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Shofi Ahmed Mar 2018
The body is for life but must die—
yet there is an exception: not all is linear.
There is a feminine who momentarily dies
upon her unique creation—only to revive
before her Most Able Creator.
For her, no more death on Earth.

She was there before the first matter—
it was in the making before her most beautiful eyes.
The first and foremost luminary feminine
moved heartily, panning flawless flow,
aligning into the finest angles of the first matter,
across the nadir to the zenith.

Fathima's gaze shows it a mirror,
as matter takes shapes and forms.
But for one feminine true masterpiece—
she stands without a mirror.

Arts on the go—Fathima moves on.
Praise be to her Lord, who made her to measure—
mathematically perfect by birth—
gave her the Pi.

(Pi tends to circle the blank space within — feminine—
while the circumference of the circle — masculine.)

She can budge equally in light and in shadow,
in patternless pi decimals and in the open,
in integer and into a whole full number!

For 'the All'—the absolute One, Allah—
time and again she steps up but finds no floor.
Her measured steps, by default, turn 360-degree circles,
scanning everything on the go—still finding no bottom.

The Prophet Muhammad (peace be upon him),
the first luminary masculine, looks into the open.
Fathima takes the veiled angle—
looking through the evermore pi-decimal micro-hole,
witnessing the first matter: a water-drop,
surfacing up without base or roof.

It follows—truly a copy of the original feminine,
softly springing around serene water paints
all the matters to be created from within it.

Pious Fathima withdraws,
veils her reflection in it.
Instills a fine chip with her hair lock, and plots in
conceptual design: countless conditional Boolean gates,
preventing intersection between two circles—
her original and its congruent first natural matter.

The cosmos has not yet forgotten—
it still follows suit.

First, a star was born, stepping into Fathima’s shoe.
It tried—so did the full set of galaxies—
only to disperse into profound constellations,
never finding the bottom.

Amidst this water circle floats the first clay soil—
Allah SWT called it His House,
the first creation from it.
Every planetary orb pilgrimages around it at the core,
named the Ka'bah, rising up to the heart of the Earth.

Following the first masculine in the pre-design,
Fathima—the first feminine—
pilgrimaged around it,
not in the open,
but strictly under the patternless pi veil.

Nature is never uneven in the hand of the uneven pi;
every little fraction, every smallest decimal, counts—
connecting to the dot,
showing pattern or not.
Long live—the digital charisma is on the rise!

The sun rises and retraces back in the middle lane;
the black box scores at the end of the day—
it’s only a dark chart.

The Moon is yet to moon over an unturned sublunary dip;
it pulls the seas—the mighty watermass—
yet the Earth cannot sync fully into the feminine water cycle,
save only one—
with Fathima, floating out of the box, beyond reach.

Like millions ever wonder—
where Fathima’s grave is:
the Earth strived, too, to the death-bite
to print her footprint—yet could not.
Most of the mass visiting Medina look too see the grave of the holy lady Fathima. It has been a tradition since her death some fourteen hundred years ago. There are two graves where she is buried but which one is her is still unknown. Reportedly she wanted her grave to remain unidentified.
Vicki Kralapp Aug 2012
When I was just a child I went searching for my world,
one of sunlit days, adventure and beauty left unfurled.
Though these days were made to be the a key to set me free
I couldn’t have foreseen the cost that all of this would be.

As I look back on these memories I hoped to have it all,
I believed that love would listen and come answering my call.
I was certain love would find me as I filled my life with song.
Now I’d turn in all these moments for just the promise to belong.

At Oktoberfest with beer halls and the sound of German songs.
The mix of beer and smells of nuts floating through the noisy throngs.
Climbing  on the Untersberg up on Alpines mystic peaks
and attending cocktail parties with Gemany’s elite.

Climbing falls in Ocho Rios with some old and new found friends,
drinking coffee, eating lobster, and enjoying without end.
Driving through the darkened backroads from a day at Negril’s beach,
in a cab with songs of love and Marley counting down the beat.  

In Cancun lagoons were vivid and alive with swarming life,
seas of sergeant majors, parrotfish, and barracuda thrive.
in the Caymans packs of stingrays had become our closest friends,
as we played among them in  a world where the beauty never ends.

The fireworks over Sydney lit the bicentennial sky
while I look upon that moment now with disbelieving eyes.
Waves from the Prince of England as he sat by princess Di
when I left the land down under, well I felt like I would die.

As I watched the sun go down over Uluru’s gold peak,
and the sun rise over Daintree as we picked our morning feast.
digging oysters off the rocks by Nelligan’s foreshores,
I was certain with my best friend that I couldn’t want for more.

Remembering the ocean as I snorkeled though it brief,
in Queensland off the shore on Australia’s barrier reef.
The beauty in Belize nearly took my breath away,
and it seemed to me that God had made this gorgeous land to play.

Camping in the South Pacific beneath the skies and palms.
In the hills of South Dakota we went panning in the calm.
With the Eiffel tower, Louvre and Twilleries rounding out another day
And the visit to the gardens of Monet just made me cry.

It’s surreal to think of all the things I’ve done throughout this life,
and the blessings that I’ve gotten seem enough to make things right.
But the simplest adventure and the one I longed for most
was a man that I could count on and would love and hold me close.
All poems are copy written and sole property of Vicki Kralapp.
On the St Lawrence
going upriver today
there may be gold in them hills
that I see lay before me

I will do me some panning and see
what pans out,
panning is what my life's
all been about

a nugget or two will do
no need to be needy or
any need to be greedy
just taking some time and
what I pan will be mine.

Waters are cold the higher
I get
shingles
slippery
wet.

I'm reflecting
on a man with a pan in his hand
a grizzled old face
a gold wedding band.

When I head back downstream
it'll be
to champagne, caviar, real coffee with cream
or is that just an old prospectors pipe dream?
I see diamonds that flash off the noonday Sun
as if
running atop of the water
I'm rich,
but I wish it was gold.

It's silent mostly
except for the water and birds
and the words I cuss out,
did I mention
that's what panning is all about.

I scramble through the brambles that
grow over my mind and try to find
a way out,

I guess panning is about that too,
Michael R Burch Dec 2020
LOVE POEMS by Michael R. Burch

These are love poems written by Michael R. Burch: original poems and translations about passion, desire, lust, ***, dating, making out, relationships and marriage. On an amusing note, my steamy Baudelaire translations have become popular with the pros ― **** stars and escort services!



Sappho, fragment 42
translation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains
uprooting oaks.



Preposterous Eros
by Michael R. Burch

“Preposterous Eros” – Patricia Falanga

Preposterous Eros shot me in
the buttocks, with a Devilish grin,
spent all my money in a rush
then left my heart effete pink mush.



Sappho, fragment 155
translation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!



Sappho, fragment 22
loose translation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



I was so drunk my lips got lost requesting a kiss.—Rumi, loose translation/interpretation by Michael R. Burch



Negligibles
by Michael R. Burch

Show me your most intimate items of apparel;
begin with the hem of your quicksilver slip ...



Warming Her Pearls
by Michael R. Burch

Warming her pearls,
her ******* gleam like constellations.
Her belly is a bit rotund ...
she might have stepped out of a Rubens.



