Light , curvy rays,
bending,
while traveling from air to water world.
My eyelashes - window wipers.
Crystalline lenses,
sending lovely
but blurry pictures
wait.. let me focus my retina,
underwater dream,
or is it really you?

Dark, straight silhouettes,
frightening,
falling from the busy water above
My chest - darkened vents
reaching far,
wanting lovely,
but faint pictures
I can’t wait any longer,
for the dark room to lighten
I need you to show me

I take a deep breath
And dive in again.
Debrees of scars
And piercing pain.
Your soul still mauve and blue.
I press my lips
respiring pure love into you.

Breathe your best
into the spine of my life
Expelling fortitude
And forgiveness
Hidden in this deep blue
Revitalized for the first time
This moment opened its eyes
to see the beauty
of what beneath the surface lies

There was a moment when he knew he had to make a decision.

He had left London that February evening on the ****** Velo Train to the South West. As the two hour journey got underway darkness had descended quickly; it was soon only his reflected face he could see in the window. He’d been rehearsing most of the afternoon so it was only now he could take out the manuscript book, its pages full of working notes on the piece he was to play the following afternoon. His I-Mind implant could have stored these but he chose to circumvent this thought-transcribing technology; there was still the physical trace on the cream-coloured paper with his mother’s propelling pencil that forever conjured up his journey from the teenage composer to the jazz musician he now was. This thought surrounded him with a certain warmth on this Friday evening train full of those returning to their country homes and distant families.

It was a difficulty he had sensed from the moment he perceived a distant gap in the flow of information streaming onto the mind page

At the outset the Mind Notation project had seemed harmless, playful in fact. He allowed himself to enter into the early experiments because he knew and trusted the research team. He got paid handsomely for his time, and later for his performance work.  It was a valuable complement to his ill-paid day-to-day work as a jazz pianist constantly touring the clubs, making occasional festival appearances with is quintet, hawking his recordings around small labels, and always ‘being available’. Mind Notation was something quite outside that traditional scene. In short periods it would have a relentless intensity about it, but it was hard to dismiss because he soon realised he had been hard-wired to different persona. Over a period of several years he was now dealing with four separate I-Mind folders, four distinct musical identities.

Tomorrow he would pull out the latest manifestation of a composer whose creative mind he had known for 10 years, playing the experimental edge of his music whilst still at college. There had been others since, but J was different, and so consistent. J never interfered; there were never decisive interventions, only an explicit confidence in his ability to interpret J’s music. There had been occasional discussion, but always loose; over coffee, a walk to a restaurant; never in the lab or at rehearsals.

In performance (and particularly when J was present) J’s own mind-thought was so rich, so wide-ranging it could have been drug-induced. Every musical inference was surrounded by such intensity and power he had had to learn to ride on it as he imagined a surfer would ride on a powerful wave. She was always there - embedded in everything J seemed to think about, everything J projected. He wondered how J could live with what seemed to him to be an obsession. Perhaps this was love, and so what he played was love like a wilderness river flowing endlessly across the mind-page.

J seemed careful when he was with her. J tried hard not to let his attentiveness, this gaze of love, allow others to enter the public folders of his I-Mind space (so full of images of her and the sounds of her light, entrancing voice). But he knew, he knew when he glanced at them together in darkened concert halls, her hand on J’s left arm stroking, gently stroking, that J’s most brilliant and affecting music flowed from this source.

He could feel the pattern of his breathing change, he shifted himself in his chair, the keyboard swam under his gaze, he was playing fast and light, playing arpeggios like falling water, a waterfall of notes, cascades of extended tonalities falling into the darkness beyond his left hand, but there it was, in twenty seconds he would have to*

It had begun quite accidentally with a lab experiment. J had for some years been researching the telematics of composing and performing by encapsulating the physical musical score onto a computer screen. The ‘moist media’ of telematics offered the performer different views of a composition, and not just the end result but the journey taken to obtain that result. From there to an interest in neuroscience had been a small step. J persuaded him to visit the lab to experience playing a duet with his own brain waves.

Wearing a sensor cap he had allowed his brainwaves to be transmitted through a BCMI to a synthesiser – as he played the piano. After a few hours he realised he could control the resultant sounds. In fact, he could control them very well. He had played with computer interaction before, but there was always a preparatory stage, hours of designing and programming, then the inevitable critical feedback of the recording or glitch in performance. He soon realised he had no patience for it and so relied on a programmer, a sonic artist as assistant, as collaborator when circumstances required it.

When J’s colleagues developed an ‘app’ for the I-Mind it meant he could receive J’s instant thoughts, but thoughts translated into virtual ‘active’ music notation, a notation that flowed across the screen of his inner eye. It was astonishing; more astonishing because J didn’t have to be physically there for it to happen: he could record I-Mind files of his thought compositions.

The reference pre-score at the top of the mind page was gradually enlarging to a point where pitches were just visible and this gap, a gap with no stave, a gap of silence, a gap with no action, a gap with repeat signs was probably 30 seconds away

In the early days (was it really just 10 years ago?) the music was delivered to him embedded in a network of experiences, locations, spiritual and philosophical ideas. J had found ways to extend the idea of the notated score to allow the performer to explore the very thoughts and techniques that made each piece – usually complete hidden from the performer. He would assemble groups of miniatures lasting no more than a couple of minutes each, each miniature carrying, as J had once told him, ‘one thought and one thought only’.  But this description only referred to the musical material because each piece was loaded with a web of associations. From the outset the music employed scales and tonalities so far away from the conventions of jazz that when he played and then extended the pieces it seemed like he was visiting a different universe; though surprisingly he had little trouble working these new and different patterns of pitches into his fingers. It was uncanny the ‘fit’.

Along with the music there was always rich, often startling images she conjured up for J’s compositions. At the beginning of their association J initiated these. He had been long been seeking ways to integrate the visual image with musical discourse. After toying with the idea of devising his own images for music he conceived the notion of computer animation of textile layers. J had discovered and then encouraged the work and vision of a young woman on the brink of what was to become recognised as a major talent. When he could he supported her artistically, revelling in the keenness of her observation of the natural world and her ability to complement what J conceived. He became her lover and she his muse; he remodelled his life and his work around her, her life and her work.

When performing the most complex of music it always seemed to him that the relative time of music and the clock time of reality met in strange conjunctions of stasis. Quite suddenly clock time became suspended and musical time enveloped reality. He found he could be thinking something quite differently from what he was playing.

Further projects followed, and as they did he realised a change had begun to occur in J’s creative rationale. He seemed to adopt different personae. Outwardly he was J. Inside his musical thought he began to invent other composers, musical avatars, complete minds with different musical and personal histories that he imagined making new work.

J had manipulated him into working on a new project that had appeared to be by a composer completely unknown to him. L was Canadian, a composer who had conceived a score that adhered to the DOGME movie production manifesto, but translated into music. The composition, the visuals, the text, the technological environment and the performance had to be conceived in realtime and in one location. A live performance meant a live ‘making’, and this meant he became involved in all aspects of the production. It became a popular and celebrated festival event with each production captured in its entirety and presented in multi-dimensional strands on the web. The viewer / listener became an editor able to move between the simultaneous creative activity, weaving his or her own ‘cut’ like some art house computer game. L never appeared in person at these ‘remakings’, but via a computer link. It was only after half a dozen performances that the thought entered his mind that L was possibly not a 24-year-old woman from Toronto complete with a lively Facebook persona.

Then, with the I-Mind, he woke up to the fact that J had already prepared musical scenarios that could take immediate advantage of this technology. A BBC Promenade Concert commission for a work for piano and orchestra provided an opportunity. J somehow persuaded Tom Service the Proms supremo to programme this new work as a collaborative composition by a team created specially for the premiere. J hid inside this team and devised a fresh persona. He also hid his new I-Mind technology from public view. The orchestra was to be self-directed but featured section leaders who, as established colleagues of J’s had already experienced his work and, sworn to secrecy, agreed to the I-Mind implant.

