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"hieroglyph" poems
#there are the ones that feel it climb up the shadow towards the light, hesitation on every rung, each wave of the arising       overwhelms  unabated ― and woe betides those who are on the run from a storm's deluge A rousing ocean breeze stirs inside the memory of an unframed seashell lying on the hearth mantel; heightened sensitivity lapping soundlessly, spindrift plashing the shoreline of another world's feigned peace Perhaps the muted voice of guilty pleasures, hushed by their own hidden truths Feeling the unfelt textures of every stifled vibration left unbreathed The naked truth befallen so cold and lonely Running in circles, volatile as all those      unspoken excitations raging ― and the whispers of those who hear not the voices in the wind An emotionally enslaved  heart tarries,  marooned high and dry in a memory on a distant sand bar      lain fallow for so long ― stagnant darkness of an unsated soul gathered on the back of a parched tongue sullied wordless Rising up through a dusty hieroglyph corridor through an unlocked labyrinth gate;  vestige echoes from somewhere left behind in an incomprehensible abandoned wake It's getting harder and harder    for an insatiable soul to breathe ...    climbing up a tree trunk― up within the silence of the listening tree   Toes dug into the rough bark furrows ― fingers reaching upwards beyond their deepest known grasp A shadow stranded out on a hangin' bough hearkening without ears that hear: “perhaps they’ll listen now“   the wingless bird sings in psalms that fly away on tattered feathers over untamed waters roil Back to nature’s waning youth, the bough bends unbroken to taste the freedom of the wild absolving seas Jesse Stillwater June     2018
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Jul 12, 2018
Jul 12, 2018 at 12:41 PM UTC
"Perhaps they never will ..."
#there are the ones that feel it climb up the shadow towards the light, hesitation on every rung, each wave of the arising       overwhelms  unabated ― and woe betides those who are on the run from a storm's deluge A rousing ocean breeze stirs inside the memory of an unframed seashell lying on the hearth mantel; heightened sensitivity lapping soundlessly, spindrift plashing the shoreline of another world's feigned peace Perhaps the muted voice of guilty pleasures, hushed by their own hidden truths Feeling the unfelt textures of every stifled vibration left unbreathed The naked truth befallen so cold and lonely Running in circles, volatile as all those      unspoken excitations raging ― and the whispers of those who hear not the voices in the wind An emotionally enslaved  heart tarries,  marooned high and dry in a memory on a distant sand bar      lain fallow for so long ― stagnant darkness of an unsated soul gathered on the back of a parched tongue sullied wordless Rising up through a dusty hieroglyph corridor through an unlocked labyrinth gate;  vestige echoes from somewhere left behind in an incomprehensible abandoned wake It's getting harder and harder    for an insatiable soul to breathe ...    climbing up a tree trunk― up within the silence of the listening tree   Toes dug into the rough bark furrows ― fingers reaching upwards beyond their deepest known grasp A shadow stranded out on a hangin' bough hearkening without ears that hear: “perhaps they’ll listen now“   the wingless bird sings in psalms that fly away on tattered feathers over untamed waters roil Back to nature’s waning youth, the bough bends unbroken to taste the freedom of the wild absolving seas Jesse Stillwater June     2018
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[Dedicated to Austin Osman Spare] Have pity ! show no pity ! Those eyes that send such shivers Into my brain and spine : oh let them Flame like the ancient city Swallowed up by the sulphurous rivers When men let angels fret them ! Yea ! let the south wind blow, And the Turkish banner advance, And the word go out : No quarter ! But I shall hod thee -so ! While the boys and maidens dance About the shambles of slaughter ! I know thee who thou art, The inmost fiend that curlest Thy vampire tounge about Earth's corybantic heart, Hell's warrior that whirlest The darts of horror and doubt ! Thou knowest me who I am The inmost soul and saviour Of man ; what hieroglyph Of the dragon and the lamb Shall thou and I engrave here On Time's inscandescable cliff ? Look ! in the plished granite, Black as thy cartouche is with sins, I read the searing sentence That blasts the eyes that scan it : **** and SET be TWINS." A fico for repentance ! Ay ! O Son of my mother That snarled and clawed in her womb As now we rave in our rapture, I know thee, I love thee, brother ! Incestuous males that consumes The light and the life that we capture. Starve thou the soul of the world, Brother, as I the body ! Shall we not glut our lust On these wretches whom Fate hath hurled To a hell of jesus and shoddy, Dung and ethics and dust ? Thou as I art Fate. Coe then, conquer and kiss me ! Come ! what hinders? Believe me : This is the thought we await. The mark is fair ; can you miss me ? See, how subtly I writhe ! Strange runes and unknown sigils I trace in the trance that thrills us. Death ! how lithe, how blithe Are these male incestuous vigils ! Ah ! this is the spasm that kills us ! Wherefore I solemnly affirm This twofold Oneness at the term. Asar on Asi did beget Horus twin brother unto Set. Now Set and Horus kiss, to call The Soul of the Unnatural Forth from the dusk ; then nature slain Lets the Beyond be born again. This weird is of the tongue of Khem, The Conjuration used of them. Whoso shall speak it, let him die, His bowels rotting inwardly, Save he uncover and caress The God that lighteth his liesse.
