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Test Ting Won To Tree
By
Charles Fleischer







Rifleman decal water is to Tiny basket liners as Strained yo-yo string is to?
Dark wool glowing is to Oldest lost oddity as First genetic engine is to?
Black quail taint is to Nut curdled paint as Hemp biscuit dominoes are to?
Steam traced paper is to Lemon ash vapor as Digital ****** wig is to?
Eccentric brine mimes are to Electric silk slacks as Spark formed lava is to?
Sunchoked black hornets are to as Rescued orphan doves as Retold cat jokes are to?
Hand traced videos are to Braided rubber spines as Opal rain dancers are to?
Halogen anchor gong is to Annoying bread portraits as Soft bracelet lockers are to?
Old troll bios are to Select cherub echoes as Broken matchstick parasols are to?
Dome nine chariots are to Frayed lunar remnants as Fuming honey flasks are to?
Bluing assault operas is to Beading fluted flowers as Magnetic lawn tweezers are to?
Converted flea sponges are to Floating dog murals as Frozen Archie comics are to?
Molded road pads are to Crusty gumdrop thread as Straw ribbed pelicans are to?
Inflatable diamond vowel is to Single gender raffle as Groovy desert coffee is to?
Temporary solution radiation is to Idiotic witness mumble as Motorized marshmallow kit is to?
Panoramic utopian paranoia is to Aggravated **** silhouettes as Unhinged gun sellers are to?
Homesick ghost pajamas is to Virtuous fly fungus as Royal sandpaper gloves are to?
Gangster hayride tickets are to Deer milk Oreos as Turnip fairy maps are to?
Glue gun **** is to Nocturnal cabin mice as Cab fare corn is to?
Speckled fish nickels are to Under water bric-a-brac as Epic snakeskin paisley is to?
******* bungalow pranks are to Drowsy vapid oafs as Quantized cavern fish are to?
Raunchy snail kimono is to Coiled time dice as Smeared equator malt is to?
Metallic centaur franchise is to Transparent cheese chess as Spotted glacial remnants is to?
Sky fused pong is to Rustic mothers brattle as Granulated canister ointment is to?
Overgrown maze mule is to Mated smugglers hugging as Floating thesaurus exam is to?
Sliding coed sprinkler is to Soapy whitefish rebate as Precious lamb diaper is to?
Mushy acorn luster is to Lilac protein rings as Slapstick wrestler dialect is to?
Freaky plankton bells is to Rolling horse divorce as Morphing morphine lips are to?
Sticky razor sparkle is to Emerald muscle spasm as Glaring cat cipher is to?
Peppy unisex mustache is to Pelican fighter syndrome as Clumping night grumble is to?
Scanning paired pearls are to Ruby rubbed roaches as Satanic sailor flotsam  are to?
Glowing asteroid solder is to Ideal shark data as Failed frail doilies are to?
Numb nuts boredom is to Fantastic icy phantoms as Sporadic silk creations is to?
Crooks crow chow is to Loading spackled bonder as Gargled snowdrop blasters are to?
Outdid myself today is to Outside myself again as Outlived myself controls is to?
Venting shuttlecock upset is to Texting badminton kitten as Settler tested motels are to?
Prepare paired vents is to Prefer paid events as Pretender predicts fiction is to
Crunchy mental fender is to Catching mentor menace as Poorly seasoned lettuce is to?
Outside sidewalk inside is to Seaside outcast input as Sideways landslide victory is to?  
Compile fake password is to Compost world poo as Compose village anthem is to?
Crooked crotch blunder is to Loud crowd thunder as Divine vine finder is to?
Chucks’ wooden truck is to Bucks good luck as Sticky ducks tucked is to?  
Overhaul underway overseas is to Overturned downsized pickup as Underground onramp overloaded is to?
I’ll bite there is to Aisle byte their as Isle bight there is to?
Gnat gnawed wrist is to ***** show beans as See through putty is to?
Flapping floppy guppies are to Buzzing zipped dozers as Muddy ****** strippers are to?
Dark diagonal dialogue is to Diabolical dihedral die as Interesting circadian exposition is to?
Experimental flossing expectations are to Waxed dental traps as Permanent impermanence resolution is to?  
Outran ringside intrigue is to Sidetracked onboard boatload as Loaded firearm topside is to?
Phony ****** phone is to Chewy ego honey as Yogi Mama’s dada is to?
Nimble teardrop squiggle is to Humble cage curtains as Loyal truckstop morals are to?
Torching curled elastic is to Sonic neighbor clamor as Golden droplet integers are to?
Duplex pupil scanners are to Nacreous cloud clocks as Shrouded flute shops are to?
Lawn rocket tendrils are to Finding surreal borders as Sheep monarchs children is to?
Gloating ungloved squires are to Busting double doubters as Pushing woeful doctors are to?
Tricking snowbelt firedogs is to Panmixing blackened haywires as Unclothed shameful leaders are to?
Malicious ranch ritual is to Internal puppet bubble as Ornate underworld masquerade is to?
Rustic debonair Eskimos are to Mindless sassy elves as Gorgeous somber acrobats are to?
Learned earthy pimps are to Fearless sneaky Queens as Somber gentle vagrants are to?
Shocking horse wear is to Glossy sled fluid as Damaged chipmunk tongue is to?
Traditional agony chart is to Damp voodoo motel as Backwoods museum quote is to?
Magical cat cabin is to Dapper porpoise humor as Malicious graveyard foam is to?
Therapeutic gazelle cushion is to Stored alibi equipment as Stunning tempo light is to?
Fantastic rascal art is to Wasted prune dust as Jupiter’s ****** law is to?
Little nut razor is to Gigantic hyena shield as Hourglass pillow fever is to?
Coiled rain clouds are to Dizzy tycoon clowns as Lime eating cowards are to?
Possessive epicurean demonstrators are to Faded eavesdropping giants as Determined swanky drunks are to?
Aquatic preview pocket is to Soggy judicial topiary as Finicky hamster fabric is to?
Enlarged fruit cuff is to Obedient mumbling orchestra as Dark tenant tariff is to?
Recycled flash thermometer is to Botched temptation probe as Pet glider grid is to?
Seriously shy idols are to Costly driving perfumes as Ferryboat chapel wine is to?
Winged jalopy details are to Faithful spectral fathers as Sprinkled mint rainbows are to?
Spelling unneeded words is to Sprouting donut ***** as Blaming mellow mallrats are to?
Eroding loom keepsake is to Magnificent accordion canoe as ***** bongo fumes are to?
Souring violet ink is to Juvenile insult park as Periodic ferret envy is to?
Obedient boyfriend aroma is to Sanitized fat lozenges as Dramatic jailer garb is to?
Mysterious patrol group is to Dynamic maiden discharge as Captured hurricane ratio is to?
Lackadaisical bigot bingo is to Oblong care merchant as Expensive swamp shampoo is to?
Petite orifice worship is to Atomic barge pet as Plucked hair exhibit is to?
Elite officer wallop is to Automatic yard rake as Healing ****** glitter is to?
Needless swan costume is to Giant jungle goat as Organic picnic napkin is to?
Leaky jet steam is to Innovative fascist whistle as Enchanting idol evidence is to?
Plastic mascara seduction is to Greasy thermal ointment as Attractive muskrat crease is to?
Lucky camel pills are to White coral Torah as Eternal stage clutter is to?
Roasted oat **** is to Sloppy *** glue as Nylon table debt is to?
Steep nook catastrophe is to Empty dome damage as Pulsing breeze powder is to?
Empty sack power is to Hitched buck stroke as Red claw warning is to?
Ultra brief slogan is to Yummy lab mutant as Pathetic ball armor is to?
Nauseating fish splatter is to Obstinate ****** twitch as Strained ***** coffee is to?
Mezzanine intermission fossil is to Proven **** apathy as Golden duck shroud is to?
Civil tutors torment is to Thor’s posted theory as Yellow melon rain is to?
Immense olive raft is to Exploding kangaroo buffet as Ethereal witness index is to?  
Marching dark speeders are to Searing scribble fighters as **** tripping sinners are to?
Seeping viral angst is to Aged hermit tea as Murky bowl nibble is to?
Condensed blister guzzle is to Pink dorsal pie as Lavish speckled runt is to?
Needy insult poet is to Sedated acorn trader as Dry honey zoo is to?
Veiled trust flicker is to Deranged poser fashion as Flat sizzle tangent is to?
Purified diet spray is to Nebulous wishing target as Thrilling screen dope is to?
Majestic ribbon astronomy is to Bizarre formation sector as Rebel bell gimmick is to?
Sealed dart whisper is to Green silk draft as Cold vacuum varnish is to?
Clumsy raven power is to Insect island circus as Minted mink drapes are to?
Curved map ruler is to Tiny lethal radio as Blue fused metal is to?
Inverted laser invasion is to Damp sheep dump as Puffy gown smoke is to?
Saucy Channel blazer is to Leather goat filament as Starched locomotive hat is to?
Broken jumper leads are to Disgraced mini exorcists as Designer shamrock caulk is to?
Tweaked poachers smokes are to Assorted sulfur pathways as Collected bedlamp trickle is to?
******* bungalow pranks are to Drowsy vapid oafs as Quantized cavern fish are to?
Crawling battle worms are to Vibrating metal pedals as Mentholated matrix wax is to?
Missing meshed rafts are to Liquid rock pipes as Crinkled bean bikinis are to?
Tithing **** joggers are to Perforated buck fronds as Leather zither picks are to?
Fearing truthful cowards is to Rambling preachers mumble as Gazebo ambulance gasoline is to?
Shelving elder’s whiskers is to Poaching goalies pesto as Radical tricycle angst is to?
Mucky gunboat polymer is to Primeval maypole flameout as Cathedral greenhouse intercom is to?
Diaphanous safety prize is to Unleashed saucer lion as Dorky blonde ropewalker is to?
Tapered spring meter is to Silver silo mythology as Misguided judges medallions are to?
Alligator x-ray money is to Cherry unicorn water as Coyote cactus toy is to?
Cowardly dorm scrooge is to Atomized pewter script as Flattened spore smoothies are to?
Trash can yodel is to Flashing wired spam as Exploding chocolate pudding is to?
Sonar blasted bushings are to Threading ruined wheels as Forty shifting boxes are to?
Tiny balloon rebellion is to Softened square cleanser as Iconic soul sucker is to?
Harmony night light is to Spanish nitrogen desire as Squirrel cavern iodine is to?

Lazy winter secret is to Slow airport widget as Silly mustard binder is to?
Elephants raising raisins are to Microscopic lamb planet as Purple hay puppets are to?
Caribou venom vaccine is to Electronic lemonade choir as Demonic princess massage is to?
Beet coated bridge is to Fattened needle point as Mylar monkey spine is to?
Ashy ink dust is to Youngest rabbi planet as Orange cartoon geometry is to?
Cold green chalk is to Cobalt ladder farce as ***** river filters are to?
Sublime sheep master is to Sleeping past rapture as Subliminal bliss jelly is to?
Ocean crust slippers are to Twigged germ radar as Popping sharpie scope is to?
Zen wrapped beep is to Oak foamed code as Wicked flashing sizzle is to?
Dew eyed sleigh is to Say I do as Act as me is to?
Humpback on hammock is to Ham hocking hummer as Hunchback with knapsack is to?
Corned flag jelly is to Draped wing chewers as Tripping swan acid is to?
Futuristic Rembrandt chant is to Almond likened meadows as Asian timber blue is to?
Nap in sack is to Flap on Jack as Ducks dig crack is to?
Flowing flavored lava is to Gleaming optic layers as Enhanced goose gibberish is to?      
Flag tied pajamas are to Saline checker choir as Speed reading quotas is to?
Whipped spam spasms are to Misted shaman scripture as Testing pitched bells is to?
Cave aged eggs are to Crowded tiger cages as ****** wagon pegs are to?
Pigeon towed car is to a Man toad art as Wolf whisker wish is to?
Second hand clothes are to Minute hand gestures as Final hour prayer is to?
Slick wicked shavers are to Tricky watch boxes as Sprouting pine tattoos are to?
Waxed stick ravens are to Match stick foxes as Narrowed thermal towers are to?
Ice cave rice is to Laced face lice as Gourmet pet **** is to?
Diamond lane anniversary is to Space age appropriate as Time travel agency is to?
Lime bark violin is to Lemon twig guitar as Lunar sky waffles are to?
Fake rat **** is to Smart cake batter as Rugged fur tax is to?
Tarred raft fluff is to Flaked rafter dust as Lined liquor flask is to?
Flakes will fall is to Take Bills call as Broken maze compass is to?
First faked voter is to Entombed cartoon honey as Smallest aching smurf is to?
Fancy bared ******* are to Flaky fairy treats as Kings amp filter is to?
Bone window folio is to Whittled fake pillow as Little fitted jackets are to?
Nine nuts brittle is to Ate pear pie as Six packed poppers are to?
Incandescent playground pencil is to Elastic hand worm as Perfumed piano ink is to?
Opal shifting anode is to a Windup lion decoy as Pale paisley trolley is to?
Stacked black boxes are to Old packed tracks as a Throwing micron hammers is to?
Apricot bark furnace is to Merry Orchid Choir as an Ivory rinsing funnel is to?  
Narcotic honey nuts are to Slick flag toffees as Silk fig sugar is to?
Orange coin raisins are to Low note candies as Smelling balled roses is to?
Pocket packed monotints are to Tragic ladder hayracks as Ravishing speed traders are to?
Crayon spider resin is to Coral squirrel forceps as Wolf tumbled loaf is to?  
Silver wheat flies are to Width shifting wheels as Golden blister blankets are to?
Really tiny hippopotamus is to Masked fat podiatrist as a Sad sack psychiatrist is to?
Miniature Mesopotamian monuments are to Apple minted elephants as Raising wise ravens is to?
Lathered nymph nacre is to Sonic ion constellations as Concealed iron craft is to?  
Epic gene toy is to Ladies bubble sled as Jagged data bowl is to?
Bugged dagger bag is to Pop sliced meld as Atom bending moonlight to?  
Rural madam’s deed is to Dyed dew dipper as Eight sprayed dukes are to?
Jiffy grand puffer is to Floating altar myth as Vintage dark mirth is to?
Undercover overnight underwear is to Overpaid undertaker overdosing as Overheard understudy freebasing is to?

Black grape crackle is to Red cactus ruffle as Installing padded pets are to?
Snide snobs sniffing are to Sneaky snails snoring as Snared snipes sneezing are to?
Exploring explosive exits is to Explaining expansive exports as Expecting expert exchange is to?
Shrewd logic ledger is to Puppets dropping cupcakes as Placated topaz octopi are to?
Door roof tools are to Cool wool boots as Wood cooked root is to?
Bright fight light is to Night flight fright as Mites bite site is to?
Floor flood fluid is to Wooden door Druid as Nasty **** broom is to?
Accurate police photography is to Intelligent microbe geography as Condensed aerosol biography is to?
Cowardly cowboy grime is to Corpulent corporate crime as Bosnian dwarf necromancer is to?
Jell-O clearing shaker is to Brillo cleaning shiner as Cheerios bowling shields are to?
Mumbled mindless hokey is to Fumbled found money as Humming kinder bunny is to?
Daisy’s clock setter is to Lilly’s boxer toxin as Poodles rose paddle is to?
Watch Bozo Copernicus is to Hire Clarabelle Newton as Find ***-wee Einstein is to?
Amethyst thistle whistles is to Lapis pistol whip as Diamond bomb scar is to?
Dandelion seahorse rescue is to Crabapple dogwood farm as Faux foxglove lover is to?    
Optical poppy stopper is to Polar halo lens as Day-Glo rainbow sticker is to?
Savanna leopard spotted is to Eskimo lassos kisses as Alligator lemonade standard is to?
Bill of Rights is to Will of left as Thrill of night is to?
Baptize floozies quickly is to Useless outsized nozzles as Puzzled wizard wanders is to?        
Chaps wearing chaps are to Chaps contesting contests as Consoling concealed consoles is to?
Quiet squirming squirrels are to Aeon beauty queens as Queasy greasy luaus is to?
Knew new gnu is to Sense scents cents as We’ll wheal wheel is to?
Blazing zingers ringing are to Wheezing singers flinging as Freezing finger number are to?
Lamb tomb jogger is to Dumb numb **** as Thumbed crumb bug is to?

Blue accordion casket is to Jaded scholar ***** as German mushroom circus is to?
President George Flintstone is to Funny Fred Washington as Abraham Jetson’s dog is to?
Google Desmond Tutu is to Kalamazoo Zoo Park as Zodiac actors Guru is to?
Swamp cradled whisperer is to Cherished drawbridge cello as Bludgeoned prankster outlaws are to?
Dukes pink mittens are to Smeared nest carava
Staff Sgt. Joseph D'Augustine
a proud Jersey son
whom Thou hast blessed
laid in St. Luke’s ground
for his heavenly rest
April 4, 2012

1.

in a far off province of
God forsaken Helmand,
our dear son Joey
met his untimely end

an explosive crack
a most terrible sound
felled a beloved Jersey son
to the cold cruel ground

working the live wires
of a well placed IED
a deathly burst killed him
it was awful to see  

Staff Sgt. Joseph D’Augustine
in solemn duty fell
fellow brothers in arms
will forever reverently tell

of courage and character
of a dear fallen friend
and how the valiant warrior
met with death at his end

for he was always faithful
to his beloved corps
comrades couldn't ask
a valiant marine for more


2.

details of his death
are not the real story
selflessness and bravery
are but part of his glory

is it brash to
question why he fell?
in a useless bitter war
an embroiled senseless hell

a generation mustered
to fight in the war on terror
serving four tours of duty
in a lost decade of errors

two tours in Afghanistan and Iraq
could a nation ask a man for more?
for he was always faithful to the call
upholding pledges he hath sworn

3.

the burden of war
to a  few confined
it rarely crosses
an American’s mind

incessant war machine
drones on apace
the horror of conflict
so cleverly displaced

with afternoon baseball
and super bowl parties
big disco paychecks
and other selfish priorities

pay hollow tribute
to dear weary troops
when valor is mentioned
we gather in groups

we’ll raise the flag
sing stirring anthems
than its back to the party
pay it no more attention

self styled patriots
wave handfuls of flags
but ask them to contribute
the zeal soon lags

its left to the few
to shoulder burdens of many
fairness is lost
its a democratic calamity

four tours in a decade
an inhumane task
burdens require sharing
its only fair to ask

Joey was always faithful
to the task at hand
willing to step forward
to serve his homeland


4.

in the wake of 9/11
a nation deeply shaken
young patriots stirred
liberty’s call not forsaken

a call to serve answered
to quell the rise of terror
a clear clarion alarm
marks the nature of the era

Joey boldly came forward
to train and learn
the art of warriors
his bright patriotism burned

deployed to Afghanistan
to capture Osama
routing the Taliban
without much problem

but a pacified Afghan
not enough for Bush
he invaded Iraq
another military push

we rolled into Baghdad
adorned with victors garlands
Saddam’s statue toppled
our troops were honored

deposing a dictators
soon turned to occupation
a ****** mission transformed
to build the Iraqi and Afghan nations

once honored liberators
now a conquering force
bestriding broken nations
on a civil war course

military industrialists
stood to profit most
sweet protracted conflict
record earnings to boast

lives bartered for lucre
a region held hostage
the conflict deepened
hostilities hardened

America dipped into
a great recession
the war machine
bled money and
kept on ticking

scooping up contracts
rewarding investors
the dividends of war
heaven sent treasure

continuation of hostilities
preys on a nation's youth
as casualties mount
ill portents forsoothed

a fraction of citizens
bare heartaches of war
gulping measures of despair
to guard a nations door

a nation always faithful
to the holy pursuit of profit
a highest citizens calling
put money into your pocket


5.

our beloved Jersey son
gave a full measure of devotion
in dress blues they shipped him
back across the ocean

on the Dover tarmac
they received his remains
for a last ride northward
to his hometown terrain

repatriated body
bereft of soul saluted
solemn escort knelt
hearts trembled, tears muted

a hearse for a gallant man
flanked by state troop cruisers
to escort the funeral train
assure an honored movement

one last trip up
old thunder road
the storied highway
Joey often trod

the last detail legged up 17
reverent firefighters saluted  
from overpasses
to honor  the woeful scene

as the motorcade passed
the Garden State Malls
frenzied consumers
failed to notice at all

busy window shoppers
didn't to turn an eye
as Joey rolled home
to the sweet by and by

vets interred at the
Old Paramus Church
gently stirred in their graves
reasons for war they search

Channel 12 Chopper
circled its eye in the sky
televised the sad parade
captured many teary eyes

the early spring blooms
colorful petals displayed
maples and forsythias
a royal carpet laid

spring remains always faithful
as the new season turns
offer sunshine and glory
as our sinking hearts burn

6.

motorcycle escort
northbound lane clear
rolling homeward
Waldwick was near

leaves exploding
green shoots budding
****** white maple blooms
natures accolades stunning

the oaks yet bare
just waking from slumber
winters death passing
a sad day put asunder

the motorcade passed
Joey’s home on Prospect Ave
few  envision lifes endings
this woefully sad

red chevy pickup idles
in hoop crowned driveway
never to drain jumpers again
departed children can’t play

the eye in the sky
framed neighbors in mourning
welcoming back a fallen hero
unsettled emotions dawning

neighbors waved Old Glory
from painted stoops and curbs
unsure how this tragedy
visits this blessed suburb

green grass of home
always flush with spirit
tears welled in the eyes
most difficult to bear it

last cruise of the town
sad neighbors stand witness
paying final due respects
and ponder from a distance

what purpose is served
by this man’s passing?
the dead cannot speak
rationale is for the living

the terrible herse
death circles our town
moves through our day
hope of spring drowned

murderer of sunshine
killer of young flowers
budding trees breaking
our hearts an ashen pallor

we remember the beauty
of Joey’s stout face
as it looked on your finest day
exuding pure honor and grace

old vets gather
donning caps and pins
boasting semper fi jackets
jutting tear dripping chins

shaking hands, giving hugs
bearing tattered banners
the hearse ambles onward
we head home in solemn manner

good folks are always faithful
where beloved ones grew
the death of our children
we sadly cannot undo


7.

the bells of St. Lukes
called out from the sky
platoons of limping vets
marched in with pride

pomp and circumstance
requisite dress blues
family, friends, townsfolk
overflowed the pews

doleful bells resound
tolling a mournful reckon
the cost of war mounts
a family’s loss beckons

the casualties of war
falls upon a nation's youth
a seasons page not  turned
a flowing wound not soothed

the wistful cornet calling
floats on the fluted air
the bereaved ***** gently sounds
a congregations somber despair

an unsettling dirge
the parish grows uneasy
nationalist bravado wanes
in the forlorn sanctuary

both church and flag
draped in colors of war
mock stain glass windows
communicants adore

is it a betrayal of the flag
to offer enemies
psalms of reconciliation?
where does true loyalty lay
with God or a warring nation?

afterall this is a sanctuary
where peace and harmony reigns
are we not called to beat swords
into ploughshares as the highest
calling of our Lord?

we are always faithful
to the pathways to war
when the practice of peace
is what we should adore

8.

coughing and whispers
incessant low murmur
a baby cries out
we sit and remember

the crucifers process
in solemnity to greet
subtle ***** notes salute
a coffin draped in Old Glory sheets

the beloved child welcomed
to his eternal repose
priests splash holy water
within the sacred dome

an amazing grace revealed
lifted by marine pallbearers
dearly departed body presented
gently placed at the altar

a grief struck sister
lovingly eulogizes
recalls tonka trucks,
GI Joe’s and cool transformers

a punch in the nose
an approaching wedding
beckoning Eastertide
vacation plans left begging

my second grade class sent
Christmas cookies and cards
to dear Joey and warrior friends
he said it warmed stark winter hearts

he was raised in this church
taught trust and reconciliation
the comfort of the Lords peace
may it surely go with him

for he was always faithful
to sisters, family and faith
his resurrection service
imbues sacredness
to this space

9.

sharp in dress blues
Eddie T USMC Gunny
big 50 caliber smile
offers his eulogy

Bada Bing Jersey Humvee
we called him Joey Calzones
good mood, loved sausages
he tickled the funny bone

always willing to sacrifice
loved the Patriots Tom Brady
a women dominated household
gave him a way with the ladies

his calling explosive ordinances
he said he was livin the dream
March 6th last time we met
knocking frost off cold ones
man whatta scream

a gallant marine,
beloved brother,
a sure friend
he was always faithful
I’m deeply wounded
by his untimely end


10.

the gospel read
the homily offered
Ecclesiastes wisdom
a time for everything
proffered

God never turns
an eye from the beloved
though seasons change
we are not forsaken
never unloved

as loss arrives
surely grief grows
turn away not
wisdom knows

in resignation
love lay dead
diligent intention
banishes dread

our rekindled hope
we rend and sow
our beloved Joey
knew this was so

our favorite son’s
example taught us
now rises on eagle’s wings
to claim his divine justice

Jesus faithfully tramped
the path to an awful death
Joey too fought the good fight
a warrior now gratefully at rest

The Lord holds him close
to the ***** of sure love
a cantors beatific voice incants
Joey’s spirit that forever enchants

The Lord is always faithful
to the bereaved and  beloved
no one ever forsaken
all unconditionally loved

11.

the Holy Eucharistic cup
affirms everlasting giving
tasted to nourish evermore
a libation for the living

singing the Beatitudes
praising peace makers
mercy filled voice and song  
pallbearers lift Joey’s coffin

off to seek his final peace
an earthly occupation ended
he’ll suffer worldly hate no more
down the aisle his coffin wended

the family closely followed
a mother haltingly sobbing
faithful marines came forth
to steady her wobbling

there is no sudden waking
from this terrible dream
the pungent incense rose
to the chapels sacred beams

the stained glass murals depict
the passion of Jesus’s story
illuming a consuming sorrow
in all its grace filled glory

the ***** of death slinks on again
we search for consolation
the recompense of honor blest
leaves a hollow heart wanting
no answers offered to quell the dark
of these terrible life’s moments
only the desperate need to hold onto
beleaguered treasure that sustains us

for we are always faithful
to the things we know
always faithful to the
things we refuse to let go

12.

the color guard and funeral detail
assembled in front of St. Luke’s
the cemetery right next door
the procession a short troop

the living will stumble through
the darkness of separation
seeking elusive answers
of poignant uncertainty;
all gave some, Joey gave all
nothing more required for his
journey through eternity

Joey will always be with us
his stories forever retold
as long as the machinery of
great nations engage
the gears of wasteful war

Joey’s spirit lives
in a peoples desire
for freedom, only if
our hope of peace
is greater than the
need for conflict

Joey’s lifes work
is sure to bear fruit
if those remaining
fight the good fight
by taking up the
task to protect and
expand the values
of liberty we
hold most dear

like our good
friend Jesus
Joey wears a crown
bejeweled with
a ring of thorns
hoisted on a
terrible cross
the sweet
incense of you
meets our nose
we inhale your
earthly presence
beholding beautifully
adorned crucifix,
a reminder of
unjust persecution
and a perfect
resurrection
yet this wretched
coffin remains

pledging allegiance
we rationalize our
stories, articulating
our small parts
in  heroic sagas,
reciting myths of
ourselves, recording
the grim history of
a young marine
surrounded by
a smart color guard,
feasting on todays
eucharist, this
days sweet taste
of  the daily bread
of human sorrow

The priest finishes
his graveside
commendation
of Joey D

Taps conclude
a wind rises
crows take flight
winging over
a stand of budding
Sugar Maples
exploding in white
blooms, reveling
in the glorious
sunshine of this
magnificent day

St. Luke’s stairway to
God Country and Home
smiling portrait of you
forever young

we surround your grave
to bless the earth
you've returned home
to your place of birth

our flowing pride
and salty tears bless
the anointed ground
that you loved best

a proud Jersey son
whom Thou hast blest
laid in St. Luke’s ground
for his heavenly rest

for he was always faithful
to the blessed land
forever at peace
in the soils sure hands

Charles Ives
The Unanswered Question

Oakland
11/10/13
jbm
Jesse stillwater Apr 2018
Nightbird perches high
beneath the shooting stars
that dapple the bouquet
    of sleepless peace
... his soft downy breast      
    has lent breath
to the sweet April afterglow
     heaving with song

The mystical feathered troubadour's
     swooning echo
A melodic twilight serenade
conjures a moonstruck metamorphosis,
sprouting magical wings of flight;

rousing a lonely heart's esprit
     to fly away unfettered
     in constellations of song

How dare imaginings spilled from the big dipper
enchant such an enrapturing magic spell?
It's so far to fall from swinging on a star!
It's so far beyond nearing crescent moon
     when you wish upon a star  

Thereupon struck by a bewitching bolt of starlight;
Dropping asudden as a shooting-star!

