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"irons" poems
like cellophane wraps hard candy like ink loves to dry like hot sauce drenches noodles like sunrise casts shadows like band-aids sooth cut flesh like irons crease linens like origami folds paper like water floats boats like a tempest loves a teapot like syrup and bananas drench waffles like spoons love soup like cats love fish like french fries love ketchup like wild girls dance like a crow loves road **** like eyes love beauty like a circle loves a square like buttered buns fit a bikini like a kissed mouth hungers for wet lips like moths love a flame like dogs love ******** and like ******* hug butts like howling ******* pulse hearts like vampires love blood and castles like dark grapes ferment in bubbling cauldrons like madness loves a straight jacket like a ***** loves a **** and music gets you dancing like suns fall through cobalt night all smashing diamonds    that's how i love you
0
Jul 19, 2018
Jul 19, 2018 at 2:53 PM UTC
How I Love You
"This girlchild was born as usual and presented dolls that did ****** and miniature GE stoves and irons and wee lipsticks the color of cherry candy. Then in the magic of puberty, a classmate said: You have a great big nose and fat legs. She was healthy, tested intelligent, possessed strong arms and back, abundant ****** drive and manual dexterity. She went to and fro apologizing. Everyone saw a fat nose on thick legs. She was advised to play coy, exhorted to come on hearty, exercise, diet, smile and wheedle. Her good nature wore out like a fan belt. So she cut off her nose and her legs and offered them up. In the casket displayed on satin she lay with the undertaker's cosmetics painted on, a turned-up putty nose, dressed in a pink and white nightie. Doesn't she look pretty? everyone said. Consummation at last. To every woman a happy ending." -Marge Piercy
0
Sep 23, 2016
Sep 23, 2016 at 10:08 AM UTC
Barbie Doll
Handcuffed to a post, body chained to death. Rusted irons pulling his spirit towards Hell. Shackled souls who cry in hope. His name in blood on white-washed walls.
0
Sep 1, 2013
Sep 1, 2013 at 6:37 AM UTC
Control
and        just like that I am falling unfolding in your eyes layers of shadows unraveling in polar-laced               spirals of hunger deep freeze melting upon tongue an icy build-up thawed in seconds for my very cells burn           beneath your gaze as you take in the fullness                  of my presence      despite the smoky, glass-paned haze My presence-      suffused with           the darkness of silk-           I want it to graze your skin the most gentle feather   stroking emotion        coaxing out the         delicately-wrapped           firestones in you            spinning them into     a frenzied lava-slaked ocean      and then those unexplained, flurried lattice flakes that somehow soothe and cool within this inferno of just-missed proximity My essence              is cast like a net over you as we dive into          the volumes as I pull the heated visions out of your mind              feel your heart's closest   most tiny reverberations            little beats barely heard yet in some unlikely way pump blood into mine Undo me as my wet blue pools dissolve into yours my trussed-up implosions flowing out in air-spun tempest Unwrap my defenses           a soldered-up dam breaking                  a glass tubular bell                    hairline fracture quaking Strip me bare no need to even touch me for the vapors of your voice remove the layers of debris like the steam of earth irons out the blackened quilt of sky to reveal the altar            of our stars
0
Apr 29, 2017
Apr 29, 2017 at 4:07 AM UTC
the altar of our stars
and        just like that I am falling unfolding in your eyes layers of shadows unraveling in polar-laced               spirals of hunger deep freeze melting upon tongue an icy build-up thawed in seconds for my very cells burn           beneath your gaze as you take in the fullness                  of my presence      despite the smoky, glass-paned haze My presence-      suffused with           the darkness of silk-           I want it to graze your skin the most gentle feather   stroking emotion        coaxing out the         delicately-wrapped           firestones in you            spinning them into     a frenzied lava-slaked ocean      and then those unexplained, flurried lattice flakes that somehow soothe and cool within this inferno of just-missed proximity My essence              is cast like a net over you as we dive into          the volumes as I pull the heated visions out of your mind              feel your heart's closest   most tiny reverberations            little beats barely heard yet in some unlikely way pump blood into mine Undo me as my wet blue pools dissolve into yours my trussed-up implosions flowing out in air-spun tempest Unwrap my defenses           a soldered-up dam breaking                  a glass tubular bell                    hairline fracture quaking Strip me bare no need to even touch me for the vapors of your voice remove the layers of debris like the steam of earth irons out the blackened quilt of sky to reveal the altar            of our stars
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66
the rat ******* has been re-purposed (conscripted in a somewhat fodder task) brandishing irons and quarter lines coiled and unwavering insidious and cunning pent up and fired in  his dripping shoes and peel back skin wheel bug and hookworm are stolid in his wake (all bursting grossly at the buckle!) the heel on task; slithering and rogue merciless and coy resolute and contemptuous with his cotton mat and quick ready quill pungi and clapper raise the clever snake (croker sacks and wicker backs dot the gasoline rainbow) carnival barkers and kraken (lewd in the distance) taunting and vile with their red beakers and deep purple hearts cicada and louse high on alert (ready to wreak havoc in the hog wallows) the perverse cornered rat snapping and soiled foaming and inflamed lurking and primed inside his carefully crafted plan easels and cover alls suit this jackal well (keefer’s little helper or so they'd say) pickers running rough shod all stirring up the stench ***** and conkeys poised and ready to lime this cornered slug
0
May 4, 2017
May 4, 2017 at 10:57 PM UTC
Rat *******
Dedicated to Autumn Nolen and Katie Ormsby Sewed little pink stitches, all over my broken heart. Soothed my worries with sweet words and reality T.V. I had forgot how important, friendship is. Late night talks and afternoon hikes, little black dresses and curling irons Our hands interwoven, laughed through dark streets, and bright rooms. Smoke and sunshine and sisterhood. I am so thankful, to have friends like you.
