner. I felt my own stomach start to turn, but I didn’t look away. I couldn’t.

                                                                                It was like I was seven again,

                                in the alleyway running along the side of the junior high school I lived near and would eventually attend,

looking in silent horror at what three eighth graders from my neighborhood were doing.

It was about eight in the evening of a rainy,

late summer day,

and I was walking home with my older brother,

cutting through the alley like we always did.

The three older boys were standing over a small dog,

a terrier of some sort.

They had duct taped its mouth shut and its legs together,

but we could still hear its terrified whines through its clenched teeth.

One of the boys had cut off the dog’s tail.

He had it in one hand,

and was still holding the pocket knife in the other.

None of them were smiling,

or talking,

nor did they take notice of Andrew and I.

There was a garden bag standing up next to them that looked pretty full,

and there was a small pile of leaves on the ground next to it.

In slow motion I watched,

horrified,

as one of the boys,

Brian Jones-Hartlett,

picked up the shaking animal,

put it in the bag,

covered it with the leaves from the ground,

and with wide,

shining eyes,

set the bag

on fire

with a long-necked

candle

lighter.

It was too much for me then. I couldn’t control my nausea. I threw up and sat down while my head swam.

I couldn’t understand. I forgot my brother and the fact that he was older, that he should stop this,

Stop them,

There’s a dog in there,

You’re older, I’m sick,

Why can’t I stop them?

It was like
Rebecca Wolohan Jun 2015
His hands are long,
calloused and inviting.
Scars tell stories,
scattered
across his knuckles.

He has one hand cradled in the other,
tapping and rubbing
his palm
with his fingers.

His mind is a jungle:
heavy, sticky, lush,
challenging to navigate,
surrounded by undecayed green
and unobstructed sea.

“Are you anxious?”
His hands are moving rapidly,
yellow parrotbills
flitting in and out of the tall tree trunks
and violet, epiphytic orchids of his mind.

Turning to face me,
he stretches his lips into a smile.
He assures me that he is fine,
but he doesn’t see any birds.
Adam Struble Oct 2014
O formless one
naked are we and outstretched, unobstructed
we have smashed the dead symbols together
to try to make a few useful pieces of flighted existence
walking through charcoal ashes
Carbon
Kevin Apr 2017
unobstructed filter, distilling,
but to capture only the angels share;
on days when body and mind
peak at truth beyond this fleshy physicality.
leader of forgotten souls, mutter more clearly
those timeless chants of base translations.
circumnavigate the wanderer towards your young forgotten fields of sandy soils and fragrances of neglected worlds.
at times there is wonder, whether this brittle form of
organic life will dry from life's haboob.
at times there is wonder, whether
this insatiable sponge will find its endless rain.
for now it seems that puddles must suffice.
in desperate times, the mist of morning dew.
maybe, it is possible, it is much sweeter this way.
although cruel, it fuels hope for more of what it seeks.
this is about my brain being aware of my mind and body, and the territory they cannot cross, where the two remain disconnected but connected.
T Feb 2013
This feeling flows
like an unobstructed stream
starting deep in my heart
and bubbling out
to my extremities
happiness
in it's purest form
saturates our words and laughter
and soon the room is soaking wet
as we dance and sing
taking hold of our youth
and our freedom
we are
loud
rowdy
drunk on
our love
and wine
we are
infinite
and in these moments
I am
complete
content
*alive
nothing better than celebrating another year with friends
David Lessard Oct 2016
There's nothing quite so grand as hiking,
to some secluded, green and grassy knoll;
where views show unobstructed beauty,
then I can say it's well, within my soul.

When I've reached the summit of success,
and I've realized the treasured goal;
then I can bask, in quiet satisfaction,
for it's well, so very well, within my soul.

When I ask myself the haunting question,
who it is, for whom the bell does toll;
I recall the captain of salvation,
and I can say, it's well, within my soul.

When I know, that without Him, I am lost,
when I'm aware, it's Him, that makes me whole;
then there's that peace that passes understanding,
and it is well, so very well, within my soul.

When I see waves, that kiss the fertile shore,
white-tipped water, on its merry roll;
then I have seen, a view of heaven's glory.
and all is well, so very well, within my soul.
A child's eyes show innocence
They are open to things new
They show with no discretion
They see all the things we do
A child's eye's receptive
To the joy and pain we see
It's a window, unobstructed
It's the way that things should be

A young man's eyes, they wander
They see the future not the past
They are open to advancement
They see things that we know don't last
A young man's eyes are blurry
They show them what they want to see
They show innocence is missing
They show that nothing good is free

The eyes of a middle aged man
They are the windows to the end
They see retirement is coming
They see that age is not a friend
The eyes of a middle aged man
They show regret and are all red
These eyes are always tired
They show what they should have done instead

The eyes of an old man show
The innocence of the child
They show recollection of their passage
They are full of love and they are mild
They old man's eyes look backward
More than at the future that is passed
They see the good times far behind them
They show the memories that will last

Your eyes, they are the window
To the world you see each day
They show you things of beauty
They show the world at play
An innocent sees nothing but
The world as it should be
So, take the time and clean your window
And see the world like me
judy smith Mar 2016
Detective stories have been making a splash on European screens for the past decade. Some attract top-notch directors, actors and script writers. They are far superior to anything that appears over here -- whether on TV or from Hollywood. Part of the impetus has come from the remarkable Italian series Montelbano, the name of a Sicilian commissario in Ragusa (Vigata)who was first featured in the skillfully crafted novellas of Andrea Camilleri.

