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RatQueen Jul 2018
I think we've found
an understanding
A common ground
Island in sea
I dont want you to feel shorted
So listen to me now
This is so important

When it comes to you and comes to me
I know there was uncertainty
But I also know how things are now
What we feel is more than what we usually allow
ourselves
And Its okay to let it come
And I could tell that you just wanted someone

So let me in you're the only one who can
I may be the only one who understands
Its okay to not have a plan
Its enough to simply be a man

I've never wanted
Something more
Don't hide the flaws
That I adore
No need to try
And fit a mold
These are more than just
Some words I've told

And I know that
You're very smart
But you embrace the brain
And hide from heart
I've hurt you, and you've hurt me back
For egos sake and what we lack

We can't take back all the mistakes
But Amy said
Its where you're at, not where you've been
And Its okay to let it come
And I could tell that you just wanted someone

So let me in you're the only one who can
I may be the only one who understands
Its okay to not have a plan
Its enough to simply be a man

I don't want to run your life
Or even be your wife
As much as I just want you to know
That I empathize
Its intimidating when something feels so good
Scared it isn't healthy or that you neglect the things you should
But you can't deny
And I would never lie

So let me in you're the only one who can
I may be the only one who understands
Its okay to not have a plan
Its enough to simply be a man

Its okay to let it come
I could tell that you just wanted someone
Its okay to let it come
I could tell that you just wanted someone
songwriting
MsRobota Jun 2020
Coffee...
You're...well...anyways
I just wanted to say hi
and ask you, if you
would, maybe, consider...Uhm
would you have coffee with me?
sometime..?
So let us now place monetary value on information.
Let us return to the source,
Mining & prospecting that fertile intel seam.
To wit: WWII and G-2 shenanigans.
Wild Bill and OSS-capades,
Artificial disseminations.
Partial recriminations.
And PSYOPS:
A literary nightmare--
THE CYCLOPS from The Odyssey,
For example,
If you lack your own,
Your own personal Bogey Man.
Or men. For me:
Allen Dulles or Richard Helms.

The Intelligence Community:
It was a small tightly knit crew,
Less than battalion strength in 1942;
A few myopic soldiers,
Who, although could barely type,
Were still too cerebral to
Waste as infantry fodder.
It was a huge converted Army-green warehouse,
Space strategically partitioned,
Sectioned off into cubicle-like spaces,
By giant 4-drawer file cabinets
Standing tall like MPs,
Sentinels & Guardians,
Monuments to pre-electronic storage,
Data relatively comprehensive, and an
Archive secretive & intimidating.

Within the Army-green incunabula,
Scattered throughout the intel landscape,
Here and there a few commissioned officers,
A smattering of college psychology majors,
Personalities with predilections,
And penchants for mind games.
These self same WWII vets,
Would morph into Cold War Mad Men.
Stalwart, stouthearted men of Eisenhower,
And J. Walter Thompson,
De-mobbed, as they say in the UK.
Consumptive.
Self-indulgent,
Particularly when it came to the kids;
Children of the peace,
Called Baby-Boomers,
An entire generation enabled & destroyed.
Who would produce little of value
Except medical marijuana and
Coupons, clipped by that sober ruling class—
Fat interest-bearing college-loan portfolios
Held by that neo-Calvinist Elect: The 1%.
Fat cats one and all,
Loaded dice & canasta cronies--
In concert a stacked deck,
“Una mano lava l'altra.”
The words of my namesake--
My grandfather Giuseppe--
His vowels reverberating,
Rattling in my dreams.
Not friends, but
Fiends in high places, like
The Fed and dark liquid pools.
Thank you, Barack, for
Fooling us again.
For giving us
“Belief we can believe in.”

But I digress.
It was when the Government Secrecy Act,
In all its transnational incarnations,
Embraced capitalism in a big way,
Elevating the ideology to whole-Earth saturation,
Systemizing the ethos of Darwin,
Into one global Moby ****,
One solitary leviathan,
A multi-level marketing labyrinth,
Where wealth is the end game--
Greed: pure, unbridled & unrestrained.
Bond--James Bond—
Did his bit, supplying catchy
Slogans & tag-lines:
“For Your Eyes Only.”
“On a need to know basis.”
“Confidential Information.”
“Top & Ultra-Top Secret.”
“Hush, Hush & a Bag of Chips.”

The sealed letter sits in a locked drawer,
In that stout desk,
In the Oval Office
In The White House,
“To be opened by my VP in the event of my death.”
Another staggering work,
Of achy-achy-heart breaking genius,
The culture commoditized,
A disease containing its own cure,
Assayed, graded,
Portioned & packaged.
Priced accordingly,
To a logic that goes something like:
“Anything this tightly controlled,
Anything the government deems to be
This illegitimate and/or & secret
Must be really, really God-awesome,
Must really be Da ******* Bomb.”

Brother Coolidge was right:
“The Business of America is Business.”
And INFORMATION:
“The Most Valuable Commodity on Earth.”
So said Stanford Stuyvesant Whitehead III,
19th Century robber baron, and
Consummate Fat Cat.
Get the picture:
We were smoking cigars and sipping cognac,
Mighty comfortable in leather armchairs,
Muted billiard clicks,
Punctuating the atmosphere
In this spacious lounge,
His East Side
Downtown & private
Manhattan club.
I, his guest, had not the slightest idea
Why I was there.
"By God, man," he went on,
My eyes speared by his laser gaze,
His bushy eyebrows,
His monocle.
His bulbous nose;
His thick wet mustache.
And those EYES:  
Those crazy,
Insane eyes.

"I am talking about a profound change,” he continued.
“Back when the steamship
Gave way to electronic wireless radio."
He puffed smoke,
Removing the cigar from his mouth,
Holding it,
Examining it critically for a moment.
"I'm talking about communication,
Instant communication
With business associates, &
Cronies far away,
Way out there,
Far beyond the places we know well.
Picture it:
You're running a fleet of
Ramshackle Filipino banana boats,
Out of some nameless cove,
Indenting the south coast of Mindanao.
A cyclone comes out of nowhere.
Good God--there’s sixteen banana-packed
Coal burners lying on the bottom of the Celebes Sea.
Think about it:
You've got telegraph radio.
Everyone else has the post office.
Now, I ask you:
‘Who's going long,
Who’s getting rich on the
Caracas Banana Exchange?’
Good Lord, man, it would be
Like being omniscient!"
“This very conversation,” he went on,
“Could well be a verbatim transcription
Of a conversation right here in this very room,
Between people like: J. Pierpont Morgan
And some lesser Gilded Age nabob;
Some Astor, some Rockefeller,
A Gould or Vanderbilt,
Whitney or Duke,
Some Frick or Warburg--
To name just a few, old sport.”
He stopped suddenly.
He looked down at his hands,
As we both realized he had counted these names
Out on his fat curled fingers.
He looked at me and smiled.
I was afraid.
Why had I been invited to this meeting?
I smiled back at him,
Doing my best to mirror his
Carnivorous menace.

I knew it.
He knew it.
He knew I knew it.
Mr. Whitehead’s growling rabid jowls,
His slobbering canine smile held me steady.
“Okay. Touché. ‘Ya got me.”
He shook off the phony smile,
An absence, accentuating
His stare: lethal, carnal & rare.
“I never had much formal schooling.
I’ve been hungry.
Hungry enough to know for sure
That the correct fork,
Don’t mean ***** from shinola.
When I’m dining out, fancy-like,
Me manners is the least of me problems,
Far less important than
The dinner chit they
Hand me after I slake
My thirst & appetite.”
Again, he stopped suddenly,
Recognizing that, perhaps,
He’d revealed too much of his
Bedford-Stuyvesant pedigree.
He turned again and stared at me.
“None of that,” he said.
“None of that means squat to me, Boyo.
What matters now is I’m rich.
I’ve got mine, By God,
And ******* It!
Tough ***** on the rest of you losers;
The rest of you fecking whiners can go
**** yourselves over at Zuccotti Park.”
He pounded the armrest,
The padded armrest of the rich Corinthian leather—
( . . . ***, Ricardo?
Get your Montalbán
Mexicano ***, back in
Random Access Memory Land,
Where you belong.
**** ya’ Fantasy Island
Hospitality, Mr. Roarke,
Go be wrathful Khan Noon Singh,
Somewhere else.
Now is not the time, or,
Let me rephrase that:
This narrative will not allow your meme here . . .)    

Whitehead pounds the armrest again.
“My point is this:  
None of JP Morgan’s decidedly,
un-nattering lesser nabobs of negativity . . .”
BAM!  Again, he pounded the leather . . .

(Back in your ******* hole, Spiro!
Do you realize just how far back,
Just how far back
Maryland’s reputation
Has been set back by your venality?
Not to mention any shot at ethnic assimilation,
The rest of us grease ball non-Wasps
Have in this country?
You ******* Greek!)

I stopped thinking
When I realized Stanford Stuyvesant Whitehead III
Was reading my mind.
“So that’s what it’s really all about,” he said,
Rank smugness in his voice.
“So, I’m just a nouveau riche upstart,
A socially inept parvenu,
Yet they still let me
Join their tony clubs.
It chaps your ***, Boyo, don’t it?
I’m still Scotch-Irish, and
A WASP, Laddie.
Something your skinny
Greaser-Guinea-****-Spaghetti-*** ***,
Ain’t ever gonna be.”
But I digress, again.

So I joined one of Uncle Sam’s
Lesser-known clandestine services,
An assignment appropriate to my ethnic identity,
Namely GLADIO in Italy,
A NATO stay-behind operation &
Cold-War comedy.
I infiltrated the Brigate Rosse.
I drove the Aldo Moro kidnap vehicle.
I cooked minestrone for General Dozier.
I sliced off J. Paul Getty’s ear in Calabria.
Ironically, I lost my hearing during
The Stazione Bologna bombing.
I am consequently pensioned off,
Off both the radar and the payroll.
Years later now,
I live in one of those gated, golf-coursed,
Over-55, sunny southern California
Lunatic asylums.

Most days I am drunk at 9 AM.
I fill Bukowski mornings,
Conjuring up Jane Fonda,
Jazzercised in camo spandex.
She is high atop a Vietcong tank in Hanoi.
Or Daniel Ellsberg
Enjoying a second act in American politics,
Praising Snowden & Assange,
& Bradley Manning,
I summon up the ghosts of
Julius & Ethel,
Benedict Arnold,
Rose of Tokyo & Mata Hari—
And Ezra exiled at Rapallo,
And John Walker Lindh,
A Yankee Doodle Dandy,
Born in Washington,
District of Columbia,
By way of Afghanistan,
Taliban Americano,
Kangaroo-courted,
Presently residing at the
Federal Correctional Institution
At Terre Haute, Indiana.
Spies.
Traitors.
Saboteurs.
And Poets?
No longer capable of keeping secrets.
Desperate now to tell
The truth.
Madison Oct 2018
Not too tall --

Don't want him towering over me

Looking down on me

Humiliating me

In more ways than one.


Eyes should be dark --

Not pale.

Don't want them

Cold, empty, icy

Don't need

A shark-like gaze

To chill me to the bone.


Not too large --

Don't need him to tell me

Just how big and strong and intimidating he is

Can't have him saying

Outright or otherwise

That he could hold me

Or anyone else down.

What else are arms for?


Not too crude --

In fact, I just might want him to talk

Like a woman.

Don't get me wrong --

My vocabulary is colorful enough.

It would be hypocritical to rule out profanity.

But, as soon as you call me or her or him or this or that

'*****'

The bile will surely be climbing my throat.


Not too proud --

Yes, confidence is attractive

But conceit is certainly no match.

I don't care if he thinks he looks good --

I will most likely agree that he does --

But one who can not admit to his mistakes

Let alone answer for them

Is a frightening caricature of humanity.

I am so flawed, love

But my flaws are not the cause of yours.


Not too dense --

Anyone who reads this

Male, female, or other

And calls me a 'man hater'

Or asks what I would think of a man

If he wrote something like this about a woman

Should run along

For that is not what I'm saying

Not at all.


I know what I deserve

And it's just what everyone else should get.

I just believe

That 'do unto others'

Should not die

Once the ring is on the finger

Or the name is on the dotted line.

I just believe

That 'love' should not be bastardized

To mean an unconditional, everlasting loop of

'Whatever you want

Honey.'

Only give what you'd want to get

Only take what you know you need

No matter the giver.

Bestow and accept nothing less

And as much more

As you can manage.


