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"gauzy" poems
In her gauzy garments Above the bowing trees The moon has many lovers In the sighing breeze. They all take her dancing In exotic lands They give her sparkling diamonds They kiss her milk-white hands. She is round & fullsome Or slender as a waif When she is then waning Her flowers are kept safe. Silken skeins of darkness When she's waxing full Are parted by her brightness She is NEVER dull! Her beaux are all so courtly But she eschews them all Her only love can make her pale She burns at his call... She lets out her moonbeams Through her eyes they weep She loves the one eclipsing her They can NEVER meet! She, so strong within her court Will curtsey when he comes The moon has many lovers But she's taken by the SUN. Catherine Jarvis (C) 12/14/2019
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Dec 15, 2019
Dec 15, 2019 at 12:07 AM UTC
The Moon Has Many Lovers
The wild bee reels from bough to bough With his furry coat and his gauzy wing, Now in a lily-cup, and now Setting a jacinth bell a-swing, In his wandering; Sit closer love: it was here I trow I made that vow, Swore that two lives should be like one As long as the sea-gull loved the sea, As long as the sunflower sought the sun,— It shall be, I said, for eternity ‘Twixt you and me! Dear friend, those times are over and done; Love’s web is spun. Look upward where the poplar trees Sway and sway in the summer air, Here in the valley never a breeze Scatters the thistledown, but there Great winds blow fair From the mighty murmuring mystical seas, And the wave-lashed leas. Look upward where the white gull screams, What does it see that we do not see? Is that a star? or the lamp that gleams On some outward voyaging argosy,— Ah! can it be We have lived our lives in a land of dreams! How sad it seems. Sweet, there is nothing left to say But this, that love is never lost, Keen winter stabs the ******* of May Whose crimson roses burst his frost, Ships tempest-tossed Will find a harbour in some bay, And so we may. And there is nothing left to do But to kiss once again, and part, Nay, there is nothing we should rue, I have my beauty,—you your Art, Nay, do not start, One world was not enough for two Like me and you.
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7.1k
Her Voice
All summer I made friends with the creatures nearby --- they flowed through the fields and under the tent walls, or padded through the door, grinning through their many teeth, looking for seeds, suet, sugar; muttering and humming, opening the breadbox, happiest when there was milk and music. But once in the night I heard a sound outside the door, the canvas bulged slightly ---something was pressing inward at eye level. I watched, trembling, sure I had heard the click of claws, the smack of lips outside my gauzy house --- I imagined the red eyes, the broad tongue, the enormous lap. Would it be friendly too? Fear defeated me. And yet, not in faith and not in madness but with the courage I thought my dream deserved, I stepped outside. It was gone. Then I whirled at the sound of some shambling tonnage. Did I see a black haunch slipping back through the trees? Did I see the moonlight shining on it? Did I actually reach out my arms toward it, toward paradise falling, like the fading of the dearest, wildest hope --- the dark heart of the story that is all the reason for its telling?
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6.7k
The Chance To Love Everything
White gauzy smoke is blown through the lily, Floating on air, Fondling leaves and dewdrops who're glittery, A view so rare. On a picture elegance is enjoyed, A Polaroid, Presented in a silver-gallery, Who's gloomy ne'er. With gauzy threads from a silky cocoon, White as the moon, Lily-hands craft blooming embroidery, With flowers there. Like gossamers this elegance's tender, Lit and slender, Shining at the afternoon silvery, Which does not flare. O Mâhî, this form is a web of rhymes, Who slowly chimes, With threads we're finally stitching poetry, Crafted with care.
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May 2, 2017
May 2, 2017 at 6:44 AM UTC
Gossamer
Her Voice by Oscar Wilde THE wild bee reels from bough to bough With his furry coat and his gauzy wing.
