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we lay together, 6:00am, body warmth touch-sharing,
as the June morning summer chill coming off its night nadir coolness
surrenders very reluctantly,
full length pajamas, blankets and coverlets in use,
keeping cold out while bodies touching generate heat -
a big difference

through these layers of cotton controversy, my right arm,
my cunning, falls awkwardly upon her, advising I am woken
and aware she is as well, hear her earbuds emplaced, make shushed
whispering noises re the future of artificial intelligence
and other such mental knottings

my awkward angled arm rests on her landscaped outline of shape,
coming to rest where legs meet at the top of an upside down V spot,
which makes no request, but accepts my bequest of steady
stroking of her ****** as an unnecessary
but atheist-acceptable to her
morning prayer ritual, kept at the intersection of the
physical and physics theorems

funny how some prayers,
where recitation comes thoughtlessly and routine,
uttered without any contemplation are yet
deep comforting for their inherency,
so I pray a stroking repetitive on her body,
well hid neath a summer coverlet,
wordlessly chanted, wordlessly accepted, silence connoting approving permission

I comfort her,
above and through a floral coverlet for her floral coverlet,
till the sun rises enough to truly warm up our plot,
my praying reaches the end of its rope,
where quality and quantity achieve unanimity resolution
no longer needed,
but am appreciated, besides my arm is cramping,
not designed for the rising, unleveled angle of her breathing bodice

my comfort is her extra comforter,
an offering of coffee my reward,
for my daily work has begun,
and I have many more poems stillborn
that require coaxing stroking
to become
witnesses to living
Ah, Yorkshire, thou art purer than Coventry;
and thy promises whiter; than my fluid poetry.
Thou art braver, prudent, and all the way more intelligent;
thy lands are mightier; and perhaps in every possible way-more imminent.
Thou art sincere-and so more delicate than wine, and thoughtful;
Thou adored my words, and made everything else healing, and more beautiful.

In my heart but there might have been no Yorkshire at all-
had I attended not one Coventry last fall.
I witnessed not-at t'at time, all t'is rude twilight-and toughness and madness;
and every chapped breath it had in its roughness, and hilarious-though indeed fake, felicity.
No soul has even bits of a heart, here, to forgive others' soreness,
No being wants to share; no human lives in joy, nor simplicity.
No delight indeed; as I stream my way through every roads;
Everyone is either busy with their selfishness or their coats.
No living is cared for; for humans are phantoms at night and on morns;
Vulnerability is mocked, and demised and often slyly torn.
Ah! Coventry is but a sphere of hell!
For even hell is still lighter when has it not hellfire;
As well cities are, when there is no scoundrel nor liar;
But Coventry is not at all tender;
Its wicked gasp is alive, and never to heartily surrender.
It falls for glory; it bows to such fears for pleasure;
And wanes by the light of whose death; the end of whose allure.
But thou art true-thou art as shy as every flash of virtue;
Thou art indeed-everything t'at is solemnly agreeable and brand new.
Ah, and just now-I had dreams of a fine image of thee;
Smiling within thy fullest verdure, bushes, and lavish undergrowth.
And thy summer is but vivid and friendlier;
Healing every sore heart, and turning 'em all, merrier.
Thou adored the nouns and verbs I wrote,
and admired such simple notions I quoted;
Thou shine upon me-asthe light that shall makest me grow
and the promising dim, faraway region, that lets me glow.
O, Yorkshire, this is still but too early in the transparent evening;
But I am deeply endorsed yet, by t'is poetry writing-
And with thy soul that remains but too witty,
Tearing me away, but with loveliness-
from my cautious present engagement,
Thy charms might be just too hard to bear,
for thy tongue is too sweet;
and thy veracity too chaotic, ye' imminent.
In thee shall I find peace-of that I am convinced,
Peace whose soul is calm, neat and on all occasions, careful-
Unlike t'is bustle which is at times perpetual, and sorrowful;
Unlike t'is very city of Coventry,
Which is damp with exultant bareness, and haziness,
In many ways exalted, but indeed too proud;
And its tongue which is blurred with sin and poison-
Its all-too-loud excitement makes everything but faint,
And at times sends my heart to exile, sends my heart to pain,
In every possible way too unlike thee,
With an imagery, and coaxing voices so sweet
Thou shall leave all my poems bright and freshly lit,
Even though I am still here, even though we are still yet-to meet.

Coventry is too proud and vibrant-yes, too vibrant,
Amidst its own foolishness, which sadly made itself formerly too elegant.
Too elegant to me-in various shapes, and keenly cloaked in unseen deceit,
But only by some beings, whom I was to meet, and my breath to greet.
And as I wake up to an early morning hour,
the plain summer strangely makes me thirst for honest water.
And should I love still-one intelligence t'at is so bitterly repugnant?
I shall certainly not; I shall turn to thee, Yorkshire, who is truer ye' far above, tolerant.
Ah, Yorkshire, but honesty is something Coventry promises not;
for its soul has been maliciously beheaded, and twitched,
It has been paled, corrupted, and despaired-
by its own claws, derived from the jaws of those evil souls
Veiled by their even still inhuman, disguises,
And shall still be wicked, otherwise.
In t'is sea of hate, and these waves of despondency,
I shall think of thee with tantalising depth and scrutiny,
Though thou art still imprisoned in my soul,
Thou who hath flattered and accepted me as a whole.
But Coventry is-still, accidental with some of its bindings,
For mortal as thou art, itself, and is unable to escape its fate,
Still I canst think only of the beauty of thy linings,
And upon thy lands shall I venture to fill my plate.
Ah, Yorkshire, remember that virtue is in thy hand,
but neither is vice-thy dormant enemy, is in its therein,
Virtue who is vile to all of t'is world's inconsolable men,
like in Coventry, as deemed it is, unreasonable and ungenerous, within.
Virtue which is tragically abandoned, in its pursuit of honour;
virtue which was rich, but flattened, and dismayed and disfigured
within the course of one unsupervised hour.
Ah, York, Yorkshire, when shall I ever taste the grandeur
And the very superiority of thy dignity?
For in yon picture, thou art still but a comely neighbour,
Which endorses and attests to my mute, yet unaffected-virginity.

Ah, but Coventry shall despise thee, and with its stubbornness
and overwhelming pride, shall jostle and taunt thee;
Shall defect and isolate thee-when I am but by thy side,
But God be with me still, and blind shall not, my virtuous sight.
Detesting and confronting thee for the remainders of years-as 'tis to be,
Which for thee lie ahead; as how hath it deluded me-just now!
I, who, disconcertingly, placed my heart within its sacred vow,
hath been robbed of my satisfactions, and utmost fortune,
All were perused in centuries and gone in one moon.
Ah, Yorkshire, shall I continue my poetry here-but call out endlessly to thee?
And shall I abandon this tiny caprice of mine-which is a fine, tiny desire of glory
And let myself on the loose, and for evermore be in search
of thee, whom I shall've lost-under the very indulgence of their mirth?
O, I think not!
For I shall mount my poetry-and achieve my silent dreams,
I shall take him with me, if allowed am I-to conquer him,
And make him and thee mine, just like I hath made my poetry,
And be thy light; and thy spiritual and endless reciprocal adoration
All day and night, at the end of our quest for destiny
Wherein I shall dwell, and thrive as my intellect be granted-its long-lost coronation.
O, Yorkshire, for within thy hands now I shall lie my faith-
and trudge along thy forking paths, unto the light of my fate.

Ah, Yorkshire, I am infatuated with these paintings-
these very paintings of thy lush green lands,
And of myself wandering and skulking idly about thy moors;
With my best frock, and his fingers, the one I love, entwined in my hand
As lights procured and on our storming out of yonder wooden doors.
I am shining like a bee is-upon the sweet finding of its honey;
but in whose tale 'tis like thee-to sweet and unpardonable to me.
Be with me, Yorkshire, and be with me forever, only,
As I leave behind this faint malice and commence my journey;
I shall be with thee, and my poems shall be free,
And t'is bitterness of winds shall be no more tormenting me,
Furthermore-be them what they desire to be;
But let me write; and play my song as beautifully as yon naive bee.

Ah, Yorkshire, and wait, wait again for me;
But before let me sink again into a deep sleep,
and tease thee again in my dreams;
Read me once more-the very passages of thy indolent poetry,
Take me out of my stiffness; swing me out of abhorrent Coventry.
Coventry shall be envious, and waiting forever for thy demise;
but honesty is honesty-and one that has no lies,
for thy virtue is clear as thy Western gem,
which is to God, shall always be virtue, all the same.
danny Aug 2017
Blonde hair, tight tanned body
Not usually my type but
You stir something in me down there.

