People
Are like
Teacups

Some are pretty
Some are plain

Some have a saucer
Some don't

Some carry warmth within them
Some turn cold in a blink

Some are the favorites
That we see everyday

But some are lost in the dark
Without their existence being known


But in the end,
They're just teacups

When I think of you
                                                             ­                    I think of teacups;
for when my mind is blank                
                              
                                 ­  the thoughts of you manage to

                                               l
                                                      e
       ­                                                       a
        ­                                                              k

­                                                                 ­             inside my head.

S’io credesse che mia risposta fosse
        A persona che mai tornasse al mondo
        Questa fiamma staria senza più scosse.
        Ma perciocchè giammai di questo fondo
        Non tornò vivo alcun, s’i'odo il vero,
        Senza tema d’infamia ti rispondo.

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherised upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question…
Oh, do not ask, ‘What is it?’
Let us go and make our visit.

In the room the women come and go
Talking of Michelangelo.

The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes
Licked its tongue into the corners of the evening,
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.

And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to ****** and create,
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.

In the room the women come and go
Talking of Michelangelo.

And indeed there will be time
To wonder, ‘Do I dare?’ and, ‘Do I dare?’
Time to turn back and descend the stair,
With a bald spot in the middle of my hair—
(They will say: ‘How his hair is growing thin!’)
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin—
(They will say: ‘But how his arms and legs are thin!’)
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.

For I have known them all already, known them all—
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
  So how should I presume?

And I have known the eyes already, known them all—
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the ****-ends of my days and ways?
  And how should I presume?

And I have known the arms already, known them all—
Arms that are braceleted and white and bare
(But in the lamplight, downed with light brown hair!)
Is it perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
  And should I then presume?
  And how should I begin?

     . . . . .

Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows? …

I should have been a pair of ragged claws
Scuttling across the floors of silent seas.

     . . . . .

And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep … tired … or it malingers,
Stretched on on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in
     upon a platter,
I am no prophet—and here’s no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it toward some overwhelming question,
To say: ‘I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all’—
If one, settling a pillow by her head,
  Should say: ‘That is not what I meant at all;
  That is not it, at all.’

And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail
     along the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
  ‘That is not it at all,
  That is not what I meant, at all.’

     . . . . .

No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.

I grow old … I grow old …
I shall wear the bottoms of my trousers rolled.

Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.

I do not think that they will sing to me.

I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.

We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.

Moths float out from behind
an opened, warped door.
I push my face into your clothes,
hung heavy like pearls
in an antique shop.
Stale and familiar,
the scent follows me
like a lost little bee.
It buzzes even after I leave.

Hopscotch down the hallway
to find dead crickets
in the bathtub.
Scuffed wallpaper camouflages
a cobweb. Metallic vines
curve around bursts of petals.
I’m certain you chose this pattern,
but I don't know.

Memories are few.
I fill in the holes with honey
and arrowheads.
Indian feathers and
an old brooch.
Piles of pie.
Did you love to bake pie?

Games of bridge
on that old, scratched table top
with a musty deck of Bicycle cards.
Each deck a photo album
of your face.

Your raisined face.
I remember holding it in my hands.
“This aint a walk for old womans.”
And out the door I go.
Empty handed and independent.

tonight she is
tip-toeing
on
little peach teacups,
teetering
on tiny saucer plates,
and
relishing the
somber chimes
left on their delicate
frames

her toes
embroider doilies of the
Universe,
her smile a beam
of
Light
exuding from
a bewildered heart

from
setting to setting
she samples a
taste
of little cakes and cucumber sandwiches
before her,
but
continues
to float
over the tableware
until she meets
the warm embrace
of
morning's
sweet release

Tell your gods we call for blood
We're stirring hurricanes in your teacups.
It's an instant headache cure at the end of a barrel,
Though a worthwhile gauntlet to continue to breathe.

We’re stirring hurricanes in your teacups
It might be easier to crash and burn.
Though a worthwhile gauntlet to continue to breathe,
We should never measure our breaths to our steps

It might be easier to crash and burn.
Children die from the painful things they learn.
We should never measure our breaths to our steps,
But the dignity in life is too beautiful to regret.

Children die from the painful things they learn
It’s an instant headache cure at the end of a barrel
But the dignity in life is too beautiful to regret.
Tell your gods we call for blood

You eventually get tired of seeking answers to all of your problems when
You've reached your seventeenth birthday and you're bored of trying to change
Because you've managed to convince yourself that it is alright to be an artist
With only a teacup as your motivation to actually have an aesthetic.
You reconciled a long time ago that it wasn't worth the trouble
roaming the streets and picking up inspirations from everything that you see.
You developed a longing for someone who wasn't there and now you're clinging
Onto the void they left as you watch the dreariness of your life
Pass through phases you're too exasperated with trying to describe
almost every time you find yourself alone without your intention.
Sometimes you try,
beginning with, "It's funny how the coldest people can make your heart feel the warmest."
or
"I wish I didn't need to spend my life relining structures of my own heartache just to be able to exist functionally," but,
the rest of what comes out doesn't really correlate with what you feel
and everything you beautify now becomes everything that stops being real.
You had to learn how to strip everything away.
Now you fill your bedroom with thoughts until the lights go off because you're too tired
To say darkness is an excuse. It's not what inspires you anymore.
So you've allowed yourself to only listen to artistic thoughts you experience when you're staring at your grandmothers teacup.
She gave it to you before you even knew how to make tea and now every night before you go to bed you stare at it like it can give you something the streets of capital cities with
big towers and dark skylines looked up on the internet past midnight when you were
miserable couldn't and wouldn't unless you actually went there.
You sit at your table and drop the teabag into the cup, just like your grandmother showed you. You have no image of what contents are supposed to dissolve,
But you watch the water as it changes colors so quickly. Clear to brown,
Clear to green, Clear to red.
You watch the ripples like sound waves,
affecting everything from the centre of the cup to the edge of it.
Those ripples are so small but they will affect everything eventually.
You imagine little people, colonies, not exactly living in the water but living
In their own version of reality where water is to them what sound is to humans.
"I wonder what happens when someone drinks all of the music out."
"Nobody lives. That's what happens."
You then imagine plummeting and the way teacups are a lot like rivers which people throw pebbles in.
You see the curve of the ceramic, the paleness of the white over the blackness of the stripes next to it and the way the bottom of the cup is rounded whilst visible even when it's filled with dark liquid...
You then think of human bodies plummeting into rivers.
In a way stones are sort of like teabags and when people's emotional burdens are materialized
They sometimes take the form of both.
(Here's a burden- put it in your pocket and jump into a river. Tie it around a string and dip it into your teacup.)
It's so whimsical how clear it is how you feel about people.
You wish you weren't as desperate as this- to think that it was artistic to think about ending
Your pain at a time where everybody wouldn't notice you're awake.
But you know that they also think these but don't express it because they don't have a pain their trying to destroy with revelations of meaninglessness.
You have now changed your aesthetic into your coping-mechanism,
And nobody needs to know.

