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Little black boy and black girl wear your natural hair with love
For years we have been told that our natural hair was *****, *****, bad, and ugly
But the truth is our natural hair is strong and beautiful
Little black boy and black girl wear your natural hair with love
Wear your lion's mane and let the world hear you roar
For years we have been told that our natural hair was *****, *****, bad, and ugly
But the truth is our natural hair is strong and beautiful.

Written by Keith Edward Baucum
Terry Collett Apr 2015
Yes Helen muses Id like to meet Benny by the Duke of Wellington but to ask Mum first and I dont think shell mind as its Benny as she likes Benny and his mum and mine know each other and talk to each other at the school gates and when they talk they talk and yes if I ask Mum nicely and when shes not busy shell let me go but I cant leave it too long or the time will go and he will have gone if Im not at the Duke of Wellington by ten past ten this morning has as he is going to the herbalist shop to buy liquorice sticks and sarsaparilla by the glassful and Benny says it makes blood so if I drink a pint I will make a pint of blood and hopefully I wont spillover with blood she waits a few minutes while her mother puts away the shopping Helen had bought home from Baldys and looking at her mother making sure her mothers features did not show too much stress and timing it right that was the key Benny told her once timing is the key he said her mother walks around the kitchen seemingly busy the baby crawling around her mothers feet and the smell of nappies boiling on the stove steam rising smell of it Mum she asks can I go out with Benny to the herbalist shop and buy some liquorice sticks and sarsaparilla? her mother picks up the baby she hugs him close smells his rear end pulls a face what did you say? her mother asks holding baby a little distance away from her arms out stretched walking to the put-down table over the bath and placing baby down can I go with Benny to the herbalist shop and get some sarsaparilla and liquorice sticks? Helen repeats standing with fingers crossed behind her back when are you wanting to go? her mother asks unpinning babys ***** and the smell erupting into the room and air as soon as I am allowed Helen says trying not to breath in hoping her mother will say yes but her mother hesitates her features ******* up her fingers pulling back the offending ***** and dropping it in a pail at her feet bring me a clean ***** from the other room Helen and some talcum power and some cream and best get some other safety pins as these are a bit well not fit to put on again until theyve been washed o keep still you little perisher dont move your legs so and no dont piddle on me go on then Helen dont dawdle so Helen walks into the other room and collects a ***** from the fireguard and talcum powder and cream and pins from the bag by the chair and takes them to her mother who is struggling to hold the baby in one place and clean up the smelling liquid and mess  and waving a hand in front of her face to give her fresher air give them here then girl I cant wait all day and here hold his legs the little figit so I can get him clean properly Helen pulls a face and carefully reaches over to try and hold her brothers legs still while her mother attempts to clean him up but her brothers legs move at a pace and hes quite strong for one so small she thinks hold him hold him her mother says Helen does her best for a little girl not yet in double figures there done it her mother says hes done now right take him and put him in the cot in the other room while I wash these nappies out can I? Helen asks can I go? go where? what do you want now? her mother says to go to the herbalist with Benny Helen asks he asked me this morning while I was getting the shopping at Baldys her mother put on the kettle and empties the nappies in the big sink when did you want to go? as soon as I am allowed Helen says gazing at her mother through her thin wired thick lens glasses hoping her mum will say yes off you go well you cant always rush off you know not when I may need you after all youre my big girl the oldest of the tribe but as youve been good this one time you can go but mind the roads and keep with Benny and if you need to go to loo make sure its a clean place and put some toilet paper on the seat you dont know who sits on them things ok I will Helen says trying to recall all her mothers instructions can I go now? she asks hoping her mother will not change her mind at the last minute best go now then her mother says its nine fifty nine fifty? Helen says what's that mean? ten minutes to ten her mother says o right Helen says and rushes into the passage way and put on your raincoat it looks like rain her mother calls out I got it Helens says and rushes out the door and down the stairs carefully not wanting fall down the steep steps she holds on to the stair rail and then out into the street and bright fresh air and dull clouds and she walks along Rockingham Street under the railway bridge and there he is Benny hands in his jeans pockets his hair and quiff creamed down and his hazel eyes gazing at her blimey he says youre earlier than I thought youd be he takes in her hair plaited into two and her thin wire framed glasses making her eyes larger than they are had to help Mum with my baby brother she says hed messed his ***** and Mum had to clean him up and needed me to help and gosh the smell Benny enough to make you feel sick and anyway Im here now o but I havent money I forgot to ask Mum for money she says biting a lip looking back towards where shed come I got money Benny says rattling coins in his jeans pocket she smiles and looks at him he gives her the kind of smile she likes the kind that makes her feel safe and wanted and she loves the coat he wears with the odd buttons and and his quiff of air and his warm what shall we do now stare.
A GIRL AND HER MOTHER AND A BOY AND MEETING IN LONDON IN 1955.
Olivia Robinson Jul 2015
I don't apologize for my blackness and your fear seems like this beautiful melanin enriched skin is a blessing and a curse. police offers using our young men's as target practice ripping our rich black roots from the ground and scathing them  them all over the cold blood stained concrete streets that my people paved.they just want us to dance sing and play ball to entertain them. they don't want us to succeed and move on to bigger and better things so sinister grins creep upon their faces as they watch us slaughter eachother in the streets. they watch us struggle to get out of poverty they say we're all on welfare and ain't **** but how can we move up in the world and get out of poverty when this system wasn't built to benefit us? we are more than the stereotypes. we are doctors lawyers entrepreneurs nurses designers filmmakers activist.we are intelligent intellectual beings with knowledge that surpasses all understanding. they don't want us to open our mouths and speak our truth...they want us to shut up and chuck and jive and kiss their pasty white ***** to the bone they want us to ignore the blatant racism and discrimination we face everyday and be content that we aren't enduring as much pain as the ones before us have. but we will not shut up. we do experience racism. we do experience discrimination. and our people are dying everyday from it.how dare you utter the words respect yourself and well respect your from the same mouth that slandered my ppl and taught us to hate ourselves with? we were taught to love everything that was white and hate everything that was black and love blonde long straight hair and blue eyes and hate our chocolate skin and ***** hair but these ***** roots are deep...no matter how much you try and destroy them they are deep and run through us all. so my brothers and sisters... be proud of your roots take care of your roots embrace your roots love everything about yourself from that ***** *** hair that breaks all the teeth of your comb to your chocolate skin that glows in the sunlight and those strong minds and powerful voices because black is beautiful, black is powerful black is brilliant, black matters.
poem I wrote a while ago around the time of the Mike Brown case. it's not finished.
The darker the berry the sweeter the seeds
plant them because you sow what you reap.
My skin is magical you see...for I am a special kind of breed.
When I'm in the sun my melanin boils, plus heat is good for my ***** coils.
A shade darker I've just became...
From honey brown to a cocoa shade.
Time to untwist my bantu knots and free my natural fro.
The curly crown of victory as my melanin glows. I strut through the grasslands in tune with my inner goddess. My legs are thick and long, so now its time to flaunt this.
shaking my hair from left to right & pump my fist in the air.
Wish I was alive in the civil rights, but then I wouldn't be hear.
People they envy my complexion, they wish they had my perfection. But honestly you can't hate on something God gave.
Melanin queen, you reign in the lands.
Zion queen, lets do a foreign dance.
Melanin runs within my veins and pores.
Melanin I love to be, I'm wading
in the shores.
A Tale

“Of Brownyis and of Bogilis full is this Buke.”
                              —Gawin Douglas.

When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An’ folk begin to tak’ the gate;
While we sit bousing at the *****,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.

This truth fand honest Tam o’Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne’er a town surpasses,
For honest men and bonie lasses).

O Tam! hadst thou but been sae wise,
As ta’en thy ain wife Kate’s advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum,
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi’ the miller,
Thou sat as lang as thou had siller;
That ev’ry naig was ca’d a shoe on,
The smith and thee gat roarin fou on;
That at the Lord’s house, ev’n on Sunday,
Thou drank wi’ Kirkton Jean till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi’ warlocks in the mirk,
By Alloway’s auld haunted kirk.

Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthened sage advices,
The husband frae the wife despises!

But to our tale: Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi’ reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo’ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter;
And aye the ale was growing better:
The landlady and Tam grew gracious,
Wi’ favours, secret, sweet, and precious:
The Souter tauld his queerest stories;
The landlord’s laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.

Care, mad to see a man sae happy,
E’en drowned himself amang the *****;
As bees flee hame wi’ lades o’ treasure,
The minutes winged their way wi’ pleasure:
Kings may be blest, but Tam was glorious,
O’er a’ the ills o’ life victorious!

But pleasures are like poppies spread,
You seize the flow’r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow’s lovely form
Evanishing amid the storm.—
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o’ night’s black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he tak’s the road in,
As ne’er poor sinner was abroad in.

The wind blew as ‘twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The De’il had business on his hand.

Weel mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro’ dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet;
Whiles crooning o’er some auld Scots sonnet;
Whiles glow’rin round wi’ prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.

By this time he was cross the ford,
Whare in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak’s neck-bane;
And thro’ the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo’s mither hanged hersel’.
Before him Doon pours all his floods;
The doubling storm roars thro’ the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering thro’ the groaning trees,
Kirk-Alloway seemed in a bleeze;
Thro’ ilka bore the beams were glancing;
And loud resounded mirth and dancing.

Inspiring bold John Barleycorn!
What dangers thou canst mak’ us scorn!
Wi’ tippenny, we fear nae evil;
Wi’ usquabae, we’ll face the devil!
The swats sae reamed in Tammie’s noddle,
Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished,
Till, by the heel and hand admonished,
She ventured forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o’ beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He ******* the pipes and gart them skirl,
Till roof and rafters a’ did dirl.—
Coffins stood round, like open presses,
That shawed the Dead in their last dresses;
And by some devilish cantraip sleight
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a ****,
Wi’ his last gasp his gab did gape;
Five tomahawks, wi’ blude red-rusted;
Five scimitars, wi’ ****** crusted;
A garter, which a babe had strangled;
A knife, a father’s throat had mangled,
Whom his ain son o’ life bereft,
The grey hairs yet stack to the heft;
Wi’ mair of horrible and awfu’,
Which even to name *** be unlawfu’.

As Tammie glowered, amazed and curious,
The mirth and fun grew fast and furious:
The Piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!

Now Tam, O Tam! had they been queans,
A’ plump and strapping in their teens;
Their sarks, instead o’ creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o’ mine, my only pair,
That ance were plush, o’ gude blue hair,
I *** hae gi’en them off my hurdies,
For ae blink o’ the bonie burdies!

