Submit your work, meet writers and drop the ads. Become a member
Shofi Ahmed Nov 2018
The hallowed turf is a six-seasonal
always one step ahead on Earth.
So exceptional a land is out of the box
acutely drawn down the Moon
and sublimely unique is written in stone!

A patch of land every star loves to touch
so much so the Mintaka know they can mirror
the pyramid on the surface of the earth
but not the tucked away zenana here
the planetary gem, the earth's gold dust:
Matches the lead Prophet's birthplace!

Open and globular star clusters
up above the mundane Himalayas peak look
diagonally into Sylhet down the Meghalaya stardust
eying on for a shortcut to Earth's gold dust
that only gushes out elixirs Abe Hayat.

Lovely sought after by the water nymphs
that won't tarry scurrying to the waterfront of paradise
in Ma, the space between, while the waxing moon
takes a waning pause only to roll down and croon
in deep tranquil, thaws the midnight moonlit blue pond
amidst silhouetted bamboos, the sun after a night pause,
there it blooms new again bathing in the morn!

Boarding in such a serendipitous moment, they dream,
carried out just these hidden elixirs in their pitchers
before Queen Fathima The Queen of Heaven.
Perfectly spherical she zeroes in the cosmic loop
and spills in the open sea one more colourless scoop
without a pinch of salt there the sunrise and set troupe
pause and lay in once again the most colourful swoop.

Up above heaven's Saal Saabila River
on the empyrean Moon, she hops on one foot
and down the evergreen Earth's spring dips a toe
without a shadow without a footprint, tone on tone
ties both worlds forever in bloom!

Blow the wrap off, score a preserved geometry
somewhere in Sylhet, even the Hebrew King David here
would offer his thousand and one melodic symposium
and King Solomon princely his whole affluent shebang.
'Cause the prevailing sun from heaven this time
could roll down on a palm simply like a handful of earth!

Oh, what will it land in Sylhet, the pearl of the earthy depth?
Art in light, the spark from the Earth's foundation stone?
Eyes gaze on so firm like the solid sky yet surge like kite
in the air looking here over a truly pristine drop of water
with the ocean is inside until it shows up down the blue sky
though rainbows oft pop out tantalising every looking eye!

The fairy that ascends then is a stealer no hand can touch
seven colours shine on a patch of blue unspoiled untouched
took on a meaning for Sylhet in a handful of earth
matching the soil of Makkah the centre of the Earth
the birthplace of the lead prophet Muhammad (PBUH)!
One who is in the know hops on the foundation stone
and rose to heaven in the Night of Ascension.

How a regular soil mirrors the very pivotal one?
The labyrinth is out of this world, relates to Queen Maab
let alone a native maestro that no genie can describe!
Every atom loves to discover the meaning of that
it knows the constant vibrations of the never-ending dance
keeping it on its toe the choreography comes from outside.
The feet are most polished and motions are butterfly dance,
still the canvas is blank, light one more candlelight!

Light a candle in Sylhet I wonder here the moonlight
spills through even into an atom's black canvas and the sun
lovely drops down on a handful of earth on the flipside!
Meet here the open future shows up at the Earth's hub
the moon's anew rallying to the untouching-sea
the Indian subcontinent's corner to the ancient wind!

Go with the southern breeze on play with the sun
here it colours the wind, gives it its Midas touch
and strikes a deal to part a silhouetted cloud.  
That a beauty spot raises the eyebrows of the day on a high,
on the shining face of the golden Bangla in broad daylight!

Hark the morning birds, follow singing deep in the midst
mellifluous-shrills fill the air unveiling the dream scenes!
Ah, the deep footed earth how mystique,
every morning the sun off the heaven's hill
lays in a new diaphanous gold-light-rug beneath it,
only to loose its colours in a colourless magic
let alone painting its footprint!

Every time is new numerates the bounties of our land
craving to sip in a dew-potion on our blossoming rose
cirrus clouds dancing over the seas here they drop
banish the midday blues singing the deep sea's song!

Nestled amidst the Rivers Surma, Kushiara and Monu
perched on the shades of the trees, each one is a canvas.
Returning melodic birds crescendo by the downstream  
hail from the autumnal breeze on the upstream.
Six seasons rebound alike leap and swing on the trees
unpacking their intricate and mesmeric fluid designs
often make a meal of the obvious and work of art alike!

Stunned angels on their way heaven taking one more sunset
potted in the starry bowl look back here at the wee hours.
They can hear pianissimo on this preserved perennial land
it never falls asleep is awake with a perfectly round
360-degree circle of spiritually impowered dynamos
dead but live on a different level Dervishes
keeping an ear on the hallowed Sylhet's ground.    
A deep-seated truth, rock-solid Shilahatta in Sanskrit
clothed in an enduring vesture minted Sylhet loops in
with the Hebrew Bible's Shalet, a ruler, a shield!  

A little drop makes the mighty ocean
likewise with one single word on the lips,
the maestros' great epics begin to be told.
Just with a mundane handful of earth
pristine Sylhet's masterpiece begins to unfold.

With the whole ball of wax keeping us onboard
lo, before the face of the Earth, it unveils the mirror!
With the whole nine yards on her least hold
believe it or not, Sylhet is cherry-picked chosen by God!
The subject matter is about a land possessing a deeply seeded truth. The prime significance of which is it's scattered afar and matches the pivotal soil of the centre of the earth!
I hate the dripping dark hollow behind the little wood;
Its tips a cursed maroon with a blood-red heath.
I think I praised and lamented it too soon;
Before seeing its scent; I saw already its stray mystical death.

My crown is torn, outraged by florid winds and scorn;
Like a tangled old roots of the windblown thorn;
I shall feel scanty by my own poetry,
And throw it about, duly, like a static little joke.

I shall let my heart grow dull and illiterate;
I shall not taste joy, no more, in any clear--flowery fate.
I shall seek everything bitter, and not sweet;
Even not pure as the honey of a bee; for it shall be plain.

I shall curve and bend any straightforward light;
I shall harass it, and blind it--as if my ghost’s dead soul is very not here.
Ah, where is but Maud, Maud, Maud, and Maud;
Perhaps she is astray in my memory still, and not by my side.

I feel relieved so soon as glanced at her beside me;
She owns still that full lips like a perniciously tasty moon;
She is adorable like the flower of heaven itself;
She strikes me again when away, and tosses me about when near.

Ah, Maud, Maud, Maud;
Tame me again with thy rain of laugh;
Saint me once more like a fresh young bird;
Come to me now, and return my unheeded love.

Ah, Maud, Maud, Maud;
And kissing her forehead takes me back to that day;
A day of myths, a day of agile swans and storms;
An ornate time of hatred; a whirl of bitter fate; a dust of sorrow.

Ah, Maud, Maud, Maud;
And again I was alive in this tale, with a burning heart;
On one eve of tears, a mischief, and a wan poetry;
I caught about shadows in which there was no soul of Maud.

I could only see the stones, lying ghastly about the fireplace;
Ah, Maud, are you but still haunting those whimsical moors?
Their strange murmurs but I cannot hear;
But still they consume me, ah, I am scared;
I wish they would be gone soon, I wish you were but here.

These storms were amusing but peculiar;
They are bizarre, but intelligent and stellar;
And calling thy name out but breathes into me strength;
Ah, but should I be here, and bear away thy image alone?

Ah, and thou wert in but nymphic and lilac dream;
And my heart was still not massaged by the tender storm;
For it meant thee, and hungered but for thee only;
And in the midst of love had it longed, and yearned for thee.

Ah, where is but Maud, Maud, Maud, and Maud;
Her with her childish eyes and rounded head of bronze,
With her rapturous steps and wild glittering aroma,
With her atrocious jokes, and a wintry secret touch?

But still she was not anywhere about;
She dissolved like one romantic bough of soda;
And within a rough joke, she would be but gone;
And now the storm returned, but I was wholly on my own.  

Ah, and now the striking storm is mounting the earth;
Should I write alone and chill myself by the green hearth?
For I hath nothing to console and lengthen my parched logs;
I shall wait outside and drift about yon wintry bog.

Ah, where is but Maud, Maud, Maud;
Maud with her heart-shaped face and bare voice aloud;
A voice that soaked my senses and craving throat;
Maud but teased me and left me to that joke.

Where is but Maud, Maud, Maud and Maud;
Maud, the goth princess within my ancient poetry;
Who but remained symmetrical and biblical in her vain torments;
Who but stayed sturdy and silent; amidst her anger, and vain fellows’ arguments.

Listen to me. I am but full of hatred.
I am neither a gentleman nor a well-bred;
I, who is just a son of an infamous parson;
A malleable son; with a bleak aura of a putrid spring.

I, one who crafted ingenious jokes;
But interminable as they always are;
I made Maud sit still as I held my woodwork;
While she perched herself on yon bench, gazing at dispersed starry stars.

Maud the shadow in my pale mirror;
At times she ceased at morns, but retreated at night;
On her brother’s sight she fled in horror;
But on mine her smile turned me bright.

Maud was idle, sparkling, vibrant, and tedious;
Her heart was free and not marred by stupor.
She was the sun on my very bright days;
She made me startled; she always left me curious.

Maud the green of the farm, the red of the moon;
Without her everything would spring not and remain odious;
Everything would be bleak and stayed tedious;
Ah, but still I could not own her, though I was her saviour.

I was a farmer and perhaps still am;
Perhaps that’s why her mother ditched me with shame.
Maud said she had not places like home;
Her house was the mere shallow--and gratuitous throne.

Maud came often down and agitated;
Her mood shadowy, she cried and cried too aggravated;
I caressed her back, and placed my palms on her white knees;
She told me stories whenever no-one else would see.

She wanted not to mount the throne;
She giggled often, at our country escapade;
She loved my cottage, she sweetened my thin grass;
Even those apple trees had then her eyes, which sprayed tough, lonely seas of green.

Maud took to hymn and dear children’s little songs;
She was popular always among the talkative throngs.
She would love to dance and wiggle and turn around;
While village pupils gathered to sing a noble sound.

Ah, but when the mirthless prince arrived;
With white horses and swords of a knight;
Maud was swallowed every morning, all through day and night;
Maud was no more seen by my side.

I thought I was not alive, for dreams were unreal;
If they had been, then they I’d have want’d to ****;
But seeing Maud not gave me fretful chills;
I often woke up tensely, within a midnight’s shrills.

Ah, where is but Maud, Maud, Maud, and Maud;
Maud my bumblebee and my delicate little honey.
I kept waiting for her behind the rustic brook;
I fetched my net and fished by my old nook.

Ah, and where is Maud, Maud, Maud, and Maud;
My eyes were still and my chest could no more speak.
I wearily fancied she had been kidnapped faraway;
She would be jailed in a sore realm, and would no more be back here.

Ah, for had she been lost, then I had lost my ultimate pearl;
For there would no more be magic, there would be no more of her;
No-one would so restore my original spring;
Perhaps there would be no spring at all, and I would suffer in summer.

