Submit your work, meet writers and drop the ads. Become a member
Leo Feb 2021
When many aeons turning stones
Did find you muddied silt

The rivers coursing from your veins
On highway sides
Of Grecian ilk

What coils must I shuffle from
To find the fatted milk

And taste the salt which binds to you
In hiding places built

Before the turning of the spheres were
locked inside your gaze

Here, so many ages past
And still to seek a name
SG Holter Jan 2015
Spoiled with having you
Within my reach,
I keep nearly catching
The dark figure
Of your ghost in the corner of
My eye.

Seeing myself in the mirror,
You are shower-naked
Before me,
Looking back from glass; inviting.

Don't be sweet. Not gentle.
My bones were built for battle.


Empty air where warmth
Was days ago; now
A vacuum the size and shape
Of love and lust responded to.

I lean my face on sofa roughness
Where black silk strands
Of hair would tickle it.
Your fingers are not here to
Search; find, utilize the Access
All Areas
pass of

The black ceramic ring
You wear.
Neither is your mouth to tell me

To shut the hell up and
Lean back into the
Winter night that blushes
And turns away smiling.

Hours like aeons.
Decade seconds.
Yearning is not boring,
Yet your absence is the opposite
Of fun.
All I have are memories, and
Tomorrow.

Thank the gods I have tomorrow.
Thank the gods, we have
Tomorrow.

I'll dream then too.
Then open my eyes and mouth,
And thank out loud.

*"Real."
The Georgian Manor in Ripon Town
Had seen far better days,
The chimney pots had fallen down
And the windows, scarred and crazed,
The paint had peeled from the cedar door
And the ivy climbed untamed,
From the days of the aristocracy
The house was re-arranged.

There were flats and a communal kitchen
But no carpets on the floor,
The walls were damp and the paper peeled
In strips, from the old décor,
When Jennifer took an upstairs flat
She shuddered, ‘It won’t be long.’
But things in her life had taken a turn
With everything going wrong.

She lay on the iron poster bed
And she cried herself to sleep,
Ever since her engagement went
All she could do was weep,
The future, bleak and forbidding now
Held nothing but fear and tears,
It yawned ahead in her misery,
An aeon of wasted years.

At night, the gloom would descend, a pall
Would settle upon her room,
She’d lie awake to the mutterings
That seemed to come from the tomb,
The manor had once been bright and gay
With Lords and Earls, and Dames
Plucking at hammered dulcimers
While playing their wooing games.

And standing off in the corner was
A wardrobe, made of teak,
The doors were locked, there wasn’t a key
It was just some old antique,
Or that was what she had thought at first
‘Til her interest fired her mind,
And she levered open the doors one night
To see what there was to find.

She found there what was a treasure trove
Of gowns and hoods and capes,
Of silken skirts with their bustles,
Party masques for their escapades,
Muslin dresses and bodices
That Jennifer gaped to see,
That ladies wore all those years before,
And whalebone corsetry.

She felt a hidden excitement while
Surveying the gorgeous past,
And then an ineffable sadness that
Such grandeur didn’t last,
The woman that wore these party gowns
Was laid in an ancient grave,
Along with her beaus and suitors all,
The clothes alone were saved.

One night she weakened, and tried them on,
They seemed like a perfect fit,
Over the laced up corsets when
She donned a satin slip,
She chose a gown with a turquoise hue
With a bustle of ribbon and lace,
While the gas lamp that had never worked
Lit up, to reflect her face.

Then music wafted under her door
From a dulcimer and lute,
A wistful song from an old spinette
And a Love song from a flute,
She thrilled to enter the passage where
The gas lamps, in a row,
Played their light on the central stair
And the dancing, down below.

She floated to the head of the stair
As her gown trailed on behind,
And wondered as she descended what
Enchantment she would find,
The dancers stopped, and they looked at her
As she joined them on the floor,
And one said, ‘Here is the Faery Queene,
We’d best make fast the door.’

A fine young man in a tailcoat came
And he bent to kiss her hand,
From white cravat to his doeskin boots
He was quickly in command,
He whirled her breathless, into the throng
As the dancers wheeled and spun,
Risen up for this one enchant
That her dressing had begun.

But after one in the morning she
Began to fear and doubt,
The tapers happened to flicker and
The gas lamps all went out,
The dancers started to fade away
To return to where they came,
‘Til only she and the young man stood
In the glare of a single flame.

‘They’re happy now that you brought them back
Though the hours were swiftly spent,
They sleep again in their graves where they
Have aeons to repent.’
‘But what of you, must you join them there,’
As she clung to him the more,
‘Not I,’ he said, ‘for I’m not yet dead,
I live in the flat next door!’

David Lewis Paget
Through the ghoul-guarded gateways of slumber,
Past the wan-mooned abysses of night,
I have lived o'er my lives without number,
I have sounded all things with my sight;
And I struggle and shriek ere the daybreak, being driven to madness with fright.

I have whirled with the earth at the dawning,
When the sky was a vaporous flame;
I have seen the dark universe yawning
Where the black planets roll without aim,
Where they roll in their horror unheeded, without knowledge or lustre or name.

I had drifted o'er seas without ending,
Under sinister grey-clouded skies,
That the many-forked lightning is rending,
That resound with hysterical cries;
With the moans of invisible daemons, that out of the green waters rise.

I have plunged like a deer through the arches
Of the hoary primoridal grove,
Where the oaks feel the presence that marches,
And stalks on where no spirit dares rove,
And I flee from a thing that surrounds me, and leers through dead branches above.

I have stumbled by cave-ridden mountains
That rise barren and bleak from the plain,
I have drunk of the fog-foetid fountains
That ooze down to the marsh and the main;
And in hot cursed tarns I have seen things, I care not to gaze on again.

I have scanned the vast ivy-clad palace,
I have trod its untenanted hall,
Where the moon rising up from the valleys
Shows the tapestried things on the wall;
Strange figures discordantly woven, that I cannot endure to recall.

I have peered from the casements in wonder
At the mouldering meadows around,
At the many-roofed village laid under
The curse of a grave-girdled ground;
And from rows of white urn-carven marble, I listen intently for sound.

I have haunted the tombs of the ages,
I have flown on the pinions of fear,
Where the smoke-belching Erebus rages;
Where the jokulls loom snow-clad and drear:
And in realms where the sun of the desert consumes what it never can cheer.

I was old when the pharaohs first mounted
The jewel-decked throne by the Nile;
I was old in those epochs uncounted
When I, and I only, was vile;
And Man, yet untainted and happy, dwelt in bliss on the far Arctic isle.

Oh, great was the sin of my spirit,
And great is the reach of its doom;
Not the pity of Heaven can cheer it,
Nor can respite be found in the tomb:
Down the infinite aeons come beating the wings of unmerciful gloom.

Through the ghoul-guarded gateways of slumber,
Past the wan-mooned abysses of night,
I have lived o'er my lives without number,
I have sounded all things with my sight;
And I struggle and shriek ere the daybreak, being driven to madness with fright.
Kvothe Nov 2020
Stardust complexities
s
       h
i
       m
m
       e
r
out in golden blue.
The exacting clockwork of the cosmos ticks
ponderously
in Kepler seconds.

Chronology here is kept by
the
pendulous
sway
of
planets.

Aeons as minutes.