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The Twins
[Dedicated to Austin Osman Spare] Have pity ! show no pity ! Those eyes that send such shivers Into my brain and spine : oh let them Flame like the ancient city Swallowed up by the sulphurous rivers When men let angels fret them ! Yea ! let the south wind blow, And the Turkish banner advance, And the word go out : No quarter ! But I shall hod thee -so ! While the boys and maidens dance About the shambles of slaughter ! I know thee who thou art, The inmost fiend that curlest Thy vampire tounge about Earth's corybantic heart, Hell's warrior that whirlest The darts of horror and doubt ! Thou knowest me who I am The inmost soul and saviour Of man ; what hieroglyph Of the dragon and the lamb Shall thou and I engrave here On Time's inscandescable cliff ? Look ! in the plished granite, Black as thy cartouche is with sins, I read the searing sentence That blasts the eyes that scan it : **** and SET be TWINS." A fico for repentance ! Ay ! O Son of my mother That snarled and clawed in her womb As now we rave in our rapture, I know thee, I love thee, brother ! Incestuous males that consumes The light and the life that we capture. Starve thou the soul of the world, Brother, as I the body ! Shall we not glut our lust On these wretches whom Fate hath hurled To a hell of jesus and shoddy, Dung and ethics and dust ? Thou as I art Fate. Coe then, conquer and kiss me ! Come ! what hinders? Believe me : This is the thought we await. The mark is fair ; can you miss me ? See, how subtly I writhe ! Strange runes and unknown sigils I trace in the trance that thrills us. Death ! how lithe, how blithe Are these male incestuous vigils ! Ah ! this is the spasm that kills us ! Wherefore I solemnly affirm This twofold Oneness at the term. Asar on Asi did beget Horus twin brother unto Set. Now Set and Horus kiss, to call The Soul of the Unnatural Forth from the dusk ; then nature slain Lets the Beyond be born again. This weird is of the tongue of Khem, The Conjuration used of them. Whoso shall speak it, let him die, His bowels rotting inwardly, Save he uncover and caress The God that lighteth his liesse.
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we love a guy with a black eye blood shot those cute five-finger dimples in his jawline up in millennial graphs of x-time and y-self worth increasing steadily in units knuckles and palms lips and prods in a smooth arching crescent down-facing hieroglyph of his swollen socket as the plane descending for Cropper and kudos touchdown
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Jul 4, 2014
Jul 4, 2014 at 6:29 PM UTC
Baghdad
I want to drop you off a cliff And turn you into hieroglyph Accessorize you with a noose This time I'll be Zeus I'll burn you to ashes Or would you rather hear splashes? Drowning you wouldn't be too bad What else should I add?
