i let go of myself mid-air,
suspended like a plastered sun goddess —
i long to be smaller. younger. incorporeal
but grief is royal mantle dragged in the mud,
draped on my shoulders, down to my limbs:
like a pair of sunbeams gone astray
and the sun has long left without
so much as a sorry letter.

still, i feel its hands
creeping to the parts of my lungs left untouched.
its glare spreads like rust,
telltale in the daylight glow.

soon, i will implode from all this alien warmth
like a colony of bats, a revolution for the dusk.
soon, the sky will recognize this ancient sadness
throbbing inside a mortal body
like a rejected ***** wanting to escape.

i let go of myself mid-air:
vivid and ugly under the softest parts of sunlight –
all dying in the dusk in slowest motion;
it washes over me. anoints. screams out in mourning
screams out ‘no’.

but i have taken my flights and fall.


i let go of myself mid-air.

unzip my wrists —
fragile, handle with care.

i am drunk with the thought of them breaking,
resembling quartz veins
down in the mines.

unzip my arms,
this is an enclosure —
it is safe from all-seeing eyes.

unzip my skin —
i am bag of sorrows and bones
waiting to be unpacked
in a new rental room.
the walls are white; the sheets are clean; the flowers are fresh
and i sit in the middle of it all:
a slashed, opened mail
spilling shadows —
like a ghost inside a house.
a parasite inside a host.

unzip my body:

i am strikingly
all things
anti-thetical —
old
dark
ugly
haunted —
a herald of infestation —
here:

the walls are white; the sheets are clean; the flowers are fresh,
the sunset is warm — comforting.
the world spins in a blur.
and i sit quietly, in apprehension,
stuck in the middle of it all.

a ghost.
a prey.

the room is spotless —
i step out of my skin.

i am looking at it now from afar — that certain kind of pain that would mirror mine; how immense it must be to go through it, and i can only imagine getting out. how immense the pain must be, how terrible, to wish for a kind of comfort only a certain, abrupt finality can bring. i am looking at it now from afar: skin as gray as mine and lately, the daybreak just brings in its rays more nights for us to swallow.

if it brings you any semblance of a cold comfort — the one you seek, i hope you know, i'll die in your place. i wish i can take it all away.

you always ask why i always stay in my room, in that voice that always made me feel small and vulnerable — the one that always made me feel like a five-year-old girl wishing that the blankets and the stars will hush the thunders.

you always ask why, dad, and yet you always find ways to hurt me the moment i come out of this four-walled shell, ashen and gray from all the storm clouds circling over my head. you always find ways to spot the cracks on my skin, like i was just another wall in this crumbling house. you always find ways lasso your words around my throat — tighter and tighter, i can no longer breathe. you always find ways to unhinge my mind; to unbottle all the tears and all the loose pieces of my heart hastily stitched out of place.

dad, i am caught in a trojan war brewed by my demons, and you are paris, piercing all of my achilles heels; stitched; tender; still healing from all the poisoned arrows you shoot — a year ago. two years ago. three. four. and for years and years, you always find ways to crush me, like the cans of your empty beer. you always find ways to crack and snap this bent framework; my bones are broken from the weight of your words. you always find ways to hurt me and hurt me and hurt me and hurt me again — like i was never the little girl you played dolls and cooking sets with; like i was never the little girl you watched disney movies with. like i was never the little girl you used to love — dad, i am still she, now trapped in the body of an adult. i am still she, now trapped in the prison of a dusty room you unknowingly co-erected. and i guess i'll stay right here where i'm trapped, but safe. i guess i'll stay right here where the voices only come from my demons.

i'll stay right here where you can't see me.

i'll stay right here where i'm not hurt.

My hands still remember the quiet aching of these wounds — too deep and wide for stitches and shaky hands. And so, I never learned to unpack my grief. It still is in a suitcase with December dusks and dreary summers — shut in secret library walls. I never learned to unpack my grief because I'm terrified that when I do, it'll be way too messy to place it back where it belongs.


Some things, we never tell ourselves out loud.

and i will wait for you here on the other side, where the earth and her fields await the footsteps of that girl who dared to swallow pomegranate seeds — each one holding a tenfold of unsaid apologies. i will wait for you here, where the storms i brewed found themselves pressing against the softness of lilacs, where the nightfall forgives the sunset for leaving, where morning smells of teakwood and rain. and you will realize that each sigh does not have to weigh like a thousand bent bromeliads — that each breath does not have to ache in the presence of morning light. you will deserve every bit of softness you tried so hard to ****. you will deserve every bit of moment that doesn't hurt — someday, you'll get here and you'll know. you'll know.