    Rolling like trailing thunder;
        tucked and tumbling ―
             somersaulting,

           celestial rumbling
blossoming with an unearthly joy

A nascent winged heart splayed bare,
soars upon cresting wind waves;
    dreaming of that shapeless  
          w h o  o  o  o  s h ―
         gathering beneath
        ~ uplifting wings ~

  Suddenly ― gliding freely,
       winging gracefully
  upon wafting star drift glitter;
lilting lightly upon the arising cadence
of nightingale's melodious fluted song

Nightingale sings sweet April perfume
beneath the star shed lamplight twinkle

... and it makes no difference if it's only a dream
    if my heart had wings



imagined by:   Jesse Stillwater
22nd  April  2018

Imagination set free ... perhaps rooted in the branches of a tree
https://hellopoetry.com/poem/2397540/a-lost-angels-wings/

Luscinia, nightingale -  songbird noted for its melodious nocturnal song
.
Elephant seals
gross and flabby
ignorant of protocol
ponderously scratch.

Uniformed unicorns
importune
tame peacocks
wearing pink petticoats.

Fluted columns fade
at twilight
into the secrecy
of a passing thought.

Toy soldiers
on parade
fragile, glittering
lost.
(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.
zebra Jan 2019
they danced in a dream
of bending shadows
face down
begging ***
all hungry back door paradise

ankles strapped on a foot worn floor
paint faced in whorey nights
with pin needle eyes
beded
blood crimson neon's
cut curtains
like kissing claws
so their bodies wouldn't forget
dark pleasures lightening
and biting tantra tantrums
they swallowed mad ***** blossoms of hell candy
breathing the others inhalations
foot sniffing ballet arch
in fastened Japanese melting red slippers

gazing upwards rectums prayer
solar eyed insurrection

finger by finger
clutching wrists like the grave
for bloods salty cove
an injured landscape
a dire pink desert
like bogs hold bones
a rave for a slave
covered in yellow ocher rubber sheets
soft on the feet
x rated amputee costume
made of blood and spit

look mommy no arms
a bellied tattoo
of hennaed homunculi  
burning Candomblé Jejé, skull

black eyed beauty hissing
while accordion throated
rip tie tighten
another notch please
a dizzy *******
down silver fluted gullet
in a steamed up bath house
party of blotted sockets

*** kitten
kissed dead girls thighs
tremulous and stretched
a shimmering serum
like wide tubular channels
as pontoon edges slit
through midnight howls for velvet skinned girl
who thrills
her head a veiled Jehovah
saliva wagging tongue ****
a stuttering ****** dance
a hula hot momma in rubble
slapping hot lipped kisses
over starved darkness
along telegraphs avenue
melting eyes like butter
a globed pudding spill
******* drool drops of gold
and black river gladiators
slaughter lies
with every long stroke
between cascading squeals

paraphilias mausoleum
like tumbling eels
a scapegoat pulp fiction
chiseled in cement
******* rips
drip drip drip

babbling **** bubbles
**** spasms ooze like a hot glue gun
fire spats soil cherry clover
Michael R Burch Oct 2020
O, the Horror! Halloween Poetry!

Halloween Poetry: Dark, Eerie, Haunting and Scary poems about Ghosts, Witches, Vampires, Werewolves, Reanimated Corpses and "Things that go Bump in the Night!"



Thin Kin
by Michael R. Burch

Skeleton!
Tell us what you lack...
the ability to love,
your flesh so slack?

Will we frighten you,
grown as pale & unsound,
when we also haunt
the unhallowed ground?



The Witch
by Michael R. Burch

her fingers draw into claws
she cackles through rotting teeth...
u ask "are there witches?"
… pshaw! …
(yet she has my belief)



Vampires
by Michael R. Burch

Vampires are such fragile creatures;
we dread the dark, but the light destroys them...
sunlight, or a stake, or a cross ― such common things.

Still, late at night, when the bat-like vampire sings,
we shrink from his voice.

Centuries have taught us:
in shadows danger lurks for those who stray,
and there the vampire bares his yellow fangs
and feels the ancient soul-tormenting pangs.
He has no choice.

We are his prey, plump and fragrant,
and if we pray to avoid him, he earnestly prays to find us...
prays to some despotic hooded God
whose benediction is the humid blood
he lusts to taste.



Styx
by Michael R. Burch

Black waters,
deep and dark and still...
all men have passed this way,
or will.

Charon, the ferrymen who carried the dead across the River Styx to their eternal destination, has been portrayed by artists and poets as a vampiric figure.



Revenge of the Halloween Monsters
by Michael R. Burch

The Halloween monsters, incensed,
keep howling, and may be UNFENCED!!!
They’re angry that children with treats
keep throwing their trash IN THE STREETS!!!

You can check it out on your computer:
Google says, “Please don’t be a POLLUTER!!!”
The Halloween monsters agree,
so if you’re a litterbug, FLEE!!!

Kids, if you’d like more treats this year
and don’t want to cower in FEAR,
please make all the mean monsters happy,
and they’ll hand out sweet treats like they’re sappy!

So if you eat treats on the drag
and don't want huge monsters to nag,
please put all loose trash in your BAG!!!

NOTE: If you recite the poem, get the kids to huddle up close, then yell the all-caps parts like you’re one of the unhappy monsters, and perhaps "goose" them as well. They'll get the message.



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;

if shadows fly
moon-sickled skies,
while children toss their heads

uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;

if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams

of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise

to plague nightmarish skies
one night without disguise,

while children toss about
uneasy, full of doubt,
beware the Devil's lies...

it's Halloween!



Ghost
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell

Love it is commonplace;
tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.

Lost in darkness, I fear
the past is our resting place.



All Hallows Eve
by Michael R. Burch

What happened to the mysterious Tuatha De Danann, to the Ban Shee (from which we get the term “banshee”) and, eventually, to the Druids? One might assume that with the passing of Merlyn, Morgan le Fay and their ilk, the time of myths and magic ended. This poem is an epitaph of sorts.

In the ruins
of the dreams
and the schemes
of men;

when the moon
begets the tide
and the wide
sea sighs;

when a star
appears in heaven
and the raven
cries;

we will dance
and we will revel
in the devil’s
fen...

if nevermore again.



Pale Though Her Eyes
by Michael R. Burch

Pale though her eyes,
her lips are scarlet
from drinking of blood,
this child, this harlot

born of the night
and her heart, of darkness,
evil incarnate
to dance so reckless,

dreaming of blood,
her fangs ― white ― baring,

revealing her lust,
and her eyes, pale, staring...



Like Angels, Winged
by Michael R. Burch

Like angels ― winged,
shimmering, misunderstood ―
they flit beyond our understanding
being neither evil, nor good.

They are as they are...
and we are their lovers, their prey;
they seek us out when the moon is full
and dream of us by day.

Their eyes ― hypnotic, alluring ―
trap ours with their strange appeal
till like flame-drawn moths, we gather...
to see, to touch, to feel.

Held in their arms, enchanted,
we feel their lips, so old!,
till with their gorging kisses
we warm them, growing cold.



Solicitation
by Michael R. Burch

He comes to me out of the shadows, acknowledging
my presence with a tip of his hat, always the gentleman,
and his eyes are on mine like a snake’s on a bird’s ―
quizzical, mesmerizing.

He ***** his head as though something he heard intrigues him
(although I hear nothing) and he smiles, amusing himself at my expense;
his words are full of desire and loathing, and while I hear everything,
he says nothing I understand.

The moon shines ― maniacal, queer ― as he takes my hand whispering

Our time has come... And so we stroll together creaking docks
where the sea sends sickening things
scurrying under rocks and boards.

Moonlight washes his ashen face as he stares unseeing into my eyes.
He sighs, and the sound crawls slithering down my spine;
my blood seems to pause at his touch as he caresses my face.
He unfastens my dress till the white lace shows, and my neck is bared.

His teeth are long, yellow and hard, his face bearded and haggard.
A wolf howls in the distance. There are no wolves in New York. I gasp.
My blood is a trickle his wet tongue embraces. My heart races madly.
He likes it like that.



Sometimes the Dead
by Michael R. Burch

Sometimes we catch them out of the corners of our eyes ―
the pale dead.
After they have fled
the gourds of their bodies, like escaping fragrances they rise.

Once they have become a cloud’s mist, sometimes like the rain
they descend;
they appear, sometimes silver like laughter,
to gladden the hearts of men.

Sometimes like a pale gray fog, they drift
unencumbered, yet lumbrously,
as if over the sea
there was the lightest vapor even Atlas could not lift.

Sometimes they haunt our dreams like forgotten melodies
only half-remembered.
Though they lie dismembered
in black catacombs, sepulchers and dismal graves; although they have committed felonies,

yet they are us. Someday soon we will meet them in the graveyard dust
blood-engorged, but never sated
since Cain slew Abel.
But until we become them, let us steadfastly forget them, even as we know our children must...



Polish
by Michael R. Burch

Your fingers end in talons—
the ones you trim to hide
the predator inside.

Ten thousand creatures sacrificed;
but really, what’s the loss?
Apply a splash of gloss.

You picked the perfect color
to mirror nature’s law:
red, like tooth and claw.

Published by The HyperTexts



Siren Song
by Michael R. Burch

The Lorelei’s
soft cries
entreat mariners to save her...

How can they resist
her faint voice through the mist?

Soon she will savor
the flavor
of sweet human flesh.



How Long the Night (anonymous Old English Lyric)
loose translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast ―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



The Wild Hunt
by Michael R. Burch

Near Devon, the hunters appear in the sky
with Artur and Bedwyr sounding the call;
and the others, laughing, go dashing by.
They only appear when the moon is full:

Valerin, the King of the Tangled Wood,
and Valynt, the goodly King of Wales,
Gawain and Owain and the hearty men
who live on in many minstrels’ tales.

They seek the white stag on a moonlit moor,
or Torc Triath, the fabled boar,
or Ysgithyrwyn, or Twrch Trwyth,
the other mighty boars of myth.

They appear, sometimes, on Halloween
to chase the moon across the green,
then fade into the shadowed hills
where memory alone prevails.



The Vampire's Spa Day Dream
by Michael R. Burch

O, to swim in vats of blood!
I wish I could, I wish I could!
O, 'twould be
so heavenly
to swim in lovely vats of blood!

The poem above was inspired by a Josh Parkinson depiction of Elizabeth Bathory up to her nostrils in the blood of her victims, with their skulls floating in the background.



Nevermore!
by Michael R. Burch

Nevermore! O, nevermore!
shall the haunts of the sea
― the swollen tide pools
and the dark, deserted shore ―
mark her passing again.

And the salivating sea
shall never kiss her lips
nor caress her ******* and hips,
as she dreamt it did before,
once, lost within the uproar.

The waves will never **** her,
nor take her at their leisure;
the sea gulls shall not have her,
nor could she give them pleasure...
She sleeps, forevermore!

She sleeps forevermore,
a ****** save to me
and her other lover,
who lurks now, safely smothered
by the restless, surging sea.

And, yes, they sleep together,
but never in that way...
For the sea has stripped and shorn
the one I once adored,
and washed her flesh away.

He does not stroke her honey hair,
for she is bald, bald to the bone!
And how it fills my heart with glee
to hear them sometimes cursing me
out of the depths of the demon sea...

their skeletal love ― impossibility!



Dark Gothic
by Michael R. Burch

Her fingers are filed into talons;
she smiles with carnivorous teeth...
You ask, “Are there vampires?”
― Get real! ―
(Yet she has my belief.)



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.


Athenian Epitaphs (Gravestone Inscriptions of the Ancient Greeks)

Mariner, do not ask whose tomb this may be,
but go with good fortune: I wish you a kinder sea.
― Michael R. Burch, after Plato


Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
― Michael R. Burch, after Glaucus



Passerby,
tell the Spartans we lie
lifeless at Thermopylae:
dead at their word,
obedient to their command.
Have they heard?
Do they understand?
― Michael R. Burch, after Simonides



Completing the Pattern
by Michael R. Burch

Walk with me now, among the transfixed dead
who kept life’s compact and who thus endure
harsh sentence here―among pink-petaled beds
and manicured green lawns. The sky’s azure,
pale blue once like their eyes, will gleam blood-red
at last when sunset staggers to the door
of each white mausoleum, to inquire―
What use, O things of erstwhile loveliness?


Reclamation
by Michael R. Burch

after Robert Graves, with a nod to Mary Shelley

I have come to the dark side of things
where the bat sings
its evasive radar
and Want is a crooked forefinger
attached to a gelatinous wing.

I have grown animate here, a stitched corpse
hooked to electrodes.
And night
moves upon me―progenitor of life
with its foul breath.

Blind eyes have their second sight
and still are deceived. Now my nature
is softly to moan
as Desire carries me
swooningly across her threshold.

Stone
is less infinite than her crone’s
gargantuan hooked nose, her driveling lips.
I eye her ecstatically―her dowager figure,
and there is something about her that my words transfigure
to a consuming emptiness.

We are at peace
with each other; this is our venture―
swaying, the strings tautening, as tightropes
tauten, as love tightens, constricts
to the first note.

Lyre of our hearts’ pits,
orchestration of nothing, adits
of emptiness! We have come to the last of our hopes,
sweet as congealed blood sweetens for flies.

Need is reborn; love dies.



Deliver Us ...
by Michael R. Burch

The night is dark and scary―
under your bed, or upon it.

That blazing light might be a star ...
or maybe the Final Comet.

But two things are sure: your mother’s love
and your puppy’s kisses, doggonit!



the Horror
by Michael R. Burch

the Horror lurks inside our closets
the Horror hides beneath our beds
the Horror hisses ancient curses
the Horror whispers in our heads

the Horror tells us Death is coming
the Horror tells us there’s no hope
the Horror tells us “life” is futile
the Horror beckons, “there’s the Rope!”



Belfry
by Michael R. Burch

There are things we surrender
to the attic gloom:
they haunt us at night
with shrill, querulous voices.

There are choices we made
yet did not pursue,
behind windows we shuttered
then failed to remember.

There are canisters sealed
that we cannot reopen,
and others long broken
that nothing can heal.

There are things we conceal
that our anger dismembered,
gray leathery faces
the rafters reveal.



Duet
by Michael R. Burch

Oh, Wendy, by the firelight, how sad!
How worn and gray your auburn hair became!
You’re very silent, like an evening rain
that trembles on dark petals. Tears you’ve shed
for days we laughed together, glisten now;
your flesh became translucent; and your brow
knits, gathered loosely. By the well-made bed
three portraits hang with knowing eyes, beloved,
but mine is not among them. Time has proved
our hearts both strangely mortal. If I said
I loved you once, how is it that could change?
And yet I watch you fondly; love is strange . . .

Oh, Peter, by the firelight, how bright
my thought of you remains, and if I said
I loved you once, then took him to my bed,
I did it for the need of love, one night
when you were far away. My heart endured
transfigurement―in flaming ash inured
to heartbreak and the violence of sight:
I saw myself grow old and thin and frail
with thinning hair about me, like a veil . . .
And so I loved him for myself, despite
the love between us―our first startled kiss.
But then I loved him for his humanness.
And then we both grew old, and it was right . . .

Oh, Wendy, if I fly, I fly beyond
these human hearts, these cities walled and tiered
against the night, beyond this vale of tears,
for love, if it exists, dies with the years . . .

No, Peter, love is constant as the heart
that keeps till its last beat a measured pace
and sets the fixtures of its dreams in place
by beds at first well-used, at last well-made,
and counts each face a joy, each tear a grace . . .



Horror
by Michael R. Burch

What I ache to say is beyond saying―
no words for the horror
of not loving enough,
like a mummy half-wrapped in its moldering casements
holding a lily aloft.

No, there are no words for the horror
as a tormented wind howls through the teetering floes
and the cold freezes down to my clawed hairy toes ...

What use to me, now, if the stars appear?
As I moan
the moon finds me,
fangs goring the deer.



Strange Corps(e)
by Michael R. Burch

We are all dying, haunted by life―
dying, but the living will not let us go.
We are perishing zombies, haunted by the moonglow.

With what animation we, shuffling, return
nightly, to worry Love’s worm-eaten corpse,
till, living or dead, she is wholly ours.

We are the dying, enamored of “life”―
the palest of auras, the eeriest call.
We stagger to attention ... stumble ... fall.

We have only one thought―Love’s peculiar notion,
that our duty’s to “live,” though such “living” means
night’s horrific wild hungers, its stranger dreams.

We now “live” on the flesh of eroded dreams
and no longer recoil at the victims’ screams.



Love, ah! serene ghost
by Michael R. Burch

Love, ah! serene ghost,
haunts my retelling of her,
or stands atop despairing stairs
with such pale, severe eyes,
I become another pallid specter.

But what I feel
most profoundly is this:
the absolute lack of her kiss,
the absence of her wild,
unwarranted laughter.

So that,
like a candle deprived of oxygen,
I become mere wick and tallow again.
Here and hereafter ...
gone with her now, in the darkest of nights, the flame!

I lie, pallid vision of man―the same
wan ghost of her palpitations’ claim
on my heart
that I was before.

I love her beyond and despite even shame.



Eden
by Michael R. Burch

Then earth was heaven too, a perfect garden.
Apples burgeoned and shone―unplucked on sagging boughs.
What, then, would the children eat?
Fruit indecently sweet,
redolent as incense, with a tempting aroma ...



Outcasts
by Michael R. Burch

There was a rose, a prescient shade of crimson,
the very color of blood,
that bloomed in that garden.

The most dazzling of all the Earth’s flowers,
men have forgotten it now,
with their fanciful tales of apples and serpents.

Beasts with lips called the goreflower “Love.”

The scribes have the story all wrong: four were there,
four horrid dark creatures―chattering, bickering.
Aduhm placed one red petal in Ehve’s matted hair;

he was lost in her arms
till dawn sullen and golden
imperceptibly streaked the musk-fragrant air.

Two flared nostrils quivered, two eyes remained open.

Kahyn sought me that evening, his bloodless lips curled
in a grimacelike smile. Sunken-cheeked, he approached me
in the Caverns of Similitudes, eerie Barzakh.

“We are outcasts, my brother!, God quickly deserts us.”
As though his anguish conceived in insight’s first blush
might not pale next to mine in Sheol’s gray realm.

“Shining Creature!” he named me and called me divine
as he lavished damp kisses upon my bright scales.
“Help me find me one rare gift to put Love’s gift to shame.”

“There is a dark rose with a bittersweet fragrance
as pungent as cloves: only man knows its name.
Clinging and cloying, it destroys all it touches . . .”

“But red is Ehve’s preference; while Envy is green.”
He was downcast a moment, a moment, a moment . . .
“Ah, but red is the color of blood!”

Disagreeable child, far too clever for his own good.

Published in The Bible of Hell (anthology)



No One
by Michael R. Burch

No One hears the bells tonight;
they tell him something isn’t right.
But No One is not one to rush;
he lies in grasses greenly lush
as far away a startled thrush
flees from horned owls in sinking flight.

No One hears the cannon’s roar
and muses that its voice means war
comes knocking on men’s doors tonight.
He sleeps outside in awed delight
beneath the enigmatic stars
and shivers in their cooling light.

No One knows the world will end,
that he’ll be lonely, without friend
or foe to conquer. All will be
once more, celestial harmony.
He’ll miss men’s voices, now and then,
but worlds can be remade again.



Bikini
by Michael R. Burch

Undersea, by the shale and the coral forming,
by the shell’s pale rose and the pearl’s white eye,
through the sea’s green bed of lank seaweed worming
like tangled hair where cold currents rise . . .
something lurks where the riptides sigh,
something old and pale and wise.

Something old when the world was forming
now lifts its beak, its snail-blind eye,
and with tentacles about it squirming,
it feels the cloud above it rise
and shudders, settles with a sigh,
knowing man’s demise draws nigh.



Ceremony
by Michael R. Burch

Lost in the cavernous blue silence of spring,
heavy-lidded and drowsy with slumber, I see
the dark gnats leap; the black flies fling
their slow, engorged bulks into the air above me.

Shimmering hordes of blue-green bottleflies sing
their monotonous laments; as I listen, they near
with the strange droning hum of their murmurous wings.

Though you said you would leave me, I prop you up here
and brush back red ants from your fine, tangled hair,
whispering, “I do!” . . . as the gaunt vultures stare.



Contraire
by Michael R. Burch

Where there was nothing
but emptiness
and hollow chaos and despair,

I sought Her ...

finding only the darkness
and mournful silence
of the wind entangling her hair.

Yet her name was like prayer.

Now she is the vast
starry tinctures of emptiness
flickering everywhere

within me and about me.

Yes, she is the darkness,
and she is the silence
of twilight and the night air.

Yes, she is the chaos
and she is the madness
and they call her Contraire.



Dark Twin
by Michael R. Burch

You come to me
out of the sun―
my dark twin, unreal . . .

And you are always near
although I cannot touch you;
although I trample you, you cannot feel . . .

And we cannot be parted,
nor can we ever meet
except at the feet.



East End, 1888
by Michael R. Burch

Past darkened storefronts,
hunched and contorted, bent with need
through chilling rain, he walks alone
till down the glistening cobblestones
deliberate footsteps pause, resume.

He follows, by a pub confronts
a pasty face, an overbright smile,
lips intimating easy bliss,
a boisterous, over-eager tongue.

She barters what she has to sell;
her honeyed words seem cloying, stale―
pale, tainted things of sticky guile.



A rustle of her petticoats,
a flash of bulging milk-white breast
. . . the price is set: a crown. “A tip,
a shilling more is yours,” he quotes,
“to wash your privates.” She accepts.
Saliva glistens on his lips.



An alley. There, he lifts her gown,
in answer to her question, frowns,
says―“You can call me Jack, or Rip.”



East End, 1888 (II)
by Michael R. Burch

He slouched East
through a steady downpour,
a slovenly beast
befouling each puddle
with bright footprints of blood.

Outlined in a pub door,
lewdly, wantonly, she stood . . .
mocked and brazenly offered.

He took what he could
till she afforded no more.

Now a single bright copper
glints becrimsoned by the door
of the pub where he met her.

He holds to his breast the one part
of her body she was unable to *****,
grips her heart to his wildly stammering heart . . .
unable to forgive or forget her.

Originally published by Penny Dreadful



Evil, the Rat
by Michael R. Burch

Evil lives in a hole like a rat
and sleeps in its feces,
fearing the cat.

At night it furtively creeps
through the house
while the cat sleeps.

It eats old excrement and gnaws
on steaming dung
and it will pause

between odd bites to sniff through the ****,
twitching and trembling,
for a scent of the cat ...

Evil, the rat.



Temptation
by Michael R. Burch

Jesus was always misunderstood . . .
we have that, at least, in common.
And it’s true that I found him,
shriveled with hunger,
shivering in the desert,
skeletal, emaciate,
not an ounce of fat
to warm his bones
once the bright sun set.

And it’s true, I believe,
that I offered him something to eat―
a fig, perhaps, a pomegranate, or a peach.

Hardly the great “temptation”
of which I’m accused.

He was a likeable chap, really,
and we spent a pleasant hour
discussing God―
how hard He is to know,
and impossible to please.

I left him there, the pale supplicant,
all skin and bone, at the mouth of his cave,
imploring his “Master” on callused knees.

