Six hours later the sun rose in Peach Springs shinning down on the little busy police station in the middle of town. Eve sat in a tiny well lit room hand cuffed to a bar attached to the wall. She felt dizzy from the tears she had shed unsure how she could still produce them, one after another they fell. The door opened announcing the police officer who uncuffed her and lead her to a room with a table in the center surrounded with chairs. She sat silently gripping to what was left of her sanity as the tears continued to fall. Minutes later two detectives entered, one female, one male, they sat down looking at each other stating their names and titles. The female detective asked Eve her fist question,

"Do we have you permission to record this conversation?"

"Yes, you do."  

She pressed the record button and the interrogation had officially began.

"Tell us what happened prior to you arriving at the hospital."

Eve began to tell her truth fading in and out of the memory as she told the events before and after she decided to get out of bed with Sam. Six hours earlier...


Eve and Sam were restless unable to return to their dreams. She hoped Matt would come back to bed and realize he was being a ****.


He doesn't even know what the situation is between me and Jake.

Eve decided to leave the bed with her son oblivious to the consequences that awaited. She kept her shoulders square, her eyes on the path that lead to the kitchen as she passed Matt in the living room. She peeked in the master bedroom searching for Julie when Matt's  mother spoke in an overpowering voice,


"I'm in here, close the door."

Eve felt her son squeeze his legs around her and quickly closed the door. She walked towards the back door listening to faint voices coming from Matt's room. She joined them sitting across from Julie with her son in her lap she asked,

"What are you up to Jewels?"

Eve wished she would've stayed in bed when Julie pointed to the coke offering  her some. She refused it but knew it wouldn't be that easy to get away with. Like with most things Julie told her to try it and stop if she didn't like it. Eve asked her what it felt like then agreed when Julie told her it felt good. She placed her child on the bed opposite to Jake, she shooed Jake"s hand away when he tried to grab her. Agitated she walked over to Julie who held the foil steady while she inhaled her hit. As she exhaled she washed the taste clean from her lips. When she looked up she realized Matt was sitting on his bed drinking a beer. Eve shook her head at Matt agreeing with his sister who was telling stop or he'd go back to jail.

******* *******, he's doing this on purpose.

she told herself when he downed four more. Eve followed Julie's lead yelling at Jake not to  give Matt any of the ******* when he offered it to him. Eve held her anger while she watched him as he snorted the fine white powder. Julie told her brother,

"Your ******* stupid."

Eve shouted at him,

"Yeah you are."

"Why do you even care.",

he asked in voice that stabbed at Eve. Lost in her thoughts she barely notice when Amanda walked in. Eve heard her whining but couldn't make out what she was saying. She looked up in time to hear Julie invite her somewhere. Automatically she refused using the excuse that her son was awake. Amanda threw a fit telling Julie to leave Eve behind then she turned to Eve glaring at her as she left the room with Jake following behind her.

"Ignore her. Lets go.",

Julie insisted.

"I can't.",

Eve pointed to her son.

"Ask Matt to watch him",

she told her. Eve looked at Matt who was shaking his head with his answer no.

"It's only for a few minutes Matt."

Julie told him. Eve walked towards Matt telling Julie,

"It's okay Julie, Amanda doesn't want me to go, remember."

"**** her."

Julie said laughing. Eve reached for her son taking him from Matt, but Matt pulled him back telling her,

"I'll do it."

"No, it's okay, give me my baby."

Eve insisted pulling on Sam. Eve frowned at Matt when he refused to let go of Sam. They both tugged at him til he started crying, with sounds of his cries she let go of Sam.

"Are you sure Matt? I can take him, he's my baby, just give him to me. "  

Eve studied him, Matt pouted saying,

"I'll do it, I always do it anyway?"

Feeling uneasy Eve handed Sam's bottle to Matt then left the room with Julie. They met Amanda, Jake and Jeff at the curb where the cream colored Cadillac was parked in front of the house.  Immediately Amanda threw a fit at the sight of Eve. Eve shrugged her off as they drove to the store. Jake went in then returned empty handed explaining it was two a.m. and the store clerk refused to sell him alcohol. They drove the four blocks back to the house with Amanda pouting a fit that had them all in distress. Upon arriving to the house Eve smoked a cigarette on the front porch with Julie keeping her company. She finish the cigarette proceeded to the kitchen retrieving a yogurt from the fridge. Eve step out on the back porch listening for Sam. She stood there for several minute while she ate her yogurt thinking,

Sam's probably asleep. If i go in that room and end up waking him Matt will flip. I'll just wait a few more minutes and smoke another cigarette, if Sam cries i'll get him, if he doesn't i'll leave it be.

She finish her cigarette certain everything was perfectly fine. She believed Sam was sleeping in the safety of Matt's protection. Matt had always referred to Sam as his son ever since Eve's belly began to show she was pregnant with Sam, she trusted him. With her mind at ease she returned to the living-room and out the front door.  The Cadillac took off leaving Amanda behind. She watched Amanda walk along side of the house heading towards the back yard. Eve followed Amanda until she turned snapping her words she instructed Eve to leave her alone. Eve turned around entering the house through the front door.  Amanda entered the house through the back entrance minutes after eve had sat down next Julie. Amanda joined them in the living-room visibly upset making it clear she was not happy that Jeff left to take Jake home. Soon after Matt ran through back door yelling ,

"Help! He's not breathing, he's not breathing!"

The girls met him at the frame of the door leading to the kitchen. They shouted at him demanding to know what had happened. He told them Sam must have swallowed a rock. Everything swirled into a blur and Eve took her baby from him grabbing her coat on the way out running, following Julie.

Eve blinked through tears returning her to the room where the detectives sat in front of her. She shook head resting her arms on the table saying,

"That's all i know."

"Tell us again, from the beginning, what happened?"

The detectives took turns insisting she tell them over and over again what she knew. After the fifth time through the events of that night she lost her composer. Eve slammed her hands down on the table as she stood from the chair screaming,

"I already told you what happen. Why are you doing this? How many times do I have to tell you?"

She hung her head low clearing her mind making sense of the situation. She looked up at them, in a confused voice she said,

"You think i killed my baby?'

Her voice hardened raising slightly.

"Is that what you think? Is that why your doing this? I didn't **** my baby, I didn't **** him."

Defeated she fell into her chair. The detectives looked at each other then turned off the recorder.

"We're finished."

They both said softly standing then leaving the room. Some time later a police officer opened the door leading her to another room with a table in the center surrounded with chairs and a two-sided mirror next to it. Her eyes leaked endless amounts of sorrow flowing, falling with every step she took towards the chair she pulled out sitting so that she faced the mirror. The door closed with the officers exit and she let out a wail of enormous heartbreak, sorrow, and just flat out pain.

What happened? Oh god, bring him back. Tell me what happened. Why?

She pleaded silently with her God. She watched herself in the mirror thinking,

I should have never left the bed. I should have made him fall asleep.

Feeling faint her eyes throbbed making her head pound deeper pulsing down her neck. Eve pushed two chairs together curling on to them making her hands her pillow. She closed her eyes wishing that when she opened them she'd be next to Sam in bed. But she open her eyes and saw the carpet of the room, she began to sob. The door opened with the familiar face of the officer who lead her to the exit of the police station informing her she was free to go. The light of the sun blinded her sending her into a daze. Nora and Julie soon joined her and she asked Julie's mother Nora,

"Where's Matt?"

Nora turned to Eve shushing her with a finger to her lips. When they arrived home Nora requested the girl join her in her room. Once there Nora instructed the girls to sit on the bed. They did as asked then Nora faced the floor slowly and clearly she said,

"Matt killed Sam!"

With the sounds of those words Eve's world turned, crumbling. Nora informed the girls what Matt had done to the child. They all cried in pain knowing nothing could ever be the way it was before. Now those loving feeling she felt for Matt in the darkest corners of her mind echo'd, slithering, completely tainted by the unspeakable evil he committed against her son resonated throughout her being.

