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RAJ NANDY Sep 2018
Dear Poet Friends, Torin Galleshaw from Charlotte NC, a Member of this Site, had requested me to compose about the Rise of Third *****. Therefore, I have commenced with the causes for its Rise in my Part One posted below. Planning to compose Part Two with ******’s Blitzkrieg campaign of Poland later. It is unfortunate that I am unable to post related Maps & Photos for better appreciation of my Readers! Such options are not available for us here! However, I have managed to post a copy with maps & photos in the E-mail ID of my friend Torin!  Kindly give comments only after reading this researched work of mine, during your spare time.  Thanking you, - Raj, New Delhi.

            STORY OF SECOND WORLD WAR – PART ONE
                            RISE OF THE THIRD *****
                                       By Raj Nandy

                                  INTRODUCTION
In this part I shall mainly deal with the causes leading to the Second World War,
Which had also created favourable conditions for the rise of Third ***** under ******.
The word ‘*****’ derives from old German word ‘rihhi’ meaning ‘realm’;  
But is also used to designate a kingdom or an empire in a broader sense.
Historically, the First ***** was the Medieval Holy Roman Empire which lasted till the end of the 19th Century.
While the Second ***** was the First German Empire from 1871 to 1918, when dynamic Otto Von Bismark had united all of Germany,
Which ended with its defeat in World War One and birth of the Weimar Republic.
The Third ***** refers to the **** German Empire under ******, Which lasted from 1933 till 1945, for twelve traumatic eventful years!
Historians opine that the ending of a war is equally important as
its beginning;
Since the causes for the start of a war is often to be found embedded in its ending!
The First World War came to an end on 28th of June 1919 as we all know.
With the signing of the Treaty at Versailles by the German Foreign Minister Hermann Muller and the ‘Big Four’.  (Britain, France, America, & Italy)
Yet it is rather ironical, that this Peace Treaty of Versailles, considered as President Woodrow Wilson’s ‘brain child’,
Had sowed the seeds of discontent resulting in the outbreak of the Second World War, and Adolf ******’s dramatic rise!

Though several causes are attributed for the outbreak of the Second World War by our Military Historians.
Let me try to summarise those causes which are considered to be more relevant.
Commencing with the harsh Treaty of Versailles, the British and French Policy of Appeasement, followed by Hyperinflation and the Great Depression of 1929, and failure of The League of Nations to maintain peace;  
Are relevant factors which collectively combined resulting in the outbreak of the devastating Second World War, scarring human memories for all time!
But not forgetting ******’s forceful and persuasive eloquence which mesmerised the Germans to rise up as a powerful Nation once again.
Since ****** promised to avenge the humiliation faced by Germany following the Treaty of Versailles,
Which was drawn up with vengeance, and dictated by the victorious Allies!

THE  ARMISTICE  AND TREATY OF VERSAILLES:    
Armistice means a truce for cessation of hostilities, which provides a breathing space for negotiating a lasting peace.
Now the Armistice ceasing the First World War was signed inside the railway carriage of the Allied Supreme Commander Marshal Foch, in the Forest of Compiegne,
On the 11th of November 1919, sixty km north of Paris, between the victorious Allies and vanquished Germany.
But in the meantime naval blockade of Germany had continued, and the German Rhineland was evacuated and partly occupied by the combined Allied troops!
Release of Allied POWs interned civilians followed subsequently; And the Reparations Clause of monetary compensation was strictly imposed on Germany!
Now, following a wide spread German Sailor’s Revolt towards the end of October 1918, Emperor Kaiser Wilhelm-II had abdicated;
And on the 9th of November Friedrich Ebert, as the new Social Democrat President of Germany, authorised his representative to sign the Compiegne Armistice.
We should remember here that this Armistice seeking cessation of hostilities did not stipulate any unconditional surrender;
And the signing of the Armistice by the German Social Democrats, was considered as ‘a stab in the back of the German army’ by majority of the Germans!
These issues get repeatedly mentioned by Adolf ****** in his eloquent speeches subsequently,
To arouse the spirit of German Nationalism, and resurgence of the ‘Master Aryan Race’ of the Germans, - in Germany!

The Versailles Treaty was signed on 28th of June 1919, exactly five years after the assassination of Archduke Ferdinand which had sparked World War One.
Let me mention few aspects of this Treaty which was detested by the Germans!
Germany lost 13% of its land, 12% of its people, 48% of its iron resources, 15% of its agricultural production, and 10% of its coal, following its implementation!
German army was reduced to 100,000 men, its Navy reduced to 36 ships with no submarines, its Air Force banned, and its union with Austria forbidden.
Now to use a Shakespearean phrase the ‘unkindest cut of all’ came in the shape of Article 231,  the ‘War Guilt Clause’ of the Versailles Treaty,
Which provided the legal basis for the payment of war reparations by Germany.
The reparation amount of 132 billion gold marks (US $33 billion) to cover the civilian damage caused during the war, now had to be paid by Germany!
Thus the humiliation, resentment, and the virtual economic strangulation following the Versailles Treaty,
Was exploited by extremist groups such as ******’s **** Party.
And in the decades to follow, ******’s Nazis would take full control of Germany!

NOTES: Following Versailles Treaty, Alsace-Lorraine captured by Germany in 1870 was returned to France. The SAAR German coalfield region was give to France for 15 yrs. Poland became independent with a corridor to the sea dividing Germany into two. Danzing, a major port in East Prussia, became a free city under the League of Nation. Finland, Lithuania, Latvia, & Czechoslovakia became independent. Industrial area of German Rhineland, forming a buffer zone between Belgium &France,was
demilitarised.

WOODROW WILSON’S  14 - POINT PEACE INITIATIVE  & THE LEAGUE OF NATIONS:
American President Wilson was an idealist and a visionary, who in a speech to the US Congress on 8th Jan 1918,
Introduced a 14 Point Charter as a platform for building global peace, based on the principles of transparency, self-determination, and Democracy.
But for the first time in US history, the Republican-led US Senate rejected this Peace Treaty, and prevented America from joining the newly created League!
The US Senate wanted to retain its sovereignty without external entanglements;
Free from the League of Nation’s political dictates in its foreign commitments!
The Irish immigrants refused to support Wilson's Fourteen Points because Wilson was concerned about stopping WWI, rather than forcing the British to set Ireland free.
Many Jews also refused to back Wilson, since he was paying too much attention to the War, and not enough to the Balfour Declaration of 02 Nov 1917, -
Which promised an Independent Jewish State with a distinct Jewish identity.

The League of Nations had emerged from Wilson’s 14 Points on the 10th Jan 1920, with its HQs at Geneva, Switzerland, but it had no peacekeeping forces those days!
The League had failed to prevent invasion of Chinese Manchuria in 1932 by Japan;
Italy’s invasion of Ethiopia in 1935; annexation of Sudetenland and Austria by Germany!
The Axis countries Germany, Italy, and Japan, withdrew from the League subsequently.
Thus the League of Nations was disbanded in 1946 officially!
But President Wilson’s ceaseless efforts for global peace did not go unrecognised,
Since on the 10th of December 1920, he was awarded the Nobel Peace Prize!
While his disbanded League of Nations, as the first global humanitarian organisation,
Continued to survive in spirit with the establishment of United Nations Organisation on the 24th October, 1945.

ECONOMIC CAUSES - FOLLOWED BY THE GREAT DEPRESSION OF 1929 :
Germany emerged from the First World War with loss of 25,000 square miles of territory;
Loss of seven million inhabitants, and a staggering debt imposed by the Versailles Treaty!
The Wiemar Republic, after abdication of Emperor Kaiser Wilhelm-II  to Holland,
For the first time in German history, established a Democratic Constitution with Friedrich Ebert as its first President.
But The Republic first had to consolidate itself by squashing the Spartacist Revolt of January 1919 led by the extreme Leftists, and inspired by the Russian Bolshevik Communists!
The Freikorps, in March 1920, an Ex-Soldiers Rightist Group, tried to overthrow the Wiemar Republic with support of their Rightist allies and their own veteran troops!
This was soon followed by a Communist attempt to takeover of the Industrial Rhur;
But fortunately, all these uprisings against the Republic were effectively subdued!
But the 33 Billion Dollars of Reparations hung over the Wiemar Republic like the legendary ‘Sword of Damocles’, followed by the Great Depression of 1929;
Coupled with the ‘Policy of Appeasement’ practised by the British and the French;
Became the most important causes for ******’s expansionist ambition and his short- lived meteoric rise to fame!

GERMAN PAPER CURRENCY & HYPERINFLATION:
Gold Mark was the currency used by the German Empire from 1873 to 1914 only.
But to pay for the costs of the ongoing First World War, Germany suspended the gold standard, and decided to fund the war by Borrowings entirely,
Hoping to pay back the loans after Germany achieves Victory.
But having lost the war, and faced with a massive debt imposed by the Allies,
Exchange rate of the Mark against the US Dollar steadily devalued and declined!
Papiermark became the German currency from 04th August 1914 onward, when link between the Mark and gold reserve was abandoned,
In order to pay for the ongoing expenses of the First World War with paper marks, which was constantly being printed!
But later after the war, when the London Ultimatum of May 1921 demanded payment of war reparations in gold or in foreign currency only,
Even more paper marks got printed by the Republic to buy those foreign currency !
By December 1922 hyper-inflationary trends emerged, when the US Dollar became equivalent to 7,400 German Marks, with a 15-fold increase in the cost of living !
By the fall of 1922 when it became impossible for Germany to make further payments,
The French and Belgium armies occupied Germany’s Ruhr Valley area, its prime industrial region!
French and the Belgians hoped to extract payment in kind, but a strike by the workers of the Ruhr area their hopes belied!
The Wiemar Republic printed more paper notes to pay and support the workers of the Ruhr area,
When hyperinflation had peaked at 4,210,500,000,000 German Marks, to a US Dollar!
Paper currency having become worthless, some form of ancient barter system began to be used instead!

STABILISATION OF GERMAN ECONOMY WITH ONSET OF  THE GREAT DEPRESSION:
Following the hyperinflation Chancellor Josef Cuno’s cabinet resigned in August 1923,
When Gustav Stresemann became the new Chancellor of Germany.
Stresemann’s Government had introduced the Rentenmark as a new stable currency,
To end the hyperinflation which had plagued Wiemar Germany.  
Rentenmark was backed by real goods, agricultural land and business,
Since gold was not available in a beleaguered German economy those days!
When One Rentenmark was equivalent to One million, million, old German Mark;
While One US Dollar was equivalent to only 4.2 Rentenmarks.
Though Stresemann’s Government lasted for 100 days only, Stresemann continued to serve as the Foreign Minister in successive Coalition Governments of the Republic,
Till his death in the month of October 1929, but working for the betterment of Germany all the while!
His ‘Policy of Fulfilment’ stabilised German economy with a 200 Million Dollars loan from America under the Dawes Plan in 1924,
Which had also ensured the evacuation of France from the occupied Ruhr area, with their future reparations payments ensured.
Stresemann’s signing of the Locarno Pact in London on 1st Dec 1925 with France, Belgium, Great Britain, and Italy, was considered as his achievement and a feat!
Since it made Germany to enter the League of Nations ensuring stability and peace;
While the Noble Peace Prize was awarded to Stresemann for his efforts in 1926!
Later, the Young Plan of 1929 further reduced German reparations payment by 20%, while extending the time frame for the payments to 59 years!
But following a sudden Wall Street Stock Market Crash in late October of 1929,
The American Banks were forced to recall money from Europe and the Young Plan;.
Which created acute financial distress when unemployment soared to 33.7%  in Germany in 1931, and quickly rose to 40% during the following year!
Lausanne Conference was held in Switzerland in 1932 by Great Britain, Germany, and France, to further reduce the War Debts imposed by the Versailles Treaty.
But in Dec 1932, the US Congress had rejected this Allied War Debt Reduction Plan completely.
However, no further payments were made by Germany due to the Great Depression;
And by 1932, Germany had paid only 1/8 of the total sum required to be paid as per their pending wartime reparations!

NOTES: Rentenmark was issued on 15 October 1923 to stop the hyperinflation in Wiemeer Germany. Reichmark was the currency in Germany from 1924 to 20 June 1948 in West Germany , when it was replaced by the Deutsche Mark; but had continued in East Germany until 23 June when it was replaced by East German Mark.
During the Stresemann Years of Stability from 1924 to 1929, (prior to the onset of the Great Depression), with help of American financial aid, created more housing & production in Germany. Dada & Expressionist Art forms flourished, followed by modern architecture; also the Philosophy of Existentialism of Thomas Mann – influenced the Western culture. Paul Whiteman's Band for the first time brought in American Jazz to Germany, and Jazz signified the liberation of German youth and women folks of the younger generation generally. But the US Stock Market Crash had unfortunately ended this short lived euphoria, and as it soon became a global phenomena!                                


FAILURE OF THE WIEMAR REPUBLIC & THE GREAT DEPRESSION WHICH BENEFITED THE NAZIS:
Last Days of Wiemar Republic:
Ever since Otto Von Bismarck that ‘Man of iron and steel’, united Germany into a single Empire in the year Eighteen Hundred & Seventy One,
For the first time a Constitution for a Parliamentary Democracy was drawn up in August 1919, in the eastern German city of Wiemar.
Wiemar was the intellectual centre of Germany associated with musicians like Franz List, and writers like Goethe and Schiller.
The Wiemar Republic of Germany which had lasted from 1919 till 1933 had seen,
20 different Coalition Governments, with frequent elections and changing loyalties!
Due to a system of proportional representations, and the presence of very many political parties those days,  
No single party could obtain absolute sole majority in the Reichstag Parliament!
The longest Coalition Govt. was under Chancellor Bruning, which had lasted for only 2 years and 61 days!     (From 30 March 1930 to 30 May 1932)
Now, to understand the reasons for the failure to maintain a Democratic form of Government by the Wiemar Republic,
It becomes necessary to monitor its ‘dying gasps’ during its closing years so to speak!
Since faced with the economic depression Chancellor Bruning had worsened the unemployment situation by adopting stringent and unpopular measures!
Thereby having lost popular political support, Bruning with the approval of President Hindenburg, invoked emergency powers under Article 48, to survive his last few months and years!
During the years 1931 and 1932  it is seen, Bruning had used this Emergency Clause 44 and 66 times respectively!
Thus his so-called ‘Presidential form of Govt.’ had undermined Wiemar Democracy!
If Burning was the ‘Republic’s Undertaker’, now remains a debatable issue of History!
But Burning’s vigorous campaign made Hindenburg to get re-elected as the President;
Thereby he had removed the defeated Adolf ****** out of the Presidential race!
Therefore, later when ****** became the Chancellor on 30 Jan 1933, Bruning had very wisely fled from Germany!

Following Bruning’s resignation in May 1932 came Chancellor Papen’s ‘Cabinet of Barons’ consisting of individuals who were not members of the German Reichstag!
While in the election of July 1932 ******’s **** Party won 230 seats, making it the largest party in the Reichstag.
But ****** refused to form a coalition with Papen, because he wanted to become the Chancellor himself !
Now General von Schleicher advised President Hindenburg that the German Army,
Would not accept Papen’s use of Article 48 to remain as the Chancellor of Germany!
Therefore following Papen’s resignation, Schleicher took over on the 04th of December 1932 as the new German Chancellor.
Schleicher tried to restore a democratic form of government to get the Wiemar Republic back on its feet.
But in the ensuing political power struggle Papen wanted to take revenge on Schleicher for his removal from power and defeat.
So Papen persuaded Adolf ****** to become the Chancellor, and retain for himself the post of Vice-Chancellor.
In doing so, Papen mistakenly thought that he would be able to reign in the self-assertive Adolf ******!
Papen finally made President Hindenburg agree to his proposal, and on 30th of Jan 1933,
****** became the New Chancellor, with approval of the President!
A month later a sudden fire in the Reichstag made ****** invoke Article 48, in order to squash the suspected Left Wing Communists;
But while doing so, the Press was muzzled, and many Civil Rights of the German people were abolished, inclusive of their right of assembly and free speech!
****** acted swiftly, and by passing the Enabling Act on 23 March, 1933, armed himself  with dictatorial powers for enacting laws without the approval of the Reichstag whenever necessary!
Thereby ****** threw Democracy to History’s wasteland most unfortunately!
Following the death of Hindenburg on 29 June 1934, ****** combined the powers of the President and the Chancellor, and became known as the FUHRER!
Historians generally agree the Enabling Act of 1933, as the date for establishment of The German Third *****.

THE POLICY OF APPEASEMENT AND GERMAN AGGRESSION:
The horrors of trench warfare with the rattling of machine guns and bursting of poisonous nerve gas shells,
Even after 20 years remained fresh, in the minds of all World War One participants!
Therefore, it was natural for British and French Prime Ministers Neville Chamberlain and Edouard Daladier initially,
To grant political and material concessions to an aggressive Germany, for the sake of peace and stability.
Thus the diplomatic stance of Appeasement between 1935 and 1939 followed by the French and the British, was mainly to avoid another dangerous armed conflict!
But the trusting Mr. Chamberlain had underestimated ******, who had served in the German Army as a Corporal, winning the Iron Cross during the last Great War!
****** was not afraid of war, but wanted to avenge the Treaty of Versailles and its punitive dictated peace;
And also establish for the superior German Aryan race a lasting Third *****!
Therefore, having consolidated his power as the Fuhrer along with his trusted **** Party cronies, he withdrew from the League of Nations in October 1933.
Introduced conscription in March 1935 in Germany, and embarked on a mission to rebuild a new modernised German Army for combat on land, air, and sea!
In March 1936, in another open violation of the Versailles Treaty, ****** re-occupied the demilitarised Rhineland, followed by a Treaty of Alliance with Japan and Italy.
The much desired Anschluss (or merger) with Austria, the country of birth of ******,
Saw the German Army in March 1938, triumphantly and peacefully marching into Vienna!
Now with the Munich Conference of 19 September 1938, this Policy of Appeasement is said to have reached its climatic peak!
The Sudetenland area, consisted of 3 million Germans were made
to join Czechoslovakia when the frontiers were drawn in 1918-19,
Much against the wishes of the Germans!
When ****** wanted to annex this Sudetenland area, Britain, France, Germany and Italy, met at Munich to diffuse an explosive situation peacefully.
It was agreed at Munich that once Sudetenland joins Germany, ****** will not invade Czechoslovakia and honour the terms of peace.
But on 15th March 1939, in violation of the Munich Agreement, ******’s army invade and occupied Czechoslovakia, thereby openly flouting the Policy of Appeasement!

NOTES: ******’s desire for ‘LEBENSRAUM’ or ‘increase of living space’ for the Germans, commenced with his ‘Border Wars’, which soon turned into a Global War because of the ‘appeasement policy’ of the Allies. ****** had secured his Eastern Front with a treaty with the Stalin, since fighting on two fronts would have been very difficult for the Germans.

Now when ******’s army invaded Poland on 1st of September 1939, it became ‘the last straw on the camel’s back’ for the Western Allies!
Committed to the Anglo-Polish Defence Pact of 25 August, 1939, both Britain and France declared war on Germany,
Which I propose to narrate in Part Two of my Second World War Story.  
The Policy of Appeasement no doubt gave some time for Britain, to regain its depleted military strength,  but Adolf ****** had viewed it as a sign of weakness!
With Russia and America initially as non-participants, ****** became more confident and arrogant!
Thereby turning his border wars into a global conflagration lasting six long years.
When the use of advanced technology, resulted in greater loss and casualties;  
Which was followed by the holocaust and unprecedented human suffering!
I would like to conclude my present narration with a poem by English soldier-poet Seigfried Sassoon, who participated in the First World War on the Western Front.

