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Àŧùl Jun 2013
I observe our mango tree,
In these times as its mangoes ripen.
But that's not the only place,
I see mangoes developing elsewhere as well.
I also observe my dearest darling,
Up above her slender tummy and below her neck.
I find the sweeter mango hard to decide,
As her mangoes I have not tasted yet.
I wonder whether hers would be more lemony,
As those will surely taste more of sweat.
My HP Poem #274
©Atul Kaushal
Cate Mighell Mar 2013
He bursts in with an armload of mangoes
in various stages of perfect, rotten, or too soft. One rolls to the floor and
without hesitation, he picks it up and bites in, luscious unwashed, juices dripping down his chin.
"It's warm from the sun," he says, "and the ground. I found a lot of these on the ground."

I still my tongue and watch him eat it whole, like he eats all of life.

I asked him recently if he thought I was crazy, as some do.
He said no, I want all the same things.
I wished I could tell him how I always washed my mangoes and wiped my chin,
I thought if I wore a sweater and a slip and a hat at the right times, life would turn out okay.

I'd like to call him, tell him how the wind is blowing hair across my face now.

Instead, I sit quietly, in the backwoods of Virginia
eating an unwashed, unpeeled mango
with the juices dripping down my chin.
Nuha Fariha Oct 2015
The smell lingered long after she had called the ambulance, after she had scrubbed the bathroom tiles back to a pristine white, after she had thrown out the ******* mangoes he had hid in the closet. For days afterward, she avoided the bathroom, showering the best she could in the old porcelain sink they had installed in the spring when he was able to keep fresh flowers in the kitchen vase. Those days, she would come home to jasmine and broken plates, marigolds and burnt biryani, pigeon wings and torn paper. Some days he was snake-quiet. Other days, his skin was fever hot, his limbs flailing to an alien language, his head tilting back, ululating.
Every day she would carry his soiled clothes into the laundry room, ignoring the thousands of whispered comments that trailed behind her. “Look how outgrown her eyebrows have become” as she strangled the hardened blood out of his blue longyi. “Look how her fingernails are yellow with grease,” as she beat the sweat out of his white wife beaters. “Look how curved her back is” as she hung his tattered briefs to dry in the small courtyard. The sultry wind picked up the comments as it breezed by her, carrying them down the road to the chai stand where they conversed until the wee hours.
Today, there is no wind. The coarse sun has left the mango tree in the back corner of the courtyard too dry, the leaves coiling inward. She picks up the green watering can filled with gasoline. The rusted mouth leaves spots on the worn parchment ground as she shuffles over. Her chapped sandals leave no impression. The trunk still has their initials, his loping R and V balancing her mechanical S and T. They had done it with a sharp Swiss Army knife, its blade sinking into the soft wooded flesh. “Let’s do it together,” he urged, his large hand dwarfing hers. A cheap glass bangle, pressed too hard against her bony wrist, shattered.  
Now, her arthritic finger traces the letters slowly, falling into grooves and furrows as predictable as they were not. When had they bought it? Was it when he had received the big promotion, the big firing or the big diagnosis? Or was it farther back, when he had received the little diploma, the little child or the little death? There was no in-between for him, everything was either big or little. Was it an apology tree or an appeasement tree? Did it matter? The tree was dying.
Her ring gets stuck in the top part of the T. He had been so careful when he proposed. Timing was sunset. Dinner was hot rice, cold milk and smashed mangos, her favorite. Setting was a lakeside gazebo surrounded by fragrant papaya trees. She had said yes because the blue on her sari matched the blue of the lake. She had said yes because his hands trembled just right. She had said yes because she had always indulged in his self-indulgences. She slips her finger out, leaving the gold as an offering to the small tree that never grew.    
She pours gasoline over the tree, rechristening it. Light the math, throw the match, step back, mechanical steps. She shuffles back through the courtyard as the heat from the tree greets the heat from the sun. She doesn’t look back. Instead, she is going up one step at a time on the red staircase, through the blue hallway, to the daal-yellow door. These were the colors he said would be on the cover of his bestseller as he hunched over the typewriter for days on end. Those were the days he had subsisted only on chai and biscuits, reducing his frame to an emaciated exclamation mark. His words were sharp pieces of broken glass leaving white scars all over her body.  
She remembers his voice, the deep boom narrating fairytales. Once upon a time, she had taken a rickshaw for four hours to a bakery to get a special cake for his birthday. Once upon a time, she had skipped sitting in on her final exams for him. Once upon a time, she had danced in the middle of an empty road at three in the morning for him. Once upon a time, she had been a character in a madman’s tale.
Inside, she takes off the sandals, leaving them in the dark corner under the jackets they had brought for a trip to Europe, never taken. Across the red tiled floor, she tiptoes silently, out of habit. From the empty pantry, she scrounges up the last tea leaf. Put water in the black kettle, put the kettle on the stove, put tea leaf in water, wait. On the opposite wall, her Indian Institute of Technology degree hangs under years of dust and misuse.
Cup of bitter tea in hand, she sits on the woven chair, elbows hanging off the sides, back straight. Moments she had shot now hang around her as trophy heads on cheap plastic frames. A picture of them on their wedding day, her eyes kohl-lined and his arm wrapped around her. A picture of them in Kashmir, her eyes full of bags and his arm limp. A picture of them last year, her eyes bespectacled and his arm wrapped around an IV pole. The last picture at her feet, her eyes closed and his arm is burning in the funeral pyre. No one had wanted to take that picture.      
A half hour later, a phone call from her daughter abroad. Another hour, a shower in the porcelain sink. Another hour, dinner, rice and beans over the stove. Another hour and the sun creeps away for good. It leaves her momentarily off guard, like when she had walked home to find him head cracked on the bathroom tub. The medics had assured her it was just a fall. Finding her bearings, she walks down the dark corridor to their, no, her bedroom.
She sits down now on the hard mattress, low to the ground, as he wanted it to be. She takes off her sari, a yellow pattern he liked. She takes off her necklace, a series of jade stones he thought was sophisticated. She takes off the earrings he had gotten her for her fortieth, still too heavy for her ears. She places her hands over eyes, closing them like she had closed his when she had found him sleeping in the tub, before she had smashed his head against the bathtub.  
In her dreams, she walks in a mango orchard. She picks one, only to find its skin is puckered and bruised. She bites it only to taste bitterness. She pours the gallon of gasoline on the ground. She sets the orchard on fire and smiles.
Don Bouchard Dec 2011
I planted a mango seed,
Hoping?
Not sure what...

But the mango grew
Out of its context,
Poked shiny green leaves
Looking for sun and surf,
But found itself awakened
In a land of snow and cold.

Seven leaves into its
Exponential Mango growth,
The newest leaf
Yellowed...
Shriveled...
Died.

The Minnesota Mango
Meditates now...
Watered, but waiting....
Slumbering?
Planning a spring break?
Meditating?
Waiting for summer sun?
Perhaps....

Today
I heard about
A neighbor boy
Who smuggled in
A baby alligator
From the Bayou,
South and warm.

At least my Mango
Stays inside its
Crockery planter,
And an alligator jail break
Will leave him
Freezing in his tracks...

We'll see what happens
In the summer.
P Pax Sep 2012
This poem has no greater or deeper meaning,
You'll find no revelation worth even dimes,
No great personal thought or investment,
(Unless you think it needs one. I don't)
But that I quite love dried mangoes
Then, jotting this like scribbles,
I know they won't last long
It seems quite scary...
All shrinking out.
Fade away.
And now
Gone.
W Jun 2014
your hair smells like brimstone
in my memories that swirl under the pale streetlight
and in the reflective shards fogged over by our words

swollen overripe sicksweet mangoes

colors are more than the sway of hips
or a glint in the eyes laced with starbursts
and a face contains no infinites

i remember the smoky silence

drowned in fiction
Byron Fast Apr 2019
My monkeys eat mangoes
While churches topple
And religions grapple
With ancient arguments
Over which benevolent, peaceful all loving god
Gets to enjoy the spoils of the soaring death toll.  

A loud burst in the jungle,
A squabble over mangoes.
Stupid monkeys,
Can’t even build a bomb.
Elioinai Oct 2014
I love the sea fiercely, as I love the sand and mangoes,
I love you fiercely, as many a poem of mine shows,
You wove the two together, and I do not know whether,
They shall ever, be separate again.
Frustration wells within,
As my thoughts begin,
To turn towards the fact that you won’t ever love me,
I can’t bear it for long, and push you aside,
I won’t be depressed, or succumb to the tide,
Frustration again! I can’t have it my way,
That the first boy I’d fall for, would be mine to stay
June 1, 2012
Well I certainly did forget, and can greet him happily without feeling any pain nowadays, just a mild confusion
dino stavrogin Oct 2011
All those times
mangoes fell off from the trees
we caught it together
but it wasnt for free

only if we knew
what we were after

We hid them in the grass
among the worms to ripe
it went by, the time,
but time wasnt right

only if we knew
what we were after

When finally we opened
the basket to see
worms were fat
and mangoes, only memory

we didnt know
what the hell we were after

You blamed it on me
that i planted the tree
but i blamed it on you
that you wanted them for free

we didnt know
what we were really after

You finally found
a basket where
mangoes were ripe
there were some worms
but you said they were alright

I didnt know
what we were after

Time went by
and I ripped off my tree
it didnt make sense
why the mangoes were
only memory
then the news came along
that my tree was alright
it was you who had
switched those baskets at night

i did know
what you were after.
Song one
This is a song about tarzanic love
That subsisted some years ago,
As a love duel between an English girl and an African ogre,
There was an English girl hailing along the banks of river Thames
She had stubbornly refused all offers for marriage,
From all the local English boys, both rich and poor
tall and short, weak or strong, ugly and comely in the eye,
the girl had refused and sternly refused the treats for love,
She was disciplined to her callous pursuit of her dream
to marry a mysterious,fantastic,lively,original and extra-ordinary man,
That no other woman in history of human marriage ever married,
She came from London, near the banks of river Thames,
Her name was Victoria Goodhamlet Lovehill, daughter of a peasant,
She came from a humble English family, which hustled often
For food, clothing, and other calls that make one an ordinary British,
She grew up without a local boy friend, anywhere in the English world,
She is the first English girl to knock the age of forty five while a ******,
She never got deflowered in her teens as other English girls usually do
She preserved her purse with maximal carefulness in her wait for a black man,
Her father, of course a peasant, his trade was human barber and horse shearer,
Often asked her what she wants in life before her marriage, which man she really wanted,
Her specification was an open eyesore to her father; no blinkers could stave the father’s pale
For she wanted a black tall man, strong and ruggedly dark in the skin, must own a kingdom,
Fables taken to her from Africa were that such an African man was only one but none else,
His glorious name was Akhatembete kho bwibo khakhalikha no bwoya,
When the English girl heard the chimerical name of her potential husband,
She felt a super bliss in her spine; she yearned for the day of her rendezvous,
She crashed into desperate burning for true English love
With a man with a wonderful name like Akhatembete kho bwibo khakhalikha no bwoya.


