Test Ting Won To Tree
By
Charles Fleischer







Rifleman decal water is to Tiny basket liners as Strained yo-yo string is to?
Dark wool glowing is to Oldest lost oddity as First genetic engine is to?
Black quail taint is to Nut curdled paint as Hemp biscuit dominoes are to?
Steam traced paper is to Lemon ash vapor as Digital ****** wig is to?
Eccentric brine mimes are to Electric silk slacks as Spark formed lava is to?
Sunchoked black hornets are to as Rescued orphan doves as Retold cat jokes are to?
Hand traced videos are to Braided rubber spines as Opal rain dancers are to?
Halogen anchor gong is to Annoying bread portraits as Soft bracelet lockers are to?
Old troll bios are to Select cherub echoes as Broken matchstick parasols are to?
Dome nine chariots are to Frayed lunar remnants as Fuming honey flasks are to?
Bluing assault operas is to Beading fluted flowers as Magnetic lawn tweezers are to?
Converted flea sponges are to Floating dog murals as Frozen Archie comics are to?
Molded road pads are to Crusty gumdrop thread as Straw ribbed pelicans are to?
Inflatable diamond vowel is to Single gender raffle as Groovy desert coffee is to?
Temporary solution radiation is to Idiotic witness mumble as Motorized marshmallow kit is to?
Panoramic utopian paranoia is to Aggravated **** silhouettes as Unhinged gun sellers are to?
Homesick ghost pajamas is to Virtuous fly fungus as Royal sandpaper gloves are to?
Gangster hayride tickets are to Deer milk Oreos as Turnip fairy maps are to?
Glue gun **** is to Nocturnal cabin mice as Cab fare corn is to?
Speckled fish nickels are to Under water bric-a-brac as Epic snakeskin paisley is to?
******* bungalow pranks are to Drowsy vapid oafs as Quantized cavern fish are to?
Raunchy snail kimono is to Coiled time dice as Smeared equator malt is to?
Metallic centaur franchise is to Transparent cheese chess as Spotted glacial remnants is to?
Sky fused pong is to Rustic mothers brattle as Granulated canister ointment is to?
Overgrown maze mule is to Mated smugglers hugging as Floating thesaurus exam is to?
Sliding coed sprinkler is to Soapy whitefish rebate as Precious lamb diaper is to?
Mushy acorn luster is to Lilac protein rings as Slapstick wrestler dialect is to?
Freaky plankton bells is to Rolling horse divorce as Morphing morphine lips are to?
Sticky razor sparkle is to Emerald muscle spasm as Glaring cat cipher is to?
Peppy unisex mustache is to Pelican fighter syndrome as Clumping night grumble is to?
Scanning paired pearls are to Ruby rubbed roaches as Satanic sailor flotsam  are to?
Glowing asteroid solder is to Ideal shark data as Failed frail doilies are to?
Numb nuts boredom is to Fantastic icy phantoms as Sporadic silk creations is to?
Crooks crow chow is to Loading spackled bonder as Gargled snowdrop blasters are to?
Outdid myself today is to Outside myself again as Outlived myself controls is to?
Venting shuttlecock upset is to Texting badminton kitten as Settler tested motels are to?
Prepare paired vents is to Prefer paid events as Pretender predicts fiction is to
Crunchy mental fender is to Catching mentor menace as Poorly seasoned lettuce is to?
Outside sidewalk inside is to Seaside outcast input as Sideways landslide victory is to?  
Compile fake password is to Compost world poo as Compose village anthem is to?
Crooked crotch blunder is to Loud crowd thunder as Divine vine finder is to?
Chucks’ wooden truck is to Bucks good luck as Sticky ducks tucked is to?  
Overhaul underway overseas is to Overturned downsized pickup as Underground onramp overloaded is to?
I’ll bite there is to Aisle byte their as Isle bight there is to?
Gnat gnawed wrist is to ***** show beans as See through putty is to?
Flapping floppy guppies are to Buzzing zipped dozers as Muddy ****** strippers are to?
Dark diagonal dialogue is to Diabolical dihedral die as Interesting circadian exposition is to?
Experimental flossing expectations are to Waxed dental traps as Permanent impermanence resolution is to?  
Outran ringside intrigue is to Sidetracked onboard boatload as Loaded firearm topside is to?
Phony ****** phone is to Chewy ego honey as Yogi Mama’s dada is to?
Nimble teardrop squiggle is to Humble cage curtains as Loyal truckstop morals are to?
Torching curled elastic is to Sonic neighbor clamor as Golden droplet integers are to?
Duplex pupil scanners are to Nacreous cloud clocks as Shrouded flute shops are to?
Lawn rocket tendrils are to Finding surreal borders as Sheep monarchs children is to?
Gloating ungloved squires are to Busting double doubters as Pushing woeful doctors are to?
Tricking snowbelt firedogs is to Panmixing blackened haywires as Unclothed shameful leaders are to?
Malicious ranch ritual is to Internal puppet bubble as Ornate underworld masquerade is to?
Rustic debonair Eskimos are to Mindless sassy elves as Gorgeous somber acrobats are to?
Learned earthy pimps are to Fearless sneaky Queens as Somber gentle vagrants are to?
Shocking horse wear is to Glossy sled fluid as Damaged chipmunk tongue is to?
Traditional agony chart is to Damp voodoo motel as Backwoods museum quote is to?
Magical cat cabin is to Dapper porpoise humor as Malicious graveyard foam is to?
Therapeutic gazelle cushion is to Stored alibi equipment as Stunning tempo light is to?
Fantastic rascal art is to Wasted prune dust as Jupiter’s ****** law is to?
Little nut razor is to Gigantic hyena shield as Hourglass pillow fever is to?
Coiled rain clouds are to Dizzy tycoon clowns as Lime eating cowards are to?
Possessive epicurean demonstrators are to Faded eavesdropping giants as Determined swanky drunks are to?
Aquatic preview pocket is to Soggy judicial topiary as Finicky hamster fabric is to?
Enlarged fruit cuff is to Obedient mumbling orchestra as Dark tenant tariff is to?
Recycled flash thermometer is to Botched temptation probe as Pet glider grid is to?
Seriously shy idols are to Costly driving perfumes as Ferryboat chapel wine is to?
Winged jalopy details are to Faithful spectral fathers as Sprinkled mint rainbows are to?
Spelling unneeded words is to Sprouting donut ***** as Blaming mellow mallrats are to?
Eroding loom keepsake is to Magnificent accordion canoe as ***** bongo fumes are to?
Souring violet ink is to Juvenile insult park as Periodic ferret envy is to?
Obedient boyfriend aroma is to Sanitized fat lozenges as Dramatic jailer garb is to?
Mysterious patrol group is to Dynamic maiden discharge as Captured hurricane ratio is to?
Lackadaisical bigot bingo is to Oblong care merchant as Expensive swamp shampoo is to?
Petite orifice worship is to Atomic barge pet as Plucked hair exhibit is to?
Elite officer wallop is to Automatic yard rake as Healing ****** glitter is to?
Needless swan costume is to Giant jungle goat as Organic picnic napkin is to?
Leaky jet steam is to Innovative fascist whistle as Enchanting idol evidence is to?
Plastic mascara seduction is to Greasy thermal ointment as Attractive muskrat crease is to?
Lucky camel pills are to White coral Torah as Eternal stage clutter is to?
Roasted oat **** is to Sloppy *** glue as Nylon table debt is to?
Steep nook catastrophe is to Empty dome damage as Pulsing breeze powder is to?
Empty sack power is to Hitched buck stroke as Red claw warning is to?
Ultra brief slogan is to Yummy lab mutant as Pathetic ball armor is to?
Nauseating fish splatter is to Obstinate ****** twitch as Strained ***** coffee is to?
Mezzanine intermission fossil is to Proven **** apathy as Golden duck shroud is to?
Civil tutors torment is to Thor’s posted theory as Yellow melon rain is to?
Immense olive raft is to Exploding kangaroo buffet as Ethereal witness index is to?  
Marching dark speeders are to Searing scribble fighters as **** tripping sinners are to?
Seeping viral angst is to Aged hermit tea as Murky bowl nibble is to?
Condensed blister guzzle is to Pink dorsal pie as Lavish speckled runt is to?
Needy insult poet is to Sedated acorn trader as Dry honey zoo is to?
Veiled trust flicker is to Deranged poser fashion as Flat sizzle tangent is to?
Purified diet spray is to Nebulous wishing target as Thrilling screen dope is to?
Majestic ribbon astronomy is to Bizarre formation sector as Rebel bell gimmick is to?
Sealed dart whisper is to Green silk draft as Cold vacuum varnish is to?
Clumsy raven power is to Insect island circus as Minted mink drapes are to?
Curved map ruler is to Tiny lethal radio as Blue fused metal is to?
Inverted laser invasion is to Damp sheep dump as Puffy gown smoke is to?
Saucy Channel blazer is to Leather goat filament as Starched locomotive hat is to?
Broken jumper leads are to Disgraced mini exorcists as Designer shamrock caulk is to?
Tweaked poachers smokes are to Assorted sulfur pathways as Collected bedlamp trickle is to?
******* bungalow pranks are to Drowsy vapid oafs as Quantized cavern fish are to?
Crawling battle worms are to Vibrating metal pedals as Mentholated matrix wax is to?
Missing meshed rafts are to Liquid rock pipes as Crinkled bean bikinis are to?
Tithing **** joggers are to Perforated buck fronds as Leather zither picks are to?
Fearing truthful cowards is to Rambling preachers mumble as Gazebo ambulance gasoline is to?
Shelving elder’s whiskers is to Poaching goalies pesto as Radical tricycle angst is to?
Mucky gunboat polymer is to Primeval maypole flameout as Cathedral greenhouse intercom is to?
Diaphanous safety prize is to Unleashed saucer lion as Dorky blonde ropewalker is to?
Tapered spring meter is to Silver silo mythology as Misguided judges medallions are to?
Alligator x-ray money is to Cherry unicorn water as Coyote cactus toy is to?
Cowardly dorm scrooge is to Atomized pewter script as Flattened spore smoothies are to?
Trash can yodel is to Flashing wired spam as Exploding chocolate pudding is to?
Sonar blasted bushings are to Threading ruined wheels as Forty shifting boxes are to?
Tiny balloon rebellion is to Softened square cleanser as Iconic soul sucker is to?
Harmony night light is to Spanish nitrogen desire as Squirrel cavern iodine is to?

Lazy winter secret is to Slow airport widget as Silly mustard binder is to?
Elephants raising raisins are to Microscopic lamb planet as Purple hay puppets are to?
Caribou venom vaccine is to Electronic lemonade choir as Demonic princess massage is to?
Beet coated bridge is to Fattened needle point as Mylar monkey spine is to?
Ashy ink dust is to Youngest rabbi planet as Orange cartoon geometry is to?
Cold green chalk is to Cobalt ladder farce as ***** river filters are to?
Sublime sheep master is to Sleeping past rapture as Subliminal bliss jelly is to?
Ocean crust slippers are to Twigged germ radar as Popping sharpie scope is to?
Zen wrapped beep is to Oak foamed code as Wicked flashing sizzle is to?
Dew eyed sleigh is to Say I do as Act as me is to?
Humpback on hammock is to Ham hocking hummer as Hunchback with knapsack is to?
Corned flag jelly is to Draped wing chewers as Tripping swan acid is to?
Futuristic Rembrandt chant is to Almond likened meadows as Asian timber blue is to?
Nap in sack is to Flap on Jack as Ducks dig crack is to?
Flowing flavored lava is to Gleaming optic layers as Enhanced goose gibberish is to?      
Flag tied pajamas are to Saline checker choir as Speed reading quotas is to?
Whipped spam spasms are to Misted shaman scripture as Testing pitched bells is to?
Cave aged eggs are to Crowded tiger cages as ****** wagon pegs are to?
Pigeon towed car is to a Man toad art as Wolf whisker wish is to?
Second hand clothes are to Minute hand gestures as Final hour prayer is to?
Slick wicked shavers are to Tricky watch boxes as Sprouting pine tattoos are to?
Waxed stick ravens are to Match stick foxes as Narrowed thermal towers are to?
Ice cave rice is to Laced face lice as Gourmet pet **** is to?
Diamond lane anniversary is to Space age appropriate as Time travel agency is to?
Lime bark violin is to Lemon twig guitar as Lunar sky waffles are to?
Fake rat **** is to Smart cake batter as Rugged fur tax is to?
Tarred raft fluff is to Flaked rafter dust as Lined liquor flask is to?
Flakes will fall is to Take Bills call as Broken maze compass is to?
First faked voter is to Entombed cartoon honey as Smallest aching smurf is to?
Fancy bared ******* are to Flaky fairy treats as Kings amp filter is to?
Bone window folio is to Whittled fake pillow as Little fitted jackets are to?
Nine nuts brittle is to Ate pear pie as Six packed poppers are to?
Incandescent playground pencil is to Elastic hand worm as Perfumed piano ink is to?
Opal shifting anode is to a Windup lion decoy as Pale paisley trolley is to?
Stacked black boxes are to Old packed tracks as a Throwing micron hammers is to?
Apricot bark furnace is to Merry Orchid Choir as an Ivory rinsing funnel is to?  
Narcotic honey nuts are to Slick flag toffees as Silk fig sugar is to?
Orange coin raisins are to Low note candies as Smelling balled roses is to?
Pocket packed monotints are to Tragic ladder hayracks as Ravishing speed traders are to?
Crayon spider resin is to Coral squirrel forceps as Wolf tumbled loaf is to?  
Silver wheat flies are to Width shifting wheels as Golden blister blankets are to?
Really tiny hippopotamus is to Masked fat podiatrist as a Sad sack psychiatrist is to?
Miniature Mesopotamian monuments are to Apple minted elephants as Raising wise ravens is to?
Lathered nymph nacre is to Sonic ion constellations as Concealed iron craft is to?  
Epic gene toy is to Ladies bubble sled as Jagged data bowl is to?
Bugged dagger bag is to Pop sliced meld as Atom bending moonlight to?  
Rural madam’s deed is to Dyed dew dipper as Eight sprayed dukes are to?
Jiffy grand puffer is to Floating altar myth as Vintage dark mirth is to?
Undercover overnight underwear is to Overpaid undertaker overdosing as Overheard understudy freebasing is to?

Black grape crackle is to Red cactus ruffle as Installing padded pets are to?
Snide snobs sniffing are to Sneaky snails snoring as Snared snipes sneezing are to?
Exploring explosive exits is to Explaining expansive exports as Expecting expert exchange is to?
Shrewd logic ledger is to Puppets dropping cupcakes as Placated topaz octopi are to?
Door roof tools are to Cool wool boots as Wood cooked root is to?
Bright fight light is to Night flight fright as Mites bite site is to?
Floor flood fluid is to Wooden door Druid as Nasty **** broom is to?
Accurate police photography is to Intelligent microbe geography as Condensed aerosol biography is to?
Cowardly cowboy grime is to Corpulent corporate crime as Bosnian dwarf necromancer is to?
Jell-O clearing shaker is to Brillo cleaning shiner as Cheerios bowling shields are to?
Mumbled mindless hokey is to Fumbled found money as Humming kinder bunny is to?
Daisy’s clock setter is to Lilly’s boxer toxin as Poodles rose paddle is to?
Watch Bozo Copernicus is to Hire Clarabelle Newton as Find ***-wee Einstein is to?
Amethyst thistle whistles is to Lapis pistol whip as Diamond bomb scar is to?
Dandelion seahorse rescue is to Crabapple dogwood farm as Faux foxglove lover is to?    
Optical poppy stopper is to Polar halo lens as Day-Glo rainbow sticker is to?
Savanna leopard spotted is to Eskimo lassos kisses as Alligator lemonade standard is to?
Bill of Rights is to Will of left as Thrill of night is to?
Baptize floozies quickly is to Useless outsized nozzles as Puzzled wizard wanders is to?        
Chaps wearing chaps are to Chaps contesting contests as Consoling concealed consoles is to?
Quiet squirming squirrels are to Aeon beauty queens as Queasy greasy luaus is to?
Knew new gnu is to Sense scents cents as We’ll wheal wheel is to?
Blazing zingers ringing are to Wheezing singers flinging as Freezing finger number are to?
Lamb tomb jogger is to Dumb numb **** as Thumbed crumb bug is to?

Blue accordion casket is to Jaded scholar ***** as German mushroom circus is to?
President George Flintstone is to Funny Fred Washington as Abraham Jetson’s dog is to?
Google Desmond Tutu is to Kalamazoo Zoo Park as Zodiac actors Guru is to?
Swamp cradled whisperer is to Cherished drawbridge cello as Bludgeoned prankster outlaws are to?
Dukes pink mittens are to Smeared nest carava

Dear Poet Friends, Torin Galleshaw from Charlotte NC, a Member of this Site, had requested me to compose about the Rise of Third *****. Therefore, I have commenced with the causes for its Rise in my Part One posted below. Planning to compose Part Two with ******’s Blitzkrieg campaign of Poland later. It is unfortunate that I am unable to post related Maps & Photos for better appreciation of my Readers! Such options are not available for us here! However, I have managed to post a copy with maps & photos in the E-mail ID of my friend Torin!  Kindly give comments only after reading this researched work of mine, during your spare time.  Thanking you, - Raj, New Delhi.

            STORY OF SECOND WORLD WAR – PART ONE
                            RISE OF THE THIRD *****
                                       By Raj Nandy

                                  INTRODUCTION
In this part I shall mainly deal with the causes leading to the Second World War,
Which had also created favourable conditions for the rise of Third ***** under ******.
The word ‘*****’ derives from old German word ‘rihhi’ meaning ‘realm’;  
But is also used to designate a kingdom or an empire in a broader sense.
Historically, the First ***** was the Medieval Holy Roman Empire which lasted till the end of the 19th Century.
While the Second ***** was the First German Empire from 1871 to 1918, when dynamic Otto Von Bismark had united all of Germany,
Which ended with its defeat in World War One and birth of the Weimar Republic.
The Third ***** refers to the **** German Empire under ******, Which lasted from 1933 till 1945, for twelve traumatic eventful years!
Historians opine that the ending of a war is equally important as
its beginning;
Since the causes for the start of a war is often to be found embedded in its ending!
The First World War came to an end on 28th of June 1919 as we all know.
With the signing of the Treaty at Versailles by the German Foreign Minister Hermann Muller and the ‘Big Four’.  (Britain, France, America, & Italy)
Yet it is rather ironical, that this Peace Treaty of Versailles, considered as President Woodrow Wilson’s ‘brain child’,
Had sowed the seeds of discontent resulting in the outbreak of the Second World War, and Adolf ******’s dramatic rise!

Though several causes are attributed for the outbreak of the Second World War by our Military Historians.
Let me try to summarise those causes which are considered to be more relevant.
Commencing with the harsh Treaty of Versailles, the British and French Policy of Appeasement, followed by Hyperinflation and the Great Depression of 1929, and failure of The League of Nations to maintain peace;  
Are relevant factors which collectively combined resulting in the outbreak of the devastating Second World War, scarring human memories for all time!
But not forgetting ******’s forceful and persuasive eloquence which mesmerised the Germans to rise up as a powerful Nation once again.
Since ****** promised to avenge the humiliation faced by Germany following the Treaty of Versailles,
Which was drawn up with vengeance, and dictated by the victorious Allies!

THE  ARMISTICE  AND TREATY OF VERSAILLES:    
Armistice means a truce for cessation of hostilities, which provides a breathing space for negotiating a lasting peace.
Now the Armistice ceasing the First World War was signed inside the railway carriage of the Allied Supreme Commander Marshal Foch, in the Forest of Compiegne,
On the 11th of November 1919, sixty km north of Paris, between the victorious Allies and vanquished Germany.
But in the meantime naval blockade of Germany had continued, and the German Rhineland was evacuated and partly occupied by the combined Allied troops!
Release of Allied POWs interned civilians followed subsequently; And the Reparations Clause of monetary compensation was strictly imposed on Germany!
Now, following a wide spread German Sailor’s Revolt towards the end of October 1918, Emperor Kaiser Wilhelm-II had abdicated;
And on the 9th of November Friedrich Ebert, as the new Social Democrat President of Germany, authorised his representative to sign the Compiegne Armistice.
We should remember here that this Armistice seeking cessation of hostilities did not stipulate any unconditional surrender;
And the signing of the Armistice by the German Social Democrats, was considered as ‘a stab in the back of the German army’ by majority of the Germans!
These issues get repeatedly mentioned by Adolf ****** in his eloquent speeches subsequently,
To arouse the spirit of German Nationalism, and resurgence of the ‘Master Aryan Race’ of the Germans, - in Germany!