Believe me

I'll keep doing the same

No matter what you say.
Mateuš Conrad Nov 2018
.i (am) giddity giddity getting it... lying is an economic policy that
exhausts all investment in reality.


blow backs and...
i've never heard so much
politics on the citizenry level of
implementing the discovery
of politics...
    
    i love Tuesday nights in
these parts of the world...
German army jacket, hood...
walking really slow,
drinking a beer,
smoking a cigarette...
tense upper-body frame,
not moving my hands
that much,
intimidating posture...

  passing cars don't count...
**** me...
like a scene fro the Vanilla Sky
beginning...
in Times Sq.....
but this is Romford,
the outback that somehow
constitutes London...
i made a count...
how many people did i spot?
3... and that includes me...

i love Tuesday nights...
and then making lunch
for my father going to work...

next time i hear the following...
all these internet bums
imploring for donations...
they're...working?
making ******* videos?!
that's work?!
  that's work?!
and me writing is what...
Stephen King ***
David Koontz?!

they're working?!
right... making existentialist
quasi-*******
with a return of: how else
to be a consumer?!
that's work?!
    work... come to think of it...
what's work?
low unemployment levels...
yeah... go figure...
but the jobs on offer...
aren't they, just a tad bit
*******?!
         the sort of work that
is summarized by ctrl + c
              and a cntrl + p?
if there is so much work available,
sure as **** the work is "work",
i.e. it's *******...
it's not a plumbing spot...
it's... the sort of work
that... could also come with
a contraceptive message,
a ****** career...
            why even bother doing this,
this... "job" when you can align
yourself to making contraceptive
precautions?!
so... you want me...
to do this, "job"...
this waste of time bollocking of
the lesser actor?
        no ******* chance...

unemployment is down...
well of course it is...
more meaningless jobs
have been re-imagined!
    no wonder!

i'd understand a cinema cashier,
there was a sense of aura,
notably with the popcorn scent...
but now?

no... over-population isn't
a problem...
but meaningless jobs are...
a ******* problem...
    ******* attempting to suffice
my escapism with a meaningless
function that is...
about as much a trade
as a peanut is a watermelon...
*******!

i'll huff... and i'll puff...
and... ****... forgot the cucumber...
make my father
the sort of lunch that
kings dream of...
   yeah... but just sandwiches?
and only sandwiches?
  ****... forgot the cucumber...
      a thai cucumber pineapple salad...
oh no... you little ***** bank donation
******* and *******...
you get to rent...
       you get to rent a flat...
coughing up money to the most
deplorable people... your landlords...
should have thought about your
teenage tantrums...
   and thought about
  talking to your parents differently...
incidence...
i dated a Russian girl once...
and she told me...
that her grandmother was her mother,
and that her mother was her sister...
a ******* confusing relationship...
**** yeah that it ended!

well... evidently the retards coughing
up money into strangers' coffers
will deem me ******...
    then again...
only in the west there's the parental thesis
of being a child, and subsequently
an adult... only if: you are ashamed
of having parents to begin with;

hello, test-tube Dan,
frozen egg Hilary,
           IVF... Peaches?!

counter argument: well...
i could live in a shack in a forest,
or call my shadow a roof,
lingering on the paved streets...
then again...
my neighbors lied that
they bought a house,
and they're... what... 30 something?
saying they're renting it out...
and yet...
  they have house parties
under their parents' roof...
and smoke **** in their car...

lying is an economic policy that
exhausts all investment by reality;
i do not find lying
to be a moral encompass,
more an economic bypass...
      lying, simply doesn't make any
economic sense...
  "morally" (in question)
      advantageous in
the short term...
   but economically...
lying is exhausting...
            given that it's a lived
fiction... rather than
a non-lived fiction of a book...
i don't lie...
  because...
              what one cannot love,
one better be ashamed of...
****... does that even make sense?!
to be denied a love,
     one can at least bask in the shame,
that the truth of denial entails...
yeah... that sounds better.
K F Feb 2016
As a ginger, I'm inclined to say fox. I've always had an affinity for those cunning, red canines.

But if it's just for a day then perhaps something a bit more adventurous. I suppose I would choose to be a cheetah.

Fastest land animal in the world, agile, and speckled.

Nobody messes with a cheetah. Not because they’re so hulking or intimidating— just more fascinating than terrifying.

We travelled to South Africa once, my family and I. As a tribe we chased wild creatures down with cameras in jeeps in a raucous yet hushed thrill.  

The cheetah was one of the few animals that eluded us. Perhaps having never seen one up close is partially what draws me to them.  

Mysterious, as well as evasive, with an "I don't give a ****" attitude.

They only eat every so often because catching food is such a feat. When they do hunt however, it's one of the most spectacular things in the natural world.

It's why places that sell tv's show footage of cheetahs running in slow motion over and over on a dizzying loop; demonstrating how clear the pixels are in the plasmas. It's mesmerizing.

Their feet move too fast and fly over the dirt, honed in on whatever poor gazelle or kudu they're after. If you're a cheetah that is your body, your thin bones, your rapid heart and beating paws that make you move in such a blur.

To be a cheetah for a day is feeling and knowing the difference between machine and muscle. Humans have found ways to fly, and people regularly move faster than a top speed of 75mph.

But how sublime it would be!
To be solely and purely responsible for that unparalleled speed just for one day.
Amanda Fawcett Mar 2013
You asked me how I am doing
and I said “Good”
You asked me to be honest
and I said “I’m fine”
You told me to expand.
I replied,
"I'm not good at all.
And I want that to be simple enough.
I'm not being exaggerative
or selfish
or birthing drama for drama's sake.
It's just that I am here.
Here on silly earth,
And I feel alone at crossroads in my life.
I am under no illusion
of my incredibly blessed
or undeserving existence.
But that's just the problem.
LIFE is starting now.
And for the first time,
I have had to make choices
choices on my own
choices
that
(according to mother)
will shape who I fundamentally
become as a human.
So that's a bit distracting.
‘You need to remember not to let people down.’
‘You should consider how you love someone, not just when to.’
‘You ought to be more assertive or it'll all come crashing down.’
She reminds me of my
uncontrollable imperfection
on a daily basis
Not necessarily through her words
I doubt she wants to inflict this on me.
But the way way she stares at me sometimes
from across the room.
Silently.
Like she’s trying to admire a painting
that secretly
no one quite appreciates
or understands
but everyone seems to find profound meaning in it
so you go along
with the show.
Which I wouldn't have a problem with
if I could wake up refreshed in the
morning.
And not tired
like I am.
All the time.
I’m tired of being fifteen.
Because inside,
I don’t feel fifteen.
My mind turns on fifty year old gears
churning up one hundred year old
philosophies.
But
The age in which I currently must suffer through
is misunderstood
and incorrectly represented.
Teenager is a word parents
shudder to hear.
A word elders instantly accuse.
A word authorities doubt without reasonable basis.
The drum pumping my soul
is in fact a solo ensemble.
But
I am naturally clumped in with the lot
of marching bands
that clash and crash,
stomp and slam their drums
as they parade the flag
of fickle rebellion
into the air they barely know.
Don’t get me wrong,
the stereotypes of my age and time
are drawn up
from some truth,
but one truth shouldn’t result
in one outlook.
You don’t roll dice with
only threes on the faces
or only ones.
So it is hard to watch as
everywhere I go,
titles and labels
are being stuck into me
like toothpicks in a fruit salad.
And first of all,
just because society cuts me up
and breaks me down like a pineapple
you can buy with leftover quarters
doesn’t mean that I’m up for grabs.
And secondly,
No one should be branded
simply because
it is easier to ignore them
than to know them.
Don’t hear this as a “oh she’s a teenage girl” moment
hear this as a “she’s a human and wants to be heard without your filter over her words” moment
So, I’m having a hard time with that.
Not to mention the rest.”

“The rest?” You asked.

“You know,”
I said,
“How I have to decide what school
I am going to commit to
which is slightly like choosing
between your two parents.
You can’t pick one happily
and freely
without knowing what could’ve been
if you lived with dad instead.
It’s tricky to wake up in the morning.
It’s tricky to get out of bed
because I know that sooner than later
I will either be moving
that bed into the basement
or into a dorm
which won’t be on the campus I really desire
because God knows I didn’t
save enough pennies for that.
My whole future is before me.
Almost literally
considering the number of pamphlets stapled
over the dreams I carved so meticulously
out of my ‘mind wood’
with my ‘What do you want to be when you grow up’ knife.
So that’s intimidating.
And all those “it’ll work itself out” speeches
that surround me
don’t make the choices
suddenly blare across the radio
or start blinking from neon signs
telling me what to do
what to chose
what to be.
In the end,
all those “don’t worry about it”
and “you’ll figure it out”
do nothing but put a knot in my gut
that no amount of research
or interviews
or Friday night pig outs
can untie.
Because this stuff,
these moments as I build my foundation
for my single LIFE with little slippery Lego blocks
are not made with cheery hand-outs
or inspiring quotes.
LIFE is formed by me
choosing which Lego brick color
choosing which Lego brick shape
and of course
choosing which people will
help me to construct it.
It’s tricky
It’s messy
It’s loud
and it makes other things
hard to focus on.”

“Other things?”
You said.

“Other things.”
I reply.
“You know,
those books I have to read
those graphs I have to draw
those tests I have to study for
those miles I have to run
those words I have to memorize
those labs I have to finish
those annotations I have to complete
those poems I have to parse.
Just THOSE.
Don’t get me wrong.
I don’t mind school
Unlike the kids who complain
that they are forced to educate themselves.
I have no problem learning.
In fact, I want to
long to.
TEACH ME, WORLD!
TEACH ME HOW TO UNDERSTAND YOU IN EVERY LANGUAGE I CAN!
It’s not the books
or the deadlines.
It’s the people.
Bleh.
The people.
The cowardly childish people
with their smug clothes
and horrendous attitudes
that you can smell just over
the stink of their pomp.
Truthfully,
I feel for them
because they don’t feel for themselves.
and because there is little way to prove to these kids
that they can be them
not doctored them
or decorated them
the “them” they thrive to be
not the “them” they try to be.
So I’m surrounded by people
icky people
whose glares and stares
and whispers like cold ghosts
leave me too feeling torn between
being myself
(whatever that even means)
and being accepted.
I want to be free
to try new things,
but new things are poison here at school
new things are demeaning
because they’re demanding.
So,
I have moments where I say
‘Be you. What does it matter?’
But then when I am alone
at the table
at the only open table
with the last chair
the one that squeaks if you
rock to the left
when I am
listening to the music no one knows
and reading the book no one chose
thinking about the movie even no theater shows
that’s when moments of guilt ridden
loneliness bring me to say
‘Put yourself away for now.
Put in a pin in it.
Come back to what you want
after you’re done being what
society thinks you need.’
Because
it is hard to be loved
by one sided people
it is hard to be loved
when the world wants you to say
what it wants to hear.
Us teenagers think we wear invincibility cloaks
So we never have to see those under the invisibility cloaks
‘Don’t question it!’
seems to be the motto of most I meet here.
Because who wants to learn,
who wants to try
if it makes them question their comfort?
And of course that all just touches the surface
of that other thing.
The thing I don’t want to really talk about.”

You pushed me to tell you.

So I did.
“I’m afraid
of God.
I’m afraid
of Death.
I can’t go off of blind faith
like I did when I was young.
I can’t accept ‘Jesus loves you
this I know’
because this I don’t know.
And no one
Not my parent
Not my mentor
Not even my Bible
can give me enough hope in this regard
to bring me to accept not knowing.
This amount of stress is me
Sits as a damp frog
Pestering me to choose
Croaking up unformed opinions
in the form of tar
that I get trapped in.
How can I believe in something
How can I devote my life to something
How can I pray to someone
that I am not even convinced has cared
for a thousand years?
I want to think God knows my name
that he is above me as
those shiny, divine painting portray.
But they’re lies.
And people expect me to believe
that he is smiling down on me like
a new daddy over a crib.
He isn’t a father to me.
So, I feel lost
and confused
and scared that I’m wrong
and even more terrified that I am right.
I’m scared of
God.
And I’m scared
to die.
I don’t quite think I even know
how to live yet.”

“Oh,”
You said.

“Yeah,”
I whispered.
“I know.”

We both paused.
Remember?
My arms rested
at my sides.
Heavy.
Yours swung across
your chest.
Nervous.