And I would lose anyway--my lyrical, elusive demon;
For Maud had always been elusive herself.
She wore that evil smile and thin laugh;
As I told her tales of fairies that she loved.

As I am fond of magical poetry and dramas;
Maud too used to read them with genuine personas.
She was my epic fanatical little devil;
She liked tropical cold and a faithful Mephistopheles.

I should be Faust, as she once said;
For had I fair hair, yet a bald head;
She said like Faust, I was cleverly amusing;
But to me, like Mephistopheles--she was unusually entertaining.

She danced before me a beautiful ballet;
She was young and keen to levitate as a ballerina;
She crafted me limericks and such fair lines of sonnets;
She made earth my heaven, and my melodies a twin cantata.

Ah, and where is Maud, Maud, Maud, and Maud;
I need my butterfly amongst this wheezy curdling cold.
I need my lover to soothe my chained hysteria;
I need to get out of here, and feed my love with her charms.

Ah, but where is Maud, Maud, Maud, is not she here?
I was then screaming in my solitude, could she but not hear?
I could speak not, no more--sore and wounded by this snowstorm;
I crept sick and weak like a dumb old worm.

She was not even heard of upstairs;
While I was dying here as a roaring beetle.
I hath almost lost all my creative flair;
I felt tormented and neglected and nearly feeble.

Ah, but a story like this is not such a fable;
So at that time I did shun sadness and seek a warm ending;
But indeed, to escape fate the poor were perhaps not able;
And the farmer’s son shall never be a king.

And ‘twas the nobles’ right to be idyllic;
To be deemed far then fairly righteous.
My charms were trivial, and so was then my wit;
My prayers were too parted and despaired; no matter how rigorous.

I kept my work along the countryside;
I toiled all night and behind fierce daylight.
I hoped Maud would see me back one day;
But what I found was to my dismay!

Ah, Maud, for she was now engaged;
To that pathetic creature the cursed morn brought about;
And parties arranged, voices too raised;
The union was now what people had in thought.

Onto my shoulders my head kept sinking;
I killed myself nearly, for my irksome defeat in this rivalry;
A rivalry that failed to transgress vital destiny;
A rivalry I could not even bear to think.

But again, this love had always been everything;
And thus Maud’s union would equal my death;
One night I crept out of my bed;
I had in hand a keychain and a net.

The soldier was infused by sound sleep;
And into Maud’s grand chamber I crept;
Everything was pink and quite neatly kept;
But woke I her not--as I heard her breast breath slowly.

She was tremendous still--in beauty;
Maud in her splendour; so young and free.
Ah, she was free but not free, I fathomed;
I looked at her over and over again.

I looked at her violet bed and comfort net;
Ah, my Maud too ****** and temptingly red.
She was too abundant in her young and chaste soul;
Ah, I could not imagine how she would soon be one else’s.

Long did I stand; ‘till morning streamed back again;
Still I remained unmoved; I stared at my darling in vain.
I jumped startled as the door opened;
And showed me the horror of the Queen!

‘Come, ye’ fool’, she voicelessly instructed;
Her face emotionless as these words emanated;
‘And embrace thy very fate’, to the handcuffs me she directed;
‘For daring look into my dame’s immaculately flawless chamber’.

She pointed thereof--a black gun at my chest;
It would soon burst out and tear my vest;
And even fly me straight to death;
So drifted I, without further haste nor breath.

Those poor soldiers imprisoned me there;
A cellar room at the top of filthy stairs;
I stayed awake only for grief and tears;
And most of the time I laid about sleepless and stared.

I grew skinless as my bones squinted;
And laughed at me with their sordid might;
Flies were about me, bending onto my rotten pies;
And slices of meat left out by sniggering guards.

I hit my head on witnessing Maud’s cold marriage;
‘Twas on a Saturday on the castle’s rain-wetted field.
I heaved myself onto the windowsill and saw;
How the couples were blessed and sent thereby back.

I could not see Maud’s face and fleshy cheeks;
But didst I feel her discarded tears;
Marred and defiled her lovely fits;
Though just those innate, and not out there.

I struck the lifeless paint with my bare palms;
Now the walls were tainted; they smelled like my blood.
Time passed and desire for Maud was never killed;
I’th missed her every day, since then, and perhaps always will.

But my love for Maud was never probable;
I was decent, honest, but indeed not preferable;
I was not even preferable by fate, as thou might see;
Fate who is neither truthful; nor frankly urges us to lie.

I often laid hopeless by the moonbeam;
Until night came and eyesight grew more and more vulnerable.
I waited ‘till it was dark and left to day no more gleam;
Then took my journal of Maud’s jests and read her affable poems.

I turned around--and would disgrace my bed still;
I was plain starved but had no desire to be properly fed;
Of a dream of death I grew instantly pertinacious;
And of my future tomb I grew fonder--and yet rapidly curious.

Ah, but my sweet Maud, Maud, Maud, and Maud;
And deliriously she somehow became pregnant;
But remorse said she kept the souls of two;
And fatefully could not make them both perfect!

I indeed plain prayed for Maud’s survival;
I cared not whose sons they might be;
Ah, but the twins were still sinning babies--as I comprehended,
For they were formed not from cells of mine!

Ah, Maud, Maud, Maud,
And during those last days she was cautiously ill;
And a drive of cholera had again grown widespread;
But she was not maddened; by it she was not marred.

She was sickened by temper still;
And the prince found dead, she grew more terrifyingly ill;
She had a pure heart, so she flourished not over the beast’s death;
Nonetheless, he remained the father of yon sickly offspring.

Ah, Maud, Maud, Maud,
I was duly growing perfectly anxious;
She was to give birth--ah, to those little ignoramuses;
And within a little chord in one or days of two--she would do so.

But without a father to care for her notorious sons;
And even I was locked away, and could not do so;
I was terrified, I was horribly undignified;
To learn this stern reality we were so sullenly faced with!

Ah, not now! I could not too believe my ears!
Maud and her children were dead--they’d been stillborn;
Before they left Maud alone to receive her fate;
Her locksmith would not come; he had another due in a nameless town.

By the time he arrived my darling had gone;
Perhaps she was now shimmering in heaven;
Enchanting her children with her enormous spells;
Narrating stories no plain human could ever tell.

Even in heaven my love would perhaps be famous;
Her tenderness would make other angels jealous;
And angered by envy, they would gather and complain to God;
How an earthly soul could be more vivacious than their heavenly were.

Ah, but where is Maud, Maud, Maud;
Maud and her chain of songs that were never to be broken;
Maud and her familiarity with gardens and blue lilies;
Maud and her immaculate pets of birds that still sweetly sing.

Ah, but where is my darling, my darling, my darling;
My eternal ocean, my hustling flowerbed, my immortal;
My poem, my enchanting lyric, my wedding ring;
My novelty, my merited charm, my eternal.

And now she was longing for her grave, as I’d been told;
For I’d been told by the dimmed torches and fuss and mirthless air outside;
By the endless wandering and the prince’s wails and wordless screams.
Ah, my Maud had now migrated from her life--but attained her freedom!

And he was thus unworthy of being in her heaven;
Her heaven where there would be me, her true love;
And thus he would be glad to greet his fires of hell;
He would marry an evil angel there--and make himself again full.

But I’d be with Maud, Maud, Maud and Maud;
I’d be again with my gem, indefatigable little darling;
Whose voice was unsure, whose poems were never known;
But ‘twas enough that they’d been known to me, her secret--ye’ dearest lover.

So took I, that spinning penchant and a circle of strings;
The edges I matched to the chains on my ceilings.
I braced myself for my very own fiery death;
But again, I’d be with Maud and death would no more, aye, be sad.

Thus the above poem was done by my spirit;
But with the same token and awe of genuineness and wit;
I feel tired--I shall close my eyes, and thus enjoy my heaven now;
For my wife and starlings are all waiting for me to-morrow.

It is now nighttime in heaven;
And there is indeed, no place on earth lovelier;
I gaze into my wife with a loving madness;
Her cheeks sweeter still, than any proudest swiftness.

I shall take my vow of marriage tomorrow;
My proud wife sitting in yon angelic chair by my side.
I shall cradle, then, those white little nuptial fairies;
They are Maud’s children’s, but lithe and gracious and bow to me in chaste mercies.

Ah, Maud, Maud, Maud, she is but all mine now;
I am still surprised now, as sitting by this heaven riverside.
One even grander than the one I’d had beside the lake;
Which I often farmed when I had needs to bake.

Ah, Maud, Maud, Maud, she is a ghost but as ever lively;
We are both dead but she boldly remaineth lovely;
I know she is worthier than serene jewels or mundane affairs;
And still she is worthier all the same, than any other terrific palace--or heir.

Ah, Maud, Maud, Maud, and this war is but all over now;
Thus let us dream dead of the exciting tomorrow.
We shall see life and our children grow;
We shall witness delight--and miracles none ever knows.
Ye learnèd sisters, which have oftentimes
Beene to me ayding, others to adorne,
Whom ye thought worthy of your gracefull rymes,
That even the greatest did not greatly scorne
To heare theyr names sung in your simple layes,
But joyèd in theyr praise;
And when ye list your owne mishaps to mourne,
Which death, or love, or fortunes wreck did rayse,
Your string could soone to sadder tenor turne,
And teach the woods and waters to lament
Your dolefull dreriment:
Now lay those sorrowfull complaints aside;
And, having all your heads with girlands crownd,
Helpe me mine owne loves prayses to resound;
Ne let the same of any be envide:
So Orpheus did for his owne bride!
So I unto my selfe alone will sing;
The woods shall to me answer, and my Eccho ring.

Early, before the worlds light-giving lampe
His golden beame upon the hils doth spred,
Having disperst the nights unchearefull dampe,
Doe ye awake; and, with fresh *****-hed,
Go to the bowre of my belovèd love,
My truest turtle dove;
Bid her awake; for ***** is awake,
And long since ready forth his maske to move,
With his bright Tead that flames with many a flake,
And many a bachelor to waite on him,
In theyr fresh garments trim.
Bid her awake therefore, and soone her dight,
For lo! the wishèd day is come at last,
That shall, for all the paynes and sorrowes past,
Pay to her usury of long delight:
And, whylest she doth her dight,
Doe ye to her of joy and solace sing,
That all the woods may answer, and your eccho ring.

Bring with you all the Nymphes that you can heare
Both of the rivers and the forrests greene,
And of the sea that neighbours to her neare:
Al with gay girlands goodly wel beseene.
And let them also with them bring in hand
Another gay girland
For my fayre love, of lillyes and of roses,
Bound truelove wize, with a blew silke riband.
And let them make great store of bridale poses,
And let them eeke bring store of other flowers,
To deck the bridale bowers.
And let the ground whereas her foot shall tread,
For feare the stones her tender foot should wrong,
Be strewed with fragrant flowers all along,
And diapred lyke the discolored mead.
Which done, doe at her chamber dore awayt,
For she will waken strayt;
The whiles doe ye this song unto her sing,
The woods shall to you answer, and your Eccho ring.