Song two

Rumours of this English despair and dilemma for love reached Africa, in the wrong ears,
Not the human ears, but unfortunately the ears of the ogres, seasoned in the evil art,
It was received and treated as classified information among the African ogress,
They prevented this news to leak to African humans at all at all
Lest humans enjoy their human status and enjoy most
The love in the offing from the English girl,
They thus swiftly plotted and ployed
To lure and win the ******
From royal land;
England.




Song three

Firstly, the African ogres recruited one of their own
The most handsome middle aged male ogre, more handsome than all in humanity,
And of course African ogres are beautiful and handsome than African humans, no match,
The ogres are more gifted in stature, physique, eugenics and general overtures
They always outplay African humans on matters of intelligence, they are shrewder,
Ogres are aggressive and swashbuckling in manners; fear is none of their domain
Craft and slyness is their breakfast, super is the result; success, whether pyrrhic or Byronic,
Is their sweetest dish, they then schemed to get the English girl at whatever cost,
They made a move to name one of their fellow ogres the name of dream man;
Akhatembete khobwibo khakhalikha no bwoya,
Which an English girl wanted,
By viciously naming one of their handsome middle-aged man this name.

Song four

Then they set off 0n foot, from Congo moving to the north towards Europe abode England,
Where the beautiful girl of the times, Victoria Goodhamlet Lovehill hail,
They were three of them, walking funnily in cyclopic steps of African ogres,
Keeping themselves humorously high by feigning how they will dupe the girl,
How they will slyly decoy the English village pumpkin of the girl in to their trap,
And effortlessly make her walk on foot from England to Africa, in pursuit of love
On this muse and sweet wistfulness they broke out into loud gewgaws of laughter,
In such emotional bliss they now jump up wildly forgetting about their tails
Which they initially stuffed inside white long trousers, tails now wag and flag crazily,
Feats of such wild emotions gave the ogres superhuman synergy to walk cyclopically,
A couple of their strides made them to cross Uganda, Kenya, Somali, Ethiopia and Egypt
Just but in few days, as sometimes they ran in violent stampedes
Singing in a cryptic language the funny ogres songs;

Dada wu ndolelee!
Dada wu ndolelee!
Kuyuni kwa mnja
Sa kwingile khundilila !

Ehe kuyuni Mulie!
Ehe kuyuni mulie!
Omukhana oyo
Kaloba khuja lilia !
They then laughed loudly, farted cacophonously and jumped wildly, as if possessed,
They used happiness and raucous joy as a strategy to walk miles and miles
Which you cover when moving on foot from Congo to England,
They finally crossed Morocco and walked into Europe,
They by-passed Italy and Spain walking piecemeal
into England, native land of the beautiful girl.

Song  five

When the three ogres reached England, they were all surprised
Every woman and man was white; people of England walked slowly and gently
They made minimum noise, no shouting publicly on the street,
a stark contrast to human behaviour and ogre culture in Africa, very rambunctious,
Before they acclimatized to disorderly life in England, an over-sighted upset befell them
Piling and piling menace of pressure to ****,
Gripped all the three ogre brothers the same time,
None of them had knowledge of municipal utilities,
They all wanted to micturated openly
Had it not been beautiful English girls
Ceaselessly thronging the streets.



Song six

They persevered and moved on in expectation of coming to the end,
Out-skirt of the strange English town so that they can get a woodlot,
From where they could hide behind to do open defecation
All was in vain; they never came to any end of the English town,
Neither did they come by a tumbled-down house
No cul de sac was in sight, only endless highway,
Sandwiched between tall skyscraping buildings,
One of the ogres came up with an idea, to drip the ****
Drop by drop in their *******, as they walk to their destiny,
They all laughed but not loudly, in controlled giggles
And executed the idea minus haste.

Song seven

They finally came down to the banks of river Thames,
Identified the home of Victoria Goodhamlet Lovehill
The home had neither main gate nor metallic doors,
They entered the home walking in humble majesty,
Typical of racketeering ogre, in a swindling act,
The home was silent, no one in sight to talk to
The ogres nudged one another, repressing the mirth,
Hunchbacked English lass surfaced, suddenly materialized
Looking with a sparkle in the eye, talking pristine English,
Like that one written by Geoffrey Chaucer, her words were as piffling
As speech of a mad woman at the fish market, ogres looked at her in askance.

Song eight

An ogre with name Akhatembete khobwibo khakhalikha nobwoya opened to talk,
Asked the girl where could be the latrine pits, for micturation only,
The hunchbacked lass gave them a direction to the toilets inside the house,
She did it in a full dint of English elegance and gentility,
But all the ogres were discombobulated to their peak
about the English latrine pit inside the house,
they all went into the toilet at the same time,
to the chagrin of the hunchbacked lass
she had never seen such in England
she struggled a lot
to repress her mirth
as the English
never get amused
at folly.




Song nine

It is a tradition among the ogres to ****,
Whenever they are ******* in the African bush,
But now the ogres are in a fix, a beautiful fix of their life
If at all they ****, the flatulent cacophony will be heard outside
By the curious eavesdroppers under the eaves of the house,
They murmured among themselves to tighten their **** muscles
So that they can micturated without usual African accomplice; the tweeee!
All succeeded to manage , other than Akhatembete khobwibo khakhalikha nobwoya,
Who urinated but with a low tziiiiiiii sound from his ***, they didn’t laugh
Ogres walked out of privities relaxed like a catholic faithful swallowing a sacrament,
The hunchback girl ushered them to where they were to sit, in the common room
They all sat with air of calm on their face, Akhatembete Khobwibo khakhalikha nobwoya,
led the conversation, by announcing to the girl that he is Victoria’s visitor from Africa,
To which the girl responded with caution that Victoria is at the barbershop,
Giving hand to her father in shearing the horses, and thus she is busy,
No one is allowed to meet her, at that particular hour of the day
But he pleaded to the hunchback girl only to pass tidings to Victoria,
That Akhatembete Khobwibo khakhalikha nobwoya from Africa
Has arrived and he is yearning to meet her today and now,
The girl went bananas on hearing the name
The hunch on her back visibly shook,
Is like she had heard the name often,
She then became prudent in her senses,
And asked the visitor not to make anything—
Near a cat’s paw out of her person,
She implored the visitor to confirm
if at all he was what he was saying
to which he confirmed in affirmation,
then she went out swiftly
like a tail of the snake,
to pass tidings
to her sister
Victoria.


Song ten
She went out shouting her sister’s name,
A rare case to happen in England,
One to make noise in the broad day light,
With no permission from the local leadership,
She called and ululated Victoria’ name for Victoria to hear
From wherever she was, of which she heard and responded;
What is the matter my dear little sister? What ails you?
Akhatembete Khobwibo khakhalikha nobwoya is around!
She responded back in voice disturbed by emotional uproar,
What! My sister why do you cheat me in such a day time?
Am not cheating you my sister, he is around sited in our father’s house,
Is he? Have you given him a drink, a sweet European brandy?
My sister I have not, I feared that I may mess up your visitors
With my hunched shoulders, I feared sister forbid,
Ok, I am coming, running there, tell him to be patient,
Let me tell him sister just right now,
And make sure you come before his patience is stretched.