DREAMERS  -  by Siegfried Sassoon
Soldiers are citizens of death's gray land,
Drawing no dividend from time's to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows.
Soldiers are sworn to action; they must win
Some flaming, fatal ****** with their lives.
Soldiers are dreamers; when the guns begin
They think of firelit homes, clean beds, and wives.

I see them in foul dug-outs, gnawed by rats,
And in the ruined trenches, lashed with rain,
Dreaming of things they did with ***** and bats,
And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
And going to the office in the train.
…………………………………………………………………………
Thanks for reading patiently, from Raj Nandy of New Delhi.
  *ALL COPYRIGHTS ARE WITH THE AUTHOR ONLY
Alyssa Underwood Nov 2015
Promises made by mortal man
Are rarely met by mortal hand
For though they strive to win your heart
Such passions land far from their start

They'll paint, so clear, a future bliss
And draw you in with blinding kiss
But just when you have bought the dream
Man finds pursuits more worthy to deem

Ambition, sport and other girls
Whose flattering words and smiles like pearls
Will tempt a fellow to leave his nest
And lie upon another's breast

'Tis pain so sharp you think you'll die
And tears aren't found enough to cry
A torture rack would be better friend
With all its tearing limb to limb

To have your innards disemboweled
Or face the fiercest lion's growl
Would be kinder punishment than this
From one who knew your ****** kiss

And yet within this darkest night
A hint of moonbeam's softest light
Might rise upon such blistered soul
And shine into its gaping hole

For romance still may spark a flame
And whisper to your heart by name
To woo you in your bleakest hour
With promises of healing power

Promises unlike the others you've known
Whose good intentions were quickly thrown
Away by the frailty of human flesh
When sin's entanglements did enmesh

No, this One's words are wholly sure
His heart and mind and will are pure
His faithfulness cannot be shaken
Nor His covenant love ever be taken

He chose you before He made the sun
And said to the Father, "I want that one!"
He searched you out through all your years
Through all your joys and pains and fears

And now He waits for you to grasp
That deepest pleasure lies in His clasp
That His own kiss brings highest delight
That His face is eye's sweetest sight

It's He alone Who can fill you up
And saturate your empty cup
When life has left you hollow and dry
And numb to further wish to try

When memories lie tarnished with stains
And not one worthy dream remains
He reaches in with perfect hope
That pulls you up like saving rope

And as He wipes tears from your eyes
He says to you: I am the Prize!
Take hold of Me and drink My love
Come sit with Me in realms above

For I have blessings prepared for you
That you've never imagined, but oh it's true
I long to give you all of Me
To draw you close and let you see

That in your pain you know Me best
That heart's rejection finds its rest
In this sweet fellowship of intimacy
Where you are made to look like Me

I'll give you love like you've not known
Enough to see your will o'erthrown
Enough to pour it out upon
That very one who did you wrong

For that one, too, knows thirst of soul
And needs My love to fill the hole
Which, though he's tried hard to ignore,
Pleads, "More and more and more and more!"

But if he never should respond
Still, that pure love will seal the bond
That ties you to My own heartbeat
For then you'll see My love complete

For though the world resists Me still
I love them fiercely and always will
I've known rejection like no other
From bride and kindred and friend and brother

And when you love through hate and scorn
A jewel within your heart is born
For then you glimpse My own heart's breaking
And learn My secrets of rarest taking

To rejoice in the face of bitter spite
Requires sure death but will invite
Your soul to dance in gardens of bliss
Where you will know My Lover's kiss

