Can you feel it
Shh, allow the galaxy to pamper your body, blanket the essence of your mind, bit-by-bit
Travel on a higher awareness to understand the galaxy’s gentle gift
Close your eyes and allow your mind to softly drift

Soft Moonlight Dust
Illuminating the night skies, given warmth of its inner trust
Centered in the sky, a star abates for its enlighten ******
Kindred minds to enrapture, as souls physically adjust

So gentle, as a touch to the skin
An inner space to conquer, there an exploring craving begins
Awareness of self stirring into the constellation
Bodies attuned beyond the stretch of imagination
Savoring on the flavor of the alignment sweeten taste
Desires igniting an inferno, the heat of its flames refusing to wait

Overheated friction surrendering without debates
Runaway yearning weakening in the presence of fate
The ecstasy of the moonlight’s dust felt, abiding to the crack of dawn
Emotions of the elixir slowly withdrawn

A Cheshire moonrise
Always a sacred communion given in surprise
Masked feelings hidden behind the stars in our eyes
Sprinkles of pixie dust as the moon becomes full
Paired upon, as lace meets wool
Interwoven and tenderly spun on a galactic spool

Stars In Exile
Twinkling for eyes to glimpse beyond the earth’s smile
Canopus to Antares, oh how you make me shine
Closing my eyes, coveting your point as I’m making you mine

Settled and glittering as small diamonds binding in the sky
A wondrous elopement to experience in the blink of an eye
Soft whispers to the ones that shoot right before they fall
Such a beautiful and breathlessly cadence to wish under them all

The Gift Of The Sun’s Stroke
Umm, shooting stars kept me awoke
Relentless bodies bathing under the moon
Caresses, touches, entwined souls echoing the note of its weakening tunes

Sweeter and sweeter, deeper and deeper
Bodies fueled, hot as a heater, bodies climbing steeper and steeper
Heat consumes the interior of the temple
Sweat of life, as movements come together and then disassemble
Elated, sedated, dipping in a cool blue lagoon
Kisses under the sun on a beautiful afternoon
Temperatures rising not a moment too soon

June slamming into summer’s heat
A merriment of a sun stroke basking in the glorious feast
The galaxy and its spicy passion
A gift to the world to enjoy in any unbridled fashion

To be your favorite this is the honorary title of the world. You're great, legendary, grand.
I'm your fan, audience hall applauds you, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo. Hats off to you. You throw flowers, and I'm telling you I'm yours and only yours, be always with you, I'm so happy to build next to you, I just adore you and have great respect for. You're the only one in the world, who I think every minute. You're like a girl from a fairy tale. I still do not believe that I have met such a wonderful girl. Your sweet voice is unforgettable. I like your gentle laughter. Are you so nice to spend time together. Your beautiful eyes drive me crazy. Your eyes are always fascinates me. When I'm around you, I'm on cloud nine. At the sight of thee my heart is filled with joy. Next to you, my soul is always singing with happiness. Such a beautiful girl like you, I'd love tenderly kissing hands and feet. Peerless, darling, precious, smart, impressive, you are the most valuable part of life, the most precious, most beloved, best. Good, very beautiful, friendly, sincere, feminine, fascinating, shy, gold, amazing, loving, wise, unique, irreplaceable, charming, charming, seductive, charming, attractive, pleasant, simply delicious, fluffy, lovely, hospitable, touching, soft. To me, you're a very **** girl, believe me, you **** goddess, in which lies the passionate nature, so gentle, so sensual. Alluring to her subtle beauty, so amazing, fascinating, magical beautiful, charming, attractive nymph with which you want to be forever. I'm in love with you, and enthralled by your beauty, you're my idol, you're perfect, I dream to be your early days when you first met, you are the most beautiful creatures in the universe. I think about you day at night. You're gorgeous, perfect from the tips of the fingers to the very tips of the hair. I love your gentle eyes, your luxurious sensual lips, your **** nose, your delicate silk hair, I love you, and I can not live without you, and I give you the beautiful wings, which will allow you to fly, looking up from the earth, they will give you good mood. You are my angel. You are my happiness, treasure. You are my Love. I'm going crazy over you. You're the girl that I always dreamed that I was looking for all my life. You're the girl of my dream.  I) I love you, looooooooooveeeeeeee youuuu)
Your charming charm - it's super **** mega power that simply can not be overcome. Gourmet sweetest, love your luxurious body when I see you, just one word sounds in my head: yum, you give yourself fully. I will always love you just subconsciously, unconsciously, your gently ****** image is set down in the depths of my mind completely. From your amazingly contagious beauty opens her mouth and lost the power of speech. Dizzying, amazingly beautiful, you're like a giant tornado, which all attracted to you. And the heart and soul yearn all the time just for you. No matter you love me or not, the important thing is that I still love you, and in my subconscious, I will only love you forever. Your luxurious appearance of the highest quality, it is a workshop, filigree work of Mother Nature, it is simply a masterpiece, which is a unique example of true beauty, you have no equal, you have a high-caliber girl. You to the extent absolutely beautiful, so beautiful, so exotic, ******, and poetic sounds your way is a very beautiful love music that I'm just afraid and embarrassed to come to you, I'm afraid to talk to you, if I stand next to the goddess, or with super mega star, a model world-wide, which probably even know the aliens. The heart beats faster, I can not speak properly, with excitement, tingling all over his body, and just shakes. All these are symptoms of true love to you quite simply: uh), wow). Be your boyfriend, and her husband is for the greatest honor in the world, I stood in front of you on your knees holding flowers. Your appearance is perfect, just like Barbie. You're beautiful to such an extent that only you and I want to have *** forever, infinite, infinite number of times. You are inaccessible, you are like a star, the light of the soul which is like a spotlight in my deep dark loneliness. In love with you thorough. You just amazingly beautiful. You are the best of the best. The goddess of all goddesses, Empress of all the empresses, the queen of all queens. Beautiful girl you just imagine it is impossible. Sexually you just can not be nothing. Prettier souls just do not find. Perfect you had nothing, and will not, simply because I think so. Laponka, I am your loyal fan you're my only idol, idol, an icon of beauty. It does not matter who you are, I'll take you any. Because I'm thirsty anyway only be with you. You have a **** smile, and your sensual look, he is simply amazing. And from your voice and look pleasant shiver throughout the body. You're special, the best there is in all the worlds, universes and dimensions. You're just a feast for the eyes. To you feel powerful, love and ****** desire. You steeper any ****** and afrodoziaka. From your beauty a tapeworm from embarrassment and embarrassment.
I'm obsessed with only you, my Miss Universe, put points bezumilliard your beautiful appearance, and the infinity symbol to boot. No offense, my sweetest, but your beautiful body excites the imagination of your way completely amazing, you're so fine that you do not need, no makeup, no clothes, so perfect, natural beauty, endowed with a divine your beautiful body. Merged with your whole body, mind, heart, and mind, for all eternity, I thirst. You dominiruesh in my heart, mind, soul, and you are deeply in my mind and the subconscious mind, everything is filled only you, my goddess, and I see you in my dreams and I sincerely happy when I see you in them. If I saw you in reality, so it was a happy day, which was not in vain. Be nice to me, as you decorate all eternity, that I want to spend with you a tete-a-tete.
You are my beautiful goddess of love and eroticism, and only you I adore. Rare, beautiful beauty, nature gave you only. The closer you are, the more beautiful. Your delicate skin is so beautiful when the light shines, you have an amazing perfect color. I'm in love with you over. You are super beautiful. I thirst for you tirelessly, you prohibitively, infinitely perfect, you are too, too attractive. You steeper any ******. Flawlessly beautiful as a doll. You are so appetizing. You are the light of happiness, you come and go the light of love and happiness. Do you decorate them all, you are all, because you're beautiful.
You are more beautiful than the most beautiful. Merge forever with thy spirit, and the inner world of your dreams, my lonely soul. See the depth of your I wonder. Whatever gift you my eternal devotion: you are my life, and my eternal destiny, you are my only right choice, you're all that I love, and I want to. And my heart, and my mind is open only to you. You look so romantic and beautiful, your charm, your charms beckon my mind to you, it is useless to resist you, they can only be fully comply, one to commend you. My legs are just for you, my eyes look only at you, and I focused only on you. All you just overflowed in me. And inside, out of love for you, incredible, absolute ease. And from that you're not with me, it hurts the heart of almost any heart attack. Earthshaking, I totally fell in love with you, beyond ******-poetic, beyond ****. Yeah right, you're my Empress, and only you I adore, look at this temple of my love, dedicated to you, to the great altar, look around you everywhere, sit on the throne of love, my great and beautiful goddess. Your every kiss is indescribable and priceless, it is vital needs. Every your opinion, fantastically romantic and touchingly beautiful. He kindles the fire of love and passion in men. Your charm - is a powerful force that attracts all and sundry. Awakens the true, sincere love for you, universal scale. This throne only to you the eternal praise and worship the one, and the chorus singing about your beauty just for you. As you perfect every millimeter of your perfect, sultry-hot-**** body. My world is unique in your beautiful eyes, in your feelings and emotions and not get tired of talking about your perfect proportions.
Author: Musin Almat Zhumabekovich

Dear Readers, President Theodore Roosevelt wanted
to save this marvelous Natural Wonder for posterity! So
the Grand Canyon National Park was set up in 1919. In
1979 it was declared as World Heritage Site! With the
portion “Sun rises and sets over the Grand Canyon”, -
I have concluded this poem. Kindly take your time to read,
no need to comment in a hurry please ! Thanks, -Raj

CONCLUDING THE GRAND CANYON
STORY IN VERSE – RAJ NANDY

INTRODUCTION
Literature about great natural features include
two personal types of writing;
Description of things observed, and impressions
of what is known and seen!
The story of the Grand Canyon takes us back
to the Pre-Cambrian Age,
When violent forces were unleashed from within
the Earth, during its formative stage;
When mighty forces of erosion began to sculpture
her undulating landscapes!
Therefore, I begin with a quote about Erosion,
From the great poet Alfred Lord Tennyson; -
“The hills are shadows and they flow,
From form to form, and nothing stands.
They pass like clouds, the solid lands.
Like clouds they shape themselves and go!”