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Sep 21, 2012
Sep 21, 2012 at 9:54 PM UTC
Revenge
*Best poems are lost in the morn's toothbrush wash away with rinse fade like first crush run away with the trail of the bus you miss fly with summer clouds melt like first kiss! Best poems are lost with the winds' dusty blow half seen half known through half shut window burn away like fire on a long winter night lure with contour eluding full sight! Best poems are lost in the crescent moon's glow when your mind is too weary head hits pillow evanesce like youthful time smoothness of face undecoded hieroglyph untraced address! Best poems are lost like petals in the rain in the race for vain pride rush for self gain seen through smoked glass pages unread crumbling with time wasted like ****
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Jan 14, 2014
Jan 14, 2014 at 12:13 PM UTC
Best Poems
we use or misuse each other we don't ask as often as needed the eye of the needle the sky is closer storms are wiser waters sleep in the seeds of wind everything so holy entangled sweet deceit in lustry illusions glamour for amour cover up for unforseen the unbearable unknown everything so wise like the eagerness of colts So it goes, said Vonnegut casually I am your anything a strange causality a presence this cocoon of desire of course, urgent lover next day another mirror friend in the afternoon a simple woman in the morning slippery oblivion by midnight unearthed hieroglyph all night wide foe and moan & foam of laughter SOS in a bottle but not of wine holy **** from time to time not a dime piece, but she is a penny for your thoughts it is you can make and you can take the cinema on/of my skin let's speak with our ribs for the sake of mimes I could be your slave, but wait when bus sirens fade away incandescence is my name, the patience of graves of grapes
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Feb 11, 2023
Feb 11, 2023 at 9:46 AM UTC
patience
The dead are all around us they are as alive in their way as we are in ours We share a world of shadows with these manes and step awkwardly into the light Every breath of the wind is a dead soul passing every autumn leaf that falls a secret hieroglyph from the beyond Beasts in the wild know this thus the coyote sings his mad lament the raven turns his dull eye toward the east expecting not light but a flight of dark wings And dark wings command my attention these days my eye turned inexorably toward the night Where every word is farewell where all commerce ends and I rejoin the stream of stars Done with all of this. And surely it will be bliss.
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Sep 14, 2016
Sep 14, 2016 at 8:19 PM UTC
Dead Again
I've been      trying      to find             words to describe the secrets             of ancient bones             hidden within this temple in which i've made my home. Perhaps if you took the time to study               the walls I call                     my skin                covered with graffiti & hieroglyph, You might find                            some                                     greater                                                  truth obscured by my own lack of knowledge                          on where                                and how                          to begin So maybe I'll start                                  with the                                  original                              big           BANG Detail every moment of recorded history that lead up to the exact                                   explosive moment when our lips met for the first time and i slipped into a new                             universe                           where     I only want to fill silence            with your                               name
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Jun 25, 2014
Jun 25, 2014 at 5:59 PM UTC
The study of ruins
I've been      trying      to find             words to describe the secrets             of ancient bones             hidden within this temple in which i've made my home. Perhaps if you took the time to study               the walls I call                     my skin                covered with graffiti & hieroglyph, You might find                            some                                     greater                                                  truth obscured by my own lack of knowledge                          on where                                and how                          to begin So maybe I'll start                                  with the                                  original                              big           BANG Detail every moment of recorded history that lead up to the exact                                   explosive moment when our lips met for the first time and i slipped into a new                             universe                           where     I only want to fill silence            with your                               name
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This morning, between two branches of a tree Beside the door, epeira once again Has spun and signed his tapestry and trap. I test his early-warning system and It works, he scrambles forth in sable with The yellow hieroglyph that no one knows The meaning of. And I remember now How yesterday at dusk the nighthawks came Back as they do about this time each year, Grey squadrons with the slashes white on wings Cruising for bugs beneath the bellied cloud. Now soon the monarchs will be drifting south, And then the geese will go, and then one day The little garden birds will not be here. See how many leaves already have Withered and turned; a few have fallen, too. Change is continuous on the seamless web, Yet moments come like this one, when you feel Upon your heart a signal to attend The definite announcement of an end Where one thing ceases and another starts; When like the spider waiting on the web You know the intricate dependencies Spreading in secret through the fabric vast Of heaven and earth, sending their messages Ciphered in chemistry to all the kinds, The whisper down the bloodstream: it is time.