We are just dust
on the gears.

Galactic flecks,
swept up
in the filigree pirouette of an
astronomical timepiece.
Here, but not here.
Q        .
.        U
A        .
.        N
T         .
.        U
M        .
and fleeting.
Feedback would be great!
August Nov 2012
She rubs the night onto her eyes
In her dish sized eyes, tiny moons shine

She's a galaxy girl
A world all her own
And you know you want her
But all you can do is revolve around her

She grinds up meteors, hoping for a ****
Her coffee *** is filled with Saturn smoke

She's a galaxy girl
A world all her own
And you lay awake and think about her
But all you can do is revolve around her

Inside her chest, a black hole sits
Aurora borealis pours out her fingertips

She's a galaxy girl
A world all her own
And you can't stand the longing for her
But all you can do is revolve around her

The stars form her body, her face, her hips
Kissing space directly on the lips

She's a galaxy girl
A world all her own
You are a million aeons away from her
And all you can do is revolve around her
Prabhu Iyer Aug 2018
Can daybreak ever
bring darkness home?
The dried kohl is witness:
Aeons old, such a story
has been left behind,
unsaid, unsaid;


Does spring ever bring notice
of the coming fall?
Oh the rains sometimes
bring rumblings
of miffed skies -

Shoots that drop off stalks,
have not all
fallen for nothing,


Was the little window of dreams
illusory?
Laying my head down,
stealing my sleep?

Aeons old, is such a story
that has been left behind,
unsaid, unsaid;
Easily one of the best songs in a Hindi language film of the last decade, 'Ankahee' (Unsaid) is a masterpiece by lyricist Amitabh Bhattacharya:

https://www.youtube.com/watch?v=DR0S-ocAmvo

Notes: Kohl is a dark powder used as eye makeup in the East. Masterful use to describe the kohl-lined eye of a female protagonist viewing the pathos-laden dawn.
I awaken in a frozen forest
The frost grips my lungs with icy claws
My face is numb and yet I can feel it burn
Snow covers my skin like a gown
As I sift through the permeating fog
A chilling veil of foreboding demise

The oak and ash trees stand like pillars
A silent kingdom encased underneath aeons of time
I turn my eyes to the sky; greeted by the deepest grey
The snow falls gently to the ground
Covering all these graves and where they lay
Stumbling forth through the brush
The wind howls among the boughs

And there stood the palace
A structure made from the strongest oak
Engraved with the runes of the gods
The doors appear as mirrors but ripple with touch
From within the fire burns bright
Lingering ash fills my senses; attracted to the warmth
Passed the thresh-hold I move
And everything disappears

A lady in white stands before me now
Veiled with what could only be death itself
And from her lips mists the very essence of despair
These are her haunted woods
All around, are reflective crimson pools
Steaming against the bite of the wind
Pools of death, pools of men who came before me

She constructs me a tower to the heavens
And instructs me to stay forever
I will do so, without hesitation
Compelled by the raging fire in her eyes
So, from my frozen tower I watch
The embers paint the blackened skies
An eerie shade of amber, permeated with smoke
The forest is burning


The fire in her eyes was released
From on high, I watch her **** herself
Burning alive, a victim of her own passion
I clutch my chest and find a hole
Dry and empty, just a grotesque cavity
She stole my heart in my sleep
And it lit the fire that destroyed this beautiful place
Now a sanctuary of death
In my tower I'll sit forever
Writhing in endless pain
I killed her with my heart
I killed the lady veiled with ice
I killed the only good to come from my conscious mind
Look no further than yourself,
be your own lamp
your own refuge.

The rain washed sky found a mirror in his eyes.

Yet for some time as the end neared
he was hearing an echo
from the deep well of nirvana
urging his weary feet toward a home
his aeons ago.

The frail bones feeling the pull
drove his weary feet through rains
to be on that land one last time.

Look no further
for howsoever long is the journey
must come to an end at home.

That night as he lay under the śāl tree
they strained to hear him whisper

All composite things decay,
strive diligently.
Gautama Buddha
―Go Forth
Flourish in The Light
Of The
Estival Sol,
Elysium of the Soul,
Once you have vanquished
The Stygian,
Your Soul
Awaits You―


~I bid you
Immortal Heartsease
And
Armistice of Ataraxia:
The Reverberation of our Souls
In the Key of Elysium~.





I. Archean Prelude

The echoes
of your
Memories of
The Light & Airwaves
Pine to
Bloom in Reminiscence
Over the
Days of Yore.


II. The Echoes of Existentiality

We are all atomic particles;
Molecular Particles,
Of an aromatic
Omniscient,
Omnipotent,
Omnipresent Mist:
The Cosmo-Plexus of Empyreal Love

―Echo forth comrades―

~Evanesce,
Into the Empyrean,
Etherealized Lightscape
Until the
Visage of Creation
Enskies us
To the exalted
El Dorado~



II. Tempus Fugit

The Promise
Of the
Morrow
Is nigh:

The Yesteryears
Wax
Distant Ages,
Wax
Archean Aeons;

(Eventuality of Existence)

Our Bygone Days
Of Lovelit, Loveless Life,
Antiquate and
Our Soulwaves
Wax
The Spirit of
The Ancient of Days.


III. Nova Cosmogony

Betwixt the Realms
Of the
Beneficent Matriarch Mirror,
Beyond
Terraqueous Gaia
Unfurls the Vista,
Your Fulgurant Dreamscape:

Only the Sapient of Sages
Doth denude:

The Incorporeal Incarnation
Of
Virtue, it’s vesture,
Na’phesh

The Decrepitude of Withering
Dovens the Divine
In the
Vestibule of Vanity,
Sanctimony & Superciliousness
Thence deliquesce;
Bearing womb of Light.

IV. Celestial Morphology

Unveiling the Substance
Of Space and Time;
Spirit and Soul;
Euphony, Harmony;
Atrophy, Intrepidity
All are Entity

Once
Pristine yet vacuous,
Flourishing into
Mystical and shimmering
Nothingness, gropes
For Meta-Astral ―form;

Ventus Divinitas,
The Cosmogonist’s Agenda
Resonates
Through the
Inchoative Universe.

V. The Temporal Hither:

Her Genesis
Waxeth
Vestal Vicissitudes:

She is
The Twilit Quiver
Uprising in
Darts of the Dawn,

Until
Arrows of Antemeridian
Light Cascade
Our epidermis
With the incendiary
Sovereignty of Sol.

Dusk:
Chars the Canvas
Of Ethereal Skies,
Garnetiferous,
Moonlit, Martyred Mind’s Sky;
The Eve’s Imperator
And
Inquisitive Spirit Eyes.

By Luminaries
We’re ensorcelled
Corpulent with thought.