You smile shyly,
Girl, you are going to get us into more trouble.
You don't seem to need much coaxing.

Down slides the red cocktail dress,
Your toned body freed.
Black lace ******* shielding heaven.

Soft lips on mine, feels so good
Supple ******* in the palm of my hand,
Pinching ***** *******, a specialty of mine.

Feeling you tremble underneath me
Floods my cup,
I cannot wait to taste you.

I feel your fingers slide
between my thighs,
As our tongues do ballet.

Going to gain our membership
to the sisterhood now.
Wet knuckle status.

We are top to toe,
Better access.
I am starving for you.

It wont take us long to reach Nirvana,
I get it now,
I would have burnt my bra if I ever wore one.

Your ****** and my mouth are a perfect match
I do not usually swing this way
but am honored to dip my toe in your pool.

Crying out you pull away.
That's not how I work,
You will leave complete or not at all
Lyla from my previous one night stand trilogy, my first one in a series of ****** poetry, I decided to continue doing more, Feed back is welcome
"You're cold."

  He said as he took her hands and he couldn't be more right and wrong at the same time. Her gaze simply fell to her feet as she let the silence envelop her. She felt cold, her soul quivering somewhere in the corner of her heart, obscuring its rhythmic beat and creating a swell of off tempo chaos in her veins. Her memory of his whispers were akin to the sudden rush of wind that hit her skin, wet with the storm of tears and caused chills to cascade their way across her body.
  
  But he was wrong, it wasn't she who was cold, it was him who was stealing everything that made her warm. Coaxing her with his silver tongue, murmuring the words he knows she wants to hear, testing his skill and bringing her to the edge of the flimsy fortress she calls defense, to where she's just barely out of his reach, a paper thin wall separating his will from hers, and he nearly giggles in delight when he causes her to tear it down herself, like a spider tearing down its own web.
  
  But of course that isn't enough, not when she's standing there, all walls down, vulnerable and tender, her heart so soft he could cut right through it with just his fingernails, and Hell be ****** itself if he wasn't the slightest bit temped to try because he knows how easily he can, like shoving a pin through a butterfly, simple and smooth, and it'd be so interesting to see her squirm. But instead he's interested in how far he can cause her to do it to herself.  
  
  All he has to do is let a few of his venomous words drip from his teeth, promising he isn't like everyone else (because he isn't of course, no one else would be this thrilled to watch her crumble so slowly ), that he understands, understands that she's so incredibly weak, and that her heart is so big it oozes to the surface of her skin for everyone to see, and it's so **** easy that she must be begging for it, and suddenly he's caught her and he loves it.
  
  She's hanging on every word as if he's holding happiness over her head, but this is boring him, he wants to see what makes her tick, how she is the way she is, so it's time to step up his game. He moves his hand from hers and slides it up her arm, resting ever so gently on her shoulder as his other hand moves to her waist, and as if to further prove his point about how she basically wears her heart as her skin it turns a rosy shade of pink, and sends its pulse so strongly he can feel it. He lets his breath ghost across her susceptible ears and pulls her against him as he gives his orders.

"Strip."
  
And she does.

First go the clothes, but her skin isn't what he's interested in, and he makes it very clear with the expecting look he gives her, so she goes again,tearing skin from muscle one piece as a time. He knows it must be painful, from the tears pouring from her eyes and how the exposed muscle throbs with its raw appearance, and yet the look of concentration on her face just pulls him in more, and yet it still just isn't enough, and finally that red disgusting throbbing ****** mess is pulled away to expose her shining ivory bones. He can't help but marvel in how gracefully they curve, the very core of her frame standing before him, she's completely bare with nothing left to expose, and that gorgeous  pearly figure before him is only more defined by the red  heart that's left behind those ribs, as it pulses and drips and beckons him with each flutter.
  
  It glistens like a slimy rotting apple, and it couldn't be anything more since it belongs to her. But you know what they say, fruit is always the sweetest just before it goes bad, and it's too tempting for him to not take a bite. And he couldn't help but marvel at how warm it was, or the sudden chills dancing down his spine.
Nigel Morgan Oct 2012
It was a cold night for a concert. There was frost on the windscreen as we got into the car for the short drive to this city church. We drove because we were going to be late, and it was cold, and would be likely to be colder still when the concert was over. I had wondered if part one would be enough. Could Bach and Rameau be enough? Might the musical appetite cope with Mozart and Beethoven too? Were we about to sit down to a large meal, possibly in the wrong order. Can the cheese course be a transcendental experience I wondered? Bach to begin certainly, a substantial starter with one of the mid period keyboard toccatas and two ‘distant’ preludes and fugues, but then a keyboard suite by Rameau?
 
When I listen to Beethoven though I want to hear a work on its own, unencumbered round about with other musics.  A recent experience of several hours driving to hear a single Beethoven symphony has remained close and vivid, and an experience that brought me close to tears. So I imagine that I might only hear Op.110 to make that opening sequence of chords so ominously special. The introduction seems to come from nowhere and does not connect with musical past, except perhaps the composer’s own past. It is as though the pianist puts on a pair of gloves imbued with the spirit of the composer, and these chords appear . . . and what is there that might possibly prepare the listener for the journey that pianist and listener embark upon?  Certainly not the soufflé of Mozart’s K.332.
 
The audience is hardly a smattering of coats, hats and grey hair. There is another piano recital in town tonight and this is but the artist’s preview of a forthcoming concert at a major venue. Our pianist is equipping herself for a prestigious engagement and sensibly recognizes the need to test out the way the programme flows in front of an audience, and in a provincial church where she is not entirely unknown. I admire this resolve and wonder a little at the long-term planning which makes this possible and viable.
 
Now a figure in black walks out from the shadows to stand by her piano. Coming from stage right she places left her hand firmly on the mirror-black case above the keyboard. She looks at her audience briefly, and makes a bow, almost a curtsey, an obeisance to her audience and possibly to those distant spirits who guard the music she is to play. We will not see her face again until the next time she will stand at the piano to acknowledge our applause after the Bach she is about to play. Her slightly more than shoulder-length hair is cut to flow forward as she holds herself to play; her face is often hidden from us, her expression curiously blank. Perhaps she has prepared herself to enter a deep state of concentration that admits no recognition of those sitting just in front of her. Her dress is long and black with a few sparking threads to catch the careful lighting. Without these occasional glimmers her ****** movement would be unnoticeable. As it is the way the light is caught is subtle and quietly playful, though not enough to distract, only remind us that though in black she is wearing the kind of starry sky such as you might perceive in crepuscular time.
 
Thus, we already sense so much before she has played a note there is a firm slightly dogged confidence and reverence here in her approach to instrument and audience. And in the opening bars of the Bach toccata that is manifest; and not just a confidence born out of some strategy against nervousness, but a ritual of welcoming to this music that now spills out into the partially darkened church. The sonorousness and balance of the piano’s tone surprises. It is not a fine piano, but it has qualities that she seems to understand. There is a degree of attentive listening to herself that enables her to control dynamics and act resolutely on the structure of the music. When the slow section of this four-part toccata appears there is a studied gentleness and restraint that belies any ****** led gesture or manner. Her stance and deliberation at the keyboard remain determined and in control, unaltered by the music’s message. She does not pull her body backwards as seems the custom with so many who feel they have to show us they are stroking and coaxing such gentleness and restraint out of the keyboard.
 
As the final fugato of the toccata flows at almost twice the speed I’ve ever heard it, my concentration begins to disengage. It is too fast for me to follow the voices, I miss the entries, and the smudged resonance of the texture hides those details I have grown over so many years to know and love. This is Glen Gould on speed, not the toccata that resides in my musical memory. I am aware of missing so much and my attention floats away into the sound of it all. It seems to be all sound and not the play of music.
 
In this stage of disengagement I sense the tense quality of her right leg pedalling with the tip of a reddish shoe just visible, deft, tiny flicks of movement. She turns her face away from the keyboard frequently, looking away from the keyboard through the choir to the high altar; and for a moment we see her upturned face, a blank face, possibly with little or no make up, no jewellery. A plain young woman, mid to late thirties perhaps, and not a face marked by children or a busy teaching life, but a face focused on knowing this music to a point at which there is almost a detachment, where it becomes independent of her control, flowing momentarily beyond herself.
 