TO RECAPITULATE PART ONE:
In Part One we have seen, how movement of
earth’s tectonic plates unleashed violent forces
from within!
It formed mountains and lakes, shaping our
landscapes, which now appear so peaceful,
grand, and serene!
Over millions of years the forces of erosion in
the form of wind, rain, sun and snow,
Sculptured earth’s evolving features creating
majestic, panoramic vistas as we know!
Geologists now opine, that the Grand Canyon
was carved out by the Colorado River, -
cutting through ‘layers of Geological time’!

THE COLORADO RIVER CARVED THE CANYON:
In the state of Colorado, from the high country,
Where snow and ice lasts well beyond the dawning
days of Spring;
There the majestic peaks of the Rockies form the
perennial fountain head from which springs, -
One of the great rivers of the world the Colorado;
Which travels 1400 miles through seven States
reaching the Californian Gulf west of Mexico!
Now during prehistoric days, the pristine Colorado
had flowed almost along the same path as today!
But after the magical rise of the Colorado Plateau
some five million years ago, (Refer Part One)
It had blocked the river’s path making it flow
south-east into the Gulf of Mexico!
Few Geologists now opine, that this diverted river
had formed the pre-historic Lake Bidahochi,
Which later drained out to form the Little Colorado
River, which today we get see!
But the cut-off western portion of the river (named
Hualapai Drainage) continued to eat away through
the Plateau’s southern portion,
Through a gradual process known as ’Headwater
Erosion’!
For the river flowing at a steeper gradient along
the ‘Grand Staircase’ of the Plateau, carried
stones, rocks and debris,
Which formed the cutting tools, deepening the
Canyon over countless centuries!
When the softer sedimentary layers of the Plateau
below the top rocky layers gave away, - it resulted
in several rock falls!
While flash floods and erosion continued to breach
the sides of the canyon walls!
Thus over millions of years the width of the Canyon
gradually increased;
While the gushing and untamed Colorado River
chiseled through the depths of those Cyclopean walls, -
running deep!
Now the ancient Lake Bidahochi which had breached its
banks, had captured our pristine Colorado;
And their combined power increased the volume of
water and river’s chiseling power, with its rapid flow!

ENDANGERED COLORADO RIVER :
It is unfortunate that today, the Colorado no longer
reach the mighty Pacific as in the olden days!
With the progress of civilization and the spawning
of big cities,
Like Denver, Las Vegas, Phoenix and Los Angeles;
And to cater for the agricultural farmlands and the
Industries,
Many dams got built to divert its water and to
generate electricity!
Thus over a century of overuse and abuse of this
precious natural resource,
Gradually choked up the great Colorado, as it
became a mere trickle at the end of its course!
Ecologists now debate, while USA has launched
‘Save the Colorado River Project’!
Let us now cheer up by getting back to our
Grand Canyon’s scenic beauty,
Before concluding this wondrous Canyon Story!

SUN RISES AND SETS OVER GRAND CANYON!
To see the sunrise from Mather, Yaki, or the
Hopi Point, - located on the Southern Rim,
Becomes a life time experience, better than any
surreal dream!
First a glimmer then a glow, when a faint blue-white
sheen begins to show!
As the sun gradually sprinkles its light, streaks of
crimson red spreads across the eastern sky!
Soon orange and yellow shafts of light, light up the
Canyon walls up high!
Squirrels scurry out of sight, and birds twitter in
the sky!
The Hummingbird hovers like a helicopter, and
Big Horn sheep are also seen;
The Hummingbird which can even fly backwards,
enlivens this early morning scene!
The sun now rising in its resplendent glory,
showers the canyon with its kaleidoscopic beams;
With streaks of yellow, gold and red, it chases out
lurking shadows from within!
Like a curtain lifting before their eyes, the tourists
view this panoramic sight!
As the Grand Canyon awakens to greet the day,
With cameras madly clicking away!
The great ancestors of the Hopi tribe, Hopi
meaning both peaceful and wise;
Had inhabited these areas some eight thousand
years hence!
Their scooped out granaries and tools found inside
Canyon walls, - have an ancient story to tell !
The Spaniards were the first Europeans to reach,
in search for gold which they never found!
But for the Hopis the Canyon remains, as their
sacred Holy ground!
When those Spaniards saw the Colorado way
down below, from the Canyon’s upper rim’s side;
They said that this thin blue streaked River, was
barely five feet wide! (In mid-16th century)
The average width of the Canyon is around 10 miles;
While the River at its narrowest point is 600 yards
wide!
The Condor the largest American bird, catching an
upward draft circles up high;
Like an uncrowned monarch he surveys his kingdom
below, nothing escapes his watchful eyes!
Temperature at the Canyon’s floor is 20 degrees
higher, when compared to its outer rim;
Supports an ecosystem of plants and animals,
With the river as chief nourisher of all things!
Evergreen pines and furs grow along the cooler
areas of the Canyon’s outer rim;
While cactus species are found on its arid floor,
Their exotic flowers bloom during Summer and Spring!
The Northern Rim a thousand feet higher, offers many
spectacular sites!
But the Southern Rim remains open throughout the
year, while the Northern closes during Winter time.
From the Hopi Point west of the Canyon, the visitors
enjoy the beauty of the silent, sinking sun;
When the sky gets diffused with vermillion red, as
darkening shadows engulf those Canyon walls!
The mighty Canyon with its Cyclopean walls,
perhaps the playground of the Titans from eons past;
Shaped by some mythical Vulcan, shall remain till
this World continues to last!

CONCLUDING THE GRAND CANYON STORY:
I conclude my Grand Canyon Story by quoting a
poem I had once read;
Written by an Anonymous author, whose name
I had failed to get!
“BUILT WITH PATIENCE OF ENDLESS TIME,
YEARS ERODE AND SHAPES DEFINE.
LAYERS YIELD THEIR COUNTLESS AGE,
EYES CAN SEE BUT CANNOT GAUGE!
STAND AGAPE WITH AWE INSPIRED,
IMAGE READS OF LIFE TRANSPIRED.
CLIFFS REACH OUT TO TOUCH THE SKY,
PATHS LEAD DOWN WHERE RIVER LYE.
COLORS, SHAPES AND SHADOWS MELD,
HERE, A PLACE FOREVER HELD.
WALK AWAY YET NEVER PART,
BODY LEAVES BUT NOT THE HEART!”
- Anonymous
……………………………………………………………
ALL COPYRIGHTS WITH THE AUTHOR RAJ NANDY
OF NEW DELHI, E-MAIL: rajnandy21@yahoo.in

A thousand peaks: no more birds in flight.
Ten thousand paths: all trace of people gone.

In a lone boat, rain cloak and hat of reeds.
An old man’s fishing the cold river snow.

I am alone in this mountain fastness, on a steep downward path in the deepest shadow. I play with the twelve characters of Lui Tsung-yaun’s poem. How few poems tell of the desolation of winter. The coming of Spring, the passing of Autumn? Yes. But the onset of Winter? Even my sharp memory only recalls a meagre handful of poems to this season: the time of the first snows. Against all good sense I set out from Stone Village too late in the year: now I search for comforting word images to accompany me on this journey. Just below the snowline I pass through a stunted forest of ancient walnut trees almost leafless; the unrelenting wind has dispatched them crinkled brown into the valley below. I see there a winding river. I see its distant lake. I think of this poem known since my teenage years, puzzled over that one could see in one sweep of the horizon a thousand peaks. Here are that thousand and more if the ranks of limestone pillars in these mountains can be counted as peaks. I count them as peaks. And those thousand paths? At every turn there is some fresh way falling into the valley, or a faint trail rising to the heights. But this path I tread asserts itself on the traveller. Its stones are worn and the excrement of passing pack animals sticks to my boots.

Last night a cave, tonight I will reach the village of Psnumako. My former guide provided its name with a disdain he could not hide. When questioned he warned me not to enter without a stout staff against the mastiffs that guard each house, supposedly ******* during the day but apt to break their bonds at the smell of a stranger.

The steep and ever steeper descent brings pain to my knees. At this hour of the day my body would prefer to climb to the heights, but descend I must. The cold, the damp cold begins to stiffen weary limbs. I am tired from a day’s travel, tired from three hard climbs, two descents and this, my third, to complete before nightfall. I enter a narrow gorge loud with clamour of running water, cascade upon cascade flowing from the heights, falling fast to the river soon to interrupt my path. I shall have to force a crossing. What passed for a bridge were two fallen pines lashed together.  Now they lie akimbo a little distant, thrown apart like sticks by the spring flood as the deep snows melt. I must divest myself of boots and lower garments and wade across, stumbling on stones up to my waist in swift waters, terrified under the weight of my pack that I will fall and be swept under and along. To travel alone at such moments is foolhardy, but on this cold afternoon I have no choice.

