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oh me oh my Nov 2012
They ask me if I still love you.

I blush, grin and say;

of course.

Why?

Because your eyes are of the most utter ocean blue,

but other days they're the currents of the stormy grey sea.

I see a current of salty water, deep, once blue, but now a faded grey.

I see a bundle of darkened grey clouds in the distance,

and the thunder rumbles from your irises,

and I hear it pound in the back of my mind.

I wonder if you knew.

I see a spark of lightening flash, only once in a while,

while you look at her.

My throat corrodes with bile.


She says she sees green demons lurking in the depth of my own ocean currents,

and I shrug.

What am I supposed to say?

I know you think about her.

Night and day.


The hardest part,

is a generic, old saying.

If you love them,

you let them go.

If they love you enough to stay,

or to come back,

you never let go.





But you haven't come back.
EDIT: Wow. Never expected this to blow up as big as it did. I thank you all so much!
EDIT: 2/15/14
i would say i never loved you, but that is a lie.
they say that your *first* love makes *you realize*, your first *love* wasnt really your first.
i pray for the day this happens.
*getting over you was the best thing i ever did.
and i did it for myself.*
so, one last:
*******.
you.***
EDIT: 9/14/14
i still hate you.
and you don't deserve her.
EDIT:   12/01/14
im sorry. you still arent
the same person
and neither is she.
but we all grow up.

EDIT
10/14/20
I was going through my bookmarks
on my old computer and found my old writings.
I just wanted to update this one last time to say things are better,
things are good. Thanks again for all the likes and comments.
a tree
that grows,
is then struck down.
Lightening, Lightening;
but, ah,
trees heal,
so He grows again.
Lightening, Lightening;
a strike
so rare,
and somewhat unexpected.
a tree
not struck
is a tree that is neglected.
He needs
the rain
and also, the light.
Lightening, Lightening;
and then,
the ground --
all He can feel.
no more
sky;
only the earth that is quaked,
and the space that is forsaked
when
the Lightening
strikes,
again and again.
pluie d'été Apr 2014
You can't save me
With you smoke veiled eyes
Filled with honesty and deceit
Your words
Falling like the ocean
Deafens me
With their beauty
In silence
And it's not enough
Those lines
About me
In the tattered notebook
My initials
On your skin
Tattooed
And scarred
Like the rain in the sky
With echoes
Like thunder
Following the sobs
You hide behind your calloused hands
Can't you ever
Show me the lightening
Because that's the only thing
I need to see

And the thunder
From me
Is all you need to hear
But my lightening
Is what you get to see
And you think it's everything
But how can everything
Last only a second?
gabrielle boltz Jul 2013
this lightening bug landed
on my arm while
i was driving.
not only did the dumb thing
scare me half to death,
but it suddenly decided it did not
want to leave me alone in the car.
so this lightening bug
sat there, on my arm,
blinking its rear end,
doing the only things it knew how to do.
the winding country road
passed through wheat fields
in the dark
speckled by mother natures fireworks.
with hazards flashing behind me,
i got out of my car
and stood there.
my lightening bug flew
into the field and i watched it
contently blink into the
shimmering landscape in front of me,
and turning the key of my ford
i wondered for a moment
if the landscape that
i contently melt into is as
breathtakingly stunning
as my lightening bug's
from the outside looking in.
IncholPoem Jan 2019
On  a  lightening  day
both were  in  close  mode.



  On a  lightening  hour
a  river 's    water  became
charged  and  killed
all  living    creatures­.

That   lightening  burnt  your
  red  lips
made  it  black  lips.


That­  lightening  also  
  did  burn your long
hair  jot   to  compete
in  fashion  week  and  
to  have  a  second  boyfrie­nd.

This  was  pure
preplanned  attack
artificial    lightening ­ of  your
boyfriend-scientist
to  you.
Toni Seychelle Feb 2013
The ground beneath the stiff leaves is frozen. The cold, brisk air invades my lungs, I exhale, my breath visible. I step over fallen branches and tugged by thorny vines. A red tail hawk screeches overhead, this is a sign of good luck. There is no path, no trail to mark our way, just an old, flat railroad bed surrounded by walls of shale, blown up for the path of the train so long ago. The only ties to remind of the rail are the rotting, moss covered ties that once were a part of a bridge that would have carried the train over a small creek between two steep hills. I see a fox burrow, and it's escape hatch is one of the hollowed railroad ties. I want to be a fox... The trek down this hill is not easy, thorny blackberry bushes and fallen trees impede progress. At the bottom, the small, bubbly creek is frozen at the edges, traveling under rocks and continuing its ancient path. I look up the hill that I just descended, and wonder how the return will go. Keep moving. The next hill will be easier, there are no thorny tangles, just treacherous leaf litter that will give under my feet if I don't find the right footing. The trick is to dig my boots into the ground as if I'm on steps. These hills are steep. Finally at the top, I look back at this little spring valley, I'm not that high up, but what view. Here, there is a dilapidated tree stand, falling apart from years of neglect and weather. Surrounded by deep leaf litter, there is a patch of rich dark earth, a buck has marked his spot, his round pellets are nearby. The saplings catch my hair as I walk by, and at these moments I am thankful for this cold snap that took care of the ticks. A creepy feeling takes over me, so thankful for this snap. A few feet further, as I watch where I am walking, another tussled bit of earth and I notice some interesting ****. It's furry and light grey; I poke it with my stick and find a small skull when I turn a piece over. Owl. I continue my walk, I didn't come here to play with poo. The last time I took this hike was three years ago, on a similar frigid day. It was a lot easier to make it through the shale valleys. Last summer, a wind storm felled trees and took out power for two weeks. The evidence of that derecho is clear here in this untouched forest. I remembered a tree, which now is a fallen giant, that had lost it's bark. The bark had separated and laid around this tree like a woman's skirt around her ankles. Now the tree lies with it's bark. I pass another tree I recognize whose branch extends out but zig zags up and down, as if it had three elbows. The tree signifies my next move, to descend from the flat railroad bed, down to a creek that flows through the tunnel that would have carried the train. The creek is considerably larger than the last creek I could step across. Descending towards the creek leads me over moss covered rocks and limbs, still bearing snow. Outside the tunnel, the hill walls are large stones, covered in a thick layer of moss, some of which has started to fall off due to heaviness. There's a sort of ice shelf in the creek, it's three layers thick and can support my one hundred and twenty pounds. Laying across the creek is another derecho-felled tree. Some sort of critter has crawled on this, using it to avoid the water below and as a short cut up the hill. His claw marks are covering the the limb, a few are more clear, it looks as if the creature almost slipped off. His claw marks show a desperate cling. I walk through the tunnel, in the mud and water; the creek echoes inside. I look above. There are drainage holes lining the ceiling, one is clogged by a giant icicle. I imagine the train that used to ride over this tunnel, I pretend to hear it and feel the rumbling. The last time we were here, we found cow skeletons. We placed a few heads on branches and one over the tunnel. We stuck a jaw, complete with herbivore teeth, into the mossy wall and a hip bone on a sapling. The hip bone reminded us of Predator's mask in the movie. All these bones are turning green. When I was here before, there was a bone half submerged in the creek; I had taken a picture of it but today, it isn't here. I'm sure it was washed away. After our exploration of the previous visit, we turned back. We are cold again, can't stay in one place too long. I climb through the deep leaf litter and over the rocks back to the railroad bed. Passing all the things I've already seen and spotting things I missed. I find two more fox burrows. They utilized the shale rock and burrowed underneath the jutting formations. Hidden coming from the south, the gaping openings seem welcoming from the north. My friends, the spelunkers and climber, want to descend into the darkness but I remind them, it is an hour to sundown, our trek is hard enough with overcast daylight. Wisdom prevails. We pass a tree, we didn't notice before, that was struck by lightening. The cedar tree was split in two and fell down the shale wall. I see the evidence of the burn and a smoldered residue at the base. Nature has a cruel way of recycling. The downed tree still has snow on it and the path of a raccoon is visible, I like the paws of *****. Though the way is flat, the walls of shale tower above us, limiting routes. At one point I can't see through the fallen trees I have to pass through. I have to crab walk under, crawl over, duck again and find my way around the thorny collections of bare black berry bushes. Finally into a clearing, still surrounded by sharp shale, there is another wall covered in inches of thick, healthy moss. I place my hand, taking time to stroke the furry wall. My hand leaves an imprint. I wonder how long that will last.. Back down the steep hill up and up the thorny tangle. I know I'm on the right path up, I see the fox's hole through the railroad tie, and his entrance burrow up the hill. Going down was definitely easier. The summit is literally overgrown with thorns, there is no clear path through. It is, again, impossible to see through the tangle of limbs and saplings and more thorns. Somehow we make it through. We are close to breaking off this path. We know this by the remains of a cow skeleton that more than likely fell from the top of the shale cliff. Femurs and ribs and jaws abound. On the last trip, we placed a hip bone in the "Y" of a sapling. The young tree has claimed it, growing around it. We add a piece of jaw to the tree's ornamentation and move on. We climb down from the railroad bed to our car - parked on the side of the road with a white towel in the window so that no one suspects a group of people walking through private property, past faded NO TRESPASSING signs.

When I undress for bed later, there are many small scratches up and down my legs from those ****** thorny vines. I'm okay with that, it's better than searching for ticks in my head.
I couldn't write a 'poem' about this hike. It was too full of nature.
netanya janel Sep 2013
if ever you wonder
if ever your heart should grow curious
for lust and love and spirit
electricity that splits the spine
a jolt of lightening
rushing through wide open veins
baby hairs standing on end
on the nape of your neck
a wave of cold sweat
dripping through your hair
moistens your back
if ever a moment passes
if ever you refrain from yelling loud
sing a melody
scream “i love you”
skip through a crowd of people
and smile
laugh
dance
and forget your worry
the temporary madness of yesterday
because you are static, ecstatic
you are wonderful
written by me
René Mutumé Jul 2013
It'll be alright by the lightening
it helps us walk like itself;
walking up through the ceiling window
of my flat
we link myth and flesh
amongst the cherub jokes and sinuous cloud,
hands shaking pulse in the concaves,
death dance and phoenix breeze,
the prayer and the wet
rolling down the slates
harmony in our butts, rolling the storm back, and watching it all
happen.

The night spills its last beer like weighted sweat.
The opera accepts our tickets and slices us down with gallous applause
Where do our limbs stop being the night?
They do not, so it seems, and spread the thunder out
from our one hand
to another;
the nails, and skull, of one, open
fist, retaken-
and driven up
from the worlds core, remedy in scent
the talent of our blood,
damming the poison, allowed to evolve
inside cell
and be another - celestial light, that not only drives the heard,
but is at home in the energy of waking
life.

The lightening passing down through gelatenous night clouds,
caring that there is only sense in the warmth of our mind, our synapse grace,
the float of our hands moving away from the globe,
un lapin mouvements de warren
farmer gathering his flock as the night moves
chain smoker watching you cook
another reason to storm the bellowing halls, one more toast to the sodden market,
brings the landscape to a halt, and strokes out its weariness as apes walk
the amazonian peaks, as the sunrise settles down
and into us; summits
made of nothing,
but the story of your day, all that makes a man
know
and remember
that yours
are always waiting
and are willed by things
that I will never know
completely, but walk like lightening;
creating,
when the storm comes.

Letting me know
it's all **** false,
if not
you.
zebra Jun 2017
she loved thunder storms most of all
the crackle of white hot bolts ripping through the sky
the sheer immensity of power
she always thought it was him
her beloved God
big boy
Thor
with his flowing blond hair
blue aquatic eyes
washboard stomach
and delicately curved *****
finally a man good enough for her
even if he was fly by night

when the heavens thickened gray
like soggy cotton
she could feel atmospheres shift
it made her ******* pert
her mouth would salivate
like a lurid peach
her ***** swelled and dampened
tears of adoration and enchantment
filled her eyes

no longer able to contain her self
she would strip naked
fling off her *******
and run out to the lush verdant meadows
calling at the top of her lungs
yoooooooooo hooooooooooo

as the cool rain descended
she ran thrilled to the mud between her toes
seeing great claws of white lightening  echo
through the sky

without hesitation
she fell to the cool earth beneath her
wallowing in the delicious sloshing ooze
positioning her self on all fours
head thrown back
*** up high
calling to the heavens
come on, come on big boy
ive been waiting for you
let me have it good
her clitoral lips
drooled with anticipation
her ******
a pulsating aching

the sky rumbled
with stretching streaks of fire
like a great freight train
spanning infinity
while the earth shook like a
hollow moon
she swayed her hips
rhythmically to and fro
whispering a love song

oh sir
i need a man like you
wont you love me
adorations true

i kneel before
my sweet Lord Thor
where's that hammer
come on and score

you are so big
and im so little
how about it God
just a tickle

hit it now
give it to me good
kisses baby
like only you could


tears of desire cascaded
down her pink cheeks
as she recited her love mantra
her mouth naked wet

suddenly
a great bolt of lightening
shot down from heavens throne
entering her ******
splitting her in flames
her head turned dark mahogany
sent careening fifty yards
leaving her mouth
a yawning twisted smudge
of fossilized obsidian
with eyes
blackened flaring hollows

her tender pink ****
a charred flower
smoldering
like a
petite
grilled
calamari
Meena Menon Sep 2021
Flicker Shimmer Glow

