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"tenses" poems
Turn the corner Hand tenses Looking down the iron sights I see an object fall "Tango down" I call over the radio what was his name? Tango, Threat, Terrorist, doesn't matter. Explosion Mud brick wall vaporized into dust Keep going Out of breathe Keep going Hand tenses "Tango down" Does it have kids? A Family? Threat eliminated Round the corner Hand tenses "Three tangos on west building roof top" Bullets from my brothers **** by my helmet Return fire "Take Cover!" Sweat drenched face fogs up my goggles Explosion Brick pieces pummel my back Ears ringing, faintly hearing "Alpha down, Medic!" Blurred vision, equilibrium thrown off Raise my rifle Hand tenses Silhouette falls "Medic!" heard faintly Hand tenses "Are you okay?" sounds distant Hand tenses "babe?" getting louder Hand tenses Hand tenses Wake up Sheets heavy with sweat "Babe, are you ok?" Throwing the blankets I jump back to the edge of the bed Her frightened face I've seen before I look down Hands tense Same look, no tangos No threats Just Ghosts
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May 23, 2014
May 23, 2014 at 12:01 AM UTC
PTSD
I thought I heard                Canadian slang from the opposite bed-side Like it's 2009, rub some lines off my face. Inner space bleeding outward, deep red, a nosebleed, angled points on white of The Maple Jack.                A Nip at the Sal's on Esplanade-Riel. Grab your runners and toque,                it's warm, but not forever and these legs are sore. Polar bears on the sweater you wore in the Fall-- Churchill, Manitoba, the streets are full of teeth and claws. Awoke and wanted warmth lacking. I thought I heard Canadian slang. I thought I heard "it'll be okay" from the voices of feathers fletching arrows falling.      they whisper and screams sink deep behind                                      eyelids                                      closing. A sentence unfinished,                 sinking in flesh                               in time                 sinking                               in snow and ice                 sinking                               in water in Summer                 sinking                               in memory. I thought I heard                plans being made and shy laughter. I heard it 5 times. Didn't I? Days fade, ears dull* Walking on streets, in the cold towards her home I thought I heard laughter--                                    heard something                         like laughter-- I thought I heard rain, as the Lodgepoles drank water. I thought I heard laughter. I thought I heard wax melt. I thought I smelled fairness. I thought you wanting more time to bleed and blur tenses. I thought I heard rivers rushing and roaring                                                  their battle cries-- --asserting their presence. I thought I heard cars pass and sounds of the daytime                     and late March walk along bridges. I could swear I heard something      Like Canadian slang,                  sweet                      water                   light                       laughter. Something.
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Jun 28, 2018
Jun 28, 2018 at 1:28 PM UTC
Canadian Slang
I thought I heard                Canadian slang from the opposite bed-side Like it's 2009, rub some lines off my face. Inner space bleeding outward, deep red, a nosebleed, angled points on white of The Maple Jack.                A Nip at the Sal's on Esplanade-Riel. Grab your runners and toque,                it's warm, but not forever and these legs are sore. Polar bears on the sweater you wore in the Fall-- Churchill, Manitoba, the streets are full of teeth and claws. Awoke and wanted warmth lacking. I thought I heard Canadian slang. I thought I heard "it'll be okay" from the voices of feathers fletching arrows falling.      they whisper and screams sink deep behind                                      eyelids                                      closing. A sentence unfinished,                 sinking in flesh                               in time                 sinking                               in snow and ice                 sinking                               in water in Summer                 sinking                               in memory. I thought I heard                plans being made and shy laughter. I heard it 5 times. Didn't I? Days fade, ears dull* Walking on streets, in the cold towards her home I thought I heard laughter--                                    heard something                         like laughter-- I thought I heard rain, as the Lodgepoles drank water. I thought I heard laughter. I thought I heard wax melt. I thought I smelled fairness. I thought you wanting more time to bleed and blur tenses. I thought I heard rivers rushing and roaring                                                  their battle cries-- --asserting their presence. I thought I heard cars pass and sounds of the daytime                     and late March walk along bridges. I could swear I heard something      Like Canadian slang,                  sweet                      water                   light                       laughter. Something.
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What do you see When you look at a tree? Of foliage and branches And flowers and fruit These are what trees Are made of. What do they do When kittens go poo? A-scratchin', a-sniffin' Then pouncing, then flipping These are what kittens Are made of. What would you see If you looked at me? Tenses and verses And scribbles and lines These are what writers Are made of.
