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Randy Johnson May 2015
I should've known something was wrong when my dad started getting sick.
My Stepmother is evil and for many weeks, she poisoned him with arsenic.
It was five years ago today when she finished him off with the final dose.
I hated my Stepmother even though Dad wanted the two of us to be close.
It took me a while to get it done but I was finally able to have Dad's body exhumed.
When high levels of arsenic were found in his body, my Stepmother was doomed.
I was determined to bring her to justice and I knew that I wouldn't fail.
She was found guilty by a jury and I was happy because justice prevailed.
The judge sentenced her to life in prison with no chance of parole.
I loathe that woman, I can never get back Dad's life that she stole.
Even though this poem is fictional, many women really have killed people with arsenic.
b e mccomb Mar 2017
a random lady once told me
there's arsenic in the
town water supply so i'm
trying to drink it every day

the dishwasher is running
sandwich cooler is cooling
and i'm curled in a ball in
the dark on one of those
square cushioned wood
framed couches

and if i shut my eyes
tight enough i'm a kid
again on a lazy saturday
afternoon but i don't
want to be a kid again and
it happens to be monday

i've met a boy recently
and he's a person
unlike i who am one
part girl to one part
shaking hands to
one part arsenic

i'm screaming into
the void that i
hope this works out
hope this works out
hope this works out
but i have a feeling in
the pit of my stomach
that i might ruin it

or maybe that's
just the arsenic
Copyright 3/20/17 by B. E. McComb
Terry Collett May 2015
What's arsenic?
Lydia asked

she broke the word down
into two components
making it sound  
a bit rude

it's a poison I think
I said

POISON?
she said loudly

we were walking up
Meadow Row
it was Saturday morning
and we were
on our way
to Saturday matinee

why?
I asked
looking at her sideways
taking in her lank hair
and thin frame

my mum said this morning
that she'd put arsenic
in my dad's tea
and poison can **** you
can't it?

can do yes
I said

and where does
she get it from?
Lydia asked

don't know
chemist I expect
it's a sort of chemical thing
I said

what if she gets me
to buy it
will I be arrested
for helping Mum
poison Dad?
will I hang
if I'm found guilty?
she said in desperation

we crossed the bomb site
off Meadow Row
over rough bricks
and rubble

I think she was kidding
just saying it
I said

she sounded serious to me
Lydia said

why'd she say it?
I asked

my dad came home
drunk again last night
singing at the top
of his voice
in the Square
I'll walk you home
again Kathleen
and  Mum was none
too pleased

I see
I said
looking at her
as we walked
the faded flower dress
she wore had seen
better days
and the cardigan
of off white
had only two buttons
I don't think
you can buy
arsenic that easy
these days
and they wouldn't sell it
to a nine year old girl
I said

they wouldn't?
she said

no not these days

but what if Mum buys it
and kills my dad?

she won't
she loves your old man
too much
I said

I don't think she does
Lydia said
not this morning any way

we walked across
the crossing and along
the New Kent Road

if she does
I said
and your old lady hangs
then I'm sure
my mum will adopt you
as my sister

Lydia looked at me seriously
I don't want
to be your sister
she said
I want to marry you
when we're older
and I can't marry
my brother can I?  

I looked ahead
as we approached
the ABC cinema
I guess not
I said

the thought hadn't entered  
my little boy's head.
A BOY AND GIRL IN LONDON IN 1958.
Karijinbba Jul 2018
I STILL EXIST- I STILL EXIST
My pen writes
I still Exist

and an empty feeling engulfs me
I am painting a purple tree
I tell my family counselor
That the paint reminds me
Of arsenic Greek cheese dust
That a human predator
two faced fiancee
placed on my green salad in 1976
He said he would teach me how Greeks killed with love at sea
Then kindly offered
To bring
breakfast and lunch
for me in bed
(Ladden with poison)
While I ate it he danced Zorba the Greek!
His jealous raicist medeas mistresses knew his past crimes
I didn't I was very naive
his superstitious ignorant parents twelve people  asked him to Get rid of me baby and all

Overdosed with pitocin for a cow
giving birth was a torture
then blood thinners
were added to slowly
end my life
A hate crime because I a sub human born in Mexico not Greece
The poisons caused
a chest malformation of my daughter requiring surgery
later in life was mis-diagnosed
as pectus scavatum
but I knew better it was
attempted ******
a chilling secret I was so ashamed to reveal

I did escape my kids and me
we survived  the memory
of my true love's loving ways
In America saved me from certain death there I was 75 lbs
When I escaped Hell
Greece
But salads gave me
Nausea through the years
I could never recall why

Painting gets my mind
Off painful memories
resurficing examining my life understanding me and others

I have many regrets unwittingly
my loving innermost feelings
remained trapped inside
and I lost my true love
in my dead calm silence of pain
Foolish online Ink
One involuntary bad deed
In Veracruz
Two SAD songs

My shrink says I have a beautiful
Soul a relentles spirit
That I managed to do better then
Most despite hellish adversity
A childhood marred with
heartbreak a trail of
Graves tree stumps
Coffin and treassures
Spirit breath of life and death
  
My hybrid race was secret
Poverty lack of Rhogam
My father the Apocalyto
Hero killed by MEX Feds
Who stole my Land
We are indigenous
Purhepecha tribe
The enemy of the Aztecs
So me my father's little queen of the forest his STAR could
Fly high and zoar
He was the love of my life
My dad David

A few days of effexor RX can bring about amnesia to block old kidnapping memories of turture resurficing unsolicited
Effexor to stop tears
regulating serotonin disrupted
After a car accident with traumatic head injury concoussion brain swelling so much that falling asleep for three months was impossible

MD prescribed just a trial
few warp eight mind bending Effexsors serotonin reuptakers
For only fifteen days
Half of thirty seven mg
Tears stopped immediatly a calmnesss
self assured old me demeanor
re-emerged I remember the arsenic and blood thiner injections the faces of sadistic jealous women but it didn't hurt

But soon my heart began to speed up so fast I could hear it beating in my ears at lowest dose

so the higher dose was not allowed.
Side effects if used longer than six months could make the
face to twich! who needs that!

So therapy ended slowly redusing small to smallest dosages for fifteen days
treatment ended
Don't like messing with my brain

Today I enjoy simple pleasures
echos born like me in
In the atlantic mystery

family time my lifetime best
best lover best Mother
nest friend to me myself
Remembering those few
Souls
Who deared greatly
their wisdom and foresigh to bet
On my future my light myself!
my father's little
Queen of the forest tribute to
My Once Upon A Time
True love his love songs
His poems quickening me
Awaking me
He was the love
Of my life my true love JPC/RC

He showed me he loved me
But he never could "tell me"
He loved me all my fault
Thinking back not ever
any other man told me
he loved me one or two boys wanted something from me freely given or taken by force from me
I didn't want them at all
No person growing up
Ever
Told me they loved me and most showed me my life didn't matter
many of my civil rights were violated throughout my life by thugs hainas had more charm
Only my father David San chez
and later my adoptive Mother mommy dearest told me once she loved me showed me she cared.
My children tell me and show me
They love me
Sometimes they hate me too
sadly they are under the spell of deadly sterile drug user enemies who assassinate my character lie and slander me to my grown daughters and I have now become estranged until they figure all out on their own so they learn to fight woolves in sheeps clothing and understand treason
and ungratefulness towards their own mother
There was only one man I loved
The MOST on this whole wide world
His ink scripted love remained the good intermigled with evil
Forever a part of me
My Lord Shiva my first teacher
My sage my guru
My Lancelott
Me  first love my last love
my tree of life he was
The only man I ever loved
and lost
Looking back
I thank G** King Jesus
King Arthur
And few other men who
Traveled in and out my door
Only one had my lock's key
I am glad you came along
I sing this last song
In memory of all the good
The bad and very bad
The few nefarious vipers I kissed
I forgive you all forgive you me for NOT
Understanding you
For loving those fellowmen
Who didn't know how to love me back
I wave my last
Good bye
I
Will
In your light and my own
Pray for you and me

As for the love of my life
"You are like a prayer
In church to God"
"I remembet you,
as someone something
VERY DEAR and precious"
You were the Best
You touched my STAR
And my starry skies sparkle
With your light remember me
in the same light my love
Look me up with your telescope
When you watch the stars
From your sun roof
In your bedroom

Find my Aries Constelation
For there is
My home
Without
You
I've taken with me a piece
Of Veracruz
A Mothers Day surprise
at the Hilton
raised in your arms on a warm June at a  bar
Where i felt like a bride
your bride