The brightest star can shine even with thick black velvet draped over it.  
Quartz, lime and salt crystals formed a glass ball.
The dark womb held me, warm and soft.  
My mom called my cries when I was born the most sorrowful sound she had ever heard.  
She said she’d never heard a baby make a sound like that.    
I’d open my eyes in low light until the world’s light healed rather than hurt.  
The summer before eighth grade, July 1992,
I watched a shooting star burn by at 100,000 miles per hour as I stood on the balcony  
while my family celebrated my birthday inside.  
It made it into the earth’s atmosphere
but it didn’t look like it was coming down;
I know it didn’t hit the ground but it burned something in the time it was here.  
The glass ball of my life cracked inside.  
Light reflected off the salt crystal cracks.  
I saw the beauty of the light within.  
Nacre from my shell kept those cracks from getting worse,
a wild pearl as defense mechanism.  
In 2001, I quit my job after they melted and poured tar all over my life.  
All summer literature class bathtubs filled with rose hip oil cleaned the tar.  
That fall logic and epistemology classes spewed black ink all over my philosophy
written over ten years then.  
Tar turned to asphalt when I met someone from my old job for a drink in November
and it paved a road for my life that went to the hospital I was in that December
where it sealed the roof on my life
when I was almost murdered there
and in February after meeting her for another drink.  
They lit a fire at the top of the glacier and pushed the burning pile of black coal off the edge,
burnt red, looking like flames falling into the valley.  
While that blazed the side of the cliff something lit an incandescent light.  
The electricity from the metal lightbulb ***** went through wires and heated the filament between until it glowed.  
I began putting more work into emotional balance from things I learned at AA meetings.  
In Spring 2003, the damage that the doctors at the hospital in 2001 had done
made it harder for light to reflect from the cracks in the glass ball.
I’d been eating healthy and trying to get regular exercises since 1994
but in Spring 2003 I began swimming for an hour every morning .  
The water washed the pollution from the burning coals off
And then I escaped in July.  
I moved to London to study English Language and Linguistics.  
I would’ve studied English Language and Literature.  
I did well until Spring 2004 when I thought I was being stalked.  
I thought I was manic.  
I thought I was being stalked.  
I went home and didn’t go back for my exams after spring holiday.  
Because I felt traumatized and couldn’t write poetry anymore,
I used black ink to write my notes for my book on trauma and the Russian Revolution.
I started teaching myself German.  
I stayed healthy.  
In 2005, my parents went to visit my mom’s family in Malaysia for two weeks.
I thought I was being stalked.  
I knew I wasn’t manic.  
I thought I was being stalked.  
I told my parents when they came home.  
They thought I was manic.  
I showed them the shoe prints in the snow of different sizes from the woods to the windows.  
They thought I was manic.  
I was outside of my comfort zone.  
I moved to California. I found light.  
I made light,
the light reflected off the salt crystals I used to heal the violence inflicted on me from then on.  
The light turned the traffic lights to not just green from red
but amber and blue.  
The light turned the car signals left and right.  
The light reflected off of salt crystals, light emitting diodes,
electrical energy turned directly to light,
electroluminescence.  
The electrical currents flowed through,
illuminating.  
Alone in the world, I moved to California in July 2005
but in August  I called the person I escaped in 2003,
the sulfur and nitrogen that I hated.  
He didn’t think I was manic but I never said anything.
I never told him why I asked him to move out to California.  
When his coal seemed like only pollution,
I asked him to leave.  
He threatened me.  
I called the authorities.  
They left me there.
He laughed.  
Then the violence came.  
****:  stabbed and punched, my ****** bruised, purple and swollen.  
The light barely reflected from the glass ball wIth cracks through all the acid rain, smoke and haze.
It would take me half an hour to get my body to do what my mind told it to after.  
My dad told me my mom had her cancer removed.
The next day, the coal said if I wanted him to leave he’d leave.  
I booked his ticket.
I drove him to the airport.  
Black clouds gushed the night before for the first time in months,
the sky clear after the rain.  
He was gone and I was free,
melted glass, heated up and poured—
looked like fire,
looked like the Snow Moon in February
with Mercury in the morning sky.  
I worked through ****.  
I worked to overcome trauma.  
Electricity between touch and love caused acid rain, smoke, haze, and mercury
to light the discharge lamps, streetlights and parking lot lights.
Then I changed the direction of the light waves.  
Like lead glass breaks up the light,
lead from the coal, cleaned and replaced by potassium,
glass cut clearly, refracting the light,
electrolytes,
electrical signals lit through my body,
thick black velvet drapes gone.  





















Lava

I think that someone wrote into some palm leaf a manuscript, a gift, a contract.  
After my parents wedding, while they were still in India,
they found out that my dad’s father and my mom’s grandfather worked for kings administering temples and collecting money for their king from the farmers that worked the rice paddies each king owned.  They both left their homes before they left for college.  
My dad, a son of a brahmin’s son,
grew up in his grandmother’s house.  
His mother was not a Brahmin.  
My mother grew up in Malaysia where she saw the children from the rubber plantation
when she walked to school.  
She doesn’t say what caste she is.  
He went to his father’s house, then college.  
He worked, then went to England, then Canada.  
She went to India then Canada.  
They moved to the United States around Christmas 1978
with my brother while she was pregnant with me.  
My father signed a contract with my mother.  
My parents took ashes and formed rock,
the residue left in brass pots in India,
the rocks, so hot, they turned back to lava miles away before turning back to ash again,
then back to rock,
the lava from a super volcano,
the ash purple and red.  


















Circles on a Moss Covered Volcano

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My mom was born on the grass
on a lawn
in a moss covered canyon at the top of a volcanic island.  
My grandfather lived in Malaysia before the Japanese occupied.  
When the volcano erupted,
the lava dried at the ocean into black sand.  
The British allied with the Communist Party of Malaysia—
after they organized.  
After the Americans defeated the Japanese at Pearl Harbor,
the British took over Malaysia again.  
They kept different groups apart claiming they were helping them.  
The black sand had smooth pebbles and sharp rocks.  
Ethnic Malay farmers lived in Kampongs, villages.  
Indians lived on plantations.  
The Chinese lived in towns and urban areas.  
Ethnic Malays wanted independence.
In 1946, after strikes, demonstrations, and boycotts
the British agreed to work with them.  
The predominantly Chinese Communist Party of Malaysia went underground,
guerrilla warfare against the British,
claiming their fight was for independence.  
For the British, that emergency required vast powers
of arrest, detention without trial and deportation to defeat terrorism.  
The Emergency became less unpopular as the terrorism became worse.  
The British were the iron that brought oxygen through my mom’s body.  
She loved riding on her father’s motorcycle with him
by the plantations,
through the Kampongs
and to the city, half an hour away.  
The British left Malaysia independent in 1957
with Malaysian nationalists holding most state and federal government offices.  
As the black sand stretches towards the ocean,
it becomes big stones of dried lava, flat and smooth.  

My mom thought her father and her uncle were subservient to the British.  
She thought all things, all people were equal.  
When her father died when she was 16, 1965,
they moved to India,
my mother,
a foreigner in India, though she’s Indian.  
She loved rock and roll and mini skirts
and didn’t speak the local language.  
On the dried black lava,
it can be hard to know the molten lava flickers underneath there.  
Before the Korean War,
though Britain and the United States wanted
an aggressive resolution
condemning North Korea,
they were happy
that India supported a draft resolution
condemning North Korea
for breach of the peace.  
During the Korean War,
India, supported by Third World and other Commonwealth nations,
opposed United States’ proposals.
They were able to change the U.S. resolution
to include the proposals they wanted
and helped end the war.  
China wanted the respect of Third World nations
and saw the United States as imperialist.  
China thought India was a threat to the Third World
by taking aid from the United States and the Soviets.  
Pakistan could help with that and a seat at the United Nations.  
China wanted Taiwan’s seat at the UN.
My mother went to live with her uncle,
a communist negotiator for a corporation,
in India.  
A poet,
he threw parties and invited other artists, musicians and writers.  
I have the same brown hyperpigmentation at my joints that he had.  
During the day, only the steam from the hot lava can be seen.  
In 1965, Pakistani forces went into Jammu and Kashmir with China’s support.  
China threatened India after India sent its troops in.  
Then they threatened again before sending their troops to the Indian border.  
The United States stopped aid to Pakistan and India.
Pakistan agreed to the UN ceasefire agreement.  
Pakistan helped China get a seat at the UN
and tried to keep the west from escalating in Vietnam.  
The smoldering sound of the lava sizzles underneath the dried lava.  
When West Pakistan refused to allow East Pakistan independence,
violence between Bengalis and Biharis developed into upheaval.  
Bengalis moved to India
and India went into East Pakistan.  
Pakistan surrendered in December 1971.  
East Pakistan became independent Bangladesh

The warm light of the melted lava radiates underneath but burns.  
In 1974, India tested the Smiling Buddha,
a nuclear bomb.  
After Indira Gandhi’s conviction for election fraud in 1973,
Marxist Professor Narayan called for total revolution
and students protested all over India.  
With food shortages, inflation and regional disputes
like Sikh separatists training in Pakistan for an independent Punjab,
peasants and laborers joined the protests.  
Railway strikes stopped the economy.  
In 1975, Indira Gandhi, the Iron Lady,
declared an Emergency,
imprisoning political opponents, restricting freedoms and restricting the press,
claiming threats to national security
because the war with Pakistan had just ended.  
The federal government took over Kerala’s communist dominated government and others.  

My mom could’ve been a dandelion, but she’s more like thistle.  
She has the center that dries and flutters in the wind,
beautiful and silky,
spiny and prickly,
but still fluffy, downy,
A daisy.
They say thistle saved Scotland from the Norse.  
Magma from the volcano explodes
and the streams of magma fly into the air.  
In the late 60s,
the civil rights movement rose
against the state in Northern Ireland
for depriving Catholics
of influence and opportunity.
The Northern Irish police,
Protestant and unionist, anti-catholic,
responded violently to the protests and it got worse.  
In 1969, the British placed Arthur Young,
who had worked at the Federation of Malaya
at the time of their Emergency
at the head of the British military in Northern Ireland.
The British military took control over the police,
a counter insurgency rather than a police force,
crowd control, house searches, interrogation, and street patrols,
use of force against suspects and uncooperative citizens.  
Political crimes were tolerated by Protestants but not Catholics.  
The lava burns the rock off the edge of the volcano.  

On January 30, 1972, ****** Sunday,  
British Army policing killed 13 unarmed protesters
fighting for their rights over their neighborhood,
protesting the internment of suspected nationalists.
That led to protests across Ireland.  
When banana leaves are warmed,
oil from the banana leaves flavors the food.  
My dad flew from Canada to India in February 1972.  
On February 4, my dad met my mom.  
On February 11, 1972,
my dad married my mom.  
They went to Canada,
a quartz singing bowl and a wooden mallet wrapped in suede.  
The rock goes down with the lava, breaking through the rocks as it goes down.  
In March 1972, the British government took over
because they considered the Royal Ulster Police and the Ulster Special Constabulary
to be causing most of the violence.  
The lava blocks and reroutes streams,
melts snow and ice,
flooding.  
Days later, there’s still smoke, red.  
My mom could wear the clothes she liked
without being judged
with my dad in Canada.  
She didn’t like asking my dad for money.
My dad, the copper helping my mother use that iron,
wanted her to go to college and finish her bachelors degree.
She got a job.  
In 1976, the police took over again in Northern Ireland
but they were a paramilitary force—
armored SUVs, bullet proof jackets, combat ready
with the largest computerized surveillance system in the UK,
high powered weapons,
trained in counter insurgency.  
Many people were murdered by the police
and few were held accountable.  
Most of the murdered people were not involved in violence or crime.  
People were arrested under special emergency powers
for interrogation and intelligence gathering.  
People tried were tried in non-jury courts.  
My mom learned Malayalam in India
but didn’t speak well until living with my dad.  
She also learned to cook after getting married.  
Her mother sent her recipes; my dad cooked for her—
turmeric, cumin, coriander, cayenne and green chiles.  
Having lived in different countries,
my mom’s food was exposed to many cultures,
Chinese and French.
Ground rock, minerals and glass
covered the ground
from the ash plume.  
She liked working.  

A volcano erupted for 192 years,
an ice age,
disordered ices, deformed under pressure
and ordered ice crystals, brittle in the ice core records.  
My mother liked working.  
Though Khomeini was in exile by the 1970s in Iran,
more people, working and poor,
turned to him and the ****-i-Ulama for help.
My mom didn’t want kids though my dad did.
She agreed and in 1978 my brother was born.
Iran modernized but agriculture and industry changed so quickly.  
In January 1978, students protested—
censorship, surveillance, harassment, illegal detention and torture.  
Young people and the unemployed joined.  
My parents moved to the United States in December 1978.  
The regime used a lot of violence against the protesters,
and in September 1978 declared martial law in Iran.  
Troops were shooting demonstrators.
In January 1979, the Shah and his family fled.  
On February 11, 1979, my parents’ anniversary,
the Iranian army declared neutrality.  
I was born in July 1979.
The chromium in emeralds and rubies colors them.
My brother was born in May and I was born in July.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.  





Warm Light Shatters

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My dad was born on a large flat rock on the edge of the top
of a hill,
Molasses, sweet and dark, the potent flavor dominates,
His father, the son of a Brahmin,
His mother from a lower caste.
His father’s family wouldn’t touch him,
He grew up in his mother’s mother’s house on a farm.  
I have the same brown hyperpigmentation spot on my right hand that he has.

In 1901, D’Arcy bought a 60 year concession for oil exploration In Iran.
The Iranian government extended it for another 32 years in 1933.
At that time oil was Iran’s “main source of income.”
In 1917’s Balfour Declaration, the British government proclaimed that they favored a national home for the Jews in Palestine and their “best endeavors to facilitate the achievement” of that.

The British police were in charge of policing in the mandate of Palestine.  A lot of the policemen they hired were people who had served in the British army before, during the Irish War for Independence.  
The army tried to stop how violent the police were, police used torture and brutality, some that had been used during the Irish War for Independence, like having prisoners tied to armored cars and locomotives and razing the homes of people in prison or people they thought were related to people thought to be rebels.
The police hired Arab police and Jewish police for lower level policing,
Making local people part of the management.
“Let Arab police beat up Arabs and Jewish police beat up Jews.”

The lava blocks and reroutes streams, melts snow and ice, flooding.
In 1922, there were 83,000 Jews, 71,000 Christians, and 589,000 Muslims.
The League If Nations endorsed the British Mandate.
During an emergency, in the 1930s, British regulations allowed collective punishment, punishing villages for incidents.
Local officers in riots often deserted and also shared intelligence with their own people.
The police often stole, destroyed property, tortured and killed people.  
Arab revolts sapped the police power over Palestinians by 1939.

My father’s mother was from a matrilineal family.
My dad remembers tall men lining up on pay day to respectfully wait for her, 5 feet tall.  
She married again after her husband died.
A manager from a tile factory,
He spoke English so he supervised finances and correspondence.
My dad, a sunflower, loved her: she scared all the workers but exuded warmth to the people she loved.

Obsidian shields people from negative energy.
David Cargill founded the Burmah Oil Co. in 1886.
If there were problems with oil exploration in Burma and Indian government licenses, Persian oil would protect the company.  
In July 1906, many European oil companies, BP, Royal Dutch Shell and others, allied to protect against the American oil company, Standard Oil.
D’Arcy needed money because “Persian oil took three times as long to come on stream as anticipated.”
Burmah Oil Co. began the Anglo-Persian Oil Co. as a subsidiary.
Ninety-seven percent of British Petroleum was owned by Burmah Oil Co.
By 1914, the British government owned 51% of the Anglo-Persian Oil Co.  
Anglo-Persian acquired independence from Burmah Oil and Royal Dutch Shell with two million pounds from the British government.

The lava burns the rock off the edge of the volcano.
In 1942, after the Japanese took Burma,
the British destroyed their refineries before leaving.
The United Nations had to find other sources of oil.
In 1943, Japan built the Burma-Thailand Railroad with forced labor from the Malay peninsula who were mostly from the rubber plantations.