Ye Nymphes of Mulla, which with carefull heed
The silver scaly trouts doe tend full well,
And greedy pikes which use therein to feed;
(Those trouts and pikes all others doo excell;)
And ye likewise, which keepe the rushy lake,
Where none doo fishes take;
Bynd up the locks the which hang scatterd light,
And in his waters, which your mirror make,
Behold your faces as the christall bright,
That when you come whereas my love doth lie,
No blemish she may spie.
And eke, ye lightfoot mayds, which keepe the deere,
That on the hoary mountayne used to towre;
And the wylde wolves, which seeke them to devoure,
With your steele darts doo chace from comming neer;
Be also present heere,
To helpe to decke her, and to help to sing,
That all the woods may answer, and your eccho ring.

Wake now, my love, awake! for it is time;
The Rosy Morne long since left Tithones bed,
All ready to her silver coche to clyme;
And Phoebus gins to shew his glorious hed.
Hark! how the cheerefull birds do chaunt theyr laies
And carroll of Loves praise.
The merry Larke hir mattins sings aloft;
The Thrush replyes; the Mavis descant playes;
The Ouzell shrills; the Ruddock warbles soft;
So goodly all agree, with sweet consent,
To this dayes merriment.
Ah! my deere love, why doe ye sleepe thus long?
When meeter were that ye should now awake,
T’ awayt the comming of your joyous make,
And hearken to the birds love-learnèd song,
The deawy leaves among!
Nor they of joy and pleasance to you sing,
That all the woods them answer, and theyr eccho ring.

My love is now awake out of her dreames,
And her fayre eyes, like stars that dimmèd were
With darksome cloud, now shew theyr goodly beams
More bright then Hesperus his head doth rere.
Come now, ye damzels, daughters of delight,
Helpe quickly her to dight:
But first come ye fayre houres, which were begot
In Joves sweet paradice of Day and Night;
Which doe the seasons of the yeare allot,
And al, that ever in this world is fayre,
Doe make and still repayre:
And ye three handmayds of the Cyprian Queene,
The which doe still adorne her beauties pride,
Helpe to addorne my beautifullest bride:
And, as ye her array, still throw betweene
Some graces to be seene;
And, as ye use to Venus, to her sing,
The whiles the woods shal answer, and your eccho ring.

Now is my love all ready forth to come:
Let all the virgins therefore well awayt:
And ye fresh boyes, that tend upon her groome,
Prepare your selves; for he is comming strayt.
Set all your things in seemely good aray,
Fit for so joyfull day:
The joyfulst day that ever sunne did see.
Faire Sun! shew forth thy favourable ray,
And let thy lifull heat not fervent be,
For feare of burning her sunshyny face,
Her beauty to disgrace.
O fayrest Phoebus! father of the Muse!
If ever I did honour thee aright,
Or sing the thing that mote thy mind delight,
Doe not thy servants simple boone refuse;
But let this day, let this one day, be myne;
Let all the rest be thine.
Then I thy soverayne prayses loud wil sing,
That all the woods shal answer, and theyr eccho ring.

Harke! how the Minstrils gin to shrill aloud
Their merry Musick that resounds from far,
The pipe, the tabor, and the trembling Croud,
That well agree withouten breach or jar.
But, most of all, the Damzels doe delite
When they their tymbrels smyte,
And thereunto doe daunce and carrol sweet,
That all the sences they doe ravish quite;
The whyles the boyes run up and downe the street,
Crying aloud with strong confusèd noyce,
As if it were one voyce,
*****, iö *****, *****, they do shout;
That even to the heavens theyr shouting shrill
Doth reach, and all the firmament doth fill;
To which the people standing all about,
As in approvance, doe thereto applaud,
And loud advaunce her laud;
And evermore they *****, ***** sing,
That al the woods them answer, and theyr eccho ring.

Loe! where she comes along with portly pace,
Lyke Phoebe, from her chamber of the East,
Arysing forth to run her mighty race,
Clad all in white, that seemes a ****** best.
So well it her beseemes, that ye would weene
Some angell she had beene.
Her long loose yellow locks lyke golden wyre,
Sprinckled with perle, and perling flowres atweene,
Doe lyke a golden mantle her attyre;
And, being crownèd with a girland greene,
Seeme lyke some mayden Queene.
Her modest eyes, abashèd to behold
So many gazers as on her do stare,
Upon the lowly ground affixèd are;
Ne dare lift up her countenance too bold,
But blush to heare her prayses sung so loud,
So farre from being proud.
Nathlesse doe ye still loud her prayses sing,
That all the woods may answer, and your eccho ring.

Tell me, ye merchants daughters, did ye see
So fayre a creature in your towne before;
So sweet, so lovely, and so mild as she,
Adornd with beautyes grace and vertues store?
Her goodly eyes lyke Saphyres shining bright,
Her forehead yvory white,
Her cheekes lyke apples which the sun hath rudded,
Her lips lyke cherryes charming men to byte,
Her brest like to a bowle of creame uncrudded,
Her paps lyke lyllies budded,
Her snowie necke lyke to a marble towre;
And all her body like a pallace fayre,
Ascending up, with many a stately stayre,
To honors seat and chastities sweet bowre.
Why stand ye still ye virgins in amaze,
Upon her so to gaze,
Whiles ye forget your former lay to sing,
To which the woods did answer, and your eccho ring?

But if ye saw that which no eyes can see,
The inward beauty of her lively spright,
Garnisht with heavenly guifts of high degree,
Much more then would ye wonder at that sight,
And stand astonisht lyke to those which red
Medusaes mazeful hed.
There dwels sweet love, and constant chastity,
Unspotted fayth, and comely womanhood,
Regard of honour, and mild modesty;
There vertue raynes as Queene in royal throne,
And giveth lawes alone,
The which the base affections doe obay,
And yeeld theyr services unto her will;
Ne thought of thing uncomely ever may
Thereto approch to tempt her mind to ill.
Had ye once seene these her celestial threasures,
And unrevealèd pleasures,
Then would ye wonder, and her prayses sing,
That al the woods should answer, and your echo ring.

Open the temple gates unto my love,
Open them wide that she may enter in,
And all the postes adorne as doth behove,
And all the pillours deck with girlands trim,
For to receyve this Saynt with honour dew,
That commeth in to you.
With trembling steps, and humble reverence,
She commeth in, before th’ Almighties view;
Of her ye virgins learne obedience,
When so ye come into those holy places,
To humble your proud faces:
Bring her up to th’ high altar, that she may
The sacred ceremonies there partake,
The which do endlesse matrimony make;
And let the roring Organs loudly play
The praises of the Lord in lively notes;
The whiles, with hollow throates,
The Choristers the joyous Antheme sing,
That al the woods may answere, and their eccho ring.

Behold, whiles she before the altar stands,
Hearing the holy priest that to her speakes,
And blesseth her with his two happy hands,
How the red roses flush up in her cheekes,
And the pure snow, with goodly vermill stayne
Like crimsin dyde in grayne:
That even th’ Angels, which continually
About the sacred Altare doe remaine,
Forget their service and about her fly,
Ofte peeping in her face, that seems more fayre,
The more they on it stare.
But her sad eyes, still fastened on the ground,
Are governèd with goodly modesty,
That suffers not one looke to glaunce awry,
Which may let in a little thought unsownd.
Why blush ye, love, to give to me your hand,
The pledge of all our band!
Sing, ye sweet Angels, Alleluya sing,
That all the woods may answere, and your eccho ring.

Now al is done: bring home the bride againe;
Bring home the triumph of our victory:
Bring home with you the glory of her gaine;
With joyance bring her and with jollity.
Never had man more joyfull day then this,
Whom heaven would heape with blis,
Make feast therefore now all this live-long day;
This day for ever to me holy is.
Poure out the wine without restraint or stay,
Poure not by cups, but by the belly full,
Poure out to all that wull,
And sprinkle all the postes and wals with wine,
That they may sweat, and drunken be withall.
Crowne ye God Bacchus with a coronall,
And ***** also crowne with wreathes of vine;
And let the Graces daunce unto the rest,
For they can doo it best:
The whiles the maydens doe theyr carroll sing,
To which the woods shall answer, and theyr eccho ring.

Ring ye the bels, ye yong men of the towne,
And leave your wonted labors for this day:
This day is holy; doe ye write it downe,
That ye for ever it remember may.
This day the sunne is in his chiefest hight,
With Barnaby the bright,
From whence declining daily by degrees,
He somewhat loseth of his heat and light,
When once the Crab behind his back he sees.
But for this time it ill ordainèd was,
To chose the longest day in all the yeare,
And shortest night, when longest fitter weare:
Yet never day so long, but late would passe.
Ring ye the bels, to make it weare away,
And bonefiers make all day;
And daunce about them, and about them sing,
That all the woods may answer, and your eccho ring.

Ah! when will this long weary day have end,
And lende me leave to come unto my love?
How slowly do the houres theyr numbers spend?
How slowly does sad Time his feathers move?
Hast thee, O fayrest Planet, to thy home,
Within the Westerne fome:
Thy tyrèd steedes long since have need of rest.
Long though it be, at last I see it gloome,
And the bright evening-star with golden creast
Appeare out of the East.
Fayre childe of beauty! glorious lampe of love!
That all the host of heaven in rankes doost lead,
And guydest lovers through the nights sad dread,
How chearefully thou lookest from above,
And seemst to laugh atweene thy twinkling light,
As joying in the sight
Of these glad many, which for joy doe sing,
That all the woods them answer, and their echo ring!

Now ceasse, ye damsels, your delights fore-past;
Enough it is that all the day was youres:
Now day is doen, and night is nighing fast,
Now bring the Bryde into the brydall boures.
The night is come, now soon her disaray,
And in her bed her lay;
Lay her in lillies and in violets,
And silken courteins over her display,
And odourd sheetes, and Arras coverlets.
Behold how goodly my faire love does ly,
In proud humility!
Like unto Maia, when as Jove her took
In Tempe, lying on the flowry gras,
Twixt sleepe and wake, after she weary was,
With bathing in the Acidalian brooke.
Now it is night, ye damsels may be gon,
And leave my love alone,
And leave likewise your former lay to sing:
The woods no more shall answere, nor your echo ring.

Now welcome, night! thou night so long expected,
That long daies labour doest at last defray,
And all my cares, which cruell Love collected,
Hast sumd in one, and cancellèd for aye:
Spread thy broad wing over my love and me,
That no man may us see;
And in thy sable mantle us enwrap,
From feare of perrill and foule horror free.
Let no false treason seeke us to entrap,
Nor any dread disquiet once annoy
The safety of our joy;
But let the night be calme, and quietsome,
Without tempestuous storms or sad afray:
Lyke as when Jove with fayre Alcmena lay,
When he begot the great Tirynthian groome:
Or lyke as when he with thy selfe did lie
And begot Majesty.
And let the mayds and yong men cease to sing;
Ne let the woods them answer nor theyr eccho ring.