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Jul 13, 2011
Jul 13, 2011 at 7:48 AM UTC
Introduce Yourself
there is no value in a poem that reads ____________________ ____________________ ____________________ M M l i f e s u c k s x x x n o p o e m i g o t just nerve; crap bs, a denial of craft seek the intelligent intelligible, kiss the sensational thrill that emotion harvests with resonating tenses that beg our brains to differ, sense this claims, there is no value in no words is a hoax cloaked as art by the weak, make thy metaphors metastasize, my every cell, a preposition, preposterous and precious and comforting in their privations and provocations speak to us in alpha and line our eyes wide, with pictures at an exhibition of a faun immobile and beauteous let me hang on every word of yours and let it be the raft that sees me happily unsafe home take your bs line poem   shove it down your silent voice this is not avant garde; this is insulting p.s.  write me a smile and all will be_______________.
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Feb 4, 2018
Feb 4, 2018 at 4:10 PM UTC
**** the BS: this craft is the raft we hang onto
*Past is rigid Can’t change Present is vivid Hold the rein Future is ghost Figment insane* Bharti
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Aug 19, 2014
Aug 19, 2014 at 6:15 AM UTC
Redefined Tenses
The past a millstone of regrets permeating, like a rosary-beads of penance, the present. The future a misty dream of fading ideals.
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Sep 1, 2010
Sep 1, 2010 at 8:38 AM UTC
Tenses.
My tenses – PRESENT PAST …future… Creep into my soul in unison ...and in a voice dripping with PASSIVE eternity Scream C O N T I N U O U S Momentarily deafened I give up on GRAMMAR… And gather the strewn words Maybe… I would need them to fill the gaps... ... in my verse brimming with INFINITIVES...
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Dec 22, 2010
Dec 22, 2010 at 5:05 AM UTC
Lost Grammar
I'm not depressed I just lack what society coins Common sense I live life in all 3 tenses Because the past Is the blueprint of my fences That reign the present in And I might as well live in the future In case it never does begin For sanity is not measured by statistics The majority's vote does not determine what's realistic For selfishly we work as a whole Only as convenience To reach our own goals The size of our ambitions Define the status of our positions Although this would never reach admission Independence gains ground by submission Failure is measured by how well we cope With the reality of our situations And the absence of hope Success however Is measured by distance Between the final outcome And our feeble existence As we try to conquer life We digress from our true motives Doing whatever it takes To prove ourselves devoted The ballots were never cast Yet we take pride that we voted For the notion that our drive Is all that's keeping us alive Is hidden in our conscience Cuz we don't need it to survive Life is constant, set in stone Yet we are continuously changing Spinning towards the unknown Oblivious Until we're all alone With the thoughts in our minds Releasing the binds Which tie us to the perception Built up by deception That we begin living the moment we are born When instead we don't awaken till we win the war For you can not understand a revolution until you are free Yet you can not be free till you have a revolution
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Jun 2, 2011
Jun 2, 2011 at 1:34 PM UTC
internal conflict
I am acutely aware that I changed tenses in that story. It is better for me in past tense; his face was beautiful. I know that he will not talk to me. Not until his time frame has come out. I don't know what that frame is. But I know him, and that there is one. I still love him. It defies what I know about the love mechanism. It defies my past experience. It is not unlikely that we will not speak again until I am over him, and it is possible that that will be never.
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Mar 30, 2012
Mar 30, 2012 at 11:58 AM UTC
Changing Tenses
The things I’ve done haunt me. The choices I’ve made disgust me. Do our actions define us. Or do they redefine our directions.
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Feb 16, 2011
Feb 16, 2011 at 11:57 PM UTC
Tenses
Gasps escape the lungs, Hands gripping sheets; toes curled up Body tenses, Electric fire spreads; Hands let go, In an explosive moan
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Jun 22, 2014
Jun 22, 2014 at 1:35 AM UTC
Making Love #2
be [verb]- to exist been (past) You should have been there. You should be here. You should be there in the future.
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May 7, 2013
May 7, 2013 at 11:47 PM UTC
Tenses
"I have gotten from there to here" Its a simple tautology, chant it 
either/or an uncertain accomplishment. 
From there to there to there until there became here. 
This too is fairly obvious, but still, it seems so strange, 
how many times must you be reminded 
that you are too ill-equipped 
to string the sequence.

 And what about those weak suspicions
 that reappear from time to time, the ones you are
 quick to disregard out of the fear that you may be a lunatic.

 What if they were correct, what if a moment were nothing more than a brown package of stimulus. They came to you, one after the other and you what could you do but follow them, like crumbs in a trail that lead you further away from home and into this carnival. Where people who sing lullabies out loud carry pistols and globs of color are merging in all directions. Wedged in between "there to here" and "here to there", the laws of tenses never made this much of a difference. Babies know this all too well. 
That's why they're the last 
ones we turn to for wisdom. 
 But should they ever decide 
to permanently stop crying.   
 You'll know what they mean by their silence.
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Nov 11, 2011
Nov 11, 2011 at 5:20 PM UTC
"there to here"
It is not just a simple continuous present that I want to have with him It is more until the future continuous Like I am now loving him until he will always be the one I am loving for the rest of my roller coaster life You got me?