Then she reins the toccata in, reoccupies it; she is seeking closure for herself and for her audience whose attention for a short while has been, as the Quakers say, gathered. Gathered into a degree of silence, when breathing and the body’s sense and presence of itself disappear, momentarily, and musical listening moves from a clock time to a virtual time. There is a slowing down, an opening out, even though in reality’s metronomic time-field there is none.
 
There is a hesitation. With more Bach to follow, should we applaud? With relief after holding the flight of time’s arrow in our consciousness, just for those concluding minutes and seconds we acknowledge and applaud - the beginning of the concert.
Frank Brown Sep 2012
Sat eating my lunch and a letter from the student union is dropped onto the chair next to me. I forgot; I’m a student. Why? I don’t even know. I ignore the letter, knowing it will be full of all that fake happiness *******. The thought of it causes my blood to boil. **** that. **** your community, your society based on ignorance, coaxing young impressionable students to become involved, engrossed in your way of life. Do what you want, I don’t give a ****, but don’t try and tell me that I’m not making the most out of my life because I don’t get involved. You can’t understand that there are other ways to live. You go about your business in this world isolated from the creatures and monsters that lurk within the depths of life – that lurk within the depths of yourselves. Suppressing; ignoring; having fun in your sterile environment. You think you avoid suffering, that you’ve found the recipe for happiness. All you’re really doing is suppressing life itself, your existence is incomplete, you are nothing but an effigy, a shadow of yourself.

As I flick through the leaflets and pages of the over-coloured, glossy pamphlets, I am overcome with what I can only describe as passionate rage. It’s just too ******* easy to be cynical about the crap that’s in this letter. Everything can be torn apart, I can see right to the depths of all the ******* they’re trying to feed me. So what if some guy has been elected as the student representative for sports – do I really need to see his face smiling back at me on every page I turn to? Why do I need to know who this guy is? Am I supposed to look up to him, is he the intermediary authoritative figure that I’m supposed to look up to; respect; even admire? A role model for myself, and all the other impressionable young minds arriving at university?

Taking them in when they’re at their most vulnerable. They’re living alone for the first time in their lives, but don’t worry; here comes the student reps to fill that void that is left where your home and family used to be. Come and join in with our activities, drink yourself stupid and forget the pain. We’ve even planned out a schedule for you to follow, each night laid out for you. Don’t even think, don’t use your own initiative and decide where you might want to go. Cram them in, venues at maximum capacity; drinks as cheap as you’ll find for miles, everyone wearing the same clothing styles, forgetting to think what this world is they find themselves in, stick to *****, forget about whiskey and gin. Your life as a student has begun; from now on this is what you’ll find to be fun. Don’t venture further into the depths of life, this is all you need. Your one pound ***** shots used as a catalyst, overcome your awkwardness, get laid for the first time; ****** for the first time. You wake up in unfamiliar surroundings, lost your phone and your wallet, can’t handle the drink, just an unconscious student, why the hell should you think.

Of course, these students are anxious, what better way to ****** them to this way of life. A world of cheap drinks and easy *** with clueless idiots. It doesn’t seem right, but this is what we’re told, better make the most of life, before we got old. Pass me a drink, there’s a girl over there, acting like a fool, but right now you don’t care. In the morning you wake, vision clouded, headache, now you’re a student, an authentic fake.

Rant ******* over. Well no not really, this is a rant that will stay with me till the last star has faded from the sky above. This sickness of society, the disease ****** onto every young mind is a tragedy. The potential for a better world erased, great minds suppressed, left right left right, all well-dressed. Who’s going to paint the great portraits, suggest a way to change the world, play a piece so beautiful the piano weeps? Who will suffer, and live life the way it could be lived? Come to the depths, to that murky world where adventure lurks around every corner and at every door way. This is life, you don’t have to know where you are, and it’s better if you don’t know where you’re going.
Redshift Apr 2013
a borrowed pencil
coaxing out words
it never knew it had
in the hands
of another
guiltily.
The curtain on the
CPAC convocation rolls back,

as the revolution
in Tahrir Square boils.

America’s theater
of deadly political

absurdity commences;
to witness demagogues

recite holy scripture to
evangelize a religion of war.

A heavily invested
audience marvels

at the marionettes
pirouetting on strings

jigged along by hands
of invisible puppet-masters

donning dark masks of
clever 503C llcs

disguised in self serving
hues of red, white and blue.

This grand folly of masquers
conceals a fatal pantomime,

a cast of reactionary characters,
Neo-Conmen auditioning for

the leading role in a lurid play
of a deadly nation projecting
a dying imperial preeminence.

The martinets engage zero
sum games where the victor
belongs to the despoilers,

and the merchants of death
richly confer multimillion dollar
reasons for being, underwriting
the gilded egos of candidates

and their infatuation with the
vanity of feigned power.

These master rhetoricians
skillfully lather up the crowd

by pandering to basest
xenophobic nationalist
instincts and fantasies
of laissez-faire proclivities.  

Slathering on the partisan
pretense in layers so thick

a master chef, armed
with the sharpest Ginsu Knife

couldn't slice a hock tip
of blood red meat

hurled into the crowd of
gobbling Republicons

howling and yodeling
it’s derisive acclaim.

The rankled party line,
gibberish talking points

are hammer blows of
incessant propaganda,

so cocksure that any room for
doubt is crowded out by the

phantasmagorical McMansions
of hyperbole they ***** in

the pliant minds of their
gibbering minions.

The candidates preening for
president show off their

falangist affectations
in eager duels of oratorical

one upmanship; constantly
jockeying to outflank their

other Neo-Conmen opponents,
always concluding their brutish

diatribes with a solemn
denouement of a Republicon

psalm ending with a
Holy Hosanna Hallelujah

to the Ronald Reagan
Heavenly Buddha.

Punchline of the holy Amen
“what would Reagan do?”

to remind the faithful
to remain the faithful

bearers to the fiction
of dead Reaganism.

Evoking anything
Ron and Nancy

induces sanctioned
comportment of a

slow simmering
******* eubellence

providing a welcomed
relief of repressed
libidinal energy.

The mention of Goldwater
sends GOP acolytes to

pause in reverence,
envisioning Barry and

Ronnie looking down
from heaven upon the gathered,

inciting immediate ruminations
of falling dominos and

the viability of a
tactical nuke strike

against Ayatollah’s
underground
uranium factories.

The host of Neo-Conmen,
new age Falangist pitchmen

belch from the dais,
in ever increasing alacrity,

the stirring drum beats
and slick videos,

of glorious warriors
winning the battlefield

with the rippling glory
of the Stars and Stripes

flowing in a continual
loop behind them.

Romney,
Bachmann

Gingrich
take center stage,

goose stepping
to the roll of piercing timpanis.

Words slither
out of their mouths
like poisonous snakes.

Lies, hiss through
their teeth.

Open mouths
expose Black Mamba
fangs, dripping with venom.

Eyes squint
as their reptilian brains

implore the besieged
to flee from the
light of truth.

Seeking refuge in fear;
yet on the ready

to coil and strike;
while trembling

in ignorance,
exalting loathsomeness

worshiping violence;
they remain

poised to unleash
first strike armies;

boastfully evoking moral
platitudes of Bush Doctrine
prerogatives.

Trembling in ignorance
worshiping violence

exalting fear,
these dogs of war bay

to unleash armies
against the

Godless apostates
that threaten

to expose the
stasis of their

Capitalismo-Judeo-Christian
view of the world.

They have hijacked
the great faith traditions

to serve a narrow
political aim

and relish any
opportunity to

demonize Islam
in service to their lies.

Watch as they
they crouch down

on the dais to
open the nest

of vipers welling
deep within the
bowels of their souls.

They find relief
by excreting their

spawn of deadly asps
into the veins of

cable news networks;
scoring political points

with the terrorized
children of Faux News

capturing battalions
of straw men villains

to rise atop meaningless
straw polls.

They agitate for a second
American revolution

by injecting the venom
of fear and lies

into the body
politic.

Ron Paul
stands alone,

perplexed why
American's love

war as much as
they hate civil liberties?

Cheney and
Rumsfeld brood.

The people of
Iraq and Afghanistan

fail to embrace their armies
of liberation that run up

unfortunate collateral damage
body counts required to sustain
the American way of life.

Ever the defender of
democracy and liberty,

Gingrich slams Obama's
condemnation of Suleiman

"hes an able diplomat."
Gingrich  forgot to add

that Suleiman is a
skilled torturer and

an able tyrant any self
serving democracy would
be proud to call ally and friend.