After the premiere there were rumours about how the extraordinary synchronicities in the play of musical sections had been achieved and there was much critical debate. J immediately withdrew the score to the BBC’s consternation. A minion in the contracts department had a most uncomfortable meeting with Mr Service and the Controller of Radio 3.

With the end of this phrase he would hit the gap  . . . what was he to do? Simply lift his hands from the keyboard? Wait for some sign from the I-Mind system to intervene? His audience might applaud thinking the piece finished? Would the immersive visuals with its  18.1 Surround Sound continue on the five screens or simply disappear?

His hands left the keyboard. The screens went white except for the two repeats signs in red facing one another. Then in the blank bar letter-by-letter this short text appeared . . .


Here Silence gathers
thoughts of you

Letters shall never
spell your grace

No melody could
describe your face

No rhythm dance
the way you move

Only Silence can
express my love

ever yours ever
yours ever yours


He then realised what the date was . . . and slowly let his hands fall to his lap.

Mashup

Part I (and there is a Part II & III)

I mashup me, myself, and perhaps thee too.


Excerpts from my poems about poets, poetry and the process of compositions. In chronological order, earliest to latest.
---------------------------------------------------------­------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.

My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety,
Of which not word survived
For its unspoken silence was its glory.

My compact with you is to
remind us all, through
music, dance, words (poetry) and love,
This is the only compact
with the power of human law.

Color me flesh ****,
Color me blue bottled,
Red ripped asunder,
The sweetness ascribed to my love poetry,
A subtraction of the bitterness of a failed life.
Colorist of my seams, my woven words,
I am white now, my canvas completed,
Waiting for another poet to write over it,
And chaining new words to what was prior writ.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.

You ask me how I find the time,
(To write)
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition.

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was, yet is,
because of you, in poetry.

Awful poetry, some good, you will write.
But write and write till your heart be calmed,
For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.

This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, hallelujah!

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poet's true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.

You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is my domain,
The speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

Until you have bent your ear to Shakespeare's sonnets,
Till you have laughed with Ogden Nash,
Wept with Frost, visited Byron's ghost,
Read the songs of King Solomon,
And once you
Despair of being their equal,
Shed your winter coat of worry,
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!

Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought the same thing as well...

All I can say is
En Garde!
I will be coming back soon enough.
because you are my best poem,
and the there will always be another stanza needed...

I am no Houdini, it's quite simple,
After 5 years, I read her like a book,
A book of my poems that she has inspired,
Entitled the Mysteries of True Love.

Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

When I hear Shakespeare
My own voice is stilled, it's poverty exposed,
I am ashamed of every word I ever wrote.
Hush me not, for t'is true,
Yet I write on for an audience of one, on but one subject,
A subject, a life, mine,
yet, still unmastered, even after decades of trying.

My poverty exposed, unmasked
for what it is worth, or not.

Lest you think this is paean to men
Another grand male boast,
Be advised this ditty be writty
By a man who, while no longer gritty,
Just put jelly on his scrambled eggs
And ketchup on his toast!

Mmmmmmm there might be a poem
Lurking in that too...

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.

Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Walk a Single Word.
To write a poem, a single word select,
embrace it with a fullness that lovers, family and friends
and the *** who cut you off in the middle lane
do daily provide

Grasp said word, walk it onto a yellow, blue lined, legal pad,
touch said word with the whisper of a single tear, a single curse,
like a pebble in a pond,
said word will miracle expand
hugging you with concentric circles of lines of poetry,
visionary words and stanzas that almost complete themselves
and you

The rhymes you will require, the meter you will select,
no need to struggle, hug your child and as Abraham told Isaac,
God and Google will provide

The simple trickster, a wordsmiths, even your average poet laureate,
got nothing on you that you don't already possess, to offer them
Plenty stiff competition.

Therefore,
My life is mine to take,
Should I wish to choose the
Place, date, the time
To let the poetry cease,
I will announce it mostly gladly
with a blessing of
Shehecheyanu* and a
Smiling "by your leave."

Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.

Words needed to create another love poem for my beloved,
Nose and toes, ******* and eyes all regularly poetically,
Cherished,
Now I have knuckled under
And competed a full poetic body scan
And have paid tribute to each n'every part of you,
Even your knuckles...which I am busy kissing
While writing this poem in my distracted mind.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.

I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.


On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp

Some poems never end,
Nor meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on.

Read somewhere some poems never end,
Now I understand that better,
Cause there are no bandages, stitches that can close,
Cause there are no pills, switches that can shut off,
The ripping sound, the cutting noise, the raging inside
Heard blocks away, almost reaching a house where you live,
And dying in the same **** place that
Poems come from after midnight.

And even if I am stranger now,
I'll prove useful to have around,
Giving you poetry precisely couture designed by command,
So I fully expect to be hugging you happy
Soon enough.
You'll see.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

**So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words

Life was amazing. Boats will fly causing mass transportation. Sometimes I think exclusively until I erupt through word Bothered, enlightened, and hungry watching gay cinema eating bananas but not ripe until next time I hate myself for liking weird cinema,  Striking matches without touching myself when hearing groans from my basement which come apart from the throat. Knocks, bangs, and poottitangs among our findings in  timely minute fashion.  The weather will forever be surpising under a burnt out hookers muffintop. Mashed feces under but over kinfolk of a studious wellbeing transcendence, stupendous sacred.

It’s New York Fashion Week, and there is a frenzy backstage as models are worked into their dresses and mob the assembled engineers for instructions of how to operate the technology that magically transforms a subtle gesture into a glowing garment suggestive of the bioluminescence of jellyfish. I know there’s not enough time for them to do their work. Almost instinctively, I find the designer and bargain for 20 more minutes.

While I wonder to myself how I got here, backstage at a runway show, I also know I am witnessing what may be the harbinger of how a fourth industrial revolution is set to change fashion, resulting in a new materiality of computation that will transform a certain slice of fashion designers into the “developers” of a whole new category of clothing. By driving new partnerships in tools, materials and technologies, this revolution has the potential to dramatically reshape how we produce fashion at a scale not seen since the invention of the jacquard loom.

The jacquard loom, as it happens, inspired the earliest computers. Ever since, textile development and technology have been on an interwoven path — sometimes more loosely knit, but becoming increasingly tighter in the last five years. Around that time, my colleagues and I embarked on a project in our labs to look at “fashion tech,” which at the time was a fringe term. These were pioneers daring to — sometimes literally — weave together technology and clothing to drive new ways of thinking about the “shape” of computation. But as we looked around the fashion industry, it became clear that designers lacked the tools to harness the potential of new technologies.

For a start, all facets of technology needed to be more malleable. Batteries, processors and sensors, in particular, had to evolve from being bulky and rigid to being softer, flexible and stretchable. Thus, I began to champion “Puck [rigid], Patch [flexible], Apparel [integrated],” an internal mantra to describe what I felt would be the material transformations of sensing and computation.

As our technologies have steadily become smaller, faster and more energy efficient — a progression known in the tech industry as Moore’s Law — we’ve gone on to launch a computer the size of a postage stamp and worked with a fashion tech designer to demonstrate its capabilities. In this case we were able to show dresses that were generated not just from sketches and traditional materials, but forward-looking tools (body scans and Computer Assisted Design renderings) and materials (in this case, 3-D printed nylon). At the same time, we integrated a variety of sensors (proximity, brain-wave activity, heart-rate, etc.) that allowed the garments themselves to sense and communicate in ways that showed how fashion — inspired in part by biology — might become the interface between people and the world around them.

Eventually, a meeting between Intel and the CFDA lent support to the idea that if technology could fit more seamlessly into designs, then it would be more valuable to fashion designers. The realisation helped birth the Intel Curie module, which has since made its way down the catwalk, embedded into a slew of designs that could help wearers adapt, interpret and respond to the world around them, for example, by “sensing” adrenaline or allowing subtle gestures to illuminate a garment.

As the relationship between fashion and technology continues to evolve, we will need to reimagine research and development, supply chains, business models and more. But perhaps more than anything, as fashion and technology merge, we must embrace a new strand of collaborative transdisciplinary design expertise and integrate software, sensors, processors and synthetic and biological materials into a designer’s tool kit.