I am so intent on preparing for this crossing it is only when I reach the end of the path that I notice snow is falling, its flakes sharp and white against the dark-water flow. The whirl and turn of the water mesmerises. Fatigue, fatigue embraces me, a day’s fatigue holds me fast on the river’s stony side. I close my eyes and hear the water rush and place myself into the protection of a mountain charm learnt from a passing traveller. Dwarfed by the size of his burden I see him negotiate a narrow path high above a chasm; he walked trance-like to the intoning of this charm.

It is soon done, the cold crossing, and with a lighter step I walk the remaining leagues to the lake-side and sight of the village. There are the faintest sparks of light amongst the silhouettes of houses. Animals are being brought in from the home fields against the night. A sudden shout, the barking of dogs, and now the snow falls thick and fast.

The guttural dialect here is barely discernable as speech. We are from different worlds this shepherd and I who meet at the stupa guarding the village entrance. This is not a Buddhist shrine but an acknowledgement of some mountain giant of terrifying aspect. The shepherd sees my official insignia and nods, knowing I will require shelter. He utters what may be a welcome, but could be a warning, and leads me forth. The mastiffs leap and bay as I pass between the primitive two-storey houses, animals below, humankind above. He disappears. I stop and wait. He returns with a woman who beckons me to climb the ladder to what may be her home. A widow perhaps? She is alone unless the rank darkness hides a man or child. But there is none. I hear animals move and grunt under the floor, a mat of dirt and straw. There is a sleeping loft, a cooking corner. I can see little else. But I am out of the snow, the biting wind, the cold. She pulls at my cloak, wet and caked with ice. There is a bowl placed in my hands; a rough tea. I speak a greeting, but there is no reply just a rustle of straw as she moves across the room.

The stupor of a journey’s pause is upon me. After three days on the trail to the heights I am numb with fatigue. I need food and sleep. I need rest before a final trek into the wilderness. Beyond Psnumako Lake known paths end. Except for the tracks used by shepherds to move their flocks to different seasonal pastures, there is wilderness. I hope for guidance, for the whereabouts of the sages who, in the winter months I am told, leave their reed huts on the heights for caves in the lower valleys. I shall be patient, remain here a little while. I am now immune to the discomfort and dirt of travel. That is how it is. That is how is must be. I miss only the mental absorption of writing, the caress of the brush on a scroll. In my home in Louyang I keep brush and paper close to hand; wherever I may be I can write, even in, especially in, the privy. If a line comes to me I can write it down. Here there is only the comfort of memory.

To think that in the past I wrote of this mountain wilderness out of my imagination and the descriptions of others. I once thought of these remote places as havens of spiritual liberation.

In the hills there is the sound of zither.
White clouds stay over shaded peaks,
Red flowers shine in the sunlit woods
Rocks are washed in the stream like jade;

How very different is the reality of it all; in this emerging winter world of mist, where the sun rarely visits and most living things have departed, where wind colours silence and one’s footfall becomes consolation. The sound of stone rubbing stone on the path is the eternal present. There have been days when only a distant crow moves in the landscape. Lammergeyers are known in these parts, but I have yet to see one. If there are wild beasts, they shun me.

As this bowl of tea cools in my hands but warms my frozen fingers I form pictures of the past day on its dark surface. Before dawn from the mouth of a river cave I sensed changes in the qualities of darkness that have hidden the heights above me. Then a perceptible line appeared and divided the mountain from the sky. That line became variegated; there were trees bristling on the highest rocks. It appears that at this hour the prevalent mist settles in the valleys leaving the sky clear.

The woman comes to me. She kneels to untie my boots. She looks with a curious innocence at my strangeness, the distortion of my face, the cleft palette, the deformed upper lip, the squint of my left eye. She is kindly as I give her my best smile though my face seems frozen still. There is a whisper, a prayer of welcome possibly. Then she bows her head, unravels a long scarf to reveal a mane of oiled hair, and sets about removing my boots. I see only the top of her head, a severe parting, hair held tightly in wooden combs. I close my eyes to bring to mind the image of Xaoli, so slight in comparison, her butterfly hands flittering into and around my sleeves, her seeing touch mapping out the extent of me, each piece of clothing, only later my face.

My reverie is broken by the entrance of two men. They squat behind the woman and, after taking in my ugliness and my hairpins of office, patiently wait for her to finish and retire. We stand and bow, then sit again amongst the straw.

‘Honoured Lord, I am Yun. You have travelled from Stone Village? And beyond?’

I pass him the Emperor’s seal he cannot read, but remain silent.

‘You are seeking those who live in the heights? The village only sees their servants, young boys sent for a goat or flasks of barley spirit. They bring herbs our women favour. Some have seen their huts when seeking lost animals. Now it is said they are gathered in the caves like animals waiting for the spring moon.’

‘When was the village last visited by their kind?’

‘ Hanlu, my Lord, the time of cold dew, two boys appeared with a pony. There was trading. They brought Chrysanthemum flowers and herbs for two geese and wine. They left scrolls for passage to Stone Village. Now the snows fall we may not see them until the Spring’

‘How far are your summer pastures? Have you any who would guide me there ?’

‘We do not seek these places after the first snows. The sages haunt the region beyond Chang Mountain. Before the 11th moon you might pass into the valley of Lidong where it is believed their caves lie, but to return before the Spring will not be possible.’

‘How many days there?’

‘Allow four. A difficult way, unmarked, rarely trodden, much climbing. There is one here who we could send with you – part of the way, and at a price, My Lord. Dahan travelled two seasons since as groom to a party of six with ponies, but then in late Spring.’

‘I will stay three days.’

‘Just so My Lord. Xiu Li will see to your wishes.’

And they depart, Yun’s companion has remained silent throughout, though searched my face continually. By the door he places his hand against the stout bag that carries my lute. ‘Guqin’, he says tenderly.

This instrument is my pass to the community of the reclusive. I am renown for my songs and their singing. My third-best guqin has not left its bag since Stone Village and I fear damage despite all my care on the path.

Later, as the village mastiffs gradually cease their baying as the quarter moon rises I take this instrument and place it across my lap. Its seven silk strings I wipe with a cloth and gently tune with its tasselled pegs. I then prepare myself through meditation to avoid the intrusion of distracting thoughts. With my eyes closed I allow my hands to seek out and name each part of guqin: from the Forehead of the Top Board, to the String Eyes, the Dew Collector, The Mountain, Shoulder and Phoenix Wings, past the Waist, the Hat Lines and the Dragon’s Beard, to the Dragon’s Gums and thence to the Inner Top Board. I can feel the Pillar of Heaven – the sound post – has moved a little in my recent travels. So too the Pillar of Earth – but with care I move both to their rightful positions. And so on naming the inner and outer parts of each of the two boards that make up the guqin. I begin to regulate my breathing and allow the fingers of my left hand to stroke and touch, to press and oscillate in the manner of vibrato. Zhoa Wenji describes twenty-three kinds of vibrato. I feel in turn each of the hui, the thirteen gold studs that mark the harmonic nodes and allow me to play the guqin by touch alone. In these moments of preparation I hear the words of my teacher: a good player makes sounds that are plentiful but not confused. As the moon reflecting on water, so the sounds are together but not combined. Like wind in the pines, they are combined but also spread out. Such sounds are valued for their lightness. Avoid the addition of inappropriate  "guest" sounds. This is the refined theory of the guqin. To be knowledgeable about music, one must seek this, then one can realize its beauty.

I have tuned to the Huangzhong mode. The song *Amidst Mountains Thinking of an Old Friend I have brought to mind. I recall the words of The Slender Hermit who says of this piece that its interest lies in holding cherished thoughts, but having no way to tell these to anyone. There are emotions about the present time, longings and laments for the past, but there is no way to express any of this. And so this piece.

In this poor reed hut the room is filled with mist and haze,
how far away are the things I love;
the old plum tree seems exhausted, its flowers about to die,
the mountains are lonely and I am nostalgic for past times.
The moon shines brightly on this lovely evening,
from this distance I think of my old friend and wonder where he is.
The green of the mountains never fades,
but before I know it my hair will turn white;
the moon is waning and flowers wither,
Old friend, I dream constantly of meeting you.
How hard it is to recall the joy of our last meeting!
With the many mountain ranges,
and its hidden tigers and coiled dragons,
I am unable return to you in Chang An.
The road is distant, the tall trees make the road dark,
and the world is vast.

I mourn Aquila and Lyra
separated by the Milky Way like the cowherd and weaving girl,
on the ground we are separated by 1,000 li
in the sky we are each in a separate place,
though our passions remain strong
There has been no warm correspondence,
there is restraint to the bright harmony,
and the flowing streams are swallowed by the setting sun.

The thought of this song of mid autumn touches me before its words have issued from my lips. I play the last two lines in harmonics and sing.

As he walked through the maze of streets from the tube station he wondered just how long it had been since he had last visited this tall red-bricked house. For so many years it had been for him a pied à terre. Those years when the care of infant children dominated his days, when coming up to London for 48 hours seemed such a relief, an escape from the daily round that small people demand. Since his first visits twenty years ago the area bristled with new enterprise. An abandoned Victorian hospital had been turned into expensive apartments; small enterprising businesses had taken over what had been residential property of the pre-war years. Looking up he was conscious of imaginative conversions of roof and loft spaces. What had seemed a wide-ranging community of ages and incomes appeared to have disappeared. Only the Middle Eastern corner shops and restaurants gave back to the area something of its former character: a place where people worked and lived.