She bathes in silver
by Michael R. Burch

She bathes in silver,
~~~~~~afloat~~~~~~
on her reflections...



****** Errata
by Michael R. Burch

I didn’t mean to love you; if I did,
it came unbid-
en,
and should’ve remained hid-
den!



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath ...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?



The Effects of Memory
by Michael R. Burch

A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember

now that I cannot forget.

And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...

our soft cries, like regret,

... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...
now that I have forgotten her face.



Moments
by Michael R. Burch

There were moments full of promise,
like the petal-scented rainfall of early spring,
when to hold you in my arms
and to kiss your willing lips
seemed everything.

There are moments strangely empty
full of pale unearthly twilight
―how the cold stars stare!―
when to be without you is a dark enchantment
the night and I share.



The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
―feverish, wet―
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.

Then the only light was the moon on the rise,
and the only sound, the communion of sighs.



Righteous
by Michael R. Burch

Come to me tonight
in the twilight, O, and the full moon rising,
spectral and ancient, will mutter a prayer.

Gather your hair
and pin it up, knowing
that I will release it a moment anon.

We are not one,
nor is there a scripture
to sanctify nights you might spend in my arms,

but the swarms
of stars revolving above us
revel tonight, the most ardent of lovers.



For All that I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.



Who Can Understand Her?
by Michael R. Burch

Who can understand her? Can the stars,
uncertain in their radiant argosy,
who never saw such love, nor such desire,
as when she bent to tower over me,
her hair a perfumed waterfall descending,
and then her *******, and then—ah!—Ecstasy!



Le Balcon (The Balcony)
by Charles Baudelaire
loose translation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings―
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods ...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!

My translation of Le Balcon has become popular with **** sites, escort services and dating sites. The pros seem to like it!



Les Bijoux (The Jewels)
by Charles Baudelaire
loose translation by Michael R. Burch

My lover **** and knowing my heart's whims
Wore nothing more than a few bright-flashing gems;
Her art was saving men despite their sins―
She ruled like harem girls crowned with diadems!

She danced for me with a gay but mocking air,
My world of stone and metal sparking bright;
I discovered in her the rapture of everything fair―
Nay, an excess of joy where the spirit and flesh unite!

Naked she lay and offered herself to me,
Parting her legs and smiling receptively,
As gentle and yet profound as the rising sea―
Till her surging tide encountered my cliff, abruptly.

A tigress tamed, her eyes met mine, intent ...
Intent on lust, content to purr and please!
Her breath, both languid and lascivious, lent
An odd charm to her metamorphoses.

Her limbs, her *****, her abdomen, her thighs,
Oiled alabaster, sinuous as a swan,
Writhed pale before my calm clairvoyant eyes;
Like clustered grapes her ******* and belly shone.

Skilled in more spells than evil imps can muster,
To break the peace which had possessed my heart,
She flashed her crystal rocks’ hypnotic luster
Till my quietude was shattered, blown apart.

Her waist awrithe, her ******* enormously
Out-******, and yet ... and yet, somehow, still coy ...
As if stout haunches of Antiope
Had been grafted to a boy ...

The room grew dark, the lamp had flickered out.
Mute firelight, alone, lit each glowing stud;
Each time the fire sighed, as if in doubt,
It steeped her pale, rouged flesh in pools of blood.



The Perfect Courtesan
by Michael R. Burch

after Baudelaire, for the courtesans

She received me into her cavities,
indulging my darkest depravities
with such trembling longing, I felt her need ...

Such was the dalliance to which we agreed—
she, my high rider;
I, her wild steed.

She surrendered her all and revealed to me—
the willing handmaiden, delighted to please,
the Perfect Courtesan of Ecstasy.



Invitation to the Voyage
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

My child, my sister,
Consider the rapture
Of living together!
To love at our leisure
Till the end of all pleasure,
Then in climes so alike you, to die!

The misty sunlight
Of these hazy skies
Charms my spirit:
So mysterious
Your treacherous eyes,
Shining through tears.

There, order and restraint redress
Opulence, voluptuousness.

Gleaming furniture
Burnished by the years
Would decorate our bedroom
Where the rarest flowers
Mingle their fragrances
With vague scents of amber.

The sumptuous ceilings,
The limpid mirrors,
The Oriental ornaments …
Everything would speak
To our secretive souls
In their own indigenous language.

There, order and restraint redress
Opulence, voluptuousness.

See, rocking on these channels:
The sleepy vessels
Whose vagabond dream
Is to satisfy
Your merest desire.

They come from the ends of the world:
These radiant suns
Illuminating fields,
Canals, the entire city,
In hyacinth and gold.
The world falls asleep
In their warming light.

There, order and restraint redress
Opulence, voluptuousness.



What Goes Around, Comes
by Michael R. Burch

This is a poem about loss
so why do you toss your dark hair―
unaccountably glowing?

How can you be sure of my heart
when it’s beyond my own knowing?

Or is it love’s pheromones you trust,
my eyes magnetized by your bust
and the mysterious alchemies of lust?

Now I am truly lost!



Passionate One
by Michael R. Burch

for Beth

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.

Manna is "heavenly bread" and leaven is what we use to make earthly bread rise. So this poem is saying that one's lover offers the best of heaven and earth.



Second Sight
by Michael R. Burch

I never touched you―
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then―

eternally present
and Sovereign.



After the Deluge
by Michael R. Burch

She was kinder than light
to an up-reaching flower
and sweeter than rain
to the bees in their bower
where anemones blush
at the affections they shower,
and love’s shocking power.

She shocked me to life,
but soon left me to wither.
I was listless without her,
nor could I be with her.
I fell under the spell
of her absence’s power.
in that calamitous hour.

Like blithe showers that fled
repealing spring’s sweetness;
like suns’ warming rays sped
away, with such fleetness ...
she has taken my heart―
alas, our completeness!
I now wilt in pale beams
of her occult remembrance.



Love Has a Southern Flavor
by Michael R. Burch

Love has a Southern flavor: honeydew,
ripe cantaloupe, the honeysuckle’s spout
we tilt to basking faces to breathe out
the ordinary, and inhale perfume ...

Love’s Dixieland-rambunctious: tangled vines,
wild clematis, the gold-brocaded leaves
that will not keep their order in the trees,
unmentionables that peek from dancing lines ...

Love cannot be contained, like Southern nights:
the constellations’ dying mysteries,
the fireflies that hum to light, each tree’s
resplendent autumn cape, a genteel sight ...

Love also is as wild, as sprawling-sweet,
as decadent as the wet leaves at our feet.



Violets
by Michael R. Burch

Once, only once,
when the wind flicked your skirt
to an indiscrete height

and you laughed,
abruptly demure,
outblushing shocked violets:

suddenly,
I knew:
everything had changed

and as you braided your hair
into long bluish plaits
the shadows empurpled,

the dragonflies’
last darting feints
dissolving mid-air,

we watched the sun’s long glide
into evening,
knowing and unknowing.

O, how the illusions of love
await us in the commonplace
and rare

then haunt our small remainder of hours.



Smoke
by Michael R. Burch

The hazy, smoke-filled skies of summer I remember well;
farewell was on my mind, and the thoughts that I can't tell
rang bells within (the din was in) my mind, and I can't say
if what we had was good or bad, or where it is today.
The endless days of summer's haze I still recall today;
she spoke and smoky skies stood still as summer slipped away ...



How Long the Night
(anonymous Old English Lyric, circa early 13th century AD)
translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Shattered
by Vera Pavlova
translation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.
And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.
Suddenly, unthinkably, here he is,

taking my place.



The Darker Nights
by Michael R. Burch

Nights when I held you,
nights when I saw
the gentlest of spirits,
yet, deeper, a flaw ...

Nights when we settled
and yet never gelled.
Nights when you promised
what you later withheld ...



Moon Poem
by Michael R. Burch
after Linda Gregg

I climb the mountain
to inquire of the moon ...
the advantages of loftiness, absence, distance.
Is it true that it feels no pain,
or will she contradict me?

Originally published by Borderless Journal (Singapore)

The apparent contradiction of it/she is intentional, since the speaker doesn’t know if the moon is an inanimate object or can feel pain.



Because You Came to Me
by Michael R. Burch

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt, I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.



Insurrection
by Michael R. Burch

She has become as the night―listening
for rumors of dawn―while the dew, glistening,

reminds me of her, and the wind, whistling,
lashes my cheeks with its soft chastening.

She has become as the lights―flickering
in the distance―till memories old and troubling

rise up again and demand remembering ...
like peasants rebelling against a mad king.



Medusa
by Michael R. Burch

Friends, beware
of her iniquitous hair―
long, ravenblack & melancholy.

Many suitors drowned there―
lost, unaware
of the length & extent of their folly.



Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave―
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots’ soirees,
hearts barricaded, wise . . .
and then . . . annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
dawns’ indiscriminate sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees―
tall stakes where you and I
left childhood’s salt libations . . .

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.



Mingled Air
by Michael R. Burch

for Beth

Ephemeral as breath, still words consume
the substance of our hearts; the very air
that fuels us is subsumed; sometimes the hair
that veils your eyes is lifted and the room

seems hackles-raised: a spring all tension wound
upon a word. At night I feel the care
evaporate—a vapor everywhere
more enervate than sighs: a mournful sound

grown blissful. In the silences between
I hear your heart, forget to breathe, and glow
somehow. And though the words subside, we know
the hearth light and the comfort embers gleam

upon our dreaming consciousness. We share
so much so common: sighs, breath, mingled air.



Elemental
by Michael R. Burch

There is within her a welling forth
of love unfathomable.
She is not comfortable
with the thought of merely loving:
but she must give all.

At night, she heeds the storm's calamitous call;
nay, longs for it. Why?
O, if a man understood, he might understand her.
But that never would do!
Darling, as you embrace the storm,

so I embrace elemental you.



Duet, Minor Key
by Michael R. Burch

Without the drama of cymbals
or the fanfare and snares of drums,
I present my case
stripped of its fine veneer:
Behold, thy instrument.

Play, for the night is long.



honeybee
by Michael R. Burch

love was a little treble thing―
prone to sing
and (sometimes) to sting



don’t forget ...
by Michael R. Burch

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.

The opening lines were inspired by a famous love poem by e. e. cummings. I have dedicated this poem to my wife Beth, but you're welcome to dedicate it to the light-bending person of your choice, as long as you credit me as the author.



Sudden Shower
by Michael R. Burch

The day’s eyes were blue
until you appeared
and they wept at your beauty.



She Was Very Strange, and Beautiful
by Michael R. Burch

She was very strange, and beautiful,
like a violet mist enshrouding hills
before night falls
when the hoot owl calls
and the cricket trills
and the envapored moon hangs low and full.

She was very strange, in a pleasant way,
as the hummingbird
flies madly still,
so I drank my fill
of her every word.
What she knew of love, she demurred to say.

She was meant to leave, as the wind must blow,
as the sun must set,
as the rain must fall.
Though she gave her all,
I had nothing left . . .
yet I smiled, bereft, in her receding glow.



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation―all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold.
And you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



Heat Lightening
by Michael R. Burch

Each night beneath the elms, we never knew
which lights beyond dark hills might stall, advance,
then lurch into strange headbeams tilted up
like searchlights seeking contact in the distance . . .

Quiescent unions . . . thoughts of bliss, of hope . . .
long-dreamt appearances of wished-on stars . . .
like childhood’s long-occluded, nebulous
slow drift of half-formed visions . . . slip and bra . . .

Wan moonlight traced your features, perilous,
in danger of extinction, should your hair
fall softly on my eyes, or should a kiss
cause them to close, or should my fingers dare

to leave off childhood for some new design
of whiter lace, of flesh incarnadine.



Redolence
by Michael R. Burch

Now darkness ponds upon the violet hills;
cicadas sing; the tall elms gently sway;
and night bends near, a deepening shade of gray;
the bass concerto of a bullfrog fills
what silence there once was; globed searchlights play.

Green hanging ferns adorn dark window sills,
all drooping fronds, awaiting morning’s flares;
mosquitoes whine; the lissome moth again
flits like a veiled oud-dancer, and endures
the fumblings of night’s enervate gray rain.

And now the pact of night is made complete;
the air is fresh and cool, washed of the grime
of the city’s ashen breath; and, for a time,
the fragrance of her clings, obscure and sweet.



A Surfeit of Light
by Michael R. Burch

There was always a surfeit of light in your presence.
You stood distinctly apart, not of the humdrum world―
a chariot of gold in a procession of plywood.

We were all pioneers of the modern expedient race,
raising the ante: Home Depot to Lowe’s.
Yours was an antique grace―Thrace’s or Mesopotamia’s.

We were never quite sure of your silver allure,
of your trillium-and-platinum diadem,
of your utter lack of flatware-like utility.

You told us that night―your wound would not scar.
The black moment passed, then you were no more.
The darker the sky, how much brighter the Star!

The day of your funeral, I ripped out the crown mold.
You were this fool’s gold.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.



Unfoldings
by Michael R. Burch

for Vicki

Time unfolds ...
Your lips were roses.
... petals open, shyly clustering ...
I had dreams
of other seasons.
... ten thousand colors quiver, blossoming.

Night and day ...
Dreams burned within me.
... flowers part themselves, and then they close ...
You were lovely;
I was lonely.
... a ****** yields herself, but no one knows.

Now time goes on ...
I have not seen you.
... within ringed whorls, secrets are exchanged ...
A fire rages;
no one sees it.
... a blossom spreads its flutes to catch the rain.

Seasons flow ...
A dream is dying.
... within parched clusters, life is taking form ...
You were honest;
I was angry.
... petals fling themselves before the storm.

Time is slowing ...
I am older.
... blossoms wither, closing one last time ...
I'd love to see you
and to touch you.
... a flower crumbles, crinkling, worn and dry.

Time contracts ...
I cannot touch you.
... a solitary flower cries for warmth ...
Life goes on as
dreams lose meaning.
... the seeds are scattered, lost within a storm.



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.



If You Come to San Miguel
by Michael R. Burch

If you come to San Miguel
before the orchids fall,
we might stroll through lengthening shadows
those deserted streets
where love first bloomed ...

You might buy the same cheap musk
from that mud-spattered stall
where with furtive eyes the vendor
watched his fragrant wares
perfume your ******* ...

Where lean men mend tattered nets,
disgruntled sea gulls chide;
we might find that cafetucho
where through grimy panes
sunset implodes ...

Where tall cranes spin canvassed loads,
the strange anhingas glide.
Green brine laps splintered moorings,
rusted iron chains grind,
weighed and anchored in the past,

held fast by luminescent tides ...
Should you come to San Miguel?
Let love decide.



Vacuum
by Michael R. Burch

Over hushed quadrants
forever landlocked in snow,
time’s senseless winds blow ...

leaving odd relics of lives half-revealed,
if still mostly concealed ...
such are the things we are unable to know

that once intrigued us so.

Come then, let us quickly repent
of whatever truths we’d once determined to learn:
for whatever is left, we are unable to discern.

There’s nothing left of us here; it’s time to go.



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



Roses for a Lover, Idealized
by Michael R. Burch

When you have become to me
as roses bloom, in memory,
exquisite, each sharp thorn forgot,
will I recall―yours made me bleed?

When winter makes me think of you―
whorls petrified in frozen dew,
bright promises blithe spring forsook,
will I recall your words―barbed, cruel?



Nothing Returns
by Michael R. Burch

A wave implodes,
impaled upon
impassive rocks . . .

this evening
the thunder of the sea
is a wild music filling my ear . . .

you are leaving
and the ungrieving
winds demur:

telling me
that nothing returns
as it was before,

here where you have left no mark
upon this dark
Heraclitean shore.



First and Last
by Michael R. Burch

for Beth

You are the last arcane rose
of my aching,
my longing,
or the first yellowed leaves―
vagrant spirals of gold
forming huddled bright sheaves;
you are passion forsaking
dark skies, as though sunsets no winds might enclose.

And still in my arms
you are gentle and fragrant―
demesne of my vigor,
spent rigor,
lost power,
fallen musculature of youth,
leaves clinging and hanging,
nameless joys of my youth to this last lingering hour.



Your Pull
by Michael R. Burch

for Beth

You were like sunshine and rain―
begetting rainbows,
full of contradictions, like the intervals
between light and shadow.

That within you which I most opposed
drew me closer still,
as a magnet exerts its unyielding pull
on insensate steel.



Love Is Not Love
by Michael R. Burch

for Beth

Love is not love that never looked
within itself and questioned all,
curled up like a zygote in a ball,
throbbed, sobbed and shook.

(Or went on a binge at a nearby mall,
then would not cook.)

Love is not love that never winced,
then smiled, convinced
that soar’s the prerequisite of fall.

When all
its wounds and scars have been saline-rinsed,
where does Love find the wherewithal
to try again,
endeavor, when

all that it knows
is: O, because!



The Stake
by Michael R. Burch

for Beth

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.



The One True Poem
by Michael R. Burch

for Beth

Love was not meaningless ...
nor your embrace, nor your kiss.

And though every god proved a phantom,
still you were divine to your last dying atom ...

So that when you are gone
and, yea, not a word remains of this poem,

even so,
We were One.



The Poem of Poems
by Michael R. Burch

for Beth

This is my Poem of Poems, for you.
Every word ineluctably true:
I love you.



Enigma
by Michael R. Burch

for Beth

O, terrible angel,
bright lover and avenger,