The Versailles Treaty was signed on 28th of June 1919, exactly five years after the assassination of Archduke Ferdinand which had sparked World War One.
Let me mention few aspects of this Treaty which was detested by the Germans!
Germany lost 13% of its land, 12% of its people, 48% of its iron resources, 15% of its agricultural production, and 10% of its coal, following its implementation!
German army was reduced to 100,000 men, its Navy reduced to 36 ships with no submarines, its Air Force banned, and its union with Austria forbidden.
Now to use a Shakespearean phrase the ‘unkindest cut of all’ came in the shape of Article 231,  the ‘War Guilt Clause’ of the Versailles Treaty,
Which provided the legal basis for the payment of war reparations by Germany.
The reparation amount of 132 billion gold marks (US $33 billion) to cover the civilian damage caused during the war, now had to be paid by Germany!
Thus the humiliation, resentment, and the virtual economic strangulation following the Versailles Treaty,
Was exploited by extremist groups such as ******’s **** Party.
And in the decades to follow, ******’s Nazis would take full control of Germany!

NOTES: Following Versailles Treaty, Alsace-Lorraine captured by Germany in 1870 was returned to France. The SAAR German coalfield region was give to France for 15 yrs. Poland became independent with a corridor to the sea dividing Germany into two. Danzing, a major port in East Prussia, became a free city under the League of Nation. Finland, Lithuania, Latvia, & Czechoslovakia became independent. Industrial area of German Rhineland, forming a buffer zone between Belgium &France,was
demilitarised.

WOODROW WILSON’S  14 - POINT PEACE INITIATIVE  & THE LEAGUE OF NATIONS:
American President Wilson was an idealist and a visionary, who in a speech to the US Congress on 8th Jan 1918,
Introduced a 14 Point Charter as a platform for building global peace, based on the principles of transparency, self-determination, and Democracy.
But for the first time in US history, the Republican-led US Senate rejected this Peace Treaty, and prevented America from joining the newly created League!
The US Senate wanted to retain its sovereignty without external entanglements;
Free from the League of Nation’s political dictates in its foreign commitments!
The Irish immigrants refused to support Wilson's Fourteen Points because Wilson was concerned about stopping WWI, rather than forcing the British to set Ireland free.
Many Jews also refused to back Wilson, since he was paying too much attention to the War, and not enough to the Balfour Declaration of 02 Nov 1917, -
Which promised an Independent Jewish State with a distinct Jewish identity.

The League of Nations had emerged from Wilson’s 14 Points on the 10th Jan 1920, with its HQs at Geneva, Switzerland, but it had no peacekeeping forces those days!
The League had failed to prevent invasion of Chinese Manchuria in 1932 by Japan;
Italy’s invasion of Ethiopia in 1935; annexation of Sudetenland and Austria by Germany!
The Axis countries Germany, Italy, and Japan, withdrew from the League subsequently.
Thus the League of Nations was disbanded in 1946 officially!
But President Wilson’s ceaseless efforts for global peace did not go unrecognised,
Since on the 10th of December 1920, he was awarded the Nobel Peace Prize!
While his disbanded League of Nations, as the first global humanitarian organisation,
Continued to survive in spirit with the establishment of United Nations Organisation on the 24th October, 1945.

ECONOMIC CAUSES - FOLLOWED BY THE GREAT DEPRESSION OF 1929 :
Germany emerged from the First World War with loss of 25,000 square miles of territory;
Loss of seven million inhabitants, and a staggering debt imposed by the Versailles Treaty!
The Wiemar Republic, after abdication of Emperor Kaiser Wilhelm-II  to Holland,
For the first time in German history, established a Democratic Constitution with Friedrich Ebert as its first President.
But The Republic first had to consolidate itself by squashing the Spartacist Revolt of January 1919 led by the extreme Leftists, and inspired by the Russian Bolshevik Communists!
The Freikorps, in March 1920, an Ex-Soldiers Rightist Group, tried to overthrow the Wiemar Republic with support of their Rightist allies and their own veteran troops!
This was soon followed by a Communist attempt to takeover of the Industrial Rhur;
But fortunately, all these uprisings against the Republic were effectively subdued!
But the 33 Billion Dollars of Reparations hung over the Wiemar Republic like the legendary ‘Sword of Damocles’, followed by the Great Depression of 1929;
Coupled with the ‘Policy of Appeasement’ practised by the British and the French;
Became the most important causes for ******’s expansionist ambition and his short- lived meteoric rise to fame!

GERMAN PAPER CURRENCY & HYPERINFLATION:
Gold Mark was the currency used by the German Empire from 1873 to 1914 only.
But to pay for the costs of the ongoing First World War, Germany suspended the gold standard, and decided to fund the war by Borrowings entirely,
Hoping to pay back the loans after Germany achieves Victory.
But having lost the war, and faced with a massive debt imposed by the Allies,
Exchange rate of the Mark against the US Dollar steadily devalued and declined!
Papiermark became the German currency from 04th August 1914 onward, when link between the Mark and gold reserve was abandoned,
In order to pay for the ongoing expenses of the First World War with paper marks, which was constantly being printed!
But later after the war, when the London Ultimatum of May 1921 demanded payment of war reparations in gold or in foreign currency only,
Even more paper marks got printed by the Republic to buy those foreign currency !
By December 1922 hyper-inflationary trends emerged, when the US Dollar became equivalent to 7,400 German Marks, with a 15-fold increase in the cost of living !
By the fall of 1922 when it became impossible for Germany to make further payments,
The French and Belgium armies occupied Germany’s Ruhr Valley area, its prime industrial region!
French and the Belgians hoped to extract payment in kind, but a strike by the workers of the Ruhr area their hopes belied!
The Wiemar Republic printed more paper notes to pay and support the workers of the Ruhr area,
When hyperinflation had peaked at 4,210,500,000,000 German Marks, to a US Dollar!
Paper currency having become worthless, some form of ancient barter system began to be used instead!

STABILISATION OF GERMAN ECONOMY WITH ONSET OF  THE GREAT DEPRESSION:
Following the hyperinflation Chancellor Josef Cuno’s cabinet resigned in August 1923,
When Gustav Stresemann became the new Chancellor of Germany.
Stresemann’s Government had introduced the Rentenmark as a new stable currency,
To end the hyperinflation which had plagued Wiemar Germany.  
Rentenmark was backed by real goods, agricultural land and business,
Since gold was not available in a beleaguered German economy those days!
When One Rentenmark was equivalent to One million, million, old German Mark;
While One US Dollar was equivalent to only 4.2 Rentenmarks.
Though Stresemann’s Government lasted for 100 days only, Stresemann continued to serve as the Foreign Minister in successive Coalition Governments of the Republic,
Till his death in the month of October 1929, but working for the betterment of Germany all the while!
His ‘Policy of Fulfilment’ stabilised German economy with a 200 Million Dollars loan from America under the Dawes Plan in 1924,
Which had also ensured the evacuation of France from the occupied Ruhr area, with their future reparations payments ensured.
Stresemann’s signing of the Locarno Pact in London on 1st Dec 1925 with France, Belgium, Great Britain, and Italy, was considered as his achievement and a feat!
Since it made Germany to enter the League of Nations ensuring stability and peace;
While the Noble Peace Prize was awarded to Stresemann for his efforts in 1926!
Later, the Young Plan of 1929 further reduced German reparations payment by 20%, while extending the time frame for the payments to 59 years!
But following a sudden Wall Street Stock Market Crash in late October of 1929,
The American Banks were forced to recall money from Europe and the Young Plan;.
Which created acute financial distress when unemployment soared to 33.7%  in Germany in 1931, and quickly rose to 40% during the following year!
Lausanne Conference was held in Switzerland in 1932 by Great Britain, Germany, and France, to further reduce the War Debts imposed by the Versailles Treaty.
But in Dec 1932, the US Congress had rejected this Allied War Debt Reduction Plan completely.
However, no further payments were made by Germany due to the Great Depression;
And by 1932, Germany had paid only 1/8 of the total sum required to be paid as per their pending wartime reparations!

NOTES: Rentenmark was issued on 15 October 1923 to stop the hyperinflation in Wiemeer Germany. Reichmark was the currency in Germany from 1924 to 20 June 1948 in West Germany , when it was replaced by the Deutsche Mark; but had continued in East Germany until 23 June when it was replaced by East German Mark.
During the Stresemann Years of Stability from 1924 to 1929, (prior to the onset of the Great Depression), with help of American financial aid, created more housing & production in Germany. Dada & Expressionist Art forms flourished, followed by modern architecture; also the Philosophy of Existentialism of Thomas Mann – influenced the Western culture. Paul Whiteman's Band for the first time brought in American Jazz to Germany, and Jazz signified the liberation of German youth and women folks of the younger generation generally. But the US Stock Market Crash had unfortunately ended this short lived euphoria, and as it soon became a global phenomena!                                


FAILURE OF THE WIEMAR REPUBLIC & THE GREAT DEPRESSION WHICH BENEFITED THE NAZIS:
Last Days of Wiemar Republic:
Ever since Otto Von Bismarck that ‘Man of iron and steel’, united Germany into a single Empire in the year Eighteen Hundred & Seventy One,
For the first time a Constitution for a Parliamentary Democracy was drawn up in August 1919, in the eastern German city of Wiemar.
Wiemar was the intellectual centre of Germany associated with musicians like Franz List, and writers like Goethe and Schiller.
The Wiemar Republic of Germany which had lasted from 1919 till 1933 had seen,
20 different Coalition Governments, with frequent elections and changing loyalties!
Due to a system of proportional representations, and the presence of very many political parties those days,  
No single party could obtain absolute sole majority in the Reichstag Parliament!
The longest Coalition Govt. was under Chancellor Bruning, which had lasted for only 2 years and 61 days!     (From 30 March 1930 to 30 May 1932)
Now, to understand the reasons for the failure to maintain a Democratic form of Government by the Wiemar Republic,
It becomes necessary to monitor its ‘dying gasps’ during its closing years so to speak!
Since faced with the economic depression Chancellor Bruning had worsened the unemployment situation by adopting stringent and unpopular measures!
Thereby having lost popular political support, Bruning with the approval of President Hindenburg, invoked emergency powers under Article 48, to survive his last few months and years!
During the years 1931 and 1932  it is seen, Bruning had used this Emergency Clause 44 and 66 times respectively!
Thus his so-called ‘Presidential form of Govt.’ had undermined Wiemar Democracy!
If Burning was the ‘Republic’s Undertaker’, now remains a debatable issue of History!
But Burning’s vigorous campaign made Hindenburg to get re-elected as the President;
Thereby he had removed the defeated Adolf ****** out of the Presidential race!
Therefore, later when ****** became the Chancellor on 30 Jan 1933, Bruning had very wisely fled from Germany!

Following Bruning’s resignation in May 1932 came Chancellor Papen’s ‘Cabinet of Barons’ consisting of individuals who were not members of the German Reichstag!
While in the election of July 1932 ******’s **** Party won 230 seats, making it the largest party in the Reichstag.
But ****** refused to form a coalition with Papen, because he wanted to become the Chancellor himself !
Now General von Schleicher advised President Hindenburg that the German Army,
Would not accept Papen’s use of Article 48 to remain as the Chancellor of Germany!
Therefore following Papen’s resignation, Schleicher took over on the 04th of December 1932 as the new German Chancellor.
Schleicher tried to restore a democratic form of government to get the Wiemar Republic back on its feet.
But in the ensuing political power struggle Papen wanted to take revenge on Schleicher for his removal from power and defeat.
So Papen persuaded Adolf ****** to become the Chancellor, and retain for himself the post of Vice-Chancellor.
In doing so, Papen mistakenly thought that he would be able to reign in the self-assertive Adolf ******!
Papen finally made President Hindenburg agree to his proposal, and on 30th of Jan 1933,
****** became the New Chancellor, with approval of the President!
A month later a sudden fire in the Reichstag made ****** invoke Article 48, in order to squash the suspected Left Wing Communists;
But while doing so, the Press was muzzled, and many Civil Rights of the German people were abolished, inclusive of their right of assembly and free speech!
****** acted swiftly, and by passing the Enabling Act on 23 March, 1933, armed himself  with dictatorial powers for enacting laws without the approval of the Reichstag whenever necessary!
Thereby ****** threw Democracy to History’s wasteland most unfortunately!
Following the death of Hindenburg on 29 June 1934, ****** combined the powers of the President and the Chancellor, and became known as the FUHRER!
Historians generally agree the Enabling Act of 1933, as the date for establishment of The German Third *****.

THE POLICY OF APPEASEMENT AND GERMAN AGGRESSION:
The horrors of trench warfare with the rattling of machine guns and bursting of poisonous nerve gas shells,
Even after 20 years remained fresh, in the minds of all World War One participants!
Therefore, it was natural for British and French Prime Ministers Neville Chamberlain and Edouard Daladier initially,
To grant political and material concessions to an aggressive Germany, for the sake of peace and stability.
Thus the diplomatic stance of Appeasement between 1935 and 1939 followed by the French and the British, was mainly to avoid another dangerous armed conflict!
But the trusting Mr. Chamberlain had underestimated ******, who had served in the German Army as a Corporal, winning the Iron Cross during the last Great War!
****** was not afraid of war, but wanted to avenge the Treaty of Versailles and its punitive dictated peace;
And also establish for the superior German Aryan race a lasting Third *****!
Therefore, having consolidated his power as the Fuhrer along with his trusted **** Party cronies, he withdrew from the League of Nations in October 1933.
Introduced conscription in March 1935 in Germany, and embarked on a mission to rebuild a new modernised German Army for combat on land, air, and sea!
In March 1936, in another open violation of the Versailles Treaty, ****** re-occupied the demilitarised Rhineland, followed by a Treaty of Alliance with Japan and Italy.
The much desired Anschluss (or merger) with Austria, the country of birth of ******,
Saw the German Army in March 1938, triumphantly and peacefully marching into Vienna!
Now with the Munich Conference of 19 September 1938, this Policy of Appeasement is said to have reached its climatic peak!
The Sudetenland area, consisted of 3 million Germans were made
to join Czechoslovakia when the frontiers were drawn in 1918-19,
Much against the wishes of the Germans!
When ****** wanted to annex this Sudetenland area, Britain, France, Germany and Italy, met at Munich to diffuse an explosive situation peacefully.
It was agreed at Munich that once Sudetenland joins Germany, ****** will not invade Czechoslovakia and honour the terms of peace.
But on 15th March 1939, in violation of the Munich Agreement, ******’s army invade and occupied Czechoslovakia, thereby openly flouting the Policy of Appeasement!

NOTES: ******’s desire for ‘LEBENSRAUM’ or ‘increase of living space’ for the Germans, commenced with his ‘Border Wars’, which soon turned into a Global War because of the ‘appeasement policy’ of the Allies. ****** had secured his Eastern Front with a treaty with the Stalin, since fighting on two fronts would have been very difficult for the Germans.

Now when ******’s army invaded Poland on 1st of September 1939, it became ‘the last straw on the camel’s back’ for the Western Allies!
Committed to the Anglo-Polish Defence Pact of 25 August, 1939, both Britain and France declared war on Germany,
Which I propose to narrate in Part Two of my Second World War Story.  
The Policy of Appeasement no doubt gave some time for Britain, to regain its depleted military strength,  but Adolf ****** had viewed it as a sign of weakness!
With Russia and America initially as non-participants, ****** became more confident and arrogant!
Thereby turning his border wars into a global conflagration lasting six long years.
When the use of advanced technology, resulted in greater loss and casualties;  
Which was followed by the holocaust and unprecedented human suffering!
I would like to conclude my present narration with a poem by English soldier-poet Seigfried Sassoon, who participated in the First World War on the Western Front.

DREAMERS  -  by Siegfried Sassoon
Soldiers are citizens of death's gray land,
Drawing no dividend from time's to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows.
Soldiers are sworn to action; they must win
Some flaming, fatal ****** with their lives.
Soldiers are dreamers; when the guns begin
They think of firelit homes, clean beds, and wives.

I see them in foul dug-outs, gnawed by rats,
And in the ruined trenches, lashed with rain,
Dreaming of things they did with ***** and bats,
And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
And going to the office in the train.
…………………………………………………………………………
Thanks for reading patiently, from Raj Nandy of New Delhi.
  *ALL COPYRIGHTS ARE WITH THE AUTHOR ONLY

I still have flashbacks, horrifying and spectral: of conference meetings, projectors and efficiency meetings...corporate metrics, acronymic value cards that read like a Masonic Temple's pledge.. ...honesty, commitment, sacrifice, the dutiful worship of mercury and saltpeter; also customer satisfaction.
           Those flashbacks frequent my mind alot--especially when I am ramming my co-workers into the trash compactor with the blades of the fork truck. They say " ooooh" and " ahhhhh" as if they are getting a massage. They dull my blades with their dull heads.
          I have to ram them with the blades of the fork-trucks, or they will scramble out. They still say things like, " make sure that has a tag,".....and " wear your safety goggles," making chills run down my spine. I haven't put all the workers from the " Do-Wee depot" in the compactor only corporate cadavers and not zombies.
          But I have to forewarn, the zombies are not a threat, it is a few cadavers and the "consumers" that pose a threat to me and what I have built. The zombies are producers, even only if it is moans and putrefaction, but they are good sports, and my only friends.
         Some co-workers, who I was friends with before, I have spared from the compactor--owing mostly to that the part of their brain that was corporate, either fell out on the floor, or was gnawed on by a fellow zombie rendering them good sports and not cadavers.
        I use the building material section to chain them to their previous aisles. Jose, was my best friend, he was shaped like a slug, with a huge lower lip, and slicked back greasy hair, he always cheered me up, how busy it was and how slow he remained. Him and I worked together in the ' outside-lawn-and-garden' section. Even his zombie self has kept his lisp.
          I chain him to the outside lawn and garden section, where he likes to water the flowers. He lunges at me sometimes, but the chain is thick, and Jose is still a cool zombie.
Angry Joe is out there too. He is chained to the 'reach' truck. He is always mumbling about overtime.....or " Im not staying late."
         I have disabled the riding engine, so he just stands on it and runs the fork blades all the way up then all the way down, beeping the horn the whole while. He is the only one I kept, that has some vestige of corporacy in his brain, for the reason that he watches the back gate. The consumers are constantly probing this outside metal fence gate, and Joe has eaten all of them. Don't get me wrong, Joe can be a good sport, when he is not drooling about 'overtime' or ' I havn't took a lunch yet.' He can be quite funny.
          He banters with Ryan from inside 'lawn-and-garden' all the time. Ryan is alot younger, alittle younger than me. He has a mullet(what I call a mullet and he say's a hockey cut) and verily is--before he become a zombie-- the laziest person ever, and now that he is a zombie, well let's just say, I don't have to chain him anywhere, I know where to find him.....at the back gate smoking a ciqerette backwards with his mullet on fire or in the break room. He had the most squeeky voice when he was a human, but now odd fully enough, he sounds like Tom Jones.
         " You ate my cosumer Ryan," drools Angry Joe, " No I didn't Joe, you ate your own consumer," Ryan rejoins in his acapella voice ( I like hearing Ryan's deep zombie voice).
There are others, in the various departments of the Do-Wee Store, but this journal is to relate the first most pressing concern, two cadavers have escaped the compactor.
             The store manager Joyce and her minion(the assistant manager Damien) have escaped. They were ******* humans, and remained so in corporate cadaver form. They hide from me, as I plow through the aisles with the inside forklift. I have used wire from the fencing aisle to reinforce my forklifts. Sometimes a cadaver co-worker will jump out with a price gun, drooling " where is your spootterrrr...."( a safety regulation in the store).....I run them over with great gladness, but then wishing I heeded their advice of safety glasses."Splat."
            I have my theories, on how everyone turned to zombies. It started with over-ocurring routine, which my a.d.d could have been impervious to. But I couldn't have been the only one in the store with a.d.d? But that seems the case. The first day when I showed up to ' outside-lawn-and-garden' it took me six hours before I noticed everyone was zombies. I didn't notice they were zombies until I noticed them in good spirits.
               But the first day of the zombies, was concurrent with the rise of the consumers--ever more dangerous, greedy, and audacious are the consumers. They consume everything in their path, they consume good conversation, good manners, and replace with their mark, which is this....your life with the current moment is to be sacrificed to get them what they need to continue resuming their lives. They do not enjoy shopping, but enjoy holding you in place, consuming you and your values into their value, which has no value at all, since their mind has consigned the present moment that has you and not them, to a number that always has too much value, and they will bring you and it down while you are subject to time and they are not.  
             They turned my friends into prisoners of arbitrary time; and like putting a rabbit in a dank dark basement, with plenty of food and treats and space, it will slowly get diarrhea and die.  Everyday I marked the sunrise, and I would always pay thanks to it, no matter if I was on break or not.  The nine hour day could not ruin me, but my friends being ruined, that started to ruin me.
                       And that is what I believed started all this, nature has no room for two kingdoms of Consumers. So the producers(zombies) were created from the routine of being divested of life, and from nothing they came to produce: producing gases, vile ****** smiles, human  cannibalism, hearty conversation, practical jokes, moaning questions to the infinite sky.... they were created human again, given value, and most of all, I have my friends back, and they are happy again. But, the corporate cadavers that escaped the compactor , put my creation in risk, they look to let in the consumers again, they are up to something...
             But presently with the corporate cadavers gone, and the consumers held at bay, I have my Depot of Eden, I can grow anything, make anything, and soon will be able to ferment everything, especially fuel.   Now monday morning conferences that threaten you to pick it up because there are alot of people out there that want your job( iterated by the frizzy headed gangly Joyce) are replaced with 'zombie dance parties'.  
            " Zombies, what is the first rule of zombie dance party," they reply to me, " dohmp talk bout damp party," then we make a music video.  I let loose a couple of cat's in the break room, and presto, an agile cat make's flesh eating zombies look like Micheal Jackson.  Even I get busy with them, I feel so comfortable with them; dancing to Juvenile "back that *** up,".the best dancer gets to eat the cat...sure beat's listening Joyce's depressing morning pep talks about quotas while I am watching a bird outside the front glass trying to eat a dragonfly, " Keith you paying attention."  I just want to say, " No I am not you frizzy headed gangly walking skeleton key(she is skinnier than the gang of keys jingling on her belt)."    I will find her and put a roofing nail in her temple and her plans.
                The sound of zombies walking in here is music to my ears, like gypsys walking barefoot on a strawberry patch.  I don't know what that has to do with anything, but I like it, and don't care who knows.