“So you’re doing great then?”
You managed to slide through a smile.
“That’s good to hear.”
Diane Aug 2013
Women don’t want hook-ups.
No matter how much she says she does,
no matter how much she enjoys the ***,
no matter how much she is good at it,
women want relationships.
Even the one you discovered has slept with all of your friends.
And the one who relies on her sexuality because she does not
believe in herself enough
to be anything other than the crazy chick
who will let you violate her in ways no one else will.
Even the one who pretends she does not love you but does
“friends with benefits” because it’s the only way to get
the friend part out of you.
Even the one you think is beautiful but intimidating because
her history of pain has created an aura of independence and mystery.
Even the one you think is ugly and you talk **** about to your friends
after you **** her.
So if you are wondering why your game of innuendos
and “just one time let’s use our drunkenness as an excuse”
always seems to backfire,
it’s because in her heart of hearts
in her quiet, truthful and lonely places
where she starts to believe she is something of beauty,
a woman of intelligence,
creativity and value
and that yeah, she is capable love,
women don’t want hook-ups.
Christian Ek Mar 2015
Your a jaw breaker candy because you dropped my jaw.
My head spinned back like an owl as you circled me.
Long nails tingling down my spine.
A voice that could ****** any wild animal into submission.
Her body heat made me sweat.
Her intimidating attitude was ****.
Her reading glasses foggy.
Her coffee breath wasn't off putting but rather enticing.
She was a blue moon and i was howling for her, I was bound by her power.
Kara Jean Jun 2016
The devil sat next to her offering Sumatra blend coffee as a peace offering
He had an intimidating persuasive grin
Her soul was shrinking
Her ******* were missing
He trapped her plotting
His key was twisting into Hells room floor
She could no longer ignore his insensitive personality  
His life style was to **** expensive
A clock tick tocking rhythm less  
She still held her head high
He never seemed surprised when she said goodbye
Ensnared in
the crystallization
   of  web's
intimidating deception,
superficial spider
met its
duplicitous match,
whence the improvised
contortionist morphed
         forth from its chrysalis,
              spun midst grandeur
               in triumphant
                            survival of flight's
                                       sheer inception
haruka Sep 2015
to cry in a ditch and forget about everything
the linear ride does not stop, it goes faster
and at the breaking point speed,
everything shatters into a thousand, million pieces.

this is the heart at its very epicenter,
like fire to a liquid, set aflame, the water is boiling.
to a cooling point, we shudder in the breathtaking speed
everything eases into a quiet, easy stop.

but the ride hasn't ended, nothing is over
everything repeats and you are more tired than before,
your memory is foggy and the present is intimidating
more intimidating than the past or the future
because what happens now decides everything

the present becomes everything.
it becomes your future, and in this way
it becomes your past.
the present is everything,
and the intimidating rises in the hot, fiery pit of your gut.

there are no more warm, fuzzy feelings,
or easy-to-see felons,
or people lying down at your feet.

there is just what is, and nothing changes that.
perhaps the ease of the ***** has changed you, though.
perhaps you have become harder on the outside,
but your inside will remain the same.
you become an egg, with its brittle shell,
sitting in a carton of others like you,
waiting to be broken and eaten.

to be devoured like the food you are,
to be devoured by a ferocious demon,
a demon inside of you? outside of you?
can you not tell, anymore?
has everything gone awry,
your plans not made go into chaos.

islands in your mind feed on the deep blue oceans,
the very liquid of your subconscious drips
into crisp, white, snow.
powdery and fickle, never staying-ever changing.
it is the solid, the liquid, and the air.
it surrounds you, this breath of another.
you are the mirror, of another.

was there ever an original to start with?
your star changed and danced so many times
with benign signals who have fled into nonexistence,
their own private solitude a solace as well as a jail.

corporate magic flees the scene of a death,
doing its best to not make sense in the face
of the almighty master of miracle dropping.
yet nothing can overcome this Master,
it is the Truth itself, which can not be tricked.

everything dissolves and once again you are alone,
perhaps in a ditch. cold and hopeless,
and without memories of what just took place.
there is nothing left for you,
so you apathetically walk back home.
my masterpiece-like poem.
Mateuš Conrad May 2016
.you should really see the two comments left, and the 700+ views to begin with.

mind you, i did write an ode to the gods
(yes, that infantile pleasure,
not associated with cosmopolitan new york
atheists)...
how the roman plagiarißm of the the greek
pantheon happened too soon,
how the semite god ate up ba'al
and beelzebub "too quickly"
   turning them into fallen angels...
      like how he infiltrated the roman empire
due to their close-up plagiarißm so early...
father Zeus, father Odin remained...
as did their phonetic encoding...
as did the glagolitic script turned cyrillic...
sorry... where was the african phonetic
encoding? beside the hieroglyphs?
  what's swahili for:
red earth, gave birth to me?
   nyekundu dunia, alitoa kuzaliwa kwa mimi!
see... that's african speech:
but what are the letters behind it?
last time i checked... there aren't any!
and i came from africa?
maybe the anglo-deutsche did...
i didn't... i source my origins
in india... after all... indo-european
is my higher category, the mongols...
i don't care if the germanic people "think"
they originated in africa, i've come from india...
people who minded phonetic encoding,
had an alphabet,
              i'm still stuck with germanic
people with african stereotypes not being
able to swim...
   heavy bones they say...
    **** that and the whole i.q. "conundrum"...
i still watch t.v.,
       after all, after prometheus
brought down the flame from olympus...
some demigod had to bring down /
steal the rod of zeus / electricity...
and turn the t.v. into the modern fireplace...
the b.b.c. had this 2nd season running,
killing eve...
             sandra oh and jodie comer...
there's this instance in season two,
when jodie comer, villanelle...
  is interrogated by aaron peel...
                and "kind" aaron is asking villanelle
all this philosophical quips...
anselm's ontological argument...
    occam's razor (i wish)...
            he has so many books on his
bookshelf...
   yeah... books you look at like comic
book strips, books you don't actually read...
books you look at...
            and what does villanelle do in the end?
she brushes aaron's nose with one of
these books "he's read"... what is it?
ha ha!   a dictionary of philosophy...
a... dictionary...
basically short-script...
                     cheat...
         you really want a dictionary
definition of philosophy? a philosophy dictionary
definition, a sound-bite?
you know... last time i checked...
i read bertnard russell,
kierkegaard, kant, heidegger...
not for a dictionary definition...
or regurgitating rubrics akin to
a university lecturer...
        i hate regurgitation...
                i read for myself,
  in the end, hoping, my narrative could
find expansive ground for work-arounds...
i don't like playing the happy
harpsicord dancing monkey...
    to give "proofs"...
              i don't like people,
akin to villanelle, when questioned
on a university entrance critique...
               like i might "know my ****",
or not "know my ****"...
                                       pretty boring...
i am starting to resound in the conviction...
there's no point in knowing other people,
there's only one person worth knowing,
yourself...
       mind you, i'm still waiting for the alternative
phonetic encoding system to come
from africa, as an alternative counter
to the egyptian hieroglyphs...
i'm not seeing it...

   tender skin: the moon does see...
     zabuni ngozi: ya mwezi haina tazama...

eh, chinese script is all syllables and no
letters...
        glagolitic - Ⰿ
        rune - ᛗ
        roman - M
        greek - μ
        hebrai - מ
        devanagari - म
        arabic - م
        hieroglyph - owl
        mandarin - 冊
        hiragana - ま(a) み(i) む(u) め(e) も(o)

didn't i mention this already,
interchangeable, between a letter and
a syllable... given the hiragana example...
depending on what vowel
you attach to the base sound (consonant),
the vowel modifies the base (consonant)...
five ******* variations of the consonant / syllable...

           ergo? no atomic reality in these languages...
syllable understanding...
the mendeleev table...
                He: helium...
             Xn: xenon...
                          Na: sodium... etc.,

            depends...
   after all... a base letter (consonant) in hiragana
looks like the following schematic:
i.e. no one really knows what M looks like,
like mmm-humming...
without an added vowel...

                                     ま(a)
                                      |
                   め(e) ----- "x" ----- む(u)      
                                   /    \
                                 /        \
                          み(i)          も(o)
                                                            
.Nietzsche was wrong about dialectics, he suggested that the non practice of dialectics, even the anti presupposes a polite society, he invoked that comparative tenet of a society in saying: a polite society does not engage in dialectics (finding the truth of opinions).

which is akin to the slander against Voltaire,
that not engaging in dialectics
one has a chance to have an opinion about almost
everything, there's no chance these days
to have a polite society as there is no chance
to establish a Utopia... the way dialectics is
avoided like some surreal horror movie
is to have many opinions, to not engage in
dialectics is to be opinionated, hence Nietzsche's
style of utilising aphorisms and as many
maxims as possible, without useful applicability;
it's like that metaphor for a venomous bite,
the carousel of the many many thoughts,
likewise, no truth are established, since many
truths are proposed - hence the paradoxical
venture into nothing, simply walking in circles
on plateau nihil, it's polite, well of course it's
politeness! politeness by having many opinions
readied for a quick change of subject or
the simple act of shame and shutting up.
all this? with regards to a woman writing about
her abortion: we, the great reverse-amphibians,
so she's writing about it... 4 weeks in she's ready
to erase the dot... they tell her to come back 12
weeks later (sadists... why not remove the dot
rather than wait for the geometry to construct itself?),
again... why not remove the dot and the abstract?
she mentions a dot... remove the ******* dot!
the tadpole outside the gooey yoke is fastened
to maturing in the fresh water stream or lake,
i can hardly be a human being inside the ******
if my **** and bladder muscles are not matured,
i'm an abstract in that sense, tadpoles ahoy!
now see how living in a "polite" society i can't
engage in dialectics but have to reverse the process
of discussion and engage in picturesque comparatives
using toads? it's called applying anaesthetics - well,
an anaesthetic, or a placebo - in polite society people
get over-excited, unconditionally so, over-stimulated,
unconditionally so, with having to muster having
many opinions, politics can become a circus de facto,
de facto as in: detached from rural England.
so if we'll never attack the status quo with dialectics,
will be constantly multi-opinionated, changing the
subject all the time, and when challenging, we'll
only feed an anaesthetic, an anaesthetic that will become
a confession booth in a catholic church:
a quasi-solipsism, the listener and the other person
talking, mono-dialectics, so well entrenched these days
that there's even a good reason for practising
psychiatry rather than a catholic confession in church,
psychiatry is, after all, a secular version of the catholic
practice - more intimidating though, since you're
facing each other, rather than sitting at parallel positions,
shrouded in secrecy of the wooden mosaic wall of
the booth... i'm just wondering if this attempt to feel
the naked soul does not intimidate the clothed body
more to later undress itself in ***.
Odd Odyssey Poet Dec 2023
The darkness that consumed me made me feel like wanting
to die, even before the age of nine.
However, let's count our blessings that none of the individuals
in the house owned a nine. I find myself engulfed in these thoughts,
I make a desperate plea to hold on, just like hanging
clothes on a line.
The voices inside my head ring relentlessly, like an
ominous chorus on this figurative suicidal line.
            1-800-273-8255
Please could you pick up, it's feeling serious this time.

My heart remains motionless, resembling a lifeless mannequin, and if you look closely, you may witness the damages.
I cautiously open the door to my own insanity, but the idea of grappling with its dark influence feels overwhelmingly intimidating,— I can't handle this.
Fear grips me as I contemplate unveiling my eyes, for I
dread the somber reality that they will behold.
Once again, I urge my thoughts to remain steadfast, like
clothing hung on a line, as the echoes of the voices -
The voices inside my head ring relentlessly, like an
ominous chorus on this figurative suicidal line.
            1-800-273-8255
Please could you pick up, it's feeling serious this time.


A peculiar itch consumes my lips, almost as if I long for
the  Death's kisses. Within the depths of my depression, I struggle to maintain a sense of identity, for this overwhelming sadness has become my greatest weakness. I endeavor to traverse the arduous path of mental instability, navigating the metaphorical distance of a "crazy mile".
However, I feel invisible, unnoticed by the world as I bear witness to my own pain. The allure of escapism entices me, enticing me to run towards the temporary relief that a blade may bring,— cutting myself more this time.
Once again, I beseech my thoughts to cling tightly, like
clothes delicately draped on a line.
The voices inside my head ring relentlessly, like an
ominous chorus on this figurative suicidal line.
            1-800-273-8255
Please could you pick up, it's feeling serious this time.
samasati Sep 2012
whenever I feel the tremble start to ooze its way
from my compact mind to the tips of my fingers,
I immediately anticipate the fate
that I have always been able to foresee
whenever that familiar first jolt of an anxiety attack sails its way,
like a vessel in a storm
throughout my entire body

heart pounds an intolerable caution
lungs wheeze frigid determination with a rough friction
that lightly scrapes my core with a ticklish flutter
shoulders lift up into a hunch; absolutely automatic
the top tray of teeth lock clenched into the bottom tray’s hold
a fleet of air hisses in and out of two nostrils like a monk’s meditation
capacious eyes flicker from
the lid to the lash to the iris to the pupil to see everything

everyone is staring
everything is too intimidating to look at for longer than two seconds
then, the tunnel
the clearest, acute vision waters into a soft edged frame,
into a pixel mud of a picture, into a black peripheral,
black corners rounding in – a narrow and petty circle
I use it and follow it to wherever my
deepened impulse decides to take me

silently contemplating,
silently speculating,
silently examining
the fears I let my feeble self
get swallowed up in.
He was a man.
A thief.
It was his true nature.

He was the most beautiful
One of them all.
Had no example
To compare.

Skin and eyes
Brown and dark.
Teeth white as snow.
His scent warm and earthly.
And the feeling of his finger tips
On my skin,
Was almost intimidating.

He was a king now
And I was his queen.
We had all we ever dreamt of
But it wasn't enough
For him.

He was caged in the castle
I knew
He longed to steal
To keep moving
It was his nature.

Before long,
Aladdin was gone.
Leaving me without
A heart.
Chris Voss Oct 2013
Dig your teeth from out of the street.
Stumble back to your feet, boy, you aint finished yet.*

The more we fall, the harder these callouses grow from crawling on all fours across coarse, crumbling asphalt; sprawled out like spider legs. Desperate to seem larger than life deemed fit. And we fall so hard. You can tell by the fine collection of scars forming constellations across our elbows and knees as if to say, "Look, we bleed so much like sky, why wouldn’t we believe that we could defy gravity?" Yet, come Sunday, we’re always convinced that flying will come naturally so, naturally, we fall again from the tops of tall buildings.