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Mar 16, 2014
Mar 16, 2014 at 9:19 AM UTC
The Dependencies (by Howard Nemerov)
Scientists made a lofty discovery The universe continually expands and contracts In the exact same manner absolutely So we ultimately live the same lives for all eternity So we devised a way to send a message to the next universe A message that would stay in place Even without the existence of space A message that would survive time Even through the end of our line The message conveyed: Don't make our mistakes Correct our sins Our universe ended The new one began The first humans mindlessly worshipped the message Hearts of the willing sacrificed They killed for control of its mystic power It belonged to whoever owned the ivory tower Until religions were developed Although they were all somewhat derived from the message People began to see the message itself as a pagan hieroglyph An incoherent interference They killed all that worshipped it Senseless slaughter Things got hotter When people were finally intelligent enough to understand it They saw all the things we did wrong And how to avoid those mistakes But the things we did that were wrong Seemed much more convenient and easier They used the weapons we told them not to make And the ideas we told them to steer clear of Swords became guns Racism became genocide Love became hate More direct ways of imposing their vision onto the world Foregoing empathy and compromise They submitted to the fascism of their subjectivity And were plunged into the Dark Ages Steel ***** and chains Followed by bullet rain Humanity was lost and found Humanitarians gagged and bound People had to make mistakes for themselves Until they decided to stop living in hell Humanity collectively decided to follow the message righteously After they saw hope for the future Through the vision our message provided And they realized they should write a message of their own
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Jan 26, 2018
Jan 26, 2018 at 7:33 AM UTC
Message
Scientists made a lofty discovery The universe continually expands and contracts In the exact same manner absolutely So we ultimately live the same lives for all eternity So we devised a way to send a message to the next universe A message that would stay in place Even without the existence of space A message that would survive time Even through the end of our line The message conveyed: Don't make our mistakes Correct our sins Our universe ended The new one began The first humans mindlessly worshipped the message Hearts of the willing sacrificed They killed for control of its mystic power It belonged to whoever owned the ivory tower Until religions were developed Although they were all somewhat derived from the message People began to see the message itself as a pagan hieroglyph An incoherent interference They killed all that worshipped it Senseless slaughter Things got hotter When people were finally intelligent enough to understand it They saw all the things we did wrong And how to avoid those mistakes But the things we did that were wrong Seemed much more convenient and easier They used the weapons we told them not to make And the ideas we told them to steer clear of Swords became guns Racism became genocide Love became hate More direct ways of imposing their vision onto the world Foregoing empathy and compromise They submitted to the fascism of their subjectivity And were plunged into the Dark Ages Steel ***** and chains Followed by bullet rain Humanity was lost and found Humanitarians gagged and bound People had to make mistakes for themselves Until they decided to stop living in hell Humanity collectively decided to follow the message righteously After they saw hope for the future Through the vision our message provided And they realized they should write a message of their own
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'And am I then a pyramid?' says Senlin, 'In which are caves and coffins, where lies hidden Some old and mocking hieroglyph of flesh? Or am I rather the moonlight, spreading subtly Above those stones and times? Or the green blade of grass that bravely grows Between to massive boulders of black basalt Year after year, and fades and blows? Senlin, sitting before us in the lamplight, Laughs, and lights his pipe. The yellow flame Minutely flares in his eyes, minutely dwindles. Does a blade of grass have Senlin for a name? Yet we would say that we have seen him somewhere, A tiny spear of green beneath the blue, Playing his destiny in a sun-warmed crevice With the gigantic fates of frost and dew. Does a spider come and spin his gossamer ladder Rung by silver rung, Chaining it fast to Senlin? Its faint shadow Flung, waveringly, where his is flung? Does a raindrop dazzle starlike down his length Trying his futile strength? A snowflake startle him? The stars defeat him? Through aeons of dusk have birds above him sung? Time is a wind, says Senlin; time, like music, Blows over us its mournful beauty, passes, And leaves behind a shadowy reflection,-- A helpless gesture of mist above the grasses.