Italians remain in the forefront of the genre as Montelbano was followed by similar high class productions set in Bologna, Ferrara, Turino, Milano, Palermo and Roma. A few are placed in evocative historical context. The French follow close behind with a rich variety of series ranging from a revived Maigret circa 2004(Bruno Cremer) and Frank Riva (Alain Delon) to the gritty Blood On The Docks (Le Havre) and the refined dramatizations of other Simenon tales. Others have jumped in: Austria, Germany (several) and all the Scandinavians. The former, Anatomy of Evil, offers us a dark yet riveting set of mysteries featuring a taciturn middle-aged police psychiatrist. Germany'sgem, Homicide Unit -- Istanbul, has a cast of talented Turkish Germans who speak German in a vividly portrayed contemporary Istanbul. Shows from the last mentioned region tend to be dreary and the characters uni-dimensional, so will receive short shrift in these comments.

Most striking to an American viewer are the strange mores and customs of the local protagonists compared to their counterparts over here. So are the physical traits as well as the social contexts. Here are a few immediately noteworthy examples. Tattoos and ****** hardware are strangely absent -- even among the bad guys. Green or orange hair is equally out of sight. The former, I guess, are disfiguring. The latter types are too crude for the sophisticated plots. European salons also seem unable to produce that commonplace style of artificial blond hair parted by a conspicuous streak of dark brown roots so favored by news anchors, talk show howlers and other female luminaries. Jeans, of course, are universal -- and usually filled in comely fashion. It's what people do in them (or out of them) that stands out.

First, almost no workout routines -- or animated talk about them. Nautilus? Nordic Track? Yoga pants? From roughly 50 programs, I can recall only one, in fact -- a rather humorous scene in an Istanbul health club that doubles as a drug depot. There is a bit of jogging, just a bit -- none in Italy. The Italians do do some swimming (Montalbano) and are pictured hauling cases of wine up steep cellar stairs with uncanny frequency. Kale appears nowhere on the menu; and vegan or gluten are words unspoken. Speaking of food, almost all of these characters actually sit down to eat lunch, albeit the main protagonist tends to lose an appetite when on the heels of a particularly elusive villain. Oblique references to cholesterol levels occur on but two occasions. Those omnipresent little containers of yoghurt are considered unworthy of camera time.

A few other features of contemporary American life are missing from the dialogue. I cannot recall the word "consultant' being uttered once. In the face of this amazing reality, one can only wonder how ****-kid 21 year old graduates from elite European universities manage to get that first critical foothold on the ladder of financial excess. Something else is lacking in the organizational culture of police departments, high-powered real estate operations, environmental NGOs or law firms: formal evaluations. In those retro environments, it all turns on long-standing personal ties, budgetary appropriations and actual accomplishment -- not graded memo writing skills. Moreover, the abrupt firing of professionals is a surprising rarity. No wonder Europe is lagging so far behind in the league table of billionaires produced annually and on-the-job suicides

Then, there is that staple of all American conversation -- real estate prices. They crop up very rarely -- and then only when retirement is the subject. Admittedly, that is a pretty boring subject for a tense crime drama -- however compelling it is for academics, investors, lawyers and doctors over here. Still, it fits a pattern.

None of the main characters devotes time to soliciting offers from other institutions -- be they universities, elite police units in a different city, insurance companies, banks, or architectural firms. They are peculiarly rooted where they are. In the U.S., professionals are constantly on the look-out for some prospective employer who will make them an attractive offer. That offer is then taken to their current institution along with the demand that it be matched or they'll be packing their bags. Most of the time, it makes little difference if that "offer" is from College Station, Texas or La Jolla, California. That doesn't occur in the programs that I've viewed. No one is driven to abandon colleagues, friends, a comfortable home and favorite restaurants for the hope of upward mobility. What a touching, if archaic way of viewing life.

The pedigree of actors help make all this credible. For example, the classiest female leads are a "Turk" (Idil Uner) who in real life studied voice in Berlin for 17 years and a transplanted Russo-Italian (Natasha Stephanenko) whose father was a nuclear physicist at a secret facility in the Urals. Each has a parallel non-acting career in the arts. It shows.

