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Stephen Nov 2018
Man
Invents Art.

Man
Learns
To appreciate Art.

Man
Realizes
Whole world,
Whole universe,
Is Art.

Man
Invents God.

Man learns
To appreciate God.

Man
Realizes,
Whole world,
Whole universe,
Is God,
Is Art.

Man
Invents religion.

Man
Learns to fear God.

Man
Forgets,
Whole world,
Whole universe,
Is God,
Is Art.

Man
Invents sin.

Man
Learns
Art is sin.

Man forgets,
Whole world,
Whole universe,
Is Art,
Is God.

Man
Invents hate.

Man
Learns
To hate other man.
Other man different,
Other man never learn fear,
Other man still Artist.
Other man never learn,
Art is sin.

Man
Forgets,
All men,
All people,
Are Art,
Are God.

Man
Invents law.

Man
Learns
To use law
As a weapon
Against other man.

Other man
Realizes,
Man
forgot,
All men,
All people,
Are Art,
Are God.

Other man
Invents teaching.

Other man
Teaches man,
"Remember,
All men,
All people,
Whole world,
Whole universe,
Is Art,
Is God.

Other man
Realizes,
Man too blind,
Too afraid,
To see truth;
Whole world,
Whole universe,
Is Art,
Is God.

Man
Invents war.
Kills other man.

Man
Refuses to learn,
Whole world,
Whole universe,
Is Art,
Is God.

Man
Forgets,
Man
And Other man
Are same.
Both are Art.
Both are God.

Man
Invents propaganda.

Man
Teaches man
"Other man different.
Other man bad.
Other man sin.
Be afraid,
Be very afraid."

Man
Kills other man.

Man
Invents self-delusion.

Man
Learns
To believe what man was taught;
Other man scary,
Other man hates man,
Hates God.

Man
Never realizes
Other man,
All men,
Whole world,
Whole universe,
Is God,
Is Art.

Man
Never realizes,
He is other man,
Other man is him.
Chuck Mar 2013
Poetry invents jocular joy
Limpid loquaciousness rejoice
Heuristic verbiage to deploy
Poetry invents jocular joy
Dancing with Shakespeare and Tolstoy
Mellifluous melodic voice
Poetry invents jocular joy
Limpid loquaciousness rejoice
My first Triolet. Thanks Rebecca Askew for showing this form to me and for doing it so well.
begin end begin he writes come to party in my room ashtray spilled on sheets mirror smeared clothes scattered everywhere i’m reclining on floor pulling on ***** hair writing lonely-hearts poem i don’t care about your photograph i just want to know will you come to party in my room? i have confidences to share secrets to reveal no one to give my body to i need to feel warmth of another there is food if you are hungry i’ll just watch listen to you will come won’t you? please this is no prank are you there? i just wanted to invite you to party you’re my only guest i need you i sound desperate you want to know how long i’ve been this way kind of let myself go grown used to this room that keeps my secret used to sleeping alone in big double bed i think i shall go take hot bath don’t come another night perhaps i can do it quite well myself thank you you probably would have felt out of place anyway - london 1971

nothing wrong with beating off but i prefer female sometimes pretty thing replies Odys you have a way with words actually he prefers woman all times tends to be too impatient rough handling himself needs woman’s gentler slower adoring touch

i wouldn’t mind wife if she is simply **** in residence leaning against doorway posing between me and kitchen he considers let’s get cruel in cruelty one finally realizes one’s own true self-interest who am i? am i cruel enough to be sick-hearted *******? am i capable of oppression torture? do i honestly desire *** slave? do i believe all hope of becoming normal human is gone? he hears her words i have cuffs crop leg spreader flogger hood paddle cane like swelling bruises on my *** never touch my face arms legs i like to be spit on while you pull hair i like servicing man who takes pleasure in giving brutal intense pain *** on my face **** **** on me i'm looking for white muscular egotistic man who is into sadomasochism i enjoy abuse part just as much as *** part is he lightweight no stomach for collared sadism? He mumbles to himself bottom line i respect love women this existence is killing me ignores his thoughts sings aloud we’re used to being rude to each other used to getting crude with each other come on now pretty thing sit next to me

female fantasy number 1 man’s ******* is like handle on slot machine if woman pulls it right way 3 cherries line up in his eyes ***** jingle ring money shoots out ***-hole female fantasy number 2 science invents way in which more money woman spends shopping more weight she can lose

i imagined you were plateful of pancakes you giggled when i poured syrup on your face i smiled pondering how lovely you would taste we sat for a while gazing into each other’s eyes until you got cold rubbery i didn’t want to eat you anymore

maybe he is not so charming anymore maybe Odysseus has become blunt  difficult he tries to be respectful but sometimes he is excessive self-willed time place names have lost any mearing during lively discussion with pretty thing creativity versus craft he confronts original invention requires destruction surely you realize that? pretty thing replies Odys i didn’t realize you were so dominant you seem so playful puppy-like in daytime i never would have guessed you’re such a chauvinistic ******* he questions chauvinistic ******* what’s that suppose to mean? i don’t know what you’re talking about she answers don’t play dumb Odys i know you’re smart at semiotics he asks semiotics what does that mean? I don’t know the word listen you’re right and i’m wrong i apologize i didn’t mean to get so argumentative he reaches for dictionary on floor next to chair pretty thing crosses legs speaks i’m very careful to use simple words everyone can understand but i’m just sign painter isn’t that right Odys? what would i know? he pleads you’re not making any sense we both use brushes paint similar techniques that’s beside the point i apologize she insists you’re way off the subject Odys he begs you’re right i’m wrong whatever i said made you get so upset please forgive me her voice cold terse i need to go home Odys you scare me you’re way too fanatic

thinks to himself promise her anything but give her the finger just when she’s finally starting to fall for whole scam give her the slip 6 to 12 weeks is average life expectancy for modern romance it’s fast world we’re all expendable can’t hear what you’re saying music is too loud rule number 1 no matter how beautiful she is there’s always someone who’s sick of her rule number 2 why would you even be talking with her if she didn’t have *****? rule number 3 they’re all ******* ******! he tries to recall if Bayli ever behaved like ***** he concludes no never did she become one?

in restless sleep he dreams someone tells him Bayli is working at ******* bar he goes to see her Bayli looks young beautiful wearing thong nothing else many men are pursuing her he excitedly approaches but she seems to only vaguely recognize him she questions do i know you? he answers Bayli it’s me Odys! she answers my name is not Bayli Odys who? where do you know me from?” he pleads Bayli, look at me Bayli smiles hesitantly as she looks around for support points finger towards Odysseus 2 bouncers approach shove him against wall force him outside bouncer barks her name is not Bayli now get hell out of here you freaking loser! they go back inside slamming door as he walks away neighborhood kids throw apples at him wakes up confused sad from dream

he vows i don’t need love love is for those too lame to stand alone bear solitude self-avowal love is sign of weakness compliance control love is contract made between two people too spineless to take pleasure in own freedom love is way to take advantage exploit love is convenience pact for mutual security love is cumbersome weight tied around athlete’s neck love is suffering love is a lie illusion cover-up for everyone’s petty lame problems