0
Mar 26, 2013
Mar 26, 2013 at 10:08 PM UTC
Pink Stitches
City rush me Pretty push Did he see? The wish on Hard on_____ Sunday I thought A rush of pluses +++ He won Be on time if not - - - Monday be good to me Rumors Fantasy thoughts I am What I am Not Popeye Going day back I need a third eye I am All free Robin Bird From everyone Wait!! Don't rush me I love everyone______* Newspaper's Sunday Daily News Poem touchdown My poem stood With the others I bowed ((Gladly))______ Waking up To a Racers- mouth Ray____ speed lover No homework All game Sunday____ Candles burned The House flamed "Procrastinator" I'll be back "Destroyer-Terminator" Coffee drug me percolator He April fools her Shopping Sunday right up magnifying dress He is back Not the future Smart *** tricks On the Escalator He Jeremy irons out her clothes That's it!!! Never rushed on Sunday To make a mob hit The call girls Busy- tight pants So Panicked Monday's religiously Hooked in Scientology So ****** in Not to ever kiss her on a Sunday He bunked into ((God)) Poem ritual bunk bed Well NYC Cabbie, he will never take it on Sunday The big game crazies The flower shops of horror Emptied out with Moms Tiger Lillies Smelling Mad Men hungover Rush hour Tv movie Hangover Jet game Sprinkler shower Opening up The door to his apartment Big Girly hoarder mess After a long talk night Saturday Night Brooklyn The Disco Queen bridge-sight His Mom is still oiling His BMW Racecar with Hot fire Crisco he will never be rushed out the door His car never starts Sunday or a Monday Teased on Tuesday Wednesday shes wild Thursday Ladies drink for free____ She got her husband to buy her cushion cut square On Sunday Do it or dare She's hanging low Times Square Girly rough Brooklyn tough Channel blush On Sunday he is so wired bushed
0
May 8, 2018
May 8, 2018 at 1:01 PM UTC
Never Rushed on Sunday
City rush me Pretty push Did he see? The wish on Hard on_____ Sunday I thought A rush of pluses +++ He won Be on time if not - - - Monday be good to me Rumors Fantasy thoughts I am What I am Not Popeye Going day back I need a third eye I am All free Robin Bird From everyone Wait!! Don't rush me I love everyone______* Newspaper's Sunday Daily News Poem touchdown My poem stood With the others I bowed ((Gladly))______ Waking up To a Racers- mouth Ray____ speed lover No homework All game Sunday____ Candles burned The House flamed "Procrastinator" I'll be back "Destroyer-Terminator" Coffee drug me percolator He April fools her Shopping Sunday right up magnifying dress He is back Not the future Smart *** tricks On the Escalator He Jeremy irons out her clothes That's it!!! Never rushed on Sunday To make a mob hit The call girls Busy- tight pants So Panicked Monday's religiously Hooked in Scientology So ****** in Not to ever kiss her on a Sunday He bunked into ((God)) Poem ritual bunk bed Well NYC Cabbie, he will never take it on Sunday The big game crazies The flower shops of horror Emptied out with Moms Tiger Lillies Smelling Mad Men hungover Rush hour Tv movie Hangover Jet game Sprinkler shower Opening up The door to his apartment Big Girly hoarder mess After a long talk night Saturday Night Brooklyn The Disco Queen bridge-sight His Mom is still oiling His BMW Racecar with Hot fire Crisco he will never be rushed out the door His car never starts Sunday or a Monday Teased on Tuesday Wednesday shes wild Thursday Ladies drink for free____ She got her husband to buy her cushion cut square On Sunday Do it or dare She's hanging low Times Square Girly rough Brooklyn tough Channel blush On Sunday he is so wired bushed
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154