For
              Carl Solomon

                   I

I saw the best minds of my generation destroyed by
      madness, starving hysterical naked,
dragging themselves through the ***** streets at dawn
      looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly
      connection to the starry dynamo in the machin-
      ery of night,
who poverty and tatters and hollow-eyed and high sat
      up smoking in the supernatural darkness of
      cold-water flats floating across the tops of cities
      contemplating jazz,
who bared their brains to Heaven under the El and
      saw Mohammedan angels staggering on tene-
      ment roofs illuminated,
who passed through universities with radiant cool eyes
      hallucinating Arkansas and Blake-light tragedy
      among the scholars of war,
who were expelled from the academies for crazy &
      publishing obscene odes on the windows of the
      skull,
who cowered in unshaven rooms in underwear, burn-
      ing their money in wastebaskets and listening
      to the Terror through the wall,
who got busted in their ***** beards returning through
      Laredo with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in
      Paradise Alley, death, or purgatoried their
      torsos night after night
with dreams, with drugs, with waking nightmares, al-
      cohol and **** and endless *****,
incomparable blind; streets of shuddering cloud and
      lightning in the mind leaping toward poles of
      Canada & Paterson, illuminating all the mo-
      tionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery
      dawns, wine drunkenness over the rooftops,
      storefront boroughs of teahead joyride neon
      blinking traffic light, sun and moon and tree
      vibrations in the roaring winter dusks of Brook-
      lyn, ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless
      ride from Battery to holy Bronx on benzedrine
      until the noise of wheels and children brought
      them down shuddering mouth-wracked and
      battered bleak of brain all drained of brilliance
      in the drear light of Zoo,
who sank all night in submarine light of Bickford's
      floated out and sat through the stale beer after
      noon in desolate Fugazzi's, listening to the crack
      of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to
      pad to bar to Bellevue to museum to the Brook-
      lyn Bridge,
lost battalion of platonic conversationalists jumping
      down the stoops off fire escapes off windowsills
      off Empire State out of the moon,
yacketayakking screaming vomiting whispering facts
      and memories and anecdotes and eyeball kicks
      and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days
      and nights with brilliant eyes, meat for the
      Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a
      trail of ambiguous picture postcards of Atlantic
      City Hall,
suffering Eastern sweats and Tangerian bone-grind-
      ings and migraines of China under junk-with-
      drawal in Newark's bleak furnished room,
who wandered around and around at midnight in the
      railroad yard wondering where to go, and went,
      leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
      through snow toward lonesome farms in grand-
      father night,
who studied Plotinus Poe St. John of the Cross telep-
      athy and bop kabbalah because the cosmos in-
      stinctively vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking vis-
      ionary indian angels who were visionary indian
      angels,
who thought they were only mad when Baltimore
      gleamed in supernatural ecstasy,
who jumped in limousines with the Chinaman of Okla-
      homa on the impulse of winter midnight street
      light smalltown rain,
who lounged hungry and lonesome through Houston
      seeking jazz or *** or soup, and followed the
      brilliant Spaniard to converse about America
      and Eternity, a hopeless task, and so took ship
      to Africa,
who disappeared into the volcanoes of Mexico leaving
      behind nothing but the shadow of dungarees
      and the lava and ash of poetry scattered in fire
      place Chicago,
who reappeared on the West Coast investigating the
      F.B.I. in beards and shorts with big pacifist
      eyes **** in their dark skin passing out incom-
      prehensible leaflets,
who burned cigarette holes in their arms protesting
      the narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union
      Square weeping and ******* while the sirens
      of Los Alamos wailed them down, and wailed
      down Wall, and the Staten Island ferry also
      wailed,
who broke down crying in white gymnasiums naked
      and trembling before the machinery of other
      skeletons,
who bit detectives in the neck and shrieked with delight
      in policecars for committing no crime but their
      own wild cooking pederasty and intoxication,
who howled on their knees in the subway and were
      dragged off the roof waving genitals and manu-
      scripts,
who let themselves be ****** in the *** by saintly
      motorcyclists, and screamed with joy,
who blew and were blown by those human seraphim,
      the sailors, caresses of Atlantic and Caribbean
      love,
who balled in the morning in the evenings in rose
      gardens and the grass of public parks and
      cemeteries scattering their ***** freely to
      whomever come who may,
who hiccuped endlessly trying to giggle but wound up
      with a sob behind a partition in a Turkish Bath
      when the blond & naked angel came to pierce
      them with a sword,
who lost their loveboys to the three old shrews of fate
      the one eyed shrew of the heterosexual dollar
      the one eyed shrew that winks out of the womb
      and the one eyed shrew that does nothing but
      sit on her *** and snip the intellectual golden
      threads of the craftsman's loom,
who copulated ecstatic and insatiate with a bottle of
      beer a sweetheart a package of cigarettes a can-
      dle and fell off the bed, and continued along
      the floor and down the hall and ended fainting
      on the wall with a vision of ultimate **** and
      come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling
      in the sunset, and were red eyed in the morning
      but prepared to sweeten the ****** of the sun
      rise, flashing buttocks under barns and naked
      in the lake,
who went out ******* through Colorado in myriad
      stolen night-cars, N.C., secret hero of these
      poems, cocksman and Adonis of Denver--joy
      to the memory of his innumerable lays of girls
      in empty lots & diner backyards, moviehouses'
      rickety rows, on mountaintops in caves or with
      gaunt waitresses in familiar roadside lonely pet-
      ticoat upliftings & especially secret gas-station
      solipsisms of johns, & hometown alleys too,
who faded out in vast sordid movies, were shifted in
      dreams, woke on a sudden Manhattan, and
      picked themselves up out of basements hung
      over with heartless Tokay and horrors of Third
      Avenue iron dreams & stumbled to unemploy-
      ment offices,
who walked all night with their shoes full of blood on
      the snowbank docks waiting for a door in the
      East River to open to a room full of steamheat
      and *****,
who created great suicidal dramas on the apartment
      cliff-banks of the Hudson under the wartime
      blue floodlight of the moon & their heads shall
      be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested
      the crab at the muddy bottom of the rivers of
      Bowery,
who wept at the romance of the streets with their
      pushcarts full of onions and bad music,
who sat in boxes breathing in the darkness under the
      bridge, and rose up to build harpsichords in
      their lofts,
who coughed on the sixth floor of Harlem crowned
      with flame under the tubercular sky surrounded
      by orange crates of theology,
who scribbled all night rocking and rolling over lofty
      incantations which in the yellow morning were
      stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht
      & tortillas dreaming of the pure vegetable
      kingdom,
who plunged themselves under meat trucks looking for
      an egg,
who threw their watches off the roof to cast their ballot
      for Eternity outside of Time, & alarm clocks
      fell on their heads every day for the next decade,
who cut their wrists three times successively unsuccess-
      fully, gave up and were forced to open antique
      stores where they thought they were growing
      old and cried,
who were burned alive in their innocent flannel suits
      on Madison Avenue amid blasts of leaden verse
      & the tanked-up clatter of the iron regiments
      of fashion & the nitroglycerine shrieks of the
      fairies of advertising & the mustard gas of sinis-
      ter intelligent editors, or were run down by the
      drunken taxicabs of Absolute Reality,
who jumped off the Brooklyn Bridge this actually hap-
      pened and walked away unknown and forgotten
      into the ghostly daze of Chinatown soup alley
      ways & firetrucks, not even one free beer,
who sang out of their windows in despair, fell out of
      the subway window, jumped in the filthy Pas-
      saic, leaped on negroes, cried all over the street,
      danced on broken wineglasses barefoot smashed
      phonograph records of nostalgic European
      1930s German jazz finished the whiskey and
      threw up groaning into the ****** toilet, moans
      in their ears and the blast of colossal steam
      whistles,
who barreled down the highways of the past journeying
      to each other's hotrod-Golgotha jail-solitude
      watch or Birmingham jazz incarnation,
who drove crosscountry seventytwo hours to find out
      if I had a vision or you had a vision or he had
      a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who
      came back to Denver & waited in vain, who
      watched over Denver & brooded & loned in
      Denver and finally went away to find out the
      Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying
      for each other's salvation and light and *******,
      until the soul illuminated its hair for a second,
who crashed through their minds in jail waiting for
      impossible criminals with golden heads and the
      charm of reality in their hearts who sang sweet
      blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky
   &nb

I've been paying attention more to the airwaves of ether we weave
And also the air around town or wherever else
I feel somewhat inclined to sit in a half crossed and dead legged pose
Clicking the keys of letters in hackneyed prose

You notice a noise and you look up to see
You hear the voice that you wanted to be
Calling for you from the opposite wall of the room
That smiles and laughs despite those people who
Scout out the cues like Jr. Detectives

someone's in the next room over
having *** while we
are weeping
what a way to mark the occasion
the day my fingers found a wound
you let someone else doctor
it's upsetting see
the bible in drawer next to us
the way our hands still
fit together
like the torn halves
of a love letter
the way you got
all dressed up like the rain
and how we couldn't tell
the difference in the shower
it was the longest hour and a half
spent crying
the hot water wouldn't give up
so why should we
right?
even though it was scalding
neither of us touched the ****
we knew this was supposed to hurt
your hair
a black mess against my shoulder
my fingers
oil in the vinegar of your hands
our bodies
the great divide
all the sobbing
a river runs through it
without the courage
to carry or **** us
so we step out
and drip dry
down to a mute breakfast
composed of quiet
and last nights liquor
as we came back in
there were people in our room
at first i thought them detectives
dissecting things
to see who had died here
i had forgotten this
was a hotel
and they were only
cleaning up after us
i wanted to stop them
plead
that the sheets were still perfect
that if they clean the bathroom
no one will know
what happened here
someone has to remember
"please
i know
these cigarette burns
by name
i will bury the faucet
let me take the tub
i don't care how
if i have to
i will drag it home by hand"

Detectives
They solve mysteries
One day I want to be a detective 
So that I can solve the mystery 
Of what could be 
Between you and me

An ecosystem found upon
An outer crust of dust
Inside abode without a lawn
With tenant taming rust.

Sitting stagnant, songs of stellar
Sing sublime lines
Through minds that remain in cellar,
Never seeing the pines.

Many stagnant years have passed,
Detectives overdue,
The body brought them all aghast,
The stench, the dust, and view.