The rock goes down with the lava, breaking through the rocks as it goes down.
In 1945. Japan destroyed their refineries before leaving Burma.
Cargill, Watson and Whigham were on the Burmah Oil Co. Board and then the Anglo Iranian Oil Co. Board.  

In 1936 Palestine, boycotts, work stoppages, and violence against British police officials and soldiers compelled the government to appoint an investigatory commission.  
Leaders of Egypt, Trans Jordan, Syria and Iraq helped end the work stoppages.
The British government had the Peel Commission read letters, memoranda, and petitions and speak with British officials, Jews and Arabs.  
The Commission didn’t believe that Arabs and Jews could live together in a single Jewish state.
Because of administrative and financial difficulties the Colonial Secretary stated that to split Palestine into Arab and Jewish states was impracticable.  
The Commission recommended transitioning 250,000 Arabs and 1500 Jews with British control over their oil pipeline, their naval base and Jerusalem.  
The League of Nations approved.
“It will not remove the grievance nor prevent the recurrence,” Lord Peel stated after.
The Arab uprising was much more militant after Peel.  Thousands of Arabs were wounded, ten thousand were detained.  
In Sykes-Picot and the Husain McMahon agreements, the British promised the Arabs an independent state but they did not keep that promise.  
Representatives from the Arab states rejected the Peel recommendations.
United Nations General Assembly Resolution181 partitioned Palestine into Arab and Jewish states with an international regime for the city of Jerusalem backed by the United States and the Soviet Union.  

The Israeli Yishuv had strong military and intelligence organization —-  
the British recognized that their interest was with the Arabs and abstained from the vote.  
In 1948, Israel declared the establishment of its state.  
Ground rock, minerals, and gas covered the ground from the ash plume.
The Palestinian police force was disbanded and the British gave officers the option of serving in Malaya.

Though Truman, Eisenhower and Kennedy supported snd tried to get Israel to offer the Arabs concessions, it wasn’t a major priority and didn’t always approve of Israel’s plans.
Arabs that had supported the British to end Turkish rule stopped supporting the West.  
Many Palestinians joined left wing groups and violent third world movements.  
Seventy-eight percent of the territory of former Palestine was under Israel’s control.  

My dad left for college in 1957 and lived in an apartment above the United States Information services office.
Because he graduated at the top of his class, he was given a job with the public works department of the government on the electricity board.  
“Once in, you’ll never leave.”
When he wanted a job where he could do real work, his father was upset.
He broke the chains with bells for vespers.
He got a job in Calcutta at Kusum Products and left the government, though it was prestigious to work there.
In the chemical engineering division, one of the projects he worked on was to design a *** distillery, bells controlled by hammers, hammers controlled by a keyboard.
His boss worked in the United Kingdom for. 20 years before the company he worked at, part of Power Gas Corporation, asked him to open a branch in Calcutta.
He opened the branch and convinced an Industrialist to open a company doing the same work with him.  The branch he opened closed after that.  
My dad applied for labor certification to work abroad and was selected.  
His boss wrote a reference letter for my him to the company he left in the UK.  My dad sent it telling the company when he was leaving for the UK.  
The day he left for London, he got the letter they sent in the mail telling him to take the train to Sheffield the next day and someone from the firm would meet him at the station.  
His dad didn’t know he left, he didn’t tell him.
He broke the chains with chimes for schisms.


Anglo-Persian Oil became Anglo-Iranian Oil in 1935.
The British government used oil and Anglo-Persian oil to fight communism, have a stronger relationship with the United States and make the United Kingdom more powerful.  
The National Secularists, the Tudeh, and the Communists wanted to nationalize Iran’s oil and mobilized the Iranian people.
The British feared nationalization in Iran would incite political parties like the Secular Nationalists all over the world.  
In 1947, the Iranian government passed the Single Article Law that “[increased] investment In welfare benefits, health, housing, education, and implementation of Iranianization through substitution of foreigners” at Anglo-Iranian Oil Co.
“Anglo-Iranian Oil Company made more profit in 1950 than it paid to the Iranian government in royalties over the previous half century.”
The Anglo-Iranian Oil Company tried to negotiate a new concession and claimed they’d hire more Iranian people into jobs held by British and people from other nationalities at the company.
Their hospitals had segregated wards.  
On May 1, 1951, the Iranian government passed a bill that nationalized Anglo- Iranian Oil Co.’s holdings.  
During the day, only the steam from the hot lava can be seen.
In August 1953, the Iranian people elected Mossadegh from the Secular Nationalist Party as prime minister.
The British government with the CIA overthrew Mossadegh using the Iranian military after inducing protests and violent demonstrations.  
Anglo-Iranian Oil changed its name to British Petroleum in 1954.
Iranians believe that America destroyed Iran’s “last chance for democracy” and blamed America for Iran’s autocracy, its human rights abuses, and secret police.

The smoldering sound of the lava sizzles underneath the dried lava.  
In 1946, Executive Yuan wanted control over 4 groups of Islands in the South China Sea to have a stronger presence there:  the Paracels, the Spratlys, Macclesfield Bank, and the Pratas.
The French forces in the South China Sea would have been stronger than the Chinese Navy then.
French Naval forces were in the Gulf of Tonkin, U.S. forces were in the Taiwan Strait, the British were in Hong Kong, and the Portuguese were in Macao.
In the 1950s, British snd U.S. oil companies thought there might be oil in the Spratlys.  
By 1957, French presence in the South China Sea was hardly there.  

When the volcano erupted, the lava dried at the ocean into black sand.
By 1954, the Tudeh Party’s communist movement and  intelligence organization had been destroyed.  
Because of the Shah and his government’s westernization policies and disrespectful treatment of the Ulama, Iranians began identifying with the Ulama and Khomeini rather than their government.  
Those people joined with secular movements to overthrow the Shah.  

In 1966, Ne Win seized power from U Nu in Burma.
“Soldiers ruled Burma as soldiers.”
Ne Win thought that western political
Institutions “encouraged divisions.”
Minority groups found foreign support for their separatist goals.
The Karens and the Mons supported U Nu in Bangkok.  


Rare copper, a heavy metal, no alloys,
a rock in groundwater,
conducts electricity and heat.
In 1965, my Dad’s cousin met him at Heathrow, gave him a coat and £10 and brought him to a bed and breakfast across from Charing Cross Station where he’d get the train to Sheffield the next morning.
He took the train and someone met him at the train station.  
At the interview they asked him to design a grandry girder, the main weight bearing steel girder as a test.
Iron in the inner and outer core of the earth,
He’d designed many of those.  
He was hired and lived at the YMCA for 2 1/2 years.  
He took his mother’s family name, Menon, instead of his father’s, Varma.
In 1967, he left for Canada and interviewed at Bechtel before getting hired at Seagrams.  
Iron enables blood to carry oxygen.
His boss recommended him for Dale Carnegie’s leadership training classes and my dad joined the National Instrument Society and became President.
He designed a still In Jamaica,
Ordered all the parts, nuts and bolts,
Had all the parts shipped to Jamaica and made sure they got there.
His boss supervised the construction, installation and commission in Jamaica.
Quartz, heat and fade resistant, though he was an engineer and did the work of an engineer, my dad only had the title, technician so my dad’s boss thought he wasn’t getting paid enough but couldn’t get his boss to offer more than an extra $100/week or the title of engineer; he told my dad he thought he should leave.
In 1969, he got a job at Celanese, which made rayon.
He quit Celanese to work at McGill University and they allowed him to take classes to earn his MBA while working.  

The United States and Israel’s alliance was strong by 1967.
United Nations Security Council Resolution 242 at the end of the Third Arab Israeli War didn’t mention the Palestinians but mentioned the refugee problem.
After 1967, the Palestinians weren’t often mentioned and when mentioned only as terrorists.  
Palestinians’ faith in the “American sponsored peace process” diminished, they felt the world community ignored and neglected them also.
Groups like MAN that stopped expecting anything from Arab regimes began hijacking airplanes.
By 1972, the Palestine Liberation Organization had enough international support to get by the United States’ veto in the United Nations Security Council and Arab League recognition as representative of the Palestinian people.
The Palestinians knew the United States stated its support, as the British had, but they weren’t able to accomplish anything.  
The force Israel exerted in Johnson’s United States policy delivered no equilibrium for the Palestinians.  

In 1969, all political parties submitted to the BSPP, Burma Socialist Programme Party.
Ne Win nationalized banks and oil and deprived minorities of opportunities.
Ne Win became U Nu Win, civilian leader of Burma in 1972 and stopped the active role that U Nu defined for Burma internationally
He put military people in power even when they didn’t have experience which triggered “maldistribution of goods and chronic shortages.”  
Resources were located in areas where separatist minorities had control.

The British presence in the South China Sea ended in 1968.  
The United States left Vietnam in 1974 and China went into the Western Paracels.
The U.S. didn’t intervene and Vietnam took the Spratlys.
China wanted to claim the continental shelf In the central part of the South China Sea and needed the Spratlys.
The United States mostly disregarded the Ulama In Iran and bewildered the Iranian people by not supporting their revolution.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.


Edelweiss

I laid out in my backyard in my bikini.  
I love the feeling of my body in the sun.  
I’d be dark from the end of spring until winter.
The snow froze my bare feet through winter ,
my skin pale.
American towns in 1984,
Free, below glaciers the sunlight melted the snow,
a sea of green and the edelweiss on the edge of the  limestone,
frosted but still strong.    
When the spring warmed the grass,
the grass warmed my feet. 
The whole field looked cold and white from the glacier but in the meadow,
the bright yellow centers of those flowers float free in the center of the white petals.
The bright yellow center of those edelweiss scared the people my parents ran to America from India to get away from.  
On a sidewalk in Queens, New York in 1991, the men stared and yelled comments at me in short shorts and a fitted top in the summer.  
I grabbed my dad’s arm.

























The Bread and Coconut Butter of Aparigraha

Twelve year old flowerhead,
Marigold, yarrow and nettle,
I’d be all emotion
If not for all my work
From the time I was a teenager.
I got depressed a lot.
I related to people I read about
In my weather balloon,
Grasping, ignorant, and desperate,
But couldn’t relate to other twelve year olds.
After school I read Dali’s autobiography,
Young ****** Autosodomized by Her Own Chastity.
Fresh, green nettle with fresh and dried yarrow for purity.
Dead souls enticed to the altar by orange marigolds,
passion and creativity,
Coax sleep and rouse dreams.
Satellites measure indirectly with wave lengths of light.
My weather balloon measures the lower and middle levels of the atmosphere directly,
Fifty thousand feet high,
Metal rod thermometer,
Slide humidity sensor,
Canister for air pressure.

I enjoy rye bread and cold coconut butter in my weather balloon,
But I want Dali, and all the artists and writers.
Rye grows at high altitudes
But papyrus grows in soil and shallow water,
Strips of papyrus pith shucked from their stems.
When an anchor’s weighed, a ship sails,
But when grounded we sail.
Marigolds, yarrow and nettle,
Flowerhead,
I use the marigold for sleep,
The yarrow for endurance and intensity,
toiling for love and truth,
And the nettle for healing.
Strong rye bread needs equally strong flavors.
By the beginning of high school,
I read a lot of Beat literature
And found Buddhism.
I loved what I read
But I didn’t like some things.
I liked attachment.  
I got to the ground.
Mushrooms grow in dry soil.
Attachment to beauty is Buddha activity.
Not being attached to things I don’t find beautiful is Buddha activity.  
I fried mushrooms in a single layer in oil, fleshy.
I roasted mushrooms at high temperatures in the oven, crisp.
I simmered mushrooms in stock with kombu.
Rye bread with cold coconut butter and cremini mushrooms,
raw, soft and firm.  
Life continues, life changes,
Attachments, losses, mourning and suffering,
But change lures growth.
I find stream beds and wet soil.
I lay the strips of papyrus next to each other.
I cross papyrus strips over the first,
Then wet the crossed papyrus strips,
Press and cement them into a sheet.
I hammer it and dry it in the sun,
With no thought of achievement or self,
Flowerhead,
Hands filled with my past,
Head filled with the future,
Dali, artists poets,
Wishes and desires aligned with nature,
Abundance,
Cocoa, caraway, and molasses.

If I ever really like someone,
I’ll be wearing the dress he chooses,
Fresh green nettle and yarrow, the seeds take two years to grow strong,
Lasting love.
Marigolds steer dead souls from the altar to the afterlife,
Antiseptic, healing wounds,
Soothing sore throats and headaches.
Imperturbable, stable flowerhead,
I empty my mind.
When desires are aligned with nature, desire flows.
Papyrus makes paper and cloth.
Papyrus makes sails.
Charcoal from the ash of pulverized papyrus heals wounds.
Without attachment to the fruit of action
There is continuation of life,
Rye bread and melted coconut butter,
The coconut tree in the coconut butter,
The seed comes from the ground out of nothing,
Naturalness.
It has form.
As the seed grows the seed expresses the tree,
The seed expresses the coconut,
The seed expresses the coconut butter.
Rye bread, large open hollows, chambers,
Immersed in melted coconut butter,
Desire for expansion and creation,
No grasping, not desperate.
When the mind is compassion, the mind is boundless.
Every moment,
only that,
Every moment,
a scythe to the papyrus in the stream bed of the past.  

































Sound on Powdery Blue

Potter’s clay, nymph, plum unplumbed, 1993.
Dahlia, ice, powder, musk and rose,
my source of life emerged in darkness, blackness.
Seashell fragments in the sand,
The glass ball of my life cracked inside,
Light reflected off the salt crystal cracks,
Nacre kept those cracks from getting worse.
Young ****** Autosodomized By Her Own Chastity,
Nymph, I didn’t want to give my body,
Torn, *****, ballgown,
To people who wouldn’t understand me,
Piquant.

Outside on the salt flats,
Aphrodite, goddess of beauty, pleasure and fertility and
Asexual Artemis, goddess of animals, and the hunt,
Mistress of nymphs,
Punish with ruthless savagery.

In my bedroom, blue caribou moss covered rocks, pine, and yew trees,
The heartwood writhes as hurricane gales, twisters and whirlwinds
Contort their bark,
Roots strong in the soil.
Orris root dried in the sun, bulbs like wood.
Dahlia runs to baritone soundbath radio waves.
Light has frequencies,
Violet between blue and invisible ultraviolet,
Flame, slate and flint.
Every night is cold.