full of whimsical light
and vile anger;
wild stranger,
seeking the solace of night,
or the danger;
pale foreigner,
alien to man, or savior.

Who are you,
seeking consolation and passion
in the same breath,
screaming for pleasure, bereft
of all articles of faith,
finding life
harsher than death?

Grieving angel,
giving more than taking,
how lucky the man
who has found in your love,
this -our reclamation;
fallen wren,
you must strive to fly
though your heart is shaken;
weary pilgrim,
you must not give up
though your feet are aching;
lonely child,
lie here still in my arms;
you must soon be waking.

"O Terrible Angel" is the title of my second collection of love poems for my wife Beth, who is more formally known as Elizabeth Steed Harris Burch.



She Gathered Lilacs
by Michael R. Burch

for Beth

She gathered lilacs
and arrayed them in her hair;
tonight, she taught the wind to be free.

She kept her secrets
in a silver locket;
her companions were starlight and mystery.

She danced all night
to the beat of her heart;
with her tears she imbued the sea.

She hid her despair
in a crystal jar,
and never revealed it to me.

She kept her distance
as though it were armor;
gauntlet thorns guard her heart like the rose.

Love! -Awaken, awaken
to see what you've taken
is still less than the due my heart owes!



Once
by Michael R. Burch

for Beth

Once when her kisses were fire incarnate
and left in their imprint bright lipstick, and flame;
when her breath rose and fell over smoldering dunes,
leaving me listlessly sighing her name...

Once when her ******* were as pale, as beguiling,
as wan rivers of sand shedding heat like a mist,
when her words would at times softly, mildly rebuke me
all the while as her lips did more wildly insist...

Once when the thought of her echoed and whispered
through vast wastelands of need like a Bedouin chant,
I ached for the touch of her lips with such longing
that I vowed all my former vows to recant...

Once, only once, something bloomed, of a desiccate seed:
this implausible blossom her wild rains of kisses decreed.



At Once
by Michael R. Burch

for Beth

Though she was fair,
though she sent me the epistle of her love at once
and inscribed therein love's antique prayer,
I did not love her at once.

Though she would dare
pain's pale, clinging shadows, to approach me at once,
the dark, haggard keeper of the lair,
I did not love her at once.

Though she would share
the all of her being, to heal me at once,
yet more than her touch I was unable to bear.
I did not love her at once.

And yet she would care,
and pour out her essence...
and yet -there was more!
I awoke from long darkness

and yet -she was there.
I loved her the longer;
I loved her the more
because I did not love her at once.



Twice
by Michael R. Burch

Now twice she has left me
and twice I have listened
and taken her back, remembering days

when love lay upon us
and sparkled and glistened
with the brightness of dew through a gathering haze.

But twice she has left me
to start my life over,
and twice I have gathered up embers, to learn:

rekindle a fire
from ash, soot and cinder
and softly it sputters, refusing to burn.



Will there be Starlight
by Michael R. Burch

for Beth

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Oh, will there be moonlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?



Kissin' 'n' buzzin'
by Michael R. Burch

for Beth

Kissin' 'n' buzzin'
the bees rise
in a dizzy circle of two.
Oh, when I'm with you,
I feel like kissin' 'n' buzzin' too.



The Quickening
by Michael R. Burch

for Beth

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own -
such kisses I had never known,
nor a heartbeat in my fingertips!



Let Me Give Her Diamonds
by Michael R. Burch

for Beth

Let me give her diamonds
for my heart's
sharp edges.

Let me give her roses
for my soul's
thorn.

Let me give her solace
for my words
of treason.

Let the flowering of love
outlast a winter
season.

Let me give her books
for all my lack
of reason.

Let me give her candles
for my lack
of fire.

Let me kindle incense,
for our hearts
require

the breath-fanned
flaming perfume
of desire.



If I Falter
by Michael R. Burch

for Beth

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
for even a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn -one moment less brightly,
one moment less true -
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.



Because Her Heart Is Tender
by Michael R. Burch

for Beth

She scrawled soft words in soap: "Never Forget, "
Dove-white on her car's window, and the wren,
because her heart is tender, might regret
it called the sun to wake her. As I slept,
she heard lost names recounted, one by one.

She wrote in sidewalk chalk: "Never Forget, "
and kept her heart's own counsel. No rain swept
away those words, no tear leaves them undone.

Because her heart is tender with regret,
bruised by razed towers' glass and steel and stone
that shatter on and on and on and on,
she stitches in damp linen: "NEVER FORGET, "
and listens to her heart's emphatic song.

The wren might tilt its head and sing along
because its heart once understood regret
when fledglings fell beyond, beyond, beyond...
its reach, and still the boot-heeled world strode on.

She writes in adamant: "NEVER FORGET"
because her heart is tender with regret.



She Spoke
by Michael R. Burch

for Beth

She spoke
and her words
were like a ringing echo dying
or like smoke
rising and drifting
while the earth below is spinning.

She awoke
with a cry
from a dream that had no ending,
without hope
or strength to rise,
into hopelessness descending.

And an ache
in her heart
toward that dream, retreating,
left a wake
of small waves
in circles never completing.



Virginal
by Michael R. Burch

for Beth

For an hour
every wildflower
beseeches her,
"To thy breast,
Elizabeth! "

But she is mine;
her lips divine
and her ******* and hair
are mine alone.
Let the wildflowers moan.



the last defense of Love
by Michael R. Burch

for Beth

... if all the parables of Love
fell mute, and every sermon too,
and every hymn and votive psalm
proved insufficient to the task
of proving Love might yet be true
in such a cruel, uncaring world...
the last defense of Love, my Love,
the gods might offer, would be You.



Your Gift
by Michael R. Burch

for Beth

Counsel, console.
This is your gift.

Calm, kiss and encourage.

Tenderly lift
each world-wounded heart
from its near-fatal dart.

Mend every rift.

Bid pain, "Depart! "
Help friends' healing to start.
Keep every reason to grieve
for your own untaught heart.



Rehearsal Reversal
by Michael R. Burch

The wonder of a first kiss
is:
the next will be better,
if less memorable...

and what’s unforgettable’s
this:
that, somehow,
although you just met her,

in the exchange of eclectic eyes
love came, an electric surmise,
with the smell of cordite hair
on a warm wool sweater

more than amply bosomed.
Use
any excess static to light
the fuse.

Fumble-fingered, her bra strap’s cinch
refuses to budge an inch
in either direction.
Who’s

ever prepared to be so stymied?
Smile,
lean back, drag, “relax” awhile
from practice imperfect. I’ll

leave you two jaybirds alone.
Yes, tomorrow she’ll
answer the phone,
show up for your first real date:

late, breathless, and braless!
(WAIT —
before you celebrate:
still celibate).



Reverse Strip
by Michael R. Burch

She cupped her ******* in cotton, wire-cinched,
pulled a pale taupe sheath across red-gilded toes,
across sun-auburned thighs, to midriff, rose,
paraded nimbly to her dresser, pinched
a winsome pair of *******—white with hearts—
between thumb and forefinger, just to show
how well she knew my taste. Then, bowing low,
she stepped into them (here, the music starts,
a vampish tune), slow-wriggled them waist-high.
She used her thumbs to snap elastic to
its proper place. She chose a slip—sky blue—
then shrugged it on, and patted down each thigh.

She then sat down and smiled (there’d be no dress),
uncrossed her legs, shrugged free one talcumed breast...



Dawn Flight
by Michael R. Burch

for Martin Mc Carthy

What is it about love
that defies explanation?—

the weightlessness of being,
the long elliptic climb

into darkness
amid the world’s constant uproar,

the sea’s black waves crashing
incessantly like thunder beneath us,

the long triumphant soar
into thinning contrails of nothingness,

like meteors through ether,
seeing the earth’s dark curve

outlined,
spinning softly beneath us...

gliding, suspended at last,
over the earth pliant and motionless...

feeling, suddenly, the vast
onrush

and illumination.



Of Transience
by Michael R. Burch

How many nights her vulnerability
leaned close and softly pressed its cheek to mine,
held fast by tiny buckled straps impressed
on shoulders white as swans’ white eglantine...

And many were the marks which left their trace,
then soon were gone. The thinnest finest veil
of ashen hair revealed her *******, betrayed
all that I wanted most, but still would fail

to keep me there till morning. For her sighs,
I kissed her lips in wonder; we became
one with the distant thunder. Love is wise
when it comes in flashes, streaking moonlit rain,

but leaves no mark—as transient, as bright
as the searing imprint lightning pens at night.



*******
by Michael R. Burch

It was not for the feast of docile eyes
she shed her latex jeans, her vinyl blouse;
it was not for the catcalls that her thighs,
black-gartered, parted slightly, to arouse
limp dreams, limp organs as onlookers cheered,
revealing paunches belts could not belay.
She shunned their touch, as lepers to be feared,
swerved half-way through her dance, then waltzed away.

But something in her eyes—a mystery
as old as lust, half-veiled by raven hair—
bespoke this certain knowledge: love is free,
but *** must have its fee, transport its fare.
They pay for what they want, and in return
she teaches them what men will never learn.



At the Natchez Trace
by Michael R. Burch

for Beth

I.
Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Beside me stands a woman,
a stanza in the song
that plays so low and fluting
and bids me sing along.

Beside me stands a woman
whose eyes reveal her soul,
whose cheeks are soft as eiderdown,
whose hips and ******* are full.

Beside me stands a woman
who scarcely knows my name;
but I would have her know my heart
if only I knew where to start.

II.
Not every man is as he seems;
not all are prone to poems and dreams.
Not every man would take the time
to meter out his heart in rhyme.
But I am not as other men—
my heart is sentenced to this pen.

III.
Men speak of their "ambition"
but they only know its name . . .
I never say the word aloud,
but I have felt the Flame.

IV.
Now, standing here, I do not dare
to let her know that I might care;
I never learned the lines to use;
I never worked the wolves' bold ruse.
But if she looks my way again,
perhaps I will, if only then.

V.
How can a man have come so far
in searching after every star,
and yet today,
though years away,
look back upon the winding way,
and see himself as he was then,
a child of eight or nine or ten,
and not know more?

VI.
My life is not empty; I have my desire . . .
I write in a moment that few man can know,
when my nerves are on fire
and my heart does not tire
though it pounds at my breast—
wrenching blow after blow.

VII.
And in all I attempted, I also succeeded;
few men have more talent to do what I do.
But in one respect, I stand now defeated;
In love I could never make magic come true.

VIII.
If I had been born to be handsome and charming,
then love might have come to me easily as well.
But if had that been, then would I have written?
If not, I'd remain; **** that demon to hell!

IX.
Beside me stands a woman,
but others look her way
and in their eyes are eagerness . . .
for passion and a wild caress?
But who am I to say?

Beside me stands a woman;
she conjures up the night
and wraps itself around her
till others flit about her
like moths drawn to firelight.

X.
And I, myself, am just as they,
wondering when the light might fade,
yet knowing should it not dim soon
that I might fall and be consumed.

XI.
I write from despair
in the silence of morning
for want of a prayer
and the need of the mourning.
And loneliness grips my heart like a vise;
my anguish is harsher and colder than ice.
But poetry can bring my heart healing
and deaden the pain, or lessen the feeling.
And so I must write till at last sleep has called me
and hope at that moment my pen has not failed me.

XII.
Beside me stands a woman,
a mystery to me.
I long to hold her in my arms;
I also long to flee.

Beside me stands a woman;
how many has she known
more handsome, charming,
chic, alarming?
I hope I never know.

Beside me stands a woman;
how many has she known
who ever wrote her such a poem?
I know not even one.



BeMused
by Michael R. Burch

You will find in her hair
a fragrance more severe
than camphor.
You will find in her dress
no hint of a sweet
distractedness.
You will find in her eyes
horn-owlish and wise
no metaphors
of love, but only reflections
of books, books, books.

If you like Her looks …

meet me in the long rows,
between Poetry and Prose,
where we’ll win Her favor
with jousts, and savor
the wine of Her hair,
the shimmery wantonness
of Her rich-satined dress;
where we’ll press
our good deeds upon Her, save Her
from every distress,
for the lovingkindness
of Her matchless eyes
and all the suns of Her tongues.

We were young,
once,
unlearned and unwise . . .
but, O, to be young
when love comes disguised
with the whisper of silks
and idolatry,
and even the childish tongue claims
the intimacy of Poetry.



She Was Very Pretty
by Michael R. Burch

She was very pretty, in the usual way
for (perhaps) a day;
and when the boys came out to play,
she winked and smiled, then ran away
till one unexpectedly caught her.

At sixteen, she had a daughter.

She was fairly pretty another day
in her squalid house, in her pallid way,
but the skies ahead loomed drably grey,
and the moonlight gleamed jaundiced on her cheeks.

She was almost pretty perhaps two weeks.

Then she was hardly pretty; her jaw was set.
With streaks of silver scattered in jet,
her hair became a solemn iron grey.
Her daughter winked, then ran away.

She was hardly pretty another day.

Then she was scarcely pretty; her skin was marred
by liver spots; her heart was scarred;
her child was grown; her life was done;
she faded away with the setting sun.

She was scarcely pretty, and not much fun.

Then she was sparsely pretty; her hair so thin;
but a light would sometimes steal within
to remind old, stoic gentlemen
of the rules, and how girls lose to win.



There’s a Stirring and Awakening in the World
by Michael R. Burch

There’s a stirring and awakening in the world,
and even so my spirit stirs within,
imagining some Power beckoning—
the Force which through the stamen gently whirrs,
unlocking tumblers deftly, even mine.

The grape grows wild-entangled on the vine,
and here, close by, the honeysuckle shines.
And of such life, at last there comes there comes the Wine.

And so it is with spirits’ fruitful yield—
the growth comes first, Green Vagrance, then the Bloom.

The world somehow must give the spirit room
to blossom, till its light shines—wild, revealed.

And then at last the earth receives its store
of blessings, as glad hearts cry—More! More! More!

Originally published by Borderless Journal



POEMS ABOUT POOL SHARKS

These are poems about pool sharks, gamblers, con artists and other sharks. I used to hustle pool on bar tables around Nashville, where I ran into many colorful characters, and a few unsavory ones, before I hung up my cue for good.

Shark
by Michael R. Burch

They are all unknowable,
these rough pale men—
haunting dim pool rooms like shadows,
propped up on bar stools like scarecrows,
nodding and sagging in the fraying light . . .

I am not of them,
as I glide among them—
eliding the amorphous camaraderie
they are as unlikely to spell as to feel,
camouflaged in my own pale dichotomy . . .

That there are women who love them defies belief—
with their missing teeth,
their hair in thin shocks
where here and there a gap of scalp gleams like bizarre chrome,
their smell rank as wet sawdust or mildewed laundry . . .

And yet—
and yet there is someone who loves me:
She sits by the telephone
in the lengthening shadows
and pregnant grief . . .

They appreciate skill at pool, not words.
They frown at massés,
at the cue ball’s contortions across green felt.
They hand me their hard-earned money with reluctant smiles.
A heart might melt at the thought of their children lying in squalor . . .
At night I dream of them in bed, toothless, kissing.
With me, it’s harder to say what is missing . . .



Fair Game
by Michael R. Burch

At the Tennessee State Fair,
the largest stuffed animals hang tilt-a-whirl over the pool tables
with mocking button eyes,
knowing the playing field is unlevel,
that the rails slant, ever so slightly, north or south,
so that gravity is always on their side,
conspiring to save their plush, extravagant hides
year after year.

“Come hither, come hither . . .”
they whisper; they leer
in collusion with the carnival barkers,
like a bevy of improbably-clad hookers
setting a “fair” price.
“Only five dollars a game, and it’s so much Fun!
And it’s not really gambling. Skill is involved!
You can make us come: really, you can.
Here are your *****. Just smack them around.”

But there’s a trick, and it usually works.
If you break softly so that no ball reaches a rail,
you can pick them off: One. Two. Three. Four.
Causing a small commotion,
a stir of whispering, like fear,
among the hippos and ostriches.



Con Artistry
by Michael R. Burch

The trick of life is like the sleight of hand
of gamblers holding deuces by the glow
of veiled back rooms, or aces; soon we’ll know
who folds, who stands . . .

The trick of life is like the pool shark’s shot—
the wild massé across green velvet felt
that leaves the winner loser. No, it’s not
the rack, the hand that’s dealt . . .

The trick of life is knowing that the odds
are never in one’s favor, that to win
is only to delay the acts of gods
who’d ante death for sin . . .

and death for goodness, death for in-between.
The rules have never changed; the artist knows
the oldest con is life; the chips he blows
can’t be redeemed.



Pool's Prince Charming
by Michael R. Burch

this is my tribute poem, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler!
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.

I used poetic license about what Louie Roberts was or wasn't drinking at the 1981 U. S. Open Nine-Ball Championship. Was Louie drinking hard liquor as he came charging back through the losers' bracket to win the whole shebang? Or was he pretending to drink for gamesmanship or some other reason? I honestly don't know. As for the word “chthonic,” it’s pronounced “thonic” and means “subterranean” or “of the underworld.” And the pool world can be very dark indeed, as Louie’s tragic demise suggests. But everyone who knew Louie seemed to like him, if not love him dearly, and many sharks have spoken of Louie in glowing terms, as a bringer of light to that underworld.



My wife and I were having a drink at a neighborhood bar which has a pool table. A “money” game was about to start; a spectator got up to whisper something to a friend of ours who was about to play someone we hadn’t seen before. We couldn’t hear what was said. Then the newcomer broke—with such force that his stick flew straight up in the air and shattered the light dangling overhead. There was a moment of stunned silence, then our friend turned around and remarked: “He really does shoot the lights out, doesn’t he?” — Michael R. Burch



Rounds
by Michael R. Burch

Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Now agony still hounds me
though elsewhere mirth abounds;
hidebound I stand and try to think,
not sink still further down,
spellbound.

Their ecstasy astounds me,
though drunkenness compounds
resounding laughter into joy;