Let no lamenting cryes, nor dolefull teares,
Be heard all night within, nor yet without:
Ne let false whispers, breeding hidden feares,
Breake gentle sleepe with misconceivèd dout.
Let no deluding dreames, nor dreadfull sights,
Make sudden sad affrights;
Ne let house-fyres, nor lightnings helpelesse harmes,
Ne let the Pouke, nor other evill sprights,
Ne let mischivous witches with theyr charmes,
Ne let hob Goblins, names whose sence we see not,
Fray us with things that be not:
Let not the shriech Oule nor the Storke be heard,
Nor the night Raven, that still deadly yels;
Nor damnèd ghosts, cald up with mighty spels,
Nor griesly vultures, make us once affeard:
Ne let th’ unpleasant Quyre of Frogs still croking
Make us to wish theyr choking.
Let none of these theyr drery accents sing;
Ne let the woods them answer, nor theyr eccho ring.

But let stil Silence trew night-watches keepe,
That sacred Peace may in assurance rayne,
And tymely Sleep, when it is tyme to sleepe,
May poure his limbs forth on your pleasant playne;
The whiles an hundred little wingèd loves,
Like divers-fethered doves,
Shall fly and flutter round about your bed,
And in the secret darke, that none reproves,
Their prety stealthes shal worke, and snares shal spread
To filch away sweet snatches of delight,
Conceald through covert night.
Ye sonnes of Venus, play your sports at will!
For greedy pleasure, carelesse of your toyes,
Thinks more upon her paradise of joyes,
Then what ye do, albe it good or ill.
All night therefore attend your merry play,
For it will soone be day:
Now none doth hinder you, that say or sing;
Ne will the woods now answer, nor your Eccho ring.

Who is the same, which at my window peepes?
Or whose is that faire face that shines so bright?
Is it not Cinthia, she that never sleepes,
But walkes about high heaven al the night?
O! fayrest goddesse, do thou not envy
My love with me to spy:
For thou likewise didst love, though now unthought,
And for a fleece of wooll, which privily
The Latmian shepherd once unto thee brought,
His pleasures with thee wrought.
Therefore to us be favorable now;
And sith of wemens labours thou hast charge,
And generation goodly dost enlarge,
Encline thy will t’effect our wishfull vow,
And the chast wombe informe with timely seed
That may our comfort breed:
Till which we cease our hopefull hap to sing;
Ne let the woods us answere, nor our Eccho ring.

And thou, great Juno! which with awful might
The lawes of wedlock still dost patronize;
And the religion of the faith first plight
With sacred rites hast taught to solemnize;
And eeke for comfort often callèd art
Of women in their smart;
Eternally bind thou this lovely band,
And all thy blessings unto us impart.
And thou, glad
THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
    
THE HOUSE OF DUST


PART I.


I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night!  Good-night!  Good-night!  We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride.  We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for?  Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died-you know the way.  Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent.  A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind.  Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and ****** of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,-
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of
Azathoth, upon the black throne,
steps of twelve hesitant to tone.
Madness and chaos swallowed your mind,
ears of the deaf, eyes dying to be blind.
Shrills of discordance to rattle this hell,
Creating our world as Barbelzoa fell.

He sees you not, too blind to care,
he can not answer to what he doesn't know is there.
Before her fall, sat a throne, the purest of white,
silver crown on the queen, a beauty of light.

The twelve danced with compassion and Joy,
the twelve being thirteen, a conjoined girl and a boy.
Ripped from the twelve, the thirteenth, a faceless creature to devour,
trickery and blood play, our darkest hour.

Nyarlathotep, a name not to be cursed under breath,
for the least of your worries will be death.
In the center of nothingness, to find all that can't be seen,
To be greeted by Nyarlathotep, who is far vicious and mean.

Gnashing his teeth as he whispers these lies,
using deceit to cover the cries.
The dread he feels to speak Azathoth's name,
To slaughter all who give him fame.

See all the countless chapters of the souls he took,
only for you to be next, carve your blood in the book.
RW Dennen Sep 2014
Upward I swirl
into the swirl of death shrills
Discontented about absolutism; the lies of war
Discontented about the perversions against nature; man's egomaniacal tendencies
Upward I spiral into the swirl of darkness
Gravity has no power to keep me bound
within myself
I let loose once again
I float towards another endless spiral of dark clouds,
these clouds spin expeditiously within its air-vortex
I see carnage,
I smell blood,
I witness the land of all misanthropes
Into the blackness as I spin,
my vision catches a chorale begging to be autonomous
in the state of sovereignty
The impetus in my desperate and saddened heart
I curse the gods
My tightened fist fails at at the darker darkness,
at this ominous swirling
I see no light ahead likened to the event horizon
on the outer rim of a black hole
My breath is being ****** out as the greed-succubus ***** out life
I see you in me, as we both are caught in this uninvited storm
Will we ever survive?
Will we ever survive?
So we must fight on!
So all day long the noise of battle roll'd
Among the mountains by the winter sea;
Until King Arthur's table, man by man,
Had fallen in Lyonnesse about their Lord,
King Arthur: then, because his wound was deep,
The bold Sir Bedivere uplifted him,
Sir Bedivere, the last of all his knights,
And bore him to a chapel nigh the field,
A broken chancel with a broken cross,
That stood on a dark strait of barren land.
On one side lay the ocean, and on one
Lay a great water, and the moon was full.

      Then spake King Arthur to Sir Bedivere:
"The sequel of to-day unsolders all
The goodliest fellowship of famous knights
Whereof this world holds record. Such a sleep
They sleep--the men I loved. I think that we
Shall never more, at any future time,
Delight our souls with talk of knightly deeds,
Walking about the gardens and the halls
Of Camelot, as in the days that were.
I perish by this people which I made,--
Tho' Merlin sware that I should come again
To rule once more--but let what will be, be,
I am so deeply smitten thro' the helm
That without help I cannot last till morn.
Thou therefore take my brand Excalibur,
Which was my pride: for thou rememberest how
In those old days, one summer noon, an arm
Rose up from out the ***** of the lake,
Clothed in white samite, mystic, wonderful,
Holding the sword--and how I row'd across
And took it, and have worn it, like a king:
And, wheresoever I am sung or told
In aftertime, this also shall be known:
But now delay not: take Excalibur,
And fling him far into the middle mere:
Watch what thou seest, and lightly bring me word."

      To him replied the bold Sir Bedivere:
"It is not meet, Sir King, to leave thee thus,
Aidless, alone, and smitten thro' the helm.
A little thing may harm a wounded man.
Yet I thy hest will all perform at full,
Watch what I see, and lightly bring thee word."

      So saying, from the ruin'd shrine he stept
And in the moon athwart the place of tombs,
Where lay the mighty bones of ancient men,
Old knights, and over them the sea-wind sang
Shrill, chill, with flakes of foam. He, stepping down
By zigzag paths, and juts of pointed rock,
Came on the shining levels of the lake.

      There drew he forth the brand Excalibur,
And o'er him, drawing it, the winter moon,
Brightening the skirts of a long cloud, ran forth
And sparkled keen with frost against the hilt:
For all the haft twinkled with diamond sparks,
Myriads of topaz-lights, and jacinth work
Of subtlest jewellery. He gazed so long
That both his eyes were dazzled, as he stood,
This way and that dividing the swift mind,
In act to throw: but at the last it seem'd
Better to leave Excalibur conceal'd
There in the many-knotted water-flags,
That whistled stiff and dry about the marge.
So strode he back slow to the wounded King.

      Then spake King Arthur to Sir Bedivere:
"Hast thou perform'd my mission which I gave?
What is it thou hast seen, or what hast heard?"

      And answer made the bold Sir Bedivere:
"I heard the ripple washing in the reeds,
And the wild water lapping on the crag."

      To whom replied King Arthur, faint and pale:
"Thou hast betray'd thy nature and thy name,
Not rendering true answer, as beseem'd
Thy fealty, nor like a noble knight:
For surer sign had follow'd, either hand,
Or voice, or else a motion of the mere.
This is a shameful thing for men to lie.
Yet now, I charge thee, quickly go again
As thou art lief and dear, and do the thing
I bade thee, watch, and lightly bring me word."

      Then went Sir Bedivere the second time
Across the ridge, and paced beside the mere,
Counting the dewy pebbles, fixed in thought;
But when he saw the wonder of the hilt,
How curiously and strangely chased, he smote
His palms together, and he cried aloud,

      "And if indeed I cast the brand away,
Surely a precious thing, one worthy note,
Should thus be lost forever from the earth,
Which might have pleased the eyes of many men.
What good should follow this, if this were done?
What harm, undone? deep harm to disobey,
Seeing obedience is the bond of rule.
Were it well to obey then, if a king demand
An act unprofitable, against himself?
The King is sick, and knows not what he does.
What record, or what relic of my lord
Should be to aftertime, but empty breath
And rumours of a doubt? but were this kept,
Stored in some treasure-house of mighty kings,
Some one might show it at a joust of arms,
Saying, 'King Arthur's sword, Excalibur,
Wrought by the lonely maiden of the Lake;
Nine years she wrought it, sitting in the deeps
Upon the hidden bases of the hills.'
So might some old man speak in the aftertime
To all the people, winning reverence.
But now much honour and much fame were lost."

      So spake he, clouded with his own conceit,
And hid Excalibur the second time,
And so strode back slow to the wounded King.

      Then spoke King Arthur, breathing heavily:
"What is it thou hast seen, or what hast heard?"

      And answer made the bold Sir Bedivere:
"I heard the water lapping on the crag,
And the long ripple washing in the reeds."

      To whom replied King Arthur, much in wrath:
"Ah, miserable and unkind, untrue,
Unknightly, traitor-hearted! Woe is me!
Authority forgets a dying king,
Laid widow'd of the power in his eye
That bow'd the will. I see thee what thou art,
For thou, the latest-left of all my knights,
In whom should meet the offices of all,
Thou wouldst betray me for the precious hilt;
Either from lust of gold, or like a girl
Valuing the giddy pleasure of the eyes.
Yet, for a man may fail in duty twice,
And the third time may prosper, get thee hence:
But, if thou spare to fling Excalibur,
I will arise and slay thee with my hands."

      Then quickly rose Sir Bedivere, and ran,
And, leaping down the ridges lightly, plunged
Among the bulrush-beds, and clutch'd the sword,
And strongly wheel'd and threw it. The great brand
Made lightnings in the splendour of the moon,
And flashing round and round, and whirl'd in an arch,
Shot like a streamer of the northern morn,
Seen where the moving isles of winter shock
By night, with noises of the northern sea.
So flash'd and fell the brand Excalibur:
But ere he dipt the surface, rose an arm
Clothed in white samite, mystic, wonderful,
And caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere.
And lightly went the other to the King.

      Then spoke King Arthur, drawing thicker breath:
"Now see I by thine eyes that this is done.
Speak out: what is it thou hast heard, or seen?"

      And answer made the bold Sir Bedivere:
"Sir King, I closed mine eyelids, lest the gems
Should blind my purpose, for I never saw,
Nor shall see, here or elsewhere, till I die,
Not tho' I live three lives of mortal men,
So great a miracle as yonder hilt.
Then with both hands I flung him, wheeling him;
But when I look'd again, behold an arm,
Clothed in white samite, mystic, wonderful,
That caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere."

