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"jugular" poems
I. I’ve swallowed too many I love you’s to be afraid of coughing up blood. They cut you on secret. Who knew it was drinking gasoline and sawdust and every little inflammable thing and then sitting down cross-legged in the heart of a howitzer; soft. II. You are a soft explosion. You are streaks of a rebel orange in a sky that is supposed to be blue. You are steel rods in the curve of my spine, holding me straight. III. I love you’s are like death notes written in ash: you’ll have to smoke your way to it. Smoke cigarettes, journals, curtains, and yourself to get that much ash in your lungs; trying to blow smoke rings into your finger; my ceiling knows more about my sadness than you do. IV. Saying an I love you once will have you chanting “don’t leave me” on a rosary; love will take your bones and leave you lusting for somebody whose back is the last thing you’ll see, and whose skin you’ll think you left your keys in: and now you’ve locked yourself out of your own house, in a storm whose sirens wail in your ears and remind you, you’re hopeless and homeless. V. I love you’s leave no exit wounds, no shell casings, and when the time comes you’ll be telling them all how his bullet ricochets in your ribs, but emotion never made up for evidence in the court of settlements for a broken heart. VI. Telling someone you love them is like cutting your jugular and not expecting to bleed out. VII. I love you like the pages of a mad girl’s journal. VIII. The moon turns from an ally to the haunting image of science and realisation: you share the same sky, but no longer the same bed. And astronomy keeps ******** you over when you look up at the sky and no longer understand constellations. IX. Love makes it more getting-back-at-you than getting-back-together-with-you. X. Every time you taste blood, you’ll know you kissed somebody with teeth like needles and they cut you everywhere; they bit you, they bit you, they bit you and you kept letting them.
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Dec 21, 2015
Dec 21, 2015 at 10:29 PM UTC
Love and other disasters
I. I’ve swallowed too many I love you’s to be afraid of coughing up blood. They cut you on secret. Who knew it was drinking gasoline and sawdust and every little inflammable thing and then sitting down cross-legged in the heart of a howitzer; soft. II. You are a soft explosion. You are streaks of a rebel orange in a sky that is supposed to be blue. You are steel rods in the curve of my spine, holding me straight. III. I love you’s are like death notes written in ash: you’ll have to smoke your way to it. Smoke cigarettes, journals, curtains, and yourself to get that much ash in your lungs; trying to blow smoke rings into your finger; my ceiling knows more about my sadness than you do. IV. Saying an I love you once will have you chanting “don’t leave me” on a rosary; love will take your bones and leave you lusting for somebody whose back is the last thing you’ll see, and whose skin you’ll think you left your keys in: and now you’ve locked yourself out of your own house, in a storm whose sirens wail in your ears and remind you, you’re hopeless and homeless. V. I love you’s leave no exit wounds, no shell casings, and when the time comes you’ll be telling them all how his bullet ricochets in your ribs, but emotion never made up for evidence in the court of settlements for a broken heart. VI. Telling someone you love them is like cutting your jugular and not expecting to bleed out. VII. I love you like the pages of a mad girl’s journal. VIII. The moon turns from an ally to the haunting image of science and realisation: you share the same sky, but no longer the same bed. And astronomy keeps ******** you over when you look up at the sky and no longer understand constellations. IX. Love makes it more getting-back-at-you than getting-back-together-with-you. X. Every time you taste blood, you’ll know you kissed somebody with teeth like needles and they cut you everywhere; they bit you, they bit you, they bit you and you kept letting them.
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61
*"Claim me," she whispers in a plea "claim my soul as I wilt" Crimson lips parted, head thrown back in ecstatic ache jugular bared she needs to feel that sharp -edged love, skin and barriers broken as she melts into the underworld of a new grace a magenta cry into the inky sky sacred silence penetrated as only gasps are heard milky ******* decorated with red liquid ribbon, his nourishment, her demise ******* pierced with beads of her sunset life flow as he ***** and bites... and howling into heaven's delicious gate, she writhes Her soul dissolving into his night and as his spirit absorbs her vermilion soul their power rises, black as coal ……………. your lips stick black   sanguine smile tremulous murmurs oh happy blood blossom of deaths surrender sacrificial lamb cats sparrow entranced thighs on fire sobbing from a thousand needled kisses ******* tearing blood each wound a weeping mouth licking milky white alter of cold stone saturated alizarin rust legs wide feet and ******* trussed in chains and drenched rags for cruelties arrow o crimson queen, pomegranate half eaten mouth smudge black agape snake tongue dancing through cherry lips twisted darkened eyes of fire and blood a wash in devils incense beloved veiled in evils cradle bind not the demons kiss then face down my love upon the crypt of mist black heavens gate pupa vampires bate a blood moon shaking a scourge you are now goddess of pleasures wretched in the Tuileries of the abyss consort your every piercing fang duck tail **** a boiling cauldron desire spills out dark cupid witch legs tied to throat devil ***** twitch ******* in a mote ive got the itch feet scorched in rope hot ******* ***** hells dark pope vampiress ***** dark girl feeding the sun is no more loves the bleeding*