After viewing the first dozen or so mysteries of diverse nationality, an American viewer begins to feel an unease creeping up on him. Something is amiss; something awry; something missing. Where are those little bottles of natural water that are ubiquitous in the U.S? The ones with the ****** tip. Meetings of all sorts are held without their comforting presence. Receptionists -- glamorous or unglamorous alike -- make do without them. Heat tormented Sicilians seem immune to the temptation. Cyclists don't stick them in handlebar holders. Even stray teenagers and university students are lacking their company. Uneasiness gives way to a sensation of dread. For European civilization looks to be on the brink of extinction due to mass dehydration.

That's a pity. Any society where cityscapes are not cluttered with SUVs deserves to survive as a reserve of sanity on that score at least. It also allows for car chases through the crooked, cobbled streets of old towns unobstructed by herds of Yukons and Outbacks on the prowl for a double parking space. Bonus: Montelbano's unwashed Fiat has been missing a right front hubcap for 4 years (just like my car). To meet Hollywood standards for car chases he'd have to borrow Ingrid's red Maserati.

Social ******* reveals a number of even more bizarre phenomena. In conversation, above all. Volume is several decibels below what it is on American TV shows and in our society. It is not necessary to grab the remote to drop sound levels down into the 20s in order to avoid irreparable hearing damage. Nor is one afflicted by those piercing, high-pitched voices that can cut through 3 inches of solid steel. All manner of intelligible conversations are held in restaurants, cafes and other public places. Most incomprehensible are the moments of silence. Some last for up to a minute while the mind contemplates an intellectual puzzle or complex emotions. Such extreme behavior does crop up occasionally in shows or films over here -- but invariably followed by a diagnosis of concealed autism which provides the dramatic theme for the rest of the episode.

Tragedy is more common, and takes more subtle forms in these European dramatizations. Certainly, America has long since departed from the standard formula of happy endings. Over there, tragic endings are not only varied -- they include forms of tragedy that do not end in death or violence. The Sicilian series stands out in this respect.

As to violence, there is a fair amount as only could be expected in detective series. Not everyone can be killed decorously by slow arsenic poisoning. So there is some blood and gore. But there is no visual lingering on either the acts themselves or their grisly aftermaths. People bleed -- but without geysers of blood or minutes fixed on its portentous dripping. Violence is part of life -- not to be denied, not to be magnified as an object of occult fascination. The same with ****** abuse and *******.

Finally, it surprises an American to see how little the Europeans portrayed in these stories care about us. We tend to assume that the entire world is obsessed by the United States. True, our pop culture is everywhere. Relatives from 'over there' do make an occasional appearance -- especially in Italian shows. However, unlike their leaders who give the impression that they can't take an unscheduled leak without first checking with the White House or National Security Council in Washington, these characters manage quite nicely to handle their lives in their own way on their own terms.

Anyone who lives on the Continent or spends a lot of time there off the tourist circuit knows all this. The image presented by TV dramas may have the effect of exaggerating the differences with the U.S. That is not their intention, though. Moreover, isn't the purpose of art to force us to see things that otherwise may not be obvious?Read more at:http://www.marieaustralia.com | www.marieaustralia.com/short-formal-dresses
Derek Pascarella Mar 2013
A self-arranged route.
Ambitions led me forward.
Every step was to gain my adolescent aspirations.
I was confident.

When life was array,
The goals became my crutch,
My vitality,
The only reason to move, progress.

Idealistic and naive.
Blind and hopeful.
I meandered swiftly,
I gallivanted unsuspecting.

If I was to truly exist, I had to control my haste.
Oblivious to true adversity,
I needed to digest the lesson,
I needed to understand the complications.

Unexpectedly, the caveat stared at me.
I fought and clashed,
To only raise the white flag of surrender.
The battle was lost.

Who I was eluded.
I struggled through a sea of self-impediments.
I allowed myself to drown in the agony.
I did not have the armor to save me.

Through the fog, I heard songs that healed.
I held on to the words as they began to stitch me together.
I started to crawl,
I knew I would never be the same again.

I knew I had to start a crusade,
An onslaught against myself,
An onslaught against the organization.
I knew I would never be the same again.

As I raised armaments,
With the reinforcement in my ears,
I began to evolve.
The person I was became more substantial.

I had further tribulations ahead,
But I was more prepared, more capable.
I was humbled, yet proud.
The person I was became more unobstructed.

Through the misfortune,
My identity became solidified,
I reattained my dreams,
And I made efforts to get a steady hold.

I told myself I will not founder.
I told myself I could not relinquish.
For this was the war that would define me,
And I knew I must persevere.
Hakikur Rahman Feb 2022
Who goes to assignation, in a pleasant promenade of grove,
The flame of love is burning there
Which great warrior is singing melodiously?
In the middle of the unobstructed heart, the sound of the anklet jingling.
Who goes to assignation, in a pleasant promenade of grove.

Awake the night, taken the heart,
In the auspicious moment of moonlight
Very silently under the mimusops elengi
Said the words of the stored heart, inseparably.

So to ask, to whom to call in any tune,
The submerged heart remains full
The Jamuna flows exhausted
Even today, with painted eyes, what a picture to draw.

