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1421

Such are the inlets of the mind—
His outlets—would you see
Ascend with me the eminence
Of immortality—
Brittany Hesse Mar 2015
With the wind under my wings I soar
I see the west Canadian shore
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Nuu-chan-nulth – A caring and nurturing people are thee
Small families among the mountains, rivers, and sea
Vancouver Island’s west coast is where you reside
Awaiting your canoes on evenings incoming tide

Your men are fishing in the ocean’s secret places
Worry and hope etched in their weathered faces
Each man knowing the days hunting success must provide
For many wives, children, and elders the spoils they must divide

Your rhythm and harmony with the ocean is strong
Whale hunts and oceans spirits intertwined through your song
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
I hear the east call, and open my wings to take flight
The distant drum’s heartbeat calls from the suns rising light
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Coast Salish – You know how the sea dances and quivers
As you watch the expanse from your inlets, and rivers
Vigilance is needed in case a Storm approaches
To mount a defence if an enemy encroaches.

Your wise headmen lead with such divine humility
Your family life embodies true equality
Your features are defined by a broad face and flat brow
Your girls with plucked brows, braided hair prepare for their vow

You seasonally harvest your rivers resources
Spawning Eulachon and sturgeon complete their courses
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
As I leave your forests of tall cedars and aged fir
The drumming beckons me up the wild Fraser River
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war


Okanagan – You survive in the Valley and slopes
In a legend of a coyote you set your hopes
He educated you how to live off the hard land
Your very own lives you bestowed in his paw like hand

Your offspring, your joy, your future you know must be taught
So at an early age, to the elders they were brought
Your youths are handpicked and taught the roll they shall assume
If a warrior shall fall another shall resume

Your seasonal harvest of forest meadows and marsh
Will insure you survival when the winters are harsh
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
With the updrafts I glide over the dry desert plains
I hear the drum call from a land where it hardly rains
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Secwépemc – your men come out through the eastern sunrise’s door
Your women’s entrance faces the stream to ease her chore
In seasonal cozy houses built into the ground
In a secret place your spoils and possessions are found

Your request for spawning salmon grows louder each day
The messenger crickets announce salmons on their way
You hunt with arrows and spears you crafted from strong stone
Needles and jewelry you made from animal bone

You patiently, wait in the winter’s silent brisk eve  
For the deer’s stealthy approach from the snow covered trees  
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The drum it beckons from the land of river crossroads
The land where men come to bring and trade their canoes loads
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war


Dakelh – You are the people who learned how to barter
You are known as the people who travel on water
With gathered roots you weave fish weirs in the evening air
And you set your high hopes in the chanted salmon prayer

Your children learn from the oral traditions you tell
Chinlac massacres, caves where dwarves shooting arrows dwell
Your widows carry ashes of the husband they held dear
Their Mourning and sadness that will last over a year

The respect for the land for everything you have gain
Though much, and bountiful your harvest some shall remain
The drum it echoes, echoes, echoess, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
A plume of smoke and drum beat come from the distant Northwest
Echoing from the place where the Skeena River rests
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Gitxsan –Your Home is surrounded by snow tipped glaciers
Forests of spruce, hemlock, cedars, and subalpine firs
Your chieftain name and duties you hold for a short time
Other Wilp members are only ‘children’ in their prime

Like the rivers your families closely intertwine
Each account told is a lesson that is sublime
Each Wilp has your story told by a tall totem pole
Your History affects and moves you deep in your soul

Deer, Moose, and small mammal in the wild woodlands you stalk
You pursue the Mountain goat through rugged peaks of rock
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The drums incessantly pounds as I take to the sky
Urgently calling from remote islands of Haida Gwaii
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Haida - You live in the pacific northern islands
Your fam’lies Belong to the eagle or raven clans
You watch the tide rise and fall over the rocks and sand
Great mighty sculptures you have created with your hand

With strong healthy cedar trees you made your long dwellings
The entrance way totem your history is telling
Your warrior canoes glide through the rolling waves
Through victories and battles you have prisoner slaves


The sound of the drum beat is mixed in saltwater spray
To Vancouver Island’s west shore I must fine my way
The drum it echo, echo, echo’s, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
As I leave your vast, and memorable territory
In the soft twilight air I watch the sunset’s glory
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Kwakwakawakw- So proud you are of your mother tongue
Born in this beautiful land your ancestors came from
Noblemen, Aristocrats, commoners and your slaves
Your narrative exists among your forefathers graves

Your canoes bow is carved into animal features
The whale, otter, salmon and other sea creatures
You hunt with such heroic assurance all year round
In the shapes of well carved masks their likeness will abound

Your long homes are protected by the oceans embrace
First nations, my people, you are a amazing race
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
I leave your land of legends in a misty gray veil
And on the horizons comes change’s white sail
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The Europeans came into your isolated lands
Dividing your people into tribes, reserves, and bands
Before their arrival you lived mighty, strong, and free
Now your children fight to reclaim their identity

The drum will echo, echo, echo through time’s core
It will whisper a rhythm of time, change, and war
The drum will echo, echo, echo through your core
It will whisper a rhythm of time, change, and war
At the beginning
Was an open sea
Knowing nothing
But its own
Owning every
Beach it met
Not knowing enough to feel alone

After many
Long years it finds
There is much
More for to see
Inlets and outlets
On every shore
A sense of greater freedom to be free

The sea joined
To many rivers
Seeing land
On either side
Freedom then became
Just a memory
The river's end was not in sight

But along the way
An Ocean Watershed
Joining rivers to the sea
It had to sleep
In many river beds
To see what it was meant to be

Down in the river
Flowing headlong
To the sea
Joining the
River's rage
That is where
I long to go
That is where I am meant to be.
©2017 Daniel Irwin Tucker

An Ocean Watershed is a large basin, such as the Mississippi Basin & the St. Lawrence Great Lakes Basin, where rivers and streams end up in the ocean.
Wally du Temple Dec 2016
I sailed the fjords between Powell River and
Drury Inlet to beyond the Salish Sea.
The land itself spoke from mountains, water falls, islets
From bird song and bear splashing fishers
From rutting moose and cougars sharp incisors.
The place has a scale that needs no advisers
But in our bodies felt, sensed in our story talking.
The Chinese spoke of sensing place by the four dignities
Of Standing of Reposing of Sitting or of Walking.
Indigenous peoples of the passage added of Paddling by degrees
For the Haida and Salish sang their paddles to taboos
To the rhythm of the drum in their clan crested canoes.
Trunks transformed indwelling people who swam like trees.
First Nations marked this land, made drawings above sacred screes
As they walked together, to gather, share and thank the spirit saplings.
So Dao-pilgrims in the blue sacred mountains of Japan rang their ramblings.
Now the loggers’ chainsaws were silent like men who had sinned.
I motored now for of wind not a trace -
I could see stories from the slopes, hear tales in the wind.
Modern hieroglyphs spoke from clear-cuts both convex and concave.
Slopes of burgundy and orange bark shaves
Atop the beige hills, and in the gullies the silver drying snags
and the brilliant pink of fire **** tags
A tapestry of  times in work.
A museum of lives that lurk.
Once the logging camps floated close to the head of inlets.
Now rusting red donkeys and cables no longer creak,
Nor do standing spar trees sway near feller notched trunks,
Nor do grappler yarders shriek as men bag booms and
Dump bundles in bull pens.
The names bespeak the work.
Bull buckers, rigging slingers, cat skinners, boom men and whistle punks.
…………………………………………………………………….
Ashore to *** with my dog I saw a ball of crushed bones in ****
Later we heard the evocative howl of a wolf
And my pooch and I go along with the song
Conjoining  with the animal call
In a natural world fearsome, sacred and shared.
---------------------------------------------------------­---
Old bunk houses have tumbled, crumbling fish canneries no longer reek.
Vietnam Draft dodgers and Canucks that followed the loggers forever borrowed -
Their hoisting winches, engines, cutlery, fuel, grease and generators.
While white shells rattled down the ebbing sea.
Listing float homes still grumble when hauled on hard.
Somber silhouettes of teetering totems no longer whisper in westerlies
Near undulating kelp beds of Mamalilakula.
Petroglyphs talk in pictures veiled by vines.
History is a tapestry
And land is the loom.
Every rock, headland, and blissful fearsome bay
Has a silence that speaks when I hear it.
Has a roar of death from peaking storms when I see it.
Beings and things can be heard and seen that
Enter and pass through me to evaporate like mist
From a rain dropped forest fist
And are composted into soil.
Where mountains heavily wade into the sea
To resemble yes the tremble and dissemble
Of the continental shelf.
Where still waters of deception
Hide the tsunamis surging stealth.
Inside the veins of Mother Earth the magmas flow
Beneath fjords where crystalised glaziers glow.
Here sailed I, my dog and catboat
Of ‘Bill Garden’ build
The H. Daniel Hayes
In mountain water stilled
In a golden glory of my remaining days.
In Cascadia the images sang and thrilled
Mamalilikula, Kwak’wala, Namu, Klemtu
The Inlets Jervis, Toba, Bute, and Loughborough.
This is a narative prose poem that emerged from the experienced of a sailor's voyage.
v V v Dec 2014
(Discovering my Quad-polar compartments)

But sleep never satisfies
for long. I find myself
dreaming more and more,
vivid, frightful dreams
as real as being awake
but with less control,

movies play through my mind
mirroring the day In some
****** up way,

and just like that,
Like a drug,
sleep loses its ability
to provide escape
because of tolerance.

I watch a snail move slowly
across the flagstone.
I lose track of how long
I've been watching.
Only the thin line of spit
beneath my pillow
lets me know it was
a dream.

Without escape
There is no reward,
No rejuvenation
only confusion,
and that which is
easy is not.

But this quest has
opened my eyes in more ways
than just lack of sleep.

My quad-polar discovery
has helped me identify
these quadrants of my mind.

     God.            Beast.

     ***.              Love.

My quad-polar compartments.
Confused and bewildered
they will not be merged.

The god in me thinks the beast needs to be loved.
The beast in me thinks that *** is a god.
The *** in me thinks that love kills the beast.
The love in me thinks the beast is just ***.

It’s the love I am most afraid of,
At least during those times when
there is a me,
a me that looks down on the quads,
but mostly that’s rare because
I never know who’s
in charge anymore.