0
Apr 24, 2017
Apr 24, 2017 at 4:27 PM UTC
VAMPIRIC LOVE
*"Claim me," she whispers in a plea "claim my soul as I wilt" Crimson lips parted, head thrown back in ecstatic ache jugular bared she needs to feel that sharp -edged love, skin and barriers broken as she melts into the underworld of a new grace a magenta cry into the inky sky sacred silence penetrated as only gasps are heard milky ******* decorated with red liquid ribbon, his nourishment, her demise ******* pierced with beads of her sunset life flow as he ***** and bites... and howling into heaven's delicious gate, she writhes Her soul dissolving into his night and as his spirit absorbs her vermilion soul their power rises, black as coal ……………. your lips stick black   sanguine smile tremulous murmurs oh happy blood blossom of deaths surrender sacrificial lamb cats sparrow entranced thighs on fire sobbing from a thousand needled kisses ******* tearing blood each wound a weeping mouth licking milky white alter of cold stone saturated alizarin rust legs wide feet and ******* trussed in chains and drenched rags for cruelties arrow o crimson queen, pomegranate half eaten mouth smudge black agape snake tongue dancing through cherry lips twisted darkened eyes of fire and blood a wash in devils incense beloved veiled in evils cradle bind not the demons kiss then face down my love upon the crypt of mist black heavens gate pupa vampires bate a blood moon shaking a scourge you are now goddess of pleasures wretched in the Tuileries of the abyss consort your every piercing fang duck tail **** a boiling cauldron desire spills out dark cupid witch legs tied to throat devil ***** twitch ******* in a mote ive got the itch feet scorched in rope hot ******* ***** hells dark pope vampiress ***** dark girl feeding the sun is no more loves the bleeding*
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88
I used to think that sadness was beautiful, But what is the point of it all? We're supposed to be youthful! They said time and time over that it would pass, but to be truthful: The feeling and expressing pain or sorrow for sins, it's all we feel: ruthful So in the end, what is the point of life at all? When all we do is sit around and bawl, "I just wanted to be pretty Cristi, just like a doll!" But isn't it more important to be happy, above all? All I have been feeling for the past couple of years is pain, Even though all I have wrapped around my neck is a golden chain Rather than his clenched fingers restricting against my jugular vein, With a voice in the back of my mind reminding me of my engraved Mark of Cain, It begs and exclaims, and it can't seem to remain restrained, But to ease me of my pain, they'd say: "Here, have a glass of Champagne." Can't you see what this mystery is doing to me? I can't seem to break the shackles that would set me free, All I'm reminded of is of my unfinished Master's Degree. "Is that all that matters to you?!" I dare to plea, "But what about my happiness, or my hemophilia b?!" Their expressions are forever carved in my mind: dropped jaws and widened eyes, "If it is such a sin to be happy, can't one consider the act of decriminalize?!" They'd all put up such a convincing and eerie disguise As if it would turn back the clock to avoid their end, their demise But I could tell by their silenced, hushed lips and snake eyes: My inquiry deserved a Nobel prize What was it about my question that turned my loved ones against me? They wouldn't dare turn their heads my way, they'd continue to sip on their black tea As if I were a ghost, or some sort of banshee The loss of my sanity is what they could foresee -
0
Jun 23, 2014
Jun 23, 2014 at 12:41 PM UTC
Happiness
I used to think that sadness was beautiful, But what is the point of it all? We're supposed to be youthful! They said time and time over that it would pass, but to be truthful: The feeling and expressing pain or sorrow for sins, it's all we feel: ruthful So in the end, what is the point of life at all? When all we do is sit around and bawl, "I just wanted to be pretty Cristi, just like a doll!" But isn't it more important to be happy, above all? All I have been feeling for the past couple of years is pain, Even though all I have wrapped around my neck is a golden chain Rather than his clenched fingers restricting against my jugular vein, With a voice in the back of my mind reminding me of my engraved Mark of Cain, It begs and exclaims, and it can't seem to remain restrained, But to ease me of my pain, they'd say: "Here, have a glass of Champagne." Can't you see what this mystery is doing to me? I can't seem to break the shackles that would set me free, All I'm reminded of is of my unfinished Master's Degree. "Is that all that matters to you?!" I dare to plea, "But what about my happiness, or my hemophilia b?!" Their expressions are forever carved in my mind: dropped jaws and widened eyes, "If it is such a sin to be happy, can't one consider the act of decriminalize?!" They'd all put up such a convincing and eerie disguise As if it would turn back the clock to avoid their end, their demise But I could tell by their silenced, hushed lips and snake eyes: My inquiry deserved a Nobel prize What was it about my question that turned my loved ones against me? They wouldn't dare turn their heads my way, they'd continue to sip on their black tea As if I were a ghost, or some sort of banshee The loss of my sanity is what they could foresee -