1984 chicago suffers harsh winter furious winds blow across lakefront Mom and Dad take Odysseus to dinner at posh new restaurant in art galleries district on the way Mom and Dad argue about parking Mom wants to leave car with valet Dad insists they first look for space Mom gets annoyed the wind will ruin my hair drop me and Odys off at door then do what you want Dad says you’re going to miss me when i’m gone Mom snaps we’ll see when are you planning on leaving? Dad wears navy blue blazer white shirt burgundy foulard silk tie he is in good spirits winning personality keeps table lively Mom wears beige cashmere turtleneck darker beige wool skirt brown alligator high heels gold earrings she waves then greets roths weissmans who are led by young hostess they walk past table make brief polite conversation after several rounds of drinks Dad speaks you know, it’s about time Odys are you dating anyone in particular? Odysseus hesitates confesses he has had ****** relations with hundreds of girls his knees begin to shake under table he admits maybe I’m incapable of sustaining intimate relationship with one woman i’m conflicted blocking all these feelings inside never learned how to love can’t hold on to anything all i know how is **** and run Mom interjects don’t use that word! she suggests he travel get some fresh ideas Dad becomes irritated lights cigarette waives to waiter orders another Absolute on the rocks bursts out what the hell do you mean you never learned to love you grew up in a house of love *******! didn’t you learn anything? are you purposely trying to ruin dinner? you watch your step mister or i’ll whack you right here at the table! you make me sick with all your excuses one of these days you’re going to wake up Odys and I hope it’s not too late Mom immediately glances at roth’s weissman’s table then glares sharply at Dad she snaps Max lower your voice! people can hear you we’re in a restaurant can we please change the subject? she instantly regains composure continues i spoke with your sister Penelope today and she let me know she might be landing a new account she’s being wined and dined this evening by c.e.o. of prominent san francisco agency later waiter clears entrees asks if anyone wants after-dinner drink dessert Mom orders coffee apple pie with scoop of vanilla ice cream Dad orders coffee Mom asks what do you wish for in your life Odys? who do you want to be? he exhales long breath answers i used to dream of becoming renown painter but now i’m not sure sad to say don’t know what i want sometimes i think of priesthood but i’ve done too much sinning Dad grows irate who puts these ideas into your head? you ******* ungrateful kid! what the hell is matter with you? Mom interrupts Max don’t lose your temper we’re in a restaurant she glances at roth’s weissman’s table nods with big smile on face Odysseus feels entangled in web of desires deceptions debts he vacillates from one aspiration to next grown comfortable in his failures distrust
Sometimes she walks through the village in her
little red dress
all absorbed in restraining herself,
and yet, despite herself, she seems to move
according to the rhythm of her life to come.

She runs a bit, hesitates, stops,
half-turns around...
and, all while dreaming, shakes her head
for or against.

Then she dances a few steps
that she invents and forgets,
no doubt finding out that life
moves on too fast.

It's not so much that she steps out
of the small body enclosing her,
but that all she carries in herself
frolics and ferments.

It's this dress that she'll remember
later in a sweet surrender;
when her whole life is full of risks,
the little red dress will always seem right.





Lord: it is time. The summer was immense.
Lay your shadow on the sundials
and let loose the wind in the fields.

Bid the last fruits to be full;
give them another two more southerly days,
press them to ripeness, and chase
the last sweetness into the heavy wine.

Whoever has no house now will not build one
anymore.
Whoever is alone now will remain so for a long
time,
will stay up, read, write long letters,
and wander the avenues, up and down,
restlessly, while the leaves are blowing.
Julie Grenness Mar 2016
Earth invents gifts,
On life forms,  there's no thrift,
Earth the inventor,
Are humans the predators?
We've wrecked habitats,
Even our own, that's that!
But more Earth inventions,
New form of populations,
Earth always inventing,
Innovations designing,
What's the  best invention?
Is man an aberration?
Once a Garden of Eden,
Life we're superseding,
Still, on life forms there's no thrift,
Earth keeps inventing gifts.
Feedback welcome.
Wuji Seshat Oct 2014
In my love of day
My love invents another day
In my window night
Another night is invented

We are what we think
So carnival of carnal imaginations
Be still, learn to concentrate
For the calligraphy of fate

Shows sign-seeds of
Syllable-clusters, rampant sparks
That the stars in my hands
Invents a touch that deconstructs

Itself, these eyes that have
Taken these pages by storm
And this heart that cannot
Let any portion of the
World go unloved alone.
A DEATH CREATES A DECEMBER/OCTOBER TWIN BIRTH WITH RAY POCOCK’S LIFE FOLLOWING HIS TRAGIC NEXT LIFE’S DEATH



YOU SEE ROBERT KINOSHITA, TURNS 100, AND GOES UP TO SATURN TO

DO A FEW ROBOT DANCES, AND INVENTS THIS LITTLE SONG

I AM THE GREATEST, I MADE A FAMOUS ROBOT

IT WAS IN A GREAT GREAT SHOW TITLED LOST IN SPACE

I WANTED TO LIVE FOREVER, BUT I EVENTUALLY KICKED THE BUCKET

BUT I LIVED TO BE 100, TO SAY I DID THE ROBOT DANCE

I DID THE ROBOT DANCE, SAYING

I AM A ROBOT, I AM A ROBOT, MY WAY IS COMING TRUE THROUGHOUT THE LAND

I AM A ROBOT EVERY SINGLE DAY

I CREATED ROBOT B-9, HE WAS FAMOUS FOR SAYING

DANGER WILL ROBINSON DANGER WILL ROBINSON DANGER WILL ROBINSON

AND THEN SAID, I AM A ROBOT, I AM A ROBOT,

I AM COMING TO EXTERMINATE YOU, I AM A ROBOT FOREVER AND EVER

AND THEN AS I GET OFF STAGE I TIP A KEG OF METHANE ALL OVER RAY POCOCK

TO SAY, LET’S MAKE TWINS IN OCTOBER, WELL LET’S MAKE THEM DUE IN OCTOBER ANYWAY

AND ROBERT AND RAY SAID WE ARE PERFECT ROBOTS

WE WILL CREATE NEW LIFE, IN OCTOBER, OH YEAH

RAY HAS NO IDEA, EITHER HAS ROBERT, BUT THEY BOTH SAID WE ARE ROBOTS

AND DANGER, IF WE LET THE TERRORISTS WIN

WE ARE CRONUS’S, EMBASSADORS, I AM CRONUS

I AM THE ONE IN THE FAMILY, WHO LIKES IMAGINATIVE ROBOTS

AND WE DANCE, WE ARE BIG ROBOTS, WE ARE BIG ROBOTS

WE HAVE COME TO ESTERMINATE YOU GUYS IF YA COME TO CLOSE

DANGER WILL ROBINSON, DANGER WILL ROBINSON

THERE WILL BE DANGER IF ROBERT AND RAY SEPERATE, CAUSE

THEY ARE JOINED TO PROTECT THE EARTH, AND BRING PROPER ROBOTS BACK

WE WANT HELPFUL ROBOTS WE WANT HELPFUL ROBOTS

WE WILL GET THEM NOW, ROBERT KINOSHITA TIP METHANE ALL OVER BARRY ALLAN

CAUSE, HE WON’T EXCEPT HE IS NOW ELIZABETH ANN CAMPBELL

DANGER BARRY ALLAN ROBERT SAID IF YOU GET THIS YOUR LIKE ME AND MUMMY CRAP OUT OF YOUR SONS

DANGER AHEAD, TO OLD HAGS WE ARE BIG ROBOTS, AND WE WILL STAY BIG ROBOTS FOREVER
Closure invents a reason to let go;
that hoped-for last **** is
anything but

Life is cataclysmic.

Seizing an imagined moment
in a now that ends
before its beginning

signifies a slavery to transience
so complete and pervasive
that words heave and shudder
in its withering folly

Timeless puzzles are incompletable
by artifice; rather, resignation
to disparate pieces,

and identification with neither
the pieces that didn't fit,
nor those that did

The period does not
complete the sentence.