An ecosystem found upon
An outer crust of dust
Inside abode without a lawn
With tenant taming rust.

sound of waves crashing against shore
she says it’s the tone in your voice
sound of waves crashing against shore
he asks what tone are you referring to what are you hearing
sound of waves crashing against shore
she says i’m an artist too you don’t have to tell me
sound of waves crashing against shore
he explains i was simply affirming my vocation in order to elucidate why i perceive another way
sound of waves crashing against shore
she says you don’t need to pose or differentiate for me you are so ******* self-absorbed
sound of waves crashing against shore
he answers self-conscious possibly not self-absorbed i think it is intelligent to question everything to suspect all we see think we know maybe a greater mystery than any of us realize exists beyond all our beliefs
sound of waves crashing against shore
she says i think it’s time for us to stop talking
sound of waves crashing against shore
he says why can’t you make it easy why must everything be a fight
sound of waves crashing against shore

her ****** becomes a deep dark narrowing tunnel he is trapped in thinning air smells like ocean
sound of waves crashing against shore
her voice detached distant disaffected says fine
sound of waves crashing against shore
he questions fine? find? line? sign? can you hear me? anyone hear me?
sound of waves crashing against shore
she purposely ignores his panting gasping shrieking
sound of waves crashing against shore
later she tells the surgeon who performs the extraction then the police detectives who conduct the investigation she had no idea he was lost in there
sound of waves crashing against shore
unanimous jury finds her guilty she screams out at courtroom he was a self-absorbed dreamer this is all wrong
sound of waves crashing against shore
the judge declares mistrial dismisses case based on prosecution’s inability to refute so-called artist’s willingness to enter of his own volition
sound of waves crashing against shore
late at night she feels his voice whisper circulating through her body haunting her
sound of waves crashing against shore

Say shrieked the.
Blind pierce I'm.
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Or boxes upliftings only loned;
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Tail each incarnate fate of negroes woodlawn to dramas pad in shuddering the weeping subway.
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Fire yard backyards.
Heads and.
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Bedsheets gymnasiums light but in away.
The golden dreams and and of the lamma.
Holes myriad the rocking.
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Where snatches in lamma as;
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Where goes the time when it flies?
Simplified by expression, and stained by clarity.
Smudge by lucidity
smeared by simplicity
tainted by intelligibility.
Tempus fugit as in time flies.
Sharply distressing with painful feelings
to the point of mental instability
morning or night
we become possessed with its mystic dealings.

Where goes the time when it runs?
Not a solitary explanation is found.
It happens and it won’t stop
until life terminates as well
without cause.
Derived of rationalisation
lacking understanding
short of justification
bursting with vindication
persistently and with conviction.

Where goes the time when it sails?
From the second that we’re born.
Where were we existing?
We cannot be so sure
Cannot recollect the past
Not for the first five of our years
Memory so blur, so shadowy
Hazy with distortions
obscure and confusing
Unit our mind starts slowly to recollect.

Where goes the time when it escapes?
The chronology of life so mysterious.
Nothing can solve its ambiguity
for time is a complex case
with an infinity of secrets.
What’s the obsession when we have so many setbacks
drawbacks and obstacles
obstructions and conundrums
to take care of before time perishes away
and leaves us stranded in oblivion.

Oh time, you magnificent of all mysteries,
the high and mighty of ambiguities.
Show us mercy and explain
we are not detectives of secrecies
your spell with us reflects on the whodunits.
Oh time of things past and yet to come
give us a clue as to what is to derive!
“Remember”
it softly replies “Make most of your lives”
“Once I fly away no one can have a replay”.

How can we attain the perspective of the introspective
When detectives aren't respected
By crowds drawn by clowns
Made vicious by the wishes
Of Hades with rabies

In order for humanity to progress
We must all consider our place in society
Emotional disclosure accelerates our human race
Until externalizations halt our momentum
We begin to drift
Discourse drifts toward absurdity
Absurdity drifts toward reality
Reality drifts toward Hell
And accepting reality
Means accepting the bullet's laughter
while it drifts through the innocent
Then we must accept where our souls have drifted
So our minds drift into fantasy
We wrap our abandon ties around our neck
And go to work

We live in a society
Where not giving a **** about what others think
Is actually encouraged
Yes, exchanging ideas can hurt
That's whiplash as we stop drifting and jolt in each other's direction
But communication
Takes detours to dead ends
As honesty and compassion
Elude us
In a self-perpetuating cycle
When education's only purpose
Is learning ******* each other
Before we know too much
Our species drifts toward extinction

The brightest of moons is shining over us
as we take one hundred steps
towards the home of
the philosopher
the musician
the painter
the fishes
the spider

The coldest of winds  is blowing at us
as we are smoking on the balcony
while pondering over
the French man
the plastic bag
the pink book
the city lights
the voyeurs

The greatest of poems are being read by us
as we are drinking wine and juice
while carefully listening to
the repetitive Mexicans
the 5 dollar ******
the thin white duke
the cocktail songs
the local hero

The smell of an old man hits us
as we tumble around in bed
awkwardly discussing
the big soft hands
the great lips
the poetry
the desire
the lust

The sound of the alarm interrupts us
as we are finally face to face
forcing us to stop
the spooning
the laughing
the touching
the kissing
the night

People power people, and pick their equals.
Ideas, decisions, and what becomes real.
Whether we stand in a line, elections.
Decide who continues on, selection.

The rich become rich only from people’s contributions.
Using their products, services, or through admiration.
Social media, likes, comments, a way to get attention.
Striving to break from conformity, this world’s automation.

Scream, shout, acting strange in public.
Shoot, attack, people turn on each other, frantic.
People become desperate, run out of options.
Detectives try to figure out motives, using caution.

Joker said it best, why so serious?
Wasting time on the small things, getting furious.
When you can turn it around, hear how they feel.
Truly care and help them heal.
Be a friendlier face, selfless.
To those hiding in their shells, helpless.

Maybe everything seems right for a while.
But this world is in chaos, and in need of smiles.

Why so serious?
Smile

I am lately entranced by neo-noir,
The criminal mysteries of Europe
And the wilds of Canada and Britain.
There is rarely running, screaming
Or endless car chases through
London, Ottawa or Ystad,
Unlike the reckless pursuits
In Manhattan or L.A. streets.
These detectives don’t sashay
In long coats or wear black leather,
(Except for a couple).
They wake up hung over,
Like Wallander, or grieving
Like Perez from Fair Isle
And Matthias, self-exiled to Wales.

Bodies surface or are found
In gorgeous forests.
The detectives overcome depression
To quarrel with irrational superiors
(Who may themselves be guilty),
Yet they don’t yell like sergeants
In the gritty precincts of NYC.
They drive their Volvos through
Rolling fields of rye and rapeseed.
And even the mysterious quarries
Where bodies are found in Poland and Wales
Are beautiful—not like the junkyards
Of Barstow or east coast borderlands.
Some detectives are lucky, like Matthias,
In hiding in Hinterland.
He walks the shores of Aberstwyth
As Wallander does the fields of Malmo.
When suspects are caught, they aren’t beaten.
Their jails are neat and clean;
The prisoners get mattresses, pillows and TV!
The police question suspects casually,
As if they would rather be in bed.
The female cops are clever and quiet;
They rarely show their anger
When chided or ignored,
But carry on with dignity
And show the others
How work is really done.

At last, the assailant is charged,
Sun sets through the mist,
Sheep graze on manicured fields.
Village streets glow with low light
Reflected off rain-washed stone.
But despite the ambiance, people die
In weird ways: falling off of towers,
Shot while picnicking in costumes,
Lynched by a group of church goers
Floating past in a lake or river,
Or set on fire in a flowery field.
It’s as if the deaths are staged,
To match the serenity of the old world.
The slow machinations of justice
And drained eyes of the officers
Comfort me like a sedative
Always there, watching over their flock
As soothing as a soft, wool blanket
Hiding a frightened child.
When I am asleep, let
Matthias run along the cliff,
Let Wallander drink his wine
While Endeavour swoons to opera
And Cardinal stands in the birch grove,
All as semi-sedated sentinels
In the dusk or midnight sun.
I only ask that American blues
Take a page from these good constables
Across the sea or north of the border;
Imagine the settling peace
In the wide, new world,
If people of color were never smothered,
Or shot when carrying a phone
And people protesting were not gassed,
But spoken to with weary eyes
And a mind prompting peace officers
To listen, protect and serve.

(Scene:)
The Victorian house painted brown with red shutters, a porch that’s large, a white porch swing and a purple rocking chair on this porch. Where grandmother Daisy may sit when the day is sunny or rainy. The house is on a side street covered up and down with trees so green that even in the coldest weather the leaves look as if they are still blooming. This place is called Applewood Road. To see the dark black paved road late in the fog covered night, there is a bright Victorian street lamp. A woman named Daisy the granddaughter of Nelly, who has spent most of her life going to college and having to struggle with learning and finding a place to belong.

Lawyer: writing to Nelly telling her of her grandmother’s death. Giving her news that all her grandmothers’ assets and property are hers.

Nelly: realizing she does not need to stay at college.

(Narrator):
  Due to this unexpected news Nelly has decided to quit college and move to her grandmother’s place. When she gets there she sees that on this property there is the house and a smaller building that could be turned into something else, so she decides that she will as the new owner opened an herb shop called Crystal Fairy.

Nelly: [places fliers around the town.]  I will be open for ten hours every day at Crystal Fairy selling my plants and herbs.

(Narrator):
This being Nelly’s first day opening her business, she sees that she only has three customers.
Enter Lorelei: she brings her purchase up to the counter

Nellie: oh, lavender! Do you know the properties?
Lorelei: I just saw it and the smell reminded me of a perfume my mother wears. Why is it useful for something else?

Nellie: yes!  It helps with cuts, bruises, and also functions as an antiseptic.

(Narrator): Ollie enters the store. Looking around at the plants.
Ollie: looking at the lemon balm plant. I think I’ll buy this one, going to counter.

Nelly: you wish to buy this?

Ollie: yes!

Nelly: Very well. Do you have any questions about the plant?

Ollie: yes I do.  What are its healing properties?