So come and dance with Me, make haste
There's no spare moment left to waste
Abundant life waits through this door
With thrills and pleasures evermore!
~~~
Alyssa Underwood May 2017
Promises made by mortal man
Are rarely met by mortal hand
For though they strive to win your heart
Such passions land far from their start

They'll paint, so clear, a future bliss
And draw you in with blinding kiss
But just when you have bought the dream
Man finds pursuits more worthy to deem

Ambition, sport and other girls
Whose flattering words and smiles like pearls
Will tempt a fellow to leave his nest
And lie upon another's breast

'Tis pain so sharp you think you'll die
And tears aren't found enough to cry
A torture rack would be better friend
With all its tearing limb to limb

To have your innards disemboweled
Or face the fiercest lion's growl
Would be kinder punishment than this
From one who knew your ****** kiss

And yet within this darkest night
A hint of moonbeam's softest light
Might rise upon such blistered soul
And shine into its gaping hole

For romance still may spark a flame
And whisper to your heart by name
To woo you in your bleakest hour
With promises of healing power

Promises unlike the others you've known
Whose good intentions were quickly thrown
Away by the frailty of human flesh
When sin's entanglements did enmesh

No, this One's words are wholly sure
His heart and mind and will are pure
His faithfulness cannot be shaken
Nor His covenant love ever be taken

He chose you before He made the sun
And said to the Father, "I want that one!"
He searched you out through all your years
Through all your joys and pains and fears

And now He waits for you to grasp
That deepest pleasure lies in His clasp
That His own kiss brings highest delight
That His face is eye's sweetest sight

It's He alone Who can fill you up
And saturate your empty cup
When life has left you hollow and dry
And numb to further wish to try

When memories lie tarnished with stains
And not one worthy dream remains
He reaches in with perfect hope
That pulls you up like saving rope

And as He wipes tears from your eyes
He says to you: I am the Prize!
Take hold of Me and drink My love
Come sit with Me in realms above

For I have blessings prepared for you
That you've never imagined, but oh it's true
I long to give you all of Me
To draw you close and let you see

That in your pain you know Me best
That heart's rejection finds its rest
In this sweet fellowship of intimacy
Where you are made to look like Me

I'll give you love like you've not known
Enough to see your will o'erthrown
Enough to pour it out upon
That very one who did you wrong

For that one, too, knows thirst of soul
And needs My love to fill the hole
Which, though he's tried hard to ignore,
Pleads, "More and more and more and more!"

But if he never should respond
Still, that pure love will seal the bond
That ties you to My own heartbeat
For then you'll see My love complete

For though the world resists Me still
I love them fiercely and always will
I've known rejection like no other
From bride and kindred and friend and brother

And when you love through hate and scorn
A jewel within your heart is born
For then you glimpse My own heart's breaking
And learn My secrets of rarest taking

To rejoice in the face of bitter spite
Requires sure death but will invite
Your soul to dance in gardens of bliss
Where you will know My Lover's kiss

So come and dance with Me, make haste
There's no spare moment left to waste
Abundant life waits through this door
With thrills and pleasures evermore!
Repost
Amy Grindhouse May 2014
Is there an order?
In there an approximation of pi
circling our first awkward flirtations?
Does a dragon curve lurk hidden as I
caress the curvature of your spine?
Where does Euclidean geometry fit in to the
first time our lips met?
Does the Pythagorean theorem detail our most intimate
love making?
A quadratic formula for the shameful
discarding of punched in picture frames?
Is there a golden ratio that best expresses
hurried apologies and frantic entanglements
between our sheets?
I know for certain there was
a simple subtraction
on the day your tears added up everything
and finally said goodbye.
Some would say there is order in this
chaos disguised as order disguised as
chaos
Continually debating pattern recognition
or butterfly effects
But I’d like to think
We were more subtle than that
Mateuš Conrad Apr 2016
perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ
:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -
Chelsea Nov 2012
Fish flop all about
toiling the water with
their thrashing tails
and flashing fins

Sea green dark filters in
clouding abundant logical reason
And sends them following forever
the infinitely proceeding summer season

Jealous of the un-natural bond
between cat and fish
the crab cries to the moon
and clings tenaciously to her
romantic wish

Lost in loving memory of
their one and only kiss
she sends her hard shell flying
and is lost to the abyss
Hal Loyd Denton May 2013
They tell and show us about space debris this matter that freely floats in the vastness of space
There is a comparison to the inward being many emotional breezes come unannounced they
Live in these treasured sightings the wind undulating across the prairie grass it first is caught by
The eye then it is drawn down deep into the soul how much bigger and newer life it gets when
The great magnate of all life receives it invests in it truth value the outward being can never
Know take the common fire from a campfire the mystery rises from the crackle and the leaping
Flames no longer is it just chatter but it is soul talk produced in depths of wonder that emerge
At the surface level bestowing gold from common folds of life or the majestic views of
Mountain grandeur Vaulted sky
Shaded canyon breathtaking heights does the angry wind speak if so in a whisper the granite peaks austere and bleak seem to frown on the trees and lowly grass lands with their fertility and ease of growth. While he the monarch bristling with his cold barren armor of granite invites the stares the awe inspired gratitude of nature and mortal man he knows there dreams and thoughts how many have stood at the edge of wonder on his brow with fainted hearts. Their thoughts drift out and away ever upward reaching the clouds filled and clothed with mountain air brightly they are displayed in these untamable rays. Voices of the ancient ones still echo their wisdom still resounds in the summer thunder they visited and released many a tortured soul. Before Blind they stood before the closed door of their minds knowing there is a path but where can it be found. Riches unbound await the searcher who will go to any and all lengths to conquer unbelief freedom his guiding star he walks in great shadows. Mountainous men Jefferson Lincoln his stalwart companions stand with grandest stature takes from the mountain those teachings not found in musty universities. Thoughts born on creations morn formed and laid on this rocky foundation now for centuries they have bore the weight this colossus purified they are words more noble than gold. Share them invest them in the borderless world of human kind that circle the globe. Moses was familiar and consorted with mountains the angel made one his sepulcher. Waste not the golden hours they are the thread that sows life’s most exquisite moments together making a life. Turn aside seek the heights they will give you respect and honor words will flow that are uncommon they will fit any and all circumstances filling the empty void where hearts bleed without ceasing. Your voice will be like the cool mountain breeze soothing filled with substance and comfort
Is it molecular it is and so much more they tell us of the drive by shootings a wonderful place to
Draw this contrast is Los Angeles called the city of angels but the most beautiful is
Its Spanish interoperation Low hovering angels this loses if we say it but let a Mexican say it his
Inflection most perfect if he is saying it from love. Is there a seriousness here our blessing is not be in That crucible even New York is called the big apple but those in the know call it the volcano with all its Eruptions and pressures so does L A fall into this category in fact if you live on Pico Ave it’s a category Five tornado this is one of the most fought out streets in the turf war for space to sell the Bain to all Society drugs see the flame it consumes the guilty and the innocent view this common occurrence way To common how many small neighborhood chapels were filling with caskets instead of wedding Ceremonies look and listen a Mac Ten pistol grease gun thirty round capacity it has just started its Deadly chatter laying down a withering fire this isn’t battle ground conditions this is a neighborhood Strafing a car the widow’s blow out the shooter keeps the fire steady it starts plinking metal as it moves
To the front of the car off the car into a white small picked fence wood matching the spray of bullets as It Flies in all directions Chicago revisited instead of the Tommy gun chopper of probation you got a Crazed dope fiend punk without emotions the sight of fourteen year old Maria standing on the sidewalk Never registered or didn’t matter three red dots appeared on her bright blouse across her back the Center spot stopped her heart forever now these precious Spanish eyes closed never to  see her rightful Future instead of one day walking the Church isle in a wedding gown now she would lie in repose in White with the flowers not in a bouquet but neatly fixed in  her hair So robbed of youth and life her Budding life so filled with promise where angels hover yes this is the blackness the soul knows perpetrated by the evil one but
There exists a counter part to this evil the good gifts divinely wrought the walk by how many
Hearts have fallen to love by just the chance encounter of her loveliness just walking by you the
Hair flowing and glowing the face created in the throes of love and romantic overload
Spellbound was the creator what chance do you have a mere mortal we are not in casual
Observation the soul is processing this at deepest of levels magic is taken from theatrical
Surroundings to the open places of the heart and being of living two other places for instance
The sea shore a new vastness that overwhelms with delightful pleasure and promise

SeaThoughts

Oh stand thy great waters contained in thee is mirth and terror some you have beguiled and then
Have taken them to your depths of destruction but by your benevolence the sea breeze blows
Inland from this moisture rain is called from its dwelling place the earth is refreshed the tides
Have cosmic ties by gravity the lone solitary moon is entreated and responds one speaks if only
There was a love potion that I could give my beloved so she would respond to me favorably it
Can never be created it already exists go out into the mysterious night stand under a great tree its
Dark silhouette will be more bewitching than the days shade speak your heart as you do take her
Hand and stroll out into the moon beams that drew magic from the great waters as it passed over
Does not wonder advance in this light softer exquisite the hardness of life bows and retreats to
Wait the daylight hours where harshness has its intrepid way so it leaves you with the volumes’
Darkness of night every person desires excursions into intrigue shadows will touch your faces
As tender as the willow then the soft glare of the moons love the mind and heart as its signature
Equation that old crazy moon has moves that are centuries old that birth love every time romance
And her broadest throne follow and are attended by moon light to develop a relationship
Correctly don’t go to the artificial neon lights that are futile and tinged with wickedness but
Sea side strolls are the ultimate inducement a pure stimulus that thwarts the too often knotted
World that keeps everyone at odds with one another everyone knows a great deal of love and
Romance when they are younger to revisit those cherished memorable times that started your
Life of promise with your beloved is invaluable mature love needs to feel the saturation of sea
Breezes the moons ghostly sights will fill in deep shadows where hurts have collected they need
To be free so they can go back to the darkness that gave them life your lives shouldn’t be defined
by them But the deep calleth to the deep set sail for Trafalgar not to war with enemy ships but to
sign With tender’s hand a peace accord to stitch the soft fabric of love that life’s mean elements
can rend in this you will find the sea’s glory and the moons positive glow has become a true part
of your life it is time the spring of renewal is in the offing and it sways to love’s song this speaks
Of man and women’s love this speaks of God’s love they saw the works of the LORD, his wonderful deeds in the deep

Where God passes
The edge of forever where raw power is displayed
Walk the seascapes enter the story told in timelessness except for outer space it is the only place where man finds his mind freed so steep is the unending awe that without question he finally is able to present his self as the tiny speck lost is all ego all self importance he is open to the quest for ultimate truth. You perfect you’re thinking at the sea shore it is a storehouse that lends itself to grand thoughts no limitations hamper your endeavors aliveness engulfs you totally. Subdued moods excavate every shallow you start a down ward decent the deep cries out to your soul the part that never can be accessed on shore. The ground a foundation for raising up temporal structures your needs are served in waters that open as a mysterious gate the deeper the fathoms the more understanding is released. To abide in calm surface features of the sea what a waste take off the restraints become a voyager drift with churning twisting pressures they will give great reward for accosting your accustomed staid and uneventful living. Go deeper the mundane the so called important will be forced through your very pores as you continue calling the unknown manifest itself with great scrolls hidden beyond reach to those that plod along the sunny quiet banks. Life test all men you can face them unafraid armed with years not minutes of preparedness found alone in the struggle only found at sea. Pondered Plumbed in inexorable conditions that stretches changes a person’s character his stature tempered fired as steel in the caldron. We need leaders vibrant thinkers people who can and will accost hell in the very near future and come away victorious. They will have found their way through the untold deadly entanglements figuratively and real they’re not accustomed to ease and know perils at close quarters they learned them in great waters not in pools that have not the ability to stir you to your core you’re going to pour out your life in one form or another do it with sand and grit leave a scarred an effectual trail for others to follow not the light untraceable light footsteps of one who has never lived this just barely scratches the surface of the breezeless that tug and press the center and being of us all I wrote this to be another of the blessings that touch your soul

If there are any mistakes I will have to fix them in a bit I can only work at the computer for so long and I want to get this out
Hal Loyd Denton Dec 2012
Not for every one heavy religious thoughts expressed

This is my declaration of war know it or not we are in a battle life is a battle and when you are the one
Getting stomped on you are in distress and hard pressed to make clear decisions by divine entreaty
We are called onto love one another and that means coming along side and bearing your burden and
Fighting with and for you your life is of many different situations I see mine as a battle field medic and
One who reports on the fighting I am like my friend in the service who came back from Nam before he
Was a medic but the Cong fixed that now he fought fires along side with the the rest of us but we were in the
Bathroom cleaning up after a fire he had his shirt off and when you were in his prescence his nature
Was more than just fragile he was damaged in a life altering sense now I understood as I looked at
Several bullet holes wounds on his chest and back that had to be fixed by skin grafts it mapped his love
Of country and when boys his age lie wounded and dying they holler medic and then before dying they
Gently weep calling on their precious mother far away that always is mending their hurts but this time
Jesus and His angels rush in to stand by and guard with their love and by lifting up this tired and finished
Warrior wrapped in old glories beautiful red white and blue taking him where a flag that stands in the
Center of glory land it emblem is a lamb slain on a cross blooded and wounded from his love of his lost
Children tears from here to heaven float in the great blackness of our universe perpetually it goes along
With this Quote from Keats they never end either his lines says “A thing of beauty is a joy forever its
Loveliness increases it will never pass into nothingness” another is two hearts beat as one if you think
I’m insincere my tears just fell writing these lines causing hurt again for my wife that must listen but I
Rush to your bleeding wounded hearts on a spiritual battle field my bandages are tear soaked to wrap
Your wounds as you have cried help medic I cry Jesus in this scene depicts from Daniel Gabriel had come
To Daniel’s battle field after Daniel had prayed and fasted twenty one days this is a familiar your story to
Most but his is what I want to share it says I heard a man’s voice from the Ulai river calling Gabriel tell
This man the meaning of the vision and it goes on to say this was an angel of higher rank come to assist
This is another item in my medical bag to help the unknown comes into view in the army there is a chain
Of command it is true of the army of God as well you lay wounded God flashes your call of need through
The spirit world in your case who is reading this you see me only but as the prophet of old faced an army
Of men he feared nothing as he looked on the mighty host of heaven arrayed and fully armed for battle
He was the only one that stood between the deaths of these enemies who as you and I only see the
Immediate through writing beautiful words and revealing unseen powers I’m going to give you the
Power to not be afraid not just words but heavenly beings as your vanguard from your knees alone the
Enemy will be put to flight this still comes from looking down a familiar street and in my mind’s eye
Seeing your pain and suffering at that moment I was alone in the dark car but worse I felt helpless
And alone the thing I did right through great tears and pain I cried and asked God to help me to help
Others this is a first in a series to do that very thing one last thing I offer another angel encounter
This my own at home in California I lost my Job for some reason I had to go to the bank what fun
Money becomes scarce as meat on a skeleton and I go where it is stacked sky high well as I walked
Outside and set on the bench away from everyone and everything a man walked up he looked familiar
In this since his clothes looked the way I felt they had seen better days and the special thing he was
Caring a book just a paperback but it looked like the one I carried I never go out without a book and
Lot of times I carry a bag full of them he was friendly easy to listen to he told me that he lived in
The hills our towns entry sign and letter head from the city depicts hills the highest Mission Peak
As he talked my pressure and wild thoughts settled though we were setting in the sun I felt a comfort
You find setting under a great oak I’m not flipping and I’m not advocating hugging trees but I feel
The angel was said to speak from the river not a stretch everything in this world is controlled by God
First his word alone holds it altogether but beyond that with the extensive reading I have done it
Clearly shows angels are first in charge of your lives and your safety but all living things are under their
Charge and in a minute I’m going to include two pieces that speak of hill and a great Oak well as all
Things do our visit ended and then I knew the person who I had been talking wasn’t a man after all
When he said he stayed in the hills meant a lot more I come to this conclusion because this man
Interested me in my turmoil he pops up and leaves me with a feeling of well being and then the facts
Bare it out we were sitting by this building that sets by itself at a good distance you have small trees that
A rabbit couldn’t hide behind and every direction is open country well I fiddled with my book
For the briniest moment I guess I was thinking about his I look up and he is gone someone comes into
Your life and touches you well one last look would be nice I didn’t run but I briskly walked to the end
Of the building I was already at this end he was nowhere to be found shortly after this I wrote this
Piece about our church and the church yard just up the street the hills flank the length of the city
See if you think his presence lingers and flows on to the page on last thing because of an affliction
I am only allowed twenty minutes at a time on the computer legs and feet problem I spent five hours
The other day no sleep that night so elated all day and my wife made care giver gives me a taste of
Ireland as she screams for me to get off I ran over an hour and a little try to write with the scream of
A banshee behind you this was supposed to be a small piece I never write twelve hundred words I said
That to say can’t check for errors you can have fun finding my mistakes will fix on my next allotted time
You can’t take this to the bank to the bank but I think I suffer from another common malady it’s called
Being hen pecked but it the good kind of hurt here is the church piece then the Oak

Shadow of Eden
In this savage land we call home
There is a pastoral valley that has the richest texture of heaven
This treasured sheep gate beckons tenderly says welcome
These hills and slopes the repository of our hopes
The savior poised in their gentle steeps, for the city weeps
Sweet spirit that fills this natural expanse soft as the breeze
Each tired weary soul you refresh with a quiet hush
We are shown the wisdom of not being in a rush
Unseen pillars tower revealing your mighty power
Written on the pillars at the world side is come unto me
On the church side seek the lost at any cost
The Devil expresses defiance the church makes Heaven her alliance
Wayward souls tormented seeking an oasis dying of thirst
Today we fill these pots of clay and determine to go out of our way
Seeking those that hunger and thirst by this Christ we manifest
To the world the church is ghostly not completely visible
It shimmers as though it isn’t real blindly they feel about
In your life they find solid ground clear of the mist
They finish a terrible journey now they feed from all their needs freed
No longer exhausted from continually milling about
The Sheppard stands holy watch and cast a confidant shadow
In this respite feeding and richly nourished they grow strong
Gladness quietly cascades from spiritual hills of splendor
By angles man sees more than just the coarse and obvious he sees the heart of all living things
That reveals the heart and Genius of the one that made it all a great package that each newborn
Finds he tears a way layer upon layer of wrappings love joy hope possibility of dreams that await
And so much more your I just added this you’re never too old to go back to that place where
Wonder still remembers you its polite to revisit in fact it is required for good health and a
Positive mind where is it now where else would human birth occur except at angel central

Lost Friend
This is just a few lines written to celebrate the generations of one Paso Robles family, and their parallel existence with one of nature’s monarchs that was destroyed in recent storm.
You will always remain in my mind.
I can’t remember when you weren’t watching.
Tall strong, graceful shade the bewitching kind.
Long ago a fellow relative started your stately reign.
This our home place he surveyed.
His eye, the land did fill with awe.
From this bond through a lowly seed he prayed
Bless this spot; many a day has he spoken from the oak.
Grandeur over stretched grandmother’s dwelling.
We could only marvel at thy great strength.
From your great silence serenity you were telling.
Shot and blasted against the sky, fireworks of wood.
Clothed in rough hardened bark
what comfort and wisdom you inspired.
Who understands the wonder, my soul you did mark
your size triggered the greatest gift, curiosity.
Branches the wind passing through what mournful cry
Nature’s tune sublime given to delight as only a sad ballad can evoke
Nothing else should try
To match violins in the sky.
My eyes see it in a grand sweep
The ground brought forth a stately wooden crown
Of blackest oak to stand tall and steep
A gentle giant to greet the wayward wind.
Two divergent seeds the ground did divide.
One of wooden grain the other flesh and blood
their branches throughout the community do abide
as charming as church bells ringing, touching all.
And just one more in case you need it friend if you don’t get it
I have lived through some hell in my live now I think it’s time to return
The favor I’m going to give hell all the heat I can that is white heat of love to the suffering
And oh so awful to him but his fire is going to gage on these pages like the fires I used to
Fight in the service as a servant to my country now I’m your servant and I’m fired up I fought
Bullies all through school now I plan to fight the biggest one for you

Sorry I think you could use some granite in your fight

Vaulted sky
Shaded canyon breathtaking heights does the angry wind speak if so in a whisper the granite peaks austere and bleak seem to frown on the trees and lowly grass lands with their fertility and ease of growth. While he the monarch bristling with his cold barren armor of granite invites the stares the awe inspired gratitude of nature and mortal man he knows there dreams and thoughts how many have stood at the edge of wonder on his brow with fainted hearts. Their thoughts drift out and away ever upward reaching the clouds filled and clothed with mountain air brightly they are displayed in these untamable rays. Voices of the ancient ones still echo their wisdom still resounds in the summer thunder they visited and released many a tortured soul. Before Blind they stood before the closed door of their minds knowing there is a path but where can it be found. Riches unbound await the searcher who will go to any and all lengths to conquer unbelief freedom his guiding star he walks in great shadows. Mountainous men Jefferson Lincoln his stalwart companions stand with grandest stature takes from the mountain those teachings not found in musty universities. Thoughts born on creations morn formed and laid on this rocky foundation now for centuries they have bore the weight this colossus purified they are words more noble than gold. Share them invest them in the borderless world of human kind that circle the globe. Moses was familiar and consorted with mountains the angel made one his sepulcher. Waste not the golden hours they are the thread that sows life’s most exquisite moments together making a life. Turn aside seek the heights they will give you respect and honor words will flow that are uncommon they will fit any and all circumstances filling the empty void where hearts bleed without ceasing. Your voice will be like the cool mountain breeze soothing filled with substance and comfort.