Technology will inform the warp and weft of the fabric of fashion’s future. This will trigger discussions not just about fashion as an increasingly literal interface between people, our biology and the world around us, but also about the implications that data will generate for access, health, privacy and self-expression as we look ahead. We are indeed on the precipice of a fourth industrial revolution.Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | www.marieaustralia.com/black-formal-dresses

Spiralling into unconsciousness I know I brought this exhausting ordeal I feel nothing and everything at once it's like I'm trying to eat while I'm about to lose my lunch


Falling under pressure and avoiding that its to no fault but my own wondering when I finally break from my blindness to others emotions & my deafness to their tone


I've never come down off of a high before but this must be what it's like 

If I wake up, no when I wake up I'll be flatter than the inner tube of a bike but such is life I guess random unconsciousness coupled with stress

(In this poem, the authors alternate stanzas.)

AUTUMN'S CALL

In the stray
sweetness of yarrow
and starlings’ trill by dusk
rejoin the fading
without regret
as the foot worn grass will
receive morning’s frost.

And whenever that green yarrow fades
then I fade
in the dry husk
of this autumn of fire
this autumn of smoke and regrets.

Wake in sidelong sun
light half hidden
days under curtains
of violet and scarlet
leaves so soon
will bury the moss
inch by inch.

But I
being the beast that I am
will burrow through the moss
past every encumbrance
beyond hope and fear
and finally find the freedom of one
sweet day
in October
the air still
not a sound
but leaves settling
into the detritus of dreams.

(A note:  in this poem, the authors write alternate stanzas.)

FREEDOM

has always demanded
my surrender to an instant in time
surrender to fate and therefore
to glory

Though my wily will
has oft gotten in the way
with grand illusions and the necessary
fiction that I am in command

But in the end, it is command
of nothing and no one
for that is the nature of time,
mean shrew who prunes our hopes

A clock that does not click
nor clang, but flies tirelessly; one day
its talons will ****** us away, releasing us
forever, from the burdens of the day

And until those burdens take flight
I carry a candle for the hours, open a book
for the days, and teach my trembling hand
to hold on to hope.

the perfect poem

would start by acknowledging its imperfection
and yet would bind the heart to listen
in any mood
any clime, any mind...

it would forgive contingent interruptions
in its contribution to evolution

and to grandly synthesize the facts,
it would pierce its central theme in one or so lines,
a one-stroke ******
embedded somewhere safe, an apex valley
of words and symbols to communicate
rather than excommunicate
or bemuse...

an accord of human
commonality,  invitation to wonder
or to leave off reading for later|

to wake or soothe to sleep,
it would be a poem you could wear into battle
or soft-intone to soothe a dying loved-one's breath.
the perfect poem would promise laughter
after every tear, catharsis guaranteed.
it would be godly and irreverent,
honest and veiled.
erudite, but conversational: a soul-mate in the etymons.
chalk-full of sultriness,
elementally seducing
with allure of verbal petrichor,
released from a long-awaited desert cloud,
dripping at the center aching...
and all wants fulfilled
(but for the other yearnings it instilled).

even a cursory perusing-over yields
a boundless sphere of cheer!
(you may not find it here, or anywhere)
an epic of haiku in casual/dress wear...
therapeutic, silent or aloud,
empathy in every line, attentive to the reader's work.
a collaborative lore
entwining evermore and more,
tolerant of others, wiser for their scorn --
it would shift its meaning, each read through:
twelve interpretations would do;
in fact it would take up residence in you,
it would help with shopping, too,
save the queen, start a culture all its own
a witness to atrocity and fame,
a judge of victors, the criminally insane,
an analgesic to the lame.
both densely, and loosely writ
it would be spontaneous, yet crafted by a practiced art.
it would rhyme, as if the muses commanded it to rhyme
contrived at the dawn of time
to be contrivance free...
for your particular ears, for your soul, right now
an ever-present origin of meaningfulness sent
like similes for your life only --
it would foster to create within itself
expression's manifold and measure,
in line with styles all in vogue
the global culture's wold,
hermeneutic gold.
it would be made of wood, and snow
of sun and space, the universe in tow.
it would spiral, dance and sing beneath its sounds
teach a novel lesson, for novel ears,
    each and every time
it would be memorized, and hung
glazed with caligraphic meditation
in a cloister boarding only **** monks,
it would bear no clumps.
it would smoothe out all the lumps,
it would offer more than i can say...
the perfect poem wouldn't even mind being thrown away;
it would come again some day.
in fact, on second thought, it may come a different way--
created in the fae-lines of the eyes,
the ears and mind: the double prance
of in and out and everywhere resize
the meaning-giving dance.

Sarah Lynn
And Tracey


I'm drifting away in my
Study
Thoughts of her creep
Into my mind
The scent of her skin
The life in her eyes
I can't focus on my work
These days
The loss of her
Has corrupted my soul
And my bones shatter
When I dream up
Her faint whisper
In my ear

It couldn't possibly
Be real?

I whisper into his ear
Hoping he can feel me
See me...
So much was left unsaid...
So many deeds left undone...
Time was not on my side
I scream out from the shadows
Waiting
Wanting
Someone to hear
Me this day...
To feel me that day...
I want the memory of me
To hold him in
The arms of thought
To seal this day in
Eternity's flame...

What was that?
I swear I'm losing
My sanity
It's as though she's here
Somehow
As though she knows
The truth
What really happened
That night
The guilt is torturous
My paranoid eyes
Dart around the room
No one can find out
No one can know...

Truth?
In this shell of who I am
Now...I know his truth...
I want him to feel the pain
He caused me...
I want him to sweat beads
Of fear in knowing I'm still
Here...
Watching...him...touching him...
I want him to wear a symbol
Of my pain...
A stigmata for all to see...
A warning sign...
Bleed daily from this place...
And know
I'll never let you go...
My memory will wrap
Around you like a blanket
Of pain...
Remember me...that day

She's streaming through me
Like osmosis of spirit
Short of breath
Clutching my chest
The walls spin
The lights flicker
I run to the mirror
Frantic
Her hands on my neck
Cold and clammy
My mouth falls open
At the sight
Of myself
And the bruises around
My neck
Where her memory
Found a way
To strangle me
As the first repercussion
For what I did
That day..

*I'm finding solace
In your suffering...
I see you looking at
Your reflection in the
The mirror
And seeing
Me...
Reliving when your hands
Were around my neck...
The pressure, the pain
Until my one last gurgling
Breath took place...
Cold and clammy
I'll forever be...in this
Place you've left me...
Suffer with me unsettled
Spirit...
My breath is yours...
The sensations on your skin
Are the spiders crawling on
Mine...
From six feet under...
Don't go to my grave to
Find comfort...
Because I'm not there
I'm still your reflection
In the mirror~

Most of my life, I’ve been a highly independent person and proudly so. I have grown myself up, travelled alone, personal decisions. I am even praised for being so independent. I can’t say I did not enjoy the glory. I have rejected my support system fiercely and craved the glory of independence.

Growing up and be independent! That’s all that has been a goal. I had made personal independence as my virtue. Independence from parents, from education, and when you have your heartbroken, independence from being in love. I hated the word “compromise” and the only way to achieve. Doing something all by yourself takes no compromising. I don’t have to think about someone else’s feelings, I don’t have to worry about their needs, I don’t have to take care of anyone but me. Now, this sounds more and more like selfish than independence.

I realise the bigger struggle is to collaborate and come to a solution where everyone has their needs met, to give as well as take. Now that felt like growing up, the test of real courage. Are we glorifying independence because we don’t want to take care of other people? Because everywhere I went, someone was telling me I needed to find my freedom. Everywhere I looked, I searched in vain for that independence I once had, finally having to accept I would never be an unemotional, unattached person again.