It's such a difficult existence
when what’s theoretically
my greatest need is also
my greatest fear.

If I consider this logically
then the conclusion is clear,

that is,
my dedicated inlets
and my spiritual outlets
cannot get along.

*** and love do not co-exist.

At least not in me.

I’m either penetrating inlets
and ignoring outlets
or
seeking mysticism while
the inlets go on wanting.

I have known this for
a very long time.

Maybe if I find
a new island
I could find
a new inlet,

open the outlet
back up.
Carried like a scent on the wind,
she pulls me along quietly,
no point in fighting, I've lost.
Pushing me forward, to a red end,
love is in the air, force is present, ever so sly,
pushing, wind at my sail, don't land, it is of cost.
It doesn't get better.
It morphs, carves and twists bones and flesh, no end,
wailing and flowing from a cave in the twilight coldly,
cutting, killing, crushing, no stopping the bloodlust,
breathing into & for me, a forced life to lend,
never put to self indulgence, never boldly,
waves bleed port & starboard, tranquility's holocaust,
systematic & brutal, my ink ever wetter.
At age 45 I decided to become a sailor.  It had attracted me since I first saw a man living on his sailboat at the 77th street boat basin in New York City, back in 1978.  I was leaving on a charter boat trip with customers up the Hudson to West Point, and the image of him having coffee on the back deck of his boat that morning stayed with me for years.  It was now 1994, and I had just bought a condo on the back bay of a South Jersey beach town — and it came with a boat slip.

I started my search for a boat by first reading every sailing magazine I could get my hands on.  This was frustrating because most of the boats they featured were ‘way’ out of my price range. I knew I wanted a boat that was 25’ to 27’ in length and something with a full cabin below deck so that I could sail some overnight’s with my wife and two kids.

I then started to attend boat shows.  The used boats at the shows were more in my price range, and I traveled from Norfolk to Mystic Seaport in search of the right one.  One day, while checking the classifieds in a local Jersey Shore newspaper, I saw a boat advertised that I just had to go see …

  For Sale: 27’ Cal Sloop. Circa 1966. One owner and used very
   gently.  Price $6,500.00 (negotiable)

This boat was now almost 30 years old, but I had heard good things about the Cal’s.  Cal was short for California. It was a boat originally manufactured on the west coast and the company was now out of business.  The brand had a real ‘cult’ following, and the boat had a reputation for being extremely sea worthy with a fixed keel, and it was noted for being good in very light air.  This boat drew over 60’’ of water, which meant that I would need at least five feet of depth (and really seven) to avoid running aground.  The bay behind my condo was full of low spots, especially at low tide, and most sailors had boats with retractable centerboards rather than fixed keels.  This allowed them to retract the boards (up) during low tide and sail in less than three feet of water. This wouldn’t be an option for me if I bought the Cal.

I was most interested in ‘blue water’ ocean sailing, so the stability of the fixed keel was very attractive to me.  I decided to travel thirty miles North to the New Jersey beach town of Mystic Island to look at the boat.  I arrived in front of a white bi-level house on a sunny Monday April afternoon at about 4:30. The letters on the mailbox said Murphy, with the ‘r’ & the ‘p’ being worn almost completely away due to the heavy salt air.

I walked to the front door and rang the buzzer.  An attractive blonde woman about ten years older than me answered the door. She asked: “Are you the one that called about the boat?”  I said that I was, and she then said that her husband would be home from work in about twenty minutes.  He worked for Resorts International Casino in Atlantic City as their head of maintenance, and he knew everything there was to know about the Cal. docked out back.  

Her name was Betty and as she offered me ice tea she started to talk about the boat.  “It was my husband’s best friend’s boat. Irv and his wife Dee Dee live next door but Irv dropped dead of a heart attack last fall.  My husband and Irv used to take the boat out through the Beach Haven Inlet into the ocean almost every night.  Irv bought the boat new back in 1967, and we moved into this house in 1968.  I can’t even begin to tell you how much fun the two of them had on that old boat.  It’s sat idle, ******* to the bulkhead since last fall, and Dee Dee couldn’t even begin to deal with selling it until her kids convinced her to move to Florida and live with them.  She offered it to my husband Ed but he said the boat would never be the same without Irv on board, and he’d rather see it go to a new owner.  Looking at it every day behind the house just brought back memories of Irv and made him sad all over again every time that he did.”

Just then Ed walked through the door leading from the garage into the house.  “Is this the new sailor I’ve been hearing about,” he said in a big friendly voice.  “That’s me I said,” as we shook hands.  ‘Give me a minute to change and I’ll be right with you.”

As Ed walked me back through the stone yard to the canal behind his house, I noticed something peculiar.  There was no dock at the end of his property.  The boat was tied directly to the sea wall itself with only three yellow and black ‘bumpers’ separating the fiberglass side of the boat from the bulkhead itself.  It was low tide now and the boats keel was sitting in at least two feet of sand and mud.  Ed explained to me that Irv used to have this small channel that they lived on, which was man made, dredged out every year.  Irv also had a dock, but it had even less water underneath it than the bulkhead behind Ed’s house.

Ed said again, “no dredging’s been done this year, and the only way to get the boat out of the small back tributary to the main artery of the bay, is to wait for high tide. The tide will bring the water level up at least six feet.  That will give the boat twenty-four inches of clearance at the bottom and allow you to take it out into the deeper (30 feet) water of the main channel.”

Ed jumped on the boat and said, “C’mon, let me show you the inside.”  As he took the padlock off the slides leading to the companionway, I noticed how motley and ***** everything was. My image of sailing was pristine boats glimmering in the sun with their main sails up and the captain and crew with drinks in their hands.  This was about as far away from that as you could get.  As Ed removed the slides, the smell hit me.  MOLD! The smell of mildew was everywhere, and I could only stay below deck for a moment or two before I had to come back up topside for air.  Ed said, “It’ll all dry out (the air) in about ten minutes, and then we can go forward and look at the V-Berth and the head in the front of the cabin.”

What had I gotten myself into, I thought?  This boat looked beyond salvageable, and I was now looking for excuses to leave. Ed then said, “Look; I know it seems bad, but it’s all cosmetic.  It’s really a fine boat, and if you’re willing to clean it up, it will look almost perfect when you’re done. Before Irv died, it was one of the best looking sailboats on the island.”

In ten more minutes we went back inside.  The damp air had been replaced with fresh air from outside, and I could now get a better look at the galley and salon.  The entire cabin was finished in a reddish brown, varnished wood, with nice trim work along the edges.  It had two single sofas in the main salon that converted into beds at night, with a stainless-steel sink, refrigerator and nice carpeting and curtains.  We then went forward.  The head was about 40’’ by 40’’ and finished in the same wood as the outer cabin.  The toilet, sink, and hand-held shower looked fine, and Ed assured me that as soon as we filled up the water tank, they would all work.

The best part for me though was the v-berth beyond.  It was behind a sold wood varnished door with a beautiful brass grab-rail that helped it open and close. It was large, with a sleeping area that would easily accommodate two people. That, combined with the other two sleeping berths in the main salon, meant that my entire family could spend the night on the boat. I was starting to get really interested!

Ed then said that Irv’s wife Dee Dee was as interested in the boat going to a good home as she was in making any money off the boat.  We walked back up to the cockpit area and sat down across from each other on each side of the tiller.  Ed said, “what do you think?” I admitted to Ed that I didn’t know much about sailboats, and that this would be my first.  He told me it was Irv’s first boat too, and he loved it so much that he never looked at another.

                   Ed Was A Pretty Good Salesman

We then walked back inside the house.  Betty had prepared chicken salad sandwiches, and we all sat out on the back deck to eat.  From here you could see the boat clearly, and its thirty-five-foot mast was now silhouetted in front of the sun that was setting behind the marsh.  It was a very pretty scene indeed.

Ed said,”Dee Dee has left it up to me to sell the boat.  I’m willing to be reasonable if you say you really want it.”  I looked out at what was once a white sailboat, covered in mold and sitting in the mud.  No matter how hard the wind blew, and there was a strong offshore breeze, it was not moving an inch.  I then said to Ed, “would it be possible to come back when the tide is up and you can take me out?”  Ed said he would be glad to, and Saturday around 2:00 p.m. would be a good time to come back. The tide would be up then.  I also asked him if between now and Saturday I could try and clean the boat up a little? This would allow me to really see what I would be buying, and at the very least we’d have a cleaner boat to take out on the water.  Ed said fine.

I spent the next four days cleaning the boat. Armed with four gallons of bleach, rubber gloves, a mask, and more rags than I could count, I started to remove the mold.  It took all week to get the boat free of the mildew and back to being white again. The cushions inside the v-berth and salon were so infested with mold that I threw them up on the stones covering Ed’s back yard. I then asked Ed if he wanted to throw them out — he said that he did.

Saturday came, and Betty had said, “make sure to get here in time for lunch.”  At 11:45 a.m. I pulled up in front of the house.  By this time, we knew each other so well that Betty just yelled down through the screen door, “Let yourself in, Ed’s down by the boat fiddling with the motor.”  The only good thing that had been done since Irv passed away last fall was that Ed had removed the motor from the boat. It was a long shaft Johnson 9.9 horsepower outboard, and he had stored it in his garage.  The motor was over twelve years old, but Ed said that Irv had taken really good care of it and that it ran great.  It was also a long shaft, which meant that the propeller was deep in the water behind the keel and would give the boat more propulsion than a regular shaft outboard would.

I yelled ‘hello’ to Ed from the deck outside the kitchen.  He shouted back, “Get down here, I want you to hear this.”  I ran down the stairs and out the back door across the stones to where Ed was sitting on the boat.  He had the twist throttle in his hand, and he was revving the motor. Just like he had said —it sounded great. Being a lifelong motorcycle and sports car enthusiast, I knew what a strong motor sounded like, and this one sounded just great to me.

“Take the throttle, Ed said,” as I jumped on board.  I revved the motor half a dozen times and then almost fell over.  The boat had just moved about twenty degrees to the starboard (right) side in the strong wind and for the first time was floating freely in the canal.  Now I really felt like I was on a boat.  Ed said, “Are you hungry, or do you wanna go sailing?”  Hoping that it wouldn’t offend Betty I said, “Let’s head out now into the deeper water.” Ed said that Betty would be just fine, and that we could eat when we got back.