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Dec 23, 2014
Dec 23, 2014 at 12:51 AM UTC
Her Voice by Oscar Wilde
*Behind the gauzy veil of dreams in early morning mist I'm held by the shadows 'neath the moon, a dark somnambulist. I strive to awaken and arise, yet it eludes my demands. Like faith that leaves beleaguered souls adrift in shifting sands. What do the shadows want with me in realms of weary dreams? My brain draws near but my body is paralyzed, it seems. Am I a treasure of a sweet caress? Or my light like a lover's kiss? Is loneliness their punishment or is it more than this? I relax and try to rise. The dream will not subside. Specters hold me down inside spreading panic in my mind. And so I go adrift again. In faith I hold on and on. I'll find my way back into zen with the breaking of the dawn.*
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Jun 21, 2017
Jun 21, 2017 at 12:25 AM UTC
Beleaguered Souls
going to the horror films at ten years old i wanted to be bitten by the vampire ladies you know the ones red brides from the netherworlds with heaving ******* divinities of evil with that dah look in silky white gowns a little messy from sleeping in the dirt culture vulture goth girls with upside down crosses slags all gauzy bats in the belfry deranged but after all they where dead and dreadfully appealing and I'm pretty fussy so what the hell they walked like floats in marshy air never touching the ground above frozen dark crypt terrains with twinkly bare feet and black high glossed toenails staring out of blood spilled eyes drooling cloudy mouth hollows and a yearning hungry countenance encouraging me to get closer to bite me all over pierce me with needly fangs puncturing little holes in tender me making me leak like bad plumbing until i sloped into the bog below of course, i was panicked all trembly but i had a big one for these evil shadowy ******* too so i thought yes no yes no yes no are you gonna **** me? i asked they drooled ooow okay, i thought is it gonna hurt? they shook there heads yes! and drooled real bad? i inquired further ah ha they lingered glaring drooling i guess, waiting for me to make up my mind oh okay anything for you you dark dreamy girls dilapidated queens of hell with ballet derrières "down and down I go round and round I go in a spin, lovin' the spin I'm in under the old black magic called love" after all at ten years old, i already knew i was a horror ***** and just a little turned on
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Nov 29, 2017
Nov 29, 2017 at 11:58 AM UTC
HORROR ***** ...IM JUST A LITTLE TURNED ON
going to the horror films at ten years old i wanted to be bitten by the vampire ladies you know the ones red brides from the netherworlds with heaving ******* divinities of evil with that dah look in silky white gowns a little messy from sleeping in the dirt culture vulture goth girls with upside down crosses slags all gauzy bats in the belfry deranged but after all they where dead and dreadfully appealing and I'm pretty fussy so what the hell they walked like floats in marshy air never touching the ground above frozen dark crypt terrains with twinkly bare feet and black high glossed toenails staring out of blood spilled eyes drooling cloudy mouth hollows and a yearning hungry countenance encouraging me to get closer to bite me all over pierce me with needly fangs puncturing little holes in tender me making me leak like bad plumbing until i sloped into the bog below of course, i was panicked all trembly but i had a big one for these evil shadowy ******* too so i thought yes no yes no yes no are you gonna **** me? i asked they drooled ooow okay, i thought is it gonna hurt? they shook there heads yes! and drooled real bad? i inquired further ah ha they lingered glaring drooling i guess, waiting for me to make up my mind oh okay anything for you you dark dreamy girls dilapidated queens of hell with ballet derrières "down and down I go round and round I go in a spin, lovin' the spin I'm in under the old black magic called love" after all at ten years old, i already knew i was a horror ***** and just a little turned on
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71
In the twilight of immeasurable hope I run, I pace, I stagger. A moon of sorts tucks its hefty beams Behind the gauzy, twisted zephyr, As if teasing that its crisp, round, clarity is merely an echo of a distant, convoluted story: a myth. One moment I am carrying out my quotidian realities Unfiltered, unbridled, lucid, Running my fingers through laughing waves of golden, auburn richness, Letting my wavering, billowing hair slowly melt into the quavering, trembling wind… When suddenly- I am caught in the labyrinth of veils. I, with my hair and my warmth, I am auriferous. And these sheets, oh these hangings! They float like century-worn cobwebs And they ensnare me so. This is where the tangled messages And mangled mixed signals All wriggle themselves into form And make their zombie graveyard. And yet there are sparks, Little voices trapped in burning baubles Shining like the ever-loving soul of the universe, Which whisper the stories of the moon-thing Beyond the borders of this haze-land. Sometimes I attempt to fashion these ethereal sparklings into my hair. They suggest insanity, so close to my ears, And I can’t fill my soul with enough… I cling to the faith that they will lead me out Into the amaranthine beyond. I come back here often, Always hoping that today will be the day That the beams from above Will reach to seek me. For that, I will love the mists, And carnally sip away At the nebulous, crepuscular, Pools of Fantasy. But in retrospect, I should never have told you That your name means “Purple” to me.