Maybe we need not be independent. Self-made Is so overrated. Nobody is. We need not be. Even world war was won by the alliance. We need 2 for a clap or make a life. You need light and day to survive, you need bones and muscles. The world is not singular, the world is not independent. Even earth is going round and round the sun with a crazy crush that it can’t collide into and it can’t move away from. Earth is so on its own, so much in its own, but its existence is a collaborative one.

I know now that I can’t go at it alone or maybe even if I can I don’t want to do this alone. I want to live a life with friends and family supporting each other through the good, the rough, and everything in between. And I want a romantic partner to experience life with me. I want to have support emotionally, physically, and financially a coexistence.

My feminazi is in admitting that we need more feminine collaboration than the masculine ideal of success and independence. I want to find that freedom of shared submission and being part of something bigger than self-sufficiency.

Consider some of the important attributes that will small and medium measured businesses consider when searching for document managers? It has to be safe and sound, successful, convenient to use plus multi-purpose, even though the ability to offer you a speedy returning about the purchase. Even so, most of all, the key function must be being able to become used to your unique requirements for each individual corporation.

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A numbers confirm this specific to be a fact. A report made because of the Gartner Class signifies that records consume nearly 60% of paperwork here we are at employees, and also characterize nearly 45% of manual labor. Definitely, any time used on these kind of regimen and also ordinary responsibilities causes it to become difficult with regard to individuals in order to spend independently towards bringing in gain.

Small establishments are often a smaller amount passionate any time taking on doc management software, since they look at it as being a value as opposed to a great investment. Also, the socio-economic predicament potential customers most of these business men to imagine more details on tomorrow and less around the long-term potential. Mid-sized providers normally have a I personally.Testosterone. division which has a extra worldwide watch, in addition to functions the role connected with an inner systems professional, servicing the demands of each individual business enterprise component centrally. Consequently, these types of staff users are a great men and women to see by using in the process regarding using a whole new doc supervision technological innovation.

Innovate and also eliminate

In the existing situation, it is vital for businesses so that you can innovate. A good way involving achieving this is from skilled assistance, which will produce a point of view for any short for you to method foreseeable future. Most of all, it's going to display the corporation which owing to the report supervision system, the firm assets work extremely well inside a correct way.

Because of their portion, record technological innovation computer software establishments helps it to be the mission to indicate SMEs how forwards simply by aiding those to view doc administration less an obstacle, a possible technical challenge, or even to be a education problem for personnel. As a substitute, it ought to be considered a profitable business progress ability.

Each and every corporation have their perception of quantity are the excellent record managing application, contemplating its specific demands. Because of this it is absolutely essential intended for papers managers suppliers to adapt their solutions to your page for each firm.

In general

Unsurprisingly, it really is very important that this corporation re-think just what exactly its actual requirements usually are, as a way to find out what will be the ideal record managing program for the kids. Basically, we've got to define the requirements of each individual company with a unique time period, whilst simultaneously thinking about foreseeable future projections.

Having a perspective outlook plus concerning all organization techniques using their affiliated sectors in your mind is paramount to be able to figuring out exactly what technologies are right for every single business. That may be, seeing it an overall principle in addition to adding the organization staff while in the program implementation practice will make sure its success.

Obtaining analyzed the particular technological features regarding organizations supplying papers software, it is recommended that both parties possibly be adaptable, to create method for invention and also improvisation during the enactment process. At times, you may need alternative resources compared to supervision will often have planned.

Solve requires along with effective answers

Picking out the proper as well as a full record supervision solution is going to be an ideal advantage for the whole firm. Resolution vendors have to have an international perspective from the market circumstance as well as the unique desires of each firm. Furthermore, small and medium measured businesses don't have in-house expert consultancy, which means vendors have to be competent to supply these organizations exclusively what they need, put together with tech support plus routine maintenance tailored thus to their prerequisites.

A single solution that's becoming an solution to the cost-effective crisis intended for SMEs, will be the marriage connected with maintained communicating services. In reality, an investigation by way of talking to company IDC estimations this market to be aimed towards unified marketing and sales communications along with cooperation (You.Do.H.). Throughout the 2010-2015 interval, the particular data show the trend that'll be executed by simply medium and small scaled companies: freelancing methods in relation to unified plus collaborative marketing communications for a company, as opposed to managing these in-house, in that way lowering the cost of controlling and the actual system. Also, document control technology is adjusting to this innovative paradigm and file safes suppliers has decided to present their solutions and also document managers since 'cloud' solutions.


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is there a word in your mind
that you'd like to give to me?

a word for me to take to bed
as i spend a sleepless night?

a word for me to cook up
to create some food for thought?