Cheney and Rumsfeld
remain flummoxed.

Their armies of liberation bogged
down in the marshy Blackwaters

of intractability;  trying to solve
the conundrum of the diminished

equity returns of asymmetrical
warfare.  Spinning the math

to justify building aircraft carriers
to **** a gnat.

The families of dead soldiers
surround them and wave dime

store flags hoping the plastic
eagle remains fixed atop the pole.

Perpetually smiling
Michele Bachmann
raises the specter
of Muslim Brotherhoods
taking over Egypt.

The persecution of Christians
and the escalating war on

Christianity have the Crusaders
up on their seats waving Excalibur
once again.

Gingrich pink cheeks
flush with the cash

of a Zionist casino
entrepreneur

doubles down, stacks
his chips high.

“The Israeli Embassy
in Cairo was overrun
by angry mobs.”  

“Is this a precursor of
cancelling the peace treaty
signed with Sadat?”

“The pullout in Iraq hands the country to
radical Shiites effectively handing our
hard won victory to Iran.”

“Israel is threatened and will not
permit Iran to acquire nuclear

weapons. A nuclear empowered Iran
will not stand!”

“We mustn't let do nothing Obama
threaten the safety of our good ally
Israel.”

CPAC willingly holds the deadly asp
to the breast of a proud nation.

Urging, coaxing it to gently sink
its teeth into the sacred heart
of our dear republic...

John Lee ******
Crawlin King Snake

CPAC 2011

Matthew 23
Brood of Vipers


jbm
Oakland
2/10/11
Lora Lee Apr 2017
and
       just like that
I am falling
unfolding in your eyes
layers of shadows unraveling
in polar-laced
              spirals of hunger
deep freeze melting upon tongue
an icy build-up
thawed in seconds
for my very cells burn
          beneath your gaze
as you take in the fullness
                 of my presence
     despite the smoky,
glass-paned haze
My presence-
     suffused with
          the darkness of silk-
          I want it to graze your skin
the most gentle feather
  stroking emotion
       coaxing out the
        delicately-wrapped
          firestones in you
           spinning them into    
a frenzied lava-slaked ocean
     and then those unexplained,
flurried lattice flakes
that somehow soothe and cool
within this inferno
of just-missed proximity

My essence
             is cast like a net
over you
as we dive into
         the volumes
as I pull the
heated visions out of your mind
             feel your heart's closest
  most tiny reverberations
           little beats barely heard
yet in some unlikely way
pump blood into mine
Undo me
as my wet blue pools
dissolve into yours
my trussed-up implosions
flowing out in air-spun tempest
Unwrap my defenses
          a soldered-up dam breaking
                 a glass tubular bell
                   hairline fracture quaking
Strip me bare
no need to even touch me
for the vapors of
your voice
remove the layers
of debris
like the steam of earth
irons out
the blackened quilt of sky
to reveal
the altar
           of our
stars
https://www.youtube.com/watch?v=ff9xVEHbq-U
L B Sep 2017
The ocean through an opened window
Frontier between all that's known
of here
and sleep
riding out the waves as they come

A gull cries in passing

Waves sating themselves
in the womb of the earth
kissing the neck of Bride's Brook
Her seaweed streaming hair
in wind of tides
The moon's pull to release
coaxing spent and tender moans--

the farthest reach of sighs
Actually, this was from a place where I stayed on Cape Cod, MA.
Polar Jun 2018
He
He speaks the language of flowers
Quietly toiling in his garden
Digging, raking and smoothing soil,
Gently coaxing nature to match his vision.
He knows the bees, spiders, beetles, worms and earwigs
Regarding them as friends.
He follows seasons, moon and stars
As others do people
Enthralled at the changes they bring.
He listens as the birds sing
Watching with joy as
Fledgling take wing.
I find myself looking for words.
Combinations of feeling
I did not know existed.
I cannot breathe.
I struggle for them
& make myself a fool.
The world was so big before I met you
& now I'm grasping for it,
unable to recall it's delusion
as I am pulled into your orbit.
Out of drifting dreams.
My mind goes blank
& all I can see
is the dark galaxy that is you.
Alien, beautiful & natural.
You haunt me.
I nearly never believed so big,
& you infiltrated this complex defense
to show me what's been missing.
Half crazed by the loneliness of space
I cannot articulate.
Another form of art I hesitate to express.
I do not trust myself
that it will not be perfect,
fluid,
each stroke of the tongue
like the brush fear failure.
I want to show you all I see
beneath the stars.
Let the brilliance of the moon shine through.
But she is stuck.
In the cloud of curious awareness,
my eloquence cripples me.
How many things can I say
before I lose my grace?
& I dread
the company of simple minds
who cannot love stories.
So eager,
your patience holds the hand of the clock.
I want to watch your eyes glow
lit up by the music from my lips,
& I want to be carried off
by all you reminisce.
I can't believe in chance
when a soul like yours comes to court.
Thrice even.
I am challenged by the core of you.
Inquiry.
Things I cannot see
& stopped looking for.
If I take no notice,
I will not be seen.
Drawn into someone else's dreams,
Abandoning me.
I forgot how to identify
with my kind
so that I did not lose me.
Then I rusted over.
The great machine locked away
while the shows went on
in Technicolor.
Introspective
losing passion & luster inside this shell.
How you found me,
only body in forum.
You took me out to play.
Engaged, stalled, oiled & sparked
Life.
I am reminded of a better me.
An affirmation,
of my Dominant heart.
His voice,
the coaxing in my womb to Be.
Away with closed up, dying to shine.
You wanted to show me off,
pretty girl.
I remember being a Goddess
& shattering the abyss around me
with heart & raw warmth.
The fire of honesty.
Unsatiated wander bred in me
& I held nothing back.
Now the world is clay
& my garden to build upon.
Train me to grow.
I am inspired to be stardust.
Permeate every corner of this heavenly body.  
I find myself the eager student of Aquarius.
ghost queen Jan 2019
there is hope
like a rising sun
on a distance horizon
lighting up the morning sky
pushing the darkness aside
melting the clouds away

the rays warm my face
coaxing a smile
squinting my eyes
i take a breath, savoring being alive

the sky is blueing deeper, clearer
morning haze is lifting, disappearing
life is awakening, stirring, moving
the beauty is overwhelming, awe inspiring

i see anew, with an indigo eye
things i’d sensed but never knew
i feel too deep, intuit too much
beheld as a curse, repressed, suppressed

i burned, screamed, fell into ashes
my soul lay fallow, quiet, healing, waiting
resurrecting from cold dark depths
heart beating, eyes opening, arms reaching

vindication from self doubt
forgive me Cassandra, Cairn, Mother
i weep, openly, proudly, for your grace
it is the 9th and final gift
#552-2019.03.11
indigo flower photos https://flic.kr/s/aHskLRTg2B
Kara Jean May 2016
Deranged and rearrange
Obsessed and repressed
You skim the surface,
Proudly believing you know the inbetween
*** is a flame,
Still tamed
Perfect doll patiently coaxing
It's a hoax,
Attention you spent
A rotted scarred, heart
Depiction of the girl who giggles and says yes
She died when she was thirteen
Along with her virginity
typhany Jan 2014
my arms remember razor blades and spiked needles
and my veins ache to feel the warmth of her
swimming perfectly through my bloodstream
and engulfing my every fear, my every desire
until i am nothing but a pool of sticky tar

my nostrils burn without the powder
flying into my brain, and dripping down my throat
keeping me awake for days on end
and opening up my mind for my pen
shaking as i hold it to the paper; scribble

my tongue dwells on the bitter taste of hallucinogens
that made me dance in the coldest rain
and swim in the smallest pools of warm blood
that erupted from the belly of an orange tiger
who held my hand, and danced to the beats

my stomach remembers the feeling of pill bottles
emptied out; the tablets dissolved
coaxing me into warm slumbers, and forgetfulness
i miss the feeling of letting go
of love, of pain, of regret
Olivia McCann Sep 2014
Maybe my writing
Will improve
When strewn over
Blue lined graph paper,
Tiny boxes,
Coaxing out order,
Perhaps even
Clarifying boundaries
Between crazed truth,
And detrimental lies.

The grid putting
Poem in context,
Poem like graph,
Displaying
Levels of THC
Depression
Number of Kisses
Tears Cried
Outliers of secrets uttered.
Box and whisker plot
Displaying anxiety,
Skewed data toward extremes.