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30
Blue Monday BY DIANE WAKOSKI Blue of the heaps of beads poured into her breasts and clacking together in her elbows; blue of the silk that covers lily-town at night; blue of her teeth that bite cold toast and shatter on the streets; blue of the dyed flower petals with gold stamens hanging like tongues over the fence of her dress at the opera/opals clasped under her lips and the moon breaking over her head a gush of blood-red lizards. Blue Monday. Monday at 3:00 and Monday at 5. Monday at 7:30 and Monday at 10:00. Monday passed under the rippling California fountain. Monday alone a shark in the cold blue waters. You are dead: wound round like a paisley shawl. I cannot shake you out of the sheets. Your name is still wedged in every corner of the sofa. Monday is the first of the week, and I think of you all week. I beg Monday not to come so that I will not think of you all week. You paint my body blue. On the balcony in the softy muddy night, you paint me with bat wings and the crystal the crystal the crystal the crystal in your arm cuts away the night, folds back ebony whale skin and my face, the blue of new rifles, and my neck, the blue of Egypt, and my ******* the blue of sand, and my arms, bass-blue, and my stomach, arsenic; there is electricity dripping from me like cream; there is love dripping from me I cannot use—like acacia or jacaranda—fallen blue and gold flowers, crushed into the street. Love passed me in a blue business suit and fedora. His glass cane, hollow and filled with sharks and whales ... He wore black patent leather shoes and had a mustache. His hair was so black it was almost blue. “Love,” I said. “I beg your pardon,” he said. “Mr. Love,” I said. “I beg your pardon,” he said. So I saw there was no use bothering him on the street Love passed me on the street in a blue business suit. He was a banker I could tell. So blue trains rush by in my sleep. Blue herons fly overhead. Blue paint cracks in my arteries and sends titanium floating into my bones. Blue liquid pours down my poisoned throat and blue veins rip open my breast. Blue daggers tip and are juggled on my palms. Blue death lives in my fingernails. If I could sing one last song with water bubbling through my lips I would sing with my throat torn open, the blue jugular spouting that black shadow pulse, and on my lips I would balance volcanic rock emptied out of my veins. At last my children strained out of my body. At last my blood solidified and tumbling into the ocean. It is blue. It is blue. It is blue.
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Apr 13, 2015
Apr 13, 2015 at 7:31 AM UTC
Diane Wakowski
Blue Monday BY DIANE WAKOSKI Blue of the heaps of beads poured into her breasts and clacking together in her elbows; blue of the silk that covers lily-town at night; blue of her teeth that bite cold toast and shatter on the streets; blue of the dyed flower petals with gold stamens hanging like tongues over the fence of her dress at the opera/opals clasped under her lips and the moon breaking over her head a gush of blood-red lizards. Blue Monday. Monday at 3:00 and Monday at 5. Monday at 7:30 and Monday at 10:00. Monday passed under the rippling California fountain. Monday alone a shark in the cold blue waters. You are dead: wound round like a paisley shawl. I cannot shake you out of the sheets. Your name is still wedged in every corner of the sofa. Monday is the first of the week, and I think of you all week. I beg Monday not to come so that I will not think of you all week. You paint my body blue. On the balcony in the softy muddy night, you paint me with bat wings and the crystal the crystal the crystal the crystal in your arm cuts away the night, folds back ebony whale skin and my face, the blue of new rifles, and my neck, the blue of Egypt, and my ******* the blue of sand, and my arms, bass-blue, and my stomach, arsenic; there is electricity dripping from me like cream; there is love dripping from me I cannot use—like acacia or jacaranda—fallen blue and gold flowers, crushed into the street. Love passed me in a blue business suit and fedora. His glass cane, hollow and filled with sharks and whales ... He wore black patent leather shoes and had a mustache. His hair was so black it was almost blue. “Love,” I said. “I beg your pardon,” he said. “Mr. Love,” I said. “I beg your pardon,” he said. So I saw there was no use bothering him on the street Love passed me on the street in a blue business suit. He was a banker I could tell. So blue trains rush by in my sleep. Blue herons fly overhead. Blue paint cracks in my arteries and sends titanium floating into my bones. Blue liquid pours down my poisoned throat and blue veins rip open my breast. Blue daggers tip and are juggled on my palms. Blue death lives in my fingernails. If I could sing one last song with water bubbling through my lips I would sing with my throat torn open, the blue jugular spouting that black shadow pulse, and on my lips I would balance volcanic rock emptied out of my veins. At last my children strained out of my body. At last my blood solidified and tumbling into the ocean. It is blue. It is blue. It is blue.