Who goes to assignation, in a pleasant promenade of grove,
The flame of love is burning there
Which great warrior is singing there?
In the middle of the unobstructed heart, the sound of the anklet jingling.
Fegger Apr 2012
Pretentious youth--
Fervent sapling, impatient
In your early hours;
Whimpering, persuading
Premature unfolding;
Quelling such desperate hunger.

Perhaps you dress so quickly
In fear that canopy elders
Will flout your need and
Consume all of your pledged sun.
Pliable and shallow rooted,
You elope toward unobstructed light;
But are remiss of your future.

Bent, curved, blossomed--
You will feed well
As the banquet is first set.
Yet, Summer shall find you
Strained within the shade;
And only narrow filaments
Flowing between green cloaks
On which to feed.

The advent of Autumn’s wind
Shall press firmly against
Your crooked breast; and
Displace your sipping feet.
You will flame quickly, blushing--
Then disrobe amongst the clothed.
Naked and unable to suckle
the sweet reserve
Ahead of Winter’s frozen grasp.
j Mar 2015
i'm a sunset
i have my days where i am not the brightest
i have my days where i never want to stop
i have my days where i am pale and calm
i have my days where i am bright pink and booming
   the days i beg to be seen
i am not always the most beautiful
i am not always noticed
sometimes i am shadowed by dark clouds hanging over my head
sometimes i am unobstructed and full of majesty
i am not always the best, you will not always like me
i am a sunset
i am temporary
i disappear and am born again
Take my heart,
****** your fingers through my chest -
let them reach. Rip, pull,
tear aside my weary flesh.
Scratch my decaying ribs,
rotten and weak.
Just a sharp, swift tug,
and they snap. Blood leaks,
as you pierce the arteries,
that keep my lungs captive -
chaining them within me,
so that they cannot rest, active
always, slaves to reflex.
Let them be free, at last
unbound, let them relax,
deflate, give up the air of past
days that took too long.
Toss them aside,
Useless and frail, taking
up space in your unrelenting hands,
they keep digging, though aching
and tired of brutality. Hatred
that once coursed through my veins,
now spilled and taken,
for your deathly gains.
Finally, unobstructed, a clear path
to my heart now drained
of life-giving blood is revealed.
Wrap your pale, blood-stained
fingers around it and pluck
the tendons 'till they break.
Grip more tightly, grab, clutch,
****** it from me, still and motionless.
Hold it up to the light, let me see
with my dead, hollow eyes
as you crush it in front of me.

Take my heart.

Crush my heart.

Take my brain.

Twist my mind.
Happy Halloween
Àŧùl Nov 2016
If you decide to come back,
With an open heart,
I'll keep my tools ready,
Performed will be an open-heart surgery,
Where an incision into your heart,
Will be made to remove the blockage,
Then love will flow unobstructed in your heart.

The various crap you read about love I meant,
That surely is the chief restricting factor,
It has cost you the pure true love,
It did cost you the caring nature of mine,
I've lost the will to live,
With my sad heart,
If you will rather not come.

My body has started revolting,
Pushed I am closer to oblivion,
Though my arms still long for you,
I have my second thoughts too,
Because if I die soon after marriage,
As is already most probable,
I don't want to widow you.

So I give you the modern window you seek,
The window to happiness & harmony,
Go ahead and grasp the opportunity,
Worry not about the blame,
Because I bear the responsibility,
Cost it would more lot of money,
I fear cancer for the expenses.

Fear I don't the cost,
There are few wellwishers,
Relatives and acquaintances,
Who might help me bear the cost,
Fear I do the ensuing loneliness,
**** me it would for sure,
I fear a quiet seclusion.

Because once I could bear it,
Twice it would rather **** me,
For I am not the immortal god,
Scared I'm as ending days ****,
Beckon me does a lonely death,
Death which I no longer fret,
But loneliness is a threat.

For she failed to cease my heart once,
She might as well fail even twice,
Death has had old scores with me,
Averted she was the last time,
Coz I suspect my own body now,
My happiness destiny will mow,
Give me it will grief of loneliness.
HP Poem #1257
©Atul Kaushal
13
Find yourself among the sea.
(We all know you'd **** to be clean)
You're dissolved memories rotting with purity
Unobstructed details of a killing spree.

You're ragged knots hanging in the tree
Vain attempts at writing new memories.
But god my god, you're too blind to see
Hell is with you in your veins as you sleep.

So bless me, or curse me, really
Whatever's easiest for you.
Your gut wrenching sorrow is getting old, too.

Do me a favor
Just once for me, please.
Count your blessings four by four by four
And with the scripture you hold to the highest degree
Shout to the condemned what exactly it is that you see.
Connor Feb 2016
The annual rose garden blushes beneath a soft dress
in May. My crooked puppet's shadow has subsided in the theater it came to make way for fairweather, protest, wet teal ink
flowering the walls as sunlight shines thru and the mechanical
blinking of shadowy eyes now spurred AWAKE.
An Appalachian mind gaze and spiderweb neon
smoke attaching it's warmth to every freckled cheek,
a mint kiss like the opening of a fir tree smelted into the
foggy earth.