alloy such glee with beer and see
bliss found.

Originally published by Borderless Journal



ANCIENT CHINESE EROTICA

The Song of Magpies
Lady ** (circa 300 BC)
loose translation/interpretation by Michael R. Burch

The magpies nest on the Southern hill.
You set your nets on the Northern hill.
The magpies escape, soar free.
What good are your nets?

When magpies fly free, in pairs,
why should they envy phoenixes?
Although I’m a lowly woman,
why should I envy the Duke of Sung?

A Song of White Hair
by Chuo Wen-chun (2nd century BC)
loose translation/interpretation by Michael R. Burch

My love is pure, as my hair is pure.
White, like the mountain snow.
White, like the moon among clouds.
But I lately discovered you are double-minded.
Thus, we must sever.
Today we pledged our love over a goblet of wine.
Tomorrow, I’ll walk alone
beside the dismal moat,
watching the frigid water
flow east, and west,
dismal myself in the bitter weather.
Should love bring only tears?
All I wanted was a man
with a single heart and mind,
for then we would have lived together
as our hair turned white.
Not someone who wriggled fish
with his big bamboo pole!
A loyal man
Is better than rubies.

Spring Song
by Meng Chu (3rd century AD)
loose translation/interpretation by Michael R. Burch

One sunny spring, either March or April,
when the water and grass were the same color,
I met a young man loitering in the road.
How I wish that I’d met him sooner!

Now each sunny spring, whether March or April,
when the water and grass are the same color,
I reach up to pluck flowers from the vines;
their perfume reminds me of my lover’s breath.

Four years, now five, I have awaited you,
as my vigil turned love into grief.
How I wish we could meet in that same lonely place
where I would have surrendered my body
completely to your embraces!

A Song of Hsi-Ling Lake
by Su Hsiao-hsiao (5th century AD)
loose translation/interpretation by Michael R. Burch

I ride in red carriage.
You canter by on dappled blue stallion.
Where shall we tie our hearts
into a binding love knot?
Beside Hsi-ling Lake beneath the cypress trees.

A Greeting for Lu Hung-Chien
by Li Yeh (8th century AD)
loose translation/interpretation by Michael R. Burch

The last time you left
the moon shone white over winter frosts.
Now you have returned through a dismal fog
to visit me, still lying here ill.
When I struggle to speak, the tears start.
You urge me to drink T’ao Chien’s wine
while I chant Hsieh Ling-yun’s words of welcome.
It’s good to get drunk now and then:
what else can an invalid do?

Creamy *******
by Chao Luan-Luan
loose translation/interpretation by Michael R. Burch

Scented with talcum, moist with perspiration,
like pegs of jade inlaid in a harp,
aroused by desire, yet soft as cream,
fertile amid a warm mist
after my bath, as my lover perfumes them,
cups them and plays with them,
cool as melons and purple grapes.

Life in the Palace
by Lady Hua Jui
loose translation/interpretation by Michael R. Burch

At the first of the month
money to buy flowers
for several thousand waiting women
was awarded to the palaces.
But when my name was called,
I was not there
because I was occupied
lasciviously posing
before the emperor’s bed.

The End of Spring
by Li Ch’ing-Chao
loose translation/interpretation by Michael R. Burch

The wind ceases,
now nothing is left of Spring but fragrant pollen.
Although it’s late in the day,
I’ve been too exhausted to comb my hair.
The furniture remains the same
but he no longer exists

leaving me unable to move.
When I try to speak, tears choke me.
I hear that Spring is still beautiful
at Two Rivers
and I had hoped to take a boat there,
but now I’m afraid that my little boat
will never reach Two Rivers,
so laden with heavy sorrow.

Sung to the tune of “I Paint My Lips Red”
by an anonymous courtesan or Li Ch’ing-Chao
loose translation/interpretation by Michael R. Burch

After swinging and kicking lasciviously,
I get off to rouge my palms.
Like dew on a delicate flower,
perspiration soaks my thin dress.
A new guest enters
and my stockings flop,
my hairpins fall out.
Pretending embarrassment, I flee,
then lean flirtatiously against the door,
******* a green plum.

Spring Night, to the tune of “Panning Gold”
by Chu Shu-Chen
loose translation/interpretation by Michael R. Burch

My jade body
remains as lovely as that long-ago evening
when, for the first time,
you turned me away from the lamplight
to unfasten the belt of my embroidered skirt.
Now our sheets and pillows have grown cold
and that evening’s incense has faded.
Beyond the shuttered courtyard
even Spring seems silent, forlorn.
Flowers wilt with the rain these long evenings.
Agony enters my dreams,
making me all the more helpless
and hopeless.

The Day Nears
by Huang O
loose translation/interpretation by Michael R. Burch

The day nears
when I will once again
share the sheets and pillows
I have stored away.
When once more I will shyly
allow you to undress me,
then gently
expose my sealed jewel.
How can I ever describe
the ten thousand beautiful,
sensual ways you always fill me?

Sung to the tune of “Soaring Clouds”
by Huang O
loose translation/interpretation by Michael R. Burch

You held my lotus blossom
between your lips
and nibbled the pistil.
One piece of magic rhinoceros horn
and we were up all night.
All night the ****’s magnificent crest
stood *****.
All night the bee fumbled
with the flower’s stamens.
O, my delicate perfumed jewel!
Only my lord may possess my
sacred lotus pond,
for only he can make my flower
blossom with fire.

Sung to the tune of “Red Embroidered Shoes”
by Huang O
loose translation/interpretation by Michael R. Burch

If you don’t know what you’re doing, why pretend?
Perhaps you can fool foolish girls,
but not Ecstasy itself!
I hoped you’d play with the lotus blossom beneath my green kimono,
like a ****** with a courtesan,
but it turns out all you can do is fumble and mumble.
You made me slick wet,
but no matter how “hard” you try,
nothing results.
So give up,
find someone else to leave
unsatisfied.

The Letter
by Shao Fei-fei (17th century AD)
loose translation/interpretation by Michael R. Burch

I trim the wick, then, weeping by lamplight,
write this letter, to be sealed, then sent ten thousand miles,
telling you how wretched I am,
and begging you to free my aching body.
Dear mother, what has become of my bride price?



Poems about Fathers and Grandfathers



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they've become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Sanctuary at Dawn
by Michael R. Burch

I have walked these thirteen miles
just to stand outside your door.
The rain has dogged my footsteps
for thirteen miles, for thirty years,
through the monsoon seasons...
and now my tears
have all been washed away.

Through thirteen miles of rain I slogged,
I stumbled and I climbed
rainslickened slopes
that led me home
to the hope that I might find
a life I lived before.

The door is wet; my cheeks are wet,
but not with rain or tears...
as I knock I sweat
and the raining seems
the rhythm of the years.

Now you stand outlined in the doorway
―a man as large as I left―
and with bated breath
I take a step
into the accusing light.

Your eyes are grayer
than I remembered;
your hair is grayer, too.
As the red rust runs
down the dripping drains,
our voices exclaim―

'My father! '
'My son! '



Sunset
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

Between the prophecies of morning
and twilight's revelations of wonder,
the sky is ripped asunder.

The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,

and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.

What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.



Sailing to My Grandfather
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

This distance between us
―this vast sea
of remembrance―
is no hindrance,
no enemy.

I see you out of the shining mists
of memory.
Events and chance
and circumstance
are sands on the shore of your legacy.

I find you now in fits and bursts
of breezes time has blown to me,
while waves, immense,
now skirt and glance
against the bow unceasingly.

I feel the sea's salt spray―light fists,
her mists and vapors mocking me.
From ignorance
to reverence,
your words were sextant stars to me.

Bright stars are strewn in silver gusts
back, back toward infinity.
From innocence
to senescence,
now you are mine increasingly.

Note: Under the Sextant's Stars is a painting by Benini.



Salat Days
by Michael R. Burch

for my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat...
though first, usually, he'd stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat―
how easy it was to find if you knew where to look for it...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

'Nobody knows that it's there, lad, or that it's fit tuh eat
with some bacon drippin's or lard.'

'Don't eat the berries. You see―the berry's no good.
And you'd hav'ta wash the leaves a good long time.'

'I'd boil it twice, less'n I wus in a hurry.
Lawd, it's tough to eat, chile, if you boil it jest wonst.'

He seldom was hurried; I can see him still...
silently mowing his yard at eighty-eight,
stooped, but with a tall man's angular gray grace.

Sometimes he'd pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name―'pokeweed'―while perusing a dictionary.

Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply...

'Well, chile, s'm'times them times wus hard.'



All Things Galore
by Michael R. Burch

for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch, Sr.

Grandfather,
now in your gray presence
you are

somehow more near

and remind me that,
once, upon a star,
you taught me

wish

that ululate soft phrase,
that hopeful phrase!

and everywhere above, each hopeful star
gleamed down
and seemed to speak of times before
when you clasped my small glad hand
in your wise paw

and taught me heaven, omen, meteor...



Attend Upon Them Still
by Michael R. Burch

for my grandparents George and Ena Hurt

With gentleness and fine and tender will,
attend upon them still;
thou art the grass.

Nor let men's feet here muddy as they pass
thy subtle undulations, nor depress
for long the comforts of thy lovingness,

nor let the fuse
of time wink out amid the violets.
They have their use―

to wave, to grow, to gleam, to lighten their paths,
to shine sweet, transient glories at their feet.
Thou art the grass;

make them complete.



Be that Rock
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

When I was a child
I never considered man's impermanence,
for you were a mountain of adamant stone:
a man steadfast, immense,
and your words rang.

And when you were gone,
I still heard your voice, which never betrayed,
'Be strong and of a good courage,
neither be afraid...'
as the angels sang.

And, O! , I believed
for your words were my truth, and I tried to be brave
though the years slipped away
with so little to save
of that talk.

Now I'm a man―
a man... and yet Grandpa... I'm still the same child
who sat at your feet
and learned as you smiled.
Be that rock.



Of Civilization and Disenchantment
by Michael R. Burch

for Anais Vionet

Suddenly uncomfortable
to stay at my grandfather's house―
actually his third new wife's,
in her daughter's bedroom
―one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas...

Lacking the words to describe
ah! , those pearl-luminous estuaries―
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser's fertile delta,
lands at the beginning of a new time and 'civilization.'

Leaving behind sixty miles of unbroken cemetery,
Alexander's corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.

Or so the people dreamed, in chains.



Keep Up
by Michael R. Burch

Keep Up!
Daddy, I'm walking as fast as I can;
I'll move much faster when I'm a man...

Time unwinds
as the heart reels,
as cares and loss and grief plummet,
as faith unfailing ascends the summit
and heartache wheels
like a leaf in the wind.

Like a rickety cart wheel
time revolves through the yellow dust,
its creakiness revoking trust,
its years emblazoned in cold hard steel.

Keep Up!
Son, I'm walking as fast as I can;
take it easy on an old man.



My Touchstone
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

A man is known
by the life he lives
and those he leaves,

by each heart touched,
which, left behind,
forever grieves.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt Sr. and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.

For fourteen years, he had not seen her
whom he first befriended,
then courted and married.

Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.

He never lost her; she only tarried
until he was able to meet her.

Keywords/Tags: George Edwin Hurt Christine Ena Spouse reunited heaven joy together forever



Poems about Mothers and Grandmothers



Dawn
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Bring your peculiar strength
to the strange nightmarish fray:
wrap up your cherished ones
in the golden light of day.



Mother's Day Haiku
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Crushed grapes
surrender such sweetness:
a mother’s compassion.

My footprints
so faint in the snow?
Ah yes, you lifted me.

An emu feather ...
still falling?
So quickly you rushed to my rescue.

The eagle sees farther
from its greater height:
our mothers' wisdom.



The Rose
by Michael R. Burch

for my grandmother, Lillian Lee, who used to grow the most beautiful roses

The rose is—
the ornament of the earth,
the glory of nature,
the archetype of the flowers,
the blush of the meadows,
a lightning flash of beauty.

This poem above is my translation of a Sappho epigram.



The Greatest of These ...
by Michael R. Burch

for my mother, Christine Ena Burch, and the grandmother of my son Jeremy

The hands that held me tremble.
The arms that lifted
fall.
Angelic flesh, now parchment,
is held together with gauze.

But her undimmed eyes still embrace me;
there infinity can be found.
I can almost believe such infinite love
will still reach me, underground.



Arisen
by Michael R. Burch

for my mother, Christine Ena Burch

Mother, I love you!
Mother, delightful,
articulate, insightful!

Angels in training,
watching over, would hover,
learning to love
from the Master: a Mother.

You learned all there was
for this planet to teach,
then extended your wings
to Love’s ultimate reach ...

And now you have soared
beyond eagles and condors
into distant elevations
only Phoenixes can conquer.

Amen

Published as the collection "Love Poems by Michael R. Burch"

Keywords/Tags: love, Eros, ******, erotica, passion, desire, lust, ***, dating, marriage, romance, romantic, romanticism
These are love poems written by Michael R. Burch: original poems and translations about passion, desire, lust, ***, dating, making out, relationships and marriage.
RKM Mar 2012
start with a bucket of dusted gravel
tip into a cold pan, a wriggling jungle of alphabet
gasps.

drown.
rock the pan of words in arms
agitating the line-breaks

the twisting plait of water
spurts the lightweight
sediment over the edge

to a scrap pool of dog-tailed idioms
the rest charges, a collage of schooled fish
the pulse in the rubble sinks

like a dictionary to the base.
ransack the salt-swamp of dazed stanzas
as a malnourished mole

catch a lump, grasp between digits
it twinkles under caked mud.
free it from parasite-adjectives

strain from the crocodile water
a chiseled torso of words in the rock
all along.
RKM Mar 2012
rocking the metal pan
side to side, agitate
the sand so swirling
  water
lets gravity push the
worthless sediment
over the edges into the
pool

gravel-dust gathers
momentum
swarming in a circular current
allowing the golden
nuggets to sink to the
base

fingers as feet through
quicksand
explore the grey salt-swamp
cold makes them slow and dumb
soft skin complains as grains
scratch skin a thousand times
toy fingernails clawing


catch a lump, hold it
between
thumb and finger, bulge with
fulfilment as your gobbet
glints beneath its caked mud
set the pan upon rocks
clasping tightly, pull the
stone through the pool,
freeing
it from the clinging dust
  
release it from the depths
of the crocodile water
and the ugly mound of
chalky mud submerged will
be caterpillar to
butterfly, a solid
gold nugget lying fat
on the face of your
soggy outstretched palm.
Shivani Lalan Mar 2015
And lights.

She looked a little pale
In the yellow light.
The spots had been
Changed to white.
And when the white
Couldn't hide her pallor,
She asked the makeup
To put on a brighter colour.
They didn't ask if she had eaten.
They tried once,
Came back browbeaten.
"Diet only for ma'am"
Her abdomen perfectly satisfied;
Her soul craving for more.

And camera.

The perfect shot
Ended with a sweeping glance
Across the set
At her hero all decked
In the knightly splendour.
She was a princess whom
He saved from a dragon.
Little did anyone know
That after a day's worth
Of angry cameras panning
Her face and scrutinising her life,
She needed saving
Mostly from herself.

And action.*

This time, a thriller.
She walks down the corridor set
- Director's thumbs-up,
To hunt down the culprit
Who snatched her family.
She gives the perfect action sequence,
Complete with blood trickles.
"An award winner, surely."
She is done with the shoot
And heads home, her van.
Someone is waiting.
He had been waiting since she left
Him that summer.
Waiting for an excuse, at first.
Then acceptance.
Then forgiveness.
She gave it her best performance,
But could not fake the relief
When he approached with an apology
And a gun.
In my series of pieces based on social problems, this is a poem about the life an actress battling something.... something that you can percieve in whichever manner you want to.
ZacharyBaca Jun 2017
I'm alone and I'm feeling stuck I feel the weight of an elephant sitting on my chest and  the pressure is unbearable. I'm in a different place but I feel like I see the same faces. I feel like somebody is after me and wants to **** me but I feel like that person lives inside of me. My stomach hurts because the pressure is building so I let out a yell from the very bottom of it. I can feel a hot rush to my eyeballs as my brain decompresses. I can feel the pressure agai Yelling is the only thing that helps. Still, I grab the first thing that I see and I throw it, it just happened to be a backpack through a windshield with a laptop in it. I want to hurt everyone who's ever hurt me and then I realize it was me hurting myself this whole time so I inflict another wound upon myself.



How did I wake up in prison again today when in last nights dream I got so far away. I love running away in my dreams because though I know I should be tired I never run out of breath so I'm able to cover quite a bit of ground when I run away from this place in my dreams. I also like to  breathe underwater. Right before I went to prison I was still flying freely in my dreams I could literally run and jump and fly from place to place but after three years in, I can't seem to get off of the ground. I'm wondering if it's some subconscious thing going on.



The guards yells "stand by for chow!" With elongated syllables and his voice travels down the run with purpose. This old prison has the classic looking Steele prison bars you see in cartoons and movies growing up, it's actually quite eerie. I throw my sheet over my bed and tuck the blanket into the edges so it sits tightly around the mattress and fits snugly in the 6 foot steel soap container type mattress frame that is attached to the wall in a way that you can for this frame up and ******* to make your 6' x 9' space a little bit bigger . I only do this after I put my books in a stack at the end of it because they were spread out with no organization like sub group of war refugees. I turn off the TV, click the desk lamp,  press stop on my tape player, but I let the fan still run. I fold up the drawing I was working on into my dictionary of symbols along with a couple of the poems that were simultaneously being worked on - it's like I have to work on 10 different things at a time to keep my mind occupied. I'm stuck in the cell 23-24 hours a day with ADHD and I was the type of kid to wonder the city for 16 hours on my bike.  I like it because I feel like I'm getting good at 10 different things at once and though I know i it's pretty much impossible to focus on more than one thing at a time I set aside small focuses for each thing in bits and pieces and then go to the next thing, it's quite refreshing to be honest.