No.
Linear writing would
Reveal the chaos inside.
I can't fit the poems
To the squares.
A graph can't really cry
The way a person can.
There's a losing feeling
Etched in pen
On a harshly graded
Parcel of mathematical quizzing
That a poem has no place to
Instill in me.

And no one would
Be able to read my work
The way they tell you to show it.
My poems have no color coding.
Definition between data
Becomes hazy as
Layers of black are added
In empty,
All encompassing anger.
And I smoke while I write tonight,
Haze growing,
Lines wobbled,
And I may have put a poem
On a piece of graph paper
But it's nothing like the math homework
That stays in my backpack.
Needless to say, I wrote this on graph paper.
On the cold solstice
the velvet magnet
of Luna's magic
pulls

quietly urges

whispering
gentle spells
into dreamy ears

compelling
her lover
to rise
quixotically
coaxing
him from
the warm sleep
of winters
first night slumber

she summons
a willing lover
inviting him
to follow
her stark
alluring light
illuminating
the lonely blackness
of a bleak universe

her
seductive powers
transcends distances of
a thousand solstices

her
resounding light
a sure mark
braces any weakness
emboldens desire
guiding the bidden
to unforeseen
destinations

standing
in your presence
my face is flush
reflected by your
resplendent light

my heart
broiled
by your
vexing
radiance

the roiling tide
of a midnight reverie
ebbs
as my
earthen shadow
begins to pass
over your
indelible
whiteness

I witness
my dark countenance
eclipse your light

defiling you
fearing
to forever
mark your
effervescent silver
with the baseness of me

without shame
your smile
allays my fear

you understand
you anticipated
the expression
of my
coy reticence

a sweet chant
sings
unencumbered
reveries
gently
reassures
you've danced
through many
moonlit nights
with eager lovers
only to return again
in virginal whiteness
across the
endless cycles
of time

released
relieved
abandoning
all restraint
now
I
summon you

my blackness
your whiteness
breeds a
sensuous
orange
sweeter
then an
open mango

she rules the sky
a celestial monarch
forcing Mars into
a sheepish retreat
commanding
mighty Orion
to sheave his sword
while
Venus
seethes
with envy

my form
begins to swallow
your lines
and
soft curves

my blackness
disappears
into
inviting cracks

falling into
dark creases
the soft billows
sweet mounds
voluptuous craters
gay playgrounds
for my mouth
mysterious hillocks
eagerly explored
with hands and
limbered fingers

a quixotic Eros
the scent of spice
swells in my head

everything
enveloped
like a
holy ghost
playfully gaming
hide and seek
radiantly moving
through
darkened canopies
of a lush forest

nostrils fill
with
tang of spice
a scent
of Caribe

face buried
in thick tresses
of maddening blackness

becoming unhinged
by eyes speaking
a thousand languages
as lips whisper
joyous whimpers

a silent kiss
of an orange lit night
writhing bodies
splayed together

ravenous tendrils
shape sloping
cloud pillows

quivering lips
unveil smiles of
alabaster pearls

mocha darkness
sambas through
the night

she exhales
her lovers name

Luna bathes
her cinnamon curves
in delicious
mango light
offers generous
dollops
of ******

peeking
baying
drifting
I cast off
onto a sea
of lucid dreams

drinking from
a dark aureole
as the tresses
of her
sweetened nest
moistened my member
in a sacred communion
to a hungry lovers mouth

her dancers legs
slim, supple
unbounded
and open
sweet to taste
smooth
so soft
to touch

the fullness
of our rumba
se los tango
con cha cha cha

light steps
close caress
kinetic commotion
wild laughter
fills the sails
of bold schooners

Luna's smile
commands
the seas
to heave

un poco loco
ola de feliz
los hablamos
un contrara
la estas
la esta

the lavender sky
of the mornings
twilight
inspire
Meadowlarks
to herald
the emerging day

still
drunkenly swigging
loves nectar
sleep creeps closer

confessing
small regrets
she fell
victim
to passion again

Luna
comes back
to her lover
pets his chest
with delicate fingers

in a voice
as light as air
she sings
a poem
into his ear
of passionate nights
beauteous art
longing to express
heartfelt truths

The mango consumed
Luna's whiteness returns

my shadow recedes
into inconsequential
nothingness

naked
I stood
sadly witnessing
the dark horizon
overtaking
my fleeing lover
swallowing her
in tiny bits
as morning drops
a final veil
over the face
of a now
vanished love

Music Selection
Grant Green, Moon River

jbm
Oakland
1/19/11
Love is the scent with the lotus born.

It is the silent choirs of petals

Singing the winter’s harmony of uniform beauty.

Love is the song of the soul, singing to God.

It is the balanced rhythmic dance of planets -

   sun and moon lit

In the skyey hall festooned with fleecy clouds –

Around the sovereign Silent Will.

It is the thirst of the rose to drink the sunrays

And blush red with life.

‘Tis the promptings of the mother earth

To feed her milk to the tender, thirsty roots,

And to nurse all life.

It is the urge of the sun

To keep all things alive.



Love is the unseen craving of the Mother Divine

That took the protecting father–form,

And that feeds helpless mouths

With milk of mother’s tenderness.

It is the babies’ sweetness,

Coaxing the rain of parental sympathy

To shower upon them.

It is the lover’s unenslaved surrender to the beloved

To serve and solace.

It is the elixir of friendship,

Reviving broken and bruised souls.

It is the martyr’s zeal to shed his blood

For the well-beloved fatherland.

It is the ineffable, silent call of the heart to another
   heart.

It is the God-drunk poet’s heartaches

For every creature’s groans.



Love is to enjoy the family rose of petal-beings,

And thence to move to spacious fields -

Passing by portals of social, national, international
    sympathy,

On to the limitless Cosmic Home –

To gaze with looks of wonderment,

And to serve all that lives, still or moving.

This is to know what love is.

He knows who lives it.



Love is evolution’s ameliorative call

To the far-strayed sons

To return to Perfection’s home.

It is the call of the beauty – robed ones

To worship the great Beauty.

It is the call of God

Through silent intelligences

And starburst of feelings.



Love is the Heaven

Toward which the flowers, rivers, nations, atoms,
       creatures – you and I

Are rushing by the straight path of action right,

Or winding laboriously on error’s path,

All to reach haven there at last.
nivek Sep 2015
when all the muses hide inside your heart
and refuse to come out to play
a little coaxing of the light hearted kind can be an enormous help I find.
Kristen Hain Sep 2015
Often times I’m staring
Awing in the curves of full blooming lips
Carved jawbone covered with deepening dark moss
The journey through the damp forest after warm rain
It is all awake alive and breathing clearly
Rising and falling like the rare drops from deciduous leaves
I cannot tell you how inhuman you feel to me
Your skin darkens around your eyes from nights up
Long evenings too many and whiskey that never even made it to a cup
Sometimes I cannot break a gaze from the casement around your pupil
The pools of honey drip further toward me
My feet find it impossible to remove themselves
So much like quicksand but sweet calming and warm
Smooth and simplistic in youth the way skin drapes
Hangs over structured bones in the most phenomenal way
Just as your eyes are lavished in graham brown
You stay glowing even in the cold weather from blessed ancestry
Down to tender arteries and muscle where I’ve placed lips a thousand times
Shoulders swoop outwards like broad boulders
Distinguishable markers play connect the dots toward inked surfaced skin
Permanence of scarred lines forming a hot air balloon and anchor pulling it down
It’s from your favorite band, I’m noticing synapses collide on the concept
Elongated extended vines lead to tools that hold and create masterpieces
Strong slender hands with fingertips that press and pluck strings
Coat themselves with paint on late evening or early mornings
Tread lightly on my skin and illuminate my face with a coaxing touch
You are the rain forest from sunrise
My heart thumps to the sense of danger behind a corner
But I know such things and if they were to **** me,
I would be treasured in becoming a tall Kapok
With roots buried miles deep
Kvothe Nov 2014
Oh! The poet in me,
a werewolf is he!
He likes to come out
when the looming moon,
shines it's brightest beams,
down.
Awoooooo!
Down,
to disturb my daytime dreams.
Coaxing howls,
and whines,
injected with subjective lines;
predatory metaphor,
tapping at my chamber door!
Only hollow howls, to those
who don't hear the instinct growl
to this canine condition;
those who don't spend their days,
thinking, or wishing.
Predator of poetry,
prowling over prose.
A beast of the blue moon syndrome,
after the curtains close.
For the last two months I haven't made time for myself to write, tonight I fix that.
Chelsea Gabbard Jun 2011
'what a bright boy', they said. 'what a talented boy', they said.
'what a kind, friendly and thoughtful boy', they said.
the praise flowed smoothly from their lips - effortless;
the flash of a heartwarming smile the only coaxing necessary.