~Wondering upon,
Vacuous a fathomed
Cosmogenesis. ~



VI. Tempus et Spatium:


~There are
Edicts unseen
The Esoteric of the Macrocosm

Only the
Transcendent of Tellurians
May tell of
The Life-Rending,
Sunder forth:

Semantics in Constellations;
Gaian Whispers of Sylvan Tale
The Arboreal Wisdom,
Musicality in Zephyrs ruffling Trees of Vale
Hearken unto further
The Winged-Symphonic Bees
(The Bombinating Orchestra)
Soul Untethered = [ Meta-Consciousness ^ Spiritus de Liberty]

Einstein’s General Relativity= [Spatium ^ Matter ↔ Energy ^ Motion]

~

(Time & Space
The height,
The width,
The depth,
And
The breadth)
The Empyrean One
Enshrined in Pantheon
Our Virginal, Vestal Souls
Efflorescent Eternity
In our hearts?
(Ecclesiastes 3:11)

Time is fickle
A
Hydrean Leviathan:

Whilst ye
Voyage her
Seven Seas,
Moor naught
In her
Elapsed chronology;
Her caprice
And ire
Shalt not
Be quelled.

Be roused
From
Somnus,
Unto her
Perpetuity of
Aqueous Abyssal, Dream Deep Sea;
Tenuous,
Diaphanous,
Rare,
Tender,
Instinctive,

∞ Her Moments ∞
∞ Extinguished ∞
∞ At Birth. ∞

∞ Eternally, ∞
∞ Reincarnated; ∞
∞Anew.∞

∞The Cosmic Spectrum∞
∞Is Infinite∞

∞Excelsior, Godspeed∞

∞ Elo’him ∞





VII. Ultima Thule:

We
Empyrean souls,
Doth abide
In
Pearlescent raiment.

The Cosmogenesis is our Dreamscape:
.
We are all a cosmos,
Expanding, contracting;
Ebbing, flowing;
Hitherto and thitherto;
Red-Shift and Blue-Shift.

Until the Mellifluous Morn,
Whence the
Zephyr of Life
Reverberates the Musicality
Of The
Arboreal Sages.

Terraqueous Gaia
Whispers
The Hope of the Ages.
Spirits betwixt
Greater Eden and She’ol.

Count the stars,
Enumerate every
Constellation in The Cosmos
Of your Soulscape scintillating
Upon thine Mind’s Sky.

Whence Luna and Sol
By the Wisdom
Of your starlight.
Are benighted, beseech
The Ancient of Days

For within The Supernal Wavelength
Of the Hallowed Dove.
We glean refuge
Our Aegis,
Providence.

Awaiting the
Golden, incendiary pinions
Of the
Revenant Phoenix to resurrect us.
Allow the Holy Spirit
to be your Polaris,
― to Elysium.

~By Agape’s Armistice:
Ascend,
The Peaks of Heartsease.
Commune with the Cosmos,
Wax
Salvera y Jiustizia
Brethren,
I plead.~”


~This Sacred Lotus seed
Was sown
Into the
Into the Soil of your Souls
, ―By the Astral.

You are a melody,
Sung by
A coloratura,
Burst into a
Tapestry of Fioritura:

Of Hope,
Faith,
And
Love



(May you
Reap
The Virtues of the Lord)

Betwixt

Na’phesh,
(The [Your] Living Soul)

&

Kos’Mos’
(The World)

The Apotheosis of the Astral Flame
Awaits
You
Starry-Eyed
Phantasmagoreans~
Celestial Morphology © is the multi-epistled poem which I sired during the Estival vicissitude. Twas an ineffable cadenza that exhales of the incorporeal essence of mine entity. I had been toiling in sweat, blood, and tears over a written project at the time; consequently, this is the thematic poem begotten.
     It transmutes the zeitgeist of my summer into the Golden Raiment of Polymathy. The oppressed coals of my woe erupted from the igneous core of my heart as these adamantine words. This starry soundscape is the astral crux of my work during 2018.
      I think that there was a vast expanse of my understanding of the world that had been repressed. It had almost been veiled from the heightened sight of my Over-Soul. This was in my sheltered, infantile longing to elude heartache. To keep the flesh- sundering maladies of the world outside my apartment walls: love, passion, iniquity, penitence, forgiveness, piety, cultural fission, intolerance, injustice, indignation, divinity, melody, mysticism, schism, mania, trepidation, faith, wisdom, darkness, and temporally transcendent pain.
          This was my transcribed anarchy against a Fascist Regime. A country exalting body that calls its denizens creationists whilst they slaughter every creation under the sun. The sociological edicts that dictate how art should be produced, the pace, that tell us not to speak of discrimination and mold us to turn a blind eye to the harsh realities of 21st-century postmodern society heavied the air. I just needed to vent and let every bit of internalized asperity or self-directed hatred out in a beautifying paradigm.
      I'm realizing more and more that life is tough and quite frankly, short. I'd rather write for an infinitude on one poem, for the sake of saving myself, rather than compromising my own integrity (and creative latitude). The writing was becoming a drag: less about quality, and more about quantity. Thus, after months of phantasmagorical drought, I bestow a glistening glade of sterling words.
I hope this poem reverberates upon thine soul waves. Please comment as I am open to any feedback; moreover, I beseech it of thee. My deepest gratitude comrades.

Excelsior Forevermore,

Sanders Maurice Foulke III
lloyd britton Apr 2015
From the fertile womb of aeons gone by,
The untold truths hidden in time,
Crash down plummeting from the sky,
In ceaseless interpretive mime.

From the gateways of karma,
And the echelons of rebirth,
Reveals the cognitive dharma,
In merriment and mirth.

The fabled dragons of puce,
Ignites the torches and reveals the path,
Undulating footsteps with music to ******,
Treading carelessly as we laugh.

All through life’s journey so blissful,
Learn to use language to your advantage,
Allow lies to be under your dismissal,
And we’ll get by, we’ll manage.
Prabhu Iyer Feb 2018
The stillnesses of the aeons before
the world-times which stir in Him adorned of
skulls of all the forms that ever arose,
who knows of what age when first He walked here?
Staff in hand, for who walks His path is but
Him, garlanded in beads native to heights
of the times before time, clad of the ash
burned of tenses, master of dance, in whose
drunken steps rise, these universes vast:
auspicious, three-eyed the Lord of all.
Second of my 5-part poem on Shiva the great God of Hinduism; Set to Iambic pentameter!

Part - 1: https://hellopoetry.com/poem/2366267/red-hued-shiva-1/
topaz oreilly Nov 2012
I used to count the Acers
honed red striped wood,
offering hope in depths of February,
aeons of breakfast wishes
played changes that cannot be backed down
any more than my russet creations,
I long for companionship
as earthy as bottled Bordeaux ,
only if my crocus mia pathway
enfuses with the sound
of the incurious  contendedly arriving
Herman Nucleosis Jan 2016
O mother,
Ye the sea who hast crashed upon the shores,
And shapest the precipitous cliffs of my childhood
Thy lull hast eternally calmed me to slumber
In truth the ululating howl of thy grief
For the moon.
The jaundiced glow of the distant orb
Beckoned upon thy aching soul and
As the world turned each night
Thy waves slammed harder against the cliffs
Not as easily hewn as the rocks of my youth
Thy insidious carving would taketh aeons to break them.
Farther and farther from me
I stood steadfast and watched
The waters yearning for the lunar glory
So distant yet magnetic,
Uncovering the depths of thy being
Something a stationary monolith
Can only ever dream of
Struggling with old english grammar
uzair mohamed Aug 2014
Ares' Feast
Martian Symbols of Conquest
‘Sleep in Chambers and Vaults deep;
Flame of Torch disturbs their rest.
Swing your Scythe - thy Harvest reap!
Well do mighty Blades recall
Flesh they’ve rent from Bones of Men.
Must we hear Valkyries call
‘Fore the Swords will sleep again?
Fathers fall before the Blades,
Son-like Swains set in the West,
Valkyries shriek and shepherd Shades –
Victims of Sword’s Lust for Flesh.
Aeons pass and still they feast –
Ares and his iron-wing’d beasts.
Arjun Tyagi Nov 2015
Windswept dunes
Sprawled
Across the desert floor
The jade of the grass, rotten

Tylmarris's Temple
Lonesome, haunted
An abode of ancient magick
Abandoned but not forgotten.