            I fortified the outside of the store with everything within the store. I grew a garden, with all the fertilizers, and acids and alkilines of outside garden. I also use the garden chemicals to sprinkle on the brains of my co-worker zombies to change their acidity(almost like a hyrdrangea shrub). The purpose to get them somewhat coherent to play poker and darts in the breakroom. I figured out how to make explosives, with the nitrogen fertilizer and pool cleaning acid, well actually HeyZues did, he always eats both, and one day he moaned really loud  " BLOOOONDEEE " ( his nickname for me from The Good The Bad And The Ugly) and  gestured his expanding stomach, he blew up and gave me my first wound, he destroyed my dart board.   I took his head and posted it on the back loading dock, I know there are consumers trying to infiltrate when he sounds off with " BLOOONDEEEE..."  resounding through the whole store (almost like when he was a human).   I created another dartboard, I can create anything here, sometimes I think, that feeling is what........
                But the point of this journal is the two who escaped the trash compactor, Joyce and Damien. They haunted me before and haunt me still. When I leave to venture outside for gasoline for the generators(the only thing I need, not for long hopefully) they run amok. I will see new ' sale signs' in zombie penmanship, and I can see that they have hidden co-workers to have cadaver meetings, where they talk about ' customer satisfaction.'  I can sometimes hear keys jangle, it has to be Joyce, for the sound is to the cadence of her John Wayne walk, like she has been on horseback her whole life.
            Outside is very dangerous. There are many consumers out there.
                 I was outisde in the parking lot, where consumers still wallow around when a consumer asked "which product is better." I had to drop a cinder block pallet on him with the forklift; they are more adacious then my zombie co-workers. Even after a pallet of concrete is forklifted on them, they wave fliers with sale advertisments from underneath.
            Well, this particular trip, I returned inside and was startled by the loudspeaker, it was Damien's voice, the same as before, paging the hardware department. I jumped on the fast slim forklift to hunt for him. There are phone terminals everywhere, and he could be in the upper level offices. I saw Joyce's shape through the window once.
          They are up to something.
Everytime I ventured outside, the store became altered. I even saw a consumer waiting in line with the cashier machine now on. I sent the consumer to Angry Joe, who was due for a lunch break.
          There is a gap in my wire somewhere, I know it.
            I was at the gas station, getting propane and gas, when a consumer was scowling " where is the gas attendant, is everyone stupid or what?" while he was trying to figure out how to pump gas. I disabled the safety pumps, they do not shut off, and do not coincide with numbers, you hold the handle it pumps out as much as you need.
              He was pacing around like a little kid denied recess and suffering from sounds of frolic and kickball--dragging his feet due to the fact he had to pump his own gas, I heard a scraping metallic clicking noise. My eyes were caught by a bright glare on his shoe tread, I gripped my nail gun..... then he dropped the hose and walked back to his car with gasoline gushing as his wake. I saw what it was on his tread, I had no time to flee....it was a push button grill ignitor with the orange tint of a " Do-Wee" label on it......" ****."
              The last thing I registered was the consumer saying " ahhh don't touch me," apparently talking to flames. I woke up in a ditch, the big fork truck and my gas station destroyed.
I limped back to the " Do-Wee" store, and utter horror greeted my singed and surprised eyebrows.
              " Grand Re-Opening, 50% off everything." I squeezed the trigger of the nail gun, the nail harmlessly echoed off the parking pavement at which it was aimed. "They set me up at the gas station. "
               They had to do better than that to separate me from my zombies.

             I entered through the store in a nun-plussed state. I woke out of my unbelieving stupor with the sound of Jose's voice. " Welcome to Doooooo-Weeee....can I eat your...."
            "Jose it's me, who chained you to the entrance?"
         " Dammian, Keeeeeth, they are waiiiting....here's a newsletter...." --he smacked me across the face with the newsletter.
        " I don't want that ****.....' as I clutched the newspaper the loudspeaker went off in Dammians annoyingly over-polite and late-night-voice.
       " Attention shoooppers. all prices are feeeefty percent off, ask our associate Keeeeeth for a 80% discount, he is the skinny deleeecious looking kid with spicy skin, and a boston red sox hat on."
Hundreds of consumers pivoted their heads to my direction. " Hey, that kid has a Boston Yankees hat on."
         " Run Keeeth," zombie-lisped Jose.
           Fifty million imbecilic questions assailed me at once......" can I return this sprinkler for a jacuzzi.....can I get 120% off.....can you come to my house and fix my television for free"-- it was unabashed audacity, survial of the most annoying and repetitious; and the corporate cadavers have let this consuming flood in on me and my poor zombies.
           I needed to find my steed, my inside forklift. It was not where I left it near the entrance.            
        Surely they have sabotaged it. " the riding mowers," the thought uplifted my fading resolve. I darted past wallowing consumers before they could get my scent. I heard a consumer, " you obviously don't know what Im talking about," talking to zombie George, who was munching roofing nails.
         The consumer grabbed me, and said "here he is, this is Keith, he is wearing a Phoenix red sox cap"--panic bit into my brain, this consumers grip was implaccable. The grip that holds the steering wheel tightly driving nowhere fast, with anything in that interstice of commuting, not worthy of manners and the least of which being a friendly wave to 'go ahead.'
           They formed a wall of uttering stupidity, escape was cut off. They scratched at me, hissed, tore at my flesh and screamed demonistically in my ears. I caved and and called the hoard m'am and sir, they choked me, and loosened their grip only so I could tell them " Im sorry, sorry for your inconvenience, take my life and personality as tribute, take my imagination rendered prostrate by these sceptic corporate words that this mouth emits, betraying my personal form, the human element to this lifeless purposeless machine....destroy me, for finding the infinity between letters of corporate law and none between nature's laws......"
        I was almost unconscious, giving a speech to imagined hooded phantoms......" destroy me, for valuing friendship and imagination, and seeing infinity, in the shadow of a letter, eternity in the numeral of a number, and for defying the order to see things as others do....."...." destroy me, for seeing that people are unhappy and trying to uplift people for the sake of seeing them smile....destroy me, destroy my smirk, and add a lifeless smile to my corpse."
              I heard a horn, the riding floor mopper/buffer, it was Ryan, he commandeered the machine with precision-like drunkenness. He knocked down the consumers like twenty pin bowling. " What's up ***** cat," he possibly said, and I climbed to my feet.
         I walked to the riding mowers, and turned the key on the floor model. I sped the main aisle, with caresses of consumers that would be deep clawings at a slower speed. I dodged stupid question, and swerved from unabashed frugality. I turned up the tool aisle, grabbed a battery nail gun.
              " It says batteries are included, but are they included?" I answered with a 12 gauge nail, and resumed my course to the upper offices, that for too long looked down on me and my friends. I climbed the stairs and entered. The office was abuzz in corporate banalities. " Hello, this is Damian how may I help you.....oh helloooooo keeeeeth, one minute.......sir hold one second thaaaanx."
                I aimed the nail gun muzzle at his ugly overly polite mug." I finally found you, I will get the store back in shape Damian...."
          He cut me off, " no yoou woonn't, they are pouring in, we will meet our quota for the year...."
        " Me and my friends

THE RAT AND THE PREGNANT WOMAN


A story poem

BY

Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)



Dedicated to;
My mother Neddy Nabisino Mayende Kuloba Makhakara
And her mother Maritini Nabengele Nasenya Mulemia Namugugu Ilungu wa Wenwa.
The story telling power of these two ladies is the primary source of my passion and love for humorous and peace bettling stories. I owe them all the recognitions.







OPENING SONG
How do I start telling this story that I got from my
Grandmothers when sited around the fire yard in the evening?
I don’t know how to start surely,
For to day I am very shy; all of your eyes
Are on me, looking at me like ocean of looking organs
But let me embolden my self with the belt
Of a story teller that my grand father gave me
And commanded me to preach peace
Through story telling in every place I go
So my spiritual service to humanity is telling stories
Is to soothe and heal wounds of humanity
By softly telling peaceful stories
Let me then cough to clear my voice and start;

Long time ago, but not very long time
Some where between the centuries of twelve hundred
And seventeen hundred after the death of the other Jewish
Story teller who died without a wife, who died on the cross
But others say he died on the stake, his name was Jesus,
There existed only two kingdoms in land which is known today
As Bukusu land found in the present east Africa or Indian Ocean coastal Africa,
The first occupants of this vast land is the sons and daughters of Babukusu
Or the ones who like selling ironsmith products
And hence the name the people of Bukusu; the people who sell,
The two kingdoms were the Kingdom of muntu and the kingdom of manani
The citizens in the kingdom of muntu were short men and short women
Handsome and beautiful, slender and not assertive in their physical disposition
But the citizens of the kingdom of manani were all cyclopic,
In their everything; the manner of walking, talking farting, micturating
Farming, breathing, snoring, smiling, singing, whispering
Their whisper was a noisy as the tropical thunderclap
They were tall men and tall women, very tall
Their young person was as short as the tallest
Person in the kingdom of muntu,
When one of the citizen of manani snores
All the citizens of Muntu along together with,
Their king Walumoli wa Muntu had no option
But remain awake throughout the night,
Because the cacophony of a snore from
The sleeping courts of Manani was not bearable,

On many occasions Walumoli wa Muntu
The conscientious king of the muntu kingdom
Had arranged to talk to Silinki wa Namunguba
The ostensible king of the Manani Kingdom
About the cacophonous sleep robbing
Snores of daughters and sons in neighbour kingdom of Manani
Only to cow and chicken away in a feat of prudence
Lest Silinki wa Namunguba will suspect him for being
A night runner or a thief of *** perhaps
Who roams his compound during the wee of the night
In hunt of any of Namunguba’s wife maybe
Perchance having gone out for a mid-night *******,
This is how legendary snores of the sons and daughters
Of Silinki wa Namunguba the king of Manani
Has remained unchecked for ever till today,

One time an ugly passer by happened to be seen
Traversing the kingdom of muntu
In the early afternoon some two
Hours after Walumoli the king
Had just cleared the last plate
Of the mid day meal from
His last wife Khatembete Kho Bwibo Khakhalikaha Nobwoya
He always eats her food last in the afternoon
Because it comes on the table steaming youthfulness
He loves his Khatembete wife, the wife of his old age
The wife he married by use and show of the royal regalia
The powers and dignity of the king of muntu
He married her when he his a king, the scepter in his hand,

Going back to the ugly passer by
It was never known where he came from
Not from the east where the Indian Ocean is
Not from the west where the vastness of the land
Of black people of Baganda and Bacongo
Baigbo and Bayoruba or Bafulana of Nigeria
Or the sons of Madiokor Ngoni Diop in the Senegal,
Not from the south from shaka the Zulu and Mandella the wise one
Not from north in the land of Dinka and Nuer, Ethiopian Jewish and the Egyptians,
The passerby was ugly and from no where, in a dress and
A very ***** dress that fumed out a malodorously stenching reek
He was a man in attires of a woman; this was a taboo in the land of muntu
He was left handed and a heavy weight stammerer, with an appalling
Protuberation of   a hunched back, an enormous hunchback
Enmassing entired of his masculine shoulders,
When the wind blew his loose dress followed it
Leaving the man’s thighs and then bossom naked,
Leading bystanders to a strange discovery; he was not circumcised
He was old like any other father, he had beards
But not yet circumcised, his ***** ends in corkscrew of a sheath,
This was a taboo in the land of muntu, in the kingdom of muntu
Which Walumoli wa Muntu the son of Mukitang’a Mutukuika ruled
For the spirits, gods and ancestors as well as foremen of the kingdom
Behooved that all male offsprings of the kingdom of muntu
Whether born in marriage or out of the wedlock
Born the blood or born as a ******* must and must be
Circumcised in the early teen hood
They must be circumcised before they grow the hairs
On the face, on the chest, in the scapula and on the areas
Surrounding the testicles, the **** and the endings of the backbone,
The man again had six fingers on the legs and on the hands
He walks slowly like a porcupine, his dress was in tartars
He was violent to every one he met
Insulting old people and old women with words
Of bad manners not used in the kingdom of muntu,
He terrified and beat young children, including the royal children
And grand children of Walumoli the king of muntu
He again had to beat and chase nine young virgins
Who had come from the palace of Walumoli the king of Muntu
Away from the forest when they picking fire wood
As well as playing a game of hide and seek with other palace lads,
The ugly passer by then chased to get hold of the
Nalukosi the first born daughter of
Khatembete Kho Bwibo Khakhalikaha Nobwoya
The beloved last wife of the king of Muntu
All other virgins ran home, but Nalukosi remained behind
In the inextricable grip of the ugly passer by
She screamed with hysteria of a hypochondriac
She screamed and kicked with her wholesome mighty
The stubborn passer by never left her alone
She gnawed the ugly passer by with
Her girlish claws of her fingernails
But is like the passer by was mentally disordered
He was a ******* of some time
He derived some pleasure and instead
Enjoyed the girlish scratches of his captive,
Before the eight running virgins reached the palace
Together with their companions, the playmate lads
The shrilling scream of the captive Nalukosi
Was sharply heard at the palace, first by King Walumoli
Who called his wife Khatembete Kho Bwibo Khakhalikha Nobwoya
To come out of the hut, the kitchen and help to listen,
Immediately Mukisu wa Mujonji the palace keeper surfaced
His face displayed genuine askance of an adept military man
Whose martial arts have rusted for a week without usage
He confirmed to the king that the cry from the forest
Is of the one from this royal home of your majesty the king
And none other than the ****** princes Nalukosi Mukoyonjo
The pride of her father, the eye of the palace,
Without hesitation the king permitted the wallabying Mukisu ,
Permission to run in a military dint and find out whatever that
Was eating Nalukosi Mukoyonjo the familial heart of the king,
Mukisu wa Mujonji who was clearly known in the kingdom of muntu,
For his swift running like a desert kite, he already twice chased
And gotten single handedly two male gazelles,
Without aid of a dog nor aid of fellow hunters
And delivered them to the king as a present to the palace
Which he achieved because of the speed of his legs,
On this royal permission he unsheathed his matchette
And went away like any arrow from the bow
His shirt trailing behind him like mare’s tail
Or like the flag on the post on a windy day,
Not a lot of time passed.
Mukisu wa Mujonji is at the spot of struggle,
Between Nalukosi and the Ugly passerby
There was no question or talking,
The first thing was Mukisu to sink the Matchette
With all of his mighty into the tummy of the ugly stranger
The bowels of the ugly stranger opened puffwiiii!
He breathed and gasped twice then succumbed to death.
His grip still strong on the leg of Nalukosi Mukoyonjo
The ugly passer by reached the rigor Mortis
When Nalukosi was still strongly gripped in his
Beastly hand, Mukisu wa Mujonji with all the skills
Used a Sharp matchette again; chopped of the hand
Of the ugly dead passer by off, from its torso
At the point of the muscular elbow,
Now Nalukosi was extricated, but not fully
From the grip of the dead ugly stranger,
The chopped off hand is still knotted at her leg
Around her leg, the dead hand also grips.
Nalukosi jumped here and there to throw away
The leg and the dead hand, but it was not easy to throw
The hand still stubbornly gripped around her angle,
*** time passed, each and every one of the kingdom came
Including the king Walumoli wa Muntu himself
And his nine wives, Khatembete Khobwibo Khakhalikha Nobwoya
Came last, as she was energyless due to rudely shocking tidings
Which the escaping virgins and lads had given her
That the ugly passer by had turned into the ogre
And had swallowed her daughter Nalukosi
That he had swallowed her piecemeal without chewing,
People of muntu came and found the ugly passerby dead
The left had chopped off its torso
But still hanging loosely on the leg of Nalukosi
Nalukosi jumping, kicking, screaming
Screaming away the dead hand from the grip of leg
But nothing had forthcame her way,
Walumoli wa Muntu could not afford to see
The hand on the leg of her beloved daughter
What could he tell his wife, is your all know
Dear reader and audience to this song;
Even the mighty and the wise ones
Generously bend when under the pressure of love,
Out of this dint, even before Mukisu wa Mujonji
Could display his next military card
Walumoli wa Muntu grapped the dead hand
That stuck of the leg of her daughter
And pulled it with another force that
No man born of woman has
Never used since the creation of the earth
By the gods and spirits of Muntu,
The hand come off, he throw it
On the cadaver of the ugly stranger,
He clicked and clicked and hissed
With anger like a wild turkey
In the African thorny forest,
He ordered the dead one to be buried
Their without haste, nor ceremony
Mukisu wa Mujonji buried the body
Quickly in a brief moment with precision
As if he was taking notes
From the lines of the poem
OF Pablo Neruda on how
To bury a dog behind the house
This time burying an ugly stranger
Behind the forts of the kingdom,
After all these women, children and men
Of muntu plus their king Walumoli
Went back to their houses hilariously
Broken into a song and a wild *** dance;
Makoe eehe! Makoe !
Nifwe Talangi Makoe !
Talangi!
Khwaula embogo sitella
Nifwe Talangi!
They sang up to midnight before
They all retired to their beds
Respective beds with panting thoraces
From heavy singing and dancing.