You sad fool. My dear, old friend How I find myself waiting for you again. Your eyes drive into mine, with brights on, and you leave palpable words hanging in the air with the writings by your teeth, without a mouth to open, just jaw clenched, no recognition of existence, And your hands are soldering irons cooled clenched until clashing into my air Touching time, and instantaneously heating space, as an element Reaching Avogadro's number, ten to twenty-third Holes appear between us. I remember when we used to laugh And mostly at each other, but not as we do now. There was no malice. One day maybe there will be solace. "You act as though I'm a nice guy" So it's true you like to objectify The object (oh, the irony) of your affection Which is anything that cares to mention How creative was your invention It was not my intention to Organize a fluidity to the scrutiny And the staged mutiny of what was a foundation. For it's not representative to your thumbprint. I feel no organization here. You have ordered chaos. Francisco, Bring up your lights. Just remember that you look best at night, when the moon is carved into the sky and your real intentions revealed. Where you sit upon that pale desk And wrap your knuckles against the floor, Stab with a quill the pools you leave behind, to write your ***** recollection, Just remember you look best when your tears catch this starlight. Francisco, bring up your ****** lights.
0
Feb 28, 2011
Feb 28, 2011 at 12:02 AM UTC
Angel Cactus
It’s possible to speak too much to remember what your words mean. And so is the two-fold danger faced by writers. Danger is to pace a hole in the floor. Danger is to stand until you can’t move anymore like when shallow waves **** your feet into the sand. 
So I try not to stand when I write. 
I keep a narrow tack without too many big words which pedants use to dig great holes in the ground –moats to keep others out– or make you think they think big. But anyone who reads knows about Icarus and anyone with aims must beware: to shoot directly upwards is to strike your own head when like fate the arrow returns to source. You’re only as good as your mind, your characters only as strong as you are. —at least, this is true in so far as you know. True in so far as they speak. For to test them you must torque them and twist at their cores, and make opposing forces meet– but only as hard as you can. This makes writing a hill slick with oil. Insecure. Potential energy. Potential failure seated in all of that grime that cakes your toes like grease that coats the teeth of great industrial gears. So I try not to stand when I write. But whether the better take comes when you plunge and you slide and dissolve like so much ice, I must say I don’t know, the thought seems nice. But the same It seems like those who let go Are the ones with the least to say. I can't decide either which way. All I know about writing is most sentences are punctuated wrongly. The period is certain, but writing is undecided. It is the figuring-out, a quest-bound troop that moves with all its own fanfare. Question marks curl up— invisible smoke on a summer coal fire: heat twisting the air like irons in stoke giving sign of the transformations there withheld. For fire mediates matter, so writing stands ever-between. But I’ve spoken too much and I don’t know what these words mean. And so I fold like there’s danger in writing, while danger is imagined like borders on a continent. Danger is thinking I'm dangerous enough to keep silent. Like shallow waves, given way to sand. So avoid letting voids form where the mind dismisses confrontation to more capable smiths. Writing is –at best– an attempt. Even with shallow structures in rhythmic din, the silent breaks by force of pen, and all because of the simple fact that quiet refuses to bend. All I can hope is my writing upholds these unknowns while I try not to stand. But you ask about writing?
0
Apr 29, 2018
Apr 29, 2018 at 4:28 PM UTC
About Writing
It’s possible to speak too much to remember what your words mean. And so is the two-fold danger faced by writers. Danger is to pace a hole in the floor. Danger is to stand until you can’t move anymore like when shallow waves **** your feet into the sand. 
So I try not to stand when I write. 