      And answer made King Arthur, breathing hard:
"My end draws nigh; 't is time that I were gone.
Make broad thy shoulders to receive my weight,
And bear me to the margin; yet I fear
My wound hath taken cold, and I shall die."

      So saying, from the pavement he half rose,
Slowly, with pain, reclining on his arm,
And looking wistfully with wide blue eyes
As in a picture. Him Sir Bedivere
Remorsefully regarded thro' his tears,
And would have spoken, but he found not words,
Then took with care, and kneeling on one knee,
O'er both his shoulders drew the languid hands,
And rising bore him thro' the place of tombs.

      But, as he walk'd, King Arthur panted hard,
Like one that feels a nightmare on his bed
When all the house is mute. So sigh'd the King
Muttering and murmuring at his ear, "Quick, quick!
I fear it is too late, and I shall die."
But the other swiftly strode from ridge to ridge,
Clothed with his breath, and looking, as he walk'd
Larger than human on the frozen hills.
He heard the deep behind him, and a cry
Before. His own thought drove him like a goad.
Dry clash'd his harness in the icy caves
And barren chasms, and all to left and right
The bare black cliff clang'd round him, as he based
His feet on juts of slippery crag that rang
Sharp-smitten with the dint of armed heels--
And on a sudden, lo! the level lake,
And the long glories of the winter moon.

      Then saw they how there hove a dusky barge
Dark as a funeral scarf from stem to stern,
Beneath them; and descending they were ware
That all the decks were dense with stately forms
Black-stoled, black-hooded, like a dream--by these
Three Queens with crowns of gold--and from them rose
A cry that shiver'd to the tingling stars,
And, as it were one voice, an agony
Of lamentation, like a wind, that shrills
All night in a waste land, where no one comes,
Or hath come, since the making of the world.

      Then murmur'd Arthur, "Place me in the barge,"
And to the barge they came. There those three Queens
Put forth their hands, and took the King, and wept.
But she that rose the tallest of them all
And fairest, laid his head upon her lap,
And loosed the shatter'd casque, and chafed his hands,
And call'd him by his name, complaining loud
And dropping bitter tears against his brow
Striped with dark blood: for all his face was white
And colourless, and like the wither'd moon
Smote by the fresh beam of the springing east;
And all his greaves and cuisses dash'd with drops
Of onset; and the light and lustrous curls--
That made his forehead like a rising sun
High from the dais-throne--were parch'd with dust;
Or, clotted into points and hanging loose,
Mix'd with the knightly growth that fringed his lips.
So like a shatter'd column lay the King;
Not like that Arthur who, with lance in rest,
From spur to plume a star of tournament,
Shot thro' the lists at Camelot, and charged
Before the eyes of ladies and of kings.

      Then loudly cried the bold Sir Bedivere:
"Ah! my Lord Arthur, whither shall I go?
Where shall I hide my forehead and my eyes?
For now I see the true old times are dead,
When every morning brought a noble chance,
And every chance brought out a noble knight.
Such times have been not since the light that led
The holy Elders with the gift of myrrh.
But now the whole ROUND TABLE is dissolved
Which was an image of the mighty world;
And I, the last, go forth companionless,
And the days darken round me, and the years,
Among new men, strange faces, other minds."

      And slowly answer'd Arthur from the barge:
"The old order changeth, yielding place to new,
And God fulfils Himself in many ways,
Lest one good custom should corrupt the world.
Comfort thyself: what comfort is in me?
I have lived my life, and that which I have done
May He within Himself make pure! but thou,
If thou shouldst never see my face again,
Pray for my soul. More things are wrought by prayer
Than this world dreams of. Wherefore, let thy voice
Rise like a fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?
For so the whole round earth is every way
Bound by gold chains about the feet of God.
But now farewell. I am going a long way
With these thou seest--if indeed I go--
(For all my mind is clouded with a doubt)
To the island-valley of Avilion;
Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly; but it lies
Deep-meadow'd, happy, fair with orchard-lawns
And bowery hollows crown'd with summer sea,
Where I will heal me of my grievous wound."

      So said he, and the barge with oar and sail
Moved from the brink, like some full-breasted swan
That, fluting a wild carol ere her death,
Ruffles her pure cold plume, and takes the flood
With swarthy webs. Long stood Sir Bedivere
Revolving many memories, till the hull
Look'd one black dot against the verge of dawn,
And on the mere the wailing died away.
The poetry of earth is never dead:
      When all the birds are faint with the hot sun,
      And hide in cooling trees, a voice will run
From hedge to hedge about the new-mown mead;
That is the Grasshopper's—he takes the lead
      In summer luxury,—he has never done
      With his delights; for when tired out with fun
He rests at ease beneath some pleasant ****.
The poetry of earth is ceasing never:
      On a lone winter evening, when the frost
      Has wrought a silence, from the stove there shrills
The Cricket's song, in warmth increasing ever,
      And seems to one in drowsiness half lost,
      The Grasshopper's among some grassy hills.
SerZatarra Jun 2014
Have you ever felt that your life is wrong?
Like you're suppose to be somewhere else?
Like while you're mopping the floor of your lowly dishwasher job your vision blurs and the world around you convulses turning the mop into a spear swirling the sea of bubbles into blood and the far off voice of your boss mutates into the sound of your fellow warrior?
Or maybe when you walk into rain and the soft sound of the droplets on your skin turn into the rhythmic music of things against armor.
And as you look to make sit you're not going crazy the roar of an engine turns into the bellowing of dragons, horses and more.
These flashbacks transport you to another time where the world is mystic,
The pavement transmutates into dirt as the air around swirls into sudden shrills of strengthening speeches spurring you soulfully into skillful battle.
And as you speed forward leading the charge
of your battalion of skilled men a thousand large,
The flashback stops and you're in your time,
No armor on you skin..
Or lives on the line..
But your heart is still racing,
And you remember their names,
Of the boys you were leading,
On to glory and fame,
So was it a dream?
Or a memory from the past?
Or maybe it was from your life last.
Still working on this one :/
Sunako Tortyrshy Jul 2013
Lets walk alongside the path of
Shattered, Crushed and Grotesque dreams,
Where we'll dance to the
Screams and whimpers in the close distance.
Their shrills excites us
As we go on a killing rampage,
Using those humans as our personal piñatas.
Feeling no remorse as we wash our bodies
In their pathetic blood and
We begin to laugh...
This, my dear, is our
heaven.
I'm feeling slightly insane at the moment, and so I came up with this for my sadistic boyfriend. He's a sadist and I'm a *******. The perfect pair.
Adam Childs Dec 2015
I effortless pass through water
like gliding through a silky air.
And as you all sail through life
you all sparkle with the idea
of being near.
As I am ultimate wisdom that
comes in the form of joy and play.
As the decks are silent splashes of
water all over your faces.
Then suddenly you all cry,
" THE DOLPHINS ARE HEAR"
A tingly excitement every where
as though walking on a bubbly
carpet.

Everyone congregating at the
side of the boat hoping to catch
a bit of magic.
Gasps and shrills as bounce and
burst out of the water along side
your boat.
People stretching reaching as I offer
a new hope the light of GOD.
And when they return to the shore the
story of the Dolphins like church bells
ringing travels through the town.
As everyone longs for Holy spirit they
are eager to hear the story.
As they learn about the Dolphin
that came to there town they want to
know who actually touched it.

I am the spirit that visits the holy as
I love those who are full but also
empty.
I come to those brought to the edge
who stared down the cliff  
but did not jump, as they chose life.
And to those who's world said no with
all doors closed because only they can
listen.
I come to those who have lost all will because
only those let me carry them.
I come to those who are broken
as only they can be molded  
I bring you many colours and inspiration
sometimes I will make you dance and
sometimes sing.
I am the Pentacost,  holy Ghost and your
Jesus Christs holy spirit.

Sometimes when you swim softly through
sweet watery emotion you will hear us talking.
When you think all is lost
you find yourself praying
even though you think no one is there
I will be listening.
Feel like you are drowning grab my
dorsal fin and I will give you a lift
even make you laugh, make it fun
even exciting.
Lost at sea sharks prowling I will circle you
as I will even fend of death for as I can
also heal you.  

Some will pen me in keep me in a
small tank tech me a childish trick
and manipulate.
But only those bigger than pools
more like the sea will know I have
greater tricks to teach.
As only those without plan and expectation
can ever swim with me.
As I will guide you on your hearts
adventure into the free.  

We will always love and seek to guide
you as we look for you in the sea and
gather around you in the bay.
We will teach you how to channel to
have an open mind to breath spirit
through your head.
And I will teach you how to be both
the radio and the wave.
How to be father Christmas, the chimney
and the presents underneath the tree.
So if you are needing help please
look over hear we are listening.
let yourself be empty and we will guide you.

There is so much to learn from communicating
and swimming with the Gods spirit, the Dolphin.
So let us connect with God heaven and the Dolphin
And be grateful for all her LOVE.
Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,--
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so--he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.
Pierre Ray Mar 2012
Only for you! It’s true! These eccentric-poetic and theoretic views! As we breakthrough those blues, those clues, the dues and the hues. I will wait, I will wait. Awaiting, through the chills the pills, the shrills and thrills! I will wait, I will wait. Waiting through the beers, the cheers, the fears, leers, peers and tears! Awaiting through the dreary and weary...

Through the lonely and phony years... Waiting through the erratic and sporadic. The drastic, elastic and fantastic! I will wait, I will wait. As rotting bait! I will wait, I will wait. Awaiting the date the debate, the fate and the weight. Waiting to articulate and procreate! Fascinating this procrastinating! However, I will endeavor and wait,
I will wait and wait.

Horary! Awaiting I say for our hour of power. Waiting for this blissfully and wishfully day that our disgraced, misplaced ways may physically brace with embrace, grace and trace! I wait and I wait. People wonder why I blunder in ponder? You’re like the flu doesn’t that bother you? Answer, father figure I never knew? Still I will wait,
I will wait, I will wait for you…
shaqila Jul 2012
I’m a wild child
Explored much, invested much, observed too much
I have danced in the dancing wind and laid naked in the crushing waves
My arms have stretched around the world
The shenanigans of unfiltered words
The crude behavior of unschooled actions
Have driven away the hearts of the expectant
I deny not my actions
For they come from the plain origin of the wilderness
I am a wild child
Gutted by trees in the forests and soothed by dewdrops from the branches
I speak not the language of man
My voice it carries across through the jungle wild
In screams and laughters and sometimes loud shrills
Like my friends, the apes or the enemy, the dressed
I am a wild child I know
I can’t be contained – I cannot be housed
I must run as with the time that never stops
I must run now – before the traps ensnare
The cliff awaits, the river calls, I leap into the sky and dive and I am gone!!
As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live to-night, where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end. . . .