There is connection and disconexion between
The living and the dead, the living fear the dead
And dead loves the living,
The dead want the company of the living
For the living to accompany in the land of the dead,
When the ugly stranger was killed
And buried uncircumcised with the hunch
Not plucked out of his back
The gods and the livings dead
In the realm of the ancestors
Of the kingdom of Muntu were not happy,
They never wanted uncircumcised old man
With a hunch back to join them
And worse enough with the six fingers,
The gods and ancestors really god annoyed
That Walumoli wa Muntu has done them bad
He is only caring for the living, the pre-mortals
Especially his last wife and the daughter
But he has neglected the ancestors,
Why trash to ancestors a stark humanity,
They communed among themselves
And resolved to sent Namaroro
The god of dreams, dreams as messages
From the ancestors and dreams from the gods
Namaroro visited Namunyu Lubunda the palace
Prophet in the Kingdom of Muntu to pass
The message vesseling unhappiness of the ancestors
And gods in a blend of gloomy read to execute
A vendetta;
This is when in the wee of the night that Namunyu Lubunda
Dreamed and had a vision of a old man from
The east is warning of the coming long spell of starvation
That will befall the kingdom of Muntu for ten years
                                      That Namaroro told Namunyu Lubunda
As for ten seasons of foodlessness
Behold a begging kingdom
Behold a starving throne,
The scepter of Muntu is a disgrace
To the holder
Then Namunyu Lubunda set forth by dawn
To the Palace to meet Walumoli wa Muntu
In his, palace before any other royal chores come up,
Both good and bad luck combined
Only to have Namunyu Lubunda to get the king at the palace
He got him fresh and relaxed chewing the cup of fortune
In his full ego, all his wives had submitted to the morning dishes
To his dining hall in the palace, he moved his hands from
One plate of food to the other.
Namunyu Lubunda entered with a submissive salutation
To the royal, He bowed and declared the glory of the king
In typical standards of the ethnic composition of the house of Muntu
Walumoli wa Muntu Mukitang’a Mutukuika
Majave Kutusi Mbirira Omwene esimbo ya
Kumukasa,
Walumoli responded with a feat of dignity to Namunyu Lubunda
The palace prophet, as he roared to him; come in
Come in son of Lubunda son of our people,
He did mention the name of Namunyu Lubunda father
As he fears his words may escape with the power
Of his kingdom the scepter of Muntu
To other insignificant families in the kingdom,
Let me announce what brings me here; intoned Namunyu
Go ahead and announce my holiness
s the prophet of this kingdom; responded Walumoli,
Misfortune is awaiting the kingdom
It will eat this kingdom away
Like a ravenous hyena on the ewe’s tail
The ancestors and the spirits of this land
This kingdom of yours the son of Muntu
Are immensely offended with your recent behaviour
In which you commandeered all villages
In your kingdom; from east and west
The **** the innocent passer by
With your owner hands that handle the scepter
You killed and lay to rest the foreigner
A pure omurende to the kingdom of muntu
You buried him uncircumcised without contrite
In the cemeteries of our foremen who asleep and circumcised
Why did you lower the dignity of our forefathers
Who never share a roof with uncircumcised person
To share the ancestral realm; our emagombe
With hunchback foreigner not circumcised?
This kingdom is condemned to all spell of curse of death
Ceaseless hunger famines and starvation
Women dwindle in their reproductive capacity
Rarely will you come across a pregnant woman
Food will be difficulty to put on the table
Even the sweat of your brow will go to naught,
You will not be buried with insignia
Like a pauper you killed will you be buried
The house of your wife Khatembete Kho Bwibo
Khakhalikha no bwoya is a house of no consequences
For even your daughter Nalukosi stands cursed
She will not mature to be wedded into a marriage
She will hover the earth under heavy agonies of hunger,
My assignment is done and over
With or without your permission let me go.









THE FIRST SONG
Our song continues dear brethren
Come join me in arms we sing
Joyous singing of these songs of peace
Telling the world peaceful stories
As we enjoy sitting together around my grandmothers fire yard
Warming our selves to her lovely fire inherent in her good stories,
These songs will sing the glory and success of the king of Manani
It is an irregular Ode to Silinki wa Namunguba the son of Mwangani,
The son of Tunduli, the son of Wajala Njovu, the son of Welikhe, the son
Of manyorori, the son of Chumbe, the son of Kajo, the Son of Mabati, the son of welotia,
The son of sikele sia mulia, the son of Toywa,the son of siruju, the son of Mango, the son of Mulwoni sinyanya Bakhasi, the son of Mbakara , the son of Makhakara wa Nambuya, the son of Mukoye mulala kukhalikha w0nga, the son of Zumba the son of God.
Silinki

He loved her and she loved him
His kisses ****** out her whole past and future or tried to
He had no other appetite
She bit him she gnawed him she ******
She wanted him complete inside her
Safe and Sure forever and ever
Their little cries fluttered  into the curtains

Her eyes wanted nothing to get away
Her looks nailed down his hands his wrists his elbows
He gripped her hard so that life
Should not drag her from that moment
He wanted all future to cease
He wanted to topple with his arms round her
Or everlasting or whatever there was
Her embrace was an immense press
To print him into her bones
His smiles were the garrets of a fairy place
Where the real world would never come
Her smiles were spider bites
So he would lie still till she felt hungry
His word were occupying armies
Her laughs were an assasin's attempts
His looks were bullets daggers of revenge
Her glances were ghosts in the corner with horrible secrets
His whispers were whips and jackboots
Her kisses were lawyers steadily writing
His caresses were the last hooks of a castaway
Her love-tricks were the grinding of locks
And their deep cries crawled over the floors
Like an animal dragging a great trap
His promises were the surgeon's gag
Her promises took the top off his skull
She would get a brooch made of it
His vows  pulled out all her sinews
He showed her how to make a love-knot
At the back of her secret drawer
Their screams stuck in the wall
Their heads fell apart into sleep like the two halves
Of a lopped melon, but love is hard to stop

In their entwined  sleep they exchanged arms and legs
In their dreams their brains took each other hostage

In the morning they wore each other's face

as the PROPHETS of profits, WE lead and WE’re fair
while WE’re living the life of the poor BILLIONAIRE
– silver yachts, pearly castles, cash (plenty to spare) –
with the world on OUR backs... ah! the burdens WE bear!

being HAVES (not the have-nots) as nature decrees
means WE’re certainly the better (they’re vermin on ******).
if they pray for a lift in their dark fantasies,
WE just kick ’em downstairs, get ’em off of their knees.

yes, WE offer great jobs (much too busy OURSELVES!)
for maintaining the toilets, restacking the shelves,
and WE teach ’em to fear god and play with the elves,
thus dispelling ideas where the dark demon delves.

though they build mighty bridges, twin towers and more,
peddle pizzas and popcorn, sell guns door-to-door,
still they gotta have BOSSES to tell ’em the score
else WE’d never be needed, WE’d thrive nevermore.

when OUR profits are plunging, they do their part too
for they dine on the dole! yes, no hullabaloo!
soon OUR fortunes  redouble, rebound and accrue –
since WE fare well without ’em, WE bid ’em adieu.

’stead of wishing for welfare and standing in queues
or parading with pickets (look! holes in their shoes!),
they’d be better off scabbing to save union dues.
while WE whistle and warble, they’re singing the blues.

whether heroes or hoboes, like spiders and lice
they just crawl all around us in life’s paradise,
but WE’re patient, big hearted and oft sacrifice,
spewing charity, kindness (though each has its price).

if they’re beaten or punctured or suffer assault,
are unhealthy or crippled or walk with a halt,
or ******* or helpless, it’s all their own fault –
just like US they should worship the DOLLAR exalt’!

protesters and loud mouths, you’ll find ’em aplenty
some older, some younger, the worst not yet twenty.
they’re shameless and brazen (unwashed, soiled and scenty)
impugning the prestige of brave COGNOSCENTI.

if they’ve got clashing colors (or shades in between)
or opposing beliefs in the hidden unseen,
well, WE’ll always exploit it, deflecting their spleen,
for with god on each side, would WE dare intervene?

WE maintain many methods to keep ’em in chains –
daily rags and the tube spin OUR circus campaigns:
“to pretend you’ve a voice”, an announcement explains,
“you can vote and decide on which ONE of US reigns”.

OUR policemen protect US, they stay on the ball
(they arrest ’em, no questions per law’s protocol,
and then jam ’em in jail with their backs to the wall) –
if you’ve lucre for lawyers there’s justice for all.

down the ROYAL road of justice WE march all alone
– WE condemn their defiance, set ways to atone –
since WE’re sinless, unsullied, WE cast the first stone
(while WE cloak REGAL fetor with eau de cologne).

politicians, bald bankers, grand idols galore,
attend meetings, fete banquets in which they explore
how to rid US of rodents (the weak and the poor) –
well, just round up the riff-raff, dispatch ’em to war!

ah! OUR wars are, well, just...... just a thing of the past
........... and the present............... and future... WE sure make them last!
if they frown as they gaze (Armageddon!) aghast,
then WE smile back with pleasure, OUR treasures amassed.

useless ranting and raving (in rags, when they’re clad),
leads to losing their teeth (my! their gums are... egad!).
WE’re unselfish, indulgent, WE’d never be mad
if they drowned in the sounds of themselves feeling sad.

as the paupers are princes in midnight’s domain,
they have pipe dreams to lose, certainly nothing to gain
if they’re hoping OUR fortunes will wither and wane –
for “WE’re here by god’s will” as WE often explain.

yes, they wish to be US, with OUR wisdom and grace,
keeping up with ol’ CROESUS, maintaining the pace.  
but perverseness or rancor? they’ll see not a trace –
for WE hold ’em at bay with a fist in the face.

WE’re la CRÈME de la CRÈME, yes! the proud UPPER CRUST,
and OUR clothes are the finest, OUR hair never mussed –
WE imbue ’em with piety, duty and trust
and they’re fed bread and water (if feed ’em WE must).

but they’re thieving, aggrieved, want a piece of OUR PIE
and request WE endure ’em, see EYE to black eye.
since they live in OUR land where OUR strict rules apply,
they must feast on the crumbs that We cast to the sty.

though OUR largesse and bounty WE don’t mean to flaunt,
yet the pittance WE pay ’em they surely can vaunt –
salty peanuts and pretzels (what more could they want?)
thereby keeping their kiddies so healthily gaunt.

yes, there’s room for the rabble (the back of the bus)
’cause WE treat ’em like equals, so what’s all the fuss?
all can rise to the top (yes! it’s always been thus),
to the suites in OUR penthouse (to sweep up and dust).

while OUR CHILDREN have tutors, the finest of schools
(being bred for the forefront, THEY’re nobody’s fools),
their own school of hard knocks teaches: “follow the rules”,
building brawn ’stead of brains and broad backs strong as mules’.

and to keep ’em in line (to ensure WE prevail)
WE now monitor phone calls and read all their mail
(civil rights? what a notion! at best a detail!)
and if worse comes to worst...... well...... guantanamo jail!

WE’ve OUR quandaries and questions and headaches full blown
(like deciding design and decor of OUR throne...
whether diamonds or rubies... to gemstones WE’re prone) .
when WE deign to appease ’em, WE chuck ’em a bone.

now you know all OUR problems, OUR pains and travails
– like preparing foreclosures, evictions  and sales –
but WE’ve no need for worries or gnawed fingernails,
’cause WE’re sailing OUR yachts through tempestuous gales
(with them bailing OUR banks when OUR stock market fails)
sipping daiquiri sours, champagnes, ginger ales.
:-)

Urdu Poetry: English Translations



You will never comprehend me:
I pour out my feelings; you only read the words!
―original poet unknown, loose translation/interpretation by Michael R. Burch



Tears are colorless―thank God!―
otherwise my pillow might betray my heart.
―original poet unknown, loose translation/interpretation by Michael R. Burch



Near Sainthood
by Mirza Ghalib
loose translation/interpretation by Kanu V. Prajapati and Michael R. Burch

On the subject of mystic philosophy, Ghalib,
your words might have struck us as deeply profound ...
Hell, we might have pronounced you a saint,
if only we hadn't found
you drunk
as a skunk!

There are more English translations of poems by Mirza Ghalib later on this page.



Every Once in a While
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Every once in a while,
immersed in these muggy nights
when all earth’s voices seem to have fallen
into the bruised-purple silence of half-sleep,
I awaken from a wonderful dream
to see through the veil that drifts between us
that you too are companionless and wide awake.



First Rendezvous
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

This story of the earth
is as old as the universe,
as old as the birth
of the first day and night.

This story of the sky
is included in the words we casually uttered,
you and I,
and yet it remains incomplete, till the end of sight.

This earth and all the scenes it contains
remain witnesses to the moment
when you first held my hand
as we watched the world unfolding, together.

This world
became the focus
for the first rendezvous
between us.



Impossible and Improbable Visions
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Eyes interpret visions,
rainbow auras waver;
similar scenes appear
different to individual eyes,
as innumerable oases
coexist in one desert
or a single thought acquires
countless shapes.



I Have to Find My Lost Star
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Searching the emptiest of skies
overflowing with innumerable stars,
I have to find the one
that belongs
to me.

...

Gazing at galaxies beyond galaxies,
all glorious with evolving wonder,
I ponder her name,
finding no sign to remember.

...

Lost things, they say,
are sometimes found
in the same accumulations of dust
where they once vanished.

I have to find the lost star
that belongs to me.



Last Night
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Last night, your memory stole into my heart―
as spring sweeps uninvited into barren gardens,
as morning breezes reinvigorate dormant deserts,
as a patient suddenly feels better, for no apparent reason ...

There are more English translations of poems by Faiz Ahmed Faiz later on this page.



Intimacy
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I held the Sun, Stars and Moon at a distance
till the time your hands touched mine.
Now I am not a feather to be easily detached:
instruct the hurricanes and tornados to observe their limits!

There are more English translations of poems by Rahat Indori later on this page.



Strange Currents
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

O Khusrow, the river of love
creates strange currents—
the one who would surface invariably drowns,
while the one who submerges, survives.

There are more English translations of poems by Amir Khusrow later on this page.



The Eager Traveler
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Even in the torture chamber, I was the lucky one;
when each lottery was over, unaccountably I had won.

And even the mightiest rivers found accessible refuge in me;
though I was called an arid desert, I turned out to be the sea.

And how sweetly I remember you—oh, my wild, delectable love!—
as the purest white blossoms bloom, on talented branches above.

And while I’m half-convinced that folks adore me in this town,
still, all the hands I kissed held knives and tried to shake me down.

You lost the battle, my coward friend, my craven enemy,
when, to victimize my lonely soul, you sent a despoiling army.

Lost in the wastelands of vast love, I was an eager traveler,
like a breeze in search of your fragrance, a vagabond explorer.

There are more English translations of poems by Ahmad Faraz later on this page.



The Condition of My Heart
by Munir Niazi
loose translation/interpretation by Michael R. Burch

It is not necessary for anyone else to get excited:
The condition of my heart is not the condition of hers.
But were we to receive any sort of good news, Munir,
How spectacular compared to earth's mundane sunsets!

There are more English translations of poems by Munir Niazi later on this page.



Failures
by Nida Fazli
loose translation/interpretation by Michael R. Burch

I was unable to relate
the state
of my heart to her,
while she failed to infer
the nuances
of my silences.



Apni Marzi se
by Nida Fazli Shayari
translated by Mandakini Bhattacherya and Michael R. Burch

This journey was not of my making;
As the winds blow, I’m blown along ...
Time and dust are my ancient companions;
Who knows where I’m bound or belong?

There are more English translations of poems by Nida Fazli later on this page.



My Apologies, Sona
by Gulzar
loose translation/interpretation by Michael R. Burch

My apologies, Sona,
if traversing my verse's terrain
in these torrential rains
inconvenienced you.

The monsoons are unseasonal here.

My poems' pitfalls are sometimes sodden.
Water often overflows these ditches.
If you stumble and fall here, you run the risk
of spraining an ankle.

My apologies, however,
if you were inconvenienced
because my dismal verse lacks light,
or because my threshold's stones
interfered as you passed.

I have often cracked toenails against them!

As for the streetlamp at the intersection,
it remains unlit ... endlessly indecisive.

If you were inconvenienced,
you have my heartfelt apologies!

There are more English translations of poems by Gulzar later on this page.



Come As You Are
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Come as you are, forget appearances!
Is your hair untamable, your part uneven, your bodice unfastened? Never mind.
Come as you are, forget appearances!

Skip with quicksilver steps across the grass.
If your feet glisten with dew, if your anklets slip, if your beaded necklace slides off? Never mind.
Skip with quicksilver steps across the grass.

Do you see the clouds enveloping the sky?
Flocks of cranes erupt from the riverbank, fitful gusts ruffle the fields, anxious cattle tremble in their stalls.
Do you see the clouds enveloping the sky?

You loiter in vain over your toilet lamp; it flickers and dies in the wind.
Who will care that your eyelids have not been painted with lamp-black, when your pupils are darker than thunderstorms?
You loiter in vain over your toilet lamp; it flickers and dies in the wind.

Come as you are, forget appearances!
If the wreath lies unwoven, who cares? If the bracelet is unfastened, let it fall. The sky grows dark; it is late.
Come as you are, forget appearances!



Unfit Gifts
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

At sunrise, I cast my nets into the sea,
dredging up the strangest and most beautiful objects from the depths ...
some radiant like smiles, some glittering like tears, others flushed like brides’ cheeks.
When I returned, staggering under their weight, my love was relaxing in her garden, idly tearing leaves from flowers.
Hesitant, I placed all I had produced at her feet, silently awaiting her verdict.
She glanced down disdainfully, then pouted: "What are these bizarre things? I have no use for them!"
I bowed my head, humiliated, and thought:
"Truly, I did not contend for them; I did not purchase them in the marketplace; they are unfit gifts for her!"
That night I flung them, one by one, into the street, like refuse.
The next morning travelers came, picked them up and carted them off to exotic countries.



The Seashore Gathering
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

On the seashores of endless worlds, earth's children converge.
The infinite sky is motionless, the restless waters boisterous.
On the seashores of endless worlds earth's children gather to dance with joyous cries and pirouettes.
They build sand castles and play with hollow shells.
They weave boats out of withered leaves and laughingly float them out over the vast deep.
Earth's children play gaily on the seashores of endless worlds.
They do not know, yet, how to cast nets or swim.
Divers fish for pearls and merchants sail their ships, while earth's children skip, gather pebbles and scatter them again.
They are unaware of hidden treasures, nor do they know how to cast nets, yet.
The sea surges with laughter, smiling palely on the seashore.
Death-dealing waves sing the children meaningless songs, like a mother lullabying her baby's cradle.
The sea plays with the children, smiling palely on the seashore.
On the seashores of endless worlds earth's children meet.
Tempests roam pathless skies, ships lie wrecked in uncharted waters, death wanders abroad, and still the children play.
On the seashores of endless worlds there is a great gathering of earth's children.



This Dog
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Each morning this dog,
who has become quite attached to me,
sits silently at my feet
until, gently caressing his head,
I acknowledge his company.

This simple recognition gives my companion such joy
he shudders with sheer delight.

Among all languageless creatures
he alone has seen through man entire—
has seen beyond what is good or bad in him
to such a depth he can lay down his life
for the sake of love alone.

Now it is he who shows me the way
through this unfathomable world throbbing with life.

When I see his deep devotion,
his offer of his whole being,
I fail to comprehend ...

How, through sheer instinct,
has he discovered whatever it is that he knows?

With his anxious piteous looks
he cannot communicate his understanding
and yet somehow has succeeded in conveying to me
out of the entire creation
the true loveworthiness of man.



Being
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

You are so close to me
that no one else ever can be.

NOTE: There is a legend that the great Urdu poet Mirza Ghalib offered all his diwan (poetry collections) in exchange for this one sher (couplet) by Momin Khan Momin. Does the couplet mean "be as close" or "be, at all"? Does it mean "You are with me in a way that no one else can ever be?" Or does it mean that no one else can ever exist as truly as one's true love? Or does this sher contain an infinite number of elusive meanings, like love itself?



Being (II)
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

You alone are with me when I am alone.
You are beside me when I am beside myself.
You are as close to me as everyone else is afar.
You are so close to me that no one else ever can be.



Perhaps
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

The cohesiveness between us, you may remember or perhaps not.
Our solemn oaths of faithfulness, you may remember, or perhaps forgot.
If something happened that was not to your liking,
the shrinking away that produces silence, you may remember, or perhaps not.
Listen, the sagas of so many years, the promises you made amid time's onslaught,
which you now fail to mention, you may remember or perhaps not.
These new resentments, those often rehashed complaints,
these lighthearted and displeasing stories, you may remember, or perhaps forgot.
Some seasons ago we shared love and desire, we shared joy ...
That we once were dear friends, you may have perhaps forgot.
Now if we come together, by fate or by chance, to express old loyalties ...
Our every shared breath, all our sighs and regrets, you may remember, or perhaps not.



What Happened to Them?
by Nasir Kazmi
loose translation/interpretation by Michael R. Burch

Those who came ashore, what happened to them?
Those who sailed away, what happened to them?

Those who were coming at dawn, when dawn never arrived ...
Those caravans en route, what happened to them?

Those I awaited each night on moonless paths,
Who were meant to light beacons, what happened to them?

Who are these strangers surrounding me now?
All my lost friends and allies, what happened to them?

Those who built these blazing buildings, what happened to them?
Those who were meant to uplift us, what happened to them?

NOTE: This poignant poem was written about the 1947 partition of India into two nations: India and Pakistan. I take the following poem to be about the aftermath of the division.



Climate Change
by Nasir Kazmi
loose translation/interpretation by Michael R. Burch

The songs of our silenced lips are different.
The expressions of our regretful hearts are different.

In milder climes our grief was more tolerable,
But the burdens we bear now are different.

O, walkers of awareness's road, keep your watch!
The obstacles strewn on this stony path are different.

We neither fear separation, nor desire union;
The anxieties of my rebellious heart are different.

In the first leaf-fall only flowers fluttered from twigs;
This year the omens of autumn are different.

This world lacks the depth to understand my heartache;
Please endow me with melodies, for my cry is different!

One disconcerting glance bared my being;
Now in barren fields my visions are different.

No more troops, nor flags. Neither money, nor fame.
The marks of the monarchs on this land are different.