Published in The Bible of Hell (anthology)



Role Reversal
by Michael R. Burch

The fluted lips of statues
mock the bronze gaze
of the dying sun . . .

We are nonplused, they say,
smacking their wet lips,
jubilant . . .

We are always refreshed, always undying,
always young, forever unapologetic,
forever gay, smiling,

and though it seems man has made us,
on his last day, we will see him unmade―
we will watch him decay
as if he were clay,
and we had assumed his flesh,
hissing our disappointment.



Excelsior
by Michael R. Burch

I lift my eyes and laugh, Excelsior . . .
Why do you come, wan spirit, heaven-gowned,
complaining that I am no longer “pure?”

I threw myself before you, and you frowned,
so full of noble chastity, renowned
for leaving maidens maidens. In the dark

I sought love’s bright enchantment, but your lips
were stone; my fiery metal drew no spark
to light the cold dominions of your heart.

What realms were ours? What leasehold? And what claim
upon these territories, cold and dark,
do you seek now, pale phantom? Would you light

my heart in death and leave me ashen-white,
as you are white, extinguished by the Night?



Liar
by Michael R. Burch

Chiller than a winter day,
quieter than the murmur of the sea in her dreams,
eyes wilder than the crystal spray
of silver streams,
you fill my dying thoughts.

In moments drugged with sleep
I have heard your earnest voice
leaving me no choice
save heed your hushed demands
and meet you in the sands
of an ageless arctic world.

There I kiss your lifeless lips
as we quiver in the shoals
of a sea that endlessly rolls
to meet the shattered shore.

Wild waves weep, "Nevermore,"
as you bend to stroke my hair.

That land is harsh and drear,
and that sea is bleak and wild;
only your lips are mild
as you kiss my weary eyes,
whispering lovely lies
of what awaits us there
in a land so stark and bare,
beyond all hope . . . and care.

This is one of my early poems, written as a high school sophomore or junior.



The Watch
by Michael R. Burch

Moonlight spills down vacant sills,
illuminates an empty bed.
Dreams lie in crates. One hand creates
wan silver circles, left unread
by its companion—unmoved now
by anything that lies ahead.

I watch the minutes test the limits
of ornamental movement here,
where once another hand would hover.
Each circuit—incomplete. So dear,
so precious, so precise, the touch
of hands that wait, yet ask so much.

Originally published by The Lyric



Keywords/Tags: Halloween, dark, supernatural, skeleton, witch, ghost, vampire, monsters, ghoul, werewolf, goblins, occult, mrbhalloween, mrbhallow, mrbdark

Published as the collection "Halloween Poems"
zebra Jun 2018
when i want inspiration to write poetry
i watch a heaving tempest of kisses
they have a better flavor
than cooking shows

what's prettier than pretty pretty
in pigtails
shaking her delicious
derriere whipped Soufflé?

i'm kissing butter princess
witchy **** 
spread lickity splits
eating her
with a big wide **** eating grin
like an open face dagwood

whats more poetic than that hopeful glaring
of
Adonis's plumper in paradise
filling Cleopatra's slathered meringue?

ga-ga-ga-gag me, daddy
merciless, pa-leazze
fluttered big wet talking eyes
like pools of blue honey
getting it zigged zagged
hard against a redraw mouth
throttling fluted gullet
while eager throat gasps
a symphonic music of the spheres
in relentless staccato chokes
lovin her big devil **** splashing
all gym built wonder-boy
a litter of ****** and tongues
licking pig greedy
rapturous milkshake waterfalls

whimpering
mmmmmm
oooh big daddy
oh my ****** god
pillar of colossus
you Tunisian donut you
pierce me like a spoon
through summer guava


who screams like that eating lunch
but a half ate apricot?

better than a football game
I'd rather take her greek
more fun than math or small talk
preferable to a pat on the back at work
or a ridged procession at a funeral

oh beautiful dark fig
squatting crotch candy
bubbling tapioca ***
queen of
spun sugar **** 
all pyrotechnics
and fluttering sinews

if you asked most
do they watch ****
they'd grow smug like a senator
or punch you in the mouth
outwardly high-minded
refusing the blessing of a
video **** parade
of pirouetting vaginas
and glistening areolas
for the glory
of the secret ******* ceremony

the *** moralists
only good for a secret ******
living their lives
with passions submerged
and nothing to confess
except for guilty offerings
as they wander through dreamland shopping malls
wanting to know
Victorias ***** little secret
seduced
but not caressed
by
a mouthpiece for castrated dreams
*** adult
L B Nov 2016
Not the lone glory of an orange
basking in Depression’s dusk—
its fluted bowl of purple glass

Nor the fall ways of amber
Leaves burned by roadside
curling smoke’s sun-lit sash

Not tree-lined streets
rabid leaves’ raspy voices
whirling giddy in the wind—

...in none of these

But in the moments I filled with fixing
a lamp shade
painting this place
to a stern perfection

...I thought of you
ordering the tyranny of me
the glass of me
the concrete conscience
I must be right!  Mustn’t I?

The religion of our lives
Driving through Sundays with Polkas blaring
feeding the ducks
and a roast at noon
Waffles and TV later
Lassie and You Asked For It
Wiping my mouth on a Sunday sleeve

I asked for it, alright

He came and went
to the smell of Ice Blue Aqua Velva

He came and went larger than life and first on the scene
to hurricanes, fires, muggings, and races
and of course—THE SHOP!
in an amazing array of uniforms and vehicles
Ambulances, wreckers, pickups, and police cars

He was terrifying! Wonderful!

We would love at a pained distance

His cabinet in the cellar was always locked
But now, just suppose—

if a kid were to haul on its handles...
supposedly—the sheet metal would heave and roar
with the thunder of him!

And those late nights
those harsh ****** lights
lidded hundred watt cones
in the spotlight of THERE
where I wasn’t
in the odor of oils too noxious to dare
beyond the girlish shadows—

he cleaned his guns

I waited and watched where everything seemed
to be
What...?
It seems—he just pushed her against a wall!
I step from girlhood
with my two-cents worth
and it seems I will not be Queen for a Day!

I take my vows!
I swear I will not scrape wax
from the corner of the kitchen floor with a knife!

I have waited.  I have watched
the routines of his mornings
He’s brushing his teeth; he’s combing his hair
he’s tying his shoes while he chats with the cat
I can tell you the creak of the stairs
and the sound of his footsteps rounding the house

...the routine of his return at supper
the routine of anger
My routine of being late—
and as good as dead
squeezing behind—
HIS CHAIR
Praying he wouldn’t notice the mud
Praying for the epiphany of his good mood
when the TV and me--

wouldn’t be blamed for the downfall of the nation
We were not Polish, but my Dad's French-Canadian family lived in a Polish community.  Thus, the fused culture and all the happy, Sunday Polka music.

Lassie, You Asked For It, and Queen For a Day were popular TV programs of the 1950s.
RAJ NANDY Aug 2016
SECRETS OF THE STONEHENGE IN VERSE
Dear Readers, I present a simplified version of the true story of the Stonehenge, on the Salisbury plains of Southern England, with over a million visitors every year. Declared as a World Heritage Site since 1986.Left out many technical details to curb the Length!
Hope you find this interesting to read.  Thanks, - Raj

SECRETS OF THE STONEHENGE IN VERSE
                     BY RAJ NANDY
                
                     INTRODUCTION
Shrouded in ancient legend, rituals and mystery,
Forming a part of ancient History, in the County of
Wiltshire on the rolling Salisbury plains,
Thirty miles north of the English Channel, stands the
megalithic structure  - The Stonehenge.
Dating back to some 3000 BC during the Neolithic Age,
Long before the Egyptian pyramids got made!
Some of its secrets have finally been unraveled by
Archeologists of our time and age.
It was a period when early humans changed over
from being nomadic hunter- gatherers,
To cultivate land and domesticate animals, to
become settled farmers.
This ushered in a new social change in the history
of Human progression,
Which got reflected in huge stone structures to
mark this advancement and occasion.
For these megalithic structures were bigger than
the tribes of men or the community;
Marked burial mounds and places for performing
sacred rites and magical healing rituals, for the
entire community.
Stonehenge was aligned to the mid-Summer and
mid-Winter Solstice, with the rising and the setting
Sun.
Served as an astronomical calendar for the turning
of Seasons, when crop cycles also begun.
Some scholars opine that it was used as a Lunar
Calendar as well,
Since Moon worship predates Sun worship by
Pre-historic men!
It was long before the invention of the wheel,
written script, and even metal implements.
This monumental structure speak of Stone Age
Briton’s greatest achievement!
(
Period covered is from Late Stone Age to the brink of
Bronze Age.)

BRIEF LAYOUT OF THE STONEHENGE
Cutting across myths and legends archeologists
and geologists have tried to piece together the
Stonehenge Story,
Which stood like an enigmatic puzzle for the
last Five Thousand Centuries!
Scholars say construction commenced around
3000 BC, but progressed only in stages spread
over the next fifteen centuries.
Initially, a large earthwork or a ‘Henge’ with a
circular ditch and a bank was made,
With 56 timber posts around the inner perimeter
on the windy Salisbury plains.
Used by primitive man as a burial place, but for
rituals later got linked to other smaller sites.
With processional avenues leading to River Avon,
to honor dead ancestors with sacred rites!
Entrance to the ‘Henge’ was marked by a pair of
upright Slaughter Stones weighing 28 tones, and
6.6 meters tall.
But only one remains today lying flat on the ground
after its fall!
Some 256 feet from center of the ‘Henge’ on the NE
Avenue once stood the Heel Stones 7.6 meters high!
As a marker for the Summer Solstice showing the
position of the rising Sun in the Midsummer sky!

          BLUE STONES FROM WALES:
Some 1000 years later, 82 Blue Stones were brought
from the Prescelli Mountains of Southern Wales;
And the earlier timber posts with these Blue stones
was replaced.
Each stone weighing around 4 tones, was brought
over a distance of some 250 miles to the plains of
Salisbury,
Loaded on hollowed out log boats fashioned like a
mini barge, to sail during high tide into the Bristol
Estuary!
Pulled over land on greased wooden rollers, and
loaded again on mini barges down the River Avon.
Since Avon flowed closer to the ‘Henge’ site in those
ancient days, which is now known!
(Some Scholars feel that the Blue Stones were swept down
closer to the Salisbury plain, during the close of the last Ice
Age! These Stones were believed to have powers of magical
cure too!)

              THE SARSAN STONES
During its final phase of development came the larger
23 ft tall Sarsan Stones, weighing some 44 tones.
From 20 miles north of the ‘Henge’ area dragged on
sledges and rollers from Marlborough Downs.
These stones now formed the outer ring capped with
stone lintels, replacing the Blue Stones;
And the Blues Stones were moved inwards and
rearranged in the horseshoe and circle shape, as
presently seen and known!
(NOTE: Sheer muscle power used to drag the stones with ropes
made from plant fiber of the indigenous lime bark soaked in
water for weeks. Stone lintels were sculpted in the shape of an
arc to cap the SARSAN Stones to form the outer circle. Wooden
scaffolding & ramps were used to hoist and position the heavy
stone lintels horizontally on top of upright stones! Sarsan Stones
were hard sandstones tougher than granite! However many of the
stones of this Ancient Ruin are missing, leaving some unanswered
questions behind.)

        CONCLUDING THIS TRUE STORY
Archeologists and scholars using radiocarbon dating
have tried to recreate the Stonehenge Story.
This ancient ruin with many unanswered questions,
now remain protected as an Iconic Monument of
British History!
It stands as an astronomical time clock and is also of
spiritual significance;
It also symbolizes the ingenuity of Human Mind, its
power, and endurance.
I conclude with a an extract from a poem by TS Salmon
about the STONEHENGE here below:-
“Warpt in veils of time’s unbroken gloom,
Obscure as death and silent as the tomb.
Where cold oblivion holds her dusky reign,
Frowns the dark pile on Sarum’s lonely plain.

Yet think not here with classic eye to trace,
Corinthian beauty or Ionian grace.
No pillored lines with sculptured foliage crowned,
No fluted remnants deck the hallowed ground.
Firm, as implanted by some Titan’s might,
Each rugged stone up rears its giant height.
Whence the poised fragment tottering seems to throw,
A trembling shadow on the plain below.”
(*Sarum = old name for Salisbury.)
Thanks dear Readers for your kind attention span ,
I have simplified by cutting short many details the
best as I can!
ALL COPYRIGHTS WITH RAJ NANDY OF NEW DELHI
E-mail: rajnandy21@yahoo.in
I shall never get you put together entirely,
Pieced, glued, and properly jointed.
Mule-bray, pig-grunt and ***** cackles
Proceed from your great lips.
It's worse than a barnyard.

Perhaps you consider yourself an oracle,
Mouthpiece of the dead, or of some god or other.
Thirty years now I have labored
To dredge the silt from your throat.
I am none the wiser.

Scaling little ladders with glue pots and pails of Lysol
I crawl like an ant in mourning
Over the weedy acres of your brow
To mend the immense skull-plates and clear
The bald, white tumuli of your eyes.

A blue sky out of the Oresteia
Arches above us. O father, all by yourself
You are pithy and historical as the Roman Forum.
I open my lunch on a hill of black cypress.
Your fluted bones and acanthine hair are littered

In their old anarchy to the horizon-line.
It would take more than a lightning-stroke
To create such a ruin.
Nights, I squat in the cornucopia
Of your left ear, out of the wind,

Counting the red stars and those of plum-color.
The sun rises under the pillar of your tongue.
My hours are married to shadow.
No longer do I listen for the scrape of a keel
On the blank stones of the landing.
Elizabeth Kelly Nov 2021
It’s the early morning that does it for me

I don’t mean to seek it
But I am sought in these quiet empty-full hours -
All or nothing out-with-the-bath-water seclusion.

(Delusions of liqueur
cocksure
Every flavor of azure)

Oh god what I would give to extend the great expanse of 4am, ribbon slick and taut as a ******

And me, warm and creative.

It’s the early morning that does it for me

I’m staying up with a song.

-Call-

Respond

Eyes and lips and abandoned ships
Mirages of **** below long, fluted throats
Gliding between notes
and me too

Ready to drown you.

(It’s the early morning that does it for me)

As you give yourself over to the caresses of the mistress
and dream of flying over perfect fields of wheat

and then land

and then wake

≈furrowed≈

disappointed to find
a cold pillow where a head should be asleep

I release my held breath and meet you
Half way

I was singing
I say
And collapse in a heap

Wet hair
Bare feet
It’s dawning and day

Closing my eyes
Sunset at sunrise
Holding onto a secret key

I dream of the sea
A nice dream
jonni inferno Feb 2018
stop
be still and listen
hear ye not
that soulful song
of endless motion
that tireless voice
of storm wracked potion

her swollen bosoms'
rising, falling
her shameless
cresting
foam flecked
devotion

pouring out
her effervescence
on lips that drink
her adoration
yet never taste
her vital essence

her drumming chorus
a roaring thunder
on rocky clefts
torn asunder
as mourning rays
of misty raining
her teardrops falling
gently tracing
our loves
our sorrows
engraved each day
on these
mortal paintings

on granite shoulders
her message beats
that pounding drum
of thunderous need
as she flings
her ageless
storm tossed beauty
onto granite arms
etched and fluted
from hollowed cheeks
her kisses pouring
as sea birds cry
on stiff winds soaring

and ever on
throughout the ages
enduring
her ravenous
inclinations
never wincing
from her brazen charms
her surging seduction's
voiceless call

immersed
within her warm caresses
glistening
in her wind tossed tresses
enfolding him
in her flowing graces
in dulcet tones
of annihilation
.
.
http://oi62.tinypic.com/vuya0.jpg
.
visualize
a stormy ocean
crashing upon
granite cliffs
bulletcookie Jul 2018
digging in dirt and finding stones
so round they pretend a marble
a perfect gift for one that had none

what then ten thousand years this human drama
compared to fluted knocks of Kabuki glaciers
grinding on this whetstone of earth

a millennial movement of giants
hoed out valleys, rivers and sound
long before our first step dance

these same kanji, mound their costume dress
having played an early performance
leaving a staged terrain over tectonic duress

we come barrelling into history's Geo
rat-a-tat tapping our ratamacues
after all, knee bent, as a pea seed of Clio

-cec
Paraps XXIV

Messiah of Judah

It should be fulfilled as predisposed by Vernarth by always having the contemporary desire to melt the trumpets and then recast them, manifesting to take them to meet their most fervent retrospective reunited with his brother apostles and the omnipresent Messiah. The archangel Uriel sent him this plan that he had for him as an always fertile offering in the face of any possible threat of disobedience. Indissoluble and whole, they climb the Eurydice stowing the supplies for this long journey like a Messianic proclamation from the blade of an Aiónus propeller that has already had to open these waters together with the evangelist. The board and the anchor are lifted Procorus made encouraging signs to all, saying goodbye to them and then returning to the hermitage. The others fit into the waves of the Skalá roadstead, Raeder played with Petrobus on the deck laughing at all times when everything seemed seized and sad. Eurídice would go to the figurehead for a few days to take everyone and guide them, this guaranteed that they would always have good movement and navigate without having any details. Vernarth describes:"The apostle would settle on the deck near the bow while I organized the sails and powers of Uriel who would always be close by giving them zephyr winds from the Metelmi. Taking the route sailing from Patmos in the Aegean Sea through the northern Dodecanese Islands. San Juan when he was going off the west coast of Turkey deprecated and was remembering the port of Skalá. Patmos..., its "Apokalypsis Island", leaving behind the monastic and picturesque island with traditional white Oikos, azure, and crystalline waters with its vibrant subjective life. Where Saint Ioannis heard the voice of God and wrote the Apocalypse, as well as the three small cracks in the rock through which came the frequency that symbolized before him the Holy Trinity. They go through Rhodes, the largest island in the Dodecanese in Greece heralding Uriel of ancient ruins and the remains of their occupation when they were part of the Order of Saint John during the Crusades. The city of Rhodes has an Old Town with the medieval Knights' Street and the castle-like palace of the Grand Master. The palace was captured by the Ottomans and later occupied by the Italians. The Apostle could only remember the place of passage when he walked in ecclesiastical gear. Limassol, Cyprus; with too many Greek Cypriot waters was the current where they arrived..., to Limassol. They come here one day. They descend from the Eurydice and head for the Paphos road. To the archaeological treasure keeping its neighboring memories of the Greco-Roman theater built in the second century before Christ. They go happily rolling through vestiges of time, all thanks to the timeless Parapsychological Regressive Memory that Vernarth was narrating as always. Crossing the private Roman villa is the House of Eustolios by Othónes or Paraps screens, converted into a public recreation center during the early Christian period. It consisted of a complex of baths and rooms with floors covered by beautiful mosaics from the 5th century AD Other important buildings are the Paleochristian Basilica dating from the 5th century, a Nymphaeum dedicated to the water nymphs, and the Stadium from the 2nd century AD finds something removed a kilometer from the site. They transfigure the cord of the mosaics of the House of Achilles and the House of the Gladiators, in a perfect state of conservation that with their beautiful colors covered the floors with the same carefree footsteps of each one belonging to the bright tones in their great parallel work of the god Aiónius that was in parallel collating. Here San Juan kneels and prays profusely for the souls of Christians who have fallen to the stigma that will entail the performance of the first miracle of this pilgrimage through Limassol. They were all silent. They leave Cyprus and go to the port of Limassol to board the ship. Being very pleasantly surprised by the unexpected visit of Etréstles who was upon the ship. Everyone jumps with happiness! seeing that the champion of the Koumeterium of Messolonghi, brother of Vernarth, was added to them. Vernarth: Khaire!! Happy is my soul, which flows like a psalm of blood, Carrying your image through the flowers of Limassol! They all hug him and get ready to weigh anchor!

Miracle I  Limassol

"On this vertebral nature in this pilgrimage of uprooting the Apostle, the first miracle will happen before the eyes of all. The land darkened analogously to the landscape, the sea shone like a mirror showing them the feet of the Messiah floating in the Sea. their ***** the heat produced by this surprise stampede. The apostle embraces them all and asks them to approach the anchor line to lift it on the seabed where Creation rests. The Apostle approaches with small bony hands snatching the swivel links that are located near the mooring lever point. He presses with his hand the rope of the Triaconter invading with his thumbnail the netted vine that forms from his line. He begins to pull it several times..., every ten meters he looked at the sky and noticed that some majestic abnormal overtones shone. He is still blind to the eyes of everyone else moving in the ship as if they were on the high seas under the ultimatum of a great storm. Saint John looks at himself in the model mirror of the water, he saw how he pulls his body just like in Galilee when his Master did it, he saw how everyone laughed and was delighted to stop time to laugh together with him inaugurating a thousand years of psalmody. There was no more than five meters left to remove the anchor from the anchorage and he feels that it was excessively heavy. He asked Vernarth and Etréstles for help to get her out of the wet mass, they help him and pull the three unanimously to the rhythm of their revealed eagerness until from the ramp of the overboard they manage to see a large golden roundel of about seventy centimeters in diameter, of solid gold that glittered blinding whoever dared to look at it without Faith making it very difficult for everyone to participate in this great festivity of a miracle. It was a solid gold medallion bearing the stigma of Mariah mother of the Messiah, supplanting all ship anchors so that the ship would represent the base of devotion at sea as a sign of closeness to the Messiah by pulling faith forward. one..., so that in a period longer than that which needs to be released back into the sea as a gold-bearing weight, rather as a refuge to save us in the perfect mathematics of collecting it, what is night and obscurantism that succumbs more than the self-personalization of duties when presiding over human desires, transfiguring them in the diaphanous dawn as time and space assigned to the numeral in its perfect science of finding oneself with the medallion, which has always been in sublime crushing cognition and..., continuing to exist without the need to pull the anchor again..., but rather to pull the gold medallion for seven consecutive days that it would take them to reach Jaffa after releasing the moorings in Limassol. Just as everyone was stupefied, falling all the not being able to see more, or perhaps not having more to say about the trick that could be conjugated with the space where the fleeting beams of light emitted by the auric sphere intruded, as in the house of Affliction of Betania, attracting everyone with great love to feel anointed by the aroma of their heads. The apostle understood that the path of the wise senility of the books of wisdom and Saint Luke was approaching them, to impregnate in everything created well granted to spread it from the matrix that interprets and faithfully delegates it in the application of his work. Vernarth describes: "Jesus calms the storm..." When Jesus entered the boat, his disciples followed him. And suddenly a great storm arose on the sea so that vast flat waves in that rush covered the boat; Jesus was asleep. And coming to him, they woke him up saying: Lord, save us, we perish! And He said to them: Why are you frightened men of little faith? Then he got up, rebuked the winds and the sea, and a great calm ensued. And the men marveled, saying: Who is this, that even the winds and the sea obey him? - Mateo 8 - exhibiting this passage in the Othón showing that event the god Aiónus when he rubbed the Ibico I, and the one that would come from Leonardo Da Vinci. "Leonardo Da Vinci "Last Supper Passage" Then you will have your brother Aaron come to you from among the children of Israel and with him his sons to serve me as priests: Aaron, with Nadab and Abihu, Eleazar and Ithamar, sons of Aaron. And you shall make holy garments for your brother Aaron for glory and beauty. And you shall speak to all the skilled craftsmen, whom I have filled with the spirit of wisdom, and they shall make Aaron's garments to consecrate him, so that he may serve me as a priest. These are the garments that they will make: a breastplate, an ephod, a robe, a checkered tunic, a tiara, and a belt; and they shall make sacred garments for your brother Aaron and for his sons, so that they may serve me as priests. And they will take for it the gold and the blue, purple and scarlet cloth, and the fine linen. They will also make the ephod of gold, blue, purple, and scarlet cloth, and fine twisted linen, the work of a skillful craftsman. It will have two shoulder pads that meet at its two ends so that they can be joined. And the skillfully woven belt that will be on it will be of the same work of the same material: of gold, blue, purple, and scarlet cloth, and of fine twisted linen. And you shall take two onyx stones, and engrave on them the names of the children of Israel: six of the names on one stone, and the remaining six names on the other stone according to the order of their birth." "In the biblical symbology of the Apocalypse, the number seven is recurrent and therefore there were seven apostles chosen by Leonardo da Vinci. Saint John the Apostle says: The Last Supper tells me the greatest love of having it close as if I were in my house celebrating, gathered to stamp the facts in which I raised the cut of my bread towards the millennium of the future, to classify all the dates that It will commemorate us united in the sustenance that will feed the Earth forever and ever. In the stigma of this medallion, I will revive all my memories before arriving in Jaffa, before even walking anymore in the solitude that haunts us forever and ever, still not understanding by any measure, the crumbling and disordered existence that passes beyond death that is reborn in our non-existent Faith. They all sail in silence, all asleep on the deck around the medallion that did not stop shining and bathing them all in its splendid theology. All lie asleep and hypnotized with pleasure, the ship moved alone, at the will of the sacred wind that carried them in seventh silence, so that the snorting shoes of the night do not wake them up even a seventh sleep next to the solid gold medallion. Eurydice was still in the happy mask, now to lead everyone in peace, towards the meeting of the apostle's ancestors, towards the dawn of the secular dawn in Jaffa on its seventh sleepless night..., when they arrive at the seventh turn of the clouds in their fading weather with Aiónous and Zeus, being mere spectators of the tormented bullet of riddled lost. All lie asleep and hypnotized with pleasure, the ship moved alone, at the will of the sacred wind that carried them in seventh silence, so that the snorting shoes of the night do not wake them up even a seventh sleep next to the solid gold medallion. Eurydice was still in the happy mask, now to lead everyone in peace, towards the meeting of the apostle's ancestors, towards the dawn of the secular dawn in Jaffa on its seventh sleepless night..., when they arrive at the seventh turn of the clouds in their fading weather with Aiónous and Zeus, being mere spectators of the tormented bullet of riddled lost. All lie asleep and hypnotized with pleasure, the ship moved alone, at the will of the sacred wind that carried them in seventh silence, so that the snorting shoes of the night do not wake them up even a seventh sleep next to the solid gold medallion. Eurydice was still in the happy mask, now to lead everyone in peace, towards the meeting of the apostle's ancestors, towards the dawn of the secular dawn in Jaffa on its seventh sleepless night..., when they arrive at the seventh turn of the clouds in their fading weather with Aiónous and Zeus, being mere spectators of the tormented bullet of riddled lost.