I keep a narrow tack without too many big words which pedants use to dig great holes in the ground –moats to keep others out– or make you think they think big. But anyone who reads knows about Icarus and anyone with aims must beware: to shoot directly upwards is to strike your own head when like fate the arrow returns to source. You’re only as good as your mind, your characters only as strong as you are. —at least, this is true in so far as you know. True in so far as they speak. For to test them you must torque them and twist at their cores, and make opposing forces meet– but only as hard as you can. This makes writing a hill slick with oil. Insecure. Potential energy. Potential failure seated in all of that grime that cakes your toes like grease that coats the teeth of great industrial gears. So I try not to stand when I write. But whether the better take comes when you plunge and you slide and dissolve like so much ice, I must say I don’t know, the thought seems nice. But the same It seems like those who let go Are the ones with the least to say. I can't decide either which way. All I know about writing is most sentences are punctuated wrongly. The period is certain, but writing is undecided. It is the figuring-out, a quest-bound troop that moves with all its own fanfare. Question marks curl up— invisible smoke on a summer coal fire: heat twisting the air like irons in stoke giving sign of the transformations there withheld. For fire mediates matter, so writing stands ever-between. But I’ve spoken too much and I don’t know what these words mean. And so I fold like there’s danger in writing, while danger is imagined like borders on a continent. Danger is thinking I'm dangerous enough to keep silent. Like shallow waves, given way to sand. So avoid letting voids form where the mind dismisses confrontation to more capable smiths. Writing is –at best– an attempt. Even with shallow structures in rhythmic din, the silent breaks by force of pen, and all because of the simple fact that quiet refuses to bend. All I can hope is my writing upholds these unknowns while I try not to stand. But you ask about writing?
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74
Belinda lived in a little white house, With a little black kitten and a little gray mouse, And a little yellow dog and a little red wagon, And a realio, trulio, little pet dragon. Now the name of the little black kitten was Ink, And the little gray mouse, she called her Blink, And the little yellow dog was sharp as Mustard, But the dragon was a coward, and she called him Custard. Custard the dragon had big sharp teeth, And spikes on top of him and scales underneath, Mouth like a fireplace, chimney for a nose, And realio, trulio, daggers on his toes. Belinda was as brave as a barrel full of bears, And Ink and Blink chased lions down the stairs, Mustard was as brave as a tiger in a rage, But Custard cried for a nice safe cage. Belinda tickled him, she tickled him unmerciful, Ink, Blink and Mustard, they rudely called him Percival, They all sat laughing in the little red wagon At the realio, trulio, cowardly dragon. Belinda giggled till she shook the house, And Blink said Week! , which is giggling for a mouse, Ink and Mustard rudely asked his age, When Custard cried for a nice safe cage. Suddenly, suddenly they heard a nasty sound, And Mustard growled, and they all looked around. Meowch! cried Ink, and Ooh! cried Belinda, For there was a pirate, climbing in the winda. Pistol in his left hand, pistol in his right, And he held in his teeth a cutlass bright, His beard was black, one leg was wood; It was clear that the pirate meant no good. Belinda paled, and she cried, Help! Help! But Mustard fled with a terrified yelp, Ink trickled down to the bottom of the household, And little mouse Blink strategically mouseholed. But up jumped Custard, snorting like an engine, Clashed his tail like irons in a dungeon, With a clatter and a clank and a jangling squirm He went at the pirate like a robin at a worm. The pirate gaped at Belinda's dragon, And gulped some grog from his pocket flagon, He fired two bullets but they didn't hit, And Custard gobbled him, every bit. Belinda embraced him, Mustard licked him, No one mourned for his pirate victim Ink and Blink in glee did gyrate Around the dragon that ate the pyrate. But presently up spoke little dog Mustard, I'd been twice as brave if I hadn't been flustered. And up spoke Ink and up spoke Blink, We'd have been three times as brave, we think, And Custard said, I quite agree That everybody is braver than me. Belinda still lives in her little white house, With her little black kitten and her little gray mouse, And her little yellow dog and her little red wagon, And her realio, trulio, little pet dragon. Belinda is as brave as a barrel full of bears, And Ink and Blink chase lions down the stairs, Mustard is as brave as a tiger in a rage, But Custard keeps crying for a nice safe cage.