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Jul 12, 2015
Jul 12, 2015 at 12:24 PM UTC
Tenses
I make myself stop writing of you present tense because if you aren't here I find I am romanticizing a confused memory past tense and you never were that great or strong enough to pull me out of this sinking ship perfect tense I didn't think that a lover could do anything except but even jesus turned tables in his anger and I've found that wanting leads to speaking in tenses not yet intact so I have been waiting on a new day a new feel a new touch future tense
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Mar 22, 2015
Mar 22, 2015 at 8:33 PM UTC
speaking in tenses
We were happy together And everything to each other. You start to run And I start to stumble. You will forever be my one that got away And I will always be the girl who loved you.
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Jul 27, 2015
Jul 27, 2015 at 6:52 AM UTC
Tenses of Love
where do they go? to mountains of synonyms pushing lilac or purple or puce or lavender from valleys of russet metaphors? do verbs frollic? nouns place themselves before mirrors asking themselves "who am I?" adjectives, do they answer? do the long words most people don't understand do they go on spending sprees with their million dollar Lotto winnings? do conjunctions play matchmaker? or hitch up boxcars for the more expressive poetic engineers to haul through the long winds? ghosts of past tenses invade present and mixed metaphors haunt the nightmares of learned readers. gerunds run on their little wheels and stuff their cheeks with prepositions. where do words go when they die? they must hang as DANGLING PARTICIPLES.
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May 17, 2017
May 17, 2017 at 7:26 PM UTC
when words dream
House party no contact No glasses no lenses Isolation got no facts Rich in hope like them benz's Old as **** like a bold fax Reminiscin past tenses Action done by the fences Have I come I to my senses? Need to know, ask for a census Need my own vote call for elections Lowkey mind-broke, I need a pension Need to think about all this affection **** World cold stone cold Was told It would be like this Aint listened to them so I fold Now I see myself down this own road. The me everybody used to see, erode The me anybody could be, be sold Sadness pull up to my corners, be shown The one who blew y'all away be blown Everybody leavin faster than I can say hello People in this world so shaky like a tremolo. People don't come and go no more. You just save up and they go forth. At least that's my reality Maybe I am insanity No sleep till 2 am You see it visually Can't rest till these thoughts are at ease. Life fallin faster than dominos This time aint as good as pizza Not even close rate negative 10 toes No feelings like terminator hasta la vista. Seen a lot like a barista More people snakes than cheetah's Venomous like cobras. Sad **** I got into. Me, myself and my sorry ***
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Apr 24, 2017
Apr 24, 2017 at 10:34 PM UTC
Hasta la Vista
Run rotten, for things have gotten out of hand. Turn coat ducking, torture got him singing and eating outta my hand. Getting scraped by the beater like youse a percussion instrument; maybe that’s why a group of people are called a band? For we all play our part to either be an influence or to be influenced. Yet we won’t know anything if you never venture into the forest and meet the temptress. When one experiences all six senses, when in present tenses, which then puts the body through stresses. That makes the mind flood with guesses that clouds up our lenses. But that’s just what war is like for one is always in the trenches. Whilst other’s sit on benches, but each choice brings rewards and consequences. Which bears questions on what your quest is? To run free or to be held back by white picket fences? For being hard pressed brings out either killers or medics. To choose to be real or synthetic. To become abstract or symmetric. However, things aren’t always so metric. So be wary of being a critique for just like branches of mathematics in arithmetic, We have many great qualities but when in a group we can become manipulated.
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Jan 15, 2019
Jan 15, 2019 at 3:45 PM UTC
The Mobius Effect
Glistening  sweat, on his chest. Hairs on the back of his neck, Readily risen as his face tenses. Cold thoughts arrest his movement. ****** Mary! ****** Mary! ****** Mary! And there she was, white and all. Knife in hand and a lusting smile. Plunging deep, his heart must rest. Glistening blood, on his chest.
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Jul 11, 2013
Jul 11, 2013 at 12:11 PM UTC
Bleed
your past isn't a suitcase; you need to stop carrying it with you everywhere you go. and your future? regard it as hand luggage. don't forget that it is there but be sure to carry it lightly now for your present. it's the suitcase, one you pack yourself and it is up to you what is in it. i would encourage you to prepare for the holiday of a lifetime though
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Feb 22, 2015
Feb 22, 2015 at 9:07 AM UTC
luggage tenses
she was a bird on the water she was clouds reflected she was trees sighing in the wind she was sunlight through Venetian blinds she was dust motes circling lazily she was Sunday morning *** she was smiling at me in the mirror she was bonfires under a pale moon she was tidal waves of emotion she was whirlpools of conviction she was typhoons of jealousy and I was there too she is the silhouette of a cigarette pressed to my teeth she is my shadow cast behind me in the setting sun she is blue-tinged smoke silently filling the room she is burning my eyes like chlorine in a crowded pool she is bars of the cage where my mind is kept penned she is electric fencing wrapped around my heart she is buckets of tar drowning me in my dreams she is written in cursive on the insides of my eyelids she is slowly shriveling my liver and blackening my lungs she is living in all the mirrors I look into she is becoming brobdingnagian prose maybe that's just me but, I'm not there anymore. So why is she still here?