'what a sweet boy', she said. 'what a compassionate boy', she said.
'what an understanding, sensitive and protective boy', she said.
her footsteps fell in rhythmic time with his - effortless;
the warm pressure of his hand in hers the only coaxing necessary.

but the boy found that he was not content with all these things.
they were not masks that he wore, these shimmering attributes.
no lies, no trickery, no illusions cast in a web around the unsuspecting;
they were the unyielding, steadfast, undeniable truth.

.. and that is what troubled the beautiful, charming boy.
that is what furrowed his brow and kept him awake at night,
peering into the shadows deep in thought
while the believers and the bright eyed girl lie fast asleep in their beds.

the wheels in his head turned at a frantic pace, racing endlessly -
thoughts flying in a colored blur faster than his mind could chase them.
love only leads to pain. adoration, to rejection.
passion, to an unrelenting sense of worthlessness.

was it worth the fight? worth the praise? worth the risk?
or was being a shell enough to get by -
a heart still beating,
lungs still churning,
but a heart
safely
hollow?
A solid center presages
two generous edges
to shoulder the weight
of the curve: the bow
relinquishes tension
to the anchors of the
taut bow-string.

The wayfaring archer
tends to the curve,
notches the arrow,
selects the target,
gauges the wind,
surrenders --

Riding like an arrow on the wind,      
sure to find its mark in Breath,      
and the end of Breath it portends.
      

A reveler
abiding the flirt
of angle and arc,
finite and eternal,
arbiter of the holy
moment, the dance
linking death with life;

So unbearably
near the horizons,
desire yields its grip
to the coaxing
womb of the curve: tension
sighs into the space
between arrow-head
and its mark.

And in the transmission of feeling      
is the spirit of Life,      
clinging - so gently - to free itself      
of its own burdens.
      

A sudden violence
voids archer and stag:
Continuity rushes forth
to meet the sacrifice.
The heart of the bow
resumes its tension.

And the curve
evaporates,
all but a trick
of Timing.
Mathematically inspired.

Italicized portions are from "Memory Is A Prison" (http://hellopoetry.com/poem/557707/memory-is-a-prison/), a work of automatic writing the meaning of which is further illustrated here.
The needle falls down on the record, a thump deep in the bass, the speaker cone shakes and the sound ocean floods from my Serwin-Vegas...That alien who stepped out of the saucer in Close Encounters of the Third Kind decides to speak to Dreyfuss, and this is what it sounds like. This is the language of his planet, on the other side of a black hole in the Gamma region.

A ****** of crows, cold in the snow, muttering low, squeaking and squealing. Love taking on flesh and blood, suffocated by skin, now let's let the service begin. They sing their gut-hungry praises then flitter away.

Signifying nothing.

The priest places the wafer on the infidel's tongue. He lifts the cup to the liar's lips. A subtle glow emitted from a place slightly behind his head. He intones the Mass and tries to empty himself to allow the Holy Spirit to work through him as he ministers in the name of Jesus Christ to his congregation. The Spirit lifts up his voice to the sky and intercedes for my weak soul.

These chants are ancient, as old as the book of Genesis. These are the languages of the Mishraites or the Zareathites or the Eshtaulites. These are the tongues spoken by Zimran, Jokshan, Medan, Midian, Ishbak and Shuah. A language taught to them by their slave ancestors, excommunicated from the clans of Sarah, mother of the promised. A language used by Abraham himself, when he beckoned Isaac to the land of Moriah, making him carry the sacrificial knife soon held to his throat.

The procession moves forward, each recieving the body and blood in turn, enriched and better for recieving it. They walk like slaves submitting to a kind master they love to serve back to their seats in the cathedral, to wait, to get lost in the sacred relics and the sacred art scattered throughout this beautiful sanctuary.

And surely the Lord is in this place, for all that is good is from the Lord and this music is exceptionally good.

The chanting continues, now sung in the language of Baal-Zephon, where the king went after the Israelites, translated: "Wasn't there enough room in Egypt to bury us? Is that why you brought us out here to die in the desert? Why did you bring us out of Egypt, anyway? While we were there didn't we tell you to leave us alone? We had rather be slaves in Egypt than die in this desert!..."

These tone poems, written in the days of the Exodus, have a modern sound to them that is uncanny. Aliens who landed on earth in 897 BC bestowed gifts of prophecy and tongues to the individual members of the head's charge, and they are merely tools at the disposal of the leader of the aliens in their attempts to express themselves to the earthlings. No, there's no way any of us not from their planet could ever understand their language, borrowed as it was from the priests, Zadok and Abiathar in a meeting held on Mount Calvary the last time they landed on earth. The chord progressions are subliminally tainted with commands to relax, encourage a sense of floating, drift off with the thoughts that interest you most.

A looping tribal dance, recorded on site at a Buddhist monastary where the monks would mumble polyphonic OMs and the tourists would catapult their spirits through a needle's eye just to show that it can be done... Are they praying for rain? Or is it a rich harvest they petition the Great Spirit for today, their knees to the ground? The dance turns into an ****, bodies tangled up misplaced pieces of a jigsaw puzzle.

They **** the whale, and so we mourn.

They fester hate like a sore that won't go away, so we sing this lamentation. Translation: "The Son wants you...Hear things in the music that aren't there, only in your hammer struck head. Ring the living bell, ring the living bell, shine the living light, shine the living light...

They incite aggression, so we back off.

They treat the blind man with scorn and contempt, so we judge them.

They are good for nothing but fighting your wars, their stone hardened hearts too far gone to notice each life snuffed out under orders from ground patrol. So we pray for conflict. We petition the Lord for strife and dischord. Exterminate these burned-out husks of men before their 4 years are up.

They lay hands upon the genius and lock him in institutions with people who pull steak knives on strangers. They are afraid of him, so they put him away, in sweat-stinking padded cells or wrapped up nice and tight in a straight, mornings woke and hustled to the breakfast line. They extricate his confidence, thought pattern by thought pattern, and curb the flow of his intellect. They leave us to sing a funeral song for the postmodern society on the day when common sense is evenly distributed amongst individuals and Moral Law is accepted as fact by each and all. A dirge for each time you've ever been hurt by someone's words or actions. Our common denominator of heartache and sorrow. Divided about all other things, by necessity united by tears, wailing, howling at the moon, primal scream therapy and insomnia.

And now the church is empty. Angels lingering to usher the Spirit from the echoing halls. Silence and stillness brutal proof of God. Music from the other side of this life. Welcoming songs played at St. Peter's Gate. Stubborn prayers from those passed over, coaxing us through, waiting with scissors at the ready to slice the mortal coil. Believers bellys full of the body and blood of the Lord, digesting it at this very moment, letting the body do it's digestive work, preparing it for re-birth.
Lexie Aug 2018
If you asked me now
To my face
What I would have wished for
Since before birth
While I was still in the womb
To have, and carry
With me to the extinguishing
Of my numbered days
My answer would be such
And I would spit it
Into your face, your throat
And your eyes
So that it burned like hellfire
Into your stomach
I would need you to know
But more importantly remember
Like a scar
On the back of your hand
And a thought piercing your mind

It would be nothing foolish
Though futile nonetheless
I would not ask for a life without pain
Or the riches of the streets
That I awake the dust from
It would be just this

Spare me
Spare me the hopelessness
Let me not even taste it
Like metal in my mouth
And smoke from a dying fire
In my breath

Spare me the hopelessness
The mental end of the rope
The end of the line
The no more track,
We have already come to far
You can turn back
But for what
But
For what
And for who
And why

Just
Spare me the hopelessness

This life tried to take me by the horns
The world tried to lead me by a leash
And I choked
Choked out
On misery and despair
And I lay naked on the ice
With my nails scratching into the frozen ground
Trying to dig my own grave
Still trying to light my existence like a match
Just to feel
Feel something
And have it over take me
But still be unchanged
To taste
But not be consumed

I wanted to live
To wade in the water
To pour my love out
Like a river over the cliffs
And dash myself
With the waterfalls
Over the rocks
Again and again
And again

I would meet you in the stars
And we could dance with the sun
Coaxing her into a rising
To drench the horizon with her light
And the fill the earth with promise

And if you asked me
What would you take from the rest of the world
I would be silent
Fold my hands
Like a prayer in my lap
But my mind she would run
To the back of my teeth
And my voice she would catch
In the hollow of my neck
And what I wouldn't say is that, "I would take,
Take it all,
Ever bit of hope
From east and west and beyond the seas."

