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"inlets" poems
At the beginning Is an open sea Knowing nothing But its own Owning every Beach it met Not knowing enough to feel alone After many Long years it finds There is much More for to see Inlets and outlets On every shore A sense of greater freedom to be free The sea joined To many rivers Seeing land On either side Freedom then became Just a memory The river's end was not in sight But along the way An Ocean Watershed Joining rivers to the sea It had to sleep In many river beds To see what it was meant to be Down in the river Flowing headlong To the sea Joining the River's rage That is where I long to go That is where I am meant to be.
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Jul 17, 2017
Jul 17, 2017 at 12:52 PM UTC
River to Sea
Trickling tingles bubble, goaded from the verdant body As a butterfly’s flutterings coax the flow Widening and filling With a gentle lapping of inlets Ripples tease the reeds into turgid tremors Merging to waves Wave upon wave Curves slide over curves And at the Delta’s swollen, gaping breadth Crests slip over craving crevices Slapping froth in desperate gasps Milking cruel spasms from the urgent need to reach escape Until with turmoil resolved A gentle calm inundates the great ocean of sleep.
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Jun 2, 2014
Jun 2, 2014 at 9:34 AM UTC
The River of Eros
oh, san juans, your riches beckon your wealth, your beauty calls your waveless, salty waters blue my heart since childhood draws your waters lap at darkened rock 'round islands, bays and inlets fill with returning salmon teeming your breaking waters thrill your tide, oh ever river changing charges muddy oyster flats your thriving pods of orca leap o'er spray in mid-air acrobats from seabed swift, cold and deep  the lushness of your green hills rise  your sun falls fleet like shooting star your sparkling waters mesmerize sailing craft from ’neath horizon angels spread their wings of color skirt your shoals and ply your straits find safety anchored in your harbors  oh, san juans, your wonder waits your treasure and your magic calls your waveless, crystal waters blue my heart since youth still draws calls me to return each year to dip my paddle deep when life averts the journey there in dreams you beckon while i sleep
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Oct 14, 2013
Oct 14, 2013 at 2:22 AM UTC
oh, san juans
This is to all those misfits To the Romeo car-washing in Inglewood inlets To the Hippy selling crystals on the Venice boardwalk The Magician swallowing 8-balls at the Huntington Beach peer The Rapper selling CDs in the Ranch Market parking lot The **** tatting in a makeshift garage The Poet slinging chapbooks at cafes and rec centers… Not androids pontificating from lecterns But grimy roots burrowing deep Seismic rumblings toppling down Insured ivory towers Smashing pilled-paradigms beneath Docs Hustling and slinging In the forbidden outshacks of civilization In tents, over barbed-wire, beside shards Desperate and burning For neither Truth or Beauty But for LIFE They do not tap wrists No,  they thump chests To feel it beat To feel it rage For fugitive fugues For new eternities They embrace ********** romance Graveyard necromance The holy hunger for change Defying commercials and charts Shivering and howling on streets Waging guerrilla war Liberating cubicled-hearts
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Dec 23, 2016
Dec 23, 2016 at 8:20 PM UTC
Ode to Misfits
The inlets Wrap around the water Writhing in the fury of the ocean’s waves, Obscuring the distance they reveal To the eyes that gaze absent mindedly Down their beaches and their cliffs. Indifferent to the conflict below, The sun blazes down But the winds cleanse the skin of its heat As they are driven from the sea. The sea that breaks the stoic rocks And casts the sand’s lonely grains -Along with the many homeless winds- Across the beaches which slope At the feet of their stony bluffs. But the cliffs stand in austere grandeur Defiantly surveying the endless waters Whose numerous, ceaseless, enduring waves Are kept at bay by the towering unity. I am of the wind that has no home In the conflict of sea and land I am the sun that lights this vision: Firmament of hills, sea and sand. Tides come and go but never leave me Sands shift in time but never deceive me As sun I shine light on all at hand: This ceaseless meeting of sea and land.
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Sep 19, 2012
Sep 19, 2012 at 6:00 PM UTC
Coastline
I don’t want to write this manuscript I want to be a deep Sea coral at the bottom of A Norwegian fjord. The great expanse of ice spirals A rhythm to my swaying Protected by the pressure Of a bear hug water column. Nobody will find me there except Zooxanthellae who poured Out from inlets around Greenland Just to seek my warmth and Feel the walls of my branchlets Which they navigate like dirt Roads in the Midwest, like oranges And taste buds.