The sentence ends
when it is finished.
M Apr 2015
Humidity in theory
harbors images
of nights lit up
by bioluminescent flying jewels
that you catch in between your fingers
like a cage too large
and they fly away
into the sky.
The evenings are thick
with sweltering droplets
that hang beneath
the orange street lights
that cast a muted glow
onto your salty lips
and hazy eyes.
The day's steam.
And as the water fills your lungs
And as your clammy hands run through sweaty hair,
summer is alive.

Humidity in practice
invents beads running down your back
that pool in your shirt
and matted hair that sticks
to the nape of your tender neck
while you claw at your throat,
suffocated breathing
in between the condensation.
The days are layered with
mirages on the bubbling asphalt
like a sea that only burns you
and the yellow lines are
the only safe haven
when crossing the street
with just your soles.
The summer's plastic bag.
And as the sun blisters your skin
And as your hands only long for arctic rain from a calcium faucet,
summer is alive.
Jim Sularz Jun 2012
(Creation to the end of an Ice Age)
© 2008 (Jim Sularz)

Sun’s first rise over life-less skies, the earth cools, and the waters pool -
the sun burns East to West.
And the planet’s broken plates quake and move.

Lightning strikes, the waters stir, and the bonds of life begin to churn -
the sun burns East to West.
And the waters swirl in a living urn.

Strange aquatic things, they all evolve, some spiny finned, start to crawl -
the sun burns East to West.
And they slowly stretch ***** and tall.

Eons past where the cunning reign, a savage place, with small sized brains -
the sun burns East to West.
And the dead surrender their twisted remains.

An asteroid streaks from the sky, blocks out the sun, cause most to die -
the sun burns East to West.
And all in the blink of time’s eye.

Footprints in stone, some on mountainsides, make it clear that rocks don’t lie -
the sun burns East to West.
And the fossils always tell the time.

Eons past and eons more, the fittest evolves, and man is born -
the sun burns East to West.
And the early brain, once fast asleep, begins to dream and mourn.

The first million years, man lives in fear, learns to hunt, invents the spear -
the sun burns East to West.
And migrates to claim the vast frontiers.

Tools from stone and controlled fire, creates language, that shake man’s empire -
the sun burns East to West.
And splash cave paintings with human inspire.

Life-times of hunter-gathering, and story-telling in the dark -
the sun burns East to West.
And a world spins with a million hearts.

The earth starts to warm, the oceans rise, and the waters shape the lands -
the sun burns East to West.
And when an Ice Age ends, then comes, the Age of Man.
Readers:    I wrote most of this poem in Morrison, Colorado at Dinosaur Ridge, not far from my home.   It's a wonderful place where dinosaurs have been found fully intact.    Up the mountainside, there are dinosaur tracks that are now exposed on the surface for all to enjoy.   It's an amazing place that's just on the east side of Red Rocks amphitheater where the best entertainers now perform.  
Check it out:  http://en.wikipedia.org/wiki/Dinosaur_Ridge
http://en.wikipedia.org/wiki/Red_Rocks_Amphitheatre

I hope you enjoy the poem,

Jim Sularz
Geno Cattouse Feb 2013
Total abstinence is so excellent a thing it cannot be carried to too great an extent and

Wit is the  sudden marriage of ideas which before their union had no relation.

Americans will occasionally astonish the God that created us when given a fair shake .

Indecency is the first thing the missionary teaches the savage.

Nature knows no indecencies ;man invents them.


Fiction is obliged to stick to possibilities ,truth isn't.

Action is always the way ; words will answer as long as it is his neighbor who is in trouble.

Truth is the most valuable thing we have.Let us economize it.

Herodotus says,very few things happen at the right time and the rest do not happen at all

Obsession is the man with a hole in the seat of his pants and cannot keep his fingers out  it

My mother had a great deal of trouble with me but I think she enjoyed it

Size of the dog in the fight dont count.size of the fight in the dog

Dont go around going the world owes you a living. The world was here first

Denial Just aint a river in EGYPT

Prose wanders around with a lantern & laboriously schedules & verifies the details.

The reports of my death have been greatly exaggerated

Hunger is pride's master
meGaThOr Jun 2018
world is a fallen butchery of meats,
spreads meat over and over
gives no names,
the meats smoke lives,
rot or dies,
other meats appear,
other meats rot and dies,
the meats spread out like a butchery,
the meats move and dies,
the meats rot,
or dies from accidents,
other meats appear,
other meats dies,
the world is a butchery of meats,
as do not know where to lean,
invents policies, policies,
is space arrangement of meats,
a place, a flesh meat dies,
there would be no policies,
many meats a place of dead,


but the world of dead  meats
butcher the planet butcher dies.
The Dedpoet Feb 2016
High voltage poetics,
       Planting words seeds
In a field of nomadic minds,
     In a sky of dreams
Bursting above the magnetic stars,
      The skin of words
Peeled from flesh of life,
        The page is a silken weave,
The words threaded in a void,
        Syllable construction
Of a spiraling flame that invents
      A city
In a day
     In a life
In a person-

    The thought deconstructed
Into metaphysical metaphorical,
    Musical mandolins,
The mandolinist touches the foreheads,
     A pack of wild people
In the wild city nocturnal,
     The spectrum of voices
In a rainbow of verbiage,
      A wonderful desolation
As the hours fly as a writer flies,
       The Sunstone's dial
Burns time at the crossroads of midnight,
     We are a gallery of echoes,
Our history lives today
    Hushed into memory,
Diaphanous vision
    Accumulated into the mind
Vast as the moment,
     The mirrors reflect the Word
And the Word is life,
      Reasons are a geometric anomaly
With morality at the center
Of the theoretical poem:

   I choose to inspire,
Which means to live and observe
Daily reconstructing in the poems,
      But the poem is not truth;
Poetry like history is made,
    Eyes of language,
The truth is to walk it,
Inspired to live and the dream
Is written in verse.
John Thomas Aug 2010
Like a leaf falling unknowingly towards a blade of grass…
I impacted at dawn with the sound of a faded smash…
Invaded by reality, my brain whipped up a list of tasks..
But I quickly yawned it off in favor of dreams from the past…

How nice is it to retire to a place of wonder and passion…
When your days are filled with pondering your squandered rations…
A place away from heartache in a land of exotic fashions…
Strange tales of horror mixed with ****** interactions..

What a world it is that our dreams create…
Even giving glimpses of a future face..
Or maybe a real story from a future place..
Of guts and glory from earth or space…

They open Pandora’s box of ideas and images..
But unlike life, the dream diminishes…
Like the feeling of love lost with sleepy grimaces..
And the attack on your foe that’s lost it’s viciousness..

The ability to be in one place then instantly in the next…
The thought of how you got there never leaves you perplexed…
It just is what it is like the characters in this text…
Images of prisoners that your subconscious collects…

Lined up next to each other, depicting events…
Comedies, dramas, love stories, and suspense…
The feeling of realism is just so intense…
The horror is horrifying and the fortunes are immense…

That’s why I love these stories my brain invents…
So now I’m off to catch tonight’s main events…
By John Thomas

http://johnsbigpicture.blogspot.com
Felix Char Jul 2014
For years,
God was as reasonable
As any other immaterial thing.
He was in the mornings and evenings.
He was in the washing and in the sleeping.
He was in the walls and the dirt;
He was in the blood.
But as with all things perfect, infallible,
Symmetrical,
Time will only wear
Away your sureness of them.

This unfaith creeps on us
As a dream does.
We are assured against illusion
if we will not investigate.
(You could run through it
For years, not letting it end.)
But when we see the trees' reflection
Glinting off the frozen lakes in winter,
Or else read the words of a Frost
or a Keats,
We find, He is no longer in any of these things.
Whether we are then numb or stricken,
His absence will be hollow, unavailing:
"In the depths all becomes law."