Song eleven

Victoria Goodhamlet Lovehill almost went berserk
On getting this good tidings about the watershed presence,
Of the long awaited suitor, her face exploded into vivacity,
Her heart palpitating on imagination of finally getting the husband,
She went out of the barber shop running and ululating,
Leaving her father behind, confounded and agape,
She came running towards her father’s main house
Where the suitor is sited, with the chaperons,
She came kicking her father’s animals to death,
Harvesting each and every fruit, for the suitor,
She did marvel before she reached where the suitor was;
Harvested ten bananas, mangoes and avocadoes,
Plums, pepper, watermelons, lemons and oranges,
She kicked dead five chicken, five goats, rams,
Swine, rabbits, rats, pigeons and hornbills,
When she reached the house, she inquired to know,
Who among them could be the one; Akhatembete Khobwibo
Khakhalikha no bwoya, But her English vocals were not guttural enough,
She instead asked, who among you is a key tempter go weevil car no lawyer?
The decoy ogre promptly responded; here I am the queen of my heart. He stood up,
Victoria took the ogre into her arms, whining; babie! Babie, babie, come!
Victoria carried the ogre swiftly in her arms, to her tidy bed room,
She placed the ogre on her bed, kissed one another at a rate of hundred,
Or more kisses per a minute, the kissing sent both of them crazy, but spiritual craft,
That gave the ogre a boon to maintain some sobriety, but libido of virginity held Victoria
In boonless state of ****** feat, defenseless and impaired in judgment
It extremely beclouded her judgment; she removed and pulled of their clothes,
Libidinous feat blurring her sight from seeing the scarlet tail projecting
From between the buttocks of the ogre, vestige of *******,
She forcefully took the ogre into her arms, putting the ogre between her legs,
The ogre’s uncircumcised ***** effectively penetrated Victoria’s ****** purse,
The ogre broke virginity of Victoria, making her to feel maximum warmth of pleasure
As it released its germinal seed into her body, ecstasy gripped her until she fainted,
The ogre erected more on its first *******; its ***** became more stiff and sharp,
It never pulled out its ***** from the purse of Victoria, instead it introduced further
Deeper and deeper into Victoria’s ******, reaching the ****** depth inside her with gusto,
Victoria screamed, wailed, farted, scratched, threw her neck, kissed crazily and ******,
On the rhythms of the ogre’s waist gyrations, it was maximum pleasure to Victoria,
She reached her second ****** before the ogre; it took further one hour before releasing,
Victoria was beaten; she thought she was not in England in her father’s house
She thought she was in Timbuktu riding on a mosquito to Eldorado,
Where she could not be found by her father whatsoever,
The ogre pulled Victoria up, helped her to dress up,
She begged that they go back to the common room,
Lest her father finds them here, he would quarrel,
They went back to the common room,
Found her father talking to other two ogres,
She shouted to her father before anyone else,
That ‘father I have been showing him around our house,’
‘He has fallen in love with our house; he is passionate about it,’
Akhatembete khobwibo khakhalikha nobwoya was shy,
He greeted the father and resumed his chair, with wryly dignity.


Song twelve
An impromptu festival took place,
Fully funded by the father of Victoria,
There was meat of all type from pork to chicken,
Greens were also there in plenty, pepper and watermelons,
Victoria’s mother remembered to prepare tripe of a goat
For the key visitant who was the suitor; Akhatembete,
Food was laid before the ogres to enjoy themselves,
As all others went to the other house for a brainstorming session,
But the hunched backed girl hid herself behind the door,
To admire the food which visitors were devouring,
As she also spied on the table manners of the visitors, for stories to be shared,
Perhaps between herself and her mother, when visitors are gone,
Some sub-human manners unfolded to her as she spied,
One of the ogres swallowed a spoon and a table fork,
And Akhatembete khobwibo khakhalikha nobwoya,
Uncontrollably unstuffed his scarlet tail from the trouser,
The chill crawled up the spine of hunchbacked girl,
She almost shouted from her hideout, but she restrained herself,
She swore to herself to tell her father that the visitors are not humans
They are superhuman, Tarzans or mermaids or the werewolves,
The ogre who swallowed the spoon remorsefully tried to puke it back,
Lest the hosts discover the missing spoon and cause brouhaha,
It was difficult to puke out the spoon; it had already flowed into the stomach,
Victoria, her father, her mother and her friend Anastasia,
Anastasia; another English girl from the neighborhood,
Whom Victoria had fished, to work for her as a best maid, as a chaperon,
Went back to the house where the ogres had already finished eating,
They found ogres sitting idle squirming and flitting in their chairs
As if no food had ever been presented to them in a short while ago,
One ogre even shamelessly yawned, blinking his eyes like a snake,
They all forgot to say thanks for the food, no thanks for lunch,
But instead Akhatembete announced on behalf of other ogres,
That they should be allowed to go as they are late for something,
A behaviour so sub-human, given they were suitors to an English family,
Victoria’s father was uneasy, was irritated but he had no otherwise,
For he was desperate to have her daughter Victoria get married,
He had nothing to say but only to ask his daughter, Victoria,
If she was going right-away with her suitor or not,
To which she violently answered yes I am going with him,
Victoria’s mother kept mum, she only shot miserable glances
From one corner of the house to another, to the ogres also,
She totally said nothing, as Victoria was predictably violent
To any gainsayer in relation to her occasion of the moment,
Victoria’s father wished them all well in their life,
And permitted Victoria to go and have good life,
With Akhatembete, her suitor she had yearned for with equanimity,
Victoria was so confused with joy; her day of marriage is beholden,
She hurriedly packed up as if being chased by a monster,
Third Eye Candy Mar 2016
Like a pin on a spike
the dim light creaks dull bright
and fungus glums in the 'tween
as it might... and a yearling takes a day
to bring about the long, wrong night
as amber drools
from the lungs
of a stunted
kite,

the
wind is an idiot
pruning the sun
from a
suspect
sky.

how we talk in the interim
is nuts, but the lust
excels.
it grooms the pollution, and yes
it threatens the fresh blood
of our last regrets.

but... yes

fathom the windmills
of our mangoes
as a fruit -
Less.

some other joy that -
has a boy gone
more less
than
kept.

and
crease the wrinkle
in your starlight
to moon  

if not to
breath
Holly Salvatore Aug 2013
Mine are grapefruit halves
Bitter
Salted
Easing the transition into awake
Perfect juicy handfuls
But I know girls with cantalopes
Seems to me you'd need a map
To navigate those
And hands like
Melonballers just to make an impression
Raspberry, Blackberry, Cherry *******
A fruit salad of peaches
And mangoes and apples
It's a world made for peelers
And paring knives
I world where a sweet tooth
Can thrive

We plant our women in orchards
Cultivate them in careful
Organized rows
With expert farmers and the latest fertilizers
Leading them on
Into ripeness
Harvested at just the right time
So that no man ever need know hunger
Kalena Leone Nov 2014
The hole in my chest spins with the phosphorescent white lights of my eyeballs
They go out in an instant
Reverse, counterclockwise
This house is toxic and I can't seem to shake the feeling that this black-hole feels more like home than anything I've known.
It isn't because I know you best
It's because I know you worst
And if I had learned that and never repeated the lesson,
Then my candles wouldn't be nearly gone
And my lipstick wouldn't be stained onto my lips
And I would have been asleep hours ago.

See, I have a problem with saying no.
A vortex approaches me and I'm excited, not afraid
I invite it in to my rib cage just to feel it knot all of my torso into a ball
Tensing it and tensing it until I release
Into the blade and into the lack of my senses
Tingling and wet incisions that taste like bitter mangoes and the bad nights in summer
Hot nights,
Sticky nights.
When you can't close your eyes and you can't feel your legs but the hair on your forehead could be glued on

The last time I was sent away, I had cat scratches on my hands
They're back again
My knuckles were the prettiest shades of red, black, and blue.
These appear in my head
Which might be a step toward heaven
Or what everyone tells me normality feels like.
Ignorance, bliss, and most important,
The avoidance of disappointment all together.

That's what I'm filled with.
Pens with missing parts, smudged nail polish, burning your hair, not having a family to have Thanksgiving with, knowing dad wants to die, waking up from a nightmare, being ****** into adulthood, having no money, being stood up at 3am by your ex
Darkness
The light has to be in there somewhere
Or else I don't know what I'll do.
I haven't written in a long time so this is pretty bad. But there are a few parts I like.
Pax Sep 29
i smell your scent,
like mangoes
i tasted them,
unripe & sour.
But I like it.
i like mangoes, i missed those uripped one, well this has dual meaning ;)
Does the Law of Attraction really work?
Can visualization do the trick?
Let’s look within to find the real secret
Look deeper for the truth to pick

‘Mangoes, mangoes, mangoes,’ if you dream
Will the fruit grow on the tree?
It is the seed, Oh dear, that you plant
That will grow to be, what you see

But the whole world is talking of Attraction
‘Just desire and make your dream come true’
Desire is good to start what you want
But it’s Action that is the final cue

Attraction without Action doesn’t work
Look deeper and realize the Truth
Within the word ‘AttraCTION’,
There is ‘ACTION’ in the root

For there is a Law, a Universal Law
‘As you sow, so shall you reap’
If there is Attraction and no Action
Then in the end, you will weep

Attraction and thoughts lead to feelings
But it is only when we get to work
The cycle of Achievement says
‘You need to walk, don’t just talk’

For the Law of Action never fails
What you give is what you get
What goes around comes around
It’s like a boomerang, you can bet

It’s popularly called the Law of Karma
What you do, comes back to you
Every Action, good or bad
Won’t escape, this is true

Whatever is unfolding in your life today
Is what you have done in the past
And whatever you are doing today, remember
Will return to you until your last

And when death, which for the body is certain
Happens and Karma carries on
The body dies, but the Mind and Ego
With its pending Karma is reborn

Death is not the end, but a bend
Our Karma account is not closed
Whatever is the balance in our Karmic trade
Causes the next birth to be proposed

Our birth is decided not by luck
Past Actions or Karma is the cause
Where, when, and how we are born
Is controlled by Karma without flaws

Therefore, our destiny is in our hand
It is Action that will decide what will be
We will get to that destination
Karma decides our destiny

Life is like a car on the road
The road can’t be changed, it is paved
But we have a ‘Free will’ to choose how we drive
Through this ‘Free will’, our Karma can be changed

We can go fast, we can go slow
We are free to choose what we do
Remember, as you drive your Life ahead
Is the destination you will get to

Therefore, we must do good each day
Our destiny depends on our deeds
Just like the fruits in our garden, without doubt
Don’t depend on luck, but on the seeds