Well three hours must I tell you in the dog house and no feathers left it was worth it for me
I hope for you too

Where God passes
The edge of forever where raw power is displayed
Walk the seascapes enter the story told in timelessness except for outer space it is the only place where man finds his mind freed so steep is the unending awe that without question he finally is able to present his self as the tiny speck lost is all ego all self importance he is open to the quest for ultimate truth. You perfect you’re thinking at the sea shore it is a storehouse that lends itself to grand thoughts no limitations hamper your endeavors aliveness engulfs you totally. Subdued moods excavate every shallow you start a down ward decent the deep cries out to your soul the part that never can be accessed on shore. The ground a foundation for raising up temporal structures your needs are served in waters that open as a mysterious gate the deeper the fathoms the more understanding is released. To abide in calm surface features of the sea what a waste take off the restraints become a voyager drift with churning twisting pressures they will give great reward for accosting your accustomed staid and uneventful living. Go deeper the mundane the so called important will be forced through your very pores as you continue calling the unknown manifest itself with great scrolls hidden beyond reach to those that plod along the sunny quiet banks. Life test all men you can face them unafraid armed with years not minutes of preparedness found alone in the struggle only found at sea. Pondered Plumbed in inexorable conditions that stretches changes a person’s character his stature tempered fired as steel in the caldron. We need leaders vibrant thinkers people who can and will accost hell in the very near future and come away victorious. They will have found their way through the untold deadly entanglements figuratively and real their not accustomed to ease and know perils at close quarters they learned them in great waters not in pools that have not the ability to stir you to your core you’re going to pour out your life in one form or another do it with sand and grit leave a scarred an effectual trail for others to follow not the light untraceable light footsteps of one who has never lived.
Perveiz Ali May 2016
In a moment of silence and solitude,
I stand dumfounded in my inner being,
Unable to understand
this life's turmoil.

What to say, what to do?
And above all how to move?
Lost in the labyrinths of my mind.
Oh merciful Lord take pity on us,
Bestow grace, in our hour of entanglements.
Brady D Friedkin Apr 2016
Oh Lord, faithful unto Your people in all ages and worlds
Faithful even unto those that forget Your faithfulness and discard You
And once more, here I am remembering not Your faithfulness
Your body has been desecrated and all but defeated and destroyed
For Your people use words as weapons for ****** and spite for means of destruction

Oh Lord, Your body has torn itself to shreds, and someone is going to die
That someone is going to be the Body of Christ
Disagreements and differences need not to lead to hatred and malice
We have been saved and united unto You by Your great love
Can we not be united to one another as to You through Your love?

When children become involved in immature entanglements, adults laugh and ignore
But when grown adults fight in the streets, the fight must be stopped
And now Your body is pulling punches and weapons
There is bitter hatred over language and style, awful things to cause blood
Oh Lord, might this soon come to an end?

Oh Lord why do You allow for Your people to tear one another down?
Day by day, year by year, generation by generation, Your Body falls deeper into dismay
Your people, oh Lord, war against one another over small issues and differences
How long must we persevere through bitter hate and rejection from brothers and sisters?
Oh Lord might we have unity and love as you have always called for us to come to?

Oh Lord, our knees are bruised from years of kneeling
Our minds are wounded from generations of dealing
Our necks are sore from all our lives spent looking heavenward
Our eyes are reddened and swollen from lives spent crying for our beaten and murdered brothers
And our souls are decomposing from being cast out by the powerful in Your Body

Oh Lord, heal our bruises, mend our wounds, take away our sores
Lord, take away our tears, and resurrect our souls into Your great love
Lord, defeat our adversaries and bring us all back into unity with each other and You
Bring us back into Your love and remember us who have been cast out and forgotten
Oh Lord, deliver us from our adversaries, our very brothers in Christ

But for those who show love to our brothers, and have unity in Your love
For those who call all sealed by the blood of Jesus Christ ‘brothers and sisters’
As for us, we bring forth unity in a fractured and all but defeated body
We call upon those who bring forth dissonance, and plead that they show Christian love
And though many do not listen, still we call in Your name

Still we commune in the Sacrament of Your Body and Blood with them
Still we refer as brothers and sisters, our very body
Even through pain, and hate, and torment, through tears, and blood, still we love on
Still we worship beside them, pray with them, and partake in the ministry of the Word with them
Still we participate in and out of liturgy in the work of the Church, for they are our brothers

So we cup our hands as if waiting for bread, we set our gaze toward the heavens
We pray for Your blessings to fall into our open palms daily
And here come I, on my knees begging that You deliver us from this hell
That You might intervene and put this broken body back together
That You might breathe new life into this seeming dying body

Your Son was murdered, broken, and crucified for our transgressions
His broken body lay in the ground for three days before He rose again into new life
So too might this body, the Body of Jesus Christ, resurrect into new life
And we read that Lazarus’ came back into life after passing unto death
So this body, which has yet not passed unto death, might be mended and healed

You, who have come to make all things new
Who have come to make all sad things come untrue
You can mend these wounds that seem unhealable
And we know that You will, for You are faithful unto Your children
Faith, which we so often lack, we will not lose

You have mercy upon us, forgiving us all our sins, through Your Son
You strengthen us in all goodness by the power of Your Holy Spirit keeping us in eternal life
So we lift our hearts to You, giving You thanks and praise always and everywhere
We sing songs to You and give our whole hearts to You
From the first breath we breathe in new life, to the last breath on earth, be our praise with You

This is the prayer from the oppressed in Your body
The prayer for those who have dwelt beneath the foot of the body
Have mercy upon us, have mercy upon our enemies
Give us Your grace, and bring the body back into unity, oh Lord
And more of all, grant us Your peace

Oh Lord, You accept the fervent prayers of your people
With Your many mercies, look with compassion upon us
Hear our prayers, oh Lord to whom we turn for great help
You are most gracious, you lover of souls
Hear, accept, and intervene on our behalf by Your Son, Jesus Christ.
Amen.
A lament written for a class at school. This is a lament for the body of Christ which so often tears down other members and murders with words and actions
complexity
is your beauty
simplicity
your mystery
interdependence
sustains you

once upon a time
we dipped bowls
into your waters
and brought up
draughts of life

now
Skipjacks go
fathoms deep
into endless
depletion

charting
entangled
dead zones
broadening
into a sea of
inertness

your delicate
eco-essence tips
toward oblivion

effluvia farmers
layer mechanized
blankets of
nitrates on your
sunset shores
weaving
green tendrils
of algae blooms
strangling the
entanglements
of all links in
your miraculous
food chain

the EPA
proscribes
a Jenny Craig
pollution diet
to halt the
slaughter in
oxygen
challenged
dead zones
where rockfish
are garroted,
oysters get drilled
by screwworms
and azure tinted
soft shell *****
dance soft
shoe taps
lifting a tinny
chorus of sad
Piedmont Blues

the flat-lining
watersheds
voiceless
warnings
tremble
rocking the
purged nests of
screaming ospreys
in vocal protest
of a sinking
Tangier Isle
anointing it’s
tombstones
of unvisited
cemeteries with
multicolored
guano

fitting
alkaline
tributes
to the lost
inhabitants
and forgotten
languages
sinking into the
brine of gray
brackish tides

Delmarva’s fine
intra-continental
balance skewed
by the oozing
industrial swill
of Frank Perdue
chicken farms
ruling the roost of
sanctioned sustainability
tinging clear watersheds
of finger lakes
set in splints to
repair dislocations
and complex
compound fractures
that may never heal
again

Music Selection:
Taj Mahal: Fishin Blues

jbm
Oakland
6/7/12
Hal Loyd Denton Apr 2012
Warista

Not for everyone heavy religious thoughts expressed

This is my declaration of war know it or not we are in a battle life is a battle and when you are the one
Getting stomped on you are in distress and hard pressed to make clear decisions by divine entreaty
We are called onto love one another and that means coming along side and bearing your burden and
Fighting with and for you your life is of many different situations I see mine as a battle field medic and
One who reports on the fighting I am like my friend in the service who came back from Nam before he
Was a medic but the Cong fixed that now he fought fires along side of the rest of but we were in the
Bathroom cleaning up after a fire he had his shirt off and when you were in his prescience his nature
Was more than just fragile he was damaged in a life altering sense now I understood as I looked at
Several bullet holes wounds on his chest and back that had to be fixed by skin grafts it mapped his love
Of country and when boys his age lie wounded and dying they holler medic and then before dying they
Gently weep calling on their precious mother far away that always mending their hurts but this time
Jesus and His angels rush in to stand by and guard with their love or by lifting up this tired and finished
Warrior wrapped in old glories beautiful red white and blue taking him where a flag that stands in the
Center of glory land it emblem is a lamb slain on a cross blooded and wounded from his love of his lost
Children tears from here to heaven float in the great blackness of our universe perpetually it goes along
With this Quote from Keats they never end either his lines say “A thing of beauty is a joy forever its
Loveliness increases it will never pass into nothingness” another is two hearts beat as one if you think
I’m insincere my tears just fell writing these lines causing hurt again for my wife that must listen but I
Rush to your bleeding wounded hearts on a spiritual battle field my bandages are tear soaked to wrap
Your wounds as you have cried help medic I cry Jesus in this scene depicts from Daniel Gabriel had come
To Daniel’s battle field after Daniel had prayed and fasted twenty one days this is a familiar your story to
Most but his is what I want to share it says I heard a man’s voice from the Ulai river calling Gabriel tell
This man the meaning of the vision and it goes on to say this was an angel of higher rank come to assist
This is another item in my medical bag to help the unknown comes into view in the army there is a chain
Of command it is true of the army of God as well you lay wounded God flashes your call of need through
The spirit world in your case who is reading this you see me only but as the prophet of old faced an army
Of men he feared nothing as he looked on the mighty host of heaven arrayed and fully armed for battle
He was the only one that stood between the deaths of these enemies who as you and I only see the
Immediate through writing beautiful words and revealing unseen powers I’m going to give you the
Power to not be afraid not just words but heavenly beings as your vanguard from your knees alone the
Enemy will be put to flight this still comes from looking down a familiar street and in my mind’s eye
Seeing your pain and suffering at that moment I was alone in the dark car but worse I felt helpless
And alone the thing I did right through great tears and pain I cried and asked God to help me to help
Others this is a first in a series to do that very thing one last thing I offer another angel encounter
This my own at home in California I lost my Job for some reason I had to go to the bank what fun
Money becomes scarce as meat on a skeleton and I go where it is stacked sky high well as I walked
Outside and set on the bench away from everyone and everything a man walked up he looked familiar
In this since his clothes looked the way I felt they had seen better days and the special thing he was
Caring a book just a paperback but it looked like the one I carried I never go out without a book and
Lot of times I carry a bag full of them he was friendly easy to listen to he told me that he lived in
The hills our towns entry sign and letter head from the city depicts hills the highest Mission Peak
As he talked my pressure and wild thoughts settled though we were setting in the sun I felt a comfort
You find setting under a great oak I’m not flipping and I’m not advocating hugging trees but I feel
The angel was said to speak from the river not a stretch everything in this world is controlled by God
First his word alone holds it altogether but beyond that with the extensive reading I have done it
Clearly shows angels are first in charge of your lives and your safety but all living things are under their
Charge and in a minute I’m going to include two pieces that speak of hill and a great Oak well as all
Things do our visit ended and then I knew the person who I had been talking wasn’t a man after all
When he said he stayed in the hills meant a lot more I come to this conclusion because this man
Interested me in my turmoil he pops up and leaves me with a feeling of well being and then the facts
Bare it out we were sitting by this building that sets by itself at a good distance you have small trees that
A rabbit couldn’t hide behind and every direction is open country well I fiddled with my book
For the briniest moment I guess I was thinking about his I look up and he is gone someone comes into
Your life and touches you well one last look would be nice I didn’t run but I briskly walked to the end
Of the building I was already at this end he was nowhere to be found shortly after this I wrote this
Piece about our church and the church yard just up the street the hills flank the length of the city
See if you think his presence lingers and flows on to the page on last thing because of an affliction
I am only allowed twenty minutes at a time on the computer legs and feet problem I spent five hours
The other day no sleep that night so elated all day and my wife made care giver gives me a taste of
Ireland as she screams for me to get off I ran over an hour and a little try to write with the scream of
A banshee behind you this was supposed to be a small piece I never write twelve hundred words I said
That to say can’t check for errors you can have fun finding my mistakes will fix on my next allotted time
You can’t take this to the bank to the bank but I think I suffer from another common malady it’s called
Being hen pecked but it the good kind of hurt here is the church piece then the Oak

Shadow of Eden
In this savage land we call home
There is a pastoral valley that has the richest texture of heaven
This treasured sheep gate beckons tenderly says welcome
These hills and slopes the repository of our hopes
The savior poised in their gentle steeps, for the city weeps
Sweet spirit that fills this natural expanse soft as the breeze
Each tired weary soul you refresh with a quiet hush
We are shown the wisdom of not being in a rush
Unseen pillars tower revealing your mighty power
Written on the pillars at the world side is come unto me
On the church side seek the lost at any cost
The Devil expresses defiance the church makes Heaven her alliance
Wayward souls tormented seeking an oasis dying of thirst
Today we fill these pots of clay and determine to go out of our way
Seeking those that hunger and thirst by this Christ we manifest
To the world the church is ghostly not completely visible
It shimmers as though it isn’t real blindly they feel about
In your life they find solid ground clear of the mist
They finish a terrible journey now they feed from all their needs freed
No longer exhausted from continually milling about
The Sheppard stands holy watch and cast a confidant shadow
In this respite feeding and richly nourished they grow strong
Gladness quietly cascades from spiritual hills of splendor
By angles man sees more than just the coarse and obvious he sees the heart of all living things
That reveals the heart and Genius of the one that made it all a great package that each newborn
Finds he tears a way layer upon layer of wrappings love joy hope possibility of dreams that await
And so much more your I just added this you’re never too old to go back to that place where
Wonder still remembers you its polite to revisit in fact it is required for good health and a
Positive mind where is it now where else would human birth occur except at angel central

Lost Friend
This is just a few lines written to celebrate the generations of one Paso Robles family, and their parallel existence with one of nature’s monarchs that was destroyed in recent storm.
You will always remain in my mind.
I can’t remember when you weren’t watching.
Tall strong, graceful shade the bewitching kind.
Long ago a fellow relative started your stately reign.
This our home place he surveyed.
His eye, the land did fill with awe.
From this bond through a lowly seed he prayed
Bless this spot; many a day has he spoken from the oak.
Grandeur over stretched grandmother’s dwelling.
We could only marvel at thy great strength.
From your great silence serenity you were telling.
Shot and blasted against the sky, fireworks of wood.
Clothed in rough hardened bark
what comfort and wisdom you inspired.
Who understands the wonder, my soul you did mark
your size triggered the greatest gift, curiosity.
Branches the wind passing through what mournful cry
Nature’s tune sublime given to delight as only a sad ballad can evoke
Nothing else should try
To match violins in the sky.
My eyes see it in a grand sweep
The ground brought forth a stately wooden crown
Of blackest oak to stand tall and steep
A gentle giant to greet the wayward wind.
Two divergent seeds the ground did divide.
One of wooden grain the other flesh and blood
their branches throughout the community do abide
as charming as church bells ringing, touching all.
And just one more in case you need it friend if you don’t get it
I have lived through some hell in my live now I think it’s time to return
The favor I’m going to give hell all the heat I can that is white heat of love to the suffering
And oh so awful to him but his fire is going to gage on these pages like the fires I used to
Fight in the service as a servant to my country now I’m your servant and I’m fired up I fought
Bullies all through school now I plan to fight the biggest one for you

Sorry I think you could use some granite in your fight

Vaulted sky
Shaded canyon breathtaking heights does the angry wind speak if so in a whisper the granite peaks austere and bleak seem to frown on the trees and lowly grass lands with their fertility and ease of growth. While he the monarch bristling with his cold barren armor of granite invites the stares the awe inspired gratitude of nature and mortal man he knows there dreams and thoughts how many have stood at the edge of wonder on his brow with fainted hearts. Their thoughts drift out and away ever upward reaching the clouds filled and clothed with mountain air brightly they are displayed in these untamable rays. Voices of the ancient ones still echo their wisdom still resounds in the summer thunder they visited and released many a tortured soul. Before Blind they stood before the closed door of their minds knowing there is a path but where can it be found. Riches unbound await the searcher who will go to any and all lengths to conquer unbelief freedom his guiding star he walks in great shadows. Mountainous men Jefferson Lincoln his stalwart companions stand with grandest stature takes from the mountain those teachings not found in musty universities. Thoughts born on creations morn formed and laid on this rocky foundation now for centuries they have bore the weight this colossus purified they are words more noble than gold. Share them invest them in the borderless world of human kind that circle the globe. Moses was familiar and consorted with mountains the angel made one his sepulcher. Waste not the golden hours they are the thread that sows life’s most exquisite moments together making a life. Turn aside seek the heights they will give you respect and honor words will flow that are uncommon they will fit any and all circumstances filling the empty void where hearts bleed without ceasing. Your voice will be like the cool mountain breeze soothing filled with substance and comfort.

Well three hours must I tell you in the dog house and no feathers left it was worth it for me
I hope for you too

Where God passes
The edge of forever where raw power is displayed
Walk the seascapes enter the story told in timelessness except for outer space it is the only place where man finds his mind freed so steep is the unending awe that without question he finally is able to present his self as the tiny speck lost is all ego all self importance he is open to the quest for ultimate truth. You perfect you’re thinking at the sea shore it is a storehouse that lends itself to grand thoughts no limitations hamper your endeavors aliveness engulfs you totally. Subdued moods excavate every shallow you start a down ward decent the deep cries out to your soul the part that never can be accessed on shore. The ground a foundation for raising up temporal structures your needs are served in waters that open as a mysterious gate the deeper the fathoms the more understanding is released. To abide in calm surface features of the sea what a waste take off the restraints become a voyager drift with churning twisting pressures they will give great reward for accosting your accustomed staid and uneventful living. Go deeper the mundane the so called important will be forced through your very pores as you continue calling the unknown manifest itself with great scrolls hidden beyond reach to those that plod along the sunny quiet banks. Life test all men you can face them unafraid armed with years not minutes of preparedness found alone in the struggle only found at sea. Pondered Plumbed in inexorable conditions that stretches changes a person’s character his stature tempered fired as steel in the caldron. We need leaders vibrant thinkers people who can and will accost hell in the very near future and come away victorious. They will have found their way through the untold deadly entanglements figuratively and real their not accustomed to ease and know perils at close quarters they learned them in great waters not in pools that have not the ability to stir you to your core you’re going to pour out your life in one form or another do it with sand and grit leave a scarred an effectual trail for others to follow not the light untraceable light footsteps of one who has never lived.
Spanish

    Su idilio fue una larga sonrisa a cuatro labios…
En el regazo cálido de rubia primavera
Amáronse talmente que entre sus dedos sabios
Palpitó la divina forma de la Quimera.

    En los palacios fúlgidos de las tardes en calma
Hablábanse un lenguaje sentido como un lloro,
Y se besaban hondo hasta morderse el alma!…
Las horas deshojáronse como flores de oro,

    Y el Destino interpuso sus dos manos heladas…
Ah! los cuerpos cedieron, mas las almas trenzadas
Son el más intrincado nudo que nunca fue…
En lucha con sus locos enredos sobrehumanos
Las Furias de la vida se rompieron las manos
Y fatigó sus dedos supremos Ananké…


              English

    Their idyll was a smile of four lips…
In the warm lap of blond spring
They loved such that between their wise fingers
the divine form of Chimera trembled.

    In the glimmering palaces of quiet afternoons
They spoke in a language heartfelt as weeping,
And they kissed each other deeply, biting the soul!
The hours fluttered away like petals of gold,

    Then Fate interposed its two icy hands…
Ah! the bodies yielded, but tangled souls
Are the most intricate knot that never unfolds…
In strife with its mad superhuman entanglements,
Life’s Furies rent their coupled hands
And wearied your powerful fingers, Ananké

Ananké: Goddess (Greek) of Unalterable Necessity
Michael R Burch Mar 2020
Of Tetley's and V-2's
(or, “Why Not to Bomb the Brits”)
by Michael R. Burch

The English are very hospitable,
but tea-less, alas, they grow pitiable ...
or pitiless, rather,
and quite in a lather!
O bother, they're more than formidable!

Keywords/Tags: limerick, light verse, nonsense verse, humor, humorous, England, English, Tetley, tea, milk, crumpets, scones, war, bomb, bombs, V-2, rocket, missile, missiles, formidable, Britain, Brits, defense, military, mrbtet, mrbtetley



This World's Joy
(anonymous Middle English lyric)
loose translation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
when it enters my thought:
regarding this world's joy,
how everything comes to naught.



Elegy for a little girl, lost
by Michael R. Burch

. . . qui laetificat juventutem meam . . .
She was the joy of my youth,
and now she is gone.
. . . requiescat in pace . . .
May she rest in peace.
. . . amen . . .
Amen.

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).



How Long the Night
anonymous Middle English lyric, circa early 13th century AD
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast,
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Fowles in the Frith
anonymous Middle English lyric, circa 13th-14th century AD
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!

Sounds like an early animal rights activist! The use of "and" is intriguing ... is the poet saying that his walks in the wood drive him mad because he is also a "beast of bone and blood," facing a similar fate?



I am of Ireland
anonymous Medieval Irish lyric, circa 13th-14th century AD