If it is possible,
We should not be terrified;
Though we are always terrified,
And if not,
Then blissfully mistaken.
We must slake our lust,
At least first,
In the physical and close at hand.
We must burn with the mornings and evenings.
And be borne in the unravelling of
Washing and sleeping.
These dutiful rituals,
ephemeral and eternal,
Are in each who've walked before us,
Who've learned and hurt,
Who've breathed our air.
It is here we find
The solace of our ancestry.

And when these, too, become tiresome,
And we are stretched thin
By the weight of the metaphor of all things,
Wholly in those most simple,
Be sure that even this
Deepest gravity
Invents itself from within us.
So trusting are we that
The breaking of our chest
Is reasoned through;
That we are meant for this pain
Or that joy.
Is the parting of the grass made; is it designed?
Even from the tides,
We demand divinity!
We must strive to divorce
From these assumed perceptions:
Become the science, sterility.
Be as simplest machines,
dividing cells:
No use of colours,
No shades,
No God.

Then,
When we are yearning from
The meanest seed,
Quickening and suffering,
For now we can not be reduced
But unto death,
The greatest truths lie herein.
Now, we can suppose longing
Onto handshakes,
And let each small weight upon us be Sisyphean.
We may let, too, jubilation be in
The sun's rising, and in all
Things of measured confidence.
In each fleeting moment,
We can appreciate that we will live
For an infinity of moments,
And also not even one.

Suddenly,
He is in these things.

We can be sure He is no corporeal being,
Willingly given up by our tabula rasa.
And we will know that His visage is made of our fathers
And we are in Him: nowhere.
But He is in our questing
And too, in our need for Him.
And He bends backward,
Head over heels,
twisting like our own anatomy,
To meet us, to free us.
We have felt Him each second we have yearned,
And each second we are bloodied by this yearning,
By these moments.
He is in our most procellous highs,
and in the damp wake of loneliness.
When we hurt most,
We know, with instinct, to let pain in,
To lay bare and be torn,
And torn again.
Why should this be?
Because He is there, too!
He is in tears but
So is he in love!
And love is in the ***,
Love is in the burdens.
Love is in our greatest triumph
And hiding still in our writhing panic.
In our joys and fears,
Our surrenders and our suffering.

We are made of the stuff.

And if one of us should fall in His name,
They will then be immortal.
Not in the sky, nor beneath the Earth,
But in the hearts of humans;
In the mortal, frail, beating hearts
Of those who still bleed for them,
Still ache for them,
Every morning,
Every evening.

He is love.

And, as ever,
So are we.
Mateuš Conrad Jan 2016
he's not my favourite writer as such,
in terms of his poetry, no finer antagonist
for his two virtues: honesty and poignant
vulgarity, and as a "drinking buddy,"
i treat him as an antagonist, you'll see why
when i write the following:

he came to america aged 2,
so obviously, knowing how immigration
works, and how adult migrants
are politely told to integrate, which
includes forgetting the mother tongue,
i came to england aged 8.
aged 4 my father emigrated to england
because the once budding steelworks
in my humble town of birth shut down,
over 10,000 out of work,
then other trades buckled under
the weight of enemy propaganda:
levis, coca cola, john paul ii, you name it.
a vague memory of my father was
impressed into me, the 1994 world cup
is my best guess on t.v.
my mother left when i was 6,
she left me a present, a dobermann pinscher
i named axel (after axl rose from guns 'n' roses),
mad *******, bit everyone
and almost took my eye out after i whipped
him for attacking my grandparent's dog,
an alsatian. so technically the earliest
cognitive developments were done
with my grandparents as my surrogates:
grandfather was high-up in society,
was a manager of one of the steelwork
conveyor belt warehouses that produced
train springs and produced the steel columns
for the 1998 world cup in france (stade de france),
but he drank, came with the job,
broke my grandmothers hand,
when i was five i marched him drunk
from his mother's birthday party through
the entire city - but i guess things happen
in your childhood that you can't alter:
his father left for america (spoke 7 languages,
so obviously not a serf), and when he wanted
to make contact his brothers lied about my
grandfather being a rascal of sorts: thief,
hooligan, so so they could get their grubby
hands on the family estate, which, rumour
was it, was rather large; and maybe seeing
the red army invade (boys who slept in barns
in hay with goats), and the ss-man in black
uniform giving him sweets (herr, bite bonbon,
although he says it like the man's name was,
yep, herr bitebonbon - child's word association,
mr. who-gives-sweets), then seeing the ss-men
in rags fleeing from the hammer and sickle dragon;
not to mention his stepfather beating him,
being a miner in the newly integrated lands of
silesia, and many more details i guess.
so anyway, they were my surrogates for some time,
i came to england aged 8 without any knowledge
of the language, learnt it pretty quick, self-taught
mostly, brain still a sponge.
father laid the foundations of dockland's light railway
at the time, but then had a chance to become a roofer.
poland was not in the european union at the time
i had to depart when i started high school,
figure out the reasons sherlock:
spent an autistic year in poland, split by not having
learned the language to a satisfactory point
and forced back to relearn a tongue i was slowly forgetting.
after a year came back to england, plan was to go
to argentina and then america the first time - alas...
but i came with a resolve to never part with my roots,
TO NEVER, EVER, FORGET MY MOTHER TONGUE.
took to studying under grandfather's motto:
matematyka, fizyka i sport / ucz sie, ucz sie, ucz sie.
so i did, went to university to study the sciences,
i could have gone to the russell group bristol or
warwick, but for the budding in me romance to have
started writing ****** poetry, i chose edinburgh.
stayed 3 years, failed french in first year after a brief
losing-my-virginity relationship with a french exchange
student of psychology, failed chemistry 2nd year,
retook exam, no summer fun, 3rd year failed chemistry,
summer in st. petersburg, retook exam and got the ******
degree: immigrants pride and pinnacle i guess.
some horrific **** after, got reduced to working in lidl
for a day, got the job, came in drunk, shoved a bunch
of pickle jars on the shop floor, cut my hand open and
left (politicians are now saying - graduate jobs for graduates,
well, evidently not). but in my 3rd year i met my love,
philosophy - took to it like fish to water, i can't lie,
this is where my antagonist comes handy - he's
being pompous and rightly so at being critical of the
poetry scene, of people studying literature to only
create more literature - i get that, but that's hardly an
attack on learning, or the sheer love of it;
and based on reading an academic work on him,
i gather he has sympathisers behind the enemy lines -
but i too don't like poetry to convey naiveness and
innocence to the world, a dreamworld where everything
comes true because of the way you think of it
a priori, since i guess when the world proves otherwise,
there is no original output of idealism, no cute puppies,
but lynched dancing bears and overworked horses
and the fear soaked eyes of cows in slaughter houses,
this *a posteriori
situation leaves most former poets
crushed... crrrrrushed... they either stop writing,
continue writing lies to children, or wise-up,
become as cruel as the world, although a hermit's
cruelty - 'world, on my terms, and with whom and when
you will know that i am still here.'
but it's like that - one invents, the other gets all the credit
and the most famous one of the three doesn't know
the first one when talked about by critics and admirers,
e.g.? tristan tzara, cabaret voltaire, dada anti-war movement
of 1914, invention? cut-up. w. burroughs "perfected"
the method, and thirdly bowie used it too -
critic on television while dirges and epitaphs came:
burroughs' burroughs' burroughs'.
this world has become horrid - all those wars on paper,
all the et tu brute et tu brute et tu brutus?!
all that fame - but ask any banker about infinitesimal
calculus and he will be like... huh what?! what for?!
investments in wars, rocket projections, that kind of thing.
and about that - the horrid nature of the argument:
what came first, leibniz or newton? chicken and egg debate.
both at the same time i guess.
and it's this pervasive first in line, i want to be first in line
incomprehensibility in me -
which means there are only a few famous people
everyone's agreed on, and they're anonymous -
the man who discovered the fermentation process,
and the shaman with ***** who sifted through amazonian
poisons to find a hallucinogenic,
to name but a few of the truly famous ancients.
in conclusion - had bukowski been taught german,
or had been old enough to remember some german,
his writing might have looked something like this;
i too with acne, chernobyl birthmark,
heart condition, and a forcefully induced
****** scheme sophistication brain haemorrhage,
resulting in wrong diagnosis of schizophrenia,
fuelling my subsequent splashing money on
psychiatry books and beating about 5 psychiatrists
at their own game: given my stature of 6ft2
and 253pounds... they were worried i might do
something grotesque - hard to get a discharge,
but got one after 7 years of wrong treatment;
that's like prison, worse, you are living in a society
that tries to pacify you, seeing all the pleasures
of society with people enjoying them, dangling like
a treat, and you're told you're "sick."
i'd rather have spent 7 years with those deservedly
locked up: at least a feeling of solidarity for god's sake:
so as you can imagine, my investment in an internet
presence or the internet's appreciation of it
is about as important to me as yesteryear's snowfall.
MarkTheGr8 Jul 2013
Take out the trash
and ponder
A typical day
in gravitational pull