A solitary shroud
Of ink black reflection
Silhouettes
The pale moonlit windows.

The air whispered
Of Sorcery
Bones and runes in patterns
Drawn from hidden doors.

Drawn across the aeons
When summoned
At times fruitful, at times treacherous
Devastating yet sublime.

The power of the spirits
Was not for all to tame
Less even to mock as
He was about to this time.

The warlock crouched
Over his beloved's corpse
A silent prayer to Tythryll
To return her whence he took her from.

Unanswered again
He mused in sorrow
Four hundred and twenty days in misery
He had now mourned.

A gnarled hand he rested
On her chest
Her skin peeling to reveal bones
Like pearls emerging from pink sand.

A withering smile still
She wore
In her final moments with him
When Death made its stand.

He spoke in Kuthanese
Her name in her tongue
Her true name.
Naírillia.

Daughter of Sand
Keeper of Terralyn's visions
Desert Witch
Touched by the God himself, as a Seer.

With clenched fists
Raised in a fashion
To receive the wrath of the Death God
He stood over the pentacle.

His betrothed beneath
Encumbered in a nexus
Of his safety
As he set to do the impossible.

Tythryll! He bellowed
In a voice born of rage
Despair
Of angst to have his love back.

Seven and seventy limbs
Broke free from the soil
Reaching skywards
In the earth, a giant crack.

Green auras of spirits
Distantly growled
as a mortal
Dared to raise a finger at their Master

He had provoked the very God
To answer to his call
Such was the grief
Of the bonecaster.

The Immortal then descended
Into mortal realm
Tythryll's brow aglow with fury
Of the underworld.

His headless horse neighing
A pirouette from his eternal saddle
To arrive before the temple gates
Hurling thunderbolts.

The warlock called upon
Eknarak, the mountain devourer
As his Ascendant foe
Locked eyeless sockets with him.

The mountain parted
A ridged back, the spirit's face
Colossal, faceted at every angle
Awoken from slumber deep.

The world sizzled
And blazed like some devious
Flash in the sky.
A battle not to be seen.

For innumerable heartbeats
They raged against another
Primal sorcery slowly
Straining the God.

More and more, the warlock
Let loose all spirits of the land
Till finally, a leg of two feet
Pinned the God down.

Wait! His eyes showed fear
For the first time since it's creation
What do you want?
What was wrongfully taken, he whispered.

Tythryll glanced toward
The petite corpse
Sneered.
This is what you fight for?

A hidden dam of helplessness
Broke as all his magic
Was released by the Warlock
To save her.

His body convulsed
Even as it split open midway
Revealing an empty shell
But filled with contempt.

At his command
The earth smiled
A deep chasm that glittered
Showing precious rocks and fire.

A horde of corpulent spirits
Rushed the God to the core.
As the warlock himself
Barely finished the spell whole.

The temple, the sand, the wind
All were ****** into
The cavity, lolling its hungry tongue
To consume all.

Three moons passed
Not a soul,
Would, across the plains,
Now dare to cross.

A change of seasons
Quelling of Earth's lust
Full with the power of a God
The chasm healed itself.

A hand from the soil raised
Clutching at air, nails biting
The black earth, its grip maintained.

Inevitably, an arm appeared.
The beginnings of a torso.
The torso of a being
Who was thought to be dead.

Naírillia, earthborn
She rises in the midst of where
Her love battled
Died.

Hair, as full as a Wickan Horse
Her strength to match an ox.
The ravished skin was no more
bones and soft marrow.

She tottered, stepped ahead
And slipped
Her face beside a ring
Engraved were some words
In her tongue.

I love you.
The day of your birth has now begun.
'And am I then a pyramid?' says Senlin,
'In which are caves and coffins, where lies hidden
Some old and mocking hieroglyph of flesh?
Or am I rather the moonlight, spreading subtly
Above those stones and times?
Or the green blade of grass that bravely grows
Between to massive boulders of black basalt
Year after year, and fades and blows?
Senlin, sitting before us in the lamplight,
Laughs, and lights his pipe. The yellow flame
Minutely flares in his eyes, minutely dwindles.
Does a blade of grass have Senlin for a name?
Yet we would say that we have seen him somewhere,
A tiny spear of green beneath the blue,
Playing his destiny in a sun-warmed crevice
With the gigantic fates of frost and dew.
Does a spider come and spin his gossamer ladder
Rung by silver rung,
Chaining it fast to Senlin? Its faint shadow
Flung, waveringly, where his is flung?
Does a raindrop dazzle starlike down his length
Trying his futile strength?
A snowflake startle him? The stars defeat him?
Through aeons of dusk have birds above him sung?
Time is a wind, says Senlin; time, like music,
Blows over us its mournful beauty, passes,
And leaves behind a shadowy reflection,--
A helpless gesture of mist above the grasses.
Deep where the Sun lies
flies, and then in its parade dies
into the dark under mass
the cloaked ritual of time
that hovers upon the boundaries
the songs of the ages.

Where glint to eye
that inward sigh, the cry
that tormented deep holds its bar
far, upon the trilogy of  the lost
Gods that made and paid the cost
of frequent flier miles.

Shadows creep, leap
where the distinction arises
surprises the mornings jolt
that rides the long encounter
where cold the steel bears the fascination
of the chambered game
twirling, revolving, frame by frame
where the poker hand falls to the colt.

Triggered, offset,
the bang of the aeons arises, surprises
and dropping like the shadow he was
the smoking barrel
the drawn out look
pages from a tormented novel
that lay in a hovel
there on the floor.