Whatever we do, doesn’t get washed away
It remains in our account, even after death
Life after Life, the score goes on
And is counted in every breath

But whoever is born in this world must cry
The Enlightened Buddha declared after his quest
‘Dukkha or suffering is experienced by all
No one can escape this test’

We all experience the triple suffering
The suffering of body, ego, and mind
As long as we have Karma, we will be born
What we have done, we can’t rewind

Is there a way to escape from pain,
And from Karma, can we be free?
Yes, this is the ultimate secret
If the Divine Soul, we can be

To escape from all suffering
Is our Life’s Ultimate Goal
This is possible if only we realize
We are the Divine Soul

The Soul is a Power, it has no Karma
It is the Energy of the Lord
We must realize we are not what we appear to be
But rather a manifestation of God

When we realize we are not this, we are That
From Action and Rebirth, we are free
We will be Liberated from all suffering
And United with the Divine we will be

This is the secret of Eternal Joy
And the way to Everlasting Peace
If only we can Transcend Karma
All our sufferings will cease

So, don’t believe just the Law of Attraction
It is the Law of Action that will work
What you attract, may never come to you
If from Action, you will shirk

But tasks will bind you to be born again
And the Happiness that you seek
You will remain thirsty and yearning for more
As you try to climb the peak

The only way to Peace and Bliss
Is from Karma to be free
Then, eternal Joy and everlasting Peace
Will be your final destiny

Life is a journey and we must choose
We can live with Attraction or with Action
But being Liberated and being United with God
Is our Life’s Ultimate Destination
Tinesha Garcia Feb 2011
To us, the world can be painfully beautiful,
staring through the stolen glass eyes of an Aquarian child,
a vision, a sensitive vintage acid spell.
Overt transcendence beyond abstract universal turns into Bohme consciousness: Unorthodox awareness.
Cracking jokes about death, laughing off serious black-and-white situations,
find them an electric bridge between the Rainbow corner of the sky and home,
a thick, liquid existence illuminating yesteryear’s universal revolt.
Valsa George May 2016
Unexpected…..
So unexpected was the meeting
It was in the dim candle light
of a city restaurant that I saw her
How time had etched its marks on her
The long dark curly hair
has turned all white
The even set of pearly teeth
now discolored with missing gaps.
A weeping willow with gnarled branches!

Did she recognize me?
Her searching eyes registered
a limp awareness
Soon I saw her cataract eyes shining
in unclouded recognition!

My memory like the arm of a crane
lowered to plough up the hard crust of the past
and rose with heaps of broken rubble
I nosedived into the past
to the little village
where, as children we ran round
the long necked shady trees
until our little heads went dizzy

Stealing behind the tall grass
how I would suddenly yell out;
‘The thief is in hide
Come and track me if you can’
forcing on her an arduous search,
all the while giggling at her vain efforts!

How we ran after the ripe mangoes
that fell in ones and twos
when the winds shook the fruit laden boughs
and how we quarreled over the yellow ones
like mongrels over a piece of bone

I remember once when the drizzle
suddenly strengthened into a heavy down pour
with thunder and lightning accompanying,
how we ran dripping and frightened
seeking shelter in the empty cow shed
at the backyard of a house,
clasping tight to each other!
She was then a little girl
with springing feet and dancing steps
naïve and naughty with all mouth and ears

But as time skipped by
she kept a safe distance
No more I saw the former ebullience in her
In its place, a quiet reserve settled in
The chatterbox no more opened her mouth
To my questions, her answers were mono syllables
My efforts to walk by her side
always ended in futility
either she would quicken her gait
or lag behind at snail’s pace
Seeing me somewhere
she would walk away with eyes down cast
But I always noticed a faint smile
lingering on her curved narrow lips

Around it, I built my dream castle
where she reigned as my dazzling queen!
I am not sure how it was with her
One day even without an abrupt goodbye
I had to leave my hometown to an alien soil.

For long, she came, sailing in my dreams!

After a couple of years when I returned
to the land of my childhood
the mute witness to my unuttered passion
I knew from a close friend
that she was forced into a marriage
much to her consternation!
She is reported to have confided to someone
that she hoped the ‘thief who stole her heart
would one day, come out of hiding’

We met again
We heard each other’s cracked voice
and stood unable to recollect all

Much water had flown down
under the bridge
And we floated in the rush of currents!
This poem has to be understood in the light of the highly orthodox milieu of an Indian village of the time between 1960's and 70's when no computer or internet facility was available. There was a lot of segregation between the sexes and no free mingling was allowed. So there was no open expression of love. In a society where arranged marriage was preferred, even falling in love before marriage was seen as a taboo !
tap Aug 2021
The sunlight winks from behind the umbrella of leaves and mangoes overhead. It tickles your cheekbones like the first, second, thirtieth good morning kiss. Your sandals are worn. A woven basket rests heavy on your hip, in your hands.

Your fingers, slender and worn by the earth, trace the contours of my face the way they search for meaning in a dictionary. Gravity. We inch closer. Have you always had a widow’s peak? Your hand finds it rightful place over my heart. I kiss you for the thirty-first time today. You taste of plantains and milk. You smell of sweat and the sun. My hand relishes in the traces of heat on your cheek.

One mango drops from your possession. Unripe, but soon to be opened up and worshipped as it is meant to be. Your fingers grasp the yellowing heart and press it against my lips. I rest against the trunk and sink my teeth into it. Liquid sunrise trickles down your wrist onto my blouse. The leaves create shadow puppets on the ground, the story of two young fools swaying in the shade of a tree.
Alternatively titled, "Girl from the suburbs tries to write about a farmgirl from a painting."

Inspired by "The Fruit Pickers Under the Mango Tree" by Fernando Amorsolo.

I’ve never made out with anyone under a tree. I might be missing out, dude.
Norah DiMarini Oct 2011
Wistful lust and melancholy mangoes
Succulent decadence and still I am morose
A plum for pining, a kiwi for whining
Pineapple dreams are the clouds’ only lining
For in the resting realm the reality is nigh
Alas cruel consciousness eradicates the high
And thrown am I back into awareness
That life and love are not games of fairness
K Balachandran Apr 2013
"She smells raw mangoes
and chrysanthemums,
 what a combination!                                     
                                 how exotic"
enamored city boy mused aloud,
kissing his newfound lover
a village belle,
under the shade
                    of a chattering peepal*
a  rendezvous, so elating
he could never imagine.

"They didn't pay me much
to pick the mangoes, still not ripe;
had to pluck flowers in the afternoon,
for decent wages"
                           she candidly told.
*Peepal-Peepal or Bo-tree is of Indian origin, which Hindus and Buddists consider a sacred tree(perhaps for the tremendous amount of oxygen it pumps in to the atmosphere).It's under one such tree Buddha attained enlightenment (and it was called Bodhi ).Travellers will take rest usually under the peepal to recharge energies.Its an essential temple tree.
ceara Jan 2011
There they were,
all shining
clear
and see-through
plastic
the hole’s on top
like the Pantheon
in Rome
all open to the skies
the flies
the opaque yellows and pinks
mangoes and pineapples
with names like
rasbamango and applefluff
people walked accessorized
cups in hand
brains frozen
from the combination of low fat
probiotic,
bionic yoghurt and fruits
that could never, ever
have grown in Connemara.
Published in Ropes,  2009 , Edition
Today, the color yellow reminded me of you.
It reminded me of your fondness with mangoes
It reminded me that those memories were real
I could feel the humid sea breeze brushing through our sandy skin
I felt the coldness of the stark night when I was gazing through your shadow
The beautiful architecture of your face, and your lanky frame.
We owe it to ourselves, not the stars that blanket us
The beautiful disaster, that we have become...
I promise this shall be the last poem of thee I've written of thee. And thus I have dedicated all the love I have for thee into this; in the hope that my heart has none of it left after writing the poem.

I hate the dreadful hollow behind the little wood;
Its taint of darkness dripping down like blood-red hearth.
A breeze of morning moves, that we love, has gone;
For a musk of the skies at dusk must have come down.

Come into the garden, my love, and play around with me;
For a bed of love daffodils is on high;
For a set of faint lights is now there to catch;
One breed of lights that we used to play with.
Bring my that green glass of paint, and draw by me,
While I rub thy dark hair on my lap, with my bronze fingertips.

Run around here, Immortal, and give me thy handsome hand;
Thou art the speed and pace I need here to stay;
Ah, I am not detached from t'is world, so long as I have you;
I am charmed, even in the darkest abyss of yon superficiality.
Thou art the fragrance of happiness found in decay;
Strength in the most diminished, and yet distinguished ecstasy;
A fable t'at becometh real in a flight of seconds;
A temptation no maiden heart canst afford to dismiss.
And look at me, now and then and all over again,
I wanteth to look pretty in my ruffle brown skirt,
Just like in my midnight gown on a flowery wedding night,
One t'at we shalt have above the sun, out of everyone else's jealous sight.