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82
Oh yes! I had plans to woo you with roses and chocolates and other mushy make-up that might just rev up your fireworks Yet I knew deep inside it wouldn't work so well. So jugular it was condoms and plastic roses knotted in shoelaces painted and welded on a metal frame worded: I will take you to take me: Now! But you laughed and blew the condoms into balloons and spray painted the roses in silver and I used the shoelaces to hang my head in creative shame! Yet when we met on the deck of union for the first time the sparks lit up the nightsky and we slept curled up around each other like question marks Thats how we bought tickets to forever Crazy? I waited-you came! Author Notes Most enjoyable poem today. © Marshall Gass. All rights reserved, 2 months ago
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Jun 30, 2014
Jun 30, 2014 at 5:09 PM UTC
Jaguar Jugular
i want to do right but its so hard to find another boot party tonight im still just fine franky on the mop billys on the floor only from the top i sit laughing and drinking refusing to clean these boots cleanliness is godliness twisted and stunted roots praying in godlessness as they all line up at the ticket booth take this knife give the slow slice through my jugular and wind pipe stare into the sun
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Aug 6, 2012
Aug 6, 2012 at 12:10 AM UTC
Stare into the sun
you hurt like ache and adderall and arnica you hurt like bruises and battle scars and broken bones you hurt like cuts and ******* and countryside you hurt like death and destruction and die-hard you hurt like electricity and emergency rooms and edit-undo you hurt like **** you's and fire and fallen trees you hurt like garbage cans and gonorrhea and gang **** you hurt like hell and holes in the road and heartache you hurt like israel and illness and ignition fumes you hurt like jaundice and jugular veins and jack in the box you hurt like karma and kissing and kerosine lamps you hurt like lightning and love and literary terms you hurt like mother and mary and moses you hurt like nakedness and nosebleeds and nervous breakdowns you hurt like oil spills and old yeller and oral quizzes you hurt like parkinson's and parties and panic you hurt like queens and questions and quantum physics you hurt like rogaine and roses and rope burn you hurt like solar power and stomach aches and *** you hurt like teeth cleanings and tar and tobacco you hurt like ulcers and underwear and unrequited love you hurt like viruses and venus fly traps and vapor rub you hurt like warning signs and weight gain and war you hurt like x-rays and x marks the spot and xoxo you hurt like your mom and your dad and you you hurt like zig zags and zero and zip ties (a.m.c.)
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May 10, 2014
May 10, 2014 at 2:05 PM UTC
{you hurt like the alphabet}
Mary had a cute little lamb. She also had a husband. The husband's name is Muhammad. Muhammad loved the lamb too. Muhammad ate it on Bakrid after slowly slitting its jugular vein. Then Mary was so very sad. Muhammad told her that he felt equally bad. But the spirit of Eid-Ul-Adha is to make sacrifices. The prophet had sacrificed his loved sons. Same goes for the symbolic sacrificial goats that they eat in grief. Ignore the pristine preparation of the lamb of God. And anyone killed in suicide attacks is also a Fedayeen.
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Sep 14, 2016
Sep 14, 2016 at 2:00 PM UTC
Mary, Muhammad & The Cute Little Lamb
Honed fangs behind sweet lips.   Lips made to caress my skin as they travel along my throat. So gentle he is, For a monster His tongue against my jugular; Heartbeats quicken. Shallow breathing as his dark eyes bore into mine. "Take me," I plea, "make me into you." You are mine... His voice is thick, laced with seduction but also some sort of tenderness. His movements careful slow calculated. He plants a kiss on my neck, fangs barely brushing. And I do not destroy that which is mine.
0
Oct 9, 2014
Oct 9, 2014 at 6:50 PM UTC
Dracula
you have me running in dangerous circles (round and round and round and) or is it you that circles me ---                   the helpless prey                   ?                   ((well, all the helpless can do is pray)) those alien teeth, they close around my jugular, only slightly i forget what (wheeze) air is for she's are no declawed cat!, scream my back and cheek and neck and arm and mind                   [*that's gonna sting like a ***** in the morning*, warn-growls she,                   predator woman                   (chimaera, monster she, sphinx)] just ******* let me go and let's (make this mess) get this done i can feel the words shriveling off before reaching my tongue [i know the chase to you is foreplay but]                               mercy! mercy! timeout!                   --- has no one told you that it's ugly to play with your food?
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May 17, 2012
May 17, 2012 at 11:44 PM UTC
lioness
The worst type of critic Is the critic with in me. I always judge my work Even if it's written perfectly. Just like other critics, I cannot silence this one. But it takes a toll on my work, It takes out all the major fun. I love to write, I love to share my ideas. But I think all my work is crud Even if it's beloved by my peers. This makes the delete button Oh so popular. The inner criticism is choking me He's got his hands against my jugular. But I love what I do, And I'll fight to the death, Even if my work does **** At least I tried my best. I have to remember, The best is what matters, Practice makes perfect I just have to continue climbing that ladder. It'll be a tremendous feeling, When I reach the top, Because I'll know no critics Even myself, Made me stop what I love doing. Writing.