Torii gates, pain secured as sacred.
An assignation, frost hardy dahlia and a plangent resonant echo.
High frequency sound waves convert to electrical signals,
Breathe from someone I want,
Silt.
Beam, radiate, ensorcel.
I break the bark,
Sap flows and dries,
Resin seals over the tear.
I distill pine,
Resin and oil for turpentine, a solvent.
Quiver, bemired,
I lead sound into my darkness,
Orris butter resin, sweet and warm,
Hot jam drops on snow drops,
Orange ash on smoke,
Balm on lava,
The problem with cotton candy.

Electrical signals give off radiation or light waves,
The narrow frequency range where
The crest of a radio wave and the crest of a light wave overlap,
Infrared.
Glaciers flow, sunlight melts the upper layers of the snow when strong,
A wet snow avalanche,
A torrent, healing.
Brown sugar and whiskey,
Undulant, lavender.
Pine pitch, crystalline, sticky, rich and golden,
And dried pine rosin polishes glass smooth
Like the smell of powdery orris after years.
Softness, flush, worthy/not worthy,
Rich rays thunder,
Intensify my pulse,
Frenzied red,
Violet between blue and invisible ultraviolet.
Babylon—flutter, glow.
Unquenchable cathartic orris.  

















Pink Graphite

Camellias, winter shrubs,
Their shallow roots grow beneath the spongy caribou moss,
Robins egg blue.
After writing a play with my gifted students program in 1991,
I stopped spending all my free time writing short stories,
But the caribou moss was still soft.

In the cold Arctic of that town,
The evergreen protected the camellias from the afternoon sun and storms.
They branded hardy camellias with a brass molded embossing iron;
I had paper and graphite for my pencils.

After my ninth grade honors English teacher asked us to write poems in 1994,
It began raining.
We lived on an overhang.
A vertical rise to the top of the rock.
The rainstorm caused a metamorphic change in the snowpack,
A wet snow avalanche drifted slowly down the moss covered rock,
The snow already destabilized by exposure to the sunlight.

The avalanche formed lakes,
rock basins washed away with rainwater and melted snow,
Streams dammed by the rocks.  
My pencils washed away in the avalanche,
My clothes heavy and cold.
I wove one side of each warp fiber through the eye of the needle and one side through each slot,
Salves, ointments, serums and tinctures.
I was mining for graphite.
They were mining me,
The only winch, the sound through the water.

A steep staircase to the red Torii gates,
I broke the chains with bells for vespers
And chimes for schisms,
And wove the weft across at right angles to the warp.  

On a rocky ledge at the end of winter,
The pink moon, bitters and body butter,
They tried to get  me to want absinthe,
Wormwood for bitterness and regret.
Heat and pressure formed carbon for flakes of graphite.
Heat and pressure,
I made bitters,
Brandy, grapefruit, chocolate, mandarin rind, tamarind and sugar.
I grounded my feet in the pink moss,
paper dried in one hand,
and graphite for my pencils in the other.  



































Flakes

I don’t let people that put me down be part of my life.  
Gardens and trees,
My shadow sunk in the grass in my yard
As I ate bread, turmeric and lemon.
Carbon crystallizes into graphite flakes.
I write to see well,
Graphite on paper.  
A shadow on rock tiles with a shield, a diamond and a bell
Had me ***** to humiliate me.
Though I don’t let people that put me down near me,
A lot of people putting me down seemed like they were following me,
A platform to jump from
While she had her temple.  

There was a pink door to the platform.
I ate bread with caramelized crusts and
Drank turmeric lemonade
Before I opened that door,
Jumped and
Descended into blankets and feathers.
I found matches and rosin
For turpentine to clean,
Dried plums and licorice.  

In the temple,
In diamonds, leather, wool and silk,
She had her shield and bells,
Drugs and technology,
Thermovision 210 and Minox,
And an offering box where people believed
That if their coins went in
Their wishes would come true.

Hollyhock and smudging charcoal for work,  
Belled,
I ground grain in the mill for the bread I baked for breakfast.
The bells are now communal bells
With a watchtower and a prison,
Her shield, a blowtorch and flux,
Her ex rays, my makeshift records
Because Stalin didn’t like people dancing,
He liked them divebombing.
Impurities in the carbon prevent diamonds from forming,
Measured,
The most hard, the most expensive,
But graphite’s soft delocalized electrons move.  






































OCEAN BED

The loneliness of going to sleep by myself.  
I want a bed that’s high off the ground,
a mattress, an ocean.
I want a crush and that  person in my bed.  
Only that,
a crush in my bed,
an ocean in my bed.  
Just love.  
But I sleep with my thumbs sealed.  
I sleep with my hands, palms up.  
I sleep with my hands at my heart.  
They sear my compassion with their noise.  
They hold their iron over their fire and try to carve their noise into my love,
scored by the violence of voices, dark and lurid,  
but not burned.  
I want a man in my bed.  
When I wake up in an earthquake
I want to be held through the aftershocks.  
I like men,
the waves come in and go out
but the ocean was part of my every day.  
I don’t mind being fetishized in the ocean.  
I ran by the ocean every morning.  
I surfed in the ocean.  
I should’ve gone into the ocean that afternoon at Trestles,
holding my water jugs, kneeling at the edge.  














Morning

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  

Morning—the molten lava in the outer core of the earth embeds the iron from the inner core into the earth’s magnetic field.  
The magnetic field flips.  
The sun, so strong, where it gets through the trees it burns everything but the pine.  
The winds change direction.  
Storms cast lightening and rain.  
Iron conducts solar flares and the heavy wind.  
In that pine forest, I shudder every time I see a speck of light for fear of neon and fluorescents.  The eucalyptus cleanses congestion.  
And Kerouac’s stream ululates, crystal bowl sound baths.  
I follow the sound to the water.  
The stream ends at a bluff with a thin rocky beach below.  
The green water turns black not far from the shore.  
Before diving into the ocean, I eat globe mallow from the trees, stems and leaves, the viscous flesh, red, soft and nutty.  
I distill the pine from one of the tree’s bark and smudge the charcoal over my skin.  

Death, the palo santo’s lit, cleansing negative energy.  
It’s been so long since I’ve smelled a man, woodsmoke, citrus and tobacco.  
Jasmine, plum, lime and tuberose oil on the base of my neck comforts.  
Parabolic chambers heal, sound waves through water travel four times faster.  
The sound of the open sea recalibrates.  
I dissolve into the midnight blue of the ocean.  

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  
I want hot water with coconut oil when I get up.  
We’d lay out on the lawn, surrounded by high trees that block the wind.  
Embers flying through the air won’t land in my yard, on my grass, or near my trees.  





Blue Paper

Haze scatters blue light on a planet.  
Frought women, livid, made into peonies by Aphrodites that caught their men flirting and blamed the women, flushed red.
and blamed the women, flushed red.
Frought women, livid, chrysanthemums, dimmed until the end of the season, exchanged and retained like property.  
Blue women enter along the sides of her red Torii gates, belayed, branded and belled, a plangent sound.  
By candles, colored lights and dried flowers she’s sitting inside on a concrete floor, punctures and ruin burnished with paper, making burnt lime from lime mortar.  
Glass ***** on the ceiling, she moves the beads of a Palestinian glass bead bracelet she holds in her hands.  
She bends light to make shadows against  thin wooden slats curbed along the wall, and straight across the ceiling.
A metier, she makes tinctures, juniper berries and cotton *****.
Loamy soil in the center of the room,
A hawthorn tree stands alone,
A gateway for fairies.
large stones at the base protecting,
It’s branches a barrier.  
It’s leaves and shoots make bread and cheese.
It’s berries, red skin and yellow flesh, make jam.
Green bamboo stakes for the peonies when they whither from the weight of their petals.
And lime in the soil.  
She adds wood chips to the burnt lime in the kiln,
Unrolled paper, spools, and wire hanging.
Wood prayer beads connect her to the earth,
The tassels on the end of the beads connect her to spirit, to higher truth.
Minerals, marine mud and warm basins of seawater on a flower covered desk.  
She adds slaked lime to the burnt lime and wood chips.  
The lime converts to paper,
Trauma victims speak,
Light through butterfly wings.  
She’s plumeria with curved petals, thick, holding water
This is what I have written of my book.  I’ll be changing where the poems with the historical research go.  There are four more of those and nine of the other poems.
Geno Cattouse Nov 2012
Whoo Whoo
The train I ride on draws the lightening from the sky
No matter where  go Like a curse of fire.
I cant find peace and comfort so I ride the rails and cry.

First one place then the other drawing lightening from the sky.
No place to rest my weary head as the stones come tumbling down.
I cant find peace or comfort so I ride the rails and cry.
Like a curse of fire.

A curse of fire that dog yapping at my heels
who can feel my pain Nowhere to rest my muddled mind
Like a hound dog with the scent just  yapping at my heel.
Next train.

Double back and cross my track I run through water
Head for high ground. I pray to stay awhile but
lightening in the distance touching ground
Like a curse of fire.
next train.
Whoo. Whoo.
Howlin Wolf. Blues legend. My words,his legacy.
Styles Mar 2016
The aching she endures
in her waking
feelings of her body quaking
to sounds of his voice
she quivers

Excitement racing through her veins like lightening
An unbearable desire rushing through her so exciting
entranced by his spell, his words so enticing
with his pleasure
she welcomes his pain
feels like torture.
she yearns for more
her body aching for his taking
her fantasies
he made belief
engorging her soul
her urges
he feeds
with his selfish needs
either way they are
both left, pleased.
Allania Berkey Mar 2016
The clock struck midnight
I was restless and thoughtful as could be
I noticed that I had been tossing and turning to a beat and rhythm that plunged above in the sky
It was a thunder-storm
bang, crash, thump
The sky illuminated in glory
Envy

The thunder roared and crashed in the middle of the night and the trees helplessly yearned for serenity
Ironic
It was calm earlier that day
Imagine
The breeze was right where it should have been and the sun was warmer than a hot skillet on a stove top
Peace
The sky was fostered in a pacific blue
And the clouds resembled dreams
Love
I remember it was 1:05 pm to be exact and I was feeling blissful
I decided to ride my bike through a quaint old town, two miles west of my house
Adventure
I stopped and stared at this little old man painting in the park
He was painting a tree, with pink, red, purple and gray
Odd
I couldn't help, but noticed how he was enticed by his surroundings
Interesting
I continued to bike away
It was now 2:45pm and I was feeling a bit famished
To the right of me stayed a cunning unforgettable coffee shop
I insisted to go in
Hesitation
Something about that coffee shop struck me that day, just like the little old man painting his introspection in the park
The room reeked in comfort and patience
Something I did not understand
Silence
Contemplatively, I bought a cup of coffee--black, I also companied that coffee with a blue berry scone--my favorite
I sat by the window to admire the sunlight and how the warmth cherished my skin
I sipped my coffee--startled
I noticed something peculiar about this coffee shop and this day
Instantly, I was left with an uneasy and unsettled feeling
Thoughtful
My black coffee was much more bitter than usual
It is as if the taste could not go down my throat
Something was wrong, I felt it
As I looked around the room everyone else was enjoying their cup of coffee
They also seemed to lack any hesitation
The tone in their voices create a harmonic rhythm in conversation
I noticed that every time they took a sip of their coffee they found it sweet, rather than bitter
I turned my head and looked out the window for a moment
Suddenly, I noticed that the sky was diminishing in its tints of blue
Wonder
I looked down at my watch
It was 3:35pm, I had to get home
I paid my bill and scurried onto my bike
Remember
The sky was calm throughout the entirety of the day
It was lovely and ideal--until it wasn't

No one expected a storm
No one expected disaster
But somehow, I did

I laid in bed that night waiting in anticipation
Waiting for my world to collide
Thunder and lighting seemed to have fought its way through the sky
Time
There wasn't enough
Concurrently, I felt bitter-- just like my cup of coffee in that cunning old shop
Ambiguity
I was left without answers
I was left without sugar and cream
creek, scratch, thump
The tree branch slid against the slide of my house
I noticed it all
It's starting
All the anticipation and anxiety I felt throughout the day was finally coming to its end or maybe to its start
The sky started to illuminate an illusion of sunlight
It was 11:30 pm and the day it almost to its end
I laid in bed thinking
I thought about my day and everything that it was missing
I notice it all
The little old man in the park painted a tree with a usual set of pigments, he defined ordinary, while sat alone comforted by the mere work of his creativity
The people in the coffee shop arrayed and encompassed patience, harmony and happiness
I was struck by discomfort because I unware of all those wonderful things
I knew all about the thunder and how it was provoked in the sky
I understood the lighting and its wish to shine
I thought of the beat and tempo that they would together make
Sometimes it was bitter, but sometimes it was sweet
I understood thunder and lighting
I understood why they danced viciously in the sky  
Finally, the clock struck midnight and it was now tomorrow
Fear
The storm was coming to its peak
The thunder fought its way with the lighting just as viciously written words floated on a piece of paper
The lighting struck back with ferocious and willful ambition
Relentless
The lighting held its ground, but didn't give up its hope
BANG
Memories
It was 1:05 am
The storm had reached its end
The thunder and lighting seemed to have parted their ways
Their fight was tortious
Nobody won, rather they both lost
It was 1:25 am
The rain had finally stopped
The trees have found their peace
It was 1:42 am
As I laid in bed, I thought about my day
I just want the storm to stop
Just like the the thunder and lightening, the little old man in the park and the people in that cunning old coffee shop, all have found their comfort and patience
The thunder and lightening have similarly found it in their bitter sweet good bye
It was wonderful
I noticed that as much as they fought throughout that darling midnight blue sky, they were attracted to their rhythm—A rhythm that was worth saving
The sweetness was found in their beat as they danced throughout the night
The thunder and lighting created a bittersweet combination
Just like the coffee I wish I would of had
A natural disaster that was intended to create a craze in the sky
The thunder wanted to be sweet, as did the lighting
Two peas in two different pods
Their negativity created the sweet appreciation of warm sunlight
I notice it all
The sun was the sweet
The day was calm
The thunder and lightening both knew it all too well
That night, the reminder of it anyways, I laid in bed and I knew that someday the storm would go away
It was 2:25 am and I finally shut my eyes
Saul Makabim Jun 2012
Lightening strikes without warning
the ionized air crackles
bitter tasting breezes blow incessantly
Harlequin's dance in the depths of the moonlight
bells ******, tambourines rattle
Lightening strikes without warning
Blue brilliance bathes the clearing
the revelers are blinded
jugs of wine are spilled
all bodies nervously tremble
Lightening strikes without warning
at the edge of the clearing
carpets catch fire
acrid smoke engulfs everything
Lightening strikes without warning
dead
in the center of the clearing
hair is singed clothing catches
tinkling bells mingle with the howls
Lightening strikes once more
The moon slips behind the clouds...
The flickering flames are all that remain
It is full summer now, the heart of June;
Not yet the sunburnt reapers are astir
Upon the upland meadow where too soon
Rich autumn time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see his treasure scattered by the wild and spendthrift breeze.