As I untied the bow and stern lines, I could tell right away that Ed knew what he was doing.  After traveling less than 100 yards to the main channel leading to the bay, he put the mainsail up and we sailed from that point on.  It was two miles out to the ocean, and he skillfully maneuvered the boat, using nothing but the tiller and mainsheet.  The mainsheet is the block and pulley that is attached from the deck of the cockpit to the boom.  It allows the boom to go out and come back, which controls the speed of the boat. The tiller then allows you to change direction.  With the mainsheet in one hand and the tiller in the other, the magic of sailing was hard to describe.

I was mesmerized watching Ed work the tiller and mainsheet in perfect harmony. The outboard was now tilted back up in the cockpit and out of the water.  “For many years before he bought the motor, Irv and I would take her out, and bring her back in with nothing but the sail, One summer we had very little wind, and Irv and I got stuck out in the ocean. Twice we had to be towed back in by ‘Sea Tow.’  After that Irv broke down and bought the long-shaft Johnson.”

In about thirty minutes we passed through the ‘Great Bay,’ then the Little Egg and Beach Haven Inlets, until we were finally in the ocean.  “Only about 3016 miles straight out there, due East, and you’ll be in London,” Ed said.”  Then it hit me.  From where we were now, I could sail anywhere in the world, with nothing to stop me except my lack of experience. Experience I told myself, was something that I would quickly get. Knowing the exact mileage, said to me that both Ed and Irv had thought about that trip, and maybe had fantasized about doing it together.

    With The Tenuousness Of Life, You Never Know How Much      Time You Have

For two more hours we sailed up and down the coast in front of Long Beach Island.  I could hardly sit down in the cockpit as Ed let me do most of the sailing.  It took only thirty minutes to get the hang of using the mainsheet and tiller, and after an hour I felt like I had been sailing all my life.  Then we both heard a voice come over the radio.  Ed’s wife Betty was on channel 27 of the VHF asking if we were OK and that lunch was still there but the sandwiches were getting soggy.  Ed said we were headed back because the tide had started to go out, and we needed to be back and ******* in less than ninety minutes or we would run aground in the canal.

I sailed us back through the inlets which thankfully were calm that day and back into the main channel leading out of the bay.  Ed then took it from there.  He skillfully brought us up the rest of the channel and into the canal, and in a fairly stiff wind spun the boat 180’ around and gently slid it back into position along the sea wall behind his house.  I had all 3 fenders out and quickly jumped off the boat and up on top of the bulkhead to tie off the stern line once we were safely alongside.  I then tied off the bow-line as Ed said, “Not too tight, you have to allow for the 6-8 feet of tide that we get here every day.”

After bringing down the mainsail, and folding and zippering it safely to the boom, we locked the companionway and headed for the house.  Betty was smoking a cigarette on the back deck and said, “So how did it go boys?” Without saying a word Ed looked directly at me and for one of the few times in my life, I didn’t really know where to begin.

“My God,” I said.  “My God.”  “I’ll take that as good Betty said, as she brought the sandwiches back out from the kitchen.  “You can powerboat your whole life, but sailing is different” Ed told me.  “When sailing, you have to work with the weather and not just try to power through it.  The weather tells you everything.  In these parts, when a storm kicks up you see two sure things happen.  The powerboats are all coming in, and the sailboat’s are all headed out.  What is dangerous and unpleasant for the one, is just what the other hopes for.”

I had been a surfer as a kid and understood the logic.  When the waves got so big on the beach that the lifeguard’s closed it to swimming during a storm, the surfers all headed out.  This would not be the only similarity I would find between surfing and sailing as my odyssey continued.  I finished my lunch quickly because all I wanted to do was get back on the boat.

When I returned to the bulkhead the keel had already touched bottom and the boat was again fixed and rigidly upright in the shallow water.  I spent the afternoon on the back of the boat, and even though I knew it was bad luck, in my mind I changed her name.  She would now be called the ‘Trinity,’ because of the three who would now sail her —my daughter Melissa, my son T.C. and I.  I also thought that any protection I might get from the almighty because of the name couldn’t hurt a new sailor with still so much to learn.

                                  Trinity, It Was!

I now knew I was going to buy the boat.  I went back inside and Ed was fooling around with some fishing tackle inside his garage.  “OK Ed, how much can I buy her for?” I said.  Ed looked at me squarely and said, “You tell me what you think is fair.”  “Five thousand I said,” and without even looking up Ed said “SOLD!” I wrote the check out to Irv’s wife on the spot, and in that instant it became real. I was now a boat owner, and a future deep-water sailor.  The Atlantic Ocean had better watch out, because the Captain and crew of the Trinity were headed her way.

                 SOLD, In An Instant, It Became Real!

I couldn’t wait to get home and tell the kids the news.  They hadn’t seen much of me for the last week, and they both wanted to run right back and take the boat out.  I told them we could do it tomorrow (Sunday) and called Ed to ask him if he’d accompany us one more time on a trip out through the bay.  He said gladly, and to get to his house by 3:00 p.m. tomorrow to ‘play the tide.’  The kids could hardly sleep as they fired one question after another at me about the boat. More than anything, they wanted to know how we would get it the 45 miles from where it was docked to the boat slip behind our condo in Stone Harbor.  At dinner that night at our favorite Italian restaurant, they were already talking about the boat like it was theirs.

The next morning, they were both up at dawn, and by 8:30 we were on our way North to Mystic Island.  We had decided to stop at a marine supply store and buy a laundry list of things that mariners need ‘just in case’ aboard a boat.  At 11:15 a.m. we pulled out of the parking lot of Boaters World in Somers Point, New Jersey, and headed for Ed and Betty’s. They were both sitting in lawn chairs when we got there and surprised to see us so early.  ‘The tide’s not up for another 3 hours,” Ed said, as we walked up the drive.  I told him we knew that, but the kids wanted to spend a couple of hours on the boat before we headed out into the bay.  “Glad to have you kids,” Ed said, as he went back to reading his paper.  Betty told us that anything that we might need, other than what we just bought, is most likely in the garage.

Ed, being a professional maintenance engineer (what Betty called him), had a garage that any handyman would die for.  I’m sure we could have built an entire house on the empty lot across the street just from what Ed had hanging, and piled up, in his garage.

We walked around the side of the house and when the kids got their first look at the boat, they bolted for what they thought was a dock.  When they saw it was raw bulkhead, they looked back at me unsure of what to do.  I said, ‘jump aboard,” but be careful not to fall in, smiling to myself and knowing that the water was still less than four feet deep.  With that, my 8-year old son took a flying leap and landed dead center in the middle of the cockpit — a true sailor for sure.  My daughter then pulled the bow line tight bringing the boat closer to the sea wall and gingerly stepped on board like she had done it a thousand times before. Watching them board the boat for the first time, I knew this was the start of something really good.

Ed had already unlocked the companionway, so I stayed on dry land and just watched them for a half-hour as they explored every inch of the boat from bow to stern. “You really did a great job Dad cleaning her up.  Can we start the motor, my son asked?” I told him as soon as the tide came up another foot, we would drop the motor down into the water, and he could listen to it run.  So far this was everything I could have hoped for.  My kids loved the boat as much as I did.  I had had the local marine artist come by after I left the day before and paint the name ‘Trinity’ across the outside transom on the back of the boat. Now this boat was really ours. It’s hard to explain the thrill of finally owning your first boat. To those who can remember their first Christmas when they finally got what they had been hoping for all year —the feeling was the same.

                            It Was Finally Ours

In another hour, Ed came out. We fired up the motor with my son in charge, unzipped the mainsail, untied the lines, and we were headed back out to sea.  I’m not sure what was wider that day, the blue water vista straight in front of us or the eyes of my children as the boat bit into the wind. It was keeled over to port and carved through the choppy waters of ‘The Great Bay’ like it was finally home. For the first time in a long time the kids were speechless.  They let the wind do the talking, as the channel opened wide in front of them.

Ed let both kids take a turn at the helm. They were also amazed at how much their father had learned in the short time he had been sailing.  We stayed out for a full three hours, and then Betty again called on the VHF. “Coast Guards calling for a squall, with small craft warnings from five o’clock on.  For safety’s sake, you guy’s better head back for the dock.”  Ed and I smiled at each other, each knowing what the other was secretly thinking.  If the kids hadn’t been on board, this would have been a really fun time to ride out the storm.  Discretion though, won out over valor, and we headed West back through the bay and into the canal. Once again, Ed spun the boat around and nudged it into the sea wall like the master that he was.  This time my son was in charge of grabbing and tying off the lines, and he did it in a fashion that would make any father proud.

As we tidied up the boat, Ed said, “So when are you gonna take her South?”  “Next weekend, I said.” My business partner, who lives on his 42’ Egg Harbor in Cape May all summer and his oldest son are going to help us.  His oldest son Tony had worked on an 82’ sightseeing sailboat in Fort Lauderdale for two years, and his dad said there was little about sailing that he didn’t know.  That following Saturday couldn’t come fast enough/

                          We Counted The Minutes

The week blew by (literally), as the weather deteriorated with each day.  Saturday morning came, and the only good news (to me) was that my daughter had a gymnastic’s meet and couldn’t make the maiden voyage. The crew would be all men —my partner Tommy, his son Tony, and my son T.C. and I. We checked the tides, and it was decided that 9:30 a.m. was the perfect time to start South with the Trinity.  We left for Ed and Betty’s at 7:00 a.m. and after stopping at ‘Polly’s’ in Stone Harbor for breakfast we arrived at the boat at exactly 8:45.  It was already floating freely in the narrow canal. Not having Ed’s skill level, we decided to ‘motor’ off the bulkhead, and not put the sails up until we reached the main bay.  With a kiss to Betty and a hug from Ed, we broke a bottle of ‘Castellane Brut’ on the bulkhead and headed out of the canal.

Once in the main bay we noticed something we hadn’t seen before. We couldn’t see at all!  The buoy markers were scarcely visibly that lined both sides of the channel. We decided to go South ‘inside,’ through the Intercoastal Waterway instead of sailing outside (ocean) to Townsends Inlet where we initially decided to come in.  This meant that we would have to request at least 15 bridge openings on our way south.  This was a tricky enough procedure in a powerboat, but in a sailboat it could be a disaster in the making.  The Intercoastal Waterway was the back-bay route from Maine to Florida and offered protection that the open ocean would not guarantee. It had the mainland to its West and the barrier island you were passing to its East.  If it weren’t for the number of causeway bridges along its route, it would have been the perfect sail.