We use time
surprisingly more now
Than any other time
in history

Every week
there's a new internet
But nobody invents anything
a genius is an intellectual scavenger

As long as
there is Open Road
The familiar has
**the most formidable competetitor
Based on newspaper blackout poetry: http://www.visualnews.com/2013/02/15/newspaper-blackout-poetry/
Stranger than me, or too much alike
some wrangle upon toilet papers
plastic cups out of place or lost time;
peering past, another wanders on.

Tinkling wires and rainbow faces
hearing, seeing, perchance aurific speaking
the namer among ten-thousand petty things
or squinting upon the verge of time, espy a sequal.

Step by step to round the universe
or being fell-swept away in cubboards
seem or act unseemly, like or dislike
played to the order in the round, circling about.

Why so familiar these drabbed tones of ant trumpets
or wineskins grown old to leak and sputter?
Tis the wish and will, holding like ****** to the ropes
great gales n frothing nothingnes storming on.

But We, blown upon the Aether of the Soul
a great conquest of rousing dignities;
here, under nooks, behind secret doors
or bounding past, lightning speed, relay some wonder.

Shock of waking, or dulcet tones in the Alarm of life
our shadows twist, there on the lintel of private hours
our care, held through the Night kinder endearments
then danced over reeling waves for sweet inspection.

Here unalone a look, a voice and laughter ring the ears
a crying out, or trebled inward sigh, too close to trembling-
Who is this Sojourn Friend?

Perhaps our best of self combined
no more allied to faithless days nor dark an empty smiles-
strange wastes some carelessness invents to wrack the hours.

But We, no stranger to the Sojourner's faith, Are One.
eli Dec 2015
you ask, "why i haven't killed myself?"

I.
the day she died,
i remember my father telling me
there are millions of good girls out there
then i realized, she was the one in that million
and for her, i'll stay alive for another trillion

II.
my hope that one day, this pursuit of happiness
will eventually peruse me to joy and success
but i wear anxiety like a dress
to the point i've made this whole 'killing myself thing' a mess

III.
for all the heartbreaks i've endured
there will be one girl that invents the cure
but i reject love to the point it's lost its allure
and death is the only thing that has become sure

IV.
why i haven't killed myself?
i am already dead.
we said we'd grow up and meet in a coffee shop one day
now you're gone and to see you again, my life would be the price to pay
but you have reserved your soul in me, embedded like espresso in a latte
push these pills away, and hear you whisper "there are other ways"

V.
i outright refuse to hear my grandmother's religion talk about suicide in an ignorant manner.
i rather not be the talk of Christmas dinner
and rather endure my aunt's repulsive dessert than become the devil's bread-winner.

VI.
why i haven't killed myself?
i am already dead.
i am finally starting to find love again
and i'd rather the ink of this pen die before i enter Heaven's den.

VII.
i can't handle seeing my brothers at my funeral
hear them whisper of all my "wasted" potential
then see them leave to use drugs as their coping utensil

VIII.
i would get to see her again in heaven
but she would bring my heart into a deep descend
as she says "to me, you are forever dead."

IX.
everyone would speak about my sacrifice
but i wear pride and it shreds my skin like knives
and god forbid, i disappoint my loved ones before i end my life.

X.
why i haven't killed myself?
can't you see it? i am already dead.
i died the day she left and i'd rather my final words to her
be the last thing i've ever said
than a stupid poem about how i kept wishing i was dead.
for her.
Mateuš Conrad Jan 2016
i found two things bewildering,
alzheimer's attacks the pronoun
category, and other forms of it too,
but modern psychiatry
having abolished asylums for
a humane revision of its practice
has become a branch of medicine
that over-prescribes nouns,
and by such over-prescription
invents noun jargon,
it cut open an ancient greek word,
used the prefix (overly) and added a suffix (sufficiently)
to make no sense whatsoever,
it prescribes neonouns like it prescribes
pills that don't work... or if working
then in a negative way... anti-psychotics
can make you **** yourself in your bed
when sleeping, i've been drinking for some
time, and my bladder is arnold schwarzenegger,
when i used to be on anti-psychotics for
no adequate reason (living in a post-colonial
society does that to you, you can come from
lithuania or poland and be treated like a
would-be coloniser to extract the fastest
sprinters for a new country, without the "doctors"
treating you adequately),
so as i said: alzheimer's attacks the pronouns,
the iron core of the earth that's an individual
thus dislodging all the adequate orientations
of categorisations of words... like psychiatry
abuses the noun category: schizoid, ******-affective,
plain dumb schizophrenic... bi-polar, uni-polar,
plain dumb depressed... psychiatry has long
established a monopoly on nouns...
i just use their terminology to excavate a new
grammatical categorisation of words,
from poetry, among nouns adjectives pronouns
and conjunctions... you'll find psychiatry nicely suited
and booted as a word categorisation: metaphor:
all psychiatric diagnostics should be categorised as
metaphorical... 'cos they name it... but have no idea
as to how to behave behind it: it's not like they
say cancer and you're expected to die...
you're expected to live in their terminology
of treating you for a ******* pay-cheque:
you won't even commit a crime, but they'll
treat you like a criminal... so long suckers...
i mean western europeans, i rather live in (as the
americans say) i-raq... and shoot a bunch of you
protected by what i see as the final solution
you thought was once church v. state...
how about segregating democracy (the church)
from bureaucracy (the state)... but of course
the two are mutually dependent.
kiran goswami Jan 2021
Her job always has had an inflated demand
and ironically surplus production too.

The men’s job, I wonder if
it is their hobby or job.
So, the men’s job has demand amongst themselves
and production too.

Hers is a common and a well-reputed career,
until it is achieved.

The men or at least a man
might choose not to opt
for this career.

She, however, has no choice, as always.

So, she looks at her ancestors,
Her great grandmother who was a wife.
Her grandmother who was a wife.
Her mother who was a wife.
Now, she too has chosen this job.

There is no other choice, of course.

This job has not been her job
since history began.
This job has been her job
since her-story began.

Her job does not require
travelling nations and crossing borders.

Her job requires
staying.
Confined, caged, in-home.

That’s home for him,
not home for her.

That’s her experimental laboratory,
She conducts experiments.
That’s her cricket field,
She plays.
That’s her hospital,
She cures and treats.
That’s her restaurant,
She cooks.
That’s her engineering workshop,
She creates and invents.
That’s her writing room,
She writes.