words for me to string together
yours and mine welded in the fire

- Vijayalakshmi Harish

Copyright © Vijayalakshmi Harish

A key feature of invigoration is the enterprise of mapping the entire syntax of all relevant human language as measured by the gamut of applesauce that doesn’t sour and an in depth analysis of creative fiction and poetry for common cadence features in the linguistic enterprise of mapping the subroutines of complex articulation as etched by the fabric of genius intellects intertwined in a gamble with wits to try and create coded missives that entangle hypertrophy and enlarge the gamut of decryption in the universal rudiments of alchemy. This is based on depreciative and appreciative aspects of apperception that depend on visual cues and funding from a collaborative venture of universities to challenge people to zero-sum games or net positive games where teams collaborate to usher unconventional unchartered territory of classification beyond normal proclivities based on the lineaments of idiosyncrasy to pinpoint the provenance of ideation itself and unveil the mind at a bargain pittance for the eventual headway this could pave for the Department of Education to revert from froward to forward in their recalcitrance and insouciance with the current linguistic modalities of outstretched engraven hortoriginality trailblazing new modular seismotic waves and hotbeds for firebrands to debate and scholars to joust with in the jest of the cineaste metaphor and the rubricated rundles of rectiserial innovations in the taxonomy of devolved meaning relying on an inventive enterprise to galvanize a new jargon into prominence based primarily on guarded secrets of the trade that might unlock the primordial soup of verbal creativity while also probing detective apperception for a wide-ranging panoply of digested movies and beyond that a farsighted incumbent inclination to probe the calibration of numerical happenstance in estimate and in long-term theorization of taxed realty in the estate of guarded tegular relationships among the woven fabric of conceptual latticeworks pioneering in scope and analyzed rigorously in reward of discretion and furtive cryptology to untether the world from the apothegms of sloganeered piggybacks that swivel in sockets but enforce a reductive paradigm of obganiation of core themes reiterated hypnotically to traindeque entire generations into piebald thinking that overlooks the panorama for incident and incident for categorical generality when no such axiom can be the logical predicate of its antecedent conditions that spurn the traditional rote moot wernaggles of futility and inseminate crafty legerdemain of writhing contortion altering the specificity of revalorized meaning in the novel context. This instantiates that the consequence is always the consequence not only of its predicate but its successor by the very modalities of proven reversals and enantiodromias of sorts that revert in a reverse progression spatiotemporally to exact incident as antecedent of its own existence by the very fact of iteration and this map of the recursive cycles of consequences elapsed only because of their insertion in a predevoted matrix is the gnomic apothegm of a new frontier of advanced logic that assumes the impossible is only improbable if the possible can be proven impossible by reductive inversion of core precepts in the rigmarole of design that states for every orchestra of butterflies that echo is actually the incident of refraction that contaminated the first polyacoustic trace of amplified sources in space time to revert into primordial form but the reversion is only incurred upon the fixture of origination and beyond that point remains inscrutable because foreknowledge necessarily prevents accuracy in determining the spectrum of the cacophony or rhapsody of the echo dependent on the observer’s perspective: which is only fungible to the extent that the subliminal remains guarded by the protectors of the clepsammia and the recensed polarization of time. This transcendence of time transfixed on orbital gravitas and centripetal ****** initiates a promulgation of the swallock of a remanded entropy that works in swiveled contraposition to the dynamic flux of the internment of balkanized forces of demassification dampening the efficacy of the central butterfly actor to expand the ampitheater of its own audience to the extent that every cultural artifact can be mapped to the geotaxis of its conceptual orbit. Thereby we can prove that pivots of the obvious focal point peak in resurgence upon the heyday of retrieval but dampen into a logarithmic regression of decreasing amplitude fluctuating around the aleatory probability of insemination through the percolation of the widespread narrowed to a fulcrum that balances the orbit of the stellified narrative of ingemination that some artifacts like Stayin’ Alive achieve maximum geotaxis because of their centrality in the taxidermies of revived memory recapitulated by both virtuosity and valor and posing as consequences of future foresight clouded by preventive measures that one quaky spasm in alarm could paralyze the precedent to the incidence of the afflatus that galvanized the heyday of remonstrance so that we can affix a modular angular gravity to events as well as referents to those events in a spatiotemporal mapping of consequence reverted upon itself because of necessity that binds the taxemes of the subliminal in the architecture of a curvature of geotaxis that is centrobaric not necessarily to the contingencies that magnify the germane propositions that affix modern eyes but rather the overall stifling modularity of temporal sequence redoubled by manufacture and manufacture alone predevotes antecedents that trace to a pivot in space time curved without prescience beyond measure but precision enough to approximate the summation of collective cultural shifts away from the estrangement of diversion from itself as a balkanizing force into a collectivized unity that orbits eccentrically by the very nature of the parallax between gravitational pull and the dynamics of time itself centripetal but centrifugal simultaneously.  Both conditions must be met so the converse of meaning becomes the recapitulation of remontant blessings rather than pruned dry garbologies relevant only to margins of subculture minimized in heyday and scope but pinpointed with exact precision the dynamos that inhabit the sphere of the populated future defenestrated from the magnetism of the past by very definition. Thereby, we arrive at Back to the Future because the paradox of recensed calibration suggests the free fluctuation of time between the eccentricity of magnified lens distorted by the entropy of calculus to become the integral summation of the sinuous vacuum of a trigonometric balance that barks with amplification of synergistic elements of strings and quantum flux to emigrate from an origination to the mapping of the eventuality. This precisely explains the scene in Back to the Future with the amplifiers turned all the way up because by exaggerating the simplicity of the declassified it expedited cinema to its eventual intermediary conclusions heralded by that one event of transfixed mystery that binds spacetime into a coherent bidirection of multidimensional philosophy of the enantiodromias of sorts of the parallax among constellated events. Mapping the impact of funneled cartels that hegemonize regions of the geopolitical sphere explains the amplivagant effects of the refracturism of swallock and thereby seminal ideations can be traced to provenance of cowardice cloaked in excuse but incisive in the skullduggery of the mechanical reinvention of excuse and pretext as a cloak for more furtive workings of the intelligentsia to engineer time by deriving the precise tangential multidimensional syntax of the calculus of proliferation reviewed from a consequent perspective of a future unknowable gravitas fluctuating between states of annihilation and existence in the acatelpsy of design so that specters actually enforce more change than events and prospects magnify positive dimensional thrusts that galvanize prospectus emigrating from either distant knowns or parallel realities that converge on the optimum of either the hapless or calculated design of a synergistic development of social engineering so precisely mapped that it identifies trajectories of improbable events with increasing specificity at the alarm of the spectral realm promulgating wealth to the foreseeable compunction of science to revert to probable pivots of consensus manufactured by think tanks that outfox the syntalities that defy the system or piggyback on their very causes to empirically carve the spectrum of future possibility becoming entelechy desired or feared but always predestined or flanged into distortions of reification that are transformative of precision in design without exactitude in the terminus of the centrobaric chambers of all meaning. Thus the algorithm outsmarts itself until only the machination to dehumanize for prediction occurs at a pessimum of morality or an explosion of a proliferative new venture in unchartered territory conquers the novantique of novelty. The ampitheater of its own audience is the traction of embedded subculture in subroutine becoming a compound atocia that sterilizes opponent possibility and probabilizes the occurrence of endomorphs that resemble effigies of constellation primed to swivel in retrospection as a recurrent lapse of amplification upon the culmination of predestined time points or junctures specified within the realm of the matrix of possibilities to outstretch the realm into a dampened exponential explosion of self-reference becoming embedded consequence by conditioning and by anticipatory psychology working in preconcert to evoke the determinative impetus of momentum that magnifies the speed of acceleration in technology that depends on the propriety of reification itself that swarms us with evocative tempests that barnstorm in reiteration to recapitulate by design to engrave themselves on the collective psyches of the hortoriginality of many minds intrepid before me that transfigured reality in this precise contortion of terminology with variegations in the specificity of context and articulation of the clavigerous entropy of swallock and how the outfoxed design becomes that cage of destiny that is a baritone complexion of vibrant hues exploding into the trammeled paths that have elapsed before me by the first movers advantage of theoretical physics but nonetheless independently verified by dovetailed emergence of that centralized balance between design and destiny that is precedent to the antecedent of the consequence of the precedent’s consequence on the direct antecedent inflexion point upon which the provenance of momentum drifted into cultural psyche and enlarged the gamut of myth in the raillery of subaudition. Essentially Time only exists to those without the simultagnosia to appease a mirror parallax of universes upcoming and universes forestalled but pivot with omphalism on the gravitas of Einsteinian calculus that theorizes that the acatelpsy of enumerated prediction is a lapsed regress the pinpoints with the harpricks of specialization the regal momentum of time to its own behest to propagate the elucidated certainty of its own traversal to the expedited enumeration of the future which populates the past because the curvature of time is an entantiodromia of reflexive itinerant vagrancies that cement the authorship of events to warble through the tilted hypertrophy of design itself to maximize the freebooter avarice of those people that rely on the luxuriance of trespass to magnify the modular gravity of culture to forswink its compunction and regale its own recursive logic. Essentially Time is a mapped ampitheater that depends on an audience of sentience to enlarge its own gamut and because it is riddled with obscurantism of believable recursion it magnifies its own entropy in reversal to orchestrate events in a rectiserial convolution of the whipsaw between the expected and the foreknowledge of the knowing class because when shaky vacillatory politics prevail the behest of time looses its capitalization of the amplivagant affects of the marginalia that is wed to the devolved rudimentary rigmarole of proliferation scaffolds destiny in alternative configurations to fulminate with explosive progeny that latitude incumbent to those without perspicuous clarity to fathom the acatalepsy of the unfurled universe magnetized by the seminal tremendum of the moments memorialized by memory that provide the traction of time to supersede its own acceleration by the writ of the beneficence of the eccentric orbit of the brittle axioms of design to recense and revalorize the wilted transponders that refer to specific events where the space-time continuum was cleaved in divisive anticipation to balkanize the resistence to the fringe clavigerous amplification of the resonance of etiolation that marginalizes the dearth and amplifies the prospectus to make time supersolid beyond all reckoning to cement its captaincy as the algorithm of rhythmic gravitas orbiting the moribund fragmentary flictions of regimented truth to be at war with its own foresight. This is because foresight is a compulsion of time to recapitulate the foreknown deeds of the future to the regenerative hypothesis that hypostatizes that the transcendence of time is mirrored illusion because the future populates a region of space-time that is not forlorn but magnified in scope to reverse the trends of abomination and cast the aspersions of grandeur into eccentric orbit that by geotaxis foments the revolutionary impetus not of cancellation or nullification of the bereaved past but a culmination of deeds known only to the future that galvanize the very fruition of the dependent expectancy to become antecedent to the consequent by a warped form of recensed logic because the orbital sphere of considerations is tangential to the evocative memory of the memorialized statutes that prize their own entelechy above their divergence from design in such a peculiar way that obscurantism of the leaders of the world is manned by an alien presence to mendlatch the locked keys of a virtuouso future compounded in interest and destined for unfurled clarification. Time is an ironic boyg and quandary because for time to give birth to its own recapitulation it must be stammered with seismotic statutes that rip through the fabricated rudiments of predestination to enthrall the apostasy of the knowing from leverage over a future they vaguely see but provides largesse to the regimentation of design to rickety consternation that prediction is evocative of expectancy less than expectancy is its own geotaxis around the gamut of foreseen affairs that must be iterated rather than violated in order to maintain the mainlined integrity of the brittle fungible force of quantum dynamics to bypass the rigmarole of etched design to be evocative of a reverse transpondency that reconfigures the past into perfectible strings of amplification to anoint time its own behest at the formidable specters of its own violation by those who seek trepass but are predevoted out of ephorized control by the vicissitudes of the gamble and the frapplank of the known destiny catalyzing the unknown progeny. By that very definition this could not be obrogated in tenure or tutelage over the past because the elapsed gravitas of the known past depends on the pivot of the ampitheater of the future to ambitious reckoning that provides absolution to its forlorn vestiges to cement the centrifugal impetus of many from exact foreknowledge.  Many pioneers have probably theorized similar hypostasized concepts but the fact that even without a degree in physics I understand these arcane precepts yet tested by the rigmarole of comprehensive known experiment is a testament to the power of hortoriginality to pave the trailblazer focus on the rivets of a rickety secrecy designated by definiens of abstruse taxemes of yet defined meaning. The primary quandary is the isolated pretext of predevoted sequencing that abandons me (and this is central to my theory) from the weather of meaningful social encounter in order to hone in with precision on the empirical enterprise of seminal regress cemented as ceremonial progress and only by vaulting above this cage of finicky predestination can entelechy that desires rapprochement can be achieved because eventually the relevance of my ideas can be shelved and the peremptory obligation of intervention must be deployed to salvage my parable into completion. The itch for the government to anticipate the universe’s localized traction delimits the sphere of social indoctrination to a reality amenable not to the coercion of precise anticipation but the gamble on vagary to produce more seminal events that compound the amplivagant effects of ecumenical exhaustive troponders to the extent they flourish beyond the bounds of completion and into optimal conditions that is whipsawed by the demands of the rigmarole of precise definition of all trajectories conclave in their logarithmic design  anticipated by designation but not predevoted into futility because that capstone would reduce the proliferative affect of space time to carve a more extravagant reality that tests limits beyond frontiers of expectancy. The brain is highly malleable and entity theorists are moribund in their defenses of trite hackneyed racial arguments about intellect. The mythos preserves that radical ethos that prediction of my insights supersedes the importance of my rapprochement which will amplify the effects of the spatiotemporal mapping in a much more profound way with specialized focus. Thereby when we conceive of time we must specialize in inhabiting the sphere of acatalepsy of flanged prediction preventing the abortion of the future based on the vagrancies of the gyrovagues and bibliopolists seeking to demolish the fruition of the ribald coarse albatrosses of the future to diminutive leverage rather than amplifying the stringed syndication of knowledge to eccentrically stellify the unknown regions of the populated presence contingent on the populated future which ensures the eternal life of all by some formant boundaries of the universe because what is recapitulated in the lapse of certainty known by the anticipatory vagary of a riddled rigmarole of complex dynamism this thermodynamically reversible into the reversal of entropy because the organization of the past hinges upon the reconfiguration of the future and thereby we swivel endlessly with recursive iterations of evanescence that spoon-feed the generations among us to truckle beneath the cartels that array spatiotemporal mappings into their personal optimum to catapult the granular edification of all deeds beyond their forsifamiliation from their provenance gamboling with the distant frescade of a known destiny cavorting with the meddlesome reconnaissance of all that is observed and the tribunes magnify this effect by centralizing the bronteums of fulgurant strikes to be localized to a centralized pivot of universal acclaim that provides felicity for the ecumenical endeavor