When you signaled to the bridge tender with your air horn, requesting an opening, it could sometimes take 10 or 15 minutes for him to get traffic stopped on the bridge before he could then open it up and let you through.  On Saturdays, it was worse. In three cases we waited and circled for twenty minutes before being given clear passage through the bridge.  Sailboats have the right of way over powerboats but only when they’re under sail. We had decided to take the sails down to make the boat easier to control.  By using the outboard we were just like any other powerboat waiting to get through, and often had to bob and weave around the waiting ‘stinkpots’ (powerboats) until the passage under the bridge was clear.  The mast on the Trinity was higher than even the tallest bridge, so we had to stop and signal to each one requesting an opening as we traveled slowly South.

All went reasonably well until we arrived at the main bridge entering Atlantic City. The rebuilt casino skyline hovered above the bridge like a looming monster in the fog.  This was also the bridge with the most traffic coming into town with weekend gamblers risking their mortgage money to try and break the bank.  The wind had now increased to over 30 knots.  This made staying in the same place in the water impossible. We desperately criss-crossed from side to side in the canal trying to stay in position for when the bridge opened. Larger boats blew their horns at us, as we drifted back and forth in the channel looking like a crew of drunks on New Year’s Eve.  Powerboats are able to maintain their position because they have large motors with a strong reverse gear.  Our little 9.9 Johnson did have reverse, but it didn’t have nearly enough power to back us up against the tide.

On our third pass zig-zagging across the channel and waiting for the bridge to open, it happened.  Instead of hearing the bell from the bridge tender signaling ‘all clear,’ we heard a loud “SNAP.’ Tony was at the helm, and from the front of the boat where I was standing lookout I heard him shout “OH S#!T.”  The wooden tiller had just broken off in his hand.

                                         SNAP!

Tony was sitting down at the helm with over three feet of broken tiller in his left hand.  The part that still remained and was connected to the rudder was less than 12 inches long.  Tony tried with all of his might to steer the boat with the little of the tiller that was still left, but it was impossible in the strong wind.  He then tried to steer the boat by turning the outboard both left and right and gunning the motor.  This only made a small correction, and we were now headed back across the Intercoastal Waterway with the wind behind us at over thirty knots.  We were also on a collision course with the bridge.  The only question was where we would hit it, not when! We hoped and prayed it would be as far to the Eastern (Atlantic City) side as possible.  This would be away from the long line of boats that were patiently lined up and waiting for the bridge to open.

Everything on the boat now took on a different air.  Tony was screaming that he couldn’t steer, and my son came up from down below where he was staying out of the rain. With one look he knew we were in deep trouble.  It was then that my priorities completely shifted from the safety of my new (old) boat to the safety of my son and the rest of those onboard.  My partner Tommy got on the radio’s public channel and warned everyone in the area that we were out of control.  Several power boaters tried to throw us a line, but in the strong wind they couldn’t get close enough to do it safely.

We were now less than 100 feet from the bridge.  It looked like we would hit about seven pylons left of dead center in the middle of the bridge on the North side.  As we braced for impact, a small 16 ft Sea Ray with an elderly couple came close and tried to take my son off the boat.  Unfortunately, they got too close and the swirling current around the bridge piers ****** them in, and they also hit the bridge about thirty feet to our left. Thank God, they did have enough power to ‘motor’ off the twenty-foot high pier they had hit but not without doing cosmetic damage to the starboard side of their beautiful little boat. I felt terrible about this and yelled ‘THANK YOU’ across the wind and the rushing water.  They waved back, as they headed North against the tide, back up the canal.

      The Kindness Of Strangers Continues To Amaze Me!

BANG !!!  That’s the sound the boat made when it hit the bridge.  We were now sideways in the current, and the first thing to hit was not the mast but the starboard side ‘stay’ that holds the mast up.  Stays are made of very thick wire, and even though the impact was at over ten knots, the stay held secure and did not break.  We were now pinned against the North side of the bridge, with the current swirling by us, and the boat being pulled slowly through the opening between the piers.  The current was pulling the boat and forcing it to lean over with the mast pointing North. If it continued to do this, we would finally broach (turn over) and all be in the water and floating South toward the beach towns of Margate and Ventnor.  The width between the piers was over thirty feet, so there was plenty of room to **** us in and then down, as the water had now assumed command.

It was at this moment that I tied my Son to myself.  He was a good swimmer and had been on our local swim team for the past three summers, but this was no pool.  There were stories every summer of boaters who got into trouble and had to go in the water, and many times someone drowned or was never found or seen again.  The mast was now leaned over and rubbing against the inside of the bridge.  

The noise it made moving back and forth was louder than even the strong wind.  Over the noise from the mast I heard Tommy shout, “Kurt, the stay is cutting through the insulation on the main wire that is the power source to the bridge. If it gets all the way through to the inside, the whole boat will be electrified, and we’ll go up like a roman candle.”  I reluctantly looked up and he was right.  The stay looked like it was more than half-way through the heavy rubber insulation that was wrapped around the enormous cable that ran horizontally inside and under the entire span of the bridge.  I told Tommy to get on the VHF and alert the Coast Guard to what was happening.  I also considered jumping overboard with my son in my arms and tied to me hoping that someone would then pull us out of the water if we made it through the piers. I couldn’t leave though, because my partner couldn’t swim.

Even though Tommy had been a life-long boater, he had never learned to swim.  He grew up not far from the banks of the Mississippi River in Hardin Illinois and still hadn’t learned.  I couldn’t just leave him on the boat. We continued to stay trapped in between the piers as the metal wire stay worked its way back and forth across the insulated casing above.

In another fifteen minutes, two Coast Guard crews showed up in gigantic rubber boats.  Both had command towers up high and a crew of at least 8 on board.  They tried to get close enough to throw us a line but each time failed and had to motor away against the tide at full throttle to miss the bridge.  The wake from their huge twin outboards forced us even further under the bridge, and the port side rail of the Trinity was now less than a foot above the water line.

              Why Had I Changed The Name Of This Boat?

The I heard it again, BAMMM !  I looked up and saw nothing.  It all looked like it had before.  The Coast Guard boat closest to us came across on the bullhorn. “Don’t touch anything metal, you’ve cut through the insulation and are now in contact with the power source.  The boat is electrified, but if you stay still, the fiberglass and water will act as a buffer and insulation.  We can’t even touch or get near you now until the power gets turned off to the bridge.”  

We all stood in the middle of the cockpit as far away from anything metal as possible.  I reached into the left storage locker where the two plastic gas containers were and tightened the filler caps. I then threw both of them overboard.  They both floated harmlessly through the bridge where a third Coast Guard boat now retrieved them about 100 yards further down the bay.  At least now I wouldn’t have to worry about the two fifteen-gallon gas cans exploding if the electrical current ever got that far.

For a long twenty minutes we sat there huddled together as the Coast Guard kept yelling at us not to touch anything at all.  Just as I thought the boat was going under, everything seemed to go dark.  Even though it was early afternoon, the fog was so heavy that the lights on the bridge had been turned on.  Now in an instant, they were off.

                               All Lights Were Off

I saw the first Coast Guard boat turn around and then try to slowly drift our way backward. They were going to try and get us out from between the piers before we sank.  Three times they tried and three times again they failed.  Finally, two men in a large cigarette boat came flying at us. With those huge motors keeping them off the bridge, they took everyone off the Trinity, while giving me two lines to tie to both the bow and the stern. They then pulled up alongside the first large inflatable and handed the two lines to the Coast Guard crew.  After that, they backed off into the center of the channel to see what the Coast Guard would do next.

The second Coast Guard boat was now positioned beside the first with its back also facing the bridge.  They each had one of the lines tied to my boat now secured to cleats on their rear decks.  Slowly they motored forward as the Trinity emerged from its tomb inside the piers.  In less than fifteen seconds, the thirty-year boat old was free of the bridge.  With that, the Coast Guard boat holding the stern line let go and the sailboat turned around with the bow now facing the back of the first inflatable. The Captain continued to tow her until she was alongside the ‘Sea Tow’ service vessel that I hadn’t noticed until now.  The Captain on the Sea Tow rig said that he would tow the boat into Somers Point Marina.  That was the closest place he knew of that could make any sailboat repairs.

We thanked the owners of the cigarette boat and found out that they were both ex-navy seals.  ‘If they don’t die hard, some never die at all,’ and thank God for our nation’s true warriors. They dropped us off on Coast Guard Boat #1, and after spending about 10 minutes with the crew, the Captain asked me to come up on the bridge.  He had a mound of papers for me to fill out and then asked me if everyone was OK. “A little shook up,’” I said, “but we’re all basically alright.” I then asked this ‘weekend warrior’ if he had ever seen the movie ‘Top Gun.’  With his chest pushed out proudly he said that he had, and that it was one of his all-time favorites.

            ‘If They Don’t Die hard, Some Never Die At All’

I reminded him of the scene when the Coast Guard rescue team dropped into the rough waters of the Pacific to retrieve ‘Goose,’ who had just hit the canopy of his jet as he was trying to eject.  With his chest still pumped out, he said again proudly that he did. “Well, I guess that only happens in the movies, right Captain,” I said, as he turned back to his paperwork and looked away.

His crew had already told me down below that they wanted to approach the bridge broadside and take us off an hour ago but that the Captain had said no, it was too dangerous!  They also said that after his tour was over in 3 more months, no one would ever sail with him again.  He was the only one on-board without any real active-duty service, and he always shied away from doing the right thing when the weather was rough.  He had refused to go just three more miles last winter to rescue two fishermen off a sinking trawler forty miles offshore.  Both men died because he had said that the weather was just “too rough.”

                     ‘A True Weekend Only Warrior’

We all sat with the crew down below as they entertained my son and gave us hot coffee and offered medical help if needed.  Thankfully, we were all fine, but the coffee never tasted so good.  As we pulled into the marina in Somers Point, the Trinity was already there and tied to the service dock.  After all she had been through, she didn’t look any the worse for wear.  It was just then that I realized that I still hadn’t called my wife.  I could have called from the Coast Guard boat, but in the commotion of the moment, I had totally forgotten.