The harder we fall, the greater the impression we make upon the Earth. That’s the ****** Tunes lesson we are hellbent to learn as children from Saturday morning cartoons, and even here, with the wind rushing past our ears, we question how Wiley Coyote could ever be so ******* stubborn.
But these days a friend teaches me my grown-up, penny pinching lessons with wishing well thoughts about how I should slow down. He says, “you’re a snail with Nascar aspirations--obsessed with the novelty of speed, ignoring how your anatomy isn’t meant to move so quickly.” He says, “Everyone knows you’re a sucker for a pretty face and a sundress.” And I know I’m just being defensive, but his advice strikes me as off-putting as an Ed Hardy t-shirt when it dawns on me that he wears his knowledge like a bad fashion statement but did he ever even know what the rhythm in my pace meant? I’m not the kind to stand still and see where the train stops, I’m a freight-hopper without a destination. When excited, I speak faster like some love-child of candlestick and dynamite: Ignited. Spitting sparks from both burning ends. I know I’m primed for disaster, but I’d rather shatter and burst open than fracture and spend every morning after holding those cracks together; believing that a little glue is sufficient to convince the next bargain bin buyer to cradle me that I’m not broken.

No.
Let me rather be particle matter. Let me be braille for the breeze. I have no doubt that day will come eventually. But not today. Today, I find Grace in reanimation, and if they say Grace is the face of God,  then I’ll practice my best Christ impression and rise again from this human shaped crater like the world’s least intimidating zombie apocalypse.  I’ll bless my eyes blind with crosses tilted off-kilter like dead cartoons do because on Saturday mornings they’re always reborn with ACME epiphanies sprouted like assembly line angel wings and I imagine, come Sunday, they’ve somehow mastered the art of flying. Or falling.
I, more often than not, confuse the two, but I think that's just something we humans seem to do.
What I’ve Learned as a Writer
By Leo Babauta

I’ve been a professional writer since I was 17: so nearly 24 years now. I’ve made my living with words, and have written a lot of them — more than 10 million (though many of them were duplicates).

That means I’ve made a ton of errors. Lots of typos. Lots of bad writing.

Being a writer means I’ve failed a lot, and learned a few things in the process.

Now, some of you may be aspiring writers (or writers looking for inspiration from a colleague). Others might not ever want to be a writer, but you should still care about writing. I’ll tell you why: it’s an incredible tool for learning about yourself. And if you’re an effective writer, you’re an effective communicator, thinker, salesperson, businessperson, persuader.

So for anyone interested in writing, I’d love to share what I’ve learned so far.

    Write every **** day. Yes, even weekends. Yes, even when you’re busy with other crap. Each day I write a blog post, an article for Sea Change, part of my new book, or perhaps part of a novel. If I don’t have enough to write every day, I start a new writing project. I write at least 1,000 words a day, but you don’t have to write that much. Writing daily makes it a routine thing, so you never have to think about it. You just do it. It gets much easier, less intimidating. You get better at it. It’s like talking with a friend: just how you express yourself.
    Create a blog if you don’t have one. Whether or not you’re a writer, you should have a blog. Why? Because it’s a great way to reach an audience, to practice writing on a daily basis, to reflect on what you’ve been learning, to share that with others so they might benefit, to engage in a wider conversation, to learn about yourself. Anyone who wants to learn about themselves should have a blog. (Protip: Try Sett to start a blog — it’s a great way to grow an audience and community.)
    Write plainly. I think this is from Strunk & White, but it works well for me. I write in plain language, leaving the flowery stuff for others. Academic writing is the worst — it’s so stilted no one wants to read it unless they want to show others how smart they are. Technical jargon, business-speak, pretentious vocabulary, insider acronyms … none of them have any place in communicating with your fellow human beings. Only use those things if you want to hide the fact that you don’t know what you’re talking about.
    Don’t write just to hear yourself talk. Lots of people like to go on and on about themselves and their lives, but readers don’t come for that. Readers come for their own purposes. You’re reading this to get ideas for yourself as a writer, not to hear the life story of Leo the amazing writer in technicolor detail. Now, you can tell stories about yourself if they’re vividly entertaining or inspirational or really instructive. But have a purpose, and be sure you’re meeting that purpose. Don’t just ramble.
    Nearly everything can be shortened. Including this post, of course. I could probably cut 25% of this post and get away with it (I’ve already cut 25%). Go through your sentences and ask: is this necessary? What purpose does it serve? How would this read without it? And if you can, drop it. It makes your work more readable, clearer.
    Fear stops most potential writers. Most people don’t write (publicly at least) because they’re afraid their writing will ****. Well, it will. Everyone ***** at first. You don’t get better at something by sitting on your hands. **** it up, put yourself out there. You won’t have many readers at first, when you ****, but as your audience grows so will your skills.
    Read regularly for inspiration. I might write more than 1,000 words a day, but I read 10 times that. I read books and (online) magazines and blogs and more. Reading gives me ideas, shows me better ways to write, gives me access to the best teachers in my craft (amazing writers).
    Procrastination is your friend. Every writer lives daily with procrastination. If you allow yourself to feel guilty about that, then you’ll feel bad about yourself as a writer. Instead, embrace your procrastination as a friend, enjoy it … and then ask the friend to leave for awhile so you can get your work done. No friend should monopolize all your time. Get your writing done, then invite the friend back when you have free time.
    Have people expect your writing. This is another reason blogs are fantastic: if you build up an audience, you feel the pressure of their expectations. This pressure is a good thing — it keeps procrastination from taking over your life. You know the audience expects you to write, so you get off your **** and you do it. Before I had a blog, my editors were the people expecting my writing.
    Email is an excuse. We often go to check email because it feels productive (and it can be), but it’s easy to use that as a way to put off the writing. Honestly, if you close your email for a couple hours, nothing bad will happen. Close it, close everything else, and get to writing. Your email will be waiting for you when you’re done.
    Writing tools don’t matter. Most people tinker with their writing tools, trying to find the perfect system. ***** that. You can write with anything, as long as you have a keyboard. Yes, I much prefer typing to writing by hand, because I’m much faster at typing. I can get the words out closer to the speed of my thinking. But what writing program I use is irrelevant: I write in TextEdit, Sublime Text, Ommwriter, Byword, Notational Velocity, in the WordPress or Sett editor in the browser, in Google Docs. Just open up a new document and start writing.
    Jealousy is idiotic. Writers can often be insecure types — perhaps it’s a byproduct of putting your soul out in the world for all to criticize. So they’re often jealous of the success of other writers. That’s a complete waste of time and energy. It does you no good as a writer. Instead, learn from the success of others, see what’s good about you, and merge the two. Be happy for people. It’ll make you happier too.
    Writing can change lives. When I publish a post, I hope it’ll be of use to someone. But the responses I get are often incredible — people tell me how much a post or my blog in general has changed their lives. I’m blown away by this. When you put something with good intention out in the world, you have no idea what kind of impact it might have on others. It might do nothing, but it could have a profound effect on someone’s life. That’s truly powerful. That’s truly a reason to get up and write.

And one thing I’ve learned, above all, is this: the life that my writing has changed more than any other is my own. Writing for you has changed me, in ways I am only beginning to grasp. In wonderful, crazy, lift-you-off-the-ground kind of ways. And that makes me want to do it forever.
Nicole Aug 2016
The day that I saw you
I was already in love with you
You're now my world
You're now my everything

Every time I think of you
My heart beats so fast
Can't control my own feelings
My lips automatically smile

You are my Prince Charming
You're so handsome and intimidating
You are my art
You are my masterpiece

I keep thinking about you
Every morning every night,
suddenly my heart was on fire
I fought so hard not to cry

The man I fell in love with;
Is just a fantasy that I made
The man I fell in love with;
Was born in a most romantic book

The man I fell in love with;
Doesn't exist in this world
Sadly, the feeling that I felt,
Is UNREAL LOVE
Ottar Mar 2013
Elusive elephant elegantly eating.
Lioness learning landlocked locales.
Limber leopard leaping lightly.
Intimidating irate iridescent iguana.
Exercising eel elongating effortlessly
Ellie!
Michael May 2014
It is almost sunset but it is still too hot. She sits next to me and passes over a mason jar of crushed ice and lemonade and I take it gratefully into my hands. Instead of drinking it, I rest it against my forehead and allow the condensation from the glass to drip down the sides of my face with closed eyes. I take more of it with my fingers to drench the back of my neck, but my palms burn more for it. When I sigh because this small jar does not alleviate my apparent and immediate threat of heat stroke, she laughs at me.

She is my best friend. There was a never conscious moment that I made that decision, it just happened. Before she'd joined me on her concrete stoop I'd been turning over the idea of whether or not there was an exact moment that I'd perceived her differently, but could not pinpoint it. I’d been eyeing the patches of dirt and dead grass scattered within her yard, listening to her hum If I Ain't Got You out of tune, mumbling some of the more repetitive words here and there, picking out the sounds of her fetching things as she sets them on the counters of her run down kitchen. I try to guess what she is doing as I am hearing it, but feel unwilling to join her. It is even hotter inside her house since her air-conditioner is broken. We are devastated.

After a moment of silence she narrows her eyes against the sun tells me that she misses him. I nod, but say nothing. Three of us sat here last year and suddenly the heaviness of his absence rests between us. She quickly changes the subject and tells me she wants to start jogging because when school comes back around she’ll be thin, for sure. “I’m going to be so ****, I’m not even joking.” I smile at her determination. She talks about a girl in our year that everyone calls pretty, but I shrug. She asks if I think she is pretty. I can only nod my head. I can’t compliment her properly because I haven’t found the right words to tell her that it’s not about being thin. That is not what makes her perfect. Not to me.

I never liked her lemonade, but I begin to drink it anyway, thankful that some of the ice has melted fast enough to be a bit watered down. I don’t mind. It made it less sugary. The first time she’d given me lemonade, her father had laughed and said, “If you eat the ice, it’s like a dessert,” not knowing that dessert was literally the last thing I ever wanted. I have never been fond of sweets.

She laughs a little and crunches away on her ice and I cringe. She knows I think it’s an awful sound, but I’d grown so accustomed to it after the years of hearing it. For her, it was a typical summer treat. It wasn’t even real lemonade. In her freezer were small cylinders of an odd, condensed yellow mush that they’d dump into a plastic pitcher and then add water to. Remembering this, I no longer feel like drinking it. I hand it to her.

“Don’t want it?” she asks. I shake my head, watching neighbor girls sit under a tree with a small dollhouse as I wait for her to finish both jars. I don’t like the way it leaves the back of my throat feeling dry anyway and I never feel less thirsty after drinking it. She sets the empty jars between us and we talk about where we’ll go this summer, what movies we’ll see —lamenting that there really haven’t been any good ones recently and that maybe it’d be way more fun to see if we could convince her parents to let her join my family at the lake house. She doesn’t want to swim at all but seems excited to lay on the dock and get a bit of color.

She wants to take pictures. She rises from the stoop to return the jars to her kitchen sink and grab her camera and we walk through her neighborhood. I trail behind her consciously as she raises it to her eye, letting my fingers run along her neighbor’s chain-link fences, dreading the moment she finds a way to somehow sneak me into the frames of her photographs. She’s seemed more eager to try and capture me now that I am taller. I have grown so much in just a few months that I’m not sure how to handle my limbs just yet. They are too long and too thin and I am strangely aware of them —but even more aware of where she points her lens.

We find out that there is construction behind her neighborhood and sneak past the half constructed fences, large barricades, and signs (Keep Out, Construction Ahead). It is an odd place for nicer houses, we decide —right next to the ghetto. She laughs at the brick wall and shakes her head. “That’s not going to keep them out.” But it looks intimidating anyway. Maybe that’s the point.

In the middle of the area rests newly planted trees shading a small, wooden gazebo. They overlook a manmade pond, just large enough to swim in. She knows me too well. My first instinct is to jump in so she dares me to. Practicing self-restraint I tell her all I want is the shade and I lean against the railing of the gazebo instead. I watch her snap more photos —of leaves, of ripples, of her feet, the construction. She asks again if I want to join her and shrugs at my reluctance. She dips short legs in the water and casts a teasing glance in my direction. Her pink hair looks silly against her warm face and I smile. She tells me she knows I want to, that I’m a *****. I shake my head. She draws it out mockingly and threatens to take a picture. (I cover my face with my hand.) “Paaaaansssyyyyy.” She laughs and tells me to just get in. “You gunna just take that?” I was a lot less eager to break rules, but no. I wasn’t going to just ‘take that.’

So I jump in, glad to be cool. The momentary weightlessness frees me for just a small space of time. I feel it cling to my skin when I surface, but my clothes make me feel twice as heavy. I want all of my thoughts to feel the way your body does underwater. Light. Careless. Far away.