Every single night you stare at teacups and think about why you're here and why you're not.
You still haven't found a reason and now you wish you never thought about rivers before you drank your tea or even got out the teabags.
Because now when you see teabags, you only see stones.
And instead of dropping them into boiling water you want to put them into your pockets.
But it's your aesthetic and it is your art.
And you'll never stop doing it,
You'll never stop doing it...

The Checkout Line

I wish to speak with you
ten years from now, you'll be ten years behind.

The words and meanings you carry in your pants, the pick-pocket steals your hopes from time.
and the visions of empty trash receptacles
with their late evening drunken lovers' bouts, at restless end tables. And the bums with their ******* attitudes **** covered clothes, and soiled minds

the clarity of the curbside drunk, picking up shades of filtered cigarettes of twilight scandalous
pickup lovers in their evening best.

And to talk with you ten years from now, you'll be ten years behind.

They're Green Beret head ornaments
detailing the porcelain platforms of Delft
Lining up for one last line to carry them into another faded sunrise at dawn's forgotten memory of yester night
and they walk their gallows holding pride fully their flags of exalted countrymen.

The republic of teacups of literary proficiency.
Wearing the necklaces of paid tolls to an afterlife they find in the miniscule car crashes of engagement with a grinless driving mate in a neighboring car in its pass into the forethought of turned corners.
Where they befell the great disappointment of failure in the frosted eyes of their fathers' expectations.

Who carried the shame of their mother's incessant discontent through short skirts, and high heels.

Who disapproved of the **** whom wore the sneak-out-of-the-house-wear clothing line, and traveled by night over turbulent asphalt by way of sidecar through turn and turnabout hand-over-hand contracts of lover's affection, and slept in tall grasses of wet nightfall with views of San Francisco, and were trapped in the inescapable Alcatraz and Statesville of unconsenting parents and their curfews,

through trials and trails of Skittles leading to after school Doctor visits in the basement of a doting mother, whilst she sits quietly in her exclusive quilting parties with noble equities of partners in knowledge, listening to Edith Piaf and the like,

All the while condemned to time, trapped in the second hand, hand me downs of the 21st century, decades of decadent introverts with their table top unread notebooks, and old forgotten score cards, and the numbers of scholars of years past,

and to talk with you ten years from now will be my greatest pleasure, for you will be....ten year's behind.


They push the sterile elevator buttons, and descend upon the floor of scents flourishing from their crowded family rooms, only aware of distinctive flavors, in their middle eastern shades of desert gumbo,

Who speak ribbit and alfalfa until midnight of the afternoon, sharing fables of slaughtered giraffes and camels that walked from Kiev to Baghdad in a fortnight,

Who are aware the power is out, but continue to scour for candles in a dark room where candles once burned, where candle wax seals the drawers of where candles can be found. Where once sat gluttonous kings and queens in Sunday attire waiting for words of freedom from the North.

of Florence, Sochi,Shanghai
of Dempster, Foster, Lincoln
of Dodge, Ford, Shelby

Of concrete fortune tellers in 2nd story tenement blocks with hairy legs, and head lice, wearing beautiful sachets of India speaking ribbit and alfalfa.

On their unbirthdays they walk the fish tanks wearing their birthday suits to remind them who serves the food on the floors of the family room fish mongers tactics.

The old men wear gargoyles on their shoulders.

Lo! Fear has crept the glass marbles of their wisdom and fortune, blearing rocket ships and kazoos on the sidewalks of their Portuguese forefathers.

Where ancestry burns cigarette holes in the short-haired blue carpet, where Hoover breaks flood waters of insignificance across hard headed Evangelical trinities.

Who share construction techniques one early morning at four, where questions of Hammer and **** build intelligence in secondary faces of nameless twilight lovers, who possess bear blankets, and upheavals, finely wired bushes of ***** maturity. Eating *** and check, tongue and pen.

Where police caress emergency flame retardants over the fire between their legs, wielding the chauvinistic blade of comfort in the backseat of a Yellow faced driving patron.

With their innocent daughters with their nubile thighs, and malleable personalities, which require elite words and jewelry. Wearing wheat buns, Longfellow, and squire.

Holding postmarked cellular structure within their mobile anguish.

Who go curling in their showers, pushing afternoon naps and pretentious frou-frou hats over tainted friendships with their girlfriend's brothers with minimum paychecks'.

Through their narcissus and narcosis, their mirrored perceptions of medicinal scripture of Methamphetamine and elegant five-star meat.

Who amend their words with constitutional forgiveness, in their fascist cloth rampages through groves of learning strategies. And the closets, cupboards, and coins
with rubber hearts, steel *****, and gold *****,

Tall-tales of sock puppet hands with friendly sharing ******* techniques, dry with envy, colorful scabs, and coagulation of eccentric ****** endeavors, With their social lubricants and their tile feet wardrobes with B-quality Adidas and Reeboks gods of the souls of us. Who possess piceous syndromes of Ouiji boards in their parent’s basements.