Because to fall into this
The tunnel with no light at the end
Is a death
I cannot live out

So spare me
Spare me the hopelessness
Anonymous Jun 2014
I'd like to think I'm going to marry somebody who loves all the same things I do, somebody who is 'perfect' for me. But that's the thing about love, it's forever changing and there is no such thing as perfect, just commitment. It isn't about finding somebody who is just like you, its finding somebody whose different. Love is finding somebody who grows you and stretches you, it's not always about the bubbly stuff movies make love out to be.
I bet you my future spouse will hate Star Wars, they'll probably tell me that I need to get a shed to put my Star Wars collection in. They'll probably tell me it can be like my own humble abode away from the madness of kids (if we have any) or from the cluttered house. I bet you they'll smile and graze my arm while trying to convince me; and I will be convinced. I'll move my collection I spent years adding to into a shed because I love the person who hates that my collection clashes with our house.
I'll turn on the radio while we're driving and when my favorite song comes on I'll turn it up and sing my heart out. And just because they know it's my favorite they won't change it, even though they absolutely hate it.  
I'll tell my spouse I want a writing studio and they'll protest and say they hate waking up in the middle of the night wondering why I'm scribbling words onto paper instead of holding them close. But even though they don't like waking up alone they'll let me have my own studio because they know that I love writing as if it were a part of my very soul.
My spouse will probably be reserved and hate taking risks, but I'll beg them to come on adventures with me. After debating endlessly about safety and risk involved we'll probably settle for a living room camp out because they don't like bugs and the smell of a musty old tent is enough to make it seem realistic. I'll probably protest and complain but still gladly embark on a pretend camping adventure because it's not where you are but who you're with.
When we go on vacation you'll complain that I always force you to take unnecessary risks. You'll hate that I take you to underwater caverns because you're worried we'll somehow get trapped. I'll scare the hell out of you most times but you'll remember that's why you love me, because I'm a constant adrenaline seeking adventurer. You won't always embark on the adventures with me, but you'll always be there by my side seeing it through your perspective, and we'll always share what it's like through our eyes. I'd like to think that hearing my energized booming voice talk about jumping off a 60ft waterfall will be enough of a thrill for you.
I won't want to cuddle with you because I get hot easily. You'll  still hold me close because you know how much I love your scent and the steady rhythm of your breathing coaxing me to sleep. I'll wake up in the middle of the night give you a kiss on the forehead and probably sit on our bathroom tub with a cup of coffee  just thinking about how lucky I am.
You'll think its weird that I need to drink coffee to help me sleep. You'll hold my leg down while we're in important meetings or church just like my mother always has. You'll give me the look that says "stop shaking" and I'll try my best to, but I'll probably start back up in 5 minutes. You won't entirely understand my ADHD and constant need to move, but you'll think it's charming that I'll always be up before you with your coffee already prepared the way you like it. I hope you'll like coffee as much as I do, but in reality you probably wont. So I'll make you tea instead, and if drinks aren't your thing I'll make you breakfast. I'm sure you'll feel like you married a child who is always hyper and it'll royally **** you off most days but you'll remember that's the reason you we're so intrigued by me. You liked that I reminded you of childhood and what it's like to have fun.
I'll still drag you to the toy store when we're 40 and I'll use our kids as an excuse (if we have them). I'll tell you that toys are important for a child to develop normally, but in reality I'll just want to chase you down the isles with some super hero mask and a plastic sword. I'll end up buying you a tacky key chain that you'll hate, but you'll keep it on your keys because it'll remind you of what a goober I am.
I imagine you'll hate the cold, you won't want to go snowboarding with me, instead you'd stay in cabin cozied up to the fireplace with a book and warm cider. I'll beg you to just try it a couple times and you will, I hope you end up liking it but if you don't maybe you'll still enjoy being in a place I love so much. You'll love being places tropical full of sun and peaceful ocean noises, and I'll hate it. I'll complain about heat rashes and the humidity but I'll shut up the second your eyes light up when you peer at the ocean from our hotel balcony.
We'll probably fight more than 50% of our relationship, maybe not fights but bickering arguments. When I'm driving you'll be yelling and screaming about how terrible or a driver I am. And when you drive I'll complain about how much of a grandma driver you are. We'll bicker about what kind of milk to buy and if we should buy organic produce or just the regular kind. We'll argue about music, movie choices, and travel plans, but it won't be terrible fighting that end with tears and broken plates, it'll end with the cold shoulder for 5 minutes then settle back to normal. We will **** each other off to no end, but we'll love so deeply. I'll always think I'm right when we argue, and I can't wait for all the times you'll put me in my places. I can't wait for a life with you, full of love and compromises.

Dear you,
I promise that I wont always be an *******, even though you'll probably be a bigger one. We'll go out to eat and make up ridiculous scenarios about people just to entertain ourselves. We'll simultaneously get annoyed with people who are ignorant, and we'll spend countless days and nights laughing about how terrible we are. We will argue and we will fight, but we will never go to bed mad, that has to be in our wedding vowels or something. We always have to be willing to try new things for each other, even if it sounds terrible. We will always find our way back to each other, even after a long sleepless night of arguing. When you say you love me on our wedding day you will always mean it, so if the fire burns out you have to promise that you'll always be willing to find it again. I know I'm a pain in the *** and I'm hard to love but I promise I will love you so deeply and fully. Nobody ever said marriage would be easy, but that doesn't mean I'm not willing to sacrifice 'easy' for you. I'm ready to embark on a journey of a life time with you no matter how hard it gets. I love you, you dumb ****.
Katie Oct 2018
If tomorrow I shattered and fell, pieces skimming across dark secrets
Through the thick fog of my broken heart, the damp heat of desperate whispers
Would you gather my jagged edges, and hold me close until you bled?
Drown in that seductive ******, the digging of hard lines into flesh
The intoxicating raw agony like wildfire and the wetness of crimson liquid
It tears at old wounds, gnawing and ******* at bone
A mad beast too long caged, ravishing itself from within

Would you let me mark you with my teeth and tongue?
Rough and hard and lingering
A whimpering plea, breath ghosting over scars
Uncovering the smothering labyrinth of your release
Soothing away shadows of the cold and sharp blade

Would you help me swallow the suffocating lump in my treacherous throat?
Forget the dull fever of words left unsaid
Yearnings buried
Tears of blood left unshed
As the merciless flames tingled beneath weak fingers
Would you bear witness to the raging fire inside me
The warring instincts, the fierce longing to engulf and devour you
Destroy you as you destroyed me
As this toxic void between us became my most exquisite form of torture

Would you let me drown out the numbness?
Fill you with pain, and peace and rage
Slash at your adamant walls, the pillar of steel you’ve become
And banish the biting chill gusting from your icy core

If at dawn my own prison cracked
And the harsh porcelain surface screeched under quaking talons
If the watery depths of the gaping bowl enticed me deeper
And you could see the insatiable itch twitching in my wrist
If you saw nails plunging into my own gullet
Coaxing and tempting the gurgling lava to dry lips
Determined and sinful, like a lovers’ sigh

If you could hear the filthy slap of moist skin, sickeningly ****** in its lethality
And the frenzied spasms of a retching savage
That yields completely to the pounding rhythm
To the animalistic beat of the tribal drum and the eager cave below
If you saw the burning inferno of tears stream down  my cheeks
Would you trace soothing circles upon my back?
Would you lay awake at night, staring emptily at the swirling blackness
Drowning beneath regret and confusion
Skin a flaming wasteland of death
Like I did for you

If they could all see the wretched creatures that cling to me
The incubus that rocks me back and forth
Lulling me to that macabre slumber of death
And whispering sacred screams into lovesick years
My saviour and tormentor, lover and abuser
If they could hear those sickly voices, see earth through my marred eyes
If they could feel the anathema of our thoughts
The loathing and self-hatred
The disgust of one’s own skin
And the monsters closing in
Would they still laugh?

If mother could see the ink sprawled there
Across the overstretched canvas
Of fat stuffed thighs
Each word a puncture, a proud and gaping ****
Would she still dare to strike?