Alisdaire O'Caoimph
Filmore Townsend Sep 2013
in same place as last writing, wondering
what context this end of sweating will
bring. what this one's lackadaisical - to
juxtapose, let's write Bardical - musings
are found to be. treacherous thoughts pa-
tterned, knit in pearls of alternating colors
from the many revelized experiences of the
months since fleeted. this one's catacombed
mind filled with ex-grievances, and a once
real question of primordial retaliation. of
how to revoke Nature's iron grasp thought
to be called deity's divined fate of this kilned
clay vessel. and wondering on creation, life
given only to spite slaves formed of fire. and
now to leave aside psychpomic thoughts, and
now to return to ground. to stand firm upon an
earth that is essence entirety of this one's base
of creation. only, blood absorbed in place of
retained in circulation. going back, traversing
thought, bringing forth the white man's implic-
ation as ruler of time though known always that
circulation must cease, must become no longer
fluid. and with history being that of the sole
victor. that of labeling, defining, forcing selfish
perception as truth. and this one realizes reason
in fire's hatred of earth. to need to burn out, to
need to consume, but fire lacks choice of will to
action. this one can never leave aside idyllic thou-
ght of a primordial war of elements merged.
digressing, even though the end must find full-
circle. I the Destroyer writing in hopes of finding
thoughts on We the Emerging, all the while
Gregorian has foreseen existence from time beg-
inning. guaranteeing only that structure will
survive time's ending. history of sorts pre-writ
day for day for week for years for aeons of never
ceasing circulation. all the while, victor shedding
for the earth to absorb. Thoth the great, the great,
the great; of lacking elemental composition. the only
one in this one's knowledge whom defies either
circulation of absorption. We the Emerging consume
of the firmament. He the great, the great, the great
witnessing from without the firmament. He the
ancestors taking trice-form to malleate clay from
perpetual fermentation. and digressing more, but
again stating the achievement of culmination of words.
this one stating understanding that perceiving self
as a psychopomp stems from earthen forged vanity.
and all writ is true in belief of prisca theologia.
perhaps this one's words are found to be Hermetic,
found defying interred ideologies as ink rushes to
awaken We the Emerging before dreaming mind
collides with the dawn. and perhaps only Nature may
be found as decided for those taking their cycles of
mindless bliss. and digressing, merging trained-thought
into the next. merged here to be found, We the Emergent
modernity with open palms for another's thoughts. and
here to be found, this one, of I the Destroyer choosing
a percepted chaos to the permanent pre-dawn bliss.
Serious Abandon Mar 2015
Serrated dawn
Carnivorous night
Who's teeth I fear
But do not flight

I welcome thee
Cyclopean spire
Carcosian sea
Hatur's eyless ire
Becomes me

With stars of ebon twilight
and Aeons countless
Nyarlothotep's sight
I make for the Mountains
of Madness
A tribute to the author who defined my highschool years
The Wicca Man Jul 2016
Gaia sighed. Not a sigh like lovers sigh looking deeply into each other's eyes. This was a sigh of resignation. In all her long life, there had never been a time she felt as unheeded as now.

Yes, there had been a time once, a time of oneness when all her multitudinous inhabitants had coexisted, when species knew their place in the chain of life and cycled through their existence, not always at peace but with respect for one another: the lion hunted the swift gazelle which in turn fed on the fruits of the trees, parasitic birds and insects grazed upon her and they in turn were the prey of others. ‘Yes,’ Gaia thought, ‘there was a time.’

She sighed again. She remembered when humans first came to prominence in the twilight of her existence. To them, she was the Great Mother, the Creator of life. Was it not she who bore all her inhabitants and was it not to her that they all returned to continue the cycle?

Gaia felt old now, old and forgotten. That respect, that devotion was all gone now. She felt the hurt as the careful balance she had sought to maintain was eroded, not by wind and elements, but by the ravages of humans.

‘They have overstepped their bounds,’ she mused. ‘They must be taught a lesson.’

She pondered on that thought for a moment and for a moment felt a surge of effervescent warmth flow through her form. But grim reality broke through her musings and she shuddered at the horror of the reality. Her memories were dim and misty now. She could remember her birth but only just. How she had taken form from the cosmic flotsam and jetsam all those countless aeons ago. She remembered the youthful exuberance she exhibited then and she smiled in embarrassed recollection. No life could have survived upon her surface then for she was wild and wilful, hot and inhospitable, prone to savage outpourings. But she grew, she gained the experience of time passing, and slowly, slowly, her voluble exterior became calm and gradually her form was blanketed in a kindly cloak of life-sustaining gases. The soup of her oceans spawned and multiplied a myriad of lives and forms and she thought of how many she had seen come and go.

The present again broke through her meditation of what has gone before. Now she was approaching the nighttime of her existence and, like the old elephant, one of her favourite inhabitants, she knew her time was near. She had tried so hard to adapt, to compromise but, like a cancer, the human scourge had spread beyond all control. Oh yes, there had been a few voices raised in concern and some, she knew, spoke with all the sincerity she knew the species was capable of. But, those voices went unheeded, listened to by a few but ignored by the many. Gaia was tired. She hurt. Sol bore down on her savagely, relentlessly and she felt her protective shroud growing weaker and weaker as every moment passed. It was now, the time had come...

© David Simons 2001 (revised 2016)
Ok, not strictly speaking a poem but poetic prose (!?). Take from this what you will.
S Smoothie Jun 2014
____________



Cruel is the new kind



_____________



silken lies fall from my mouth

a sickly sweetness that only overcompensation can bring

and you swallow it all down,

vanilla cherry icecream ssmoothies.



_____________



a sweet tooth for white silk lies,

wrap your self up head to toe in my illusion.



______________



you have my body but never my soul

I promised it away aeons ago.
Cruel is the new kind...
Paul NP Jan 2022
You are the Love that I Remember,
You melt me through Aeons of Winter.
You make me the blazing Djinn,
You make me the Christ without Sin.

You are the Cure for The Cold
and my love is like Footsteps in Snow.
Where I follow with Feather and Rose.
To give you my Heart and my Soul.

You are the Love that I Remember.
You are the Love that I Recall,
You are the Spirit of my Crossing,
You tie me in Beautiful Woes.

You are the Essence of Color.
Also the midnight cruiser.
You are the spring fawn,
and its your laughter that makes me grow.

You are the will of the bright.
You are the source of my spiritual writing.
You make me the king in blessings.
Blessings of virtue and light.

You are the love that I remember,
the truth and the love that is tender.
You are the ocean of responsibility,
that I pick up when reason is withering.

You are the quintessential virtue.
That all there is to know is full.
The fullness you supply, I imbibe
these virtues; with intimacy, grace and time.
Written in the Muse of my new song, But also a Work in Progress
https://soundcloud.com/hollaflower/hollaflower-reunited-ignited-loud-mix?si=629482a556ed489e95da784bcd6d05f6&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Prabhu Iyer May 2013
I.

I knew she liked me much,
the way she blushed and
went cold, every
morning at my touch;
I love her too, my favourite
cereal bowl: she's
all ceramic, a queen
among bowls. So, I decided
to break ice and ask her,
this morning, when this space
is resonant in unusual
calm amid the buzz
of clumsy bikes, kitchen clanks
and crowbar knocks: tell me,
dear bowl, I say, tell me more
about yourself: I want to
know your story.

II.

She blushed again: really?
Why would you want to know
this my sad story?
Everyone I ever loved,
has been cleaved from me
and here I wait today,
polished and reflecting
the mad whirl of the tireless
fan every sombre morning.
Silence. I gave her a caress:
an empathetic, loving one,
and nudged her on.
She stuttered. I gazed intently
at my interested face
reflected off her beaming eyes.
Well, where shall I begin?

III.

I was the soft clay
lining the shore of this
beautiful lake, in some remote
haven untouched by betrayal:
a far off land, where
people just loved and expected
nothing back.
China? Mongolia?
I was about to ask, excited,
but then kept quiet,
how would a clump of clay
tell one country from another?

IV.

I loved her soft smile
rippling past me every morning
and deep night, and we
loved each other this way
in waves and caresses
for aeons, when one day
this menacing contraption
a monster, cleaved me off
and transported me
to a boiling cauldron. I wept
for pain and roiled on
until hardened and cast
into this shape.

V.

Earlier, my dear bowl,
still earlier I wish to know,
what were you, before
being the sand on the lake?
She got thoughtful for a while.
Well, I was the mountain
that fell in love with the sky.
O, her beauty that
came alive when she wore
a tunic adorned of twinkling
stars and the crescent moon
adorned her forehead; But,
the jealous winds
cleaved me off her: bit by bit
scraping me off they
deposited me by the lake.