Jaffa  Ioannis regression

Describes Vernarth: On a warm morning, archaeological evidence showed that Jaffa was inhabited around 7,500 BC. C. The natural port of Jaffa has been used since the early Bronze Age, and all of its early inhabitants were probably Canaanites. The city of Jaffa is mentioned in a 1470 BC preterite writing from ancient Egypt glorifying the conquest by Pharaoh Tuthmosis III who hid armed warriors in large baskets and then presented them to the city's Canaanite governor. Jaffa is mentioned in the Torah as one of the Hebrew cities of the Tribe of Dan and hence the term Gush Dan is used today for the coastal plain. Many descendants of Dan lived along the coast and made a living as sailors and sailors. In "Deborah's Song" the fortune-teller asks:" Why do you want Dan to stop me on ships? After the Canaanite and Philistine *******, King David and his son Solomon conquered Jaffa using its port to take the cedars used for the construction of the First Temple from the city of Tire (2nd Chronicles 2:16). The city remained in the hands of the Jews even after the division of the Kingdom of Israel. In 701 BC C., in the days of King Hezekiah and Assyrian King Sennacherib who invaded the Jaffa region. It is also the place where the prophet Jonah sailed for Tarshish (Book of Jonah 1:3) and was the port of entry for the cedars of Lebanon for the Second Temple in Jerusalem (Book of Ezra 3:7). After a period of Babylonian occupation, defeated King Porus at the Battle of Hydaspes (326 to.C.) In the New Testament it is related how Peter resurrected the believer Tabitha (Dorcas, in Greek, gazelle) in Joppa (Jaffa) and later, how near this city he has a vision in which Yahveh told him that he should not distinguish between Jews and Gentiles while ordering the removal of ritual food (kosher) restrictions followed by Jews. While Vernarth was describing all this history, everyone was paying attention, the beautiful situation of entering Jaffa in this thousand-year-old port was imminent so that they could touch the Holy Land with their feet with all the avatars that awaited them. Vernarth had this great preamble and gift to return from the Exile of Saint John due to his exile of him dictated by Emperor Domitian. They all came praying in the ship Eurydice left the figurehead to descend and move with them to Jerusalem. To go through the Lithostrotos, Gethsemane, the Via Dolorosa, Gólgotha, the Holy Sepulcher and many sacred places where the apostle had a correlation with the Messiah..., bordering were still in the hosts of all those who loved him, especially in the locality where they met with the apostles after the crucifixion in the Apostolic Sees where they are still seen to be together from the first day forever and ever. Some put foot in its pages to have been founded by one or more of Jesus' Apostles who are said to have dispersed from Jerusalem sometime after Jesus' crucifixion (c. 26-36), probably after the Great Commission. The early Christians met in small private houses known as paleo-Christian house churches, but the entire Christian community of a city could also attribute it to the fact that it would be called and ignored as an act of sedition to avoid misunderstandings with its anti-Romanesque legacy. In Limassol it dawned one day when another day was setting in Lod..., here they all got ready to have dinner together in a wheel of fire in the tents moved by a breath that reaches and bounces from their sallow tents to the walls of Jerusalem sensing that they came and went already with the Saint accompanying them. From the last dizziness of the sun, Uriel appeared to them telling them...: "On the bottom where a ship is born in some ruins and catacombs, the sentinels of the Limassol Medallion will reside, it will be jealously guarded by my peers Christian Gladiators of Kourion who are preserved in my fragmentary and honorific decrees, as well as in epitaphs. In neo diplomacy supporting Alexander the Great and Bucephalus protecting the Medallion. In the west of the river Lycus, the sentinels will go to the bottom of the sea every day to watch over it so that from here they shelter the Medallion with their tricks, which in such a way will be adopted for meritorious scriptural phraseology in the Walls of Jerusalem where other walls will follow it... Vernarth describes: "The Great Commission; Matthew 28:19-20 contains what is known as "the Great Commission": "Therefore go and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit; teaching them to observe all things that I have commanded you, and behold, I am with you every day until the end of the world." Jesus gave this commandment to the apostles shortly before he ascended to Heaven and essentially describes what Jesus expected the apostles and those who followed them to do in His absence. It is delightful to see that in the original Greek the only specific command in Matthew 28:19-20 is to "make disciples". The Great Commission commands us to make disciples as we move through the world and as we go about our daily business. How are we to make disciples? Baptizing them and teaching them everything that Jesus commanded. "Make disciples" is the mandate of the Great Commission. "As you go," "baptize," and "teach" are means by which we fulfill the mandate to "make disciples." Many understand Acts 1:8 as also part of the Great Commission, "But you will receive power when the Holy Spirit comes upon you, and you will be my witnesses in Jerusalem, and in all Judea and Samaria, and to the ends of the earth." The Great Commission is enabled by the power of the Holy Spirit. We are to be Christ's witnesses fulfilling the Great Commission in our cities (Jerusalem) our states and countries (Judea and Samaria) and anywhere else God sends us (to the ends of the earth). The great commission it is the instruction of the resurrected Jesus Christ to his venerable apostles commissioning them to propagate his teachings to all the nations of the world. The most famous version of the Great Commission is Matthew 28: 18-20 where on a mountain in Galilee Jesus commands his followers to baptize all nations in the name of the Father, the Son, and the Holy Spirit. Even more than the Great Commission of the twelve apostles that together with that of Matthew and Mark as a lofty counterpoint are dividing twin souls among all to take the electro cathode of the god Azofar de Vernarth in the Parousia (In the second coming of Christ). Together with them, the electromagnetic Fides Pronus "Benevolent Faith" ruled by God ruling in the electro anode flow, giving ample way to the Great Universal Commission. The Apostle Saint John reinterprets it: "The Great Commission is Matthew 28:18-20, and later synoptic gospels, Luke also presents Jesus sending disciples during his ministry sending them to all nations and giving them power over demons including the Seventy disciples. The scattering of the Apostles in the traditional ending of Mark is believed to be a second-century summary based on Matthew and Luke." Everyone heard very astonished words so fluted without being able to go out and harmonize the ears of those who were there..., and there was no room for doubts or questions! Everyone thought to travel all the fields of the world in caravans of free ungulates so many times through the Holy Land, thus thinking of changing history for the flat legs of camelids, changing the dynamic quantum geography thus making them participate and go on a being from which we are divided mounted. In exile it would be fulfilled, Twelve camels came and invited them to get on and rest on their backs. Every hundred kilometers the deepest questions were answered by the camelids Saying...: Camelids say: "I carried San Juan on my ciliated membranous backs and Mateo too..., they never knew that I knew the end of the story..., that the Great Commission It would never end because all of us are witnesses and we continue wandering through the desert hoping to see the Master lighting our starry path of gifts on sacred nights to serve him again, Until the End of the Parousia...

Second Miracle  Holy sepulcher

When migrating the Wailing Wall on a Vigil Friday, the Apostle led some camels with his hands sheltered in reverberating Psalmody. The little animals appeared with him in this basilica, also hand in hand with Vernarth, Etréstles, and the others remained waiting at the threshold of the Anastasis. The ungulates were already without the blindfold on their eyes after having crossed the Door of Mercy or Golden Gate. The atmosphere was hermetic and charged as if it were pouring rain and the pilgrims were oppressed to take refuge in the heat of the candles on sacred ground. A reverberating solemn psalmody begins to permeate the unruly walls recalling the chants in this place similar to Golgotha ​​that reminded Saint John of having traveled it with the Messiah. Prince Uriel with super senses was out of tune with the Vexilla Regis, by the time the apostle had crossed the limen of this holy offertory in such a way that the harmonics were now in tune vibrating in a single nearby wave..., towards the demarcation that concentrates the line to the crypt of the Messiah.Etréstles was accompanied by Eurydice on his side, visibly overexcited, from the height of the ship a light falls on Etréstles's shoulder with an itching mass of flower of authentic flower of the Pampano Diadem of the vine leaf in Nazareth. On a Friday that dressed in Sunday gala that entered with bouquets in their palms, in volumes larger than their size, dragging them across the sacred floor of the basilica, all naked of ego and anxiety, submerged in a reigning and mournful regret of the predestined demagoguery of the faithfulness of not being channeled together with the souls of purgatory that from today refloat with the visit of the Saint, remaining in seen and not perceived multiplied more than any day without having been more close to the Messiah, although the days were only swampy darkness from the flesh of Acheron in this river of pain forking from the said Acheron unleashed in the deplored underworld, like an unhealthy marsh within a desolate landscape with downcast angels ruling in the little cloud of the splinter of thick Incense, where the ferryman Charon would take the souls of recently deceased expurgated to the repugnant quagmire. Sovereign she... Virga..., would illuminate her interior with her brain-cerebellum adonis below the Madonna before reviving him again in the submissive and servile eternal gaze clause. Etréstles succumbs in genuflection three times before confirming the tertiary one that would make him uncover his knees before the long altar, here his voice is inhibited, fading from the interior like a parchment burning from the glottis to the runaway esophagus. The three hold hands with Vernarth and the Apostle..., remaining so until they enter the tomb. They encounter flattering fuss in the stone where he was anointed before being entombed, and the Cistern where he was anointed, after which his cross was found several centuries later secondarily sheltered in various Chapels whose garden is close to the skull of the rock and the emaciated Golgotha ​​mound. Very close to the Herodian wall of the city of Jerusalem and even connected to it by a road, but outside the walls since Jewish regulations prohibited intramural burials except in the case of regents. then his cross was found several centuries later, secondarily housed in various Chapels whose garden is close to the skull of the rock and the bare Golgotha ​​mound. Very close to the Herodian wall of the city of Jerusalem and even connected to it by a road, but outside the walls since Jewish regulations prohibited intramural burials except in the case of regents. then his cross was found several centuries later, secondarily housed in various Chapels whose garden is close to the skull of the rock and the bare Golgotha ​​mound. Very close to the Herodian wall of the city of Jerusalem and even connected to it by a road, but outside the walls since Jewish regulations prohibited intramural burials except in the case of regents.Your quarry and garden entity in The Calvary skull, as the Gospels testify, must be found on the outskirts of the city in an area dedicated to sepulchers. From a vast quarry for the extraction of Malaki stone located just outside the walls, and which was used from the 8th to the 1st century BC to build the buildings of the citizens. When the quarry was abandoned, this area was used for small orchards and cultivable gardens on its rocky walls along the hill, and a series of family tombs were made. Golgotha ​​itself, the "mount" on which the crosses were nailed, had to appear as the top of a higher rock separated from the hill, a suitable place for the newest law of demonstrative execution of capital punishment. Since Herod Agrippa in 41-42 AD extended the circuit of the wall of Jerusalem to the northwest, Golgotha ​​began to form part of the city, and from an isolated place over time, it became an integral part and center of the city, again Aiónius seconded this assertion before protecting the Vernarth words.   Etréstles with his Hellenic heart of Messolonghi approaches his leisurely aura below the garden, here he suppresses his icy feet towards his head of Greek innocence in flat sustained prayer, ends and gets up without being able to turn around to see him again in this garden of stones abandoned, he retires, leaving only Vernarth and the Apostle. He runs off for incredible distances, retreating miles from there to an adjoining desert area. here he suppresses his icy feet towards his head of Greek innocence in flat sustained prayer, finishes, and gets up without being able to turn around to see him again in this garden of abandoned stones, he retires leaving only Vernarth and the Apostle. He runs off for incredible distances, retreating miles from there to an adjoining desert area. here he suppresses his icy feet towards his head of Greek innocence in flat sustained prayer, finishes, and gets up without being able to turn around to see him again in this garden of abandoned stones, he retires leaving only Vernarth and the Apostle. He runs off for incredible distances, retreating miles from there to an adjoining desert area. Midbar Yehuda..., north of Jerusalem to Tiqwa, where he stays for two days before returning to Jerusalem. Being here in the middle of the desert he realizes that he had lost from one of her saddlebags a sacred image that had accompanied him since time immemorial, it had been given to him by his wife Drestnia in Koumeterium Messolonghi after her awakening. He searches for her for two days following the same path that he took from the basilica, not being able to find her, until he addresses the archangel Uriel, answering him himself. Uriel exclaims: ...On your back the offertory, a few steps in front of you the Apostle, beyond the crowd looking at you. The souls in purgatory will ask you for help, they will do it for you. You will have to give them their demands in freedom from their purges. The Messiah in miserere from the roof will come down to love on the esplanade..., on your conscience with rays and lightning he will caress your face with his host, and those who do not enter his consecration will take them to pick them up from his own hands in your lost image escorted by despondent angels whimpering and embracing you...! Etréstles, goes terrified from his Anastasis and enters the palm of the last acid words of martyrdom in prosody of the cross hammering and unrolling before his eyes in a long trail of a woven shroud, presenting him with the recolored image to be rescued by his soul from throbbing thunder with numb hands and bolt of bushy and inappropriate displays of disbelief. It would be a great miracle not to lose light in the superior lights that bring the Sun closer to your hands. In this way, a holy miracle would be fulfilled, like the ramp of the silence of the celestial karmic boomerang.

Silence  Painful way

Describes Vernarth in parapsychological regression: Silence crashed over them in such a way that it massacred them from "oblivion - oblivion" from the Limassol to Jaffa stretch. Everyone believed that they had traveled on the Eurydice, but not so. A ship that came from the Lepanto shipyard supplanted them to protect the Gold medallion anchored in the roadstead protected by the Christian Gladiators of Kourion in Lod. Everyone was calmer when they made sure that a great layer of silence overwhelmed them, forgetting as a foretaste of continuing along the Via Dolorosa. The dawn tied him to the Silent Awakening near Jerusalem on a gray and silent day. Vernarth gets up, first of all, and prepares them unleavened breakfast, honey, and goat's milk.About 3700 million years ago the first living beings appeared on Earth, they were small unicellular microorganisms not very different from current bacteria. Such cells are classified among prokaryotes because they lack a nucleus (karyon in Greek), a specialized compartment where the genetic machinery is stored. The prokaryotes achieved complete success in their development and multiplication, thanks to their remarkable capacity for evolution and adaptation, giving rise to a wide diversity of species and invading as many habitats as the planet could offer them. The biosphere would be full of prokaryotes if there had not been the extraordinary advance from which a cell belonging to a very different type arose: eukaryote, that is; It has a genuine core. In this evolutionary cellular space, they were invaded by a Vertical Silence that would have to spread throughout the troposphere and the consequences of this event marked the beginning of a new numeral linear lapse, until the consequences of this event marked the beginning of a new era. Nowadays, multicellular organisms are made up of eukaryotic cells, which are much more complex than prokaryotes. If eukaryotic cells had not appeared, the extraordinary variety, so rich in ranges, of animal and plant life on our planet would not exist now; nor would man have made an appearance to enjoy such diversity and extract its secrets. Bi similar eukaryotic cellsringed in metamorphic geological strata, pressing the atmosphere, the air and the earth, compressing the geological layers and gaseous atmospheres thatthey did not exist as a consequence of these intense pressure changes by order of the Higher Universal consciousness with overflowing temperatures and multi-chemical environments; dispersing the changes that are associated with the forces that fold on the shore of what is current Greece. Said layer faults scattered eukaryotic cells enveloped in "Silent Libertarian Material", injecting magma creating creative prominences on the attached rocks, becoming exhausted, perhaps only to be a cellular polytheism perhaps derived from multicellular cellular evolution..., turning into a sexed fusion of a great regeneration of Lithophagas species in the region..., perhaps in Colophon where Homer was infected. Well, this presumption would have to create a syncretic elaboration with that of Aristotle and Plato as eukaryotic cells, to start from this Lithophaga flower, which is rooted beneath its roots in this bivalve mollusk unleashing proto seeds of prehistoric poetic inspiration, in super souls synchronously starting each one in this mollusk plant that is thus regreened and personified, originating epic poetics in what prehistoric and the human phenotype. This hypersensitive cellular mega-complex is possible with the respect that I deserve to cite it, the innate and spontaneous hyper ethnobotany and hyper sapiens mollusks that were conceived for millions of years delegating their sublime hypostases in creation. I quote here The word Poetry from the Greek ( Poiein: "Do or Create"). From this vertical revolution, the Silence of the Via Dolorosa intrinsic to the same ontological, geological, Theological, and evolutionary concepts will emanate. Scientific and Poetic-Sacred, linked to the creation from "Nothing" to an "Everything". Everything is revealed before our backs, everything is offered before our eyes, everything comes from the soft creative wrath of lightning, everything is consecrated to silence..., but nothingness moves what the whole forgot centrifuged by phenomena of atomicity of greater forces of the Silence of the Messiah, praying in constant practice the generation in front of our theoretical faces in front of our Everything and the Nothingness of an empty supply. "Silence Waits for Time... to see,... I commend my Being to time" founds the greatest silence ever felt only heard more than an ultrasound of waves that articulate one over another in algorithmic chanting that emanate from "Mariah's Silence to her son" also to Homer, Aristotle, and Plato attached to the Lithophaga releasing Eukaryotes. When Aristotle and Plato uprooted the Lithophaga as axiomatic leaders, they revealed the Silence of Creation and poetic anathemas, alluding to their true ancestors who slipped down their bandullos like an elongated moraine sweeping their navel Samskaras such traces of their own personalities leading wisdom with an origin common prehistoric cell.

Ita *** Dolore: Saint John the Apostle stood up in silence with profuse deafness even in spirit..., all the others were equally traumatized from feeling the stones engraved with fear and pain "Ita *** Dolore". They didn't see in colors everything was gray and shades of white, black between cells..., like being inside the suffering cell lost of all consciousness. Everyone confuses about their clothes, their outfits, nobody knew who each one was, only Vernarth and San Juan knew. Raeder and Petrobus, Alikanto, and Eurídice only wandered sleepwalking along the rocky road in the cobbled streets flanked by works erected from sobbing Malaki material, from stones very similar to those that Jesus would have seen following this pristine route. The Stations of the Cross were marked by plaques, vaulted chapels, and signs along the way of lacerating and flagellant stops of more than forty degrees of burning in each feverish step and enclosed vaulting.

Ellipse Messiahas a child: "Mother...; when I went up the stairs..., I stopped at the fourteenth step..., in perfect mathematics opening the sky..., like a sacrosanct aromatic book; Well, I thought you would believe me dressed there! Mother when I went down the fourteen steps and put my last foot before you..., I could see how I sang in the thirty-three on a rainy Friday afternoon, clinging to you..., accompanying me along the stairs that you did not know..."

1st Station of the Cross in Silence

Ita *** Dolore, Jesus was tried and sentenced to death in the Praetorium of Pontius Pilate, he will bring silence in each interval that did not oppose resistance from the flagellant whips."Mother...; when I went up the stairs..."The apostle closes his eyes, Vernarth takes him in his arms.

2nd Station of the Cross

The second station marks where Jesus took up his cross and recalls his doom. Romans beat Jesus and the Chapel of Judgment which commemorates the site where Jesus was sentenced. Here he feels like a child... "Mother...; when I went down the stairs...?"


3rd Station of the Cross

The third station is where Jesus first fell under the weight of his cross. This station is not far from the Ecce **** (Behold the Man), Saint John remembers the Last Supper in anticipation, sitting next to him... he got up from dinner, took off his mantle, and took a towel, he girded himself.... "Mother...; when I went up the stairs..."

4th Station of the Cross

The fourth station marks where Mary saw her son pass by. The 19th-century Armenian Church of Our Lady marks this station. Deaf Vernarth manages to hear voices from heaven saying: "Mother...; when I came down from the ladder...?"

5th Station of the Cross

At the fifth station, the Roman soldiers instructed Simon of Cyrene to help Jesus carry his cross (Luke 23). ..., "Mother I stopped at the fifth step and I never hesitated to wash your feet"

6th Station of the Cross

The sixth station marks where Veronica wiped Jesus' face with her veil. It is believed that the image of the face of Jesus was imprinted on the cloth."Mother...; when I went down the stairs you covered my sweaty face..."

7th Station of the Cross

At the seventh station, Jesus faltered under the weight of the cross for the second time. "Mother...; when I climbed the ladder..., I saw the lost mountain..."

8th Station of the Cross

The eighth station is where the "daughters of Jerusalem weep for Jesus" (Luke 23, 27). Jesus stopped here to comfort the women, telling them not to weep for him, but for themselves and their children.."Mother...; when I went down the stairs you were not there, you were coming for me..."

9th Station of the Cross

At the ninth station, Jesus faltered a third time before his final ascent to Golgotha. "Mother...; When I went up the stairs to find you, you were in front of me..."

9th-14th Stations of the Cross

The Stone of Anointing is believed to have been where Jesus was placed after being taken from the cross. Here he would have been prepared for burial. The Bible tells us that Jesus' body was wrapped in linen and anointed with oils and spices in accordance with Jewish funeral rites. "Mother...; when I went down the stairs you covered me from the cold and wrapped me with your passion..."


The 14th Station of the Cross – The Tomb of Christ

Here Saint John the Apostle and Vernarth were still deaf, but with slight symptoms of recovery of their hearing. They saw in front of them how deaf angels came to uncover their auditory channels, being of their intuition proclaiming courage to accompany them with their teacher to the aedicule towards the crypt itself granted by José de Arimathea. The Chapel of the Angel contains a small piece of the rock that closed the burial cave of Christ, the chapel that leads to the tomb itself. It was here that Jesus was buried and rose three days after his death. "This small rectangular structure of the Edicule marks the end of the Via Dolorosa and the Deafness of everyone and the Whole World"

Saint Ioannis Song of the Messiah, Vernarth describes by the voice of Saint John the Apostle: "Since the beginning of Samaria I had my father Zebedeo in my manifestations..., my mother Salomé and brother apostle Santiago together with me in my declared voice. My father as a fisherman if he saw us grow and left us in the boat after the Messiah called us believing he would not see us grow anymore! My father lived in Bethsaida and developed his commercial activity on the Sea of ​​Galilee or Tiberias, together with us between Capernaum and Bethsaida I walked escorted by the voices of the silence of freedom; Said peace prostrated me to monuments that oscillate on the invisible wings of the legions asking me to join their hand in hand for hours..., and in great circles, since I got on the boat flooded with Faith with the Master. This is what I call seeing the homonymous village located on the western shore of this sea become its monument of silence and the heritage of the House of Fishing in Bethsaida. I always knew that my father had a parental agreement with the Master, being my uncle since my mother Salomé has been identified as the sister of our Mariah.From Capernaum, since I walked and grew up among nets, boats and from where six others accompanied me as my brothers and fellow apostles. Thus, natives, we give our seals and predilections to the Lord for navigating us in the divine water of the Jordan, here I was a fisherman and brother of the fish that also spoke for me..., for the proverbs that identify my closeness with the family lineage of Capernaum. Jesus from the depths of his being with his throat upwards called Santiago and me "sons of thunder" for our impetuous character that was revealed in some events reported in others. The two of us together with San Pedro..., constituted the most intimate core of the master. I was favored by those who reserved my presence with the ****** Mariah where she was trembling in her clothes at the foot of the cross when our Father Master Messiah died, drawing us closer to all of us from that day further than we thought could protest. In this epithet now is where I point to the one who invited me to his boat in Skalá, Patmos; "Vernarth", also a son of the Lord, invited me to return to my original land. Always from Patmos He kept sending me, I received messages at the crossroads of the winds and through anagrams on the tail of the fish..., in their mouths in Aramaic, so that they could be brought from where my roots fill your abundant fish farming..., a common rhizome that in his parables they hear him, that from his brambles the crickets boil in his golden presence, golden passion, and golden agony even me looking at him with my eternal eyes with my painful eyes of apocalypse crying..., even seeing how I went with him to Golgotha ​​in his arms, imitating him in his courage more than in himself and in all those who did not see him leave." "Far away in my exile sentenced by Domitian, I wrote the Gospel and their epistles in Ephesus and the Apocalypse on Patmos, in the Aegean. Both in our Gospel and in the prophetic visions of the Apocalypse, I was invaded by the high-altitude doctrinal and symbolic language of the passages next to the Master. I was the eagle evangelizing, flying in terror to Patmos, and I know that your eagle will take me to Ephesus to sleep in the gospel of the Lord eternally." "I was never a child, I was always who I am if I was a child..., only my parents managed to see it because I was already sitting as if I were in the same Transfiguration, Pentecost, with the daughter of Jairus, in Lake Tiberias and in his miraculous departure in Gethsemane." "I was always who I am..., I never felt that my bones grew in proportion to the distances that would allow me to walk faster than an Eagle, but not so in my parents who did not see my leafy feet of plumage, Next Reign of Jesus of Nazareth in a kind of apology I will be for him again as a child recognizing him even as present and future Father" here he was housed in these Othóns or quantum Azofar screens, guaranteeing him to be federated to his inheritance for the centuries to come. Christian Itheoi genus. Vernarth looks at him and hugs him for a long time, everyone else does the same. They leave Capernaum to start their way through innumerable routes to Nazareth, trying to find a new path but a Golden Eagle or Gerakis appeared to them telling them where to go next...it would probably be where the Master went through the dedications on an INRI wood...where thousands of eagles would pose his claws containing his bleeding..., more than a "Meta-language reigning in all Believers of attachment sustained in his shroud" as I did, perhaps singing in conspicuous languages ​​that would meet him more than an expert, more than a language close to the zeal that covered us, dismantling itself from the friendly path that sustained us, shortening its objective. Our mission is to meet the ancestors of Maryah and her Sigil, which floods with essences towards her son,