If they knew for themselves
Gluttony itself has a taste
Could feel the poisonous **** slither down throats
And the comforting familiarity of its dead weight
Would they dare meet the molten daggers of my eyes?

If the lifeless blinking light is no longer enough
When the hollow words on screens do nothing
If I grow tired of the scraps you toss me
And the ravenous hunger hatches
Would you join me in destruction?

When both our demons are unleashed
And the skies cry black tears of anguish
When the makeshift smiles finally fade
And we walk among them naked
When they pay for their assumptions
And mother Earth howls for her loss
When angels flee their impending judgement
And there is nothing left but dying embers
Will you sit atop a throne with me
And embrace the madness we once feared?
For M,
You know who you are, and you know me best
There are so many sides to me...
A perplexing mixed identity...
A spliced yet whole menagerie...
Of characters...
To meet each one...is to be undone...
Touched...without flesh...
I am Vesuvius...just below the surface...
Molten malice merging...swirling...
The narrow Nile...
Meandering mildly...coaxing vexing perplexing...wildly...
A temptress...a child...a bitter diatribe...holding...no...unfolding...
This story...non-benign...
And this is where you come in...
Tumultuous tide...your raging winds...
A course-less calamity...to pursue...
That is not me...THAT...is you...
Unbridled...and unabashed...
Alas our toxic story line...how well embittered did entwine...our love...
Dangerous pursuit...then...you took root...
Off with the loot...
Of my misfortune...
I attempt to fold...
Forfeit my resentment...discontentment...
My own deliverance from you...
You disappear...no...transform
Retreat...from your chaotic norm...
Another type of magic trick...to capture my bewilderment....
Fully...
Fooly...
Folly...
Tears tremble on edge...carried swiftly from ledge...where they teeter...
Behind each one...is held an ocean...
A watery well...
Endless emotion...
Navigating features...dodging dignities plea...
WE...
Toss the currency of love into the depths...
Whisper wishes on the wind...
The downward dance...a wishes chance...
The murky bottom is but wishful thinking...
I should be rich off the wonder...
That put asunder...Our love...
I am Vesuvius...
Just below the surface...
© Nancy McGinnis - Roberts 2013
JL May 2013
Needle in the hay stack
The spin of the weather vane
I took a drink of you
And felt heavy to the touch
With my last bit of strength
I split the seed coat
Topsoil coaxing me
Come here, young one
Come here

Blue
The first color I have ever known
In awe I watch as birds fly over
Like painted die-cast wind-up toys
The warmth fills me to the brim
Free among unbroken hills
Neither late nor early
But still
On time with the cosmic dance of fire  color rain
Earthquake Heartache Lust and pitty
I took a drink of you and blooms sprout from my chest cavity
Sunlight flooding protons upon the hillside
Into my eyes smiling

*A nap on the grass until half-past two
As if I don't have work to do
Important things come and go
They melt away as winter snow
Drink you deeply from life's river
Not even death can make it bitter
**** Erectus
In three piece suit
Dead in a box
Maggot food
A veritable
Carrion drive thru
Just as fate would have it
Do you need
Some
Ketchup packets?
Jack Singer Oct 2011
It is delicate and fragile,
This imaginary creation,
We must be gentle with this creature.

We four creators sweat and breathe unconsciously,
We are unified; mesmerized by it.
It is delicate and fragile to hold.

At first it scampered around the room, scattered off the walls,
It nearly slipped from between our cupped fingers.
We must be gentle with our creature.

We have brought it to life, colorful and vivid
Fluid motion and sound, right before our wide eyes.
It is delicate and fragile to hold.

Our fingers clutch it precariously,
One missed beat and could vanish or ******* it,
We must be gentle with our creature.

It is distinctly unique, exclusively different,
It is energy and existence glowing primordially.
It is delicate and fragile to hold,
We must be gentle with our creature.
Samantha May 2013
To drown in the void; a steadfast oxymoron
But I am struggling to stay afloat
My limbs lack sensation, mockery of my mind
Vocal cords cut, stolen that night in the snow
Carried to the cosmos on an angels back
Helen, how you torment me!
A thousand whispers, torrential and coaxing
To find silence would be all end all; greatest defeat
But what a warrior I found in you,
Quiet and it's little reverie
Infinite; feeling as though I should explode
The quickness of newly discovered emption uncontainable
But in solidation I am weak, without your armed defences
And Helen is touching my skin again
haley Oct 2017
with her
the sun rises
at midnight

sets when she leaves in the morning

clouds curl at the tips
their edges unmasking freckles of stars
but still the sun rises
at midnight

she is the sun on weekends
coaxing children's toes to bounce along
cement streets
and elderly women to pass lemonade stands
and order
"just a cup for the road"

she is my favorite chair to sit in
with a good book
and a blanket
missing a patch of leather
that i run my hands across
while i read

and when i sit outside with her
at midnight
the sun peaks its blonde hair
from behind the mountains.
jiawen Jan 2013
The rooster swivels on its axis returning
coarse wind into the pyre of mad, mad tongues
raving alongside charred ivory. Lifted by sorry hands
from dying embers’ embrace and eased with foreign pity,
ceremoniously, into a cardboard crate wheeled against
the traffic, stumbling backwards through yellow canvases,
between my family dressed in black, to dress the void (deck),
mourners spitting soda into their cups, as word paddle upstream,
onto a thin futon within four walls stained with unfinished ghosts.
The doctor removes the white shroud like God coaxing pink light
on the first day and wine oozes through elastic veins to the far corners of my skin thin ventricular walls. One crack, in the doors and in my chest, paramedics in white blur in, heel first,
Pan-island couriers on reverse gear to the corner
of a numbered street, where I am delivered like a gladiator
thrown into the arena of nosy gazes, with the urgency of
hens clucking away from premeditated slaughter:
deep Christmas red on the tessellated parking lot.
Clumsy thumbs dialing 599, I moan inwardly
to the concentric circles of strangers retreating, erasing
me from cell-phone cameras. Then like a flip animation I
snap backwards, up 21 floors,
pause for about an hour on the ledge before smashing
backwards, back down, past kids scratching graffiti off the cement
and growing cigarettes in their mouths. The rain ascends and I take
wet cash from the driver while I fidget on the leather and throw up
mediocre coffee into my cup. I dig into my throat and return the bread
to its plastic bag and when the cab stops I fall left out onto another parking lot,
moonwalk up the stairs to where I unwrite my name in the
annals of failure and
shove the Fs of my past back
then
I take the bus instead.
Thia Jones Apr 2014
i felt Your beast stir
He called to the *****
the **** who lies within
and she answered Him
with whispered seductions
coaxing Him from His lair
filled with longing for Him
to emerge and sport with her
spreading herself wantonly
craving to be taken, devoured
eaten up and filled
made a plaything, consumed

the ***** inside me needs to see
the beast in You set free
her freedom to exist is in His gift alone
her purpose to rise to meet His lust
to take His stripes as her own
and bear them with pride
the beast in You will find release
inside the ***** who lives in me

Cynthia Pauline Jones 17/01/14
Written for someone who turned out to be wholly undeserving. But at least the illusion inspired something more lasting.
Gita Ashok Oct 2010
The shrill wake-up call of a rooster
Even before the crack of dawn.
The faint cawing of crows
to let the world know
it’s time to leave Slumber land.
The flapping of wings in unison
before flying away early to catch a worm.
The desperate call of a baby squirrel
lost somewhere and seeking its mother.
The cooing of pigeons on the roof
reminding you to pause and
listen to the Sounds of Nature.

The rumbling sound of thunder in the distance
heralding a heavy downpour or two
soon to be followed by the fierce rain
giving respite to the parched earth.
The rhythmic pitter-patter of raindrops
falling on the corrugated tin roof.
The whistling of the wild wind
on a cold, stormy day.
The first cry of a new-born
announcing its sojourn
from the womb to the world outside.

The gurgling of the waterfall
rushing to mingle with the river.
The rustling of colorful autumn leaves in the park
trampled upon by children running around.
Then the sounds of silence at night
interspersed with the sounds of crickets and frogs
and the sound of barking dogs at a distance
coaxing you to retire and
wake up to yet another beautiful dawn
to listen to the Sounds of Nature.

Gita Ashok
9/10/2010,  11 am
____________
Lily Audra Jun 2017
These eyes of yours,
Coaxing me into warmth.
You gather around me,
Like moss on the bark of an old oak.
Palms pressed against the trunk of me,
You seal the gaps in my fractured heart.

— The End —