Nelly:  it helps with anxiety, insomnia, wounds, insect bites, and an upset stomach. It also speeds the healing of cold sores,

(Narrator):
In the back on the far left side of the shop there is an older man wearing plain black pants with a red shirt; he is looking at the plants on the shelf to his right. His name is Samael. He turns around and looks in Nelly’s direction.

Samael: this plant called chamomile what are its properties for healing?

Nelly: Samael this plant can be used for infusions and salves to relieve indigestion, colic, skin inflammations or irritations to the skin.

(Narrator):
Samael turns away because he sees the other patrons waiting to pay their bills and wanting to leave. Knowing soon that he will be all alone in the store with Nelly you can feel the tension building from him and the excitement rapping its way around his mind because of what he is thinking about. Just at this moment Samael plans out his plot to ****** Nelly. Samael looks around to see what he can use as his ****** weapon, he finds a heavy ceramic-clay bowl that he intends to use. To hit Nelly over the head. He makes sure the store is empty and that Nelly has her back turned so he can lock the door. Once the door is locked he pulls down the window shades. Once this is done he turns in her direction while her back is still turned.

Samael: [hitting nelly over the head]

Nelly: ouch!

(Narrator):
She falls to the floor!  Samael starts talking loudly.

Samael: I’m going to rip her blouse and jeans apart.

Samael: [Tatter… rip………]

(Narrator):
He wants to show her how much he loves her and to show her that ignoring him and his presents will only ensure their relationship.
Nelly: [staring at him with utter fear].

Samael: [he pulls a blade out from the back counter and puts it to her face].

Samael: I’ll cut your pretty face then no one will want you or look at you. You will have to come to me for comfort I’m the only one who will understand.  

(Narrator:)
Nelly looks up at him crying and pleading for him not to hurt her, that she does not even know him so what could he be talking about? Suddenly Samael reaches for her and strikes out at Nelly’s face, leaving a bruise that causes her to scream out in pain.

Nelly: [ouch!] Please don’t no more.

(Narrator):
There is a sudden silence as Nelly realizes that Samael is crazy and nothing she says or does will make a difference. As Nelly remains on the gray tile floor of her shop with Samael hurting her, she gets a sudden burst of energy, and she starts to fight him to break his hold over her.
Nelly: looking around where she lays for something to use as a defensive weapon.  That will allow her to free herself, to get to the green wooden door of her shop.

(Narrator):
Seeing a statuette of a flower in a *** Nelly grabs for it. She slams it into Samael’s face. Gaining her feet, she runs to the door trying to open it in order to scream for help.

Nelly: [screaming at top of her lungs].

Nelly: [ha………]

Nelly: help! Help! Somebody help me please!

(Narrator):
Samael stopping her, throwing her hard against a red wooden shelf. Then taking this same statuette he hits her even harder than before, only to realize that he has just killed her. The sound of Nelly’s fall so close to the door causes the neighbors near her property to turn the lights on in their homes.

(Narrator):
Samael: [seeing the lights turning on in the neighborhood becomes scared. Running for the metal door in the back of the store, he takes off down a dark alley way. Just as this happens, Lorelie, a neighbor and friend, opens the store’s front door. Coming inside, she steps forward to turn the store lights on. Suddenly seeing Nelly’s body lying on the cold tile floor with her head smashed in, her body at an odd angle because of the way she is laying and blood pooling around her, she also sees strange foot prints that don’t belong, and then she screams.]

Lorelei: oh! Oh my god! Oh what has happened?

(Narrator):
Lorelie’s screams cause Ollie, who lives across the street, to come running over to the store. When he gets to Lorelie’s side he sees what’s wrong and starts looking around trying not to disturb anything. As he is looking around trying to find out what has happened to Nelly he turns to Lorelei.

Ollie: Lorelei call detective Walter he will help find Nelly’s murderer

Lorelei:  pick up the phone calls detective Walter

(Narrator):
Ollie continues looking around the store. He finds the ceramic-clay bowl broken, and the statuette believing that in some way they are the answers to Nelly’s death or at least a start. Turning back towards Lorelie, he sees that Walter is coming up the street with Beatrice, his partner. Ollie goes outside to meet them. The detectives come into the store called Crystal Fairy, seeing the dead body of Nelly. Like Ollie, Walter starts looking at the scene around him noticing specific things. The turned over book case, the broken bowl, and the busted statuette, but most of all the back door gets his full attention because that’s where the ****** footprints lead. Leaving Beatrice behind to ask questions

(Narrator): enters Walter

Walter: [following these footprints outside and down the back alley. These prints lead him to a house’s back porch. There he sees more ****** prints and comes to the idea that the person who is responsible for Nelly’s death is inside.]

Walter: going into house [squeak- silent slam]

(Narrator):
Inside the house looking around, listening for any sounds and sudden movements. A sudden sound catching his attention, he looks up to see a cat jumping from a window.

The cat: [thump, bang thump again]

Walter: [making his way down the hallway and up the stairs, sees a door to his left with lights on.  It opens with a slam.]
Sound of door: [crash…]

(Narrator):
Samael rushing out at Walter with an iron bar.

Samael: [swinging the bar. [Swish……..] missing]

Walter: [stepping back, moving out of the way].

(Narrator):
This causes Samael to stumble and fall down the stairs, crashing to the bottom.

[Enters Beatrice]
Beatrice comes through the front door she sees Samael and goes to check him out. Walter and Beatrice pick him up off the floor, waking him up; this causes him to start confessing to what he has done.

Samael: [tells them that he was only trying to show his love to Nelly, but that she wouldn’t listen and thus he had to **** her so he could have her to himself. He didn’t want anyone else to love her or for her to love anyone else either].

(Narrator):
The detectives hearing this confession look at Samael completely surprised that he would confess so easily and without having to be drilled about the truth. But what gets their attention is how he confesses.

Samael: I love her; she would not see me or love me back. I just want her to see me.

Beatrice: So you frighten her and torture her, then **** her.

Walter: Beatrice, he’s crazy can’t you see that. We’re wasting time.

Beatrice: I know he’s crazy. I just feel sad that he could be so stupid and think that killing someone shows feeling for them. Poor woman, she was so young.

Walter: From what I could get from the neighbors, Nelly had just moved here after her grandmother’s death due to inheriting everything. Her life was just getting stated.

Samael: I love her; I’m the only one who can.

Walter/Beatrice: Will you shut up already! We get it. You love her so you killed her.


                                                                The End

The wallet where the hidden secrets are to be believed

The boy, a lap climber of some renown,
Age, could have been six or seven,
Had a favorite cliffside to ascend and ride,
When done, down to earth, slide.

Up he would go, on a treasure hunt,
A game to play, called pickpocket,
On a forest of a man of coffee smells and a tickly goatee,
Hamburg born, a man who actually wore
a homburg hat on his head.

First the glass case, the snappy kind,
From the snap, crackle and Pop days.
Inside a cloth, good for emergency cleaning of
Runny noses when it was crying time.

Into the crevices and pockets, he dug and delved,
Jangly keys guaranteed to somehow disappear,
A silver and gold fancy pen and pencil set,
A money clip, folded papers he didn't understand.

But the bonanza, the jackpot was the wallet,
Finding pictures of himself, asking the goatee,
Slyly, smiley, all grown up likely, kiddingly
Who's that?

Between the pictures of him and his sisters,
Was a weird discovery, five twenty dollar bills.
His money was in a clip, so these twenties
Had no earthly purpose being there.

There is nothing more unstoppable than the curiosity
Of children under the age of ten,
So a grand inquisition of nagging began,
Centering on the age old torture tool,
Why?

Goatee said someday you will see men,
Lying on the street, some with hands outstretched,
Some, hands beneath, hidden neath their legs.  
They won't smell as good as you,
They may even be a tiny bit *****,
with no bathtub to play in.
When you should see such a man,
If he asks or not, our job is to give him
One of those special notes.
When its your turn to have wallet,
You will understand better.

Dissatisfied was the explorer,
The words did not fully explain,
Why this money was different from all others?
Upon these five bills, were hand written bold
Three words, which he could read.

God Bless You!

Goatee smiled and hugged me that hug,
Where you can't breathe and its a-ok,
But please be quiet now young one...

This poem a total fantasy.

Someday Izzy and Alex will be forward scouts,
Investigators and detectives with prying frying fingertips.

If they get to Poppy's wallet,
Between the pictures of them and the West Coast team,
There just maybe, five folded twenties,
Magic marker signed, but not by a Treasury official,
With words of a similar ilk.

If they should inquire what's the point,
Poppy might answer them with one particular
Poem.