Let's dream t'at this delight shall ne'er wear out, and leave to us t'is nuptial potion;
I hath ideas for us and the most sensible of worldly notions;
Naughty as water ripples and the broadening green plantations;
I knoweth now where we canst go and hide our insightful destinations.
Thou wert always running in thy magical shoes,
And t'eir worlds of visions and phantom-like phantasies,
Like woeful but wise extraterritorial dimensions,
A forest of spells and love curses we never knoweth.
But worry not, my dear, for I shall hold thee in both portals,
I'll keep thee safe by my side, I'll keep thee immortal,
So that we are ne'er to be apart, in such a bright love like pearls,
And the petals of roses t'at ne'er swerve again from our fingertips.
We were always inhabited by our little jokes, and moved by an unseen hand at game,
T'at everything was too tranquil even for being a game as itself its nature,
And the whole little wood we were perched on was one world
Of fun shivers, wonders, and plunder and prey,
Oft' at midnight hours we looked at each other so kindly and peacefully,
With eyes mastered by love and tough loveliness,
Thou looked but wholesomely splendid in thy own questioning minds,
And thy brown hair t'at was turned about by solitary winds.
Ah, Immortal! Immortal, Immortal, my visionary love, my darling bird.
And yet, the night knew then, of our tricks and who we were, funny little liars—
Little liars t'at had but a tender love outta' time and space,
And such a gleaming love for one another,
We whispered, and hinted, and chuckled, with an aroma of love about us,
However we'd braved it out, we felt about it glad and not sorry;
We humans of a naughty, devilish, notorious, but sophisticated breed!

Come into the garden, Immortal, for the night bat now hath flown;
The one thou fear, my love, hath left us alone.
And forgive me for my rigid clauses to them;
For I want only to writ' of thee, my darling bud.
The planet of love seem't be on high,
Beginning to pick away its fruitful colours,
And make itself look petrified and stultified,
Like one from abroad, flown in as foreign woodbine spices.
Ah, as though t'is temporal world is not murky enough for us both,
That our translucent breaths are those who survive;
Who remain rustic in this unmerited ordinary world.

Come again, my love, my impeccable darling,
Let's witness what the sonnet's yet to sing;
All we need t' do is pick up a lil' wooden chair;
And breathe the swampy midnight air before we sit.
Here is my poetry, and I'th written it for thee,
Long like the satin seas, and red ribbons made of clouds,
I needst not say it but thou read still, my heart out loud.
Ah, Immortal, the golden gift thrown at one clean snowy night!
And t'ese hidden memories now shine out back again,
For the drifts of the earth we ne'er knoweth, indeed,
And thus who knoweth the ways of the world,
And the surreptitious moves its soil's done,
From morning to night, from one day to another?
Ah, who knoweth 'em all but the Almighty?
Our Almighty, our very Almighty;
t'at breathed into our souls such loving love,
And made for us t'is decent planet, many suns, and one fair earth.
Ah, Immortal, and thou art the son of literature He had to me,
A joy t'at my hands, as He told, outta rejoice,
A glory t'at my faith should find.
Ah, Immortal, thou art sweet, sweet, and too sweet!
Thy sweetness is but an avarice, one bold austerity to me;
Scenic in its grace—a graceful grace t'at is far too restless and undying!
Undying, unweakening, but strengthening, t'at it'll ne'er die!
Ah, for thy sweetness, Immortal, hardly leaveth me a choice;
But to move and fall softly again and again for thee like before,
And thy honey-coloured skin and charms t'at I adore,
Not his, who knows or feels any of me not;
Not him, who is neither courtly not kind;
Not there, who understands not how to write,
to read, nor even to sing.

All night hath the roses heard songs from thy Eolian lute;
And my unveiled violin, piano, and bassoon;
All shrieking and collating in one strange space.
But hear thou, my love, of my shrilling little voice?
An unheard, abashed voice that keeps calling your name;
Your coloured name, that smells like trust
In its euphoric aura and ecstatic plays.
Where art but thou, my Immortal;
That was so close and definitive to my heart.
Where art but our strings, and guitar cords;
That used to rock up our beneficent loveliness?
That kept our hearts in tune, when desperately falling in love,
Ah, I do not want to leave thee still in thy weird dance,
I want to keep thy heart beating with mine and stay in tune;
I want to run with thee into a hush with the setting moon.
I said to the playful lily, 'There is none but one
With whom my curious heart is to be gay.
When will he be free to catch up with me?
I see him day and night and in dreams of my poetry.'
And half to the rising day, low on the sand
And loud on the stone our passion too shall rise;
Keep us cheerful and our heartbeats warm.
O young lord-lover, what sighs are those
For one that shall ne'er be thine?
'But mine, but mine,' I swore gaily to the rose,
'For ever and ever, mine. Just mine.'

And the soul of our fragrant rose sings into my blood,
That Immortal and his lover shall ne'er be apart.
He'll wait for her at night, in one bloodless Sofia;
She'll wait for him 'till such stars fall asleep.
He makes her blessed even in her dreams,
That all the red roses and lilies stay awake to watch their joy.

Immortal and Estefannia, the happiest ones along those summer days;
Are a threat to those soul frayed and vitriolic;
Too stellar to them romantic and idyllic;
Proud and sturdy in their ascetic life.
The best of love of the world's missing beat;
Daintier than any of this summer's bitter heat.
How fate tests their love we shall ne'er know,
but their love stretches as distantly as it can.

Ah, Immortal, tells Estefannia I shall make thee flattered
In sleep, in peace, in conscience, and in hate;
I shall make for us joy though our stories may be late.
Thy eyes are brown, my love, one shade the world's never owned
And thus thy love is valid and new in itself, ne'er worn.

And I shall hear when thy lips wan with despair, I'll be there;
I'll stand there with my basket, a gift from one faraway;
But with a love neither placid nor drained;
Villainous as t'is world is, what a broken wordling;
Like a wailing starling, torn in its calls and frothy desires.
T'ere is no more signal for us towards t'is despaired world;
I shall take thee yet, through the curtains of such speculations;
For 'tis only thy pride t'at lives, and not one soul of thine lies;
And should thou remain alive, my love shall ne'er hibernate,
But sit and trust firmly in its wakeful sleep, grasping thee,
Grasping thee, my love, 'till exhaust allows me no more words,
'Till my own poetry disobeys me like a cloud of putrefied shadows,
Ah, but still, remaining a gross soulless apparition I may be,
With no apparatus trembling 'round beside me,
Wouldst I still saunter myself forwards,
And greet thee in t'at peaceful vineyard;
Play to thee a lullaby and witness thy dreams,
Rocking thee softly against thy own stardoms,
'Till rivers are awake again and alert t'eir inane streams.
O Immortal, it is for better and fairness t'at I love thee,
Ah, but which love is sweeter than mine, or stronger than ours?

For I trust t'at my love is hungrier t'an that of her yonder,
Ah, and t'an t'at loyalty and patriarchy of our sullen armies,
More striking than a ****** dame's pictorial tyrannies,
One too sweet-scented for a hidden mercenary,
I have heard, I know not whence, t'at it but happened to thee;
Thou wert away, thou wert not under my umbrella, beneath me!
Where is Immortal now, for I need to save him again;
My husband in nature, my lover and immortal darling and best friend!

For t'is world is but a holocaust for the believing;
T'ere is, within which, not one pyramid of truth,
For 'tis a place of happy misery, and too miserable happiness.
T'ere is no place like our little Sofia, t'at once we dreamed of;
Filled with rainwater by its armed forces of Bul-ga-ri-ya;
I shall wait for thee there, by the triple roundabouts,
I shall wait for thee before I pray, and seek help from Our Lord;
I hath written for Him warm praises and delicate triplets of words.
Immortal the delight of my life, the dignity of my love;
Immortal the ringing joy of my ears, the gallant sight of my eyes;
Immortal my darling, of whom I write and for whom I sing.
Immortal like the leaves of the suburbs, t'at turn red and shyly bloom,
One that smells like mangoes and two pieces of orange blossoms.
Ah, Immortal, with his sweet red-mouth when eating dangled grapes,
Immortal the beloved of my father, the moon-faced, merriest son of all!

Where is he now? My dreams are bad. He may bring me a curse.
No, there is a fatter game on the moors, perhaps I ought to look for 'im t'ere.
The devil, I am afraid, hath stolen him again away,
I hath seen him not for a time as long as this day's.
Immortal, I want thy bountiful smile, and see thee not ill;
Immortal, tell me t'at thou long for and love me still.

Ah, along those happy days, and fabulous morning thrills,
My heart leapt whenever it caught thy voice,
And thy sanguine embrace when such came near;
Days were but too advanced, I know, and men were tied to t'eir own minds;
But thou kept me calm, with such majestic love and lil' poems in thy hands,
For t'is world is yet too adamant in t'eir pursuit,
Yet I needed thee, and thou came along.
Long had I sighed for a calm: God may grant it to me at last!
Ah, Immortal, a naughty lil' breach of t'is world, and its affairs;
A lil' cuddle t'at laughed and darted merrily all through the night.
Would t'ere be sorrow for me, for what I was feeling?
I thought I sensed only love and none like hate,
For it all tasted sweet and fierce like neverending fate,
A fate t'at we both accepted in one force,
A fate too astounding from our courageous Lord.
I thought thou wert mine, and thou shalt always be mine!
And t'is swirling sensation, when I looked at thee,
Full of teary happiness and chaotic delights,
I did want not t' think of its possible ends,
Ah, violent as Shakespeare might've assumed,
But I wanted to relish and bury myself in it
For such memories of thou had desired.
Immortal, Immortal, and now thou art gone;
But when all t'is world does is to go flexibly round,
Where'th thou think our missing beats can be found?