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Sep 30, 2012
Sep 30, 2012 at 1:35 AM UTC
Purple
In the twilight of immeasurable hope I run, I pace, I stagger. A moon of sorts tucks its hefty beams Behind the gauzy, twisted zephyr, As if teasing that its crisp, round, clarity is merely an echo of a distant, convoluted story: a myth. One moment I am carrying out my quotidian realities Unfiltered, unbridled, lucid, Running my fingers through laughing waves of golden, auburn richness, Letting my wavering, billowing hair slowly melt into the quavering, trembling wind… When suddenly- I am caught in the labyrinth of veils. I, with my hair and my warmth, I am auriferous. And these sheets, oh these hangings! They float like century-worn cobwebs And they ensnare me so. This is where the tangled messages And mangled mixed signals All wriggle themselves into form And make their zombie graveyard. And yet there are sparks, Little voices trapped in burning baubles Shining like the ever-loving soul of the universe, Which whisper the stories of the moon-thing Beyond the borders of this haze-land. Sometimes I attempt to fashion these ethereal sparklings into my hair. They suggest insanity, so close to my ears, And I can’t fill my soul with enough… I cling to the faith that they will lead me out Into the amaranthine beyond. I come back here often, Always hoping that today will be the day That the beams from above Will reach to seek me. For that, I will love the mists, And carnally sip away At the nebulous, crepuscular, Pools of Fantasy. But in retrospect, I should never have told you That your name means “Purple” to me.
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46
And like a dying lady, lean and pale, Who totters forth, wrapped in a gauzy veil, Out of her chamber, led by the insane And feeble wanderings of her fading brain, The moon arose up in the murky east, A white and shapeless mass.
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3k
The Waning Moon
**November 5, 2010 at 2:59 am {Inspired by Dr. Boshra 3agban, Nizzar Qabani} You're a woman; created from the Greek myths, wrapped in the veil of my fantasies, Reborn from all the phoenix ashes, You're the history of my life, miss; it bounds u not..no years no seas, you grant the moon those glaring flashes, So I never sleep at nights to see thy gypsy eyes, It's enough to write your name, Just to be the perfect poet, It's enough to be loved by thee, It is so enough for me, & I'll be mentioned in the history; As the man & the angel that met, At the horizon's end, On the edge of the dreams, You're a woman; Carved by an angel's hands, & made from the diamonds of verse, Veiled in the golden cloak of my dreams, A deity from some mystic lands, Glowing through my murky universe, Born from heaven's springs & streams, Your tidal dormant waves through me they arise, You're a woman; Greater than Aphrodite & Athena, You're the endless music of the lyre of pan, You're the gauzy clouds that may make spring a winter eve, Picturing you ..Tottering...is the ****** of me, Thy swift stalk...gazing at you; forever I span, arrayed in thy mantle of every hyacinth's leaf, That sings the odes of love in me heart they incise, You're a woman; Caring not for time or years, Neither aging nor death can touch thee, You're the eternal rose of all the nerieds, Knowing not no pains or fears, Thy treads' rhythm lurks through me, Your love's a religion, belief & a creed, & my prayers from now forth art thy drowsy sighs, It's enough to write your name, Just to be the perfect poet, It's enough to be loved by thee, It is so enough for me, & I'll be mentioned in the history; As the man & the angel that met, At the horizon's end, On the edge of the dreams, You're a woman; Drest in the Elysium stars, With pinions of an angel of life, Fretting on waters of rivers of Eden, Healing my feeble searing scars, Heaping my ardent fires that thrive, With dewy kisses That're unforgotten, I've never lived before...now I realize, You're a woman; Of wavy hair & wavy weather, Of blushy cheeks, like of the primrose, Nestling these lips gushing with love, I pledge my heart & soul for a feather, Of thy wing that flips & shows, Sublimity with that dimpled smile of a dove, That holds all the answers & whys... It's enough to write your name, Just to be the perfect poet, It's enough to be loved by thee, It is so enough for me, & I'll be mentioned in the history; As the man & the angel that met, At the horizon's end, On the edge of the dreams.... ******
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Jul 18, 2012
Jul 18, 2012 at 2:53 AM UTC
You're A Woman...