I almost asked you then and there to throw a big party
for you and me
But the monastery's dead silence
Growing up isolated
Silenced the spontaniety
Of thought you required of me
yet again!You regressed me you
tried in so many ways for me to
tell you  "I love you I am sorry
I'll marry you!"
All over again
I adored you remember this
Always.
Look me up with your telescope I AM
in The Aries Constelation I am Aprils daisy Aries diamond a
Yelow Self Existing Star says the Tzolkin Star Seed
Galactic seed always flowering....Enter me
Yours Always.
~~~~~~~
Revised 11-29th-2018
Excerpt from my memoir
auto biography
ALL RIGHTS RESERVED.
Robin Carretti Aug 2018
Earth
Worth
Darth
*  777* Goth
Whats worse both
Even Steven Universe
Will I ever find

  *Peace
/ Curse

Coming to terms with
Cancer doesn't care
Did Heaven
become
A disease ending up
Absolutely nowhere

Lotto like death
Poison mushroom
Exit button mushroom
Alarm
Claustrophobic
Thanks for space

Comic.com race
Demonic
Shrooming
Baby mushroom
cooing
Fantasy Island of
Alice in Wonderland
mushrooms to chew
Rabbit hole stew
What a mush
washy of lush
Being taken
Stroke of a brush
All our money-losing
Clouds white and brown
chairs
One mans poison Pubs is
cute baby cubs pleasure
Moving Buffy slayer City
Jungle  Jane single
Poison *** in the city

Pollution give me

My London Fog
Poisoning mushroom
The Prince the princess
being kissed by a frog
What! the magic mushroom?
for migraines
Herbal cure
medicinal
remedy taking planes

LSD healing drive
Mushroom for the brain
The Godly tribe


Trees are being
chopped down
Everything from
generation
Handed down
Laughing stock of
Computer clowns
I am not feeling the vibe

Shitake what does it take
Like a fungus

Tasting someone's poison
Mushroom soup he is
wearing his graduate cap
What a mushroom head

Ladies of Venus group
Coastal storm in my
wedding bed

Riders of the storm
Stan the evil door or
Jimmy Morrison
Nicole with her Kidman
Are you kidding me
I am assuming
The good earth
Is being devoured
Every hour I feel
like writing
Who is buying mushrooms
Slivered like a snake
Making room for Go Daddy
Poisonous suits of Grooms

Healing hand is
Godly skywriting
The silence of
the Lamb
Moms Lambchops
Steamed fresh mushrooms
Stranded with most
expensive lipstick
Money withdrawal
My Drugs like a
good book fictional

Only in my dreams
Did I ever see poison
mushrooms
Something is being
planted in my showroom

Artwork Arsenic and lace
Whole place faces of mushrooms
Homemade Butternut squash
Nose of a button mushroom
  Near the vegetable
Stand his hand
lands he started
Eating my mushroom's
Marsala mushroom
sauce
Grilled Chicken and
bacon salad overload
of mushrooms
I never promised you
a rose garden
In our College Dorm
Pool games no drugs
of mushroom

Trees and Snow White
poison apple she is cute
as a button
Throwing apples compared
To oranges who would
be glad they got stuck
with poison
mushroom
Good earth what is possible

Poison brain watching
Cable whats accountable
Midterms all nasty germs
The world is poisoning
our mind brainwashed
I left one nasty mushroom
behind I won't bite
Poison is everywhere if you let it come your way it is in our plants it is the way a person galavants how the time flew. I don't even have money to buy the most expensive shoe. I see a lot of mushroom gravy  Mom make homemade gravy every Sunday Its an Italian thing. We rarely have mushrooms  He always dresses like little boy blue this is not a fairytale we feel poisoned by so many things even watch out poison mushrooms better not be in your meal
the money is like a drug but got poisoned
Astrid Ember Sep 2014
If somebody asked me
what arsenic was,
I'd just turn around
and point at you.
Caroline Grace Apr 2014
This is the dangerous part-
When the dark shadows withdraw
To the deepest recesses of my mind
And I forget why I bid "adieu"
To you.

This is when the bruises
Fade.
The blood stains
Wash away.
The heart ache
Delays.

And the mirage begins.
The paradise pressed against my parchment skin
And dehydrated lips-
So tantalizingly sweet
So pure and pristine
As it slips down my callused throat
Though they say
arsenic tastes the same.
I’ve been hearin a lot of bad mouthin about socialism ever since the president tried to provide affordable healthcare to the working poor… I also hear some carping when someone suggested that the minimum wage paid to workers should allow them to buy the necessities of life… I don't hear too much bad things about medicare and social security…. I guess thats not really socialism…. I don't hear too much about the big bailouts of the bankers with government money after they put us in a recession… privatized gain and socialized risk must also be a strain of a special kind of entitlement...

We’ll I think this whole socialism business needs some clarity about what its all about…. so I made a list of socialist heroes so my fellow American’s can get a better feel for what going on with this red menace...

Heres a list of socialist heroes….

Jesus Christ of Nazareth...I just can't get past the Beatitudes thing. Since all the po folks of the earth get to inherit all the good stuff when they pass on.... I figure heaven gotta be some kinda socialist paradise....Some don’t buy the idea that Jesus is building a Mar-A-Largo estate for Donald Trump... while having the rest of us live in our cramped apartments…. Jesus did say he’s building many rooms but the po folks get first dibs on everything… For all the doubting Thomas’s and Thomasina’s get Sean Hannity’s fastidious fact checkers to read the good news in the Gospel of Matthew.

Jack London... To think he’s been spreading the Red Menace in the mind of America’s innocent children for near a century now…. When Michelle Bachmann finds out about this she'll introduce a bill to change the title of The Call of the Wild to the Call of the Commies... I don't think it will affect Sarahcuda because she don’t read at a sixth grade level yet. Alaska is safe for now....And all comrade citizens are doing just fine thank you.... spending their annual royalty checks they get from the state for all the North ***** oil drilling...  Hell during Sarah's half term governorship... she did what every self respecting socialist despot would do... she paid out a special $1,200.00 Permanent Fund royalty dividend to all comrade "North to the Future" citizens.....

Carl Sandburg... The People Yes? Sang the songs of the People Yes! Celebrated a broad shouldered, hog butchering America who wrote a biography with love and affection for our country’s greatest Republican President....  Whats that about?...And his treatment of Billy Sunday...a back in the day,.. aw shucks,... from the backwoods holler... Kenneth Copeland like... Believer's Voice of Victory preacher of his day... who hurled fire and brimstone at cowering congregants so when he passed the plate they filled it up with hoards of heavenly manna to fatten his bank account overstuffed with moth eaten earthly treasure… I'm sure even Pat Robertson believes Sandburg’s soul lies beyond the sweet redemption of Jesus...

George Orwell… Unlike **** Cheney... who said he had better things to do when his country called on him to serve during the Vietnam War... Orwell’s fervor for democracy was so great he left his native land to lay his life on the line to fight against the fascist menace in Spain... When he got into a battle he came across an enemy combatant taking a ****. He later said, “I let him go. How do you shoot a guy with his pants down?”... A deep respect for the humanity of others is clear evidence of a socialist's fatal flaw and why the righteous laissez faire American’s hate it so....Unfortunately Orwell and his comrades lost this one to Franco and his sugar daddies Il Duce and Mein Fuhrer… but we’ll keep up the good fight…..

Dorothy Day… This saint of the proletariat kept the soup kettle brewin to feed the working poor during the Great Depression... She spent her own money to build shelters to house catholic workers and didn't make a **** dime off the vulnerability of their screaming want... A squandered opportunity maybe…. definitely a coocoo loon according to the weltentstehung of Ayn Rand… so popular around these parts these days...but Dorothy laid up some serious dosh in heaven for her labors here on earth…. for where your treasure is…. there you will find your heart also… Anyone who knew her said Dorothy's heart was always in the right place….

Albert Einstein…. this guy was no dope….he knew enough to make make moral distinctions of exploitation and greed… and the self condemnation of conspicuous consumption...the destructive capacity of unfettered power….and worked hard to figure out equations to end the wastefulness of war... he did teach at Princeton though… more proof of the red infestation of the universities…. greed is good…. knowledge is bad….

Eugene V. Debs…. went to prison for his beliefs… got a million votes from jail… thats how devious these reds are.... even from prison they run for president and fool the working people into participating in the democratic process…. he believed everyone should vote… and would probably be imprisoned today for violating all the laws being passed that take voting rights away… gotta watch the reds…. next thing you know they'll close the electoral college and force politicians to pay a 100% poll tax on all the money they take from their corporate sponsors….

WEB DuBois… the souls of an oppressed people is the soul of a nation...ain’t it written that a nation is judged on how it treats its most vulnerable?.... Mr. DuBois fought to bring justice to all those lacking the means and rights in a nation teeming with diverse groups with needs and wants… it ain’t just about afro american jazz… its about the blues sung by all people on the outside looking in… he believed it unjust that only a small portion of American’s held the keys to the doors of prosperity… everyone should have a key to unlock the doors of opportunity… everyone…. that includes workers, immigrants, women, gay folks, religious minorities, disabled and the poor and lots other people I haven’t thought of yet…. but what about the real Americans...whose gonna stand up for them??????????

Woody Guthrie…. this country belongs to us… next time a frackin jacker comes to tear up your land and dump poison in your well… next time a strung out strip miner wants to plow away the top of your mountain and dump arsenic in your river…. next time a GMO attorney says the crops you planted don’t belong to you because they are contractually patented to him…. next time a big oil company says that they got a right to pollute the oceans and **** the fish so they can pump out a passel of fossil fuel… next time a bankster comes knocking at the door to take your house away… next time a tea slappin Teabagger starts screaming that the Koch Brothers should be allowed to own the national parks so they can cut the trees down for firewood…. tell em...you heard it on good authority…. that this land is your land…. not theirs….. if thats socialism…. I’m liken it….

American Socialists

Woody Guthrie: This Land is Your Land

Oakland
10/21/13
jbm
MC Hammered Dec 2013
Nectar of the forbidden fruit must be
nicotine laced, codeine
based.

Powder trace mirror reflecting on broken
face.
Just one taste.

Lips taut, set perfectly in place.
Whiskey shot with whiskey
chase.


Her armor?
Cold eyes, *Arsenic, and Old
Lace.