When I got through to her on the Marina’s pay phone, she said,  “Oh Dear God, we’ve been watching you on the news. Do you know you had the power turned off to all of Atlantic City for over an hour?”  After hanging up, I thought to myself —"I wonder what our little excursion must have cost the casino’s,” but then I thought that they probably had back up generation for something just like this, but then again —maybe not.

I asked my wife to come pick us up and noticed that my son was already down at the service dock and sitting on the back of his ‘new’ sailboat.  He said, “Dad, do you think she’ll be alright?” and I said to him, “Son, she’ll be even better than that. If she could go through what happened today and remain above water, she can go through anything — and so can you.  I’m really proud of the way you handled yourself today.”

My Son is now almost thirty years old, and we talk about that day often. The memory of hitting the bridge and surviving is something we will forever share.  As a family, we continued to sail the Trinity for many years until our interests moved to Wyoming.  We then placed the Trinity in the capable hands of our neighbor Bobby, next door, who sails her to this day.

All through those years though, and especially during the Stone Harbor Regatta over the Fourth of July weekend, there was no mistaking our crew when you saw us coming through your back basin in the ‘Parade of Ships.’  Everyone aboard was dressed in a red polo shirt, and if you happened to look at any of us from behind, you would have seen …

                               ‘The Crew Of The Trinity’  
                         FULL CONTACT SAILING ONLY!
Rob Jun 2014
Trickling tingles bubble, goaded from the verdant body
As a butterfly’s flutterings coax the flow
Widening and filling
With a gentle lapping of inlets
Ripples tease the reeds into turgid tremors
Merging to waves
Wave upon wave
Curves slide over curves
And at the Delta’s swollen, gaping breadth
Crests slip over craving crevices
Slapping froth in desperate gasps
Milking cruel spasms from the urgent need to reach escape
Until with turmoil resolved
A gentle calm inundates the great ocean of sleep.
RD© 2014
SE Reimer Oct 2013
oh, san juans, your riches beckon
your wealth, your beauty calls
your waveless, salty waters blue
my heart since childhood draws
your waters lap at darkened rock
'round islands, bays and inlets fill
with returning salmon teeming
your breaking waters thrill
your tide, oh ever river changing
charges muddy oyster flats
your thriving pods of orca leap
o'er spray in mid-air acrobats
from seabed swift, cold and deep 
the lushness of your green hills rise 
your sun falls fleet like shooting star
your sparkling waters mesmerize
sailing craft from ’neath horizon
angels spread their wings of color
skirt your shoals and ply your straits
find safety anchored in your harbors 
oh, san juans, your wonder waits
your treasure and your magic calls
your waveless, crystal waters blue
my heart since youth still draws
calls me to return each year
to dip my paddle deep
when life averts the journey there
in dreams you beckon while i sleep
Post Script.
 
Twice in my early childhood my family vacationed in the San Juan Islands.  I say vacationed, when it was really to visit some of the dear church folk that supported my parent’s missionary work; but to me it felt like a vacation to another world!  
 
I recall being smitten by its ruggedness and remoteness, the enchantment of each island we passed; a world where a wave-less, salty, blue ocean laps the dark rock of the many bays and inlets of green forested islands; and the novelty that a ferry was the only way we could make the trip.  I remember exploring the tide pools with my brothers.  I remember crabbing with our father and gathering oysters from the rocky shores of Orcas Island.  I remember shucking oysters and our father frying them, something that outside this experience we rarely saw him do.  I remember fishing for flounder and cooking them up on the grill back at camp. I recall a time when we landed a pregnant ocean perch instead.  Were we ever surprised to see her give birth to a few dozen live babies among the floor boards of our little dinghy! We scooped up as many as we could reach and released them back to the ocean along with their mother.  One catch for thirty; a catch to remember for an 12 year old and a good lesson on the cycle of life. 
 
As I grew old enough to understand where this enchanted world was I determined to return.  Once married I made it a mission to share the beauty of the San Juan Islands with Becky and our children.  Our first visit back to the islands as a family was back in the late 1980's; she and I and our three sons.  Today, my children remember it for many of the same things I recall thinking as a child- they remember its rugged beauty, the adventure we took as a family, and yes, the novelty of the ferry ride across a waveless, salty, blue ocean.  

We’ve returned many times since then, and each time we’ve explored a little deeper and farther, and still we have yet to find an end to its richness.  Nowadays it's mostly just my wife and I; our tandem kayak accompanies us on the ferry ride over and begs for the taste of blue water and the hunt for a glimpse of one of the resident pods of Orca. On one particular paddle, while enjoying what we call a sunset cruise (a kayak paddle in summer twilight) out on Haro Strait, searching for Orca we didn’t find that night, we instead were mesmerized by a rather spectacular sunset and as she set she became a star, giving us front row seats to a star show. You’ll see in black and white on my home page banner what was a stunning show.

I wonder sometimes, if we lived among the islands, would its enchantment fade?  I’d like to think not.  For us, like a pilgrimage back to yesteryear, the San Juan Islands of Washington’s Salish Sea, a place that never fades or grows old.
Zach Bond Jan 2013
I have waited in certain landlocked towns,
Near and far, and far from here.
And I have sailed and been in low ports found,
Their inlets clad in salted air.
And I have dreamed on oft spoken of starry nights and on largely unspoken starless nights,
Of select places with opportune and tactless new found faces.
And I have lain out restless and uncomfortably awake,
Hearing human voices shriek and drown,
In salt clad harbor towns,
And heard those specific siren calls of those particular siren girls,
In those inlets, salt clad by the sea.
And still awake I have heard, in those waiting-space landlocked towns,
Curiously, those curious sounds,
Of only human and yet inhumane calls.
Dressed in that specific gauze of an agony-tone,
For that specific landlocked home,
Where drinkers go,
That drunkard’s throne,
And been sullen at that once and forever shoreless drone.
And I have also been, you see, in places left unknown.
And in a daydream I would hear and be heard by almost gasping voices,
From waking and still somehow sleeping and unbelieving men.
Grasping out onto air that has been made thin and further,
Been gasping.
Searching for woefully inaccurate words,
With a woefully inarticulate tongue,
And I have danced and been set atremble by the timbre of your breathe
And then enamored by the resonance of your gasp,
And I have gasped with a tongue set dancing behind lips all aflutter.
In those unutterable places with specifically unknown locations,
I have listened,
Through rock and metal,
Between those landlocked towns and those salt clad harbors,
For the full sound escaped from your trembled lips.
And I have listened, through daydreaming mist veils,
And through known and unknown places,
For that voice that speaks through space and time and rock and metal,
And I have only heard that curious sound of human and inhuman calls,
And I have heard those particular siren calls of those specific siren girls,
And that cry of human voices that shriek and drown.
Alessander Dec 2016
This is to all those misfits

To the Romeo car-washing in Inglewood inlets
To the Hippy selling crystals on the Venice boardwalk
The Magician swallowing 8-***** at the Huntington Beach peer
The Rapper selling CDs in the Ranch Market parking lot
The **** tatting in a makeshift garage
The Poet slinging chapbooks at cafes and rec centers…


Not androids pontificating from lecterns
But grimy roots burrowing deep
Seismic rumblings toppling down
Insured ivory towers
Smashing pilled-paradigms beneath Docs
Hustling and slinging
In the forbidden outshacks of civilization
In tents, over barbed-wire, beside shards
Desperate and burning
For neither Truth or Beauty
But for LIFE

They do not tap wrists
No,  they thump chests
To feel it beat
To feel it rage
For fugitive fugues
For new eternities

They embrace
******* romance
Graveyard necromance
The holy hunger for change
Defying commercials and charts
Shivering and howling on streets
Waging guerrilla war
Liberating cubicled-hearts
The They Sep 2012
The inlets
Wrap around the water
Writhing in the fury of the ocean’s waves,
Obscuring the distance they reveal
To the eyes that gaze absent mindedly
Down their beaches and their cliffs.

Indifferent to the conflict below,
The sun blazes down
But the winds cleanse the skin of its heat
As they are driven from the sea.

The sea that breaks the stoic rocks
And casts the sand’s lonely grains
-Along with the many homeless winds-
Across the beaches which *****
At the feet of their stony bluffs.

But the cliffs stand in austere grandeur
Defiantly surveying the endless waters
Whose numerous, ceaseless, enduring waves
Are kept at bay by the towering unity.

I am of the wind that has no home
In the conflict of sea and land
I am the sun that lights this vision:
Firmament of hills, sea and sand.

Tides come and go but never leave me
Sands shift in time but never deceive me
As sun I shine light on all at hand:
This ceaseless meeting of sea and land.
Dre G Oct 2012
I don’t want to write this manuscript
I want to be a deep
Sea coral at the bottom of
A Norwegian fjord.
The great expanse of ice spirals
A rhythm to my swaying
Protected by the pressure
Of a bear hug water column.

Nobody will find me there except
Zooxanthellae who poured
Out from inlets around Greenland
Just to seek my warmth and
Feel the walls of my branchlets
Which they navigate like dirt
Roads in the Midwest, like oranges
And taste buds.
Ron Sparks Jul 2015
dolphin slaughter
   in disingenuous and exquisite
Japanese inlets
hunger as an epidemic
   in the shadowed corners of
the world
putrid and rotting flesh
rampant disease
gmo crops making us all
     fat
these are things to
          worry
about, to fret and rally over
   yet here
I sit, wondering in
      mild horror
why I write better poetry
with
    two
       shots
of whiskey
  in my gullet
than when I am sober
Meagan Moore Jan 2014
The mosquitoes supped histamine limpets into our puckered flesh
dew gilted grass entombed our feet in dappled domes
refracting the overhead fireworks
smears of whirling color
accented by smoke mote ghosts

I forgot to wear my contacts
my near-sightedness
makes you giggle nervously -
a hard full body ****** of a laugh
it arches your spine
pulling our hand-holding into an expansion
only the lining betwixt finger inlets
galvanized our pulse

well, that and your voltaic laugh
its flourishing timbre
resonant
reverberant pyrotechnic
thickly glazing aural canal

lascivious tomes penned themselves
densely
upon neural plane
dendrites imprinting chemical insignia
moment captured in impressionistic blurs
Allen Smuckler Apr 2011
Born and reared in the city of Bridgeport,
where the trash arose from Long Island Sound.
The seagulls appeared, then vanished from sight,
wafting and diving through radiant sky.
Some inlets and harbours, lapping the shore,
while sounds of young voices screamed with delight.