Warm and clear-cut face, why thou came so cruelly meek;
A cute lil' wonder to my sight—and for my lungs
To breathe stupidly for now and again.
Thou, handsome lad, hath broken all slumbers
In which all is but vague and foul and folly,
Pale with the golden beam with one dead eyelash
Knifed by the contours on one's cheeks.
And t'ere is also, about, the remnants of one's blood,
Dried and unmoving in t'eir death, but too lifelike at the same time,
Smelling ***** like the air rifles t'at just brought 'em all to death.
Death, ah, living t'is life without thee is like death;
All is clueless, breathless and sightless,
All is burning me strangely and from within,
Luminous, gemlike, dreamlike, deathlike, half the night long,
Growing and fading and growing and fading like an edgeless song,
But all too disobeys me, and disappears again as morning arrives,
Mocking me again while showing off its cloud wives.
I am trapped again now, in t'is wonderless dream of thee;
Which is more buoyant and febrile, unfortunately, than death itself,
One darker than even a tragic tear of one thousand years;
Like a heartbreaking scream or shipwrecking roar,
I am walking in a wintry stream all by myself,
And where is my Immortal—for he is not by my side,
He doth not witness the emerging of such sunshine—ah! It is t'ere today, quite early,
One t'at sets t'is darkening gloom all away, and thus we are all born free,
Free, virtually, both our hands and slithering eyes,
But still thou art not 'ere with me to witness t'is joy,
Thou who hath gone and withered like a pale blow of smoke.
Ah, Immortal, but may I hold t'ese rainy memories of thee still;
For t'ey all scorn and spurn as though I am ill;
I who loveth thee sincerely 'till the very end of time,
I who loveth thee with all the clear and vague powers
with which my very soul hath been endowed,
I who loveth thee like mad, I who loveth thee purely without hate;
I who virginly loveth thee like I doth my own fascinated fate.

Lay again, my love, on my longing lap,
I'll sing to thee one favourite lullaby,
And a basket of cherries t'at we picked nearby,
We shall enjoy t'is merriment before I let you sleep.
I shall let you sleep on my lap—a pair of skins t'at love you,
Love you as much as my other skin doth,
A heartbeat and pulse t'at breathe together
And want thee t'at madly, now and forever.

I found thee perfectly beautiful, my Immortal;
Sometimes thy eyes were downcast,
Spiritual in some ways,
And 'twas like thou wert thinking, my love;
Thinking of the upsurging stars above—and t'eir ******* secrets, beneath.
Ah, Immortal, even the vilest idleness cannot be against my love for thee;
My sparkling stars, and the affirmation traced along my heart is about thee;
All about thee, until t'ere is but none left of me,
Thou art the juice of my soul—far too ripe for someone else's heart!
And one, thou art more delicate than the crescent moon we hath tonight;
More shimmery than its ***** and rays of twilight,
Ah, Immortal, how the heavens hath descended thee onto me;
Thou, my love, art the last life and love of my thorough entity.

And t'is poetry shall be thy last enchanting lullaby,
I hope thou'lt sing it when midnight's swollen and sore,
Hurting thee to the pipes of thy very core,
But let's forget not t'at we once knitted awesome stories,
A chain of moments t'at lasts forever, ever, and ever again.
Ah, Immortal, we are back in the afternoon now,
We must though 'tis bluntly hard to say goodbye,
Of which hearts are unsure, but yet must lie,
I shall cry out my last beating love for thee,
But thou dwelleth in what I see, and thus ne'er leave me,
Like a fallen star t'at wants to rise but ne'er doth,
Thou art still the leaf my autumn tree hath sought;
And thou art the shine to my balmy rootless night;
Thou art the apparition t'at appeareth and teasest me after nightfall.

I'll wait for thee again in slippery Sofia,
And my love shall re-unite again with its winds;
Its walls, its havens, its barns like a spellbound purgatory;
For if I am bound to thee, in love and hate and rage and agony;
I'll write thee poems 'till even the universe is asleep.
I'll be cold like thy saluted Bul-ga-ri-ya;
I'll hold thee with 'till the last drops of my sanity;
Ah, Immortal, and in yon high-walled garden I still watch thee
pass like an authorial star;
Thou art as graceful as my own kind-hearted light;
For sorrow cannot even seize thee, my leading star!

Say love not when I meet thee again one day;
For t'ere is no more a desire to learn or admire,
I shall carry my knigh
brian odongo Aug 2016
My heart yearns for an adventure
For a strange and rare venture
Oblivious of the tons of dangers
For in adventures I ain’t a stranger
For I would relieve childhood years
That I spent with my little peers.

An adventure in distant lands
Where the children play with wet sands.
And dolphins jump out of water
When the noon sun makes the ocean hotter.
Where the fisherman yaw his boat
To capture all the salmon afloat.

An adventure by the oasis in the Sahara desert
Where Tuaregs sit by the cactus to eat dessert.
And watch as scorpions prey on lizards
To feast on their gizzards.
I want day sun to warm my smooth skin
And the night cold to shiver my crude chin.

An adventure cuddling cold snow on my hand
Where the icy pillars in their majesty stand.
And make a cave of snow
Strong to stand when wind blow.
Then I will scare the polar bear
That my cave like a paper wants to tear.

An adventure on the corn field
When in summer the flowers yield
When the butterflies pollinates the corns
And the farmer weeds out the thorns
I want to watch the corn spring to life
When the early rain is rife

An adventure across the sky in a plane
And watch as daylight slowly wane.
I want to leave a route on the sky
That in the future I would still ply.
Then immortalize my name in the cloud
That dark clouds in their anger cannot shroud.

An adventure deep in the amazon woods
When the purple squirrel burrow for food.
Where the monkey sway their tails
And red roses litter narrow trails.
I want to watch the ants builds their mounds
As the ripe mangoes fall on the ground.

An adventure that will lead to places
Leaving on all its paths my traces.
Permanents prints that will last
Even when my life like history is past.
And my adventure would be told as a tale
That like time will not stale.
Daivik Mar 2021
It takes me back
It pulls me close
To itself, I cannot leave
ln my dreams
While I dose
The summer scent of mango tree

I remember well
When we were young
My friend and I hung on its arms,
Cuddling the leaves.
Now remain
Just memories, echoes of a simpler past

The flowers promised
June was close
Summer's sins would be redeemed
By the childhood paradise
Salted raw mango slice

Overarching newborn smiles
Yellow sun on green leaves
Greenish-yellow chrysoberyl
Oasis of the summertime

I remember picking them up
From the rooftop of boyhood-life
Our winged friends came, bees, monkeys too
Attempting another bite

Fond, fond memories
Mother used to cut and bring us mangoes
While I tasted the golden slice
My granny told me stories of
The tree, it stood there when they built this house
When she was eight or nine

This fruit, this taste
Connects this land
Magnifera indica
The secular deity of the mango nation
You cannot begin to understand

The gift of Indian summer
My childhood wrapped in emerald leaves
The whiff, the scent, I transcend
Time;go to an age when all was well
Or at the least, to me it seemed

As I'm taking a bite of this season's last mango
As the golden drops stick to my pubescent stache
I remember a conversation I had

The mango tree
It talked to me
No, I'm not crazy
It was the mango tree

Little things in life
Leave something
Oh!so many memories
Chrysoberyl is a greenish yellow gemstone
Krishnapriya May 2018
Sometimes the rain drops
are so big and succulent
like mangoes
and tears
and temple bells
at dawn

The parched earth
smiles
and welcomes all
in her embrace
the rain drops
ripe mangoes
endless tears
and mystic sound
of temple bells
at dawn
Monsoon rains are here upon us and big, big, raindrops bless our parched land with smiles. :)
Geno Cattouse Feb 2013
Sprang forth with no branches or leaves. Small roots.
Bore mangoes, papayas,guava and bananas. Hybrid, mid limb grafting.
The trunk is a figment but it stands non less. You see
my family tree never was and always will be.
A roadside shade with low hanging fruit.

Was never planted.It was a deposit from the bowels of an exotic bird
of the jungles that sampled at leisure the offerings of the rain forests.
The Hardtack and marmalade came on ships with the kings business
Mixed with the Nigerian Fu-Fu  ,the Aztec maize the Mayan legumes.
and all points of the compass.

Old Joe Denegri, The Blancaneaux , The Cattouse, The Melado, The Pinks
The Flowers,The Orozco and more. And boundless from the ***** of opportunity.
Piecemeal and untethered. But it is the tree that I must cling to.
However rough the bark.

The sap runs heavy and slow in the humid Belizean heat.To meet the earth.
Cool breezes blow a haunting disharmony. A sweet unity in chaos.
The soil is rich,pungent and forgiving.  Soon, A bell tolls  in the distance.
The Sea mists my dreams.

A stairway of coconut fronds to azure skies.
Nighttime smells like creation.
The still slackened pace.
The small rat race.
Tempest in a teapot.
Urban-rural.

Coolie gal.
Creole boy.
New Chinese.
Old African.
Ubiquitous Espania.
Garinagu. Mosquito coast.
Children of Mennon.
Old Basque faces.
Things we call races left with small traces
of what?

My tree, her tree, histree.
I am you and you are me.
I see me in your face and you see me.
We are  and will continue to be.
Blended.
a hybrid. An orchid wild.
Robert Ronnow Jan 2020
"The question should not be in what ways writing and utterance trope each other, but how both are involved with number. Without relating the technology of writing to number (as opposed to sound or drawing), it is impossible to discuss it meaningfully as an aspect of versecraft."

          Courage to write and courage to not write. Read
          The great poets and highly accomplished letters
          Of leaders. Yet the war and the book have lives
          Of their own. Vacuum house, analyze mankind.
          His idea of himself. Ideas subsumed by
          Better ones unite people in melting pots.
          I watch from my little bowl of nuts. Watch
          The one red squirrel and the many gray.
          Watch the nuthatch pair, platoon of chickadees.
          Here is what I say: When we can go
          From planet to planet on nothing but air,
          Leaving behind a drop of water,
          No burger bags blowin’ in the sun,
          I’ll love my sons, and my dogs will be happy.

"What is needed is a way to pry apart the polar, mimetic fiction that undergirds discussions (even sympathetic ones) of writing and versification, and see how we can relate writing to measure. Roy Harris’ investigations into the origin of writing make this connection possible."