I throw some water on my face brush my teeth and I comb my hair back  after I put on a fresh T-shirt, some new pants and my new shoes . Even though I'm wearing all orange I want to look the best I can because it makes me feel good. On the walk to the chow hall we have to go down the stairs and central unit in Florence, Arizona. We all squeeze shoulder to shoulder on the tight run of cells and have to walk Down five flights of stairs and everybody is in a rush but still acting like there just walking casual it's pretty funny to see people do casual speed walks. Everybody's cracking jokes and excited because   Tonight we get pizza and we only get it a couple times every six weeks for they have the menu on a six week schedule. It might taste a little bit cardboardy but who cares it's been years since we've actually had a real slice.  And if you bring some salsa with a little bit of your own cheese you can actually fix the pizza up to where it's quite delectable.  



We pass through the old metal doors and you could fill the air blow from above where the door fan is. As I walk into the chow hall, I can feel tension among the other inmates - it feels like when the lowest frequency on a sound scale with a bass comes in really deep at the bottom of your stomach and a high pitch of the top of your ear that is out of tune and doesn't sit well. You can always tell when something is about to happen because everybody gets quiet and you can feel it in your stomach it's almost like the same feeling of fear and anxiety because the guy who's going to get gotten never knows it's him. I give the guard my last name and I get in line to get my pizza. The food trays come out of the hole in the wall  pretty fast -  inmates that work inside of the kitchen have this down to a science and their muscle memory and pattern recognition is that of an expert sous chef.   Pizza corn jello and a cup for the potent artificially sweetened juice they give us. I'm going to sit down in the middle tables because they have the tables sectioned off for people of different color the white boys sit with them white boys the black people sit with the black people usually closest to the door. The paisas (Mexican national)  sit with each other, the Chiefs have their own tables among  the Mexican Americans. I never sit closest to the wall because if you sit at the back table closest to the wall that means you're striving to have prison political ties and that is something that never interested me because though I am doing five years that is still a temporary stay and I did not want to join a prison gang. But when you're on the higher yards like central unit everybody is pretty much down for the cause so sometimes I will sit back there with homies. Once seated I grab my squeeze cheese from my right pocket, bite a  small piece of the corner off the packet and and squeeze it onto my pizza. I  also apply  some hot sauce and I get o have my friends pizza because he owed me from last nights 49ers game with a bet he lost. This story was probably believable up until the point I said the 49ers won.



while all this is happening in the back of my mind I know something is about to pop off because I could feel it in my stomach. once you know you're good then you're good as far as not being the one about to get stabbed or stomped on but there is always a lingering thought in the back of my head like I hope it's not me that they're about to get. I know it wasn't going to be a prison riot because we all would have known we all would've been prepared with knives ready.



I started eating. Yup cardboardy. Now a little bit faster because my gut told me something was about to pop off and about 3/4 through my second piece of pizza I heard it.



Attacks are usually really quiet in prison usually you hear the stomping of feet, grunting and groaning or slamming against walls so you can feel the wall shake. unless the person that is getting attacked by anywhere from 1 to 4 people starts screaming for his life and begging the guards for help.



This particular attack started with hoofbeats feet on the ground and punches landing and struggling breathing heavy and grunting. You never really want to look directly at what's going down because you don't want to draw attention to the situation or yourself if the guards aren't  paying attention. Attacks like this committed in the middle of a chow hall typically indicate that the person being attacked has to go and is no longer allowed to stay in the general population with us.



I'm Going to say which particular race or who was attacking who because specifics can get a little bit sticky if you are journaling your experience I would hate to offend any particular race or be considered a snitch. three men were stopping another man and it happened really quick. I didn't realize that they had knocked him unconscious and he was breathing really heavy and snoring as if he were dreaming of a beautiful place and had a stuffy nose at the same time.



In what seems like is forever or at least a really long time only just a few seconds have gone by before you hear the guards rushing in. four now eight now twelve guards with fire extinguisher sizes Mace cans, Spraying the men on the face both attackers and victim.



It's crazy because when you're in a room and they use those mace canisters on one person in the whole entire room gets clouded with Mace or Pepper spray  and everybody goes down on the ground and  starts clinching their throats and gasping for breath. some men cannot bear it,  though they typically don't die it seems like they're right on the edge of their last ****** breath.



I just felt bad for the person who didn't get their pizza in time because they're  going to be hungry while we're  all locked down until  the situation re-centers itself. then again the other part of me was a bit jealous because I'm sure the Mace served as a hot sauce and they got to enjoy a little bit of that.  



As I lay dying, I put my face in the ground in my arms and take the smallest breaths possible because it feels like I can survive these breaths and when you breathe deep it stings so bad that you can't help but to gasp for air and cough and perpetuate the struggle.



  I drift off to the beach... Here I am with my feet in the sand at the ocean. I hear seagulls flying above overhead and their calls are panning from left to right like the cleanest headphones you've ever heard. I can hear the waves crashing in and I can feel the sea breeze on my face.  it's one of those days when it's not too hot out but you feel good in the sun with the cool wind on your skin just enough to add A balance. Kind a like a sweet and salty sensation. I love this.



I'm really thankful because last time they maced the whole group it was inside of our living space and we had to sit there for 2 hours and cough but it was only the first 45 minutes or so that felt unbearable. The first time I got maced or actually experienced mace in a really bad way it was when they maced my neighbor inside of the shower because he didn't want to get out of the shower and I thought I could be tough and not feel the effects that much and I was eating crackers while I could smell the mace entering my nostrils. A few seconds later I was on the ground holding my throat because I felt like I was going to die and I couldn't even swallow the crackers I was gasping for air and hating God for this pains existence.



Now again we rise  up on our feet moving back to the run  where our cells are located and I can tell that a lot of the people who have been in prison for a long time who are not in the political movement Are really upset by this because they just want to do the rest of their life inside of these bars at peace.
betterdays Nov 2015
not got poetry within me...

have searched and sought,
found only dry bones
and hollow whispers

mirages to a soul that sighs.
mirages to a soul that cries...

bones that clack and clatter,
whispered words that natter
and scatter and dissipate
....at an alarming rate

my ear aches, my heart aches
and those bones, do break...
and shatter

mirages drift, mirages drift...

as i sift and seive a tired mind,

yet no poetry do i find....
strait crazy

saintly mania raving.

new age jainist phasers
sang they praises
like
'hey mr bojangles,
go mangle up the angle,
shake shake shake the frame
& they'll thank you later.'

...sorry not today.

I'm feeling under the
earthquake weather.
wallowing wonder
following the devil
thru the desert
on great endeavors
to make it rain feathers
that sound like thunder.

famous as ever
nameless as heaven

to say the least
I'm slaying beasts that
came from me
in the first place.
this is lovehate.
lovehate lovehate.
& it's useless.

just lemme set the mood.

it's stupid
brutish beauty
mooing truly bluesy
marks & bruises
infused with martian
harmony incarnate,
caramelized carnage
set to soothing violent music.

broke record store cliché
faded to frustration feeding
a creaturely need for creation
& hellish lust for selfdestruction.

-nothing special-
just an absolute mess who
dilute the stress through allusion
allegory alliteration
hallucination delusion

***** it's a celebration.

tell the rest those losers
that got left I'm doing my best
even though I'm pretty upset
with how it's all panning out.

oh well I guess.
Methodology^3
King Panda Sep 2017
I was not sick
and needed no

convalescence

no rebirth
or panning
view of

bloodscape

the black

gasp of dawn
it offered

never
drew

no sickness

no hospital
beds

or starched sheets

no goodbye
rain

or last shot
of whiskey

it unended

when the
sickness of

the mind
rolled in

with its fingers
shaped like a gun

and a trash bag
for my jewel

give me
no sickness


I begged

and robbers
there were three

beat me down and
left me like a

headless buck
K Middleton Oct 2012
Them bastardized youths fell outside, dizzied by a reality unsolved.

Their maws scowled judgment and drooled Pabst down improbable bodies each of them lay in the stink of subtle conformity.  

Fiercely unique culture beasts starved away in suburbs; Wikidrifting, those drugged litterbugs scampered.

Dropout fish fast against the current of their time, tired from dancing through desperate crowded nights and disparate lonely dawns, dangling degrees and the specters of success burning incessant their pride.

They were the *******, made so over time contracted by blind parents to nine-to-blithes in which quiet desperation, credit nooses, and irony were the small print.

They were carpenters afraid of their hands.  With chisel to headstone, they lied on the hoods of used Japanese cars, panning the radio for a real connection and gazing up at vanishing constellations.  

They were their poison and they their elixir, but a cold cigarette was a much quicker fixer of Helplessness Blues and the back of a Bible where a brief intellectual wrote “I am suicidal.”

For how does the turn of the epigram read to those who care less with every new beat of a drummed-up society so high off its piety that seeing stars vanish is simply a shame?  

Those *******, dropouts tragically remiss, those Supertramps, Kerouacs, Cohens, and wits.

They were the alternative, urbanite fools that littered alleys with Greek fables and Tibetan tattoos.  

Criterion flash cards and the literary canon allowed them to flirt with god in verse and art clues until *******’s canvas did rip off their eyelids which left them to know only Socrates knew.

They danced and they writhed, then ****** to pass time, and kept on their passions till lost were their minds.  Then they all died, those blasphemous *******.

But at least they washed on the back of their crimes.

At least they danced.

At least they were.

And there may be something to movement in chaos.
I am a miners daughter. I am a gold panners' wife.
He is busy gold panning while I run around the forest enjoying nature.
Left alone, of no interest, no comparison to the prospect of gold.

As I sit here naked, I wish that I was an interesting as the prospect of gold.

I wish my gold were being sifted from the sands, with his hands.

I am pure gold, why can't he see.

He bought the claim, he has the deed.

But my gold goes unnoticed, as does my needs.
Michael R Burch Apr 2022
The Shijing or **** Jing or Shih-Ching (“Book of Songs” or “Book of Odes”) is the oldest Chinese poetry collection, with the poems included believed to date from around 1200 BC to 600 BC. According to tradition the poems were selected and edited by Confucius himself. Since most ancient poetry did not rhyme, these may be the world’s oldest extant rhyming poems.

Shijing Ode #4: “JIU MU”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

In the South, beneath trees with drooping branches
thick with vines that make them shady,
we find our lovely princely lady:
May she repose in happiness!

In the South, beneath trees with drooping branches
whose clinging vines make hot days shady,
we wish love’s embrace for our lovely lady:
May she repose in happiness!

In the South, beneath trees with drooping branches
whose vines, entwining, make them shady,
we wish true love for our lovely lady:
May she repose in happiness!


Shijing Ode #6: “TAO YAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

The peach tree is elegant and tender;
its flowers are fragrant, and bright.
A young lady now enters her future home
and will manage it well, day and night.

The peach tree is elegant and tender;
its fruits are abundant, and sweet.
A young lady now enters her future home
and will make it welcome to everyone she greets.

The peach tree is elegant and tender;
it shelters with bough, leaf and flower.
A young lady now enters her future home
and will make it her family’s bower.


Shijing Ode #9: “HAN GUANG”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

In the South tall trees without branches
offer men no shelter.
By the Han the girls loiter,
but it’s vain to entice them.
For the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

When cords of firewood are needed,
I would cut down tall thorns to bring them more.
Those girls on their way to their future homes?
I would feed their horses.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

When cords of firewood are needed,
I would cut down tall trees to bring them more.
Those girls on their way to their future homes?
I would feed their colts.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.


Shijing Ode #10: “RU FEN”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

By raised banks of the Ru,
I cut down branches in the brake.
Not seeing my lord
caused me heartache.

By raised banks of the Ru,
I cut down branches by the tide.
When I saw my lord at last,
he did not cast me aside.

The bream flashes its red tail;
the royal court’s a blazing fire.
Though it blazes afar,
still his loved ones are near ...

It was apparently believed that the bream’s tail turned red when it was in danger. Here the term “lord” does not necessarily mean the man in question was a royal himself. Chinese women of that era often called their husbands “lord.” Take, for instance, Ezra Pound’s famous loose translation “The River Merchant’s Wife.” Speaking of Pound, I borrowed the word “brake” from his translation of this poem, although I worked primarily from more accurate translations. In the final line, it may be that the wife or lover is suggesting that no matter what happens, the man in question will have a place to go, or perhaps she is urging him to return regardless. The original poem had “mother and father” rather than “family” or “loved ones,” but in those days young married couples often lived with the husband’s parents. So a suggestion to return to his parents could be a suggestion to return to his wife as well.


Shijing Ode #12: “QUE CHAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

The nest is the magpie's
but the dove occupies it.
A young lady’s soon heading to her future home;
a hundred carriages will attend her.

The nest is the magpie's
but the dove takes it over.
A young lady’s soon heading to her future home;
a hundred carriages will escort her.

The nest is the magpie's
but the dove possesses it.
A young lady’s soon heading to her future home;
a hundred carriages complete her procession.


Shijing Ode #26: “BO ZHOU” from “The Odes of Bei”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

This cypress-wood boat floats about,
meandering with the current.
Meanwhile, I am distraught and sleepless,
as if inflicted with a painful wound.
Not because I have no wine,
and can’t wander aimlessly about!

But my mind is not a mirror
able to echo all impressions.
Yes, I have brothers,
but they are undependable.
I meet their anger with silence.

My mind is not a stone
to be easily cast aside.
My mind is not a mat
to be conveniently rolled up.
My conduct so far has been exemplary,
with nothing to criticize.

Yet my anxious heart hesitates
because I’m hated by the herd,
inflicted with many distresses,
heaped with insults, not a few.
Silently I consider my case,
until, startled, as if from sleep, I clutch my breast.

Consider the sun and the moon:
how did the latter exceed the former?
Now sorrow clings to my heart
like an unwashed dress.
Silently I consider my options,
but lack the wings to fly away.



The Song of Magpies
Lady ** (circa 300 BC)
loose translation/interpretation by Michael R. Burch

The magpies nest on the Southern hill.
You set your nets on the Northern hill.
The magpies escape, soar free.
What good are your nets?

When magpies fly free, in pairs,
why should they envy phoenixes?
Although I’m a lowly woman,
why should I envy the Duke of Sung?



A Song of White Hair
by Chuo Wen-chun (2nd century BC)
loose translation/interpretation by Michael R. Burch

My love is pure, as my hair is pure.
White, like the mountain snow.
White, like the moon among clouds.
But I lately discovered you are double-minded.
Thus, we must sever.
Today we pledged our love over a goblet of wine.
Tomorrow, I’ll walk alone
beside the dismal moat,
watching the frigid water
flow east, and west,
dismal myself in the bitter weather.
Should love bring only tears?
All I wanted was a man
with a single heart and mind,
for then we would have lived together
as our hair turned white.
Not someone who wriggled fish
with his big bamboo pole!
A loyal man
Is better than rubies.



Spring Song
by Meng Chu (3rd century AD)
loose translation/interpretation by Michael R. Burch

One sunny spring, either March or April,
when the water and grass were the same color,
I met a young man loitering in the road.
How I wish that I’d met him sooner!

Now each sunny spring, whether March or April,
when the water and grass are the same color,
I reach up to pluck flowers from the vines;
their perfume reminds me of my lover’s breath.

Four years, now five, I have awaited you,
as my vigil turned love into grief.
How I wish we could meet in that same lonely place
where I would have surrendered my body
completely to your embraces!



A Song of Hsi-Ling Lake
by Su Hsiao-hsiao (5th century AD)
loose translation/interpretation by Michael R. Burch

I ride in red carriage.
You canter by on dappled blue stallion.
Where shall we tie our hearts
into a binding love knot?
Beside Hsi-ling Lake beneath the cypress trees.



A Greeting for Lu Hung-Chien
by Li Yeh (8th century AD)
loose translation/interpretation by Michael R. Burch

The last time you left
the moon shone white over winter frosts.
Now you have returned through a dismal fog
to visit me, still lying here ill.
When I struggle to speak, the tears start.