Men are not martyred for their beloveds these days.
The youths of my youth were so very different!



Nasir Kazmi Couplets

When I was a child learning to write
my first scribblings were your name.
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch

When my feet lost the path
where was your hand?
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch

Everything I found is yours;
everything I lost is also yours.
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch



Memory
by Faiz Ahmed Faiz, as performed by Iqbal Bano
loose translation/interpretation by Michael R. Burch

In the wastelands of solitude, my love,
the echoes of your voice quiver,
the mirages of your lips waver.

In the deserts of alienation,
out of the expanses of distance and isolation's debris
the fragrant jasmines and roses of your presence delicately blossom.

Now from somewhere nearby,
the warmth of your breath rises,
smoldering forth an exotic perfume―gently, languorously.

Now far-off, across the distant horizon,
drop by shimmering drop,
fall the glistening dews of your beguiling glances.

With such tenderness and affection—oh my love!—
your memory has touched my heart's cheek so that it now seems
the sun of separation has set; the night of blessed union has arrived.



Speak!
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Speak, if your lips are free.
Speak, if your tongue is still your own.
While your body is still upright,
Speak if your life is still your own.



Tonight
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Do not strike the melancholy chord tonight! Days smoldering
with pain in the end produce only listless ashes ...
and who the hell knows what the future may bring?
Last night’s long lost, tomorrow's horizon’s a wavering mirage.
And how can we know if we’ll see another dawn?
Life is nothing, unless together we make it ring!
Tonight we are love gods! Sing!

Do not strike the melancholy chord tonight!
Don’t harp constantly on human suffering!
Stop complaining; let Fate conduct her song!
Give no thought to the future, seize now, this precious thing!
Shed no more tears for temperate seasons departed!
All sighs of the brokenhearted soon weakly dissipate ... stop dithering!
Oh, do not strike the same flat chord again! Sing!



When Autumn Came
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

So it was that autumn came to flay the trees,
to strip them ****,
to rudely abase their slender dark bodies.

Fall fell in vengeance on the dying leaves,
flung them down to the floor of the forest
where anyone could trample them to mush
undeterred by their sighs of protest.

The birds that herald spring
were exiled from their songs—
the notes ripped from their sweet throats,
they plummeted to the earth below, undone
even before the hunter strung his bow.

Please, gods of May, have mercy!
Bless these disintegrating corpses
with the passion of your resurrection;
allow their veins to pulse with blood again.

Let at least one tree remain green.
Let one bird sing.



Last Night (II)
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Last night, your lost memory returned ...
as spring steals silently into barren gardens,
as cool breezes stir desert sands,
as an ailing man suddenly feels better, for no apparent reason ...

There are more English translations of poems by Faiz Ahmed Faiz later on this page.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of songs nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my dark, pensive thoughts.

We congratulate ourselves that we two are different
but this weakness has burdened us both with inchoate grief.

Now you are here, and I find myself bowing—
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



Inquiry
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

The miracle of your absence
is that I found myself endlessly searching for you.



It's Only My Heart!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s only my heart, not unfeeling stone,
so why be dismayed when it throbs with pain?
It was made to suffer ten thousand darts;
why let one more torment impede us?

There are more English translations of poems by Mirza Ghalib later on this page.



Couplets
by Jaun Elia
loose translations by Michael R. Burch

I am strange—so strange
that I self-destructed and don't regret it.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

The wound is deep—companions, friends—embrace me!
What, did you not even bother to stay?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

My nature is so strange
that today I felt relieved when you didn't arrive.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Night and day I awaited myself;
now you return me to myself.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Greeting me this cordially,
have you so easily erased my memory?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Your lips have provided thousands of answers;
so what is the point of complaining now?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Perhaps I haven't fallen in love with anyone,
but at least I convinced them!
―Jaun Elia, loose translation/interpretation by Michael R. Burch

The city of mystics has become bizarre:
everyone is wary of majesty, have you heard?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Did you just say "Love is eternal"?
Is this the end of us?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

You are drawing very close to me!
Have you decided to leave?
―Jaun Elia, loose translation/interpretation by Michael R. Burch



Intimacy
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I held the Sun, Stars and Moon at a distance
till the time your hands touched mine.
Now I am not a feather to be easily detached:
instruct the hurricanes and tornados to observe their limits!



The Mad Moon
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Stars have a habit of showing off,
but the mad moon sojourns in darkness.



Body Language
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Your body’s figures are written in cursive!
How will I read you? Hand me the book!



Insatiable
by Rahat Indori
loose translation/interpretation by Michael R. Burch

This mighty ocean, so deep and vast!
If it sates my thirst, how long can it last?



Honor
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Achievements may fade but the name remains strong;
walls may buckle but the roof stays on.
On a pile of corpses a child stands alone
and declares that his family still lives on!



Dust in the Wind
by Rahat Indori
loose translation/interpretation by Michael R. Burch

This is how I introduce myself to questioners:
Pick up a handful of dust, then blow ...



Dissembler
by Rahat Indori
loose translation/interpretation by Michael R. Burch

In your eyes this, in your heart that, on your lips something else?
If this is how you are, impress someone else!



Rumor (M)ill
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I heard rumors my health was bad; still
it was prying people who made me ill.



The Vortex
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I am the river whose rapids form a vortex;
You were wise to avoid my banks.



Homebound
by Rahat Indori
loose translation/interpretation by Michael R. Burch

If people fear what they meet at every turn,
why do they ever leave the house?



Becoming One
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

I have become you, as you have become me;
I am your body, you my Essence.
Now no one can ever say
that you are someone else,
or that I am anything less than your Presence!



I Am a Pagan
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

I am a pagan disciple of love: I need no creeds.
My every vein has become taut, like a tuned wire.
I do not need the Brahman's girdle.
Leave my bedside, ignorant physician!
The only cure for love is the sight of the patient's beloved:
there is no other medicine he needs!
If our boat lacks a pilot, let there be none:
we have god in our midst: we do not fear the sea!
The people say Khusrow worships idols:
True! True! But he does not need other people's approval;
he does not need the world's.

(My translation above was informed by a translation of Dr. Hadi Hasan.)



Amir Khusrow’s elegy for his mother
loose translation/interpretation by Michael R. Burch

Wherever you shook the dust from your feet
is my relic of paradise!



Paradise
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

If there is an earthly paradise,
It's here! It's here! It's here!



Mystery
by Munir Niazi
loose translation/interpretation by Michael R. Burch

She was a mystery:
Her lips were parched ...
but her eyes were two unfathomable oceans.



I continued delaying ...
by Munir Niazi
loose translation/interpretation by Michael R. Burch

I continued delaying ...
the words I should speak
the promises I should keep
the one I should dial
despite her cruel denial

I continued delaying ...
the shoulder I must offer
the hand I must proffer
the untraveled lanes
we may not see again

I continued delaying ...
long strolls through the seasons
for my own selfish reasons
the remembrances of lovers
to erase thoughts of others

I continued delaying ...
to save someone dear
from eternities unclear
to make her aware
of our reality here

I continued delaying ...



Couplets
by Mir Taqi Mir
loose translations by Michael R. Burch

Sharpen the barbs of every thorn, O lunatic desert!
Perhaps another hobbler, limping by on blistered feet, follows me!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

My life is a bubble,
this world an illusion.
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

Selflessness has gotten me nowhere:
I neglected myself far too long.
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

I know now that I know nothing,
and it only took me a lifetime to learn!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

Love's just beginning, so why do you whine?
Why not wait and watch how things unwind!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch



Come!
by Gulzar
loose translation/interpretation by Michael R. Burch

Come, let us construct night
over the monumental edifice of silence.
Come, let us clothe ourselves in the winding sheets of darkness,
where we'll ignite our bodies' incandescent wax.
As the midnight dew dances its delicate ballet,
let us not disclose the slightest whispers of our breath!
Lost in night's mists,
let us lie immersed in love's fragrance,
absorbing our bodies' musky aromas!
Let us rise like rustling spirits ...



Old Habits Die Hard
by Gulzar
loose translation/interpretation by Michael R. Burch

The habit of breathing
is an odd tradition.
Why struggle so to keep on living?
The body shudders,
the eyes veil,
yet the feet somehow keep moving.
Why this journey, this restless, relentless flowing?
For how many weeks, months, years, centuries
shall we struggle to keep on living, keep on living?
Habits are such strange things, such hard things to break!



Inconclusive
by Gulzar
loose translation/interpretation by Michael R. Burch

A body lies on a white bed—
dead, abandoned,
a forsaken corpse they forgot to bury.
They concluded its death was not their concern.
I hope they return and recognize me,
then bury me so I can breathe.



Wasted
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

You have noticed her forehead, her cheeks, her lips ...
In whose imagination I have lost everything.



Countless
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

I recounted the world's countless griefs
by recounting your image countless times.



Do Not Ask
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Do not ask, my love, for the love that we shared before:
You existed, I told myself, so existence shone.
For a moment the only light that I knew, alone,
was yours; worldly griefs remained dark, distant, afar.

Spring shone, as revealed in your face, but what did I know?
Beyond your bright eyes, what delights could the sad world hold?
Had I won you, cruel Fate would have ceded, no longer bold.
Yet all this was not to be, though I wished it so.

The world knows sorrows beyond love’s brief dreams betrayed,
and pleasures beyond all sweet, idle ideals of romance:
the dread dark spell of countless centuries and chance
is woven with silk and satin and gold brocade.

Bodies are sold everywhere for a pittance—it’s true!
Besmeared with dirt and bathed in bright oceans of blood,
Crawling from infested ovens, a gory cud.
My gaze returns to you: what else can I do?

Your beauty haunts me still, and will to the last.
But the world is burdened by sorrows beyond those of love,
By pleasures beyond romance.
So please do not demand a love that is over, and past.



O God!
by Qateel Shifai
loose translation/interpretation by Michael R. Burch

Torture my heart, O God!
If you so desire, leave me a madman, O God!

Have I asked for the moon and stars?
Enlighten my heart and give my eyes sight, O God!

We have all seen this disk called the sun,
Now give us a real dawn, O God!

Either relieve our pains here on this earth
Or make my heart granite, O God!



Hereafter
by Qateel Shifai
loose translation/interpretation by Michael R. Burch

Since we met and parted, how can we sleep hereafter?
Lost in each others' remembrance, must we not weep hereafter?

Deluges of our tears will keep us awake all night:
Our eyelashes strung with strands of pearls, hereafter!

Thoughts of our separation will sear our grieving hearts
Unless we immerse them in the cooling moonlight, hereafter!

If the storm also deceives us, crying Qateel!,
We will scuttle our boats near forsaken shores, hereafter.



Picnic
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

My friends laugh elsewhere on the beach
while I sit here, alone, counting the waves,
writing and rewriting your name in the sand ...



Confession
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

Your image overwhelmed my vision.
As the long nights passed, I became obsessed with your visage.
Then came the moment when I quietly placed my lips to your picture ...



Rain
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

Why shiver alone in the rain, maiden?
Embrace the one in whose warming love your body and mind would be drenched!
There are no rains higher than the rains of Love,
after which the bright rainbows of separation will glow with the mysteries of hues.



My Body's Moods
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

I long for the day when you'll be obsessed with me,
when, forgetting the world, you'll miss me with a passion
and stop complaining about my reticence!
Then I may forget all other transactions and liabilities
to realize my world in your arms,
letting my body's moods guide me.
In that moment beyond boundaries and limitations
as we defy the conventions of veil and turban,
let's try our luck and steal a taste of the forbidden fruit!



Moon
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

All of us passengers,
we share the same fate.
And yet I'm alone here on earth,
and she alone there in the sky!



Vanity
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

His world is so simple, so very different from mine.
So distinct—his dreams and desires.
He speaks rarely.
This morning he wrote: "I saw some lovely flowers and thought of you."
Ha! I know my aging face is no orchid ...
but how I wish I could believe whatever he says, however momentarily!



Come
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Come, even with anguish, even to torture my heart;
Come, even if only to abandon me to torment again.

Come, if not for our past commerce,
Then to faithfully fulfill the ancient barbaric rituals.

Who else can recite the reasons for our separation?
Come, despite your reluctance, to continue the litanies, the ceremony.

Respect, even if only a little, the depth of my love for you;
Come, someday, to offer me consolation as well.

Too long you have deprived me of the pathos of longing;
Come again, my love, if only to make me weep.

Till now, my heart still suffers some slight expectation;
So come, ***** out even the last flickering torch of hope!



I Cannot Remember
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

I once was a poet too (you gave life to my words), but now I cannot remember
Since I have forgotten you (my love!), my art too I cannot remember

Yesterday consulting my heart, I learned
that your hair, lips, mouth, I cannot remember

In the city of the intellect insanity is silence
But now your sweet, spontaneous voice, its fluidity, I cannot remember

Once I was unfamiliar with wrecking ***** and ruins
But now the cultivation of gardens, I cannot remember

Now everyone shops at the store selling arrows and quivers
But neglects his own body, the client he cannot remember

Since time has brought me to a desert of such arid forgetfulness
Even your name may perish; I cannot remember

In this narrow state of being, lacking a country,
even the abandonment of my fellow countrymen, I cannot remember



The Infidel
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Ten thousand desires: each one worth dying for ...
So many fulfilled, and yet still I yearn for more!

Being in love, for me there was no difference between living and dying ...
and so I lived each dying breath watching you, my lovely Infidel, sighing                       afar.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Life becomes even more complicated
when a man can’t think like a man ...

What irrationality makes me so dependent on her
that I rush off an hour early, then get annoyed when she's "late"?

My lover is so striking! She demands to be seen.
The mirror reflects only her image, yet still dazzles and confounds my eyes.

Love’s stings have left me the deep scar of happiness
while she hovers above me, illuminated.

She promised not to torment me, but only after I was mortally wounded.
How easily she “repents,” my lovely slayer!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s time for the world to hear Ghalib again!
May these words and their shadows like doors remain open.

Tonight the watery mirror of stars appears
while night-blooming flowers gather where beauty rests.

She who knows my desire is speaking,
or at least her lips have recently moved me.

Why is grief the fundamental element of night
when blindness falls as the distant stars rise?

Tell me, how can I be happy, vast oceans from home
when mail from my beloved lies here, so recently opened?



Abstinence?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!



Step Carefully!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Step carefully Ghalib―this world is merciless!
Here people will "adore" you to win your respect ... or your downfall.



Bleedings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Love requires patience but lust is relentless;
what colors must my heart bleed before it expires?

There are more English translations of poems by Mirza Ghalib later on this page.



No Explanation! (I)
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Please don't ask me how deeply it hurt!
Her sun shone so bright, even the shadows were burning!



No Explanation! (II)
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Please don't ask me how it happened!
She didn't bind me, nor did I free myself.



Alone
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Why are you sad that she goes on alone, Faraz?
After all, you said yourself that she was unique!



Separation
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Faraz, if it were easy to be apart,
would Angels have to separate body from soul?



Time
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

What if my face has more wrinkles than yours?
I am merely well-worn by Time!



Miraji Epigrams

I'm obsessed with this thought:
does God possess mercy?
―Miraji, loose translation/interpretation by Michael R. Burch

Come, see this dance, the immaculate dance of the devadasi!
―Miraji, loose translation/interpretation by Michael R. Burch



Excerpts from “Going, Going ...”
by Miraji
loose translation/interpretation by Michael R. Burch

Each unfolding vista,
each companion’s kindnesses,
every woman’s subtle sorceries,
everything that transiently lies within our power
quickly dissolves
and we are left with only a cupped flame, flickering ...
Should we call that “passion”?

The moon scrapes the horizon
and who can measure a star’s breadth?

The time allotted a life, if we calculate it,
is really only a fleeting breath ...



1.
Echoes of an ancient prophecy:
after my life has come and gone,
perhaps someone
hearing my voice drifting
on the breeze of some future spring
will chase after my songs
like dandelions.
—Miraji, translation by Michael R. Burch

2.
Echoes of an ancient prophecy:
after my life has come and gone,
perhaps someone
hearing my voice drifting
through some distant future spring
will pluck my songs
like dandelions.
—Miraji, translation by Michael R. Burch

3.
Echoes of an ancient prophecy:
when my life has come and gone,
and when I’m dead and done,
perhaps someone
hearing me sing
in a distant spring
will echo my songs
the whole world over.
—Miraji, translation by Michael R. Burch

If I understand things correctly, Miraji wrote the lines above after translating a verse by Sappho in which she said that her poems would be remembered in the future. I suspect both poets and both prophecies were correct!




Every Day and in Every Direction
by Nida Fazli
loose translation/interpretation by Michael R. Burch

Everywhere and in every direction we see innumerable people:
each man a victim of his own loneliness, reticence and silences.
From dawn to dusk men carry enormous burdens:
all preparing graves for their soon-to-be corpses.
Each day a man lives, the same day he dies.
Each new day requires the same old patience.
In every direction there are roads for him to roam,
but in every direction, men victimize men.
Every day a man dies many deaths only to resurrect from his ashes.
Each new day presents new challenges.
Life's destiny is not fixed, but a series of journeys:
thus, till his last breath, a man remains restless.



Couplets
by Nida Fazli
loose translation/interpretation by Michael R. Burch

It was my fate to entangle and sink myself
because I am a boat and my ocean lies within.
―Nida Fazli, loose translation/interpretation by Michael R. Burch

You were impossible to forget once you were gone:
hell, I remembered you most when I tried to forget you!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

Don't squander these pearls:
such baubles may ornament sleepless nights!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

The world is like a deck of cards on a gambling table:
some of us are bound to loose while others cash in.
―Nida Fazli, loose translation/interpretation by Michael R. Burch

There is a proper protocol for everything in this world:
when visiting gardens never force butterflies to vacate their flowers!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

Since I lack the courage to commit suicide,
I have elected to bother people with my life a bit longer.
―Nida Fazli, loose translation/interpretation by Michael R. Burch



Changing Seasons
by Noshi Gillani
loose translation/interpretation by Michael R. Burch

Each changing season
reveals something
concealed by her fears:
an escape route from this island
illuminated by her tears.



Dust
by Bahadur Shah Zafar or Muztar Khairabadi
loose translation/interpretation by Michael R. Burch

Unable to light anyone's eye
or to comfort anyone's heart ...
I am nothing but a handful of dust.



Piercings
by Firaq Gorakhpuri
loose translation/interpretation by Michael R. Burch

No one ever belonged to anyone else for a lifetime.
We cannot own another's soul.
The beauty we see and the love we feel are only illusions.
All my life I tried to save myself from the piercings of your eyes ...
But I failed and the daggers ripped right through me.



Salvation
Mohammad Ibrahim Zauq
loose translation/interpretation by Michael R. Burch

Anxious and fatigued, I consider the salvation of death ...
But if there is no peace in the grave,
where can I go to be saved?



Child of the Century
by Abdellatif Laâbi (a Moroccan poet)
loose translation/interpretation by Michael R. Burch

I’m a child of this dreary century, a child who never grew up.
Doubts that ignited my tongue singed my wings.
I learned to walk, then I unlearned progress.
I grew weary of oases and camels infatuated with ruins.
My head inclined East only to occupy the middle of the road
as I awaited the insane caravans.



Nostalgia
by Abdulla Pashew (a Kurdish poet)
loose translation/interpretation by Michael R. Burch

How I desire the heavens!
Each solitary star lights the way to a tryst.

How I desire the sky!
Standing alone, remote, the sky is as vast as any ocean.

How I desire love's heavenly scent!
When each enticing blossom releases its essence.



Oblivion
by Al-Saddiq Al-Raddi (an African poet who writes in Arabic)
loose translation/interpretation by Michael R. Burch

Discard your pen
before you start reading;
consider the ink,
how it encompasses bleeding.

Learn from the horizon
through eyes' narrowed slits
the limitations of vision
and hands' treacherous writs.

Do not blame me,
nor indeed anyone,
if you expire before
your reading is done.



In Medias Res
by Shaad Azimabadi
loose translation/interpretation by Michael R. Burch

When I heard the story of my life recounted,
I caught only the middle of the tale.
I remain unaware of the beginning or end.



Debt Relief
by Piyush Mishra
loose translation/interpretation by Michael R. Burch

We save Sundays for our loved ones ...
all other days we slave to repay debts.



Reoccurrence
by Amrita Bharati (a Hindi poet)
loose translation/interpretation by Michael R. Burch

It was a woman's heart speaking,
that had been speaking for eons ...

It was a woman's heart silenced,
that had been silenced for centuries ...

And between them loomed a mountain
that a man or a rat gnawed at, even in times of amity ...
gnawing at the screaming voice,
at the silent tongue,
from the primeval day.