When will fire burn another Bush? Spread the fire walls of Chicago, and part grocery store fields of food. Wrapping towels under the doors of smoke filled lungs, on the fingernails of a sleepover between business executives with the neoprene finish of their sons and daughters who attend finishing school, with resumes of oak furnishings,

And I long to talk with you ten years from now,
For you'll be talking ten years behind.

Who profligate their padded inventories breaking Mohammed and Hearst,
laying the pillows of cirrus minor
waiting for the rain to paint the eyes of the scriptures which waft through concrete corridors,
and scent the air with their exalted personas,

With the different channels of confusions, watching dimple past freckle, eating the palms of our tropical mental vocations to achieve purity from the indignation of those whom are contemptuous for lack of innocence in America,
this America, of lack of peace,
of America hold me,
Let me be.

Whom read the letters off music, blearing Sinatra and Krall, Manson where is your contempt?

Manson where is your manipulation of place settings?, you deserve fork and knife, the wounded commandments that regretfully fall like timber in an abandoned sanctuary of Yellowstone,
Manson, with your claws of the heart.
Manson, with your sheik vulgarity of **** cloaks exposing your ladies undercarriage,

Those who take their pets to walk the aisles of famished eyes,
allowing the dorsals of their backsides to wonder aimlessly through Vietnam and Chinaman,
holding peace of mind aware of their chemical leashes and fifteen calorie mental meals, holding hands, unaware of repercussion,

With their vivid recollections of sprinkler and slide, through dew and beyond,
Holding citrus drinks to themselves, apart from pleasure, trapped with excite from sunsets, and in-between.

Withholding reservation of tongue to lung.
Flowing ribbit and alfalfa, in the corridors of expected fragrance.

and to speak with you of ten years from now, will be a pleasure all my own, for you will be talking ten years behind.

They walked outside climbing over mountains of shrapnel, popped collars
and endless buffets of emotion,
driving Claremont all the way to art gallery premiers
and forever waited for plane crash landings
and the phone calls that never came

Glowing black and white cameras
giving modelesque perceptions to all-you-can-eat eyes
giving cigarettes endless chasms of light

Colored pavement trenches and divots
cliff note alibis
and surgery that lasted until the seamstress had gone into an
endless rest
and
empty cupboards

Classic stools painted with sleepless white smoke and bleached canvas rolling tobacco with the stained yellow window panes of feral tapestry and overindulgent vernacular

Like a satiated cheeseburger weeping smile simple emotion
on November the 18th celebrations
and Wisconsin out of business sales

Too much comfort, stealing switchboards from the the elderly, constantly putting gibberish into
effortless conversation.

Dormant doormats, with the greetings that never
reached as far as coffee table favelas,
arriving to homes of famished
furniture, awaiting temperate lifestyles and the window sill arguments from pedantic literacy

Silver shillings and corporate discovery clogged the persuasive
push and shove
to and from

Killing enterprise
loquacious attempt at too soon
much too soon
too soon for forever

Wall to wall post-card collages
happy reminders of the places never visited by drinks in the hands of
those received

Registered to the clouded skies of clip board artists
this arthritis of envy
of bathtub old age
wrinkled matted faces
logged with quick-fixes, anemia, and heart-break

disposed of off the streets
of youth, wheeling and wailing
rolling down striped stairs
of shock and arraignment
holding the hand rails of a wheelchair
suitcase
packed away in a life

Down I-37
into the ochre autumn fallen down leaves
and left memories behind
their green Syphilis eyeglasses

weeping tumuli
recalcitrant
mulish, furrow of beast and beyond

yelling, screaming, howling
at the prurient puerile tilling
of sheets

****** the voices of words
and vomiting the mind into the pockets of the turbulent perambulations
expelled from meat-packing
whispering condescension
and coercing adolescent obsessions
with fame, glamour, and *****

Creeping out into the naked
light of the Darger scale janitorial
closets, carrying the notorious gowns
of red wine spells, backpacks, and pins

henchmen, plaintiff, and youth

All the while
ripping at the incantations of the soul
whispering ribbit and alfalfa
in the guard-rail scars
of the dawns decadent forgotten

Porcelain skin,
white with rosy cheeks.
Lips sewn shut,
concealing her shrieks.
Knotted hair,
with pink pretty bows.

Smiling mouth,
lips red as a rose.
Eyes open,
staring at blank space.
Pretty dresses,
covered all in lace.

Broken teacups,
will soon fall apart.
Never revealing,
her lack of a heart.
Perfect girl,
with an alluring complexion.

Fails to see,
her and her reflection.
Flawless,
you can’t see her cracks.
Scarred,
only seeing whites and blacks.

Collecting dust,
sitting on a shelf.
Contemplating,
life itself.

Quaint with the ribbons soft
Another asking question laid
Will there be more to come
If the longer that I wait

Teacups drip the watered red
So thin a comparison drawn
I can flesh out the gaze
Moment by that dazzling dawn

Across with hands palm up
Mine atop your stubborn shoulders
Ease out the answer by
Removing Atlas from the boulder

Relaxed bands and flushed cheeks
Smile back reciprocating
The leaves rest below the lip
Strengthening the tasteful sting

A look into each other's pools
Limpid slow and restful now
Until our fingers rapping
Dance the waves together found