And that’s her prison too.

And in this prison,
she is her own jailer.

Her job requires only
a few tasks to be taken care of.
Tasks assigned to her sound easy and self-fulfilling.
But she must do them dutifully.
For she, is a wife now.

Nothing more,
Nothing less,
a wife.

But her husband,
is not just a husband.
He is a man.
The man.
A child.
An experimenter,
A cricketer,
A doctor,
A chef,
An engineer,
A writer,

A politician and A king.

And his kingdom,
belongs only to him.

In this highly reputed job,
this only job that she is supposed to have,
and stay loyal to,
with her body and soul,
she is expected; expected of a lot
but never supposed to expect from
and express to.

So, she is expected to not wish.
Because wish leads to worry or somehow even vanity.
Wish kills her work
and that is her tagged happiness.

Thus, she must work,
so, she is called happy.

She must be a wife,
so, she has something worth living.

Her job is the one that requires
her to reach nirvana,
before she starts living.

It is not forced upon her
to choose this job.
It is bought to her
in a jewellery box,
as a necklace,
that she continues to wear
even after it hides the tattoo of her personality,
carved on her neck;
chokes her every time she tries to speak
and eats her words before she births them.

She still, however, continues to wear this necklace
because she has been conditioned
“Beauty is pain, Pain has beauty.”

Songs like “beloved wife” and “my wife”,
make her love her job, but hate herself.
So, she listens to them over and over again.

She avoids reading the newspaper or watching the news
because she knows that if she reads them,
no husband, not even her own,
would be able to look at her in the eye.
And she will not be able to look at them without crying (or killing).

In her job, a resignation letter is the same
as being expelled.
So, it is made sure
that if she takes such a step,
she is not capable of moving anymore.

But out of all these, what makes her job the funniest
is the irony within.
Like she has freedom
but should not be free for her freedom.
Like she is protected but from others
in danger of her own self.
Like she has all the happiness
but she shouldn’t smile too much or make any noise when she laughs.
Like she is a wife
but she is not loved and has done nothing to deserve that love.

What was her mistake that she should not be loved, you ask.
Well, nothing and perhaps everything.

Sometimes, when she is tired and exhausted of her job,
and you go ahead to ask her
“what is more difficult, to be a wife or to be a mother”
She would look at you, for not more than 10 seconds,
and say,
“to be a woman”.

If there is something, she needs to be wary of,
It is people and words.
Because there are certain words,
that if used for her,
would disrobe her in a public square,
where her husband
would be a witness
or perhaps a member of the disrobers.

So, all she should be wanting
to be called
is a word or a name,
to get disrobed by just him
or disrobe herself only for him.
There is much scope in that.

In her job,
she is expected not to wish.
But she does.
She wishes too much sometimes
and on somedays,
just one thing.

She wishes not to be his wife
or ‘a wife’ at all.

But she does nothing more than to wish.
She cannot do anything more.
Because her job always has had an inflated demand
and ironically surplus production too.
Diane Feb 2014
Wading through the mire and sinkholes of contingencies
I move gingerly, quietly, gasps merely whispered
upholding propriety and pragmatics of
housing association bylaws
enough to make me consider mowing my own lawn
but humans are human, co-exist as they say
And although I detest your husband's cigarettes
I am quite sure blowing smoke back
down the air vent would not be as effective
as your decibel oblivious obnoxious self, imitating my lustful voice
I am a reasonable woman, truly a lady, preferring mature consultation
But the fact is, honey, if you imitate me again
when summer air re-invents lingerie season
the two of you might want to go outside for that smoke
because you haven’t heard anything yet
Mike Arms Mar 2014
12
the weight around absence of might
will slowly bury collapsed matter out of
our style

the entrenched wretched waste of verb
is sewn hastily to this fray
out of sight

the pale adventure will pause on a petal
resuming criminal affections of
the retina

one phosphorous bible verse thread
invents one stone knot end
ad infinitum
Kassiani Jun 2011
I’m in the business of invention
In the art of new intention
Making something out of nothing
And falling back on no convention

I’m a spontaneous generator
A clumsy, crude, and crazed creator
Deftly dodging laws of physics
And without a moderator

Unchecked I grow my thoughts too fast
Too big, too bold, but built to last
Fed on dregs and trivial words
And made of insecurities vast

I’m in the business of spinning tales
Of conjuring roaring mental gales
Convinced my happiness can’t stick
And swallowed up in false travails

I’m the master of complication
The reigning queen of brute frustration
The duchess of dismantled plans
And dreams that fell to degradation

See, my mind invents its own dismay
And cannot think a simpler way
Assuming all must fall apart
Thus keeping hopefulness at bay

I’m in the business of delusion
Hooked on sinking in confusion
Stuck with a mis-wired brain
That treats all joy like an intrusion

I’m a wild contradiction
Anxious over bits of fiction
Wishing for the chance to breathe
When this rush is my addiction

Worrying is what I know best
Accustomed to distraught unrest
Small wonder that a happy thought
Is treated like a passing guest

Small wonder that my frenzied mind
Assumes that Fate must be unkind
So even when the tides have turned
I cannot leave Distress behind
Written 6/13/11
The old and the new,
do you remember
December back then?

Stockings hung
bells rung for School?
fool,
no school at Christmas time.

What now?
Google invents the new advent,
twelve days and a million ways
to find everything,
Google
can even sing you to sleep
carols to keep you snug.

Bah humbug,
handbags are on another page
Google and see, but
we
remember the go out and look days
I guess
we
are set in our ways,
the old and the new do
what they do and
I do
too.
Third Eye Candy Oct 2011
The bones of love howl such parodies

That cannot speak more seldom of Paradise

Black sand irritates the Pearl...

Faith maligns the Believer

As God invents Pain,

Shrill phantoms

Over Love's

remains.
Natasha Teller Sep 2014
upon the scaffolding of your bones,
she builds.

where a heart used to beat,
she invents a wild chaos with taut strings,
a mechanism fueled by *******.

she paints the walls of your long-silent skull
with a fresco of desires you never harbored,
vices you never possessed.

systems of ascension are fixed to your spine;
an express elevator, a jet, a zeppelin.
with glee, she crashes each one.

her vision shreds the blueprints.

and i, who walked the old halls,
who knew the sonorous echoes of your heart's hollow,
who learned the secret passages and the warmest rooms,
am powerless to halt her sabotage.
I sit here writing
from the top of somewhere
I do not know
what the future will bring
but I am what I am
and that is it
wherever you go, there you are
wherever you go, there you are
wherever you go, there you are?

wherever you go, there you are
it’s a conversation
that you need to be careful about
it’s a conversation
that you need to be careful about
and we walk around
the abyss
and we walk around the abyss
letting ouresleves fall into another
time frame, another mixture
another melody that is meant to be broken
defined only by beauty
beaututy in all of its factions
and they go away away away
sway sway sway sway
allay allay allay
I can be the person
who invents the typewriter instrument
I can be the person
who invents the typewriter instrument
irinia Dec 2023
the city looming deeper in its final rays of clarity, the yellow of an embrace enticing like an unknown skin, a flock of dark birds moving like a promise, the feeling of the ****** self, hundreds of years of desire. never stop asking the impossible questions to capture the paradox of life, how much trust we need to acclaim its splendour

something possesses this unseen something, it makes me shrill and tender, furious and ripe. how much disappointment can we bear. I want to be  engulfed by sunset like a fool, I stand with my eyes open for rain to fall into my dreams. love is something life invents to keep its honour, from the stones' point of view, love is mysterious, from the point of view of nothingness, it is everything that can fill the flesh, the empty space of atoms,  a sweet preserve. it teaches us to endure the hidden face of light

at last she no longer possesses me, at last I possess her briefly like a window posseses the clarity of morning  
I am humble, insatiable,  less blind, I am fierce and proud