— to my younger self

i lied there on the pavement, eyes fixed on the big dipper, waiting for the stars to fall apart all at once, or for a car to run over me, whichever came first. and there i was, staring at the space and the emptiness looked back at me, and for a second, it felt like looking at my own chest; the stars, my bones, slowly coming undone. i wondered if someone felt that way too. i wondered if someone else gazed at the constellations and thought, maybe the stars are disillusioned with the galaxy and so that’s why they fell during meteor showers. or maybe they were lost causes dressed as angels jumping off bridges in heaven, ever the cynic. maybe it wasn’t something poetic. maybe it was watching celestial bodies

i lied there on the pavement, under flickering lamp posts that looked bigger than the stars. the poems always said that stargazing is romantic it wasn’t. ironically tonight, i lost count of the falling stars while wondering why they’d gone too soon. wondering if they’d survived the fall. wondering if they knew that their descent was burying me in the sound of my breath. maybe in an hour, the black space in my chest would consume me and then i too, would be a shooting star lost in peripheral views.

and i hope i would survive the fall. and i kind of hope i wouldn’t.

like fallen flowers, i am
weary under the subtle noise of a rushing, babbling brook;
a death, quietly scenic
as i go back to dust.
i left my body rotting in a prairie paradise,
here it decays to gray
under the bruised indigo sky.

a ghost writes her poem in silence, in small, made-up synapses,
and the wind sweeps it away.

i wish knowing you're not worth the words is enough to make me stop writing about you.

but apparently, it's not.

If I had it my way, I would leave myself behind.

i’m so sick of cigarette poems and ***** poems and midnight coffee poems and summer rain poems

and all poems

that remind me of you.




well, they all remind me of you.

There were midnights when I could still tell you about my dreams. Of course, they were always about us — marvelling at the colors of the sky. With you, standing under the sun and getting lost in the afterglows and collapsing with the black holes sounded romantic. One night, I would dream about reading the books we collected together. Other nights, I would dream of kissing the tips of your lashes inside our blanket forts in terry cloth robes and Birth of Venus and Starry Night socks. Regardless, we would be up at 5 am — you with your whole bean coffee, listening to the tales authored in my sleep.

Except that in my dreams, it still feels like her instead of you. It always does. So tonight, I hope you keep yourself warm and touch the dream catcher tattoo on your nape and not think of me anymore. I know that I'm the reason for your sleepless night and memories dressed in nightmares, but tonight, I hope that you go back to sleep and no longer dream of the love I fabricated. And when it's 5 am, I hope you realize that you need something a little better than my dreams. I hope you brew your coffee to the right strength and no longer look at where I used to sit to tell you my daytime stories. So go back to sleep now. You'll be okay — without the what if's and the dreams and the happy ending written in our name. You'll be okay, darling.

You'll be okay without me.

oh, what would i not give for you to gut open the poems — gut them out of me. what softness would i not stain? which bones would i not break? i look at my outstretched limbs — look for the parts i wouldn't hurt, but their silence has always been ominous. foreboding. anticipating. like wary, unmoving leaves. like quiet crows. like haunted dusks.

i spin among formless silhouettes. what would i taint?

what would i not?

Your poems no longer talked about the way you fell so gracefully in the cracks of my collar bones — fragile, hollowed as the echoes of a priestess’ word — my chest is a shrine built just for you. Your poems no longer talked about the way I kissed the sunset lights, laid softly on your shoulders; this love has descended from the gods. Your poems no longer talked about pressed roses — dead and desperate on top of love letters, god was I high on loving you.

Your poems no longer talked about these. They no longer talked about us darling; they no longer talked about my rosewood scent on your pillow the first time we made love. They no longer talked about how we chased the sun and descended back to the ground, like cosmic dusts losing themselves.

Your poems no longer talked about us — we are dead. dead. dead — a forgotten language and its metaphors. We are walking on top of a new city, a pile of words buried underneath. Our love buried underneath. You are walking on top of a new city, all new words and a slim fit suit.

I am quiet as a Syrian poem. I am buried underneath.

I know I have been okay for a while now, but it feels odd — not knowing how to handle being okay. I have been held captive by the emptiness — the kind that consumes you from the inside out. I have been that girl, trapped in a skin, and my wrists have become the walls she scratches whenever she tries to escape.