          Electronic millennium. A long silence
          Wouldn’t hurt. Not that the national debate
          Should cease, it should proceed, passionate
          And furious. Those who have studied the matter
          And have something to say should write cogent
          Opinion pieces on the totalitarian
          Tendencies of minaret Islamists,
          The terminal contradiction of advancing
          Democracy with the unitary military.
          George Washington would not have approved
          And even Lincoln vacillated between
          The practicalities of preserving union
          And the ideal of freeing slaves. The president
          Carries his burden of matter, the physics
          Of existence cannot change our aloneness
          Or the butterfly’s importance, the very
          Last insects at the screens of August.
          It is life we face and death we meet.

"He argues that the origin of writing did not lie in the drawing of figures, or attempts to imitate speech, but in the recording of number. According to Harris, the oldest ‘writing’ that we have, like that on the 11, 000-year-old Ishango bone, is in ‘lines.’ The surface is scored with rows of short, parallel strokes, which probably served a numerical function. We still use such scoring systems today on occasion."

          OK, different strokes. But reading North’s poems
          And his predecessors’ in which noun and verb
          Are so far separated by modifiers,
          Post-positioned prepositions, diversions
          Into ditches, gardens, heavens, I don’t know
          What to do laugh or put the book down and eat
          Several cookies. In other words, anything goes,
          There truth resides. 1/3 life in suburbs,
          1/3 on the subway, and the last third
          On the mountain. A fourth hallucinating
          In heaven. That’s how it goes. You get what you believe.
          Bones in mud. It’s always possible I suppose
          That for nine months analogous or symmetrical
          With gestation our souls wander call it limbo,
          Doing the limbo and harassing the living
          With unanswerable questions, finally accepting
          Free molecular rent in a cubic meter
          Of interstellar space, a rose hip.
         
"Harris speculates about counting by scoring:"
'What is relevant for our present purposes is the fact that counting is associated in many cultures with primitive forms of recording which have a graphically isomorphic basis... The iconic origin of such recording systems is hardly open to doubt: the notch or stroke corresponds to the human finger...'

          Partridgeberry, mugwort, mats of raspberry,
          Cranberry, bearberry, autumn eleagnus,
          Autumn Nocturne, Autumn Leaves, the changes
          To the tunes and the scientific names.
          When it doesn’t matter what you do
          You’re probably doing something new.
          That’s a woodpecker. That’s a moth. I’m bounded
          By my surroundings, I feel at home.
          Could be Schenectady. Could be Troy.
          One of many small cities in which to
          Await my anonymity. Be specific.
          Not asphalt but impermeable surface.
          Not trees but mature stems. Quercus rubrus—
          Quality veneer. Into such a garden
          Have a victor and a fool penetrated.

'In short, the rows of strokes are graphically isomorphic with just that subpart of the recorder’s oral language which comprises the corresponding words used for counting. It makes no difference whether we ‘read’ the sign pictorially as standing for so many fingers held up, or scriptorially as standing for a certain numeral.'

          In a crowded world every action results
          In an equal and overwrought reaction.
          Yet, all the energy recycles
          And there is not one thermal unit more or less
          When all is said and won. Even when the tribes
          Were isolated behind mountain ranges
          And rushing rivers, they sought each other out
          For trading and for taking. Humanity
          Is lonely. Humor is the only remedy
          And going to your daily discipline
          The only way past Monday. Join the torrential
          Flow of words, emotion, wit and erudition.
          It is embarrassing to see a good writer
          Work himself into a lather, having
          Something to say. A system of beliefs
          To illustrate, characters dressed accordingly.
          Gardens and wilderness in which to wander.
          A cave with a view. The plumbing problem never
          Resolves. But we will do what we can and
          Some things we shouldn't because that is human.

"Along with other evidence, this leads him to argue that the invention of writing–or the division of writing and drawing into separate functions–occurred when the graphic representation of number shifted from the token-iterative system that appears on the Ishango bone, to type-slotting."

          Electricity is occult enough for me.
          Excessive classifying could be fascist!
          Yet how else can one organize people
          Into contexts. By their associations.
          Family, work, habits, each assigned
          A day of the week, moon of the month.
          Poets rhyme, jazz musicians count time.
          There is more than one way to make war. By
          Declaration, by punishing offenses
          Against the law of nations, by granting letters
          Of mark and reprisal, by making rules
          Concerning captures on land and water, by
          Suppressing insurrections and repelling invasions,
          Erecting forts, magazines, arsenals,
          Dock yards and other needful buildings. Today
          I face the blank page between the finished pages.

"Harris gives the following example of what he means:"
'The progression from recording sixty sheep by means of one ‘sheep’ sign followed by sixty strokes to recording the same information by means of one ‘sheep’ sign followed by a second sign indicating ‘sixty’ is a progression which has already crossed the boundary between pictorial and scriptorial signs.'

          When my grandmother considered it favorable
          That I would be a writer, she had in mind
          Clear commentary from which many people
          Would derive meaning. No such luck. My writings
          Are like the flicking tail of that flycatcher,
          And I am the flycatcher, weighing but an ounce.
          My grandfather’s rough-hewn peasant chairs
          Are well known by my sons though they never knew him
          And the chairs were not hewn, just owned by him.
          One is in a corner of the room and two
          Are scrimmaged around a computer screen.
          Computers post-date him and cars post-date
          His father and so on. If the grid collapses,
          The crops fail and the roads close, some will be forced
          Across boundaries among boulders, naming snakes
          And stars according to memory.
          They will be hungry, mortal and strong.

'A token-iterative sign-system is in effect equivalent to a verbal sublanguage which is restricted to messages of the form ‘sheep, sheep, sheep, sheep...’, or ‘sheep, another, another, another...’, whereas an emblem-slotting system is equivalent to a sublanguage which can handle messages of the form ‘sheep, sixty’.Token-iterative lists are, in principle, lists as long as the number of individual items recorded. With a slot list, on the other hand, we get no information simply by counting the number of marks it contains.'
"When this change occurred it opened ‘a gap between the pictorial and scriptorial function of the emblematic sign’, which had been previously inseparable in the counting represented by rows of slashes."

          No book I know tells if blue cohosh
          Caulophyllum thalictroides—a barberry—
          Is edible. Other barberries are
          But that blue berry looks risky to me.
          And May-apple—Podophyllum—other
          Than the fruit itself which is definitely
          Sweet. So I read, not sure of myself.
          There is a patience with which to wait out anger,
          And a patience with which to endure ignorance.
          The job is everything. It is freedom
          And purpose and religion. It is acceptance
          And shelter and sustenance. Last night
          We were watching Tweet’s show: groveling before
          The rich pharisee’s judgements. I said no
          Amount of money could make me grovel
          Before that guy. His toupe’s gayer than his lisp.
          But who am I? You think bullets won’t ****?
          I’m the guy they put before a wall and shoot
          Then eat lunch. But that feeling passed quickly.

"This semiological gap, made writing possible because it meant that signs could be manipulated to ‘slot’, or identify, anything whatsoever. The open-ended quality of the scriptorial sign was a necessary precondition for the development of writing systems."

          Lately I’ve been copying wholesale
          From the great poems, lines and ideas not my own
          Or owned by all? It’s ok, I can be ignored
          Or appreciated in a future city,
          By a future shore. The honest man can
          Only recognize what he loves and point to it.
          That Borges poem called In Praise of Darkness.
          Emerson and snow. A meditation
          That bumps serenely, with acceptance,
          Between things and thoughts. It is said one should
          Know for whom, to whom one is writing.
          These are letters to those who love letter writing.

"As Harris points out, no writing system is accurately phonetic. Even the alphabet only highlights certain phenomena in the speech stream. The reason for this is that alphabetic writing did not begin as a simpler or more accurate way to record speech than other writing systems, but as an easier way to write."

          A possible cancer had taken me
          To the edge of my endurance. Pokeweed,
          Poisonous, became attractive. Red stems
          And juicy black berries. I had packed warm clothes
          And pain killers. Why the warm clothes if this
          Was to be my last walk? To die in comfort
          Without a fly’s buzz. Overlooking a ravine,
          Sea of mountains, dawn. But it proved a false alarm.
          Now Sunday will be a holy day of plant
          Identification. Nothing better
          Than lying in leaf litter, skin drying
          To a taut drum. Ravens stay away!
          Until cougar’s had his fill! Instead
          I showed the boys pokeweed growing among blackberries
          And taught them the differences and uses.

"Through a radical reduction in the number of signs, the alphabet simplified the scriptorial system in and of itself. The evolution of writing therefore may look like this: simple forms of counting preceded the complications of pictorial representation, which in turn led to simplification of the writing system in cultures that adopted the alphabet."

          I was running uphill, parallel to
          The Taconics extending northward into
          Vermont (I find Vermonters in their jalopies
          Annoying but admire them for planning
          To arrest the president for war crimes) when
          I happened upon a flock of cedar waxwings—
          Said to be a gentle and politic bird—
          Sharing—very orderly—dried frozen grapes
          On the vine. (Rose hips, buckthorn, ash, pokeweed.)
          I tried one, too, the two seeds in my mouth
          Keeping me company down the mountain.
          I see no downside whatsoever
          To compensating for global warming,
          Constructing the green energy economy.
          New inventions may facilitate
          Our transportation to other planets.
          Yesterday a young man, Barack Obama,
          Won Iowa. I’m hopeful he will
          Articulate an international vision,
          A world order in which each neighborhood’s
          Good as another. I have no particular
          Love for writers; they’re a dime a dozen.
          But so are chickadees and I love them!