Ceramics embroider the shop sills
and ceiling fans wave hello n farewell to every guest
each day longer than the last!
WANDERER slept
sound in the Nagakin Capsule Tower, few nights ago now,
had an idea, lost it, feather flowed it's way across Pacific
to my bedroom and I wrote about her here, and saw a Japanese tea ceremony flash by
her eyes/my eyes
a collective consciousness
sometimes years apart.

She, who's witnessed the debris of catastrophe,
standing over what was a golden vase
filled with Tulips
now ash, forgotten except for in a memorial vague outline
in the bewitched brain(s)
Visionary! Arms twitched to the rapture occurring in plain view of us all
VIOLIN rebounding intangible yet unmistakable sound
on a train in Tokyo city. Cement is damp with Spring's sweet rain,
her feet sore from all this walking!

I appreciate her travels, as they are at once my own,
a second-hand enchantment
the taste of green tea, cherries!
EXPLOSIVE FORMLESS ANIMAL WHITE
feather grazed my skin, startled.

This feeling??
something set free, a violent hue erratic
markings on the cave walls, the one from Plato's allegory,
watching fire light the shape of our bodies and some spectacular image displays itself invisible
but felt, undeniable!
Settled, fire transferred to our lungs.
We call this “ART”
we have left the cave, to Paris, to Senegal, to Jaipur,
to her and I and you.

Animal oh animal caged no longer,
howling paintings and smells to our eyes,
bitten our hands sharp with poetry,
this ghast who's empathy for strangers has made a rare few dizzy. Possession! Willingly accepted nocturnal entity and I write this because I can't help myself.

THIS IS WHAT CREATED THE MANDALA,
COLORS OF AN ANCIENT PEACOCK
LURKING WITHIN US TENDING THE FLORA
which takes inspiration from museums, from brief embers shot up in a chasm fireplace illustrating what we'll call Forever,
vocal alchemist who resides in descending faint harp and opera
a fountain in a mysterious lobby only visited by one person, once every few months,
birds shimmer in planted palms and a crystal ceiling expounds the details of travels to come,
an orb above like an observatory for our OWN universe.

APOLLO IN LAUREL
PIANO, ASIAN INFLUENCE,
Damien Hirst's “Beautiful darkness spreading to every corner of your mind painting"
framed holy upon the walls
Jean Cocteau's “The Blood of a Poet” projected also, side by side.
A painted face, a parrot imitating Sudhana

“This is the abode of those of unobstructed intellect and broad mind,
Enjoying the realm of space, free from dependence,
Penetrating all times, free from obstruction,
Clearly perceiving all being and becoming”
- Avatamsaka Sutra

I'm speechless!
She's speechless! Her Tokyo, admittedly imaginary. It's her private
Nagakin Capsule Tower. It's my private Temple, my private Cocteau,
shelves stocked with the poems I'll one day write.
Words which shall knock on my dented skull in sleep mostly, but other times I can't recall as of this moment (Get back to me in July)
retired to literary France
and caught in the quicksand of aging, perhaps medicine will be far along enough that I shall die at 173?
a stretch, but considering that sciences are pushing for immortality by 2045 (pfft)
we shall see.
(??)
Bearded and divine with love
and experience from Airplanes
free jazz, dramatics,
heart to heart, dense libraries,
evening walks to Montmartre
a hand to hold
a kiss to experience.
Meditations,
Rodriguez “Sugar Man” fades out
“Silver magic ships... you carry...”
Sung once by the European barista in British Columbia who kept me caffeinated with a double shot of espresso for guessing the song right which was playing..This just happened, but I realize it'll become such a faint memory by then.
Out and out and out and out there
Far beyond the reaches of consciousness that previously mentioned feather will gather with the other ideas and become the WHITE peacock, infinite.
Carrying us there as wintry atoms
snowdrops on it's back.
One life to another.
Anais Vionet Apr 2022
It’s hard to imagine almost three months of unencumbered fun. My Grandmère says it’s my first summer as an “adult.” Is it funny that I don’t yet see myself as an adult?

Her “frosh-end” gift to me is a summer of anything I want (chaperoned, of course, to counterbalance the nefarious strategic significance of our femaleness) with her secretarial minions coordinating tickets, booking travel, airfare and hotels. ***, we have SO much planned.

There’ll be travel, plisse bikini-covers, gas-station sunglasses, marathon-beach-walks, bright-dense-tangerine sunsets, Yamazaki flavored snow-cones, moonlight swangin, ***-positivity and righteous gratitude to my Grandmère for all this.

And there won’t be any deterministic nonlinear systems analysis or multicellular biology quizzes.