But withered beldams, auld and droll,
Rigwoodie hags *** spean a foal,
Lowping and flinging on a crummock,
I wonder didna turn thy stomach.

But Tam kenned what was what fu’ brawlie:
‘There was ae winsome ***** and waulie’,
That night enlisted in the core
(Lang after kenned on Carrick shore;
For mony a beast to dead she shot,
And perished mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie,
That sark she coft for her wee Nannie,
Wi’ twa pund Scots (’twas a’ her riches),
*** ever graced a dance of witches!

But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewitched,
And thought his very een enriched;
Even Satan glowered, and fidged fu’ fain,
And hotched and blew wi’ might and main:
Till first ae caper, syne anither,
Tam tint his reason a’ thegither,
And roars out, “Weel done, Cutty-sark!”
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.

As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When “Catch the thief!” resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch screech and hollow.

Ah, Tam! ah, Tam! thou’ll get thy fairin!
In hell they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the ****,
And left poor Maggie scarce a stump.

Now, wha this tale o’ truth shall read,
Ilk man and mother’s son, take heed:
Whene’er to drink you are inclined,
Or cutty-sarks run in your mind,
Think, ye may buy the joys o’er dear,
Remember Tam o’Shanter’s mare.
Redshift Feb 2013
How long before I become
One of those creepy single people?
The ones with all the cats
And ***** sweaters
Who eat cereal for every meal
And smoke at the kitchen table.
How long will I be able
To make single look
'Cool'?
Apparently I can't fool
My parents anymore.
Dad's sure
That I'll hook one soon
But what is...soon?
Tomorrow? Today?
Ten years from now at noon?

Why can't I just be
Unsingle...
Not attached
But in there somewhere
Somewhere is a place...
Right?

....maybe it's my height...
Styles May 2014
Dreadlock Rasta;
No like informa,
No like imposta,
**** smoke; burning da trees
Mango scented leaves,
Burnt grapefruit scented breeze.
Wolly mammoth size locks,
Steal wool, *****, tied in a knot,
Jamaican colors wrap tie; sitting on top.
I and I, believe it or not.
No woman no cry,
No problem;
Him cool as a rock.
Charles Dickens by his side,
Studying stanzas, deciphering plots.
Prayer's meeting;
meditation- never stop.
Water’s blue waves,
Fresh fish after 12’o clock.
Under the bridge, find my spot.
By his sweet Sugarcane from,
Miss Parker Sugarcane shop
Burning a spliff, because the ****
is his only green; pastures plot.
Mary Jane, his only queen be,
Never leaving he; love him or not.
Bunhead17 Nov 2013
[Intro]
Ain't this what they've been waiting for? You ready?

[Verse 1]
I used to pray for times like this, to rhyme like this
So I had to grind like that to shine like this
In a matter of time I spent on some locked up ****
In the back of the paddy wagon, cuffs locked on wrists
See my dreams unfold, nightmares come true
It was time to marry the game and I said, "Yeah, I do"
If you want it you gotta see it with a clear-eyed view
Got a shorty, she try'na bless me like I said, "Achoo"
Like a ***** sneezed, ***** please before them triggers squeeze
I'm gettin' cream, never let them hoes get in between
Of what we started, lil' ***** but I'm lionhearted
They love me when I was stuck and hated when I departed
I go and get it regardless, draw it like I'm an artist
No crawling, went straight to walkin' with foreigns in my garage
Got foreign ******* menaging, ******', suckin', and swallowin'
Anything for a dollar, they tell me get 'em, I got 'em
I did it without an album
I did **** with Mariah
Lil' ***** I'm on fire
Icy as a hockey rink, Philly ***** I'm fly-er
When I bought the Rolls Royce they thought it was leased
Then I bought that new Ferrari, hater rest in peace
Hater rest in peace, rest in peace to the parking lot
Phantom so big, it can't even fit in the parking spot
You ain't talkin' bout my ****** then what you talkin' bout?
Gangstas move in silence, ***** and I don't talk a lot
I don't say a word, I don't say a word
Was on my grind and now I got what I deserve **** *****
Hold up wait a minute, y'all thought I was finished?
When I bought that Aston Martin y'all thought it was rented?
Flexin' on these ******, I'm like Popeye on his spinach
Double M, yeah that's my team, Rozay the captain, I'm the lieutenant
I’m the type to count a million cash then grind like I’m broke
That Lambo, my new *****, she'll ride like my Ghost
I'm ridin' around my city with my hand strapped on my toast
Cause these ****** want me dead and I gotta make it back home
Cause my momma need that bill money and my son need some milk
These ****** tryna take my life, they **** around get killed
You **** around, you **** around, you **** around, get smoked
Cause these Philly ****** I brought with me don't **** around, no joke
All I know is ******, when it comes to me
I got young ****** that's rollin' I got ****** throwin' b's
I done did the DOAs I done did the KODs
Every time I'm in that ***** I get to throwin' 30 G's
Now I'm hanging out that drop head, I'm riding down on Collins
They like, my ***** back home that young ***** be wildin'
We young ****** and we mobbin' like Batman and we're Robin
This 2-door Maybach, with my seat all reclinin'
I'm that real ***** what up, real ***** what up
If you ain't about that ****** game then ***** ***** shut up
If you diss me in yo' raps, I'll get your ***** *** stuck up
When you touchdown in my hood, no that tour life ain't good
Catch me down in MIA, at that Heat game on wood
With that Puma life on my feet, like that little engine I could
Boy I slide down on your block, bike on twelve o'clock
And they be throwing dueces on the same ***** they watch
And I'm the king of my city cause I'm still calling them shots
And these lames talking that ******* the same ****** that flopped
I'm the same ***** from Berks Street with them ***** braids that lock
The same ***** that came up and I had to wait for my spot
And these ****** hating on me, hoes waiting on me
Still on that hood ****, my Rolls Royce on E
They gon' remember me, I say remember me
So much money have ya friends turn into enemies
And when there’s beef I turn my enemies to memories
With them bricks they go from 40 ain't no 10 a key, hold up
Broke ***** turn rich, love the game like Mitch
And if I leave you think them pretty hoes gon' still **** my ****?
It was something 'bout that Rollie when it first touched my wrist
Had me feeling like that dope boy when he first touched that brick
I'm gone
I love this song its so beautiful. "Dreams and Nightmares" by Meek Mills ****. The Beat Bully
#young kings
tumelo mogomotsi Jan 2017
please dont touch my crown
the black rubies were encrusted by steve biko
madam cj walker made it a sign of royalty
blood was shed for this ***** hair
i am a servant to this crown, and i will show my loyalty.

please dont touch my crown
i can feel the curlism in your fingers
your greedy hands appropriate it for relevance
you have hated volume and colour for centuries
but now you see beauty where you once saw pestilence.

please dont touch my crown
let your eyes feast on the sight of true glory
forget about vanity, and hear our chains
taste our dry blood, smell our lynched bodies
but never touch our hair without remembering our pain.

- t.m
Nat Lipstadt Aug 2019
a love poem, of new & old,
why I am the summer-man!^

summer is winding down,
sky’s multi blues freezer safe stored in ziplock see thru bags,
marked and named by hue, the where and the when,
so when the eyes finally fail, when the squinting don’t help,
when the good things those good blues aroused,
poems, lush and morning thanks for being alive come-not-at-all,
quite the opposite, these cold blues
may help, to recall why it was worth breathing

summer is winding down,
so am I, the synchrony no accident, time,
the Pharmacy kitchen calendar
claiming another victim, willing or not,
those cars and the blue eyed models,
are now but blurred wishes and hopes, even these words, spoken,
not finger scribed, for the keyboard a
jumbled jungle of alpha-numerical
of confusion hellish and
my sons don’t come to clean up my pathetic messes, sending
their little children, beloved concubines of my heart

the daytime watcher, spanglish her native lingo,
tho single words she’s pretty good at too, but that don’t help much;
the grands, toddlers to pre-teens, the eldest a womanly eight,
tries but soon frustration bored, slips away quiet like
replacing her with her two year old sister, who knows her alphabet
which ain’t an exactly a help, but her five pencils stored^ nearby,
tagged with her name, awaiting her poems, her one true legacy

try to imagine her as a grandmother, farseeing the day when she
occupied this too too hard to-get-out-of-by-myself “easy” chair,
making rhymes with her next-next generational  descendants,
faint remembering the silliness sorcery that I secreted in her brain;

zingo, bingo, lingo
tango, ginkgo, jingo,
** ** oh no, oh no!

ashes, gray hairy poppy is a silly,
when he is not a grumpy,
old man all fall down!

which she acts out with giggles galore,
adding a teacup embellishment,
a creme fraiche pearly teeth smile topping,
the day watcher agrees, verrry verrry funny,
but time to me *** and take a needed morning *****

no poppy! no poppy! no poppy!
no nap, no ***, no *****!
thinking the call out is for her,
stomping her feet in an alternating rhythm and rhymes

I, happy poppy, ecstatics drooling out,
foreseeing the rhyme is strong in her,
get wheeled away crinkled and crackling,

zingo, bingo, lingo
tango, ginkgo, jingo
** ** oh no, oh no!

ashes gray hairy poppy is a silly,
when he is not a grumpy,
old man all fall down!



a new genre me of gibberish summertime love poems
Tashea Young Nov 2016
As Stong as the An African Elephant
Yet were are supple and elegant.
We are persuasive talkers so our words are very Eloquent.
Crafted From man's rib and An earthly element is How God made the first Wombman in the old testiment.
During the worlds development
We somehow begun to be irrelevant
Forgetting that we were designed as a help mate who is heaven sent.

We shed Bloods for days sometimes a months without dying.
Raising our children to Be Ladies and gentlemen whom are edifying.
In our wombs a human life we are able carry.
We are informational like a human dictionary.
We store resoureful pieces of data like a library.

Created with brown sugar, warm honey, cocoa and Gold.
Out spirits are Radiently Bold.
Our bodies are temples that can't be bought or sold.
We have a Story that must be hear and told.
We are the beautiful flowers in the month of May That Springs up and blooms in middle of noons day.
We flourish just as the fluorescent blue jay, Whose mood is Joyful and gay.
Our Skin absorbs the sun's Incandescent. Ray.
Some may say, Our hair is ***** but Actually, Our hair just happens to defy gravity
So we wear it upon our head proudly like a Crown
because Living in socitey's prospective of what you should look like will weigh you down.
You will stay stuck on being lost when you already have been found.
Be about your fathers business and know you are Heaven bound.