Irma Cerrutti Mar 2010
Masticated Ectoplasm to Lance Corporal Tom
Masticated Ectoplasm to Lance Corporal Tom
Bumming your fat knobs and insert your helmet naked and unashamed

Masticated Ectoplasm to Lance Corporal Tom
Kicking off kick-off, cyborgs brought face to face
Tartan sunstroke and may Mumbo Jumbo's **** all lie among you

Nine, eleven, seven, thirteen, six, quinquereme, *******, *******, Tweedledum and Tweedledee, unsocial person, erectoffensive!
This is Masticated Ectoplasm to Lance Corporal Tom
You've really ****** the naval officer
And the hatchet faces want to know whose blouses you abuse
Now it's time to evacuate the ******* if you have a free hand

This is Lance Corporal Tom to Masticated Ectoplasm
I'm fancy dress dancing through the cat—flap
And I'm groping inside a swollen grotesque sailor
And the plums look gigantically unusual nowadays

Ergo from Land's End to John o' Groats am I piddling in a crumpet slammer
Telescopic hindward the lump
Uranus Arsenic is scatological
And there's sweet **** all I can have ****** ******* with

With the proviso that I'm Ichabod celibate centipede sextillion heads
I'm fondling vigorously paparazzo
And I think my sputnik knows which direction to ****
Tell my ballbreaker I ****** her vigorously for England, she bonks

Masticated Ectoplasm to Lance Corporal Tom
Your menstrual cycle's kaput, there's oojakapivvygizmo spleen
Can you smell me, Lance Corporal Tom?
Can you get to the bottom of me, Lance Corporal Tom?
Can you delve into me, Lance Corporal Tom?
Can you...

From Land's End to John o' Groats am I vibrating ring my crumpet criminal lunatic asylum
Telescopic hindward the groupie
Uranus Arsenic is scatological
And there's sweet **** all I can have ****** ******* with
Copyright © Irma Cerrutti 2009
F Alexis Feb 2013
Excuses, excuses - they'll come in a flood,
When you realize your actions have pushed me away.
Imagine! That I once considered you blood!
But I've had quite enough of the games that you play.

The switch came in stages, a gradual thing,
I first didn't notice; it wasn't too clear.
My perspective grew sharper with distance between,
Felt your backhanded words as they pin-pricked my ears.

You thought I wouldn't notice, would let it slip by,
Never gave me much credit, and that was your fault.
Wrapped your insults in jokes, like arsenic on rye,
And you thought all this time that you wouldn't be caught.

I don't know where you get it - this self-righteous act,
It's not as endearing as you think it to be.
You might take what you want, and then leave it at that,
But I'm telling you now: you'll get no more from me.

I don't know what has prompted you picking this fight.
They're pathetic, yet hurtful, these things that you say.
And I don't know where you think you've gotten the right
To take it out on me when you don't get your way.

For years, it's been happening - don't know how I missed
All the ways you controlled me; I answered to you.
Always did what you wanted, I'm realizing this;
The extent of the selfishness you put me through.

But it changed not too long ago, didn't it, dear?
Oh yes, I grew a spine, and things started to change.
And, oh, you didn't like what you started to hear.
My defying your wants nearly made you deranged.

People grow and they change; it's especially true
For me ever since I was finally free.
So how sad to discover it's not true for you,
You're the same as you were, and as you'll always be.

That's the person you are, who you've been since we met
And it never caused issues until days of late.
The things that you've said are things you will regret,
Because I have no room for your envy-fueled hate.

You've become quite the mean one - I'm sorry, it's true.
You're no longer the person to whom I could turn.
It's a shame (it's a **** shame), but yes, we are through.
And it will not be me who is nursing the burn.

Maybe one day you'll change, and we might reunite.
I'm not getting my hopes up - there's danger in that.
Until then, I hope you learn to treat people right,
Because no one desires to stand by a brat.

Maybe I am the first to address how you are,
But I won't be the last, and this, I can assure.
Your poignant self-righteousness won't get you far,
And I'm sorry - for your case, there isn't a cure.

So remember me now; you'll remember me then,
When you lose all those who used to stand at your side.
You'll remember the disrespect you showed your friend,
For alas, she won't be there, holding you as you cry.
Robin Carretti Jul 2018
That someone
Transcendental
But the scene got dangerous
Lady confidential
The Candle in
the wind of diamonds

Went International
A kiss all over
Continental

{A Scene}she play like
a *** phone
The Xylophone,
not a girl's best friend
Used as a weapon

The scenes crying your eyes
out being alone
Taught her many lessons

And those I phones will become old
The new science of acting is bold
Like the I-spy  you've been
Sherlocked
Pretty smile closed locked
Your earrings what big loop
He's draping the sheerness
The fairest of them all
escaping they need the
The darkness hitting those
stage lights
With your lover
Your body so lovely but
The scene changed to the

{Arsenic and lace}

never will he cover
Death becomes her

What happened to
your love scene
So-called part of your face
His words can devour
her footprints
The scene next required
dinner mints
Like tracking

The trance what a long trip
My taste bud acidy
Flying with lucidity
Meeting My Lucy in the Sky with Diamonds

The scene was set up with one crack
To be naked no lines left out train track

The Prince looked away
Never to kiss her

But its I
In the scene, someone will bless her

The whole shebang act
Not some kind of
Seed planted
Whole wheat clean as a whistle
bagel
With your cute beagles
Watching your whole set
Like twins or double bet
What a set she has
Detective scenes of
Chocolate Bavarian cream
Vanilla sky the scene you had
was only perfect for
your dream
Doughnuts all cream
She slipped out of her
French crazy horse
burlesque
scene

The Nutcracker ballet
What meaning yearning
But waiting so long my steps
Got lost in his fire
The desire was higher than
Those outtakes and scenes
To do over again
Primetime someone
Will do the scene again
They skipped over
too many lines
Became the dark silhouette
The scene can be changeable
Channeling into someone
remarkable

We are not built up
to take instructions
We are the someone's
Walking the thin line
Or the thin man
Slim man scene
The restriction chair
Like the guillotine
was the fad
Getting scared and angry
Someone showed up mad
Was pitch black dark of the light
Flickers

Should a scene have teasing
No silly quite the drama so
theatrical they hired someone
Was she anyone well known
Like no artist over the website
He was teasing her hair I mean
That wet diving suit was
like the Rite
She got the look shopping
at Shoprite
"Like Loreal" but more surreal
What April fools commercial
Loosening his tie so political
Their discussion all
exceptions to the rule
Bullfight what kick
in the pants mule


She was born Nutty Professor of snickers*


The true believers and achievers
The passion within us
The colors come to ******
Like a scene
We know how to act when
we aren't acting
Like the punctuations
P...I...E...C...E...S
Those nooks and cranny
bits of pieces

Look at her nieces
they look guilty
When we are doing a scene
It's not necessarily about
being wealthy
Everything is
tangible you're on your own
Even if you're not well known
Like a movie extra
Extra read all about it
I am capable of acting anyway I can
Like my words are written
They can shine a stage to glisten
Let's take one scene but we need more you know what you're
getting into you have been reading all the scores. This is not a sweet thing smores what so you want if you were hired to be in a scene check this out I left a Actors seat
SP Blackwell Jan 2015
II

Do not be afraid, my darling
I see you.
I see your tattered spirit
and stripped flesh
wandering in darkness.
Alas!
we are kindred,
you and I,
for I too have been
murdered.
I have died a hundred times
and I have lived a
hundred and one
We, who are dead
but still breathing,
are kindred.
I have been poisoned by
the nectar of lust. And
this nectar was
sweet and it was
intoxicating and it was
addictive and it was
******* lust.
It was fed to me by
a man posing as
a god and he kept
my goblet full and
I was paralyzed.
He was not a god
nor a man.
He was a snake,
a false prophet.
The nectar was
venomous and
my blood,
my body, and
mind were
laced with
paralytic venom
I could not move
and died waiting.
Alas!
We are kindred
you and I.
We who have died
waiting and paralyzed.
We who have been
murdered by false
prophets and snakes.
We are kindred with
Eve and the apples of
Eden, we who are
poisoned but  
still alive.
In this paralytic state
a surgeon came
and he said unto me
“I will let you be free”
and he cut into me.
He entered my chest
so delicately and
so eloquently he
whispered to me
“ Darling, if I cannot
keep you I can’t let
you be free.”
He wanted a
keepsake, a piece
of my heart.
Something which I
would never just
willingly part.
He took a small
piece though I
screamed to
his claim. This
was not my love,
just blood,
muscle, and veins.
Alas!
We are kindred
you and I.
We who walk around
with pieces that will
never be found.
We who have filled
the empty cavity with
other objects to
replace what can
never mended.
Do not fear, my darling
we are still pumping
blood and we
are still alive!
An artistic healer
found me wandering.
He said unto me,
“ My love, I see your
rough edges and you
are flawless to me
with all your perfect
imperfections.”
I was his canvas
that could be remade
to what he wanted
me to portray.
He molded me,
bent me,
folded me,
painted me.
He chiseled away
at places that
were already weak
places that were
untouched by people
like He. I was his
muse which he
misused, abused,
and attempted to
create and sculpt
art, which I was,
to his vision
of what I should be.
He coated me,
plastered me,
froze me in time but
paper machete is fragile
and I never asked to
be molded or painted.
Slowly I broke free
from thee. Death by
art was not meant
for me
Alas!
My darling,
do not be afraid.
We are kindred
you and I.
I see you in all
your molded glory
upon the altar
which he built
to display a creation
which he did not create.
I am the one
who chiseled
at the cement
and the plaster
and the paper
and the alter
so that we can
escape a different
type of cage.
I see you broken
but uncaged.
A builder of dreams
approached me and
he said unto me
“ You are a rarity
in a world full of
mediocrity. A rare
bird like you should
not be caged.”
He built me a castle
made of sand and
deafened me with
promises which
were lies. The tide
rolled in and castles
made of sand were
taken back to sea
and i was deaf
and I could not
hear the rumbling ,
the crumbling,
the mumbling as it
was all swept away.
I was asphyxiated by
the sand and sea
of empty promises
and lies
and expectations
that I found myself
chocking on.
Do not be afraid my darling.
Alas!
We are kindred
you and I.
We have
swallowed
and choked
and  inhaled
the dirt which
posed as sand.
We who have been
drowned in lies.
We who have
been buried and
have touched the
ocean floor at great
depths have come back
to the surface.
Alas!
We are still swimming.
We are the ones who
saw the shore and
returned to land
with our feet firmly
planted on sinking sand
and unsteady ground.
Hush my darling, and do