**November 5, 2010 at 2:59 am {Inspired by Dr. Boshra 3agban, Nizzar Qabani} You're a woman; created from the Greek myths, wrapped in the veil of my fantasies, Reborn from all the phoenix ashes, You're the history of my life, miss; it bounds u not..no years no seas, you grant the moon those glaring flashes, So I never sleep at nights to see thy gypsy eyes, It's enough to write your name, Just to be the perfect poet, It's enough to be loved by thee, It is so enough for me, & I'll be mentioned in the history; As the man & the angel that met, At the horizon's end, On the edge of the dreams, You're a woman; Carved by an angel's hands, & made from the diamonds of verse, Veiled in the golden cloak of my dreams, A deity from some mystic lands, Glowing through my murky universe, Born from heaven's springs & streams, Your tidal dormant waves through me they arise, You're a woman; Greater than Aphrodite & Athena, You're the endless music of the lyre of pan, You're the gauzy clouds that may make spring a winter eve, Picturing you ..Tottering...is the ****** of me, Thy swift stalk...gazing at you; forever I span, arrayed in thy mantle of every hyacinth's leaf, That sings the odes of love in me heart they incise, You're a woman; Caring not for time or years, Neither aging nor death can touch thee, You're the eternal rose of all the nerieds, Knowing not no pains or fears, Thy treads' rhythm lurks through me, Your love's a religion, belief & a creed, & my prayers from now forth art thy drowsy sighs, It's enough to write your name, Just to be the perfect poet, It's enough to be loved by thee, It is so enough for me, & I'll be mentioned in the history; As the man & the angel that met, At the horizon's end, On the edge of the dreams, You're a woman; Drest in the Elysium stars, With pinions of an angel of life, Fretting on waters of rivers of Eden, Healing my feeble searing scars, Heaping my ardent fires that thrive, With dewy kisses That're unforgotten, I've never lived before...now I realize, You're a woman; Of wavy hair & wavy weather, Of blushy cheeks, like of the primrose, Nestling these lips gushing with love, I pledge my heart & soul for a feather, Of thy wing that flips & shows, Sublimity with that dimpled smile of a dove, That holds all the answers & whys... It's enough to write your name, Just to be the perfect poet, It's enough to be loved by thee, It is so enough for me, & I'll be mentioned in the history; As the man & the angel that met, At the horizon's end, On the edge of the dreams.... ******
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75
Today there is a veil upon my world: A gauzy muting of sound, A mist that’s permeated the corners of thought. I know there is a crisp clarity outside: a pounding passion in the sunlit world, A million hues to roll in and embrace. My tingly thought centers all recede: Rejecting stimuli like adventurous taste buds Recovering from exciting, scalding tea burns. I just have to remember and accept: Sometime there are going to be days like this. Lazy, hazy.