Take my arm, then, you or you or you,
And let us walk abroad on the solid air:
Look how the organist's head, in silhouette,
Leans to the lamplit music's orange square! . . .
The dim-globed lamps illumine rows of faces,
Rows of hands and arms and hungry eyes,
They have hurried down from a myriad secret places,
From windy chambers next to the skies. . . .
The music comes upon us. . . it shakes the darkness,
It shakes the darkness in our minds. . . .
And brilliant figures suddenly fill the darkness,
Down the white shaft of light they run through darkness,
And in our hearts a dazzling dream unwinds . . .

Take my hand, then, walk with me
By the slow soundless crashings of a sea
Down miles on miles of glistening mirrorlike sand,--
Take my hand
And walk with me once more by crumbling walls;
Up mouldering stairs where grey-stemmed ivy clings,
To hear forgotten bells, as evening falls,
Rippling above us invisibly their slowly widening rings. . . .
Did you once love me?  Did you bear a name?
Did you once stand before me without shame? . . .
Take my hand: your face is one I know,
I loved you, long ago:
You are like music, long forgotten, suddenly come to mind;
You are like spring returned through snow.
Once, I know, I walked with you in starlight,
And many nights I slept and dreamed of you;
Come, let us climb once more these stairs of starlight,
This midnight stream of cloud-flung blue! . . .
Music murmurs beneath us like a sea,
And faints to a ghostly whisper . . . Come with me.

Are you still doubtful of me--hesitant still,
Fearful, perhaps, that I may yet remember
What you would gladly, if you could, forget?
You were unfaithful once, you met your lover;
Still in your heart you bear that red-eyed ember;
And I was silent,--you remember my silence yet . . .
You knew, as well as I, I could not **** him,
Nor touch him with hot hands, nor yet with hate.
No, and it was not you I saw with anger.
Instead, I rose and beat at steel-walled fate,
Cried till I lay exhausted, sick, unfriended,
That life, so seeming sure, and love, so certain,
Should loose such tricks, be so abruptly ended,
Ring down so suddenly an unlooked-for curtain.

How could I find it in my heart to hurt you,
You, whom this love could hurt much more than I?
No, you were pitiful, and I gave you pity;
And only hated you when I saw you cry.
We were two dupes; if I could give forgiveness,--
Had I the right,--I should forgive you now . . .
We were two dupes . . . Come, let us walk in starlight,
And feed our griefs: we do not break, but bow.

Take my hand, then, come with me
By the white shadowy crashings of a sea . . .
Look how the long volutes of foam unfold
To spread their mottled shimmer along the sand! . . .
Take my hand,
Do not remember how these depths are cold,
Nor how, when you are dead,
Green leagues of sea will glimmer above your head.
You lean your face upon your hands and cry,
The blown sand whispers about your feet,
Terrible seems it now to die,--
Terrible now, with life so incomplete,
To turn away from the balconies and the music,
The sunlit afternoons,
To hear behind you there a far-off laughter
Lost in a stirring of sand among dry dunes . . .
Die not sadly, you whom life has beaten!
Lift your face up, laughing, die like a queen!
Take cold flowers of foam in your warm white fingers!
Death's but a change of sky from blue to green . . .

As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow . . . the music breathes upon us,
The rayed white shaft plays over our heads like magic,
And to and fro we move and lean and change . . .
You, in a world grown strange,
Laugh at a darkness, clench your hands despairing,
Smash your glass on a floor, no longer caring,
Sink suddenly down and cry . . .
You hear the applause that greets your latest rival,
You are forgotten: your rival--who knows?--is I . . .
I laugh in the warm bright light of answering laughter,
I am inspired and young . . . and though I see
You sitting alone there, dark, with shut eyes crying,
I bask in the light, and in your hate of me . . .
Failure . . . well, the time comes soon or later . . .
The night must come . . . and I'll be one who clings,
Desperately, to hold the applause, one instant,--
To keep some youngster waiting in the wings.

The music changes tone . . . a room is darkened,
Someone is moving . . . the crack of white light widens,
And all is dark again; till suddenly falls
A wandering disk of light on floor and walls,
Winks out, returns again, climbs and descends,
Gleams on a clock, a glass, shrinks back to darkness;
And then at last, in the chaos of that place,
Dazzles like frozen fire on your clear face.
Well, I have found you.  We have met at last.
Now you shall not escape me: in your eyes
I see the horrible huddlings of your past,--
All you remember blackens, utters cries,
Reaches far hands and faint.  I hold the light
Close to your cheek, watch the pained pupils shrink,--
Watch the vile ghosts of all you vilely think . . .
Now all the hatreds of my life have met
To hold high carnival . . . we do not speak,
My fingers find the well-loved throat they seek,
And press, and fling you down . . . and then forget.

Who plays for me?  What sudden drums keep time
To the ecstatic rhythm of my crime?
What flute shrills out as moonlight strikes the floor? . .
What violin so faintly cries
Seeing how strangely in the moon he lies? . . .
The room grows dark once more,
The crack of white light narrows around the door,
And all is silent, except a slow complaining
Of flutes and violins, like music waning.

Take my hand, then, walk with me
By the slow soundless crashings of a sea . . .
Look, how white these shells are, on this sand!
Take my hand,
And watch the waves run inward from the sky
Line upon foaming line to plunge and die.
The music that bound our lives is lost behind us,
Paltry it seems . . . here in this wind-swung place
Motionless under the sky's vast vault of azure
We stand in a terror of beauty, face to face.
The dry grass creaks in the wind, the blown sand whispers,

The soft sand seethes on the dunes, the clear grains glisten,
Once they were rock . . . a chaos of golden boulders . . .
Now they are blown by the wind . . . we stand and listen
To the sliding of grain upon timeless grain
And feel our lives go past like a whisper of pain.
Have I not seen you, have we not met before
Here on this sun-and-sea-wrecked shore?
You shade your sea-gray eyes with a sunlit hand
And peer at me . . . far sea-gulls, in your eyes,
Flash in the sun, go down . . . I hear slow sand,
And shrink to nothing beneath blue brilliant skies . . .

     *     *     *     *     *

The music ends.  The screen grows dark.  We hurry
To go our devious secret ways, forgetting
Those many lives . . .  We loved, we laughed, we killed,
We danced in fire, we drowned in a whirl of sea-waves.
The flutes are stilled, and a thousand dreams are stilled.

Whose body have I found beside dark waters,
The cold white body, garlanded with sea-****?
Staring with wide eyes at the sky?
I bent my head above it, and cried in silence.
Only the things I dreamed of heard my cry.

Once I loved, and she I loved was darkened.
Again I loved, and love itself was darkened.
Vainly we follow the circle of shadowy days.
The screen at last grows dark, the flutes are silent.
The doors of night are closed.  We go our ways.
A man built a
stone wall in
a place which
was not his to                              
reside. It was
torn down ‘til
he killed the
other person,

  Therefore a council, the ‘Council of the Commons,’ was called to order. It was from this foundation that early man found truth in matters through debate. It was a way of reckoning with problems and resolving disputes and contained three members; a king, a judge and their god -who came before the shrill cries and lamentations that day to hear the case of the stonemason. It was gathered at the temple of the god.

Lugal; “In what is good and what is just, I imagine a verdict that treats the people as wholesome; is just.”

Dekōōd; “For you believe, as all rulers do, that justice leaves are but for the few, the man who acts can never do, a thing unjust for his reward is due, but in this you err, unlike in battle, for people humanely; cannot be treated as cattle.”

Dinĝir; “And what of me? What my concern? What offering more, than blood-on-earth; in turn?”

Lugal; “We are not here in glory nor in battle but save for the prayers of these people; our chattel.”

Dekōōd; “I am not here for you, nor here for thus, nor daimones due, I am the judge, and adjudicate, I must! No matter solemn, or ill or gravely hearted, to sufferers who mourn, a dearly departed. If laws were broken, so have I been called, as one of three who judges, judges all, and so be it, until a time, that such a thing as rule, has ceased to rhyme, and man has ended, for all time!”

Dinĝir; “Very well, very well indeed, their incense is pleasing, their temple cleaned, their prayers heard, devices expected and meat and porridge and genuflective, these subjects are a thrill to me, go forward council, you two of three. I shall not make my move as much, until you humans, consider such, but once you pass a judgment on, this humble man of stone and brawn, just say the verdict and I will act, as Dekōōd has judged him, for his attack.”

Lugal; “Quiet now! Hush all, be quiet, lest I consider, your shrills, a riot, and put you down, for I decree, over all that you know, and all that you see, a final arbiter, of the law, I am your King; the king of all!”

Dekōōd; “And I your judge, your voice of reason, who discerns the meanings, the acts and treasons and takes the place of him that died and points thy finger and convicts those that lied!”

Dinĝir; “Mmmpfh, crunch, gargle, ummped, mmmpfh…pig! …and it’s roasted well…mmmpfh, smack.”

Dekōōd; “Come before me, bring that stonemason, and the family come forward, come quickly, quickly hasten, and the accusers tell, your tale of woe, and I’ll assign his character, if it is low.”


“I am wife, was wife to he, the man a farmer, and husband to me,
These here, his children, all eight of thee, and that land there, was given to us, you see,


By that great king, Oh Lugal, it is I, and he was a lieutenant, in the wars of honor, on your side,

Which beget you your kingdom, thus you granted these lands to him, whom did, his duty,

And that monster, the mason, his wall upon them doth rent away, -their beauty,

After our reproach, he did slay my hus-band, his blood now spilt, and washed upon, our land.”

Dekōōd; “Come before me now stonemason, show me your face, over there, yes, that’s your place, stand at that podium and tell us now, give us your case, but remember how well you plead, shall determine, your fates."

“I may have built my wall as such, plans offset by hills that roll but I did nothing wrong except to error,

I did not commit this claimed terror, her husband attacked me before we could reason and that was it.”

Dekōōd; “You call that eloquence? Well then, eye for an eye, tear this man apart, until he has died, and as he lie dying, Diĝir, it’s your turn, devour your portion, for the rest, we shall burn!”

Lugal; “For I am Basileos!”
Dekōōd; “For I am Basilicas!”
Dinĝir; “For I am Basiliskus!”