Too soon indeed! yet here the daffodil,
That love-child of the Spring, has lingered on
To vex the rose with jealousy, and still
The harebell spreads her azure pavilion,
And like a strayed and wandering reveller
Abandoned of its brothers, whom long since June’s messenger

The missel-thrush has frighted from the glade,
One pale narcissus loiters fearfully
Close to a shadowy nook, where half afraid
Of their own loveliness some violets lie
That will not look the gold sun in the face
For fear of too much splendour,—ah! methinks it is a place

Which should be trodden by Persephone
When wearied of the flowerless fields of Dis!
Or danced on by the lads of Arcady!
The hidden secret of eternal bliss
Known to the Grecian here a man might find,
Ah! you and I may find it now if Love and Sleep be kind.

There are the flowers which mourning Herakles
Strewed on the tomb of Hylas, columbine,
Its white doves all a-flutter where the breeze
Kissed them too harshly, the small celandine,
That yellow-kirtled chorister of eve,
And lilac lady’s-smock,—but let them bloom alone, and leave

Yon spired hollyhock red-crocketed
To sway its silent chimes, else must the bee,
Its little bellringer, go seek instead
Some other pleasaunce; the anemone
That weeps at daybreak, like a silly girl
Before her love, and hardly lets the butterflies unfurl

Their painted wings beside it,—bid it pine
In pale virginity; the winter snow
Will suit it better than those lips of thine
Whose fires would but scorch it, rather go
And pluck that amorous flower which blooms alone,
Fed by the pander wind with dust of kisses not its own.

The trumpet-mouths of red convolvulus
So dear to maidens, creamy meadow-sweet
Whiter than Juno’s throat and odorous
As all Arabia, hyacinths the feet
Of Huntress Dian would be loth to mar
For any dappled fawn,—pluck these, and those fond flowers which
are

Fairer than what Queen Venus trod upon
Beneath the pines of Ida, eucharis,
That morning star which does not dread the sun,
And budding marjoram which but to kiss
Would sweeten Cytheraea’s lips and make
Adonis jealous,—these for thy head,—and for thy girdle take

Yon curving spray of purple clematis
Whose gorgeous dye outflames the Tyrian King,
And foxgloves with their nodding chalices,
But that one narciss which the startled Spring
Let from her kirtle fall when first she heard
In her own woods the wild tempestuous song of summer’s bird,

Ah! leave it for a subtle memory
Of those sweet tremulous days of rain and sun,
When April laughed between her tears to see
The early primrose with shy footsteps run
From the gnarled oak-tree roots till all the wold,
Spite of its brown and trampled leaves, grew bright with shimmering
gold.

Nay, pluck it too, it is not half so sweet
As thou thyself, my soul’s idolatry!
And when thou art a-wearied at thy feet
Shall oxlips weave their brightest tapestry,
For thee the woodbine shall forget its pride
And veil its tangled whorls, and thou shalt walk on daisies pied.

And I will cut a reed by yonder spring
And make the wood-gods jealous, and old Pan
Wonder what young intruder dares to sing
In these still haunts, where never foot of man
Should tread at evening, lest he chance to spy
The marble limbs of Artemis and all her company.

And I will tell thee why the jacinth wears
Such dread embroidery of dolorous moan,
And why the hapless nightingale forbears
To sing her song at noon, but weeps alone
When the fleet swallow sleeps, and rich men feast,
And why the laurel trembles when she sees the lightening east.

And I will sing how sad Proserpina
Unto a grave and gloomy Lord was wed,
And lure the silver-breasted Helena
Back from the lotus meadows of the dead,
So shalt thou see that awful loveliness
For which two mighty Hosts met fearfully in war’s abyss!

And then I’ll pipe to thee that Grecian tale
How Cynthia loves the lad Endymion,
And hidden in a grey and misty veil
Hies to the cliffs of Latmos once the Sun
Leaps from his ocean bed in fruitless chase
Of those pale flying feet which fade away in his embrace.

And if my flute can breathe sweet melody,
We may behold Her face who long ago
Dwelt among men by the AEgean sea,
And whose sad house with pillaged portico
And friezeless wall and columns toppled down
Looms o’er the ruins of that fair and violet cinctured town.

Spirit of Beauty! tarry still awhile,
They are not dead, thine ancient votaries;
Some few there are to whom thy radiant smile
Is better than a thousand victories,
Though all the nobly slain of Waterloo
Rise up in wrath against them! tarry still, there are a few

Who for thy sake would give their manlihood
And consecrate their being; I at least
Have done so, made thy lips my daily food,
And in thy temples found a goodlier feast
Than this starved age can give me, spite of all
Its new-found creeds so sceptical and so dogmatical.

Here not Cephissos, not Ilissos flows,
The woods of white Colonos are not here,
On our bleak hills the olive never blows,
No simple priest conducts his lowing steer
Up the steep marble way, nor through the town
Do laughing maidens bear to thee the crocus-flowered gown.

Yet tarry! for the boy who loved thee best,
Whose very name should be a memory
To make thee linger, sleeps in silent rest
Beneath the Roman walls, and melody
Still mourns her sweetest lyre; none can play
The lute of Adonais:  with his lips Song passed away.

Nay, when Keats died the Muses still had left
One silver voice to sing his threnody,
But ah! too soon of it we were bereft
When on that riven night and stormy sea
Panthea claimed her singer as her own,
And slew the mouth that praised her; since which time we walk
alone,

Save for that fiery heart, that morning star
Of re-arisen England, whose clear eye
Saw from our tottering throne and waste of war
The grand Greek limbs of young Democracy
Rise mightily like Hesperus and bring
The great Republic! him at least thy love hath taught to sing,

And he hath been with thee at Thessaly,
And seen white Atalanta fleet of foot
In passionless and fierce virginity
Hunting the tusked boar, his honied lute
Hath pierced the cavern of the hollow hill,
And Venus laughs to know one knee will bow before her still.

And he hath kissed the lips of Proserpine,
And sung the Galilaean’s requiem,
That wounded forehead dashed with blood and wine
He hath discrowned, the Ancient Gods in him
Have found their last, most ardent worshipper,
And the new Sign grows grey and dim before its conqueror.

Spirit of Beauty! tarry with us still,
It is not quenched the torch of poesy,
The star that shook above the Eastern hill
Holds unassailed its argent armoury
From all the gathering gloom and fretful fight—
O tarry with us still! for through the long and common night,

Morris, our sweet and simple Chaucer’s child,
Dear heritor of Spenser’s tuneful reed,
With soft and sylvan pipe has oft beguiled
The weary soul of man in troublous need,
And from the far and flowerless fields of ice
Has brought fair flowers to make an earthly paradise.

We know them all, Gudrun the strong men’s bride,
Aslaug and Olafson we know them all,
How giant Grettir fought and Sigurd died,
And what enchantment held the king in thrall
When lonely Brynhild wrestled with the powers
That war against all passion, ah! how oft through summer hours,

Long listless summer hours when the noon
Being enamoured of a damask rose
Forgets to journey westward, till the moon
The pale usurper of its tribute grows
From a thin sickle to a silver shield
And chides its loitering car—how oft, in some cool grassy field

Far from the cricket-ground and noisy eight,
At Bagley, where the rustling bluebells come
Almost before the blackbird finds a mate
And overstay the swallow, and the hum
Of many murmuring bees flits through the leaves,
Have I lain poring on the dreamy tales his fancy weaves,

And through their unreal woes and mimic pain
Wept for myself, and so was purified,
And in their simple mirth grew glad again;
For as I sailed upon that pictured tide
The strength and splendour of the storm was mine
Without the storm’s red ruin, for the singer is divine;

The little laugh of water falling down
Is not so musical, the clammy gold
Close hoarded in the tiny waxen town
Has less of sweetness in it, and the old
Half-withered reeds that waved in Arcady
Touched by his lips break forth again to fresher harmony.

Spirit of Beauty, tarry yet awhile!
Although the cheating merchants of the mart
With iron roads profane our lovely isle,
And break on whirling wheels the limbs of Art,
Ay! though the crowded factories beget
The blindworm Ignorance that slays the soul, O tarry yet!

For One at least there is,—He bears his name
From Dante and the seraph Gabriel,—
Whose double laurels burn with deathless flame
To light thine altar; He too loves thee well,
Who saw old Merlin lured in Vivien’s snare,
And the white feet of angels coming down the golden stair,

Loves thee so well, that all the World for him
A gorgeous-coloured vestiture must wear,
And Sorrow take a purple diadem,
Or else be no more Sorrow, and Despair
Gild its own thorns, and Pain, like Adon, be
Even in anguish beautiful;—such is the empery

Which Painters hold, and such the heritage
This gentle solemn Spirit doth possess,
Being a better mirror of his age
In all his pity, love, and weariness,
Than those who can but copy common things,
And leave the Soul unpainted with its mighty questionings.

But they are few, and all romance has flown,
And men can prophesy about the sun,
And lecture on his arrows—how, alone,
Through a waste void the soulless atoms run,
How from each tree its weeping nymph has fled,
And that no more ’mid English reeds a Naiad shows her head.

Methinks these new Actaeons boast too soon
That they have spied on beauty; what if we
Have analysed the rainbow, robbed the moon
Of her most ancient, chastest mystery,
Shall I, the last Endymion, lose all hope
Because rude eyes peer at my mistress through a telescope!

What profit if this scientific age
Burst through our gates with all its retinue
Of modern miracles!  Can it assuage
One lover’s breaking heart? what can it do
To make one life more beautiful, one day
More godlike in its period? but now the Age of Clay

Returns in horrid cycle, and the earth
Hath borne again a noisy progeny
Of ignorant Titans, whose ungodly birth
Hurls them against the august hierarchy
Which sat upon Olympus; to the Dust
They have appealed, and to that barren arbiter they must

Repair for judgment; let them, if they can,
From Natural Warfare and insensate Chance,
Create the new Ideal rule for man!
Methinks that was not my inheritance;
For I was nurtured otherwise, my soul
Passes from higher heights of life to a more supreme goal.

Lo! while we spake the earth did turn away
Her visage from the God, and Hecate’s boat
Rose silver-laden, till the jealous day
Blew all its torches out:  I did not note
The waning hours, to young Endymions
Time’s palsied fingers count in vain his rosary of suns!

Mark how the yellow iris wearily
Leans back its throat, as though it would be kissed
By its false chamberer, the dragon-fly,
Who, like a blue vein on a girl’s white wrist,
Sleeps on that snowy primrose of the night,
Which ‘gins to flush with crimson shame, and die beneath the light.

Come let us go, against the pallid shield
Of the wan sky the almond blossoms gleam,
The corncrake nested in the unmown field
Answers its mate, across the misty stream
On fitful wing the startled curlews fly,
And in his sedgy bed the lark, for joy that Day is nigh,

Scatters the pearled dew from off the grass,
In tremulous ecstasy to greet the sun,
Who soon in gilded panoply will pass
Forth from yon orange-curtained pavilion
Hung in the burning east:  see, the red rim
O’ertops the expectant hills! it is the God! for love of him

Already the shrill lark is out of sight,
Flooding with waves of song this silent dell,—
Ah! there is something more in that bird’s flight
Than could be tested in a crucible!—
But the air freshens, let us go, why soon
The woodmen will be here; how we have lived this night of June!
Beebz The Queen Oct 2014
His eyes truly were captivating
They somehow held every stare
His eyes held the world secrets
But how did they get there

I gazed into the great unknown
Within the depths of his eyes
Is it true that this is love
Or am i believing lies?

If he caught me starting
Would he simply look away
Or would he speak to me?
I wouldn't know what to say

I'd be at such a loss
If he approached me
I'd giggle and I'd blush
Hoping he wouldn't see

His eyes, Oh.. his eyes
They draw me near
They beckon and they call
They wash away all fear

How did it happen?
I usually seem to wonder
How did we forget the rain
Was it the lightening or the thunder
Dante Nov 2011
You should all be running
There clocks are singing
There cracks are screaming
The horizon one hundred yards away, So
you should be running
Firing your energies, feel the cannon fodder, straight from the Howl
Down past the credence
Up & over indulgence
In the bright earnest face we all so fear
My mother's eyes show me
My father's will teaches
Because his words go
Up, down and up and down and straight & die
& through and ground
Reaching time reach the audience
Reach out for bleachers where watch
tictoc right American preachers
1,2,3,4,1,2,3,4
Me junction, the merger, our mental *******
Me ******, me scared
Me changing like canon fire
Right! To the ocean, deep deep depths
To think think future
TicTicTicTicTicTicTic
a clock there is singing
Showtunes for theme songs, church bells
Notify
Defcon 12 falling tanks off me shelf
See the mad red carnation
Shot at the pieces in eclipse of today
I keep going when I still have nothing to say
The drapery dying the godbirds still flying
I will never know what comes next
But I've got influence
& I'll need congruence
To empty a vault full of universal need
I want to be running
I'd wish you were running
The stitches, the fabric, sewn loving care
Like the landscaping, keep you warm
I've stolen from homeless
I've stolen from men
I break all the precepts
My breathing's from them
I steal all their oxygen
Whenever I breath Me harmony
Me stretching Me arm reach no peace
I see the world over
the oceans are strange
There's volcanic lightening
& men in white coats
I don't eat, I don’t sleep
I walk for them, should running
out there should running
We feel for the riches
We feel for the dying
Cancerous limp-ation, now windmill's orchestration
Shoes stuck in mud with laces together
Women see lightening when held through the weather
The war, land the peace is
The dynamic tension
The balance in pieces
With eyes up to heaven
Who cares if we're dying
We're all one
One what
I accuse you of calling the charlatan, ****
One bread piece obtuse cause
the sandwich is dying
Do you think that's normal?
Do you think that's abstract?
Boys crying because their teachers have fears
From the past make it last
What is wrong with your peers
Hold together mold together
Find out what's next
Feeling perplexed
Run run run you silly little girls
There's no sense in hiding the rest of the world
We've got one thing in common
And one thing is this
We've all got timing for HIGHER CONSCIOUSNESS
Hold together, mold together
Cry together scream
the bonding is no place
for a welcome machine
Then
What do we do
What do we do
What do we do
What do we do?
End swimming, out running
Over fencing, out running, Break walling, out running
Down clouding, out running
Fall like jumpers, run like dying
Out through planetary & temporary adrenal-line
Sleep when men in white coats
Them start walking
They march, they country
They apple of eden & run when the men
in white coats, they lay sleepin
The world is a mountain
the people they range
Look at these weirdos, make them say change
Educate the many use mindscreen no strife
The point of the riddle
Eternal solvation
We are confused with the mental *******
I'm ******* I'm sorry I'm scared
There's isolation in landscape
Something sounds like prepared
Listen to wordplay
try to find the right light
there's air in the landscape...
Cool to the touch
(a few beats)
1,2,3,4
Say ******* with metaphor
(a few beats)
I've got words, I've got wisdom
I watch movies
There's motion, just grab it
Keep going
You should be running
You should all be running
The world is going to start at any second
You should be running
Mike Essig May 2015
I would  kiss you
under cherry blossoms,
pink petals drifting down
like parachutes of desire
covering us with beauty.