0
Jan 2, 2014
Jan 2, 2014 at 5:15 AM UTC
The Tale of Custard The Dragon by Ogden Nash
Belinda lived in a little white house, With a little black kitten and a little gray mouse, And a little yellow dog and a little red wagon, And a realio, trulio, little pet dragon. Now the name of the little black kitten was Ink, And the little gray mouse, she called her Blink, And the little yellow dog was sharp as Mustard, But the dragon was a coward, and she called him Custard. Custard the dragon had big sharp teeth, And spikes on top of him and scales underneath, Mouth like a fireplace, chimney for a nose, And realio, trulio, daggers on his toes. Belinda was as brave as a barrel full of bears, And Ink and Blink chased lions down the stairs, Mustard was as brave as a tiger in a rage, But Custard cried for a nice safe cage. Belinda tickled him, she tickled him unmerciful, Ink, Blink and Mustard, they rudely called him Percival, They all sat laughing in the little red wagon At the realio, trulio, cowardly dragon. Belinda giggled till she shook the house, And Blink said Week! , which is giggling for a mouse, Ink and Mustard rudely asked his age, When Custard cried for a nice safe cage. Suddenly, suddenly they heard a nasty sound, And Mustard growled, and they all looked around. Meowch! cried Ink, and Ooh! cried Belinda, For there was a pirate, climbing in the winda. Pistol in his left hand, pistol in his right, And he held in his teeth a cutlass bright, His beard was black, one leg was wood; It was clear that the pirate meant no good. Belinda paled, and she cried, Help! Help! But Mustard fled with a terrified yelp, Ink trickled down to the bottom of the household, And little mouse Blink strategically mouseholed. But up jumped Custard, snorting like an engine, Clashed his tail like irons in a dungeon, With a clatter and a clank and a jangling squirm He went at the pirate like a robin at a worm. The pirate gaped at Belinda's dragon, And gulped some grog from his pocket flagon, He fired two bullets but they didn't hit, And Custard gobbled him, every bit. Belinda embraced him, Mustard licked him, No one mourned for his pirate victim Ink and Blink in glee did gyrate Around the dragon that ate the pyrate. But presently up spoke little dog Mustard, I'd been twice as brave if I hadn't been flustered. And up spoke Ink and up spoke Blink, We'd have been three times as brave, we think, And Custard said, I quite agree That everybody is braver than me. Belinda still lives in her little white house, With her little black kitten and her little gray mouse, And her little yellow dog and her little red wagon, And her realio, trulio, little pet dragon. Belinda is as brave as a barrel full of bears, And Ink and Blink chase lions down the stairs, Mustard is as brave as a tiger in a rage, But Custard keeps crying for a nice safe cage.
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62
The town does not exist except where one black-haired tree slips up like a drowned woman into the hot sky. The town is silent. The night boils with eleven stars. Oh starry starry night! This is how I want to die. It moves. They are all alive. Even the moon bulges in its orange irons to push children, like a god, from its eye. The old unseen serpent swallows up the stars. Oh starry starry night! This is how I want to die: into that rushing beast of the night, ****** up by that great dragon, to split from my life with no flag, no belly, no cry.
0
2.8k
The Starry Night
With a Jewish religion and a German Queen, Who has a clue where the Brits have been? Mum’s clan were Huguenots, Dad’s maybe Welsh. Lots of Africans in our football teams. Keep out those immigrants many do say, Even those whose parents came from Bombay. We’ve lots of patriots from Pakistan: The younger generation, Brits to a man. But some are Radicals I hear you say, We should be sending them on their way, Back to Asia where they belong, To the tunes of a UKIP song. So what is “British” we must ask, For this is not an easy task. Justice and Democracy I hear you shout, Tiny islands with some clout. Shakespeare, Beatles, Rugby Lions, Churchill clapping foes in irons. Let’s be glad that we are free And settle down to a cuppa tea. Paul Butters
0
Nov 4, 2015
Nov 4, 2015 at 5:47 AM UTC
True Brit
The demons live with me – They have their own blankets ready, So later we would go visit the creeks And they will push me to the water and let me suffocate, They will drown me in muds They will blind me so all I could see is dark. The demons live with me – They invite me to our special hideout, Decaying building and magical asbestos And they will prepare an empty room full of irons and knives, They will slit me with them They will kiss me with them 'till I become numb. The demons, the demons live with me – They will celebrate my birthday party, Their presents are bouquet of blights And they also give me flaming matches for me to light up an inferno, They will burn with me, laugh They will burn every sadness I felt. The demons live with me. They are inside, they are calling me. The demons, demons, demons, THESE DEMONS, Demons, d e m o n s are me.