It was a tall thin house on four floors. Two rooms at most of each floor, but of a good-size. The ground floor was her London workshop, but as always the blinds were down. In fact, he realised, he’d never been invited into her working space. Over the years she’d come to the door a few times, but like many artists and craftspeople he knew, she fiercely guarded her working space. The door to her studio was never left open as he passed through the hallway to climb the three flights of stairs to her husband’s domain. There was never a chance of the barest peek inside.

Today, she was in New York, and from outside the front door he could hear her husband descend from his fourth floor eyrie. The door was flung open and they greeted each other with the fervour of a long absence of friends. It had been a long time, really too long. Their lives had changed inexplicably. One, living almost permanently in that Italian marvel of waterways and sea-reflected light, the other, still in the drab West Yorkshire city from where their first acquaintance had begun from an email correspondence.

They had far too much to say to one another - on a hundred subjects. Of course the current project dominated, but as coffee (and a bowl of figs and mandarin oranges) was arranged, and they had moved almost immediately he arrived in the attic studio to the minimalist kitchen two floors below, questions were thrown out about partners and children, his activities, and sadly, his recent illness (the stairs had seemed much steeper than he remembered and he was a little breathless when he reached the top). As a guest he answered with a brevity that surprised him. Usually he found such questions needed roundabout answers to feel satisfactory - but he was learning to answer more directly, and being brief, suddenly thought of her and her always-direct questions. She wanted to know something, get something straight, so she asked  - straight - with no ‘going about things’ first. He wanted to get on with the business at hand, the business that preoccupied him, almost to the exclusion of everything else, for the last two days.

When they were settled in what was J’s working space ten years ago now he was immediately conscious that although the custom-made furniture had remained the Yamaha MIDI grand piano and the rack of samplers were elsewhere, along with most of the scores and books. The vast collection of CDs was still there, and so too the pictures and photographs. But there was one painting that was new to this attic room, a Cézanne. He was taken aback for a moment because it looked so like the real thing he’d seen in a museum just weeks before. He thought of the film Notting Hill when William Thacker questions the provenance of the Chagall ‘violin-playing goat’. The size of this Cézanne seemed accurate and it was placed in a similar rather ornate frame to what he knew had framed the museum original. It was placed on right-hand wall as he had entered the room, but some way from the pair of windows that ran almost the length of this studio. The view across the rooftops took in the Tower of London, a mile or so distant. If he turned the office chair in which he was sitting just slightly he could see it easily whilst still paying attention to J. The painting’s play of colours and composition compelled him to stare, as if he had never seen the painting before. But he had, and he remembered that his first sight of it had marked his memory.

He had been alone. He had arrived at the gallery just 15 minutes before it was due to close for the day.  He’d been told about this wonderful must-see octagonal room where around the walls you could view a particularly fine and comprehensive collection of Impressionist paintings. All the great artists were represented. One of Van Gogh’s many Olive Trees, two studies of domestic interiors by Vuillard, some dancing Degas, two magnificent Gaugins, a Seurat field of flowers, a Singer-Sergeant portrait, two Monets - one of a pair of haystacks in a blaze of high-summer light. He had been able to stay in that room just 10 minutes before he was politely asked to leave by an overweight attendant, but afterwards it was as if he knew the contents intimately. But of all these treasures it was Les Grands Arbres by Cézanne that had captured his imagination. He was to find it later and inevitably on the Internet and had it printed and pinned to his notice board. He consulted his own book of Cézanne’s letters and discovered it was a late work and one of several of the same scene. This version, it was said, was unfinished. He disagreed. Those unpainted patches he’d interpreted as pools of dappled light, and no expert was going to convince him otherwise! And here it was again. In an attic studio J. only frequented occasionally when necessity brought him to London.

When the coffee and fruit had been consumed it was time to eat more substantially, for he knew they would work late into the night, despite a whole day tomorrow to be given over to their discussions. J. was full of nervous energy and during the walk to a nearby Iraqi restaurant didn’t waver in his flow of conversation about the project. It was as though he knew he must eat, but no longer had the patience to take the kind of necessary break having a meal offered. His guest, his old friend, his now-being-consulted expert and former associate, was beginning to reel from the overload of ‘difficulties’ that were being put before him. In fact, he was already close to suggesting that it would be in J’s interest if, when they returned to the attic studio, they agreed to draw up an agenda for tomorrow so there could be some semblance of order to their discussions. He found himself wishing for her presence at the meal, her calm lovely smile he knew would charm J. out of his focused self and lighten the rush and tension that infused their current dialogue. But she was elsewhere, at home with her children and her own and many preoccupations, though it was easy to imagine how much, at least for a little while, she might enjoy meeting someone new, someone she’d heard much about, someone really rather exotic and (it must be said) commanding and handsome. He would probably charm her as much as he knew she would charm J.

J. was all and more beyond his guest’s thought-description. He had an intensity and a confidence that came from being in company with intense, confident and, it had to be said, very wealthy individuals. His origins, his beginnings his guest and old friend could only guess at, because they’d never discussed it. The time was probably past for such questions. But his guest had his own ideas, he surmised from a chanced remark that his roots were not amongst the affluent. He had been a free-jazz musician from Poland who’d made waves in the German jazz scene and married the daughter of an arts journalist who happened to be the wife of the CEO of a seriously significant media empire. This happy association enabled him to get off the road and devote himself to educating himself as a composer of avant-garde art music - which he desired and which he had achieved. His guest remembered J’s passion for the music of Luigi Nono (curiously, a former resident of the city in which J. now lived) and Helmut Lachenmann, then hardly known in the UK. J. was already composing, and with an infinite slowness and care that his guest marvelled at. He was painstakingly creating intricate and timbrally experimental string quartets as well as devising music for theatre and experimental film. But over the past fifteen years J. had become increasingly more obsessed with devising software from which his musical ideas might emanate. And it had been to his guest that, all that time ago, J. had turned to find a generous guide into this world of algorithms and complex mathematics, a composer himself who had already been seduced by the promise of new musical fields of possibility that desktop computer technology offered.

In so many ways, when it came to the hard edge of devising solutions to the digital generation of music, J. was now leagues ahead of his former tutor, whose skills in this area were once in the ascendant but had declined in inverse proportion to J’s, as he wished to spend more time composing and less time investigating the means through which he might compose. So the guest was acting now as a kind of Devil’s Advocate, able to ask those awkward disarming questions creative people don’t wish to hear too loudly and too often.

And so it turned out during the next few hours as J. got out some expensive cigars and brandy, which his guest, inhabiting a different body seemingly, now declined in favour of bottled water and dry biscuits. His guest, who had been up since 5.0am, finally suggested that, if he was to be any use on the morrow, bed was necessary. But when he got in amongst the Egyptian cotton sheets and the goose down duvet, sleep was impossible. He tried thinking of her, their last walk together by the sea, breakfast à deux before he left, other things that seemed beautiful and tender by turn . . . But it was no good. He wouldn’t sleep.

The house could have been as silent as the excellent double-glazing allowed. Only the windows of the attic studio next door to his bedroom were open to the night, to clear the room of the smoke of several cigars. He was conscious of that continuous flow of traffic and machine noise that he knew would only subside for a brief hour or so around 4.0am. So he went into the studio and pulled up a chair in front of the painting by Cézanne, in front of this painting of a woodland scene. There were two intertwining arboreal forms, trees of course, but their trunks and branches appeared to suggest the kind of cubist shapes he recognized from Braque. These two forms pulled the viewer towards a single slim and more distant tree backlit by sunlight of a late afternoon. There was a suggestion, in the further distance, of the shapes of the hills and mountains that had so preoccupied the artist. But in the foreground, there on the floor of this woodland glade, were all the colours of autumn set against the still greens of summer. It seemed wholly wrong, yet wholly right. It was as comforting and restful a painting as he could ever remember viewing. Even if he shut his eyes he could wander about the picture in sheer delight. And now he focused on the play of brush strokes of this painting in oils, the way the edge and border of one colour touched against another. Surprisingly, imagined sounds of this woodland scene entered his reverie - a late afternoon in a late summer not yet autumn. He was Olivier Messiaen en vacances with his perpetual notebook recording the magical birdsong in this luminous place. Here, even in this reproduction, lay the joy of entering into a painting. Jeanette Winterson’s plea to look at length at paintings, and then look again passed through his thoughts. How right that seemed. How very difficult to achieve. But that night he sat comfortably in J’s attic and let Cézanne deliver the artist’s promise of a world beyond nature, a world that is not about constant change and tension, but rests in a stillness all its own.