VI.

Earlier, dear bowl, what
were you, before being the
mountain that loved the sky?
Now it seemed like I was
in communion with an ancient
deity: a being so vast, that
all existence was in her throb.
Ah, those searing depths
where I flowed simmering
by ragged channels, I was
the pain that the primordial
planet carried in her womb.
Before exploding over the land
and rising to the ashen skies.

VII.

I could not ask her more.
We both were lost in a
trance-like moment. I just
touched her and we felt
every event that pulsed in her.
The giant star that exploded;
Spreading gases and dust
all over vast distances.
Gathering together and
growing all over again, through
and through time, since
numberless cycles of creation.
Stardust. Here in my humble
bowl, is gathered,
the seed of all existence.
Another experiment here...do excuse the length!
Mark C Feb 2013
Red
…rain, rain, red rain, scarlet rain, ochre rain, incarnadine rain, rain driving in torrents unseen in millennia, pounding the desiccated earth in a frenzy of hydration...

I... I never dared hope to see this.  In the last days...  let me see now...  this is so difficult that even my recollection grows dim...  

In the Last Days,  Council met and planned.  We exhorted the brightest, challenged the greatest minds.  We sifted through aeons of knowledge and philosophy, searching for the key to our salvation.  Plans were made and discarded.  Theories expounded... and proved false.  In time, we came to the inescapable conclusion.  

Our seed had grown thin.  Hundreds of generations of advancement, fine-tuning, and engineering had taken its toll on our people.  We had become threadbare; the canvas of our soul stretched beyond the limit of its frame.  We had become a doomed race.

(...rain from pole to pole, reaving nature through force of Will, rain into rivulets, rivers cascading into falls, scouring terrified hillsides, on an unstoppable charge to the lowlands...)

The inevitable demonstrated beyond doubt, some lost all reason.  Others chose their own end;  marching calmly, in ones and twos, or in families, into the hopeless portals of Ra’k Tanar.  A few of us chose to carry on, in the hope that something might be salvaged.

(...rain like the fury of a spent people, a whirlwind railing against futility, rain coursing and surging, hungrily rediscovering its soil, its flood-plains, its oceans, rain urging defiance, blood-red rain on blood-red clay, a million screams and a million years out of time...)

And in a way, we forged a kind of victory.  Ruined as we were, we were not without Craft.  Our best we gathered to the Hall of Treasures, under the icon you have only just uncovered.  We laboured hard, so that even with our passing, the land would not forever wither.  The seeds of your future were planted long in our past.  You are coming into your inheritance:  now, under the deluge...

(...rain like a thunderstrike echoing through the centuries, life-giving rain, angry rain, rain like the tumult and violence of all the wronged and lost, breathing, raging life into possibility all around, and with one last, weary, sigh, I leap into the heavens, rise up, become one with the sky, one with the rain, and fall in a billion crimson teardrops
Sam Hammond Sep 2018
Many hundred aeons travelled,
Over many days.
Though I know, with certainty,
Just where all my love stays.
Like a bee to pollen, it is
Instinct, finding you,
As, if somewhere else it went,
All life would turn askew.
So give me all your nectar and
The usual clichés.
Pollinate, repopulate,
Until the end of days.
I promise not to sting you
If you promise not to *****,
For when it comes to both our love
No honey is as thick.
st64 Mar 2014
plea of oddities: bring the tinkling back
its bell lies silent


1.
Existing (not entirely) alone
entertaining itself with nightmares witnessed from long ago
It waited and waited
until the neighbour-orb grew to a level sophisticated enough
to house that lovely assortment of fine specimens.. of females
       that flock of dusted-crystals so long dreamt of
       that mould of sensibility, that plug of warmth
       that banner of softness
which all mirrored the opposite of their ways


2.
they fled in quiet-rebellion from inhospitable hands of the boor-males
altogether, in a ship.. down into the bowels of their breaking planet
subtleties long abandoned by the barbed-wire handling of  rough hands
these gentles could take no more and *uncoupled
themselves for good
burning, like the bridges behind them
               they disconnected and slid into a nether-sphere

When the males woke in stupor to find them gone
                 they flipped and fed in anger
and with access to goodness gone and unplaced voracious appetites
It decided to encase them.. in a giant glass-jar, preserving them in ire
until the time was right.. like a tea awaiting perfect steeping
In stasis, they remained for what seemed aeons
the glass-jar which held this army of men, was reduced
became small, like a coin.. which Foog summarily swallowed
and waited . . .  


3.
The sun turned its face in blank-horror of severe sights
                                                               splayed across the surface
forests shrank to toothpicks and died
         blue seas curled and dried
                                 meadows melted to greyish slush
every flying creature lost gravity and got ****** away, too high..
                                                        into harsh deafening-holes
when the tall sentries of oxygen.. twisted and became wiry-distorted
the sky sank and folding itself up.. hid in a black corner
                               behind the crumbling mountains

Foog hid beneath a crater made of ice, on the dark side of said planet
and once every millennium
        it felt the colliding-smack of a passing planetessimal
and it swore that somewhere, somehow..
        that punishment awaited new life

So, it shut its senses to the bay of life
       while hankering viciously for the scream of warm blood
The bell-jar inside, silent and
                        also somehow.. obscenely waiting in its oblivion



4.
Then, came Earth spinning round in flourish.. oh, the day on hand
Yet, veryyyyy far away.. an eye slowly opened
                      / /  roused by the smell of fressshhh life . . . / /



5.
A popping sound and the bell-jar was birthed from a slit on its forehead
It looked nearly quizzically at this odd creation beneath the silent-glass
this assortment of creatures trapped in the folly of Foog:
                                                                ­     oh, shall I, or not?
A cosmic joke, almost.. with so few revisions
The lid lifted and with proportion righted once more..
                                they came, oozing out in droves
Roaring from their milleniac-slumber,
                               crazed in half-remembered wounds
But alive with burning-purpose - - to find the equivalent
of
those soft-crystals

To melt the iron.. inside.



(unsolicited but self-warranted visitations:
camouflaged abductions.. secret prodding..
subtlety re-learnt.. poverty rehashed..
Fugue in a glass bell-jar.. unleashed)  



But alas, when sweet-sounds are closed again
see at whose smart-hands calamity befalls Life
Yet.. who are ultimately the ones
picking up the pieces after devastation wrought?





st, 27 march 2014
woke from nightmare.. to find this on my waking-plate.