0
Oct 7, 2017
Oct 7, 2017 at 9:12 AM UTC
The Demons Live With Me
I. A louse in a house or a mouse on a blouse. A bell that goes **** or a gong that goes **** A gap on a map or a cap on your lap. A drink in the sink or an ink that stinks. A spleen on a screen or a queen who is green. A bow in the snow or a crow that glows. II. A wash or a whip, a lip or a lop, a top or a tip, a car or afar, a bar or a war, a door or a snore, a bore or a nail, a flail or a whale, a run or a bun, a sun or a moon, a spoon or a bus, a fuss or a sigh, a cry or a cheer, a fear or a smile, a while or a pen, a den or a cat, a mat or a hat, a bat or a glass, a vase or a weight, a mate or a fork, a cork or a mop, a cop or a stop. III. Apples and artichokes, ants and antelopes, bees and beers, books and brains, cucumbers and chimneys, ***** and coats, dogs and drains, dots and dominoes, ears and eejits, elephants and exams, flies and flutes, files and friends, grasses and guts, giants and gyms, horrors and hiccups, horses and hills, igloos and irons, irises and idiots, jumpers and jackets, jodhpurs and jellies, kings and kettles, kites and kittens, lions and lamps, lemons and lunches, mums and monsters, mosses and moths, noses and notes, nightmares and needles, oblongs and orang-utans, organs and oranges, paintings and pennies, ponds and pants, quiches and quizzes, questions and queues, rainbows and rings, rascals and rabbits, snakes and sprouts, sweets and salts, trumpets and trains, tables and toasters, umpires and ukuleles, umbrellas and uniforms, violets and vests, violins and vials, wheels and wings, windows and weeds, xylems and x-rays, xylophones and xysters, yachts and yoghurts, yards and yaks, zigzags and zephyrs, ziggurats and zombies.
0
Oct 29, 2013
Oct 29, 2013 at 5:03 PM UTC
Three Lots of Nonsense
I. A louse in a house or a mouse on a blouse. A bell that goes **** or a gong that goes **** A gap on a map or a cap on your lap. A drink in the sink or an ink that stinks. A spleen on a screen or a queen who is green. A bow in the snow or a crow that glows. II. A wash or a whip, a lip or a lop, a top or a tip, a car or afar, a bar or a war, a door or a snore, a bore or a nail, a flail or a whale, a run or a bun, a sun or a moon, a spoon or a bus, a fuss or a sigh, a cry or a cheer, a fear or a smile, a while or a pen, a den or a cat, a mat or a hat, a bat or a glass, a vase or a weight, a mate or a fork, a cork or a mop, a cop or a stop. III. Apples and artichokes, ants and antelopes, bees and beers, books and brains, cucumbers and chimneys, ***** and coats, dogs and drains, dots and dominoes, ears and eejits, elephants and exams, flies and flutes, files and friends, grasses and guts, giants and gyms, horrors and hiccups, horses and hills, igloos and irons, irises and idiots, jumpers and jackets, jodhpurs and jellies, kings and kettles, kites and kittens, lions and lamps, lemons and lunches, mums and monsters, mosses and moths, noses and notes, nightmares and needles, oblongs and orang-utans, organs and oranges, paintings and pennies, ponds and pants, quiches and quizzes, questions and queues, rainbows and rings, rascals and rabbits, snakes and sprouts, sweets and salts, trumpets and trains, tables and toasters, umpires and ukuleles, umbrellas and uniforms, violets and vests, violins and vials, wheels and wings, windows and weeds, xylems and x-rays, xylophones and xysters, yachts and yoghurts, yards and yaks, zigzags and zephyrs, ziggurats and zombies.
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63
Phone rings, only breathing Landlord yelling, dog barking, Mexican music, nosey neighbors Long cigarette and goodbye girl She’s absent and she’s catatonic She’s boiling in unwanted fever She hums as she irons unplugged She hums as she cleans up the blood She’s levitating against her will She’s nailing the door shut with a candle She’s rolling him up in a carpet Yeah, your high horse and your sports Are just heavy metaphors For something a lot sweatier ****** Made Her Menstrual You supplied the weapons
0
Nov 20, 2011
Nov 20, 2011 at 8:16 PM UTC
Water Ponies Down Under
If I were not a person who dealt in words the same way others dealt in currency (or maths or measures or facts or any number of infinitely more practical things) If I were not a person who breathed in the flow of letters against pages and thoughts against spaces I would never love an artist because no matter the medium of the life cra wl in g beneath their skin No matter if they hear notes in the flip of her hair (or paint galaxies of the breath against her cheeks or create worlds hinged on his fallen eyelash or build monuments to his unguarded laughter or sway to whatever melody her eyes serenade beyond flickering boredom) no matter the medium they substitute for the oxygen they inhale Their hearts do not exist —cannot— outside of the muse they substitute to pump their passions through their veins And if I were not a person who dwelt between the strokes of the letters and devoured the length of meters I