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Senlin, A Biography: Part 01: His Dark Origins - 07
What does infinite longing sound like? Where is the vault that holds the seed corn of sadness? And how can we mute our fear when the barred owls in these dank woods sob in perfect sympathy with the night? Here the tense oboes find their range silence pervades their thoughts the drum marks a beat while the string section weaves a hieroglyph of grief and resignation. This symphony is called the song of the night and night proves to be full of whispered life rustling leaves and the courage to face it. But night is not synonymous with darkness. Its ways and means harmonize with the light render half the whole parcel our sleeping hours into dreams and fitful moments beneath the staring moon. In the morning a plaintive bird song stirs thought brings the sun into the east and wraps night's dreams into a silk handkerchief where dreams are tightly bound and forgotten.
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Jun 12, 2016
Jun 12, 2016 at 9:42 PM UTC
Mahler's Seventh
Standing at the edge of the cliff Want to swing but afraid to whiff Waited too long my bones are stiff Trying to interpret like a hieroglyph Over analyze your over analyzations Embrace all the nervous sensations Inner voice shouting accusations Fading and drowning aspirations Pardon the interruption As my heart skips a beat I propose an introduction How nice of us to meet Suffering silent suffocation To finally breathe is a feat To follow no instruction An empty blank paper sheet Excuse me maam,My name is Drifton, and Im really not a threat But I can see it from your shoes and I know you have to jet But to me you must see the worse thing in this world is regret Weighing heavier on me than any imaginable amount of debt So many things to say and potential memories to create Yet we will never know as my writing made me hesitate I watch you walk away with a rapidly racing heart rate What am I gonna say..start a debate,ask for a date...great She's gone forever as I fill up with self indulged irate hate Erase her memory eternally,my spotted minds blank slate How many times has your soul lead you astray to a mate Forever Immortalized within these words, a far better fate
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Aug 29, 2013
Aug 29, 2013 at 6:55 PM UTC
Silent Strangers
Analytical minds share symbols like currency, defining the present's possible. Tip an 8 sideways and infinity tumbles out, but sadly for us, there is no word for          , so it doesn't exist. Modern idioms can string together only hints of divinity: A Hebrew Prince raised by Egyptian Pharaohs wrote a book about the I Am. Our language fails pathetically, scarcely the words for what Moses saw in that burning bush. We know he saw God, lived to tell in writing. Grasp the Key for the 6th Angel's Little Scroll, unlocking his original Ancient Hebrew. Like math, each letter is a picture hieroglyph, and a meaning, and a number.   Add letters together, each word is a painting, and a poem.  One sentence is paragraphs of meaning, on four dizzying levels. One concise chapter speaks a vertigo of encyclopedic volumes. First to Analyze the most important hieroglyph in Genesis, so important, do not pronounce it, so its sacredness will never fade: At top, the sign of Life, then doubled, and the sign of Intelligible Light between. So becoming a unique verb; all other verbs derive from this, the Creator.   Then add the sign of potential manifestation, with foundation in eternity. IHOAH   a verb/noun signifying exactly The-Being-Who-Is-Who-Was-And-Who-Will-Be A vertical hieroglyph pictorially resembling a Man. Then: The letter with the sound of A looks like:     , and means the physical manifestation of   A= the physical manifestation of, D= man, A= the physical manifestation of, M= woman. ADAM, with its root word in red clay. A noun, collective humanity in physical form resembling spirit. (one meaning) Vertically hieroglyphic one sees a man; but it is smaller  (another meaning) Adam, a shadow of IHOAH. Let me explain how Moses reveals DNA....