"Discussing the power of inscriptions of number, Harris points out:"
'Counting is in its very essence magical, if any human practice at all is. For numbers are things no one has ever seen or heard or touched. Yet somehow they exist, and their existence can be confirmed in quite everyday terms by all kinds of humdrum procedures which allow mere mortals to agree beyond any shadow of a doubt as to ‘how many’ eggs there are in a basket or ‘how many’ loaves of bread on the table.'

          True, nature would be a stern, unforgiving
          Mistress too, and man is but her right hand
          Acting on her command. How cold! How hot!
          The individual doing what he loves or not.
          Trees and cities. Herons, hawks. What we fail
          To govern in ourselves, nature will.
          We caught the killer and his gorillas,
          Now let’s go home, let the “innocent” choose
          Up sides. A good thing was done but the tyrant
          Should’ve been undone through global governance.
          Writing is divination using rhymes
          And estimations. Words like mammals
          Come near your sleeping head. Last night I emerged
          From the hum of our refrigerator
          Under a hazy, phaseless moon. The peepers
          Were an exact expression of my happiness.

"Or, one might add, for how many stanzas there are in a poem, or lines in a stanza, or stresses, feet, or syllables in a line, or occurrences of particular syntactical or grammatical patterns, and so on. As every serious student of versification has always understood, versification is about counting language."

          5:30-6 write poetry,
          6-7 ****, shave and shower, stretch
          Then get dressed, 7-7:30
          Clean house, 7:30-8 drive to work
          8-6 work (except Monday and Friday
          Work 8-4, basketball 4-6)
          6-7 drive home, shop, help make dinner
          7-8 eat dinner, read paper,
          Watch McNeil-Lehrer News Hour,
          8-9 play trumpet, study plants, type poems
          9-10 watch TV Mon: Murphy, Cybil,
          Tues: Frazier, Grace, Wed: Roseanne, Ellen,
          Thurs: Seinfeld, Friends, Fri: go out to dinner,
          10-11 read, except Tues watch
          NYPD Blue, Fri: Friday Night Lights,
          11 sleep. I could send this to the networks,
          Get a gizmo in my box. I hope my
          Schedule won't be interrupted for war.
          My dentist asked had I seen this morning’s
          Press conference, didn’t it just scare the ****
          Out of you. I said your bill is what scares
          The **** out of me. But here I am, writing
          And the sphere’s still turning. Or should I say
          Burning. As long as you write one poem per day
          You’ve left a little litter in the world.

"The reason to write verse is less to score the voice than to imbue words with the magical quality of counting. That is why meter, or measure, is at the heart of debates over all verse forms, including free verse."

          Vigorous wind, voracious ocean,
          Many merciless hard frosts, hurricanes.
          The bed of a human, its smell and warmth
          36 teeth, 46 chromosomes, 2 feet, a loose dime,
          61 summers, some soot, some sand,
          Thunderstorms. I wake up to a lightning strike
          And my dream incinerates. When they say
          Life is but a dream, that’s what they mean.
          The writer working hard, telling the story
          Of what happened yesterday or yesteryear,
          A man’s born to a country not his choosing,
          Let labor flow like capital, of mere being!
          Pomegranate juice, broccoli, arugula,
          Brussel sprouts, cabbage, cauliflower,
          Collard greens, kale, radishes, turnips,
          Garlic, leeks, scallions, onions, 2 lbs
          Swordfish, tomatoes (8 medium),
          3 cups almonds, carrots, a sweet potato,
          Winter squash, cantaloupe, mangoes, watermelon.
          2 daily writing exercises,
          50 words on any subject: complaint, headache.
          The imagination applies a
          Countervailing pressure to reality.
          Writing badly is the best revenge.

"Number is one of the creative grounds of poetry, and the idea that writing grew out of counting is the missing link in studies of the graphic in versification. It is almost uncanny that lines of verse look exactly like the most primitive ways of counting–parallel scorings that can be numbered."

          What you do to one side of the equation
          You gotta do to the other. Isolate
          The variable. Combine like terms. Metaphors
          And analogs are reduced to least common
          Denominators. Multiply through (parentheses).
          Write a new equation after each operation.
          Inscribe neatly. Check your work. Imagine
          That if you’re wrong, the astronauts burn.
          Change the signs which will avoid going
          The wrong way down the number line. Zero
          Is the middle of your universe.
          There it is, calm, comfortable as an egg
          On a spoon. That is, before possibilities
          Become probabilities. This is just
          Another equation manipulated
          With opposable digits. For at the ends
          Of your guns is the earliest calculator
          A magical machine which converts
          Numbers to words and words to numbers,
          Measures the mists, frequency and wavelength,
          Of the material penumbra.

"Verses are countable in exactly the way that token-iterative digits are countable, from either end of the sequence. Each one indicates only its singularity, not a number. Every poem in lines effaces, or predates, the distinction between writing and drawing in the same way as the lines on the Ishango bone."
www.ronnowpoetry.com

--Rothman, David, "Verse, Prose, Speech, Counting, and the Problem of Graphic Order," Versification, Vol. 1, No. 1, March 21, 1997
--Harris, Roy, The Origin of Writing, Open Court Publishing Co., 1986.
Prathipa Nair Oct 2016
Walking through the sides of a busy pond
Where fishes,frogs,snakes playing hide and seek
Collecting sweet tamarind and small mangoes
In the duppatta of yellow salwar Kameez
Sitting under the shade of a giant banyan tree
Sinking in the flavour of tamarind with mangoes
With an innocent exuberant smile
Vision of people and vehicles passing by
Ringing of the Pooja bell heard from the temple
Jumping out running towards the temple with a banyan leaf bowl
Filling it with mouth-watering rice pudding
Walking home vigilantly in a thought of sharing with siblings
Followed by a black kitten to get a share crying meow-meow!
Prathipa Nair May 2016
Made me climb on her hands
Holding me not to fall
Made a swing on her hands
Swinging me not to cry
Made a basket of ripe mangoes
Filling my paunch not to crave
Made the shade of branches
Protecting me not to lather
Made a rapport of harmony
Loving me motherly not to yearn
Never let me down
My sweet Mango tree!
Still I have this mango tree in my house..used to give a lot of mangoes.. Like human, she too has become old!
In the mango tree
a pair of crows
have made a new home.

While up on the roof
watering the plants
I see the heavenly sight
how they raise their beak
to swallow the trickles
before the heat ***** away
and having this little favor
they're back in usual mood
cawing at their hoarsest
stay away, stay away
come no way near nest

which I do my best to do
stealing a look when they're away
at the three blue nuggets
happy in the thought of
little red hungry mouths

broken
the mangoes would grow
around an empty home.
Ayesha May 2021
A laugh is not a pretence
I wanted to tell you that, Urooj
And maybe to myself too
Because I know you saw peeps
Of the vacancy
Nestled in my skin
And I too was acquainted
With your queer sorrow
That rises and falls
With a schedule of its own
We saw the jolly winds flirt with olden trees
And heard many a strange talks
In golden fields of youthful wheat
And mustard flowers alive

But we ran too, didn’t we?
I pointed to the slender tree far, far away
Count as I go, I said
And count you did as I rushed
Rushed clumsily on
My feet twisting in troughs
Eye-lashes fighting dust
Twenty, you shouted, as the tree grew
But I barely heard
my body singing a battlefield

You stumbled through the ploughed soil
Hardened through suns
Crushing the remnants of harvested wheat
beneath the flat soles of your sandals
(who wears those to a field?)
Then more
Through soft, chestnut soils
Trying not to damage the baby onions
And I laughed through my burning lungs
A smoke piled up in me
Yearning to gnaw all away

And we licked the gusts singing gossips
Of sour, raw mangoes
Then relished the cool water that
You forced the earth to puke
(I still don’t get how that hand-pump worked)

And I know you sneaked along a wilted rose
From your sister’s grave
And wept, quietly sniffing
Seeing her in all the birds I pointed out
All the leaves dried to immortality
In my notebook
I too treaded through rows of childish guava trees
And struggled to will my ghosts away
I too got stranded in the insolent rays
of the dusty sun

But we joked still, didn’t we?
And when, on the way home,
I reminded you stories
Of the silly children we once lived
Your laugh glimmered all around
And mine mimicked

And the radio was ****
So we swam in our own private silences
Got lost in the rowing birds
And I know, at some point,
All the dead days
And all the rotten mangoes
Seated themselves in the car
Along with us and our shackled beasts
And the villages and the stalls and empty fields
Ran past in silence

But we had laughed
When the restless winds nearly sent me
Tumbling down the tree
And we had laughed when
The freshly-watered soil tried
To **** us under
And a laugh is not a pretence
Urooj, a laugh is not a pretence.
I wonder if we know.
For Urooj, though I doubt I'll ever show her.

(I wrote this one on my arm. Was on the roof, with nothing but a pen; as the sun sailed away, my skin got darker lol)
Prathipa Nair Jun 2016
Bullock carts moving forward
With the music of jingling bells
Women walking like a peahen
Balancing mud pots of water
On their head with a band
Women churning butter from
Milk with the churning rod
Men with their spades to fields
Ready for the ploughing
Boys,with their tool, catapult
Aiming at the juicy mangoes
Little girls running with laughter
To the call of a bangle-seller
Old men sitting in the verandah
Memorising their days of youth
Fruit selling woman calling out loud
Bananas,Apples,Mangoes
Smoke from the chimneys
Like an engine of a train
Red chillies, turmeric and coriander
Spread on sheets in the sunlight
Goats and calves crying out in
Search of their pet homes
Village full of greenery with
Gulmohars, Banyan and Neem
Busy with their daily duties
Happy with no disappointments
The villagers of olden days !

— The End —