We are run life's race with meaning and purpose in our pace
Even our walk is embedded with grace
Nature's beauty smiles upon our face
As We Wear God's love like a Pure Gold necklace that's trimmed with lace.

The Strength we've gain
Turned us into warriors from living the through the most Excruciating pain
Thats the Reason we humbly pray as we sing and dance in the middle of the storm's rain.
Our humility will continue to remain.

We are women of Virtue
I wrote this to encourage you
Never let no one break, hurt or discourage you know who you belong to.
And who deserves a Woman of your statue.
For Being black Is Exhilarating
And being a woman is Breathtaking but Being a Black Woman is an Honorary Identity that is Legendary.
See the world thru the eye of a black Woman
Speak African child, speak. for you poses a  mouth that heals nations. It is in thine voice in the vibrations of thy mouth that remedies are provided to our ailments.

speak African child, speak. speak against the calamities that befall your land. speak against that hand that he dare raises against your bare skin. speak against the blood of your brothers spilled to please others.

Speak for  Africa that is one and united, Africa that does not know of any racial divides. Africa that knows no skin colour. speak African child speak. for you are the voice of liberation. speak  for your voice are the echoes of our ancestors.

child labour, human trafficking, child *******, school violence, femicides, suicides. and you say you see this not.  African child where is your voice in all of this. doesn't that skin, that accent and ***** hair mark you as of African descent.

Speak African child speak for you bare the answers to our questions, you bare the sole of our history.
Mateuš Conrad Sep 2016
one - i don't understand why saying "it's the 21st century" is somehow seen as a compensation for 20 centuries of our inhumanity, or a case of: only improvements reside in us - seems just as false to say - men can overcome angels, as stated by the first Christians... yeah, we can do miracles with technology and ultra-secular communication dynamics - discarding the existence of such beings resulted in hen parties with plastic wings and halos... what a great method to discard such being, and subsequently appropriate their features, if ever needed, but altogether unnecessary... two - that disrespecting heterosexuality aligned with the power of science has made it altogether a pointless endeavour in re-enacting the monogamous nature of swans: if we can breed the many perversions, ahem, deviations, we surely require en equal share of respect, before science undermines any deviations into an economic format of breeding pure heterosexual contingencies... three: who the hell said i was throwing anyone off a roof? i was just curious about the slack pressurising the alias big brother / grey matter dictator into teaching us language, then to later make us into a Koranic cyclops or having to sway one side, but not the other, teaching us vocabulary in school, but robbing us of a fluidity of language beyond school, in society... any rational man would say: just teach me the knuckle, the stone and the stick to express my manners... because, to be frank, i'm not into faking being civilised, just teach me to be a barbarian from the start, don't dangle the magic carrot in front of my eyes when it's a fake... teach me the barbarism you want to suppress later on in life: i'm not into being Dolly 2.3419, and an attache to a sheepdog for herding purposes to take it up the **** and shut up: because a member of Parliament did it to me aged 14; for example.

subjectivity is doubled attacked, it's not the merely rationalist
approach of an objective side of things,
i could understand tiresome efforts
Chinese politics while walking
the tourist plot on the great wall -
in a society that's seismically acknowledging
social or whatever coherence,
i find it a bit of limbo of paraphrasing
trans - or trans-physics, or the active
way to usurp metaphysics, by deviating
from thought as an activity, and more
how words are sense datum co-ordinates
that are like dictators: because it just, feels,
funny, and, offensive. ***** vocabulary,
that's what i call it... after a while you concentrate
on what ****** you off, first the educational
autocracy teaches you a vocabulary,
then come the St. Thomas' terrorists with:
you need to revise your vocabulary...
like **** that'll happen, you don't own
language, i don't own language, you're
little fascist agenda to censor such awoke
the boy that was supposed to wake Barbarossa
from his slumber with the cry: crows! crows!
a cloud of crows! funny how the eagle is a
failed emblem for empires, and the crow isn't...
mind you, the English succeeded with
an empire half-and-half: a lion and a unicorn...
i'd guess as much with a monkey and
a centaur, or at least a Cerberus - something
mythical - well, sure, the Poles are attacked
in Britain... but ever hear about the Scot
being attacked in an English village?
a Scot was attacked just the other day,
because kilts were deemed offensive...
so trans-gender is good, meta-gender is:
had a wee t'ink 'bout it...
   robots start with the pronoun use: one...
royalty start with the pronoun use: we...
                 and in between we have paranoid
they and we... and insecure you and i -
or as e. e. cummings would have it:
    *i say no world
                 can hold a you
   shall see the not
             because
  and why but
                          (who
        -
true, but as much of not is entanglement
              with knots - or ought to tries -
  to not or to knot and be -
                              Shakespeare also said:
  funny how i was born neo-liberal,
millennial tattooed - and fake-left...
   i hear the right is a tsunami of focus these days,
all the generation Z are buying into
obstructing gay-marriage, and are adamant
   on not abusing pronouns - hence the current
revival in grammar school education in England -
they don't drink, i.e.: taking psychopathic gambles,
they're prone to social-media overdoses
rather than succumbing to excess ecstasy and palpitation:
i had 190 "friends"... let's just call them vantage points...
   sheered that social media sheep: only 13 left...
but at least objectivity outright says:
       subjectivity is subhuman, science taught us
that subjectivity is the fire between two flint stones,
all in all necessary - but objectivity said:
             two flints! two flints! no fire!
what attacks subjectivity is not objectivity,
it's satire... to humanise everything: good or bad,
with a standard of humour... well... telling a sad
joke to later tell the same sad joke by satirising it...
punch in a face; because there are only so number of
things that are funny in life... the English language
doesn't seem to understand that even the odd chance
of black humour, will not lift the spirits of those,
who, quiet frankly, don't want to be humoured...
the only humour left is not to provision the public
with barbaric satire, sometimes empathy will do,
because it's emphatic humour,
   it's Godot's roundabout humour: the shared experience.
laughing for the sake of laughing is
             a cry from apathy's lost interest in
being pardonably dasein - laughing at all the truthful
autobiographic desecrate is apathy's last
chance to impress: but how foul it all sounds by then...
   the western version of buddhism suddenly feels like
  a taste of pears in november: not sour, not bitter...
just maggoty foul - yucky goo
                  of a plum-shaded rouse of the skin
tinged hue after contact with knuckle and knee.
  but they attacked a ******* Scot in an English village,
because of a kilt...
                                   he knows the strand of ganging up
in hyena numbers and then the celebratory drink
of compensating conscience - they'll sooner accept
     a trans-gender dunno'h than a hot-blooded
heap of tartan - ever ask the homosexuals what
they think of St. Thomas' gospel?
              i think: too much, too early, too innocently.
and if they tell you: speak differently!
they will, i'm ****** sure they will want to
control your grammar without any specialisation -
you'll wonder: summer in Syria?
                     because as racism goes,
they attack the difference, and the difference is only
skin deep, like they did with the Afros of Kentucky,
the Kentucky Afros will spring right back,
    because the abuse was only skin deep,
therefore their soul was enlarged, and they'll
play the blues, and the jazz, and rap, and break-dance...
but if the abuse goes to the depth of soul...
in that it's soul-deep...
                                and because it's white v. white...
it will ferment, and nothing positive will come from it...
no jazz, no blues... nothing of cultural importance...
   it will be haggled in the political market
to the point where both sides will find it utterly
unbearable: and then start to sheer their skins...
        you won't get anything from this soul-deep
attack... if the holocaust is what it felt like,
            then this is a minor post-holocaust episode,
a reminder...
                          and by god, i thank god
for the fact that the Picts are involved -
                                                            whe­re to now?
O Imperium Gladstone paraphrase?
                            it will be hard to beat the unicorn -
all empires donning the eagle duly fail -
centaur and a frog? maybe next time.
heather leather Mar 2016
They stand tall and smile beautifully,
any gaps between their teeth is held together by
glue called fear of what could happen if they are
anything but perfect. This glue, it is strong and sticky
and unbelievable expensive, it costs both your pride
and your happiness
[but it's okay, because both would've been taken
anyway. This is America you are a girl and you are a
shade of black so dark it blends within the moonlight.
the skinny twig girl in your class will call you a slave and
you will bite back the salty and sour response threatening
to spill from the back of your throat, that she is the color
of cafe con leche left on the porch and dried too long from
the burning sun of the Caribbean sky; and when she and her
white-washed friends laugh you bitterly think, wow there's no
difference between her and every other ****** here.]
They are gorgeous. Lips so red they remind you of blood at
a nurse's office. Stomachs so toned you want to scream that
your color is not a trend, that your milky white and yet charcoal
black skin with small bumps easily mistaken for traffic signs
with how easily their colors change is not a beauty status. your
skin is not pretty. It speaks an oppressed language with eons
of history behind it like your great grandmother's blood that was
shed onto the white man's land after he conquered something so
precious it could never be given back and you carry that with you,
within the stitches of glass cuts you forcefully made onto your
black skin, sickeningly thinking that you weren't good
enough because you aren't them and inside the skeleton
of your body is your grandmother
and she was a warrior in her own right and you carry her within you
and inside it not something middle school girls can laugh at.
it not something bitter old white politicians can mockingly ridicule
and sarcastically apologize for. it is not something that a boy,
years later at a frat party can try and belittle,
as if saying you are pretty for a black girl makes you feel better.
your great grandmother's soul and the woman before her give you
that milky white and charcoal black skin that can only be described
as the sky at midnight, when everyone else in the small town
you live in is asleep but you are awake and it is beautiful.
it is a hurricane with an infinite amount of water,
it is warfare at it's most addicting point and it is cataclysmic,
and they have no right to spray the dark color of the moon
onto their skin and pretend that the sun does not exist
until it is advantageous for them.
They are pretty.
They are beauty.
They are white,
and you with your Dominican kinks and sunburned skin
are not and this is something that now you do not like
but within time you will come to love.
thoughts?
nish Sep 2018
pray tell my friend
what are other girls like?
stereotypes only go so far
and very early into your
wishful separation of personality within gender
individual women begin to show themselves

strong women, weak ones
light and fair
dark, exotic
hair like waves
some like swirls in the clouds
***** and *****
short, long, bald or full

we have readers and writers
mothers, daughter
achievers and creators
from mechanics to doctors
surfers to fighters
athletes, disabled

every single one
worth their worth

these women don't need
you're irrelevant segregation

don't pit one girl against another
we have a much bigger war to fight
and your comparisons on
how much bigger her *** is
has no room to be heard
not now, not ever

if you can only
praise a woman
by bashing down another
then you do not deserve
to know woman.
You're not like other girls.