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Jun 26, 2014
Jun 26, 2014 at 5:16 PM UTC
Inner Critic
Number 7 in the ORLOK series and one of the best O how I relish the taste of blood ****** out from the devastated jugular But there is more, much more When the victim is a nubile **** From a Transylvanian village Where ****** morality Is quite ******* thin on the ground; And that is how I met my fate. 'Twas on an October eve When I met plump Esmeralda And (having fed my fill from her neck as she slept in her hut under filthy rags stinking of stale ***** I sank my fangs into her naked belly Ripping into her bloated guts With my accustomed gusto; My tongue slurping its way Over her twitching **** And finally I descended joyously To her odorous spunk-encrusted ***** For the last rites, Before the final curtain To her worthless life of peasantry. But then, as my excitement mounted, And just as I was on the verge Of pumping out my vampiric ******* I felt an agonising, mind-blasting pain As a major stroke swept through me, Wrecking my synapses big time, Turning my brain into guacamole. And now I am a crippled ****** Just a spasticated old vampire In my second-hand rusting wheelchair, Courtesy of Romanian Social Services, Drooling helplessly Into my swollen pissy crotch, Waiting for another enema, My sole remaining pleasure And a stimulus to my jaded prostate. But, hurrah! hurrah! new hope arrives: A miracle occurs as I read of The new wonder pill from SuperDrug Available only in private practise And guaranteed to rejuvenate the jaded Or your money back, no worries. Orlok will fly again to pursue The pleasures of the flesh And especially the botty-zone.
0
Jan 20, 2015
Jan 20, 2015 at 12:24 PM UTC
The Terrible Doom of the Great COUNT ORLOK
Number 7 in the ORLOK series and one of the best O how I relish the taste of blood ****** out from the devastated jugular But there is more, much more When the victim is a nubile **** From a Transylvanian village Where ****** morality Is quite ******* thin on the ground; And that is how I met my fate. 'Twas on an October eve When I met plump Esmeralda And (having fed my fill from her neck as she slept in her hut under filthy rags stinking of stale ***** I sank my fangs into her naked belly Ripping into her bloated guts With my accustomed gusto; My tongue slurping its way Over her twitching **** And finally I descended joyously To her odorous spunk-encrusted ***** For the last rites, Before the final curtain To her worthless life of peasantry. But then, as my excitement mounted, And just as I was on the verge Of pumping out my vampiric ******* I felt an agonising, mind-blasting pain As a major stroke swept through me, Wrecking my synapses big time, Turning my brain into guacamole. And now I am a crippled ****** Just a spasticated old vampire In my second-hand rusting wheelchair, Courtesy of Romanian Social Services, Drooling helplessly Into my swollen pissy crotch, Waiting for another enema, My sole remaining pleasure And a stimulus to my jaded prostate. But, hurrah! hurrah! new hope arrives: A miracle occurs as I read of The new wonder pill from SuperDrug Available only in private practise And guaranteed to rejuvenate the jaded Or your money back, no worries. Orlok will fly again to pursue The pleasures of the flesh And especially the botty-zone.
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49
A knife cuts clean the jugular of Greece, Sun-shattered Autumn spurts in breezes, Her face falls like crumpled sails of the trireme ~This is the sound of sinking clouds, mammatus~ The slow tottering head sinks into itself, The arm of once-command lies lengthwise Next to the sea, as waves erase all her form, And the drear and maddened moon in its cage of stars.
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Oct 27, 2022
Oct 27, 2022 at 7:10 PM UTC
Greece Fell Long Before the Sun
The reason there aren't so many vampyres around these days is they don't like TV hype and the intrusions of TV news crews. It transpires that vampyres prefer late hours and like low light levels because they're egregarious and don't like to be seen inebrious in the middle of their heinous, intravenous revels. Also, unfavorable reviews about transfusions and the confusion caused by AIDS, at this juncture, has definitely reduced the appeal of being seduced by some crazed and gurgling Transylvanian bloodsucker lusting to puncture the jugular, or any other available vein again, especially when you don't know if they've disinfected their fangs or only licked them after draining their last victim. After all, vampyres were brought up in castles when there weren't antiseptics for gargles and they haven't been taught prophylactic criteria against such apocalyptic viral bacteria. And if you've ever seen vampyres with condoms on their teeth, you'll know what I mean.   It's a scream. Everyone finds them hilarious. It'd be easier to die laughing than to go down with anemia. Also, like everyone else, vampyres hate ridicule. No-one likes being seen as the fool.    And the other reason vampyres are scarce now is that there are so many genuine muggers, hoods, crims, druggies, financial leeches, homicidal maniacs, psychopathic liars and genocidal tendencies to conjure up real fears out there, that there's not much room left for quaint old-fashioned vampyres, poor dears.   But do you know something? Even though they were naughty, I miss their occasional **** I know it was gory, but those kisses, oh boy. We got into the femoral artery inside the thigh. It was ***** But when AIDs came along, that was it.  Definitely bye-bye. Nobody wanted to die.   These are the facts.   So these vampyres were starving and they reverted to bats.   Did a midnight flit, and that's the end of my story.