Marvelous moments to form our delight.
Skipping through the busy streets of Bridgeport.
Heading south down Park, to visit the shore.
Where all you could hear was the visual sound,
of airplanes and balloons, gracing the sky,
alive in my mind but quite out of sight.

The crystalline sparkle came into sight,
to everyone’s pure and simple delight.
We watched as the clouds emerged from blue sky,
over the stunted skyline of Bridgeport.
Suddenly the clamour, the noise, the sound
came crashingly close to the rocky shore.

With silence removed from that muffled sound,
bemoaning the graphite and speckled sky.
Searching and groping for inner delight.
pasteurized thoughts over the sandy shore.
Memorized pictures brought into our sight,
a lost time; in the bowels of Bridgeport.

Sail boats and tankers came upon the shore,
out of the distance, and into my sight.
All I could hear was breath of the sound,
with glee, laughter, and a certain delight.
The slums became the city of Bridgeport,
reaching endlessly toward the dancing sky.

Adrift; at peace, and awashed by the sound,
flippantly airy as ground touched the sky.
I strolled and smiled with love lost delight,
scampered along on our copious shore.
Aware that my flight was love at first sight,
on the coast, in the city of  Bridgeport.

Amped delight amid the light of our sound
misconstrued Bridgeport scraped close to the sky,
up to the shore and again out of sight.
copyright, April 10, 2011
    A sestina consists of 6 sestets and 1 triplet (envoi)...usually unrhymed and repeat the end words of each line using these patterns:  a) 123456 b) 615243 c) 364125 d) 532614 e) 451362 f) 246531 triplet) (6 2) (1 4) (5 3)...middle and end words of lines in tercet...
As always.....I'm looking for feedback and critique
Prabhu Iyer Feb 2015
The night is a creeper bent laden with brooding meditations and the mists of time:

Tonight, the moon is a distant jasmine bud; nascent fragrance waiting to pour into the world.

I've seen your work, magicienne, how you roll the stars out from your hat.

A wand wave, and the celestial chorus of chants and hymns pours out from the skies.

I've walked with you, on the old beaten steppe, pole star,
I've seen ships dock at ancient inlets of water
engorging in parched lands - they were reed boats before;
they were catamarans later, rafts and sailboats;

This is how we rose from the mollusc, seeking you in the stars;

When thunder strikes the lonely peak and rains wash our plains,
I've seen your footsteps, half-erased by the swelling riverbanks.

I was in your womb, and never afraid of the primordial waters. Yours, an umbilical love.

The clouds part for your evening sojourn through the western sky,
where the larks go forth spreading cheer.

I am the wood, the last refuge of all mysteries.
I am the clearing where a solitary home hangs in time.
I house all the antiquities.
I am the subtle space that hosts bubble worlds.
I am Hyperions.
Bucolic piedmont woodland avenues , where rain clouds touch the hillside after welcome showers have passed
Where pungent fields of green native wild grass connect ones place
with his past
Red-tailed Hawk sentries stand guard o'er Loblolly Pine forest
Contemplative Blue Herons work scenic marshland unnoticed
Land of Pink Dogwood , Cane and blackberry thicket
Of riparian wonders , foggy cattle- worn bottom land , lake dancers that twirl morning side West Point , Lanier and Oconee inlets
To rural lanes colored with the blessings of home* .....
Copyright 16 , 2016 by Randolph L Wilson * All Rights Reserved
Zulu Samperfas Aug 2013
We make grooves in our minds, I'm told
Our thoughts, the racing ones, that we go to
are like grooves, the ones we obsess about
and when we clear our minds we make new
connections, literally
new grooves and rivers and inlets and that's why it's so hard to break
a thought pattern and my groove

is a man, always and once I've done with one I am relieved and think
I will never do that again and then the going gets tough and
I am anxious and I suddenly start thinking about a new one
and I don't know him and or I don't like him and it's better
if he has a girlfriend or wife because I can think
oh, they have the perfect life and I am cold and outcast
looking in a perfection, out in the cold and

it's existential really, to ungroove this, to make
a new pathway I need to know, to make a groove that
says, no one is perfect and always happy
it doesn't exist in this world
and you are not the abandoned child looking in at
your parents happiness forever and ever

But it's so hard...my new one I don't even know...only in pictures
a kind of celebrity, of sorts, but I don't like things he's done and he's got
a wife who is on TV and I don't like her either since she's with him and she
knows what he's done, and is doing and she still married him
and they are not always perfectly happy
they are rich, and go to gatherings of the elite
but I've been to those and I hated them, was bored stiff
Couldn't breathe

But I am anxious--
A student next year will I be nearly all the time,
and it has been a long time since anything so freeing has happened to me or
frightening, because I've been used to a kind of hopeless drudgery,
but I will emerge with a new skill and live near the beach
and near one of my favorite places on Earth.
So what is there to be afraid of, really?  Only the grooves
the grooves that take me back to suffering
only in my mind
Marian Jun 2013
With one black shadow at its feet,
         The house thro' all the level shines,
Close-latticed to the brooding heat,
         And silent in its dusty vines:
A faint-blue ridge upon the right,
         An empty river-bed before,
         And shallows on a distant shore,
In glaring sand and inlets bright.
                But "Aye Mary," made she moan,
                        And "Aye Mary," night and morn,
                And "Ah," she sang, "to be all alone,
                        To live forgotten, and love forlorn."


She, as her carol sadder grew,
         From brow and ***** slowly down
Thro' rosy taper fingers drew
         Her streaming curls of deepest brown
To left and right, and made appear,
         Still-lighted in a secret shrine,
         Her melancholy eyes divine,
The home of woe without a tear.
                And "Aye Mary," was her moan,
                        "Madonna, sad is night and morn;"
                And "Ah," she sang, "to be all alone,
                        To live forgotten, and love forlorn."


Till all the crimson changed, and past
         Into deep orange o'er the sea,
Low on her knees herself she cast,
         Before Our Lady murmur'd she:
Complaining, "Mother, give me grace
         To help me of my weary load."
         And on the liquid mirror glow'd
The clear perfection of her face.
                "Is this the form," she made her moan,
                        "That won his praises night and morn?"
                And "Ah," she said, "but I wake alone,
                        I sleep forgotten, I wake forlorn."


Nor bird would sing, nor lamb would bleat,
         Nor any cloud would cross the vault,
But day increased from heat to heat,
         On stony drought and steaming salt;
Till now at noon she slept again,
         And seem'd knee-deep in mountain grass,
         And heard her native breezes pass,
And runlets babbling down the glen.
                She breathed in sleep a lower moan,
                        And murmuring, as at night and morn
                She thought, "My spirit is here alone,
                        Walks forgotten, and is forlorn."


Dreaming, she knew it was a dream:
         She felt he was and was not there.
She woke: the babble of the stream
         Fell, and, without, the steady glare
Shrank one sick willow sere and small.
         The river-bed was dusty-white;
         And all the furnace of the light
Struck up against the blinding wall.
                She whisper'd, with a stifled moan
                        More inward than at night or morn,
                "Sweet Mother, let me not here alone
                           Live forgotten and die forlorn."


And, rising, from her ***** drew
         Old letters, breathing of her worth,
For "Love", they said, "must needs be true,
         To what is loveliest upon earth."
An image seem'd to pass the door,
         To look at her with slight, and say,
         "But now thy beauty flows away,
So be alone for evermore."
                "O cruel heart," she changed her tone,
                        "And cruel love, whose end is scorn,
                Is this the end to be left alone,
                        To live forgotten, and die forlorn?"


But sometimes in the falling day
         An image seem'd to pass the door,
To look into her eyes and say,
         "But thou shalt be alone no more."
And flaming downward over all
         From heat to heat the day decreased,
         And slowly rounded to the east
The one black shadow from the wall.
                "The day to night," she made her moan,
                        "The day to night, the night to morn,
                And day and night I am left alone
                        To live forgotten, and love forlorn."


At eve a dry cicala sung,
         There came a sound as of the sea;
Backward the lattice-blind she flung,
         And lean'd upon the balcony.
There all in spaces rosy-bright
         Large Hesper glitter'd on her tears,
         And deepening thro' the silent spheres
Heaven over Heaven rose the night.
                And weeping then she made her moan,
                        "The night comes on that knows not morn,
                When I shall cease to be all alone,
                        To live forgotten, and love forlorn."


                                    *Alfred Lord Tennyson
niamh Aug 2015
She sits on the rocks
An island between inlets
As the sea surges.

She sits on the rocks
Tempest within her raging
A beast in a cage.

She sits on the rocks
Hypnotised by crashing waves
Enticing her in.

She sits on the rocks
Brittle bones in silken skin
So vulnerable.

She sits on the rocks
An offering to neptune
Sacrificial lamb.

She slips from the rocks
In solitude no longer.
Witnessed by no-one.
Fah Sep 2013
There are places
where my heart ripped out of my chest by my hands in a fit of clarity ,
i yearned to see what kept me alive, with blood dripping from my fingertips
and splashing onto my coat in artistic nonchalance

the beat, beat , beat , of my only heart
the beat , beat , beat , of my time keeper
the beat , beat , beat , drip , drip , drip , silent watcher of ****** functions
seeping onto the floor are the unwritten lines that flow into vein like patterns, as if the blood tries to reach the sea,
only backwards - the pool spreads around my feet
away the streams run
criss crossing like rivers from a plane
oxtail islands form with inlets that lead to dead end forests that spring up spontaneously on either side of the waters flow

get lost in the forest - only to find more forest

twinkling lights of skies dawn appear in the slipstreams and mountain ravines form slowly ,
valleys carved from the still beating *****

i wrap the contents in a plastic bag and put it in my coat pocket
so maybe i’ll remember that i’m beating my drum to my final beat
which will ring out -

oh patient heart
oh , oh , oh , peaceful heart
full of yearnings for untainted love
untouched , touched by malice
touched by dandelions drifting seeds

oh patient heart
fill up your lungs with night falls dew point air ,
and falling stars falling still
into my eyes that explode
with the light of a million suns
they burn.

they burn.

they burn.

without the embers of loves hope
i would surely stop right now
slide the knife into the flesh
hope for the best

what a wicked thing to do - to make me dream of you

the fall

the thunderstruck tower of loves , loves touch
send shivers up my spine and into the neuron pathways of tickled pink touches
and strange worlds open up

synapse exchange - electronic turns chemical and back again all too soon
lightning flashes without thunders encore

dappled light hits the spiders hammock
old ladies weave their dried up tears into jumpers
grandmas and grandpa’s their stories outshines the children they bear

what burden to carry on the shelf of self.
just some musing
not too deep , just some musing
i feel , and it's simple.
i tell no lie.
i tell no lies.
i tell no lie, only made up stories in the darkness of just come night fall
Wendy Cox Aug 2015
Two
pools
of green in deep yet shallow
storm filled waters churning up
sands of waves that have already reached their shores...