Spent the last 3 nights with 4 girls,
I’m tired no spare tire I’ll spare you the details,
riding ***** in the fast lane,
trying to drive faster than the Evils,
didn’t even know the girls nor did I protect myself,
so I hope I don’t get a virus like an email,
on E she’ll flood like a sea swell,
caught in the rush blinded by the light so I don’t see well,

meanwhile,

while we’re free as a dolphin or a bird,
high in a hive liking life like where the bees dwell,
they as in the ones that hate are outta water,
like a fish or better yet like a beached whale,

well,
if you’ve got stories pray tell,
and if you don’t then please step aside,
and let a real Story teller tell the tales,

see I go through it do you don’t have to do it,
all in all the time see I saw my chance and I took it,
because life is a one way street there’s no rewind or repeat,
so take every opportunity because you never want to have to say you blew it,

I really do it,

I worldwide travel with the girls I gather,
life’s a trip that’s why we stay fly,
head in the clouds feet on the ground,
if you want to find my you can check Cloud 9,

doing fine,
with some fine felines,
at kitty corner with a *****,
intoxicated from their provocative nature no need for wine,

and don’t get me wrong,
that’s kitty with two T’s not two D’s,
see I like my women fully developed,
I like a nice bush and a good pair of *******,

here kitty kitty,
I know I’m a dog but I won’t bite,
what I will do however,
is give you the ride of your life,

and that’s no lie,

and please don’t fight,
see I’m man enough to satisfy 4 at the same time,
while most men can’t even satisfy one,
at home with a limp **** and a wife that’s dissatisfied,

but hey cheer up maybe you should go the queer route,
because it’s obvious that you can’t please the women in your life,
with a physical addiction to ****** that that’ll help your ***** condition it’s sad bro,
see really men are just born with the skills to please we don’t even need to try,

that’s why I spent the last 3 nights with 4 girls,
I’m tired no spare tire I’ll spare you the details,
riding ***** in the fast lane,
trying to drive faster than the Evils,
didn’t even know the girls nor did I protect myself,
so I hope I don’t get a virus like an email,
on E she’ll flood like a sea swell,
caught in the rush blinded by the light so I don’t see well,

and that’s fine because these Divine Felines support me well,
and in return I support them too,
I’ve got their back 100%,
anything they want I’m willing to do,

they are my reason for being,
they are the breath in my lungs,
they are the motivation to keep proceeding,
to succeed in getting things done,

so when they call I come,
and when they’re on they come,
and they help each other out too,
because that’s half the fun,

fck,

almost feels better when I feel the pleasure,
of two women coming together at the same time,
than when I come myself I mean I’m over that,
I’d rather hold a cobra cat’s back as she has an ******* attack up her spine,

completely addicted to the feeling we get when,
we’re all coming in unison moving in tune as one,
it’s really the only reason I live I love every part of it,
everything else is just moments that happen to and from,

seriously,
everything else other than sensuality with me **** C’s,
is just external experiences that happen,
during all that time that is in between,

every meal every movie every drive every hike,
is just the decoration around the core of my life,
see the core of my life is the women I love,
which explains why I was with 4 women in 3 nights,

and just to be clear they were all together,
friends that wanted to share me and have no other man,
see all those fantasies that other guys have,
well that’s my real life so blessed that people are like “****”,

“How do you do it?”,
well I start with the truth then move with the music,
you either have it or you don’t and I’m a Natural Born Lover,
I’ve been blessed with these gifts from God and I use this,
to caress every princess that’s in distress from not being pleasured,
see I’ve realized that most of the men out there are stupid and useless,
their sensual sentiments have been censored they don’t even know how to enter,
students without a mentor detectives without any leads in other words they’re clues,

while I’ve realized the Divine Nature of the Divine Feline,
and how to balance extremes,
see there’s a fine line between Love & Hate,
which is why most women want to both moan and scream,

there’s a fine line between treating a girl like a ****,
and treating a girl like a queen,
because a lot of women like to be both in control and controlled,
you know what I mean,

they want to make love sometimes,
and other times they want to ****,
they want you to be gentle with them one day,
and then the next they’ll want you to be rough,

there’s almost a form of mental telepathy,
to fully be able to communicate in a way that’s correct,
but above all else please remember one thing,
before anything else there must be respect,

so have respect for every women in your life,
and the rest will likely naturally follow,
and then one day maybe you two,
can have 4 women together in one night and feel like you’re Apollo,

spent the last 3 nights with 4 girls,
I’m tired no spare tire I’ll spare you the details,
riding ***** in the fast lane,
trying to drive faster than the Evils,
didn’t even know the girls nor did I protect myself,
so I hope I don’t get a virus like an email,
on E she’ll flood like a sea swell,
caught in the rush blinded by the light so I don’t see well…

∆ LaLux ∆

new book for FREE here: www.scribd.com/document/367036005/The-Sydney-Sessions-12-Steps

To watch or not to watch.
That is the question;whether it is nobler in my mind to suffer the feels and emotions of addicting shows and yet be so in love with them.
To watch, to cry.
One more episode and only sleep will help me to end.
The heartache and the thousand cinematic shocks the writers are obsessed with.
‘tis a consuming world with everything I wish.
To watch, to cry. To cry-- perhaps too much. Ay, but it's worth it.
For, when watching these shows and knowing what feels may come, when we have shuffled off this depressing factor, we must not forget the humor that makes happiness last oh so long.
To watch characters travel the depths of space and time.
The detectives prove wrong the proud men and even the relationships and love ‘tween the main protagonists.
The insolence of the hiatus that even patient fangirls cannot take. When we go on great adventures with a hobbit and a ring. Who could bear the long wait? To punt a sweat is a weary life. To discover world's unknown from books or shows. We travellers never want to return.
Our fangirl hearts burn and even still
We would rather bear the tears we have Than live in a world where there are none.  Thus Fangirls are not cowards, not at all
Thus we are heroes so very proud
So we proudly say take flight on the enterprise with Captain Jean Luc
We bare our lights sabers alight
And lose ourselves in the action
Go we now happy as could be-- off to fangirl forever 
To be normal? Ha! Never.

You tried to pull a gun on me.
I just pulled mine faster
But what you don't know is
Three days later
I put my gun to my head.
I couldn't live with the fact
That I almost pulled the trigger on you
That I was ready to stop your threat.
What you don't know is one month later
I still had nightmares
That I overdosed on pills
Hoping to never wake up.
Six months later
I still see your face
I still think of the what ifs
One year later
I still wake up screaming
Fighting your invisible threat.
One year and six months later
You voice still haunts me.
You were eager to **** be because I wore a badge and gun.

My coworkers ***** me.
Two against me.
What you two didnt see
The detectives interrogated me.
Told me I asked for it
I should have fought back
One day later the detective picks me up
I tried over dosing minutes before they came
They noticed the cuts but didn't notice
That I was falling fast
I couldn't keep my eyes open.
My speech was slurring
I walked like i was drunk
I made it through the **** kit
I got home and slept for three days straight
One month later i quit my job.
My body couldn't handle the stress
I kept dissociating.
Six months later
I still couldn't have ***.
I started learning jujitsu
I had bought a gun
One year later
I was more confident
But i still feared ***
I feared men
I still had nightmares
Two years later
I'm still managing to struggle
I still hear your voices
Still see your faces
Still feel you in my dreams
Two years and six months later
I'm more confident.
I still have difficulty with men.
But now I am well on my way to be a police officer
An EMT
I can't let you win!
Ever!

American Detectives
Never remove their hats
When investigating murders
In other people's flats.

P.S. Chinese Tecs
Are far more dreaded!
And they always appear
Bare-headed!

grabbing her by throat hair he holds gun barrel to right eye with free hand she edges fingers into boot pulls dagger plunges it into his heart

i didn’t mean to do that i meant to do this

i’m trying to figure out how other people deal with disappointment of old age i guess they arrive at some settlement some settlement that eludes me

very few figure out meaning of their lives until it’s too late then become detectives trying to figure out whys if you wake up tomorrow you’ve got a shot at new day no one in this world knows what might happen

i believe people can do change maybe not their nature but spiritually emotionally intellectually psychologically i recognize change within myself i did could now never commit acts different from who i was more scared sensitive hopeful pure honest longing for love probably i sound corny all i want is mutual love adoration in way it was easier when i was thoughtless i got ***** i don’t know

poet must face every conceivable fear terror no matter how despairing risk walking away from table without chips

there are good people and bad people sometimes good people make bad mistakes sometimes bad people make smart choices

for decades he lived knowing no one valued him except his family collecting his paintings reading his works praising his efforts his entire career an inside job

her graying disheveled hair muddy smudged apron raw arthritic fingers she cooks meal washes dishes a million trillion dishes thankless life mom what’s for dinner

some people see it all coming plan invest i never saw any of it coming i never imagined

the sickly smell of grandpa’s farts lingers in room nauseating family

he held shivering abandoned puppy in arms she whimpered repeatedly he swore in that moment to protect her stood by his promise until he buried her

wild wolf chases him growling snapping nipping at ankles tearing jeans biting drawing blood he runs

pitiable old men everyone knows old men are impotent jokes with no pack to punch just harmless peevish impediments what good are they what purpose do they serve get the ******-freaking out of the road old man

riotous advancing mob overcome military police

sharing yoga class old man attending his skin thin as parchment bled i cleaned his blood from mat every class until he died

after puncturing her maidenhood reaching ****** he strokes head of 8 year old daughter good girl good girl daddy is so proud

skin him alive skin him alive little girl asks what’s different about poetry from standard writing grandpa answers i have no answers

not possible yet happening gradually suddenly amidst bribes bargaining lies government collapses citizenry unleash in anarchy yearning for change

Mom’s fogginess i sense it beginning in myself possibly inherited will i become like Mom there’s no one looking out for me Mom i’m looking out for you

after 30 or 40 years life is over don’t believe what they tell you

when i’m dead what will they unearth in my personal effects writings paintings letters emails bookmarks internet visitations or gossip accusations from those still alive probably allege another selfish decadent fool squandered resources missed opportunities misses the mark

maybe in 5 years i will live in New York City London Paris Tokyo Tahiti  with beautiful wife who will spread her buns want me to **** her grab my ***** at least once a day

there is a star in north sky that shines i understand you looking away when pain gets too great please look into my eyes when throbbing subsides

don’t make it any harder than it has to be please find it in your heart to forgive me i am so sorry

yup i’ve got cash guns friends in Canada Mexico Netherlands France first let’s make a run for the border  then later think about a boat

oh yeah one last remark ******* haters bigots greedy ******* all you big city fat cats small town big fish fearful suburban housewives over-cautious grannies gangsters politicians real-estate lawyers moneylenders fraudulent priests ******* all you movie actor phony smile celebrities cliché skinny jean cowboy boot rock stars all you left-wing right-wing tea-party outer-space inner-space freaks ******* i can’t don’t know how to explain myself ******* all

Preface:
Even old poets can forget new tricks,
So when toe stubbed and ah ha benedicted,
Causes you to remember what you once knew,
It feels even better, like being crazy
Once in awhile,
Or wearing an untrimmed chest Jason smile.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



Eons ago converted to a new religion,
The Church of Free Verse.