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Oct 31, 2012
Oct 31, 2012 at 6:01 PM UTC
Goodbye to Vampyres
The reason there aren't so many vampyres around these days is they don't like TV hype and the intrusions of TV news crews. It transpires that vampyres prefer late hours and like low light levels because they're egregarious and don't like to be seen inebrious in the middle of their heinous, intravenous revels. Also, unfavorable reviews about transfusions and the confusion caused by AIDS, at this juncture, has definitely reduced the appeal of being seduced by some crazed and gurgling Transylvanian bloodsucker lusting to puncture the jugular, or any other available vein again, especially when you don't know if they've disinfected their fangs or only licked them after draining their last victim. After all, vampyres were brought up in castles when there weren't antiseptics for gargles and they haven't been taught prophylactic criteria against such apocalyptic viral bacteria. And if you've ever seen vampyres with condoms on their teeth, you'll know what I mean.   It's a scream. Everyone finds them hilarious. It'd be easier to die laughing than to go down with anemia. Also, like everyone else, vampyres hate ridicule. No-one likes being seen as the fool.    And the other reason vampyres are scarce now is that there are so many genuine muggers, hoods, crims, druggies, financial leeches, homicidal maniacs, psychopathic liars and genocidal tendencies to conjure up real fears out there, that there's not much room left for quaint old-fashioned vampyres, poor dears.   But do you know something? Even though they were naughty, I miss their occasional **** I know it was gory, but those kisses, oh boy. We got into the femoral artery inside the thigh. It was ***** But when AIDs came along, that was it.  Definitely bye-bye. Nobody wanted to die.   These are the facts.   So these vampyres were starving and they reverted to bats.   Did a midnight flit, and that's the end of my story.
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37
I will rip you, I'll rend you, I'll tear you apart I will shave away your skin with my nails And carve your bones with my teeth I will tear the hair from your head and wrap it round your throat. ***I will **** you*** I want your blood on the tip of my tongue I want to to smile as your lungs fill with blood I want to rip your jugular and watch you die And since I really want to, I know I really could. My soul, my heart is ablaze with anger Only the glass of your dead eyes can quench My mind is a wasteland of war Made peaceful by your pain. By my hand and from my anger You will be ripped from this world By my hand and from my anger Will this knot of insanity unfurl. Let Earth conflagrate Let the fire you take you as it has me Let the universe burn Burn you to a cadaver, a carcass, a body.
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Jan 2, 2014
Jan 2, 2014 at 5:57 PM UTC
The Rage I Hide Daily
A Jurassic forest - a tense moment watching my T Rex, grazing lightly on the jugular vein of some docile lizard, with a toothy grin, when Alan's mum stomped into the room bellowing dinner time and the intervening million years or so turned in a whirl of pages, tumbling legs and screaming kids, and a jumble of Alphabetti Spaghetti tubes, limp in their bloodied ketchup pool, clearly out-flavoured the remembrance of things past.
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Apr 21, 2015
Apr 21, 2015 at 2:53 PM UTC
The Food Chain
'bury me,' i say, 'god, stop choking, ******* bury me,' lay me to rest with the other dead things in the garden i spit in the ground to make it special i want you to eat me i want a lot of things (i want you to eat me, among other things like the dead bodies sewn into my ribs, and the carcass at your feet--i want you to eat me, and enjoy it) i taste like royalty are you satisfied? are you satisfied? are you satisfied? im still awake after all this time,holy and undead (or just unholy and dead;but what i meant to say was, 'i still love you') today i will tear my stockings i don't want a dead lover i just want to be dead this time tomorrow i will have forgotten, i swear, or i promise, or something god you're beautiful and other sentiments (are you satisfied? are you satisfied? are you satisfied? why the **** are you here you're not special its ok, i scratched out my own eyes years ago) god you're beautiful when you're dead and other sentiments im not a corpse im a cufflink another one for the tally mark sweethearts and the milk carton crying downstairs i tell you i feel fine but im still drooling it doesn't change anything i say, 'i wanna bleed out' and you say, 'i love you too,' and you stab me in the jugular
0
Nov 11, 2014
Nov 11, 2014 at 8:56 PM UTC
lactose intolerant
she walks at trouble with her Jugular bared Into fire because she likes the heat, the way the flames play and flirt with her fingers and her bones. lips tilted around a cigarette drags in the poisonous kiss of a ***** cloud, upturning her palms to strangers to give them her hands and her ways. That girl is Brave diving off every cliff and caressing the rocks as she floats down harmlessly to rest upon the filmy waves. but when her little soul becomes golden at the edges I hope for her that a hand will catch her balloon string and guide her back to earth.
0
Jul 6, 2011
Jul 6, 2011 at 8:13 PM UTC
Ruby
Some                   times when                  I use kni                                        ves, I am                                imag ining                 your jugular.
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Dec 20, 2014
Dec 20, 2014 at 7:15 PM UTC
Happy thoughts? (10w)
I think that's just fine. because the length from chin to jugular vein, makes me blush like a schoolgirl in shame. Thing is, is not fair. cause my hand'll never touch there. following from the tips of my fingers. A deep longing, lingers. A jawline I fell for. As soft and sharp as you. But looking in the mirror, i'm getting the hint of one too.
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Apr 26, 2016
Apr 26, 2016 at 12:36 PM UTC
I fell in love with a jawline.