Leong isn’t going back to Macau (China) over summer break so I’m stealing her. She’s spending her entire summer with me. In June, my parents are off, for the rest of the summer, to Poland with “Doctors without borders,” so we become untethered. Of course, all of our plans are covid or WWIII dependent and thus subject to cancellation without prior notice.

In May, I’m going to show Leong life in America, well, Georgia anyway. I’ll introduce her to my old high school crew, show her life on the lake, and teach her how to play frisbee golf and of course, how to waterski. We’re going to Braves games, to see Bonnie Raitt, Barenaked Ladies, and Indigo Girls concerts - and that’s just May.

In June, when my folks leave for Poland, Lisa, Anna, and Sunny will join us for the rest of the summer. First, we’re off to Dublin, Ireland for a few days where we’ll see Duran Duran in concert. Then we’ll go to London and shop for day three of the Royal Ascot.

Day three, at Ascot, is “Ladies Day,” when they parade those hats “My Fair Lady” made famous. We’ll table in the Windsor Enclosure (the “cheap seats”) where you don’t have to wear a silly hat (Americans don’t DO that, do we?) and the dress code is slightly more relaxed. Don’t fret though, the royal family will carriage right by us (an unobstructed 30 feet away) at 2PM sharp and we’ll enjoy champagne, strawberries and 5-star cuisine as horses run for their lives.

In January, all we could talk about were Florida beaches - but that’s not the situation now - the Florida atmosphere just seems too straight-white toxic. So we’re staying euro-side and will drop to Saint-Tropez until we go see Olivia Rodrigo, in Paris, on June 22nd.

As you can see, it’s a lot - and I can’t wait!
I hope you have big plans - make big plans - life's too short!
BLT Marriam Webster word of the day challenge:
Minion: someone obeying the orders of a powerful boss
Nefarious: "evil" or "flagrantly wicked"

Slang:
Frosh = freshman
Swangin = dancing
josieboux May 2012
strokes, blurs

  rough chaotic blotches of color

invade a clean, blank canvas

somewhere inside

grey birds call to me

their songs bursting into blue flame

branches whine upon the shoulder of the air

secretly proud of their special burdens

black

black unobstructed markings

cry

their tears obscuring, concealing

so we cannot see it, feel it

cannot taste the bizarre sweetness

of a world untamed

of a life

unprotected by the shield

of a clean, blank canvas
I go to sleep again, eventually
After hours of fitful tossing,
Unwilling to surrender
To the nightly unknowing.

Some nights bring forgetting of everything;
Self, days, events, time, life itself.
Others fill themselves up
With a sort of coin, of wavering moonlight
Seen through the haze of obfuscating dewfall.

Reflections broken free from the sea of self
Raise unobstructed to float,
Hanging in the cooling ether of dreamscapes
Where in the fog nameless dogs bark
And dark landscapes prevaricate.

Where clocks do not follow rules,
Where gravity sometimes suspends
Or history rewrites itself.
Judgments come down and are executed
Beyond the dignity of reason.

Nights pass slowly through a watery realm
Where nothing is concrete,
As we wade clumsily through clumps of time,
Skip through a children's maze of nonsense riddles.

And when the knowledge of being in a dream
Pierces sporadically, through the body's paralysis
We awaken, amazed to find
That we are simply ourselves again,

Then we stretch back out, into the other dimension,
Ready to dream some more lines;
Sample some more realities
Till morning awakens us with hands
Of impatient brightness.

And abstraction slinks away
To wait for the next evenings
Entertainment of amnesia.
Beads of sweat stir up a line
Residents in queue, confined
Narrow long queues assure
A hope, a future, true of valor.

Agitated walks past cages and fences
Every minute a case of jitters
Mysterious that future
Unobstructed love or terror.

Simple little faces unaware
To those of creed and color beware
Where your place just might be
God is above, not here to see

One by one every wrist inked
Color of the ink embossed
That which will tell
Life beyond is hell

Inching past I stop before you
My eyes peer for you to be true
Birthright thrown and tossed
As a subject judged to be crossed

Wrist pulled forward
The stamp over the palette
Cruel eyes over me hover
"Sorry we do not have your color"
We need to put a stop to racism. We live in 2012. And it is kind of outdated when we hear snide remarks about our color or culture. Racism is not cool. Not cool you all.
Dylan Jan 2017
In a redwood forest some place along the way
where the morning light in quiet puddles lay
and the branches hung with garlands of dew
I let my thoughts kindly wander towards you.
Perhaps I fell asleep, though that's hard for me to think
because the passing time was measured with a blink.
I've seen some stranger things, but I acted first in fear
when resting on my lap was a white and golden deer.
Her fur was spun from the same fabric as the sky
which I was slowly petting as she opened up her eye.
I don't know what I thought it was that I would find
swimming in that unobstructed ocean of the mind,
but there I found a ship with sails of compassionate well-being
to the further shore, towards an existence worth believing
where everything arises in a dynamic play of harmony
always in accord with the unelaborated nature of reality.
Elizabeth Hynes Sep 2014
From me to you
No intercept
Please