I am a walking combination of every woman who has every inspired me and thus, I am like every girl.
Hope you enjoyed :)
eileen mcgreevy Aug 2010
Sticky fingers,
***** toes,
Smelly *****,
Beads up their nose,
          
          PRECIOUS

Snot stained blouse,
Sick stained shoulders,
Work gets harder,
As they get older,

        WONDERFUL

Midnight screaming,
*** in your bed,
Barbie in your coffe ***,
Poor goldfish overfed,

        GOOD TIMES

Money problems,
Teenage tantrums,
Nose rings, blue hair,
Football anthems,

        PARENTHOOD ROCKS!!!!
Terry Collett Feb 2013
Janice sat beside you
on the bombsite
off Meadow Row
looking towards

the New Kent Road
watching the people
and traffic pass
you with your catapult

and she with the doll
her gran had bought her
from the market in the Cut
Gran said those are dangerous

Janice said
pointing at the catapult
not if you’re careful
and responsible

you said
but they fire stones
she said
guns fire bullets

you said
they can **** people
David killed Goliath
with a stone

she said
I heard it in church
I only fire at tin cans
or other such targets

you said
she looked at the sky
at pigeons flying overhead
what about birds?

she asked
no I don’t shoot at birds
although I did fire
at a rat once

but missed
and it ran off
I hate rats
she said

there was one
on our balcony once
and it frightened me to death
you laughed

you remember that coalman
who stomped on that one
along the balcony by your flat?
yuk

she said
horrible blood and guts
everywhere
and on his boot

you said
she hugged her doll
close against her
don’t remind me

you studied the doll
in her arms
the way it was close
to her chest

her hands caressing
the painted china head
the yellow flowered dress
and small white socks

and black plastic shoes
you’d make a good mum
you said
watching her rock

the doll in her arms
do you think so?
she asked
yes

you said
maybe one day
I will have a real baby
she said

and rock it to sleep
and feed it with a bottle
and burp it
and change its *****

like I saw a lady do
in the toilets
of Waterloo station
and Gran said

it wasn’t hygienic
not there of all places
Gran said
I’d have to have

a peg on my nose
if I had to change
a baby’s *****
you said

I think men
have weaker stomachs
than women do
she said

I think mothers
are given stronger stomachs
when they have babies
it’s God way of helping them

deal with babies
I’d rather have a catapult
than a baby
you said

or a doll
do you want to hold my doll
and I can hold your catapult?
she asked

no thanks
you replied
if my mates saw me
I’d never live it down

she kissed the doll’s head
and said
likewise
but there was a smile

on her lips
and a sparkle
in her eyes
and a beauty

in the way she sat
in her orange coloured dress
and bright red beret hat.
Matt Revans Oct 2015
My autism's a part of me,

But it is apart, you see.

...

Who are you?

With your ‘normal’ view.

Are you just one thing, or are you a person

With thoughts & feelings, that are your own unique version.

Preferences, ideas, talents, and dreams?

That are bound by senses that meet at their seams.

Are you fat, short sighted or visually impaired?

Are you ever wondering why I just stood and stared.

Those may be the things that I saw the first time I meet you,

But you’re more than just your ‘normal’ diagnosis…. True?

As an adult, you have control over how you’re defined.

Your normality means your perceptions are refined.

So why would you single out one characteristic of mine that you can make known.

As a child, I am still unfolding, I’m not fully grown.

Neither you nor I yet know of what I am capable.

If you think of me as just one thing, then one thing’s inescapable.

You run the danger of assuming I have no chance of achieving.

And my heightened senses know this, it’s only you you’re deceiving

For I am not endowed with any ordinary sense.

You need to know this before I commence.

You take for granted sight, sound, taste, touch and smell.

Never once realising that these things can be as painful as hell

For me.

You see.

My world often feels hostile, and makes me so fearful.

I may appear withdrawn or belligerent, whilst others are cheerful.

Or mean to you, or antagonistic,

Defending myself, then going ballistic.

You tell me we’re going on a trip to the shops

And out of the world my safety net instantly drops.

My hearing, you see, is hyper acute.

But I’m put in the car, though I loudly refute.

At the shops, walls of people jabber and whoop.

The loudspeaker booms and adds to the soup.

Music blares and lashes and whooshes.

Tills beep and cough, a coffee grinder swooshes.

The meat cutter screeches, a baby starts wailing,

I’m starting to malfunction and am rapidly flailing

As trolleys pass creaking, and fluorescent lights hum.

I’m starting to panic, but also turn numb.

My brain can’t filter the input, the voltage is massive

I’m in overload with no chance of staying passive.

My sense of smell is stratospheric.

That fish on the counter is NOT atmospheric.

The man in front hasn’t showered today,

That Stilton cheese – someone take it away!

A baby goes past, it’s ***** needs changing.

Things are going faster and turning deranging

They’re mopping up pickles on aisle two with some bleach and a rag.

My stomach is churning, and I’m starting to gag..

And there’s so much hitting my eyes!

This trip has turned into the world's worst surprise.

The fluorescent light

Is not only too bright,

it’s that flicker.

The space seems to be moving, getting quicker and quicker.

The pulsating light bounces off everything and distorts what I am seeing.

I don’t know what I’m doing, or saying, or being.

There are too many items for me to be able to focus.

The world starts to drain me of my internal locus.

My eyes try to compensate by tunnelling my vision

Fans on the ceiling, twist my senses into nuclear fission.

All this affects how I feel just standing there,

and I can’t even tell where my body is in space, do I care?

You’re yelling at me now, and shaking my shoulder

But the fiery fog is down and is starting to smoulder

It isn’t that I don’t want to hear your instruction.

I just can’t understand, due to mass self-destruction.

You're shouting now, but what does "£$%^&&% NOW! !£$%^&*" mean?

My senses will **** me in a collusion so obscene.

Once we’re back at the kids home, it all feels less absurd.

And now when you speak, I can hear every word.

Simple instructions, that I know off by heart.

And I cling onto these so I won’t fall apart.

You tell me what you want me to do next and I’m able to reply.

Now I’m happy and it’s easy for me to comply.

Now I’m OK and I’m running about

And performing my ritualised songs, which I shout.

Then a visitor grabs me saying, “Hold your horses, cowboy!” – This means danger!

I can’t stop the horses, I’m me, not the Lone Ranger!

And I’m thrown into panic when what you mean is, “Stop running.”

But I don’t know that! Those stampeding horses are coming!!

That’s my life, you see, it’s not “a piece of cake”

When there’s no dessert in sight and you’ve made a mistake.

When you say, “its pouring cats and dogs,” I see pets flooding from the sky.

Tell me, “It’s raining hard,” so I won’t fear the animals will die.

Puns, sarcasm and allusion

Simply generate confusion.

Tell me facts and keep things clear

So I can live, yet not in fear.

It’s hard for me to tell you what I need when my senses are reeling

When I don’t have a way to describe what I’m feeling.

I may be hungry, frustrated, frightened, or perplexed.

But I can’t find the words, and lash out, angry and vexed.

Be alert for my body language, or my gestures and obsessions

Then you’ll handle my feelings like your own treasured possessions.

Watch out for me compensating for not knowing the right word

By mimicking my favourite film star, or something just as absurd.

Rattling off words or whole scripts, which will leave you confounded

That I’ve memorised from Disney, because they make me feel grounded.

They may come from the TV, or speeches, or a book

And though they make people give a funny look

I just know that saying them gets me off the hook.

Show me, show me! I’m visual, you see.

And I’ll understand rather than you just telling me.

And be prepared to show countless times.

I’m listening, despite my ritualised rhymes.

Visual supports help me move through my day.

They relieve me of the stress and I feel OK.

I don’t have to remember what’s happening next

For I operate on a visual text.

This makes for smooth transitions in my life

And we’ll finally progress without anger or strife.

I need to see something to learn it, because spoken words are like steam to me;

They evaporate before my mind's eye, and are gone instantly,

Before I even have a chance to make sense of them,

They've died in the ether, leaving me in mayhem.

I don’t have instant-processing skills.

Instructions and information are my life giving pills

Images can stay in front of me for as long as I need,

and will be just the same in years, for they'll never recede.

Without visual help, I live the constant frustration

of knowing that I’m missing big blocks of information,

Not to mention falling short, by being a misfit

And I'm helpless to do anything about it.

Unlike other people, I'm unable to learn

If it's normal interaction for which you do yearn.

I’m constantly made to feel that I’m not good enough

And people are stern and people are tough.

They think I need taking in hand and need fixing.

Never knowing the world and my brain are tranfixing

I avoid trying any new things, for I'm sure I'll get 'dissed'

And another grown up will be angry and get 'real ******'.

But no matter how “constructive” you think you’re being.

Look for my strengths, though they're hard for the seeing.

There is more than one right way to do most things.

It may look like I don’t want to play with the other kids on the swings

But it may be that I simply do not know how to start

They just think I'm weird, and set me apart.

Teach me how to play with others.

Remove my autistic shrouded covers.

Encourage other children to invite me along.

They might learn something of value from my life's different song.

And rather than spend my day as separate, secluded.

I might show an ethereal delight at being included.

I do best in games that have a clear beginning and end.

Random play is something my fears won't transcend.

And just one other thing, a sort of confession

I cannot interpret a ****** expression

Or body language, or other peoples' emotion

So in group situations I'm resigned to demotion.

I want to learn, I want you to teach me.

Reach into my mind and help me to see.

If I laugh when Tommy falls off the climbing frame,

It’s that I don’t know what to say, nastiness isn't to blame

Talk to me about Tommy’s feelings and teach me to say,

“Are you hurt, Tommy, I'll get teacher, then you'll be okay?”

If you don't I'll meltdown or blow-up, and get in a stew

And this is a thousand times worse for me than for you.

For my mind will go into overload

My sense of equilibrium will start to off-road.

For I'm well past the limit of my social ability.

As those off road lights glare at my own disability.

If you can figure out why my meltdowns occur, they can be prevented

And my behaviours will abate, less frequently lamented.

Keep notes about me and a pattern may emerge.

As your understanding of me will gradually converge.

Remember that everything I do is a form of communication.

It tells you, when my words cannot, how I’m reacting to each situation.

My behavior may have a physical cause.

Think for a moment, just have a pause.

Food allergies and sleep problems can affect my behaviour.

Just look for signs, for you might be my Saviour.

Because I may not be able to tell you about these things.

That blunt my affect and cause my mood swings.

Throw away thoughts like, “If you would just—” and “Why can’t you—?”