Paraps XXV

Messiah of Judah II part

Miracle III - Nazareth

Parapsychological regression, Vernarth describes by the voice of the Apostle Saint John: "They all came from Capernaum with the embedded shutters of INRI in their hands, Alikantus in their hooves and Petrobus in their webbed golden fingers. Everyone walked unevenly perhaps because from the Higher Consciousness the Abba had leaned towards the south center towards the west tilting the earth twelve degrees which made him change course to Nazareth. The miraculous thing was to see how the animals Petrobus and Alikanto felt them and saw euphonies coming out of their mouths in octaves multiplied by eight; that is to say, sixty-four inverted notes, averaging the notes that arrived the other way around from being heard in their retro melody, perhaps diverting them to a hillside in Canaan. After such a miraculous phenomenon, the golden eagles perched on the heads of the twelve ungulates, diverting them to Nazareth and guiding them to an ancient stone where the inscriptions in Hebrew-Aramaic "Stem-Branch" can be seen. They were sweating on their Gigas camels like Nazarene princes reigning in consolation by forking like the ground even beyond the two-dimensional concept of Nazareth, either a stem proclaiming the ominous prophetic of the Messiah or proclaiming the Renewal in sacred circulation to have a 360 ° perspective, for the ancient worldview being housed as a perfect clone on the geography of Nazareth in 14.14 square km, based on the southern mountains of Lower Galilee, 10 km north of Mount Tabor and 23 km west of the Sea of ​​Galilee. Miracles must be outlined between the extreme points of each cross..., the stature of the image between foot and head, the cosmogony of the link between Nazareth, Capernaum, and vice versa, mysteries of the silence of those who only see in light and dark of Marian repentance, would be now in front of everyone with the Credulity Gene. The Giga Camels carried them tenaciously with their wise feet from Capernaum. Here is the Miracle; They were at the fourteenth station in Jerusalem, which St. Ioannis later explained in his childhood memoirs with his family in Bethsaida. It was then from here that in some bend of its inspiration that the valleys would turn towards another geological family to present it at the table with renewed olive oils together with its parents. Where they would leave directly guided by the royal eagles towards the stone of Nazareth. Describes Vernarth in the voice of Saint John: "The Archangel Uriel dictates him; those who preach alone in the streets or corners preach the rejection of those who do not count how many times they were approved or challenged, and at least the times that more than any extreme had to be heard beyond the most distant hiding places in which they did not they will be able to know to be recognized" Saint John continues: "On this tacit diameter in the narrow part of the bergamot that is towards the south and opens through a narrow and sinuous throat towards the plain of Esdraelón. It would be pointed out here as "the top of the mountain" from where they wanted to throw Jesus off the cliff. But the traditional place does not have a true ravine, as a story would seem to require. Further only to a spring in the town is the so-called Fountain of the ****** where Mariah obtained the consecrated water for her family from there. "In this super diameter, Etréstles wanted to find the childhood periods of the Messiah and thus be able to see him advance in his growth, but he knew that perhaps the hidden mystery of the stem that only grows in the discord of Nazareth, invaded by foreign civilizations, could not be verified. that did not allow them to stretch boundaries beyond the entire concordant Universe. In Patmos I always had the precognition that above..., above the doors of the unknown..., there must be anti-material physiognomies that will move offspring that in twin lands would be housed in Judah. As we approached the perimeter of the city we dared to cross, whose text contains the decree issued by another Roman emperor not mentioned, which prohibits under pain of death the robbery of tombs including those of relatives or changing a body from one tomb to another. The date of registration is discussed. Someplace it at the beginning of the empire period; others in s. II AD It is highly unlikely that they have any direct relation to the ignoble accusation leveled at us disciples that we had stolen our Master's body. I keep digressing without the accuracy of what I say, it's been tens of years without being here, I only know that I am attracted by the rhythm of the music of religious worshipers from Nazareth. just as I heard when they were at the height of a rosy vine near Mariah's house in Nazareth..., here Uriel describes Nicodemus: Uriel says: (Meditation of Saint John the Apostle) "Nicodemus talks about the meaning of being born again and mentions the Kingdom of the Heavens, very rare in the Johannine texts, Jesus was surprised in short to see that a teacher in Israel did not understand the discourse on rebirth in the spirit. Later, in the council of chief priests and Pharisees, Nicodemus defends Jesus, explaining to his companions that they must listen and investigate before making a final judgment. The question they ask him may imply that Nicodemus was a Galilean or it could be an irony of his companions." I'm still on my own from today rambling without accuracy in what I say..., it's been tens of years without being here, I only know that the rhythm of the music of the religious cults of Nazareth will attract me. These images will make me observe Vernarth notice in me and in all these advanced episodes, this is transmitted by Saint John the Apostle. Eurydice took note and dared to dance in the warm senses that throbbed under her feet, signaling to renew herself in an Offshoot of the seed that grows hidden in the shortness of every Nazarene born here.Expressions of freedom and glory appear throughout the village the world dances in the part of the ministerial bends attached to the Holy Spirit. Flowing dance ministered by Levites and worshipers of the Lord God Almighty God or Yahweh in a spontaneous way, salvific and with healing interweaving the existential and vernacular ribs of the chosen people worshiping the Prophet. All danced together and anointed, enjoying the ceremony. Vernarth thought his magical ears thundered with Levitical echoes as he was under the supra-starry sky of the Christian world that repeated itself, returning with a new one appearing at each interval of the festivities, everyone did them as they came and went with the pillars of their Faith rolling, and they covered with the mantle of the night flooded with ceremonial Vines and ministerial Bread like a great vault in a great ominous mansion. Here where the Messiah from heaven will trepan his senses, Feeling emotion and art, all braiding like alpha beginners until finishing the stupid omega dance. We will fulfill a company of prophets descending from above preceded by lutes, drums, flutes, and harps. Thus the sons and daughters will be celebrating with Cherubim in unmistakable steps praising Him.This Hebrew-Biblio dance will end in adoration on a warm night that continues to reach the imperceptible senses where everyone celebrates and intertwines with trans content affection with everyone celebrating in the ceremony. Then they went to the tents near the Messiah's house to sleep concelebrating in tiny circles. Everyone was very excited..., not being able to fall asleep believing not believing that perhaps they would never again live something like this in a city forever whether to live it or not..., eating and drinking the same Nazarene Bread and Wine. All this was closely witnessed by the god Nothofagus in the middle of some brambles, it has adhered to the fungi that persisted in the brilliant brilliance to personify them in the Genus Itheoi. Hanukkah was coming to Vernarth, it was the Liberation of Judah as another purpose of Vernarth's physical and parapsychological regression in the arms of Hanukkah, purging his spiritual body to leave his Piece of Muscle rubbed on the helpless ground, perhaps carrying his non-biodegradable shell matter in his Leonatus; as a new prince replacing Alexander the Great in the true Hellenic polis adopted and claimed on the soil of Judah. On the walls of air in Gaugamela, I sliced ​​with my Xiphos and Kopis leaving them now dry and sheathed..., to serve Saint John the Apostle and our Lord in the work of the Messiah. For this, we have been revived as inclemency in this festivity of the former Hetairoi strategist of the hosts of the Great Alexander the Great. For this task when they left Nazareth, When it arrives under the finger of Nablus, it is intercepted by these voracious sacred lights coming from the Abrahamic eras, perhaps from Lot in his cave to immunize his offspring. Also known as the "Festival of Lights or Luminaries". This Jewish festival of lights commemorates the rededication of the Second Temple in Jerusalem and the Maccabean rebellion against the Seleucid Empire. Celebrated for eight days, the Hanukkah festival dates back to the time of Hellenic hegemony in Israel, beginning with the conquests of Alexander the Great in 332 BC. C., who at his passing freed the Jewish people from the oppression of Persia, leaving Israel as an independent kingdom-state. After his death, the vast empire remained in the hands of his generals, who entered into war conflicts with each other, for which centuries later the Seleucid Greeks tried to gain control of the region, as can be read in the books of I and II Maccabees, where this festivity commemorates the defeat of the Hellenes and the recovery of Jewish independence at the hands of the Maccabees over the Greeks of the Seleucus dynasty, and the subsequent purification of the Second Temple of Jerusalem from pagan icons, in the 2nd century BC. C. Vernarth, was here as a commander when he freed them from the boot of the Persians, remembering the epic of him when he was a servant of the oppressed legions. He thus freed them forming part of this history which has threads of messianic history and culture cracking gaps for evangelization, that looms under the robes of El Nazareno like a child's story..., to be told to adults with nine Hanukkah candles. Jewish tradition speaks of a miracle in which the temple candlestick could be lit for eight consecutive days with a meager amount of oil that was only enough for one. This gave rise to the main custom of the festivity, which is to progressively light a nine-armed candlestick called Hanuquiá, one for each of the days plus a pilot arm. Vernarth describes: "Our Entry into the soil of Judah..., as luminaries we were received, our messianic introduction will change history in its objectivism freeing the Hebrews from the Persian empire. Inopportune were the new masses of the departure of Alexander the Great who, after freeing them, his minions wanted to appropriate a free inheritance that only belongs to Yahweh. Seleucus, being an officer appointed by Alexander the Great, was appointed chief of the Hypaspists (elite soldiers and spearmen) on a date close to 330 BC. C., for this reason, I looked many times at your countenances, seeing in them the voracity and anti-national vocation to exorbitant the limits of unwary power. This is why in the death of our great general..., Seleucus tried to dominate Judah, skillfully raising the exhumation of the general pointing to a drastic change by pointing his finger at the transgressor! Being justly consummated and deported by the Maccabees. Festival of Lights Celebration of Dedication and Celebration of the Maccabees. Children receive gifts, especially in areas where Jewish and Christian children are in close contact. Hanukkah commemorates the victory of the Maccabees over the Syrians as well as the re-dedication of the Second Temple in Jerusalem around 165 BC. The re-dedication was necessary because the Seleucid king of Syria, Antiochus IV Epiphanes had desecrated the temple by installing an altar to Zeus on the site. When the Maccabees began to prepare the temple for rededication they found that they only had enough oil to light it for one night. In the end, the oil lasted eight days until the new delivery of the new consecrated resource, the candles are lit every night of Hanukkah to commemorate the miracle. During the first night, a candle is lit in a special candlestick called a menorah or hanukkiah. Here Reaeder with Petrobus joined this beautiful festivity, paying special attention to the Dreidel pirinola, which seemed very didactic among the game that captured their full attention. Eurydice and Etrestles holding a candlestick in each hand would begin the second night by adding a candle until eight candles were reached on the last night. The candles are lit by a separate candle called a shamash here was Alikanto and Vernarth with Saint John the Apostle lighting it first and then using it to light the other candles. The candles are installed in the menorah from right to left but are lit from left to right. A symbol of Hanukkah is the dreidel, a pirinola with which a game is played. Before the Maccabean Revolt, it was illegal for people to read the Torah under Antiochus IV Epiphanes, when the soldiers arrived the Jews pretended to play a game of chance involving a pirinola. They satiated traditional Hanukkah foods such as latkes or potato pancakes fried in oil as another way to incorporate the memory of the Maccabees free from all invaders, predicting more light than their own Sun.This is how they would culminate this festivity among themselves, in Nablus before reaching Bethlehem south through the desert with their twelve Giga camels..., the luminaries would take them camping through the Nablus desert south to Bethlehem.

Bethlehem ******, Hemophilic Camel so Vernarth describes: "They were falling down a ***** typified as a rebellion of angels. In such a disorder, they have seen a new language and numeral concept. Given before the componential of Steeds, Pelicans, Masked Nymph, Leader of Messolonghi Cemeteries, Vernarth Commander Hetairoi and Saint John the Apostle, wading through the desert of Nablus on mission ****** and the Giant Camels, the twelfth and last of them afflicted with the morbid sin. ****** or ******; is the name of the biblical character described as the son of ***, son of Cam who was the son of Noah. Although the Bible does not mention him directly since ancient times, tradition has considered ****** as the builder of the Tower of Babel. Since the tower was built on his territory and during his reign, it is assumed that it was under his direction that the construction began. But there are also other non-biblical sources, which indicate the opposite, alleging that ****** was not in the region of Shinar when the construction began. His name became proverbial as a "mighty hunter in opposition to YHWH (Jehovah)" His kingdom comprised Babel (Babylon), Erech (Uruk), Accad (Akkad), and Calneh in the land of Shinar also known as the land of ******" Vernarth replied: "They came and went, dragging their ancient Palestinian and Hebrew feet..., helped by ****** to understand and adore each other "When they were on the road from Nablus on the carpets of Kfar Tapuach, a hemophilic effusion occurred in one of their Giant Camels that accompanied them so separated from the remaining eleven, remaining in the hands of Saint John the Apostle. "From that moment on seeing how the camel was bleeding, the apostle falls into a trance remembering the annunciation that will have to take place in the whirlpool of biblical time when they arrive at Bethlehem." The Angel Gabriel will reincorporate right here when he said to Mary: "Do not be afraid, Mariah, because you have found grace before God; you will conceive in the womb and give birth to a son, whom you will name Jesus." Then the Camel turned around and said...:"I will be there..., seeing his short feet and his long crying confusing them at night in those who are jealous of him for his smiles of an infant of seven..." The camel in telepathy transmits to Saint John: "All of us have a long road ahead of us, the road of life that we have to follow day after day. Today it flows strongly in me, unable to stop my torrent like my previous parents who were never able to cross Palestinian land. I represent the line of Gigas Camels guides since the angel Gabriel spoke to Mary; For this reason and because I am an energetic guide on the path of life leading the chosen ones of the Messiah. With challenges of long distances and terrain with adverse spiritual conditions, that is why I have inherited the ancient blood that has traveled over my Palestine and Hebrew. Biblical time... It has determined in me that so much blood has been shed since the Messiah left for the House of our God, that being a camelid in flower every two years when this hemophilia crisis hits me, incarnating in others the sins that will be amortized with his body and his blood. My liver belongs to my Palestinian masters, they eliminate the viruses in my body but the healthy genes are Hebrew and remain in me for a short time until dawn. My time is more than the southern time process is the southern temple opening it on my consciousness of the pages of the Bible "Before the stakes of the World come out of the straps that hold it..." that being a camelid in flower every two years when this hemophilia crisis hits me, incarnating in others the sins that will be amortized with his body and his blood. My liver belongs to my Palestinian masters, they eliminate the viruses in my body but the healthy genes are Hebrew and remain in me for a short time until dawn. My time is more than the southern time process is the southern temple opening it on my consciousness of the pages of the Bible "Before the stakes of the World come out of the straps that hold it..." that being a camelid in flower every two years when this hemophilia crisis hits me, incarnating in others the sins that will be amortized with his body and his blood. My liver belongs to my Palestinian masters, they eliminate the viruses in my body but the healthy genes are Hebrew and remain in me for a short time until dawn. My time is more than the southern time process is the southern temple opening it on my consciousness of the pages of the Bible "Before the stakes of the World come out of the straps that hold it..." Saint John the Apostle replies: Few words and numbers are rolled from Nablus, they will be decoded by ******..., collecting the months so that we can see an increase in the proteins responsible for blood coagulation and in the reconciliation of the Palestinian-Hebrew world. This treatment will actually heal his hemophilia with both fatherlands in me, not only by treating him and reducing the bleeding but to pay for the sins of these salty nations already prophesied for our salvation that the Messiah judged.Saint John, taking the leg of the Giga Camel, caresses him..., he makes a gesture not to feel pain, but as an anti-death, he begins to heal his wound, covering himself with flowers of the Hebrew spring. A candid and volatile mass of Rose of Saron petals settled on the camel's leg. While Vernarth tried and helped him cut off a certain portion of his leg. But a miraculous fusion flower occurs that is mixed in its leg and from the same stem of the flower, regenerating the gangrenous part of the Giga camel..., in a great time of the Temple growing in God forgiving the Palestinian and Christian sins, juxtaposed to their illnesses almost being guests of a crippled scientific metaphor..., but much more Christian Salvific. The camel recovers and they put out the fires, they continue through the desert on the carousel of the camel's parents' lullaby, singing tenderly to their son camel, that they would never leave him alone and that his words were restored and decoded by ******'s command to his ears. Not far from Him, with words and strange Palestinian neologies and numbers of the Menorah lit up to the right. Shortly thereafter to reach Bethlehem, almost like synchronizing the magical steps under a star that heals and renews all the meat of the camels in the human world, before being listed to the eternal wind of the native village of the Messiah. with words and odd Palestinian neologies and numbers of the Menorah to the right lit. Shortly thereafter to reach Bethlehem, almost like synchronizing the magical steps under a star that heals and renews all the meat of the camels in the human world, before being listed to the eternal wind of the native village of the Messiah. with words and odd Palestinian neologies and numbers of the Menorah to the right lit. Shortly thereafter to reach Bethlehem, almost like synchronizing the magical steps under a star that heals and renews all the meat of the camels in the human world, before being listed to the eternal wind of the native village of the Messiah.

*** bei Hinnom  Crypto-Crucified

Following the route of Arimathea and then Emmaus with our tired feet we entered the region of the southwest towards Jerusalem, to *** Bei Hinnom specifically. Obviously, we were going to Bethlehem, but the Apostle decided to spend the night here.Vernarth speaks through the voice of the Apostle: "The open southwest gate of Jerusalem points into the valley, which came to be known as the valley of the son of Hinnom. Here the Israelite residents used to perform rites that worshiped Moloch presaging destruction. In those ancient times the Canaanites sacrificed children to the god Moloch by setting them on fire and burning them alive...; a practice that was outlawed by King Josiah when the practice disappeared, it became a city dump where garbage was incinerated, and also the carcasses of animals or those of some criminals. The dump and the fire make the metaphor to indicate that "Garbage" (disobedient) are those that burn day and night. Later, after this narration..., the Apostle took them to Mount Zion, where the coffin of King David is.

Parapsychological insert Vernarth Pandemic MMXX, comments...: (Here the god Vélus has Zefian's arrows to wear the Magaf or boot that would unleash this Antonine plague in Italy, until the resource of the MMXX in the modern world, as it was in 165 AD C.: Magaf in Hebrew means "Boot" since the quarantine began in March..., it continues to occur in Israel in a nation with a vast history of pandemics, it is that since immemorial biblical times it has always been hit by plagues, it has been a maximum in comparing it with the reality of the world that does not mutate in its virulent evolution. It has a Bota root, which could be related to social passages of the Bible in the context of Quarantine, which in Hebrew means isolation "בידוד", which has a similar root to Magaf, giving the genesis to which this apology coincidentally raised the virological expansion in Italy, suggesting its geography in the form of a "Boot" such as Italy. From where the itch of this Pandemic began to the secular world in great mortality statistics reissued in the current world. The Valley of Death exemplifies water opening, and Arab and Israelite slopes. Polytheism instituted among the archaic social networks degenerating the infallible root to which each one belongs in its independentist root of aggressive trait and autonomous to survive on themselves. Moloch or Melech, as they are called by the Jews today, is a conductive agent of overcrowding of the archaeo-cultural, practicing trades of high violent Intercultural Religious confrontation. Two intuitive cultures two nations, with different gods and languages, both walked through burning Gehenna as ancient culture in their inseparable history that tied them by invading hands in the past-present. Avodah Zarah in Hebrew: "foreign cult" is the name of a Talmudic treatise of the Nezikin order of the Mishnah and Talmud. Nezikin is the fourth-order of the Mishnah and the Talmud, Nezikin is an order dealing with the laws relating to harm. The main subject of the Avodah Zarah treaty is the laws regarding the Jews living among the Gentiles the goyim, in the treaty are included the regulations on the interaction between the Jews and the "idolaters" which represented the majority of the population not Jew or Gentile during the writing of the Babylonian Talmud. The Apostle says:"On Mount Zion I was with the master in "The Last Supper". Very close to *** Bei Hinnom, what predicts Life and Death beyond our beliefs but if it is death..., it is the angel in his consort who is accompanied by others, freeing us from the sin that we hide, crushing us in the overloaded Karma" Replies Vernarth: "beyond our paths to build..., today we are submerged in a techno-idolatry, subjugated to the trans-nationality of global networks that deliberate and trans-compete under our tutelage, with no other options than to live together avoiding slavery itself before Moloch, sacrificing our children to the altar of the aforementioned "Technotheism", giving them intelligence beyond all the valleys that force us to depend on an overwhelming social and technological electromagnetic dependency. Falling noisily backward onto a ritual hillside to plausibly be handed over to us as "Human Technological Trash." Depositing in us millions and trillions of neutrinos and radiations through universal space like that of any Mythological god, lying abandoned in time without end..., beyond Life and Fabulous Death. Or perhaps our Last Supper..., it will be very present in our daily lives in this incipient technological techno-theism, worshiping the God who will imprison us in his algorithms as a whole man, or perhaps one day be traded in Crypto-Currencies by a broker on Wall Street, to be handed over and betrayed by this Broker-Judas to our crypto-crucified collapse, paying for the sins of others burned in Gehenna, on burning garbage that we ourselves have deposited and No! emits Amblyseius: They were on the Hebrew ***** of *** Bei Hinnom preparing to sleep. Bright wells could be seen around him, once everyone tired joined their experiences around the campfire, the Apostle went with Vernarth to pray on the northeast *****. Walking in silence and with burning fear they were circulating with austere care not to fall into these imaginary wells in the fangs of the gates of hell and its crater tempting them to get lost among it..., before reaching Bethlehem Says Vernarth: "They estimated a well of seventy meters in diameter and equal in depth with high temperatures that emanated from there in a sulfur mixture..., the apostle prospected and witnessed how the earth swallowed some natural elements that were there. The most surprising thing was the gases that flowed through real Gerakis that were abducted into permeable, heavy,  and bluish monoatomic that emerged from the underground cave of some Canaanite god.Thousands of years of expectorating and having the bronze crackle of swords of justice in the "biblical blue" of a possible Hebrew tekhelet, neither I nor anyone else could recreate or imagine what it could be in itself. Random face from the time of the Second Temple, which towered over Jerusalem until it was destroyed by the Romans where a blue dye of the same name would be used to color the fabric used in the clothing of the priests..., admonishing them on its perimeter."A Jewish man who was still commanded to wear a 'tekhelet' thread in the knotted fringes of their prayer shawls, although it might seem that was left unclear for years.The source of the Tekhelet is not specified well in the. According to himTekhelet's dye is produced from a sea creature known as the Ḥillazon; which is the exclusive source of the colorant. There are three opinions in rabbinic literature as to how many are to be blue: 2 cords; 1 rope; 1 half string These strands are then threaded and hang down like tassels that appear to be eight. The four filaments are passed through a hole 25 to 50 mm away from the corners of the four corner fabric. A comparative deception has been made of trying to touch it because they looked harmless and silky when touched.Fearing that the crater would cause the appearance of apocryphal mites dressed as a priest with Tekhelet that was sustained in its physiognomy, with the escape of various dangerous natural gases determined to self-incinerate. They estimated that they would be extinguished in a few minutes, however, it has been burning for centuries and parading before curious maravedís; As precognition to the business of the Inquisition charging money to Jewish converts in exchange for rehabilitating them.Since then it has burned non-stop and provided an impressive melodrama in keeping with the creaking of the valley walls that were outside and close to the southern wall of ancient Jerusalem, also stretching from the Valley of Hinnom to the Kidron Valley. Saint John the Apostle speaks: "I will mention a Valley like that of Cedrón..., a place that our Messiah traveled as the Gospel refers to He passed with us to the other side of the Cedrón torrent where there was a garden into which he and his disciples entered. The ravine of the Cedrón valley begins northwest of Jerusalem resting on a slight depression of about twenty meters that reaches a depth of one hundred meters. The wells like a quantum leap, he rushed us into both depressions, witnessing pre-cognitive Christology..., "The henchmen took him along the Kidron Valley to the gate near the pool of Siloam; and then they scaled the steep path that led to the common palace of Annas and Caiaphas, on the height that is now called Hill Zion." We feel divine and mystical assistance that were intertwined from *** Bei Hinnom to the Kidron Valley in each depression that flowed the extradition of the Messiah, whose previous referendum would splinter his hands staked on his resonated feet and his intra rib. On the way between Gethsemane and the palace of Annas and Caiaphas, I felt an aggressive impulse pass over the bridge over the Cedrón torrent, throwing our Messiah to the bottom of the torrent where the imprints of his feet, knees, and hands were left on a very hard stone. and head" From both sites the depressions twinned the facts of geological upheavals that would cause the implosion generating noises and silences of greater size when ignoring it, by the time it began to decrease in frequency and volume heightening that would fracture with the decibel in the middle ear with total disorientation. In the Well of *** Bei Hinnom, Mites would begin to ascend Amblyseiuss wirskiique; that they are a species present in regions of Israel for that bad effect. This predatory mite was found in large colonies suspended in numerous grasslands, among them they were hidden and neighbors to the horticultural crops of Los Olivos. These crop larvae are assiduous to migrant citrus trees that spawned Cypriot whitefly larvae that came to mourn the mourning of infants under seven who were incinerated. Predating young larvae of other species by means of severed white mosquitoes. They began to radiate horror at the cries of the burning children of the time with the martyrdom that pierced the bark of the bushes entangled by this unusual phenomenon between the valleys. This colony of mites frightened the apostle and Vernarth by making them believe that fever of degenerative abundance was symptomatic in them in the flagellated human species, with whips in their tentacles degrading in tiny status between food chains, for more predation towards them and their companions that they were in the camp resting next to the warmth in the atmosphere of the unknown. Vernarth ran swiftly to open some gates that contained the doomed river, levered some stones to increase the mechanical noise on the growing colony of mites in such a way as to lessen the dominant action on the arboreal and horticultural species,