He once asked me, “Do I dare?” To which I reply
with quivering hands and wide open eyes
“How do we disturb what it is that we are?
After all, you yourself are not unlike a star.”
You see, all our lives we spend burning away
We give others light till the end of our days
And everyone else is of star-matter too
so can you not say that the universe is you?
So yes, we must dare to disturb our own minds.
We never know what possibility finds.
It may be art or a universe new.
The outcome depends on what you will do.
So dare if you wish and dare if you will
and dare the world until you have had your fill
because one of these days all our daring must cease
as we turn back to star-matter, reaching our peace.
And we flow on and on to the end of all time
and the universe finally frees our minds
and the mermaids are singing a song just for you
and there’s marmalade, teacups, and fresh peaches too
and the crest of your life has just truly begun
because if you’re a star, then you can be the sun
and the light you give off is a beautiful flare.
It inspires a young boy to ask, “Do I dare?”

when marco polo sailed to china,
kublai khan was the emperor of china.

or what other privilege can i speak of, if not that celebration
of the bilingual, there rooted, the sword in slavic
and the sheath in pseudo-Germanic;
for what violence is to come
it will always retract in the Germanic
for a time-period of two-faced thespian
pleasantries,
           without the need for pleasantries
already waiting bloodthirsty,
        as said, the common motto
more true now with ***** farms of turnip
donors than ever before,
science has become arrogant, almost religiously,
it's arrogant, it's arrogant, it's arrogant,
and because it's arrogant: it's blind.
       high expectations for words so grand they
fathomed nations to be used in between
kettles, teacups, knives, forks and napkins...
where's the equilibrium economy?
     well, for one this sort of work is deemed "work",
intellectualism is nothing in the post-Germanic
world of English and Americanism -
if you ain't singing (citing the motto): you
ain't thinking... for the quick buck, doctor.
it's sad and almost revealing,
          a cursed fate of our fathers' indentation
on the world...
                 you don't grow a beard to look smart
while holding a book using your upper-body
to wriggle the jig of a song, the vanity of having
a double chin...
       the principle of ensō is to have things intact,
ensō doesn't exist outside of poetry,
      you don't drink coffee in between and
then flick to a sitcom for a "creative" break
to what is: an already generic narrative.
prose is the excess of narration, there are sparks
along the way, but nothing as convincing
as Stendhal's omnus...
                and could i have simply abandoned
that quasi-epic poem of mine that's two days old?
only having realised that all said things prior
and now, subsequently, after are instilled within
the ensō principle that's less axe on the gallows:
and more guillotine; which translates into
symbols and the effectiveness of *less is more,
what's the standardising canvas? alcohol,
i.e. proof.
               a poem can be nearing 100% proof,
something you'd use in a surgical theatre...
i have drank spirits in the 90 - 99% range...
          a poem can be considered to be in the >50%
range... after all... people are able to memorise
poems, or are intended to do so -
which is hard to conceive the Koranic attitude
toward poets, the Koran states an abhorrence
towards poets, in some surah of so-and-so number...
my problem is with the Hafiz: people who memorise
the Quran... as suggested from the above:
prose literature can be considered to be in the <50%
range... hence the need to extract spoilers /
quotes from prose books... something memorable...
and because prose is laden with too much
narrative lead, it sinks to the bottom,
into the unconscious, and is only revised within
dreams, when something synonymously-parallel
happens to us in your daily-narrated lives:
we are more prone to narrate than think
in terms of Jefferson and the light-bulb...
i wish i had the encyclopedic reference point where
the Quran explicitly states hostility toward
poetry... but thankfully the mere existence of
the Hafiz undermines the Quran as: the poetry
to end all poetry; and where does Stendhal
come into this? in the Red & the Black, the protagonist
is also a "Hafiz", in that he can recite the entire
Biblical text: by heart. i retain the this fact even
though the days spent reading that book
extended to many hours on the bus to school...
Julien Sorel / Ewan McGregor (in the realisation
of the book onto the screen)...
if the Quran attacks poets for their fickle-mindedness
i can only say: the mind is very literally fickle
in the first place, given:
a. the number of choices we can make, and
   b. the reversal of where the mind is embedded,
i.e. in the brain, and given the brain's complexity
and foundation in polymathic expressions
from the gymnastics of trivia, to the labours of
  singled-out interests... poets aren't fickle
  minded because they're poets,
   we're universally fickle minded, because the mind
is a fickle thing in the first place...
  to counter the complexity of the brain,
    only when the mind is found migrating into
the ******* region or the heart is there any sense
of determination to be seen...
clearly Muhammad migrated from the brain
   got himself a mini-harem and established a family,
****** Ali over on an empty promise and
immediately established a schism that took much
longer to be established in Christianity...
       i told you: my prejudices are personal,
they're not environment, i did have Muslim "friends",
i did read the Quran and i did sit in a Reagent's Park
mosque in my socks looking at the feng shui
minimalism... obviously the schism would come
from the place where a major element was used
in dressing up the mosques... persian carpets...
   and the fact that the Farsi loved their poetry...
the fact that the Quran is to be sang is basically
one poet, telling all others poets to come:
YOUR WORK IS ****!
                     that's feeble, esp. if you take the sword
out after when people tell you no.
   but that's what i don't understand, if the Quran
is so against poetry, doesn't the existence of
the Hafiz mean that it actually is poetry?
  could you find a team of such plonkers to memorise
a single chapter of Tolstoy's war & peace?
  i ******* well doubt it...
plus the whole mono-lingual attitude toward it
means for me to argue certain points with some
Sheikh Ali-Baba would means years lost
   to hark out a word of arabic...
      point being, any chance to learn a new optical
encoding of sounds is impossible,
the one i already have has eroded such a potential:
plus the fact that it's so different...
plus i spotted some anomalies in the system i'm
using: here's it's saying java, .dos, linux...
               oh don't feel left out from the computer
programming community: turn the cheek and
say in robo-slo-mo: psi-borg     (Ψ-borg):
it's the crucifix of the psychology community anyway (Ψ)...    
        i inherited the difference between
   s & ś                         a & ą -
or as one ironic German phrasing had it, a long long
time ago on a Catholic retreat in the south of France
(Taizé): vey didn't oonderstand my good Inglish aacent,
you know how Arnie sounds, right?
just like that... became the running joke for a few years...
you basically learn an accent having spotted
  diacritical markings... having been raised in
a phonetic-realm where diacritical marks are used,
and then growing up in a phonetic-realm where
they are completely disregarded... well,
it's not hard not sound English and then lurking
in the shadows if someone is calling your ethnic origin
as vermin... having such a kind remark as this one
to further the entertainment... i heard
that in America there's that thing called "white-privilege",
and that you can't be racist to a white person
if you're a white person... well... you won't be getting
any jazz and blues out of me sweetiepie, that's for sure:
politics, unfortunately; and what better way
to state politics than with poetry, or the tact within
poetry: telling someone to go to hell with them
anticipating the trip.