Next lifetime just let me be,
All lost souls that noticed me,
Over killed the hope in me,
Helpful hands unnoticed, feet,
Blistering I’m growing weak.
I have questions for the runaways,
How did your feet get so strong?
Why couldn’t I tag along?
Did you leave home to be alone or vice versa, got cold and was searching for warmer days in the week?
What is life without a friend dependent on I,
Is trust nonexistent when there’s a mention of side,
Is it not selfish to love yourself before mind,
A system that houses a light linked throughout time,
“-What do you want?”
For you to love me like you love all.
Look in the mirror, what about this person,
“I’m always here, all you have to do is call”
Where’s the assertion? I’m looking for words because the ones I’m using aren’t working.
Never felt too good in crowds, because there’s folks around, and they’re always thinking,
Never felt too good or proud, when joyful sounds touch my heart before they’re leaving,
“-Loving others isn’t a bad thing, lose the fear, it’s a state of being.
Don’t hate yourself for seeing a reality that others aren’t capable of seeing.”
But, Am I dreaming?
“Do not confuse yourself, you don’t want to lose yourself for dreams are other realities, you are currently in a state of being.”
But what is being?
“To be or not to be is the question.”
… Give me clarity
“Everything is being, it’s all existing, everything existing is living.”
Is this another lesson?
“Is death to exist and not be, or to be and not exist?
That is my suggestion-”
-How can you be and not exist?
“To exist is to have objective reality, a reality that exist independent from our minds.
Consciousness construct realities through imagination in space, which is time,
So, does the world end when we die,
Or does the experience of this reality end and our consciousness move into another reality beyond the human mind?
Would the state of being then not exist after existences?”
Let me go the distance with an analogy to make sure there’s nothing I’m missing.
Is it pain to love in a world that perceive it with ignorance, or to fully understand it and not have the experience?
“A little personal but the balance is understood.”
I just needed some clarity to be reassured,
Because sometimes I’m insecure,
There’s never been a life that’s “similar”,
And I see things in my life that will occur,
Pretty lady, baby don’t you close the door,
With other opportunities of loving me more,
Arkyi, Dondaycee, keep my knees from the ground,
In times I forget to stand, and am feeling less than a man should when his woman’s aroused,
By another… that feeling’s profound.
“-Jealousy found, that energy is not allowed when there’s confusion around.”
Where’s that soothing sound that moved me in dreams,
That had me chasing angels confusing chicken with wings,
Searching for permission in missing some things,
Like the giggle or a touch that slowly faded through change,
Like that love at first sight that never made it to name,
Those “unspoken” relationships that never made it to name,
Those misunderstood moments I forgave and delayed an encounter because I couldn’t forget the feeling she gave before  pain.
Those hideaway hearts is where my shelter remained,
Because they kept the love pure when it was easy to drain.
It isn’t easy to contain let alone obtain a power source linked to the brain and refrain from allowing an equivalent vibration; being fear, creep into the domain and create a disease of insane.
“-Insanity is just as contagious as stupidity-”
-Please explain how to maintain love’s stability when hostility is blurred into a thin line.
Inhumane is humane when the word justify emerges in a reign of ignorance which solidifies the moment the sane become repetitive credited to an infection that dried the terrain of perception,
Unreceptive the brain becomes when love is trying to sustain which leads to strain that results in pain and fear burst as a supernova leading to actions in vain again and again,
Oh lord, the power of a woman.
If men could be before doing, we wouldn’t often do things we “shouldn’t”,
“It’s not a matter of wrong or right but evolving into light.”
Is it odd that I acknowledge you, voice inside my head?
“Just as odd as the words left unsaid before night.”
This solitude thing, it isn’t enough anymore, I need something new.
I learned to love myself from red to blue,
And I just reached purple, now all I see is white,
May that energy continue to heal and rise,
Frequency, continue to create shorter and steeper hills, so that I am able to write,
Documentations of this experience  discovering love that’s unforgettable,
Because self hate should never be unforgivable.
That illness is always hospitable,
The existence of love is aboriginal,
Individually being is medicinal and additional if traditional.
Through ourselves is how we connect to all, an adventure to,
Dive within thyself but too many times I forget myself.
Every time I learn to stand, I project and fall like I forget my shell,
Because it’s easier to live life as light than with the body, odd of me to dismiss my health,
Physical problems; wanting love, a senseless touch; tempted to rush a manifestation of her beside me.
That’s the biggest lie when all I need is I and the being inside me.
If this is a human experience, neglecting the body is a serious condition, mysterious as if ID.O.M and 3D have been misspelled,
Then what is hell?
“Death.”
I thought death doesn’t exist?
“It doesn’t, it’s a reality when the state of being is no longer well.”
To be… or not to be…
“That is a question of wealth.”

I don't know how to describe
But they all seem to inscribe
Their every pain on me

Whenever someone feels down
I just kind of start to frown
But they will never see

I know it doesn't make sense
My feelings are so intense
And they drive me crazy

What I feel is much deeper
The cliff doesn't get steeper
Will I ever be free?

I need to break the trailhead and sweat the sadness through
the pores and holes and missing pieces of me that let it in for you
I'm forever shaking from exposure to the elements;
this irreversible coldness resulting from your negligence
I can't go on like this; so very different from who I used to be
I'm scared of who I will become if I don't soon recover the old me
I'm in search of steeper trails to bring me closer to
the clearer, blissful, happier me I was before my soul made room for you

while there at 26 other people present in this room,
i feel alone;
or at least my mind has convinced me that i am.
either way,
it's nice i suppose.
and i can't really focus on anything
but do i really want to?
i could honestly not care less
whether Graph B
is steeper than Graph A
and how it has an equation of -2x-2.
i don't care if it's a
linear
quadratic
exponential
or cubic root equation
all i can seem to care about
at this moment in time
is you
you keep trying to bust your way
into my head
and make a reservation
like i have extra room.
NEWSFLASH:
i don't.
but somehow,
someway,
you have made your way in.
and i don't think you don't plan on leaving.

I have a feeling that my heart beat bigger
I have a feeling
That the fall grows steeper
My hands are shaking
The ground is breaking
My heart is failing
My soul is fading

Ambition fade
As mountain grow great
Not mountain of stone
Nor of earth
But mountain of
                    Lack of transparency

I feel my heart beat bigger
Not of love
Nor of passion
But bigger of
Lack of sleep
And desperation

                      I feel my mind
                      Of reluctance entwined

But I have to go
I have to do
I don’t have a choice
For the choice
Is mine alone
And a choice
Made a long time ago

On a warm afternoon, in the middle of June
Two lovers were strolling along
Their arms were entwined, they had but one mind
Their hearts both sang the same song

Harold was tall, a handsome young sort
His hair as black as the night
Amy was fair with flowing blonde hair
Her face such a beautiful sight

Together they walked, and excitedly talked
Making plans for their future together
Living in their own home, having kids of their own
With a love that would outlast forever

They walked for a mile, and came to a stile
That neither had seen there before
It led over a fence, into forest so dense
An exciting new place to explore

They trekked through the brush, neither one in a rush
Until they chanced upon an old trail
The wind here was still, Amy felt a slight chill
The air tasted heavy and stale

They continued along, and then heard a strange song
At first they thought it was birds
But as they got nearer, the sound became clearer
And they realized that tune carried words

Upon a pine tree, as small as could be
A fairy was singing a ditty
She fluttered her wings, such translucent things
And she danced looking ever so pretty

In an instant she stopped, her face it looked shocked
And she flew down in front of their track
"What are you doing here?", her voice trembled with fear
"You must leave now and never come back!"

"Whoa there! Who are you? My name's Harold, how'd you do?"
Harold managed a nervous smile
"I'm the Good Fairy" she said, "and the path you now tread
Is closed and has been for a while"

Amy leant on a tree, "It looks open to me
And I really don't think you can stop us
So shoo out of our way, you're spoiling our day
We'd prefer no more of your ruckus!"

The Good Fairy smiled, "Now listen here child!
You'll do as you're jolly well told!"
Amy just snorted, and quickly retorted
"For a small thing you're really too bold!"

"Are you sure of your love? Does it fit like a glove?
Are you certain that he is the one?"
The Good Fairy prodded at Harold and nodded
"If you value your love then begone!"

"Our love is so pure, of that much I'm sure
That nothing could come in between.
So I'll thank you to keep a hold of your beak
You're beastly and ever so mean!"

"Harold, dear boy, you’re not just her toy!
A plaything that she can abuse
You have your own mind, with thoughts that are kind
And brains that you really should use!"

Harold just nodded, then felt his ribs prodded
As Amy gave him a cold stare
"Come along Harold dear, we'll not stay around here
We'll proceed down the trail over there"

The Good Fairy swallowed, and then she just followed
Aware of the danger that was nearing
The path became steeper, as it led them down deeper
Till finally it came to a clearing

In the midst of that wood, an ornate fountain stood
Its clear waters flowed like a stream
They were caught in a basin, carved by a skilled mason
The surface shimmered like a dream

"So this is your secret, and you wanted to keep it!"
Amy gloated with a grin on her face
"Well its ours too to share, and I really don't care
If you don't want us here in this place"

The Good Fairy sighed, "It’s no use, I tried
But you just wouldn't heed my warning
And now you are here, it’s too late I fear
You'll both rue this day in the morning"

Amy laughed boldly and eyed her so coldly
"Silly fairy there's nothing to fear
The water looks pure, of that much I'm sure
So why don't you dare to come near?"