Hex Birthright

The composition of this Hexagonal primogeniture is changing by itself visiting you in this hexagonal course that is now oblong by the rays of the determined morning, inviting you to take the dry cove to Bethlehem in the company of The Apostle, Vernarth, Etréstles, Raeder and Petrobus, Eurydice and Alikantus. They get on the Giant Camels and meditate on them, it was not yet dawn, there were six camels for this hexagonal brotherhood, and the remaining six were for supplies and clothing for their retinues. They all stand in an oblique line looking towards the Valley of Hinnom and Cedrón..., waiting four minutes before the Sun appears. In each one, a legaña of balsamic acetol would begin to skim off with the generous Sun reigning on their Davidian faces. At that very moment, the King appears to them from the front, strolling through the long Davidian caravan..., in their very faces, thus stopping in their march and seeing their imploring and bronze hair like an alliance of lights on a cold morning. Davidian Presence: "There are four minutes left for us to appear in the morning twilight, it has been four hundred years since I ruled Davidian as the second of Israel, I was born in Bethlehem where I will go with you until I reach this pure oasis of the House of Bread. center of the Old Testament, I was the Eighth and last son of Jesse or Jesse, a member of one of the main families of the tribe of Judah, the prophet Samuel secretly anointed me sovereign of the Hebrews when I was just a boy taking care of his father's flocks in Belen. I have created a united and powerful nation of a markedly theocratic character, though short-lived as it vanished shortly after the death of my son Solomon; while in the religious sphere my poetic compositions stood out, "recognizing myself as the author of a total of 73 psalms", and the great project that I ordered to build a great temple in Jerusalem to house the Ark of the Covenant building that would have ***** my successor on the throne." David, get on the seventh Giga camel, and they all go in a file when four minutes fell on the sand of Northeast Jerusalem turned into burning flames in the hair of Davidian dawn. All catch their shadows with a vocalized assembly by the turquoise stripes of the Tekhelet that he carried on his Davidian skeleton. From the minimum moment that allowed him to climb his bones until he mounted the Camel on its exterior, his past became lightening of volatile blue flesh, leaving for the first sabbatical day that ran through his calendar. He tempered over him the compromising memory of him that wandered before his birth and after his death where many wanted to incinerate his Tekhelet for him, or perhaps plagiarize him in his agony with the Messiah when he met with the apostles. above his grave. Davidian Tomb: "When the Lord was over me, I felt his aroma of Davidian flowers approaching, covering my coffin with two square meters of the perimeter of my death that began to be purged in the Messiah. My body was ingested like horchata in my blood vessels. Many times I wanted to get up and break down the barriers that separated us, but I was distracted by the serpent that seized in front of me, co-indexing the apples of my tree that never got worms..., turned into brass serpents on slung chariots pulling me away from the arms of the Messiah. I saw myself at his service in nine light-years from the twelfth applicant with billions of kilometers more, that is, a quarter of light-years to reach him, estimated. My four minutes are what I aspire to reach the five that remained of my temporal origin..., to restore the last thousandths of the end of my life to honor him ubiquitously, even looking at me from the universe from where he observes me, listens to me and will speak to me Davidian..." turned into brass serpents on falcate chariots leading me away from the arms of the Messiah. I saw myself at his service in nine light-years from the twelfth applicant with billions of kilometers more, that is to say, a quarter of light-years to catch up with him. My four minutes are what I aspire to reach the five that remained of my temporal origin..., to restore the last thousandths of the end of my life to honor him ubiquitously, even looking at me from the universe from where he observes me, listens to me and will speak to me Davidian..." turned into brass serpents on falcate chariots leading me away from the arms of the Messiah. I saw myself at his service in nine light-years from the twelfth applicant with billions of kilometers more, that is to say, a quarter of light-years to catch up with him. My four minutes are what I aspire to reach the five that remained of my temporal origin..., to restore the last thousandths of the end of my life to honor him ubiquitously, even looking at me from the universe from where he observes me, listens to me and will speak to me, Davidian..."The Davidian Phenomenon continued to impact everyone because this happened to the ungulates when they sensed outbreaks of the cluelessness of the sky, believing they were a part of it, but the bodies of space are so far away, just as their whimsical light would take a long time to reach us, wondering about the universe of another ravenous dilapidated galaxy. The more distant the object of our consecration is, the longer it will take for the light to arrive and therefore what we see is even further away than in the past. Perhaps his lineage was a thousand years before it could materialize after 1040 years..., after David he did not seem bothered by the refractory passing of the degraded millennia. This equation was worth using to ask the Messiah for mercy for not having made his nation the best it could have treated and inherited towards him in sync at the time he was sentenced. In such a way to subtract years from the one who was born and ruled, so they would be subtracted from him as it is due to his soul that comes traveling with the invisible speed in the bluish light of the Menorah. Light Davidian: "it was 1040 a. C. that I saw the birth of light approaching the same one that saw us born in Bethlehem in the same village of the Messiah after 1040 years in which it separated us both and saw us born in different age phases..., he arrived at his stable next to his Davidian mother. Messianic I fell abruptly from the burst of beams of extinguished light years similar to those that accompany me today in the ceramic that also appears in Bethlehem.In this way I will follow your exalted Hexagonal primogeniture together with the Davidian spectrum, accompanying him to the people who gave birth to both of them."Sheba Dean, Vernarth states: "The Hexagon turned us around and we looked at the Zoroastrian sky, a new star guided the seven of us mounted on golden backs on camelids, now King David on the seventh Giga Camel". Saint John the Apostle intervenes: "In my symbology of the Apocalyptic as an ancient Davidian I give the testament of liturgy and that which appeared in the first centuries of Christianity in which its praises, prayers, petitions, characters, cults, ornaments, incense, Eucharist, chalices arise. , the saint, the amen, the lamb of God, the ******, the interception of the angels, the archangel Michael, the antiphons, the priesthood, the faithful, the meditative silence, the nuptial supper of the lamb; so are the numbers. At the same time, a symbology of the numbers is brought, giving them meanings; this is why for this author the "one" refers to God; the "three" can represent God although for the Jews it represents the divinity, and for the Christians the trinity (father-son and holy spirit). In the apocalypse the three appears as a fraction instead of the whole number a third part, a third; which indicates that neither is a full God nor the "fourth" that is the creation, and that two-thirds are not affected by what the third part is; the half and three and a half taken are from the book of Daniel and mean fullness as well as the "four" and the "seven" perfection, as well as the universe or creation of the representation of the four cardinal points, the four evangelists, the four living beings with God. In the apocalypse "the 5th and 6th" originate cataclysm and the "sixth" a vision of hope, the "seventh" the trumpets. The "six" denotes imperfection but one is missing to reach seven which is perfection; this last number in Hebrew is called "Sheba"; "twelve refers to the 12 tribes of Israel" (Jacob) (16), to the 12 apostles. If we make a calculation of the twelve tribes of Israel we also have to make it of the 12 sons of Ishmael that we can also consider them as twelve tribes. Which is equivalent to two pairs of 12 or 24; this last number multiplied by 2 is equal to 48 and 12 times 12 equals 144. Here we can continue calculating the multiples of 10 and 4 and thus group figures to give them interpretations. The number 1,000 would be the general idea of ​​a great number, the 1,000 years of the confinement of the dragon. Observe the negative aspect of some numbers that do not appear in the texts on "numerology" "King David, goes on the seventh Giga Camel, that there are five that are missing from the camels of the twelve (he being on the seventh) to get to mount the last one before they reach Bethlehem. "the 5th and the 6th" would originate a cataclysm but also glimmers of hope when they hit the sixth, and this could happen in multiple ups and downs in the lands of the birthright that saw both Jesus and King David born. The raison d'être of this Davidian way is Davidian Way He says: "Being on Mount Zion below the subsoil I imbued my proportion to my cenotaph asking to be my rest here or another. In the Old Testament, it says that I was buried with my ancestors in the City of David. Archaeological ramblings and excavations place my City south of the Temple Mount and not on Mount Zion where my current tomb is located. My city was the original settlement that became Jerusalem, they have searched for me in excavations of the City of Davidiana but they have not discovered my Tomb. Some have thought that I was buried in Bethlehem..., my city is also known as the Davidian Way,... but they look for me in excavations in Bethlehem and they do not exhume me from my grave. On Mount "Sion is my spirit" that looks for the Messiah still by some stairway that indicates looking at us both as humans..., both as kings but He is my true King. Here the pious and spiritual boat of Bethsaida had to pass as a consort in the Miracle of Pentecost that took place in the same place where the Last Supper was celebrated, the washing of the feet of the Disciples, the Meeting of the Disciples after the Ascension of our Jesus, Apparitions of the Risen Jesus and the Election of St. Matthias as an apostle, which was located in a high room on Mount Zion. He could be found in many places, but where I have wanted to prevail his well-deserved and welcoming place shared with me is in the Cenacle near me in my Tomb where he celebrated his first Eucharist. And now especially that I am on the seventh Giga camel hoping to reach the five that are missing to achieve the twelve that are missing beyond the cataclysm of the five that remain to get the twelve. That by equivalence it should have a correlation with my numeral year of my birthright 1040 BC and by a factor of multiplicity that if we make a calculation of the twelve tribes of Israel we also have to do it of the 12 sons of Ishmael that we can also consider them as twelve tribes. Which is equivalent to two pairs of 12 or 24; this last number multiplied by 2 is equal to 48 and 12 times 12 equals 144 as an arcane and secret measure of the edification of creation. Here we can continue projecting my work as a geometer calculating the multiples of 10 and 4 and thus group figures to give them interpretations of the size and measure that unites me and separates me from the Messiah."

Filled with a great piece from the cruise through the sands and the Judean desert, They were almost asleep in the hemispheres of each region that waited and recirculated with the energies of the desert. With its shifting landscapes, constant limestone hills between canyons of deep Philistine souls, with rivers and oases like Nahal David. They marked the passage of the camelids and the hydric solitude that dominated their fictitious vegetation. King David as the seventh horseman went far from those who opened fences at the tip of the anvil of the caravan. He felt moved to release the clothes from the cenotaph... from him, perhaps entering the Eucharistic pavilion that resembled his open mouth; He as a Young King was proclaimed, and he remembered when he was active in reacting to retaliation to scare off the Philistines, with his namesake Saul. They used to raid herds and fertile agricultural land, for which David begged the Lord what he should do in the land of Adullam? the Lord spoke to him and told him: "Let him rise up and destroy them", he did so and rushed over them thus beginning his reign of liberation from these barbarians. As they made their way to Bethlehem, the King felt that something was missing to fuel the atmosphere of his return to his homeland. Since then from the sky descended a flock of migratory birds that joined him when he fed the abdomen of the desert attracting six hundred Hula Cranes. King David whistled copiously which attracted lake birds creating an atmosphere of trance. Here time stopped and it rained softly sweet water with messages of love and everlasting avian hubbub. He recalled six hundred Cranes like the ones that sheltered them when the Philistine troops escaped, taking refuge in the cave of Adulam. Everything seemed scarce biometrics of the arid event in an arid destination. All embedded in the vegetation of xerophytic thickets and exegetical brambles that lit up with calypso color at each shoot of the past millennium in its early biblical time, when they approached the vicinity of the valley near Bethlehem near Beit Jala, erosive processes were imposed with meta desert factors of vile landscapes. Aeolian Eolionimia tramontane winds were falling on his Tekhelet, letting himself fall from the relevant heights with cranes with gravitating mud on their ends, with gravel from colonized riverbanks of the rocky Hamada desert areas, three fossil birds were climbing the rays that reflected the crown of two Kings to meet at Bethlehem. Arriving at the sacred native city and beginning in Christmas choirs and passion for the faint whistle on the twelve Giga camels, they venerated the hemispheres of energy prayer that insufflate from the eternal walk of the guide of their breathing wounding them as migratory birds of a series of fraternal cranes that invited him to be confused with the whistle of the divine Solano solar wind that calmed and stimulated the enormous breezes to warn the villagers of his enormous arrival together with the Apostle Saint John, converted into dusty fissures in quarries of the surroundings, where they stopped their work and deposited another rebuild in another temple with a greater whistle than a Sheba Dean.Shavuot Messiah; Shavuot is the second of the three pilgrimage festivals of Judaism (the others are Passover, Passover, and Sukkot..., which is walking in the desert after leaving Egypt). The Hexagonal Primogen took seven weeks through the desert and the Holy Land to reach the target that is Bethlehem. It would coincide with Shavuot; with bucolic meaning corresponding to the time of the year in which in Israel in particular the first fruits are collected. This is why the holiday is also called the Feast of First Fruits. During the festival, it is customary to eat dairy products, accompanied by the seven characteristic species of Israel, based on yogurt, honey, fruits, vegetables, and spices. In the existence of seven in their camelids is the vibration of their fruits and spiritual messages. The Shepherd and His Flock According to tradition, the area located to the east of the city, belongs to the fields of the shepherds, "they only keep watch in the dark for the shepherds who are in the field." Several churches have been built to commemorate this event. Even today local shepherds can be seen tending their flocks in the same area (even on Christmas Eve). The relevance of this land of herds is the conclave of this brotherhood, Saint John the Apostle, King David, Vernarth, and the retinue of animals plus Eurydice. They are beings of light that come to pick up spikes and sheaves, the seeds of the gramineous environment that surrounds historical vibrations of dissolution of resurgent energies from all corners. Despite being a thousand-year-old Canaanite city, this city now has the visit of this conclave that is going to loosen the chains that had been folded in its geomorphic genesis. Here the memory of the seeds and spikes are impregnated with the "Lady of Light" made and made of the divine seed that feeds generational infants, whose silence generously retransmits all those who will give birth to pain and all those who memorize your gesture. Mother, Parents, and children will go through the past of a farm that only admits one seed "Gleaning his Divine example". Flooding and spreading beyond all limited expansive creation of the Marian World. Before approaching the confines of the village, Archangel Uriel becomes aware saying: "Gramineous Consort..., herbaceous Shavuot divider Spike between races, lineage and family, typology, lineage and hyper gender... Here lies your superfamily thickening ancestral in daily sheep...energetic molecular matter..., golden passers-by flowers of Sutra thorns, glucose polymer molecule, herbal and decreed perennial network...vascular bio Mariah..., graminaceous chopped stems..., crowns to the precept! striated Angiosperma, the tabernacle, prevented weeks of your veil and hoarse ritual...Bethlehem..., on veiled feet, golden tornado wind....extreme advance..., carrying flowers to your Messiah, re-blooming womb, scales and pitch collapsed on your candle..., varnish between milky honey... traditional ancestral embryo... full holistic, skillful milk and aloe-myelin and consummate Messiah..., pheromone teaching nativity..., rescinded to Nacer. Here is your Shavuot Hexagonal Architectural Primogeniture where nothing is born and nothing dies, mutualism roar great prayer of subspecies... high-sounding and metabolizing Big Bang..., intra-species, specimen Guru-intuitions, Sheets in beads..., between Ruth's fingers and her uninhabited herds, Druid plant ficus..., sagebrush, plain rock, and rainy past weaving, Here below you I double its wool in July... Sheaves of wool that undress, Brave Period and histo-weaving tillage..., fateful hunger and cotyledon... Bread on tiles of your altar; germ to satiate..., awning to heirs to plunder...A quarter of your barley toast..., will prostrate itself fascinated supposedly in a rooted basket, Junco discerning in thunder, pseudo-diaphragms reflowered millennia, perfect Sheba of Seven knotty and amplified trumpets between the eye of the Universe... thousand-year-old Reed roots on the back of my hanging donkey distilling in the confines, affirming themselves still and tremulous of ogre sheaves..., restless Davidian affirming themselves in secondary roots..., in bifurcated grass lights,... in empty Davidian center, through the Davidian center big bang space of Bethlehem, Messiah..., ear of the Lady of Light...! between prayers of forty and more to the right..., multi germinating." ... in the empty Davidian center, through the big bang space Davidian center of Bethlehem, Messiah..., a spike of the Lady of Light...! between prayers of forty and more to the right..., multi germinating." ... in the empty Davidian center, through the big bang space Davidian center of Bethlehem, Messiah..., the spike of the Lady of Light...! between prayers of forty and more to the right..., multi germinating."

Saint John the Apostle is frozen by this senso-oratory, lengthened his phonetics, his words, and accents, making himself almost unintelligible as he tried to record himself and imitate what the archangel recited. The slopes that formed a beautiful valley moved to the opposite ones. The verses transmuted clarified energies, caloric and meteorological, the wells of the oasis sites that dwelt for millennia lit up like rubies in a Pingala aphorism, resurfacing in borders that adorned the presence of visitors. With energy channels and energy wheels, they traveled like turbines to the left brain of Bethlehem where north and south intersected vertically, pouring out the Prana that threatens the storm of the intellect, which sleeps what awakens in the port angle of North and South. Thus Bethlehem received visitors who entered with their ungulates, faking being nomadic mountains on camels that prowl in random sedentary circles. Shofar and Asherah, already set, begin to direct their destiny to the heart of the Nativity area where their origins and areas of the omnipresent West Bank strip were. They entered with strong winds clinging to their bristling camelids, everything had the atmosphere of a city as if it had never been inhabited. The fringes in floods of the sun were distinguished orange-reddish weakened before storm gradients from the Red Sea and the Mediterranean placating the Hexagonal primogeniture. Although squalls were appreciated with agile movements in the local atmosphere, several layers crossed with the inheritance of Persian cloths in colorful blues and orange tints coming from the red sea and the quarrelsome storms of Asherah "The mother of all the gods", and He who was the "father of the gods". Known among the Babylonians as Ishtar originally called Athirat (or Afdirad). She is the great Semitic goddess of fertility. In the Bible it receives the name of Ashtoreth, a distorted pronunciation of the original 'Astart by including the vowels of the Hebrew word boset (shame) according to the custom of the rabbis, to discredit the pagan divinities. Asherah from the Bronze Age (before 1200 BC) The Greek form is Astarte. Astarte was considered the "goddess of the Sidonians". In the Amarna Letters, she is Ashirtu and Ashratu. The Ras Shamra texts identify Asherah ('atrt = atirat) with El's goddess wife; they call her "Lady Asherah of the Sea" and "progenitor of the goddesses", here she would be the mother of these discredited Babylonian forms caused discomfort and discomfort in the face of a living past and present in the intangibility of inheritances that greet others that could supplant them. This caused heating of the ground in the podiums or legs of the animals with an abnormality of the Greek-Babylonian wormwood prostrated at the feet of Asherah, leaving an odorous atmosphere of wormwood in the land of two native Kings of this jurisdiction, attracting dissipation on the roofs of some surrounding houses to the precise place where the Messiah saw the light of lights and those who waited for him together lighting him with candlesticks. This sacred wind caressed everyone's hands and insinuated them to take charge of the new Bethlehem, a vicissitude that was being reborn with the illustrious visit of the Apostle. His consolations were dilated as any caravan that increased its predictive volume equalizing the pressures of the air that surrounded the streets where no one appeared and was seen generically. This centrifugal force rotated their terrestrial spirits, originating the birth of a great thickness of crazy gases that populated the roofs of the village. Thus creating greater weight and highlighting the freshness of essences that were torn from the soil with the aroma of grazing, explaining to themselves the presence of sub-areas in the West Bank and insolating redemption of the arrival towards formal merit contrasted by the gesture of being staying next to this at night, and varying many times until bringing them the holy sacrosanct condensed water, deregulating the thermal sensation.The density and buoyancy of the animals' legs made it difficult for them to select the right moment to stop and dismount. The aerial relief that went up and down went up on the walls of a few rooms linked to the nativity stable, pressing on them the adjacent words that were allied from the ground to soon arrive in an ascending spiral converted into light and wind on the seventh horseman; King David, appearing to them right there..., right there before Him his Abigail, the third wife who gave him an advanced reconception by presenting him with an altar that will endow eucharistic missions during his admission to Bethlehem. On the gradient that led to the hill of the stable, an unexpected phenomenon swirls around them, affecting their vision and consequences, rotating them all to the rear of the original access to the stable. Converging winds on the ground and upper external part of the stable and causing an anticipated shine of the space that would prolong them to under-understand that they had already arrived but were still seven hundred meters from the main access and that the city was not Bethlehem, but another that seemed to emerge from the arid soil next to the stable, dividing into inter-strips that rubbed against the original and current ones, in such a way as to generate a great development of the subsoil on the vertical that sounded stentorian and vibrating as if in a long stay on the distributed assistants in this supra abnormal regime. They arrive exempt from grievances but dismounting gentiles..., the sixth piece of crowns of Kafersesuh bringing the fertilizations of the Ibico Ring 6, for the central stage of investiture under the shadows of Hellenika and Theoskepasti, where everything will be endowed with the greater Ibix called Wonthelimar together with Leiak. David speaks: "When I approached Moab, I asked for asylum in the protection of my parents..., so I myself would burst the eardrums of the Philistines for each rugged network of links that join me in sponsoring my counterattack advance towards their domains. In their unknown territories of the enemy appears before me a noble and friendly joy; Abigail, who fills the history of my land with beauty before the very son of a cruel Canaanite; Nabal. She enriches my lands more than the entire multiplied population of animals every time I count the units, I look into her eyes and forget the greater amount that moves her heart towards me because of that I did not spill blood on the house of Nabal. Being Abigail is the one that replaces my union with the Faith that moves my passion. Abigail then kneels and touches the ground where he was making the sign of the cross after assigning a cross kissing his hands, on his forehead and chest. Thus, from somewhere her parents reorganized the garments to ravish Vernarth for the bi-connected purging of him with that of David and the Messiah-Vernarth. As in the Jericho tale, Alikanto, Raeder, and Petrobus galloped around the periphery of the citadel, with the full force of the steed's Golden hooves kicking up liquid and dust from the Bethlehem water tables. Alikantus did not carry an amount on his back..., he carried an Áspis koilé of the Vernarth Hoplite. resume their advances in buttresses to build the walls, that they had to mediate to weaken Asherah's overtures to disagree with the citadel borders. The Apostle, Etrestles, and Vernarth blew the shofars as many times as they gloated the perimeter of the city, and they believed that there would be more rounds..., on the divan was the Shofar that could sound more times and louder, it was intact..., but it ran to blowing it Vernarth not leaving a single drop of air looking at the sky that would appear with three bright stars filling the anxiety and attachment to break the Easter bread for everyone. But it was not that effect it was the astral echo of King David's Betelgeuse that emanated with his breath also helping to raise the walls that would protect him from staunch invasions of the lackeys of Asherah. In such a way that the partitions were raised until reaching the governorships of the words of the watchman angel who coordinated everyone saying: Watchman Angel: "For us the partitions, for you the roofs, on the heights the limits will mediate and on their Shofar they will define to Asherah, without any city where to go and come" Such exordium is fulfilled and Bethlehem is surrounded by golden barreled partitions rising in remarkable walls and heights to placate the roaring winds of the Canaanites as in Jericho but the other way around, where they succumbed to the mandate divine to allow them to settle in the thousand-year-old town hall. Finally, they remove the twelve camelids from the ante circle that did not allow them to settle in the settlement, managing to settle down to revive a bi-natality and double reign of whose splendor only the luminances of the Messiah and King David embracing them will speak. From the extramural continents they remain desolate, they revive the pristine and angelic countenance of Abigail bringing dinner and a fetish Shofar to each one of the components of the Hexagonal Birthright that began to continue the seven weeks in Judah. The legacies of Magraner"Punica granatum" were bushes that appeared to them in the focus of the micro center of the fire, entering with some tenuous and sinuous branched thorns getting muddy coming down from the tassels of the Shofar feeding the curiosity of all those who were encamped surrounding a fire full of sounds with new positions of devout pupil sounds of high Jewish principalities, cordoning off objects of the Apostle Saint John who shared it with Etréstles..., giving sonorous instrumentalizations to rams that came around them... looking for ravens that jumped on their heads. Due to the binding and cracking of the shofars, in the opposite works of luminosity, the bonfires hung over the same faces of the wise counselors who unfolded them with their young shiny branches and sheaths before others underexposed yellowish-greenish with obtuse apexes. Resigning shallow marginalized exceptions, polygons of pre-flowering and shofar-formed on valves that escaped from ashes of shutters that were detached from the last fleeting flame of each minute running to the right. Everyone collected the nectars that the legates poured into chalices, drinking them lying down to swallow them while reclining and being able to look at the stars that emerged from albiceleste flavors, rinsing the arms of each one by touching them with the shofar like petioles stems on the seven ruminants that sought to recover what they had they made heavenly sounds about themselves.  Etrestles says: rinsing the arms of each one by blowing them with the shofar as petioles stem on the seven ruminants that sought to recover what they made a sound about themselves celestial. Etrestles says: "When the shofar speaks, past pastorals speak inside and outside the community, the most outlined has been to understand it as a trumpet of bony projection; that is to say, formed by a bony and pointed matter that is born from the frontal bone sealed by a layer of keratin that forms an aerophone horn cover. The horns of Moses come from a translation of the original biblical text perpetrated by Saint Jerome. When Moses descends from Mount Sinai, where he met with God, "the skin of his face had become radiant" says the Bible (Ex 34, 29-30). In the original Hebrew the verb "to radiate", and "to emit rays" is from the same root as the noun "horns" so Saint Jerome did not think twice and translated: "cornuta esset facies sua", or that is, "his face was cuckolded".Taking into account its timbre and sound quality here with you, it is not difficult to associate it with the sound and with the golden patina simulating Messolonghi's fingers..., which three by three-piston their bone reaches linking in some ways of beauty, goodness, clarity, brightness, and stories that will accompany us in this bonfire between these raised walls to level the vaults of the Messiah's nativity cries. Calibrations and catechesis on the real moment of his symbolic Lineage at dawn awake and alive, with waves of graceful voices with goat hosts reordering the urban matrix of the erected town..., everything will be at the expense of surrounding us and pouring out the voices shuffled with the shofar to protect us from Asherah in his eagerness to move us away from the fundamental site." Vernarth intervenes: "In this passage it is clear the capacity that the shofar..., and the sound produced by him with our similar voices being amalgamated with him, bawling and modifying the environment to a polyvalent physical dimension. Now we are a herald of goodness, beauty, and reconstruction, part of a noticeable dialectic to neighboring Canaanite cultures as a sudden reconversion between what was built and what is about to be founded even if something were to disappear in it. The wall was rebuilt in reality surrounding all of them beyond the golden light of the shofar producing today's creation and not devastation, encapsulating kingdoms in wisdom and lucubration..., this is where we have all come from the return of didactic cultural forms independently to attract us towards his teachings in an anonymous converted world with the purpose of reconverting itself into a solemn alert that precedes us.