Suddenly, behind us, someone is shouting at us in an indistinguishable accent. We trade horrified glances, swearing we catch the word cops, and we bolt, leaving a frantic trail of water and wet foot prints to evaporate behind us. We don’t stop running until we get back to her porch, the sun fully set, and we collapse against her concrete stoop out of breath, laughing much harder than we should. “Oh my god,” she repeats over and over again with exasperated giggles and small gasps for air. My heart cannot be tamed, like it's run ahead of me. I’m sure I won’t be able to find it for a while.

“Oh my god...” She tells me she doesn’t want to run anymore and I cast her a confused glance and tell her we’re definitely in the clear, but she shakes her head. “No, I mean all summer. Forget being thin,” she says. Suddenly I feel her in that missing section of my chest. “Who wants to run in this heat?”
I'm so sorry for the length.
Six
Turn the kitchen sink on. Wait 36 seconds. Turn the sink off. Count the sides of the kitchen doorway. One, two, three. Put socks on, walk to the bathroom. Take socks off. Turn the bathroom sink on. Wait 36 seconds. Turn the sink off. Count the sides of the bathroom doorway. One, two, three. Put socks on. The whole procedure had been finely polished into a smooth six minutes. Exactly. Justin’s day can now begin. He finishes his normal routine and leaves the house. He checks the gutter. He’s not checking for anything specific, but it’s sixth in his morning ritual and must be done.

Today he found something. There’s a girl, passed out. She is wearing an excessively short turquoise sequined dress, with matching stilettos. Justin was at a loss. The gutter was not empty. Should he call the police? He took her shoe. He ran. Six blocks later, he stopped. He was In front of his favourite coffee shop. It was an intimidating place, with a tattoo and piercing service offered, while you wait for your coffee. He liked it because the address was 666. He was worried the police he hadn't phoned would be searching for the stiletto he had stolen. Who would have known he would turn to a life of crime? Just earlier, while the bathroom sink was on, he had been thinking of complementing the local parking officer (the one with the limp) on his ability to write tickets. Now here he was, holding the glittering fruit of his crime. Maybe he could return it to the young lady. She seemed nice enough, from what little he knew of her. But what if she questioned him? Best have an excuse prepared. He could say he saw a spider climbing into it. His chivalry had saved her from a nasty bug bite. No, he couldn't pull that off. He would pretend to be a poet, that’s what he’d do. Poets are known for being strange. So he set about writing her a poem.

Turquoise like the rain,
off you go, down the drain.

With a dress, short like our fleeting existence,
that could really do with some more distance.

I took your heel to 666,
left you a poem in the mix.


Justin was in fact quite proud of his apparent literary side. He rejected -yet again- a discount on tattoos, and left the coffee shop. He walked back to his gutter, Finding once again the girl, passed out. Slipping the stiletto back into place on her foot, he looked around guiltily, double checking the police hadn't followed him. He went inside. He went to bed. The next morning, he forgot to turn the kitchen sink on. He didn’t wait 36 seconds. Didn’t turn the sink off. Didn’t count the sides of the kitchen doorway. One, two, three. Didn’t put socks on. Didn’t walk to the bathroom. Didn’t take socks off. Didn’t turn the bathroom sink on. Didn’t wait 36 seconds. Didn’t turn the sink off. Didn’t count the sides of the bathroom doorway. One, two, three. Didn’t put socks on.
i Mar 2014
a thick layer down,
and a thick layer up,
to look scary and intimidating
it's the goal,
but the magic
isn't working when
you're around,
because you see past
my flaws and
straight to my heart.
She made it really easy to forget
That behind all her confidence and hardness
Lay a broken heart that had been shattered one too many times
Mateuš Conrad Oct 2017
you know what's more intimidating beside speaking of a personal detail in the life of a person you know? speaking of a universal truth; there's nothing more intimidating that giving reference to a common fact of referencing life, one limb of the triad crumbles into a suckling squid... revealing the sparring partners you get to: well, you juggle with three *****, you puppeteer two.

i could understand english humour -
sure, the black comedy "tact" -
but then the anglophone world was
overtaken with comedy -
the last tier before the final bow of
downfall - the one prior comes in
the form of a "fascination"
with culinary escapades -
   prior to the last resort of humour
comes the culinary escapade -
i once understood english humour,
more than was worth since it was
reinforced by canned laughter -
but there was something to be had...
these days? maybe english humour
imploded: and it attacked its worst
ally: ***.
   make fun of ***, you're making
fun of life...
     and how isn't english humour
not peppered with too-overtly
sexualised jokes? jokes by children
of divorcees...
  tell you what: life's short,
you're *****, see a ******* before
you see a psychiatrists...
cheaper, and you get the full
workout... after all, vietnam made
the war zone pocket sized...
            i don't understand english
humour... it's beyond political satire...
these people are pushing the absolutely
wrong buttons...
  i remember watching this
video in trafalgar sq., these two white
kids, bouncing a basketball -
      then one bounces the ball
off the head of a black guy,
and the white boy is so "jokingly"
apologetic...
                  what happens next?
the black guy smashes a glass
bottle over the white boys head...
the white boys is hit unconscious:
**** me, that was funny!
            the anglophones have
really ******* the genre of comedy...
i can call them anglophones -
  speaks not good english,
but he overshadows about 100+
anglo boys in his roofing job...
     my father...
    the english are slackers in
the industrial industry: which is why
it's filled with slavs and romanians,
but at least they do their job
and never bother going to the gym...
the english ponces?
do a ****** paper-fiddling job
and then hit the gym...
            horse-hoof lickers.
          i was once acknowledged
as speaking spaghetti english:
yes, but when my father questioned me,
he didn't mind me not having
learned the full alphabet:
what am i, a trained puppy?!
         now he lives with his father,
with his father having divorced his mother
and living with a thai ****** breeding
chickens...
        guess my loss in the "friendship"
case of "affair".
            the english have actually
exhausted the genre of comedy,
they're not funny anymore...
    they're pathetic...
         i'll joke the next time i sucker
one's head off the clock into
the unconscious minutes...
          the english overdid comedy
by a mile, they're as about funny as
a donkey-riding rider alongside the
remaining three-horsemen...
slouching toward jerusalem...
                   the fact that the english
are telling are joke: reiterating that they
are: seems rather troubling.
   i don't want to know its a joke unless
i actually laugh, a comic telling me
"it's" a joke is rather troubling...
             why have the english changed
from a culinary fetish to a joke
fetish over a decade?
         ****** food makes for a good joke...
oh yeah, me, beta-male,
  when all the best restaurant cooks
are male...
                    i still will not get an english
joke: the so-called *nuance" is
only a *nuisance
-
     there's a threshold of acceptable
nuance in comedy, after a while it's like
lying: thinking you'll get away with it...
it's called: "being" subtle...
when in fact you're a vermin nibbling
on the edges of peoples' patience...
  after all you stop excusing the self-excusing
comics who want to catch themselves
excusing themselves and retire with
a backlog of canned-laughter lax.
                   no point in comedy:
if someone laughs for me.
          what's the point of comedy if
i am not the one to spot the self-imposed
prompt for a laugh?
   what am i? a ******* windowlicker who
laughs when taking a **** holding
his pecker?!
                      you conniving little
******* wanks...
                              i have to say:
the big laugh comes prior to the creeping
weep...
              no, i forgot you being "intricate"
in "nuance" -
  nuance is gone, baby, nuance is gone,
we're dealing with subversion,
and the last word ascribed is "nuance"...
i always said the english as perfecto
two-faced actors: they lie telling the truth,
as they tell the truth, while lying.
        next time i trust them with a hamster
i'll ask just more than a vet nurse...
and i don't mind pakistanis -
i just mind the english pakis -
the anglo pakis - pakistanis are fine with me,
i event managed to grit to an invite
by one muhammad to admire his
crocodile farm in kenya -
  anglo pakis? hate them like i hate
my acne skin... i'm thirty and at the ends
of puberty, yet still: the explosion of
hormones... might as well be a down syndrome
kid: l'oreal should look into extracting
down syndrome genes to make the face cream...
******* never age:
mother's aged 80, and he's shy of 35.
            n'ah, the english did comedy once,
they did it well, they didn't have to ****
off canned laughter obstructing me from
laughing at what i found funny...
   they took the complacent communist rule of:
****** laugh when all other idiots
ought to laugh...
that black guy in trafalgar sq. smashing
a glass bottle over the white guy that bounced
the basketball off his head was funnier
to watch...
         comedy these days is not
nuanced... there is no nuance:
what you hear is what you get:
   and the english way of a dog curling up
its tail between its legs and running away
is not gonna work...
                     what you said is what you
meant: given that blah blah bi bi blee boo
was intended to translate into:
         can you get me a tonne of glue?
the origins of comedy are not based upon
excuses of nuance: comedy can only
be excused by canned laughter:
not nuance.
               politics is nuanced:
if you drag comedy into this cesspool of
nuance: you're not exactly riding
a horse fully shoed into the sunset of
laughter...
   politics is nuanced:
you can't expect comedy = politics -
    to thus express: oh, we're just misunderstood
akin to politicians: nope, we're just lying
is not going to cut it...
          the best jokes are from a people
who say jokes the least:
after all, the omnipotent psychology says:
the most nervous person at a party
tells the most jokes...
    guess western society has had
its turns...
                    first they make comedy
intelligent, then they make cooking mundane,
then they make comedy excusable,
then they make wacky dishes,
     then they make comedy "nuanced",
then they get a glass bottle smashed
over their heads...
          then they make a case for
the microwave...
           and then the once ha ha become an aah...
     that sigh of relief...
         watching this spectacle:
slayer's behind the crooked cross -
   not the jews, but the greeks invented
sado-masochism of the northerns -
the greeks painted the jews as irrational -
   even though the archeological findings
disprove the greeks' little "messianic" story...
i still find english humour naked, lacking,
you can only push nuance to a certain
sisyphus moment in time,
  before sisyphus decides to give it a rest,
and toils no more, and never allows
the stone to roll up the hill,
   and interludes with pondering...
        after all: thought is never a medium
of futility... it being: the ultra-verb,
it being the omni-limb...
                             these days we know
that the englishman is no longer funny...
because his jokes are overtly plagiarised
by "excusing" himself with giving
a nuanced explanation: rather than a punchline:
comedy has a limit: on how intelligent
is can become... children laugh at calamity
short-scripted:
    do you think adults ask for a long-scripted
"base" for giggles, when the narrative prior joke
ends up being so mundane,
to be only backed up canned laughter?
euro trash, sure, but what an island of trash
to back it up...
      i love intelligent tragedy...
the english invented "intelligent" comedy:
people laugh at this sort of crap
by a mimic format: everyone knows its not
funny: then again: by laughing at it
it's peacocking to impress...
                   there's no intelligent comedy...
people who laugh at "intelligent" comedy
are bystanders, eaten up by canned laughter.
Jessi S Jan 2014
You're quiet
So you must be stupid.
You're alone
So I pity you.
You speak softly
So you must be afraid.
You're different
So you must have not been raised properly.

... *******

Im quiet because I  like to listen.
Im quiet because people like you have silenced me in to submission.
Im alone because I love myself, of it all.
Im alone because I avoid people like you,
who cant cant love in general.
I speak softly because speaking loud is intimidating.
I speak softly because I never spoke when I was young, and my insecurity is fading.
Im different because I dont want to be like you.
Im different because Im okay with me
and if you actually knew me, you would be okay with me too.
King Bacon Jan 2015
Don’t put me in a box, I am my own teacher
I don’t worship TV idols, I have other preachers
I don't toss a poem to come across as known
friends crossed me, don’t know my own home
I don't speak for an arrogant cause
Or do self-righteous acts just to merit applause
I don’t make scenes to be seen as a person of God
What you see as a skill, I see as a character flaw
I don't use a hype man sell grams to buy fans
I don't scream to get attention other ways for lungs to expand
I don't ******* my talent for people that bystand
Or try to trick innocent people more desperate than I am

Sell a line, sell a book
Sell a dream, sell a scheme
Sell a brother false hope you control his self-esteem
Let a brother talk **** I won’t get mad at all
I’ll just throw a couple stabs like my cousin at the mall
So please tell me what’s worse
being broke or broken?
but before you answer that let me ask you this first
In the place you live, can you quench your thirst?
Do you have enough time to finish a verse?
Remember our time here was borrowed, can’t reimburse
Parasitic
a chemic I been it
I pen it, I penetrate my a pen all day
To descend and mate
My inner state is in the state
to keep on straight,
administrate and illustrate
What people haul with haste till it's in his face
So in the case where i’m in my space
my focus is to chase
Yeshua’s face is faced with the waste of people sending hate
Intimidating to people claiming contention
ostensibly incoherent was air for my ascension
It's plucking a hair ain't it?
who painted the P.I.C cell
in pixels, the pig sells
the witch who picks spells, got hell