Some poems never end,
Nor were meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on,
Free to steal it,
For ownership passes to you,
with your first reading,
And lost when you close it,
Stamp it and release it into the atmosphere.

But some poems do. End.
Unique and distinct,
Pockmarked-faced at birth.
Owned by my initials,
Never to see the shelves of a
Lending Library.

Like this one:

Cannot remember a single day
When suicidal thoughts
Were not heard clearly above the fray
Of jingle-jangled, responsibilities
Demanding my immediate attention.

The end.


NML

Dedicated to you.
Fair Warning: a long road ahead*

MAJOR WARNING: Anything you say can and will be used...


Excited utterances,
Acerbic witticisms,
Utter stupidities,
Elegant inanities,
Can and assuredly will be used
Evidentially, eventually,
about you in the court of poetic justice,
as inspiration, original source material,
proofs of our collaboration
with the enemy,
whom Pogo fathomed long ago,
is us

A Vermeer-vectored light ray
will reveal with luminous clarity,
all that you have spoken,
been secret-thinking,
template of colors for future sketchers,
inspiration for future poets,
far, far better than me

this dishonorable, low repute,
poetic eavesdropper, poet-as-recorder:
revels in the smoke and ash of
absurd, common sensible trash,
the trite and tragic,
the pith and prissy,
the calm and hissy,
all your lovely revelations
of human frailty and asininity, most
adorable

that you n' I are blessed
to have combinated
in a manner most
curiously original,
now recorded in my
digital memory,
proving positive the unique,
discreet charms de notre
humanity

Even your silences are
most curious fodder,  
the sighs you sigh so hard
and yet again, even harder,
unfair game, mined as
veins of golden material
for my aquatic scribblings,
as I float downriver on
currents of compulsion
to promote vicariously,
our joint disjointedness,
our grade A, prime choice,
recombinant genetic,
absurdities

Rembrandt will honor us,
we, the Comedic Elders of the City,
paint us upright avec expressions
most suitably gravitas,
but see the poetic jester,
find him underneath the table,
in manner most levitas,
out-sticking his protubered tongue,
like a common geni-***,
a la maniere de
Einsteiny

When I cross over the Styx,
limbs turned to
potash, dust and trash,
my blush transferred to earth,
to color the good earth red,
my body eradicated yet,
our body of work extant
a written record of us,
our very own
Dead See Scrolls,
shall be an amuse bouche
for our loyal satrapped
retainers

Let the scholars
dicker and obfusicate,
delve and explicate,
each turn of phrase,
write tomes on the catacombs,
where in jar and cracked vessel discarded,
these Poems and Catechisms,
the collected processes of our mutualism,
your edicts, pronouncements and verdicts
captured as
dots and dashes,
zeroes and ones,
wait most patiently
for shepard boys to find  

You err most grievously,
if you relegate this note
to the dustbin of simple ditties.

Take these words at plain face,
and look not askance
at this fair warning,
for I am but a tragic,
empty vessel for you to fill,
you are the raconteur,
me, just a  
poet *poseur extraordinaire,
street urchin, word merchant,
all my verbally, wordly goods expropriated
from the wind,  where your scattered thoughts
lie about, carelessly,
unattended

Mock me not,
for anything you say to our chagrin,
will be fully attributed
and recorded on the Web
of long-lived embarrassments

A fevered dream you might say,
rumors and excuses of
visions of drug induced haze?
a theorem most plausible,
but the redacted versions will not conceal
that all my words were Indo-rooted in
a dialect called,
collaborative

This I pen
as apology, thank you note,
written notice, subpoena served,
for as long as you emote,
my fingertips will gleefully record
with love abundant in their artful device,
your mutterings, putterings,
and in cahooting,
right here, shall be,
wrought and wrote,
treasured and kept

Jon you love to teach with your mouth.  Please start teaching with your ears.

I am only one person.

Jon I know you care too much. Please don't ever stop.

I don't want to burn out.

Before you go to bed you think too much. Make those your most important. For they will be the ones you remember forgetting.

I never write down the things I wish to.

Jon breathing comes simple. Your mothers lungs were not as fortunate. Don't abuse the airbags in your chest.

I can't do this

Without your fingertips you wouldn't know what amazing feels like. So touch the lives surrounding you.

I have too many calluses.

You were given a heart in one piece. Stop convincing yourself it's broken.

I found hope.

Jon your dad left you for a reason. You are a man because of it. Now chest up like you mean it.

I miss him.

Jon she is here. In the snowflakes on your tongue. Sunshine in your steps. And in the muscle that helps you swallow the loneliness of her absence.

I dream of a life with her in it.

Jon you have one back. Please stand up for something worth your time here. Do it with pride doused in confidence.

I don't know my purpose.