There's a feeling I've felt hindering on the tip of my tongue, twirling with sawdust at the end of my bed. Its tingled my toes and tickled my nose and killed all hopes that this is just happiness.

Sleep is for figments and products of sanity, neither of which I can claim heritage. Well perhaps figments in the waking hours of the darkness, but that is a tale for another time.

I can feel his fingertips stroking my sides, reminding me what it is to feel human and vulnerable and perfect. Didn't know he boosted me ego and turned me into the self absorbed maniac you see before you today. Tyrant, remembrr? Oh wait, that's another tale altogether again.

I ramble in the night, in the morning, all the time. My thoughts wander with echoing clarity to encompass the truth about me; not everything is quite right. The teacups are lopsided at the unbirthday table tonight.

Yet again, speaking in riddles and stories unbeknownst to you. Stupid me, stupid Grace, stupider you. Why are you so open to my madness anyway? Maybe you're the crazy one.

This sick godlike embodiment I feel is one I forget isn't real, isn't me, isn't life. But wait. Its a part of me, so perhaps it is real as well? Call a jury, wake a judge, there must be a verdict on my elation. Am I a minor deity or are the synapses playing some cruel joke on my heartstrings?

Heartstrings, why did I bring them into this? I have shut them off for now, for they are dumb and deaf to honesty and logic and do whatever the hell they feel. Or is it whatever the heaven? I forget sometimes where the real misery is, or how the expression goes. I've never quite gotten everything right, being as upside down as I.

Insomnia brings out the manic in me, and I know its not real, but for a moment, just a moment, I belong. I am real, I am loved, I am powerful. Weak little Grace is no more, with her fears and contradictions. Just strength is left, and it is glorious.

Just remember not to let the heffelumps get you in the night, for they are the true evil behind your honey ***. Or am I a heffelump? I can't remember anymore.

This is going nowhere, everywhere, somewhere.

Wake me up inside before I destroy myself, or simply perpetuate my perfection with a caress of your hand. Whatever suits your fancy.

Call me Aphrodite and we'll call it a night after hours of mindblowing ***. But you expected that all along, of course you did, because you know my bones better than we both realize.

When you put your hands on me I feel ****. But yet again, right now I an perpetually **** and twitchy and awake and fake. Dare you to kiss me anyway.

Dare you to see me, psychotics and all.

Bet you'll run like the rest, yet like all good hiders its refreshing to be found every once in awhile.

Find me, and see. See the monster behind my beautiful eyes. That's the day when you'll see what true danger looks like; me.

Insomnia makes me odd, but yet again I'm always odd.

Little miss muffet sat on her tuffet, eating her curds and craves, for a man betwixt her to tell her she's killer and make her a siren next day.

Forget, no, yes, its all I do. Its not how that goes, for sirens are certainly not temporary. I am certainly a black widow every day, not just each odd thursday.

Go to bed, Grace. I beg of you.

Close my eyes and say goodnight to the beloved moon, for the sun is nearly up and it certainly hates me, I am sure of it.

Just never forget all this is wrapped up in one little old me. No one seems to remember that until its far too late, so might as well run now, because otherwise little miss muffet here on her tuffet will be the death of you.

because we fell in love with the law
and fell out of love with ourselves.

because the ***** of great minds
wear pineapple fatigues in their fathers’ *******;

from Judas swallowing 9 bullets
to one day being a kid at heart
a symptom of some abnormality.

Ever get the feeling that you’ll die on a Tuesday?

Or one day wake up on their government bed
Screaming,
“you can blame the French Revolution
On silent reading!”

watching

as three teacups of *** plan war on the asphalt.

Porcelain skin,
white with rosy cheeks.
Lips sewn shut,
concealing her shrieks.
Knotted hair,
with pink pretty bows.
Smiling mouth,
lips red as a rose.
Eyes open,
staring at blank space.
Pretty dresses,
covered all in lace.
Broken teacups,
will soon fall apart.
Never revealing,
her lack of a heart.
Perfect girl,
with an alluring complexion.
Fails to see,
her and her reflection.
Flawless,
you can’t see her cracks.
Scarred,
only seeing whites and blacks.
Collecting dust,
sitting on a shelf.
Contemplating,
life itself.

Gaining speed, the colors blur.
Desks and lights swimming, creating a new reality.
Watercolors blending, rivers merging.
Until you're faceless.

Spinning, swirling, spiraling.
Faster and faster.
Winds rushing, hair flowing.
Until you're nameless.

I'll have to stop eventually.
Let the top fall.
But until then I'll keep turning.
Until I'm free.

we own teacups
of porcelain   that
make up a couple
her always filled with coffee
mine with tea
this was what became
our morning routine
to spend time until the cups are emptied

we talk about irrelevant things
matters and thoughts that do not
have acquaintance with consequence
how it'd be possible to raise goldfishes in ***** bottle
we kept for remembrance or how many cookies could
the porcelain beauty we held so dearly possibly contain
sometimes we waste a good morning
watching wisps of steam          rise                    and vanish
like the way people seem to get out of sight after bidding goodbyes
after a certain distance they'd be nothing more than a sihlouette
and after time     slowly they get out of mind

one day you'd realize
that no longer can you conjure their sihlouettes   in memory     nor
can you remember the way they walked away
were they off in a hurry or their footsteps
heavy as the heart the carried that very winter morning
when snow didnt fall like predicted by the weatherman the night before
(and that was when you realised the weight of goodbyes)

these are the thoughts that occupy
my mind when I wash our cups
and notice (everytime) stain rings around the innerside of the cups
three quarters full of coffee          and half a cup of tea
we'd store the cups after
hers always facing left
they would sit silently       never a word of complain
as such nice mannered tableware,     cups are.
they'd wait silently for every next morning
to be filled,        coffee          and         tea.