If life be variable,
Usually unrhymed
A pencil sketch of crisscrossed lines,
No fixed metrical pattern assigned,
Than even more so, my poetry.

Once I regretted that the children,
Crack addicted to rhyming,^
Used nickel bags and ******* lines
At the starting gate where all
Our associative poetry journey begins.

Perhaps, a tad arrogant, that diktat,
Nonetheless, unashamedly, nothing to recant.
Words have utility creative, souls innovative,
Free them guised as global explorers,
Make them up, then unleash them
Upon us, yourself, as detectives investigative.

Unchained myself like Houdini,
From water chambers and locks constraini.
What care I for poetic rules and regulations,^^
Got so many points, they tried to suspend
My government-issued poetic license.

Had myself forgot,
That a poem needs a
Frame of jungle gym sounds,
An aural aura resonance unbound.
Purposed to make the heart lift
Your ears say:

Say what!

It needs a tune,
An internal music,
It needs a lilt!
A cadence, that both
Marches and swings,
Even when'd urgent dirge
grief pours forth.

Yes my darling young ones,
Your writ of screams, like Bob Dylan's occasional schemes,
Celebrations of agonized lives of the criminally-pained,
Songs and cants of victims, love-cancer stained,
Require a whining, singsong beat.

{Poems so rad-sad that it makes this Jew
Genuflect and crisscross himself,
That he was blessed with a few good happy years,
In his reincarnated life of
A few centuries long.}

Learn 'em to sing their cries,
Harmonize the internality of love,
Or, even the infernal loss and lack thereof,
For it is the lilt
That makes, transforms a cry into a
Poem.

Even I on death's last stairway step,
When was called by the name of
Nate Hale,
My dying poem lilted, lifted and metered
"I only regret,
that I have
but one life,
to lose,
for my country."

Now you're thinking he is lost it all,
But you would be incorrect for sure.

He found it.

The lilt of life that makes him rise
And greet each morn,
Even some sorry starless nights
With a First Poem of the Day.

I lilt you, one and all.
If you think this mis-wrote,
My auto correct mentally broke,
Meant to type I love you,
You'd be
Right but wrong,
I just lilt you.

A walk around the block in my parents’ neighborhood at dawn
wearing mom’s sweater and pop's sneakers with a clown hole cut out for  
      toe infection
I was stopped by a cop in a cruiser
this was during the Vietnam War long hair ago
he was angry at everyone I was offended by everything
he said which way are you going I said which way are you going
so he socked me in the mouth and handcuffed me
I was arraigned on disorderly conduct and resisting arrest
my good parents came down and stood beside me before the judge
I wrote to the police department internal affairs
not for retribution but to start a paper trail
in case this cop someday bopped one of my brothers
a few months later I’m back at work in NYC
two detectives come into the city to question me
one good cop one bad cop we park in the park me in the back seat
they wanna know was I mouthy to the cop who punched me in the mouth
long story short
they leave me on a bench to eat my lunch and the charges are dropped

DRESSMAKERS to the stars J’Aton have turned designer detectives after one of their most valuable couture gowns was stolen from a bride’s home last week.

The one-of-a-kind gown, which was stolen from Leanne Bartucca’s Greenvale residence along with other valuables, is estimated to be worth more than $40,000.

It weighs more than 18kg, and features intricate 100-year-old vintage French lace that has been carved and sculpted onto leather and layered tulle.

J’Aton designers Anthony Pittorino and Jacob Luppino, who also made the wedding gowns of Rebecca Judd, Nadia Bartel, Jodi Gordon and Yvette Prieto, wife of Michael Jordan, are appealing to the public in the hope that if it goes for sale online, someone will recognise the distinctive dress.

“We are so devastated for our dear friend Leanne; that dress has a special place in our hearts and is so sentimental to us all,” the pair said.

“It’s a dress that we created especially for Leanne, it has her and her husband’s initials embroidered into the train and we just hope that if anyone recognises the distinguishable design for sale on websites or social media, that they ­report it to the police.”

Ms Bartucca, who wore the dress in March, 2014, says she has been devastated by its theft.

“It’s such a sentimental thing; my family and the J’Aton boys have been checking the internet daily in the hopes that we will see it for sale,” she said.

“I had dreams of using the fabric from it for my children’s christening gowns, and even framing a section of the fabric for our home.

“[The thieves] definitely knew what they were doing. As a former fashion buyer, I was surprised how much they knew — what they left behind was just as telling as what they took.

“They could tell the difference between real and fake jewellery, they left certain shoe brands behind and obviously went straight for the J’Aton dress, which was covered in tissue paper and in a white box at the top of the wardrobe.”

Police said they were investigating whether the burglary was in relation to another in the same area.Read more at:http://www.marieaustralia.com/white-formal-dresses | www.marieaustralia.com/black-formal-dresses

I.

Up the stairs Suzann without an E went.
8" X 10" bright white rectangles dotted
the yellowing and dusty walls,
clean reminders of bad family photos.
Her parents, Bob and Theresa,
had picked out wallpaper. Lilacs
and vines and oranges. Why? She
didn't know.

She tossed her backpack on the floor
at the foot of her bed. Her senior book
was still on the night stand. Charity and
Faith, her sometimes friends, had spent
the last two weeks filling out every page
of theirs, printing hazy images on cheap
photo paper at their homes and sliding them
into the plastic holders or taping them to
the pages without.

They coerced boys they
had liked or still liked or would like if to
fill out pages. When the boys simply signed
their names or names and football numbers,
they guilted them into writing more. Give
me something to remember you by.

Suzann liked to look at only one boy,
Casey Stephen Fuchs, pronounced "Fox,"
though you know that's just what the family
said. She didn't want him to write in her
senior book. She enjoyed the space between
them. She knew what her peers didn't:
she was seventeen.
She knew she didn't know
the right words yet. She knew the heart-bursting
flutters she felt were temporary--enjoy them, she thought,
shut up and enjoy them.

Her parents set her curfew at 10:30. So
this Friday, like most Fridays, she stays
home.

She opens ****** in the City of Mystics,
a novel she's burned through. Fifty pages
or so left. She likes detectives. The methodical
stalking, the idiosyncratic theories and philosophies
that allow them to connect dot after dot.

She shuts her eyes and sends herself walking down
the streets of New York, where hot dog vendors
whistle and say, "Nice legs." She flags down a cab.
She sees Casey across the street. What are you doing
here, stranger? She waves the cab on.
The driver, a brown-skinned man from some vague
country, throws his arms up. "C'mon."

She cuts across the traffic, dodging a white stretch limo,
a black Hummer, a hearse.

Casey's straight hair hangs over his left eye. It's both
melodramatic and troubled. There's a small shift
at the corners of his lips, the corners of lips, this
is a detail she writes of often in her journal--why?

She can almost hear Casey ask her, "What brings you here?"

"Business."

"What kind?"

"None of yours."

He takes this as an entry for a kiss. Not yet, handsome. No no.

"Make whatever you want for dinner," her mom shouts up the stairs.
"There's stuff for nachos if you want nachos. Some luncheon meat too.
Only one piece of bread though."

"Okay."

"Alright. Just whenever. Dad and I are going to go ahead."

"Okay."

"Alright."

Get me out of here. Suzann's whole life is small: small town,
small family, small church, all packed with small brained, short-sighted people. She wants New York or Chicago. She wants a badge--no not a badge. She'll be a vigilante. "You're not a cop," they'll tell her.

"Thank God," she'll say. "If I were a cop then there'd be nobody protecting these streets."

II.

She's read mysteries set in the middle of nowhere, small towns like her own Kiev, Missouri. They always feel phony. Not enough churches.
Not enough bored dads hitting on cheerleaders.
No curses. Every small town has a curse. Kiev's?
Every year someone in the senior class dies.

As far back as anyone she knew could remember
anyways. Drunk driving, falling asleep at the wheel,
texting while driving, all that crap is what was usually
blamed.

This smelly boy named Todd Louden moved out of Kiev
in the fall semester of his senior year a couple years ago.
Suzann was a freshman.

A few months after he was gone, people started saying
he'd killed himself with a shotgun. First United Methodist
added his family to the prayer list. They had a little service out
by this free-standing wall by the library where he used
to play wall ball during lunch. People cried. Suzann didn't know
anyone that hung out with him. Maybe that's why
they cried, unreconcilable guilt--that's what her dad
said.

Then in the spring Todd moved back. The cross planted
by the wall with his name confused him.
He'd just been staying with his grandma. Nothing crazy.
The churches never said anything about that. He was
just the smelly kid again. Well until late-April when
he got ran over by a drunk or texting driver.
They hadn't even pulled up the cross by the wall ball site
yet.

III.

You call it the middle of nowhere, a place where the roads didn't have proper names until a couple years back, roads now marked with green signs and white numbers like 3500 and 1250, numbers the state mandated so the ambulances can find your dying ***--well if the signs haven't been rendered unreadable by .22 rounds.