You urge me to drink T’ao Chien’s wine
while I chant Hsieh Ling-yun’s words of welcome.
It’s good to get drunk now and then:
what else can an invalid do?



Creamy *******
by Chao Luan-Luan
loose translation/interpretation by Michael R. Burch

Scented with talcum, moist with perspiration,
like pegs of jade inlaid in a harp,
aroused by desire, yet soft as cream,
fertile amid a warm mist
after my bath, as my lover perfumes them,
cups them and plays with them,
cool as melons and purple grapes.



Life in the Palace
by Lady Hua Jui
loose translation/interpretation by Michael R. Burch

At the first of the month
money to buy flowers
for several thousand waiting women
was awarded to the palaces.
But when my name was called,
I was not there
because I was occupied
lasciviously posing
before the emperor’s bed.



The End of Spring
by Li Ch’ing-Chao
loose translation/interpretation by Michael R. Burch

The wind ceases,
now nothing is left of Spring but fragrant pollen.
Although it’s late in the day,
I’ve been too exhausted to comb my hair.
The furniture remains the same
but he no longer exists

leaving me unable to move.
When I try to speak, tears choke me.
I hear that Spring is still beautiful
at Two Rivers
and I had hoped to take a boat there,
but now I’m afraid that my little boat
will never reach Two Rivers,
so laden with heavy sorrow.



Sung to the tune of “I Paint My Lips Red”
by an anonymous courtesan or Li Ch’ing-Chao
loose translation/interpretation by Michael R. Burch

After swinging and kicking lasciviously,
I get off to rouge my palms.
Like dew on a delicate flower,
perspiration soaks my thin dress.
A new guest enters
and my stockings flop,
my hairpins fall out.
Pretending embarrassment, I flee,
then lean flirtatiously against the door,
******* a green plum.



Spring Night, to the tune of “Panning Gold”
by Chu Shu-Chen
loose translation/interpretation by Michael R. Burch

My jade body
remains as lovely as that long-ago evening
when, for the first time,
you turned me away from the lamplight
to unfasten the belt of my embroidered skirt.
Now our sheets and pillows have grown cold
and that evening’s incense has faded.
Beyond the shuttered courtyard
even Spring seems silent, forlorn.
Flowers wilt with the rain these long evenings.
Agony enters my dreams,
making me all the more helpless
and hopeless.



The Day Nears
by Huang O
loose translation/interpretation by Michael R. Burch

The day nears
when I will once again
share the sheets and pillows
I have stored away.
When once more I will shyly
allow you to undress me,
then gently
expose my sealed jewel.
How can I ever describe
the ten thousand beautiful,
sensual ways you always fill me?



Sung to the tune of “Soaring Clouds”
by Huang O
loose translation/interpretation by Michael R. Burch

You held my lotus blossom
between your lips
and nibbled the pistil.
One piece of magic rhinoceros horn
and we were up all night.
All night the ****’s magnificent crest
stood *****.
All night the bee fumbled
with the flower’s stamens.
O, my delicate perfumed jewel!
Only my lord may possess my
sacred lotus pond,
for only he can make my flower
blossom with fire.



Sung to the tune of “Red Embroidered Shoes”
by Huang O
loose translation/interpretation by Michael R. Burch

If you don’t know what you’re doing, why pretend?
Perhaps you can fool foolish girls,
but not Ecstasy itself!
I hoped you’d play with the lotus blossom beneath my green kimono,
like a ****** with a courtesan,
but it turns out all you can do is fumble and mumble.
You made me slick wet,
but no matter how “hard” you try,
nothing results.
So give up,
find someone else to leave
unsatisfied.



The Letter
by Shao Fei-fei (17th century AD)
loose translation/interpretation by Michael R. Burch

I trim the wick, then, weeping by lamplight,
write this letter, to be sealed, then sent ten thousand miles,
telling you how wretched I am,
and begging you to free my aching body.
Dear mother, what has become of my bride price?



Chixiao (“The Owl”)
by Duke Zhou (c. 1100-1000 BC)
loose translation/interpretation by Michael R. Burch

Owl!
You've stolen my offspring,
Don't shatter my nest!
When with labors of love
I nurtured my fledglings.

Before the skies darkened
And the dark rains fell,
I gathered mulberry twigs
To thatch my nest,
Yet scoundrels now dare
Impugn my enterprise.

With fingers chafed rough
By the reeds I plucked
And the straw I threshed,
I now write these words,
Too hoarse to speak:
I am homeless!

My wings are withered,
My tail torn away,
My home toppled
And tossed into the rain,
My cry a distressed peep.

The Duke of Zhou (circa 1100-1000 BC), a member of the Zhou Dynasty also known as Ji Dan, played a major role in Chinese history and culture. He has been called “probably the first real person to step over the threshold of myth into Chinese history” and he may be the first Chinese poet we know by name today, and the spiritual ancestor of Confucius as well.




Seeking a Mooring
by **** Wei
loose translation/interpretation by Michael R. Burch

A leaf drifts through infinite space,
a cold wind rends distant clouds.
The river flows seaward,
the tide repulses.
Beyond the moonlit reeds,
in unseen villages, I hear
fullers’ mallets
pounding wet clothing,
preparing for winter.
Crickets cry ceaselessly,
mourning the autumn frost.
A traveler’s thoughts
wander ten thousand miles
in such a night of strange dreams.
The tinkling sounds of bells
cannot disperse sorrows to come.
What will I remember
of this journey’s darkest hour?
Only ghostly veils of desolate mist
and a single fishing boat.



** Shuang-Ch’ing aka Shuangqing has been called “China's peasant woman poet.” She wrote in the 18th century.

To the tune “A Watered Silk Dress”
by ** Shuang-Ch’ing
loose translation/interpretation by Michael R. Burch

Deepest feelings are hardest to divulge.
How to reveal a hidden love?
Swallowed tears well up again, return.
My hands twist, wilted flowers.
I lean speechless against my screen.

I’m frightened by my figure in the mirror,
a too-thin, wasted woman.
Not a springtime face,
nor an autumn face:
can this be Shuang-ch'ing?



To the tune “Washing Silk in the Stream”
by ** Shuang-Ch’ing
loose translation/interpretation by Michael R. Burch

The warm rain falls unfelt
like delicate silk threads.
The farmer ***** a flower behind his ear,
trundles the grain from his field
to the threshing-room floor.
I rose early to water his field,
but he snapped I was too early.
I cooked millet for him
with smoke-reddened eyes
but he snapped I was too late.
My tender bottom was sore the entire day.



Bitter Rain
by Wu Tsao
loose translation/interpretation by Michael R. Burch

Bitter rain drenches my courtyard
as autumn wilts into winter.

I have only vague feelings
I’m unable to assemble into poems
because words diffuse with the drifting clouds and leaves.

After the golden sunset the cold moon rises out of a dismal mist.

But I will not draw down the blinds from their silver hooks.

Rather, my dreams will fly with the wind,
suffering the bitter cold,
to the jasper pagoda of your divine flesh.



LAO TZU

For Martin Mc Carthy, who put me up to all but the first translation.

Lao Tzu poems from the Dàodé Jing or Tao-Teh-Ching (“Scripture of the Way”):

An unbending tree
breaks easily.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Nothing is weaker or gentler than water,
yet nothing can prevail against it.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

That the yielding overcomes the resistant is known by all men
yet utilized by none.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Why does the Sea exceed all streams? Because it does not exalt itself but is the more lowly. Even so, the sage.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The sage wears coarse clothes while concealing jade within his *****.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The sage does not hoard; having bestowed everything on others, he smiles, content.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

When his last scrap has been spent on others, the sage is the richer still.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The sage does not exalt himself; he prefers what is within to what is without.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Heaven’s net is vast but nothing slips through its mesh.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Daring boldness kills; boldness in not daring saves.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

To recognize knowledge as ignorance is a noble insight.
To consider ignorance knowledge, a disease.
Because the sage recognizes flaws, he can be flawless.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Ruling a large state is like broiling a bony fish.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Ruling a large state is like poaching an octopus.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The Way of Heaven is like stringing a bow:
it brings down the high as it elevates the low.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The wise don’t aggrandize their virtue.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The wise don’t vice their virtue.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Be Like Water
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The highest virtue resembles water
because water unselfishly benefits all life,
then settles, without contention or needless strife,
in lowly cisterns.

Weep for the Dead
by Lao Tzu, loose translation/interpretation by Michael R. Burch

When seeing mounds of the dead
the virtuous weep for the loss of life.
When one is “victorious”
observe the mourning rites.

Avoid Boasting
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Rather than overfilling,
it’s better to stop in time
and avoid overspilling.

Though you hone it to a point,
the edge will soon be blunt.

Though the salesman’s exploits are crowed,
in the end, what real good was his gold?

Reticence, when the day’s work is done,
Is the Way of Heaven.

The Wise
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The multitudes satisfy their eyes, tummies and ears, again and again,
while the wise consider them children.

Naming the Nameless
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Tao can be discussed, but never the Eternal Tao.
Names can be named, but never the Eternal Name.
There are known paths yet the Way remains uncharted.
The origin of the universe must be forever nameless
unless we call her the Mother of All.
Always the Secret awaits insight.
Thus when seeking the Ever-Hidden, we must consider its inner essence;
when seeking the Always-Manifest, we must consider its outer aspects.
Both flow freely from the same source, despite their different appellations
and both are rightly called mysteries.
The Mystery of mysteries is the Gateway to all Secrets,
the Door to all beginnings.

The Fountainhead
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Tao is all-pervasive,
an empty vessel yet fathomless,
the bottomless fountainhead from which everything springs!
It blunts the keen,
untangles the tied,
softens the glare,
harmonizes the light,
redistributes the dust motes more evenly,
resolves all complications.
A profoundly deep pool that is never exhausted,
the unknowable child who fathered the gods.

The Divine Feminine
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The Spirit is limitless.
We call it the Divine Feminine,
from whom Heaven and Earth arose
and in whom they remain deeply rooted.
Delicate as gossamer, only dimly seen,
yet infinitely flexible, her strength inexhaustible.

The Valley Spirit
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The valley Spirit never runs dry,
the river to whom all waters run:
the Spirit of our Primal Mother.
Deeply rooting Heaven and Earth,
to most eyes a delicate veil dimly seen,
yet a never-failing Fountainhead.

Adhere to the Feminine
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Know the masculine
but adhere to the feminine
and be a valley to the sphere.
For if you’re a valley
constant virtue won’t desert you
and you’ll return to the innocence of infancy.
Know the bright
but stick to the shadows
and be an example for the realm.
For if you’re an example for the realm,
constant virtue will accompany you
and you’ll return to the Infinite.
Know the glorious
but adhere to the humble
and be a valley to the Sphere.
For if you’re a valley,
your constant virtue will be complete
and you’ll return to the uncarved block
the great Cutter does not cut away.

The World-Mother
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Something formed out of chaos,
born before heaven and earth,
inexpressible and void, is never renewed,
yet continues forever without failing:
the World-Mother.
I don’t know her name,
so I call her the Way.
Earth reflects the heavens;
the heavens reflect the Way;
the Way reflects all that is.

The Wisdom of Contraries
by Lao Tzu, loose translation/interpretation by Michael R. Burch

It’s easy to control something at rest;
easy to handle the undeveloped;
easy to shatter the brittle;
easy to disperse the minute;
easy to deal with things before they get out of hand;
easy to manage affairs before they escalate.
A tree as wide as a man’s arms
sprang from a tiny seed.
A nine-story tower
rose from rock piles.
A journey of ten thousand leagues
begins with a single step.
Whoever meddles begets ruin.
Whoever grasps soon lets go.
The wise understand the advantages of non-action;
They lose nothing by not grasping and clinging,
while foolish people in their enterprises
often fail on the brink of success.
Be mindful from beginning to end
if you want to avoid failure.
The wise desire to be desireless;
they place no value on what is unavailable.
They learn how to live without learning,
yet correct the errors of scholars.
They advise conformity to nature
and avoid rash actions.

The Roots of Turbulence
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Heaviness lies at the root of lightness;
stillness begets turbulence.
Thus the nobleman heads his caravan
keeping a constant eye on his possession-laden wagons.
At night he sleeps secure behind high-walled towers,
undaunted and untroubled.
But how can the ruler of ten thousand chariots
discard the people so lightly from his thoughts?
The branch too high above the root is lost;
the aloof ruler is lost through turbulence.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Rills to the Sea
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The Way is nameless.
The uncarved block is small,
but who dares claim it?

The world’s relation to the Way
is like rills’
to the Rivers and Seas.

True Greatness is Selfless
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Like the broadest River
the Way cannot be rerouted or deterred.
And while myriad creatures depend on it for life,
it imposes no authority
but works tirelessly without acclamation,
feeding its dependants without seeking to rule them.
Free of desires, it may be deemed “small,”
but because myriad creatures depend on it,
it may also be considered “great.”
And because it never claims greatness,
it is capable of greatness.

When the Way Holds Sway
by Lao Tzu, loose translation/interpretation by Michael R. Burch

When the Way holds sway,
farm horses plough fertile fields;
but when it fails to prevail,
war-horses breed on closed borders.
There’s no greater crime
than to pander to needless desires,
no sickness worse
than not knowing what’s enough,
no greater disaster
than covetousness.
But whoever knows what’s enough
will be content with his fate.

The Way
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The Way creates and nurtures all creatures,
rears and nourishes them,
sustains and matures them,
feeds and shelters them,
grants them life without possession,
benefits them but asks no thanks,
guides but imposes no authority.
Such is the mysterious virtue.

The Greatest of These Is Compassion
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The world calls my Way vast,
says it resembles nothing else.
Precisely! And its vastness is why
my Way resembles nothing else.
For if it resembled anything else,
wouldn’t it then be small?
I have three treasures
that I cling to, and cherish.
First, compassion.
Second, moderation.
Third, not rashly advancing myself.
Being compassionate, I can show courage.
Being moderate, I can be generous.
Not rashly taking the lead, I can command.
Courage without compassion,
Generosity without moderation,
Leading from in front rather than from behind,
are certain to end in catastrophe.
With compassion you will win at war
and be invincible in peace,
for Heaven will protect you
when you act with compassion.

Keywords/Tags: Shijing, ****-Jing, Shih-Ching, translation, book, songs, odes, Confucius, Chinese, ancient, rhyme, rhyming, love, nature
These are modern English translations of ancient Chinese poems from the Shijing as well as poets like Li Bai, Du Fu, Lao Tzu and Tzu Yeh.
annh Apr 2021
|small gee for god; big bee for byron|
Strikes a chord with you, does it?
This shambling poverty of thought,
Insta-rated and underwhelming;
Thank god for Byron.

|keats versus shelley|
Sparing no injury to his phthisicky frame,
Keats lies atop a make-believe of cherry trees
Searching among the clouds
For wealth, health and a Grecian urn,
While Shelley does Venice
And blows himself a hookah.

|o poesy! for thee I grasp my pen|
Panning the wayward sky for inspiration,
A hope, a word, a beginning;
A versification so ecstatic as to transfix the senses and pierce the heart,
A lightning phrase capable of uprooting all commonality,
As outrageous a miracle in the minds of men as crucified immortality.

|requiem|
Unlike the wilting rose which has no higher calling
Than to bloom and die upon the stem,
And having relinquished its last perfumed petal
Retreat from memory again,
I fear that I shall linger,
Tethered to this eternal moment
By shudd’ring will and breath combined,
A brighter shade of myself than what of me I have left behind.
An extremely weird mix of tone and content! Started out as one thing (a dig at the samey sameness of Instagram poetry) and ended up as something else (a celebration of Keats). Not to mention the “Bright Star” scene review somewhere in the middle. Never mind - better luck next time!!

‘When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
“Beauty is truth, truth beauty, - that is all
Ye know on earth, and all he need to know.”’
- John Keats, “Ode on a Grecian Urn”
Matthew Walker Feb 2014
One year ago exactly, I awoke to the miserable news that my dear friend, Morgan Helman, was dead. I called her voicemail and wept my goodbyes. I punched the wall and screamed until I thought my lungs would crack. I wrote a poem to express the ravaging anguish I was experiencing, and to try and honor her life. I read it as a eulogy at her funeral. In it, I mentioned a time when she had asked me to write a happy poem. Everything I had ever written was a result of sadness or some other tortured emotion. I apologized that what I wrote for her was far from happy. I told her someday I would a write a happy poem, though I doubted my own words. One year later, I have walked away from the depressed mental state I used to call home. On the anniversary of her passing, I completed this "happy" poem. It's different than what I'm used to creating. It might not be as artistic as some of my other poetry. But it is a vivid expression of the first step in a new direction. This poem is dedicated to Morgan Helman and the legacy of love she left in her wake.

You Are

Resonating laughter
as the child plays,
hallway smiles
on bad days.

Disney movies
when I'm sick,
lightsaber battles
as a kid.

Rope swings
for make believe Peter-Panning,
backyard sprinklers
spraying the trampoline.

Hot soup
after it snows,
Refreshing popsicles
when the sun glows.

Warm cookies
melting in my mouth,
playing cards
at Grandma's house.

Blazing campfires
engulfed in inspiration,
jam sessions
with passionate musicians.

Barefoot freedom
in the grass and on the beach,