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



Whan the turuf is thy tour
(anonymous Middle English lyric, circa the 13th century AD)
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms’ to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within ...
what hope of my help then?

NOTE: The second translation leans more to the "lover's complaint" and carpe diem genres, with the poet pointing out to his prospective lover that by denying him her favors she make take her virtue to the grave where worms will end her virginity in macabre fashion. This poem may be an ancient precursor of poems like Andrew Marvell's "To His Coy Mistress."



Ech day me comëth tydinges thre
anonymous Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because I don't know where the hell I will go!



Ich have y-don al myn youth
anonymous Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously ...
And oh what grief it has brought me!



I Sing of a Maiden
anonymous Medieval English Lyric, circa early 15th century AD
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.
He came also as still
To his mother's breast
As April dew
Falling on the grass.
He came also as still
To his mother's bower
As April dew
Falling on the flower.
He came also as still
To where his mother lay
As April dew
Falling on the spray.
Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



Enigma
by Michael R. Burch

O, terrible angel,
bright lover and avenger,
full of whimsical light
and vile anger;
wild stranger,
seeking the solace of night,
or the danger;
pale foreigner,
alien to man, or savior ...

Who are you,
seeking consolation and passion
in the same breath,
screaming for pleasure, bereft
of all articles of faith,
finding life
harsher than death?

Grieving angel,
giving more than taking,
how lucky the man
who has found in your love,
this, our reclamation;

fallen wren,
you must strive to fly
though your heart is shaken;

weary pilgrim,
you must not give up
though your feet are aching;

lonely child,
lie here still in my arms;
you must soon be waking.



Floating
by Michael R. Burch

Memories flood the sand’s unfolding scroll;
they pour in with the long, cursive tides of night.

Memories of revenant blue eyes and wild lips
moist and frantic against my own.

Memories of ghostly white limbs ...
of soft sighs
heard once again in the surf’s strangled moans.

We meet in the scarred, fissured caves of old dreams,
green waves of algae billowing about you,
becoming your hair.

Suspended there,
where pale sunset discolors the sea,
I see all that you are
and all that you have become to me.

Your love is a sea,
and I am its trawler—
harbored in dreams,
I ride out night’s storms.

Unanchored, I drift through the hours before morning,
dreaming the solace of your warm *******,
pondering your riddles, savoring the feel
of the explosions of your hot, saline breath.

And I rise sometimes
from the tropical darkness
to gaze once again out over the sea ...
You watch in the moonlight
that brushes the water;

bright waves throw back your reflection at me.

This is one of my more surreal poems, as the sea and lover become one. I believe I wrote this one at age 19. It has been published by Penny Dreadful, Romantics Quarterly, Boston Poetry Magazine and Poetry Life & Times. The poem may have had a different title when it was originally published, but it escapes me ... ah, yes, "Entanglements."



Shock
by Michael R. Burch

It was early in the morning of the forming of my soul,
in the dawning of desire, with passion at first bloom,
with lightning splitting heaven to thunder's blasting roll
and a sense of welling fire and, perhaps, impending doom—

that I cried out through the tumult of the raging storm on high
for shelter from the chaos of the restless, driving rain ...
and the voice I heard replying from a rift of bleeding sky
was mine, I'm sure, and, furthermore, was certainly insane.



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



The Children of Gaza

Nine of my poems have been set to music by the composer Eduard de Boer and have been performed in Europe by the Palestinian soprano Dima Bawab. My poems that became “The Children of Gaza” were written from the perspective of Palestinian children and their mothers. On this page the poems come first, followed by the song lyrics, which have been adapted in places to fit the music …



Epitaph for a Child of Gaza
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...



For a Child of Gaza, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails
when thunder howls
when hailstones scream
while winter scowls
and nights compound dark frosts with snow?

Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



I Pray Tonight
by Michael R. Burch

for the children of Gaza and their mothers

I pray tonight
the starry Light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



Something
by Michael R. Burch

for the mothers and children of Gaza

Something inescapable is lost―
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone―
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past―
blown from a glimmer into nothingness, or less,
and finality has swept into a corner where it lies
in dust and cobwebs and silence.



Mother’s Smile
by Michael R. Burch

for the mothers of Gaza and their children

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,

then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!



Such Tenderness
by Michael R. Burch

for the mothers of Gaza

There was, in your touch, such tenderness―as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now―
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness―time, oh, and love.
But love in the end is seldom enough ...
and time?―insufficient to life’s brief task.
I can only admire, unable to ask―

what is the source, whence comes the desire
of a woman to love as no God may require?



who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same―
the slouching Beast mauls them
and WE have no shame:

“who’s to blame?”



My nightmare ...

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



I, too, have a dream ...

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



Suffer the Little Children
by Nakba

I saw the carnage . . . saw girls' dreaming heads
blown to red atoms, and their dreams with them . . .

saw babies liquefied in burning beds
as, horrified, I heard their murderers’ phlegm . . .

I saw my mother stitch my shroud’s black hem,
for in that moment I was one of them . . .

I saw our Father’s eyes grow hard and bleak
to see frail roses severed at the stem . . .

How could I fail to speak?
―Nakba is an alias of Michael R. Burch



Here We Shall Remain
by Tawfiq Zayyad
loose translation/interpretation by Michael R. Burch

Like twenty impossibilities
in Lydda, Ramla and Galilee ...
here we shall remain.

Like brick walls braced against your chests;
lodged in your throats
like shards of glass
or prickly cactus thorns;
clouding your eyes
like sandstorms.

Here we shall remain,
like brick walls obstructing your chests,
washing dishes in your boisterous bars,
serving drinks to our overlords,
scouring your kitchens' filthy floors
in order to ****** morsels for our children
from between your poisonous fangs.

Here we shall remain,
like brick walls deflating your chests
as we face our deprivation clad in rags,
singing our defiant songs,
chanting our rebellious poems,
then swarming out into your unjust streets
to fill dungeons with our dignity.

Like twenty impossibilities
in Lydda, Ramla and Galilee,
here we shall remain,
guarding the shade of the fig and olive trees,
fermenting rebellion in our children
like yeast in dough.

Here we wring the rocks to relieve our thirst;
here we stave off starvation with dust;
but here we remain and shall not depart;
here we spill our expensive blood
and do not hoard it.

For here we have both a past and a future;
here we remain, the Unconquerable;
so strike fast, penetrate deep,
O, my roots!



Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.

Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.



Palestine
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

This land gives us
all that makes life worthwhile:
April's blushing advances,
the aroma of bread warming at dawn,
a woman haranguing men,
the poetry of Aeschylus,
love's trembling beginnings,
a boulder covered with moss,
mothers who dance to the flute's sighs,
and the invaders' fear of memories.

This land gives us
all that makes life worthwhile:
September's rustling end,
a woman leaving forty behind, still full of grace, still blossoming,
an hour of sunlight in prison,
clouds taking the shapes of unusual creatures,
the people's applause for those who mock their assassins,
and the tyrant's fear of songs.

This land gives us
all that makes life worthwhile:
Lady Earth, mother of all beginnings and endings!
In the past she was called Palestine
and tomorrow she will still be called Palestine.
My Lady, because you are my Lady, I deserve life!



Distant light
by Walid Khazindar
loose translation/interpretation by Michael R. Burch

Bitterly cold,
winter clings to the naked trees.
If only you would free
the bright sparrows
from the tips of your fingers
and release a smile—that shy, tentative smile—
from the imprisoned anguish I see.
Sing! Can we not sing
as if we were warm, hand-in-hand,
shielded by shade from a glaring sun?
Can you not always remain this way,
stoking the fire, more beautiful than necessary, and silent?
Darkness increases; we must remain vigilant
and this distant light is our only consolation—
this imperiled flame, which from the beginning
has been flickering,
in danger of going out.
Come to me, closer and closer.
I don't want to be able to tell my hand from yours.
And let's stay awake, lest the snow smother us.

Walid Khazindar was born in 1950 in Gaza City. He is considered one of the best Palestinian poets; his poetry has been said to be "characterized by metaphoric originality and a novel thematic approach unprecedented in Arabic poetry." He was awarded the first Palestine Prize for Poetry in 1997.



Excerpt from “Speech of the Red Indian”
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Let's give the earth sufficient time to recite
the whole truth ...
The whole truth about us.
The whole truth about you.

In tombs you build
the dead lie sleeping.
Over bridges you *****
file the newly slain.

There are spirits who light up the night like fireflies.
There are spirits who come at dawn to sip tea with you,
as peaceful as the day your guns mowed them down.

O, you who are guests in our land,
please leave a few chairs empty
for your hosts to sit and ponder
the conditions for peace
in your treaty with the dead.



Existence
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

In my solitary life, I was a lost question;
in the encompassing darkness,
my answer lay concealed.

You were a bright new star
revealed by fate,
radiating light from the fathomless darkness.

The other stars rotated around you
—once, twice —
until I perceived
your unique radiance.

Then the bleak blackness broke
and in the twin tremors
of our entwined hands
I had found my missing answer.

Oh you! Oh you intimate, yet distant!
Don't you remember the coalescence
Of our spirits in the flames?
Of my universe with yours?
Of the two poets?
Despite our great distance,
Existence unites us.



Nothing Remains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight, we’re together,
but tomorrow you'll be hidden from me again,
thanks to life’s cruelty.

The seas will separate us ...
Oh!—Oh!—If I could only see you!
But I'll never know ...
where your steps led you,
which routes you took,
or to what unknown destinations
your feet were compelled.

You will depart and the thief of hearts,
the denier of beauty,
will rob us of all that's dear to us,
will steal our happiness,
leaving our hands empty.

Tomorrow at dawn you'll vanish like a phantom,
dissipating into a delicate mist
dissolving quickly in the summer sun.

Your scent—your scent!—contains the essence of life,
filling my heart
as the earth absorbs the lifegiving rain.

I will miss you like the fragrance of trees
when you leave tomorrow,
and nothing remains.

Just as everything beautiful and all that's dear to us
is lost—lost!—when nothing remains.



Identity Card
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Record!
I am an Arab!
And my identity card is number fifty thousand.
I have eight children;
the ninth arrives this autumn.
Will you be furious?

Record!
I am an Arab!
Employed at the quarry,
I have eight children.
I provide them with bread,
clothes and books
from the bare rocks.
I do not supplicate charity at your gates,
nor do I demean myself at your chambers' doors.
Will you be furious?

Record!
I am an Arab!
I have a name without a title.
I am patient in a country
where people are easily enraged.
My roots
were established long before the onset of time,
before the unfolding of the flora and fauna,
before the pines and the olive trees,
before the first grass grew.
My father descended from plowmen,
not from the privileged classes.
My grandfather was a lowly farmer
neither well-bred, nor well-born!
Still, they taught me the pride of the sun
before teaching me how to read;
now my house is a watchman's hut
made of branches and cane.
Are you satisfied with my status?
I have a name, but no title!

Record!
I am an Arab!
You have stolen my ancestors' orchards
and the land I cultivated
along with my children.
You left us nothing
but these bare rocks.
Now will the State claim them
as it has been declared?

Therefore!
Record on the first page:
I do not hate people
nor do I encroach,
but if I become hungry
I will feast on the usurper's flesh!
Beware!
Beware my hunger
and my anger!

NOTE: Darwish was married twice, but had no children. In the poem above, he is apparently speaking for his people, not for himself personally.



Passport
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

They left me unrecognizable in the shadows
that bled all colors from this passport.
To them, my wounds were novelties—
curious photos for tourists to collect.
They failed to recognize me. No, don't leave
the palm of my hand bereft of sun
when all the trees recognize me
and every song of the rain honors me.
Don't set a wan moon over me!

All the birds that flocked to my welcoming wave
as far as the distant airport gates,
all the wheatfields,
all the prisons,
all the albescent tombstones,
all the barbwired boundaries,
all the fluttering handkerchiefs,
all the eyes—
they all accompanied me.
But they were stricken from my passport
shredding my identity!

How was I stripped of my name and identity
on soil I tended with my own hands?
Today, Job's lamentations
re-filled the heavens:
Don't make an example of me, not again!
Prophets! Gentlemen!—
Don't require the trees to name themselves!
Don't ask the valleys who mothered them!
My forehead glistens with lancing light.
From my hand the riverwater springs.
My identity can be found in my people's hearts,
so invalidate this passport!



Autumn Conundrum
by Michael R. Burch

for the mothers and children of Gaza

It's not that every leaf must finally fall,
it's just that we can never catch them all.



Piercing the Shell

for the mothers and children of Gaza

If we strip away all the accouterments of war,
perhaps we'll discover what the heart is for.



Children of Gaza Lyrics

(adapted in places to the music by Michael R. Burch and Eduard de Boer)

World premiere, April 22, 2017, in the Oosterkerk in the Dutch town of Hoorn. Dima Bawab, soprano; Eduard de Boer, piano.

I. Prologue:

Where does the Butterfly go?
I'd love to sing about things of beauty,
like a butterfly, fluttering amid flowers,
but I can't, I can't …

Where does the butterfly go
when lightning rails
when thunder howls
when hailstones scream
while winter scowls
and nights compound dark frosts with snow,
where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the power of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

Where does the butterfly go
when mothers cry
while children die
and politicians lie, politicians lie?

When the darkness of grief blots out all that we know:
when love and life are running low,
where does the butterfly go?

And how shall the spirit take wing
when life is harsh, too harsh to face,
and hope is flown without a trace?

Oh, when the light of life runs low,
where does the butterfly go,
where does the butterfly go?

II. The Raid

When the soldiers came to our house,
I was quiet, quiet as a mouse…

But when they beat down our door with a battering ram,
and I heard their machine guns go "Blam! Blam! Blam!"
I ran! I ran! I ran!

First I ran to the cupboard and crept inside;
then I fled to my bed and crawled under, to hide.

I could hear my mother shushing my sister…
How I hoped and prayed that the bullets missed her!
My sister! My sister! My sister!

Then I ran next door, to my uncle's house,
still quiet, quiet as a mouse...

Young as I am,
I did understand
that they had come to take our land!
Our land! Our land! Our land!
They've come to take our land!

They shot my father, they shot my mother,
they shot my dear sister, and my big brother!
They shot down my hopes, they shot down my dreams!
I still hear their screams! Their screams! Their screams!

Now I am here: small, and sad, and still ...
no mother, no father, no family, no will.

They took everything I ever had.
Now how can I live, with no mom and no dad?
How can I live, with no mom and no dad?
How can I live? How can I live?

III. For God’s Sake, I'm only a Child

For God’s sake, ah, for God's sake, I’m only a child―
and all you’ve allowed me to learn are these tears scalding my cheeks,
this ache in my gut at the sight of so many corpses, so much horrifying blood!

For God’s sake, I’m only a child―
you talk about your need for “security,”
but what about my right to play in streets
not piled with dead bodies still smoking with white phosphorous!

Ah, for God’s sake, I’m only a child―
for me there's no beauty in the world
and peace has become an impossible dream;
destruction is all I know because of your deceptions.

For God’s sake, I’m only a child―
fear and terror surround me stealing my breath
as I lie shaking like a windblown leaf.

For God’s sake, for God's sake, I'm only a child,
I'm only a child, I'm only a child.

IV. King of the World

If I were King of the World,
I would make every child free, for my people’s sake.
And once I had freed them, they’d all run and scream
straight to my palace, for free ice cream!
[Directly to the audience, spoken:]
Why are you laughing? Can’t a young king dream?

If I were King of the World, I would banish
hatred and war, and make mean men vanish.
Then, in their place, I’d bring in a circus
with lions and tigers (but they’d never hurt us!)

If I were King of the World, I would teach
the preachers to always do as they preach;
and so they could practice being of good cheer,
we’d have Christmas ―and sweets―each day of the year!

[Directly to the audience, spoken:]
Why are you laughing? Some dreams do appear!

If I were King of the World, I would send
my couns'lors of peace to the wide world’s end ...
[spoken:] But all this hard dreaming is making me thirsty!
I proclaim lemonade; please [spoken] bring it in a hurry!

If I were King of the World, I would fire
racists and bigots, with their message so dire.
And we wouldn’t build walls, to shut people out.
I would build amusement parks, have no doubt!

If I were King of the World, I would make
every child blessed, for my people’s sake,
and every child safe, and every child free,
and every child happy, especially me!
[Directly to the audience, spoken:]
Why are you laughing? Appoint me and see!

V. Mother’s Smile

There never was a fonder smile
than mother's smile, no softer touch
than mother's touch. So sleep awhile
and know she loves you more than "much".

So more than "much", much more than "all".
Though tender words, these do not speak
of love at all, nor how we fall
and mother's there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father's back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother's tender smile
will leap and follow after you ...

VI. In the Shelter

Mother:
Hush my darling, please don’t cry.
The bombs will stop dropping, by and by.
Hush, I'll sing you a lullaby…

Child:
Mama, I know that I’m safe in your arms.
Your sweet love protects me from all harms,
but still I fear the sirens’ alarms!

Mother:
Hush now my darling, don’t say a word.
My love will protect you, whatever you heard.
Hush now…

Child:
But what about pappa, you loved him too.

Mother: My love will protect you.
My love will protect you!

Child:
I know that you love me, but pappa is gone!

Mother:
Your pappa’s in heaven, where nothing goes wrong.
Come, rest at my breast and I’ll sing you a song.

Child:
But pappa was strong, and now he’s not here.

Mother:
He’s where he must be, and yet ever-near.
Now we both must be strong; there's nothing to fear.

Child:
The bombs are still falling! Will this night never end?

Mother:
The deep darkness hides us; the night is our friend.
Hush, I'll sing you a lullaby.

Child:
Yes, mama, I'm sure you are right.
We will be safe under cover of night.
[spoken] But what is that sound?
[screamed] Mama! I am fri(ghtened)….!

VII. Frail Envelope of Flesh

Frail envelope of flesh,
lying on the surgeon's table
with anguished eyes like your mother's eyes
and a heartbeat weak, unstable…

Frail crucible of dust,
brief flower come to this―
your tiny hand in your mother's hand
for a last bewildered kiss…

Brief mayfly of a child,
to live five artless years…
Now your mother's lips seal up your lips
from the Deluge of her tears…

VIII. Among the Angels

Child:
There is peace where I am now,
I reside in a heavenly land
that rests safe in the palm
of a loving Being’s hand;
where the butterfly finds shelter
and the white dove glides to rest
in the bright and shining sands
of those shores all men call Blessed.

Mother:
My darling, how I long to touch your face,
to see your smile, to hear your laughter’s grace.
Great Allah, hear my plea.
Return my child to me.

Child:
My darling mother, here beyond the stars
where I now live,
I see and feel your tears,
but here is peace and joy, and no more pain.
Here is where I will remain.

Mother:
My darling, do not leave me here alone!
Come back to me!
Why did you turn to stone?
Great Allah, hear my plea.
Please send my child back to me...

Child:
Dear mother, to your wonderful love I bow.
But I can't return...
I am among the Angels now.
Do not worry about me.
Here is where I long to be.

Mother:
My darling, it is as if I hear your voice consoling me.
Oh, can this be your choice?
Great Allah, hear my plea.
Impart wisdom to me.

Child:
Dear mother, I was born of your great love,
a gentle spirit...
I died a slaughtered dove,
that I might bring this message from the stars:
it is time to end earth’s wars.

Remember―in both Bible and Koran
how many times each precious word is used―
“Mercy. Compassion. Justice.”
Let each man, each woman live by the Law
that rules both below and above:
reject all hate and embrace Love.

IX. Epilogue: I have a dream

I have a dream...
that one day all the world
will see me as I am:
a small child, lonely and afraid,
a small child, lonely and afraid.

Look at me... I am flesh...
I laugh, I bleed, I cry.
Look at me; I dare you
to look me in the eye
and tell me and my mother
how I deserve to die.

I only ask to live
in a world where things are fair;
I only ask for love
in a world where people share,
I only ask for love
in a world where people share.

Oh, I have a dream...
that one day all the world
will see me as I am:
a small child, lonely and afraid,
a small child, lonely and afraid.



hey pete
by Michael R. Burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy's dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then you'll be a Superstar.

When I was a boy, Pete Rose was my favorite baseball player; this poem is not a slam at him, but rather an ironic jab at the term "superstar."



Reflections on the Loss of Vision
by Michael R. Burch

The sparrow that cries from the shelter of an ancient oak tree and the squirrels
that dash in delight through the treetops as the first snow glistens and swirls,
remind me so much of my childhood and how the world seemed to me then,
that it seems if I tried
and just closed my eyes,
I could once again be nine or ten.

The rabbits that hide in the bushes where the snowflakes collect as they fall,
hunch there, I know, in the flurrying snow, yet now I can't see them at all.
For time slowly weakened my vision; while the patterns seem almost as clear,
some things that I saw
when I was a boy,
are lost to me now in my advancing years.

The chipmunk who seeks out his burrow and the geese in their unseen reprieve
are there as they were, and yet they are not; and though it seems childish to grieve,
who would condemn a blind man for bemoaning the vision he lost?
Well, in a small way,
through the passage of days,
I have learned some of his loss.

As a keen-eyed young lad I endeavored to see things most adults could not―
the camouflaged nests of the hoot owls, the woodpecker’s favorite haunts.
But now I no longer can find them, nor understand how I once could,
and it seems such a waste
of those far-sighted days,
to end up near blind in this wood.



Solicitation
by Michael R. Burch

He comes to me out of the shadows, acknowledging
my presence with a tip of his hat, always the gentleman,
and his eyes are on my eyes like a snake’s on a bird’s—
quizzical, mesmerizing.

He ***** his head as though something he heard intrigues him
(although I hear nothing) and he smiles, amusing himself at my expense;
his words are full of desire and loathing, and although I hear,
he says nothing that I understand.

The moon shines—maniacal, queer—as he takes my hand and whispers
"Our time has come!" ... and so we stroll together along the docks
where the sea sends things that wriggle and crawl
scurrying under rocks and boards.

Moonlight in great floods washes his pale face as he stares unseeing
into my eyes. He sighs, and the sound crawls slithering down my spine,
and my blood seems to pause at his touch as he caresses my face.
He unfastens my dress till the white lace shows, and my neck is bared.

His teeth are long, yellow and hard. His face is bearded and haggard.
A wolf howls in the distance. There are no wolves in New York. I gasp.
My blood is a trickle his wet tongue embraces. My heart races madly.
He likes it like that.

Published by Dowton Abbey, Aesthetically Pleasing Vampires, Into the Unknown, Since Halloween is Coming, and Poetry Life & Times



Songstress
by Michael R. Burch

for Nadia Anjuman

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw–
envenomed, fanged–could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty. But when the world robs her of both flight and song, what is left for her but to leave, bereaving it and us of herself and her song?



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite . . .

What do you know of the world’s despair,
gliding in vast  solitariness  there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and *****
its white rebellious wings,