sub-entry: day to dawn

It came in a dream.. and told me so
a day to dawn
for reckoning.
beauty is born
torn and tired
tirelessly turning 
into itself
she unfurls 
her long and shapely legs 
like a chain of
tibetan prayer-flags
waving to the Sun
immediately she begins 
to stage the play
that penetrates the heart 
with strong arms
and a silken mane 
the color of sea-spray 
her neck is the foam filled ocean 
and her ******* 
are coral reefs that protect
the polyps that cluster 
in her unfathomable depths 

modern day education
is beyond biased 
and most definitely broken
impermanent knots 
are haphazardly tied
to bind the minds
of dancing children
short-term memory
instigates a fleeting vision
some call it autism 
others prefer anarchy
a fear of growth 
or is it really indecision
that when you can no longer respond 
to life's most pertinent questions
with anything other 
than no thank you
eventually every syllable uttered 
becomes the stuttered sound 
of overly clichéd ambivalence
that frequently masks 
itself as wisdom


despite our higher self's 
best wishes
such limitless awareness
our very own bodhichitta
slowly becomes 
an interminable trickster
also known as Ego 
which incessantly repeats

phrases like 
i’ve earned these blessings
i've learned these lessons
aeons ago
therefore it is best to
meditate and inspect one's thoughts
on a daily basis
before all these shadows 
have a chance to grow and become
funeral wreaths
still the ego says
oh what fun it is to look at
the shimmering shawls strewn 
haphazardly like wedding veils
upon our watery souls
as if you and I were a couple of
Jackson ******* paintings


to heat the flame
inside the
limitless
space of your soul
you cannot
deny your heart
the swamps, vines, rocks and peaks
it seeks for eternity
the ancient trees drink light
and breathe out the heaviness
of splintered sight 
into the ephemeral night
divine breath
is calling you home
sounding trumpet flowers
daily...

gathering falling branches
and transforming sticks of palo santo
into star-studded candles
which permanently leave 
their ashen and iridescent marks 
like tattooed scars
upon the painted face of the sky

while angels fly
with flaming bundles of hair
weaving silent smoke signals
rising up from warm coals
the spiraling eyes of the spirits 
are alight with the embers of love
which impress their radiant etchings 
upon the daguerreotype of darkness' 
burning eyeballs


faceless in the heat
grief is asleep and dreaming
of justice
a curse on those 
who evade their emptiness
in culturally appropriated places
harboring...

regret like a fugitive 
such frustration that i wept
for the lack of fruitfulness 
******* the chords of love
slowly and gently she strums
her weeping guitar 
as if arrows and yarn
were woven into her arms
like baby blankets and bundles of cotton
naked and forlorn 
her hair worn short
still she swore that she could not rest
until all had sweat their prayers
through hollow caverns and windy staircases
her vision forever strengthened
by a ceaseless determination

balancing multiple lovers
is never an ideal situation
hearts broken and freedom falling
toppling down from heaven’s peak 
into these dusty old basements
just as we suspected
everything is resurrected
to time’s smiling amazement
both old ones and new ones
are reflections of truth
juniper sours
and blooming flowers 
of golden waterlilies 
poppies and sprigs of amaranth
jaundiced and porous
loquacious are the stages 
that we must pass through 
on our way to becoming 
dew drops and frozen apples


remediating all this concrete nonsense 
would be to our immediate economic advantage
these tragic promissory notes 
where landed lords of wealth 
have repeatedly replicated themselves 
upon trillions of meaningless pieces of paper
their stoically printed faces 
should not be readily trusted
nor traded or exchanged
for life's necessities
they are not only useless but truly 
dangerous
as they often claim
that they are only passing through
yet as each new day dawns
they are forever inclined 
to once again dine with you anew


bold in flesh and sinuous
only a moment before
the Sun shall bloom and whisper
with sleepy eyes
into yarrow flavored water
the secret of not knowing
the ancient face
of grandmother Moon speaks
through alabaster teeth
so intent on biting through sheets of
dawn’s iridescent sky
that the sounds of her words
are instantly drowned out 
by her tears
yet if you listen 
really closely like an owl
to the chorus of the night
you can clearly 
hear the forest echo

i love you
Satsuki Oct 2013
I want to go back
To being an eagle on the swing daddy built for me
I want to go back
To watching ****** doo every day
I want to go back
To momma packing my lunch
I want to go back
To math being 2+2
I want to go back
To asking Santa for presents
I want to go back
To when 18 seemed aeons away.
I want to go back there
And far far away from this new reality here
Nay, let us walk from fire unto fire,
From passionate pain to deadlier delight,—
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.

For, sweet, to feel is better than to know,
And wisdom is a childless heritage,
One pulse of passion—youth’s first fiery glow,—
Are worth the hoarded proverbs of the sage:
Vex not thy soul with dead philosophy,
Have we not lips to kiss with, hearts to love and eyes to see!

Dost thou not hear the murmuring nightingale,
Like water bubbling from a silver jar,
So soft she sings the envious moon is pale,
That high in heaven she is hung so far
She cannot hear that love-enraptured tune,—
Mark how she wreathes each horn with mist, yon late and labouring moon.

White lilies, in whose cups the gold bees dream,
The fallen snow of petals where the breeze
Scatters the chestnut blossom, or the gleam
Of boyish limbs in water,—are not these
Enough for thee, dost thou desire more?
Alas! the Gods will give nought else from their eternal store.

For our high Gods have sick and wearied grown
Of all our endless sins, our vain endeavour
For wasted days of youth to make atone
By pain or prayer or priest, and never, never,
Hearken they now to either good or ill,
But send their rain upon the just and the unjust at will.

They sit at ease, our Gods they sit at ease,
Strewing with leaves of rose their scented wine,
They sleep, they sleep, beneath the rocking trees
Where asphodel and yellow lotus twine,
Mourning the old glad days before they knew
What evil things the heart of man could dream, and dreaming do.

And far beneath the brazen floor they see
Like swarming flies the crowd of little men,
The bustle of small lives, then wearily
Back to their lotus-haunts they turn again
Kissing each others’ mouths, and mix more deep
The poppy-seeded draught which brings soft purple-lidded sleep.

There all day long the golden-vestured sun,
Their torch-bearer, stands with his torch ablaze,
And, when the gaudy web of noon is spun
By its twelve maidens, through the crimson haze
Fresh from Endymion’s arms comes forth the moon,
And the immortal Gods in toils of mortal passions swoon.

There walks Queen Juno through some dewy mead,
Her grand white feet flecked with the saffron dust
Of wind-stirred lilies, while young Ganymede
Leaps in the hot and amber-foaming must,
His curls all tossed, as when the eagle bare
The frightened boy from Ida through the blue Ionian air.

There in the green heart of some garden close
Queen Venus with the shepherd at her side,
Her warm soft body like the briar rose
Which would be white yet blushes at its pride,
Laughs low for love, till jealous Salmacis
Peers through the myrtle-leaves and sighs for pain of lonely bliss.

There never does that dreary north-wind blow
Which leaves our English forests bleak and bare,
Nor ever falls the swift white-feathered snow,
Nor ever doth the red-toothed lightning dare
To wake them in the silver-fretted night
When we lie weeping for some sweet sad sin, some dead delight.

Alas! they know the far Lethaean spring,
The violet-hidden waters well they know,
Where one whose feet with tired wandering
Are faint and broken may take heart and go,
And from those dark depths cool and crystalline
Drink, and draw balm, and sleep for sleepless souls, and anodyne.

But we oppress our natures, God or Fate
Is our enemy, we starve and feed
On vain repentance—O we are born too late!
What balm for us in bruised poppy seed
Who crowd into one finite pulse of time
The joy of infinite love and the fierce pain of infinite crime.

O we are wearied of this sense of guilt,
Wearied of pleasure’s paramour despair,
Wearied of every temple we have built,
Wearied of every right, unanswered prayer,
For man is weak; God sleeps:  and heaven is high:
One fiery-coloured moment:  one great love; and lo! we die.