keep our secret safe.
Hush and never let them
know that we, who are
dead but living, are the
ones who created the shore.
We have a multitude of
little deaths. Deaths which
showed us life, joy, and
pain.
Alas!
My darling,
we are kindred
you and I.
We are the masochists.
We invite the murders in.
We who see the axe in his
hand as he knocks and
yet we still allow the
murderous aftermath
to begin with no regard
for the clean up.
My darling, we take with
us a piece of our killers
as they have taken a
keepsake from us.
Alas!
My darling
we have taken
we have learned
we have observed
we have seen their
surgical precision as
they have taken us
apart. We have
mended and
stitched and
sewn and
glued and
filled and
repaired
ourselves.
Oh my darling
do not fear for
we who are
still alive
still fighting
still breathing
still living
still pumping blood,
we have taken
their murderous
intent. We who
were victimized
by batting eyes
and lies that left
bitterness as an
aftertaste have
have learned to
lace honey with
arsenic. We are
kindred, you and I.
We are different
now. The stichting
and filling
and sewing
and gluing
has changed
us.
We are not afraid,
my darlings.
We see you.
You who have
caged and
trampled and
opened and
taken and
broken and
killed are no
longer feared.
Be afraid
my darlings.
Alas!
We see you.

III

I am a serial killer.
I have ravaged
empty vessels
which once upon
a time were
filled with ideas
of what could be.
I am innocent!
I slay the murderers
who murdered me.
Those who murdered
we.
I and we have
perfected the craft
which you,
and you,
and you,
and you
have used as
weapons of
mass distraction,
mass destruction.
I am the one
who distracts
and destroys.  
I have ingested
sufficient venom
to become
arsenic laced
honey.
I have let a
man drink
from me ‘til
he could drink
no more. He
drank himself
to insanity.
Oh dear!
I fear I did
not warn him
of the venom
that’s within.
What once was
just plain honey
is now
poisonous
to him.
I am a serial killer.
The killer of
cervical slayers.
But again
I am innocent!
I once sheltered
a wretch and
he sought
sanctuary
inside of me.
He never looked
at my eyes.
Only prayed at
the church that
he made betwixt
my thighs.
Oh dear!
I fear
I did not mention
that this was not
his church. It was
my sanctuary which
was now covered
in his dirt.
Death by exertion
was his end.
I let him die *******
but I did not let
him win
A tragic death
for a stallion
like he. Because
I am small he
underestimated me.
Like Helen of Troy
I brought
destruction
upon thee.
I am a serial killer.
The killer of
psychological
terrorizers and
verbal mesmerizers.
I have linguistically
lobotomized men
who thought they
could philosophize
the origin of I.
I have sown the
seeds of doubt
within the halls of
confidence which
have lain within his
mind.
I have broken
fortress walls
that were built to
withstand the  
wrath that fell
upon *****
and Gomorrah.
We have cut out
the tongues of
our verbal
betrayers and
left them befuddled
in Babylon.  
Oh dear!
I fear I forgot
to mention that
Freud is my Father
and Jung is my
uncle.
Your mommy issues
do nothing for me.
I am not her!
I am a child of
psychology.
Rationally you are
weaker than me
mentally.
I am a serial killer.
The killer of
egotistical thrillers.
I have paralyzed
and anesthetized
men who have been
thrice the size of me.
My scalpel is sharp
and my steady hand
cuts as deep as my
verbal violations.
This is my body.
This is not your nation.
My dissection was but
a brief vacation to
your annihilation.
Your internal organs
were similar to an
egotistical colonoscopy.
You thought your
insides were different
from me.
You required proof
that we were the
same.
I said
“Let me cut first”
and you did not
complain.
Oh dear!
I fear I failed
to mention I’m
quite skilled and
I have killed before,
far better men and
even their ******.
I am a serial killer!
A killer of killers!
You are a cheap
thrill as I reap
and I sow.
I plant the seeds
that I know will
not grow.
You will stay frozen
and will get old.
I need not a keepsake.
I own your soul.

IV

We are naked.
Our flesh is worn
and our spirit torn.
The garments which
once kept us warm
are now just eaten
and tattered.
We have silently
walked
and waited
and paced ourselves
and learned hatred.
WE have come
back home where
board games and
Barbies wait.
I have broken
all my favorite toys
just like you
and you
and you
and the horse
you rode in on
have taken all
my simple joys.
You have all
taken away
a piece of pink
and replaced
with a piece of
grey. A piece
which will never
be the same.
Oh Darling!
Do not fear for me
do not fear for we.
We have become the
porcelain women
which watch
and wait.
Our pink colored
kingdom shall
never be invaded
because here we
are waiting.
Not even shoots
and ladders or even
the Madd Hatter
can lead you to
green pastures.
Oh my!
You failed to notice
the malicious
twinkle in
my eyes.
I fear this was
your fault
for you created
a steeple
betwixt my
thighs.
Silly rabbit,
we were never
yours.
I was always
mine.
This is
not revenge.
This is a warning
before the rhyme.
Mike Essig Apr 2015
Blue Monday**
BY DIANE WAKOSKI
Blue of the heaps of beads poured into her *******  
and clacking together in her elbows;
blue of the silk
that covers lily-town at night;
blue of her teeth
that bite cold toast
and shatter on the streets;
blue of the dyed flower petals with gold stamens  
hanging like tongues
over the fence of her dress
at the opera/opals clasped under her lips
and the moon breaking over her head a
gush of blood-red lizards.

Blue Monday. Monday at 3:00 and
Monday at 5. Monday at 7:30 and
Monday at 10:00. Monday passed under the rippling  
California fountain. Monday alone
a shark in the cold blue waters.

                     You are dead: wound round like a paisley shawl.  
                     I cannot shake you out of the sheets. Your name  
                     is still wedged in every corner of the sofa.

                     Monday is the first of the week,  
                     and I think of you all week.  
                     I beg Monday not to come  
                     so that I will not think of you  
                     all week.

You paint my body blue. On the balcony
in the softy muddy night, you paint me
with bat wings and the crystal
the crystal  
the crystal
the crystal in your arm cuts away
the night, folds back ebony whale skin  
and my face, the blue of new rifles,  
and my neck, the blue of Egypt,  
and my *******, the blue of sand,  
and my arms, bass-blue,
and my stomach, arsenic;

there is electricity dripping from me like cream;
there is love dripping from me I cannot use—like acacia or  
jacaranda—fallen blue and gold flowers, crushed into the street.

                         Love passed me in a blue business suit
                         and fedora.
                         His glass cane, hollow and filled with
                         sharks and whales ...  
                         He wore black
                         patent leather shoes
                         and had a mustache. His hair was so black
                         it was almost blue.

                         “Love,” I said.
                         “I beg your pardon,” he said.  
                         “Mr. Love,” I said.
                         “I beg your pardon,” he said.

                         So I saw there was no use bothering him on the street

                         Love passed me on the street in a blue  
                         business suit. He was a banker  
                         I could tell.

So blue trains rush by in my sleep.  
Blue herons fly overhead.
Blue paint cracks in my
arteries and sends titanium
floating into my bones.  
Blue liquid pours down
my poisoned throat and blue veins
rip open my breast. Blue daggers tip
and are juggled on my palms.
Blue death lives in my fingernails.

If I could sing one last song
with water bubbling through my lips
I would sing with my throat torn open,
the blue jugular spouting that black shadow pulse,  
and on my lips
I would balance volcanic rock
emptied out of my veins. At last
my children strained out
of my body. At last my blood
solidified and tumbling into the ocean.
It is blue.  
It is blue.  
It is blue.
this unruly night
is macadamized on the wall,

whit its bare-knuckled steel mangled
to a ferruginous glaze of rust.

the dismal kiss of
      cold on the unclenching fist of the dark
is irretrievable in the grass,

soon, glass-faces will break as my simian jaw
was once shattered by a scuffle in the twilight-bells
      of recess.

  it is like the night dances and in awe,
struck by some rude awakening, we sit forever
  emptied of beauties.

even the flesh rouses to startle the reared relation
   of calla – its hot-flush widespread of petals
  thought I am given always, an intone of forgetfulness.

   such pure lunges and gyrations – we all have
spaces to cross latching us in total placeness like
    black hooks impinging voices to a shriek,

  yet surely they go off wandering in sunsets
waning in the formless crepuscular, waiting the night
  to pour stringencies,
  
    small-breathed furies futile
        like arsenic.
Green arsenic smeared on an egg-white cloth,
Crushed strawberries! Come, let us feast our eyes.
Madison Aug 2018
When you kiss her lips

She fills your mouth with poison

Don't her lies taste sweet?
"Oh yes, I went over to Edmonstoun the other day and saw Johnny, mooning around as usual! He will never make his way."
Letter of George Keats, 18--


Night falls; the great jars glow against the dark,
Dark green, dusk red, and, like a coiling snake,
Writhing eternally in smoky gyres,
Great ropes of gorgeous vapor twist and turn
Within them. So the Eastern fisherman
Saw the swart genie rise when the lead seal,
Scribbled with charms, was lifted from the jar;
And -- well, how went the tale? Like this, like this? . . .

No herbage broke the barren flats of land,
No winds dared loiter within smiling trees,
Nor were there any brooks on either hand,
Only the dry, bright sand,
Naked and golden, lay before the seas.

One boat toiled noiselessly along the deep,
The thirsty ripples dying silently
Upon its track. Far out the brown nets sweep,
And night begins to creep
Across the intolerable mirror of the sea.

Twice the nets rise, a-trail with sea-plants brown,
Distorted shells, and rocks green-mossed with slime,
Nought else. The fisher, sick at heart, kneels down;
"Prayer may appease God's frown,"
He thinks, then, kneeling, casts for the third time.

And lo! an earthen jar, bound round with brass,
Lies tangled in the cordage of his net.
About the bright waves gleam like shattered glass,
And where the sea's rim was
The sun dips, flat and red, about to set.

The prow grates on the beach. The fisherman
Stoops, tearing at the cords that bind the seal.
Shall pearls roll out, lustrous and white and wan?
Lapis? carnelian?
Unheard-of stones that make the sick mind reel

With wonder of their beauty? Rubies, then?
Green emeralds, glittering like the eyes of beasts?
Poisonous opals, good to madden men?
Gold bezants, ten and ten?
Hard, regal diamonds, like kingly feasts?

He tugged; the seal gave way. A little smoke
Curled like a feather in the darkening sky.
A blinding gush of fire burst, flamed, and broke.
A voice like a wind spoke.
Armored with light, and turbaned terribly,

A genie tramped the round earth underfoot;
His head sought out the stars, his cupped right hand