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Dec 20, 2012
Dec 20, 2012 at 2:14 PM UTC
The 6th Angel's Little Scroll
Analytical minds share symbols like currency, defining the present's possible. Tip an 8 sideways and infinity tumbles out, but sadly for us, there is no word for          , so it doesn't exist. Modern idioms can string together only hints of divinity: A Hebrew Prince raised by Egyptian Pharaohs wrote a book about the I Am. Our language fails pathetically, scarcely the words for what Moses saw in that burning bush. We know he saw God, lived to tell in writing. Grasp the Key for the 6th Angel's Little Scroll, unlocking his original Ancient Hebrew. Like math, each letter is a picture hieroglyph, and a meaning, and a number.   Add letters together, each word is a painting, and a poem.  One sentence is paragraphs of meaning, on four dizzying levels. One concise chapter speaks a vertigo of encyclopedic volumes. First to Analyze the most important hieroglyph in Genesis, so important, do not pronounce it, so its sacredness will never fade: At top, the sign of Life, then doubled, and the sign of Intelligible Light between. So becoming a unique verb; all other verbs derive from this, the Creator.   Then add the sign of potential manifestation, with foundation in eternity. IHOAH   a verb/noun signifying exactly The-Being-Who-Is-Who-Was-And-Who-Will-Be A vertical hieroglyph pictorially resembling a Man. Then: The letter with the sound of A looks like:     , and means the physical manifestation of   A= the physical manifestation of, D= man, A= the physical manifestation of, M= woman. ADAM, with its root word in red clay. A noun, collective humanity in physical form resembling spirit. (one meaning) Vertically hieroglyphic one sees a man; but it is smaller  (another meaning) Adam, a shadow of IHOAH. Let me explain how Moses reveals DNA....
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i. On the aisle of Clarin, misamis occidental Attentive i hadst becometh, ashore a chaste purity; I kneweth her, she's been waiting for me. ii. Afore in the jungle's, wherein ourn touch hath connected Aloft in the starry nebula's, whence when Pharaoh's directed; Yet me and mine wild child, were streaming banner's of feral. iii. Althedish Hieroglyph's told of ourn second coming Ourn craft was as in Ezekiel's time, circle's inside circle's; We illuminated beshowing, towering ticking with none time. iv. No custom to be payed, for we art not slave's I've waited this long, for mine queen of the shade; I shalt rest with her, on the aisle of Clarin, risking, daring. ©Brandon nagley ©Lonesome poets poetry ©Earl Jane queen dedication
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Aug 14, 2015
Aug 14, 2015 at 10:31 PM UTC
On the aisle of Clarin, misamis occidental
Your eyes touch the back of my mouth. Make it so hard to swallow. I never breathed so evenly, my stomach feels so hallow. I'll bury my face in your neck. Allow me to sink my tongue, and Drown my teeth into your arms. Your breath fills my lungs. Everything is easy now, since we simply let it be. This is anything but sarcastic, the way our colors bleed. I love your golden irises, I love your sepia skin. Wrap yourself around my bones and melt into my ribs. I feel like our arms glide through each other, Like dancing lovers, after years of familiarization Predictability in every step, but for once Comforting to know what's going to come next. Your hands hieroglyph the language of my fingernails Decoding a sensation that belongs to something bigger than us, And finally understanding that it's okay to touch that. Contentment for war. Trading pity for empathy. Trading sympathy for care. You were always in the confines of my aching head, Your name is in all my search-bars. If I had the right fingers, I would create you in marble I would design a statue and have it be gilded In your honor. And if there was a temple for us, It would be in the shape of a man, aimed at the earth. He would be bowing to a large evergreen tree. And our initials would be carved on the side. Let's finally spraypaint our faces in underpasses Eyes like this deserve to be gazed into. Eyes like yours. Deep breathing, my face in your chest. Breastbone meeting skull Dripping my lips onto your skin Like candlewax. If you kiss me with finality, "I promise, darling, I'll kiss you back."
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Jan 4, 2011
Jan 4, 2011 at 10:35 AM UTC
California Vandals
Your eyes touch the back of my mouth. Make it so hard to swallow. I never breathed so evenly, my stomach feels so hallow. I'll bury my face in your neck. Allow me to sink my tongue, and Drown my teeth into your arms. Your breath fills my lungs. Everything is easy now, since we simply let it be. This is anything but sarcastic, the way our colors bleed. I love your golden irises, I love your sepia skin. Wrap yourself around my bones and melt into my ribs. I feel like our arms glide through each other, Like dancing lovers, after years of familiarization Predictability in every step, but for once Comforting to know what's going to come next. Your hands hieroglyph the language of my fingernails Decoding a sensation that belongs to something bigger than us, And finally understanding that it's okay to touch that. Contentment for war. Trading pity for empathy. Trading sympathy for care. You were always in the confines of my aching head, Your name is in all my search-bars. If I had the right fingers, I would create you in marble I would design a statue and have it be gilded In your honor. And if there was a temple for us, It would be in the shape of a man, aimed at the earth. He would be bowing to a large evergreen tree. And our initials would be carved on the side. Let's finally spraypaint our faces in underpasses Eyes like this deserve to be gazed into. Eyes like yours. Deep breathing, my face in your chest. Breastbone meeting skull Dripping my lips onto your skin Like candlewax. If you kiss me with finality, "I promise, darling, I'll kiss you back."