I have fallen apart with sunsets to déjà vus I have long forgotten, and my brain — it has become Eris incarnate and my body — her armless prey, walking willingly into her trap. I have been Ophelia, tiptoeing on a willow tree and drowning in a lake of deep, black butterflies. So being okay and all this — it doesn't feel right at all, and maybe it's possible to despair for sadness. Maybe it's possible to morph with the darkness I thought I wanted to escape. Maybe it's possible to ache for self-destruction with an intensity I've never known before.. I no longer know what's wrong with my brain, but maybe it's possible to feel so lost, so broken, so messed up for so long — that being whole feels like a mistake.

I am made of quiet storms washing themselves away.

she had a darkness in her chest space shuttles hadn't explored.
it was said that stars died there.

i am half of a sun-dried breath short of being sane. i sigh and my body bathes in a mouthful of bleeding, blue december — i can feel its colder, longer days stretching inside me.

i wish january comes here soon — in fresh, comforting, yellow warmth.

my skin has always been mine to break. it is a crime scene i can never flee, and i have to live with the fact of being both the perpetrator and the victim. i am an inconspicuous shadow melting in a rustic kitchen, waiting to escape — waiting to be found, and this anguished aching has begun to chew on my fingertips, like a bleaching agent yet, some things always leave a trace. some things always leave a trace. some things always leave a trace. my hidden scars, my manic letters, striking in their blood-red words, my hair all chopped off like diseased dahlia stems. my fingerprints, like the sins of a roman governor washed in vain. my loudest angers. my quiet hurting.

some things always leave a trace. i wish i can dissassemble my body and carefully lay myself — all detached pieces, on a dinner table, and wipe myself with a washcloth. i wish i can wipe myself and lo, i am good as new. i wish i can wipe myself spotless. i wish i can wipe myself clean.

you are so much more than the days you can't create or write anything.

those days where you lift your pen, press it against the emptiness of the sheet. those days where you are drenched in the skies' grayest clouds and the colors and lines won't sew you a silver lining. those days where the spines of your favorite books hold no magic. those days where inaction and emptiness will swallow you whole. those days where sunsets are just a discord of colors, and the night skies are just a discord of stars, and the poems are just a discord of words and you, just a discord of vacuums — you are so much more than all of these days. and today, it's okay to not be able to create anything.

today, it's your turn to be the art — it's your turn to be the poetry.

cigarettes still taste a little like our last kiss — like it's 5 am again and we were stuck in rusty rooftops, waiting for the break of dawn, or for the other to initiate the kiss. that being said, i always wished that 5 am's lasted longer, and that cigarettes burned longer, and that we kissed longer. but before we knew it, the sun had risen and there we were, ashing our cigarettes on the floor, kissing our last kiss. but here i am, darling — yours for the breaking; my cigarettes, yours for the taking — so kiss me again. break me again. leave me again.

say goodbye to me, darling. say goodbye, just once again.

death by burning knows no era
and my demons have long
set me on fire.

i feel like a witch burning at the stake —
burning and screaming for too long now,
but give it time and maybe
even my nerves can learn to be numb,
even the lick of flames can grow cold;

and maybe even the ashes can feel like home.

And maybe all I need is my 30-year old self to come here right now and tell me that everything will be okay, and that I made it.

— “I would’ve totally done that for my 13-year old self”

out there is the vast, primordial space. empty. infinite. timeless. and for billions of years, the stars had been killing themselves.

sweet one, isn't that very telling?

and i wish i was sad enough or hurt enough or broken enough to actually feel something, and not just emptiness after emptiness after emptiness.

But my sadness no longer
feels like being drowned.
It was just sinking
and sinking
and sinking.

And sinking some more.

I have been waiting for that bus that will take me rides away, from this town drenched in all the depressing shades of blue. Maybe I can reach the point where I’ll look at the rearview mirror, and no longer feel sorry for my younger self and all the hurting she did alone. Maybe I can finally disentangle myself from all forms of sadness I slept with. Maybe I can take the trip with the longest ride and make it out of here.

But I’m still stuck in the same old station, along with other runaways. And it’s getting late. It’s getting late.

and they say a black hole weighs millions of solar masses; i don't know where that weight comes from. maybe it's from the guilt taken off the shoulders of the primordial gods, or from the chaos of the dying stars, or from the essence of every creature to ever live in this sad, bleak universe, and in the ones parallel to it.

and yet somehow, this celestial phenomenon has found its way inside my skin, and inside yours, and inside everyone's. and in some way darling, we've become the black holes we've learned to tame.