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Oct 22, 2012
Oct 22, 2012 at 1:21 AM UTC
Hazy
Right now in your kitchen on the bottom rack of the dishwasher resides a secret; a dark spot on your soul – a malignant little horror that threatens to destroy your sense of self worth. Maybe it’s a butter knife with an in-congruent rust spot on one side of the blade… Maybe it’s a random salad fork, the final piece remaining from a long forgotten flatware set, with a fossilized chunk of radicchio lodged between the third and fourth tines. Probably it’s the fork. There it has sat without being moved; without being touched; just existing as the metaphor that it is for 8 straight wash cycles. The result has never varied. The dirt remains. Soon will come a ninth wash cycle. You hope that things will change. You know that they will not. Despite this unwavering conviction that the fork will always be ***** the next time you run the cycle, open the dishwasher door, peer through the gauzy veil of lemon scented fog and see the small bit of filth you will still feel disappointed. You will grow a little bitterer. You will be a little more contemptuous. The world will be a deeper shade of gray. It doesn’t have to be this way. You can go right now into the kitchen to the bottom rack of the dishwasher and reach down with a trembling hand to grasp destiny. You are bigger than this fork. You are bigger than this fork. You are bigger than this fork. With a sense of control firmly clasped between your fingers take that 15 uncomfortable seconds to scrape away the debris with your thumbnail and then be free. BE FREE Deep and resounding will be the sigh of relief; the utter completion; the contentment absolute that you experience when you place that clean salad fork back in the drawer. It will never match the new silver that your In-Laws gave you last Christmas, but at least it will be clean and in its home safely ensconced in that wire organizer. Right now in your kitchen on the bottom rack of the dishwasher is a chance for redemption.
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Feb 5, 2017
Feb 5, 2017 at 12:21 AM UTC
But That If I Could
Right now in your kitchen on the bottom rack of the dishwasher resides a secret; a dark spot on your soul – a malignant little horror that threatens to destroy your sense of self worth. Maybe it’s a butter knife with an in-congruent rust spot on one side of the blade… Maybe it’s a random salad fork, the final piece remaining from a long forgotten flatware set, with a fossilized chunk of radicchio lodged between the third and fourth tines. Probably it’s the fork. There it has sat without being moved; without being touched; just existing as the metaphor that it is for 8 straight wash cycles. The result has never varied. The dirt remains. Soon will come a ninth wash cycle. You hope that things will change. You know that they will not. Despite this unwavering conviction that the fork will always be ***** the next time you run the cycle, open the dishwasher door, peer through the gauzy veil of lemon scented fog and see the small bit of filth you will still feel disappointed. You will grow a little bitterer. You will be a little more contemptuous. The world will be a deeper shade of gray. It doesn’t have to be this way. You can go right now into the kitchen to the bottom rack of the dishwasher and reach down with a trembling hand to grasp destiny. You are bigger than this fork. You are bigger than this fork. You are bigger than this fork. With a sense of control firmly clasped between your fingers take that 15 uncomfortable seconds to scrape away the debris with your thumbnail and then be free. BE FREE Deep and resounding will be the sigh of relief; the utter completion; the contentment absolute that you experience when you place that clean salad fork back in the drawer. It will never match the new silver that your In-Laws gave you last Christmas, but at least it will be clean and in its home safely ensconced in that wire organizer. Right now in your kitchen on the bottom rack of the dishwasher is a chance for redemption.
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74
I And, like a dying lady lean and pale, Who totters forth, wrapp’d in a gauzy veil, Out of her chamber, led by the insane And feeble wanderings of her fading brain, The mood arose up in the murky east, A white and shapeless mass. II Art thou pale for weariness Of climbing heaven and gazing on the earth, Wandering companionless Among the stars that have a different birth, And ever changing, like a joyless eye That finds no object worth its constancy?
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2.3k
To The Moon
Bathed in the shade of a rubbery rhododendron, I sway imperceptibly, Lulled by nature's rhythms, A silent, sleepy visitor splayed on a ropey nest, Serenaded by an aerial orchestra, Chirps and trills and throaty warbles spiral downward, Atomized in the languid breeze like a Roman candle, A staccato riff, Jack-hammered into a dying birch, Urges me back from the edge, Where dream and dreamer part, A gauzy memory of a melody lost, Performed for the oblivious, and a dozing, grateful audience of one.
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Aug 22, 2013
Aug 22, 2013 at 6:14 PM UTC
Suspended Moment
The gauzy nightdress caresses her thighs as her bare arms, trembling feet defy the gnawing, gnashing wind. The world hangs below, teetering on the edge of a cliff. She turns, back to the open air; taxicabs panic below her. She tilts, arms whirling like pinwheels, and falls into freedom. Serenity, it seems, is found in flying, if only for a moment.