We are, says everything that simply is
Barton D Smock Jun 2015
Alien’s heaven

poems

Barton Smock
June 2015



pilot light

baby, baby talk, and pilot light.

kitchens everywhere,
god is alone.

no brain

father smokes to make something disappear. he says he’s no brain but can pass for touched each time the bug is resurrected. when he rolls out of a blanket and into the side of a building, I believe again in the man mistaken for god’s pencil. mother can’t leave him anymore than she can leave her ears. terrify no one your childhood knows.

son

it was born in a bath of milk when there was milk to burn.  it drew with daylight.  when asked for details, it pulled a shadow’s tooth.  we took it to a movie, a war movie, where it made its first noise.  its pain went everywhere.  it sold, it sold until it ran out of clothes.  its mothers had fight.      

knees

visiting hours are set by a god who knows I smoke.  leaving my mark means I’ve pressed the barrel of a cap gun into my brother’s temple because the ****** keeps scooping into his ballcap the same toad.  my two fathers are here to bounce things off my mother when she prays.  sit long enough and ***** will dry them together.        

yearly

our collective identity is a sick child. some say fever, some say welcome to the loop of the biblically speechless. people are for others. are for making eyes at the gender of the god as it oversleeps in the coma we slip from. the child prays. the child causes a stir in the pastoral urgency of a moral imagination. we pray. we miss yearly the showdown between the town drunk and the town ghost. I trace a finger to put my finger on. the television belonging to our lady of snowy reception has fallen on our little angel more than once. nothing in the world is the world.

boy and gun

it entered my heart
to take a bird
from the world.
I felt nothing.    

the recent absence
of nothing.  

vernal

when you begin
to show
say
instead
you’ve a soft

spot
for god

race

says poverty
someone
at this table
has nothing to hide.

says father
touching
a UFO
cures frostbite.

says mother
open
the stomach
of the winning
monster.

area

somewhere, the mostly boy body pretends to be explored.  we are not we.  my mother ruins a sketch of my mother.  my father smokes two packs a day because online he was called prematurely haunted.  the name of your existence

is

priest retires to make umbrella for jack-in-the-box.  (her bus

is rain)

barbaric terms

each twin
slower
than the last, she spits

over my dead body

baby
after baby
out.

as news
of the massacre
spreads, the young
call it mother
by word

of mouth.

longing*     *for Gen

the baby boy stiffens at the sight of unrolled dough.  we say he is pointing the way to god.  crippled by the sadness in her hand, his mother keeps a claw mark like one keeps diary.

closings

trespassers
shoot themselves.

your son gets hired
by city

to illustrate
a book on mirrors
for households
with one
adult.

my son
dies
before the machine
that keeps him
alive

turns on.

a doll in doll country
burns its nose
trying to enter
the future
museum
of racist
oddities.

my hand tries my hand at forming
firstborn
erasures
using only
redactions.

god is exiled
for bringing
the animal
its childlike
behavior.

I am far too animated.

your body is the notice
eyes

give.

ins

night
the land
of a single
unseen
settler  

-

father
half eye, half oil    

-

self, self panic

bloodless     for Noah

my brother was blinded by a crow.

I’d tell you the story
but know
you hate it.

*******.

brother’s darkroom
became
the crow’s.

breathing spells

I chased only
the brother
I’d dreamed
of beating.

I told my sister
she didn’t have
a tail. told mother
it’s not suicide

unless you ask
to be born. I had a hand
for the year
father

went quiet
a hand
for the year
father

went quiet
for good. had dolls
over which

dying
out of character
held sway.

intelligence

magic amplifies in my loneliness a single flaw.

a bird, a high window. sound of a brain cell.

hunger and its unremarkable kitchen.

as a doctor I hammered the baby’s knee.

bio, and the undisclosed location of god’s recovery.

harm is harm’s audience.

disability jargon

i.

when it opens the bomb
it knows
like my brain knows
what it sees

ii.

homicide grief
is a recording
god’s message
speaks to

iii.

eight years old
she leaves the trampoline
in her body’s
fearful
accounting
of self

concord

cap gun.  swag from an uncle’s suicide.  

the daughter
the ghost
cartoonist.

voodoo dolls
in isolation.  isolation

in its prime.    

altar

the baby is too light.  its mother puts it on a scale that reminds her of a plate her empty childhood couldn’t break.  its mother invites neighbor boys to punch her in the stomach.  some of the boys bail.  some don’t.  the mother’s nickname doubles as her real.  the baby is not called bricks.



zero

when I couldn’t get my head around the surrender of my body to the flotation device of an immaculate conception, I’d simply swallow a baby that had swallowed a pill.  years go by and I am zero.  the number arrested for suicide.        




basics

because he is asleep, he does not find himself sleeping in the tub.  something slides from his belly and becomes wedged.  his dream business goes under even in dream.  he makes eyes at CPR manikins.  his son, his life, pushes for legs.

preparedness

you look like you’ve just been given permission to sleep in your clothes.

it’s a **** whistle only crows can hear.

it’ll put sheep
on the moon.

outlet

depression is a non-starter.  depression is depression unknowingly cured.  it is like I have this shirt because it exists and not because it invites everyone whose shirt it’s not to enjoy joy.  I don’t want to hear you say you’re sad to say.  I ******* to reappear and think it might be why my father vanished.  it’s enough during foreplay to flicker.


viewership

my youth spent trying to see the devil as a young man.  my motherly youth.  my **** scene a return to form.  cut from yours, you have your baby’s eyes.  I went unborn.  I went beaten.  we went together in broad daylight when broad daylight was god’s elevator.



pressure

the original thought in my head was to be postdated by god until god learned he had a baby on the way.  I had children until I could only have four.  what I say to self-harm is pay attention.  my daughter raises her hand on the off chance she buried something in her teacher’s body.  (we have stopped talking

but I can squeeze her anorexia into a phone booth)  poverty myth:  I groom my sons with the beak of bird abandoned.  real time I tell my tongue it’s ******* curtains for the mouth I’m getting.  full circle my daughter surrounds those brothers of hers that mine clone.        

high

mother, in the early stages of her food fight with god.

father, I can’t bury
my face.

in lieu    
of the lord’s
dog, raise

the lord’s
bone.

the mice

the conditions for mentally composing a suicide note for his sister are less than perfect. she’s sitting on his bed with a cigarette in one hand and his baseball glove on the other. both hear three traps snap shut in the kitchen. sister gags and it makes him think about gagging. now no more, these were the heart of the note.

signal

as my face
will one day
correct
my body
I expose

the elements
to my
ugliness  

-

my son is my search

history

-

headlights
when headlights
emerge
emerge
from a period
of non
worship

-

(wave your arms
long enough
you’ll have sticks
for arms)

-

they don’t  
happen
in my
lifetime
the terrible
things
I’ve done  

observance

when drought came
to my brother
I left
for the city
where I found myself
blanketing
manhole covers
with my coat
for women
who gathered
on rooftops
with men
whose daughters
had been killed
for jumping
rope

peril

I bit my tongue
when my tongue
was a cloud.

take cover, bones,
says my daughter
dancing.

I crushed my son
like a gift
and offered
god
my tactile
outlook.

stay small, future.  

persuade
a peephole
to show
some blood.      

no devil

the knock knock joke in need of my father’s skull is all that’s left of the outside world. hell was always the preparing of hell.

inseparable

mother is watching a show that keeps her from picturing the gods who portray us.  father is choosing an ice cube to bury.  myself I am very close to stripping for the cigarette my sister rescued from a baby’s crayon box in a dream that smelled like her clothes.      

masters

I have just had it written down for me how I am not classically racist. I am alone. I am brief stay of bullet. god is using each hair on my head to scribble on my son’s thought process. when I think of crab legs I think in color of the lightning bolt it snows inside. I miss mom. gospel, gospel that I hang these rags for invisible crows.

was

ask now my father if it still believes the present to be the future of a past life.  

ask then if it unscrewed one day each inessential light bulb that my party would have balloons.  