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Feb 28, 2015
Feb 28, 2015 at 5:22 PM UTC
tenses of her
Days go with you and bid goodbye Hours slide down and die And drape down The innocence of the Noun! With the experience of Adverbs Of place, time and frequency, the Verbs Replace the endearing use of Nouns (Slowly moving from lisping sounds ) To the stable use of personal Pronouns! Individuality stands alone keeping the Subject alone Sometimes with a defiant adolescent tone Distractions, doubts in the use of Determiners A shaky ground for the beginners! Disagreement with the Subject-Verb agreement begins Early during this period and lurks within, and at times springs With the Nouns like mathematics, rhetorics and news Without any tension to meddle in don’ts and dos! What I wish to say in a few sentences Is not enough about life’s infinite time and tenses! To deconstruct the grammar of growing up is not enough As adolescence is a diamond in the rough; It is a living discourse; both simple and tough Ironical, unpredictable, surprising, puzzling stuff Needs patience, pardon, perseverance and fun To handle its substance for every daughter and son!
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Aug 20, 2015
Aug 20, 2015 at 1:19 AM UTC
A Grammar of Growing Up
pieces of flotsam soak and float on the paper, jetsam thrown to lighten the load, or goad, the alligator, away the guttural noises, sound like harsh commentary the closer the gator is allowed to get, not wanting to look over the shoulder, but stop in for biting remarks, the gator's teeth are so large and famous they have names and voices; "punctuation or punctures, I can help" "point of view tch, tch, tch"                                                                          "your grammar needs work" "doubt you will finish" "no one will read IT" "you will never find the right word" "is your audience a six year old" "borrrrring" "what a croc" "are you enjoying what you are doing?" "successful writers are all published" "you call that a sentence, keep it up and it will be a death sentence " "how many tenses can you misuse in a paragraph" and these are the names of some of the smaller teeth, the molars, are more than a mouthful, have polar names, that would leave anyone cold,                                                       even the bold, and shall not be put in print, they bring out the PTSD, imprinted for eternity, by the gator which comes at the sounds of splashing, flailing, and failing, as the pounding of the heart, the deepened breathing, as the ink from the pen, unfiltered, leaves nerves and veins exposed, while leaving to find home, a safe haven, a storybook ending, away from the gator's keen sense of overt criticism, intended to gut, and eviscerate, cutting remarks, putdowns to hold down and under, the piece that IT is trying to tear off while spinning or shaking the head side to side, which is both NO! and to bash the will, the self-esteem, into little pieces of me...             and my worst enemy,                                                 my internal, infernal editor,                                                                                               with the voracious appetite for self-defeating
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Mar 8, 2014
Mar 8, 2014 at 12:08 AM UTC
wrestling with an Alligator named ddaarrrreellll
pieces of flotsam soak and float on the paper, jetsam thrown to lighten the load, or goad, the alligator, away the guttural noises, sound like harsh commentary the closer the gator is allowed to get, not wanting to look over the shoulder, but stop in for biting remarks, the gator's teeth are so large and famous they have names and voices; "punctuation or punctures, I can help" "point of view tch, tch, tch"                                                                          "your grammar needs work" "doubt you will finish" "no one will read IT" "you will never find the right word" "is your audience a six year old" "borrrrring" "what a croc" "are you enjoying what you are doing?" "successful writers are all published" "you call that a sentence, keep it up and it will be a death sentence " "how many tenses can you misuse in a paragraph" and these are the names of some of the smaller teeth, the molars, are more than a mouthful, have polar names, that would leave anyone cold,                                                       even the bold, and shall not be put in print, they bring out the PTSD, imprinted for eternity, by the gator which comes at the sounds of splashing, flailing, and failing, as the pounding of the heart, the deepened breathing, as the ink from the pen, unfiltered, leaves nerves and veins exposed, while leaving to find home, a safe haven, a storybook ending, away from the gator's keen sense of overt criticism, intended to gut, and eviscerate, cutting remarks, putdowns to hold down and under, the piece that IT is trying to tear off while spinning or shaking the head side to side, which is both NO! and to bash the will, the self-esteem, into little pieces of me...             and my worst enemy,                                                 my internal, infernal editor,                                                                                               with the voracious appetite for self-defeating
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