There are the two choices. Wicked, wheel-men curving towards that which I wear in the evening when I paint on my black suit. The pitter-patter of organic matter, the Metropolis ground fresh. You tell me raspberry, I tell you I am not impressed. And then from the inimical lips, those bards from distance, sand spots and hordes of watering holes I place fresh Republicans on- and they were stealing the magazines.
Four devils they figure some, four devils. A anthelmintic potion to square away the worms. The pink worm, who takes long-distance telephone calls on your roommates only moments before the red worm, his head shriveled and his limbs crying from ******, she the blue curly worm; she is what we've been looking out and everything about this evening has slipped in the pattern we expected. Red light in fact,
They used the concatenations of frog legs(this was the big deal since My Mother loved the chelura of some tropical varieties of frogs and funny-legged), banjax the first one before the weather catches the summary being the news. Going as far as the the ecstasy of officials leaving the scene. The species catching its last names of life- genus and family alike racing towards safety.
And so I build in the fly zone. I haggle for President, and make sacred the realms of figures; denaturalized are the entanglements of humans, even whatever the mephitic and bellicose shadows shend and fordo their greatest powers.
I lull and lust, my pugnacious frazil, just like my recalcitrant logomachy that I ****** and slide angrily and profusely with m and everything I try to do. Just so long as you can see me usufruct and lobby forthright the message.
Mine. Hate. Anxiety.
'Dip' represents the 'dip' from "Who Framed Roger Rabbit?"