and all
the houses watch with baffled eyes.

Published by Poetry Porch and The Chained Muse



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Published as the collection "Of Tetley's and V-2's"
Martin Narrod Apr 2014
There are the two choices. Wicked, wheel-men curving towards that which I wear in the evening when I paint on my black suit. The pitter-patter of organic matter, the Metropolis ground fresh. You tell me raspberry, I tell you I am not impressed. And then from the inimical lips, those bards from distance, sand spots and hordes of watering holes I place fresh Republicans on- and they were stealing the magazines.

Jury on.

Four devils they figure some, four devils. A anthelmintic potion to square away the worms. The pink worm, who takes long-distance telephone calls on your roommates only moments before the red worm, his head shriveled and his limbs crying from ******, she the blue curly worm; she is what we've been looking out and everything about this evening has slipped in the pattern we expected. Red light in fact,

They used the concatenations of frog legs(this was the big deal since My Mother loved the chelura of some tropical varieties of frogs and funny-legged), banjax the first one before the weather catches the summary being the news. Going as far as the the ecstasy of officials leaving the scene. The species catching its last names of life- genus and family alike racing towards safety.

And so I build in the fly zone. I haggle for President, and make sacred the realms of figures; denaturalized are the entanglements of humans, even whatever the mephitic and bellicose shadows shend and fordo their greatest powers.

I lull  and lust, my pugnacious frazil, just like my recalcitrant logomachy that I ****** and slide angrily and profusely with m and everything I try to do. Just so long as you can see me usufruct and lobby forthright the message.

Mine. Hate. Anxiety.
'Dip' represents the 'dip' from "Who Framed Roger Rabbit?"
Endure what life God gives and ask no longer span;
Cease to remember the delights of youth, travel-wearied aged man;
Delight becomes death-longing if all longing else be vain.

Even from that delight memory treasures so,
Death, despair, division of families, all entanglements of mankind grow,
As that old wandering beggar and these God-hated children know.

In the long echoing street the laughing dancers throng,
The bride is catried to the bridegroom's chamber through torchlight and tumultuous song;
I celebrate the silent kiss that ends short life or long.

Never to have lived is best, ancient writers say;
Never to have drawn the breath of life, never to have looked into the eye of day;
The second best's a gay goodnight and quickly turn away.
There are colors yet unknown in my finite view of Earth , artistic wonders undiscovered , to this day quite alone .. Geometric shapes where Sweetgum trees silhouette the majestic Dawn .. Enchantment with every turn go I , to study my religion by day , collect my thoughts and observations by night .. To interplay among life undiscovered  , to revel someday in its happenstance ... The weathered profiles of a million botanicals unknown or forgotten . An ocean whose riddles remain unsolved , seventy percent of our precious world where exploration has barely scratched the surface .. Dark , rainy afternoons reconfigured with burst of light , the surface of oceans ever mysterious , highlighted by the Moon on hazy nights .. I flew over Moccasin Creek to sample fresh water and take in mountain greenery ..Walked the treetops of the Oconee Forest to witness the floor of the woodlands as a squirrel , crow or eagle ..Slithered along the Georgia clay like a Black Racer , cautiously studied each image before me with the curiosity of a Red fox .. Enthralled with the Savannah Dancers of Tybee Island , precious gulls , blue ***** and brown pelicans .. Welcome every change of season , Dark pine thickets tell of death and renewal ...

                                                          II­
Jagged , blue grass approaches , green straw tops , quiet
cinnamon needle oceans connected by silver streak spider webbing ..
Warm winds divide earthen cover , lifeless termite ridden forefathers lay in testament to bitter destruction ... Our Noon star nourishes bold , sylvan seedlings , beneath her languishing February predicament however ... Grassy field roads lay locked in period of service , daylight path corrections , marble land buoy sentries within thistle , dandelion and Sawgrass .. Gold , knee high cover caresses , reaching skyward beside the field road , lying forgotten , left to the mercy of kudzu , marble and granite .. Scrags reclaim rusted encroachments , tin in battle with the tepid wail of afternoon wind as stick pines mimic the Appalachians , gently roll toward the awaiting lavender blue horizon ... As pasture returns to woodlands , blanketed in hues of brown with forest echoes , carry whispered voices into tomorrow ... Lively crows live to tell their wintry tale , resting among scuttled pulp wood entanglements , to be born again , covered in the pity of lingering broom sage ...                                                              ­                                                  

                                                        III    ­                                                                 ­Across the edge of twilight where soft lavender hues lay at
rest atop her riparian horizon .. Dandelion blooms pepper the
red clay embankments , lone bucks survey brown fields of harvested
corn ..Mourning doves cry for the end of day , wild hogs lay tracks at the rivers edge . Toms sing of their loneliness  , persimmons lay bitter along country lanes , the meat of Chestnut not harvested , the final years of tall , stately Pecans go shamefully unnoticed .. Barbed wire divisions etch Winter burned pasture , Morgans and Appaloosas graze the fertile , ambrosial green narrows .. Manmade pools dot the Crescent lady , cattle ditches appear along creeks and rivers holding Rock bass , Shell ******* , Yellowbellies and Bluegills ferociously hunting the waters surface , Alligator Snappers and Mudcats work the turbulent bottoms ... Hayfields , peach and muscadine arbors flourish , boiled peanuts and sorghum syrup , collards and sweet potatoes ...Blackberry , grape , watermelon and okra ..Water oaks have taken command of the front yard ,  moss and honeysuckle line fence rows , flowing patches of wild grass and snake berry , rocks from Cotton Indian Creeks line hand built flower beds and walkways .. Rhode Island Reds , Buff Orpington's and White Leghorns work these plantations . Sassafras and dewberry , wild plum and rabbit tobaccos . Gardenia , Crape Myrtle , Magnolia , Pine and Chestnut trees  flourish to this day .. The Old Bridge behind Millers Mill still visible , what stories this elder pass could tell before the confluence of the Indian Creeks .. Crayfish , Bream , Largemouth bass , Crappie , Yellow perch and Flathead catfish ! The tale of the Crescent lady lives forever and ever ..
Copyright February 29 , 2016 by Randolph L Wilson * All Rights Reserved
Always remember;

Those who dwell

In stone houses

Should not throw glass.

It'll cut your feet,

You'll bleed on the cheese.

But again, Blood Cheese

Is a delicacy among us normal ones.

-

Now I have somethin'

A little somethin'

A cynic feelin'

And quite revealin'

About me stance,

And about me dance,

And skippin' the days' rope,

With the entrails of a dope,

Perhaps not that last,

That's far too passed,

Casual conversin'

And time's birds be chirppin'

So you'll sit and wonder,

Of things and blunder.

-

Ya think you're free but lemme

Speak of that bein' ill advised;

Ya sit there shocked

At a world provoked,

Well this is my world, revised.

-

They tried to match an army equivalent to mine,

They tried, they tried,

Admirable and amiable,

I hate when masses gather against me.

Their intestines and other assorted guts

Adorned my dining table and sweetroll plates.

-

The Greymarch couldn't have happened at an odder time,

Inconvenience is madness rhyme,

Therefore I purchased a hero of suspicious sanity,

Unfortunately though, he turned to depravity.

Me servant stood and told him what,

To do and there and when and such,

Sheoth has seen some better days,

Although it hasn't yet seen worsened days...

-

Brilliance of Pelagius himself,

That awful Breton ****** himself,.

Although the conversin' was enthrallin'

To say the least,

To rise up once and flay the beast,

Me Wabbajack corrected all the physicality.

-

Doin' the best on behalf of a master,

But not doin' the most he could endeavor,

It don't befront what he could affront,

The contradictions

Of his existence

Were at the very least concernin'.

-

Correct me if I'm wrong,

But I wouldn't advise it.

A hero could always do better,

Always,

Unless he couldn't,

Unless he dies. then another

To replace em'

These things tend to happen when

The entanglements come along.

-

Whether it be better to

Affront under certain weather,

Has nether to be seen on this endeavor,

But forever will be never unseen,

And clever.

-

Forgive them with revenge, for

It has yet to be determined in

Their extermination for the wrath of

Passed sensation, pray blocks their

Affiliation to Jyggalag and affirmation

Of recreation in Order, and abomination.

-

Hear me with your mortal deaf ears,

Pray tell, how have you got lizards and not gizzards?

It seems undauntin' that you may have hauntin'

Dreams of His return but not of the others?

-

You must wait on your own cheese,

For cheese be earned not given,

Unless given after earned,

But earned is the important part.

-

You're livin' in a glorious world of hellish rules,

The damnable expectation of sanity come freedom,

Though, I am the freest bein' who I be,

Demented Mania be the only way to go,

The only road,

Unless there be another in the way,

For if you know where you're goin',

There's no point in goin'.
I
First Love

THOUGH nurtured like the sailing moon
In beauty's murderous brood,
She walked awhile and blushed awhile
And on my pathway stood
Until I thought her body bore
A heart of flesh and blood.
But since I laid a hand thereon
And found a heart of stone
I have attempted many things
And not a thing is done,
For every hand is lunatic
That travels on the moon.
She smiled and that transfigured me
And left me but a lout,
Maundering here, and maundering there,
Emptier of thought
Than the heavenly circuit of its stars
When the moon sails out.

II
Human Dignity
Like the moon her kindness is,
If kindness I may call
What has no comprehension in't,
But is the same for all
As though my sorrow were a scene
Upon a painted wall.
So like a bit of stone I lie
Under a broken tree.
I could recover if I shrieked
My heart's agony
To passing bird, but I am dumb
From human dignity.

III
The Mermaid
A mermaid found a swimming lad,
Picked him for her own,
Pressed her body to his body,
Laughed; and plunging down
Forgot in cruel happiness
That even lovers drown.

IV
The Death of the Hare
I have pointed out the yelling pack,
The hare leap to the wood,
And when I pass a compliment
Rejoice as lover should
At the drooping of an eye,
At the mantling of the blood.
Then' suddenly my heart is wrung
By her distracted air
And I remember wildness lost
And after, swept from there,
Am set down standing in the wood
At the death of the hare.

V
The Empty Cup
A crazy man that found a cup,
When all but dead of thirst,
Hardly dared to wet his mouth
Imagining, moon-accursed,
That another mouthful
And his beating heart would burst.
October last I found it too
But found it dry as bone,
And for that reason am I crazed
And my sleep is gone.

VI
His Memories
We should be hidden from their eyes,
Being but holy shows
And bodies broken like a thorn
Whereon the bleak north blows,
To think of buried Hector
And that none living knows.
The women take so little stock
In what I do or say
They'd sooner leave their cosseting
To hear a ******* bray;
My arms are like the twisted thorn
And yet there beauty lay;
The first of all the tribe lay there
And did such pleasure take --
She who had brought great Hector down
And put all Troy to wreck --
That she cried into this ear,
"Strike me if I shriek.'

VII
The Friends of his Youth
Laughter not time destroyed my voice
And put that crack in it,
And when the moon's ***-bellied
I get a laughing fit,
For that old Madge comes down the lane,
A stone upon her breast,
And a cloak wrapped about the stone,
And she can get no rest
With singing hush and hush-a-bye;
She that has been wild
And barren as a breaking wave
Thinks that the stone's a child.
And Peter that had great affairs
And was a pushing man
Shrieks, "I am King of the Peacocks,'
And perches on a stone;
And then I laugh till tears run down
And the heart thumps at my side,
Remembering that her shriek was love
And that he shrieks from pride.

VIII
Summer and Spring
We sat under an old thorn-tree
And talked away the night,
Told all that had been said or done
Since first we saw the light,
And when we talked of growing up
Knew that we'd halved a soul
And fell the one in t'other's arms
That we might make it whole;
Then peter had a murdering look,
For it seemed that he and she
Had spoken of their childish days
Under that very tree.
O what a bursting out there was,
And what a blossoming,
When we had all the summer-time
And she had all the spring!

IX
The Secrets of the Old
I have old women's sectets now
That had those of the young;
Madge tells me what I dared not think
When my blood was strong,
And what had drowned a lover once
Sounds like an old song.
Though Margery is stricken dumb
If thrown in Madge's way,
We three make up a solitude;
For none alive to-day
Can know the stories that we know
Or say the things we say:
How such a man pleased women most
Of all that are gone,
How such a pair loved many years
And such a pair but one,
Stories of the bed of straw
Or the bed of down.

X
His Wildness
O bid me mount and sail up there
Amid the cloudy wrack,
For peg and Meg and Paris' love
That had so straight a back,
Are gone away, and some that stay
Have changed their silk for sack.
Were I but there and none to hear
I'd have a peacock cry,
For that is natural to a man
That lives in memory,
Being all alone I'd nurse a stone
And sing it lullaby.

XI
From 'Oedipus at Colonus'
Endure what life God gives and ask no longer span;
Cease to remember the delights of youth, travel-wearied aged man;
Delight becomes death-longing if all longing else be vain.
Even from that delight memory treasures so,
Death, despair, division of families, all entanglements of mankind grow,
As that old wandering beggar and these God-hated children know.
In the long echoing street the laughing dancers throng,
The bride is catried to the bridegroom's chamber
through torchlight and tumultuous song;
I celebrate the silent kiss that ends short life or long.
Never to have lived is best, ancient writers say;
Never to have drawn the breath of life, never to have
looked into the eye of day;
The second best's a gay goodnight and quickly turn away.
Mateuš Conrad Sep 2016
my linguistic observations were not written onto a blank canvas,
they arose from a backdrop that suggested political apathy,
and language games: my observations
came about not from observing
the necessity of what was suggested,
my observations didn't come
from omission - by was to consider
mathematical acute and macron
sense of what's to be punctuated
in addition, or stressed multiplication -
it didn't arise from omitting something,
it actually came about from
the futility of the leisurely fragrance
of language that politics could abuse
and leave many politically apathetic -
similarities with mathematics:
whenever the arithmetic cauldron
reached out-of-proportion counting methods
to value things -
same with these 26x nth term variations -
(nth term? the easiest allocation,
globalisation: ask a Croat of a Slovene
and i wonder if a Californian
might regard a Nebraskan in the same way) -
no, my observations came by way of
antidote: i looked at language and thought:
they're wasting it...
                  what with language entertainment:
crosswords and anagrams -
               i never understood why poetry
became obsolete by some noble pursuit
akin to philosophy... it didn't...
philosophy, pure philosophy didn't undermine
poetry, offshoots of philosophy: logic
games bedded the goodbye of emotion,
we're great at self-preserving emotions bound
to anagrams and crosswords,
   but cross love and hate together
  you get:                       h
                                        a
                     ­                   t
                 l       o      v     e...
                                                      philos­ophy is
at some points poetry, when there's a new crossword,
when there's a game of anagrams -
well, it write a new poem every day,
because people rarely acknowledge their everyday
apathy, they think they're without pathology,
and in a sense, they're without pathology,
their only pathology is finalised with
a connectivity of emotions, the paradoxical
unity of chiral emotions, a chance of opposites
solidified within the opposites of man, and woman -
when we speak of man, we tend to speak
primarily of femininity -
            and when we tend to speak to woman,
we tend to speak primarily of masculinity -
   the noun with the opposite-effect adjective -
but as sure as i am: it's a tightrope experience,
https://www.google.co.uk/searchsclient=psyab&biw;=1600&bih;=775orld+trade+towers+tightrope&oq;=world+trade+towers+tightrope&g;_lp..r_cp.&bv;;=bv.132479545,bs.1d24&ech;=1ψ=kOjZV5HjNckUqoiegM.1473898640411.14&ei;=UPTZ_IOKAbinangBw&emsg;=CSR&noj;=1 - is unreachable raph.co.uk/film/thewalk/philippepetitworldtradecentr/
Philippe Petit's expertise would do just now,
but on the confusing subjective deviation scope,
not minding the objective facts - two buildings,
one rope, one man... oh there's logic in subjectivity:
you just have to revise the objects surrounding the
feat - it's not exactly a United Nation's translation...
something has to uptake a poetic feeding,
and some has to be discarded...
   crosswords are philosophy's version of a poem...
i'm pretty **** at them... which spurns me to
write a poem, i'm with the Japanese squares -
as always, an optical consideration to allow variation...
but a poet usually wakes up when he sees
what others have done with language:
   crosswords are thesauruses in disguise -
      the hint is aligned to a thesaurus, more than
a dictionary - there isn't a care for
                       your vocabulary,
given that philosophers systematise and therefore
   acknowledge a need to curb a chance vocabulary
deviation as: in addition to... it never happens...
     but when did poetry become so discredited
form of entertainment in the use of language,
averting poetry as not music is wrong -
              poetry was replaced by crosswords and
the play on anagrams... music was wrongly attributed
to poetry by philosophy - it was a double blow -
a secondary **** - poetry was never music,
                    it was never about hitting rhymes:
Tenacious D's one note song and the clinically
   real:                              hate
                         ­                ate
                                         late - same ****, different cover.
imagine an onomatopoeia orchestra: doors, knock knock,
        sand in hands: the sounding of mortality,
whatever...                             can you see this
****** attack? i know Nietzsche's poetry was pish-poor,
but his maxims stand out for me to provide the
necessary reflex - philosophy attacked poetry,
the thespian art took over, the monologue is a holy
grail: a monologue that is free from narrator -
narrator exclusive - spontaneously: here! there!
nowhere! omnipresent!
                                          the pleasure from poetry
is in every household, not the poncy pretentious
households of frail households,
  your grandma is doing it already,
she's doing the crossword, she's not raising an emotion,
a gamble, she's a sterile duck, doing a crossword
rather than reading a poem -
                            and the philosophers?
the Shiva-disciples? before another art-form is attacked
they'll make money from being critical of films...
    to be honest, they'll have a hard time attacking music...
they can be great film critics... but in terms of music?
  well... the original confrontation with poetry
has made them impotent in this field... music is pure emotion...
including all the cheese entanglements -
however cheap an emotion might be (cheap: pop,
appealing to the universal attainment, shy, hidden,
the standard base of later improvements / idiosyncrasy) -
they can't attack music, it's double jeopardy -
given that poetry is deemed akin to music...
although caveman orchestra: man and his echo -
philosophy can't attack music, Plato's cave and the movies
beckons them... try once more,
                         and here comes the spectacular!
Hal Loyd Denton Dec 2013
Preponderance gifts so weighty costly in this regard the truly hard part to step forth and be
Truly you because others are so important you give beyond price achingly so their glory is
Bestowing in them the undertow real life crushing all pretense gone triviality what airiness
Weightless worthless what times when compassion diligence of thought buys unheard of
Pasture lands fields black soil you stir up the deepest regard you exhaustively search your soul
And find seeds that are worthy for the planting it will flourish golden grain that is beholding
They will lift their eyes see the swaying harvest an all knowing concentration will grip them I
Have left the common the austere will cause a shaking a piercing knowing this is an open heart
Speaking giving how we yearn for such times here is the opportunity to sink our most tender
Thoughts deep the entanglements every twisted destruction that puts on the show and claims
Such rewards that only prove to be more disappointments bow you bow inwardly hard clay like
Soil is passed and all the choking devices are over powered you feel a new surging it explodes in
All directions falsehood in all of it disguises wither under this purity of emotion commitment I
Detest the former existence I called living from now on my words my life will touch you reach
You at the hurting points you will receive health beyond what a physician can give I will speak
With fire yes divine that is never at a loss it knows everything it evokes joy peace and triumphs
In the hardest places of the heart your tears that in some cases are a history of years of sorrow
These seeds that are going to be sowed eradicate they are pure and healthy to the point they
**** the poison seeds planted by enemies whole time periods of your life will be renewed some
Will for the first time in many years see how beautiful the sun really is darkness and gloom will
Be driven from your life you fought valiantly but it was only in your power you didn’t die but
You have only survived as a wounded tormented one a golden life will replace the tarnished
One we all have even brought accusations against ourselves creating more feebleness we have
Lived in the most apprehensible circumstances there is no escape from this prison when you by
Loyalty to falsehood think you are doing right but every decision cast you deeper into the pit
The Key I found that is the seed I speak of that provides and gives all freedom is profound but
Simple as blind but now I see an antidote talk of sometime by many and by others ignored
Almost completely but open all you are to the greatest power we can and are at different
Degrees snarled over time one trouble sets it in motion wrong reaction kills our defense in this
World that is most dangerous and deadly everything about this season distils down to this fact
Every malady every life ending hope can and will be restored in this gracious copious fact He is
The embodiment of all virtue I don’t have to live a life of disappointment and failure never
Reaching the hurting the potential for glories’ living is yours and mine it all rest in just this act
You must decide I could say don’t be deceived by all the lies and misconceptions I have to give
Up all the things I love this is not true this word of truth will set you free the things I once loved
I now hate the things of God I hated now I love this is the real truth and value of Christmas
While hear enable yourself to bless and truly love others here lately I have struggled with so
Many public and private people dying I wanted an answer I wanted to see the real continuance
Of those that I love I found it this piece gives revelatory exact true expression look around we
Need a provision an escape from what’s coming I will not look at you in judgment with tears
And say you just weren’t worth it your worth everything you don’t need to know but I know I
Will continue in the fire of affliction and I will through him reach more as the word says pluck
Them from the very burning
Grace Jordan Aug 2015
In my life I have had the very unpleasant experience of being attached to two manipulative, insane, selfish *******. Of course, these people I was attached to simultaneously so I was a bit of a crazed mess during that time. I was so desperate for attention and love I took it from people who would ultimately use me for their own personal gain. **** those two, specifically, thank you very much.

One I had a crush/****** attraction to, the other was my best friend. **** me, right? Well they certainly did. I may have put myself in those situations, but **** them for still taking advantage of it.

The first, I was fascinated by. He was a year older than me and seemed nice and funny and had my same humor and liked the same movies. i thought we could be compatible, who knew? So I tried it out. I hung out with him more at school, got his number, all that. We started to text a lot, and at first we just joked around and talked about things we liked,  then I started talking about him about my feelings and serious things and we got quite close.

I should have known something was up when he started getting ****** all of a sudden, and started asking for **** pictures, and trying to convince me into ****** things.

I dodged his ****** advances for some time, but eventually I caved and when we went to get ice cream once. I took off all my clothes in his car and he called me beautiful but it wasn't the type of beautiful a girl wanted to be called. He liked my body and my big ***** and my willingness to do this, not me. But still, I sort of gave him a half-assed ******* before he dropped me off at home.

Funny thing is I never even kissed that *******. Not even once. Kind of happy I didn't.

A week later, I decided to disclose to him that I was bipolar, so that he understood me better, and maybe our relationship could develop. But the second I said I was bipolar, he said he had a girlfriend. Of course the one second I'm not even caring about any romantic relationship with him, he decides to jump that on me.