I always thought of her          as a hot chocolate person
until one morning I saw sunlight caught in the dark lazy curls of her hair
until how the dark coloured liquid resembled the colour in her eyes
and came to a silent agreement with myself
how she suited coffee on lazy mornings the way
coffee suited her when she tipped her cup ever so slightly
and     sipped       like she'd found peace in mind
now I smile when she asks why I stopped telling her teacups are meant for tea
(that there are no absolutes in the things we do)

there are mornings she would wake to find me
already awake and silently staring at the rain pelted windows
legs crossed at the foot of the bed and singing
singing softly in russian

I'd end
always at Дорогая
and asks    if she
wants coffee.

When Mr. Apollinax visited the United States
His laughter tinkled among the teacups.
I thought of Fragilion, that shy figure among the birch-trees,
And of Priapus in the shrubbery
Gaping at the lady in the swing.
In the palace of Mrs. Phlaccus, at Professor Channing-Cheetah’s
He laughed like an irresponsible foetus.
His laughter was submarine and profound
Like the old man of the sea’s
Hidden under coral islands
Where worried bodies of drowned men drift down in the green silence,
Dropping from fingers of surf.
I looked for the head of Mr. Apollinax rolling under a chair

Or grinning over a screen
With seaweed in its hair.
I heard the beat of centaur’s hoofs over the hard turf
As his dry and passionate talk devoured the afternoon.
“He is a charming man”—”But after all what did he mean?”—
“His pointed ears…. He must be unbalanced,”—
“There was something he said that I might have challenged.”
Of dowager Mrs. Phlaccus, and Professor and Mrs. Cheetah
I remember a slice of lemon, and a bitten macaroon.

11/24/2013

I envy the
teacups,
that get to
touch your lips

I envy the
blankets,
that get to
touch your skin,
and keep you
warm

I envy your
bedroom walls,
which have seen you
smile,
and laugh,
and cry,
and sweat

I envy the
computer screen,
that gets to
stare at you
for hours
on end

I envy your
hair brush,
which is allowed
to run through
your hair,
like I wish
my fingers could

I envy
the stars,
which you look up to,
and talk to
when things get bad

I envy the
water,
that gets to
run along your spine,
and collarbones,
when you take
a shower

I envy the
stuffed animal,
that you sleep
next to
every night,
for I wish
it was me
instead

and I envy
everyone
that you talk
to,
for I wish
I could talk to you
instead

I envy
everyone,
and everything,
that gets to
touch you,
and look at you,
and listen to you,
for I can not
be there to
touch,
or look,
or listen

I am only
hundreds of miles
away

but I hope,
I wish,
I *pray,
that someday
I will replace
that teacup,
or those blankets,
or your bedroom walls,
or your computer screen,
or your hair brush,
or the stars,
or the water in the shower,
or your stuffed animal,
or everyone,
that gets to
touch you,
look at you,
and listen to you,
if only just
for a minute

© 2013 Chloe Perkins

late at night
when you want to sleep
and you can't
bear to surrender
press the strange button
disguised in your remote control
and your little television will flicker
with an odd and greyish picture
and you can hear my voice
and see another moment for a world--
pearls of wood tinkling
a wild woman hacking through a jungle of words
uncovering swirls
of teacups and curls
and tiny grey horses
sprouting antlers of moss
and dancers and jokers
and portraits of loss
each one of these threaded
through the path of destruction
she's hacking her way through
your television
while murmering
oh so quietly

then turn off the image
and lie down and rest
reassured by the knowledge
that out there in the world
there's something just as deranged
as you feel in your chest
and it's there as a gift of
tiny horses in teacups
for you if
you can find it.

I always walk up the stairs with a cup of tea filled to the brim. Not even walking just taking small steps periodically just in case the tea spilled. Sometimes I made it to the top and sometimes I spilled it and I would have to come back downstairs, go the the kitchen, get a paper towel, wipe up the mess, throw the paper towel away and try again.

It was a very tedious Task.

My mother used to yell at me for the times I get too lazy to clean up the mess and just allow the tea to dry up on the floor to stick.

When I was twelve I realized how many times I allowed the tea to dry up. Most of the time I didn't even care if all the tea spilled by the time I got to the last staircase. The boiling hot tea spilling on my feet and the carpet and the granite didn't bother me. My mind was wayward- somewhere unknown. My thought process didn't care to think about my mother after a hard days work coming home to yell at her old enough daughter to stop drinking upstairs. She used to get so mad at me sometimes wondering why I always said "I don't care,".

She used to despise me for it, and I did too.

Maybe I liked how the tea burned my feet causing me to walk faster, maybe I liked the pain. Maybe I was too busy to care about the abundance of spills maybe I wasn't. Maybe I just didn't care.

The whole world stopped spinning for me but my mind didn't. I loved leaving a trail of sweet hot tea for me to follow again and again, my mother didn't.

Finally my mother broke all the teacups and threw away all the tea we had in the house. In all honesty I freaked out. I could've ripped the whole house from its foundation and throw it toward the horizon. I could've take matches and burn the place down letting its ashes fill the toxic sky. I could've done all of that.

But I didn't. I disintegrated into my covers and let my bed seep me in, like tea leaves brewing. I was brewing.

And like the perfect cup of tea, I finally became that dark, rich color with the perfect amount of milk and sugar, placed onto a saucer that was the right size. I the ridges kept me in place and the walk upstairs wasn't so bad anymore.