Ah! but no ferry-man with labouring pole
Nears his black shallop to the flowerless strand,
No little coin of bronze can bring the soul
Over Death’s river to the sunless land,
Victim and wine and vow are all in vain,
The tomb is sealed; the soldiers watch; the dead rise not again.

We are resolved into the supreme air,
We are made one with what we touch and see,
With our heart’s blood each crimson sun is fair,
With our young lives each spring-impassioned tree
Flames into green, the wildest beasts that range
The moor our kinsmen are, all life is one, and all is change.

With beat of systole and of diastole
One grand great life throbs through earth’s giant heart,
And mighty waves of single Being roll
From nerveless germ to man, for we are part
Of every rock and bird and beast and hill,
One with the things that prey on us, and one with what we ****.

From lower cells of waking life we pass
To full perfection; thus the world grows old:
We who are godlike now were once a mass
Of quivering purple flecked with bars of gold,
Unsentient or of joy or misery,
And tossed in terrible tangles of some wild and wind-swept sea.

This hot hard flame with which our bodies burn
Will make some meadow blaze with daffodil,
Ay! and those argent ******* of thine will turn
To water-lilies; the brown fields men till
Will be more fruitful for our love to-night,
Nothing is lost in nature, all things live in Death’s despite.

The boy’s first kiss, the hyacinth’s first bell,
The man’s last passion, and the last red spear
That from the lily leaps, the asphodel
Which will not let its blossoms blow for fear
Of too much beauty, and the timid shame
Of the young bridegroom at his lover’s eyes,—these with the same

One sacrament are consecrate, the earth
Not we alone hath passions hymeneal,
The yellow buttercups that shake for mirth
At daybreak know a pleasure not less real
Than we do, when in some fresh-blossoming wood,
We draw the spring into our hearts, and feel that life is good.

So when men bury us beneath the yew
Thy crimson-stained mouth a rose will be,
And thy soft eyes lush bluebells dimmed with dew,
And when the white narcissus wantonly
Kisses the wind its playmate some faint joy
Will thrill our dust, and we will be again fond maid and boy.

And thus without life’s conscious torturing pain
In some sweet flower we will feel the sun,
And from the linnet’s throat will sing again,
And as two gorgeous-mailed snakes will run
Over our graves, or as two tigers creep
Through the hot jungle where the yellow-eyed huge lions sleep

And give them battle!  How my heart leaps up
To think of that grand living after death
In beast and bird and flower, when this cup,
Being filled too full of spirit, bursts for breath,
And with the pale leaves of some autumn day
The soul earth’s earliest conqueror becomes earth’s last great prey.

O think of it!  We shall inform ourselves
Into all sensuous life, the goat-foot Faun,
The Centaur, or the merry bright-eyed Elves
That leave their dancing rings to spite the dawn
Upon the meadows, shall not be more near
Than you and I to nature’s mysteries, for we shall hear

The thrush’s heart beat, and the daisies grow,
And the wan snowdrop sighing for the sun
On sunless days in winter, we shall know
By whom the silver gossamer is spun,
Who paints the diapered fritillaries,
On what wide wings from shivering pine to pine the eagle flies.

Ay! had we never loved at all, who knows
If yonder daffodil had lured the bee
Into its gilded womb, or any rose
Had hung with crimson lamps its little tree!
Methinks no leaf would ever bud in spring,
But for the lovers’ lips that kiss, the poets’ lips that sing.

Is the light vanished from our golden sun,
Or is this daedal-fashioned earth less fair,
That we are nature’s heritors, and one
With every pulse of life that beats the air?
Rather new suns across the sky shall pass,
New splendour come unto the flower, new glory to the grass.

And we two lovers shall not sit afar,
Critics of nature, but the joyous sea
Shall be our raiment, and the bearded star
Shoot arrows at our pleasure!  We shall be
Part of the mighty universal whole,
And through all aeons mix and mingle with the Kosmic Soul!

We shall be notes in that great Symphony
Whose cadence circles through the rhythmic spheres,
And all the live World’s throbbing heart shall be
One with our heart; the stealthy creeping years
Have lost their terrors now, we shall not die,
The Universe itself shall be our Immortality.
No, I shall not say why it is that I love you--
Why do you ask me, save for vanity?
Surely you would not have me, like a mirror,
Say 'yes,--your hair curls darkly back from the temples,
Your mouth has a humorous, tremulous, half-shy sweetness,
Your eyes are April grey. . . with jonquils in them?'
No, if I tell at all, I shall tell in silence . . .
I'll say--my childhood broke through chords of music
--Or were they chords of sun?--wherein fell shadows,
Or silences; I rose through seas of sunlight;
Or sometimes found a darkness stooped above me
With wings of death, and a face of cold clear beauty
I lay in the warm sweet grass on a blue May morning,
My chin in a dandelion, my hands in clover,
And drowsed there like a bee. . . blue days behind me
Stretched like a chain of deep blue pools of magic,
Enchanted, silent, timeless. . . days before me
Murmured of blue-sea mornings, noons of gold,
Green evenings streaked with lilac, bee-starred nights.
Confused soft clouds of music fled above me.

Sharp shafts of music dazzled my eyes and pierced me.
I ran and turned and spun and danced in the sunlight,
Shrank, sometimes, from the freezing silence of beauty,
Or crept once more to the warm white cave of sleep.

No, I shall not say 'this is why I praise you--
Because you say such wise things, or such foolish. . .'
You would not have me say what you know better?
Let me instead be silent, only saying--:
My childhood lives in me--or half-lives, rather--
And, if I close my eyes cool chords of music
Flow up to me . . . long chords of wind and sunlight. . . .
Shadows of intricate vines on sunlit walls,
Deep bells beating, with aeons of blue between them,
Grass blades leagues apart with worlds between them,
Walls rushing up to heaven with stars upon them. . .
I lay in my bed and through the tall night window
Saw the green lightning plunging among the clouds,
And heard the harsh rain storm at the panes and roof. . . .
How should I know--how should I now remember--
What half-dreamed great wings curved and sang above me?
What wings like swords?  What eyes with the dread night in them?

This I shall say.--I lay by the hot white sand-dunes
Small yellow flowers, sapless and squat and spiny,
Stared at the sky.  And silently there above us
Day after day, beyond our dreams and knowledge,
Presences swept, and over us streamed their shadows,
Swift and blue, or dark. . . What did they mean?
What sinister threat of power?  What hint of beauty?
Prelude to what gigantic music, or subtle?
Only I know these things leaned over me,
Brooded upon me, paused, went flowing softly,
Glided and passed.  I loved, I desired, I hated,
I struggled, I yielded and loved, was warmed to blossom . . .
You, when your eyes have evening sunlight in them,
Set these dunes before me, these salt bright flowers,
These presences. . . I drowse, they stream above me,
I struggle, I yield and love, I am warmed to dream.

You are the window (if I could tell I'd tell you)
Through which I see a clear far world of sunlight.
You are the silence (if you could hear you'd hear me)
In which I remember a thin still whisper of singing.
It is not you I laugh for, you I touch!
My hands, that touch you, suddenly touch white cobwebs,
Coldly silvered, heavily silvered with dewdrops;
And clover, heavy with rain; and cold green grass. . .

— The End —