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A rose in the snow A diamond in a plow A single cloud on a hot day A lone bud amongst the flowers of May A sole tree on a cliff Amidst lines, there is a hieroglyph A white lily in a field of red tulips A solar eclipse A volcano in the ocean A center of planetary revolution An aurora atop icy regions A rainbow above desert nations A sunset in the sea A sunrise in the city A moon in the afternoon sky A mother's unique lullaby A bright evening star in a cloudy night Within darkness, a presence of a candlelight Still, nothing can compare To you, none would resemble, none can dare You are beyond comparison And I can only provide one reason I don't shiver or stutter when you're present Around you, it just feels pleasant I've never met anyone like you Nor heard anyone say my name like you do When the sound of my name slides from those lips I feel safe You make me feel safe to be me You make me feel safe
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Mar 23, 2016
Mar 23, 2016 at 2:04 PM UTC
Haven
GOOD HOUSEKEEPING Not stated ( though it’s understood ) she will not say a word like dust swept under a rug. Good Housekeeping. His anger ripens into the bruise she wears upon her skin a jewellery of fear written upon pale flesh his hieroglyph of hatred. Love’s lustre tarnished from the first the tattoo of boot and fist. Holds her hand under the grill until her eyes bulge gulls screaming overhead. The bilge of his vile vomiting insults upon her scared face. “Slut...slut...slut” his screams in a rut matching each word to each rising fist a blow by blow account. He the liturgist in the nightly rites of violence uglier than can be imagined. Lilies cower in a vase. He the high priest of her despair. An ugly bruise upon her soul. Her eyes now null and void slit wrists upon polished table tops in a room now sunlit...now unlit.
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Aug 17, 2019
Aug 17, 2019 at 3:15 PM UTC
GOOD HOUSEKEEPING
You rewrite me. I learn the hieroglyph for longing, the derivative of sigh. Ours is a softly spoken love and I'm a breathless scribe.
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Dec 14, 2010
Dec 14, 2010 at 1:42 PM UTC
Second Draft
You are my one absolute favorite drug. If you were a beer, I"d most definitely chug. I need you like a purple dinosaur needs a hug. I"ll pour you in my mug, even fill up a to go jug. If you happened to be a bottle of wine I"d savor each and every single last sip A tribute to every grape on your vine Head rush with each touch of the lip I"ll be all yours, won"t you be all mine Come with me and journey on this trip Be my shade from the bright sunshine Whisper till you blush, I gave you a tip Breezy Hair blowing looking so finely divine Preceding a gush,got me on an IV drip Now Let me be your cocktail You can make me extra stiff Hand me the keys to your jail Paint the walls like a hieroglyph Blindfolded, your body's my Braille Using your scent, I catch a whiff Night"s coffin about to receive a nail As you reach the precipice of the cliff Let us propose a toast with champagne That roller coaster ride was so insane So cheers to us, and all we have to gain May the years be kind and free of pain And tears only be artificial from rain No fears, we"re all on the same train So may our time never be taken in vain The way I feel, words, can never explain
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Aug 9, 2014
Aug 9, 2014 at 1:42 AM UTC
Just one more drink
Autumn racing red and gold behind half-open eyes of icy blue. 27th Fall. Step into cold and race through alleyways I've known. A crunching stride, solitary breaths. Staccato notes banged out on sidewalks' grey scales... ...I'm every inch of this softened ground, these shoe treads, hieroglyphics... ...My town appends its runic fate onto my story's granite page. Crisping air, engulf my lungs. Ensconce my face in drowsy weather. Sleepy eyelids, sliding down to Main & Dow Street. Watch me hover along the margins. These last 4 months of quiet aching engraved in me come roaring out now. Autumn streets stay silent. And Kendrick Park has whispered low in bashful rustling; I climb the boardwalk, my thoughts are gilded, responding slowly. The breeze abates, it's halfway warm. Bellevue & Lewis I am a statue; smooth, cold marble, still in November. And, soon, the Summer comes with angry glares. And, soon, this stony face will disappear. These months will always linger in me. Does my ghost haunt this place already? I'll return here every Autumn when October signs off on the Summer's death. And I'll be tracing all your features with forgotten footsteps' ancient hieroglyphs...