It's London, all the time,
when at night I close my eyes,
it's when and where I get to roam and dwell,
in the city I know inside-out so well,
where all the narrow streets and cobbled stones,
teacups, pint glasses, and fresh scones,
lend themselves into the misty English air,
of London's ancient, yet so modern flair,
of Piccadilly, and Hyde Park Corner's box,
riding Black Cabs, or a big Red Double-Bus,
evening gas-lamp walks with ol' Saucy Jack,
fish and chips and shandys for a perfect snack;
then the changing of The Guard at Buckingham,
where native Cockney's and young mums with prams,
gather for a view of Lizzy's Royal Family Show;
but, my, how rich the April sun sets and does glow,
over the rolling raging river Thames of yore,
where ancient Roman armies marched to shore,
proclaimed: LONDINIUM! -the regal rest,
of civilised peoples and the Royal Crests,
where lives and deaths would go and come,
yet The City despite all odds has lost and won,
in the hearts, souls and minds of all who take,
great London as their true hearth and home to stake,
and arise and fall the poet's versing nights and days,
whilst Big Ben chimes his toll in the foggy haze;
and alas, London from my slumber dissipates,
to that of which I yearn and love, asleep or wake,
knowing where my home of soul-keep lies divine:
in London, my dear London; it's London, all the time.
__
London:
http://beautyineverything.com/3366195864

When I was seven, my best friend and I used to dress up and have tea parties. We wore the torn, hand-me-down dresses from my cousins like they were gowns straight out of a princess’s wardrobe, and we were beautiful. We would prance around my room with purple plastic teacups, and there was no better place to dine than the blue **** carpet from Goodwill.

When I was seven I wanted to be a dancer. Not just a ballerina, no. I wanted to do everything. I watched with rapt attention as my cousin’s modern class tumbled to the floor of the stage, and as I stared at their neon colored tank tops and black jazz pants, it seemed that my world made sense. It seemed that as long as I was there on stage, dancing with the same skill and emotion and passion, I would be beautiful.

For my eighth birthday, my friend gave me the sixth Harry Potter book. My favorite character was Hermione. At recess, we would tie the sleeves of our red uniform sweaters around our necks and run around the blacktop pretending to play Quidditch. I thought Harry was smart and cunning and funny, but Hermione. Hermione was full of enthusiasm and rules and always made friends even if they were only in her head. She was top of her class with hair that everyone noticed and her brain was bigger than her group of friends at lunch and that was okay because she was like me. I never thought Hermione was beautiful. She didn’t need to be. Her bushy hair was full of intelligence and her buck teeth were strong enough to bite off the tongues of her oppressors and her dull, brown eyes weren’t dull at all because even the Whomping Willow began as a patch of dirt.

Hermione wasn’t beautiful like a garden. Her fiery eyes were dancing with flames that could wipe out an entire forest without even breaking a sweat. I have never wanted to be beautiful like a garden or the sunlight on the Fourth of July. As I tumble onstage in a blue dress with a tear in the front, my feet are ***** and my palms are sweaty and not one girl has brushed her hair. Footsteps pound the floor like a mighty pride of lions and hearts race as the bass drops and I am not a garden. Don’t you dare call me beautiful.

A little more tea Miss? His voice suddenly grasps me back to reality.
His politeness has always been
his best quality.

Yes Jerry, some more tea
will be fine.
I wouldn't say, but lately
I do prefer to drink wine.

His old shaking hand pours just enough, like his butler hand was taught.
Into the finest pink teacups my grandmother once bought.

How I long for my childhood days where I didn't need to sit and drink tea all day.
How I long for the days I was still young and free to play.

Now it's me and my lady like life,
where I'm only allowed to dream about becoming a mother and wife.

-ZvZ-

First, are you our sort of a person?
Do you wear
A glass eye, false teeth or a crutch,
A brace or a hook,
Rubber ******* or a rubber crotch,

Stitches to show something's missing? No, no? Then
How can we give you a thing?
Stop crying.
Open your hand.
Empty? Empty. Here is a hand

To fill it and willing
To bring teacups and roll away headaches
And do whatever you tell it.
Will you marry it?
It is guaranteed

To thumb shut your eyes at the end
And dissolve of sorrow.
We make new stock from the salt.
I notice you are stark naked.
How about this suit----

Black and stiff, but not a bad fit.
Will you marry it?
It is waterproof, shatterproof, proof
Against fire and bombs through the roof.
Believe me, they'll bury you in it.

Now your head, excuse me, is empty.
I have the ticket for that.
Come here, sweetie, out of the closet.
Well, what do you think of that ?
Naked as paper to start

But in twenty-five years she'll be silver,
In fifty, gold.
A living doll, everywhere you look.
It can sew, it can cook,
It can talk, talk , talk.

It works, there is nothing wrong with it.
You have a hole, it's a poultice.
You have an eye, it's an image.
My boy, it's your last resort.
Will you marry it, marry it, marry it.

Broken teacups,

Melted candles,

Wild daisies.

Since you left I see traces of you everywhere,
Surreptitious I love you's.

I finally stumbled upon you in isle three of a restoration store yesterday.

Bali Bliss.

Funny, I had always pictured you more as a turbulent grey or sinful crimson, but it is just like you to hide in shades of blissful blues.