Quiet message
Private
Unobstructed meaning
Meaning
Private
Dan Bolens Jun 2011
It’s sad really,
How something so complex can change in a few years.
Twelve becomes four,
Phrases become letters.
An entire global structure,
Now dust under a new foundation.
A conversation takes place in thin air,
Unobstructed by land or sea.
No dictionary tells them how to spell,
No teachers correct their grammar.
Languages torn to pieces,
Becoming harder and harder to piece back together.
A universal language is born,
The Tower of Babel is finished.
Words erased,
Meanings lost,
Books turned to ash.
The only thing left to do,
Is embrace it.
Welcom 2 d fucha,
Njoy wats lft.
For my Modern class.
Third Eye Candy Aug 2013
with an unobstructed view of god's boot -
can also be seen
my quaint Victory
Garden, with a babbling pond -
and fresh green shoots
seeping into your Koi Thoughts;  i trouble you
from dull slumbers
to great new heights
of lowdown
***** love.

and may i trouble you again ?
In the days where life is given to those,whose minds are yet unobstructed
birth takes place
in the days where lives are lost in a futile expression of man
war takes place
in the days where lips exchange touch, and bonds are given to the worthy
love takes place
in the days where words betray friends, the world listens for imperfection
a secret takes place
in the days where great toils mount great misfortune
poverty takes place
and in the days where i look, for us all, the unbiased reality of man
truth takes place
truth comes to those who seek it
Stephen E Yocum Oct 2014
It's as if it calls my name,
Mostly at night,
Near sleeps edge.
I feel the wind,
Smell it sweet and pure,
The plants and sage,
Even the rich dry earth,
All their scents are there.

The High Desert remains,
Like no other place, there is.
Steens Mountain
She beckons me too,
My roof-top sentinel
Of all I survey,
Vast vistas of startling,
Sun drenched, anointed
Wide open color rich land,
As far as the eye can see.

All so pleasantly devoid,
Of any trace of Human Beings,
I become solitarily lost as much,
As I choose to be.

With Blue skies so bright
and deep they take
your breath away.

At night the unobstructed
Black heavens are alive with
A mass of stars, the likes of which,
Most people on Earth have never
Seen with naked eyes alone.
Almost like an Astronauts view,
They appear endless and
Right at your front door.
A brightly illuminated Galaxy
Endless to infinity.

Pulsing lights vast and inspiring,
So close appearing you feel,
That you might bump your head,
Must even duck down a little,
Just to give them room.

Actually wept a few tears,
The first time I stood there,
Under the lighted umbrella of their spell.
No wonder the ancient peoples'
Worshiped the stars, the heavens.
Perhaps we all should.

To some, a High Desert is but
A wasteland of dirt and weeds.
Not true, rather it's a vibrant
Landscape alive with activity,
More Wildlife than I've ever seen,
In one place, at one time.
The landscape and the creatures,
Mostly left alone by man,
To thrive, grow and roam.
It's all as it must have been,
A thousand years ago.

Is it any wonder then,
I sometimes think I hear,
That beseeching wind,
Whispering it's invitation,
To my waiting ears?
Then barely contain myself,
Until I must return.
Tried to explain my affinity for
the above to a friend, she did
not get it, maybe now.

The desert resides at over 5000
feet of elevation.
Sits isolated and alone, the
nearest small town some 80 miles
away North. It's location, far from
any city lights gives it one of the
darkest and best skies for viewing
the heavens and the vast array of
stars that most people never see.  

The landscape is diverse and alive
if one takes the time to look closely.
I have traveled the world, seen many
landscapes but few of them as splendid.
And this one is mine.
I hope I have not blown it's cover and
will now attract a passel of people.
So please tell no one! LOL
I have thought of these words, not the ones you may hear when your body presses to the air, and the sound-waves go unobstructed, no the words lay here on a page, within a thought that didn't happen today but might show up tomorrow, recorded by the blood of bone, water, and metal, each etched mark, stains the memory of a time when oxygen was free and clean to breathe, finding out that the next moment these words are consumed, their meaning becomes a new personality, these thought words and the specific tact and errors, prolonging the flow from the head to the finger tips, thus causing minor adjustments, which make even the most thought out words seem like they have no true, maybe real, meaning, accused we stand, on trial, only a judge begging for a recess, but my closing statement is not finished.
I keep a thought journal with me everywhere I go and I wrote this poem inside it. the reason this is important is because when I am writing in the journal I never edit myself or stop the word flow unless the thoughts finally stop coming. But with my poetry I look over everything and edit until my words take on a personality of their own. I am pulled towards the gravity of something new.
It’s eleven a.m.
I’m in yesterday’s slip
I awake to the sound of the dog licking his lips

He’s in the room
At the edge of the bed
With an unobstructed view of my delectable head

I follow his stare
Which travels down my hips
His stomach churns, his saliva drips

Suffice it to say
If he's not swiftly fed
Yours truly here will soon be dead
I welcome you in
With the respect you are due
And listen to you
Without judgement or critique
I hear your concerns
And strive to understand them
I share my concerns
With honesty and respect
Acting together
We will find the solutions
To face the future
With unobstructed conviction
And uncondional love
Choka
Irina BBota Oct 2017
I almost believed that autumn came,
that rains castles of emotions have built.
Who is guilty of all those things?
The forest on the crust of sadness slipped.