I would kiss you
in the rain, drenched to
the bones not noticing
the fat raindrops
kissing us both back.

I would kiss you
in the wildest woods
surrounded by rustling leaves
beneath the jealous eyes
of voyeuristic birds.

But I have no idea
when I will kiss you
or where or even what
will happen when I do.

Still, in my imagination
it will be the right time,
the right place and
the right circumstance.

And it will be exactly
like kissing lightening.
   ~mce
A shocker of a poem...
DIANA Apr 2014
Rain ,rain, rain
rain, rain, rain..

Please come with crystal clear drops,
Please come with a heavy shower,
Please come with great thundering,
and lightening..

lands are lying desperately
lands are drying,

Spring are waiting,
Again the world will be green,
Heaven waiting.


Rain,rain,rain,
Rain,rain,rain

Please come
Lets pray for a heavy shower of rain.
AB Jul 2014
On this night
The king-god Zeus does battle
With the titans of old.
The sky is livened
By his hurled bolts of lightening.
Their targets simply
Unseen to the mortal eye.

The calm is shattered
By the clash of thunderbolt
On stone and molten rock.
Our protector, he remains.
Though many have forgotten him
To myth, legend, and lore
We have forgotten the safety
That his lightning strikes provide.

On sunny days
Cloudless nights
We are allowed to forget his ways.
But on this night
In these dark and stormy hours,
The true believers remember.
That Zeus has watched over us
For millennia. Battling an unseen
War, waged in the tales of old
But carried out before our eyes.

We must recall that he,
The one King-God, Zeus, has
Watched over us dutifully since time
Before time before memory.
He has kept us safe
From the titans of old.
And the lightening strikes
Remind us of stories untold
Kittridge James Nov 2013
There’s a whirlwind caught in my hair
There’s a hurricane ringing in my ears
My eyes are starting to flood
Your words are painted on
every wall on my mind.

I never wanted to mimic
Nor try to steal your thunder,
I just absorb your lightening outbursts
as if they were soft raindrops
And kiss your looming electricity

But there’s one thing I’ve learned
About all the thunder and lightening,
It doesn’t mean that you’re explosive,
It just means that you give me drive,
To keep you going
As the bruises fade I scare myself;

the abyss is close today.

Making love with you leaves me black and blue

and my mind goes blank when you stay.

Lightening strikes across the bedroom air.

A bolt strikes you in the head.

That lightening came from a pointed gun

and now you're finally dead
It happens KMC@2010
Smoke Scribe Aug 2018
The Violent Storm by the Water
(Do You Trust Your Imagination)
was not unexpected
but its fury was without compare,
poet awake in semi-preparation

living by water should be a human right for all,
even a small room, overlooking, gives new meaning to
perspective

we blessed with a patio door, encased in a glass window big enough for a smallish elephant to come visit and play with children

a storm is observed up close and personal as if one was in
an IMAX 3D  theater, and the edges of existence were being redefined,
sharpened by fury, tooled by tools untouched by mortal hands

miles of bay illuminated with bass drum furious accompaniment

stand before the screen,
poets arms outstretched as a supplicant,
the light of the lightening passes through him,
yet , behind me, she still sleeps

then the entire house shakes, reverberates, as if to say:


”tremble humans, cower, you are not permitted to watch my majesty, for such it was when created heaven and earth”

bold poet window worshipping
risky answers:

“but who will know
if even a poet cannot declaim sights
no one else has seen?”

”true, true, but you must choose if poet truly,
do you trust your imagination human,
to prove that the powers of the heavens are limitless?”

write of storms unseen and nature endless miracles

”then you may call yourself
a miracle too,
a poet

violent #storm violentstorn
Odd Odyssey Poet Dec 2021
I would try to catch lightening in a jar;

For loved ones to call my bravery striking,
a mighty voice roaring like the falling thunder,
a cooling tongue of caring words drizzling,
and a passion strong as the hurricanes.

But a moment's wish only
comes once,
for lightening never strikes
the same
place twice.

But I still have my glass jar open.
It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that
aar505n Jan 2015
The truth is much harsher when it is out of the blue
but then it isn't really out of the blue, is it?
Lingering, hovering, nagging, gnawing
at the back of my mind,
fingers just of it's reach.
Each time it would come close to the surface
I would glimpse at its purpose,
only to get nervous and kick it back away.
So I may stay oblivious to it just a little longer.
I knew this to be the lull before the storm
And now the horrid truth has pull the storm in to my orbit
Full of lightening, but what is its target?
Great flashes of light burns through the night
leaving heaps of ashes among the trash.
I remain unhurt, undamaged, unburned.
Others haven't faired so well.
Feared the flash and rightly so
Their pain stains the ground in the form of ashes.
Ashes and dust stains everywhere, even in the heaviest of rain
A reminder. Of what's to come. What's to be returned.
And I -
I watch it all.
The Writting on the Wall on the ground.
I might be unburned but such a sight
unhinges me something terrible
Prys me open just enough to cry.
Pouring tears lost in the roaring rain.
But crying all the same.
Because I don't know why it's you.
I don't know why you have to die.
Dodging lightening all your life until now a streak is lodged in you.
Breaks and splinters inside tightening its hold.
Even though you are burning up, I have never seen you look so cold.
I wish it was one of your famous poker faces
Tricking us you are going to fold
but at the last minute revealing a hiden ace.
If ever there was a time to play your ace, it is today.
Don't let this be our last game
But you have no control over it do you?
Have to deal with the cards that has been delt.
I must admit, these cards are ****.
No aces to play but that won't stop you
You'll play till the end with the same grace you've always had.
So for now lets keep playing.
We still have time, we've always had time
You are not ashes, yet.
And when that last flash does occur
Then I will say goodbye
And in the morning cry all the more
Mourning you and everything you were.
One of those poems that just come pouring out. It's good to get things off my mind
Martyn Thompson Aug 2011
i - Introduction:
ii - Lismore Park
iii - The Road to Maidenhead
iv - Town Square
v - Contradiction, contraband
vi - Saturday Afternoon
vii - The Circus Comes to Town (Sunday)
viii - The Show
ix - The ringmaster
x - The Fracas
xi - An incident at Upton Park
xii - No ball games
xiii - New found…
xiv - Nearly done
xv - Another time…

i - Introduction:

Come friendly bombs you’ve still to hit
The place whose name means quagmire
The town, the place that’s left bereft
Of soul, of spiritual fire.
But hurry, hurry, please be fast
For the crack dealer plies his trade
With slight of hand and cunning
A ghetto he’ll have made

The peroxide perms have now all grown
And muster outside shops
To wait for the be-suited sales rep
With his rocks and his alco-pops
They’ve all spawned offspring of their own
Fifteen-year-old cradle pushers
Who sold their souls in return for hope
To thirty year old cradle snatchers

Come friendly bombs it’s plain to see
The vacant, empty faces
The lifeless eyes, the pallid skin
The love that leaves no traces
The love that lasts a knee trembling minute
Outside Harry’s and Sluffs
A love that smells of emptiness
O they cannot get enough

Come with me, look over there
To the sculpture in the mall
The stainless tree with it’s stainless birds
And stainless birdsong call
A bird sings and the town all stops
To see from where this sound will show
A bitter disappointment when learned
It was played on the radio

Community service on the airwaves
To draw the crowd together
A song played, a one hit wonder
Reminds us nothing is forever
The sterile radio station plays on
Opiates to which we should yield
And bare our souls and be grateful for
The song of Bedingfield

ii - Lismore Park

The sight of a child playing in the street
Is one of day’s gone bye
But Lismore Park sees them out in droves
Stealing cars and getting high
The twelve year old sent out to play
Whilst mother takes a knap
But really she’s having it away
For a fiver and a brown wrap

The party at the house next door
That never seems to stop
The men all come and go and paw
Girls in this knocking shop
But halt weary traveller, stop!
Come sit and rest your back
The bench awaits you on the green
And the deluded maniac

The man who knows what’s wrong with you
And how to make it better
As long as he keeps his soul filled up
With cheap White Lightening cider
Six large cans for a five-pound note
From the corner shop near the school
An offer really not to be missed
And to make the drunkards drool

A songbird sits on the climbing frame
And sings his cheerful tales
A tune too much for our dear lush
The maniac exhales
The songbird sings and fills the air
With a loving string of notes
That reminds the sitters on the bench
There may still be a hope

A radio plays ‘that’ song again
Should you dare to forget the rhythm
The bird has flown away now
Fed up with this hypnotism
The airwaves are now filled with dross
Thanks to the flat opposite the green
The weary traveller moves on
“Better days has this place seen”

iii - The Road to Maidenhead

O friendly bombs do try to miss
The sweet blossom, the fragrant smell
The flowers, the green grass of the parks
The havens in this hell
Be careful around the Jubilee River
With it’s wildlife and sculpted hills
For a walk in this very man-made place
Will surely heal your ills

But spare no mercy for the superstores
That pollute and destroy our thoughts
“If it’s not on the shelf, we haven’t got it…”
The familiar assistants’ retort
Take no prisoners with the office blocks
That lay empty year after year
For they clutter up the atmosphere
And have no value here

O friendly bombs, o friendly bombs
The cabbages are all grown
They read the Sun and sing along
To the radio’s dreaded drone
Whilst in their vans they speed on by
Jumping all the lights
To price a job – a small brick wall
Based on a thousand nights

The car showrooms… the car dealers
Stack ‘em high and sell them cheap
Chop-chop salesman, soften ‘em up
The rewards are there to reap
Finance, part exchange or cash
Anyhow you like
“No sir, not me sir…
…I’d prefer to use my bike”

The bustle of the weekend crowds
The steamy traffic queues
Stare too hard at that red car
And suffer the abuse
Overtake the blue one now
And make him toot his horn
See him raise his voice in anger
To satisfy his scorn

iv - Town Square

Saturday morning, seven o’clock
The town begins to wake
A pair of sleeping winos
Dream about their fate
They plan their morning sermon
But who will really care
For what they say means nothing
Less than their icy stare

The busker and the balloon man
Wait to take their turns
To entertain and irritate
And suffer being spurned
By a thousand shady shoppers
Who’ve heard it all before
And probably given hard earned cash
To make them play some more

The trickster and the barra’ boys
Set up all their stalls
Selling mobile phone covers
And fake branded hold-alls
Adorn your phone with logos
Hankies for a pound
“Yes sir, we’re here on Sundays…
…(Providing there’s no police around)”

Grab a baked potato and sit
And watch the folk go by
Some will have you in hysterics
Some will make you cry
The man on his double-glazing stand
In his suit and in his tie
The perspiration on his head
Watch him wilt and fry

The songbird settles on the wall
And sings to our delight
A merry sonnet that will inspire
Dreams we’ll have that night
The wino shouts his sermon now
The bird has paused his song
This post-war sprawling Hooverville
Muddles slowly along

v - Contradiction, contraband

On the steps of the library he screams aloud
Through a mist of smuggled gin
“You’re all fools, the lot of you is ****
I’ve not committed sin…”
“It’s not my fault I’m a lush… a drunk
I don’t choose to live this life”
“You’re all wrong in carrying on
It’s you what’s caused my strife”

In his wretched form he abuses the world
Pooh-poohing this and that
A skunk telling the world it stinks
The polemic polecat
“Society has robbed me of everything
And left me less than whole”
“The only day that’s good is Thursday
When the postman brings me dole”

On Friday he meets his dealer
To fuel his pickled mind
The man with the van on Saturday
With the spirit and the wine
By Monday, he’s all skint and broke
The weekend has passed him by
He takes his place on the library steps
We shake our heads and sigh…

Every week the same routine
The same routine again
Like clockwork his life ticks on by
The suffering and the pain
But he tells us it’s all our fault
We’re the ones not right
But it’s very easy for him to say
The man who’s so contrite

The children watch him puzzled
It’s more than they can bear
“It’s very rude…” their mothers say
“To stand like that and stare”
But what, do they expect their young
To ignore this fool a mumbling?
For they will see it for what it is
A stormy weather warning

vi - Saturday Afternoon

I sit on a wall in Slough with friends
Sharing the Dutch export
Watching and laughing at the world
And it’s variety of sorts
A happy bond that we all share
The joy of simple things
Come friendly bombs and gather round
Watch us while we sing

The friendly bombs you call upon
Are they straight off the shelf?
It’s my belief, my firm belief
The bomb is in yourself
Ticking slowly by and by
Just waiting for the code
To trigger you and trip the switch
To make the bomb explode

We watch the people from where we sit
The hellholes they’ve all made
They don’t live they just exist on
The edge of a razor blade
Stop! Step back and take a look
It’s not too late to change
And become what you really want to be
An icon of your age

Over now to Langley Park
To sit and bathe in the sun
O friendly bombs please wait a while
Until this day is done
But what will tomorrow bring my friends?
And will it come too late?
Something that may save us all
The bombs may have to wait

A sedate sleepy Saturday
Away from all the crowds
Share a joke, a ****, a smoke
And laugh together loud
The sun warms our sombre souls
As on our backs we lie
Staring as the clouds roll by
United under the sky

vii - The Circus Comes to Town (Sunday)

Halt now, wait awhile please
Stop the counting down
Today the air is charged with joy
The circus comes to town
Must have arrived last night we think
Under cover of dark
And settled down and pitched it’s tents
In the grounds of Upton Park

The queue to purchase tickets
Trails far along the road
No. 53 offers cups of tea
From outside her abode
The crowds are mum, they say not a word
As they wait their turns to go
Inside the circus big-top tent
And sit and watch the show

We settle down and take our seats
With an ice-cream and a coke
But wait, where are the circus clowns?
Is this some kind of joke?
A wall of mirrors fades into view
And puts us in a spin
Reflecting all the bright lights
The colours and the din

The ringmaster enters, cracks his whip
And hands out little slips
“Everyone’s a winner” was
On every body’s lips
The clowns they all appear now
With a modicum of fuss
Hold on just a minute now!
The clowns we see are us

A spotlight points up to the gods
At the top of the trapeze
A giant money spider glides
Down with greatest ease
He touches each and everyone
All paralysed with fear
And hands out ten pound notes to all
Then promptly disappears

viii – The show

A strongman strolls out slowly with
A length of iron bar
A leopard spotted leotard and
Moustache sealed with tar
He looks around the big top with
A menace and a sneer
Surveying all the audience
He seeks a volunteer