Don't Approach Me
by Arif Farhad
loose translation/interpretation by Michael R. Burch

Don't approach me here by the river of time
where I flop like a fish in a net!



Intoxicants
by Amrut Ghayal (a Gujarati poet)
translation by Kanu V. Prajapati and Michael R. Burch

O, my contrary mind!
You're such a fool, afraid to drink the fruit of the vine!
But show me anything universe-designed
that doesn't intoxicate, like wine.



I’m like a commodity being priced in the market-place:
every eye ogles me like a buyer’s.
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch

If you insist, I’ll continue playing my songs,
forever piping the flute of my heart.
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch

The moon has risen once again, yet you are not here.
My heart is a blazing pyre; what do I do?
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch



Drunk on Love
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Drunk on love, I made her my God.
She quickly informed me that God belongs to no man!

Exiles
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Often we have heard of Adam's banishment from Eden,
but with far greater humiliation, I abandon your garden.

To Whom Shall I Complain?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

To whom shall I complain when I am denied Good Fortune in acceptable measure?
Dementedly, I demanded Death, but was denied even that dubious pleasure!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

You should have stayed a little longer;
you left all alone, so why not linger?

We’ll meet again, you said, some day similar to this one,
as if such days can ever recur, not vanish!

You left our house as the moon abandons night's skies,
as the evening light abandons its earlier surmise.

You hated me: a wife abnormally distant, unknown;
you left me before your children were grown.

Only fools ask why old Ghalib still clings to breath
when his fate is to live desiring death.



How strange has life become:
Our evenings drag out, yet our years keep flashing by!
―original poet unknown, loose translation/interpretation by Michael R. Burch



Longing
by Allama Iqbal
loose translation by Michael R. Burch

Lord, I’ve grown tired of human assemblies!
I long to avoid conflict! My heart craves peace!
I desperately desire the silence of a small mountainside hut!



Life Advice
by Allama Iqbāl
loose translation by Michael R. Burch

This passive nature will not allow you to survive;
If you want to live, raise a storm!



Destiny
by Allama Iqbal
loose translation by Michael R. Burch

Isn't it futile to complain about God's will,
When you are your own destiny?

Keywords/Tags: Urdu, translation, love poetry, desire, passion, longing, romance, romantic, God, heaven, mrburdu

Pink-Haired Wildflower
I know you.
I see you.
everyday at least once

Your pedals are short
   and cute
   chopped off at the chin
Your clothes are loose
   and indie
   style, you wear so well

You walk so confidently
      each stride your own.
You glitter shining vibrantly
      like the stud in your nose.
You smile so easily
      and laugh with no care in the world.

Pink-Haired Wildflower
do you know me?
do you see me?
each time I pass you on the way
I look at you
and try not to stare
your flowered beauty beholds me

I wonder what you think of me
This bent over gait
   dark-circle-eyed
   fool. I am
   struggling to stay upright.

Can you see the weight on my shoulders?
The stress in my complexion?
      my gnawed on nails and torn skin
Tell me, what do you see in my gaze?

I wish I possessed your confidence.
Your grace in billowed petals.
Your fragrance has a trail
   that always circles back to me.
   everyday I see you.
   though I say nothing.

Whatever you are
I want you in a bouquet on my bedside table
as I lie there
trying not to cry
or die.
Let your rank beauty infect me
aromatic surround me.

Be mine.
Lay claim to me.
Show me your ways.

or at least learn my name
as if I knew yours

You're a stranger to me Pink-Haired Wildflower
last night your dyed your hair Blue

there's nothing like being young
and starving,
living in a roominghouse and
pretending to be a
writer
while other men are occupied
with their professions and
their possessions.
there's nothing like being
young and
starving,
listening to Brahms,
your belly ******-in,
nary an ounce of
fat,
stretched out on the bed
in the dark,
smoking a rolled
cigarette
and working on the
last bottle of
wine,
the sheets of your
writing strewn across the
floor.
you have walked on and across
them,
your masterpieces, and
either
they'll be read in
hell,
or perhaps
gnawed at by the
curious
mice.
Brahms is the only
friend you have,
the only friend you
want,
him and the wine
bottle,
as you realize that
you will never
be a citizen of the
world,
and if you
live to be very
old
you still will never
be a citizen of the
world.
the wine and
Brahms mix well as
you watch the
lights
move across the
ceiling,
courtesy of
passing
automobiles.
soon you'll sleep
and
tomorrow there
certainly
will be
more
masterpieces.

Bones for Breakfast
July 2014

Bones are like peanut brittle.
Gnawed on til toothless,
by us old mangy mutts.
Tastes sweet tender as a drop 'o dew,
Feels soft in a bride's whisper, "I do."
But speaks crunchy crackles of Tic-Tac language,
instead of ******* out bad breath breathe shards in.

Although bones may break,
become buried under archaeologists' noses,
slip through crevices cracked and crumbled.
They were once anything but brittle,
covered only by skin yet to be bruised,
backs yet to be battered,
blood yet to be spilled,
faces yet to witness the history yet to be written.

I do not believe we are supposed to eat bones,
but we break them down into shreds of paper-back tidbits,
consumable by children during the snack time called 'history class.'
Our teachers are creating cannibals,
consuming culture on textbook platters,
but pay no mind while wearing bone bibs,
they leave out the thickest cuts of meat and just eat the ribs.

History is a living thing, dressed to deceive those who blindly believe.
I remember reading George Washington's claim to fame,
"I did not chop down that cherry tree."
But Mr. President, what about your enemies?
Because every revolution needs people to die for the revolutionaries.
Ain't that a sweet piece of cherry lie pie?

I learned Genghis Khan sure got it on with many women,
but didn't read about Alexander the Great's great ***,
much of it involving a same-gendered mate.
Wait, was that a mixture of patriarchy and hetero-normativity?
Words that weren't worth the pennies to print?
Who hired these fact checkers for the publishing industries?
I'll give you a hint,
Learn who has the most to gain from condemning intellectual content and corrupting it with a corrosive lack of social conscience.
As textbook reps tell professors, "Buy our books with cute new features."  But since when was that what made good teachers?
And so, these chapters get served to us on poo poo platters,
passed off to be refreshing as fresh mint pours in for corporations like Pearson Education.

I surveyed the lay of the land in Egypt,
purveying the literature of pharaohs.
Pyramids meant to portray a portrait of powerful people,
not a foolish riddle.
"Who built them," we ask.
But not of curiosity for whose backs broke building.
Its whose bones mummified beneath are made into mythological creatures along with Sphinx features.

I was taught the Holocaust was a unique horror story,
along with the catch phrase "never again."
Yet those 600 pages neglected to educate about the "re-education campaign" against the Cambodians.
Where was I to learn of the Rwanda civilization's tensions and exterminations?
Perhaps those pages were buried in the mass graves and dirt ditches, deserted and desecrated like the indigenous individuals we now call Native Americans.

Tell me more about art again.
It conveys a message about the historical humans experience,
but I think that message got lost sometime in the Renaissance Period.
When men had beards and wore colorful clothing,
but now that is either unprofessional or deemed gay as a bad thing.
When women were depicted full-bodied as that meant social status,
but now they are painted in photo shop with air brushes and slimmed slick.
We've created a glorious new empire of gastrointestinal bypass Groupons, and have either **** out or surgically removed all the bones we swallowed to get here... So, who's ready for lunch?

In the rectory garden on his evening walk
Paced brisk Father Shawn.  A cold day, a sodden one it was
In black November.  After a sliding rain
Dew stood in chill sweat on each stalk,
Each thorn; spiring from wet earth, a blue haze
Hung caught in dark-webbed branches like a fabulous heron.

Hauled sudden from solitude,
Hair prickling on his head,
Father Shawn perceived a ghost
Shaping itself from that mist.

'How now,' Father Shawn crisply addressed the ghost
Wavering there, gauze-edged, smelling of woodsmoke,
'What manner of business are you on?
From your blue pallor, I'd say you inhabited the frozen waste
Of hell, and not the fiery part.  Yet to judge by that dazzled look,
That noble mien, perhaps you've late quitted heaven?'

In voice furred with frost,
Ghost said to priest:
'Neither of those countries do I frequent:
Earth is my haunt.'

'Come, come,' Father Shawn gave an impatient shrug,
'I don't ask you to spin some ridiculous fable
Of gilded harps or gnawing fire:  simply tell
After your life's end, what just epilogue
God ordained to follow up your days.  Is it such trouble
To satisfy the questions of a curious old fool?'

'In life, love gnawed my skin
To this white bone;
What love did then, love does now:
Gnaws me through.'

'What love,' asked Father Shawn, 'but too great love
Of flawed earth-flesh could cause this sorry pass?
Some ****** condition you are in:
Thinking never to have left the world, you grieve
As though alive, shriveling in torment thus
To atone as shade for sin that lured blind man.'

'The day of doom
Is not yest come.
Until that time
A crock of dust is my dear hom.'

'Fond phantom,' cried shocked Father Shawn,
'Can there be such stubbornness--
A soul grown feverish, clutching its dead body-tree
Like a last storm-crossed leaf?  Best get you gone
To judgment in a higher court of grace.
Repent, depart, before God's trump-crack splits the sky.'

From that pale mist
Ghost swore to priest:
'There sits no higher court
Than man's red heart.'

You worth more than a thousand golden crowns
and continent wide silks
and all the brighter, wilting stars in the dark
and had you pulled the universe to you,
it will surely crawl under your thigh
as a machination made only for you.

And you worth more than the ten thousand horses that I had slain
and I pulled them onto your sheets
as whispery faeries gnawed onto its skin
onto its slippery vein
gory, but lovely all the same.

Alas, you worth more than another ten thousand of them running
hooves clattered across the impenetrable glass of auroral dome
and I saw you rode on another ten thousand that had not deserve you-

as you deserved gold and stars
and all the greater fury of this land,
not treachery and I.
Gold was the color of your ruse
and your words deify scorching stars into bloom
and you reek of rust — the finest yellow there was.

I've been broken by all of my

Betrayers, destroyed all my hope

Burned their bridges back to me,

Torches ignite, scorch the rope.

Subtle barbs of honesty,

Chew away at their being.

Take this curse away from me.

Silence me eternally!



Gnawed to the bone.

Abandoned – all alone.

I’ve lost all ties to that which was once known as my home.

Stripped of all resource.

Lost with no hope of recourse.

Gaze upon me now,

The Pariah!



Stab wounds upon my back.

Eyes beaten blue and black.

You shelter that which orders

Every devastating attack!

Reaching far out,

For help from those who ripped my heart out!

They lash whips at my will, breaking skin, my death has no doubt!



Gnawed to the bone.

Abandoned – all alone.

I’ve lost all ties to that which was once known as my home.

Stripped of all resource.

Lost with no hope of recourse.

Gaze upon me now,

The Pariah!


... ... ...


Gnawed to the bone.

Abandoned – all alone.

I’ve lost all ties to that which was once known as my home.

Stripped of all resource.

Lost with no hope of recourse.

Gaze upon me now,

The Pariah!

It was her grandmother’s,
on her step-mother’s side,
not really a relative at all.
A hideous thing, it was,
crudely constructed yards
of yellowing ivory, with
giant creampuff shoulders
and a scratchy hemline.
The bodice was decorated,
sprinkled with dull gems,
crusty pearls.
The veil was, by far,
the worst offender.
A gauze with blotchy
brown stains, misshapen
holes, gnawed by rats.
She bit her lip as her step-
mother wrinkled her brow,
poking at the skirt, the train,
hoping it would burst like an
odd bubble or
mushroom at
any moment.

I feel as if my head is sliding off my neck like ice cream melting down the cone. I am a witch melting, shrinking smaller as my spine stacks horizontally like shiplap. My body has been refurbished into a pinball machine. Something so tiny as a silver ball destroys so much. It bullets through my body, shooting off like Cuban missiles. I feel the turmoil and chaos seeping through the gutters of this old home of bones. It's like spilled oil sludging through my blood vessels or rats scattering through a sewer, nibbling and feasting away on these muscles of mine until they are frayed like gnawed-on cable wires. At odd hours of the night when time is propelled by the safe travels of breath (that weave in and out like Victorians at a ball) from sleepy children who have yet been touched by monsters or nymphs, whereas each of my breaths steer Odysseus's weather-beaten boat through ten years of treachery. My heavy, melting head slowly sloping like clay off a bust makes its home on my dingy pillow as I lay on a prison bed with cold shackles around my ankles that make my bones shatter into a mosaic as if that could shrink my ankles so I can slip out. I feel like a chained hawk at these hours of the night when I just want to fly until I screech to a halt and flail over the cliff that waterfalls into the ends of the universe. I'd be reluctant at first, perhaps, but what other escape does one have other than to make an autopsist's Y-incision on one's body, then slip out like a hermit crab freeing himself from his heavy shell? Embarking onto a new dimension where there's hope for a radical swap of atoms that don't shape a crippled, deteriorating human is the only choice when you want to live a life other than what you were cursed with. May we then find peace and live as naked souls bearing no heavy shells.

Do we have any idea?
Have we even got a clue?
Can it be that we don't give a ****
what others are going through.

Are we so wrapped up in selfish mode?
So devoted to our own.
That we should sit back and watch
as others are gnawed down to the bone.

Should it be that our own offspring
if they were cast away so far?
Would we worry about that pipeline
bringing fuel to run our car?

Or would we stand aloft in horror
as they were thrown unto the ground?
Or for fuel thats cheap and plentiful,
is it ok to make no sound?

We hear about disasters.
Tsunami strikes upon Japan.
Earthquakes raging out in Haiti
Watch death befall our fellow man.

Throw donations in a bucket
at the supermarket doors,
then forget because of shopping.
but we have paid towards their cause.

Could you ever even fathom?
Your children crying as they play,
not for Barbies or Play-stations
but for the pain to go away.

Never asking for the latest
made by Hamleys or Mattel
rather just an handfull of food
to help beat the starvation battle.

Wash it down with poison water
from a river filled with ****
or collect in rusty tin cans
from a worn and stagnant pit.

If this was the plight of our children
things would surely be said.
We would try to move a mountain
rather than our young be dead.

Could you ever really imagine?
Could you ever really get,
that a million hits on You-Tube
turn endangered species into pets?

What if someone could ask on face-book
about your daughter or your son,
saying"It looks so cute and cuddly,
"go on e-bay and buy me one."

If only we could all be happy,
not feel a need to own the place.
If we could learn to be contented
by a childs smiling face.

Treat the world with awe and wonder.
Treat its creatures with respect.
Treat each other in this same way.
Treat nobody with neglect.

Then perhaps we may push together,
make our Governments do right.
Let's lead the World with people power,
no more starvation or blight.

Let's be less materialistic
let us have a life of worh
Not by owning all we see,
rather sharing this our earth.

Autumn's eve, tinting leaves, the breeze creates a gentle hiss,
     A sun shining bright, wooded air
     that bites,
     Would meet to kiss, rebirthing night.
A hunter trawled through forest sprawled,
it flowed and rose before him,
     With him came prose he must
     prepose the winter snows that awaited,
     The winter snows, would end his hunt,
     and so off he set with a subtle grunt,
     To complete his latest autumn hunt,
     a stunt raught with err.

A fortnight prior, the hunter slept in a spire, a vision came as he did tire,
     A shimmering gold figure, whose shape
     bent and flickered,
     With haunting words it smiled and
     snickered;
     "On a jaunt to forest haunts, not an
     arrow shall be nocked--
           --lest all effort be for naught."
The hunter gave the lot no thought,
     An archer, he is, a prophet, he is not,
     And so was his steed set off on a trot--
           "--Lest all effort be for naught."

A hare was eyed, time now nigh, prey and predator had arrived,
     Hunter prepping a bow draw, as hare
     gingerly awed and gnawed,
     As hare gnawed, a warning walked, out
     to the hunter's mind,
     Reminding him, to his chagrin--
"Not an arrow shall be nocked," inside his mind it ticked and tocked,
     Words flicking like hands on clocks, the
     ticking clock, he cleared with knocks,
     And so he returned to his stalk, but once
     an arrow then did nock--
           --Alas, all effort was for naught.

The ground caved in, his head spins, as his punishment begins,
     Take from the forest, and the forest
     takes back,
     Our hunter grasped, as he fell to black,
     his dream was no dream, but real life,
     He strifed over omens, regret that stung
     like a knife,
     But descent had already begun, with
     darkness endlessly growing rife.
He had spent his whole life gloating,
     now he felt as though he's floating,
     floating deep to an abyss,--
     Nay, not safety, nay, much darker, nay,
     unnatural-- nay, remiss.

Body meets tension, and blood meets a flood,
     A splash, and a crash, as the hunter fell
     with a thud,
     He had berthed on a river, clothing and
     blood curdled with mud.
Awoken from slumber, skull pounding like thunder, his mind felt asunder,
     Rolling over a flower, he climbed
     from the river,
     Perverse cold forcing a shiver, as he
     looked to the sky, and began to quiver,
Onyx above, with a moon shining three, scouting around, he shan't find many a tree,
     Or any sign that from this hell, he'll be
     freed--
            --Lest he notice the shimmer,
              approaching with speed.

The shimmer approached, the hunter recognized he,
     The shape from the vision, that whom
     warned thee,
"I see that my warning, thou did not heed, now thou must travel, if thou wished to leave,"
     The words strengthened the thunder
     inside the head of our hunter,
     But then he spoke, with an intrigue of
     wonder,
"Where must I go, with my head pounding like thunder, and self so asunder?"
     The shimmer glared, its gilded eyes
     flared, freezing the hunter like snares,
"Voyage to the Druid, speak to thee, ask for relief, and thou shall be free, but when the deal has ended, have not a spare thought--
            --Lest all effort be for naught."

And so the hunter travelled endless night,
     Bulbous purple pods glowing on the
     ground, providing light,
     As giggles from around echoed, causing
     fright.
Our archer saw faeries, goblins and elves, hiding in the shadows, deep they'd delve,
     Child's fairytales, nay, did not match
     the whelm,
     He felt as if in his own mind he'd lost
     the helm,
     In the so unknown, yet familiar realm.
At last up ahead he saw a light, the shine of a lantern, a beacon in the night,

Ahead lie a hut, a small abode, he set for the door and trekked the road,
     He made it to the home, hoping for
     luck,
     He grabbed the doorknocker, adorned
     with a buck, and rapped three times,--
--"My door you've struck, and summoned me, state your name, or propose a plea."
     A frazzled voice from the other side, so
     quickly, the hunter knew he had little
     time,
     His thoughts, a clogged drain, but finally
     became fluid,--
            --"I, the hunter, wish to speak to the
              Druid!"

Inside the shack, the two had talked, after the knocked door was locked,
     The hunter had the holder chalked, the
     Druid she was, and so he hawked,
     Asking, pleading, and begging for help,
     until she finally talked,
"I can read your future, boy, I'll call upon my Tarot, but in exchange, when comes the First of Snows, you must not lie low."
     The hunter was perplexed, reluctantly
     he agreed not to cower,
     The Druid then laid out all three,--
            --The Fool, Eight Swords, The Tower.

"Before I explain the Tarot to you, I must ask a question too,"
     The Druid spoke with wretched ardor,
     But as she hissed, our hunter had to
     listen harder,
"Do you know, the shimmering glow? It's the one who shares your fate,
     But beware its trap, within a snap,--
            --You could both open the gate."

The Tarots meant only one thing each, Naive, Hopeless, Doomed,
     Shocked by landing on The Tower
     locked the hunter into gloom,
     Then the Druid had one last warning,
     a mourning that froze the room,
"You will find that Tower, boy, and you must hold our deal,
     Resort to zeal, and turn your heel,--
            --And The Tower will be your tomb."

The hunter tripped and left the Druid, rushing back on trail,
     His spirit felt as though a fawn, frail,
     and his path like a train, on rails,
     But he knew as the wind did gale, and
     freezing rain began to hail,--
            --Traveling the veil, he mustn't fail.
Then he sauntered off to wander, not a stretch away, he sensed a haunter,
     He saw a damsel, through rain's silky
     curtain,
     Looming, deep within the black, a
     vermin frame which flowed as glass,--
            --To persist, to leave, that which
              he must pass.

A serpent, it slithered, our hunter shivered,
     A feminine side revealed, as it got closer,
     a familiar poseur,
     Our hunter had to steel,
     But as the ghastly creature neared,
     his composure wept with yield.
Half-snake, half-woman, it spoke soft and slow,
     "You're brave to show, you're weak here,
     useless I'd say-- the Tarot told, I heard, I
     know!"
     As it spoke, its tail flickered, eyes alight
     with rosette glimmer,--
            --Our hunter knew, he'd met a
              trickster.