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Feb 4, 2012
Feb 4, 2012 at 12:25 AM UTC
Windowsill
I am surprised to see that the ocean is still going on. Now I am going back and I have ripped my hand from your hand as I said I would and I have made it this far as I said I would and I am on the top deck now holding my wallet, my cigarettes and my car keys at 2 o'clock on a Tuesday in August of 1960. Dearest, although everything has happened, nothing has happened. The sea is very old. The sea is the face of Mary, without miracles or rage or unusual hope, grown rough and wrinkled with incurable age. Still, I have eyes. These are my eyes: the orange letters that spell ORIENT on the life preserver that hangs by my knees; its ***** canvas coat; the faded sign that sits on its shelf saying KEEP OFF. Oh, all right, I say, I'll save myself. Over my right shoulder I see four nuns who sit like a bridge club, their faces poked out from under their habits, as good as good babies who have sunk into their carriages. Without discrimination the wind pulls the skirts of. their arms. Almost undressed, I see what remains: that holy wrist, that ankle, that chain. Oh God, although I am very sad, could you please let these four nuns loosen from their leather boots and their wooden chairs to rise out over this greasy deck, out over this iron rail, nodding their pink heads to one side, flying four abreast in the old-fashioned side stroke; each mouth open and round, breathing together as fish do, singing without sound. Dearest, see how my dark girls sally forth, over the passing lighthouse of Plum Gut, its shell as rusty as a camp dish, as fragile as a pagoda on a stone; out over the little lighthouse that warns me of drowning winds that rub over its blind bottom and its blue cover; winds that will take the toes and the ears of the rider or the lover. There go my dark girls, their dresses puff in the leeward air. Oh, they are lighter than flying dogs or the breath of dolphins; each mouth opens gratefully, wider than a milk cup. My dark girls sing for this. They are going up. See them rise on black wings, drinking the sky, without smiles or hands or shoes. They call back to us from the gauzy edge of paradise, good news, good news.
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2k
Letter Written on a Ferry While Crossing Long Island Sound
I am surprised to see that the ocean is still going on. Now I am going back and I have ripped my hand from your hand as I said I would and I have made it this far as I said I would and I am on the top deck now holding my wallet, my cigarettes and my car keys at 2 o'clock on a Tuesday in August of 1960. Dearest, although everything has happened, nothing has happened. The sea is very old. The sea is the face of Mary, without miracles or rage or unusual hope, grown rough and wrinkled with incurable age. Still, I have eyes. These are my eyes: the orange letters that spell ORIENT on the life preserver that hangs by my knees; its ***** canvas coat; the faded sign that sits on its shelf saying KEEP OFF. Oh, all right, I say, I'll save myself. Over my right shoulder I see four nuns who sit like a bridge club, their faces poked out from under their habits, as good as good babies who have sunk into their carriages. Without discrimination the wind pulls the skirts of. their arms. Almost undressed, I see what remains: that holy wrist, that ankle, that chain. Oh God, although I am very sad, could you please let these four nuns loosen from their leather boots and their wooden chairs to rise out over this greasy deck, out over this iron rail, nodding their pink heads to one side, flying four abreast in the old-fashioned side stroke; each mouth open and round, breathing together as fish do, singing without sound. Dearest, see how my dark girls sally forth, over the passing lighthouse of Plum Gut, its shell as rusty as a camp dish, as fragile as a pagoda on a stone; out over the little lighthouse that warns me of drowning winds that rub over its blind bottom and its blue cover; winds that will take the toes and the ears of the rider or the lover. There go my dark girls, their dresses puff in the leeward air. Oh, they are lighter than flying dogs or the breath of dolphins; each mouth opens gratefully, wider than a milk cup. My dark girls sing for this. They are going up. See them rise on black wings, drinking the sky, without smiles or hands or shoes. They call back to us from the gauzy edge of paradise, good news, good news.
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94
Mud drenched months, so soporific, I love and find you beatific Envelope too my heart and brain In a gauzy shroud and tomb of pain The south wind plays on this great plain, Where nightly creaks the weathervane, With ebbs and flows, my soul sings As it extends its raven wings My heart is filled with dreary things As it does when frosts descend, Oh shaded seasons, my regal friends! Your shadows sweetly lingering, - Unless in darkness, like newly-weds, Numbing the pain of a hazardous bed.