Tie a boar to a tree transmitting this
free him a year later he'll stay in the same radius
Maybe it's in the tears
Maybe it's just kinetics
Maybe I do love attention
and writing is how I get it
encapsulated beneath the surface the desire is unknown
You think this a joke
Get shot in your funny bone!
Daniel Abiad May 2015
I come inside the room and sat at front
on the last unoccupied seat
I spot a girl that’s not at all blunt
and was really kinda intimidating with the way that she greets
very ecstatic and charming with her gorgeous little smile
she was lighting up everybody in the room, it was really worthwhile
I was looking at you in disbelief, I almost started to sweat
then you glanced at me so I started to fret
but you made a silly face and I did too
that was the day that I met you




Happy birthday Yam Ng. This one's for ya. Love ya bud.
Mateuš Conrad Feb 2019
i sometimes find myself listening
into the zeitgeist narrative...
the sort of talk that
is spoken by people who...
have a hard time figuring a hammer...
heidegger's:
can two labourers have
a discussion about philosophy
when solidifying themselves
in perfecting the: repeat labour?
my answer is... not really...
              crack a joke, sure...
but wouldn't a subject matter of
metaphysics counter them
     ineffective in the physical
endeavor?
           the question is still intact...
but the supermarket cashier
is more suspect...
                my question is:
       the jobs that are so pointless
they require sitcoms,
humour,
                        cubicles...
   and not one will you hear
talk of philosophy,
because... narcissus has taken
over...
           as as his brain-child birth
of the sister - solipsi - (σoλιψ:

now i'll ask...
the rubric break-down...

why is it σoλιψ...
  and not σoλιψι...
or for that matter,
not σoλιπσι?

      the Greek fathomed
to give noun-status
to some of their letters...
so...
             alphabet...
prefix-
                and -suffix point of
attachment...

ah...
but no one would read
σoλιψ as σoλι'ψ...
and no one would
read σoλιψι as...
             anything worth
adding the added iota...
unless...
   and the dot above ι
is of what distinctive
                             posit?

but σoλιπσι = σoλιψ...

me? i like trivial observations,
pedantic, yes...
  but my letters are not bound
to having a noun category...

alpha-               -male...
means something...
but in my castrato-sing-along
i have AH...
                      beta-        
  becomes be(e)-             -h...

       punk-*** orthography
of the english language...
intimidating & supposing it
has any orthographical markers...
j & i do not count...

        begin afresh:
and i would know something
about leaving a ȷustιfιed
aesthetιc comment...
  ȷust so!

the Greeks are riddled with
an excess of diacritical
mark application...
they have to look pedantic
before the Latin inheritors...

this is the point where you say:
being overly literatre
isn't helping,
when the English,
the prime inheritors of
Rome look... slumbering...

   i share their burden,
whatever happened to
the Polish-Lithuanian commonwealth...
and whatever i am
of a concern for birth...
listen...
they had their chance to breed
a blank slate man...
but as long as they left
the bricks & mortar of grammar
intact...
   they started attacking
grammar...
             what am i not to do?
cook you a ******* k'eh'b'āb...)

     - who was born out of
  solipsism...
                     it's such an airy subject
matter,
         at best: all of it requires
a status of noumenon...
   and someone who has access
to a very frictive vocabulary of
technical terms...
    spotted once in a while...
              crux-verbum constructs...

abortion at 9 months,
state of the union address speech
of the president:
   i'm not walt whitman
and there's no: o captain my captain
from me...

  but what i see...
       the old gods that were conquered
by the hebrew god
of its people resurging...
like Milton's fallen angels...
resurging...
   being reborn...
                with that speech
about abortion: i see, Moloch...
i too see Beelzebub...
mastering the craft of lying
tongues...
     the old gods are back, baby!
there's no need to congest
oneself with h. p. lovecraft
inventions...
      once the old, conquered
gods lose their fallen angel status,
once they are
   liberated from
the thesaurus of confusing
nouns of the lost time...

to me Moloch stands
the most proud...
and yes, i can listen to ricky gervais
talk about:
   the pinnacle
of darwinistic realism,
cultural darwinism,
how there is nothing ever
too suspicious about the natural
world,
and how i have to accept
the ****-manner of
"appreciating" the natural
world...
                   the octopus,
and the platypus...
            and... like...
                between a rock and a god...
the absolute death-row
narrative...
  there are only cul de sac
avenues for thought to exist...
and... given...
i am the deluded one...
then... where's the ******* asylum
and jimmy savile?

              but no one tells you
about anything: enlightening when
they have experienced
auditory hallucinations...
oh... everyone's almost
unanimous about visual hallucinations
esp. if they have ingested
fungus or Hofmann teabag...

as a person who has
experienced auditory hallucinations...
believe me...
   esp. when "thinking" is also
deemd "auditory"...
    in that casual: i can't hear myself
think...
                  auditory hallucinations
are no... pleasant...
    however much visual hallucinations
are championed...
because the fear of the unseen:
yet heard...
contributes to a more potent
fear of what is... seen: but on mute...
because by being auditory:
you can relate to it having
a... ******* mind...
a consciousness of some-sort...
auditory hallucinations are
that much more scary because...
you experience no fatigue,
when the sort of fatigue
you would experience...
from thirst... in the desert...
           "seeing" a fata morgana...

me? i hate it how...
biology and physics have reached
the status of mainstream...
while whatever chemistry
was allowed, of nibbling on
the mainstream
is left rotten in the arms of a zombie
attempting to read some
alchemy text from the middle-ages...

no... i am not mezmerized...
****... mesmerised...
****...
    mez... z'oh: **** it... might as well
employ the german diacritic
marker:                meßmerißed -
because the, "softness" of the S
in that word, is never really: SOFT...
is it?!

      auditory hallucinations...
i can't explain them...
          it's not like you can actually
ingest a fungus...
that would allow you to hear...
say... the philharmonic crescendo
of Pandemonium...
   find me a drug like that:
then we'll talk...
              
   and, if ever, on the side:
poetry would be dead in a day
if everyone started to have a darwinian
hard-on for nature or
the Aristotelian genesis bound
to awe...
                       fear...
                       and it's not like
fear is a pathological complex
that man needs to be rid of...
     sure, i'll make it more subtle:
being... apprehensive...
           and you know what fear
doesn't allow...
          stagnation...
dulling of the senses...
                                     apathy...

mind you:
that half a liter of whiskey,
and listening
to the corvus corax song
                    la i mbealtaine
could never do much wrong in me...
coming to this bud of a blank
space,
and letting it exfoliate into...
this, bargain, of extracted words.
Nowhere to call a home
Never a place to call shelter
Just a temporary sanctuary
Gradually being washed away
By the advent of time
And relationships
On the side of crossroads,
You'd miss it if you weren't looking

Plants break free of its walls,
Tearing it into pieces,
Reducing it to ruins
That is where my love used to be
Where it used to exist
The bottom cellar is where my heart
Used to beat, scream out it's
Intentions for the world to hear
Where I once knew that love existed

Now, those same walls have fallen
Ruined, the stones are chipped
Holes mar the surface
And if you ever step inside,
You'd see a great big emptiness
A muskiness in the air
Speaking about what used to be
Cobwebs line the ceilings
The floors, unsteady and weak

A little bit of sunlight filters through
Providing enough light to make out figures
A sadness sets in, a weariness
Felt through your bones
Dampness causes the wood to decay
A drop falling every now and then
Startling with its loudness,
Makes a puddle on the floor
That steadily trickles down
To what lies below

A despondent house, called haunted
By people passing, who happen to see it.
No one goes in, no one steps in
It remains abandoned, cutting an
Intimidating, haunting figure where it
Stands unnoticed, beside the crossroads
Unmentionable, unnoticeable
If you didn't know it was there,
Your eyes would pass it by
Writing this was...intense for me...
jad Sep 2013
There are places I have found. There are places that I have gone. People give strange looks with laughter in their eyes when a child walks off on her own into where the ground is not covered with cigarette butts and nothing is paved. Because of them, I go more often and I laugh louder. I have many of these places that are just for my brain and me to inhabit for a while. When I find a less temporary escape from the sickening truths of my own humanity, probably in an UFO, I hope to find others like me tagging along with the aliens that comes to destroy us. And we will all be laughing our ***** off; we saw this coming and packed our thoughts in airtight containers. For now, my thoughts are packed in a backpack with music, a hammock, and some seltzer water. I am walking to get out of here. I find myself getting lost in cornfields and peeing in the woods. It’s rejuvenating. Fresh air and headaches are a perfect match.
                    I am sitting, swinging, hanging from the dancing trees of the crack ******* forests. I think about how every time I chase a squirrel it attacks me. They are fluffy and cute but they want to get inside my house; they want to pry away at my poorly assembled pieces. I’m so unused to that attention and curious affection. I think about my subtly strange mannerisms and my lack of cautious paranoia. These things have had a tendency to intimidate, to make people leave the crowbars in the basement and eliminate any sort of prying. My attributes are intimidating to all but the squirrels. They only seem to see them as weakness. I am still swinging, but my hammock is slipping from the branches now, clinging onto them, a child to its mother. The instructions told me it could hold up to four hundred pounds but even I can hardly hold the weight in between my shoulders. Heavy thoughts are pulling me down. Ropes are slipping more and I can already feel my *** getting sore from this drop. But I do not get off. I keep swinging. My brain is telling my legs to move, my heart is screaming “Save me,” but my legs are not replying. I stay on this hammock, praying that my legs will pull me off before I fall to the ground. I am afraid of being even near to this littered ground. I want the heights. I call for help but only a sigh leaves my mouth. There is no one around to save me anyways. I chose a place in the woods; I chose a place that could grant me the illusion of seclusion…an escape from the trivialities taken too seriously. I cannot wait for someone because this slipping will not even wait for me. I will crash if I do not save myself. I try to coast and the swings get shorter and shorter until they have stopped and I am stationary. In moments I will have more broken parts than I can count.
                     I lie there silent, unmoving, not thinking any longer. Only waiting...finally, I hear snaps of the branches falling and breaking. The ground came up fast. It punched me. It crowded me. It abused me like a misguided lover. I do not wish to be in its arms any longer. But the ground is holding on to my bones, pulling me in. I hit it hard. The drop was farther than I expected. I have no feelings anymore. My nerves have shut off. I am scared. Someone take me some place safe, some place sound…no, take me some place wild. Lying on my back, numb and careless, my eyes are glued to the blueness of the sky above me. I am so relaxed. I hear screaming. I see blood, but I don’t feel pain. I don’t want to know what’s going on, I keep my eyes staring straight up at the view. I ignore everything but the wind-shaped clouds. My mind is gone, lost like all the rest of time. It wore away because I remembered too many times how my father’s hands smelled of sawdust and how they felt like the sandpaper he that used to make it. I try to avoid addressing the situation at hand, things are turning redder. My eyes are filling with blood and it is hard to see. I think about life and the lack of it. All it is really is just memories, without those the only thing that exists is right now. Which doesn’t exist anymore, it’s a different second, and now another. Life is nothing but the time we are losing. Maybe this view of the tree tops framing the sky will be the last thing I see, or maybe I will lay below them again tomorrow. I am glad that everyone must die. It is more beautiful that way.
                          I gulp, a gust of air fills my stomach and it feels like floating. I am still lying down. The smells of illegality, fire, and cut grass fill my ears just like music. Everything mixing together, all into one entity. I am the only thing alone, still lying on my back in the middle of some trees. The same trees I have been crowded by for all of these years, but dug up and replanted on the other side of the country. All of a sudden, I hear something pop. It is the elevation still stuck in my head, the headache I couldn’t defeat. The pain persists and all throughout my head the places and the people that I had made my home were telling me to stay. I am glad that I did not. There is no place or person who could carry my weight. I am my own constant. I am on the ground, just another fallen leaf,  and I am finding a place inside my brain in an attic of ideas where I can peruse the shelves and maintain my insanity. No matter if I am here or elsewhere, I must maintain. They will not make me sane, I won't have it.  Even the pain I feel now, sticks jabbing into my ribs and fear everywhere else, will not be enough to dull me.
                     I had dipped off the path to find myself away from what was familiar and now it pounds in my head, the lack of altitude. Without it my brain doesn’t know what to do. I am worried what I will become when I am alone here. I hear the chapel bells chime in, four rings and then they fade away. I still hear it ringing in my ear, though minutes have passed since it sounded…
                  Ringing…
        Ringing…
Ringing…

“H­ello?”
“Finally you pick up your phone, I’ve left three voicemails today…are you okay?”
“…”
Shanna Howse May 2012
You are the ghost that encompasses love; you possess my every thought.*