In fall's eyes you see the leaves in the wind,
seeking happiness, weeping for the summer.
For nobody ever-ever told them
what is the meaning of a true autumn.

The days and dawns seem so far now,
the golden leaves flow in a theatrical way.
It was the end of the autumns ball,
they listen triumphantly on the unobstructed paths.

Autumn, with her untrustworthy sadness
returns again, sipping the light of the forest.
Looks like all is floating, resembling to a wave,
they curl and crumble from shore into shore.

The silent trees on the fall's fragile shoulders
are like leaves in the arms of rains soldiers.
With divine lights come through the enchanted glass
at the crossroad to give her one more kiss.

The autumn of soul is like a bouquet of wind,
like love-loving salvation wandering in thoughts.
The sap of love penetrates into the holy rains
with cold splashes, for having the last words.
Being alone is strangely freeing.
Now that you're gone, I have no one to answer to.
No one texting me constantly to see what I'm doing
And where I am and who I'm with.

Being alone is a cage with no bars.
I have all the time in the world and no one to share it with.
I'll watch a beautiful sunset, and try to pass my cigarette
To the outline of a woman that isn't there anymore.
Though your shadow still casts next to mine on my roof.

Being alone is enlightening.
With no idle chit chat to fill the air
My thoughts can now smoke out a room.
Every situation is either dreadfully awful or benevolently warm.
There is certainly a struggle for balance.

Being alone is stupefying.
I become so engrossed in myself I forget the world around me exists.
My cell phone sits in my pocket, a fossil of wires and plastic.
I find it now just to be an over sized paperweight.
Most time now spent in isolated contemplation.
There's always sunshine behind my tag-a-long rain cloud.

There is strength to be gained from solitude.
I now fully bare the weight of my unobstructed conscience.
My once feeble legs carry on like the hooves of the ox.
Once cold, I am now warm and inviting.
I greet each day with open arms and humble spirit.

Life is okay.
Even if I have to experience it alone,
Sometimes, it's not a bad thing.
I feel the warmth.
Redshift May 2013
i used to love walking
being one out of a big family
i could gather my thoughts
and think freely
unobstructed

now i hate walking
for the same
reasons
some thoughts are better left alone.
Christos Rigakos Mar 2014
Oh foolish man, do recognize your place,
Has changed, and what is now's no more as then.
She's planning to estrange her passion when,
She tells you solemnly she needs some space.

Do not agree, for it is not the case,
That she will merely wait within her den,
Return to you upon the count to ten.
Do not let go, and if you have, give chase!

For in that space of time you'd be apart,
She'll seek her courage, muster what she can,
To overcome the love, do what she ought,

And unobstructed, strangle her own heart,
Untethering to meet another man,
And render you a silent afterthought!

16:29, 3/23/2014
Italian (Petrarchan) Sonnet
Eli Grove Feb 2015
Aimless, in a desert of
strange colors I have never seen before.
Lost and wandering, wondering.
I find the sunburns oddly charming.
Dry skin, splitting lips,
and the constant crawl of sweat
on my baking, burning skin.
I know only the sky,
as empty as my jaded, coffin of a mind,
buried in Egyptian sands,
long forgotten by even the most dedicated archaeologists.
The sky is laughing at me,
my plight.
Contrary to popular belief,
it does rain here. But only for a moment,
the most brief whisper of hope that falls,
unobstructed, through my grasping, thirsty hands.
Or maybe that is my imagination.
Or, better yet, simple determination.
It's probably better not to ask questions.
The phantom rain is my only sustenance,
after all.
The Wordsmith Jun 2014
Oh, love, a pain so unbearably sweet,

    Riddled with joy, infused with tragedy,

    A task for the brave, a Herculean feat,

    An alluring disease, a malady

    Unobstructed by fate, untouched by time,

    It is the passion in every sorrow,

    The light, upon the destruction and grime,

    The uncharted path, a road not followed,

    Guided, by the iron shackles of fate,

    Steadied, by the hold of insanity,

    My friend, beware of those iron bound gates,

    Imbued with pride, alloyed with vanity,

    For I have been shot by Lord Cupid's dart,

    Leaving me now, with just a lover's heart.
ZT Jul 2016
I looked up to the sky
The moon was shining so bright
To me, it was shedding its light
Like its telling me everything's gonna be alright

Unobstructed by clouds
It  looked so full
Like it owned the entire sky

But for some reason,
it looked so lonely


And for some reason
I felt happy
knowing that I am not the only
one who is lonely

— The End —