Made half the sky one darkness. He was mute.
The sun, a ripened fruit,
Drooped lower. Scarlet eddied o'er the sand.

The genie spoke: "O miserable one!
Thy prize awaits thee; come, and hug it close!
A noble crown thy draggled nets have won
For this that thou hast done.
Blessed are fools! A gift remains for those!"

His hand sought out his sword, and lightnings flared
Across the sky in one great bloom of fire.
Poised like a toppling mountain, it hung bared;
Suns that were jewels glared
Along its hilt. The air burnt like a pyre.

Once more the genie spoke: "Something I owe
To thee, thou fool, thou fool. Come, canst thou sing?
Yea? Sing then; if thy song be brave, then go
Free and released -- or no!
Find first some task, some overmastering thing
I cannot do, and find it speedily,
For if thou dost not thou shalt surely die!"

The sword whirled back. The fisherman uprose,
And if at first his voice was weak with fear
And his limbs trembled, it was but a doze,
And at the high song's close
He stood up straight. His voice rang loud and clear.


The Song.

Last night the quays were lighted;
Cressets of smoking pine
Glared o'er the roaring mariners
That drink the yellow wine.

Their song rolled to the rafters,
It struck the high stars pale,
Such worth was in their discourse,
Such wonder in their tale.

Blue borage filled the clinking cups,
The murky night grew wan,
Till one rose, crowned with laurel-leaves,
That was an outland man.

"Come, let us drink to war!" said he,
"The torch of the sacked town!
The swan's-bath and the wolf-ships,
And Harald of renown!

"Yea, while the milk was on his lips,
Before the day was born,
He took the Almayne Kaiser's head
To be his drinking-horn!

"Yea, while the down was on his chin,
Or yet his beard was grown,
He broke the gates of Micklegarth,
And stole the lion-throne!

"Drink to Harald, king of the world,
Lord of the tongue and the troth!
To the bellowing horns of Ostfriesland,
And the trumpets of the Goth!"

Their shouts rolled to the rafters,
The drink-horns crashed and rang,
And all their talk was a clangor of war,
As swords together sang!

But dimly, through the deep night,
Where stars like flowers shone,
A passionate shape came gliding --
I saw one thing alone.

I only saw my young love
Shining against the dark,
The whiteness of her raiment,
The head that bent to hark.

I only saw my young love,
Like flowers in the sun --
Her hands like waxen petals,
Where yawning poppies run.

I only felt there, chrysmal,
Against my cheek her breath,
Though all the winds were baying,
And the sky bright with Death.

Red sparks whirled up the chimney,
A hungry flaught of flame,
And a lean man from Greece arose;
Thrasyllos was his name.

"I praise all noble wines!" he cried,
"Green robes of tissue fine,
Peacocks and apes and ivory,
And Homer's sea-loud line,

"Statues and rings and carven gems,
And the wise crawling sea;
But most of all the crowns of kings,
The rule they wield thereby!

"Power, fired power, blank and bright!
A fit hilt for the hand!
The one good sword for a freeman,
While yet the cold stars stand!"

Their shouts rolled to the rafters,
The air was thick with wine.
I only knew her deep eyes,
And felt her hand in mine.

Softly as quiet water,
One finger touched my cheek;
Her face like gracious moonlight --
I might not move nor speak.

I only saw that beauty,
I only felt that form
There, in the silken darkness --
God wot my heart was warm!

Their shouts rolled to the rafters,
Another chief began;
His slit lips showed him for a ***;
He was an evil man.

"Sing to the joys of women!" he yelled,
"The hot delicious tents,
The soft couch, and the white limbs;
The air a steam of scents!"

His eyes gleamed, and he wet his lips,
The rafters shook with cheers,
As he sang of woman, who is man's slave
For all unhonored years.

"Whether the wanton laughs amain,
With one white shoulder bare,
Or in a sacked room you unbind
Some crouching maiden's hair;

"This is the only good for man,
Like spices of the South --
To see the glimmering body laid
As pasture to his mouth!

"To leave no lees within the cup,
To see and take and rend;
To lap a girl's limbs up like wine,
And laugh, knowing the end!"

Only, like low, still breathing,
I heard one voice, one word;
And hot speech poured upon my lips,
As my hands held a sword.

"Fools, thrice fools of lust!" I cried,
"Your eyes are blind to see
Eternal beauty, moving far,
More glorious than horns of war!
But though my eyes were one blind scar,
That sight is shown to me!

"You nuzzle at the ivory side,
You clasp the golden head;
Fools, fools, who chatter and sing,
You have taken the sign of a terrible thing,
You have drunk down God with your beeswing,
And broken the saints for bread!

"For God moves darkly,
In silence and in storm;
But in the body of woman
He shows one burning form.

"For God moves blindly,
In darkness and in dread;
But in the body of woman
He raises up the dead.

"Gracile and straight as birches,
Swift as the questing birds,
They fill true-lovers' drink-horns up,
Who speak not, having no words.

"Love is not delicate toying,
A slim and shimmering mesh;
It is two souls wrenched into one,
Two bodies made one flesh.

"Lust is a sprightly servant,
Gallant where wines are poured;
Love is a bitter master,
Love is an iron lord.

"Satin ease of the body,
Fattened sloth of the hands,
These and their like he will not send,
Only immortal fires to rend --
And the world's end is your journey's end,
And your stream chokes in the sands.

"Pleached calms shall not await you,
Peace you shall never find;
Nought but the living moorland
Scourged naked by the wind.

"Nought but the living moorland,
And your love's hand in yours;
The strength more sure than surety,
The mercy that endures.

"Then, though they give you to be burned,
And slay you like a stoat,
You have found the world's heart in the turn of a cheek,
Heaven in the lift of a throat.

"Although they break you on the wheel,
That stood so straight in the sun,
Behind you the trumpets split the sky,
Where the lost and furious fight goes by --
And God, our God, will have victory
When the red day is done!"

Their mirth rolled to the rafters,
They bellowed lechery;
Light as a drifting feather
My love slipped from my knee.

Within, the lights were yellow
In drowsy rooms and warm;
Without, the stabbing lightning
Shattered across the storm.

Within, the great logs crackled,
The drink-horns emptied soon;
Without, the black cloaks of the clouds
Strangled the waning moon.

My love crossed o'er the threshold --
God! but the night was murk!
I set myself against the cold,
And left them to their work.

Their shouts rolled to the rafters;
A bitterer way was mine,
And I left them in the tavern,
Drinking the yellow wine!

The last faint echoes rang along the plains,
Died, and were gone. The genie spoke: "Thy song
Serves well enough -- but yet thy task remains;
Many and rending pains
Shall torture him who dares delay too long!"

His brown face hardened to a leaden mask.
A bitter brine crusted the fisher's cheek --
"Almighty God, one thing alone I ask,
Show me a task, a task!"
The hard cup of the sky shone, gemmed and bleak.

"O love, whom I have sought by devious ways;
O hidden beauty, naked as a star;
You whose bright hair has burned across my days,
Making them lamps of praise;
O dawn-wind, breathing of Arabia!

"You have I served. Now fire has parched the vine,
And Death is on the singers and the song.
No longer are there lips to cling to mine,
And the heart wearies of wine,
And I am sick, for my desire is long.

"O love, soft-moving, delicate and tender!
In her gold house the pipe calls querulously,
They cloud with thin green silks her body slender,
They talk to her and tend her;
Come, piteous, gentle love, and set me free!"

He ceased -- and, slowly rising o'er the deep,
A faint song chimed, grew clearer, till at last
A golden horn of light began to creep
Where the dumb ripples sweep,
Making the sea one splendor where it passed.

A golden boat! The bright oars rested soon,
And the prow met the sand. The purple veils
Misting the cabin fell. Fair as the moon
When the morning comes too soon,
And all the air is silver in the dales,

A gold-robed princess stepped upon the beach.
The fisher knelt and kissed her garment's hem,
And then her lips, and strove at last for speech.
The waters lapped the reach.
"Here thy strength breaks, thy might is nought to stem!"

He cried at last. Speech shook him like a flame:
"Yea, though thou plucked the stars from out the sky,
Each lovely one would be a withered shame --
Each thou couldst find or name --
To this fire-hearted beauty!" Wearily

The genie heard. A slow smile came like dawn
Over his face. "Thy task is done!" he said.
A whirlwind roared, smoke shattered, he was gone;
And, like a sudden horn,
The moon shone clear, no longer smoked and red.

They passed into the boat. The gold oars beat
Loudly, then fainter, fainter, till at last
Only the quiet waters barely moved
Along the whispering sand -- till all the vast
Expanse of sea began to shake with heat,
And morning brought soft airs, by sailors loved.

And after? . . . Well . . .
The shop-bell clangs! Who comes?
Quinine -- I pour the little bitter grains
Out upon blue, glazed squares of paper. So.
And all the dusk I shall sit here alone,
With many powers in my hands -- ah, see
How the blurred labels run on the old jars!
***** -- and a cruel and sleepy scent,
The harsh taste of white poppies; India --
The writhing woods a-crawl with monstrous life,
Save where the deodars are set like spears,
And a calm pool is mirrored ebony;
***** -- brown and warm and slender-breasted
She rises, shaking off the cool black water,
And twisting up her hair, that ripples down,
A torrent of black water, to her feet;
How the drops sparkle in the moonlight! Once
I made a rhyme about it, singing softly:

Over Damascus every star
Keeps his unchanging course and cold,
The dark weighs like an iron bar,
The intense and pallid night is old,
Dim the moon's scimitar.

Still the lamps blaze within those halls,
Where poppies heap the marble vats
For girls to tread; the thick air palls;
And shadows hang like evil bats
About the scented walls.

The girls are many, and they sing;
Their white feet fall like flakes of snow,
Making a ceaseless murmuring --
Whispers of love, dead long ago,
And dear, forgotten Spring.

One alone sings not. Tiredly
She sees the white blooms crushed, and smells
The heavy scent. They chatter: "See!
White Zira thinks of nothing else
But the morn's jollity --

"Then Haroun takes her!" But she dreams,
Unhearing, of a certain field
Of poppies, cut by many streams,
Like lines across a round Turk shield,
Where now the hot sun gleams.

The field whereon they walked that day,
And splendor filled her body up,
And his; and then the trampled clay,
And slow smoke climbing the sky's cup
From where the village lay.

And after -- much ache of the wrists,
Where the cords irked her -- till she came,
The price of many amethysts,
Hither. And now the ultimate shame
Blew trumpet in the lists.

And so she trod the poppies there,
Remembering other poppies, too,
And did not seem to see or care.
Without, the first gray drops of dew
Sweetened the trembling air.

She trod the poppies. Hours passed
Until she slept at length -- and Time
Dragged his slow sickle. When at last
She woke, the moon shone, bright as rime,
And night's tide rolled on fast.

She moaned once, knowing everything;