You didn’t fulfill every expectation your parents had either, that's true.

And would you like to witness a constant rewind.

Of the traumatic deficits by which you're defined?

I didn’t choose to have autism.

Or to live with this division

Remember that it’s happening to me, not to you.

But without understanding, my chances remain few.

With love and support, my horizons are broader

But I can't live my life by other peoples order.

Patience. Patience. Patience, are the three words we need to live by

For my dreams to be reached, and my confidence fly.

View my autism as a different ability

Rather than as a freak show disability.

Look past what you may see as limitations and feel for my strength

I may not be good at eye contact or conversations of length

But have you noticed that I don’t lie, or cheat at a game

Or pass judgment on people, and make them to blame?

I rely on you, if you can make me your personal vocation

All that I might become won’t happen without you as my foundation.

Be my advocate, be my guide

Be my strength, stand at my side.

Love me for who I am, and not what you know

And we’ll see just how far I can go.

Matt Revans 2014
©Copyright
Sebastian VL Apr 2017
Some say I entertain
But I write to maintain
My own **** down my own lane
You want **** go ask mane

Maybe I ask for fame
Probably go for the money and dames
Go on rari's and cadi's instead of trains
Or atleast go lit over all my mains (If I had some)

Everybody I know now they stains
One thing to another so quick they been prayin
For justice, to be loved, some **** they all be sayin
Maybe y'all expect me to be slayin

But nah I am payin
Taxes and rent I owe
From this person I been fakin
Maybe now I'm on a low

Started off high but **** happens you know
Like riding  a car and you get stopped to tow
Maybe I look worse, dusty like I came from the dough
Or ***** as **** like my other boys' fro

But for real tho
No roast no show
Maybe I need this to grow
Harsh when you on your own on the road

I'm seeing **** too early hoppin like a toad
Like seeing a video on youtube and it forgot to load
Probably changed so much I am hard to decode
May be considered weird but I guess that's my mode

So I don't write to entertain
I don't want all that fame
**** the world now I love the train
But I write to explain.
One's mind trying to be sane
Ciarra Reneé Dec 2013
the amount of melanin in my skin often seems to conjure up some controversy so when I sit down to write and I see my hands, my light skinned not quite black but surely not white hands I think about the privileges thrusted upon me and when I begin to write I feel my hair against my back, my curly ***** but not quite ***** hair I wonder how what's on my head could make what's in it so frazzled
I often frustrate myself because I feel like my writing often centers around the fact that I am a woman and I am colored
and the fact that when I say I'm colored some look lost
in fact, in the film, for colored girls
Thandie Newton's character says "being alive and being a woman is all I got, but being colored is a metaphysical dilemma I haven't conquered yet."
and I found it frightening how relatable that was to me, being that I'm not quite almost a woman and not quite almost colored
but when I look at my poems they reflect that I indeed am
even though I'm lightskinned and I'm 16 and according to my white friends I'm, just like them because, as I've discovered our definitions of what a black girl sounds like and acts like and is like are extremely different
and I guess that reflects on who we've been introduced to
I have cousins and aunts and grandmothers and sisters
who represent what I believe emulate what a black woman is
and these white kids see what the media feeds about how black women walk and talk and act and lack
see when I picture a black woman I see beautiful smooth chocolate skin full lips round ******* wide hips and a smile as brilliant as her mind
when these kids picture a black woman they see ***** hair dark undesirable skin soup cooler lips and a mind filled with ignorance
and this is where my struggle begins
But in every ethnic group there is good and bad
and I am sick of black women only being associated with the bad
the fact that when most non blacks think of what a black woman is, they imagine an unintelligible mindless sassy loud mouth is over whelming to me
if you're skin isn't light enough or your behind isn't big enough you're only "pretty for a black girl"
I not only want to raise but destroy all expectations society gives black women
but I cannot do this alone
because we are smart and we are beautiful
we are troubled and we are strong
and we are one
once we stop tearing eachother down we can all be one
and I'm not sure why god blessed black women with so much beauty or why I'm so blessed to be one or why he put this determination in me but I think I will recognize it the day the world recognizes how beautiful are we.
judy smith Jul 2015
With a personal trainer and a former Olympic champion for parents, it's no wonder that Summer Needs is a little water baby. The six-week-old daughter of Rebecca Adlington and Harry Needs has only just arrived into the world, but she's already enjoyed a dip in the pool three times.

Becky, who has previously said that giving birth was harder than winning her gold medals, has opened up about her baby's first swimming lesson – and how much motherhood has changed her life.

"It was absolutely brilliant," Becky told HELLO! Online of Summer's first dip. "You never know how babies are going to react but Summer was absolutely brilliant in the water. When we first bathed her, she just screamed the whole time so I was a bit worried but now she loves bath time."

Baby Summer was just three and a half weeks old when she first had a splash in the pool, and since then, new parents Becky and Harry have taken their daughter back twice.

"We both love being in the water so for us, it's amazing that we can take her in and share this family time together," said Becky. "Harry and I go in the water and pass her to one another and take turns going under the water. She comes back up, blinks a lot and there's been no tears at all. It's going really well so far."

Calling it her best memory yet, Becky, 26, added: "That's the one thing I was so excited about, taking her swimming and buying the costumes. She can't do much at this stage – we can't take her to the zoo and she doesn't really play with toys yet – but swimming is the one thing she can do and we can all do it together as a family."

Speaking about her little one, Becky, who says Summer has her eyes and Harry's nose, said: "She's really content. She's really laid back and chilled but when she wants something, like her ***** changed or she wants food, she definitely lets you know about it. She's a bit feisty in that way and she doesn't give you much warning.

"It's like, 'I want it now'. And you have to let her scream for a little bit while you get it ready and you're like, 'Okay Summer just chill out, you've literally gone from fast asleep to bawling your head off!' She's a bit impatient like us as well."

While Becky has been on maternity leave, personal trainer Harry went straight back to work after one week, but the nature of his job – working in the early mornings and late at night – has meant that he hasn't missed out on taking care of Summer during the day.

"Harry's definitely hands-on," said the former Olympian. "He's been changing her and feeding her. We share the responsibility and he's around for everything – he's seen Summer smile for the first time. It's hard for him because he's juggling work with family time but he's been absolutely amazing."

The Mansfield-born star has fully embraced her new role as a mother – something she has always wanted to be.

"Life is completely different but not in a bad way," she admitted. "You have to plan a bit more, you can't just walk out the house, but at the same time I've always wanted to be a mum.

"It's amazing how you love your baby straight away. You can't really explain it, you can't describe it. People spoke to me before about unconditional love and that you'll do anything for your baby, but you don't really realise it until it happens to you. It's bizarre because you don't know them and they don't know you but you just love them so much. It's absolutely amazing.

"It's definitely been life-changing but I guess it'll change when I go back to work, when Summer starts nursery. You have to accept that life will never be the same again but that's what's so exciting."

Describing motherhood in a nutshell, Becky added: "I'm such a family girl, it's amazing having that family time. It makes you realise that that's all you really need in life, as long as your family are happy and healthy then that's all that matters."

It's early days but the couple have already spoken about having more children.

Becky said: "About two days after I gave birth, Harry asked, 'So babe, when are we gonna try for another?' I said 'Not yet, I need my body to recover!' Nine months being pregnant is a long time! We do want a big family and we'd like a close age gap between our children, but we also want to give our time to Summer."

Becky, who has partnered with HUGGIES® Little Swimmers®, is encouraging all parents to don their swimsuits and have fun with their little ones in the water – even if babies and children are a little hesitant at first.

"For a kid who's absolutely tiny, that big pool is very, very big," said Becky. "Parents should recognise that each step is a huge achievement. Even if their child is just sitting on the side with their feet in the pool, that's better than last week when they just stood around.

"It's about persistence and taking them swimming regularly, and then that fear will disappear. Also taking them out of their lessons and going together as a family is good. If your children see you in the water as a parent, they'll know it's not a scary place."

read more:www.marieaustralia.com/red-carpet-celebrity-dresses

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Poetic T Mar 2015
I cuddled upon it since birth,
It was the friend that kept me
Calm,
Peaceful,
Friend
Of my sleepy times, always there,
But I awoke and Blanky wasn't there
"MUMMY"
"DADDY"
As both ran in,
"What is it our little one"
Tears streaming, words jumbled in emotions
Mummy stroked my hair
Daddy Sshhh....
Sshhh...
Sshhh...
Sshhh...
And all was calm in the world,
B, B, "Blanky"
Has gone away,
Mummy soft spoken voice speaks
"Lets check your bed"
No not there?
"***** trained detective looks around"
Sniffs the air,
Sorry mummy that was me,
Mmm... to the playroom
High,  Low
Here,  there
Places searched but no where found,
His thoughts of blanky and sweet sleep,
As he searches each room, doggy sniffs
Come on Hairy,
He checks his bed nothing but hair,
His baby mind thinks back to the other day
Blanky and me,
Me and Blanky,
To the garden Woof, little fingers can not reach
Woofs hind legs stretch up,
"Good boy Woof"
As the door opens to
The great outside,
Near the sandpit
"No"
Near the grass
"Neither"
Then he spots it
Then its seen,
"Blanky I have missed you"
Hanging just out of reach,
"Detective work is never as easy as it seems"
A baby has skills, as he takes his *****
Sticky patches take hold and on top
Of a head, smelling fresh,
Not that just thumb ****** sleepy smell
But we can change that,
Blanky wrapped around
***** dragging  behind, a  new one needed I think,
"Mummy"
"Daddy"
"Its solved"
The missing blanky case is solved
It was washed, ***** it was once,
But so soft and cuddly once more,
It needs that just slept smell,
A detective is off to get snuggles sleep
Till the next case awaits, till I awaken
Its sheep time for me, goodnight or day everyone sweet dreams.
Another case solved, Special guest appearance Woof as Woof :)
Mateuš Conrad Mar 2016
i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.

verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!
i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.

verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!'m not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.


verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.

verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.

verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!'m not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.

verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!'m not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.


verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.

verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!'m not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.*

verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!&#£
if you prefer political
sensitivity and a blanket
and a ***** and a nanny);
unlike germ- -any (+)-
where they love to **** on each
other in the shadow
of the crucifix procreating for films,
while in england they're
into children;
owning a use of a word,
venerating its usage:
where's the Schengen vocabulary?
i want to be there -
free flow of words like spotting
a kestrel in my garden one time,
while the traffic shovels hours
into comparison with sea waves
and a traffic-jam becomes a static tsunami
for the eyes.
Mateuš Conrad Mar 2016
the greater technique in writing poetry,
is not really associated with the
scholastic, well at least not with poets-in-residence
at university institution, esp. with the current
curb on free experience of expression
having to walk a ballerina sort of walk on
tip toe, even though a ballerina walk on
hard surfaces is an elephants stomp (swan lake?
the drumming of the ballerinas deafens the
music, what a crude sadistic art-form),
and should ballerinas practice the art-form on
cushions they couldn't do their tip-toe...
a ballerina sort of walk to not cause usurping
apathy by the bullish heart is a paradox...
because hard topics with a ballerina tread will
still become a piano hitting the ground...
and soft topics with a ballerina tread will
only become the agonising loss of firm footing,
and a torture of the trivial having to be danced
upon with such seriousness as the samba would
otherwise allow... the tip-toe having not firm
rooting... if that makes a sensual impression on you,
so be it, it's hardly senseless to write such words,
since you see the symbolic encoding with you words,
so unless these arrangements don't make you blind,
i'm assuming you will not allow anti-geometrics of
certain painters... and instead you're embracing
satisfaction with squares and triangles...
a rigid narrative of pre-planning an expedition to
Antarctica asking for the right provisions of fur,
tents and water and food... it's not up to me to play with
these words for interpretation, i've made the interpretation
a freedom only you can behold, i can't always be found
willing to interpret the arrangement for you,
i'm not into thought ******* and shackling,
and if you're into that... then you're just plain ******* lazy;
i mean, if i was a poet-in-residence at a university
and told to mind recognisable poetic technique
in the range of onomatopoeia and metaphor
and not accept a higher technique, the digression
via the kaleidoscope, the many diversion,
changed subject matters... i'd bore myself to death...
of course there's the rambling technique of
a poetic narrative, a sudden caffeine injection of
the elevated moment, but that technique calls for
a single subject matter - i'm talking explosions...
a return to ballerinas, if poets mind hard subjects,
heavy subjects, and they want to treat on them
gracefully like ballerinas in agony
they will have to embrace the fact that such
"grace" is actually an elephants stomp...
it's no good asking ballerinas to practice their
art by dancing on cushions... the two graces -
one of dance and the other of grace will never allow
you to walk around on tip-tope...
oh come on, interpret it with images of some sort
of comparison, like a ballerina on a tightrope...
i'm not going to be spoon-feeding you
anywhere from the page.

spring clean, the boiler-man came for an annual
check-up, i was working and kept my room
a bit un-kept...
cleaned the windows, hoovered the floor,
steamed it, cleaned the bookshelves from dust,
it smelt like a mint-conditioning comic after,
changed the bedsheets,
took all the empty cups from the shelves,
spotless clean...
but i'm telling you, if i get to see 2015's
best film *inside out
by pixar i'd give you
a clear analysis on the specific points,
at the moment i have this **** of thinking
about how the optics of man
only start engaging in memory after 4 years
upon birth...
spending nine months in the waters of the womb
(imagine coal miners trapped in
perpetual coal-mine for nine months,
they'd re-enter the light of day like moles,
having to wear sunglasses for the same number
of months before the eyes adjusted) -
it's no wonder that the parts of the body
passing fluids (well, **** in the form of
diarrhoea is pigeon ****) are weak...
why the ***** i'm saying...
why the mushy pulp of the apple purée
because the oesophagus is weak too and needs
to develop like bones, become hardened,
indeed these soft tissues need to become firm
paralleled with bones, baby bones are undeveloped
in terms of how we can't walk at the beginning
but crawl... forget the drawings of darwinism
of shortened historical explanation...
our's isn't with tail and hunched spine...
we're crawling...
but the pixar film inside out i will write a detailed
analysis when i see it again...
at first i can only relate one fascination...
the way we only become to actually consciously
see aged ~4... prior to that we have no
optical impression of the world with memory...
memory and seeing only enjoin
aged ~4... prior to that all the senses are based
in the unconscious, once the senses emerge from
the unconscious, actual faculties develop,
sight develops with memory...
i could say that speech develops with sounds...
but ba ba goo goo ma ma da da is actual
gibberish to consider since we become so eloquent
after, aided by the fact that we capture sounds
with phonetic optics of letters...
i'll stick my ground,
the first symbiosis is that of sight and memory,
which also becomes a symbiosis of
sight and memorising-imagination, or memory-in-itself...
and the clash of these two symbioses
creates a paradox of what actually happened
and what happened upon re-imagining...
like i said, i could expand on the theories within
inside out, with my re-evaluation as alt. outside in,
and i can say about a 1000 child psychologists could
be spawned from this single film...
but you never know, i might even theorise further
tonight once i drink enough and get a toilet break;
and bear in mind i'm about to cross the threshold
of being awake for 24 hours, after i miscalculated
my doctor's appointment for an amitriptyline (25mg)
prescription; the depth of the film is immense,
but i think it's harsh for so many psychological
undertones to be shown t children,
i think that it's a film for adults, even though
it's rated U... and indeed, more like a U-turn in
terms of thinking about life than suitable for
the under-aged
,
at first you get the early stages of child development,
by the end of the film of hopefully seeing adolescent
development, but that's cut short when
puberty obstructs sensitive sensible matters that
lead into sadomasochism in certain cases,
and in others into ****** carelessness as documented
by grooming examples in societies, like the ones
in england... or two girls today in mini-skirts with
the still cold spring nights, one ******* crouched
in an alley, the other trying to ease her on
while i walk past to finish it quickly...
i could, really could bombast you with my little
theory tool-kit... when joy becomes jealous of
sadness and wants to rob sadness of a prime memory...
the simple cutting of the umbilical chord of
being born in one place, but moving to another...
the sheer thoughtless release of tears in a classroom...
then the imaginary friend encounter...
never take short-cuts with that third cat,
third elephant, third dolphin character leading
you into the world of imagination,
the imaginary friend is actually a placebo figure in
this realm, he can't have imagined it all,
we couldn't have been the first prize pundit in it all...
he's the thief of ownership...
and then dragged into the cyst pit of those
characters real in life, celebrating your third birthday,
still blind to the world... the rainbows of life
and the darkness of the foetal mine...
the clown who's less horror but more a 5 year
student of acting reduced to cheap party tricks...
distorted not in life, but in your dreams,
as proof that you really didn't see the world
so early... you couldn't have, because if you had,
the dream world would not distort so profoundly...
and upon re-entry into the foetal position of sleep
your first 3 years are reflected in sleep...
such that when joy and sadness walked into
the realm of the imagination i thought they'd wake
the girl up by going to the cinema to watch a horror movie
like the one joy tried to block when the family
first moved to san francisco...
oh indeed the over-layering of the five crude expressions
of thought, memory and imagination...
i wonder why these chose those five...
and there was no hope among them - and hope's
triplet shapes of hope itself, love, and fear...
and when suddenly the imaginary friend dragged
the poor girl into the abyss of forgettable memories,
it dawned on me how the girl sat there holding
memories she wished to remember, a motherly
narcissism as to say: my own child...
but it felt so strange to imagine this child
holding onto memories like that, when in reality
without the five crude impressions of feelings
she would be unable to do so... this melancholic
reflection of joy suddenly dawned upon her
that the real sadness was the it too was sadness,
for if natural selection exists... so too much
cognitive selection, however dear some things are
to us... some of us have to remember
being able to give surgery, learn to drive buses,
teach mathematics... to be truly enjoined with humanity,
and not simple childish solipsists;
even as such... write poetry and weep.
cxbra Nov 2016
Hot water rushed through my ***** hair
With my hands wrapped around my forehead
I’m sitting down in the shower
I can’t believe this just happened
I don’t even know what happened
How did we even get here?
You should know that I get silent when you pressure me
I never said anything to hurt you
I thought I used to make you happy
I just wanted to play a few games of Rocket League, I swear
We could have done anything and went anywhere
Still I was silent
You said you’d just go home and I can hear how upset you are
Still I was silent
The shower is running now
You texted me twice and my heart dropped when I read it
I knew you were doing that to prove a point but I was so hurt
That when you ended it I felt like I should have said something else
And of course I regret it
All I had to do was get food with you after my shower
But now
Hot water rushed through my ***** hair
Down my face and into the drain
Along with all the emotions I had running through me
I was finally defeated
Maybe some of the things you said, you didn’t really mean it but
I know that all came from the heart
I thought that I had patched all the wounds I had made before but the most important gestures were never done
Life kept kicking me down and you were there to pick me up
I had always appreciated that, you were willing to sacrifice too much for me and I would have done the same for you
Even the days where I felt like I had seen enough of you
My chest pulled my closer and closer to you like your rib cage held the key to keep my heart pumping
And suddenly I no longer held the key to happiness for you
So yeah, I was defeated
The same day that I told all of my friends is that day that life kicked me down even harder
Everything was my fault and they threw that in my face
I called in to work and they said don’t come back since you were going to be late
How could all of this happen to me, did I deserve this, I thought I was great
Remember, that’s what you used to say
So when you asked me how was I doing, the only thing I could say was
“Gr8”
a few hours later I was put on a pedestal to say things I didnt want to say
but what else is one to do when there is nothing left to ruin his day
now that I think about it
everyday I’ll still wake up to see your face
because I also forgot to give you back your picture frame
cold water rushes through my ***** hair
I whisper to the skies
I know that someday I’ll see you there
Until then, my love, please take care
I wish you the best
The next time we speak
I’ll tell you that you were the best thing that’s ever happened to me



k.w.
Miranda Sep 2018
I am just like you, except there is something stopping me
Racism; Stunting me from the same opportunities as any other person
Being an outcast, a black sheep in a world of white sheep
Due to the melanin in my skin, a feature everyone has that is skin deep

I come from the natural essences of meticulous hair products in my hair
Used to tame my true being because it looks "*****" when in reality my hair is but of African descent, as am I
As I walk past you, you give me nasty looks as the smell of my tamed curls wafts to your nose
I walk like you, talk with the same tongues as you, see like you do, and have a soul within the vessel of my body and hear the same way
Only the things I hear and see are not kind or compliments about things I wear or how I look

Instead, I am met with hateful eyes, pointing fingers and a raised voice
I am judged for anything I do: my native tongue, my natural curls, and the color of my skin
You look at me with belligerent eyes, your hands moving around symbolically to create a point
I am just you, just with many differences between us and a whole different world; yours without segregation

I am just like you, I can express how I feel in different ways just like you can
I can create music with my tongue and I can create a dance with the rhythm my ancestors blessed upon me
I can create a sketch or painting with my hands to express the tragedies segregation has caused
I move my feel methodically to the words of God himself, which uplift my conflicted soul in desperate need of prayer

I am just like you, except my world consists of using “colored” bathrooms and sitting in places only for “colored” people
Is the reason that I am called colored is due to the color of my skin, which is unnatural to your European eyes?
I go to church just like you and believe in the same ten commandments just as you
If there’s one thing you should know, it is that I am just like you; I am human
mbm
Vince Chul'Theg Mar 2013
“but if you have to move your best friend’s body…
…you’re on your own.”