The roads used to be known only to locals. They'd give them names like the Jogline or Wilzetta or Lake Road, reserved knowledge for the sake of identifying outsiders. But that day is fading.

What makes nowhere somewhere? What grants space a name?

The dangerous element. The drifter that hops a fence, carrying a shotgun in a tote bag. Violence gave us O.K. Corral. Violence gave us Waco. Historians get nostalgic for those last breaths of innocence. The quiet. The storm. The dead quiet.

IV.

It's March and not a single senior has died.
So when she hears the front door open
around 2 a.m., Suzann isn't surprised.
She doesn't think it's ego that's made
her believe it'd be her to die--but it is.

She hears the fridge door open.
Cabinets open.
Cabinets close.
She hears ice drop into
the glass. Liquid poured.

She clicks her tongue in
her dry mouth. She puts
a hand to her chest. Her
heart beats slow.
She rests her head on
the pillow. It's heavy
yet empty, yet full--
not of thoughts.

She can't remember the name
of any shooting victims.
She remembers the shooters.
Jared Lee Loughner, Seung-Hui Cho,
James Eagan Holmes, Adam Lanza.
No victims.

She hears the intruder set the glass on the counter.
He doesn't walk into the living room.
He starts up the stairs. His steps are
soft, deliberate. What does he want?
Her death. She knows this. He is only a vehicle.
Nameless until. Has he done this before?
Fast or slow?

He's just outside her room, and she doesn't
remember a single victim's name. She hears
a bag unzip. She hears a click.

If he shoots her, Suzann Dunken, there's
no way the newspaper will get her name
right. Her name may or may not scroll
across CNN's marquee for a day or two.
If it does, it won't be spelled correctly.
This makes her move. Wrapping
her comforter around her body, she
tip-toes to the wall next to her door.

She hears a doorknob turn.
It's not hers.

He's going into her parents' bedroom.
They're both heavy sleepers.
She opens her own door slowly.
She steps into the hall. She sees the man.
The man does not see her.
She see the man and grabs a family
portrait. The man does not see her,
and he creeps closer to her parents.
She sees the man standing then she
sees the man falling after she strikes him
with the corner of the family portrait.
The man sees her as he scrambles to get
his bearing. She strikes him, again with
the corner. This time she connects with his eye.
A light comes on. "Suzann," her mother says.
He tries to aim the gun. Again she strikes.
He screams. He reaches for his eyes with
his left hand. Now with the broad side she
swings. She connects. She connects again.
The man shoves her off, stumbles to his feet.
By this time, her dad reaches her side.
One strong push and the man crashes into
the wall outside the room, putting a hole
in the drywall.

He recovers and retreats down the stairs
and out the door into blackness.

Her mother phones the police.
She pants more than speaks
into the receiver.

"Suzann," her dad says. "Sweetheart."

Suzann looks at the portrait, taken at JC Penny when
she was in the sixth grade. The glass is cracked.
She removes the back. She pulls out the photo.

"Did you get a good look at him?"

This photo. Her mother let her do anything
she wanted to her hair before they took it.
So she, of course, dyed it purple.

"That's right," her mother says.
"It's about half a mile east of the
3500 and 1250 intersection. Uh-huh."

Her dad sits down next to her.

"How long do you think it'll take them
to find us?"

There's a shift at the corners of her mouth,
and she nods, just nods.

"Today is the day we go to court
He got arrested last month
For a crime he did not commit.
For a sin he did not do,
He got arrested, for something not on his play"
It was the line of the play we did at our school
Simply one line
But for someone in the audience it meant a lot
For the one person who was sitting all the way on the back, just to hide away the sadness and the sorrow she was feeling. She knew where that line came from, she knew everyone thought it had been her. Everyone had lost themselves blaming here, it did see legit though, She could have done it out of anger, pain, or simple revenge. Everyone thought it was here but she blamed it on someone else to that out of the way, But was it really her? No one knows! its something destiny will clear out someday, sometime at some point. It was the circumstances that pointed to her, where she had been, the times met, the people matched, she was not really on the line, she had crossed the line.
Well I am here to fix the circumstances up .
She's innocent
No one of you all are the detectives,
don't try to take someone else's job
She was probably at the wrong place and at the wrong time
But the police and the detectives are taking care of that already
All the evidence has been collected
All of the pieces had been put together
I know, there is always going to be rumors,
People hating,
People judging
People talking
But you know that she made a mistake,
but you don't know her story
She's sitting in the back not out of regret
But out of bravery,
She made it to this place,
Where her friend is being honored,
She knew the possibilities of coming here,
The victim's mother and the friends,
Not to mention the media with their flapping mouth
She knew that many people could have hate her
Yet she got up one morning and decided
that her friend was more important than the judgment of any other
I bet you are still trying to judge her!
But once you know her story it will make sense and you will understand how wrong you were when you insulted and accused her, for no reason. Or even worse a lying reason.

[ final, before flight ]
learnt through dusty feet
and stomachs growlin’ their
dyin’ growls. days and weeks
with leakin’ roof, and
nature’s bountiful army
marchin’ on and through.
candle-lit synthetic canvas
absorbin’ fired raditation,
*** upon baked ground
starin’ at drunken fire pit –
conversed two hours, and
with dawn one side meld’d
in the dancin’ orange and reds.
walk’d macadame, in full June
the tar bubbled to the surface
and patch’d holed soles –
surfaced skin, turn’d black.
graveyard of gypsum;
burnt out child’s playground;
horse protectin’ territory, or life;
pawnin’ everything not bolt’d down –
death of materialism,
birth of a ******* mentality.
bought Black-and-Milds so to
reroll a few cigarettes,
save wood tip for later use.
save everything for later use,
stash everything for later use.
stab’d in stupidity and
made to mend the wound with
worries of:
   will i use this hand again?
[ C ]
cryin’ for Annie, cryin’ out,
knowin’ she will return without
my concern. knowin’ she’s
probably rummagin’
through some neighbor’s house.
cryin’ out. cryin’ out.
lyin’ down on pallet’d floor,
gettin’ usher’d out so
she could ****.
[ A ]
mouse detectives on VHS,
an awkward glance at left –
all the signs, none of the glory.
misdirectin’ for no reason,
reappearin’ without reason,
disappearin’ for every reason.
[ T ]
road impart’d day’s heat
through all the night, and
moon lit unknown paths.
cryin’ out, peddlin’ faster,
carryin’ weight in
hope at final penance.
no penance.
[ O ]
an artist’s rush,
turn’d paper to masterpiece
with seemin’ lack of effort.
stole heart, keel’d in, cast off to
placebo girl in roomate’s bed.

- - - abrupt ending

I'm a little late, so I'll put in my drawer in my night stand a letter I found. Is it a letter? No, it is an invitation to your funeral plans.

As if that is not a smack in my face...WHAM!

You thought I wasn't ever a loyal man because I went away, unplanned. But let me take a stand, for you missed the part where I gave you my hand. I was on a flight one blizzard night. When I get off, my rental car was towed because the company said I owed more for how many miles I put on it. See, the car and I were on a trip to gather your family for you, but you didn't believe me. I stayed in a hotel with them, missing you. Their phone connections were off, too and all I had was the TV in that hotel room. To pass the time of course was my only intention, but when I saw our precious 2 story house on the breaking news, I saw that a fire had taken you. I was utterly confused. I pinched myself because I thought I was dreaming. Until, one day, I saw your will claimed we had nothing to do with each other in terms of our engagement. What a scam! I cried and denied the will until I no longer could feel. It's been months and the detectives are still interviewing me. See, your life was important; way more than me. I went to visit and kiss what was left of the fence. I pleaded with hopelessness, "We want you back!"

Suicide letter found.

It reads:

"Winter grows dead leaves, and the trees are morbidly idle. Our nights grew earlier, and our fights were a given. So I bet you'll view it on the news that house number 652 blew away this winter day. What was my defeat? We were a mismatch, that you knew. You were a backstab, I took it through and through. You were half snatched when I was into you. I never wanted you to be this fool that drools over the fun little boys do. I put you on this pedestal, blind to know the rest of you. I was frozen into your atmosphere of departure, thawed to my agony. Why did you ever leave?"

This is the story of the Central Park 5

Background.
5 young black boys who were picked up in Central Park 1989, after a white female jogger was ***** and left for dead. They were among over 30 youths in the park that night, they were also the youngest.

Antron McCray, Kevin Richardson, Yusef Salaam and Raymond Santana - All under the age of 16
And Korey Wise who was 16 at the time and who only went to the police station to keep his friend Yusef company.
Other than Corey and Yusef, they boys had never even seen each other before the night of their arrests.

The boys were coaxed into signing a Miranda card that waives their right to representation,
They were bullied and coerced during interrogation, into signing false statements, without their parents or any guardian present,
Corey, who remained in the station for Yusef, was later pulled in by detectives who needed someone to make the story fit. Suffering with both hearing and learning difficulties he was the perfect patsy for the police to force into a false confession.
The boys were all found guilty despite the lack of any DNA or physical evidence placing them at the scene, All but Corey were detained as juveniles for 5-10 years, whilst Corey was tried as an adult and sentenced to 15 years in an adult prison.
he spent the majority of his sentence in isolation to escape the beatings and abuse for a crime he didn’t commit.

Injustice -
When every bone in your body is screaming out your innocence,
yet the world has you on mute.
The hope that tortures you everyday, waiting for someone to hear you, believe you and
set you free.
How long before that hope fades, how long before the last glimmers of light extinguish , how long before you sink into the dark places that you can never fully come back from.