Then, bitterer than death, she found
The soft handmaidens, in a ring,
Come to anoint her, all around,
That she might please the king.

***** -- and the odor dies away,
Leaving the air yet heavy -- cassia -- myrrh --
Bitter and splendid. See, the poisons come,
Trooping in squat green vials, blazoned red
With grinning skulls: strychnine, a pallid dust
Of tiny grains, like bones ground fine; and next
The muddy green of arsenic, all livid,
Likest the face of one long dead -- they creep
Along the dusty shelf like deadly beetles,
Whose fangs are carved with runnels, that the blood
May run down easily to the blind mouth
That snaps and gapes; and high above them there,
My master's pride, a cobwebbed, yellow ***
Of honey from Mount Hybla. Do the bees
Still moan among the low sweet purple clover,
Endlessly many? Still in deep-hushed woods,
When the incredible silver of the moon
Comes like a living wind through sleep-bowed branches,
Still steal dark shapes from the enchanted glens,
Which yet are purple with high dreams, and still
Fronting that quiet and eternal shield
Which is much more than Peace, does there still stand
One sharp black shadow -- and the short, smooth horns
Are clear against that disk?
O great Diana!
I, I have praised thee, yet I do not know
What moves my mind so strangely, save that once
I lay all night upon a thymy hill,
And watched the slow clouds pass like heaped-up foam
Across blue marble, till at last no speck
Blotted the clear expanse, and the full moon
Rose in much light, and all night long I saw
Her ordered progress, till, in midmost heaven,
There came a terrible silence, and the mice
Crept to their holes, the crickets did not chirp,
All the small night-sounds stopped -- and clear pure light
Rippled like silk over the universe,
Most cold and bleak; and yet my heart beat fast,
Waiting until the stillness broke. I know not
For what I waited -- something very great --
I dared not look up to the sky for fear
A brittle crackling should clash suddenly
Against the quiet, and a black line creep
Across the sky, and widen like a mouth,
Until the broken heavens streamed apart,
Like torn lost banners, and the immortal fires,
Roaring like lions, asked their meat from God.
I lay there, a black blot upon a shield
Of quivering, watery whiteness. The hush held
Until I staggered up and cried aloud,
And then it seemed that something far too great
For knowledge, and illimitable as God,
Rent th
The world's less fair than they let on
because everybody can't have this much fun.
Learn how to make the subtlest of calls, then, my friend
you can have it all.

Ever wonder why villains are such an opulent lot?
It's because **** always floats to the top.
If you're quiet about it,
Loose ethics make for good times,
But stalwart morals are what'll keep you sublime.
Lewis Hyden Nov 2018
Where do you see yourself in a year?

Still living here -
A tactile skyline atop pillars of smoke
Heavy with guilt
And the craftsmanship of a generation of men
To whom Earth is a rock, immortal
Untouched by the bouts of the smog which ascend
To hold up their forges?

Where that which is green must also be man-made
And an old plant-***
On an old window-sill
Is the closest to what was here before? Is it a facsimile?
Where your throat hurts,
Chemicals an ersatz flowing stream
Of purest water -
And why is rainfall the freshest you can drink?

You haven’t always been here.
Where were you before? Was it green
Or blue, or any other colour
Besides this abiding grey? Perhaps
There were rainbows and colours
And sunlight, unfiltered by smog
Or dust. Warm, purposeful.
Her fragility charmed you.

Because our Earth is not immortal. A wanderer
In space, motherly, who are we to defile her?
A species of smoke and tar turning her soft hues sour
Colours unknown to nature
Like a drop of arsenic in a stream flowing through rocks?
Do you see yourself living
In a fortress, tumultuous to its steel bones
Each day burrowing deeper into her body,
Claiming her for its own, and ruining her at the same time?

So you think about your opportunity.
This life which fills her air, pulsing and vibrant,
To restore the purity we are missing -

Because Human and Nature are as one,
Invention is necessary but we are losing our time,
Virescent leaves brushing in the wind,
Our friends are loving, laughing, living
And we realise now that we are able to do so much better.

Or does none of that matter, somehow?
We make money to spend on plastic.
We are born, we work, we breathe, we die,
But we are still yet to run out of time

So where do you see yourself in a year?
This is a spoken word poem I wrote for the short film, 'Human Nature', produced by Ethan Church. It was a semi-finalist in the Gottlieb Native Garden Green Earth Film Festival in Los Angeles and was also shown in the Arica Nativa Film Festival in Spain. The poem was read by the fantastic Gabriela Vivas, whose talents turned a semi-decent poem into a fabulous display of passion and integrity.
The film is available for free on YouTube for anybody who is interested.

© Lewis Hyden, 2018
Like a bird of prey he circles me,

cigarette stained fingers grasping at light, loose cotton

his breath, stained with whiskey
and red wine

dripping with blood as he devours me, soul first, a ripe heart for afters

the whistle of the wind through a cracked chimney ***

where they used to send children, where children died

(I envy them)

I collapse into his words and I know I must succumb to my (un) death

to the weight of twenty stones of fat logged arteries

to a man two joints of red meat away from a heart attack

who is forcing feeding me a glass of water laced with sedatives

I pray to a God who is dead to me
that I want to resurrect

I pray for Cyanine and Arsenic,
kept in a jar

under the bed where he
buries me
Claire Waters Aug 2013
wearing your heart on your sleeve is a dangerous game
that only the lonely people play
and i have found, that when you smoke a pack of desire a day,
you are constantly searching for a flame.
onlookers examine all the fissures and clefts left by yesteryear's guests
the men who treated your heart like a map, riddled it with tacks,
realized it lacked a place to live in, and left.

all the antiquated philanthropists who searched for their languages in your pulse,
strands of hair in your bed, so pleased to have left their scent on the pillow
and you've begun to hold your breath
to prove to them that only you can make your heart skip a beat
and you've begun to dry clean your sheets, cold water
hanging them from the rafters of your childhood bedroom in your mother’s house
sweat it out girl, you’ve gone too far south
found yourself melting like butter in the devil’s mouth
and now you wring out the warm bodies tucked in your every pleat and crease,
letting the sun bleach away the pieces of people still surviving in me.
when you look at the sky, blink your eyes and change your rotation
so what if this society treats infrared incubation like it’s latent
I’ll rip the past from every pore, i abhor those kind of TV audiences,
the ones that are obedient and well fed
coming back to dine on the same lines each time, it's high fructose revenge
the sinister scent of stereotypes is hanging in the air
those little lies people tell when insisting that they care
about anyone outside of themselves.

and genuine kindness never really seems to come in stock
but i never **** the birds because i refuse to throw the rocks
my life is not just another kiss laced with arsenic, that
sick kind of hint about how thick my blood really is.
this is not a drama, this is not a soap opera
my life is not a novel and you are not the author
sure you’re having a hard time but you’ve been improving your posture
and it looks like he didn't know you were nitric until you dissolved a linguistic string,
and now he's realizing you bite back when attacked, and you have some surprises to bring
my new hype track for the evening is silence not seething
they didn't know; arsenic can only dilute a nitrous being
so this time, my knees will not break like the fickle figs from their stems,
sequestered in skin cells, ****** shell dropping dead
and this time I’ll find the strength to change, isn't it strange,
how you can wake up one day, and refuse to keep being misled.

and today they brought my bones to the cellar door in his chest
he didn’t mistake even an instant of no for the plump petal of yes
and he tells me, "there will always be people out there who will love even your
imperfect blisters cracking like transistors,
because when you're looking electric everyone’s listening to the frequency within ya
you were put here for a purpose, you will never be worthless.”
and this is no longer a decision; there are places you belong and places you'll fit in
where you'll flourish and gain a thicker skin
and it's about time we stopped chalking up our mistakes to bad habit.
so when i see that golden ticket i'll grab it and let life flow because see i've been told
rivers reflect train windows in the mornings till they glow, first gilded and gold,
then subtle and slow. the hope creeps in, i make the decision
to go
Jade Elon Oct 2013
In the West I learned western hospitality
Free spirit, free drugs, more *****, more love
If you can remember your problem your doing it wrong
But if you forget your responsibilities you're not worth much
Party everyday pretend you don't understand the methods of your madness
Walk the streets half naked in half a foot of snow
Party, study, party, study
party, party, party
CHURCH
repent and once it strikes midnight start again.
In the North I learned Northern hospitality
It's called minding your business
It's called I have to get somewhere
If you have a question you also have a smart phone
It's not my job to tell you the norm.
You'll figure it out
I learned to walk fast, speak briskly and tell everyone to mind their own business
In the South I learned Southern hospitality
It's where people talk nice to your face and ***** behind your back
It's where the idea of ownership has stemmed way before the monogram
It's where if they only have two faces they are genuine and where they'll feed you fresh apple pie
filled with arsenic
Where you can trust your neighbor only as far as you can throw them
Where everyone's a little racist, a little homophobic, a little god-fearing
In the South I learned
Hospitality


-----------------------------------------­---------------
A/N
I was born and raised in Denver, Colorado.
Currently I reside in North Carolina.
Charles Barnett Feb 2011
I'll grab a glass
and you can slip
into something a
little
more
comfortable.

Stealing kisses in the
backseat of the
taxi like a burglar
in the night.
Never knowing that
I know just
what your actress
looks like.

Headlights dim and
horns honk like
mice in the walls.
We step on the curb
and throw some cash
at the driver,
my hand placed on
your shoulder and you're
laughing. I smile a smile
that makes your skin crawl
but you're not exactly sure
why.

So, I'll grab a glass
and you can slip
into something a
little
more
comfortable.

So, I'll slip something
into your glass to
make you a
little
more
comfortable
and cold.
MoMo Mar 2013
I used to cook for her all the time.
I wonder if she remembers. Can she?
Ramen noodles and toast
at 3:30 in the morning, churros at 8:15.
Sometimes in the middle of the night
she’d cat call my name and I’d always
run to her wondering- Is she hurt? and then