Sandy paradise
sinking beneath my feet.

Captivating books
as it gently rains,
favorite songs
when I'm disarrayed.

Intimate poetry
as my soul sings,
genuine happiness
spilling out of me.

Caring parents
whose admiration lasts,
trustworthy friends
who remove my masks.

Comforting arms
when my friend dies,
calloused hands
pulling tears from drowning eyes.

Raw love
strung on splintered wood,
My God
you are everything good.

~ m.w. ~
2/3/14
stuart harris Jul 2015
knitted on a dodgy bobble hat
or a favourite chunky jumper
from scandanavia, or yorkshire

untasteful but definitely practical..
smelly and friendly like a wet dog
pliable like warm playdoh...

patulioi oil
will always remind me of you...
'a hippy place in my heart...'
like a beachnut,
no, a beach hut
shelves littered with the flotsam of our throwaway society,
flip flop corner...

19:10
some random hermit crab making his escape from
the dripping bundle of just found fishing net
down through the crack in the floor...
into the sand
and back to the sea.
the moths and midges gravitate towards the fossils and rock shelf
because that's where the gaslamp gently hisses.

suncracked and faded
pieces of
70's buckets and spades flicker in the corner
between the scraps of rope
and the deflated inflatables
and the bottlecap damian hurst
next to sea purse corner,
biological tendrils contrasting the ever stoic rubber ducks
who escaped from the pacific gyre...

panning around, the smartphone registers,
the garish tatty windbreak
and the 90's ghettoblaster
which still has some juice left from those batteries
we bought at the gift shop...
last year...
for our imaginary beach hut....
in the outer hebrides...?

you take the camping gaz from the cupboard
and put the kettle on...
the beach is desert island white
the sea azure like a gaudy 70's postcard
the wind tugging relentless through our hair.
but the pub is warm and friendly
where grizzled fishermen philosophise
hardily. by the fire.
between warming shots of smokey single malt.
imaginary beachhut

does saying it mean it will never happen?
My body feels drained
from what ?
I take the stairs and rarely take the lift or the escalators to emerge from stations onto populated streets

Something is leaking, energy is constantly leaving and I can’t put my finger on it
on what is leaving me so tired, so, so very tired

Little by little I sieve through water like a miner who headed west during the California gold rush

I pan through the river until my motion becomes part of the scenery by nature of its consistency

I kneel and feel as though an arm & a leg are missing
as if my energy is absorbed into a phantom limb
circling out of me into something else

What could it be ? I keep panning
CA Guilfoyle Jul 2012
Your eyes cataracts - fogged over, with a hint of blue
Still you saw more than most anyone I've known
I thought you a sorcerer, a mystic man
with lightening speeds you spun tales in thunder clapping rooms
A modern day chief, good will ambassador of Hope
you were the glue of an entire village,
sticking your heart on everyone like that
The Discovery Cafe, your story telling room, disguised as a restaurant,
a place you opened years ago
Many came hungry only for your stories
One could not easily eat and run or have a cup of joe and go, just not possible
when Tito had the floor
Tales of fishing, gold panning, black and brown bears, one with his head stuck in a lard bucket,
or the one that chased some lady up a tree.
The way your hands moved, while you went into a trance was a sight to behold
Though you never confessed it, I'm pretty sure you were a hypnotist
How many times I went for coffee at 9AM never leaving til' noon,
completely bowled over, ****** in by the fantastic rip tide of you!
I saw you just months before you passed
Though you had gone deaf and blind, your love was ever present, it's been felt everyday since,
in a world that has changed a darker shade of blue,
Tito how can I ever thank you?
This is a tribute to a dear friend one of the most amazing people to ever grace this world
Yardbirds scrum over rain borne delicacies
Dad overlooks my condition in some cloudy
effigy
Water trickles like musical triangles from soaked Silver maples
Tis medicine for sadness
A breakfast of reason , my morning staple* ...
Copyright January 24 , 2017 by Randolph L Wilson * All Rights Reserved
Mitchell Nov 2011
Expression is intangible
Exhales illusion
Sights and
Sounds for the crowd
Who stir with happiness or
Howl
Howl
Howl
With resentful madness

How quick we are to love
Yet how fast we sway
When the party starts
And life
Enters the room

My eyes have blistered and
I've gone blind to the stars!

Awake from nightmares *****
Push me to the lake and
Have me freeze with the fishes

Friends and foes and hanging mistletoe
How I miss you every morning,
Every evening,
Lo' my heart knows not where to go!

In the breaking of light
Thoughts not my own come to me
From some place, a sinking ship
A lost island
The caverns of a woman's brunette braids
Deserts caked golden with specks of finely grained sand
Abandoned no deserted by an army pledging honor!
Allegiance!
Good dental work!

But in the dark
Where the hands are quiet
Sighs of severance make men weep
But woman cheer
Children tear their birthday cards
To shreds for they trust joy
Lasts not for ever but for
Eternity

Ring loud for in sight is the end
Planets rising into one another
Breaking apart the mold so
To be rebuilt again better stronger faster
More equipped to handle the times we make
We want
We believe will bring ever lasting life but
It will fail and our partners
If they have not turned to our enemies
Will shower us with mocking laughter
Sinister grins
Lava hot tongues coated with volcanic ash
Assembling their iron clad armies with
Their shimmering medallions and
Battle cries!

Forgiveness or nothing at all!

Ritualistic graveyard robbing
The highest bidder is always the winner here!

Through that break neck speed eyes
Turn to watery bowls of mush where
Friends dance on the rosy petaled dead
Wishing they were still alive so to
Feel the warm steady embrace of a love or
A friend or a
Parent or a villain masked as the one you believe loves you
Just to feel love again

One last time.

No road should not be traveled
Due to fear or loneliness

The world
The beginning
The middle and
The end
Is filled with unbearable loneliness

Some see it as a curse
Others
A gift

For in silent solitary basks a light that
Is clear and pure white and translucent as
The wings of an angel or the morning
Of your dying day where all
Earth is at your door asking you to join it

Needing peace they will find you and
Disturb you

Shake you out of bed
Tear at your fingers
Spit in your coffee
Over stare their horrible welcome

Some inside their minds red and yellow
Metallic crocodile machines with
Dusty pamphlets of "How to be a Red"
Imprinted on the back of their coach bags
Dangling with medal tags verifying their worthiness
And their ego's idea of fame and
Value

Value is an eggshell covering
The yolk of the soul

A vain and flashy coat of armor
Harboring the weakest of mortal and morals

Even in night I am afraid
As I am
In day

Even in morning I feel the weight
The pounding rhythm of the hour
The effects of the horns the sirens the laughter
I know is there but
Cannot seem to hear

Where is the lost canyon where the
Harps are played and the wine pours
From the cracks of the ceiling?

Where is genius in a frothing sea
Of morons and miscreants hell bent on
Running naked and blind through the streets
Cast only in illusion and drifting house sound?

Where are the answers to questions that
Do not wish to have answers?

Where does mystery live?

How do I find it?

Inside the scripture of mind
Scape fast pressed to not think too
Straight home filled with heathens returning
Right to where they began

Yet with nothing to give to the world
The perspectives will change their course
In wind the mind moves with the twins
No thought is second guessed at
The reasons of the rhythm stand true
There is something inside of me that moves
It vibrates it lingers at the bottom of the sea
With the coral shelves and practice takes a lifetime
There in thought lies the worry of the world
In tact with who I don't know I've met but
Inside of that heat is a soul which I am trying
To get to know the breakfast bell is ringing
Where upon the old English rules are true
Door slamming and bums panning for a crispy bit of food
Pushing the door open and burning the envelope
Spinning madly on the surface of the sun
Boiling with nuclear like love smoldering for
Loss and confusion and separation all with dignity and
Difficulty grows the heart fonder as the wine beakers
Are split with find creases with the waiter's wearing
Gas masks no need for distress call the guests into
The living room lets all watch MASH

Transcendence and evolution and new beginnings

The old is replaced with the new

And so on.
Nicole Paton Sep 2014
My imaginary friend climbs into bed with me and whispers in my ear every time I try to sleep. We dress in night-time: pull on black stockings, snap them around half-moon thighs.

We ladder the sky
and splinter our spines.

There are things we don't talk about (because we are the gaps between reality that still believe in selkes and Cornish piskies)
but for years we have been panning for dreams.

Doubt burns like fuse-wires but God sometimes freezes the electricity.
She crosses her fingers when she promises to believe. (That's the bargain). She talks to Him each hour
but He never replies
and she is so used to being doted on.

We pretend we are dead.
Just for tonight.

She doesn't think she matters:
mourning for the moon - her halo of humidity.
She traces the clouds' edges with highlighter.

I balance her morning-massacre mind with the inaugural thrum of a threatening migraine. I am not used to her megaphone chest and she forces our Scorpio symphony down my throat like an over-active heartbeat. (That's what frightens God).

She told me not to stick quills to my back,
said the weight of wings would only weigh me down.
Onoma Feb 2017
Why are you looking at me like that?
'So one day this tenebrous look will repeat on you as an
unsheathed star, and in the aftermath of that
luminous wound all the angels of my intent
will leak therefrom.'
'Having seen--your heart will assume that wound,
and my music will come out of your eyes!'
A music whose movements constrict, a time-lame
twine only a serpent may undo--you knew!
How went the all, how went its nothing...that diabolical tune?
I hear it through feeling, it's so haunting I look over shoulders
I never knew I had.
You left panning cameras half-blind, live with feed, to every
nuanced detail.
Your minute release of messianic trailers doomed to never premiere,
neglecting to bow your head, and proclaim: It Is Finished...)))
It was more than the lay of the land, such was your art of survival,
hence war.
It's messier than they story--when two human beings come together,
what's gospel cross references  googleplexes...all but to betray a lack
of designation...human, being?
The poppies are everywhere, I stuff their dreams!
I see hearts skewering hearts--lights out, lights in...their
truest sutra: "form is emptiness, emptiness is form."
Our decline was so steady, you said you saw the beauty in ugly...
so now we're both transfixed in near catatonia.
The poppies are everywhere...I see you chopping off your locks
at odd angles, listening to Tori Amos--hoping they won't follow
you cursedly...your face waxed in eye-melt.
So erriely sentient, surfacing glimmers of nonlocal breaks of news.
You roared down that Kansas highway, one foot on gas, the other on
dashboard...that flat, unending highway where we saw the eastern
sun set, catching our dust-black wind as detracted distance.
Where: "kyrie elieison, down the road we must travel" sooth-said through the radio...ahead, the poppy-pigmented end of the line,
warning the last of the sun sets west.
That night when we retired to that Kansas motel, we were never
more parched in our lives.
Yes, and like the pickled western crawlers you can purchase in some
gas stations...the devil was in the details, a poppy between his teeth.

Today, I fell into a dead stare on the sun, (unblinking) as I write this
the pen emerges from a neon-green orb, blotting letters.
As this sight settles...I will like to tell you how I saw the
sun rattle its rim, and flicker its pregnant bulges in messages,
that cradle ripples to havens of purity.
Today, here--now, the sun will set east nor west...with love, nor
hate.
The sun has set...the poppies pause for a moment of magnanimity.
Claire Elizabeth Dec 2013
It is only 11:45 at night but it already feels like 2 in the morning.
A black and featurless night that washes away rational fears and
Replaces them with monsters more real than can be imagined.
I have so much to say to you, so much to tell you and show you.
But alas I cannot because understanding would be futile.
You see, my love, (if I can still call you that)
I still want you, still love you I suppose.
I am lost, adrift amid a sea of black impenetrable and so very vast.
I am unable to say that I am okay, but I am not in a desolate state of utter misery either,
I sometimes seem to trick myself into thinking so.
You see, I miss you at 5 in the early dawn when everything slumbers on the very edges of consciousness,
When the birds wake and coo to their partners.
I miss you in the depths of the night, 12 o'clock and desperate for company.
And I miss you at 3 in the afternoon when the kids get out of school
And the world rushes by in a blur from a grimy school bus window.
But, it is not really the mental connection that I crave.
It was more your body, your hands, your lips exploring parts of my body that have not yet been explored.
I am aware that I could trick many other willing guys into playing with me,
Dancing their lush tongues against already blemished skin,
But I can only imagine you holding me in the wails of my agonizing pleasure, the moans of my miserable release.
I can only see your hands caressing my hips and your back ridged beneath my exploring fingertips.
And I can definitely imagine other, more  pleasant men, guys,
That could satisfy my burning desire for a certain closeness.
Do you feel the same?
I looked at your Tumblr the other day.
It has grown wasted.
The margins of your pages have been filled with sorrow.
Am I the cause of this?
One post caught my eye.
It was a wall scribbled with words jumbled and tangles like my thoughts, and probably yours as well.
It read something I almost couldn't bear to read.
It must have expressed your feeling well, for I had seen it before, but never thought anything of it.
It said that you wished I would bleed, that I would become miserable at best.
Can't say I'm not already there.
It said you were a friends of the devils.
Is that really true?
And it said that you were too nice a person to do these things it said.
I didn't really believe it.
Above it a screen had a few words stated simply in a piercing blue.
"I wish I could you hate you but I can't bring myself to."
I guess I feel the same.
In the end, I am a broken person and you are one who fixes, a savior of wasted toys.
Was that all I was to you?
A project that needed fixing?
I didn't end up quite like how you wanted me to, I was too broken and missing too many parts you couldn't find.
It isn't shocking, that you gave up on me, I mean.
I am quite easy to abandon, you could say that yourself.
But I don't miss it like I thought I would.
No.
I kept trying to convince myself to run back to you, to beg mercy,
To stick your hammer back in your hand and lay myself bare on your worktable.
But I couldn't bring myself to ask forgiveness to what I had done.
My mind wasn't functioning enough for that.
And so now I sit here in the dark of my basement, my dog lying here beside me and snoring in a blissful sleep,
His chest rising and falling like machinery.
My veins are popping up from my hands and my fingers hurt from the non-stop typing I have been doing.
And I can only stare in fascination at the webbing of blue that coats my right hand,
The shadow it casts from the pale of my computer screen.
Did you know I haven't been eating as much lately?
I'm actually losing weight now, slowly but surely, just like I promised you.
But you can't see the end result when I will be pretty,
You won't see me spread eagle beneath you on a pillow top bed like we dreamed together.
Some other person will.
And I feel bad for you, dumping me in the black bottomless pit that is the single life, because I could be gold on the inside, it just takes some panning to see it.
This was made tonight and thought of so many others. The sleepless ones that cause fears to be reborn. Please be gentle. These are my raw feelings.
Martin Narrod Oct 2016
Shards of the mirror that you smashed over a decade ago still lie fragmented in the fireplace,
Shining reflections of the present curse promised to be lifted seven years too late.

I lilt my head to the rivers flow, where a lullaby subdues itself and the riffles go. I am no good at harmonies, I wait until I'm fastening sleep, and I can unbutton the breeze, that our mid-October autumn brings. Some people think they know themselves, but I want to know you and nobody else. I carry a flame in my pocket, and pick rocks with you on the summit. Mountains melt and glaciers pass, there's so much life inside your laugh. You captured me at my weakest and helped me back into my best. We dance together on the two-track road, Fire Road 584, there were supposed to be agates, but the path was too rough to travel. There's not anywhere I wouldn't go with you. We can chop firewood at Grand Teton too, I will carry the hatchet if you will pull the wagon. We awake at 5:00pm on the reg, and share our nightmares with one another once we're out of bed. You feed my soul with your hugs, I return to you my very softest kiss. A base for us, a nighttime stark and chilled, only the sounds of elk drinking from our backyard rill. I want to smoke another, I light you another. There's no rhyme to hedge the fading warmth, bundled up under our coats and quilts, I wish the Summer was starting soon, so we'd never have to go back into the living room. Fires churn inside our guts, is it the cramps or each other's love- either way it fits my stomach like a Lepidopteric glove.

Pancakes and postcards soon, I forgot to buy stamps for you. You can't send a package, full of smiles and laughter. I told you I'm sure your skin was made for me, perfectly soft, and made of sateen. We ought to warm our hearts, and never be apart.

The jagged outlines of the snow-capped Tetons cast shadows on the Snake River down below,
The levees hold back the flow of the icy mountain runoff and the riverbanks behemoth sides swell up to the Rocky Mountains.
But all of man's efforts to control nature cannot dictate the love we have for each other,
Like the wild mustangs that gallop through the verdant fields that refuse to be broken by human hands.
We walk along the river banks collecting heart-shaped rocks to bestow upon each other,
These stones are not unlike the pebbles penguins give the ones they love.
We wade in our wellies panning for the gold that others forgot in their rush to find fortunate amongst the willows golden branches and sun-kissed skies.
Our frozen hands refuse to let go of the treasures that fill our pockets,
But our cache is penultimate to the paragon in my heart for you.
Every parallel universe pales in comparison to the one I share with you.

Everyday excursions amongst Sunday drivers posing as tourists.

We witness Darwin Awards in the lemmings' race to take selfies with grizzlies, placing children on bison because they forgot their glasses. And are convinced that equine photographs will warrant more likes on social media sites along with the video of a moose by the name of Dusty that charges their cameras to protect her offspring.

We have learned not feed the animals known as **** sapiens,