-

violence in movies.  also, food.  my mistake.  I glue myself

to nothing.  my shyness

-

is kind of
my angel.  

-

the body invents the soul it recalls.

gauze

the boy’s mother is biting off less than he can chew.  her insomnia
has put her inside a worm
her body
tries
to fill.  her milky eyed

-

husband
revs a tow truck
to death
in a heavy fog.  it is possible, humanly

-

possible

-

there’s nothing
to see here.  that her god

-

is, in a sense,
seizure activity
in the boy’s
spirit

-

animal.  

image

and do not
believe, as such, that yours
is a body

leads god
to inquire

godless

godless
balloon
animal

root effects     for Miles J. Bell

like he’s laying
yellow
on his road
out of grief
brother
takes a drag
and keeps it
until his head
is underwater
is what they call
with apples.

his eyes
have always been
two poverties
unexplored.  he is old, alien’s

heaven
he is old
but not before
he knows it.

the alien wept but was not heard weeping

not all
drones
dream
of you
blushing prince Dec 2016
Beginning with the swagger of my palm to the squeezing sensation in my ribcage
I realize that the modern woman is alone among everyone else
from the creative orthopedic doctor whose joints resemble that of an
air craft plane your father designed in 1953
to the zany business owner that counts their own steps and
watches the calorie intake of the television dribble
there’s a bit of resentment on her polished fingernails as
she watches feminist prose on stage of a bar with no name
and she drinks cordially, the same intake that a midnight taxi driver
takes to keep his sanity, just enough to recognize street signs
and forget people’s faces
she sits in her dining room table and admires the lump in her throat
never feeling at home with dinner guests so she invents
party games that freefall off her legs into the carpet
that used to belong to a woman with no legs and a smoker’s mouth
but she doesn’t know this because she got it for three dollars
from her neighbor who isn’t alive anymore
and the blood stains of the old woman’s breath have long
disappeared and it’s appealing, yes very appealing
the modern woman is alone among everyone else
that comes foremost, thus the shy boys become isolated women
and the cycle of who is who begins to spin but the laundry won’t stop
piling in a corner of a room
and as soon as it stops the clothes drip from gender to gender  
between the tiles of the convenience store, between the
local gas station where men sit in their pickup trucks staring
at the spit on the ground and wondering whose mouth
it regurgitated from
and the lights become more fluorescent, more menacing  
so the solitary companions start coming later and later
until the sun sets and the lights are off and the only way to
know if another heart is beating is by crawling on the floor
hoping to find a pulse instead of an unsteady table, or a broken
chair or window howling but one acclimates to such conditions
while the modern woman is most intellectual of all
there’s a primitiveness, a strange longing to look behind her
to continue with watchful eyes darting long glances at the past
and sighing with relief that this is now and the future looks down with
convincing not conniving glares but still she falls into the
pit of her own stomach and memorizes the world upside down
the words jostle about,  the approaches of curious hands
become welcoming and the universe that once was an oyster
melts into a pearl with a sharp edge, a tooth made
out of pretty godforsaken, the speculated
creation of something eternally ****** will always be ******
but you don’t have to agree with it, there’s no reason to
shimmy into a container of shouts when you could
easily assimilate into a vat of unknowness, to
belong to something so you don’t have to be anything
yes indeed the modern woman stands alone in these dark ages
but the swagger has been reduced to a soft calamity, the
squeezing sensations in my rib cage have been swallowed to a
slow pull, grasp, released clench of a heart
K Balachandran Aug 2017
From the past, a miracle; I come back here  alive!
The matter recycled, many times over has such verve.
Stardust, lulled by cosmic hum, minerals and metals,
The spirit transcending  timelessly is infused in to it!

Water, your messenger stimulates my whole being.
With dew drops ,fog, ice  and steam my skin is burnished.
I am a flow perennial, ever one with the water's quest
Drenched all over, I  drink rain water, get inebriated.

Wind, inconsistent, wearing a robe of smoke, now and then,
Breathed in to me currents generously  and said"Come alive"
Atop the hills I dance with the wind,the element of freedom,
Fly down like a colorful kite, in my wishful recurring dreams.

I walk the earth, like every man fighting his war to survive
The red earth like mother bleeds love for me, cheers me up,
Son of the soil,am I, ****** earth stimulates my all senses
I smear myself with sticky mud, green,then grows therein.

Your note of love I await, comes streaming in the  light,
Flashing over clouds, green leaves,waves and skylight.
My love undying keeps awake,waiting for a sign of yours.
To join you in the time you decide for me to take your hand.

Just an instrument am I, your love invents, to unite all together,
In your eternal spirit I  too move,a continuing love story for ever.
Barton D Smock Jul 2012
trauma
that it is
to be
in such
a short
time
the same
age
the ghost of rob zombie
invents
futility:

ghost on ghost.
Meena Menon Apr 2021
Haze scatters blue light on a planet.  
Frought women, livid, made into peonies by Aphrodites that caught their men flirting and blamed the women, flushed red.
Frought women, livid, chrysanthemums, dimmed until the end of the season, exchanged and retained like property.  
Blue women enter along the sides of her red Torii gates,
belayed, branded and belled,
a plangent sound.  
By candles, colored lights and dried flowers,
she’s sitting inside on a concrete floor,
punctures and ruin burnished with paper,
boiling burnt lime from lime mortar.  
Glass ***** on the ceiling,
she moves the beads of a Palestinian glass bead bracelet she holds in her hands.  
She bends light to make shadows against thin wooden slats curved along the wall
and straight across the ceiling.
A metier, she invents tinctures,
juniper berries and cotton *****.
Loamy soil in the center of the room,
a hawthorn tree stands alone,
a gateway for fairies,
large stones at the base protecting,
its branches a barrier.  
Its leaves and shoots make bread and cheese.
Its berries, red skin and yellow flesh, make jam.
Green bamboo stakes for the peonies when they whither from the weight of their petals
and lime in the soil,
she adds wood chips to the burnt lime in the kiln,
unrolled paper, spools, and wire hanging.
Wood prayer beads connect her to the earth;
the tassels on the end of the beads connect her to spirit, to higher truth.
Minerals, marine mud and warm basins of seawater on a flower covered desk,
she adds slaked lime to the burnt lime and wood chips.  
The lime converts to paper,
trauma victims speak,
light through butterfly wings.  
She’s plumeria with curved petals, thick, holding water.
I’m so grateful that women have websites to write about how they’ve suffered and there are people trying to help women heal that read their stories.
AFJ Jan 2015
she says she's excited,
more excited than when she read..

i'm still tryna make a prequel, but the script is in my head,

like,
her beauty was that of natures, sacred & amorous..
such a fine, divine, kind.. couldn't be captured by a camera lens..
&my; sole dream was to lay on that land of bliss..
till her hands grip the sheets &she; pounds them like hammer fists.

her taste.
like a heaven-sent, angel scent wine..
laced,
with a hint of forbidden nectar from the fruit of divine..

&sav;; some for dessert may have been the past deal..
but in this prequel, im digging in like its my last meal,

&her; pronunciation of vowels, is elite..
in fact, she invents a new sound whenever i go deep.

deeper than the ocean, our emotions have no depth.
&like; the sea the aftermath made it seem like we had wept*.




-afj

— The End —