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Feb 3, 2017
Feb 3, 2017 at 9:18 AM UTC
Translation: Brumes et pluies (Baudelaire)
vacant mind keeping its distance in search for answers without questions while living up to gauzy expectations of peaceful endings to all uneasinss as the duration of life elongates into elements of squalidly uplifting surprises --- or... daydreaming while waiting for the answers to the questions that are cornered by squares right down to the rectangeled circles of blue notes
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Aug 6, 2013
Aug 6, 2013 at 5:15 AM UTC
vague
From the blue black alley of my worst night terror, you reappear. I wake, sweating a gauzy film of so many lost years. You were that nightmare I never wanted to wake up from. I was your stolen piece of fiction, You plagiarized my youth, Writing your own broken inventions Into the fabric of my innocence; You ripped my seams Until I was your blank canvas. But as you came tearing your way up that alley I realized, I've been rewriting history, stitching together a past with crooked seams. Because every nightmare begins with: eyes closing, breath slowing, the sandman whispering, "Sweet dreams." You were not always a monster.
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Sep 4, 2014
Sep 4, 2014 at 6:10 PM UTC
Reconciling a lifetime
Bullets stand ***** directly projecting from The decaying flesh hugging gauzy esophaguses Like unicorn horns delivering vast oceans Of blood oaths upon their palms With octave ranges of innocent angels Tainted with the **** sins carved By the tainted fingers of evil deeds Awaiting the taste of the nether regions Of a destitute harlot; I must warn you She grows weary of using her body As a pedestal to your waterfalls of ***** Yet she suckles your ***** with the fury Of a thousand demons on the prowl to slaughter
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Mar 23, 2012
Mar 23, 2012 at 3:40 PM UTC
****** Scream: Nightmare Avenue
angels. angels who miss their wings at 3 am when they feel more out of place in this body then before, angels who need pain to bring themselves out of their dreams, who ink themselves with words only prophets would understand; angels who have the most ordinary jobs like bus drivers and paper boys, people see them and think about them for moments too long. angels who turn to drinking and smoking, trying to forget the feeling of their wings pushing air behind them as they flew. angels who can't avoid the call of the sky and become pilots who are always drinking coffee because the caffeine reminds them of the golden ichor that was once flowing through their veins. vengeful angels who become pilots as well, who terrorize the winged folk to feel powerful again, to feel control again. angels who message each other, fingers trembling as they type out their dreams, trying to grab those memories that are just out of reach, gauzy and filled with blood and silver-tinted skin and golden eyes and so many feathers. angels who live in church basements and see pictures of themselves in the stained glass windows and go unclothed, trying to reach that feeling of purity, freedom. fallen angels who burn churches, filling their lungs with smoke as they climb to the steeple, not just from reprisal but from the feeling of mutiny. angels who ride out into the country alone with a handful of stolen cash who steal from nearly empty gas stations and throw rocks at the windows of abandoned barns after they've climbed to the roof and back to earth. angels who streak their backs with ashes because they don't have the scars that they should from having their wings torn away and the golden ichor doesnt bleed away and stain the ground like it used to. angels who hang out in bookstores and coffee shops because they're looking for an oracle or someone, anyone, who will listen to their impossible dreams of flight and blood spattering the ground, of fighting and dying and they can't explain it. angels with shaky hands who try to find love because there's something missing and everyone tells them that love will help them, and maybe it does, but there are always angels out there who have loved and loved and there is still something BROKEN, something LOST, and it's been pounded into their minds that they'll never know what it is. angels who run with demons and devils because there's nothing quite like the rush of running in the dark, standing at the edge of the city and feeling the wind nearly blow you off as you curl your toes on the edge of the roof, so close to the sky it takes their breath away. angels.