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Aug 25, 2015
Aug 25, 2015 at 12:54 PM UTC
Hieroglyph
I had known you in the womb telepathically - or possibly a ghost a lost twin or lost soul (maybe not, you were four) or maybe all of existence and time - as cosmic brothers and my neighboring universe or a shared galaxy because when you walked in my legs were crawling back to me after a long hike through the seven summits and my arms have paddled through the seven seas to joyfully return to land twisted and contoured so painfully blissful to see the shore and the meteors about shouted from the sky in their tapered bleeding orange gowns of eldritch scripts and manuals rejoice rejoice rejoice rejoice rejoice yet I cannot say your name correctly (like an ancient hieroglyph yet to be understood by scholars) I'm sorry that I cannot hopefully you will whisper it to me as I sleep so it will never be forgotten again
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Jun 15, 2014
Jun 15, 2014 at 4:25 PM UTC
elías
what could empty you? in the weight of our divines the un thinking deep within us strokes of pure spirit our fleeting fall labour — the early war; original sin in between the earth and sky is the shade of the galaxy why limit sorrow? why blank the source? conquered, we go on and put life first ignore the remnant artifacts merciless undoings turned pools, nudge of time ordinary notes of care unleashed poisons etched into skin history’s suitor to time, shards, debris remember remember remember the blank silence echoing days go on, fewer, sleep escaping crying out it was a home. cursed nights into mornings, who can make of this? what once was theirs, whatever is left? emptied, murdered, obliterated an annihilation of the ego the anguish, the anguish eyes still seeing last touch feeling ancient alone abandoned what is a year a month a decade but a moment? —lost and burned futile devices, fervour’s writing mailed to the void and the sea? the sea? the saltwater dead, my love, the saltwater dead the last great epitaph of our love: i am nobody i am nobody and you are gone oh, August, a season deceased, tell me again the hieroglyph of your name
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Sep 11, 2018
Sep 11, 2018 at 8:28 PM UTC
the last ten days of august.
i. i always find a space for myself in small places: ii. in my mother's open wounds, there i dance with salt and lime and my father's misplaced angers. iii. in the scratched frames under the nails of an angry girl. in between cowering sunbeams i lick the walls clean of dust. iv. in the fifth page of thrifted book, back when i was in love with bukowski, i look at the stains of a summer day sin and see a five-feet egyptian sarcophagus taped with figures; what is the hieroglyph for pity, so that hathor takes me back to the tight spaces of her womb? what is the hieroglyph for homelessness? what is the hieroglyph for misplaced? v. i always find a space for myself in small places: in the holes of a tire, in between discolored knuckles, in desperate places where a body gives up and wastes away; there's a space for one more. vi. i always find a space for myself in small places — they wait with such quiet patience like a father to a prodigal child — i always find a space for myself waiting in small places, it calls hauntingly, like a well-loved, familiar ghost. yet i cannot come back. i am too huge with sorrows now — too full with wistful human bones.
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Aug 12, 2021
Aug 12, 2021 at 8:36 AM UTC
**** thoughts
Women Inequality No one likes Rightness No one likes Orderliness Ancient concepts of truth, balance, order, harmony, law, morality, and justice, touched the point, and the pyramid floor I will wear my ostrich feathers, with truth Regulate the stars, seasons, and the actions of mortals Order from chaos From the moment of creation, my art wings, were authentically replicated The key of the nile, is ancient and sacred © 2023 Carol Natasha Diviney
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May 28, 2023
May 28, 2023 at 6:56 AM UTC
Hieroglyph Ankh