"You don't know the name of this place where you came
You don't understand what's at stake"
The Good Fairy shivered, her wing tips they quivered
"You've made such a dreadful mistake

This fountain is magic, its consequence tragic
It's reflection shows only love's truth
If you think I deceive, and you still don't believe
Take a look and you'll find there your proof"

Amy walked up, to the fountain and took
A long look into that flowing stream
And what she perceived could be scarcely believed
It was Amy but dressed as a Queen

She wore a long gown and a beautiful crown
And was sat on a shiny gold throne
They were toasting her name and proclaiming her fame
But she saw that she wasn't alone

The most wonderful thing, a handsome young King
Who smiled with such love in his eyes
He looked at her kindly, whispered "Come and find me"
Then vanished to Amy's surprise

She was back in the clearing, and Harold was peering
In the waters with a lopsided smile
What he witnessed that day, he never did say
But he stared there for quite a long while

When the trance was complete, Harold stared at his feet
He wouldn't look Amy in the eye
"I need to go" he muttered, "Later, maybe?" he uttered
And was gone with no further goodbye

Amy thought of her King, with the large wedding ring
And the love in his eyes at her sight
She held him in her mind, as she set off to find
The one man whom she knew was just right

The Good Fairy sighed, "So another love died
In pursuit of a love even stronger
Why do folk leave behind, all the love that they find
To go on with the search ever longer?

Can love ever be measured, like something that’s treasured
Can you weigh it upon a fine scale?
Can one ever be sure, that new love will be pure
That it isn't just destined to fail?"

The Good Fairy glanced, at the waters perchance
And her little eyes filled up with tears
The vision she saw was one she'd seen before
And the image still haunted her fears

"The problem we embrace, when we look on that face
The reflection of our own true lover
Is we don't realize, though the fountain never lies
Our true love may perceive yet another"

The Good Fairy left, feeling wholly bereft
And returned to her guard feeling tense
"That’s the fourth time this week", she said wiping her cheek
"Perhaps I should put up a fence?"

What lies beyond the bend in the road?
Behind the green pine trees,
Capped with white snow?

I cannot know what lies ahead
Until I reach the turn
I fear the journey long though
And my feet ache and burn.

This road feels somehow steeper
From when I walked it the last time
Oh, everything is worse alone
Without him by my side.

He was a fearless traveller
Whose words were always sweet.
He said "a traveller is what I am,
I've marched through cold and heat.

I've swam through snow,
I've run through rain,
But no amount of travelling
Can escape me from this pain.

I long to see my loving wife,
So gentle and so kind,
But I fear I've left her alone
Far too many times.

I could not return home now
Her love has long since left,
And to see her with another man
Would surely be my death".

As that bend drew ever nearer,
I knew soon we would part.
So I struggled one last aching time
To heal his lonely heart.

I said "Why do you travel forever?
Why not go home now?
Her love is strong as ever,
She forgives your wandering around."

"There is no other man for her,
There is only you.
I beg you now come home.
Start your life anew."

He said "I am a weary traveller,
I always long for home,
But I cannot be still.
Travelling is all I know."

And though weary he was
He kept walking with me.
But he stopped at the bend
At the edge of the trees,

He said "I've seen you before,
And I'll see you again.
Please do not miss me,
But don't forget me,
Old Friend".

That was many years ago,
And I miss him still.
That road is getting longer.
I am getting ill.

So I return to my empty house.
Through my hair I run a comb.
And I leave one light on - *just in case -
My weary traveller comes home

There's a line drawn in the sand
It's a line drawn by the man
It's a line drawn by the hand
That feeds
Our breed
Misery

There are lines drawn on our faces
As sand hits the ground
These fault lines are from the races
Our lives have found
The lines get deeper
Like cuts on our skin
The lines get steeper
Like our chance to win

We're thrown into a landslide
We see the ground collapsing
For all the silly things we lie
And the things we say in passing
The momentum of this earthquake
Will never cease, only take
And these tectonic plates shift
When we live a hectic hate rift

I need safety
To embrace me
And save me from my world imploding
Before anyone can say they know me
But the planet is shaking
My mangled mind aching
I trap myself inside a steel vault
Never forgetting this is my fault

did because i well jeez 10:23 farther steeper i'd was a outside 10:24 a junebug
is creaking on the well like a fine cylinder. it's because steeper or 10:27 clunking
a light of amiable is sort of. at 10:31 a common a cool the. into if.
        a very sorry long is diacriticly loose with the scab of lunging trees
by the barn 10:31:53 is . it's was almost because i did i well jeez
the june is a crimped fine determined juice. did it seem because or and a breif
i s haloed somewhat or creaking a junebug is big for by the stalls shuffling with legs in the sort of barn by the 10:36 it's gabled a bit. or does it seem a because well did i and meyou. pm well it were 10:37 and longest brown is seemingly. otherwise unmarked a phonetic element. by a 10:39PM leafing softly
  the scuttle a. unnerved little scraping. beneath or metatarsaled cadence a the grassed stripping earth went from the basest mouth of timbered certainly to the unskinniest blue. a vanity of wheels or because well did i jeez

City Lights SLAM POETRY
1/21/2014

Look momma,
out the airplane window.
There's city lights,
they're pretty,
but what they really mean you wouldn't know.
Las Vegas, ain't it beautiful though.

But oh, you see,
the city captures me
and keeps me held up at night
lacking fright
as the city sees my drunken might.

Because sometimes I get a little lonely,
and sometimes I wander.
But most times it's irrelevant,
I'm just the big purple elephant,
in the room,
that nobody wants you to see.
Because that side of me,
is in you just as much as in me.

Just wonder, have a little wander,
View tomorrow fonder,
maybe we'll strike thunder,
or settle for down under,
the ****** dancer,
make your moves romancer.
Tell me it's the season,
but you don't need a reason,
to put your body out there,
feel the warmth of cold stares.

You see it's these city lights,
they keep me trapped in the night
of Las Vegas,
And I know it sounds heinous,
but please could you come save us
from the city lights,
before they eat us tonight.

So maybe
we could go somewhere
Save our money
get the hell outta here.
Instead we stare
into those city lights,
oh so pretty.
Oh so mesmorizing,
oh so ******* gorgeous.

He'll take your wallet,
pick your pocket,
kick your door in,
though you locked it,
take your money,
you're in need
not just of some
but of everything
that's not in Las Vegas,
but we're not that shameless, are we?

Sometimes we do things,
we don't want the world to know,
Sometimes I think,
I'm my own private show,
with the freak side attraction,
maybe get reaction
split a fraction to know
that one *** and another ***
don't make a rake
just a couple flakes
that fall down
that fall down
that fall down
and break,

under these city lights
I don't think we can make
it out of here alive.
We just crumble,
and slip through the cracks,
as we try to survive,
can't work a 9 to 5,
because we're lazy
and we do drugs
and we hate stuff
and we have ***
and we **** up
my life
ain't it nice
to live in Las Vegas
and see the city lights?
as they keep me trapped in the night?

Until I die,
Nothing leaves Las Vegas huh?
Have any of you seen the movie Leaving Las Vegas?
You should because it's famous,
not just because Nick Cage is,
but because his character was nameless,
or might as well been,
could you tell me
more than just his story?
Of a washed up, pathetic alchie and a *******?
His name was Ben Sanderson,
but that's not the point you're still missing.
His character was based on a real person,
At first I thought his name was John O'Brien,
the writer of the novel,
who shot himself.
But we dig a little deeper,
and find this message steeper
than we had imagined,
the real victim's been hidden,
in plain sight,
under these city lights.

*******, druggie, you don't know what I see,
on that airplane,
through the window
there's just something
that don't show,
but it's in the spotlight
of these city lights,
it's those people,
dying while still alive,
alcohol in their arteries,
could be you
and could be me,
trapped in the night,
by these city lights,
but you'd never know,
because what happens in Vegas,
stays in Vegas,
but they don't tell you why,
it's these city lights that keep us alive.
We need them to struggle to survive.

Declared as an UNESCO Heritage Site in 1983, is today a place of tourist attraction, - this ancient city of Inca pride! Please read its absorbing story, you will not regret it ! Thanks, - Raj Nandy

MACHU PICCHU: THE LOST CITY OF THE INCAS!