“The king, a judge, your god; the three,

…and this, as such, is our, decree!”
Sumerian; Lugal means King, Dekood means Judge, Digir means God.
Lamb Jul 2015
So I am a mutt
And this is my poem about having split identities
And not knowing who the **** I am
I am Chinese and Irish
Got them green eyes, but eat rice with every dish
Have the freckles, but my first language wasn't English

Back in high school, people called me white washed
But then,
Pointed and called me that Asian
People would sneer, "You aren't even real Chinese"
But there are so many things you all don't see
Like how my Tiger mom screams at home
About getting straight As
Till her shrills leave me frozen to the bone
And when I had a boyfriend she didn't approve of
She yanked my hair
And I cried it wasn't fair
She yelled, "oh I'll give the boys something to stare"
I watched as she cut all of it off
Strand by strand
Like a strong gust of wind blowing all the leaves off the branches till it was bare in winter
The following day at school, my excuse was I needed a new look, so this was her
And meals I don't even know how to translate into English are my comfort food
But I can down some fries and burgers when I'm with the dudes

I embrace both sides of what I am
But people categorize me into one, *******
With my Chinese family
They straight up tell you
You too skinny, too fat, so silly
They say my accent has gotten worse
The anger builds up of embarrassment and hurt
The race makes my face so red, it's like my head will soon burst
There's this underlying feeling of shame, that's the worst
Which side of me do I need to prioritize first?
I'm drowning between the ocean of two separate cultures, I'm submersed
English is the language I think in and I curse
There's so much more I can't even tell you within this verse

Oh the irony doesn't end there
My driving stereotypes are quite the scare
Cause I'm Chinese, automatically I **** at driving
But mixed with Irish, I'm also road raging
It's probably the worst combination
Of a stereotype from two different nations
Ha oh there's more
The drinking stereotype that's for sure
Irish side could down the whiskey much too quickly
But the Chinese typically are easily tipsy
This mix is kind of risky
One turns so incredibly red
And the other can get so drunk, you'd see two heads

I feel I am constantly at war
One side always wanting more
Philipp K J Dec 2018
The hot boiled rice
With brown gram curry
The nutty smell of sesame
Oil shrills in hurry
Deployed on a thrice
larger rounder plate
For a boy's belly deplete.
"Can't eat this much rice!"
He shouts with a surprise.

“You can do my son sure.",
Her firm voice enssures
The boys look measures.
"The remainder you keep aside"
Her remand saves  his pride.

A monthly forty rupees
Should not be pretty reason
For a lodger's liberty to please
Among two of her teen sons
Than a welling spring of kindness
A heart huge in roundness
Larger than a stainless steel plate
With a profuse heap of hot rice
The smooth boiled brown pies
Oiled with fragrance fleet.

For how he fully did feat it?
How she purely predict it?
The stomach of a young one could hold
The heap of love on a stainless steel mold.
Sean Fitzpatrick May 2014
Wise men in their bad hours have envied
The little people making merry like grasshoppers
In spots of sunlight, hardly thinking
Backward but never forward, and if they somehow
Take hold upon the future they do it
Half asleep, with the tools of generation
Foolishly reduplicating
Folly in thirty-year periods; the eat and laugh too,
Groan against labors, wars and partings,
Dance, talk, dress and undress; wise men have pretended
The summer insects enviable;
One must indulge the wise in moments of mockery.
Strength and desire possess the future,
The breed of the grasshopper shrills, "What does the future
Matter, we shall be dead?" Ah, grasshoppers,
Death's a fierce meadowlark: but to die having made
Something more equal to the centuries
Than muscle and bone, is mostly to shed weakness.
The mountains are dead stone, the people
Admire or hate their stature, their insolent quietness,
The mountains are not softened nor troubled
And a few dead men's thoughts have the same temper.
By Robinson Jeffers, not by me :)
The man seems heavy: http://en.wikipedia.org/wiki/Robinson_Jeffers
Tom Sutton Oct 2012
I am a gorilla,
I am an ape.
And I’m trying to escape
This Golden Cage of youthful age,
I grace myself with the withering ineptitude
Of a penguin in commons.
I have the ambition of a pumpkin at Halloween,
That wants nothing more, than to be lit from the inside.
But my fiery breath is nothing more than whiskey
And cigarettes,
A lose regret of swollen knuckles,
Reminiscent of the iron age, I’m blowing off steam.
But it’s only condensed water on the inside of these windows.
Where the lights are off and there’s no one home.
Steve left me on the edge of moon rock,
A town that missed the stars of the night when they looked to sun,
So I sit playing ****,
Puffed out like a swan but,
I’m all neck.

I wear a leek with pride and Yes,
I am a dragon on match days,
With claws and shrills, and right I’m sky high,
Cutting through your fluffy clouds, soft and weak.
Copper clad in pennyworth jeans I never chose.
Flaws that will be the floor for me,
Because in my town we never heard of stepladders,
We reach for the sky by climbing hills on tip toes.
Mountains we made with mole hills
My mother wont let go.
With **** so deep even spuds wont grow.
Apologies like auburgines, may be good for you
But I don’t like the taste.
So I’ll continue to squash the marrow between my knuckles,
But you can go gaga if you want to,
Because, I was born this way.
Great pun.
Lucy Tonic Nov 2011
They gave you all these crazy pills
So when you look on window sills
You will see a daffodil
And want nothing but to sit still
While the warden gets a thrill
From all the monkeys' howls and shrills
Knowing that in time the will
Will succumb to pleasant ills
After all it pays the bills
And you can't line em' up to ****
Might as well get your fill
Entertainment with the frills
Meanwhile a man with brain of quills
Is breathing like a fish with gills
And looking up, out to the hills
Where he sees young Jack and Jill
Dancing 'neath an old windmill
Or maybe it was all just nil
Guess we'll never know until --
It was a wildly windy evening
The trees were articulating the conditions
With rhythmic sways
And crispy rustling
To the chorus of native wind chimes
And the trills of resident song birds

It was only mildly chilly this evening
Light wind jackets and caps were in fashion
The sky was a smooth glow
Of delicious blood orange hues
Punctuated by the first triumphant flight of a little girl’s kite
And the shrills of such a monumental moment
mEb Jun 2011
When it is calm here
water stained wall paper welters into iris fields
it is a loud clamor following;

bare remnant foot-stones through greenhouse gardens
over lily-pads with tongues patched by chrome specks
beautiful darkness only glowing here and there;
by dim blue candle flames
just to spy these tips of creation;
to gaze all would ruin it's form
like the ash encased ancestors of Pompeii
This is where where alarum is short lived
stammered shrills absorbed by calm
feeding off sound
the thirst for us noisy gloats
Nico Julleza Nov 2017
In all ado
ten months in misery
It wasn't me
nor was even you
shrills at the back
of my aging doors
I mind my business
As you—
you only mind yours

Red laces tied to leave
forget twas before
Nothing—
nothing was concealed,
we leered in uncertainty
As we're losing—
losing our vast imageries
our bond was never—
just never denote to be

Cease by now
of these tortured schemes
lashing out and say
"wish it was all a dream"
departing to nowhere
as each wing soars
and all of we— all of we
used to be lovers before
and all of we— all of we
used to be lovers before
#Love #End #Cease #The #Misery #Bond

Poems for a Cold November

(NCJ)POETRYProductions. ©2017
alasia Nov 2016
He is screaming with frustration,
throwing objects like fits,
trying to contain his shrills but they
break through in shrieks
so I hold him.
He grumbles and growls wanting me
to leave. I just rub his back.
Slow circles; with my other arm
wrapped around him
like he is still a child.
I remind him to breathe
and tell him to try again tomorrow
and he huffs
but I can feel him releasing his anger
relaxing.
The tension in his body dissipating
until he is ready for me to
let go.
He picks up broken pieces
from the floor
tries to put them back together
the best he can  
I leave him to do this.
He never questioned my fear of the dark
when I would sneak away at night,
he eagerly awaited to hear my stories
and would hug me
no matter how hard I pushed him
away.
This is a love that can withstand
fights for the mirror
battles over school.
He is ever changing,
becoming someone new everyday
but when I hold him
he is still five
and braver than I.
He is stronger and kinder.
When I was his age
he could not understand
why I would cry in the other room
and bite at the ankles of anyone
who dared to step too close.
But I understand him.
The anger that lingers beneath skin
always ready to consume
and dominate.
This household is like
a pack of matches  
once he ignites he is forgotten
because we all burn up and out
without listening to his pain.
I remember that feeling,
it never fully goes away.
It is not something we speak of
but something we feel
and when he needs me to hold him
I will never be too far.
He has my ears,
my arms,
and always
my heart.
Even if he ends up being a thousand feet tall I'll just hug his legs.
mEb Jun 2010
In a quasimodo feat of not only myself but my inner sanctums. I’m in a shelter. A secluded shelter far from mankind. The bells rich **** spreads across a cold Philidelphia. I hide from the tourniquets of our kingdom. Hordes of documented secrets filibustering the excutivies of a blood famished nation. Where could a turning point conspire? Not here. Not there. No where vast of what only we know. How many times have you performed German heischen styles upon what has happened? Dialect informative, all lauguages and ethinicities could tell you. Corruption. Progestational hormones of all man and woman get the gist of secrecy, but why inquire it onworth still. Atomic bombs whiping out ten times the population of our fragile pathetic planet.

An ice rendered telescope at zero gravity with the script filled micro chips of new findings amongst our universe. This was an immediate spawn of hope towards who we are. At least for the sake of another life form, they would configure an easier derogatory and denigrating outlook of a human lifestyle. Maybe they could relate, maybe they would have emmerged in trade as our ancestors of the past 1,000 years and before had. With us, it would have been magnificent for the future to come. This era though, the only significance we know collides with a destruction of a super-catastrophic function that has been reformed thus grouwan. Grouwan, the origin of grow, growing or to increase in size, building up just as the magmata composes its liquid matter within the Earth’s crust into lava. Igneous rocks now form. Reaching the Alps. Frozen, a complete opposite of what they were once spawned from.

Still intact, an ice rendered telescope photographing galaxies not seen by a naked eye. They called it, “The Orbiting Gaurdian”, while we remained demonic and caught in ignorant reality conflicts. In small groups spread across the lands, combined as one, we are still undeniably small. I built this shelter with my own two hands knowing what would come, I wanted to overcome. Philidelpia was still so cold, very odd, quite eerie for a patriot New England city. Rot, Weib, und Blau. Rodt, Hvitt, og blatt. Shiro aka to ao. From Germany, to Norway, to the super advanced technologic Japan, they all recognize red, white, and blue. Maybe we are a leading nation, but who honestly gives a ****. All nation’s combined, worlds away, a lone planet of democracy. Darkness. The abcense of light above me, directly. No two-dimensional representation of an outline of any body form. No cutout or configurational drawing with a sun glimmering backrounded setting. We are inkligs with no hint of suggestion in the sea of blackness above. If you could have gone so far back in time though, you would have found a blackned quality on the most transparent and pellucid of days.

I race through my brain waves wondering if this concealment was completely ignorant. Was it full of extreme folly? Asininity? Ineptitude? I pondered the synonyms of stupidity. I was ravished to wonder if my last thoughts would be a mind race of the lacking self-esteem I hold. Sudden deaf struck. I no longer heard shrills of humanity above. I was deprived of my sense of hearing. Intimidated to look upward, I could not manage being deprived of sight as well.

What were those dangling seconds that I could not hear?

Were they little fragments of time that I could not notice near?

They stabbed at the back of my skull to leave this sheltered hole.

I find humor in how my poetry is merely past time entries that mean nothing. They once had been published, but now at the least, they did not mean a thing. I wish them to burn long and hard, fighting. Hardback covers and dusty library shelves vanishing in this dark mess of a world.