This snake, it claimed it was part of the hunter,
     Part of the hunter, surely a blunder, he
     was no viper,
     But the snake became hyper, its voice
     high like the shrill of a piper,
"I know you and you know me, but your feeble mind, it cannot see!
     I would say to look within, but you're
     powerless, you couldn't even begin!"
     The snake had spoke with a giggle and a
     grin, and quickly turned sour,--
            --"My name is not snake, please, call
              me Flower!"

Flower ended up a consort, nary a slithering foe to thwart,
     They'd walk and they'd chatter,
     The soothing rain's patter, appended by
     small creatures scatter,
     But before long, Flower had stopped,
     with something the matter,
"A mirage, I've sensed, do you feel it, the air ever so dense?"
     The thought forced the hunter to tense,
     he felt the air, ever so dense indeed,
     But Flower he could read, her face
     screamed with plead,

"The Tower, it's here. The one from the Tarot,"
     Flower spoke slow, speech reaching a
     crawl,
     "I can bring the Tower, it will use all of
     my power,
     But you must keep your deal, you
     mustn't cower!
     Within you will always be a friendly
     little Flower,"
Her tail flicked, she smiled, "Close your eyes, archer," and so our hunter did,
     Alas, when he opened his lids, his only
     ally was rid,--
           --A Flower replaced, by a tower.

He took a moment to reflect, upon the roads that he had trekked,
     The warm river, the safest he'd felt,
     before he was shook by a jolting, cold
     shiver,
     The druid, the scholar of fate, the
     friendly mystery from whom he hid,
     Yet Flower, the extension of him, a
     snake he'd judged and wished he'd
     forbid,
All assistance lost, warmth had turned to frost, as he looked to the tower, he did fraught, but he must begin,--
            --Lest all effort be for naught.

He entered the spire, and his soul felt dire,
     As he seeked up to see stairs seemingly
     spun by a spider,
     The climb felt wholly bleak, but he
     summited the peak,
To the top suite he'd sneak, and look in with a peek,
     To see a familiar physique, shimmering
     and sleek,
     As he scouted the room, lost in ornate
     mystique,
     His legs felt swiftly weak, a lavish floor
     creaked,--
            --And this piqued the figure,
              who began to speak.
    
"Thou hast found the Tower, the Druid, and the Flower. Yet the taste, it still seems sour?
     Worry not my hunter, ye need not scour,
     your hunt has reached its final hour."
     As peril did flow, our hunter did know,
     and reached for his sidearm,
     His trusted bow.
"Sheathe thy fury, and do not worry, just enjoy my show,
     Set down thy bow, and peer the window,
     But surely, thou already knows--
             --Thou hast reached the First of
              Snows."

The light had lingered into night, soil stifled by ivory plight,
     As the hunter twisted back, he heard a
     composed crack,
     The figure had snapped, and the walls,
     collapsed,
     Then they were out in the sleet, the
     frigid air a silky sheet,
The indigo sky danced like a marionette
of winter,
     A violet aurora, sliced through like a
     splinter,
     Iris flowers in the wind, shuddering
     with a shiver.

"Thou art getting what thou desired, dear hunter,
     Or doth thou wish to wait and wither?"
     The voice of the shimmer, it spoke with
     a chill,
     As if the snow had forced it to a shrill,
     The hunter felt a thrill, as in a glance,
     the shimmer's intentions would spill
     from its stance,
"Thou knew this would come, I know thou hast great skill,
     Alas, thou art a hunter, now come
     for the k*ll."

The hunter drew his bow, and an arrow he nocked,
     He could feel his heart ticking, counting
     down like a clock,
     The shimmer turned pink and purple,
     with eyes black, like a portal.
"I never craved to hurt thou, yet thou broke thy own law,"
     The shimmer had said, but yet it stood
     still in awe,
     The hunter thought he was ready, he
     locked on, then draw,--
          --Then he felt a pain, a thrash, and
            his heart began to thaw.

He looked down and saw crimson, a **** let loose velvet ribbon,
     He fell back to the snow, and as he
     gazed skyward,
     Up stepped a purple glow, to look at the
     hunter below,
Their eyes met, and at last, true nature would show,
     The hunter's woe, he'd finally know,--
          --Was the furthest thing from a foe.

Behind the figure a gateway, a gateway of silver,
     Then the figure turned grey, his
     shimmering grew dimmer,
     Defeat still boiled in the heart of the
     hunter,
     It was met with ease, and the two
     would melt and simmer,
"Our bond is obvious, certainly, dear hunter, just as our dreams melt in snow,--
           --My heart ignites, infernally."

It was then the hunter noticed the arrow,
     His shot had hit, but the shimmer shook
     it off, unevenly harrowed,
     Then the hunter's vision narrowed,
     and he realized his last arrow, he'd split,
"I didn't want thy death, or mine along with it,"
     It spoke as if for two, and open the gate
     flew,
     "We're connected, me and you, I need
     not be blunt,
     I loathe to see the river dry, alas, there's
     an end to every flow,
     But blood in the snow, under a
     violet glow,--
          --Befit to end our hunt."

She gnawed at his flesh
She clawed at his skin
To fulfill her filthy sin
Violence
And rage
All this displayed
All of her hate
He wore on his face
And in the evening
After the bleeding
Pass the bruising
Red marks
He’d sniff and snuffle
His body would crumble
With all of the despair in his heart
He was told to remember
As his will was dismembered
And his spirits were crushed to the ground
This was all your own doing
Even though she was stewing
No fault of hers will ever be found

A dancing Bear grotesque and funny
Earned for his master heaps of money,
Gruff yet good-natured, fond of honey,
And cheerful if the day was sunny.
Past hedge and ditch, past pond and wood
He tramped, and on some common stood;
There, cottage children circling gaily,
He in their midmost footed daily.
Pandean pipes and drum and muzzle
Were quite enough his brain to puzzle:
But like a philosophic bear
He let alone extraneous care
And danced contented anywhere.

Still, year on year, and wear and tear,
Age even the gruffest, bluffest bear.
A day came when he scarce could prance,
And when his master looked askance
On dancing Bear who would not dance.

To looks succeeded blows; hard blows
Battered his ears and poor old nose.
From bluff and gruff he waxed curmudgeon;
He danced indeed, but danced in dudgeon,
Capered in fury fast and faster.
Ah, could he once but hug his master
And perish in one joint disaster!
But deafness, blindness, weakness growing,
Not fury's self could keep him going.
One dark day when the snow was snowing
His cup was brimmed to overflowing:
He tottered, toppled on one side,
Growled once, and shook his head, and died.
The master kicked and struck in vain,
The weary drudge had distanced pain
And never now would wince again.
The master growled; he might have howled
Or coaxed,--that slave's last growl was growled.
So gnawed by rancor and chagrin
One thing remained: he sold the skin.

What next the man did is not worth
Your notice or my setting forth,
But hearken what befell at last.
His idle working days gone past,
And not one friend and not one penny
Stored up (if ever he had any
Friends; but his coppers had been many),
All doors stood shut against him but
The workhouse door, which cannot shut.
There he droned on,--a grim old sinner,
Toothless, and grumbling for his dinner,
Unpitied quite, uncared for much
(The rate-payers not favoring such),
Hungry and gaunt, with time to spare;
Perhaps the hungry, gaunt old Bear
Danced back, a haunting memory.
Indeed, I hope so, for you see
If once the hard old heart relented,
The hard old man may have repented.

I can see myself now,
Shouting "farewell" to this place
And the lonely souls who occupy it;
Floating around in oblivious, liquid states.
I've felt the tug of roots from the trees,
Grasping my ankles, begging me to join them,
But the promise of concrete skies and neon greetings have gnawed their way
Through my skull.
I won't apologize for giving in to my desires,
For broadening my knowledge
And making use of my short existence.
I am not limited
To this simplistic, little rock.

There are sleeping dreams and waking dreams;
What seems is not always as it seems.

I looked out of my window in the sweet new morning,
And there I saw three barges of manifold adorning
Went sailing toward the East:
The first had sails like fire,
The next like glittering wire,
But sackcloth were the sails of the least;
And all the crews made music, and two had spread a feast.

The first choir breathed in flutes,
And fingered soft guitars;
The second won from lutes
Harmonious chords and jars,
With drums for stormy bars:
But the third was all of harpers and scarlet trumpeters;
Notes of triumph, then
An alarm again,
As for onset, as for victory, rallies, stirs,
Peace at last and glory to the vanquishers.

The first barge showed for figurehead a Love with wings;
The second showed for figurehead a Worm with stings;
The third, a Lily tangled to a Rose which clings.
The first bore for freight gold and spice and down;
The second bore a sword, a sceptre, and a crown;
The third, a heap of earth gone to dust and brown.
Winged Love meseemed like Folly in the face;
Stinged Worm meseemed loathly in his place;
Lily and Rose were flowers of grace.

Merry went the revel of the fire-sailed crew,
Singing, feasting, dancing to and fro:
Pleasures ever changing, ever graceful, ever new;
Sighs, but scarce of woe;
All the sighing
Wooed such sweet replying;
All the sighing, sweet and low,
Used to come and go
For more pleasure, merely so.
Yet at intervals some one grew tired
Of everything desired,
And sank, I knew not whither, in sorry plight,
Out of sight.

The second crew seemed ever
Wider-visioned, graver,
More distinct of purpose, more sustained of will;
With heads ***** and proud,
And voices sometimes loud;
With endless tacking, counter-tacking,
All things grasping, all things lacking,
It would seem;
Ever shifting helm, or sail, or shroud,
Drifting on as in a dream.
Hoarding to their utmost bent,
Feasting to their fill,
Yet gnawed by discontent,
Envy, hatred, malice, on their road they went.
Their freight was not a treasure,
Their music not a pleasure;
The sword flashed, cleaving through their bands,
Sceptre and crown changed hands.

The third crew as they went
Seemed mostly different;
They toiled in rowing, for to them the wind was contrary,
As all the world might see.
They labored at the oar,
While on their heads they bore
The fiery stress of sunshine more and more.
They labored at the oar hand-sore,
Till rain went splashing,
And spray went dashing,
Down on them, and up on them, more and more.
Their sails were patched and rent,
Their masts were bent,
In peril of their lives they worked and went.
For them no feast was spread,
No soft luxurious bed
Scented and white,
No crown or sceptre hung in sight;
In weariness and painfulness,
In thirst and sore distress,
They rowed and steered from left to right
With all their might.
Their trumpeters and harpers round about
Incessantly played out,
And sometimes they made answer with a shout;
But oftener they groaned or wept,
And seldom paused to eat, and seldom slept.
I wept for pity watching them, but more
I wept heart-sore
Once and again to see
Some weary man plunge overboard, and swim
To Love or Worm ship floating buoyantly:
And there all welcomed him.

The ships steered each apart and seemed to scorn each other,
Yet all the crews were interchangeable;
Now one man, now another,
--Like bloodless spectres some, some flushed by health,--
Changed openly, or changed by stealth,
Scaling a slippery side, and scaled it well.
The most left Love ship, hauling wealth
Up Worm ship's side;
While some few hollow-eyed
Left either for the sack-sailed boat;
But this, though not remote,
Was worst to mount, and whoso left it once
Scarce ever came again,
But seemed to loathe his erst companions,
And wish and work them bane.

Then I knew (I know not how) there lurked quicksands full of dread,
Rocks and reefs and whirlpools in the water-bed,
Whence a waterspout
Instantaneously leaped out,
Roaring as it reared its head.

Soon I spied a something dim,
Many-handed, grim,
That went flitting to and fro the first and second ship;
It puffed their sails full out
With puffs of smoky breath
From a smouldering lip,
And cleared the waterspout
Which reeled roaring round about
Threatening death.
With a ***** hand it steered,
And a horn appeared
On its sneering head upreared
Haughty and high
Against the blackening lowering sky.
With a hoof it swayed the waves;
They opened here and there,
Till I spied deep ocean graves
Full of skeletons
That were men and women once
Foul or fair;
Full of things that creep
And fester in the deep
And never breathe the clean life-nurturing air.

The third bark held aloof
From the Monster with the hoof,
Despite his urgent beck,
And fraught with guile
Abominable his smile;
Till I saw him take a flying leap on to that deck.
Then full of awe,
With these same eyes I saw
His head incredible retract its horn
Rounding like babe's new born,
While silvery phosphorescence played
About his dis-horned head.
The sneer smoothed from his lip,
He beamed blandly on the ship;
All winds sank to a moan,
All waves to a monotone
(For all these seemed his realm),
While he laid a strong caressing hand upon the helm.

Then a cry well nigh of despair
Shrieked to heaven, a clamor of desperate prayer.
The harpers harped no more,
While the trumpeters sounded sore
An alarm to wake the dead from their bed:
To the rescue, to the rescue, now or never,
To the rescue, O ye living, O ye dead,
Or no more help or hope for ever!--
The planks strained as though they must part asunder,
The masts bent as though they must dip under,
And the winds and the waves at length
Girt up their strength,
And the depths were laid bare,
And heaven flashed fire and volleyed thunder
Through the rain-choked air,
And sea and sky seemed to kiss
In the horror and the hiss
Of the whole world shuddering everywhere.

Lo! a Flyer swooping down
With wings to span the globe,
And splendor for his robe
And splendor for his crown.
He lighted on the helm with a foot of fire,
And spun the Monster overboard:
And that monstrous thing abhorred,
Gnashing with balked desire,
Wriggled like a worm infirm
Up the Worm
Of the loathly figurehead.
There he crouched and gnashed;
And his head re-horned, and gashed
From the other's grapple, dripped ****** red.

I saw that thing accurst
Wreak his worst
On the first and second crew:
Some with baited hook
He angled for and took,
Some dragged overboard in a net he threw,
Some he did to death
With hoof or horn or blasting breath.

I heard a voice of wailing
Where the ships went sailing,
A sorrowful voice prevailing
Above the sound of the sea,
Above the singers' voices,
And musical merry noises;
All songs had turned to sighing,
The light was failing,
The day was dying--
Ah me,
That such a sorrow should be!

There was sorrow on the sea and sorrow on the land
When Love ship went down by the bottomless quicksand
To its grave in the bitter wave.
There was sorrow on the sea and sorrow on the land
When Worm ship went to pieces on the rock-bound strand,
And the bitter wave was its grave.
But land and sea waxed hoary
In whiteness of a glory
Never told in story
Nor seen by mortal eye,
When the third ship crossed the bar
Where whirls and breakers are,
And steered into the splendors of the sky;
That third bark and that least
Which had never seemed to feast,
Yet kept high festival above sun and moon and star.

A legendary sweet tooth, had Lady Felicity Barratt
So swift towards the sugar bowl, so wary of the carrot
She dined on only trifle from a honey coated spoon
But tooth decay accosted her and left her in a swoon

By the time she turned just twenty, her two front teeth were gone
By thirty she was running short and on her final one
When that fell out, she sought a dentist, promptly one arrived
She opened up her grizzly mouth and in the fella dived

He took a cast and took his leave with dentures to be hewn
With satisfaction guaranteed by Friday afternoon
And never did the lady have a reason to suspect
The secret intervention of an evil dental sect

By bribing several bakeries and sweetie shops and stalls
A dossier had been compiled within their sacred halls
For crimes against good dentistry were nothing short of sin
Their retribution must be swift or people might join in

Upon that self same Friday, at the very cusp of noon
One Doctor Bingo Rogers and his burly hired goon
Came knocking at her premises with dental kit and drills
With a mission to sedate her and to exercise their skills

They knocked her out with ethanol and chloroform and air
And strapped her to a hastily erected dentist's chair
The evil teeth were lodged in place and ******* into her gums
The bill was quite extortionate, for monumental sums

The shamanic orthodontist, with his henchman in his wake
A martyr to the vegetable and nemesis of cake
Was keen to see his handiwork and kept a watchful eye
For curious occurrences as days went quickly by

By Christmas there was nothing, until on New Year's Eve
Her teeth got uncooperative and forced the girl to leave
They dragged her by her dainty face and led her to the shops
She stood and munched on sugar canes and giant lollipops

They stuffed her face with chocolates, still nestled in their packets
And then a rack of nylon shirts and seven leather jackets
On every size of shoe, she munched; from sixes up to twelves
She nibbled through the party food and gnawed upon the shelves

Then off she sped, into the street, to pursue a passing horse
Dragged along by wicked teeth and supernatural force
But dentures lack in vision, and especially at pace
So when she caught it by the foot she caught it in the face

She skidded to a grizzly halt with arms and legs all twisted
And next to her, a note with all her dental errors listed
So beware the wrath of dentists and obey when they command
And sleep with one eye open and a carrot close to hand

For though our poor Felicity was buried good and hard
Despite floral cupcake with the Dental Cult's regard
And though her body, to this day, lies safely in the ground
The horse escaped that evening and the teeth were never found...

a storyteller's perspective, steppin' off the ordinary edge, into the unknown

An unsent letter lay on the rustic log cabin floor
A cold wind musta’ blown through the cracks the light comes in,
where it laid fallen, half *** crumbled, yet never a wadded ball;
never an unspoken thrown paper stone,  a befallen regret was all.
Silently atilt and leaning against the canted wall's slant
behind the gathered dust a squeaky hinged burl wood door

A timeworn tarnished copper wind up clock roosted,
an old lip smirched coffee cup time stood still;
an empty bottle of gin sat near the bed post headboard
where the ink stains and blotted spillings let the memories in.
Stained pages torn and bent like fallen paper wings
returned to the unread sender … postage due,   south a heaven sent ―

A sullied envelope, gnawed and mouse chewed,
for a nest of new beginnings ―     
                                                          just read:                   Lydia  ...  ♡
                                ... followed by a scribbled empty heart               

The time aged brown tattered tablet paper left behind
stifled like the unread heart it holds upon the threadbare pages
of smudged tear’s ache and spilled gin

The weathered rock hearth fireplace filled with spent ashes,
hand rolled cigarette butts, traces of an aching lament;
scratched up old vinyl records lay ***** and tired out,
from a time of sweeter fallen fences, a musical bliss, and
a lost angel's abandoned red slinky party dress,  
aside a busted off black velvet high-heel stuck sullied
in a hollow knothole in the ancient barn-wood floor
a sparkly pearl pink jewel entangled in a spider web

An unsent letter lay on the rustic cabin floor
A cold wind musta’ blown through the cracks the light gets in

The final unread words silently said:

                               "We lost our way,
                                  it all went wrong,
                                  it all turned bad"

                             ..."This is the outcome when someone you love  
                                  up and throws you away"

                             ...“I’ll reach out from the inside
                                  I’ll rise up again and do without”

                             ..."You went out into the world
                                  with an untamed hankerin’ ―
                                  like a carefree restless gypsy breeze
                                                                 and come back worlds apart"

The Unsent Letter,  
                          just whispered words to the dust in the wind
                                                            ­                        in quivering ink:

                             ..."how can I ever unremember you...?
                                  a thrown stone sinks wordlessly as a rock...,
                                  an old wood bucket with a rotten hole the heart,
                                  fallen forgotten, rock bottom as an empty well"

                                        just signed:   ...   ❤  August


                          *January 1st, 2017 ... august ... wild is the wind  ♡

Time went by as it's wont to do
It passed by without a trace
But, as the years transpired
He could not forget her face
He met her in the park one night
An offer from her lips
She could make his whole night special
She would use her woman's hips
She burned a mark onto his heart
A face he'd not forget
But, he sent her on her way again
Like others that he'd met
A ticket back to Georgia
To the home from where she came
He declined all of her offers
He didn't even know her name
Since then he'd had more offers
Fed more girls and brought them home
Many left before redemption
They would rather fight alone
But, she...somehow remembered
Not for her actions left undone
But, for the fact she took his offer
Left before they saw the sun
He never knew how long she'd
Been residing in the night
Never knew just what her reason
For leaving home and taking flight
To him she was a question
Left unanswered to this day
Did she use the one bus ticket ?
Did she venture on her way ?
He took her to the station
Left her waiting by herself
Never saw her board the Greyhound
No luggage for the shelf
He'd been back to the town park
Hadn't seen her since that night
Not that he'd been looking
For he knew he'd set her right
But, without proof of her leaving
The question gnawed at his insides
Did she take the chance he gave her?
Did she board the bus and ride ?
He was often at the diner
Eating meals with those he picked
Those he felt would take his offer
would try to heal the wounds he nicked
He'd get them all to open up
A mental knife slice to their brains
Make them see that they were worthy
Try to release them from their pain
Some would go and some would not
Still, he would venture back
To the park so full of vices
Where so many were off track
One day while he was waiting
For his dinner to be served
He saw across the table
A face that left him quite un-nerved
He swore he'd seen the girl child
The one whose name he did not know
She was in the diner with another
Inside, protected from the snow
He caught a glance, and that was all
He looked again, she was not there
He looked around the diner
Where she went he knew not where
He really wasn't certain,
If it was her he saw that night
But, it raised that certain question
Or was it just a trick of light
Did she go home back to Georgia?
Or was she still there in the park?
Was she at home with her parents?
Or was she hooking after dark?
I guess he'll never know the answer
Nor, will we without much fuss
Is she still waiting for redemption?
Did she get upon the bus ?.....