(I)
At those ethereal heights where only eagles dare,
And where the Condor glides to gently perch;
Above the Urubamba Valley of Peru, -
Stretches the peaks of Machu Picchu and Huayna
Picchu;
Where the sky above is a clear cerulean blue!
And on a cloud-draped ridge connecting both
these Andean peaks, -
Lies the magnificent site of Machu Picchu, –
which many tourists seek!
A city hewed and carved out of rocks and stones,
Which in proud defiance to marauding time,
Stands there for nearly six hundred years, -
A majestic symbol of Inca pride!
(II)
The Inca Kings were the ‘child of the sun’,
Their chief deity was the Sun God - ‘INTI’,
Their ninth king who expanded and consolidated
their Empire,
Was known as the great Emperor Pachucuti!
This king and his architects, at an altitude of
8000 feet built the great Inca City!
To worship their gods and honor their ancestors,
And as a royal family resort and a summer retreat!
Inca religion was based around Nature, and their
architecture blended with the landscape around!
At Machu Picchu they felt closer to their gods,
And could almost hear His sound!
Pachucuti also built the city of Cuzco, the capital
of the Inca Empire,
They never had horses or wheels those days,
Their ‘runners’ covered their kingdom entire!
With posts located at suitable distances, for
relaying messages throughout their Empire!
(III)
The ruins of Machu Picchu covers 13 sq kms,
Lying some 70 kms north-west of Cuzco city,
Nestled amidst the navel of the mountain rocks,
Hidden from the praying eyes of all adversaries!
Surrounded by gushing mountain rivers and
yawning chasms going down deep;
And with secret ropeway bridges, this Inca hideout
was all complete!
It escaped the greedy Pizarro’s eyes, that Spaniard
who came for Inca gold,
Leaving Machu Picchu untouched, for the entire world
to behold!
So the urban sector of Machu Picchu has 140 buildings
still intact;
With steps and terraces cut into steep granite face,
And streams and aqua-ducts to irrigate their lands!
(IV)
The citadel lies on a flat surface, which is a 20 hectares
spread!
With a sacred and a residential area, and houses for
priests, nobility and guests!
‘Amautas’ were men both holy and wise, conducted
ceremonies and read the stars;
But the Incas had no written script, and took help of
the ‘quipu’ by far!
The ‘quipu’ was a numerical system using many
knotted strings, -
With which they kept records and accounts of almost
any and everything!
(V)
A Sacred Area had temples and buildings,
All dedicated to the Gods by Pachucuti;
A Sun Temple, and the sacred Intihuatana Stone,
For ‘binding the sun’ – the great Inti !
During the Equinox on the 21st of March and September,
When the sun was directly above the Intihuatana Stone, <
The priests performed ceremonies and offered prayers, -
To keep the sun caged and in control!
Legend has it that should a sensitive man, keep his
forehead on this sacred Stone, -
His ‘third eye’ would open up, and the ‘spiritual world’
he shall behold!
(VI)
It was Hiram Bingham a professor from Yale University,
Who in July 1911 rediscovered this miniature Inca City!
He took three years to clear the jungles and the wild
vines;
And the artifacts he had found were sent to the US -
as precious finds!
The modern architects who visited Machu Picchu,
all marvelled at the techniques used;
A ‘dry stone technique’* without mortar, had all of
them pretty confused!
Many stones weighed around fifty tones, and others were
cut into various shapes and size;
And were fitted with such precision, leaving no room
even for a blade of knife!
The peaks there often get covered with mist,
And is the abode of white fluffy clouds;
This stairways to where the Inca gods dwell, #
Is where Machu Picchu is to be found!
- Raj Nandy
(- ALL COPYRIGHTS RESERVED -)
Notes: -Huayna Pichu stands behind Machu Picchu -
40mtrs higher! It has a steeper climb and has the ‘Temple of
the Moon’ inside a dark cave! +Declared a Heritage Site
by UNESCO in 1983.< Sun being directly above the sacred stone did not cast any shadow, so the priest said he had caged the Sun! *Dry stone
technique without mortar also used in Egyptian Pyramids! #Many
tribes believed Incas were Gods! Thanks for reading, - Raj Nandy.

............................................. ................................................. .....................

The crevices of physicality

Sink deeper,

Yet the jewells of originality

Grow steeper.

Erasing the short-comings

Of distancing years,

Ignoring the elderly’s hummings,

And death’s fears.

You stand bold and proud;

Forever young,

Within life’s merry-go-round.

For the joy you have created

Is endless and ongoing;

And the love that you ignite

Is forever growing.

Love is all he knows,
Like doves, he reeps what he cannot sow,
Completely seeping where you cannot go,
Secretly creeping on his toes,
And there it goes,

Waking up a stranger to the morning sun,.
After shaking from danger,

He cannot live without her his heart speaks out in anger,
She's the last out, to give what they were, from back in the start, for' she sneaked around,
Turned his whole world upside down,
He grabs the gun and preys his last prayers, she stabbed his heart, and it teared and teared,
Life's not fair life's not fair, the underkeeper gloomed,
The gun killed today, and a love much steeper bloomed.

Ok, first the basics
If you turn on the tap, just a dribble
And hold a straw, just off vertical underneath
The water will flow to the end of the straw
And drip off

Imagine many straws, densely packed
Just the tips showing
All sloping at an angle
And fixed to a steep roof

Water (rain) will be shed
And the roof will remain dry

The steeper the roof
The quicker the rain will shed
But the steeper the roof
The more material is used

Then there's the thickness
The thicker the better surely?
Well, the thicker the layer of straws
The flatter the angle at which they lay
And so the less efficient they are at shedding water

Thatching
Like life
Is a compromise

Our city
of forts and malls and cinema halls
is littered with the filth of our minds
and our mouths.
We are lost; we are broken;
we are muffled and soft-spoken.
Big city dreams
of art and changing the world
slip away every time we wake up
on grimy beds we’ve never seen before
with soot on our feet, and our hands
bound with ***** hair,
backs bent under the weight of all they’ve left us.
The mud in our fingernails leaves us a mess,
in the shapes of the night's sticky, grubbiness:
a twisted Rorscharch inkblot.
We see it all replaying,
—flickering, as we’re swaying—
on grimy ceilings, where the light bulb
seems askew, and dangling
in an effort to hypnotise us,
left, and right, and left.
Every day is a repeat of the same,
—chai glasses, and cigarette butts
with redlipstickstains,
rickshaw rides (exactly thirty rupees steeper
than the rate on the meter),
cat calls that slap in one ear and slip spit out the other.
Our roads are lit by TV-light,
a muted glow that follows us everywhere.
Anonymous blankness follows blankness
and the dark dankness
of grocery stores and souls
that can’t recognise each other anymore.
Silly young things dreaming of bliss,
And new couches, and tiny feet
Instead hear only
"Scrub harder," "Needs more salt," and
"Turn over; come closer; be quiet."
Bare feet in splotchy grass
with brown and green ankles
are replaced by sore heels and push-up bras.
Pens scratching on paper
are replaced by knives slashing skin
and flesh and bones
hitting sharply so that the onomatopoeia
of the shlick-crack-crack
draws out delighted laughter
from blackened, smoky mouths
— and peals of screams that no one hears,
the afterthoughts of parking lots.
The fire of fingers leaves marks, scars;
and their tips grow spikes
into the goosebumps on our arms;
knuckles peel away skin,
everywhere they trace;
and fists clench
around our bodies,
that don’t belong to us.

But we know, one day,
our spring will come
and we will leave the heat on our backs
in dust.
We will go down with Persephone
and take our flowers with us.
We will swim upside down
so we feel like we can fly.
Every rock laying unturned, we know,
has a cosmic universe throbbing
patiently under it.
We will lie, resilient, awake at night,
dreaming cautiously, softly,
so no one hears,
but dreaming nonetheless.
Dreaming of our wings melting
over and over again,
when we get too close to the denied,
day after day, until
we can build wings strong enough
to hold the heat of the sun
inside them, and then propel further.
We’ll show them
— tell your sisters and daughters and friends!—
we’ll show them,
Because your sticks and stones
Can break only our bones
And not our minds. We are
Goddesses, even in a dimly lit bar
Or the back of a fast car,
Just as in temples. We are
Goddesses, whether we whisper in soft tones
Or shout it in the streets,
Whether we lie in strangers' sheets
Or break our backs bending
to ***** feet.
When we're beaten by a spouse,
Or changing tactic,
We'll be both your angels in the house,
And your madwomen in the attic.

279

Tie the Strings to my Life, My Lord,
Then, I am ready to go!
Just a look at the Horses—
Rapid! That will do!

Put me in on the firmest side—
So I shall never fall—
For we must ride to the Judgment—
And it’s partly, down Hill—

But never I mind the steeper—
And never I mind the Sea—
Held fast in Everlasting Race—
By my own Choice, and Thee—

Goodbye to the Life I used to live—
And the World I used to know—
And kiss the Hills, for me, just once—
Then—I am ready to go!

Strip for the sea
My sweet maiden
The sea is awake
Let it reveal its dreams

The angelic blue
Claims a shadow behind
The piercing rutilant sun
Embarking on day

Forgive the sun
My righteous maiden
May i join you?

As we swim
Deeper and Deeper
Away from the sun
My heart beat
Steeper and Steeper


Drown you in my love

Pardon me
For being on my knees
Its seems the rest of me
Has gone numb

My eyes deceive me
I cant believe
I let myself
get here again

I lost a friend.

Well I’ve crossed this river many times
I’ve crossed this river many times
But I swear it’s getting deeper each time
Yeah I swear it’s getting deeper each time

And I only can only keep drowning
I can only keep drowning
I can only keep drowning
for so long


I’ve walked up
a mountain of shame
I reached the top
With nothing to gain

Come September
I felt the change
Like I'm going insane
Like I'm going insane

And I’ve climbed this mountain  many times
ive climbed this mountain many times
And I swear its getting steeper each time
swear its getting steeper each time

And I only can only keep falling
I can only keep falling
I can only keep falling
for so long

But I’ll get up soon
everything’s okay
Just a little scrape
Just a little scrape

I may be bleeding
I may be bruised
My heart may be broken
But I got nothing left to loose

Well ive heard those words many times
Yeah ive heard these words many times
And I swear there getting cheaper each time
Yeah I swear there getting cheaper each time


Never again be my friend again
Be my friend again
Be my friend again

Brothers and sisters in Christ, would we look at Jesus hanging on the cross in excruciating torment, gasping for every agonizing breath, pierced through, covered in blood and bearing our offenders' sin along with ours, only to say, "It isn't enough! It is NOT finished. There is still more to be accomplished, a greater payment yet to be rendered. You did not complete the work or satisfy the debt!"...?

For here is the thing: if we don't believe that His sacrifice was enough to sufficiently pay the debt for everything they have done to us then how can we ever possibly believe it was enough to pay for all we have done to Him? And if we don't believe that then how can we be saved?