She better not have hurt herself.
I knew better though after the first few times,
yet I always went willingly enough through her
open bedroom door because she wanted me to.
But mostly chicken noodle soup on Sundays
and rice and jambalaya on Wednesday.
mmmmmmmmm.... Carminolas with a kick.
Pop pop pop and her buttons would fly across the room
and other times she’d be under the sheets, already
ready to press my hands against her caramelized skin.
And if we add a pinch of saffron, a dash a sumac,
and a teaspoon full of ajwain she will taste like
heaven and for those cherry lovers add a bit of mahlebi.
But I remember. She tasted like homemade chocolate and
marshmallows. Go make Mama something tasty.
She’d say afterwards and send me from the warmth of
her bed, a Saturday Night Live rerun echoing after me.
I’d bring her dumplings and udon and watch her while she ate,
wondering- Can she taste the arsenic?
A Dean Young Imitation

Title suggestions welcome!!
Emma Duncanson May 2016
Arsenic sea under my steps
The echoing loud
Too hard to forget.
Peculiar things happened while
Labouring through
This darkened street
Where the monsters sleep.
Hitchock we're done
With your whistling numbers
I need something less daunting tonight
Why don't you
Give me some light.
I'm only passing through,
Just give me some advice.

What way do I go for the rest of my life?
Sir Nitro May 2016
An afterthought of the day, evolves around me I have to say, I run and hide, not wanting to stay, the dominant side, wanting to play.

Control nothing not even my mind, I am tired of being so kind, the bright light doth shine, darkness comes over so blind, trying to find.

Leave me let me go, my light no more glow, yes I feel very low, these words my only flow, as my heart pulses to and fro, I just want to scream NO

Submission such a game, I am the one to blame, for I lost all of my aim, now I only just want to maim, end it all my life a tragedy a shame.

Reaper come quick, take me I do so pick, read my soul see it is sick,  too deep in too thick, lost my way broken wick, let me partake of arsenic.
Mateuš Conrad Nov 2015
so there on the window sill
i sat perpetrating my crime,
one had outside the window denoting the mentally ill
and the other inside the compartment of
a room denoting terrorists,
then i switched hands and opinions...
and then two bright objects of fire appeared
on the skyline... then another two... a perfect rhombus that
traversed the night sky.

i mingled *r.d. laing
with the saint benaiah ben yehoiada today...
what a miracle of the slow approach,
i was so desperate for paper i even wrote on a sunday times news review page,
god help me, i feel the need to speak over people in writing.
testament to modern *******: the modern trans-gender phenomenon
is primarily found in st. thomas’ gospel
as entrée of r.d. laing’s **** of paradise artistic spontaneity
away from rigid theory so numerous in the exampled situation
of the lisp acquired on the psychoanalytic couch...
it speaks of turning left to right... up to down... man to woman...
a bit like a sat nav giving directions... you end up in a kingdom
that’s a ditch and the king is adorned not in crimson cardinal
or purple bishop... but pain... this is 1967... no wonder the hippies
died off after people started to dot dot dot post-1967
with the excavatio in translatio to remould western, christian, societies.
that text, says it all! david bowie and alice cooper and marc bolan
with the lipstick and 8 o’clock eye-socket shadows...
but things are picking up / getting serious...
the young ones are on it... post-colonial details i might have you add...
it was bound to happen... vietnam and the daddy longlegs starving man of africa...
built in processor 5.6GB of memory and an iphone...
what?! i’m translating my slavic soul... we fed the mongrels and mongolians
with crusader ***** in the baltic... we disappeared for a few centuries
and came back... blackmailing the airlines for an unsafe crash landing
somewhere in belarus, with the state banquet officiated, of course.
you see.. i’m the silent eager satyr from such paintings by matejko
like hołd pruski and stańczyk... expression beaming with: yes... go on...
spur me on... i’ll gallop to status of stallion with laughter!
all the catholic canonical saints are for people who prefer images
to words.
so there’s laing in 1967 allowed the ancient deciphering of
quasi-egyptian text... and then all hell breaks loose in the now, present...
i’ve got two left hands and two right feet... i think i’ll transverse
in walking like a crab... sidewise... out of here...
you go along with your daily “historical” bullying...
i like my place... outside the post-colonial continuum...
so much so that i even have a theory for the experience:
HE WASN’T THINKING IN HIS MOTHER TONGUE,
THE NATIVITY OF THE SOUL TOOK FORM FROM THE POLLEN
OF THE BODY, MANY IRANIANS AND EGYPTIANS...
HE THOUGHT COLONIAL, HE ACTED COLONIAL...
PREVIOUSLY HE MENTIONED POLAND LENDING AEROPLANES
TO EGYPT... HE ACTED LIKE AN ENGLISHMAN TO A ******...
NOW I SEE HIM LIKE A PENGUIN WITH CHEETAH FUR...
A WORD OF LISP I GATHER...
I WAS THINKING STUPID TRUST... WHILE
A SINGLE WORD OF THE MOTHERTONGUE RESONATED
TO PURSUE CREATIVITY THUS EXPRESSED
UNABLE TO FIND THE 0,0 COORDINATE IN THE
NORTHERN TRANS-EUROPEAN MILITARY COMPLEX.
this is how integration happens in europe: acquire the native tongue
acquire native psychology... don’t acquire the latter
define the former with exactness of body...
conclusion? i did stupid via trust... he did stupid via a blood-thirst
and a michael jackson trick of bleaching the soul
but leaving the body oddly mongrel-like... not so complete
like africans from the caribbean losing the tongue
due to jamaica’s great weather, then moving to england
and starting reggae rap... god knows how those two fitted for a size 12
perfect matching: quick-slow, quick-slow...
slow-quick rat ah rat ah regina duck in dumplings... bewildering
that i didn’t turn grey but turned ginger over the years.
you see this theory? it makes the mongol horse pale in comparison;
dad said: a jew did it! a jew did it! a ******* mid-******* just said: you
(double emphasis, the colon and italics... well i was there,
and this poem is proof that i was there, with her).
then this poem in the background with added photogenic approach...
titled: on ******* who create art.
ahem... napkin for the torero and rare steak to suite:
there they are the geniuses and the mediocre,
sitting in abodes of aspirational peace of the living -
half-dead many of them almost to the core of rotten apples,
with arsenic in apple seeds the last remaining life -
a poisonous mechanisation of activity on the breeding continuum
curtailed (is that implying cut-short?),
horrible ******* to live with,
they sitting knitting words together that make no cardigan fit,
or they’re making 2d rooms with the odd splash of colour
that will never obey the cube but the rectangular canvas,
no use of a poet’s pen in the solace of a quiet pension spaced,
the usurpers of peace among the living among the twins of sabbath,
these ronin of the fountain of solace found in t.v. and slippers...
who let them in?! can you hear poetry with a hammer?
can you hear it on a construction site, or an art gallery or a library?
so there they are, the *******, choosing the most importune of places
to do their craft... in the living spaces of plumbers and electricians...
hardly the place to craft their art when there’s no pulpit to
exercise their crafty practice with the end remark.
why then the plumber the safeguard and incubator nest of home,
and why the cold chill of aqueduct syringe at home for poet?
does no friendliness reside in stressing or not stressing certain words anymore?
perhaps the coalminers will tell me?
they say i am in a coal-mine by the sheer whiteness of disposable white
of canvas... and only among them in solidarity of a brotherhood
by excavating with them the coal that’s their amber burnt at home
and my solitary ink expressed in the library of their darkness of having
bulged forearm forceps of the bicep and no patience for reading... but digging,
i’ll know my orientation in those mines once more...
where the safe and understood route has has not yet been written...
and all that is seen... is the whitened darkness of the blank canvas of
what i peer into stumbling with the inverse... the flashlight of words
against the darkness of the canvas... me and my blind horse.
god i hate live editing... but then again... it keeps me
drunk and soberly paranoid to scrabble in revisions before i doze till morn.
Elm
for Ruth Fainlight

I know the bottom, she says. I know it with my great tap root;
It is what you fear.
I do not fear it: I have been there.

Is it the sea you hear in me,
Its dissatisfactions?
Or the voice of nothing, that was you madness?

Love is a shadow.
How you lie and cry after it.
Listen: these are its hooves: it has gone off, like a horse.

All night I shall gallup thus, impetuously,
Till your head is a stone, your pillow a little turf,
Echoing, echoing.

Or shall I bring you the sound of poisons?
This is rain now, the big hush.
And this is the fruit of it: tin white, like arsenic.

I have suffered the atrocity of sunsets.
Scorched to the root
My red filaments burn and stand,a hand of wires.

Now I break up in pieces that fly about like clubs.
A wind of such violence
Will tolerate no bystanding: I must shriek.

The moon, also, is merciless: she would drag me
Cruelly, being barren.
Her radiance scathes me. Or perhaps I have caught her.

I let her go. I let her go
Diminished and flat, as after radical surgery.
How your bad dreams possess and endow me.

I am inhabited by a cry.
Nightly it ***** out
Looking, with its hooks, for something to love.

I am terrified by this dark thing
That sleeps in me;
All day I feel its soft, feathery turnings, its malignity.

Clouds pass and disperse.
Are those the faces of love, those pale irretrievables?
Is it for such I agitate my heart?

I am incapable of more knowledge.
What is this, this face
So murderous in its strangle of branches? ----

Its snaky acids kiss.
It petrifies the will. These are the isolate, slow faults
That ****, that ****, that ****.
WickedHope Sep 2021
Do you miss her
The Hell's Mistress I used to be
Pretty smiles
Prettier lies

******* you with my eyes
Skinning you with my words
I miss the power that came
In lying to everyone
This angelic facade is suffocating
I miss slipping off the mask
And slipping into your head
Making you my puppet
Then getting bored
And making you wish you were dead
Shoving my knife in your back
When you came
Walking into my life like it was yours
Following my breadcrumbs
Swallowing them whole
Who would have thought
You can hide arsenic so well
With just a hint of sugar
And a short enough skirt

Do you miss her
The Black Widow in my web
Eating you alive
To fill the void inside
I love it when the words write themselves for me.
- - -
I'm so sick of this tbh.
I. Cogida and death

At five in the afternoon.
It was exactly five in the afternoon.
A boy brought the white sheet
at five in the afternoon.
A frail of lime ready prepared
at five in the afternoon.
The rest was death, and death alone.

The wind carried away the cottonwool
at five in the afternoon.
And the oxide scattered crystal and nickel
at five in the afternoon.
Now the dove and the leopard wrestle
at five in the afternoon.
And a thigh with a desolated horn