would never love an artist because their lives are forever forfeit to their muse sold, clapped in heavy irons to a desert oasis you cannot reach because you cannot be his muse, if he has notched you onto his belt For an artist would never endanger his muse, no matter if he loved her (or worshipped her or tortured her or reveled in her or whatever multiple definition love has contracted) If I were not a person who knew the woes of seeing more than what the world might first offer But I am. And I understand. And I would never love an artist For I belong to my muse and so does he and She demands that no competition come from the love She allows me outside Her chamber doors and an artist's brilliance is competition indeed And I can only ever love an artist who might forgive And who might understand If I told her she is my muse no longer
0
May 24, 2017
May 24, 2017 at 5:46 AM UTC
Never Love An Artist
If I were not a person who dealt in words the same way others dealt in currency (or maths or measures or facts or any number of infinitely more practical things) If I were not a person who breathed in the flow of letters against pages and thoughts against spaces I would never love an artist because no matter the medium of the life cra wl in g beneath their skin No matter if they hear notes in the flip of her hair (or paint galaxies of the breath against her cheeks or create worlds hinged on his fallen eyelash or build monuments to his unguarded laughter or sway to whatever melody her eyes serenade beyond flickering boredom) no matter the medium they substitute for the oxygen they inhale Their hearts do not exist —cannot— outside of the muse they substitute to pump their passions through their veins And if I were not a person who dwelt between the strokes of the letters and devoured the length of meters I would never love an artist because their lives are forever forfeit to their muse sold, clapped in heavy irons to a desert oasis you cannot reach because you cannot be his muse, if he has notched you onto his belt For an artist would never endanger his muse, no matter if he loved her (or worshipped her or tortured her or reveled in her or whatever multiple definition love has contracted) If I were not a person who knew the woes of seeing more than what the world might first offer But I am. And I understand. And I would never love an artist For I belong to my muse and so does he and She demands that no competition come from the love She allows me outside Her chamber doors and an artist's brilliance is competition indeed And I can only ever love an artist who might forgive And who might understand If I told her she is my muse no longer
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plied playful pied piper oh puppeteer dream writer of a wonder and future so bright, oh tell pray chance the grand wonders in morrows to come a stored store for the wondering fools of this world tonight. casting, the irons so hot, malleable, tender in the hearts delights, here in this awkwardly worded flight, of fearless tendency, oh **** necromancy? **** yeah, that, that can stay far from sight. now, lets lead with the fixxen to wack the mole of ridiculous vixxen and fiction so true, so true the crookedly made house, rousted clout, for he is an ego far too large this alley mouse, pretending to be a cat without a house, oh wait that's me, scratch that last part, before someone figures out i was only a silly little roustabout, and hoping to rooster, and goose the calling of mine own loud *** mouth out. crap. this ***** but we are far from done, oh almost forgot you standing there, will you do us all a solid and tell us the way out? or at least what horse to bet on in the triple crown and the powered ***** all hanging out? your a Daisey if ya do. SuperStar https://www.youtube.com/watch?v=m1EreTOvelQ
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Oct 13, 2015
Oct 13, 2015 at 1:30 AM UTC
plied playful pied piper oh puppeteering dream writer..
Gone, gone, gone… Want me, want me, want me Gone, gone, gone… Want me, want me, want me... It's out of sight and out of mind, Now no more me, you're out of time Just be glad for what we had, That's too bad, Love is so sad Tomorrows no good as the day before, There's no way I'll ever give you more Strike while the irons hot or you'll never know what you could have got Stop calling me, face the fact now you've failed the test I was the best, you can have the rest, Just got to get it off, get it off my chest Don't wait till I'm gone to want me, cause if you do I won't want you! Don't wait till I'm gone to try and find me, you'll only find that we are through! Don't wait till I'm gone to want me Don't wait till I'm gone Wait till I'm Gone Till I'm Gone I'm Gone! (The Anagram of MARRIAGE = A GRIM ERA) & (The Anagram of I WANT A DIVORCE = WEIRD VACATION) © In Perpetuity All Rights Reserved By The Author: D. Clare
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Feb 13, 2015
Feb 13, 2015 at 7:49 AM UTC
Don't Wait till I'm Gone (to want me!)