Your best friend dies
Before your eyes
Somehow stays alive
Then what?

***** salt-licked hair
Brittle and frayed by medicine
World’s unfathomable weight
Trembling beneath the Wisdom Tree

Her whole being crumples (arrugar)
But her life-force remains intact
Body bone
Running on spirit reserves
Why is that?

She stands and cries
Staring into ether
I sit
Wringing my hands

Her tears strike the ground
In tree-gecko unison

'''

Pacific parasite super-strains
Blood coated throat
The full range of abuse’s color on all fronts
for decades
Attempted assaults, ****
Dengue
Giant Centipede venom to the skull

But worst of all
Rootlessness and fear

the monkey on her back
had a monkey on its back
   and was smoking a cigarette

'''

Have you ever seen someone
Completely broken?

Corpsic shell of a woman
Gaunt, wan in the tropics

“Don’t put your trust in walls…
…walls will only crush you when they fall”

Brick-bludgeoned body
The shrapnel lay like
Sun scorched
Novice-woven baskets
At her feet

But now she can see
And breath
Real breath

'''
Genocide’s a *****, yes.

Africans seem fatalistic to Americans
Baby boy body, Grandpa human- shield

“They’re your babies”
Short-lived, yes
But now they have peace

Witnesses still weave the jungle

What do you do with a friend who’s
Seen real atrocity? Evil?

'''

I’m learning.

Prayer is power
Will transcends the concrete (Bunkle, too.)

She serves realness only
Her seeking hands unweave the sacred
Time is of no luxury right now

Serve people through love
and Grace awaits discovery

'''
I’ve never carried a bleeding body.
I needn’t “fear the terror by night,
Nor the arrow by day”

But I saw someone perish
And resurrect

What a gift
What a gift

Gubaadagem, Tinmad.
Theresa M Rose Oct 2018
A time in hand-cuffs;
… This was in 83’, I remember when because I left for Boston just shortly after Rose and I watched Thorn Birds together on the television in the basement; she allowed me to help her do a spring cleaning and ready everything for Easter Company. We cleared out the pantry closet upstairs putting new paper on all the shelves; we cleared out the kitchen-cabinets and fold and organized the all the linings in the hutch and best of all we enjoyed watching the mini-series together. I love spending my time with her; funny how I see so much of my relationship within the structure of this movies theme.  
We, Lisa, Denise and myself, we’re coming home after a grueling four week gig up at The famous Pussycat Lounge in Boston’s Combat Zone; I was the last on stage that night and after getting off I threw on an old-lady dusty over my costume  and began to rush about packing-up all my costumes. We run out to the van; and after tossing all of the bags and me into the back we start our long drive home;
My Agent, Lisa, with her broken leg in a cast, has out the road-map, her wig’s in her lap and she had a nylon *****’s on her head  she’s in the passenger seat; Headliner Denise (AKA The Luscious Lady double D’s Dynamite) the driver is dripping of the make-up remover on her face… she’s in nothing more but her bra and *******?! … Least I threw on my dusty. I’m on the floor in the back with a flashlight digging through the bags trying to see if I have all my new costumes I won at last night’s Show; we worked a big Jell-O Wrestling Tournament up in Cambridge... Hey, I win four costumes and I want to make sure they weren’t left behind! So, here I am all over the floor in the darkness with my little beam of light as a good hour and forty minutes go by…  I’m still going through the bags. Suddenly, I realize this intense quite?!  I pop up my head; there’s nothing out there; nothing but darkness, no highway, no streetlights just this long silent single narrow road we’re on. I climb up grabbing a hold of the bearskin spread pull myself onto the platform-bed back here and I look through the portholes on each side of the van to see the view… the view could only be described as Sod-Farms as far as the eyes could see; with this misty darkness looms above. It seems to gently illuminate over a kind of rippling sea of blackness stretching out from both sides of the van. I crawl back down onto the floor. I look forward out the front window as far as my eyes see… we’re on a road, small dots roll beneath the van but ahead nothing… our headlight lights diminish into blackness it seems darkness is gobbling up all things beyond us and we are on our way…
“Lisa?” Saying this hesitantly; …, couldn’t help myself there wasn’t a single set of vehicle lights anywhere and where we are being as dark as pitch?!
“Where are we…?”

Lisa turns in this growling tone,“ Someone did not want to go through Connecticut!”

Denise giggles,” Oh, come-on?!  I’ve been this way before… it’s faster taking Rhode Island! It’s an easier drive! ”

So, we go; yeah, down this road three gals’ in this converted van which looks like the red-light-district on wheels; driving somewhere in the middle of No-man’s Land, Rhode Island… At 2 O’clock in morning.

“Oh, ok.” I went back with my flashlight counting up and pairing off shoes.

All of a sudden out of darkness comes… in complete silence, flashing lights!
Denise begins popping brakes; bags dart about … as she sets the van to the side of the road.

Lisa, starts yelling at Nissie , “ You had to…; Had to take us through Rhode Island?!
Two, ******* Black //////////s and a little white cotton-ball lying over luggage in the back! You know… You know we’re all in jail tonight!!! You take us into the only northern state that thinks they’re south of the Mason Dixie “

While Lisa yells, (Huge bags Denise uses at high-end private parties falls from hooks and falls open contents toppling over me.)
Lisa turns to see how the van looks… Here I am; on my *** on the floor with boas dangling off me and an yard-long two header rubber buddy as ‘slap‘ hits down into my arms. There I am bellybutton high in whips, chains and the rest of Nissie’s extensive selection of ******* gear and every kind of Joy-toy which has ever brandished a battery and…

“Jesus!!!” Lisa yells, “Look at …! We look like a Traveling *******! Janice, don’t just sit there! Put that thing down…. Hide all that **** before that cop…”
Bang, bang, bang; suddenly, a cop’s metal flashlight s rapping and taps up the side of the van; the cop stands side of Denise’s door for what feels
He flickers his light into her face.

Lisa yells, “Open your window, Nessie!!!”

Remember… in nothing but a bra and *******!? As dainty as you please, “What’s wrong officer?”
She is saying this while the window handle’s giving her a hard time and she’s trying to wipe make-up Schmitz from her face.
“Why are you stopping us?”

Lisa leans …”Yeah! We’re just trying to get back to New York?!

The officer shines the light right into Lisa’s face then towards me in the back.
“Can I see your license and registration?”
And, I need the Id of everyone-else in this vehicle? Please.”
I call out, “I know mine is in one of these bags; this will take a minute please.

I am freaking and in a yelling whisper, “…, Oh Crap?”
Thinking, ‘There’s easily more than fifteen bags back here on the floor alone??? Half these… open and half empty all over?!
“Crap, crap, crap!” I start pulling at all the bags rummaging through everything.” Crap?!”

I hear the cop say, “Did you realize that you were speeding?”

Lisa and Nissie , “What ? Speeding? It’s the middle of the night?!  What the hell are you….”

‘Holy Hell; they’re fighting a policeman?! Their arguing with a cop about, what time of day it is… And, I can’t find my id???’ I’m pushing and shoving things into piles… All of a sudden…The side door flies open!
“Please; Step out of the vehicle.”
Like some startled meerkat my head pops up, eyes wide, from the piles surrounding me.
“What???” I crawl out.
Now; standing out by the side of the van with Lisa and Denise: And…,
I look down. My dusty snaps burst open.
Here we are! It’s the middle of the night and we’re on the side of the road;
Three women; One, the driver, standing barefoot in her everyday bra and *******; One, Talent- Agent, resting up on the van with crutches and cast on her leg to the upper thigh; And,… me…  I’m standing there in my freshly ripped dusty, revealing a pearly pink sequins bra-n- G string set, black fishnets and matching pearly-pink 5in. Stilettos.

The police-officer looks at me,” Did you find Id?”

“ Sir, no?!  No, not yet Sir. I was looking when you told me to get out … But?!”  I try to head-back into the van,” Let me find it…”

The cop grabs me by my arm and pulls me away from the door; he places me in hand-cuffs?!

“When you can find someone to bring you your Id we will release you to them.”

“ But sir…Please I have Id!? If you would just?!  Please, please allow me back in there?!  I’ll find it?! Please sir, please!”

Lisa and Denise, “Well, we have ours! Let us go!”
Lisa,” Keep her if you want but let us the hell out of here.”
Both of them; “We want to get back to the city!”

Lisa waves at me saying,” Stop by the office when you get back. I’ll store your stuff until you get yourself out of this…”

“Sir, please?! I have to get back home for my kids? I don’t have anybody able to come here and get me. I know, I have my I…”
I yell out, “I remember where it is!” homeward bound   “I know where it is!!!”
I begin pulling myself and the officer towards the front of van;” Lisa, Lisa you have it! Lisa has it! It is in there under her seat! My bag… My bag…?! It’s underneath her seat! Sir, look, Look it’s under there… Lisa! Remember, I gave you it before so you could get our pay from the owner at the Club?!  You said you’d put it there?!

“ Oh yeah; that’s right.” Lisa reaches under the seat and tugs my little bag free.
” Oops…; I forgot all about you giving this to me.”
“ Here you go her Id; could she now leave with us?”

The cop unclasped the cuffs and says, “I don’t want to have to see any of you here again; Drive carefully mind your speed.”
Back on the road and on our way home Lisa screams over and over; “Never in Rhode Island! Never again…!”
I sat there thinking, the two of them were going to leave me back there?  I’d be back there…. without a penny; no money; not even a way home.
Whelp, not the worst night of my life.