I stopped texting him. I was ******. The girl he was now dating was someone he pretty much had told me was only his best friend, not anyone he was interested in, but that was obviously a lie. And the whole time he was getting closer to her and pursuing her, he was using me as his ****-talk and eye candy. Worst thing was she was a sweet girl who had some similar features to me, and I didn't want to ruin her world by telling her that her best friend and now boyfriend was a manipulative *******.

They're still dating to this day, and I know at this point it would be fruitless for me to try to stop it. She'd probably say I'm a liar or that I'm making stories up or whatever. I guess I just wish her the best of luck. The only good thing that came out of it was that he never became my boyfriend, so I didn't get lied to. I just got the occasional request for nudes or odd being hit on text that are easy to brush off. She wants to spend the rest of her life with him. I truly pity her for being stuck to that, and truly thinking he's a good guy.

Now the other. We collided as kindred souls who like writing, the arts, music, and are a little crazy. But hell did that go out there fast, and of course I didn't realize I needed to get the **** out until three years too late.

It wasn't long before the friendship turned into a competition. I'm competitive, so I won't say I'm not to blame at all, but she pretty much was the one to instigate most of it. By telling me she was better. That she was wonderful. That her work was revered by everyone, or she got special training, or that she was just so much more than me.

The girl honestly thought she was the second coming of Jesus sometimes, because she was so different and special. But also, she was tortured and misunderstood and needed loving. **** that, you needy *******. Everyone has problems. Get help and deal with them. Its cute and understandable for a few months. By three years you better get off your ******* *** and do something.

She always was the 'better' singer, because she was more trained. She was the 'better' romantic entanglements because she was so 'well-versed' in ****** things. She was always 'better' at being mature because she had gone through so much more than anyone else. She just thought she was better at everything, but at the same time would hate herself. It was awesome. She was basically saying "I'm a complete piece of awful ****, but I'm better than you!"

Sounds annoying, right? Well it was.

The one that really got me was that she always professed she was a better writer. That her writing was beautiful and poignant and tortured. Every longer story I read of hers she basically wrote about herself, used pretentious names, and every one of her protagonists was some madly tortured person who no one understood. Their lives would drastically change once they met this magical person that changed everything. That hit them just the right way. But honestly most of it was about being tortured and misunderstood, but somehow better than everyone else because of it. Ok, whatever, please sit down pretentious writer number 3,467. It just drove me nuts. She wasn't bad at it, but it was always the same thing. Being tortured, or bitter, or being grossly in love with someone. It was just so horribly repetitive and outlandish I couldn't stomach most of it. To this day every time I read some of her pretentious work i want to set her on fire and slowly watch her burn. She may be a better singer, she may be a better tortured soul, she may even be a better starving artist or whatever.

But actually writing variety and real people and not repeating the same thing over and ******* over again?

Please, honey, I got you beat.

I guess I'm just sick of them. I'm sick of what they did to me, what I let them do to me, and who I became with them. I was selfish and meek and competitive and always trying to prove myself to them. I know who I am, and they don't deserve my attention or even me. **** them.

I know writing will get me somewhere. I'm not the best writer ever, but I know how to write. I always have. I have finished novels. I'm working on more to come. I have the drive and ability to do this, and I don't want to be the cliched ******* starving artist. I don't want to be poetically tortured or whatever the **** pretentious ******* strive for. I just want to be a human writing stories for other humans. And maybe it'll mean a lot to someone one day. It already does to me.  


I don't need flaky ******* who want nothing from me but to use me for their selfish gains. I'm me. I'm happy. I can be a writer and artist without being a complete ******* about it. And I don't need them.

I got this.
Ronnie Ng Nov 2011
Building a tiny white room around
it where thousands of white threads abound
The threads began as pure, but gradually compound
into a clutter of entanglements that almost drowned
the little silkworm, that it's feeling confounded
by life experiences that were so profound
But soon enough those threads would unbound
on it, a pair of wings would be found
The sudden ability to fly would make it feel spellbound.
smallhands Aug 2014
Apparently I've learned nothing
Falling down the rabbit hole
Becomes even more enticing
The temptation pierces and nags
And I want to forget, but it won't leave from under my skin
This boy, his eyes
His beautiful mind
The circumstances of my dreams
"Nothing is as it seems, " a lure to my own gallows
But smile harder, love
The best is yet to come

-cj
Xander Duncan Feb 2015
He is a book that was recommended to me just after I passed the shelf on which he was displayed
When I said I hadn’t been reading much lately
Life gave me a chapter full of pictures to begin with
And told me that one page at a time is still progress
In fact, one page at a time is the only way to make progress
He’s a well-read book with new words for every reader
And instead of leaving paper cuts on my hands he leaves ink stains
There are golden letters on his spine that I’ve taken to tracing absentmindedly every time I re-read a phrase
And dog eared pages that I’m not sure I have the authority unfold
He’s captivating
And quickly becoming my favorite story
He is English as a second language and still teaching me more about my tongue than I ever knew
Translating fears into excitement and confusion into intrigue
I didn’t know my skin was cryptic until he decided to decode me
But now I’m fascinated with hunting for the hieroglyphics in his neurons
Listening to tales spun by our own curiosity
Story time trumps bed time whenever possible
And when we decide that language itself is sometimes a ****** up means of communication
We try for morse code heartbeats and braille necklines and bizarre entanglements of hands
And when we decide that sometimes language itself is the best thing in the world
We talk the hours of the clock down to ticking hands and hourglass sand
Or get distracted and I’ll decide that I could travel the world in one night using the roadmaps in his veins
Where I’ll get lost and ask for directions and go through the same streets again anyway
Because I didn’t see everything the first time around and I really enjoy the journey
He is a pronoun that sounds good between my teeth and tastes like learning how to whisper before you learn how to speak
One of those words that I was never sure I was pronouncing right because I learned it by reading alone and deciphering based on context and roots
But he’s also one of those words where once you learn it you start hearing it all the time
And you swear that the whole world acquired this new term with you at once
He is nostalgia in a new experience
Nostalgia-- roots meaning home, or to return home, and a pain or sickness
He’s a homesickness that draws me to him every night
And he is a wanderlust that draws me away from the home I’ve known
Convincing me that comfort zones need exploring the same way tropical zones do
He is an encyclopedia on staying warm in Michigan winters
An atlas from desert countries
And a topographical map that makes me think
I could learn to like geography
Or cartography because he knows that the best way to record new terrain is to explore it first
And I’m content to be a notebook full of scribbles detailing the peaks and valleys and abandoned alleys
And arrhythmic patterns of wind set to traverse through tracheas, reaching lungs only when necessary
He’s the breath I forgot to take when a cliffhanger was resolved
And I don’t always know if I’m a page-turner or just a bookmark within one
But he’s a genre that’s meant to be read under the covers with a booklight until the sun comes up and reminds you that time isn’t as frozen as you hoped it was
And even when I don’t know if we’re on the same page
He tells me that there’s a reason that books have more than one
And I’ve never been good at guessing how stories are going to end
But I'd like to spend some more time reading
Michael R Burch Oct 2020
Rondels, Roundels and Rondeaux

These are poetic forms similar to villanelles, with refrains (repeated lines) and sometimes double refrains.



Rondel: Merciles Beaute ("Merciless Beauty")
by Geoffrey Chaucer
loose translation/interpretation Michael R. Burch

Your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.

Unless your words heal me hastily,
my heart's wound will remain green;
for your eyes slay me suddenly;
their beauty I cannot sustain.

By all truth, I tell you faithfully
that you are of life and death my queen;
for at my death this truth shall be seen:
your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.



Rondel: Rejection
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.

I'm guiltless, yet my sentence has been cast.
I tell you truly, needless now to feign,―
Your beauty from your heart has so erased
Pity, that it’s useless to complain.

Alas, that Nature in your face compassed
Such beauty, that no man may hope attain
To mercy, though he perish from the pain;
Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.



Rondel: Escape
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.

He may question me and counter this and that;
I care not: I will answer just as I mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean.

Love strikes me from his roster, short and flat,
And he is struck from my books, just as clean,
Forevermore; there is no other mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.



Rondel: Your Smiling Mouth
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet―please, what more can I say?

It is my fetish when you’re far away
To muse on these and thus to soothe my pain―
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I’ll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms’ twin chains!



Oft in My Thought
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization Michael R. Burch

So often in my busy mind I sought,
Around the advent of the fledgling year,
For something pretty that I really ought
To give my lady dear;
But that sweet thought's been wrested from me, clear,
Since death, alas, has sealed her under clay
And robbed the world of all that's precious here―
God keep her soul, I can no better say.

For me to keep my manner and my thought
Acceptable, as suits my age's hour?
While proving that I never once forgot
Her worth? It tests my power!
I serve her now with masses and with prayer;
For it would be a shame for me to stray
Far from my faith, when my time's drawing near―
God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
Take my good deeds, as many as there are,
And crown her, Lord, above in your bright sphere,
As heaven's truest maid! And may I say:
Most good, most fair, most likely to bring cheer―
God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier―
God keep her soul, I can no better say.



Villanelle: The Divide
by Michael R. Burch

The sea was not salt the first tide ...
was man born to sorrow that first day,
with the moon―a pale beacon across the Divide,
the brighter for longing, an object denied―
the tug at his heart's pink, bourgeoning clay?

The sea was not salt the first tide ...
but grew bitter, bitter―man's torrents supplied.
The bride of their longing―forever astray,
her shield a cold beacon across the Divide,
flashing pale signals: Decide. Decide.
Choose me, or His Brightness, I will not stay.

The sea was not salt the first tide ...
imploring her, ebbing: Abide, abide.
The silver fish flash there, the manatees gray.

The moon, a pale beacon across the Divide,
has taught us to seek Love's concealed side:
the dark face of longing, the poets say.
The sea was not salt the first tide ...
the moon a pale beacon across the Divide.

"The Divide" is essentially a formal villanelle despite the non-formal line breaks.



Villanelle: Ordinary Love
by Michael R. Burch

Indescribable―our love―and still we say
with eyes averted, turning out the light,
"I love you," in the ordinary way

and tug the coverlet where once we lay,
all suntanned limbs entangled, shivering, white ...
indescribably in love. Or so we say.

Your hair's blonde thicket now is tangle-gray;
you turn your back; you murmur to the night,
"I love you," in the ordinary way.

Beneath the sheets our hands and feet would stray
to warm ourselves. We do not touch despite
a love so indescribable. We say

we're older now, that "love" has had its day.
But that which Love once countenanced, delight,
still makes you indescribable. I say,
"I love you," in the ordinary way.

"Ordinary Love" was the winner of the 2001 Algernon Charles Swinburne poetry contest. It was originally published by Romantics Quarterly and nominated by the journal for the Pushcart Prize. It is missing a tercet but seemed complete enough without it.―MRB



Villanelle: Because Her Heart Is Tender
by Michael R. Burch

for Beth

She scrawled soft words in soap: "Never Forget,"
Dove-white on her car's window, and the wren,
because her heart is tender, might regret
it called the sun to wake her. As I slept,
she heard lost names recounted, one by one.

She wrote in sidewalk chalk: "Never Forget,"
and kept her heart's own counsel. No rain swept
away those words, no tear leaves them undone.

Because her heart is tender with regret,
bruised by razed towers' glass and steel and stone
that shatter on and on and on and on,
she stitches in wet linen: "NEVER FORGET,"
and listens to her heart's emphatic song.

The wren might tilt its head and sing along
because its heart once understood regret
when fledglings fell beyond, beyond, beyond ...
its reach, and still the boot-heeled world strode on.

She writes in adamant: "NEVER FORGET"
because her heart is tender with regret.



Double Trouble
by Michael R. Burch

The villanelle is trouble:
it’s like you’re on the bubble
of beginning to see double.

It’s like you’re on the Hubble
when the lens begins to wobble:
the villanelle is trouble.

It’s like you’re Barney Rubble
scratching itchy beer-stained stubble
because you’re seeing double.

Then your lines begin to gobble
up the good rhymes, and you hobble.
The villanelle is trouble,

just like getting sloshed in the pub’ll
begin to make you babble
because you’re seeing double.

Because the form is flubbable
and is really not that loveable,
the villanelle is trouble:
it’s like you’re seeing double.



Villanelle: Hangovers
by Michael R. Burch

We forget that, before we were born,
our parents had “lives” of their own,
ran drunk in the streets, or half-******.

Yes, our parents had lives of their own
until we were born; then, undone,
they were buying their parents gravestones

and finding gray hairs of their own
(because we were born lacking some
of their curious habits, but soon

would certainly get them). Half-******,
we watched them dig graves of their own.
Their lives would be over too soon

for their curious habits to bloom
in us (though our children were born
nine months from that night on the town

when, punch-drunk in the streets or half-******,
we first proved we had lives of our own).



Villanelle Sequence: Clandestine But Gentle
by Michael R. Burch

Variations on the villanelle. A play in four acts. The heroine wears a trench coat and her every action drips nonchalance. The “hero” is pallid, nerdish and nervous. But more than anything, he is palpably desperate with longing. Props are optional, but a streetlamp, a glowing cigarette and lots of eerie shadows should suffice.

I.

Clandestine but gentle, wrapped in night,
she eavesdropped on morose codes of my heart.
She was the secret agent of delight.

The blue spurt of her match, our signal light,
announced her presence in the shadowed court:
clandestine but gentle, cloaked in night.

Her cigarette was waved, a casual sleight,
to bid me “Come!” or tell me to depart.
She was the secret agent of delight,

like Ingrid Bergman in a trench coat, white
as death, and yet more fair and pale (but short
with me, whenever I grew wan with fright!).

II.

Clandestine but gentle, veiled in night,
she was the secret agent of delight;
she coaxed the tumblers in some cryptic rite

to make me spill my spirit.
Lovely ****!
Clandestine but gentle, veiled in night

―she waited till my tongue, untied, sang bright
but damning strange confessions in the dark . . .

III.

She was the secret agent of delight;
so I became her paramour. Tonight
I await her in my exile, worlds apart . . .

IV.

For clandestine but gentle, wrapped in night,
she is the secret agent of delight.



Villanelle: Hang Together, or Separately
by Michael R. Burch

“The first shall be last, and the last first.”

Be careful whom you don’t befriend
When hyenas mark their prey:
The odds will get even in the end.

Some “deplorables” may yet ascend
And since all dogs must have their day,
Be careful whom you don’t befriend.

When pallid elitists condescend
What does the Good Book say?
The odds will get even in the end.

Since the LORD advised us to attend
To each other along the way,
Be careful whom you don’t befriend.

But He was deserted. Friends, comprehend!
Though revilers mock and flay,
The odds will get even in the end.

Now infidels have loot to spend:
As ****** as Judas’s that day.
Be careful whom you don’t befriend:
The odds will get even in the end.

NOTE: This poem portrays a certain worldview. The poet does not share it and suspects from reading the gospels that the “real” Jesus would have sided with the infidel refugees, not Trump and his ilk.



Villanelle: The Sad Refrain
by Michael R. Burch

O, let us not repeat the sad refrain
that Christ is cruel because some innocent dies.
No, pain is good, for character comes from pain!

There’d be no growth without the hammering rain
that tests each petal’s worth. Omnipotent skies
peal, “Let us not repeat the sad refrain,

but separate burnt chaff from bountiful grain.
According to God’s plan, the weakling dies
and pain is good, for character comes from pain!

A God who’s perfect cannot bear the blame
of flawed creations, just because one dies!
So let us not repeat the sad refrain

or think to shame or stain His awesome name!
Let lightning strike the devious source of lies
that pain is bad, for character comes from pain!
Oh, let us not repeat the sad refrain!

NOTE: An eternal hell cannot be justified. Nothing can be learned from eternal suffering except that the creation of life was the ultimate act of evil. The creator of an eternal hell would be infinitely cruel and should never have created any creature that might possibly end up there. That so many Christians do not understand this suggests they lack the knowledge of good and evil and were rooked by their "god" in the Garden of Eden or have been bamboozled by heartless and mindless theologians.



If
by Michael R. Burch

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
even for a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn―one moment less brightly,
one instant less true―
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.

Originally published by The HyperTexts



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields―gleeful, braying―
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



I AM!
by Michael R. Burch

I am not one of ten billion―I―
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.

I am not one of ten billion, I.

I am not one life has left unsquashed―
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.

I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing "Please!"

I am not one without spots of disease.

I am not one of ten billion―I―
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.

I am not one of ten billion, I
AM!



This World's Joy
(anonymous Middle English lyric)
loose translation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



Elegy for a little girl, lost
by Michael R. Burch

. . . qui laetificat juventutem meam . . .
She was the joy of my youth,
and now she is gone.
. . . requiescat in pace . . .
May she rest in peace.
. . . amen . . .
Amen.

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).



How Long the Night
anonymous Middle English lyric, circa early 13th century AD
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast,
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Fowles in the Frith
anonymous Middle English lyric, circa 13th-14th century AD
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!

Sounds like an early animal rights activist! The use of "and" is intriguing ... is the poet saying that his walks in the wood drive him mad because he is also a "beast of bone and blood," facing a similar fate?



I am of Ireland
anonymous Medieval Irish lyric, circa 13th-14th century AD
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



Whan the turuf is thy tour
(anonymous Middle English lyric, circa the 13th century AD)
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms’ to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within ...
what hope of my help then?

NOTE: The second translation leans more to the "lover's complaint" and carpe diem genres, with the poet pointing out to his prospective lover that by denying him her favors she make take her virtue to the grave where worms will end her virginity in macabre fashion. This poem may be an ancient precursor of poems like Andrew Marvell's "To His Coy Mistress."



Ech day me comëth tydinges thre
anonymous Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because I don't know where the hell I will go!



Ich have y-don al myn youth
anonymous Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously ...
And oh what grief it has brought me!



I Sing of a Maiden
anonymous Medieval English Lyric, circa early 15th century AD
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.
He came also as still
To his mother's breast
As April dew
Falling on the grass.
He came also as still
To his mother's bower
As April dew
Falling on the flower.
He came also as still
To where his mother lay
As April dew
Falling on the spray.
Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



Regret
by Michael R. Burch

Regret,
a bitter
ache to bear . . .

once starlight
languished
in your hair . . .

a shining there
as brief
as rare.

Regret . . .
a pain
I chose to bear . . .

unleash
the torrent
of your hair . . .

and show me
once again―
how rare.

Published by The HyperTexts and The Chained Muse



Enigma
by Michael R. Burch

O, terrible angel,
bright lover and avenger,
full of whimsical light
and vile anger;
wild stranger,
seeking the solace of night,
or the danger;
pale foreigner,
alien to man, or savior ...

Who are you,
seeking consolation and passion
in the same breath,
screaming for pleasure, bereft
of all articles of faith,
finding life
harsher than death?

Grieving angel,
giving more than taking,
how lucky the man
who has found in your love,
this, our reclamation;

fallen wren,
you must strive to fly
though your heart is shaken;

weary pilgrim,
you must not give up
though your feet are aching;

lonely child,
lie here still in my arms;
you must soon be waking.



Floating
by Michael R. Burch

Memories flood the sand’s unfolding scroll;
they pour in with the long, cursive tides of night.

Memories of revenant blue eyes and wild lips
moist and frantic against my own.

Memories of ghostly white limbs ...
of soft sighs
heard once again in the surf’s strangled moans.

We meet in the scarred, fissured caves of old dreams,
green waves of algae billowing about you,
becoming your hair.

Suspended there,
where pale sunset discolors the sea,
I see all that you are
and all that you have become to me.

Your love is a sea,
and I am its trawler ...
harbored in dreams,
I ride out night’s storms.

Unanchored, I drift through the hours before morning,
dreaming the solace of your warm *******,
pondering your riddles, savoring the feel
of the explosions of your hot, saline breath.

And I rise sometimes
from the tropical darkness
to gaze once again out over the sea ...
You watch in the moonlight
that brushes the water;

bright waves throw back your reflection at me.

This is one of my more surreal poems, as the sea and lover become one. I believe I wrote this one at age 19. It has been published by Penny Dreadful, Romantics Quarterly, Boston Poetry Magazine and Poetry Life & Times. The poem may have had a different title when it was originally published, but it escapes me ... ah, yes, "Entanglements."



Sonnet: Water and Gold
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once,
but joy's a wan illusion to the expert:
the Bedouin has learned how not to want.

You came to me as riches to a miser
when all is gold, or so his heart believes,
until he dies much thinner and much wiser,
his gleaming bones hauled off by chortling thieves.

You gave your heart too soon, too dear, too vastly;
I could not take it in; it was too much.
I pledged to meet your price, but promised rashly.
I died of thirst, of your bright Midas touch.

I dreamed you gave me water of your lips,
then sealed my tomb with golden hieroglyphs.

Published by The Lyric, Black Medina, The Eclectic Muse, Kritya(India), Shabestaneh (Iran), Anthology of Contemporary American Poetry, Captivating Poetry (Anthology), Strange Road, Freshet, Shot Glass Journal, Better Than Starbucks, Famous Poets and Poems, Sonnetto Poesia, Poetry Life & Times



Righteous
by Michael R. Burch

Come to me tonight
in the twilight, O, and the full moon rising,
spectral and ancient, will mutter a prayer.

Gather your hair
and pin it up, knowing
that I will release it a moment anon.

We are not one,
nor is there a scripture
to sanctify nights you might spend in my arms,

but the swarms
of bright stars revolving above us
revel tonight, the most ardent of lovers.

Published in Writer’s Gazette and Tucumcari Literary Review



R.I.P.
by Michael R. Burch

When I am lain to rest
and my soul is no longer intact,
but dissolving, like a sunset
diminishing to the west ...

and when at last
before His throne my past
is put to test
and the demons and the Beast

await to feast
on any morsel downward cast,
while the vapors of impermanence
cling, smelling of damask ...

then let me go, and do not weep
if I am left to sleep,
to sleep and never dream, or dream, perhaps,
only a little longer and more deep.

Originally published by Romantics Quarterly



Burn, Ovid
by Michael R. Burch

“Burn Ovid” - Austin Clarke

Sunday School,
Faith Free Will Baptist, 1973:
I sat imaging watery folds