Paraps XXVI

Messiah of Judah III part

Miracle IV- Baptistery

Stressed knowing that he was on a hill reserved for the beautiful settlement and elevations to the east of Bethlehem, he understood to facilitate the unusual lighting. stress; Leader of the Koumeterium Messolonghi felt that after thousands of years of his life in this Holy Land a great value of omnipresence. The Miracle of Christian protocol would begin with him paying for votes and tributes in the Church of the Shepherd's Countryside. In this rock of special mysticism, "He begins his rebirth in his tenth life before there were nine in Messolonghi (Koumeterium Messolonghi-Editorial Palibrio USA). A miracle happens that transships him to caverns that would transport him from the oldest of the past nine cycled epics in Kalavrita, Kalidona, Patmos and Messolonghi. Here he will come face to face with past lives, in The Fountain of the Shepherds,   in this analogous with allegorical motifs commemorating the shepherds and their flock by those who crown this fountain, having before our eyes the sculpture of the shepherd and under his feet floral motifs such as palm leaves, heads of cattle, sheep, and ducks in the act of drinking. In this hexagonal source it is equated with the Hexagonal Primogeniture, here is the miracle that would come to arise to reunite with the intangible Creation and Illumination as clothing. They thought they were closer to the village... but in reality, they were three and a half kilometers from the village itself, in a fenced compound with a wide path that runs through the park on the hill between trees and lush flowers that clearly evoke the place where those First-century shepherds brought their sheep to graze. We were all dozing off when certain royal decagonal sounds would transport us through the church..., on its decagonal plan, it appeared surrounded by four chapels and the apse that houses the altar, covered by a large dome of mortar and glass that lets in, illuminating the altar as it did. the guiding star that pointed the way to the shepherds. Here the murals that protected us from the hosts of Asherah had already disappeared. Most likely, they were keeping vigil over us with great chandeliers as they opened up in swamps from the sclerae of our desolder eyes. We were trapped by the quagmire created by Raeder and Petrobus in opaque clouds of sheep manure spilling through the corridors of the unknown worlds of climactic grazing. We went to its structure and over the entrance door, we saw the angel of the annunciation and above it, a singular bell tower incorporating us into the façade through three relaxed arches. Inside the beautiful fertile field from a marble church in two colors, some spaces could be emphasized, to which the columns that support the roof also contribute. The chapels are adorned with precious frescoes that represent scenes of the annunciation to the shepherds and arrival at the birth and altar table that is supported by the sculptures of four angels above all with the appearance of the hexagonal primogeniture between these angular stones. That hexagonal and polygonal effect in both parts were intra-excavated from their own vertices, They crossed a straight line from the north in a double semicircle that was concentric in the precise diameter of the equatorial inscribed in the central circular bleat that a sheep lactated..., here the shepherds arrive and receive them with great hospitality in symmetrical affability, shaking them with their shofar. over their songs and tunics..., each one was blessed by the nascent air of the other more than a steppe grazed by ruminants and palliated mouths. Twelve degrees to the right in the sixth wick of the Menorah, a regular silhouette was lit, becoming this intangible whose thirst makes them drink water from a hexagon well much more equidistant than walking between themselves, moving their hands with all the urgent emotions and dynamizing numb emotions that would vibrate from the third angle by clothing them with vertices of light that shone from the convex morning. There were six complex roots equating each other on the regulated plane of animals, which were parked near the medium stone walls where Raeder would climb to run over the walls, standing out more with each side in which the same forms of expression could be appreciated, embraced and emphasized. those who could decide to generate a rebirth of two kings and that of Etréstles by an internal lighting hex. Close to the church, colorful caves can be seen in the calcareous rock that dated back to the fateful Herodian era, denoting some surprising utensils found, of which we know their mission of the chapel when the diocese was founded.

Etréstles, receives a luminescent self-radiation immediately from caring and guiding as it has always been, but now in a tenth luminescent life in living connected to its own cisterns. An enjoy approaches him showing him his paw..., the curious thing is that this dog had six fingers, there he was convinced that it was his generous shepherd and that he would take him through internal labyrinths of his lighting by the sixth finger to help more unwary and unconscious beings that illuminate and grant subconscious existence in pumps that have lost their law in affront and self-rebellion. His sedition would begin with the substitution of grass so as not to depend, but rather to maximize them in the cavity of their stomachs, so he began to wander through the hills seeing how all his sheep fed on dry land, without any water source.

Raeder ran along with the cover of the stone walls, Petrobus turned around the perimeter of the inert time of the upper ledge, and the camelids raised their shining legs filling the herbaceous pastes in their timbal snouts, Alikanto sensed that only three kilometers away he was already presenting himself. the stable where they could surrender to the intubating silence and the innocence of a super little one who came and appeared..., knowing everything. All animals eliminated pastoral toxins and pheromones being free from enterotoxemia, distributed from the soil and the gastrointestinal tract of the youngest, not appearing in the holy ovine soil with the bactericidal absence of Hexagonal Primognitura. the pheromones in this chapel it was assimilating between special olfactory glands that would reign. They would fan the wings and its bursting abdomen, rubbing it on the roof of the prominent chapel like a domestic beehive. They would exchange the oral use of the inaugural soil to receive them in the animal creation controlling the cells of the chapel and segregating the maintenance of the backward world. The mandibular pheromones could be seen falling to the slab of the church, becoming sticky as they progressed to and from everyone's entrance. The pheromones of the sheep created recruitments of the others in the integument of each cognitive inflection plotting them to enter the baptistery, something like that would never have been possible, this was a great miracle in the rebirth of Etréstles when they could enter their own womb..., they lay down on Etréstles passing over his abdomen generating honey from his own mouth, giving the pheromone of the sheep when transiting and of the bees that provided him in his abdominal cell. Chemo Neurons and receptors renewed would be in charge of expanding circulating olfactory lines, causing an electro transmission of energy never seen before. Everything happens as a result of the metamorphosis of Etrésltes and his hairy clothing often lives on the backs of neurochemicals filling him through the largest lobe of the winch, which he had and carried in his hands and which he had requisitioned from the nearby mill of the ancient Christians who lived there. The apostle says: "Each verse..., a molecule, each surface a new system..., each membrane..., the rebellion of stimuli..., energy chain, sensitive organism..., neural axon, physiology, six hexagonal angles Pastors and Primogeniture creating together with a new genetics of harmonious existence that does not tire the sight of the Creator, seeing how everyone has fun in the garden of their house" The baptistery has a hexagonal base, which coincides with the primogeniture, since it is based on six anthropoid-zoomorphic elements, missioning after the vestige of memories of the Messiah, whose doctrinal base will predominate the exiled Apostle who miraculously returns to be close in the church of the shepherds with six angles that concentrate their escort, towards a single center of the tabernacle that will be reborn in the figure of Etréstles de Kalavrita. Vertnarth says: "Blessed light of luminescent glories that you have made of today that nothing ends in nothing..., everything begins..., this plan transfigures the purge that takes longer than the light that does not turn on from the darkness surrendered before its vassals. Now king tomorrow vassal, now sun tomorrow darkness. Nothing produces pain only temporary blindness, what hurts the most is exposing your face to death and your mind, In Ein Karem, two ears in spring besieged Etréstles falling asleep on the cross that was in the bell tower, could not wake up the next day among molded bronzes. He had had excruciating nightmares that prevented him from waking up. This is how he describes the dream: "I was heading towards some heights of Ein Karem when I was going near some hills near said city, some Roman Praetorian soldiers appeared to me and arrested me. Suddenly I woke up after having recovered from the severe beating they gave me, they interrogated me again, and they put half of my naked body in the middle of the body of an underground cistern, trapping me towards it by the enormous ice that was distributed in my body. They told me that they only wanted to test my resistance to water in this cistern to test my Hellenic Constitution by resisting darkness and high low temperatures as a Hellenic foreigner in Hebrew lands. Well, I was always very intrigued by everything but there came a moment when a luminescent light settled on my head in Ein Karem..., it was Isabel, the mother of John the Baptist telling me that there was a path where I could escape. At the moment that the guard came towards me, she surprises him with a viper that stings his hand..., quickly escaping the guard. Surprised I ventured to escape but when I was far from the cistern I returned to thank Isabel, I found myself face to face with the viper that was nested in the rags left by Santa Isabel..., Likewise, in the textile fringes, the viper uncoiled biting me in my right hand. So I had to leave quickly and go find Kanti who was waiting for me in a suspicious meadow. Precisely he took me to the edge of a bush where he pulled me close and with his snout he licked all the poison out of me. So he woke me up in the bell tower of the baptistery in the spring with the ears of a steed." Continuous parapsychological regression: I had been left alone in the hexagonal radier, full of brambles dressed in tides that fell from the bell tower on my wound. They had all left because they couldn't find me. Immediately Kanti took me by the hand and put me on his back, to go to Ein Karem; the Land of the threshold of John the Baptist. We headed to an important Christian site which was the birthplace of John the Baptist. Everywhere grace abounds on every fence, wall, and path, we rode through the alleys for hours until my wound healed enjoying my prayers while riding on my beloved Kanti. I felt that the left ear of my sorrel when walking without a shadow, showed me the essence of a prepubescent who had been born in this village, where his mother, Elizabeth, the mother of John the Baptist, became pregnant and gave birth miraculously. Here, before this same lure, the restless right ear of my beloved Kanti told me that there was another child who was in his mother's womb; Mariah who was also pregnant with Jesus, and for this reason the village well is now called Mariah's Well and its waters are considered canonized. Kanti's parable: "By moving my ears forward I see our comrades around here near and behind, and in yourself, I love healing your wound. Now I will continue with my ears ***** and flattened back, making myself invisible to the Praetorians who want to target you with their leprous tongues." So I will continue with my advanced antennas forward and well dilated to hear the good steps of our comrades. Likewise, Alikanto kept his gaze on some pomegranate trees that stood out on the stone wall at the bottom of Ein Karem, while the chestnut advanced, he mobilized the base of his ears. When he felt allergy in his forehead and in the arched anatomy like super Kanti. In the domestication of him and in the use that Etréstles gave him after long days of the war, his steed had a tendency to suffer stretch marks at the supra muscular-osseous level. Showy macule like this, but not in his anatomy of immortal Equus as an external anatomical and physiological steed. Here the membranes of his cardiovascular apparatus are opened, separating him from divided Cretan and quadruple blue blood, turning in his Lazikos dance with hyper-oxygenated airs locked in the Ganymede sprouts when he was kidnapped from Mount Ida. In his exile he took care of sheep..., Zeus looked at him out of the corner of his eye and his own bled..., Zeus fell in love with him on the spot and sent him the eagle, "Which Kanti has interpreted here as the blow of Saint John the Evangelist missioning his telepathic vibrations through the corridor of the monastic cell on Patmos. Knowing that this steed and namesakes are of origin from super ventilated atmospheres and foggy areas of the northern coast of Crete. Calling himself that, about stunned himself..., about the serpents that snake sparkling from religious Hellenic mythology, between Chthonic gods or spirits of the underworld, opposing the celestial deities. The timpani telluric tremors of the hexagonal tectonics would merge with those of the chapel of the shepherds and that of their percentage share in Etréstles, of a sixth portion of the sixfold Hexagonal primogeniture. The steed's morphology resembled that of Ein Karem in super-ordered hoofed limbs like those of a mammalian placental, walking in the cracks of the quivering fingerprints of its odd footsteps. Etréstles says: "His head is the same as mine..., neck and trunk, the sigil on his pyramidal neck in which he could read the Torah. The technical nasal orifices of it are beautiful straps surrounding the headgear, touching his weariness beyond the vigor of finding him in a place of sherbet of the cisterns after having dealt with the leather that pulls his pair of smooth ears, over the blind spots maneuvering in the cove of his beautiful Cretan poetry being like that too when blue smoke smoked from Hestia's orphaned chimney. Fine trapezoid grace where her neck nails the circumlocution of her knee and the gauntlet of her inseminations and straight mane regenerating and blocking the rays of Zeus in the concave cups of Ganymede spraying them on her beard and mouth the liquor of sober trickery. I continue in the balance of so many battles won, with my Xiphos and Áspis Koilé,... beyond fearful purges that allow us to find ourselves around the corner in front of Vernarth, waiting for us to shelter Kanti's ears in Ein Karem. " They left Ein Karem after having had the vision of the Mount of Temptations even being far from the place. Grouped together again and looking at each other, she saw that his face was rejuvenated, putting his Herodian gestures in the company of King Davidian.The Messiah was born, a King without a castle or subject knowing that children under one year old are attacked by plagues or sacrifices. Messiah King of the dying world compresses for what bleeds the divine blood from him. A trifle of Messiah in each one speaking with their eyes after looking at several roofs without their own roofs, all serene,... without blemish in the middle of their faces in the violet iridescence, sounds and choral masteries that emerged from the surface in flocks of white from the Azores islands, they rained multiplying on their wings before arriving at the mass of the annunciation near the stable. Vernarth arrives and sees people gathered with their heads together and holding hands, others holding the bells of animals to hear the sweet voice of the little boy rippling like cotton in the harvest from the braying of a colt that dozed in the shade of its parents before eating. Vernarth puts down his sword Xiphos and genuflects and crosses himself with the hand that allowed him to move his fingers against his right Lynothorax wounded in battle. He makes a metallic cross sign by crossing his swords with water flooding the sidewalks of ultimate dazzled ideologies. One day he wandered away from the alleys of Emmaus where he had visions of Praetorians discovering idolatrous moods and scents of a newly arrived child from the white clouds of an approaching stable. Vernarth puts down his sword Xiphos and genuflects and crosses himself with the hand that allowed him to move his fingers against his right Lynothorax wounded in battle. He makes a metallic cross sign by crossing his swords with water flooding the sidewalks of ultimate dazzled ideologies. One day he wandered away from the alleys of Emmaus where he had visions of Praetorians discovering idolatrous moods and scents of a newly arrived child from the white clouds of an approaching stable. Vernarth puts down his sword Xiphos and genuflects and crosses himself with the hand that allowed him to move his fingers against his right Lynothorax wounded in battle. He makes a metallic cross sign by crossing his swords with water flooding the sidewalks of ultimate dazzled ideologies. One day he wandered away from the alleys of Emmaus where he had visions of Praetorians discovering idolatrous moods and scents of a newly arrived child from the white clouds of an approaching stable.Intrepid and with light-years, he came crawling in his arms with his crown traveling from the smallest space that relieves the world in a Templar, first-time and omega period, with the appearance of being born by all. Perfect and newly born with frequency blue body, blood, and eyes. Covered with gummy gelatinous substances..., anti-Herodian; seeming to save others with their small hands of the divine womb, which manage to enter the heart of God, even having fingers that do not reach the edges of God. It never seems strange to him, only that his ***** seems to never come out of him. But it is spontaneous, he sparkles outside the womb of his holy mother with the immersed placenta in the prayers of the induced shepherd of the womb of the ****** Mariah that great arms shelter the orchards to surround all those present in birth that seemed like that of a donkey's ******, who could raise his son to be King of consecrated animals as well as few making dalliances to the right of the resident Menorah getting up early. Vernarth says: What are we to expect?...the vigil...with his shoulders hunched and his head pointed north of Jerusalem this little king bent on his pre-fetal knees, after nine candles to the right of the troubled Menorah. Even though the midwife who helped the puerperal Mariah was not premature and they distanced her from the halo parenthesis that playfully changed where to put herself, close to her saintly interior, that is, triggering the powers of phosphorescence. Self-creating a thick but light layer of psyche that would make him already independent of José and Mariah...and if they weren't! His fists since childhood had signs of a stigma when he was just unborn and not born, azure flames came out of his hands lighting up the eyes of his dazed parents. Rabbi's golden machine lactated seriously when her mother slept, she didn't allow him to see her conscious of her drawing intra-lactations of the lymph from her entrails, whose gothic light ****** the dominant Magnificat of the Vulgate. He ****** on the object to take her lactation and her left hand to space it out to all who wanted to go into meta-object lullabies. Thus, her thumb and finger are introduced into her mouth, pressing them on her startled palate at the braying of the graceful donkey. All those present took with their hands the others with their own thumbs, returning to their childhood cycles just laying down in the manger. At that moment, far from feeling the imagines walking near the fields of vision, shiny noble metals..., their candelabra eyes dazzled as if they were brothers. Here he moves his arms copiously as if wanting to fly from there, with the vigor of her winged mother, to follow her beyond a tender left-handed Golgotha ​​deception. That he kept the pendulum coming and going from one arm below the other as he turned on top of her, embracing her lush maternal hand. His early nervous system was celebrating on the back of the colt, highlighted with rags in temples that he imagines to be sacral effluvium in waters on the flat beef, the camel and Raeder and the Petrobus Pelican and other animals that were on their knees smiling with their hands glued to each other all sweet to the right of the sweet nectar of the Magnificat. All the excited animals still trembled with emotion on the demure ground of this alpha biblical moment, all imitate the trembling animals but each of the adults who were there hugged the hands of each animal and child present as a sign of giving comfort to the parents together to their children who seemed to be already an adult saying goodbye to their birth. His scaly breathing was full of anagrams of Magnificat, they used to trace analgesic sources of the dream of seeing him between golden and straw fistulas of grasses breathing next to him. The voices were felt from outside of those who could not enter of glory and breath without equal of the rancor of the world distracted in a piece of tin and hardened hearts, now resplendent from seeing so much sleep looking at them and drowsily yawning in a golden child. When they breathed her glory, they followed the patterns of the priestess Deborah, who for some normalized her feminism and strength as a mother breathing the libertarian history and matron of a nation that should have been born in a Judah stable. Mary and Joseph were distracted every second looking at him, they felt that the Messiah grew too much, worrying them about this strange unreality. They breathed more than their own son seeing him without breathing that they had to do it in the garden of the man who allowed him to do it today. As long as it took their parents to distract themselves, Saint John says: "Godson and Man, the priest made Pope..., the minors run after the elders, the bible for more apostles so that they swell and spread it, that the gospels add more pages and favorite editions. Prochorus; you who are...in some seat of Patmos prepare sacred parchments with thick corpulent ink..., which will reach your cell and seat. Studies..., something wrong...? An anointed Christ needs us to write for him because his hands are asthmatic in the words and in the inspiration that you move all the pages of the world reading them scattered and disserted,....in each well and each step was son and man, where king and mother and where each mother has to dry the cloying slime that dries up the mystery of having her white and emaciated. Let him sleep, perhaps when he wakes up he will meet a Messiah who will never stop being in his arms.

Kafersuseh. One-Dimensional Beams

More than two thousand years ago there was a mischievous infant who looked and looked curiously at the beams when he was born in Bethlehem..., especially ones that crossed! This happened in the polarity of the magnetic stable of Bethlem in a portal on adjoining hills that received him overflowing. This glorious empowered looked at the beams that wore ingenious crosses, seeing himself there being still an unborn he knew that when he was born he would already leave this unborn universe. Above the trusses that riveted the frame, he approached with his lonely gaze above the roof being able to see some beings of light organizing a Eucharist on the roof of his stable two thousand years ago that could be more than an edict that he would inaugurate the sagacity of caring for and giving newborns what many wanted to see but few knew who he really was, even having no record of him or his lineage lost in the middle of the strips of hay. Says the Messiah: "A few minutes ago, or more than two thousand years ago...? I counted the times that the Res waggled its tail, and I realized that he already had selected visions in Kafersuseh, higher than the ceiling of the beams..., in the sunroom, some outcasts also visit me, reborn and loving. It even has to be detected that someone came from far away but arrived late, I was only able to observe him know how to join him to my pariah criteria. He was tidying up the altar receiving orders from the unsupportable upward hardwood scaffolding telling him so; "That everyone is in alliances lining up for those who didn't fit in the stable." I looked at the roof of the barn seeing beyond...being able to verify that my custodians were there preparing the beams on the plugs that crossed each other to climb to greater viewpoints after rubbing the rough coatings of their flogged texture like whips from the underworld of Elpenor. That gentleman remained, and not when I lost sight of him with mine as a child-man, since only he distinguished me but not so the beings of light. The disillusioned Eucharist was being consecrated. I never rested in looking, resting in a forever, because I saw that my eyes became fringed lights in the lasting oscillation of the chants of the reveille or the tri sonar of the shofar. During this time a rising angel appeared, trying to get in and out then he belatedly decided to join the group of shepherds who were herding their sheep in the fields near Bethlehem, and he told them that he brought good news because the Messiah the savior of the world had been born. The shepherds left everything to go in search of the newborn since the angel told them that they would find me sleeping or in dormancy..., but I was not staying on the manger, since I was up in the space of three sounds of bells, almost farther than close to those who announced my advent. After three sounds of bells, three shepherds of light came down from the roof seeing in me that they recognized your minds, thus being they who blessed my journey on a day in the Middle East, even being on a roof next to the paradise that I officiated in the splendor and perfection of the world as a man-child not far from the magician outcasts, who parodied all the songs always with followers of Zoroaster and my Kafersuseh up to Gethsemane and towards my mother. The Messiah was still abstracted looking at the sky while he was busy putting his body to sleep. There is no doubt that his unfolded being made him move his first steps in original words that alluded to a game of learning to give the first in Judean usage on the stables.His disconcerted hands of his body made dance stories of those who were close to him, making only about fifty grouped there in watermarks that ran like seconds within urgent minutes without time gathered in the Jewish dawn of Eretz-Israel. Saint John the Apostle says: "God is concerned about the material world and about this creature of His that predetermines us. This is the amazing thing about the Father and the Son. Behold... I will walk in the dark, not in the light. So you will see the trait that not a lifetime will take me to know which in its similarity and who inherits the body and soul of it as in the hands of a bumblebee. I feel love over the hate of others, I see the light that could be a self-confidence to those who resound in their tired and inattentive ears, maybe that way they will see when they can see better without listening attentively to the sound of the bumblebee. I see the verses fly and how they fall one by one on my soul in order obeying the flocks early, like a herd ordering those who one after another look at each other later ordering the perfect law of the beginning in a reconciled end "In that instant, fragrances of the dense flowers in water transmitted the anxiety of those who wanted to continue listening ecstatic and fragrant, but as they got rid of their presumptions they fell into the abyss on the banks of the cliff garden of Malaki, where many of them coughed or cleared their throats luminances that attacked their feelings wrapped in judicious phlegm on their limestone tombstones. Vernarth says. "Drink with me..., I have a new concoction from the beginning to the end where the branches enter with their effect from the same branches the true light that savors mistakes and slips comes out towards you. I have scabs from many shadows, but the unfaithful passion that hates me with such intensity is ennobled when seeing me prostrate before the Messiah who does not tire of a new change when seeing how his rounded limits shine on his face, much less of adapting in square limits nor to continue being born and dying, by drawing the curtain that his selfless mother always shows him to sacrifice, immersed in Gnosticism and of all those who tried to relate it " We will not be able to ask ourselves many times who we are being in front of and every time a child is born amidst variations that make all mischief its preciousness because it is born from the locked heart dancing in the greater acceptance of the welcome cycle of being born and being reborn. Even so, never having been among them, the systems of credibility are tired of their limestone material..., they register and suggest all kinds of contemplations in a vague naivety that shines between gold, myrrh, and frankincense. All those who were present transcend to resent their consciences by believing themselves spiritual while tenderness accompanied them, but not religious but the leadership of a creation will be presented to them in this stable that we see just being born that is above yourselves being born in all that concludes in an epistle under the dominance of "As you believe and love not seeing, what we see in us not believing" Indefinite before this stable we pray over the mother on her arrival, and we will pray in his mother when he leaves..., he is physical for those who accept him as a divine man and he is vainglorious for those who do not, those who do not tire their limits do not move the fence of their three-quarters demarcated, entering the undemarcated spirit as mobile emotional , girding a father and his image beyond because it escapes in our reason and faith, if not it is beyond or closer to what is usually a voluntary desire that always remains, if it is the Messiah everything is accepted in your mistakes of returning to reprimand after erasing the test of your random Being reprimanded, what the error feeds in you is digested by your active mind. Here we are extended before the anti Faith and Distended Will, underlying a new tradition that will need to relive it and get to know it if those of us who continue to speak of ethnic faith or about the naturalness of multiple tasks of their intolerances. Little Joshua says: "My fingers disobey me from her because they are far from my mother's, when I want to bring my visions of her closer to her, I throw myself into her gaze to ask her permission. But more than anything that leads us north, it flows faster than my shadow feeding on the light of the epistle. I sing and intone wills that come from so far away but I am distracted by looking and seeing those who organize an altar not so far from it..., up here on the roof. I feel without knowing and without knowing how behind them is my Father, and next to them in line the pavilion of the multitudes that sings me of haughty brave and Lord for those who are not. I never get tired of talking about the beams! they flex with the horses of the universe, and the dimensions intersected with my passion in my tension that falls compressed and falls reluctantly at the moment of tired inertia. The prism makes me hold on to the portions of the arcades of the stable, and this is in the creaking of my doubts in the desert of Jericho. The torsion in its mechanics as a noble beam, unbearable does what my reflexive pains endure so as not to stress the beams of others. From Nazareth to Bethlehem, a great effort to sustain the tension and torsion of the mechanics of the altar in the hands of those who fall weightless without feeling the weight that their load lightens on my back. In this slender mass and geometric beamed wood, the daily calculations that my father makes when he is tired to hold the world and my trova back are deformed, and when he is with impulses beyond them..., he deforms what the torsion does on it and does on the other Merida angles. And because as his son I don't know how to interpret it unidimensionally...? whose axis and radius I never knew how to understand, making myself wisely ignorant, taking hold of their garments strongly and of the mysteries that go beyond a constant creation in a stable" The Aramic Semitic language was presented in this Eucharist, on the Kafersuseh, by Joshua, He took his father in the stable with all those who came to see him, he looked at them beyond thousands of years to come to meet the humanity that lay grazing, always addressing them in Aramaic parables. While below the kings gave him offerings from the east, above beyond the studded beams, King David was consecrating him. Behind the King was the Father Creator supervising the thousands that his son Joshua would parley with Aramaic tongues, when the thousands of futures are consecrated alive in their astral bodies to the right of the Menorah, together beyond the archangels surrounding each one. Joshua watched carefully as his Aramaic lingual farming went further from Bethhlemem, beyond Kafersuseh where the evanescent height responded to a canopy shed of the beam that leaned on the stars, populating his trapezoidal back for a provincial development in his nonverbal escape from losing his unborn language And entering Aramaic through the divine membranes that descend through his olfactory halo language. However, he was already beginning to descend from the terrace to address the base of the peasant Christians who adored him and extolled him horizontally, lavishing him with water to distribute in their hands and faces beyond his visions. Joshua looked at Joseph and felt that his Aramaic was already his, but he would leave in advance walking towards the Garden of Olives..., towards Gethsemane, to meet with a frank theo-dimensional language towards his Abba Creator, surrounding them with Lepidoptera that burst their chrysalises plaguing taxa of Aramaic micro languages ​​to take them to their Abba who would await him in further ceremonial on the flat slopes that flowed with him in a language that might one day be lost as a dead language. However, this Arabic language will go in placebo on these pollinating Lepidoptera and they will go from the sacred lands to Gethsemane from their heavenly visions to Kafersuseh. In their homogeneity as dialects, the impetus of Lepidoptera began to be reborn here, traveling in nocturnal groups, to Gethsemane on the same day that Joshua came into the world in Aramean lights. When Joshua was born his Aramaic language traveled from the highest beam above the roof of his barn, to arrive with his biological Lepidoptera lingual species to pollinate Gethsemane. To migrate from that moment his word that he kept knowing that his body would be lost before those who tire in their eyes by not being able to decipher or read. Thus, transferring pollen from the stamens to the receptive macula of flowers in the angiosperms that will populate golden olive orchards mounted on vectors of the aforementioned pollen will be flown and piloted in more olive trees by the bees that will carry strains from the Kafersuseh in Bethlehem to preserve the moral language of Joshua. Although the new labors in humanity with all this and manner will go astray as a non-preserved language, not even imaginable at the birth of the Messiah until the beginning of a Gethsemane in a united Aramic body and language, but with an invisible Aramic body in those who do not you will be able to see the migratory flight of the Lepidoptera applauding mixed with bumblebees.
Messiah of Judah
When smoke stood up from Ludlow,
And mist blew off from Teme,
And blithe afield to ploughing
Against the morning beam
I strode beside my team,

The blackbird in the coppice
Looked out to see me stride,
And hearkened as I whistled
The trampling team beside,
And fluted and replied:

"Lie down, lie down, young yeoman;
What use to rise and rise?
Rise man a thousand mornings
Yet down at last he lies,
And then the man is wise."