Please, I know this to be a short story  but could I ask for opinions?
This is a small segment of the book I've been working on.
Mateuš Conrad Jul 2016
i get to be ridiculous, i'm an artist, it's only that my ridiculousness doesn't border with the Vatican City, or Switzerland that it's deemed "weird" (symbol use, also know as passing on misnomers, ~ - that's ambiguity, a stranger punctuation construct from the hyphen), it's weird because i'm attired in familiar clothing to an Essex loafer, i don't have the currency to buy fancy Pompidou mascara or lipstick and stroll with other drag queens at gay pride... i'm back-of-the-woods type of guy, on the Cartesian Libra heavyweight to the side of 'i think' than on the pigeon-**** weight side of 'i am' - mathematically speaking that's like 2 + 1 = 3 - "schizoid" thinking coupled to non-schizoid behavioural patterns therefore means... an increased threshold capacity for experiencing pain.

the first time i smoked marijuana
(and i didn't know how to roll
a joint of marijuana and tobacco)
was the happiest time of my life,
i exercised a lot, practised Roman bulimia
unconsciously - no pills, nothing,
******* down my throat, later
i trained the *suprahyoid
and the infrahyoid
muscles so well that
i could just throw the chocolate bars up,
trained them so well as if i was gagging
on a *****... but to keep a body image,
well, you know, to look **** (add sarcasm
with the italics) you have to do what women
do, for me it was a Roman Bulimia,
for them, dieting - it was weird owning
a different body from the one i own now,
c.c.t.v. Narcissus-shadow stalker was all a craze back then,
too much self-conscious ******* wrapped in
a ***** and sent to a daycare centre -
it feels great these days, drinking 70cl of whiskey
a night, and why would i be bragging without
a bowler hat and a cane a butterfly prim
on my neck and a neat suit?
i read Bulgakov, that'll do, i have an operatic
cat at this moment, i've never heard so many variations
of meow after the doors to the garden are closed
and he's told to remain indoors after 9p.m.,
he sits on the bathroom windowsill and wants
to be nannied in the lap while someone smokes
downstairs... 'fella, same fresh air down here as up there'...
it's more of a fox than a cat...
he matured to be ~10 kilograms, and so's a mature fox,
i know, i weighed one, cutting a work's pay for
some sanitary worked one night
when i was eager to buy a few beers... mature foxes
~10 kilograms minus 21 grams (you know, the
Higgs' boson of soul, alejandro gonzález iñárritu -
but why add ñá so close? it's -nia- anyway,
so Mexico or e ** ** **, the Mexican Hew, huh?
ah... Habana!)
swear to god, never heard so many variations...
where was i? ah, adapting Bach's polyphony within
poetry, could have been a king david, but i smashed
my lyre... i never liked the cheap one-man tennis
and a brick wall of poetry within claim of stiffening repeats:
rhyme... bounce... rhyme... Bunsen! rhyme... bounce...
rhyme... Bunsen! ya-d'ah ya-d'ah ya-d'ah...
a carousel in Golders Green where all the payots
flew off and made french pastry curls... cinnamon... mm.
and two books i wish i'd written -
closed society and it's allies, the alt. to Popper's
antonym based yawn-epic - Karl, falsifier -
and anger and restlessness, the alt. to a Danish
epic by Kierkegaard, Fear and Trembling -
alt. say it as it is - ******* is like a bow-tie event,
a moth a butterfly event - the ******* was
there for a reason, pleasure from *******
when your *** partner was "feeling tired",
men and women are both libido struck sometimes
to extremes, they mentioned f.g.m. but didn't mention
m.g.m., with ******* you ain't chasing, you ain't
playing the dating game - circumcision gave
women the upper hand, the toy machine of manhood,
you have ******* for a reason, it's not in line with
ancient Hebraic laws where you have to do 613 things
to obey... and with ******* you're less likely to
go Boko Haram cuckoo and steal girls for their ******* -
i believe the fabled conversation between Zeus and
Hera is necessary - women derive more pleasure
from ***... but men derive more pleasure from life -
well, if you have *******, see the image problem?
i'm dressed... you're undressed... i have two capacities
and a tool to curb my libido, you have jack and a stockpile
of nukes - with a cigar smoking duke on percussion
that only takes one press and the whole orchestra starts
up with a crescendo rather than a build-up.
oh right... the first time i started smoking marijuana i
was 21... i remember it clearly, i don't know how i managed
to roll a joint... Edinburgh 2007, Montague Street,
i rolled one... smoked it... lay on the floor...
and giggled my way through Daft Punk's album human
after all
- giggled and danced horizontally...
solipsism at it's finest... later i met a girl who said that
*** after marijuana was so much better than sober...
i beg to disagree... given that solo moment,
and ******* prostitutes drunk, esp. in Amsterdam,
where i don't have to feel any English sensibilities on the matter.
Ronald D Lanor May 2013
What's up, Chicken Little? Whatchu think you know?
The sky is fallin', Skittles droppin’ out the rainbow.
Don’t hate me cuz I’m fast. Don’t hate me cuz I’m keen.
Hate me cuz I got more tiger’s blood than Charlie Sheen.

My rappin’ is a skill, wait, matter fact a habit.
This rhyme is so rare I threw a Masterball at it.
Ima get you to the point when you done think you had it
then keep on chuggin’ through like the Energizer Rabbit.

Runnin’ this game since I was born in 1990.
Ball so hard like Waldo everybody wants to find me.
Watch me as I fly free, practicing my Tai Chi,
soarin’ through the sky like Ben Franklin with his kite key.

I slay wicked verses like they fire breathin’ dragons.
Always down for an adventure so they call me Bilbo Baggins.
You got your feet draggin’ from all your pithy laggin’.
Chokin’ on my farts, left you in my dust gaggin’.

My girls be elegant while yours be nothing but ******.
No diamonds in my ears cuz I don’t like to be flashy.
You just can’t get past me, kilo in the backseat.
NOS tank in the front so them piggies can’t get at me.

Lyrics like the plague so they call my **** Bubonic.
Sittin’ at the bar gettin’ drunk on gin and tonic.
Blowin’ on that chronic, so fast they call me Sonic.
Watch me transform as I go Megatronic.

Is my **** too fast? You need to stop and smell the flowers?
I am just a human, I ain't got no special powers.
I could go for hours. The rap game I devour.
Like Frodo with the ring takin’ down the Two Towers.

My rhymes are heavy duty while yours be made of plastic.
Better call the Doctor cuz this **** is getting’ drastic.
Snap back like elastic, I made an instant classic.
Light the roof on fire with a flick of my matchstick.

I’m tellin’ all them haters that I’m wicked sick nasty.
Dissin’ all they want to but they too scared to come at me.
I go where the cash be, rappin’ makes me happy.
Don’t wash my hair for days cuz I like that **** *****.

All I really wanna do is have a rap battle
cuz my rhymes are so disgusting they’ll make your head rattle.
You’re in a boat with no paddle, on a horse with no saddle.
It’s lookin like you’re gonna hafta ******* straddle.

I know I have the sickest flow that you have ever felt.
There’s nothin’ you can do it’s just the hand that I was dealt.
Killa Kraig will make you melt, yes it matters how it’s spelt.
Get it right the first time or I’ll leave you with a ******' welt.

My game will give you chills from your head down to your feet.
Sittin’ on the couch cuz I love to chill with Pete.
I’m the man to beat cuz I bring all the heat.
Grew up in the burbs, didn’t grow up on the street.

They gave me a gold medal when I scored a perfect 10
cuz I got the versatility of an erasable pen.
Singin’ like a ren, no need to pretend.
Murkin’ rhymes like zombies like my Asian friend Glenn.

Honesty’s a virtue so you know I never front it.
Always swingin’ for a homer, ain’t no need to ever bunt it.
Now you really done it, watch me as I run it.
I made it to the center of the Tootsie Pop in one lick.

Crusin’ round town in my green 6-4 Impala.
Drop so many bombs that you think I worship Allah.
Dolla’ after dolla’, cute as a koala,
but ruthless as a renegade Viking in Valhalla.

My lyrics kick you in the nuts now you talkin’ like a munchkin.
Drop you to the floor like some Mohammed Ali punchin’.
Where is Conjunction Junction? Do the number crunchin’.
Get you home by midnight so you don’t turn into a pumpkin.

Stickin’ to the game like some universal duct tape.
Give you three tries while I nail it in one take.
I'm the sugar on the cornflake, the reason for an earthquake.
I'll toss you like a salad or a chicken in some Shake n’ Bake.

Now grab a pen a paper cuz here’s the final lesson.
I know who’s on first so now tell me what’s on second.
I did the number checkin’, I’m the best I reckon.
While you standin’ at the wrong end of my ******’ Smith & Wesson.
Poet B Lee May 2010
They put us in glass boxes
And empty rooms with glass ceilings
We conform to make our ends, and we learn to muffle our feelings
Their inventions age into Standards, and they sell us their finest wine for a fee
No prison for this Queen
'Cause I like my ******* free...

They applaud our independance at first
Then tell us we are now too proud
Our voices once unheard are now suddenly too loud
Make sure you please the people
No heels too high, and no skirt above the knee
I wear no bra to imprison my womanhood
'Cause I like my ******* free...

Jiggle jiggle with hard *******, let them bounce naturally
I am every bit of my roots- I'm ***** happily
I'm not ashamed of their smallness
Despite their size, they  stand as firm and tall as mountain peaks
They're embarassed or jealous of my freedom
'Cause I like my ******* free...
  
Big or small, short or tall, even if one is size 'A' and the other 'B'
They are our imperfect perfections
They belong to you, they belong to me

Our country has learned to dictate through mandate
While they ******* themselves to higher power
I'm not ashamed of my nakedness and I look in the mirror after my shower

So if you think I need a bra
Then I will tell you you need to be imprisoned
My mind is mine, as is my body and they will never take my vision

They try to smother what they don't understand
I'm just evolving into the best Me
I know who and what I am...

...And I just happen to like my ******* to be free.
Queen Poetess B Copyright (c) 2010. All Rights Reserved.
Mokomboso Sep 2014
What came first, the fetishist or the web?
Hidden in plain view in the disconnected age
Or just invented by the collective minds of cyberspace?
Eccentrics with their last ditch attempt
Of being one of the widely accepted

Rule 34, the most enforced law
If it exists there is **** of it!
Trawling through the deviantart pages
A wild goose chase, finding the hidden artistic gem
Instead as the pages reach the end, I get lost in the crevices
Of the perverted human mind

Anthropomorphic wolves in the **** with muscles rippling
An artist self portait wearing a frilly terry *****
Cherished tv characters destroying their innocence
Tickled feet. Gigantic balloon men. Feline chicks with *****.
I feel nothing but frustration
Why is this **** often the most well drawn!?

I'm in that weird part of the internet
Like a carcrash you can't look away, it's fascinating
The victims brains all over the road
If you can crawl under the blockades, you get a show
Always the most skilled painters find themselves crushed and trapped
Their pervy hands craft detailed, brilliant master pieces
Of their own image as a ***** snake, being ravaged by rackoons and meerkats??
Just being a bit silly with this one!

— The End —