How is it
from the moment green met green
that two pools of darkly swirling currents would
churn and twist into whirlpools of retreat?

I want to feel your pull, your elemental
slithering past all thought all consciousness,
into the eddies and hidden coves of my dream states.

I know if I look, I will find you there.

How could I have lasted so long
in this existence without you?
Mistaken and settling for transparent echoes...
saccharine kisses and bitter aftertastes?

I feel you in the very air
around me. In the space that I occupy, I feel a shift in the atoms as you come
Near enough to taste, to sense, to breathe you in.

I am in the moment. as you are, wanting to occupy the very space you take, at one with you.

Needing to want
yet wanting to need you in all the ways that needing
you makes me want you even more than I do now...
An impossibility in it's similitude.

Not as much a minus,
a void that needs be filled, as an amplitude
of the very vibrational undercurrent of...

Life.

Throbbing as we circle
then yet again, come together in the way that
is as old... as time itself, yet a genesis in each cohesion

Of souls.

Let me breathe...into myself
your breath, melding skin on
skin and feeling you within

the very...Id...of all that Ego cannot say

Lying spent... two
yet one. Still feeling the shuddering aftershocks and ragged breathing
as the spinning of the globe slows for a moment

and the Universe narrows to one small cosmos, here within this shared delusion, this moment suspended.

Let me look at you for the instant it takes
And in that instant I pray that that moment takes life and you realize that there is no Other
There can BE no Other than You...For me.

Suspended until I find you again
and pools
of green look into deeper pools of green and the faintest flicker
Of the soul recognizes a piece of its own.

True and pure waters move deep beneath the surface for those who aren't afraid to hold their breath...and dive.

You hold my heart.
Keep it close to yours and guard it well now that it has been stripped bare
of all artifice and hardened scars.
It isn't weak, Only tender and new to this world

Give me your care and I will grow with you,
as strong as I know my character to be.

As strong as the woman who is worthy of an Other and a chance at love.
Real love.
Worthy of Life.

My storms have carved a vast, stark, yet rugged shoreline
Not an easy place to land, but there are inlets and coves for those
who know the rocks and reefs of these... deep waters.

There is no lighthouse to save me,
only this Ship Master to face these storms and stand
Within the waves as they move around him. Around the vessel, he has crafted with his hands, his wits...his love of the Deep

The Deep green I see... when I look into your eyes.

I do not want to consume you and yet I can not bear to let you go.

And so I beckon to you...as I feel
the pull as old as the tides to be near you, to be OF you, all around you.
Pulling you to me ever closer until there is no you, no me... no Other

We just ARE.

And I know you feel it too.
For JC  Written Spring 2015.
James Cacos Apr 2012
When Daniel swam out towards the island,
the children and I saw it happen,
the family safe on shore, oblivious
to the riptides that pull
shells, weeds, flounder, and men down.

We could not believe the ocean claimed him.
He had romanced her,
witholding for once
his scorn for things too vast.

Today, I leave this coastline,
its cliff-faces and inlets.
I walk on the beach,
and then I walk into the water
up to my ankles, knees, waist,
up to my neck before I let the sea take me.

I swim,
I grow fins,
lose my arms and legs,
gills supplant my lungs,
and my face flattens 'til I'm fisheyed.

I am a citizen of the sea,
come to sue for my loss.
I swim like a mad maiden,
I swim,
then I dive below, dear Daniel.
Crappie running in beds along the lit docks , bridges and abutments .. Flathead catfish bigger than a grown man at the base of the dam , Largemouth bass hitting shad like battering rams , early morning , late afternoon and darkest night .. Hardwood forest brimming colorful shores , stoic Whitetail Bucks dining on acorns , field nuts and sweet moss , Canadian geese and frozen shorebirds working her tributaries and inlets .. Smokey water silhouettes relayed by whippoorwill hymns , the first angelic beam of the morn striking her poetic surface .. Lake Jackson returning to diurnal joy , across reflective , freshwater twirling plains ...
Copyright March 26 , 2016 by Randolph L Wilson * All Rights Reserved
John Lopes Mar 2017
I often think of the swimming body,
arms unfurling the rough afternoon lake
into smooth planks while stretching
through the catch,
carving mosaic reflections into
shapes reflecting glimpses of the sun
before strewn onto the surface like
broken pearl necklaces.

It was in this practice I learned patience,
in the process of the crossing
and perfection of glide,
the conclave with the lake and flow of
language between body and water
the dialogue of the skimming, rotating torso,
forehead below surface line, chin down
consummation of movement.

The body suspended
above the muddy bottom,
stretching through the round shoulder,
the square shape of the hand
with fingers slightly apart coiffing
currents,
surging naked anatomy forward.

In Autumn, the buoy clangs louder
conversing through fog
of the changing season
to lake swimmers, row on row,
blinded at their bow
reminding them of the turn,
the edge of the precipice
before cavernous depths
pilfer reason,

    those masters of rhythm
    turn attention to stroke of arms
    away from blackness beyond sight,
    where creatures dwell.

Pivoting parallel to the lakefront,
elongated through the feet,
into the legs, along the chest,
barren ******* cutting waters
connecting one shore to the next,

    before absolute zero of winter sets in
    the vein splitting East-West coursing
    between inlets, skirting islands
    and birch skinned canoes
    dancing atop foamy plumes,

It was in this practice I learned patience,
when all thoughts are flex of body,
the slight curve of torso
and abdominal reach toward shore unseen
through glistening sheets of
morning’s mosaic surface
Nigel Morgan Oct 2016
VII

This is my end
surely this is
the end of it all
all I know is here
and though I am
young this is the end
of life as I know it
now and soon I will
see my home no more
for this is my end
here where I shelter
from all I cannot
think beyond this ending
surely the end of all
I know is here
and will be gone

(after a cine still from 1930 of a St Kllda woman)

XVIIIa

house above the hut
of shadows holds itself
against the relentless wind
on so open a shore
islands and inlets beyond
reasonable number stand
before its policies
its promontory land
Up on the third floor
light fills every corner
expelling its shadows
to the hut held
within its sight

XVIIIb

slowly the darkness
reveals less than
a shadow thrown
against a plastered wall
inside silenced from the wind
an image grows as the eyes
succumb to less than light
used to looking Suggestion
and the memory of outside
supply the rest

(two poems connected by Chris Drury’s Hut of Shadows on North Uist)


XIX

following footsteps
crisp in the sand
hour-fresh from tide-fall
now the shadows form
in the weight of press
the imprint mark
different with every
fall of limb and claw
the 3-pronged bird-foot
the sandaled human
step singular one
before another after
another until perspective
conceals and merges
into distant sand

**

silence suddenly
the ringed plovers
hold their breath
then chorus
a chirping as they wade
together in their own
reflections
the water like glass
at their feet
mirroring
movement that light
hop for a few steps onto
a slight but sturdy island

tweet then terweet
inflected upwards
a questioning call
terweet?

XX1

the taste of salt sea
in the mouth
the touch of water
thick sea-water
on the legs between toes
the sharp cold plunge
immersion envelopment

sunlight throws a cascade
of bright steps across the sea
gradually merging into a band of light
ablaze on the horizon
at the base of distant Monarchs
a silhouette of massed rock
rises from the sea crowned
by static clouds decorating the sky
gentle white ermine-soft
These poems are part of a collection of forty-five written during July and August 2016. Thirty-six of these poems were written in the Outer Hebrides on the islands of North and South Uist,  and on Eriskay. They are site-specific, written on-the-fly en plain air. They sit alongside drawings made in a pocket-size notebook; a response to what I’ve seen rather than what I’ve thought about or reflected upon. Some tell miniature stories that stretch things seen a little further - with imagination’s miracle. They take a line of looking for a walk in words.
John Lopes Oct 2017
I often think of the swimming body,
arms unfurling the rough afternoon lake
into smooth planks while stretching
through the catch,
carving mosaic reflections into
shapes reflecting glimpses of the sun
before strewn onto the surface like
broken pearl necklaces.

It was in this practice I learned patience,
in the process of the crossing
and perfection of glide,
the conclave with the lake and flow of
language between body and water
the dialogue of the skimming, rotating torso,
forehead below surface line, chin down
consummation of movement.

The body suspended
above the muddy bottom,
stretching through the round shoulder,
the square shape of the hand
with fingers slightly apart coiffing
currents,
surging naked anatomy forward.

In Autumn, the buoy clangs louder
conversing through fog
of the changing season
to lake swimmers, row on row,
blinded at their bow
reminding them of the turn,
the edge of the precipice
before cavernous depths
pilfer reason,

      those masters of rhythm
      turn attention to stroke of arms
      away from blackness beyond sight,
      where creatures dwell.