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May 3, 2017
May 3, 2017 at 9:12 PM UTC
angels.
angels. angels who miss their wings at 3 am when they feel more out of place in this body then before, angels who need pain to bring themselves out of their dreams, who ink themselves with words only prophets would understand; angels who have the most ordinary jobs like bus drivers and paper boys, people see them and think about them for moments too long. angels who turn to drinking and smoking, trying to forget the feeling of their wings pushing air behind them as they flew. angels who can't avoid the call of the sky and become pilots who are always drinking coffee because the caffeine reminds them of the golden ichor that was once flowing through their veins. vengeful angels who become pilots as well, who terrorize the winged folk to feel powerful again, to feel control again. angels who message each other, fingers trembling as they type out their dreams, trying to grab those memories that are just out of reach, gauzy and filled with blood and silver-tinted skin and golden eyes and so many feathers. angels who live in church basements and see pictures of themselves in the stained glass windows and go unclothed, trying to reach that feeling of purity, freedom. fallen angels who burn churches, filling their lungs with smoke as they climb to the steeple, not just from reprisal but from the feeling of mutiny. angels who ride out into the country alone with a handful of stolen cash who steal from nearly empty gas stations and throw rocks at the windows of abandoned barns after they've climbed to the roof and back to earth. angels who streak their backs with ashes because they don't have the scars that they should from having their wings torn away and the golden ichor doesnt bleed away and stain the ground like it used to. angels who hang out in bookstores and coffee shops because they're looking for an oracle or someone, anyone, who will listen to their impossible dreams of flight and blood spattering the ground, of fighting and dying and they can't explain it. angels with shaky hands who try to find love because there's something missing and everyone tells them that love will help them, and maybe it does, but there are always angels out there who have loved and loved and there is still something BROKEN, something LOST, and it's been pounded into their minds that they'll never know what it is. angels who run with demons and devils because there's nothing quite like the rush of running in the dark, standing at the edge of the city and feeling the wind nearly blow you off as you curl your toes on the edge of the roof, so close to the sky it takes their breath away. angels.
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Our garden's masterpiece, Fairies in each fleur-de-lis, Blossoms of gauzy glory, Perennial veils of fairy stories, Beribboned spangled treasury, Fairies flitting so flowery, Our queen of ruby roses, Posies for all, one supposes, Flowerets the best cuddle, Essence of Spring, residual, There are fairies in the flowers in the garden, One ruby rose--then a garland!
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Nov 5, 2015
Nov 5, 2015 at 12:50 PM UTC
THE FLOWER
i am your woman in ruby red silk sari with gold thread- i bear the mark of a married woman high on my forehead for you i cook aromatic spiced lamb-tender as the light over morning calcutta yellow rice soft as a painter's yellow ochre on drying pallate for hours i have watched over slow rising flat bread each thrust of the heel of my hand forming warm dough into flat ovals i bathe in the essence of warm sandalwood and the fruit smoke of incense tonight i give to you the secrets of womanflesh and take you to me david under white gauzy canopy as the garden peacock prims it's silken feathers under the shadow of the sundial- tonight i am your temple and the gods smile softly with pleasure. ana christy
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Sep 22, 2013
Sep 22, 2013 at 11:39 AM UTC
A SONG FOR DAVID
Ruby lips etched sharply Against a gauzy memory Pensively floating on the hope Of a love long lost. She resides in a murky present Time out of place Creating a romance of a silky past Delicately draped on her soft shoulders. Locked in a whirlpool of faded emotions She yearns for substance that is both Supportive and translucent Unsatisfied but not hopeless Resting upon her reverie Evening slips into night Dreams envelop her.
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Aug 2, 2015
Aug 2, 2015 at 8:36 AM UTC
Reverie on a Dusty Photo
All sound is muted Vibrant colours overlaid with gauzy grey. My skin, my hair, are damp, As if those things were weeping,  but have ceased, As if I am made of tears Or, have bathed in them, Yet, I feel nothing, nothing but numb No pain, ah – well, a faint, dull ache As if my etheric body were trying to escape. I am lost within and without myself All insular, enclosed Boxed, redundant, closed away Grey is the way to the end of today.
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Jul 11, 2014
Jul 11, 2014 at 10:14 AM UTC
Grey is the way