I heard the tune he sang me,
And spied his yellow bill;
I picked a stone and aimed it
And threw it with a will:
Then the bird was still.

Then my soul within me
Took up the blackbird's strain,
And still beside the horses
Along the dewy lane
It sang the song again:

"Lie down, lie down, young yeoman;
The sun moves always west;
The road one treads to labour
Will lead one home to rest,
And that will be the best."
Out of the dry days
through the dusty leaves
far across the valley
those few notes never
heard here before

one fluted phrase
floating over its
wandering secret
all at once wells up
somewhere else

and is gone before it
goes on fallen into
its own echo leaving
a hollow through the air
that is dry as before

where is it from
hardly anyone
seems to have noticed it
so far but who now
would have been listening

it is not native here
that may be the one
thing we are sure of
it came from somewhere
else perhaps alone

so keeps on calling for
no one who is here
hoping to be heard
by another of its own
unlikely origin

trying once more the same few
notes that began the song
of an oriole last heard
years ago in another
existence there

it goes again tell
no one it is here
foreign as we are
who are filling the days
with a sound of our own
cheryl love Oct 2014
Perfection,
What is that?
If I had to describe a nice
day I could do that.
But perfection.
I will have a try.
My perfect day...........let me see.
Sitting at a table
with little china cups
decorated in blue.
With white saucers with a fluted edge.
Opposite me is my perfect guest
Sally A Bayan.
We would talk till the cows came home.
Till the stars dropped out of the sky.
Till the grass grew and covered the daisies.
The days and nights would drift by
and yet we would still be chatting.
This and that
My idea of perfection.
Ma Cherie Jun 2016
I can see you with your wings
    That the Angels gave to you
        I can see you with the scars
         in a crimson shaded hue

    I can see you have your wings
           I think I always could
       You always were an angel
          I thought you understood

        I can see you flying high
     soaring eagle scout from God
         gliding past my house
        with a fluted piping nod

         Soar out to the glaciers
       to the highest angel nest
  you've earned your lovely wings
    just like Michael and the rest

        I see you have my wings
     They're waiting in your hand
        a song for me you sing
         so glorious and grand
     it's almost like you planned
         your hourglass of sand
             was running out

        you see I have my ring
         my angel from above
    and while you have your wings
        My finger wears your love

       One day I'll take wing too
         to heavens gate I will fly
         no longer burning pain
         no longer tears to cry
                    until then
          we have this love

   those wings will have to wait
       I already tried to ask
    no answer came from Fate
   shaded feathers my love basks

       I hope you take your wings
      and fly places you want to go
          So when I get my wings
         those places you can show
         our destiny you'll know

until then....prepare a place for me.

Cherie Nolan © 2016
Idk..
A little sad. But okay! :) inspired by a poem by Papaya. Just came out of nowhere from one thought that came into my head after reading her poem so thank you so much!!!
zebra Oct 2018
she moving moveless
with big pleading eyes
like fruit orbs
fetched in molasses
full of grace
stretched out her long neck
like a Modigliani
and ravished him
with cautionless lips
lush
and fluted throat
like a scorched desert
deranged for monsoons cloudburst
*** adult
Lora Lee Oct 2016
On the outer
carapace of it,
     all seems ok
I am held
together by
single dry thre
                        a ds
like wire
and strips of
sinews
they keep me
tightly-wrapped,
a package of
molten powders
secret dynamite
waiting to
    e x p l o d e  in
exotic ticks
      of clockwork
but one scratch
beneath the surface
reveals my
inner truth:
How I wish,
by those
whorled and spiraled
powers above,
for the gently fluted
forces of my being
to be parted
like sacred seawater
with my psyche
   f l o a t i n g
just beyond
the zing of
       my brain,
no rational
           understanding
required
yes. I long
to be ever-slowly
           unraveled,
layer by layer
cell by cell
until all that is left
are the platelets
pulsating between
this heart
           and yours
each beat
betraying an
acute intensity
of how
I felt it,
      this tender
electricity
that crackled
        through and
                 between
            our bones
          from the
        very
      beginning
of
    our quiet blaze
our pinnacle
our quirky
metallic
     textures
our breath
mingling over
airwaves
         in heated
                 fluidity
   hotly drenched
in the iridescent
  dust of our
     star-marked
                     time
https://www.youtube.com/watch?v=3yDP9MKVhZc
There in the fringe of trees between
the upper field and the edge of the one
below it that runs above the valley
one time I heard in the early
days of summer the clear ringing
six notes that I knew were the opening
of the Fingal's Cave Overture
I heard them again and again that year
and the next summer and the year
afterward those six descending
notes the same for all the changing
in my own life since the last time
I had heard them fall past me from
the bright air in the morning of a bird
and I believed that what I had heard
would always be there if I came again
to be overtaken by that season
in that place after the winter
and I would wonder again whether
Mendelssohn really had heard them somewhere
far to the north that many years ago
looking up from his youth to listen to
those six notes of an ancestor
spilling over from a presence neither
water nor human that led to the cave
in his mind the fluted cliffs and the wave
going out and the falling water
he thought those notes could be the music for
Mendelssohn is gone and Fingal is gone
all but his name for a cave and for one
piece of music and the black-capped warbler
as we called that bird that I remember
singing there those notes descending
from the age of the ice dripping
I have not heard again this year can it
be gone then will I not hear it
from now on will the overture begin
for a time and all those who listen
feel that falling in them but as always
without knowing what they recognize
SøułSurvivør Mar 2014
O living being... how long alive?

Through the ages I've survived
Through war and peace, abundant thirst
Of all that's living, I was first

O living being... what have you seen?

A forest coast, a rocky green
A bird to float, a cloud to wing
A wave to wash, a sand to sing
A maid to rise, a king to fall
A peasant wise, I've seen it all

O living being... what have you heard?

A poet's hush, a silent word
A trumpet's bleat, a woodwind's blare
A piercing crowd, a noisy stare
A cymbal's trill, a fluted crash
A dynasty of smoke and ash

O living being... what do you know?

A rapid sloth, a hare that's slow
A solemn kiss, a passionate oath
Yes, young man, I've seen them both
The wise to boast, the fool to swear
The sun to glint, the stars to glare

O living being... I stand in awe

Surely you're Methuselah.


Soul Survivor
When you came to me
I was too tangled
in the moment
to unknot your strings
of lies.  Too eager to collect
the words cascading
from your easy
grin.  Perhaps you prefer
me fragile and a little
helpless, fingers hovering
along the fluted edge
of a dream.  But in the morning
your eyes flickered
like candlelight, their warmth
tapering in a ribbon
of smoke.
(as imagined by this lumpenproletariat)

When no bigger then innocuous,
     ** hum, happy go lucky
     generic black whole
     sonny and cher full pinhead size zit,
thine pluperfect promising
     mysterious seat of pants whodunnit

     wordlessly wise wedded
     waywardness writ partly apportioned,
     thru totally tubular fluted circumcised
test tossed truly valued throned
     kingdom come emancipation *******,
     released special ops assigned prickly role

     donning spermatozoa swimsuit
owning papas hurtling
     traversing repertoire,
     noteworthy inherent pistol unit
flesh gun firing off biologic
     gum-shun reproductive script,

within zygote, sans courtesy
     squirt of flagellating
     fostering nanobyte superior vicesquad
     programmed fed tidbit,
stalwart sea men meted brooked shield
Dickensian gonadal mutual friend,

     whence gamete extolled finesse,
     (yet tubby revealed
     many a chromosomal trait)
     didst undergird uber reproductive
     up the down staircase
     reinforced by microscopic balustrade,

     yielding one ova Eggland's Best soffit
     rendering (unto Cesaer...)
     **** like magic fusion,
     whereby exiting fallopian tube
     deposition met fertilization,
     hence embryonic initiation

     wrought wondrous ultimately vibrant blastocyst
     triggered uterine settlement,
     ripely channeling
     tree men das transition
signaling ovulation to taper off,
    yet not entirely quit

fertilization triggered secretion,
     analogous quasi
     pollination process, qua gossiped
     biochemical romantic tidbit
     activated via powerful
     ****** popgun "hello kitty" visit,

milky dollop hormone
     exquisite in utero exposition,
     human female body electric
     generated chorionic gonadotrophin (hCG),
official warrant issued
     drafting subsequent surfeit

secretion spured double helix spin off
     flawlessly choreographed
     following impregnation,
     whereby molecular sized blueprints
amazingly graceful processes
     promulgated propensities

     prospecting proven
     (survival of the fittest) atavistic properties
     concentrated subatomic activity
engendered secure ankh cur,
     where wick keel lee reader rabbit
burrowed within amniotic

     filled sac didst outwait
nine month journey,
     a real swell gambit
for mother and child,
     thence bundle of joy
     exited birth canal.
I.
I want to walk out
into the ocean’s gentle swells,
and feel God’s palm
cupped around me.

II.
I want to step,
over the smooth, fluted stones,
and the whorled shells
of bright abalone,
to sink down
onto sundrenched
sea-ground
and close my eyes
to see my blood-red sun-lit lids
flicker and flash, as
shuddering net-designs
dance, threaded and lacy;
as they curl,
tangling across me.

I want to slide my fingers
through the slithering white sand--
the grains carved into
ivory ripples by the
currents’ deft hands.

III.
oh, I want to lie
and close my eyes
and feel the soft lurch of each wave
jerking overhead, its
strong tug like a kite,
watch the shining fish
scything past above,
and let each dancing point of light
reflected
from their scales
scar my pale face.

IV.
Oh, there is a howling, starving dog
that circles on the shore,
alone.
he’s keened his frantic misery to the
deadpan moon
for so so long
that no one listens anymore--
they gave it up long ago
and just sprawl, licking the dunes;
they lie and swear the grit quenches their
aching thirst
until they choke on their sand-covered tongues
and die.

V.
You see,
I want to see the moon rise,
quivering through
deep-water blackness;
listen to the dolphins’
ghostly shrieks and clacks,
and the whales’ deep, grieved noises.
I want to forget
the sound of human voices.

I long to close my eyes,
sink,
and never rise.

VI.
bright, irregular globes
flutter from my mouth
quick,
coruscating orbs
of prayer,
they shudder and
dart upwards

VII.
saltwater, salt tears,
ask Him if He hears
you gasping.
jimmy tee May 2013
how our grandfathers would envy
our ease at constructing
square stone on fluted column
that dot the coast and overlook the sand
as beaches
compromise with time as shoreline
while our monuments crumble
Seán Mac Falls Jan 2014
I left the house of the tempest brewing,
Spinning like a rod, spun into flame
And came upon the redwood forest,
Eternal, shouting out heavens name.

The sun was indifferent, the creek shuffled
Its lament, the birds fluted their dirge—
I was so small, in the red giants grove,
Yet, felt so beloved, my pain was purged.

And I warmly came to see again—
My eyes, through the needles drove,
What a trifling is ones fleeting mood,
How true, heroic, immortal is my love.
MV Blake Feb 2015
Eye
There’s a guy I know
Who’s into spirits,
And not the liquid kind.
He stares sidelong at the world,
Twists his head from side to side.
Imagine what he might find.

Vampires drink wine in Soho,
Sipping from fluted necks
In late night **** stores.
Werewolves run Hyde park ragged,
Robed in riches turned to rags,
If only in the lunar mind.

Police pigs snuffling
Through street trash,
Hunting for him shaped treats.
Televisions watching
His living room and recording
Names and faces of all his kind.

The media he scorns,
Puppet masters pulling strings
For their puppet masters.
The government and the media
Are in it together he opines,
Waving a rag with that in mind.

Aliens control the government,
Sinking sinuous senses
Through simian skulls;
Prodding, poking, pulling
Political factions to provoke
A return of the fleet they left behind.

Codes in hoods hide in churches,
Linking mathematical shapes
To chain centuries of history;
Statues wink and leer at
Myopic armchair men and women
Hunting for the doom of mankind.

Millions of rubes bought over
Shop counters using nonesuch
To sell their souls for trinkets;
Illuminati design adverts,
Flashing commercials;
****** for the public in mind.

Big name pharmaceutical
Selling death at a point
For the sake of profit over parent;
Buying stats to lie to the mass,
Doctors demanding dummies
Despite the way the stars aligned.

Taken for a ride,
We queue with tickets in hand
Waiting for our turn on the rails.

Lie on lie on lie.

He sleeps with one eye on the sky.

Tracking cameras on a road sign.

This guy I know,
He thinks too much.
I don’t mind.
Seán Mac Falls Aug 2013
I left the house of the tempest brewing,
Spinning like a rod, spun into flame
And came upon the redwood forest,
Eternal, shouting out heavens name.

The sun was indifferent, the creek shuffled
Its lament, the birds fluted their dirge—
I was so small, in the red giants grove,
Yet, felt so beloved, my pain was purged.

And I warmly came to see again—
My eyes, through the needles drove,
What a trifling is ones fleeting mood,
How true, heroic, immortal is my love.
Jaffa
Ioannis regression

Describes Vernarth:
On a warm morning they landed ..., archaeological evidence shows that Jaffa was inhabited around 7500 BC. The natural harbor of Jaffa that has been used since the Bronze Age, and its first inhabitants were probably Canaanites. The city of Jaffa is mentioned in a past writing from 1470 BC. from ancient Egypt, glorifying the conquest by Pharaoh Tuthmosis III, who hid armed warriors in large baskets and then presented them to the Canaanite governor of the city. Jaffa is mentioned in the Torah as one of the Hebrew cities of the Tribe of Dan (one of the Tribes of Israel), hence the term Gush Dan, which is used today for the coastal plain. Many of Dan's descendants lived along the coast and made their living as sailors and sailors. In the "Song of Deborah" the fortune teller asks: "Why do you want Dan to stop me on ships?

After Canaanite and Philistine *******, King David and his son Solomon conquered Jaffa and used its port to bring, from the city of Tire, the cedars used for the construction of the First Temple (2 Chronicles 2:16). The city remained in the hands of the Jews, even after the division of the Kingdom of Israel. In 701 a. C., in the days of King Hezequías and the Assyrian King Sennacherib who invaded the Jaffa region. It is also the place where the prophet Jonah embarked for Tarshish (Book of Jonah 1: 3) and was the port of entry for the cedars of Lebanon for the Second Temple in Jerusalem (Book of Ezra 3: 7). After a period of Babylonian occupation, under the rule of the Persian Empire, Jaffa was occupied by the Phoenicians of Tire ..., defeated by Alexander the Great in the famous siege where he defeated King Porus at the Battle of Hydaspes (326 BC) In the New Testament it is related how Peter resurrected the believer Tabitha (Dorcas, in Greek, gazelle) in Joppa (Jaffa) and, later, how near this city he has a vision in which Yahweh told him that he should not distinguish between Jews and Gentiles, while ordering the removal of ritual (kosher) food restrictions followed by Jews.

While Vernarth described, all this history was paying attention, the beautiful situation of entering Jaffa in this millenary port was imminent, so that they could touch the Holy Land with their feet with all the avatars that awaited them. Vernarth had this great preamble and gift to return from the Exile of St. John, due to his exile ruled by the Emperor Domitian. They all came praying in the ship, Eurydice got out of the mask to descend and go with them to Jerusalem. To travel the Lithostrotos, Gethsemane, The Via Dolorosa, Golgotha, the Holy Sepulcher and many holy places where the apostle had a correlation with the Messiah ..., bordering on being still in the hosts of all those who loved him, especially in the town where they met with the apostles after the crucifixion in the Apostolic sees, where they are still seen to be together from the first day through the centuries of the centuries. Some claim to have been founded by one or more of Jesus 'Apostles, who are said to have dispersed from Jerusalem sometime after Jesus' crucifixion (c. 26-36), probably after the Great Commission. The first Christians met in small private houses, known as Paleo-Christian house churches, but the entire Christian community of a city could also attribute to it that it would be named and ignored, as any act of sedition to avoid disagreements with its anti-Romanesque legacy.

In Limassol one day dawned, when another day it was twilight in Lod ..., here they were getting ready to dine all together in a wheel of fire in the tents moved by the blow that lands and bounces from their sallow tents, to the walls of Jerusalem that he sensed that They came and went with the Saint accompanying them. From the last dizziness of the sun, Uriel appeared to them saying…: “Against the background where a ship is born in ruins and catacombs, the sentries of the Limassol Medallion will reside, it will be jealously guarded by my peers, by the Christian Gladiators of Kourion who they are preserved in my fragmentary decrees and honorific decrees, as well as in the epitaphs. In neo diplomacy supporting Alexander the Great and Bucephalus, protecting the Medallion. In the west of the Lycus River, the sentinels will go to the bottom of the sea every day to watch over it, so that from here they can shelter the Medallion with their tricks, which of such luck will be sponsored for their meritorious scriptural phraseology on the Walls of Jerusalem, where other walls are more they will continue ... "

Describes Vernarth:
The grand commision; Matthew 28: 19-20 contains what is known as “the Great Commission”: “Go therefore, and make disciples of all nations, baptizing them in the name of the Father, and of the Son, and of the Holy Spirit; teaching them to keep all the things I have commanded you; and behold, I am with you every day, until the end of the world ”. Jesus gave this command to the apostles, shortly before He ascended to Heaven, and it essentially describes what Jesus expects the apostles and those who follow them to do in His absence. Interestingly, in the original Greek, the only specific command in Matthew 28: 19-20 is "make disciples." The Great Commission commands us to make disciples as we go through the world and as we go about our daily activities. How are we going to make disciples? Baptizing them and teaching them everything that Jesus commanded. "Make disciples" is the mandate of the Great Commission. "As you go," "baptize" and "teach" are the means by which we fulfill the command to "make disciples."

Many understand Acts 1: 8 as part of the Great Commission, "But you will receive power, when the Holy Spirit has come upon you, and you will be my witnesses in Jerusalem, in all Judea, in Samaria, and to the ends of the earth." . The Great Commission is enabled by the power of the Holy Spirit. We must be the witnesses of Christ, fulfilling the Great Commission in our cities (Jerusalem), in our states and countries (Judea and Samaria), and in any other place where God sends us (to the ends of the earth). The Great Commission is the instruction of the risen Jesus Christ to his apostles, commissioning them to spread his teachings to all the nations of the world. The most famous version of the Great Commission is Matthew 28: 18-20, where on a mountain in Galilee Jesus urges his followers to baptize all nations in the name of the Father, the Son, and the Holy Spirit. Even more than the Great Commission of the twelve apostles, which together with that of Matthew and Mark, as an exalted counterpoint are dividing twin souls among all, to take electro cathode in the Parousia (At the second coming of Christ). With them. The electromagnetic Fides Pronus "Benevolent Faith" ruled by God, ruling in the electro anode flow, giving wide access to the Great Universal Commission.

The Apostle Saint John reinterprets it: “The Great Commission is Matthew 28: 18-20, and then synoptic gospels, Luke also presents Jesus sending disciples during his ministry, sending them to all nations and giving them power over demons, including the Seventy disciples. The Scattering of the Apostles, in the traditional ending of Mark, is believed to be a 2nd century summary based on Matthew and Luke. "

They all heard very astonished words so fluted, without being able to come out and harmonize the ears of those who were there ..., and there was no room for doubts or questions! They all thought to travel all the fields of the world in free camel caravans so many times through the Holy Land, thus thinking of changing history by the flat legs of the camelids, changing the quantum dynamic geography, thus making them participate in going on a being in which we split mounted. In the distance it would be fulfilled. 12 camels were coming, they invited them to get on and rest on their backs. Every hundred kilometers the deepest questions were answered by camelids Saying ...:

Camelids say: “I carried Saint John  on my ciliated membrane backs and Matthew too…, they never knew that I knew the end of the story…, that the Great Commission would never end, because all of us witnesses continue wandering through the desert waiting to see the Master lighting our starry way of gifts for the holy nights, to serve you again, Until the End of the Parousia ... "

To be continued, / under edit
IOANNIS REGRESSION
Seán Mac Falls Jul 2012
I left the house of the tempest brewing,
Spinning like a rod, spun into flame
And came upon the redwood forest,
Eternal, shouting out heavens name.

The sun was indifferent, the creek shuffled
Its lament, the birds fluted their dirge—
I was so small, in the red giants grove,
Yet, felt so beloved, my pain was purged.

And I warmly came to see again—
My eyes, through the needles drove,
What a trifling is ones fleeting mood,
How true, heroic, immortal is my love.
S R Mats May 2015
O pleasure, a deep well of nectar your creamy throat
Fluted like a golden trumpet toy.

Your luscious nuggets of yellow dust our hurried feet,
As we become sweetly knee deep.

We buzz a vibrato hum. Carefully, make we our love notes
With each wing beat of gathering joy.

Your graceful tendrils entwined our tiny hearts with gifts.
Complete in our mission with bounty we lift

And homeward sing your praise.
This feathered quill with fluted nib stands idle in an idle hand and a man with little time to spare,despairs of flowing from its point,a point to make,a case he cannot state.
It is late the ink has bled,I am being led to some conclusion,propelled to see a page, unwritten not by me but by the elements.

Underwater I breathe air,a little trick I found when underneath the earth and being ground, they thought into fine dust,the fire was just a place to warm my bones while the winds sang songs to me in dulcet tones.

And still the quill sits silently as if begrudging me a moments rest, it  would be a feather in my cap if only I could slap another word out of its tip,but no letters slip to form these things,it seems that silence only brings me emptiness,even less than that when words within are crushed and flattened by the fattening of worms that squirm and hold me in their coils,and any words there were are spoiled,deleted,secreted quietly and forgot about.

In the tomb without a light, this ink is but a link to further things to think and if only I could force this quill to spill something.

Underlined in red and on the tombstone up above it said,

'here lies within a man so thin
and yet so thick
his quill
a magic stick
his ink
a skating rink

Magic couldn't save him'

But this is of another page when reached upon a ripe old age and suitably I shall erase that which pertains to me.
Jude kyrie Aug 2016
There are secrets I do not tell
even to myself.
They are the same secrets
the cherry bossoms
know when they
proliferate the cherry trees.
Even as they prepare
to fall like confetti.

They are the
babbling secrets
Of  the mountain streams
as thier waters bounce stunned
into the rocks of the rapids.

Hush whispers the librarian
As the rows
and volumes of books.
Keep their dusty secrets
in her silence.

In the garden
The fluted speakers
Of the morning glory.
Sing only silence
Falling asleep
into dreaming nights.

Just about audible
the taunting voices
Of the
whippoorwill

Never tell
Never tell
Never tell.
thomas gabriel Jul 2012
It is July and it is Sunday.
A dark, restless Sunday.
Morning hangs like incense: suspended on the kestrel's wooden wings.

Lucidity is but an inky tumult blotting the night's waning stars:
disparate, faceless grey among a growing blackness.
The smoke of a short-lived fire.

The wind hastens. The arms of a birch fold and the church's vane rotates.
The theatre! The anticipation.
The muteness of the rain on a distant field.

Approaching the red-brick house that burns with darkening rooms:
streaks of silver gilding the margin of it's cloaked black eyes.
A hammer falls on this great, wide anvil:

scales of iron scatter and resonate in the upper atmosphere.
I cannot bear to look.
Not far to the left, at the terminal of a tunnel of some fluted grey fabric,

white plumes rise and expand and shadow at the edges.
I walk toward them, over the ghost of an old rain, to a familiar garden:
heather and clover proliferate in it's borders - they are to be hoed constantly.

Hedges of yew and box are to be stripped of the green coats
spring afforded them, tailored to my will and at my expense.
I fight life and nature equally. Forming a transient perfection here.

Perfection soon to be enveloped by the lavender and the stocks,
then themselves by the bind-**** that has taken to their blooms and stems,
to my very roots. All is sustained by this rain, this depressive dampness.

— The End —