     Dust layers almost every object throughout each room of this small apartment. Beneath a white sheet, the dark brown, ragged couch is a perfect image of the haunting fear I hold inside.
     In the miserable corner lay your favourite red guitar. It is covered in a blanket of neglect; never again will it feel your calloused fingertips slide across the cracked fret board. Crop circles design the hardwood of where the other furniture once stood.
     I have yet to set foot in this room; it’s been months since the front room has ever felt sunlight. It’s been months since I’ve been able to cross the threshold where our relationship was at its peak, and wipe clean everything that we’ve left behind.
     I don’t want this to disappear, forever. Besides the memories that haunt me, this is all I have left of you. It hurts to look at this room, where we’d snuggle on the once healthy-looking and clean couch, watching our favourite black and white movies. I cannot part myself from this place where the memories still live.
     Our bedroom… the bedroom still holds the faint scent of your cologne that wafts through the house when a small breeze slithers through the window, opened slightly to rid the musty stench. A chamomile candle is lit there too, though it does nothing to sooth my nerves.
     I once took up drinking, but it always ended in passing out. I’d recover consciousness to the overwhelming stench of *****; my hair would be sprawled and stuck in a pool of it. It was a messy ordeal—I couldn’t understand why so many people turned to it to fix their problems. I dropped that immediately.
     Smoking created stress relief for a maximum of ten minutes, which would last me a trip to the grocery store. The smell stained my clothes, my hair, my apartment for what felt like months of cleaning could fix. That was only three weeks after everything collapsed.
     I’m clean, which is probably the least I can say for myself. I couldn’t touch your *****, beer, whiskey, cigarettes, lighters. I had to buy my own; all of your possessions were poison to the touch. I don’t know how you could so easily leave all of your belongings behind for me to look at every single day.
     I lay in bed every night, curled into a tight ball of discomfort in complete darkness. My mind finds it suitable to replay our relationship as a movie as I whimper softly. I am never able to sleep. Dark circles are prominent under my eyes.
     The happiest memories come first. When we moved into our apartment, it was small and *****, much as it looks right now. Happily, we cleaned it together, dancing and singing and giggling about. That was the happiest we’ve ever been. That was right after high school ended, when we were dating for two years. We were harmoniously in love, with no greater differences.
     Then the night we were engaged… You took me out to the garden overlooking Niagara Falls. That was my favourite place to go. The car ride was only twenty minutes from our apartment, but you were so eager to get there faster. The falls glowed a lovely spectrum of colors, while the mist rose above and blended with the explosion of fireworks.
     “Elise, you and I have been together since graduation. All through college, we were the happiest couple anyone knew. We’ve had our ups and downs—that’s a given—but lately, baby, we’ve only been going up. You’re my sweet, gorgeous, lovely girlfriend. I love you so much; I’d like to change that term to fiancée. Will you marry me?”
     A firework exploded as I smiled and jumped into your arms. Ever since you’d hinted this a few months earlier, and I told you that as long as you didn’t follow the cliché and go down on one knee, and you agreed, I knew one day to expect it.
     “You mean you had nothing to do with this firework display?” I grinned, “Of course, Jeremy. Yes, I will marry you!” We shared a long, hard kiss before we went on the rest of our night. I glowed ecstatically as I walked around, very well aware of the small series of diamonds on my ring finger.
     I never expected that night to go as well as it did. I never expected you to become the nightmare you did, either.
     It was a wonderful romance until the occasional fight turned into an every day activity that we participated in. The night you came home late was the first of it, when you came home almost an hour later than you finished work.
     I stood in the kitchen, looking out the front window facing the driveway when you pulled in. Your response was a mumble as you walked right by me, paying me not attention. “Long night, babe?” I had ask. It was a completely innocent question, but you turned down the hallway around the corner by the fridge, and simply replied with a sharp tone, “Yepp. Goin’ to bed.” “I love you.” I called after you. “Mhmm,” you replied.
     Some nights you redeemed yourself. As I sat in the passenger seat of the car, you’d speed through the roadway and talk about yourself. At the restaurant, I’d pick the food off my plate and ate it slowly, but you’d notice and make me laugh softly. It was just an act—I didn’t want to let my mind think that it was bad as it was, and I didn’t want to let you know that the past few nights weren’t as bad as you thought. Then you paid for both of our meals, escorted me to the car, and we took off to the mall.
    Into the most expensive dress store we went, and you bought me a red satin dress that you thought looked great on me. You then found a three-hundred dollar necklace that matched perfectly, and I agreed that it was gorgeous. Of course I loved them—they were beautiful. You still cared enough to buy me these things.
     “There’s that gorgeous smile I fell in love with. I haven’t seen that in a while, babe. It suits you.” You smiled, gazing lovingly into my eyes and gently cupping my face in your hands. I had flinched at your touch at first, but I adjusted to the former comfort of your warmth.
     Our relationship balanced itself on a teeter totter through the last few months. As time went on, it got worse. Every innocent question I’d ask about you would set you off. My words were like a switch that I couldn’t control; you’d either respond blankly, or angry and impatiently. It was hard to tell every time you’d return home from work which man I’d be speaking to.
     I was interrogated, and it usually ended in horror. When I went out for dinner with my friend (who, evidently, was gay) you were so angry—I’ll never forget your reddened face—you shoved me into the bookshelf.    
     Yet still, I loved you all the time, even when you cared nothing for my feelings or listened to what I had to say. You turned selfish. Desperately, I grasped the memories of the good times to replace with the bad. There was always enough of it to cover, but the black cloud still remained.
     I gave you all I had, and all I was.
    
     My best friend Jocelyn from high school had to come over on the first night you left. You got upset because I didn’t have the money to make a good meal, so instead we had to have sandwiches for dinner. It wasn’t my fault—we both knew I couldn’t find a job; you were supporting us both, yet you were okay with that when you asked me to move in with you. “I’m starting to not be able to handle living here, Elise,” you yelled as I watched the door shut after you. I cried so hard that night, because I felt guilty.
     I had dropped nearly thirty pounds the last month before you left. I couldn’t eat, or I’d throw up. My body completely rejected everything I put into it. The nights I had locked myself in the bathrooms were a clear heads up that you could leave without saying a word.
     My best friend, once again came to my rescue. That night I’d developed an eating disorder, Jocelyn, who weighed as much as I did before, carried me effortlessly to my room and laid me in bed.  
     She tried to coax me out of the house, but I couldn’t leave looking the way I did. I knew I looked ghastly, but she said nothing. Where would I go, anyways? She had her own boyfriend and a two year old by that time. I was thankful enough, though, that she was there for me when I needed her the most.
     “I’m going to get you out of here. He’s so bad to you,” She told me once. We were sitting at the dining table while you were at work. “You don’t understand, I love him. I keep thinking that this is just a nightmare—a phase; it’ll go away in time.” I defended both myself and yourself with a sigh. “Look at you, Elise,” she whispered, as if it hurt to say it. “I’m sorry.” She quickly apologized. “I can’t help it, I’m just so tired…”
     She’d never spend the night, though she wished to, and I never left with her. She was so fearful of you and what you’d do to her. That was another reason she never called the police; if you knew I didn’t do it, you’d find her. A heavily-built man like yourself was intimidating to anyone you ever knew. That was another advantage in your direction.

     On the second last day, Jocelyn had to come over, with our other good friend Jayme, to help me out of bed. By the time we’d reached the kitchen that morning, you busted through the door, drunken and enraged.
     Your eyes of cold, steel grey focused on mine and I jumped, startled. Angrily, you broke the bridge of support the girls held me in, knocking me to the floor. “You two better get the hell out of here before I call the cops!” You slurred.
     It made no sense if you did because they’d take you away for the abuse that was evident on my thin skin. It didn’t matter anyways.
     Jocelyn screamed, “You’re demonic and you are a failure of a human being.” You nearly knocked her on the side of the head and stormed out again before yelling, “I’m done with you, I hate what you’ve become. You don’t even look like a person anymore.” My girls insisted on staying over, but I wanted nothing more than to be alone.
     The next morning, I walked out into the living room. My eyes were barely open, because I was extremely tired as always. It startled me when I noticed you sitting on the couch, watching me as I walked out of our bedroom. “Sorry.” You mumbled with softness in your eyes that I almost didn’t recognize anymore. You then enveloped me in your arms, which didn’t smell like alcohol, but rather the new-clothes smell. It actually brought some relief—some comfort. “It’s okay,” I couldn’t fight it anymore.
     But you never did learn that you can’t say sorry and expect to be forgiven as easily as you could say one word. We spent that night together but I didn’t smile once. You never once asked about me, apologized specifically for hurting me, yelling at me, anything. All you talked about was yourself.
     “You have to leave, Jeremy. I can’t handle this anymore.” I looked down at the sheet we wrapped ourselves in. Through my hair I saw your wrinkled, scruffy face fall. “You can’t apologize enough. But if you wish to one day come back and treat me the way you did in the beginning, I’ll be waiting with open arms.” Then you got up, and walked out of my life.

     I didn’t think that was the last time I’d see you. Knocks went unanswered at the door for months, but I’d know if it was you. I sense these things.
    
     For now I wait, pace back and forth through this hallway, waiting for you to become a better man. The photograph of us hanging on the wall has yellowed, and as I trail along beside it, I pass over the crumpled collection of clothing with a *** of paper underneath it. My love for you will never die, the way another part of myself has.
I like being the dominant.
I like to tie my submissive up.
I like to play with her.
Tease her. Please her. Destroy her.
Until she breaks.
I like to tie her up and run my fingers at the bend of her curves, explore her body & bite those seraphic lips as I taste their cherubic juices.
I prefer being intimidating and rough.
I will place a blade at your throat, to remind you how we are all mortal beings indulging ourselves in the most oldest of rituals in the history of mankind.
Kamasutra.
Yet, I'll treat you like you're the only one.
The one I cherish, love, hold close.
The one that I've got shackled in my embraces.
No one else will come close to the attention that I will give to you.
No one.
I'll be your slave even though you're my submissive.
I'll make you breathe hard.
I'll make you moan.
I'll make you mine.
I'll worship you, oh goddess.
I'll worship you.
**- Aks, // Sins of the blood.
judy smith Sep 2016
Local designer Vanessa Froehling has denim on the brain. Stonewashed, herringbone print, chambray, stretch and black denim, to be sure.

In her home studio, Froehling flips through hangers of designs, including sailor-style high-waisted women’s shorts, a men’s blazer and a women’s jumpsuit.

“It’s something that’s in everyone’s closet and it will never go out of style,” says Froehling of the French-born fabric (denim’s etymology comes from “de Nîmes,” the French town where Levis Strauss first procured the tough cotton twill for your 501s). But, she adds, “people are stuck on what denim can do.”

The line is called Carpe Denim and it’s Froehling’s entry into FashioNXT (self-described as “Portland’s Official Fashion Week”) — not to be confused with Portland Fashion Week — three days and nights of runway shows in early October. She will present Carpe Denim in the UpNXT competition, the “emerging designers accelerator,” alongside four other Pacific Northwest designers the evening of Oct. 5.

The fashion week has a cozy relationship with Project Runway, the fashion-designer reality show running since 2004, and, in fact, two of the judges assessing the competition are Seth Aaron (winner of Project Runway season 7) and Michelle Lesniak (winner of season 11).

In 2015, Froehling applied to both Portland Fashion Week and FashioNXT, but was only accepted by the former that time. She says auditioning in front of the FashioNXT judges was intimidating.

“My nerves were like, ‘What do I do with my hands?’” Froehling says, shaking her hands by her sides and laughing. The judges were tough, she recalls, and they recommended that she develop the marketability and cohesion of her line.

Over the past year, she took their advice to heart and decided she would try out again, this time with a denim ready-to-wear line, a departure from the couture gowns that have distinguished her style. She took inspiration from the city — recalling watching the denizens of Portland walk by, falling in love with their street-wear style — and the layers of people, buildings and traffic.

Eight jean looks — five for women and three for men — will walk the runway, but rest assured, this will be no **** of Canadian tuxedos. Although denim is the common thread, the designs feature smart juxtapositions against black leather and a colorful textile that looks like a cross between gas puddles and graffiti.

The self-taught designer has also developed several innovative details: a woman’s denim peplum jacket that unzips at the waist, transforming it into a more casual cropped jacket; women’s stretch leather pants that zip open at the knee, a nod to ripped jeans; and a men’s chambray shirt with the illusion of a double collar creating a fresh origami effect.

This summer, the judges welcomed Froehling on the FashioNXT train.

Froehling says one judge told her that she’s the first designer to return the following year to try out again after being rejected.

“It’s the highest fashion production in Oregon,” she says.