of pale silk encircling her waist.

Explicit *** was the day’s “hot” topic
(how breathlessly I imagined hers)
as she taught us the perils of lust
fraught with inhibition.

I found her unaccountably beautiful,
rolling implausible nouns off the edge of her tongue:
adultery, fornication, *******, ******.
Acts made suddenly plausible by the faint blush
of her unrouged cheeks,
by her pale lips
accented only by a slight quiver,
a trepidation.

What did those lustrous folds foretell
of our uncommon desire?
Why did she cross and uncross her legs
lovely and long in their taupe sheaths?
Why did her ******* rise pointedly,
as if indicating a direction?

“Come unto me,
(unto me),”
together, we sang,

cheek to breast,
lips on lips,
devout, afire,

my hands
up her skirt,
her pants at her knees:

all night long,
all night long,
in the heavenly choir.

This poem is set at Faith Christian Academy, which I attended for a year during the ninth grade, in 1972-1973. While the poem definitely had its genesis there, I believe I revised it more than once and didn't finish it till 2001, nearly 28 years later, according to my notes on the poem. Another poem, "*** 101," was also written about my experiences at FCA that year.



*** 101
by Michael R. Burch

That day the late spring heat
steamed through the windows of a Crayola-yellow schoolbus
crawling its way up the backwards slopes
of Nowheresville, North Carolina ...

Where we sat exhausted
from the day’s skulldrudgery
and the unexpected waves of muggy,
summer-like humidity ...

Giggly first graders sat two abreast
behind senior high students
sprouting their first sparse beards,
their implausible bosoms, their stranger affections ...

The most unlikely coupling:

Lambert, 18, the only college prospect
on the varsity basketball team,
the proverbial talldarkhandsome
swashbuckling cocksman, grinning ...

Beside him, Wanda, 13,
bespectacled, in her primproper attire
and pigtails, staring up at him,
fawneyed, disbelieving ...

And as the bus filled with the improbable musk of her,
as she twitched impaled on his finger
like a dead frog jarred to life by electrodes,
I knew ...

that love is a forlorn enterprise,
that I would never understand it.

This companion poem to "Burn, Ovid" is also set at Faith Christian Academy, in 1972-1973.



The Shape of Mourning
by Michael R. Burch

The shape of mourning
is an oiled creel
shining with unuse,

the bolt of cold steel
on a locker
shielding memory,

the monthly penance
of flowers,
the annual wake,

the face in the photograph
no longer dissolving under scrutiny,
becoming a keepsake,

the useless mower
lying forgotten
in weeds,

rings and crosses and
all the paraphernalia
the soul no longer needs.



The Stake
by Michael R. Burch

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.

Originally published by The Lyric



The Effects of Memory
by Michael R. Burch

A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember

now that I cannot forget.

And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...

our soft cries, like regret,

... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...

now that I have forgotten her face.



in-flight convergence
by michael r. burch

serene, almost angelic,
the lights of the city ――― extend ―――

over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ――― ways,

so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Absence
by Michael R. Burch

Christ, how I miss you!,
though your parting kiss is still warm on my lips.

Now the floor is not strewn with your stockings and slips
and the dishes are all stacked away.

You left me today ...
and each word left unspoken now whispers regrets.



The Quickening
by Michael R. Burch

for Beth

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own:
such kisses I had never known,
nor a heartbeat in my fingertips!



Ah! Sunflower
by Michael R. Burch
after William Blake

O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!



Published as the collection "Rondels"

Keywords/Tags: rondel, roundel, rondeau, villanelle, refrain, repetition, poetic form, poetics, poetic expression, Chaucer, Orleans, love, art, beauty, mercy, merciless, words, heart, hearts, pity, pride, prison
Mateuš Conrad May 2016
so this nun mary from the school
of the sisters of notre dame
(dame or Dane?) had her brain removed
and probed: full of plaques and entanglements,
advanced Alzheimer's the coroner said,
aged 101 the brain,
yet up to her death no symptoms of the disease...
she was one of 678 subjects of the nun study,
American experiment genesis 1986 a.d.,
(journalism is really a true ally of poetry),
the 678 were told to write a character assassination
in range between poetry and diary (in their 20s),
"low idea" density they did produce,
but like Sister Anastasia: an amazing poppy-seed cake.
indeed dementia, the western medical anxiety,
10% of people over 60 and 50% of those over 85,
the grey plague i call it (grey matter, no
vermin scuttling about);
men are particularly less at the risk,
long gone the vogue of smoking tobacco -
could have asked the Apache indians about
peace-pipes long into their 90s... but no.
Aloysius Alzheimer / Oppenheimer
discovered the anti-ego unit and the atom bomb
with the neuron, in the latter case the 'd'uh' gene...
cave in the vowels on discretion
saying 'y Dinosaur kno'w, but i saw
a big mushroom boom' caving in meaning they
have to sound more hollow than you thought before
(the vowels, the vowels)...
like the article states, is it really a dis-ease?
i.e. a negation of ease? only if you found learning
at school to be torture and equipped with
a mentality for menial tasks like sunset on a monday
or summer 1904 so too summer of 2014...
no dementia in the giant Galapagos turtles,
they outlive us and still have a brain-rate
on a scale of: take one step here, plop a **** there...
lettuce, lettuce, lettuce... munching this greenery
will take forever! indeed the backlog of libraries of
knowledge and the result of those pioneer futilities
never tapped, still fucky fucky, toow dollar sucky sucky
on the cranium donning a crown.
the rest of the article concerning 4 inches closer
between the finger that dipped into peanut butter
(a closed mouth, eyes, and one nostril)
and identification of nature's diarrhoea (mm those
crunchy bits of fungi and corn undigested) -
but i'd tell you the experiment is faulty,
the peanut butter served up probably wasn't warmed up,
sense of smell and gaseous imprints, like
chlorine the disinfectant in public swimming pools...
not watching television a big give-away,
leisure time spent watching Plato's cave
at 27% of the sigma elsewhere and 18% by those
not afflicted...
then there's the whole dementia diabetes debate,
vegetables versus fruits... vegetables win...
Alzheimer's (also known as type 3 diabetes)...
imagine a creature coerced into disbelieving the
existence of water, and that alcohol is water
and a hamburger, that's me...
remember that nuns are cloistered yet sociable...

general hardbacks
1. the unmumsy mum (50,195 examples sold)
2. how it works: the mum (119,830 examples sold)
3. how it works: the husband (312,910 examples sold)

general paperbacks
1. the road to little dribbling (68,270 examples sold)
2. SPQR (26,765 examples sold)
3. the shepherd's life (61,000 examples sold)

want the fiction statistics of the publishing industry?
here goes:

fiction hardbacks
1. the last mile (4,190 examples sold)
2. private paris (3,225       "             "  )
3. predator (22,430            "             "  )

fiction paperback
1. career of evil (16,865    "              " )
2. the girl in the spider's web (55,625 examples sold)
3. make me (127,395 examples sold)

so there's that and there's the 148 diaries found in a skip
(a life discarded): apparently only 148 diaries remained
from a total of 1,000, the universal truth after seeing
Iolanthe, running incompletely from 1952 (Cambridge),
a "true thing" at 30 words per minute ranging between
1 and 3 hours of composition daily (handwritten,
imagine writing with a keyboard ***,
hand-crafted in Israel, yes the *** is an Israeli invention),

so there's that, all the intellectuals bits and bobs,
but there's also:
#instawoman: 'mostly non-fiction - so i keep
them in the loo. a paragraph is better than nothing,
even if it takes me five years to finish a book.

agony aunt "mrs. mills'" replies to modern truffles
(sorry, trivialities): my b/f wants to have ***
on trains on the Glaswegian side of scotland
bit tipsy bit turvy (turdy?) and popping to do likewise
on the Cornish coastline, her reply?
****** pervert... fetishism (Freud believed)
derived from a man's unconscious terror of once
having stuck his head out of his mother's ******...
(hey! my bladder man! my ****! that ****
didn't develop till i was outside that annoying
oven / aquarium!) - so she replies and says:
whisper "the seven o'clock London Liverpool St.
to Norwich", and as my own input:
for a premature *******.

that's Sunday sorted then.
Bardo Oct 2020
Sometimes you just gotta laugh the situations Life puts you in
Standing there stuck in the train, jammed in with all the others
'Cos the previous train had been cancelled
And now the crowd was too big to get a seat sitting down
I'm pushed up behind the back of this young girl's head
She has a pigtail or what was formerly a pigtail
It's been cut rather abruptly, truncated prematurely and then tied off
So that what's left of it now sticks out directly from the back of her head
And it's stuck right into my nose,
And of course, she's speaking to someone in front of her
And she's nodding her head up and down as if acknowledging
   her friend's words
And sometimes she shakes her head the other way
As if acknowledging her friend's negative feelings as well
So she's going Yes...yes....yes! up and down
And No...no...no! the other way
And my poor nose is being mercilessly swished up and down, back and forth, all over the place
It feels like a shoe being shined or a car in a car wash
And it's tickling me something terrible
And I'm there desperately wiggling my nose
Trying to avert an itch or a sneeze coming on
And secretly hoping no one is watching this
Because I think I'd look real foolish if they are,
And I'm also thinking to myself "I know I could do with a bit more human contact/ intimacy in my life
But this... this is ridiculous,
And then I start thinking of this Site and all the lovely tender intimate poems I've read
Those lovely hugs and kisses, sweet cuddles and caresses
Those warm embraces and even warmer entanglements
And I'm thinking " Well that's just typical isn't it, others get all those lovely things
While I get something... something weird like this.
But then y'know after the first feelings of awkwardness and discomfort have worn off I start thinking
"But it is rather funny though" and then "actually it's probably the highlight of my day"
Gradually I find myself warming to this little pigtail
She's blonde (another blonde) like some lovely Swedish thing
With my nose buried in her, I get her scent, her sweet perfume
I breathe her in deeply
Then I find myself getting a little aroused
And I find myself almost talking to her, giving her a personality
"You mischevious little Pixie, you flirtatious little Trixie
You like to see me suffer don't you, the way you hit me back and forth
Baby you're so vile, but hey! I like your smile
Come on! Hit me again harder!
I'll never submit to you, you'll never rule me"
I could almost see her, some cold ice Lady wrapped in furs brandishing her whip
But then suddenly it's like I hear this...this little reply coming back at me
I think I'm starting to hallucinate
It says "Feel my scent, it's heaven sent. Here let me warm you up a little"
As again I feel the whoosh of her whip
"You *****! you *****!! I say defiant
"Hey there Serious Boy" she says, "afraid to be seen talking with me.
O! what'll they think, what'll they say Oooo Whooo!
Who cares, who gives a **** what they  think
It's just me and you here now, just the two of us
What about it Serious Boy, what do you say
Won't you come out and play, come out and dance with me
O! you're so buttoned up
Come out and laugh and be silly with me
O! drench me in lovely laughter and wonderful silliness
Big man in Poet land
Wanna hear some of my poetry
" The secret of the sun
   It's written on my ***
   Wanna see my secret ***'?"
"That's bad poetry" I say
Ignoring me she continues
"Through my eyes the door to adventure lies
Hey Boy! Let it swing, don't hold it in
Just let it dangle, dangle like an obtuse triangle"
I had to smile, "I like it Baby, your poetry, it really... really speaks to me"
And then she looks deep into my eyes
"I bet your magic wand, it's like James Bond"
She has me smiling and laughing to myself, she's so...so too much
And I'm totally lost in this, our magical converse
But then suddenly...suddenly the world, it interrupts, our train it stops,
Some people get off, then she reaches down to get her bag
She starts to leave, to move toward the door
"But you can't go, we were just getting acquainted, we were just getting to know one another"
And it's like she gives me this one last wistful smile
And then she's gone, heading off down the platform
I was gonna go after her, follow her out onto the street
But I knew her owner, she'd probably soon start to twig
She'd turn and accost me "You're following me, aren't you, why are you following me ?"
And I'd say "I'm not following you, I...I'm following Her behind you. Back, back in the train we...we"
Then she'd start to scream "Stalker! ******!" and then I'd be grabbed, set upon
The police would be called and I'd be hauled off, dragged before some Court
Some Judge, he'd be looking down at me sternly, "What do you have to say for yourself ?  How do you plead ?"
And all I'd be able to say would be "Lack of fun, your Honour, lack of silliness, lack of... warmth in my life
My seriousness and indecision, their slowly killing me, like a tight gripping ivy
Their strangling all the joy out of my life
How do I plead ? Loneliness, I guess, loneliness in the first degree".

And y'know I still look for her in crowds and in trains, my little blonde Miss Pigtail, I'd know her anywhere.
And I still remember that day we had together and all the fun we had on the train.
More nose trouble. This actually happened one day in the train and inspired this. A Pre-Covid poem when you could have a crowded train, back in the good old days. This is reminiscent of the classic old British movie "Brief Encounter" LoL. A Love story with a difference.
Brian Oarr Feb 2012
Dusk and dust envelop this intriguing Amish couple,
as she watches through the windshield of her parked car.
She's been observing sporadically for well on seven weeks,
as they've taken the old relic of a house
from disrepair to today's refurbished splendor.
It will be their home.

Away in the adjacent field, his straw hat barely visible,
an elder guides a team of Belgians five across
from the furrows of the tract toward the dying sunlight.
She follows them with her eyes, marveling their magnificence
and his unassuming control of their power.
They are the source of the dust.

Outside the house another Amish woman, perhaps
their mother, unhanging clothes, while a baby
plays upon a blanket on the ground. Black bonnet on her head,
flowing soft blue dress, and bib apron, she works
serenely as the sun melts warmly down the western sky,
leaving in its wake the dusk.

Dwindling moments of a day that mark a turning point
for the young couple and their unseen spectator.
For them a place to make a loving home amongst
their brethren and for her a revelation in her life.
She's committed once again to love's entanglements.
Dusk and dust have claimed another.
"Counting Coup" was a game played by the Native Americans of the Great Plains. And while it meant to them a non-violent way of counting battle victories, I thought it appropriate for the victory achieved by the "Dusk and dust", when they claimed her heart
Kelly McManus Jul 2019
As the spider is
to the fly stuck in its web
that is the system

                              Kelly McManus
Hal Loyd Denton Jul 2013
The song says your evil like the dark coral reef look to the sea what tomes flow through its
Being the waves are a testament against the atheist claim I can’t see God His word says he has
Made the sand a band that the sea cannot pass you see it right when it is said these proud
Waves all that lies behind them mystery power a true if small encounter with eternity so vast
And unknown truly like the darkness of the human heart the waves desire all land to be a part
Of its greater self unseen must be the reason for such derived pleasure the struggle the failure
The demoralization of the waves as they cross the sand it drains all power and life from them
They only retreat to try again she to stands darkly in the shadows how through time she has
Discomfited so many they knew the feeling of being out of their depth she looks on they feel
Her strong forceful gaze it beckons with identifiable it is calling to your own emotional
Grounding that is similar it goes where light is missing it finds the dark reserves of cautious talk
Occurs plaintive moral diffuse in character readily adaptable to dark and sinister morays
Nothing is as it seems the allure of elusive dreams held such truth and insight only to take flight
With the awaking light possessions assured moments before all but loss now darkness of
Greater depths found under night trees with dense shadows it’s like you’re a windblown sea
Man who has lost your bearings when all was lost there in perfection the light house pierces
Your darkness you’re still lost but hope’s flame has been trimmed desire rises unquenchable
Steady it goes life’s experiences kick in an unerring compass immediate you focus on so varied
And plentiful scenes from your life from the mundane to the sublime you’re vigorous
Entanglements from gentle crackly fire to moments of intense lighting strikes of inspiration
Never are you truly alone how disheartening to this dark witch of night that springs these
Odious traps that speaks so directly of her nature net that flows
Out quietly the dearest hours cool that holds the sweetest flowers in a limbo preventing natural
Death then with her breath of **** frost you succumb to the awaiting bliss you tarried to long
At the window that had her framed not knowing it was and held those unspoken words and
Actions that are taboo a word of caution to anyone who follows the call that induces deadly
Actions that for you are deadly watch and listen and don’t throw caution to the wind when your
Soul shouts retreat to safety when you encounter the midnight stranger
K Balachandran Aug 2014
After, a long drawn out burning kiss
that opened a never healing wound
she leaves for the secret rendezvous
in a verdant oasis in a distant desert.
He didn't hear about her even after
light years, remembrance of that
kept on haunting him, for reasons
he wanted to find, he burned and burned.

On a full moon night after million years,
searching in the desert, long hours
sweating and tired like a haunted animal
he found a magnificent Spinx,felt connected
fell for that feminine allure, curved hips
hypnotic eyes of a hermaphrodite,swell of *******,
that illogically prompted him to caress,

towering high at the end of an oasis,
wasn't it  a construct of desire?

he stood, feverishly desiring those pouting lips,
the moment next, missed the one inflicted wound,
in a pit inside  forbidden longings erupt
when speaking  language of desire, poisoned fruits too
taste dark poetry, nature flows to  symmetry
"No man or woman, loved me like that"
a whisper, then a hiss, in passion proclaims
there she was his one time lover, cheat, deserter
of his spirit's mating call, still he isn't free from delusions,
she abandoned him for another, in that too wasn't sure
yet another of her misadventure, does she repent?

"I didn't want to miss you like this" she says
"you mistook that I was in love with her, him or whatever"
entanglements, there were from the word go,
her eyes , he observed were sapphires,
her bleached white bones, were irresistible, totems
he wanted to preserve it in the museum in Cairo
her being grew in to him like an oasis
in a desert, a weary, insane, traveler reaches
just in time for the final peaceful hour before all resolve.

"Are you insane, what makes you do this again" a voice asked,
another million years would pass without any solace,
the sphinx, so magnificent then would be just a sand dune !
They hand in hand, would be walking over it,
that sweet oblivion would remain, birth after birth.
Hal Loyd Denton Nov 2011
Where God passes
The edge of forever where raw power is displayed

Walk the seascapes enter the story told in timelessness except for outer space it is the only place where man finds his mind freed so steep is the unending awe that without question he finally is able to present his self

as the tiny speck lost is all ego all self importance he is open to the quest for ultimate truth. You perfect you’re thinking at the sea shore it is a storehouse that lends itself to grand thoughts no limitations hamper

your endeavors aliveness engulfs you totally. Subdued moods excavate every shallow you start a down ward decent the deep cries out to your soul the part that never can be accessed on shore. The ground a

foundation for raising up temporal structures your needs are served in waters that open as a mysterious gate the deeper the fathoms the more understanding is released. To abide in calm surface features of the

sea what a waste take off the restraints become a voyager drift with churning twisting pressures they will give great reward for accosting your accustomed staid and uneventful living. Go deeper the mundane the

so called important will be forced through your very pores as you continue calling the unknown manifest itself with great scrolls hidden beyond reach to those that plod along the sunny quiet banks. Life test all

men you can face them unafraid armed with years not minutes of preparedness found alone in the struggle only found at sea. Pondered Plumbed in inexorable conditions that stretches changes a person’s character

his stature tempered fired as steel in the caldron. We need leaders vibrant thinkers people who can and will accost hell in the very near future and come away victorious. They will have found their way through

the untold deadly entanglements figuratively and real their not accustomed to ease and know perils at close quarters they learned them in great waters not in pools that have not the ability to stir you to your

core you’re going to pour out your life in one form or another do it with sand and grit leave a scarred an effectual trail for others to follow not the light untraceable light footsteps of one who has never lived.
Tommy Johnson Feb 2014
He sat down at his desk
With his face buried deep into it
His sweatshirt road his broadened shoulders
Something about this guy interested me
He was new, fresh slate at a new school

We exchanged hellos
We exchanged names
I threw out an invite to chill
And he politely and happily accepted

There was something odd about him
In a good way
Offbeat
Offbeat boy
I gave him a nickname because his real name was to plain for him

I introduced him to my circle and they didn’t like him at first
But over time they became as thick as thieve
We all were
New bonds were made
Bridges built and doors opened

The things he would say
So random
So off base
So hilariously out of place
I loved it
I always looked forward to what he was going to say next

He was a true friend
There was no lying, no evil in him
He was pure, a pure person

He loved nature
His love was Mother Earth
Shedding at tear at environmental ignorance

He was socially awkward
He couldn’t talk to girls, or anyone that wasn’t one of us
He would get into fight we would have to talk him out of
The confusion he gave to the teachers and frustration he gave to the entire student body
He didn’t know any better

Writing a funny speech about what he would do if he was voted for class president
Then having it being taken as a threat against the school thus getting him suspended and having the police search his house for weapons

The complete disbelief of his guidance councilors
And the flabbergasted administrators were all gut busting comedies to us

As we approached graduation news of him going into the navy came about

And we were all in disbelief
But it was true
A boy who couldn’t life a five pound dumbbell was going to serve our country

Good for him

Even now I can recall our adventures up to that point
Staying out late and wandering the streets in the middle of a cold winter night
Cat calling at the mall, trying to pick up girls
Breaking things
Invading private properties
Avoiding police entanglements
Detentions
Suspensions
So many laughs
So many memories

When he left it was as if the once bright aluminous room we all shared was a little bit dimmer
But we were full of pride
We knew he would shine on else where

From Michigan to Texas to California for boot camp and training he went
Our friend went on a journey, his own journey

One year later, we all await his return

He is back, oh the change is overwhelming
He shines brighter, he’s witty
He’s mature, bold and confident

He’s become a man, he found himself

He has claimed his long sought after love

The one who has been walking a difficult path and strides in beauty

He made passionate love to her last night
He woke up from her house and came to mine at 5 AM

I awoke to find him sipping coffee in my kitchen; he had a smile in his heart that was bigger than the stupid grin on my face
I sat and talked to him, chugged my coffee and got dressed

No we were going on another adventure, two weeks
Two weeks with him was all I have
Then he’s being deployed for two years
He speaks of oncoming war with Syria and North Korea
His views have changed
He believes in war
My, my I’m astonished
This is my friend?
The awkward, soft spoken dude in my history class?
Now I wait to see what happens next
With one of my dearest friend, Chives
Sian Carrington Apr 2015
Poetry is a dance
Of woven words
Crafted from the intricate print
Of memory.
Like that of a widow's woven art,
Patterns unveil the melodies
Of our hearts.

Then may we indulge in the fabric
Of love,
And dance upon fair dewdrops.
May we spin the initial swirls
Of sweet silk,
Beneath the shimmer
Of the resplendent moon.

Till the thread coarsens at a core
Of wearied entanglements.
The ghost of silk glows far away
Haunting the distant margins
Of our memories.

Scorch this knot
Of coarse wire,
Lest the dance of rhetoric will cease,
The fine fabric of love will sever,
The melodies in our hearts will mute.
Burn this knot. Blaze it with
the endurance
Of timeworn love.

The dance beckons its final stage,
Where we ignite the warmth
Of familiar eyes,
Lure them into a new dance
Of wordplay.

We are all but weavers
Spinning satin spheres
Dancing in discourse
To the symphony
Of our hearts.
Love is a blend of silk and knots. It can be initially sweet but followed by tangles. Yet with the right strength and enough passion, love never dies. We are all weaving our webs to catch it.

— The End —