Pain, sharp municiple pain casted into my skin. Into my lungs, my contaminated, sickened lungs that had ciggarettes by the thousands over the years. I had started as a child. A stubborn twelve year old child wanting to experience any drug my hands could get a hold of. I did too, I don’t regret it, and I dont feel remorse from my actions and those many high nights when I could not walk or stand. I felt weary, weak, helpless and finished. My eyes, my mind, my pulse, my body, my so called soul, asleep or dead?
Martin Narrod Mar 2016
The saddest day, it was yesterday.
Smoky sullen pushy congested lightless sky day.
Wrecked and weathered, gluey, obtuse and penned with
Melancholy and wanton desire. Wanting on and selling off

The Vampires and wretched thieves hibernating back in coach,
Seated in peacock-scoundrel dress. There's was the rudimentary
Yet pertinent foulness of childlike hatred, but they wore it under
Coarsely fitting suits to cover their hefty bags of ginormous fat.

Fatty ***** to scrutinize. Fatty ***** to wallow in the throes of
Dark fatty dementia.
Purses of alabaster filled with hemoglobin. Obfuscating zilch.
Scurvy on the arms, reptiles in their ears, and a million miles of
Stenchy, noisome, in glut. Wallowing, heavy and anti-professional.

Loff-less, un-catchy, unkempt, and in a clamor.
Boarish and obtrusive.
Gushy of anguish and the uncomfortable hide of rhino
Replaced for the swill excrement vetted porcine hocks of a
Kaleidoscope rich, aftermarket slug-pact for the bowels of
This century's egoes. Heavy on the cheeses, Cheetos, and Pathos.

In the hutch, a gaily brimming sunswept valley chimes
With the fruitful gaiety around the crowned Pantone TX1333 and Sienna heads that does keep. Homes are heavier, heaving the shrills.
Archaic muted cries of childhood, upsetted tummies serving at the Sighs of Lucifer. There are scoundrels here and in the underwear and in The water and under the water.

Frogs moo, chimney's weep, most other's Mother's have done true **** Jobs keeping their reared up to par with the others to avoid being Other'd. And our own language isn't being kept. It's undoing itself atop The bridges of mouths and the ridges of jawlines, and they have faded Swiftly, and no surrogate or custodial colloquialism has lived up to the Shadows and forethought of our greatest grandparents. And what has Your Jesus brought you except uncertainty, foul-play, and foul players And despondent and boarish chicas.

So now there you have this: brevity.
Another soft-tipped dactylic hand for undertaking.
By the end of days there will be the licking of butts,
Poor movies with Salma Hayek, and the lot of children's books
No children, not even these triplets will remember their fine names:

Tee, Bee, and Cee.
Crocus and sourdough lilies
Brimming over the nostril opera's of
These adopted gospels.
Only the ramparts of our literary apartheid and totally ******
Sexualness in kids and dults of all ages.
Grade A slovenly scholars
In agreement that we're ******* over tomorrow.
Robert Zanfad Sep 2010
Air fills with sharp shrills of jays,
the sounds
gratuitous warning
for feet adapted
to ground-
better directed
at a stray cat
that will dare limbs
in hope of his prize

dreamer's ears once heard
melodies of Verdi arias
through leaves,
their sweetness seeping
as from blue overhead
and imagination lured
to seek beauty in them

learning from too often falling,
wishes earning scars
that made skin numb and hard,
morning's music found muffled
by deaf cowardice,
its promise of safety
worn on gray,
dusty shoes
Pallavi Goswami Jun 2016
Let me make your life easy
Now that you making so many efforts
To end mine
Guns, Pistols, Bombs and your own body
So considerate , so kind.

So let me help,
Let me whet my trepidation
Lacerate my flesh, from inside
Let me batter my silly quivering, numb
Let me assure them ,they will be insensate
It is only a matter of time.

Meanwhile,
Tell me how would you like it?
Mere flesh soaked in ****** quagmire
Silent in death , heeding to you instruction manual
Or
Crisp shrills rising in cacophonous notes
Reciting curses in quandaries, jabbing your fiend inside
Or
should i use my imaginations
On 'how to ruin my own life?'

So behold and hold
My veins from the end
And haul towards your side,
Twist to cause added agony
Or may be crush my lungs
To hasten me out of my life

See my insipid blood splatter
As it draws tattoos of attainment on you
Hear it gurgle
As you guzzle it out of my body, as if some wine
Nevertheless,
It won't evoke any poignant feeling
Even if you realize in the end
You and i are same kind.

So drown me deep, so deep in the pool which is red
Sorry again,if you were expecting blue,yellow,green or may be white
Descend me twice the force
If i brawl or condemn against your peace of mind
Hear the music of my diminishing gasps till the end
And move on , tattooed and vindicated.

-Pallavi Goswami
Few months back , it was Brussels, then Orlando , Now Turkey !
and so much more we don't know , we know , we forget , move on.
Sadly , i have no idea when will this end , if at all it does .
‪#‎sinkmankindsink‬ sooner!
sa sha Dec 2012
if i wrote about winter
on the back of a starbucks menu
with coffee stains and coffee smells,
would you feel the snowflakes
miniature yet icy
bite your reddened cheeks and outstretched tongue?

if i sung about early-morning autumns
in the steamy hot shower
echoing in the long empty hallways
would you see the grey mist that cloaks the streets
wispy threads of fall-season cloud
and the yellowing of the leaves?

if i carved against a smooth surface
about lazy summer blue skies
and the warmth of the sun
would you hear the intense crash of
each wave against the rocks
and the excited shrills and laughs and chattering
at the beach?

if i painted on a blank canvas,
patiently waiting for the picture to conjure,
about chilly spring breezes
and the foggy spring rain
murmuring of what's to come
would you smell the fragrant
dainty flowers that grow by abandoned houses
or from dew-strewn grasses on the park
or the post-rain forest earth?
mEb Oct 2010
Within white stagnant walls kinship reeps phyletics
Lavished in immoral conducts; distributing demon fits.
I envisioned hell before me when sick pricked.
My shrills were short lived; as my ambuscade died down.
Escapading not, I did muster inducement.
Decoy to fail, could I never entice this asylum town.  
Decifer the mutters I did; creating chaos while dim.
Told in realm; increased heartrate overwhelms;



"You're a sick little ***** with the dunce smoothered cap oversized."
"Have you ov procelitized, I would be seven lighted voices and notith six dark cackles"
"I spit on you in shackles, spy the roaches and the grime"
"Crawl for Roman Nero, he wanes"
"Guttering your vessels into wine, you are now his drooping mane"
  



I saw the heads of six, as roaches looked upon me taking turns to spit.
My time here arose as a feeding black hole.
I crawled for Nero and six more; I stuttered trying treason.
Here I lie pathetic; with rays of decoy,
Dreaming the nightmare most feared; most do not believe in.
Hallucinating alone within the stale walls; I felt prone to end all.


Once gathered what had struck; I knew perspectives aren't always as they seem.
Merely and only; one severe demented dream.
Shall I not turn the tables on authority once more.
To ambuscade the power; leaves needle incisions sore
Not only pain by fluid; both realities changed illucid.
I did what I must've to be discharged;
I did what I must've in best regards.
Who art thou, who art thou, oh-who art thou?
With eyes as shiny and like seas blue,
and glittering smiles so deep and true.
Thy voice as flawless as the walls,
but sleek and charming as rainfalls.
With skin as bright and slender pearls,
and lips as sensuous as mortal worlds.
And with thy golden hair thou art pure and white
as thou lay t'ere tranquilly by my side.
Ah, touch and rub my hand against thine,
but all th' way keep me still in thy mind.
Wake my soul and heal its coldness,
but fill it with more loving tenderness!
Just like th' youthful soul of an old painting,
and th' playful pages of some crusted writing.
Or like th' old door and its generous windowsill,
capture my heart and send all my spines to shrills.
And stare just like t'at into my eyes,
with gazes so clear, sweet and wise.
But never ever hesitate my love,
just like gladness nurses and shelters its laughter,
and how springs yearn to taste long summers.
Ah, thy white skin so made of eternal shades
a symbol of youth t'at just never fades.
How canst, how canst thou be so comely?
And with thy grace thou art but too lovely
For my Eastern being to bear,
and my curious soul to share.
O thee, my Western, Western prince!
Make me all brave; lure and tease me
'Till I canst no more resist thee.
How could thou but slip and enthrall my songs-
whenst all whose tones hath just gone wrong!
Andst how could thou write my poem-
with its my coquettish, and girlish rhyme;
as if having in thy hand, endless wits and time!
Ah, I hopeth thou shalt always be with me,
and wert but born and sewn for me-
o, and always just for me, selfishly.
And at one bare noon lifts my love,
into thy hands and thy merry soul
becoming thy dream princess sole.
J Mar 2016
Your insides are crawling
Singing hymns of horror stories
Shrills of purgatory

Ghastly visions of the darkest memories that haunt your mind;

Her slender fingers
And chestnut eyes

The emptiness of her lungs and fullness of her palms

Mounted on the curtains of your eyelids
Raquel Cheri Nov 2013
delicate aggression
tender abrasion
your words caress
like a soft knife
your lips warm
and smooth like ice
eyes dilate; enchanted
and we all fall down

red roses and blue jays
ringing, singing in my ears
violent shrills in a foreign tongue
swept tile after ashes of fun
the friction of bare skin burns the rug
brows furrow, the battles won
still, you wish it could all
be undone
Poetic T Apr 2017
When the sun slumbered beyond the falling
horizon, a deranged mentor of those it wondered
over below. False expressions were given in tribute
to that which watched with acidic smiles of their  
persecution beneath its gaze.

In its fading they were collected in truest outline.
Negatives of perceived imaginings, pigmentation
descended from form like coloured petals
turning to dust. They were the abattoirs of this
now discoloured imaginings.

Sweetened voices of lullabies were replaced by
disorientated shrills, that reverberated within
the halls, they lumbered in there contorted abodes.
Nesting into corners of despair that blossomed on
them with hues of isolation.

Feasting on warm carcasses, weeping with
trepidation at this momentary freedom they felt.
There home of tattered souls that were cleaved
from prey, no peace in death. They hang at
the windows clinging to lost hope.

Time was a nine tailed mistress that whipped them
into the binding once more. For the arising was upon
them, they were lacerated within colour once more.
All that was flaked away and became as it was.
Smiles on there faces paying tribute to that above.
Katlyn Orthman Feb 2014
Clink Clash
The metallic clang of swords colliding
echoes throughout the rolling hills
My brothers lay strewn
across the crimson stained grass

Clink Clash
My chest heaves
as I cut down every man in my path
A Raven soars up above in the skies
watching over my fallen brothers
and taking their souls to the next side

The sun beats down hard
on my bare shoulders
Metal against my flesh
I feel the heat searing into my skin

Fight!*
They yell
To the Death!
They cry

Without a regard or regret
I carry my sword into the enemies heart
With hope that the angels
will greet me in my death

The Raven above swoops low
and shrills out a cry
a sound that resonates
over the hills

And I feel the cold metal
cut through my fragile flesh barrier
and pierce my heart

To my knees
I drop
with my head raised to the sky
I cry out

Just remember us
I whisper softly

— The End —