“Their story - My words”
Written with love and respect.

It’s the narrative that leads the pack,
Change that - and watch them stutter,
A verdict is more addictive than crack,
Whilst the truth melts away like butter.
The lies and scheming  - leading us screaming,
To a sentence we didn’t  deserve,
An innocent teen can ever be seen,
If justice has lost its nerve.

Politics reign over the rules of the game,
The scales have lost their balance,
Democracy has taken flight,
With  innocence in its talons,
It’s never about only us  in chains,
Not of prejudice and pride,
Our fathers and mothers,
Sisters and brothers,
Are imprisoned on the outside,

What have they created,
Other than hatred,
The voice of what’s right sounds so wrong
Our downfall is imminent,
They lock up the innocent,
The resistance to change is too strong.

There’s no adverts for convicted,
Our fate was predicted,
No Vacancies found for the lost,
They created us guilty,
It’s their hands that are filthy,
But they’ll never know the true cost.

So what are we supposed to do,
We’re free for sure - but free for who,
We can’t escape the stares or guilty whispers,
No matter where we’re always seen,
As guilty kids from that tragic scene,
We’re a haunted story played out in tainted pictures.

we can never be like you
We’ll always be last in the queue
We’ll never get to leave this social prison,
Victims of forced circumstance,
A twisted chance  of happenstance .
They took our chance away so none would listen,

What’s done is done - they’d made up their mind,
Irrelevant of what they’d find,
Once started they never turn back,
So our story is thus -
That when they see us,
It’s the narrative that leads the pack,
—————————-
Corey went up for parole several times, but part of the process is the verbal acceptance of your guilt for 5e sentenced being served. Corey wouldn’t confess to the crime he didn’t commit. After several rejected hearings Corey stopped going.
In 2002 Corey and the 4 boys were exonerated after the confession of a fellow inmate ‘Matias Reyes’ stated that he acted alone. DNA backed this up.
Corey was released and the 5 eventually won $41million in damages,
To this day the 5 men acknowledge that money can never give them what they lost.
Justice took them from themselves, now they must spend the rest of their lives being who they are.

Matt and John sat at John’s kitchen table,
it was 5’clock in the morning,
there was plenty of time
but there was none to waste.
John was glad that Linda and his daughter
were still upstairs asleep.
He was glad too that Matt was driving;
no one knew the streets and alleys better.
John thought that Matt was a bag of hammers,
but he was loyal as hell, kept quiet most of the time,
was brave to the point of stupidity, and drove like a bat.
John got up from his chair;
poured another coffee.
Matt nursed a beer.

Everything they needed was in the mini-van;
an innocuous thing lifted rather smartly from
a long-term parking lot near the airport.

Pistols not shotguns, John had insisted.
Matt’s argument was simply that shotguns
were scarier.

John lit a cigarette and sipped some
coffee.

First National would fall.
John was sure of it.
He and Matt would leave
that bank’s lobby with about
3 million dollars strapped to their backs;
they’d lose the bulls, skate by the house,
pick up the girls, and be California-bound
by the time the fast food joints
stopped serving breakfast.

On the other side of town,
the police barracks was alive
with activity.
Two old-school throwbacks
Det. Luke Richardson and his partner,
Det. Mark Gonzalez, had gotten
a tip.

A greasy little stool-pigeon
named Hector had said
the word was that Johnny Dunn
and his raw-wired cousin, Matt,
were planning to take down First National Bank
on Friday, the first of the month,
payroll day.

They’d been leaning
on Hector for a couple
of months,
finally offering
him a knockback
on a B & E pinch
that they’d held
over his head like
an anvil.

Hector squawked
for immunity on that one
as well as
state’s evidence
regarding chatter
he’d heard about
the bank job.

Their gear was set,
vests cinched tight,
shotguns in the car.
Their service pistols cleaned,
oiled, and loaded,
with one in the chamber.
Holdout pieces strapped
to their ankles.

It was about 6:45 am,
First National’s drive-thru
opened at 7:30.
The lobby would open by 9,
but staff would be in the building
by 7;
tellers making sure their cash-drawers
were customer-ready.

The two detectives left
the briefing room,
strode the short distance
to the motor pool,
started the car…
the radio crackled
to life…

static
All units this is Control
static
We have a silent alarm triggered
for a 211 in progress
at 14th and  Carver Avenue
static
First National Bank
static

Mark was behind the wheel,
Luke flipped on the siren,
it blipped then began to wail.

The Gospel was being written.
All units, saints and sinners,
were on the move.
*
-JBClaywell
©P&ZPublications

9-1-1, What is your emergency?
I seemed to have lost my sense of urgency
I froze
Which is funny, because undoubtedly
You used to be the one cold as ice
I sat there
My body solidified above the concrete
But my faults began spilling out from my very being
Becoming a temporary repair for the fault lines along the road
9-1-1, What is your emergency?
The operator mimicked her opening line
With remarkable consistency
But my ears are not the problem here
I've always been a good listener
You told me that every now and then
And although I interpreted her question rationally
It was your final farewell that still had me perplexed
My breathe walked with you as you departed
Mostly due to your uncanny way with words
You used your utterances as building blocks
Crafting such a painful path with your magnificent mouth
Your condolences were candy-coated consolation prizes
Awarding my sincerity halfheartedly
And this heartbreak is my podium now
So while I lean on it willingly
Raising fate above my head as my only trophy
Know that I'm struggling with my acceptance speech
I've always had trouble wording my verbage
And expressing my sensations efficiently
So bear with me while I materialize this message

9-1-1, What is your emergency?*
Dispatch sounds distressed at this point
And I'm desperate for a proper resolution
So I try to recollect my mental resources
And muster up the ability to announce my anecdote properly
In order to explain my crisis precisely
And what comes next is nothing
My thoughts hovered around my mouth
But lacked any sort of volume
Thus remaining a mystery to the operator
And typically I turned to you in these situations
When my words became my worst nightmares
You see, you always knew what to say
You always responded with world class precision
And I need an expert's advice every now and then
But since you fled the scene
Fearing the certainty of an imaginary apology
I struggled with summing up my situation
I've been attacked, please help me
Finally I mustered up the energy to form
Sounds similar enough to that phrase
Close enough so this woman could send me
Someone with the proper credentials and
Experience for such misconstrued circumstances
The detectives arrived and investigated the scene
Doing their due diligence while I laid motionless on the pavement
They looked for clues
Studied for anything that could lead them to you
But I guess my words weren't grounded in truth
And although I knew only one suspect remained at-large
They carried on with no substantial leads or possible breakthroughs
The only arrest that occurred
Was the false imprisonment of my heart in yours
There was no bail set and parole will likely be denied
What a deadly criminal at large

you remind me of the evening thunderstorms: cold, terrifying, yet so beautiful. when i said that your smile radiates joy, i wasn't exaggerating. when i whispered that the touch of your hand warms my heart, i meant it from my deepest palace of mind. the thought of you alone is enough to make my body tremble for i cannot cope with so much feelings. i'm craving for you yet my heartbeat always goes faster every time i think of being close to someone other than myself. i am eager for the sense of your skin against mine but i still can't get rid of these metals that locked my heart out for you. i want to say that i'm madly in love but i don't know if i can be madder than i already am. being with you is like cutting my own body parts into pieces; it hurts so bad but it's much better than being alive and numb. i wish i could take it easy like the detectives when they solve problems but my problem is you and you are nothing but a bunch of puzzle pieces that confuse me all the time. i really wish things weren't so complicated inside this forest in my head.

New Year’s Celebration

Among mad men in drowning corridors,
built on rusty foundations,
tethered to rotting, sugar-coated
grins, and nestled in the trashcan
of our neighbor’s backyard –
a candle we cannot see burns
out over the mountains, the
ones draped in vacation photographs,
the same set your kitten is named after,
a geological setting, a historical
lesson, a discipline of chances
strewn into another’s handshake
sweat left on the public
bathroom door handle, a smudge
of lipstick left on the countertop,
next to powder – a scene
unimagined for nonexistent detectives.
In a drunken state, we decide to play
Gunshots or Fireworks?
And we laugh when we are wrong.

In Abraham Lincoln's city,
Where they remember his lawyer's shingle,
The place where they brought him
Wrapped in battle flags,
Wrapped in the smoke of memories
From Tallahassee to the Yukon,
The place now where the shaft of his tomb
Points white against the blue prairie dome,
In Abraham Lincoln's city ... I saw knucks
In the window of Mister Fischman's second-hand store
On Second Street.

I went in and asked, "How much?"
"Thirty cents apiece," answered Mister Fischman.
And taking a box of new ones off a shelf
He filled anew the box in the showcase
And said incidentally, most casually
And incidentally:
"I sell a carload a month of these."

I slipped my fingers into a set of knucks,
Cast-iron knucks molded in a foundry pattern,
And there came to me a set of thoughts like these:
Mister Fischman is for Abe and the "malice to none" stuff,
And the street car strikers and the strike-breakers,
And the sluggers, gunmen, detectives, policemen,

Judges, utility heads, newspapers, priests, lawyers,
They are all for Abe and the "malice to none" stuff.

I started for the door.
"Maybe you want a lighter pair,"
Came Mister Fischman's voice.
I opened the door ... and the voice again:
"You are a funny customer."

Wrapped in battle flags,
Wrapped in the smoke of memories,
This is the place they brought him,
This is Abraham Lincoln's home town.