A decade from now,             My words will only be a carcass even birds won’t want             To pick at anymore. I won’t be able to keep track of where my similes skip off to, And maybe I’ll discover later that they crossed the street like a chicken That wouldn’t know to look both ways, Causing a six car pileup, But never making it to the other side of the road as I intended them to. Maybe my metaphors will age quickly,             And ten years down the road             Their doggy jowls will quiver with one last yawning breath             As they collapse beneath the nearest tree from hip failure             Resting at last beneath a pleasant summer sun. I don’t like to think about it, But I’ve entertained the idea That perhaps I will neglect my words,             Letting all the quatrains pass me by. Yes, that is how my structured sentences will meet their end:             With no periods             But a blank space                         Where your name should be. I’d like to think that someday             I won’t have this horrible need to write anymore I’ll describe my perfect days because I want to, Not to fill this void I made When I handed out my consonance like candy             And scattered similes in the air like skittles             During that drought we had a while ago When everything was black and white And I thought everybody wanted A taste of the colors I’m made of. I like to entertain the thought that someday Someday             People are going to reach back through the decades and excavate my words             And try to find deep meanings beneath all my poetry.             Scholars will slit the throats of my similes,             Claiming there was some philosophical point pumping through the jugular,             And I might laugh somberly [a little] if they do.             They’re going to find the rotted carcasses in the most random of places:             A passenger seat,             The floor by a bathroom,             A stairwell,             Under a tree. I know that some might try to find the cause of death. In fact, I know they will. But I’d much rather people look for the only reason of birth, The only meaning behind all my metaphors, I want these people to catch the quatrains I let pass me by when it hurt too much. When it hurt too much To just write- I love you.
0
Jan 1, 2013
Jan 1, 2013 at 4:51 AM UTC
All That I'm Trying to Say
A decade from now,             My words will only be a carcass even birds won’t want             To pick at anymore. I won’t be able to keep track of where my similes skip off to, And maybe I’ll discover later that they crossed the street like a chicken That wouldn’t know to look both ways, Causing a six car pileup, But never making it to the other side of the road as I intended them to. Maybe my metaphors will age quickly,             And ten years down the road             Their doggy jowls will quiver with one last yawning breath             As they collapse beneath the nearest tree from hip failure             Resting at last beneath a pleasant summer sun. I don’t like to think about it, But I’ve entertained the idea That perhaps I will neglect my words,             Letting all the quatrains pass me by. Yes, that is how my structured sentences will meet their end:             With no periods             But a blank space                         Where your name should be. I’d like to think that someday             I won’t have this horrible need to write anymore I’ll describe my perfect days because I want to, Not to fill this void I made When I handed out my consonance like candy             And scattered similes in the air like skittles             During that drought we had a while ago When everything was black and white And I thought everybody wanted A taste of the colors I’m made of. I like to entertain the thought that someday Someday             People are going to reach back through the decades and excavate my words             And try to find deep meanings beneath all my poetry.             Scholars will slit the throats of my similes,             Claiming there was some philosophical point pumping through the jugular,             And I might laugh somberly [a little] if they do.             They’re going to find the rotted carcasses in the most random of places:             A passenger seat,             The floor by a bathroom,             A stairwell,             Under a tree. I know that some might try to find the cause of death. In fact, I know they will. But I’d much rather people look for the only reason of birth, The only meaning behind all my metaphors, I want these people to catch the quatrains I let pass me by when it hurt too much. When it hurt too much To just write- I love you.
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When I say everything is crashing to pieces, Falling apart before my very unadulterated eyes, I don't mean it as a metaphor. No. I mean things are literally breaking to bits. When I say everything is crashing to pieces, I mean With every step I take across this suspension bridge, I can feel the ground give way to my weight and endlessly tumble and twist toward its impending demise to the unsuspecting ground below. (Albeit, it has yet to have trouble with the racing automobiles wizzing past me with a taunting doppler) When I say everything is crashing to pieces, I mean I have the Midas touch. Only, when things come in brief contact with my fare skin, they need not turn into gold but rather chaos. When I say everything is crashing to pieces, I mean With every flip of the switch comes an explosion of glass bits and fiery yellow sparks shooting awry (give my thanks to the short fuse) When I say everything is crashing to pieces, I mean I attempt to live out my usual ordinary uneventful lifestyle, and I leave a wake of destruction in my route to the corner store! (Remind me to apologize to the florist- I'll have to get him some newly birthed petunias) When I say everything is crahsing to pieces, I mean I fear cutting onions lest the knife get fed up with being dulled by various vegitables and find its way to my throat, holding me hostage in the kitchen via blade tip to jugular When I say everything is crashing to pieces, I mean I would be far from surprised if the monsters under the bed had a mutiny and overthrew their sane captain who keeps them from overturning my mattress every night, bless him When I say everything is crashing to pieces, Falling apart before my very mundane eyes, I don't mean it figuratively. No. Things are literally breaking into tiny wooden splinters. But don't you for a second dilute your mind into thinking this bothers me in any way. I've learned to just let the pieces fall where they may