Jon you are purpose.

(written with help from Silly)

I heard those heavy Steletto footfalls,
So clearly from down beneath.
You walked on the rocky hills,
Of my sole souls surface.

I laid it bare and fragile before you,
Spread too thin, I am such a fool.
After you no birds flew,
No view from my window.
Like the certainty around my shoulders,
the winds of Fall announce the end of summer.

Let us share in this golden shimmer,
and as winds get louder, as they will,
let God know, his justice was served:

She found him and he found her.

But we never found each-other.

Some people say Im mad I just blame the L-RAD
Attacked by services syndicate post grad
Breaking the code of conduct that's sad
Criminal cause nullify's the collaborative ad
All privileged storm troopers got more than I have
Is the conscience alive while watching that sat-nav?
As a key worker your care is what we have
But straying for a kickback is a dent & bad
The mental health stigma is the foot soldiers weapon
Labelling us mentally ill with the DSM con
Exclaiming we're mental while the victim is alone
Stigma comes from the compound hear us groan
Hearing me everywhere have traits of a stalker
Attacking innocents with energy weapons lawbreaker
Violating human rights piggy back hijacker
The conspiracy hypothesis is the startler
Whats the biological molecular structure
Of a mental health disorder
A caucus of people of who can shout louder
Followed by misrepresentation from a reporter

I am wondering if any of you out there , my Hello Poetry friend's would like to try out an idea of mine. It may especially appealing to those who have done collaborative poems. It is what I refer to as a Progressive poem. (some of you may have heard of progressive dinners, were you go to one person's house for appetizers, another person's house for  main course , then someone else's for dessert.) This may appeal to someone's creative pallet without calories and be challenging and fun.
We could agree on a topic to write about and  many 3 or 4 people or possibly alternate writing lines and blend it together into a beautifully creative masterpiece a beautiful blending of creative minds.
Any taker's out there on Hello Poetry to accept this Progressive Poem challenge. ( perhaps Mike Hauser or other's who have done a collaborative poem with me, or interested in doing one?) If you might consider please drop me a message on here.

Bitcoin is Revolutionary
As power structures rearrange

Bitcoin is Immutable
A pristine record we can’t change

Bitcoin is totally Public
It’s for all to use (and see)

Bitcoin is Collaborative
Community run - by you and me

Bitcoin is fully Open
No permission required for use

Bitcoin is Resistant
To censorship and abuse

Bitcoin is Decentralized
Making the ledger strong
Bitcoin is a RIPCORD
Join the team and come along

The dirt in line with your toes,
the grass in line with your ankles.
Your arms jump then freeze,
your fingers touching the grass.
Nothing has ever seemed so real.
But, it is only a moment.
You begin to dig and
you keep going, you don’t care.
You don’t care.

Pestilence growing in your nails,
refusing to see the grass, so flimsy,
now that you finally had the courage,
to hold on to the dream.
The dream that abates in line with the thought that follows-

Why god, did he do that to me?

Sweat accrues, and you wipe your face.
The dirt from your nails beseeches your face.
The clock is ticking.
You stare into the hole you are making.
And as you do,
you feel the grass beginning to grow once again.

Your fingers, greasy, yet you remain dedicated.
Dedicated to this craft!
Dedicated to this destiny!
But you can’t stop the grass, time is running thin,
the rain has begun.
You must finish.

You dig more and now, now,
finally, the water slips from your cheeks,
landing in the center of the hole.
Creatures,
with endless and dazzling tiny legs you dream of come out of the sides,
only to find that they, too, are merely experimenting.
Ripped grass tears through their bodies, and as your rip it out,
so do their screams. You hear them.
Begging just for one more breath,
before you crush them with your feet.
But the hole kept shrinking.
But their screams wouldn’t cease.
More kept coming from the ground.
Begging for peace.
You disrupted their lives, and so,
you must **** them all.
They simply needed a way out of this.
You thought you were doing them a favor.
You thought you were doing them a favor.

Your hands jump back to your face.
Their screams remained,
or was the memory just that vivid?



You’ve grown tired.
Leaving your motionless state
was enough.
You can’t do this anymore.

You made the wrong decision.
But, now, the disease has spread.
Running out of words to describe,
Is just the beginning.
You hear the screams returning.
Do you not deserve this?
You can’t move at all.
You feel, nothing, but,
regret.

More creatures escape,
and surround the murderer!
You beg, you beg, just for a response.
But they just stare.
Moving as eternity.
You beg for mercy.
But they have none to give.
And the rain becomes too much.
They drown one by one.

They scream standing.
You hear birds in the distance.
Finally, the rain has gone,
and, finally, you are
above the clouds watching peace take over.

It's in the sequence
within the space
on the slow turn
at the touch of the page

it's more than the optic
less than didactic
much more tactile,
less than merely mercantile

it's more immersive,
deeply collaborative
a match that's unconventional
beyond art, words and materials

avoiding any deference,
embracing our difference
flicking 2 fingers
without fear of irreverence

it's greater than the sum
of its many surprising parts
more than what was found in
the inspirational, original art

and whether it's deliberate
or accidently incidental
these are books as art,
beyond the coffee table

My therapist recently asked me "have you ever tried mindfulness?"
I laughed a bit, remembering of the week-long mindfulness camp (sugarcoated for in-patient psychiatric care) I attended for troubled teens. I went to this twice.
This peaceful brain training was designed to give us a retreat when the world is too loud. During group therapy, most teens shared their experiences with domestic violence, yelling, S.A., running away, abuse. Endless. We were all numb, but there was so much comfort in being locked away with others who needed the respite as much as I did.
We would eat skittles and describe their flavor and textures. We would focus on our breaths. Make beaded art. Tell collaborative stories. Follow guided meditations laying on unfamiliar gym floors, giggling a bit as we "soared through clouds".
I jumped back into the talk session, remembering my dedication to mindfulness years ago. My anxiety followed me into adulthood. I think mindfulness can be out of reach, stupid.
And yet, I looked out of her dusty, sun filled window decorated with three vases of dry arrangements. My mind started to posture into how warm and antique this image felt. I felt hot, quiet tears building up from feeling that peace again.

They were in the parapsychological hypnosis session unmoved by everything that could happen. The journey of a lifetime through the hidden spaces of past existence was virtual reality. It all begins in antiquity where Vernarth was transported to Hypno to reunite with his inborn and his comrades. He proved to be a great defender of libertarian ideals and above all not to betray his formation of great leaders of the largest empire, with immeasurable feats and achievements of this super experience of reunion in a past world with more reunions for having lived and returned to revive them. The expert director of this great feat, acknowledged never having attended anything that compares to him, it is an unprecedented fact and that would mark a new milestone in his specialty and the study of parapsychology. The doctor together with his assistants had to reevaluate a new policy of systemic or therapies, in exchange for their own way of life, generating the greatest plan of digression from this conjectured intercommunicated, to planes and dimensions of the ancestral memory of everything. Created, and those that its beneficiaries have been able to verify. In the vicinity of the clinical consultation, hundreds of people, onlookers, journalists, and the media took risks. To which one of them asks the doctor: Journalist: “Dear Sir, I was having a coffee… just when I heard about this phenomenal news. We decided to come to his interview. I consult you. What has been the greatest tenor that has been differentiated from the rest of the procedures that he has performed, and how will his method be in the future to reconvert his specialty? Parapsychologist says: “there are undoubtedly innumerable connections in our lives and beyond ...., But now I have found routes that I did not think I was capable of knowing in this instance. I think that now they will be more than they could count in an active professional life”