The white van man he raised his hand
The tattoo on his arm
Said this man must not be crossed
To do so would mean harm
The strongman bent the iron bar
Across the van man’s back
Then invited him to strike him down
An unprovoked attack

The van man clenched his hand and hit
And hurt his mighty fist
A statue of the strong man shattered
Turning into mist
The van man stood and stared in fear
The mist it gathered round
And carried out our hero driver
He hardly made a sound

No-one clapped we all just stared
Our faces ghostly white
The strongman re-appeared and looked for
A second stooge that night
No-one raised a hand in fact
No-one said a thing
The strongman shrugged and vanished…
Empty was the ring

A knife thrower was the next to appear
And seek the help of one
With nerves of solid steel and courage
Secondly to none
Down came a fallen woman
Who said she had no fear
A knife was thrown and pierced her skin
Her right large ear-ringed ear

ix – The ringmaster

A second knife it struck her chest
She didn’t seem to weep
She didn’t seem to be in pain
Although the knife was deep
A third knife struck her arm and then
A fourth it struck her head
The knives that should be missing her
Were hitting her instead

Horrified the crowd looked on
Without a fuss or row
The woman now all full of blades
Politely took her bow
She then went back and took her seat
And never said a word
Not another word she said
And not a word she heard

A magician was the next to charm
And thrill us with his tricks
He pulled a rabbit from his hat
Then sat it on some bricks
He then threw watches at this beast
That grew to a great size
The rabbit caught them all and juggled
Them to our surprise

But here’s the rub when we all looked
At places on our wrists
No watches were there to be seen
A cunning little twist
The magician cracked a whip and put
The rabbit in a stew
Which vanished there before our eyes
Vanished out of view

The magician he announced that he
Alone did have this plan
To mystify and amaze us all
With his clever hand
Indeed he was the ringmaster
That owned this circus troupe
That terrified and petrified
Our frightened little group

x – The Fracas

A swarm of bees engulf us now
And cover us with honey
The ringmaster cracks his whip again
The bees all turn to money
Then suddenly the fight begins
As we grab this flying stash
Filling up our purses now
With the hard-grabbed cash

The ringmaster, a clever man
Calms us with his sigh
“There’s plenty here for everyone
…And more than meets the eye”
Suddenly a flock of doves fly
Sweetly through the air
They then attack the baying crowds
Pulling at their hair

Then with a deafening bang, a crack
A flash of burning light
We all cascade towards the floor
The circus out of sight
Confused we all stare around
Thinking it absurd
This bizarre spectacle should vanish
Gone without a word

I look from face to face to face
Whatever could this mean?
We all are laughing nervously
How stupid have we been?
We talk about the day’s events
We talk and talk some more
A voice booms from out the sky
“I’ve opened up the door”

“I’ve brought you all together now
To pander to your greed
To watch you take from fellow man
Deny him what he needs”
I reach in to my pocket
For the money I did place
It reads “Admission: 1 adult
To The Human Race”

xi – An incident at Upton Park

That week the local paper ran
An exclusive full-page ad
“Faland’s Travelling Circus Troupe”
“The most fun ever had”
But no review was there to read
To tell of our event
The strange encounter with this circus
To which we all went

The following Sunday we meet up
In groups of three or four
Since that incident in Upton Park
The spectacle we can’t ignore
No-one knows quite what it means
I don’t think that we’ll ever
Understand all that happened here
That brought us all together

Perhaps there is a deeper message
Given on that day
Faland may be telling us
That we have lost our way
He simply used us all as tools
To illustrate our folly
That had now become too serious
A risk to things so jolly

Every week now we all gather on
This hallowed piece of land
And this is very odd because
Nobody makes the plan
The idea comes to all of us
A self-ignited spark
And draws each of us in turn
To meet in Upton Park

We picnicked then we all played games
Then talked about the rain
We toasted our new friendships
And vowed to meet again
The bombs, the bombs they’ve all slowed down
Compassion saved the day
This newfound love we now all have
Must surely pave the way

xii - No ball games

The joy did not take long to spread
Across our grimy frowns
And bring a little sunshine
To lighten up this town
Happiness is upon us now
The whole of Slough-kind
Depending on how you look at it
And on your state of mind

The lush upon the library steps
The wino on the bench
The Publican and Landlord
The ***** serving *****
They all wear smiles and laugh a lot
And speak of wondrous things
A songbird perches on the fence
And merrily she sings

The children, o the children
How they sing and dance
Always being friendly
In any circumstance
They have no care for politics
You’ll see it in their face
They want to play with everyone
Who’s in the human race

Meanwhile back in Upton Park
The townsfolk meet again
But there’s no talk of horror
Or suffering and pain
Instead though how a monument
Should be erected in our names
And pulling down the signs
That read ‘No Ball Games’

The bombs have all stopped ticking now
And line up by the wall
And every now and then they clang
Just to remind us all
If we get too complacent
And don’t respect our friends
We’re marking down the seconds
To our bitter end

xiii – New found…

We shared our food and shared our tales
Life stories we all told
They made us laugh they made us cry
Left us warm and cold
The suffering we did speak of
Helped us understand
How fellowman and woman kind
Dwelt in other lands

We laughed at tales of folly
And stories of the past
Stories that we are in awe of
Stories that will last
For another thousand years or more
And travel on the wind
A gentle breeze that talks to us
Thrilling to the end

Gathering momentum
Our stories travel far
Picked up and told by new folk
Under glowing stars
They bring warmth and humanity
Softened by the rain
They travel back to each of us
To be re-told again

Who’d have thought this loving joy
This beacon in the dark
Would begin upon the grass
Of hallowed Upton Park
The greed has gone or mostly so
Now happiness is here
We’ve seen the light and now must spread
Our messages of cheer

Looking back it hardly seems
We could have been that way
Not caring if each other lived
To see another day
This new found near Utopia
Must spread across the land
And we must stand to offer all
Our warm and guiding hand

xiv – Nearly done

The story is now almost told
Of how a strange event
Saved us from our selfish selves
A message heaven sent
With cunning tricks and sleight of hand
The error of our ways
Was written up in greasepaint
Shining through the haze

A strange di
I wrote this in about 2004 - loads of literary influences in this poem. It speaks for itself really. Having read through it, I think I ought to revise / review and re-write some of it, but this is the original.... yay!!
Adam Childs Dec 2014
Feathers glimmer and shine
As though covered in fish oil
I lubricate the brain
As I slip through the sky
With a frictionless flicker
My lightening wings
Brain waves rapidly fluctuate
Perfect balance held
Between left and right
Each wing a hemisphere
As they beat and beat
Accelerating into hyper speed
80 to a hundred or more
Beats per second

As though injected
With a sonic speed
Synapses bursting and exploding
Exponentially connecting
Blistering wing speed
I become electric
My circuits exploring
Rippling and flickering through paper
My brain comes alive
Flashing multicolored lights
Like the cities nights

But still spaces collect around me
As I am buffered from the world
Perfectly still though standing
On an invisible ledge
I hold my mind in place
While I hum in space
Head down I drop my beak
Into a funnel of concentration
As I tunnel into trumpets
Penetrating deep I flower  
In new knowledge

Polar aspects of mind
Released through coherent communication
Set free with coordination
I seek to marry chalk and cheese
As I hold the balance
Between two worlds
Flashing synapses firing
And combusting
Against pointed concentration
My mind juggles two *****
Expanding into their fullness
Expressing vibrant color

My slippery slender beak
Slips and slides in
As I flutter through pages
I discover new unexpected surprises
Problems solved, Startling adventures
And puzzles completed
I find the sugary syrup
The delicate delicious sweet spot
With the thrill of falling domino's
Spilling and cascading
Many ripples fanning out
Through my mind  
I find freedom

Each ripple massaging my mind
I am catapulted into outer space
I dance from fact to golden fact  
As I am propelled forward on stardust
My momentum shoots me forward
I bounce and bounce
My mind becoming unbounded  
I enjoy this great Hummingbird delight
Graff1980 Nov 2014
Bckkkkkk

Lightening splits the sky
Cracking the horizon like
Shards of shattering glass
Inverting and reflecting
The alternate dimensions
Severing the ties of reality

Bckkkk

White strings of energy
Sparkling and crackling
Time no longer shackling
Space no longer tethering
Nothing belonging to me

Bckkkk

I can almost feel the thundering
As the vibrating sensations
Touches my inner ear canal
It is frightening how easily
The lightening could consume me

Bckkkk

But the wonder of its thunder
The blunder of its destruction
Cutting sound and ground spitting dirt
Causing the earth to hurt
As it explodes one way or the other
And all I can really say is

Bckkk Bckkk Bckkk wooooshhhhhh

This would be cooler if it was really raining
Lora Lee Apr 2016
Here in the desert
it's been raining
on and off
            for days
making the succulents and cacti
glisten with wetness
their thick skin sparkles
and catches nature's ironic eye
flowers and plants shine
so much better in the half-grey
Here in the prehistoric depths
Of rocky whitewash and silt
             flash floods rush through
flushing out all guilt
         And inside
a raging storm commences
and I feel so blessed
to be a part of this celebration
my lungs expanding in my chest
I breathe in deep
that fresh purity of air
let it cleanse right through me
from my toes up to my hair
It rushes in my body
taking no prisoners in its force
flows through every vein
cleansing poisons in its course
its power flows into me
washing out this stubborn pain
Turning the confusion
                     into clarity again
From inside subconscious thoughts
           realization thunders
rinsing from my mind
                 the emotional strain
and replacing it with euphoric wonders
Come, my raging desert tempest
Bathe me
       penetrate me with wet
restore and purify
my being
take over and disinfect
let me feel my own strength
until it pours out from my cells
into the space inside my heart
where love and lust still dwell
My tears mingle with the sweet drops
                as I fling arms open to the sky
releasing strikes of lightening
for every word I cry
as I summon, pray for lightness
mixed with the sturdiness of earth
Let joy rise up and bubble
within my being
as rebirth
Crystal lived alone in the cabin Ray had built for her. Ray had left long ago but she thought of him often and sometimes went to see him in the city. She was an artist and a dabbler in many fields. Her house was a kaleidoscope of stained glass windows and half finished art projects. It was built almost entirely of wood with a beautiful stairway to a loft bedroom replete with a skylight window on the stars. Set in the mouth of a valley next to a clear stream the cabin looked almost as if it had grown there.

Crystal spent most of her time on her art projects, in fact she made her living that way. She was well known for the macabre nature of her works and they sold well at the local art fairs. Most of the scenes she painted could not possibly have existed on earth. Take for example the orange sky and purple mountains of Mariners Delight or the river of blood in Cosmic Conception.

Often Crystal would meet Ray at the art shows and they would discuss his books or her latest works. It was just such an occasion that preceded the first of her dreams.

Although Crystal had often dreamt of playing in a large meadow surrounded by reflections of her art work this dream had been different. She awoke from a scene in the woods where she had been the object of a grotesque conclave of creatures almost beyond description. There had been a huge goat like creature leading a chant, "Rada nema nestos Yreba, Rada nema nestos Yreba", for a group of creatures that resembled animals. There was a black toad sitting on a rock of seemingly impossible crystalline form, while an agile spider danced on the spokes of its luminous web above her. The smell of blood, the heat of the fire, and the constant and oppressive chant, "Rada nema nestos Yreba, Rada nema nestos Yreba" with all eyes directed at her. She woke with a start, it was early morning, her bed was a tangled mess, and she was covered with sweat. She felt she could almost smell wood smoke, and somewhere in her mind she could still hear the echos of the horrible chant.

It wasn't until almost a year later that the dream repeated itself. She had just completed what she considered her greatest work, a large mural like painting called Id Conclusion. It was a matrix of human forms in contorted and deformed conditions against a backdrop of misty images of human holocaust, war machines, and atomic clouds. She had gone to bed in a storm of thoughts on human depravation and greed. The scene was the same, the spider, the goat, the half human animals, all seemed the same, except for the chant, it was different. "Rada nema nestos Yreba, Raga mantra nestos reale, Yreba Yreba Shiva kommt da." Lightening cracked and a creature appeared. He seemed a man but was built more like a large monkey. Light seemed to follow him like an aura. He was the obvious master of the conclave and all stood back at his approach.

Crystal was lying on the stone altar in the center of the glade and although not bound she was incapable of motion while held in Yreba's gaze. That this creature was Yreba was obvious since all had bowed down now and the chant had changed, "Yreba Yreba teach us to grow." Crystals eyes were glazed and her naked body shown in Yreba's light. All her past works were floating across her mind like a collage. Lost in ecstasy she responded to his aggression like a wanton beast, screaming and writhing in the flow of his energy.

She woke to find her cabin in shambles and she was lying in the center of the living room on the floor, she panicked and ran to her car, slammed it into gear, and sped off down the road.

Ray was sitting in his office at the University that morning when Crystal burst into the room. "Ray, Ray, I've had a dream, a horrible dream, it was, I was!" "Slow down Crystal! You've had a what?" said Ray. Crystal sat down in a ball of frenzy and continued.

About an hour later Crystal had finished her story. Ray spoke, "So you say this is only the second time you've had this dream. Tell me more about Yreba. Does he resemble any of your art works?" "No", she said, "He seemed a lot more like that creature you told me about that day we were discussing witchcraft. The one who was supposed to be the personification of ****** desire evoked for the *** ****** of the ancient Persians."

Ray walked to his bookshelves (he was a professor of ancient mythology and religions) and pulled out a book called Necromancer by Abdule Azerod. "As I recall" he said "that creature was also a god of fertility." He thumbed slowly through the book, "yes, here it is. What did you say this creatures name was? Yreba? Very strange that's almost exactly this Persian deities name, Youruba. It seems he was evoked every year on the vernal equinox to assure ****** reproductivity and if you think that's frightening, feature this, last night was the vernal equinox." Crystal was stunned. "Do you think there's a connection" she stammered? "Don't be silly girl, this was three thousand years ago. Why don't we drive out to your cabin and see if we can find some clues."

Twenty minutes later they were standing in Crystal's cabin. What had seemed so disorderly to Crystal in the morning was now clearly a purposeful state of order. All of her sculptures were arranged neatly on the stairs to the loft, and her pictures were arranged so as to face the spot on the floor where she had awakened. On the floor where she had lain was a large five pointed star. "What does it mean Ray?" "I think it's a pentagram" he stated. "Is anything missing?" "Not that I can see" she said. "I don't think we had better stay" he said, "Find what you need and we'll go back to my house. You can stay there until we figure it out."