0
Jul 3, 2014
Jul 3, 2014 at 11:33 AM UTC
when I say everything is crashing to pieces
When I say everything is crashing to pieces, Falling apart before my very unadulterated eyes, I don't mean it as a metaphor. No. I mean things are literally breaking to bits. When I say everything is crashing to pieces, I mean With every step I take across this suspension bridge, I can feel the ground give way to my weight and endlessly tumble and twist toward its impending demise to the unsuspecting ground below. (Albeit, it has yet to have trouble with the racing automobiles wizzing past me with a taunting doppler) When I say everything is crashing to pieces, I mean I have the Midas touch. Only, when things come in brief contact with my fare skin, they need not turn into gold but rather chaos. When I say everything is crashing to pieces, I mean With every flip of the switch comes an explosion of glass bits and fiery yellow sparks shooting awry (give my thanks to the short fuse) When I say everything is crashing to pieces, I mean I attempt to live out my usual ordinary uneventful lifestyle, and I leave a wake of destruction in my route to the corner store! (Remind me to apologize to the florist- I'll have to get him some newly birthed petunias) When I say everything is crahsing to pieces, I mean I fear cutting onions lest the knife get fed up with being dulled by various vegitables and find its way to my throat, holding me hostage in the kitchen via blade tip to jugular When I say everything is crashing to pieces, I mean I would be far from surprised if the monsters under the bed had a mutiny and overthrew their sane captain who keeps them from overturning my mattress every night, bless him When I say everything is crashing to pieces, Falling apart before my very mundane eyes, I don't mean it figuratively. No. Things are literally breaking into tiny wooden splinters. But don't you for a second dilute your mind into thinking this bothers me in any way. I've learned to just let the pieces fall where they may
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Quite suddenly They become aware Of the fragility Of the jugular vein No bone no cartilage Not much flesh either To protect and shield it How we humans just w a n d e r about With no armour Simply not realising how easy it'd be For someone to just S  L  I  C  E And down we would go Spraying blood over all in vicinity Life blood is warm and dark red. In other words- Beautiful in the morning light Where it shines like prismatic rubies Warm, and not at all demonic. Don't you think so, my love? The colour suits you...
0
Dec 24, 2015
Dec 24, 2015 at 1:31 PM UTC
Control
Beautiful piranha Bare your teeth in a scheming grin Pull back your harsh red lips Flash your blue-green-gold coat of scales Blood thirst blinding your eyes White boney razor teeth gnashing, Biting on empty space Dart around your territory With your cliques of similarly minded Similarly equipped predators Your body specifically designed To be irresistible To let you spot your victim, ****** them, And go for the jugular
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Jan 15, 2013
Jan 15, 2013 at 8:26 AM UTC
pretty carnivores
Stamped, I said; don't you dare let go of my hand. Until the day my breath and your hair turn silver. Holding my jugular, I let you watch me undress daily My love for you was bulletproof, but you're the one who shot me What you don't know, is you missed the cavity I romanticised the cocking and pulling nightly, murdering beauty. I ran away from home, to sleep in a manger I ran from a man, a man I never knew Same genes, same jeans. Denim was my choice, and yours. Rotten, like and old pair. Chromosomes. I lay on your thick neck The weight of a field mouse, tiny bones, pulled, curled in the straw, invisible to everyone but you Your shoes always faced upwards Walking the line where the barbed wire tore your chest Your heart was a runway, our family horse, chocks away Twelve stitches, those same twelve stitches in my mother's neck, at twelve years old, Twelve years on and it's taking thirteen to heal I learnt how to pick locks at eight years old, A lost boy in the body of a girl, skin of a thistle, no **** Purple and armoured A chameleon soul, belonging to no one No compass due north, a ***** needle She said; 'Baby, you're like cyanide, and I liked you for that.' I believe in madness Holding your breath for sixty seconds, because you can Like a bird flying into a windscreen voluntarily Throw me into it, If i'm going, i'm going, Pull me down harder, bind my ankles to make a tail Hit me harder, hit me until I find it acceptable to hit back, No halves, of the halves that halve us in half I'm all
0
Jul 16, 2013
Jul 16, 2013 at 11:46 AM UTC
***** Needle
Stamped, I said; don't you dare let go of my hand. Until the day my breath and your hair turn silver. Holding my jugular, I let you watch me undress daily My love for you was bulletproof, but you're the one who shot me What you don't know, is you missed the cavity I romanticised the cocking and pulling nightly, murdering beauty. I ran away from home, to sleep in a manger I ran from a man, a man I never knew Same genes, same jeans. Denim was my choice, and yours. Rotten, like and old pair. Chromosomes. I lay on your thick neck The weight of a field mouse, tiny bones, pulled, curled in the straw, invisible to everyone but you Your shoes always faced upwards Walking the line where the barbed wire tore your chest Your heart was a runway, our family horse, chocks away Twelve stitches, those same twelve stitches in my mother's neck, at twelve years old, Twelve years on and it's taking thirteen to heal I learnt how to pick locks at eight years old, A lost boy in the body of a girl, skin of a thistle, no **** Purple and armoured A chameleon soul, belonging to no one No compass due north, a ***** needle She said; 'Baby, you're like cyanide, and I liked you for that.' I believe in madness Holding your breath for sixty seconds, because you can Like a bird flying into a windscreen voluntarily Throw me into it, If i'm going, i'm going, Pull me down harder, bind my ankles to make a tail Hit me harder, hit me until I find it acceptable to hit back, No halves, of the halves that halve us in half I'm all
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