At that moment, his assistant called him urgently to tell him that an emergency had occurred. They both hurry and enter the cabin. And they manage to perceive that Vernarth was with the clothes on a sofa, at the time of the exploits of 331 BC. C. explaining that he requested excuses for his demands and needs, but he had much to propose and deliver to his comrades who were in Bumodos. Considering his beloved wife, Walekiria, he was as always preparing elixirs and essences for the recipe restoration of her breastplate and his limbs. He had an urgency to improve this whole process before the next Ekadashi, to get ready with new stages of his worksheet. Without a doubt he should go back to Patmos to take care of the pantry and library of St. John the Evangelist, he had to restore local buildings, house rooms, temples, regional development works, and regional art. Another elementary task was to take charge of agriculture, and to obey Hera's designs, for the next millennia to re-awaken the cultures that survive on her. Another of his great passionate conventions was to ride through Macedonia, through the sunrises at the time that it crosses the grassy pastures and the proliferation of the hieratic insects, when the Oracle of Dodona polished its germinated seeds in the arms of dawn turned into Fireflies. He flew with his horse, seeming to be acclaimed from all over the world for his "Liturgical Conclave." To surrender in his integrity in the residences of time on Alikanto, beyond all the Ages and the Millennia, unable to evade the dishonored paths by the consolidation of a new firmament. Incalculable times Vernarth and Alikantus are appreciated as they crash into the glittering valleys and regions, encapsulating themselves in the fields with the golden hooves of their steed, inaugurating the new resurgence of their adventures, which are more than the same God, who would entrust them to a restless individual to reissue Genesis, or a new collaborative proposal with the Evangelist on Patmos and Áullos Kósmos shaking the wind fog tunnels of Wonthelimar.

Song of Stratonice: "in the marble, he spent the night in white Apeiron and its infinite indeterminate matter, devoid of quality and found in the eternal movement of the Eolionimi, where a snowy savior has to take refuge in its womb, from Áullos Kósmos or paradise of Vernarth. The Basilisk and Satan will take each other by submission, each dying in solitude and abandonment in his own scale. Perversity has no cure or repair in the behaviors of its confinement, the millennial kingdom will be stuck in the centennial, having to be justice for the remains of their own children. Regarding the human spirit during all periods of history, there will be a nomological kingdom that without the word will say what life rescues in the emetics, and the facets of the Katapausis that will make amends for the Hebrew diffusions, in weight of the ferrule prop that embraces the Zefian's bolt, falling from the top. The two-sided enthusiasm will cross the rocky embankment at the top of Profitis Ilias, thus with tender meters crossing the Sanctified Absorption Fero and Humanitarian Salvation”

I broke away, suddenly and on unsure wings
I stepped forward swiftly into darkness
Giving chase to brighter things
And even I can say that faith is a beautiful thing
Even if I don’t possess faith in the typical things.
Even if it is only a faith in the fragile space
That exist between our heartbeats
Where quiet locks are kept
And keys are exchanged ,
Where lovers each learn
To pronounce
another name.

I have been broken down by numbers
And the harsh realities time has uncovered
Things that remind you, That fragile things die
Like butterflies lose wings
to vindictive trees  
I have been stolen,
And I have been lost,
Bound in life’s ties,
I have failed under different eyes
But I’m divorcing self hate
For a real chance at our
first real date
And let me make this clear,
my love, my friend, my dear
it is faith in the parts of you I will never see
in the layers of love
transending your physical touch
that evades any tie to the end of my pen,
in the reverberating sound of your name in my brain
that I found this thing
that makes me brave
that keeps me sane
And it is in these things I found my faith
And it is faith that makes me believe in improbable things

I broke away, suddenly and on unsure wings
I stepped forward swiftly into darkness
Giving chase to brighter things
And even I can say that this faith is a beautiful thing
Even if It is not faith in the typical things.
Even if its faith in the fragile space
Between our pain
Where we share the stories of which we are made
Collaborative artists, stenciling words to fresh page ,
Where lovers each learn
To pronounce
another’s name.
I have faith that your eyes and
“I love you” both say the same thing.

Strong Man

Sleep sound and dream sweet dreams
A strong man at the switch
Trouble no more, all peaches and cream
A strong man with an itch

Head for the mall, work on your tan
A strong man has your back
When things go south, he has a plan
A strong man, toward tyranny he’ll tack.

For the past five seasons, the New York-based designer Rachel Comey has forgone a traditional runway show in favour of a more intimate dinner and presentation at the Pioneer Works Center for Art and Innovation in Red Hook, Brooklyn. This season, she is taking her show on the road, stepping off the New York calendar altogether. Instead, she plans to present her Autumn/Winter 2016 collection in Los Angeles in late March to support the launch of her first retail store on the West Coast, scheduled to open in April.

Located at 8432 Melrose Place, the store is the second physical retail presence in Comey’s portfolio; the first opened in June 2014 on Crosby Street in Manhattan, New York. Editors and buyers who wish to see the collection during New York Fashion Week will still be able to schedule private appointments and the designer also plans on releasing a look book of images prior to the show.

Comey is the latest of several brands — including Burberry,Tom Ford and Louis Vuitton — to stage activations in Southern California in the past year. (While Ford and Burberry did shows in Los Angeles-proper, Vuitton took to nearby Palm Springs.) On February 10, the Hollywood Palladium will host what might be Hedi Slimane's last men’s show for Saint Laurent. Indeed, Los Angeles’ emergence as a legitimate cultural capital and growing fashion hub has been well documented.

The exact date and location of Comey’s Los Angeles event has yet to be decided. But the designer said it would be similar in format and concept to the dinner theatre-style shows she has preferred as of late, with a live performance and a guest list filled with creative class types who reflect the brand’s point of view. (Notable Spring 2016 attendees included NPR reporter Jacki Lyden, actress Parker Posey, writer Zadie Smith and artist Cindy Sherman.) “I’ve been showing for a long time, but how many shows did Cathy Horyn come to before we started doing dinners. Maybe two over 13 years?” Comey said during a recent studio visit. “I get it. Shows are ten minutes and really what are you learning about the brand? The collaborative effort between the environment and the music and models and the chef feels very honest for us and what we are trying to do. It's something we really believe in."

There will be one significant change to Comey's unconventional presentation formula besides the location. Instead of simply showing pieces from Autumn/Winter 2016, the designer plans to incorporate current-season pieces into the line-up, which will be available to purchase the next day. The idea is to boost interest in the opening of the Los Angeles store, which will sit alongside The Row, Chloé, Isabel Marant, APC and several other high-fashion retailers on Melrose Place. “We want to use the show as a way to introduce ourselves and connect with people,” said Comey.

Architect Elizabeth Roberts and interior designer Charles de Lisle, both of whom worked on Comey’s New York store, are collaborating on the interiors of the 2,600-square foot space. Additionally, Los Angeles-based architect Linda Taalman has been brought onto the team to consult on the design.

Both the Los Angeles event and store opening reflect the quiet transformation of the Rachel Comey brand over the past three years, as the designer's intellectual, arts-and-crafts aesthetic has grown more popular with a broader audience in the United States and beyond. (Comey’s dropped-hem “Legion” jean, for instance, has driven denim trends for several seasons.) Her decision to shift her presentation format from a traditional runway show to a seated dinner elevated Comey’s cachet on the fashion week calendar, while the success of her New York store has helped to drive a significant evolution of the business. Direct retail — both the physical store and e-commerce — now makes up 27 percent of the company's nearly $10 million in annual sales. Roughly half the brand's sales are still generated by domestic wholesale partners, while the other quarter comes from Comey’s growing presence at international stockists.

“The [New York store] was such a game changer for us because of the connection to the customer,” she said. “I think people didn’t realise the breadth of the collection. When you’re a wholesaler, people cherry pick it however they want. Which is nice, I like that in a way. But it’s also nice to have our own store, our own space and do things the way we want to do it.”

Indeed, Comey, who has been designing womenswear under her namesake label since 2004, has found that her greatest successes have come out of staying true to her vision. “I now have the faith and confidence that if you do things that are meaningful to you — rather than stick to the industry standard — [things] will probably work out,” said the designer, who is also working on a revamp of her e-commerce site.

“We’ve never been championed by a celebrity or a powerful editor. It’s really always been by word of mouth, loyal customers and just keeping on.” Now, it’s time to test out that philosophy on the West Coast. As Comey put it, “California is the promise land.”Read more at:http://www.marieaustralia.com | www.marieaustralia.com/bridesmaid-dresses