Crystal never returned to the cabin. Ray sold it for her and bought her a new house in the city.

Crystal got sick a few months later. She was sitting in the doctors office now awaiting his return. "I have good news" he said. "Good news" Crystal groaned. "Yes" he said, "Your pregnant."
Aliens can make you pregnant of mind, it's the hawkowl facts.
I named my bird dog Yreba.......I'm in so much trouble!!
Terry Collett Oct 2013
Down came
the heavy rain
***** coal
coloured puddles

and you and Helen
stood under
the railway bridge

she clutching her doll
Battered Betty
close to her chest

you staring out
at the grey rain
thunder and lightening

making Helen scream
and clutching
your arm

her thick lens spectacles
steamed up
and hiding her eyes

I hate lightening
she said
what if it strikes us dead

it won't
you said
putting on

the brave boy routine
not while
you're with me

she didn't look
convinced
to a great degree

and peered out
through her smeary spectacles
when will it stop?

she said
it's not near
you said

you have to count
the seconds
between the lightening

and the thunder
and that should tell you
how far away it is

she took off her glasses
can you wipe these for me?
so you took the spectacles

and wiped the glass
on the end
of your shirt

until clear and clean
and handed them
back to her

and she put them on
that's better
she said

peering out
at the rain
and the puddles

on the cobblestones
of the short road
and the bomb site

nearby
you counted
after the flash of lightening

and the bang of thunder
10
you said

it's 10 miles away
she peered out again
at the grey sky

and pouring rain
seems right above us
she said

you gazed at her
standing there
drowned looking

with her hair
hanging over her face
and stuck

to her head
her dress clinging
to her tightly

her shoes sodden
you felt heavy
as if you'd swam

in a lake
and climbed out
fully dressed

with your jeans
and shirt wet through
clinging to you

I'm cold
she said
her teeth beginning

to chatter
her knees knocking
she clutching

Battered Betty
you put an arm
around her

and held her close
smelling the damp
the rain

the peppermint
on her breath
come

you said
let's go home
before we catch

a death
and you took her hand
and ran along

the cobblestones
stepping by puddles
and down Meadow Row

her fingers becoming cold
her hand wet
and slippery

and she beside you
clinging on
to her doll

by its swinging arm
making its one
good eye open

and close
like one feeling sleepy
wanting to doze.
SET IN 1950S LONDON.
Curing Feb 2015
I look out from this little world
with all it's dancers dancing

Mighty trees tickle the sky
The birds in them romancing

If we but stop and listen
we'll hear the music playing

Stop a while and close your eyes
exhale the troubles weighing

Down around your shoulders
Thoughts that cloud your heart

We're only here but for a while
Before we drift apart

Like clouds across the silver moon
we're here and gone far too soon

Then pass into the inky night
Still around, yet out of sight

Some of our clouds stretch for miles
Others stacked in fragile piles

Some full and dark and hanging low
Filled with tears they can't let go

Some so wispy and so light
Their presence a mere oversight

Some whose wrath begets a name
Who form a mighty hurricane

Some who rumble in the night
Hurling lightening left and right

Some dark and brooding, filled with snow
Dumping ice on all below

Some that twist right to the ground
Violently they spin around

Some collide, some drift away
Some prefer night, some prefer day

So let us stop and gaze up high
To find ourselves within the sky
Just looking out the window, yearning to be free
Kelsie Kullman Jun 2012
I stood outside watching the rain slowly melt from the clouds

My porch let me step onto its short pathway, for it knew my thoughts

I stood there and looked up at the sky, being guarded by the small roof above me

I watched as the rain fell silently to the streets and listened as it hit the bushes

I kept waiting for it to change

I kept waiting for it to change me

For it to wash away something deep inside me

I wanted it to wash away any hurt

Wash away the insecurities

Wash away the denial

Wash away the sins

Wash away the thinking of “You’ll never feel the touch of someone in love”

Wash away the scars

Wash away the memories

Wash away the impurities

Wash away

I stood waiting but the rain still poured on my outstretched hands

My hands opening to God asking,”Why me?”

The hands of a woman who has never felt the hands of a man in love

The hands that can make me whole once more

As I stood watching the lightening soar across the sky and the thunder gently hum

I wondered “Is this life real? Is this God real? Is love real? Is any of it real?”

I shivered and stood waiting for the rain’s response

None came; the only response was the silent tread of water heading toward a gutter

Funny, just like my life, always fighting against gravity to stay clear of the gutter

Shivering I stepped back inside and heard a small clink of a piece of broken glass

I held it, amazed, wondering if my life would end this way

In the hands of a tiny piece of melted sand

I looked at its tiny iceberg shape

I turned it and it suddenly transformed into a misshaped heart

A heart, like mine, so clear, so ready, so fragile

I tossed the tiny love into the air as lightening made its last hoorah

Hearing only the distinctive clink as it hit the sidewalk

The rain responded joyously as it picked up its pace

This was her response

Nothing may be real but the rain

In the end, sometimes, it’s all we can depend on to wash away our old selves

To stand, like an escape from Shawshank; free

This was my answer

That my tiny glass love lying patiently on the side of the road will someday be picked up and thrown wildly into the wind hoping that it shall find the fingers of a lovestruck current

This time instead of a slab of concrete, I shall be there to catch it as lightening strikes my heart

I looked up at the tiny roof guarding my head from the cold drops of reality

It was then that I decided it was time to take the roof off of my life, leaving me unguarded

I closed the door, shivering with a renewed sense of myself

I curled under the blanket asking again the same questions that haunted me,

“Is this life real? Is this God real? Is love real? Is any of it real?”

The rain answered,

“Yes”.
Jade Louise Mar 2015
Phase 1:
The rain was eating the world
The acid drops falling into attack
At first they had been glistening
Sparkling clear, like giant glass tears
So beautiful a child held out his tongue
But then they had began frightening the flowers, puckering holes in their pretty petals
They made the house's crisp coats of paint stream in desperate colorful tears
The roads filled, like acid rivers
Rivers that no sail could survive
The world dissolving, right before my very eyes
Like a canvas being erased from inside its frame

I was running with my umbrella
Clear plastic hexagon on a handle
Hovering above my head
Like an insect’s stretched out wings
Sheltering me from the storm
My magic umbrella
My rain boots pacing faster, acid avoiding my eyes
Getting to the dandelion garden
A garden where not just any
kind of poppies grew
But silver poppies

The garden was dripping in cobwebs
Shining like stretched maps of ice
Medinal mushrooms formed in clusters
***** and distinct
My head was spinning from the odor
The garden’s sleeping spell overcoming me

A lightening bolt cracked outside
Splitting the sky into two
Toxic clouds steaming into the atmosphere


Phase Two:
Toxic air
The animals breathing in its chemistry
Their eyes growing wild
The barks leaping from their vocal chords
In short snaps at first
Then as the insanity ensues, stretched energy
Howling, growling, wild
Ravenous
The humans locking their doors

My heart still beating
Like a drum
Searching for a silver poppy
The garden encased like a giant glass box
Holding the plant that ends the storm
Me like a fish in a bowl, separated from the rest of the world
Trying to find the poppy
To save it

My eyes searching
The silver poppy lying somewhere in this glass greenhouse
Each time, to be found in a different place
Like lightening, never striking in the same place twice
A silver poppy never grows in the same place twice
Once plucked, reappears somewhere else
Wherever you would least suspect
Somewhere in this garden

My eyes dry and stinging,
My hair tangled and tired
My clothes with poked holes from where tiny droplets of acid rain hit
Raggedy
The poisonous plants begging me to touch them
Like Eve and the apple
The dirt has no poppies
No silver poppy to be found
But then

The water pool
Cool and placid
Like a mill pond
I dive in
Silver catching my eye
Like glass
The poppy looking like almost any poppy
But silver

Lying like a secret at the bottom of the pond
My fingers grasping at the poppy's thin throat
I had swam in like a mermaid
I emerge like an animal
On a mission
Cupping the silver poppy to my chest
Like a baby dove

I escape the greenhouse doors
I pluck the poppy's petals, scattering them into the rain
At that moment
A hungry dog approaches me, quickly morphing into a wolf
Mid-leap, its teeth about to sink into my neck
The silver petals pressed flat into the concrete by the rain
The acid burning my skin


Phase 3:
And then
Relief
The rain tastes sweet like lilacs and water
Me turning into circles as the dog presses me with wet sloppy kisses
The rainbow shining, an upside-down smile
The plants glistening and growing
The birds chirping, their voices light like silhouettes
The world in harmony
Children running out of their houses
The animals rolling in the grass, the woodlands

Me, standing, left holding the silver stem
Tears rolling down my cheeks
How many times would I have to do this?
My mouth like a bow
My hands like a lotus
My whispers like a prayer
How many times would I have to stop the chaos?
More tears


Phase 3: The Maker's Forest*
Then, giant hands scooping me up
My body, the length of the pinky
The giant hands without arms
Stretched out to me from the sky

Carrying me
Across forests and fields
I peer over the thumb
Passing over deserts and oceans
A tiny breeze tugging at my hair
Sleep overtaking me
How many times will I have to stop the chaos?
Dissolving into my dreams
Like a tiny doll in my Maker's hands

I wake up in darkness
Except for a crack of sunlight, smiling in
I’m in a sphere enclosure
My hands tear at the two walls of the split
Breaking open the egg I was in
The soft segments of the shell
Lying in cracked pieces around me
I am in a nest, with three other eggs
A nest high up in a tree

I climb down the tree
Branch by branch
I am in the Maker’s forest
The Maker’s healing forest

I have heard before we have a Maker
But I never believed it
How could I
If we had a maker, why would our world keep falling apart
Why would I keep having to retrieve the silver poppy to remedy it

I walk down the forest path, getting closer to the sky blue cottage
The path is lined with evergreens, redwoods, trees tall and high
Filled with hundreds of nests and eggs

Phase 5: The Maker's Paint Studio
I open the white picket gate
And a painter emerges
Dressed in off-white overalls and an apron, carrying a brush with a tip of ruby pink paint
No words yet
Just sparkling blue eyes, shaggy grey hair, and leathery creased skin

I catch sight of myself in the reflection of a puddle and gasp
My lips are ruby pink like a bow
My skin is healed and smooth
Like porcelain
My hair is soft and silky
Falling in waves down my summer dress
The whole forest is bright and shining
awake and alive

How did I come to look like this
How did I come to heal so fast?
Why is this forest so beautiful?

Come with me
The painter says
I step inside, the room filled with pallets of paint and aisles
The walls standing like giant canvases
Covered in illustrations and images
The golden desert I passed over on one wall

The sparkling ocean whose breeze tugged my hair on the next
And on the Maker's canvas, me
I’m standing there, the silver stem in my hand
But the world around me, it's not falling apart nor dissolving

Its beautiful
I look at the painter
The chaos I say
I can’t take it anymore

I tell him
This world you paint
It pains me
Paint something prettier
Don’t ever paint a storm again
Why can’t you always paint the pretty picture on the canvas?
That’s the world I want to live in

But I do, the painter replies
His eyes kind

But I am not the only painter
He says looking at me

My illustrations, he smiles
The people I paint,
They can paint too
And the world you see,
Sometimes it’s the world you paint

You mean, the storm? I painted it?
He smiles
It wouldn’t be very fair if I was the only one allowed to paint now would it?
"How do I stop? How do I stop painting storms?
I don’t ever want to leave this pretty forest"

He faces a white canvas, starts painting a tiny girl
Sometimes what we see, he says
Is more of a reflection of what could be, of our minds eye, than what is really there
Storms do happen of course

But the storm you repeatedly see
Is the storm of your mind
Let me ask you something
Are you afraid?

Yes, I reply
And what are you afraid of?
Well everything, I reply.
There is so much to be afraid of

Then that is what you are seeing, he says
Free yourself
Of all nonexistent time, of what could be and what was
And just be exactly where you are
And you will see things as they really are
Your paintings will add the beautiful details to my paintings

With that the, little girl, the one with the short brown hair and pink dress steps off the canvas
She smiles at us
And then she opens the cottage door, her ruby lips and blue eyes taking in the forest around her, walking further into it

Phase 6: The Storm of your Eye
And then I’m back, with my hexagonal umbrella
Running to the garden
Acid rain splashing around me
Instead though, I stop
The world doesn’t need the poppy, I hear my Maker say
The poppy isn’t even real
I stop and close my eyes
Forget my doubts
And everything that could go wrong
I forget everything
The blood running through my veins, the splashing acid, the storming clouds
My minds goes blank
What the world needs
Is me

When I open my eyes
The world is quiet
Then I hear the sweet chirping of birds singing
Children playing

An old man walking his dog
“Looks like it might rain” he says, pointing to a far away cloud
I close my umbrella
I won’t be needing it*

~ JLH
"I'm a mermaid," she said as she kissed me.
Ah! her kiss made me drunker than wine.
I'd been longing for the ocean in her blue eyes,
it was calling to the diver in mine.
She whispered, "I've got just a little bit of magic
from my home in this big blue lagoon--
join me tonight for a swim in the moonlight,
I'll make some magic for you."

The full moon was rising in Paradise
as I made my way down to the shore.
There I dove right into the water,
I just couldn't stand it anymore.
Here she comes, swimming up to meet me--
wraps her self around me like a glove.
As long as I live I never could tell
the magic of a mermaid in love.

Goddess of the crystal blue ocean,
sharing your mysteries with me.
When I'm with you I can breathe underwater
and swim beside you under the sea.
If I could stay here under the surface,
I would never go back to dry land!
Goddess of the crystal blue ocean,
Meet me here whenever you can.

The spell would be broken by sunrise,
but her "little bit of magic" was no lie.
We soared, freed by love, underwater,
free as two birds in the sky.
All too soon the sky began lightening,
the moon and the stars took their flight.
Our kisses were mingled with tears at the shoreline
where we promised to meet every night.

Goddess of the crystal blue ocean,
sharing your mysteries with me.
When I'm with you I can breathe underwater,
and swim beside you under the sea.
If I could stay here under the surface,
I would never go back to dry land!
Goddess of the crystal blue ocean,
make me a real merman.
This is a song I wrote some time ago. I can't read it without hearing it as a song--
Copyright  2010 by Michael S. Simpson. All rights reserved.
Ian Beckett Jan 2012
Flashes of lightening in darkness freeze the moment
A freight train of thunder rumbles across the night sky
I love to sleep with the girl whose love spans the miles

Your sleepy voice hello makes my heart beat faster
Distant Vienna ballet memories and Loos bar champagne
I love to wake with the girl whose cuddles chase the cold  

Lost alone in this big bed your comforting arms are absent
Together in dreams but our bodies chill with the distance
I love to be loved by the girl with the beautiful smile

— The End —