This is certainly not to say that the process of working through all the issues of forgiveness is not an extremely steep and difficult climb or that it does not take time. It is! It does! Sometimes it takes years to reach the top, where we are completely set free from the pain and emotional struggle of it. But the choice to forgive, the decision to actually begin the process and step onto the path is not optional for any true disciple of Jesus Christ, for He has clearly called us all to take up our cross and die daily and to count ourselves dead to sin already. We have been commanded and empowered by Him to forgive, and He Himself will work it fully in and through us if we will only yield to Him.

But when we refuse to forgive, we are only digging through the trash heap and holding ourselves prisoner within it, yet somehow convinced we will find gold there. Do we not understand how ludicrous this is? We are beloved and royal children living as self-defeating street urchins—fists up, ready for a fight and buried up to our necks in a back-alley dumpster looking for rotten scraps. The King is calling, "Come out of there, beloved child! Come home to Me and feast!" But we respond, "No, not yet! There are still more *****, decaying bags in here to scavenge through. I haven't checked that dark, rat-invested corner yet. There may be something good in there for me!" What?! Are we insane? Stop digging, let go of the bag, let Him lift you once and for all out of the dumpster and come home! Realize who you are and Whose you are!

Authentic and heart-changing forgiveness begins when we look honestly and humbly at the offense, call it what it is without minimizing it or making excuses for it, feel the full weight of the painful debt incurred against us by the offender, realize that it is simply not within his power or means to ever sufficiently pay us back in a way that could restore us to wholeness (even if he desperately wanted to), and then look fully to Jesus, trusting Him to bear the entire weight of it for us and to provide complete payment for all of the damages done to us.

It comes when we decide to give the debt 'note' fully over to Him, transferring it to Him, like a mortgage company transferring (for their own protection and profit) a high-risk house note to a different lender and thus releasing the debtor from any further obligation to re-pay us, breaking the chains of our previous expectations off of him and putting them all onto Christ. And when we do, we will find that in the transfer we come out far richer than we were before the offense was even made and the debt ever incurred.

In forgiveness we have to both lay down something and take up something, for our heart refuses to ever walk away with nothing to cling to. We have to hand our offender's heavy debt completely over to the One Who willingly carried it on Himself, along with every one of our own sins and sorrows, all the way to the cross, nailing it there and paying it in full, and then we have to receive afresh the gift of His infinite fullness in exchange.

With every offense (small or great) there arises a subsequent path of forgiveness. The greater the offense, the steeper and longer the climb to get to the end; but the steeper and longer the climb, the more spectacular and rare the views along the way and from the top. Whenever someone hurts us, we can either stay in the barren valley with the offense, miserably imprisoned by it and trying hard to keep our offender chained to it as well, or we can kick loose the chains and set out on the less-traveled mountain trail leading to freedom, healing and rest. The trailhead is the cross, and Jesus is waiting to meet us there. All we have to do is take the first step onto the trail and begin to walk it with Him as our intimate Companion and determine (and keep daily determining) to stay on it as long as it takes and one step at a time with Him as our faithful Guide, for He will certainly lead us all the way to the summit.

And we will certainly need an all-powerful, all-knowing and ever-present Guide on such an adventurous trek, as this trail is ever-winding, full of dangerous switchbacks, difficult ascents and narrow, hidden passes; but the scenery will be breathtaking and the fellowship life-changing. As we travel further and higher our perspective will dramatically change along the way, and the offense back down in the valley will become smaller and smaller in the distance until we can barely make out more than a shadow of it for all of the beauty surrounding and enfolding us. It is not necessarily that the memory of it will ever completely be forgotten so much as it will be brilliantly reframed by an exceedingly better and higher view.

At the end of the trail there lies a secret alpine garden, lush with various kinds of healing fruit that rarely grow ripe on the lower slopes of the mountains and do not grow at all in the valley of unforgiveness. Their taste, fragrance and restorative powers are beyond anything that might be understood or even imagined by those who have never dared nor sensed the need to venture any further than the foothills. Nevertheless, the garden is always open and the fruit readily available to any and all who would choose to make the glorious journey together with their LORD...and none who do will ever be sorry they came.

So why do we so often struggle to do it?

I think when we look honestly and microscopically at hindrances to forgiveness it is idolatry that stands out as the most culpable suspect. For when we forget that everything we need and most desire is found in Christ and that everything we have comes from His loving, wise and faithful hand and then someone else fails to give to us what we are so firmly convinced we need from them or takes from us what we are so sure we require, it is easy to feel justified in withholding from them our complete pardon.

It is idolatry as well which blinds us from seeing how deeply and desperately we ourselves depend on God's mercy. For when anything becomes more important to us than intimacy with Christ, we are quick to overlook our own grievous impediments to that intimacy and therefore quick to overlook Christ's unequivocal command to forgive as we have been forgiven. So then we cannot fairly approach forgiveness without humbly keeping ever before us the awareness of our own stubbornly idolatrous tendencies which seem to be always lurking under every prickly bush.

Another common but still idolatrous stumbling block is our failure to grasp and cherish God's absolute sovereignty over us, which then causes us to unduly credit our offenders with power they do not actually have—the power to ruin our lives—and to mistakenly think that by refusing to forgive we can somehow regain from them the stolen upper hand, either by trying to pay them back with evil or by trying to force them to pay us back with good, emotionally holding them prisoner and refusing to unlock the door until we have sufficiently punished them or until they have sufficiently 'blessed' us. This is a prideful self-worship which pre-supposes that our lives and their avenging are best and most safely kept in the control of our own hands and that we are entitled to more 'good' than God Himself is willing to bestow on us. It is also a dangerous exalting of others which wrongly assumes that they have within themselves the ability to grant us enough 'good' to ever fully settle their deficit account and satisfy our wounded hearts.

When we forget who we are and all we have in Christ, idolatry can also lead us into a more subtle, less honest and in some ways more damaging form of unforgiveness, one that often masquerades convincingly for a time as forgiveness but is far from the real thing. For if our offender himself is the idol whose love and approval we think we cannot live without we may be very quick to make shallow, insincere and enabling offerings to him, trying desperately to quell any conflict and to ingratiate ourselves to him (wanting to retain peace with him at any cost so that we might retain a piece of him and determining to think well of him in the hope that he might think well of us). We will call it forgiveness and think it truly is but wonder why the issue never seems to be quite settled in our heart, why he never seems to be able to meet the standard of the 'high place' on which we have erected him and why we always seem to be trying to charge his offenses against us to everyone else's account.

As long as our 'pardon' is rooted in fear of rejection, resentment and abandonment (or in any other insecure human emotion), it cannot qualify as genuine forgiveness or obedience to Christ and therefore cannot bring any measure of real peace or lasting resolution to our hearts or to the relationship. It will only keep us locked up within our own limited and easily drained ability to love, suffocating both ourself and our offender, causing resentment on both sides and robbing us of the joy of entering into a deeper love that can only come from trusting in and drawing upon the overflowing fountain of Christ's love. True forgiveness will always extend out of that flow of intimacy with Him and out of genuine worship of Him, for we can only walk like Him when we walk closely with Him and crave Him above all else.

If the world keeps screaming I’ll break the night,

I’ll turn it around, I’ll bend the notion.

If the height gets steeper, don’t make a sound.

"Sacrifice yourself" is the name of religion.

Spinning the gears and faking frustration,

while the system fakes a male ******.

Here is your chance to go sour and

I hope you have the guts to walk into this trap;

If nothing is real, or we’re made out of sin,

what is the image of God?

I am not willing to be forgiven,

I am not the victim of your forgiveness,

I am not forgiven, I am not a sinner,

and I’m not a martyr for your God.

I’m just Austin Heath,

dying, and leaving nothing behind,

in the name of no one or no idea,

and not even poignantly.

Just mediocre.

undecipherable loss
  • [it's steeper near the roses]

attenuation
  • [the mystery in the trees
  and the mistral sound of your breathing]

dreams of perfection: floral dress summer
  • [the apnea and the scream]

a touch of labyrinth to this world
  • [in the fair and harmless light]

imagine somewhere close by
  • [imagine him waving as you say goodbye]

Goodbye kiss to the day I'll miss.
Put headphones on and select a song.
Down the cobblestones until further decision.
Division like the very fabric of football.
Could choose my normal route to The Square,
just four corners to take - a simple shape -
see proud flags made of organic thread,
all the colours I like will be on display. Although,
what if I head down Butcher Row instead?
Sure it's steeper down the shuts but
I fancy my luck out there today.

Before the leap, I see a wall
so opposite to my position, it's hostile.
How long have these concrete eyes watched on?
I'm terrified and contemplate calling in sick,
return to rich address and don't overthink.
Then in each direction, groups meet at the centre.
There's pointing and shouting and spit flying
into hair that's in flames and ignites more people
to march out deluxe doors left ajar
as kids peer through windows
above the obscenity.
Hesitate to whisper,
future back in that house,
until I see bricks change angle.

Thinking in pink.
Shout loud about my background.
Grab the handle of both sides.
Point my crooked nose at the stone:
'Let's climb this together.'
'Peace and love forever.'
Those at the back can't hear my speech.
But those really listening cheer and preach.
Reach for ladders or offer cupped palms.
Touch the top layer but get knocked off
by a flare thrown from out of nowhere.
Hunt the culprit while the victim burns.
Bodies clamber to sample some action
like a mound of sugar infested with ants.
Look back at my house in a peaceful daze.
Turn to the melee and see a knife in my face.