You have no idea how long I thought about that letter.
Or how many rough drafts I wrote, noted, and then ripped up.
Or how badly i thought I would throw up on the way there.
And did you notice how much I was shaking? and for a moment I forgot that anything had changed. That we don't speak anymore.
Then I left, still shaking, but I wish I could have, somehow, still been there.
Known what your parents said when the door slammed shut. Known what you did.
Did you look at them right away? or wait until you fixed your sleepy hair?
Did you walk into the kitchen because your mom wanted to see them? Spill them out onto the counter and she picks up the blue envelope and say, "What's this?" or did you run up to your room-up the stairs and to the right- close the door, sit on your bed, and pull them out carefully and gently?
Were you surprised when you pulled out the envelope? or did you just know that that's how I am?
Did you want to read it? or were you scared?
I wish I could have seen you open it, because I think I can imagine your careful fingers.
But not your eyes. I wish I could have seen your eyes. Because eyes are the windows to the soul and one time your soul was in love with mine.
Did you think , "oh, lined paper. that's just like her."? because that's what the point was.
Was the amount of "I'm sorry"s too much? or appreciated?
And what did you think when you turned it over? Did it make you hate me? or think of me?
Did you have to read it more than once to take it in?
And after you folded it back up, is it sitting on the table next to your bed? or maybe in the drawer or in a wallet or a box or a secret place that no one knows?
Did you relive our memories? or have you already blocked those out of your mind?
Did you fight back the urge to text me about it? or did you just already never want to speak to me again?
And I dont know why, but you told your friends about the letter but not what was in it.
Not waht it said. And if I could know one thing, it quite possibly could be why you didn't tell them what I had said.
Was it becaue you didn't want her to find out?
Was it to protect me from her?
or was it because it was special to you?
That, even though we are not together and we don't want to be and nothing will ever happen, nor should it, you feel the same way and there's still something there for you too?
Was it on your mind the whole day? or was it easy to forget?
and was your tweet at 1:32 a.m. about me?
Can I just pretend it was anyways? because it makes me feel better.
Do you miss talking?
I miss talking.
I miss you bringing me Mountain Dews and going to Roxberry every Monday night for three weeks and Zupas and doing homework together and Stairway to Heaven and taking two hours to say goodnight and shooting stars and talking about Paris and wanting to drop out of school and run away and Disneyland- Man do I miss Disneyland!- and California and watching the color show with your arm around me and Soaring Over California and you pushing me in your dad's wheelchair and holding hands and running to get onto the Ferris Wheel on time and you went in one of the nonswinging carriages for me and overlooking all of the park and I wanted you to kiss me but I was scared and we rode the Little mermaid ride with me a million times and we rode the teacups and you rode Dumbo with me and I felt like a little girl again and you walked through Sleeping Beauty's castle with me cause I love it so much and you got so scared when that little guy jumped out and I really liked you then and letting you drive my car and blasting music when it rains and going to concerts and you letting me choose the radio stations and going to Thanksgiving Point and you hating that salad that I loved and cuddling on my lawn in the freezing cold and "what would you do if I fell asleep right now?"  "I dunno. I'd probably stay here." "Good." and yeah it was a full moon and you sneaking out cause I was scared to death but you got caught and your mom was mad and I had to make cookies and write a note and I think she really hated me and my sparkly Paris shirt that got glitter all over you and "What should I write a poem about?" cause you were the only one I was comfortable enough with to ask that and hanging out with you and Thomas and how you couldn't figure out how to use the library and your truck and making bets on football games and helping you with your eagle project and I didn't know anyone that was there so I talked to your mom and then I stayed over probably for too long and we looked up music on iTunes and we never stopped texting and you making me muffins and trying to steal my phone and read it and how you told me that I made you want to be a better person and that you told me that you think I'm a good singer and how much you hated edamame but I don't know why and you always wanted me to try sea food and listen to your music and how you let me just come over and vent and cry to you when I was in a fight with my mom and I told you I wasn't going home and I would sleep in my car and you told me I could sleep in your basement and how understanding and kind you were.
and the only thing I can still say is I'm sorry.

I'm reading your favorite
book right now.

"tiaras and teacups"
reminds me of the innocence we all held at one point

"broken hearts and bitterness"
shows you how misery can change a lot about someone
you thought you knew

I was given a Pet Plant
like a dog
collar and all
Ohh wait
That's women

              ≁≁≁

She coughs up metaphors
like it's consumption and the 1920's
All that blood looks like freedom

              ≁≁≁

Tentacles like teacups
And I drink the poison

the teacups
pans
and plates

they all talk to me

i'm overcome with uncertainty

and no i'm not crazy

but silverware
appeals to
my senses

Dear Mister Splee, I have a story for thee.
A man of humble attire, went fo’ a walk on a dull wire.
Skilled he kept balance, with nothing but a lance.
With a great long stride, he made it to the other side.

Back he went from one side to the other,
he grabbed nineteen polar bears and a ladder.
He carried them across just for fun.
Amazingly it was all at once not one by one.

The whole audience,awed with just a glance,
While monkeys surrounded and began to dance.
He dropped the ladder down, until it reached ground.
And the monkeys climbed up, pouring tea in a cup.

The polar bears climbed down with elegant ease.
I swear one of them sneezed.
But skilled he kept them balance, with nothing but a lance.
The acrobats were on the trapeze, they looked humbly appeased.



Thirty elephants all whiny and giddy.
Climbed the ladder all silly nilly.
Rhinos and Tigers performed ballet.
I hope you might get to see their performance someday.

The monkeys now on tightrope now hung,
By their tails they now flung.
The humble man on tightrope did sat,
collecting the teacups into his hat.

The elephants dove from the top,
into a pool, splish, splish, splop! splop!
O how I wish fo’ you to see the Tigers dancing.
O how I wish fo’ you to see the Rhinos prancing.

A lion or two just fo’ show,
Jump through hoops caught on fire
And a smile caught my eye from the man on the wire
He jump off, down the ladder.

He walked up to me, with glee
and told me to “tell this to Mister Splee:
Come visit me O’ Mister Splee
This circus was designed just for ye”

I told Mister Splee
And a tear rolled down his cheek
Sadder than he could be
He said: “That circus has long since been dead.”

It's housework time again,
Should I hit the gin?
Time to vac.,
More dust in the sack,
Whoops, missed a bit,
This vac gives me the blip,
Now it's time for teacups,
Job done, ****** it up!