"C'mon. I haven't had *** in three months and I feel like I'm going to explode."

"That's not good."

"You're telling me. Wish there was someone who'd take care of it for me."

"I'll be over in a bit."

I drove in calculated trance.
I'd made the trek hundreds of times.
I was looking forward to showing her
new tricks I'd learned,
but I feared the segue.

The desperation call from an ex--
always easy to bed, I have yet to feel regret,
but finding the energy to strike up chit-chat
before the undress--
always the hardest part.

I couldn't remember the code to her neighborhood's gate,
so I lied in wait, until some sappy black SUV
strolled in first.

I pulled into her parking spot.
Rubbed my eyes.
Sprayed on a dash of cologne.
Dragged a comb across my hair.
Looked at the clock on my dash--2:00 a.m.
I aged much too far for these
fires,
but I inhaled deeply,
slammed the car door,
marched to the door,
rang the bell--
a bark,
a scramble of paws,
then bare feet patting wooden floors.
She opened the door,
gauging my face to see if she was allowed to smile.
I put my right arm
on the low-side of her back,
peered over her shoulder.
The house was littered with dusty textbooks,
dog food, bras,
cut out magazine articles,
and half-empty cups.

"You smell good," she said easing into a grin.

"Thanks. You too."

"Want to watch some Disney Channel?"

"You're still doing that?"

"Makes me feel innocent. C'mon." She grabbed my hand.
Led me to her bedroom in the back.
Cartoons laughed
as I pulled off my shoes.
She desperately fought for conversation,
"So it's been awhile."

"Yep."

"How are classes?"

"Good," I sighed, looked at her brows, "yours?"

"They are pretty good. I am finally getting to student teach."

"Awesome."

"Yeah, it is. I really love my kids."

"They lucked out."

"I wouldn't say that."

Her ******* looked bigger.
Maybe it was the shirt.
She was in tiny khaki shorts,
her toes chipped--painted red.
She let her hair down.
Sat on the bed next to me.

"How are the fellas?"

"Nonexistent. How's the girlfriend?"

"We're on a break."

"Sorry to hear that."

"For the best."

She kept curling her toes
under her ***,
her hands tugged at her shirt
anxiously,
the cartoons went to commercial break,
she started to open her mouth again,

"Sooo--"

I snagged her hands,
pinned her to the bed,
licked the exposed portion of her chest,
unbuttoned her shorts.
Pink ******* with white roses on them,
I pulled them off quickly,
threw them as far away as possible.
I gnawed on her thighs,
while sneaking my hands under her shirt,
her ******* were exceptionally vocal--
more so than any other woman's I have seen.
I tore at her shirt and bra until both were gone.
She stared at me wildly, trying to understand
where the old man she once knew had gone.
I ******,
I fingered,
I spat,
until her body ached,
she ran her fingertips along my waistband,
and undressed me.
Trying to inspire an *******.
She slurped
and rubbed at my *****,
I started to grab a ******,
but she said she was on "beastly" birth control.
I turned her around,
pumped from behind,
not wanting to look at her eyes
or gaping mouth,
I sent my mind off to fantasizing about
other mouths, *******, and *****
in an attempt to stay hard,
after half-an-hour or so,
her body convulsions became so grotesque,
I pulled out without finishing.

While she shook on the bed,
I pulled on my pants,
"Well, I should probably go."

"I was hoping you'd sleep over."

"We aren't like that."

"We used to be."

"Relationships change."

"So you think we still have a relationship?"

"Sure."

"So do you still love me?"

"No. It's more of a pornographic relationship."

I left her room,
while a tween sitcom mocked me with a laugh track,
I glanced at her family portraits outside her room.
Went into the night.
Went home.
Slept without taking a shower.
Woke to find myself unchanged.
Weary.
Meaningless.
Thirsty for love, sorrow, remorse--anything.

Barnacles crunch like fast food under your sneakers,
my gnawed-on boots.

We pass over cat-eyed shards of glass
still spicy with beer bubbles
and still fizzy with teen rebellion;

It molds like an infection here.
In a town nicknamed "Little Norway." ~

This place hoards candy-colored suburbia in its pockets.

Houses like skittles weigh down its pants
and it belches out tourist traps weaker than expired pepsi,

yet it still manages these moments
where I can trot by your gazelle legs
and blast Julie Andrew's confidence.

And I want to heap myself on the oyster shells, say
STOP
Put this moment in a snowglobe,
sigh into it before we move on,
do anything before the wind whips it away.

Etch it into your hand if you have to.

But breeze dimples the water like a golf ball
and rips at the seams of the shore.



Please don't forget me when you leave.

If Thoughts Were Audible,

Would you try to catch & make
Every fluttering thought your Bible,
In your craving
To come face to face
With that one thought
Which would have the answer
To what is the question,
That has gnawed at you since birth.
What if you bumped against
Hitherto infrasonic tremors
Of a morbid sigh or curse,
While hoping to tune into
A blessing or yearning,


Would you consider yourself
The ****** of the Panopticon
Or a prisoner of it?

Would the nail-biting curiosity
Of groping the trail
Of fragmented thoughts
From all (how many?) corners
Make you lose your own 'stream of consciousness',
                         as they would call it?
Deaf now to your own mental utterances
Would you (n)ever speak again?
[Since,
Your eavesdropping mind
Would already know
What the other has to say
As would he, about your thoughts
Before either uttered the first syllable.]

Or,
Would you start thinking
About what to think first
And what order to place those thoughts in, next,
So you could fool your mental trespasser,
Sending him off to a parallel trail of thoughts?
But of course he would be able to
Hear through your strategy
As he would also know
Of that moment
When you decided to
Guard your own thoughts.
But the question is,
Do you have any left, now?

A numb stare is reflected
In your mental neighbour's eyes
As you both confront
The fact that
*Deaf people don't have
Songs stuck in their head.

'BITE deep and wide, O Axe, the tree!
What doth thy bold voice promise me?'

'I promise thee all joyous things
That furnish forth the lives of kings;

'For every silver ringing blow
Cities and palaces shall grow.'

'Bite deep and wide, O Axe, the tree!
Tell wider prophecies to me.'

'When rust hath gnawed me deep and red.
A nation strong shall lift his head.

'His crown the very heavens shall smite,
Aeons shall build him in his might.'

'Bite deep and wide, O Axe, the tree!
Bright Seer, help on thy prophecy!'

You managed to horribly fail every test
Yet you bore the honorary family crest
Until you abandoned me
As friendship isn't free
Leaving me incapacitated
In the infernal infirmary
You had only exacerbated
My own gory purgatory
But I want to see the end of the story
Though it's not going well
Carrier pigeons bring messages of your progress
By ******* on my head
I solve the problem
By staying in my bed
When all I see is red
From all the blood we bled

There was a deep connection
Crossed with a ****** infection
You were so fundamentally friendly
Was it just for the drugs we were blending?
Now I just have nightmares of your life ending
And ponder the value of the time we were spending

Your spirit animal is a coyote
Mine an exploding car
My fragile heart is imploding
From all the black tar
Coming from your lips like the needle
Rushing through my veins until I'm fetal
From your sedating voice
I heard an invading choice
Live alone or die alone
The dog gnawed the bone with it's clone

I just want to hear you're doing fine
So I can stop feeling so **** guilty
And I don't have to hear about you again
For my heart has been untamed
When I feel this constant pain
From a friendship down the drain
There is no peace to be attained
For the friendly fire in my brain

you wish to buy my meat.
the butcher's cut is ripe and cheap;
a fresh-faced lamb of london streets
and everybody craves a piece.

*******. ribs. thighs.
money is no issue and they'll all see you gloat:
"my spread-eagled angel will be gnawed down to bone."
(god knows there's no heart in the matter.)

you wish to play the maggot.
you want your prey half-dead.
my flesh rots and decays on your tongue,
bloodied on the slab of your mattress.

He asked if I'd stay,
and my silence trapped him
like a mosquito in amber.
The seconds rumbled past, unhurried glaciers,
two hurricanes, a drought, and a war came
and he was still rolling his joints,
tapping on shoulders, asking soldiers for a light.
When the sea rose and flooded the town,
he sat in his swollen armchair
exhaling smoke bubbles,
while parrotfish gnawed at the carpet, and later,
his eyes glazed with a tired sort of expectation
when the manatees swam past
in their solemn triumph over the suburbs,
as if any one of the lumbering sea cows
might come bearing my yes.

There are words that we say or hear in life; and once we say them, everything changes.
“I’m pregnant.”
“Will you marry me?”
“You got the job!”
“He didn’t make it…”
“I don’t love you.”
If we’re lucky, we only hear the good ones.
The ones that change our lives for the better.
But for most of us, it’s the tragic phrases that stay with us forever.
I’ve heard my fair share.
“I wish you had never been born.”
“We’re getting divorced.”
“We’re moving to Ohio.”
But it’s the words that I have had to say that have been the hardest.
These words are ones that I still trip over when I say them now, almost 30 years later. They’re words that make society as a whole take a step back and cringe.
They’re the words you never think you’ll say.
“I was sexually molested by my father.”
Even typing it feels wrong.
It still feels messy and forced.
I remember the first time I said it.
I did not want to say it.
When I said these words, I was dead inside.
Rotted from the inside out, like a tree that finally gives out after years of being gnawed on by bugs.
I also knew, however, that the second I said these words my entire life would change – even though I never could have prepared myself for the changes that would follow that day.
I remember being numb.
I think a part of me thought that because I said it, it was over.
I don’t know exactly what I was thinking in those moments.
But, those words made their way up my chest, into my throat, and finally out of my mouth.
And that meant that everything was different.
I remember explaining to the female police officer what my father had been doing to me.
I was angry that my mother had betrayed me by calling the police.
I knew that my life was over. I was exploding on the inside.
But I was also dead. On the inside, and seemingly on the outside.
I told her what had happened. Mostly because I wanted her to leave.
She nodded and took notes while I said those words that I never wanted to say.
And then she told me that I had to go to the hospital.
More words I could not understand.
I was not sure why – it had been happening for years. I tried to protest, but she insisted.
My words didn’t matter.
She asked me to get dressed, and said that she’d wait downstairs.
I don’t remember getting dressed.
The next thing I remember was walking downstairs and seeing my grandfather there.
He stood in the doorway, and I froze when I saw him.
I could see a police car in the driveway.
“Nita Girl, your father has been touching you?”
More words that I could not comprehend.
I could not believe that these words were coming out of his mouth.
I just nodded.
My mother drove me to the hospital. I don’t remember the words we said in the car. I can’t imagine what words we would have had to say to each other in those moments.
They put me in a triage room with just a curtain, in the middle of the E.R.
I remember thinking to myself that people were probably wondering why I was there, with two police officers.
And I didn’t even look sick.
They left us in that room for a long time.
Forever. Just my mom and I.
Finally, after what seemed like hours, a nurse came in. I don’t remember much, except being handed a cup and ushered into the bathroom to give a ***** sample.
They were going to check my ***** for STDs.
STDs.
I was only 10.
I had never even thought of STDs.
Words like “***”
What the hell were these words? How could they ever apply to me?
Then they took vials of blood. I remember watching when they stuck the needle inside my arm, and I felt nothing. My mother told me to look away. She offered her hand for me to hold. I just kept looking at my arm, watching someone else’s blood rush into the containers.
It couldn’t be my blood. It couldn’t be my body.
This couldn’t actually be happening. I was a zombie who was still breathing somehow.
I kept up that persona during the exam. It’s a blur.
I remember having to repeat the words to every nurse and doctor who came to examine me.
They weren’t even words anymore.
Just a monologue that I had become too familiar with.
The next thing I remember was finally crying.
It was after I had been examined, and every fluid my body produced had been taken for testing.
It was after we told the police officers that we would be at the station first thing in the morning for a formal statement.
We walked through the doors of the hospital, and my legs gave out from under me.
I remember thinking that my life was actually over.
And looking back on it, I guess it was.
That part of my life was over.
Things would never be the same.
They’re still not the same.
There were so many words after that.
Words that became routine.
Words that as a 10 year-old, I had never said in front of my mother. Or to an adult.
Words like “*****.”
And “*****.”
And “*******.”
Words like “*****.”
And “drunk.”
And “oral ***.”
I didn’t even know the words for some of the things that had happened.
But I learned them.
In interview rooms.
With police officers recording my words.
Writing down my words.
I remember the words my mother said when they finally charged him.
I remember what he finally got sentenced to.
“****** assault therapy.”
And I remember all the words I did not say.
I remember living in my bed for weeks.
I remember the fits of rage.
I remember my mother.
Who had been torn open from the inside out.
I remember words like “I want to die.”
And “What am I going to do now?”
Even now these words make my stomach turn.
These words that seem to belong to someone else.
Someone weaker. And more naïve.
Not me.
My words are different now.
Words like “Friends.”
And there are still words that I struggle with.
Words like “Love.”
“Past.”
“Forgiveness.”
Words like *“Survivor.”

In the cloudy evenings with strong hints of rain
You heard them once and you heard them again
The air would rend with their cacophony
The torrents would send them in ecstatic glee.
Even a few years back you could find them around
The harbinger of monsoon with harsh croaking sound
On your yard and garden in quite large packs
Frolicking for insects, the great jumping Jacks.
They scoured the marshland in search for food
Calling in monotone and setting you to brood
With your mind gnawed by the incessant rains
That rattled your thoughts and the glass window panes.
But then lands were devoured by the human sharks
Soon disappeared open spaces and parks
Came up apartments and rows of house
Urban growth you accept without grouse.
Now in the lonely evenings with fair hints of rain
The rains will be back but you won’t hear them again
Their habitats are gone there aren’t left any bogs
And with these are gone your neighborhood frogs.

One day as leep by a captivating woke essence in your handscaught in your arms woke getting up after nearly having died ...you gave me your breathing air and calm your back to life, releasing the fear more gregarious, after opening my senses almost incinerated i learned that the stars trembled me to reach it

I started a new life to sharing with you,
sometimes i feel that in your hands sap this life to revive my acuity,
what to unfold my body, she quadrupled making me shiver by quakes your tenderness.

But today on the eighth day of the universe,
divided my feet walking to you for every step of light sonica,
road on it being over your carnal finesse frosted still light beams for aboriginal embracing love with your gutted threat to the end dump body, being today only light story emerged from any pythagorean indigo.

Eight feet by my raving not walk on forgetful slip hugs and achieve that without it on my feet, making you a path of kisses on a piecemeal moan  covering your pleasures in quiet regia union, sealing and my memories to mummifying the most sensitive areas disown make me when you suffer from almost feel much pleasure.

Your feet chafe my eighth willing body as your hands it to me, this is your feet eight  feet, and your finger eleven flute my way to you open your columns wet and trembling, born in the tropics decorative colors flashing your eyes when mine yours take on your innocence as a mother's dismissal, genesis as a maternal layoffs in the grotto shaggy times makes me roof for to paint with my kisses and my mouth full of oils,  full streaking manias those desires that are further under your skin, deep lining up to associate to me ...!

My seven feet is the semi - obese and language lenticular spider mine, unleavened filling the food, its highest sing syllabic, make your paint  blue and moan molecules liquid call themselves, with its concavity make the bio - live surgery last transplanted hallucinate ... vibratory column of my responsibility on your body, cutting all fear, every element of your flesh lying addict to me hanging on my conscience all descontrol physionomy, losing my light steps sonica falling into the abyss of your distances fragrances, falling in ovation interapeutica licking your body my breath, like a sixth sense.

I meditate burning between your legs, dying as i was born of a woman wild servant, fawn as an almost died for a hunter, i prefer my conscience advance day and night to your legs to die of living where one day saw in the recesses; the greatest pleasures with ambitions to break all your secrets, all your defenses to break your falling on my tyranny, allegory huge walk along the invisible to other united take that helped me your surplus usages, enter you and your being, feeling peace penetrate you, not feeling loving preact, or not to have you in the distance but hugging everytime you Drodida to moisten your words to me,  stuttering of desire.

My six feet organizing penetrates you feast on enraged cowbells,wishes with malice and early pregnat, alcamphor extreme longevity and erectile espermiosicotic, with smoothness and irradiating polish your rattling,
spitting cushion on my bones,
like a sapphire on until your clothes,
and as a inseparable attachment unit dispensable.

My bringing night of Saint John in your prayers for imaginary pain coexist
in between taking you doing it my trees by spoil collude copulate,
taking you stormy ray to the phenomenon with the masses elephantine hitting you on your shoulders, your ******* armpits challenge your beasts i want my grind with canines and incisors to create a new universe of shed your joy to laugh about our loving.

The five feet; rub your skin like a shower delicate pituitary
******* kilometers of rivers into criminal triads morbid on your face ...
as well as the sand masturbates the waves,
on the sand and wave nail with my eyes my spells dominating you,
rolling you thousand times to my love trades.

You shall be called Drodida; worship the everlasting orbit of my sight,
when i go for your absence mount your toxin grotesque gasp;
the stalk watered voluminousity  your mouth singing your sweating my
groaning  telling my cries thinking with my worst vanity,
the turn on rotation vanitatory what you just do me with your stalks and not my serous waters in my effervescent mouth in your ******* astral, arrested in any language your thinking lubrication retained me and your touching, what i always touch in you.

The five feet as a tightening necromantic porosity your skin that change shape your temples and declaims pretending aridity lovers bad; lords nomades covered them your area leafy tagled branches covered to neat legends of penalties appealed fables o mytofagic eaters; brotherhoods of the worst disease of not having small Mt. in high with it my staff rooted in resisting demolition and other eroding sorrow, reverie spoil it captive in your infinite journey of ecstasy explosional femic.

The four feet light make a gentle sonica, dry your language lenticular stalk ciliary zone, enter your supra entails, the cave unexplored wider,enter with both arms with herbs pulsating symmetrical cottoned sleeping in your walls and grotto forms  desensitized, insense redeem the pain of window pastoral bishop uniting both peni-***** areas full of gems balsamic, percusionatives full of eyes.

The three feet,
running is my hand movements on your ******* imprisoned,
they are my two hands scratched by scratching the delivery of your birth.
touch my hands that know not touch, when he was born without willing,
but my biohands touch your skin attached to transfer and progressive evil of love for the shores of cry to the center or your body centers clung to my hands over your thoughts rampant, wanting to stay in the fact to see you perisphery merge at twilight of our our sunken eyes friction and wet kisses dormitation delightful of travel and destructive of wickedness;
fulgurative but doubt of living or dying your enjoyment perpetuate.

The second feet,
you are you loving me on my feet vertically like a weak tower,
ash as rain that spread my fire for you.
i take my hands and i took a walk in the seas of ******* bellowing.
you took the scrub the eternal holy and spinal vocabulary of your mouth muted outrage both enjoy your subumbilicales areas.

The first is my feet Drodidaged,
it full landed liquid bathing you, your eyes full of ***** petals and replete, as bastions fallen with their helmets  gnawed your moans, that resound in memory of trees expectant that divert all about us practice,
only your tilt knee …will exalt   the  time for my happiness excessive.

My feet first,
it is my son music turret  ram rope breaking your every arbour grotto, asleep by the dream Drodida you commanded you do to me,
to rock for you and cutting wheel kissing my return to continue all apocalyptic dreams and your most ****** on my ways about it forever astral.
Plane  it me  come the way to sleep with me,
come see how i am able to teach Drodida
ways of sleeping next to me !!


Jose luis  / 0ctober 2003 -  Copyright 15 – all rigths reserved

It’s the snarl inside me –
The vicious gnashing and clashing of
smashed teeth,
Of swollen tongue and bleeding gums.

It’s the bite-mark-shaped-heart –
The gnawed thighs and gouged and greedy eyes,
The crushed howls and unheeded cries of
my bullet-spotted, leopard-dotted lungs.

I’m a savage, splattered mess;
Dripping indecency from the heart of me,
Letting letters pore recklessly from
every sore and red-raw pore.

I’m the ravenous maw of madness;
Drooling long strings of sentences
that pool relentlessly
down the endless feed of the cyberverse,
Then disappear into obscurity
to be lost forevermore.

I’m the untamed beast
that’s been released
from the leash of other people’s shame –
Now I’ll feast upon my foolishness
‘Til I get caught again.