at five in the afternoon.
The bass-string struck up
at five in the afternoon.
Arsenic bells and smoke
at five in the afternoon.
Groups of silence in the corners
at five in the afternoon.
And the bull alone with a high heart!
At five in the afternoon.
When the sweat of snow was coming
at five in the afternoon,
when the bull ring was covered with iodine
at five in the afternoon.
Death laid eggs in the wound
at five in the afternoon.
At five in the afternoon
At five o'clock in the afternoon.

A coffin on wheels is his bed
at five in the afternoon.
Bones and flutes resound in his ears
at five in the afternoon.
Now the bull was bellowing through his forehead
at five in the afternoon.
The room was iridiscent with agony
at five in the afternoon.
In the distance the gangrene now comes
at five in the afternoon.
Horn of the lily through green groins
at five in the afternoon.
The wounds were burning like suns
at five in the afternoon.
At five in the afternoon.
Ah, that fatal five in the afternoon!
It was five by all the clocks!
It was five in the shade of the afternoon!

II. The Spilled Blood

I will not see it!

Tell the moon to come,
for I do not want to see the blood
of Ignacio on the sand.

I will not see it!

The moon wide open.
Horse of still clouds,
and the grey bull ring of dreams
with willows in the barreras.

I will not see it!

Let my memory kindle!
Warm the jasmines
of such minute whiteness!

I will not see it!

The cow of the ancient world
passend har sad tongue
over a snout of blood
spilled on the sand,
and the bulls of Guisando,
partly death and partly stone,
bellowed like two centuries
sated with threading the earth.
No.
I will not see it!

Ignacio goes up the tiers
with all his death on his shoulders.
He sought for the dawn
but the dawn was no more.
He seeks for his confident profile
and the dream bewilders him.
He sought for his beautiful body
and encountered his opened blood.
Do not ask me to see it!
I do not want to hear it spurt
each time with less strength:
that spurt that illuminates
the tiers of seats, and spills
over the cordury and the leather
of a thirsty multitude.
Who shouts that I should come near!
Do not ask me to see it!

His eyes did not close
when he saw the horns near,
but the terrible mothers
lifted their heads.
And across the ranches,
an air of secret voices rose,
shouting to celestial bulls,
herdsmen of pale mist.
There was no prince in Sevilla
who could compare to him,
nor sword like his sword
nor heart so true.
Like a river of lions
was his marvellous strength,
and like a marble toroso
his firm drawn moderation.
The air of Andalusian Rome
gilded his head
where his smile was a spikenard
of wit and intelligence.
What a great torero in the ring!
What a good peasant in the sierra!
How gentle with the sheaves!
How hard with the spurs!
How tender with the dew!
How dazzling the fiesta!
How tremendous with the final
banderillas of darkness!

But now he sleeps without end.
Now the moss and the grass
open with sure fingers
the flower of his skull.
And now his blood comes out singing;
singing along marshes and meadows,
sliden on frozen horns,
faltering soulles in the mist
stoumbling over a thousand hoofs
like a long, dark, sad tongue,
to form a pool of agony
close to the starry Guadalquivir.
Oh, white wall of Spain!
Oh, black bull of sorrow!
Oh, hard blood of Ignacio!
Oh, nightingale of his veins!
No.
I will not see it!
No challice can contain it,no swallows can drink it,
no frost of light can cool it,
nor song nor deluge og white lilies,
no glass can cover mit with silver.
No.
I will not see it!

III. The Laid Out Body

Stone is a forehead where dreames grieve
without curving waters and frozen cyprseses.
Stone is a shoulder on which to bear Time
with trees formed of tears and ribbons and planets.

I have seen grey showers move towards the waves
raising their tender riddle arms,
to avoid being caught by lying stone
which loosens their limbs without soaking their blood.

For stone fathers seed and clouds,
skeleton larks and wolves of penumbra:
but yields not sounds nor crystals nor fire,
only bull rings and bull rings and more bull rings without walls.

Now, Ignacio the well born lies on the stone.
All is finished. What is happening! Contemplate his face:
death was covered him with pale sulphur
and his place on him the head of dark minotaur.

All is finshed. The rain penetrates his mouth.
The air, as if mad, leaves his sunken chest,
and Love, soaked through with tears of snow,
warms itself on the peak of the herd.

What is they saying? A stenching silence settles down.
We are here with a body laid out which fades away.
with a pure shape which had nightingales
and we see it being filled with depthless holes.

Who creases the shroud? What he says is not true!
Nobody sings here, nobody weeps in the corner,
nobody ****** the spurs, not terrifies the serpent.
Here I want nothing else but the round eyes
to see his body without a chance of rest.

Here I want to see those men of hard voice.
Those that break horses and dominate rivers;
those men of sonorous skeleton who sing
with a mouth full of sun and flint.

Here I want to see them. Before the stone.
Before this body with broken reins.
I want to know from them the way out
for this captain stripped down by death.

I want them to show me a lament like a river
which will have sweet mists and deep shores,
to take the body of Ignacio where it looses itself
without hearing the double planting of the bulls.

Loses itself in the round bull ring of the moon
which feigns in its youth a sad quiet bull,
loses itself in the night without song of fishes
and in the white thicket of frozen smoke.

I don't want to cover his face with hankerchiefs
that he may get used to the death he carries.
Go, Ignacio, feel not the hot bellowing
Sleep, fly, rest: even the sea dies!

IV:

The bull does not know you, nor the fig tree,
nor the horses, nor the ants in your own house.
The child and the afternoon do not know you
because you have died forever.

The shoulder of the stone does not know you
nor the black silk, where you are shuttered.
Your silent memory does not know you
because you have died forever.

The autumn will come with small whiet snails,
misty grapes and clustered hills,
but no one will look into your eyes
becuaase you have died forever.

Because you have died froever,
like al lthe dead of the earth,
like all the dead who are forgotten
in a heap of lifeless dogs.

Nobody knows you. No, but I sing of you.
For posterity I sing of your profile and grace.
Of the signal maturity of your understanding.
Of your appetite for death and the taste of its mouth:
of the sadness of your once valiant gaiety.

It will be a long time, if ever, before there is born
an Andalusian so true, so rich in adventure.
I sing of his elegance with words that groan,
and I remember a sad breeze through the olive trees.
Devon Lane Nov 2014
I live my life
in black and white
because simplicity
tastes so much sweeter
than the poison
on your lips.
Valo Salo Aug 2014
All new and spitting out
You are mostly a micro
And you don’t even know that
An army of hungry cells

The envelope calculating
A crystal structure
American money
And Benny is not in the room

And to all you ladies
I’ll form spontaneously
Dazzling mud from Mono Lake
You see from TV Land

The Police says honey
Science never sleeps
Invisible to the ******’s eyes
So stay in the light

Forgotten books
Popes and crooks
Hippie nights
Laws and borders

Victim fiction
Salute the dead
Teddy world
I see you in the mall
Sabrina Nov 2014
Sleepless nights
and tender touches
truly provide unique perspective
for all to come
and all that's gone

                                   Broken pencils
                                   and crumbled papers
                                   are merely a lead
                                   for dried up tears
                                   and ****** knees

Mistake or blessing
a hidden disguise
a rush of heat
a secret demise

                                 For all that is given
                                 a fracture of the heart
                                 that is the price
                                 if we must part
kaylene- mary Sep 2015
I have a nasty habit
of dropping pieces of
myself on other peoples
doorsteps, leaving
frigernails and stray
hair inside their
post box. I always
give a part of my skin
to strangers on the
street because maybe
someone else can love
it more than me.
And I rely on broken
teeth and bottomless pits
to decide how whole
I really am.

So I set up camp
inside their
bones because I've
never been one to
know what home feels
like and I thought
I could manifest inside
sink holes for hearts
but it only made me
fade to black.

I wanted
to make peace with
the torment in my
head, but then the
flood came and sailed
away the only bed
I could ever sleep in.

And I wanted to hold
onto the idea of
making bonfires in
the small confines of
their back but people
don't take kindly to
being shelter for a
storm that never dies.
I come with lightening
strikes and hurricanes

in a three pocket
backpack and knock
on the doors of those
whose mother never
held their hair back
when they cried.

People are tempory,
in every meaning
of the word. They crack
and they crumble
just like me but the
wreckage of them
always seems to land
right beside my
shacking knees and
I sift through the
rubble because I've never
been one to let go
of things too easily.
I burn alongside the
people that I love
and I let them spit
out their sparks
upon my neck and
I rub their ash into
my flesh and I scream
when I get burnt
because I forget that
they were burning
when we met *and I was
bound to get a little
****** in the end.
Excuse the repost.
Yazad Tafti Mar 2022
hy heart unraveled stitch by stitch only to leave a bare unspindled flake aggregated miniwheat like architecture

a fragile graphite layered scultputre precariously placed on a display case in the center of a slipknot mosh pit

people = **** and people = heartbreak

tip
15
30
46.6
90 degrees

and a collapse a smash a new abstract piece entitled

just as a 18th century mid roman vase were to shatter
no amount of super glue could restore this ****
no amount of super glue was meant to
it was never meant to (glue just ain't that super)

and if it were doped and galvanized in a bit of antimony for strength and support
but your touch is truly my favourite ash charred expansion of arsenic
antimony can be used to increase hardnees kinda of alloys
Lady Misfortune Jul 2019
You can not cure my intoxication
If all you know is CPR
You're trying to do the heimlich
I'm not even aware of where we are

And to think you think you can help
Ignites the rushing blood in me

I swallowed all the poison
So I would not see

As it pours out my mouth
And my life is choked up

The sun rises over the bay
As my eyes flutter I know

I will never have to see her again
That's all that matters

As I lie on the ground
And feel the cold earth I will join

I cannot speak
Everything hurts
This is the most my pain has ever been worth

One tries to save me, but it's too late
I ate off the feasting plate

I ate at the queen of the festivals table
I love her and long to be able

To be in the moment once more
I know it won't happen.
So here's my reaction

My action to the action
Of her death in my life.
I dreamt of that rat every night.

Created: 10.5.18

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