The winner will be announced at the after-party Oct. 5, and the prize package secures a spot for the designer in the main runway show in 2017 and includes business mentorships, feature stories inPortland Monthly and Portland Mercury, and a strategic marketing course at Portland Fashion Institute.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Hal Loyd Denton Jan 2012
Trick or Treat
Trick or Treat
I tried a trick in the last piece will mix this up with both but as Betty Davis said In all about Eve buckle up
It going to be a bumpy ride I will give you a little of both at first the deadly trick I didn’t know and the
Treat of playing chicken with a freight train only now I was seven we lived on Railroad Rd Ave the first
Street south of Jackson where the pizza wars are fought daily between Pizza Hut and Pizza man. I
Crossed the ditch and climbed the grade a little challenge at seven but as I played on the track I heard
That old devil that always shook our house as it passed but it made up for it with that romantic whistle
And the feeling you got as you listened to it fade into the distant night. Well I didn’t know what romance
Was totally except on westerns and I did think those Warren twins were cute and when those brownies
All gathered on the east side of Lincoln school under that tree I did stare and enjoy such a wondrous
Sight they would and have repopulated our world given us the promise of an unbreakable future I can’t
Tell if I heard I guess that was the case I heard it first when I saw the train it was down by the bowling
Alley it was just a dot at that distance not very big it didn’t take long for it to metamorphous in to a
Fierce giant black behemoth it was getting intimidating half way to the crossing to give you the distance
At the time I jumped out of the way and ran down the hill I almost was sent flying as I encountered
Angles we lived in the second house from pine and I was right across from my house they almost had
One less mouth to feed I feel they would have gotten over it about the time it would take to eat a
Hamburger at home town so you get the distance I let him come across the pine street crossing now
Tension was shaking me two things I didn’t know that they rolled back and forth and that they were two
Stories high the ground did more than tremble by this time he was through the crossing and driving
Toward my position that I wasn’t ready to forfeit just yet I had a stubborn streak and a rebel
Heart even back then that might yet land me in hell my wife just said I was banging the keys I talk loud
When I get excited about something and on here I bang the keys. I will have to leave you hanging for a
Moment then take you back for the ending on the same thought about being a rebel I had a dream
Some Years back I was standing in front of a mirror and God was trying to put this detailed and glorious
Crown of intricate gold on my head it wasn’t happening with ease like the time I was ten the coat I had was finished
Torn from the collar to the shoulder it hung down god awful inside stuffing best description here came
The enemy mom sister aunt Grandmother and her sister with a new coat I hit the floor with my best
Three Stooges Curly imitation not a pretty picture even scared the old auntie visiting well from coloring
Books to fox terrier dogs that was what it took for me to relent and give up my coat see what the train
Was up against I have to take this opportunity for years I have tried to honor this special teacher but the
Story to sad and tragic I tried another time to write about Candy Jack a young mother who died leaving
Two five year old twin girls for her mother to raise as I set there drawing on the feelings you have to have
To write I got more than I bargained for Candy was totally visible in my mind but a visitor came with her
As I write this I have a cold chill it was death now Candy lie in repose in her casket but the truth of her
Condition started to take over and grip my body that was all I wanted I dropped paper and pen and left
The room never to attempt her story again you can’t match Mrs. Dagon’s story with mere words I doubt
If even Faulkner could even though he masterfully handled the subject in she lay dying I set in her class I
Might have been at a loss in the business class but I got how much she loved her husband Jim that’s
When and only when her hard exterior softened I hope in vain that her hardness somehow gave her a
Semblance of armor you surly know the story Jim died of cancer they had her in the hospital she asked
To go home for an item she would be right back a promise maybe she meant to keep but the story she
Was wearing a gown and a thin oh to thin a house coat she went in one door maybe in that stillness and
In that reality I spoke of in The Magic Lamp she came to the end of her mind and hearts ability to endure
The untold agony this is what happened she walked out the other door crossed the same street her and
Jim followed home so many times in life she continued over and up to the tracks waited she heard the
Same romantic whistle but for her it was laced with unbearable pain she offered up her life as she
Stepped in front of a fast freight Jefferson stated the tree of liberty must at times be refreshed by the
Blood of patriots sometimes release outweighs the scale of life no longer in balance and can only be
Made so by extreme measures for all who love, you Mrs. Dagon made our experience far more richer
And I know Jim was as the old almost sacred song says I will wait for you just beyond the moon farewell
And God bless continuing in this tragic vain but back to the same crossing I left you at a display of exact
Opposites from Mrs. Dagon the Chesty potato chip man driving the little blue van was killed and people
With the ugliest actions he had barley been removed and they were vultures without human decency
Scrounging potato chip bags and cans of chili enjoy idiots it was a whole different story when the train
Derailed at Owaneco throwing boxes of shoes everywhere sure there was souls and heels everywhere
But they were leather. So there I stood he crossed through the crossing now it was terrifying thats why
They call it chicken I just kept standing there lengthening the thrill I had time now the trick, sometime
Later I played this on the side walk with two guys on a bicycle I kept standing there but when I finally
Started to jump the trick happened my nerves froze and I couldn’t move they hit me and knocked me
Down it was painful but I wasn’t there I was in my mind back on those tracks the train thirty feet away if
I didn’t jump when I did what a small minced pie I would have made.
Austin Heath Jun 2014
He had a confident anxiety,
and a stage name.
Who the hell has a stage name anymore?
He ****** down cigarettes like he was
trying to eat their insides. Violently.
Swore he was a fighter.
Feint at the sight of blood.
I knew the last king of jazz, yeah,
he drank whiskey and sang out of key.
Stole his act from Tom Waits,
like any respectable artist does,
you'll come to find.
He was a big man, literally, intimidating in size
if he wasn't so **** funny. Not goofy, just funny.
Southern man, migrated north.
The south of the north; Buffalo.
Most depressing city in the world,
but you learn something from a guy like that
in a city by Buffalo.
How to survive, maybe,
or how to keep it together long enough.
Long enough for what?
Mateuš Conrad Aug 2016
feminism is pretty much a failure like communism... the latter wanted the workers of the world to unite... but they didn't... each working man took too much pride in his earnings an expenses to the extent that he sought no idealistic solution... the self-preservation element... feminism is very much alike to communism... it comes from the same source, the bourgeoisie caste... which explains why prostitutes in France defended their pundits... they basically said: ******* little Freudian undecided *****, with us it's 100 ***** a week... with you it's only about 100,000 interpretations of a **** in clingfilm at a Hollywood premier: your choice, either 100 *****, or a ***** and the cinema of the would-be agonies or a man resembling Richard Burton, sober, and being a Swedish patent for a house-husband, and a closet poet, and a chef, and a, and a, and a... can i suggest a kaleidoscope as the safest investment?

imagine sitting in a brothel waiting room,
there's about 10 of them -
and they're looking at your like you're
their father and they're about to skin you alive
like piranhas with their eyes -
it can be quiet intimidating,
what for £10 entry fee and £110 and hour
baggage of silenced ******* -
you're basically ******* Ferraris and Lamborghinis -
but it's worth the while,
you genitalia turn into a pavlova before
it's baked mush - your testicles are soaring
angels with the ticklish bits added
to what feels like a shiver of goosebumps -
you sit there for a while, it's the hardest time
to be making choices, you ask for a cup of water
(i always did),
you get it, Keith Lemon is doing his talk show,
the older prostitutes are un-amused -
they're the ones who'd skin you alive,
pick one and she turns into a sadistic
vacuum cleaner in the realm of oration -
you think these terrorists and so-called
martyrs would have the ***** keep up with an ante-chamber
like that? these women can sniff out perversity
like they might sniff out a woodlice in damp wood...
or the spiders that complete their weaving
and never take the central role on the stage,
but ****** their spiderweb before scuttling
into the frenzy of making a body of other insects
into immobile dough to **** into on the sidelines,
they're the out-of-body experiencing their architecture,
there's no ego in them, not central nervous system...
i always thought that spiders compensated the
cartesian problem with their spiderwebs -
they extended their nerves through their *****
into an architectural project of nerve endings / extensions...
see, that's the thing about poetry: pure narration...
no technique, no nothing, no need to create a
third person or first person ******, no characters
to study and incubate into a thrill ending: poetry
is the purest form of narration, easily a ricochet
into digression that in fiction would only mean another
grey matter character to involve in the plot.
. and - (dot and hyphen, as suggested by Nietzsche,
is steaming along forgetting the semi-colon).
- i swear insects are the perfect telescopes into
alien life... on that micro level you get to
understand the many hazards of differentiated life
elsewhere... it's the microbes you need to
mind as the real hazards and blizzards -
but this one time i broke the brothel rule
denoted as choice: i didn't make one.
i asked for one to make a choice for me...
one talkative gall said i shouldn't be asking...
so i replied: well aren't you the talkative one...
you'll do. told you a butcher's supermarket -
i turned myself into a piece of meat -
the ***** butcher said: he'll have to do,
he prompted me to talk the heretical *credo
...
the outer-body experience, prostitutes are the experiment,
i asked of the 10 present and my penguin **** solo
shrivelled up newspaper of ******* to chose -
and she did... it's funny giving choice to someone
who you payed to choose from... these Muslim martyrs
will find it had to keep it level headed like Solomon -
these boys will really struggle to reap their rewards...
they just blow up ten people but never sat in
the company of ten prostitutes...
ten blown up, in the company of ten prostitutes...
you really don't know what it's like trying out
whether you could stomach a harem, let alone keep
one like a walrus...
ever stole a kiss from a ******* who's saintliness
involved never giving one but merely ******* more ****?
hmm? oh i can get pornographic after all...
it's a joyride troupe of force in thinking the joys i
nourished in such places... although i have to admit
Amsterdam would never feed such poems...
it's just common place everything's worth clapping
(or too much clapping by the serfs at a Bolshoi ballet),
you need the thrill of something being illegal...
in the case of itemising England it's the brothel owners
that are the culprits, not the prostitutes, nor the pundits,
which is why i asked to perform oral *** once in a while
for the extra undocumented 10 quid... that didn't fall
into the hands of the madame... so it ends...
feminism alright for you, in that ivory tower of yours,
unscathed, belligerent and with sulphuric toxic gas
to **** out from your mouth as the proper argument?
the heart not steady? i see... i guess you have a hard fight
ahead of you... young men go to prostitutes undiscriminating
their age and **** as **** would do too,
but young women don't go to prostitutes,
professional women do... and they'd always probably
**** some young dude... see the difference?
young men go to prostitutes... young women have all
the eye-to-**** candy they can have... older women order
**** and limousine, a night out, a date, a dinner...
young men are like: broken pipe, need a plumber,
stillson pipe wrench! and where's that ******* spanner?!
and contrary to popular beliefs, cats have
a second weak spot other than petting their heads
and playing with their whiskers... the point
between the evolve coccyx and the spine...
they really love a rub when the coccyx turns into
a tail... it's almost like a reverse test for prostate cancer...
every cat sitting down when rubbed in that area
will do a marching army band salute of raising its
hind in anticipation of a rainbow -
and yes, urinating with ******* is pretty much as
exciting as a woman massaging her ******* with
a shower head with pulverising pressurised water.
there is so much about life he does not understand powers influences insights secrets repetitions patterns relationships mysteries so many things to learn remember so many things to forget every morning he wakes with hope faith no matter how challenging threatening or bleak the odds he feels confident in the possibilities optimistic in his abilities desires believing in his quest for love success happiness yet every night alone in his empty room he comes undone again

Dad’s dying generates beginning of Odysseus’s awakening from his long deep stupor Dad was so heavy-handed intimidating his reign of terror is done next several years blow by like chilling numb wind off lake michigan dreams seem more real than existence Odysseus continues painting writing bartending drives Farina to beach daily it takes a while for him to realize he is freed of shackles Dad’s tyranny and it is all right to answer to himself alone in june 1994 news reports genocide of 800,000 people murdered in rwanda in july Odysseus feels trapped in identity he can no longer endure after struggling for years to achieve stature as accomplished painter he realizes he is nobody perhaps simply troubled artsy son of well-to-do Chicago socialites Jenny and late Max Schwartzpilgrim his discontent goes beyond family he feels shame disappointment with himself desperately needs to make changes to his life knows he cannot do it in chicago weary of all the sins damage he has made suffered in that city he wants to find somewhere less corrupt stressful more down-to-earth knows all to well how to get in trouble wants to find someplace where there is no trouble somewhere quiet dull preferably beautiful Odysseus liquates ashes to ashes clears altar of every dust flake sells paintings art supplies books music cassettes clothes vintage collection other possessions at sidewalk sale makes out with nearly $6000 whatever he does not sell he gives or throws away he is used to giving or throwing himself away he is 44 Mom protests but her disapproval packs no punch without Dad he says his goodbyes to family friends packs up toyota and with Farina steers away from chicago he leaves behind many destructive friends acquaintances people who will never dig their way out of wrecks they are buried in leaves behind history of minor misdeeds abuses disappointments scenes happenings he feels shame regret about he leaves behind practice of familiar patterns certainties faces names who recognize his talent problematic self never again will he benefit from questionable reputation nor will phone ring many times daily and never again will there always be someone to meet up with or gathering to go to he leaves behind support system of loving family friends fans whom he will miss greatly he lets go the character he was to become someone different hopefully better they drive on aimless odyssey without thinking searching with no place in mind listens for scenery to call to him inwardly the journey is the meaning he drives up streets down alleys through 4 corner towns bypassing most cities whenever he sights a lake he pulls over treats Farina to a swim sometimes swimming together they sleep in tent or stay at inexpensive motels that allow dogs while driving he often feels overwhelmed by diverse raw beauty of American landscapes lush forests spectacular mountain ranges sweeping valleys winding 2 lane highways along coastlines he points out sights to Farina but ultimately he wishes for another pair of human eyes beside him
Ian Robinson Jan 2019
I was told once that
Women are intimidated by me...
I'm a 5 foot 8 inch  blonde twig with acne
How am I intimidating?
If anything I'm translucent
True story, I'm not that intimidating lol

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