And instead we trek onwards toward Teton Pass where the wilderness returns on our serpentine drive amongst minerals that took millenniums to form. And pressures our world too often.

We lay upon our roof, the one atop our car, a cruiser we use to enjoy ourselves, while we cross the miles. Millions of things we speak about in order to inspire one another quite often. There is no order in this genus of foul-tempered and ill-willed human beings, there seems to only be our genius, and what we call as ours, while we stare upon the stars.

My twin flame, you called me that. Now I see exactly what you meant. And I feel so grateful, there's no room for hatred. The energy spewing across these pages, thermal currents rise as we share each day, and listen to so much music, we take our turns to do it, but never over do it.

I call myself a poet, because I have a magnifying glass I use to explain the world. I call you the artist, because your writing follows the lullaby of the music your voice throws.

Sometimes, I am sure I observe you sway like manes of wild horses, dusts of ancient visions, candle-flames or brightly orange and yellow lights. I wait to latch us into two and carry off to sleep with you, and snuggle into your sweet smells so redolent and sweetly held, until we stroll across the beat, your bass faintly brings.

May I encase all of us and all of time, while we eat pesto and then drift through awesome time, entwined together while our minds collude our brains to bring back items from the store, before we've even discussed what to buy for home.

When we gift each other greeting cards, I love to find the ones that sing their songs, and twitch in a paper-dance, that sells for too many dollars. Come go, come go with me, we get to live our own California dream. I have a taste for coffee if Teton County would allow it.

I hate ignorance, it's appalling and totally irresolute, especially the fat children fattened by America's foods. If we didn't pick our produce, we'd share diseases the CDC do not yet have names for, and instead we'd get to bleed out of our inner ears.

To be blind would be worse than deaf, because at least I wouldn't have to listen to the foolishness teacher's teach and give, to a generation of students who know more about capturing Pokémon with their handheld devices then how to get home without using their iPhones.

The mountains wait to **** a man, whose ego he believes can fill his pants, instead of feeding the mouths of babes. Until we see there's nothing, to profligate his future. And with a future outside of our peripheral visions, I only wish you and I had a better, safer place to live in. But corporations run this show, I hate to watch as America goes. So while some wonder, some wander and move, we can use our brains but that doesn't mean they will too.

This America is worse than Watergate.
And even I don't know if we'll live long enough to solve it. There's so much sad about it.
Written back and forth between my love Sarah Gray
martin Jun 2012
My metaphor is better for the bin
My simile just says silly me
A joke, lost in translation
Wood, hidden by the trees

So I talk to the wind
Panning truths which dry to sand,
                     falling ashen.

Look to the cloud's lining
                     filing away like smoke

Out of time, out of sorts
Caught in a vortex
Time ganging up
Clogging, fogging

Come back mojo
What's going on?
Alan McClure Mar 2015
So, you grew up,
leaving me Peter Panning for gold
amongst the grit of adulthood.
Your guitar gathers dignified dust,
while mine puffs and wheezes
yet another senile song,
an arthritic dog
treading painfully in step
with its selfish, thoughtless master.

I never envied you your brilliance
because it was shared, it was ours
but I've been toasting marshmallows on the embers
far too long.

And now your real life,
the one you've worked for, studied for,
sweated for
(and the one I've studiously ignored)
is to carry you over the sea
and away.
I have no doubt it is still your brilliance
that paves the trail,
But it's for others, now
and that is fine.
I am reconciled,
and full of hope for you and yours.

Let's see now:

G, B minor, C...

There's a song in here somewhere,
I know it.
Tobias Graves May 2013
Smash cut to my alarm clock
We’re in a movie
This is the story of an apathetic college guy
He meets a silly white girl who he spirals into love with
She wears black and smiles with such honesty
I need to look for any possible sign at all
I hate tripping onto my own fall

Smashing my face on the pavement
Let’s move that to a zoom in, close up
Plot Conflict, Disappointment to see you walk with some other guy
The antagonist of this quote on quote love story
No standing chance to be with you
Watching you walk away
Every single day
Not a chance, Old Sport
Only hearing the echo of your laugh
What kind of **** is this?
How did I overlook this?
Someone give me a fighting chance!

Panning Shot, I try to find your usual trail
To share something with you
To make this lame-*** movie interesting
A common thing, a simple thing
Playing with your hair or taking on a dare
The end is coming soon
And I never even got a chance
To try to have you dance
For the final scene
What a wasted chase for such a pretty girl
Cut to black
- T.G.
Julianna Eisner Mar 2014
Wading in a muddy riverbed,
panning for broken pieces of
pretty blue bottles that
glint in the
sun's rays like
azurite

Upstream,
without warning,
a deafening cry
  
                          of impending cathexes

The river surges

gasp...

rushes,
tosses,
thrashes me

                          in mysterium tremendum flow
                          and a flurry of foaming crests

I bathe in effervescence and
glide through
torrential sentiment,
submerged in
cosmic love

...sigh

Crawling from this eddy transcendence,
trembling
precariously up the shoreline
to rest in his arms of
fiery brilliance
gasp....
              ....
                   ....sigh

to set him ablaze with
Divine oxygen that
beads from my
velvet lips like
dew drops, and
coo giggling whispers in his
ear of
soft, tender
reflections,
as he feeds to me
crackling embers that
surge to my
heart centre with
volcanic intensity

Reciting a story
sui generis
nested like Matryoshka,
the ever-unfolding opus,
tangled in sheets of
layers
         upon
                 layers
of papyrus,
scribed
         and
              scribing

Oh, to wake in such a dreamscape.

                *sigh
"...return, on a higher level of organization, to the early magic of thought, gesture, word, image, emotion, fantasy, as they become united again with what in ordinary nonmagical experience they only reflect, recollect, represent or symbolize...a mourning of lost original oneness and a celebration of oneness regained."

- Hans Loewald
Riq Schwartz Oct 2014
I've resolved to hold out hope
Some offering resilient
Passed down, an heirloom
From day to day to day
Through this damning night courier
I sell this trinket for a pittance of sleep
Please, just ten more minutes of pittance
And so hopelessly I'm found
Face first in down, safe swaddled dreams
Abound to excavate another vein
And so hopefully I'm found
Panning for dreams for passing tomorrow
Wishing that the sun would rise reminds us that it will.
IsReaL E Summers Jul 2015
My cat is gone
Stormshadow-san.
I've waited long enough,
Its time to search.
The giant hill covered in mis-matched patches of overly-healthy and near-dead grass, was no longer  a ****** opsticle,
But an enormous accelerator to my race to find my buddy
I run fast into the wooded clearing
Panning far and wide
Ntt nttntt nttntt! Ntt nttntt nttntt! I exhort to him in his native tongue.
STORMYYY! NTTT NTT NTT!NTT!NTT!
(I sound like a dying chipmunk)
Gazing high into the swaying treetops,
A white-spot catches my not-so-great eyesight
My heart follows me down the hill
Faster than legs can move it raptures me to a scar in the little mountain before me
Its not him, but I keep looking
The trees, not yet fully budded, and green from the waters touch.
I see early flowers of purple and white springing from the dead and withered leaves.
I can't believe.
But I do, believe, in Love, and life.
My wandering eyes now fixated upon these little ironcly painted flowers fill with salt water and fog my heart.
I can tell that my heart is letting go, but the stubborn child in me says
"NOO OHOHO OHohoh *snort!"
I feel myself being held, by a father who understands and cares of his sons tears
And the tears suddenly disappear.
Like a flood, calm washes over me.
I turn back to the house of " exceptance"
Mine eyes look up for one second.
And there is snake eyes-san, jet black with girly features. She meows hello and slides below
My terribly worn out sneakers.
I knew she knew, and she knew I knew.
"He's gone, but im here with you"
Ok so I tried to step outside-the-box on this one and its terrible. But hey, consider it a failing grade in poetry class. Just trying to hone my skillz.
JR Rhine Feb 2016
Is a man
who acquiesces to love's embrace
ever sinless? (never a lamb)
always libidinous? (perpetually the wolf)  

I pondered this (stigmatic) question
as I entered the densely-wooded trail,
to seek my analogous answers
in the enchanting mystery of the naked forest--

Much as I had before,
seeking truth and solace in love's embrace;
tucked within her ample *****,
where I had once lain my head
gently flowing with the rise and fall
of her chest--

much like the advances and retreats
of aching waves on the beleaguered shore.

I traveled the woods, taking it all in--
as I, the woods,
and the woods, my love,
and the earth, my foundation,
and the sky:
My god.

I heard avian sprites dance in the thickets and brush,
scampering away from my intrusions.

These birds; be they so timid in my presence?
Or, in their sprite-like visage,
do they simply mirror such intrinsically motivated ambulations;
their impalpable purposes impervious to Man's prodding.  

I feel I seek their fleeting company in my mind's eye,
who wanders incessantly in its dreadful musings,
while my earthly senses
merely soak in what is to be seen.

And I see the naked overturned tree--
victim of the vitriolic hurricane's rages;
who lies ashamed before my queried glances,
silently panning from empty branches
protruding from a battered trunk,
down to her meandering roots--
who look meaningless in their desperate search
for earthly riches.

I almost feel guilty enough to cast my eyes from her sight--
and she is left to only rot in the foliage
that once entertained her life;

and her in turn having once contributed
to the beauty
I precede,

in the impending vernal equinox
alluded by the returning chansonettes
of those dainty birds--
who sing and dance among those branches sturdier than hers.

I felt her woes accumulating in her shameful exposure
to wicked love's throes and I wept alongside her.

(Pitiful, unspoken empathy.)

---

I finally make it to the overlook,
and the rugged solitary picnic table--
where I sit and gaze over the cove,
and the shore that lurks beneath
my commanding earthly footing.

Sighing at the merrymakers perched atop their aquatic vessels--
their cries and screams of elation reaching me,
like mocking phantoms lurking in the woods,
echoing off the hollow shells

(and I write this all with numbing fingers
and tearing eyes, blinking furiously
in frigid but calm winds never hiding their presence)
--

I see them, closer now as I make my way to the beach;
but how is it I am the one sinking,
when my feet are the ones planted firmly on the shore?

My shoe'd feet seep into the wet sand--
a dull orange, so lifeless and cold;

Infinitely malleable.

As I once was,

in love's embrace.

---

In the sand:
the lukewarm tracks of man and beast--
traveling side by side,
their destinations a mystery to me,
but their paths encapsulated in the gritty earth
where I once again sense the duality of my soul.

Man and beast imprinted in the malleable confines
of my innermost being, where
the ceaseless waves crash onto the shore
of my battered conscience,

and I feel sinking atop my muddy thoughts
the footprints of man and beast--
the biped and the quadruped--
stepping in tune to nature's melodies.

When I acquiesced to love,
man and beast did not step harmoniously
in the sand,
and the waves of lust crashed over my conscience
like the perfect storm.

In utter torment,
I shied from its ceaseless beatings,
but I foolishly dug my withering tendrils into the mutable sand,
and the wind's booming voice furiously knocked me onto my back--

and though her advancing body had suddenly lain atop mine,
with kisses like icy daggers and eyes like amorphous storm clouds--
her words and my conscience
lay heavier on me still;

On the shore,
and in the woods:
Where I lay naked and exposed,
where I lay shameful and remorseful,
where I lay hopeless and tasteless,
where I lay to this day--

rotting in the foliage that once gave me life,
and I in turn,

beauty.
To men who have been sexually assaulted:
You are not alone.
And also, to women who have been sexually assaulted:
You are not alone.
My prayer is that in our shame and anguish we may still reach out to those who love us, because believe me; they are there.
You are dearly loved, child.
(This poem does not seek to elevate the atrocities of the ****** assaults of men above that of women, but merely to address the stigma that is seemingly associated with men being sexually assaulted.
As I know personally, it is a shameful experience that you feel is not true because you are a man and men love ***--so we are told--so therefore how could a man ever be sexually assaulted? My heart goes out to all victims of ****** assault.)
in a state of disuse
the old gold mine stood  
as the cost of retrieving it
twas not financially viable
miners back in the days
of the gold rush
had abandoned
their panning sites
skeletons of gold cradles
lain by the creek edge
the flecks of gold
had become a dream
the grandest of illusions

with the advent
of modern mining techniques
the old mine had life giving oxygen
put back into it again
a company from Sydney
commenced quarrying
along the creek's ore vein
good quality gold  
twas retrieved
a bounty of abundance
which shone so vividly

if the old miners
of yesterday
were around
to-day
they'd be quoting
these words
in a most affirming way...
thought nothing can bring back the hour of splendor
in the grass of glory in the flower
The sun set upon this world and in the morning again it rose,
monuments towered the crust, but all life was somehow gone.
Panning through the downtown streets, there were no people in this land.
The ocean depths were devoid of life, and the polar caps lay silently ******.

The Vegas strips were dead and still, the lights we know were dim.
New York was a desolate wreck, buildings crumbled and toppled in.
The Statue of Liberty stood tall, queen of all beyond her eyes.
She saw what had happened that fateful night, but she did not blink or cry.

The Eiffel Tower stretched into the heavens, king of all of grand Parí.
The Golden Gate Bridge connected two dead shores, silent as could be.
And what of this lovely place, where Big Ben let his hands tick away?
The world was so deathly silent; his ticking could be heard in Bombay.

There were no fish in the sea; they had perished in the night.
There were no gulls on the beach; hushed were their cries of fright.
There were no mummies in the tombs; the riches they had gone to waste.
There were no people in LA; to a silent crowd it roared and quaked.

There were no ***** in the sand; their scurrying feet were still.
And a pest control had done its work for there were no rats in the landfills.
There were no worms beneath within the earth; no birds to pull them apart.
There were no roaches in the dumps; no crying kids in Wal-Mart.

There were no ants within their dens; no eaters to pry them away.
There were no bacteria within this world; no viruses now, much to their dismay.
The plains were barren; there were no trees, grass, ferns, or weeds.
The tropical forests, the coniferous mountains, all rocky as could be.

And what of this once lovely planet? It spun through time and space.
Once so full of beauty and life, now completely laid to waste.
The Earth stood still as it raced through that void; all life stripped from its crust.
Still it never knew that we were gone, and so it spun finally hushed.
Aliya Smith Mar 2014
Panning in on the last four years, I remember
the times I was jealous of each of you
the things you’ve done that I’ll never do
the wishes I’ve made that have yet to come true
and as I take those times, those things and those wishes
and compare them to all that I’ve done and had,
I remember, too, that what you do is what you do
and that your lives are yours to lead
and that your time is yours to use as you please.
So I’ve pleaded with myself to let go
of the restrictions
that used to control my depiction of my self worth.

I remember when you made the better grade
when you would flaunt how much you paid
when you were not scared to parade around
and prove to everyone just how proud you were to be you,
but not because of what you’d do
or what you knew,
but because you could beat the others through-and-through,
no matter the circumstances.

I remember believing there was no space
for someone like me to take in a place of so much
"style and grace"… such as that which surrounds you…
And I remember how dumb I’d feel
how weak I’d feel
how small I’d feel
and just how **** unreal it was
to know that in no way, shape or form did I belong here
'cause some of this place inflated my fear
that I simply wasn’t good enough.
I had not stayed at the Ritz,
I had not been to ten countries,
I had not gotten a new Beamer at 16, crashed it, and then received an
even newer, nicer Beamer the following week.
(I mean really?)
But then I remember that I’m not you —
any of you —
that I’ll never do what any of you do
because your experiences are your own to keep
and I don’t want them for myself.

I’ve had my own thoughts and not been afraid to share them.
I’ve fallen, ripped my jeans and been proud to wear them.
I’ve got bad memories but I’ll always be glad to bare them,
because my experiences are my own and I want you all to know
that I’m not ashamed of my life,
and this poem isn’t about strife and how to avoid it.
All I’m trying to say is that I’ve cared what you think
but I’ve learned how to clear my mind and make sure it’s devoid of
comparisons to all the things you’ve done
'cause our time in this world has a limit
and I’m running my race, I aim to finish
and if I only care about me, I know I’ll win it.
And the same goes for this whole group
'cause if you never get the clue that
you’re only real competition will always be you,
then you’ll miss out on all of life’s true value.

But I didn’t realize this all on my own;
I’ve had people to guide me toward a path
that allowed me to hone in
on what’s real and what to disregard so I never feel
unworthy of or lesser than
those around me, so I’m able to stand
up on my two feet,
to not worry about defeat
and here’s my shout out to you
(you know who you are)
who fought my battles with me
and helped me stand my guard.

But this is for everyone in the room —
Just don’t forget your mistakes
and I won’t forget mine, ‘cause they’re the things that made me
what and who I’ll always be and
even though I’ve lied and I’ve cheated,
had my name typed as head prefect but then had it deleted,
I’m still in the lead ‘cause I’m thinking of me today.
What you need already lies in you,
no matter how much you hope and pray.
But here comes the baton and I’ve got to hand it to myself —
I’m kickin’ (chapel edit) at this relay.
Francie Lynch Dec 2014
We dredge secrets,
That's the start,
Panning love from art.
Our words wash over
Like sluicing water,
To clean the buried heart.

Crack the hard rock
To reach motherlode;
Veins enrich us,
With jewels to share.

Float to the summit
On romantic trysts;
Reclaim me from
An open pit
With deep drill
Diamond bits.

These small gems
We call poems
Are sweet as gold
From honeycombs.

— The End —