How does it feel? To be a girl, And to bleed, Whenever we create Something beautiful. The dunce cap Fills the void; Where the crown should be. Life grew And fed, from these ******* Now ripped apart, Pieces of shame. Judas’s Cradle, Destroyed our flesh. Left us humiliated, Like Lady Godiva Hours of ****** From impalement In spite of Eve Whom bit the apple. Hot irons, Through vitality’s tunnel To fallow the holy book, The Malleus Maleficarum. Confession induced stoning Drowning, burning Just to be whipped like animals For social bonding. The battles of power With the entertainment of **** Still two Hundred years of Forced sterilization. A pear of anguish, For the miscarriages A coffin, For the son. Who can be civil? When survival Even today, Is about exploitation. A dowry for obstetric fistula, In Pakistan. Under the union of god’s will, Of course. The ****** test Out lives the Bison, Only still being bred For the hunt Mutilation for those, In Southern Sahara. Huge abscesses, To cover the curse. The breaking wheel
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Apr 2, 2012
Apr 2, 2012 at 9:21 PM UTC
The Breaking Wheel
I dreamed my genesis in sweat of sleep, breaking Through the rotating shell, strong As motor muscle on the drill, driving Through vision and the girdered nerve. From limbs that had the measure of the worm, shuffled Off from the creasing flesh, filed Through all the irons in the grass, metal Of suns in the man-melting night. Heir to the scalding veins that hold love's drop, costly A creature in my bones I Rounded my globe of heritage, journey In bottom gear through night-geared man. I dreamed my genesis and died again, shrapnel Rammed in the marching heart, hole In the stitched wound and clotted wind, muzzled Death on the mouth that ate the gas. Sharp in my second death I marked the hills, harvest Of hemlock and the blades, rust My blood upon the tempered dead, forcing My second struggling from the grass. And power was contagious in my birth, second Rise of the skeleton and Rerobing of the naked ghost. Manhood Spat up from the resuffered pain. I dreamed my genesis in sweat of death, fallen Twice in the feeding sea, grown Stale of Adam's brine until, vision Of new man strength, I seek the sun.
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2.1k
I Dreamed My Genesis
Glitterati Gangsters gaze with commanding stares and broken plates glass blown and open gates There she sits eyes all holding all knowing synchronicities shatter the scene Sparkling each blink initiates a flood of flaming diamonds that lash out like hot irons Eyes like this entice and take Each blink unlocks a new mystery as she grinds resistance in her teeth Igniting my lust Sparkling each blink creates a dawning sun Her gaze inflames ten thousand ways She wields sparkle like madmen spray sarin With sparkling abandon
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Jun 19, 2012
Jun 19, 2012 at 8:11 AM UTC
Sparkling Abandon
Days and nights at home alone Swiping left and right Tiny movements seeking love A quest for someone right Profiles pass before their eyes One stands from the batch Buzz and flash goes the phone Tinder, it’s a match! A chat ensues so they court To find rapport is great Best to strike whilst irons hot And so arrange a date To meet and greet by the sea For coffee and a stroll First impressions made are good Seems they’re on a roll Finding common ground they laugh And think themselves hilarious Keen for more, dates arranged This one could be serious And then it starts to blossom The months ahead are booked These two people fall in love Now for life they’re hooked What a wondrous thing this app Without it meet they’d never Parallel lives yet hadn’t crossed It brought these souls together There’s no need to go to bars Or parade upon a stage Stay at home with phone and swipe It’s dating modern age It served them well this app of love Used wisely there’s no folly Happily into sunset they ride That’s how Brian met Holly
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Aug 22, 2018
Aug 22, 2018 at 8:17 PM UTC
Hearts a Tinder
They say that Africans, Will have to fight for a place on the bus, So I am pulling out all the stops. I am burning incense and, Turning out closets, -exorcising demons- I am fumigating my life, Throwing out old clothes and, Trying to curry favour, -surely children were not meant for the streets, Nor nations meant for war- I have found sack cloth and ash and I, Intend to, Gouge flesh with home-made irons Flagellate until I bleed sin, All over the carpet. There will be gnashing of teeth, And great wailing, -effort must be made- I shall identify, Church pews with nails and, Kneel! But the spotlight keeps missing me, And I manage only to elicit, Splendid chuckles from my nephew.
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Sep 20, 2012
Sep 20, 2012 at 6:57 AM UTC
Sunday
"The eyes are the windows to the soul" good thing I have pretty blue eyes? ******** The soul is the window to the soul peeked into by watching a life. Where does the self reside? in a cardboard box body dimples marketed to be cherished a full lipped smile, irises to beguile this image, lottery identity- Mine? Am I supposed to feel lucky? Arbitrary proportions, is my soul a brunette are its shoes size 9? Some assembly required- to be human words writ to describe this shell this meaningless husk puppet jesting at life feverishly polishing itself until it cracks, breaks abstract and lost. Does the self wear a top hat and say: "Here's a hundred years to sell out the show" "Til death do us part, my perfection and my soul." I'll lay out the patio so nicely they'll never even realize the host is in absencia, has hidden deep inside I curse myself for the illusion of aesthetic- Beauty is the greatest lie Rid me of the irons to my body my name my poise imprisoned in this wretched skeleton, the cage of the soul, the self, the someone in embryo form dreaming they're awake but have never even opened their eyes.
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May 4, 2012
May 4, 2012 at 9:58 PM UTC
Narcissus was misunderstood.