Pivoting parallel to the lakefront,
elongated through the feet,
into the legs, along the chest,
barren ******* cutting waters
connecting one shore to the next,

      before absolute zero of winter sets in
      the vein splitting East-West coursing
      between inlets, skirting islands
      and birch skinned canoes
      dancing atop foamy plumes,

It was in this practice I learned patience,
when all thoughts are flex of body,
the slight curve of torso
and abdominal reach toward shore unseen
through glistening sheets of
morning’s mosaic surface
Inspired by my love for swimming, the observation of the precision required for something so simple.
DarkSilence Jun 2015
It's interesting to look through the cracks in my eyelids,
Find wonders without even tryin'.
Staring out the window in my soul,
Womderin' why it's so fah king cold.
<><><>
To many mistakes,
Feelin' fake.
To many superficial sunsets,
To few undetected inlets.
I hate these bright colors,
Blue, green, red,
And what the **** is wonder flutter?
<><><>
I feel this dark hue,
Trickle down to my new shoes.
Sending shivers down my spine,
It's a good thing death is not a crime.
Trade my soul for a sense of humor,
Must really ****,
Died cuz I had a tumor,
Whatever, don't give a f*#k
<><><>
Treat me like a ***** rat,
I'll treat you like I'm Chris kratt!
Explainin' all these animal blunders,
Still not another bowl dunker.
Don't treat me like I'm new,
Not like I work at a zoo.
I don't actually like how I did this one, I think I could have done better....... Sorry guys.......
Third Eye Candy May 2018
Supine, I sonder...
all syzygies and cromulent salons.
Stalking inlets, outbound.... surrounding swathes of
simpletons and awkward savants.
Sublime, I bombinate blithely... babbling
oblique begonias -
abloom... beyond barbarous gardens.
I tune my loom to weave
a wondrous garland -
the envy of every Harvest Moon
eclipsed...

[ and beg no pardon ]

As The Aurora
of our angular momentum
aptly allude to our diluvian droughts.
boundlessly departed
from all dominion... Like -
a dessicated deluge
dormant at the heart
of an epibenthic
pearl of dew.

I slake my thirst at
the First Well...
desolate of mirth.
yet ever at
peace.

contiguous in the extreme.

Supine, i sonder....
stitching my
brother's shadow
to the heel
of my odyssey.

My Wilderness
complete... when I go
missing.

[ where i oughta be ]
skyblueandblack Jan 2015
These eyes,
they hide
a wall of tears
though it does nothing to quell the flame,
they hide behind
a wall of fears
that echoes the sound of your name.


This heart,
its roads,
its inlets and tributaries
that venture to you
and from you
are stained red from the wine you spilled
though it had no color.

These hands, these arms
as they hold and surround you
though they mean to provide you peaceful solace
they only seem to confound you.

This silence -
this silence though it may be golden
it is not always consent;
mere empty promises that keep me beholden
to words, like a coil that is wound
and wound,
betraying a silence that does indeed
have a sound.
http://skyblueandblack.com/2015/01/13/silence-has-a-sound/
JP Goss Sep 2019
If neoliberalism has taught me anything
It’s that Love is a close, slow, and cold war
Of poisoned wells, proxy wars, and intel—
Know thy enemy, keep them closer than allies.
So close this necessary rivalry
That no olive branch can pass between
That, even in times of peace,
The light-bearing serpents
Post guard near the vaults of one’s purity
Unsure whether grain or gold
Actually lines the walls of ones coffers,
And the thousand envious myrmidons
Kept along the edges of their body’s territory
And skirt the embassy within.
Is there room in the hearth
For pacifists like me?
Or are all the rooms quartered by troops?
It’s sad to say, only the words of the cynic
Could truck and barter
Their way through the bronze gates,
What small inlets there may be,
As master seeking the slave
And slave, the master’s whips
Is a true sign of loyalty to Monogamy’s crown.
What Love couldn’t be said to be
The sadomasochism of
The corporate merger,
Or annexation
Or competitive market of ideas?
***, in the time of Smith or Hobbes,
Is exactly what we need—
Egoism allwheres,
Like so much embroidery
The love of ones life
Veils *******, a swallowing, a utility
And undoes the altruism,
Anything but all-true-ism,
In favor of the fetishism of control,
Flashed like semaphores in storm-beaten nights
To any ship passing
Seeking port and safe passage,
Exchange fire, those shapes and pleas,
Turned warnings to threats,
Sinking, sinking deeper
Into each other’s arms.
In all their plotting, do they hear
Andres-Salome, Ree, and Nietzsche
Laughing about in unburdened skin
Laughing to let the summer in,
On cart-drawn pleasures
And rustic, old-world habits
That rub dirt in the wound
Of the flesh’s censures
By the cruel absence of the lash
And the ostracon.
Says Leiak: “I have parleyed with the spirits of Strigoi for more epsilons and nocturnal tenths than of the Vóreios of Zefian, endless in the gloom that have divided the chains, with magic that blinds my eyes in the budding sunrises of Ovid and his horizon, With the Katana of a Lapp warrior between the blades of the benevolent Hagakure of a samurai, between the two flaming zones was the Celestina next to me, to degrade alone and old with her ****** folds, collapsing in frenzy as she lost between her fingers with the whiteness of his ciliates, so that as Celestina was the decoy of the Ars Amandi, Ovidio also appeared on the Mataki tablecloth, without hindrance of the worn and lethargic over-relief between the sheets worn by his thumbs and outer fingers on the sheet of the Ovidian index, prevented from having, and rubbing the Mataki full of colorful eyes to see if the third book walked only on the belly of the Celestinas courtesans, or were a strong choice The omens that Strigoi had already confided to her at the door of his ear, with fribrous and cold astragali that they grafted into the damp darkness of the other bleak wetland of the Mandrake. My stoicism has been extolled with the courtesan in a filial augury with the daughter of Laban, for Jakob's needs after twenty years in Harran, in the antitragus of Raquel's ear and hers desert of kabbalah of hers. Laban made obedience to Mount Gilead a command, before a sub-first-born being pulled on the heels by his brother Esau, fear was another option of the augury of sensitivity that was approaching instead of moving away from a greater panic, if at all. Whoever comes and draws its bellicose root from the complete saying of Yahweh turning his back on demons that imitate him, but not being able to walk like him on the desert without leaving footprints. Leiak had all these spirals of Spartan Mirages, where all boasted of democracies, while others evidently in the land that he watered them by hands that also secured the Xifos with blacksmith and agricultural handles, with riches that only provide wood for ships that Will they never sail, not even in half-freedom from the oligarchic mirage with men of war in the pulp, and that they will walk free in the polis until it puts them in the ****** battle where their bones will trade for soft money or lavish exchange?

The farm wasted to comrades who had crossed the dagger, Leiak after collecting them from the fields that were strewn with bones, wasting statistics with a Republican victory. Where is the money? nor would I want my discouragement to attack affections or stoicisms to be the one who averages my flock. The great effort belongs to all or to those who lose their parallelism if regularly a sword is well taken for what since its gain would be desired there, where the possession of wealth brings more care than joys that provide its enjoyment? (Xenophon, The Republic of the Lacedaemonians, VII), so that then more swords than anyone else will charge those who lost them in battles, not even those of gold at auction, for those who collect it as an integral bronze with maximum original zeal, to who must have had it tight in his hand, until the last minute it expired when he remembered that he did it with his plow in the hoplite farm, and in furtive actions now with the "V" Lacedaemon of Vernarth in the complete love of a God that still listens! Let's sing to the beasts, they act with imaginary benevolence, but not with tangible demonicity that touches their human offspring, always fighting with their necromances as a multidimensional actant, with texts that speak of a world that abhors human environments already possessed by a Laban, or by an illustrated Ovid, which crosses Celestina with necromances who only know of their cursed wombs of dry iron, narrated of an empress not reflected in her only until the last gasp to have her convalesced who sings the song of necromancy with her. The Mataki is a peasant with leathery hands impregnated with truth, poured out by the astrology of the horse of Alikantus, which limped in the noisy wand of Betelgeuse, with magical alchemy that gave way in the caverns that could not bear any more necromancers. This is where I come from, from the forests of the transversal valleys of Horcondising, of Andromancy, who was awakened one night at the next dawn in a new world and a new morning, without knowing where it was, but it was a human who guesses its hereditary Andromancy, among dead spirits that indicated that he too is and will be one of them, the advent of a nekroi who only shone towards a female sorceress but filling the maiden fields that mowed the pastures near the deceased people. Right here Yo Leiak, for whoever falls into this spell, I will round the square of a secular necromancer brandishing, only with written science that beats with interferences of his heart, towards a new concordance of the elusive Spartan mirages, where wealth lies on poverty being nothing more than their own science, from an order or Cosmos that piles up the empty bodies of the souls in their empty stomachs, without even an astrological medicine that would measure them of any veracity in the Contemplationis in Deum, where other things will be angels that they will roll through the doors of the tombs, where no one will truly live in the paragraphs of the mute angel. The vampirism taught by Vlad Strigoi, sleeps in the gulfs and inlets where he finds to provoke what or who he woos, and takes them to his fortified castle where passion scales the accents from where it is born, nor will anyone be able to write a single verse with stanzas hidden in a mysterious heart within another, which is from a man versed in the cartoon that synthesizes the plot of a title "Here I Leiak Necromancer, one day I was Franciscan and now I follow the stillness of my master Vernarth and our Apostle Saint John ”, I almost become a clergyman where everything arises and ends in the uniqueness of the functions in this banquet on Patmos, before the greater and lesser compliments, where my heart will serve for the greater good, I live in you my lord,  you taught to close your eyes and not lose your life that does not intercept the gates of the other, here is my adhesion Vernarth "
Leiak Necromancy
Valsa George Jul 2021
In the folds of night, as a wave, you came
Charioted in a filmy dream
All night you were with me
In love’s uncharted land, we roamed

You sang to me sweet rhymes of love
Echoing the lore of romantic lovers
Your voice choked and moist with passion
Overwhelming me with an ecstasy so rare

You fondled me with infinite tenderness
Opening in me all inlets of pleasure
Our hearts with divine furore filled
And we knew love’s sweet benediction

In the seclusion of that silvery night
Looking into the corners of your love lit eyes
I saw an ocean of rising and receding tides
And took a dip in the whirlpool of love

All night I inhaled your scent
Knew the warmth of your breath
****** the sweetness of your lips
Alas! With dawn, you faded away like dew
Mary-Eliz May 2017
I am from the planets spinning
I am from the dust of stars
I am from moon’s glow on ocean
I am from both near and far

I am from the hazy morning
I am from clear mid-day
I am from the purple evening
I am from where darkness lays

I am from the East and West
I am from the North and South
I am from the core of earth
I am from the inside out

I am from the foam of oceans
I am from the breath of skies
I am from raindrops falling
I am from the glaciers’ ice

I am from the winding rivers
I am from the sea
I am from lakes and inlets
I am from water, carry it in me

I am from places known
I am from life’s mysteries
I am from the edge of nowhere
I am
      you are
            we are
                   all of these

— The End —