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Oct 31, 2012
Oct 31, 2012 at 7:15 PM UTC
Experimental/Observational Methods
dolphin slaughter    in disingenuous and exquisite Japanese inlets hunger as an epidemic    in the shadowed corners of the world putrid and rotting flesh rampant disease gmo crops making us all      fat these are things to           worry about, to fret and rally over    yet here I sit, wondering in       mild horror why I write better poetry with     two        shots of whiskey   in my gullet than when I am sober
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Jul 20, 2015
Jul 20, 2015 at 1:14 AM UTC
Priorities, priorities
The mosquitoes supped histamine limpets into our puckered flesh dew gilted grass entombed our feet in dappled domes refracting the overhead fireworks smears of whirling color accented by smoke mote ghosts I forgot to wear my contacts my near-sightedness makes you giggle nervously - a hard full body ****** of a laugh it arches your spine pulling our hand-holding into an expansion only the lining betwixt finger inlets galvanized our pulse well, that and your voltaic laugh its flourishing timbre resonant reverberant pyrotechnic thickly glazing aural canal lascivious tomes penned themselves densely upon neural plane dendrites imprinting chemical insignia moment captured in impressionistic blurs
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Jan 26, 2014
Jan 26, 2014 at 8:35 PM UTC
A Firework Doppleganger Held My Hand Today
Born and reared in the city of Bridgeport, where the trash arose from Long Island Sound. The seagulls appeared, then vanished from sight, wafting and diving through radiant sky. Some inlets and harbours, lapping the shore, while sounds of young voices screamed with delight. Marvelous moments to form our delight. Skipping through the busy streets of Bridgeport. Heading south down Park, to visit the shore. Where all you could hear was the visual sound, of airplanes and balloons, gracing the sky, alive in my mind but quite out of sight. The crystalline sparkle came into sight, to everyone’s pure and simple delight. We watched as the clouds emerged from blue sky, over the stunted skyline of Bridgeport. Suddenly the clamour, the noise, the sound came crashingly close to the rocky shore. With silence removed from that muffled sound, bemoaning the graphite and speckled sky. Searching and groping for inner delight. pasteurized thoughts over the sandy shore. Memorized pictures brought into our sight, a lost time; in the bowels of Bridgeport. Sail boats and tankers came upon the shore, out of the distance, and into my sight. All I could hear was breath of the sound, with glee, laughter, and a certain delight. The slums became the city of Bridgeport, reaching endlessly toward the dancing sky. Adrift; at peace, and awashed by the sound, flippantly airy as ground touched the sky. I strolled and smiled with love lost delight, scampered along on our copious shore. Aware that my flight was love at first sight, on the coast, in the city of  Bridgeport. Amped delight amid the light of our sound misconstrued Bridgeport scraped close to the sky, up to the shore and again out of sight.
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Apr 10, 2011
Apr 10, 2011 at 5:15 PM UTC
Bridgeport (A Sestina)
Born and reared in the city of Bridgeport, where the trash arose from Long Island Sound. The seagulls appeared, then vanished from sight, wafting and diving through radiant sky. Some inlets and harbours, lapping the shore, while sounds of young voices screamed with delight. Marvelous moments to form our delight. Skipping through the busy streets of Bridgeport. Heading south down Park, to visit the shore. Where all you could hear was the visual sound, of airplanes and balloons, gracing the sky, alive in my mind but quite out of sight. The crystalline sparkle came into sight, to everyone’s pure and simple delight. We watched as the clouds emerged from blue sky, over the stunted skyline of Bridgeport. Suddenly the clamour, the noise, the sound came crashingly close to the rocky shore. With silence removed from that muffled sound, bemoaning the graphite and speckled sky. Searching and groping for inner delight. pasteurized thoughts over the sandy shore. Memorized pictures brought into our sight, a lost time; in the bowels of Bridgeport. Sail boats and tankers came upon the shore, out of the distance, and into my sight. All I could hear was breath of the sound, with glee, laughter, and a certain delight. The slums became the city of Bridgeport, reaching endlessly toward the dancing sky. Adrift; at peace, and awashed by the sound, flippantly airy as ground touched the sky. I strolled and smiled with love lost delight, scampered along on our copious shore. Aware that my flight was love at first sight, on the coast, in the city of  Bridgeport. Amped delight amid the light of our sound misconstrued Bridgeport scraped close to the sky, up to the shore and again out of sight.
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39
The night is a creeper bent laden with brooding meditations and the mists of time: Tonight, the moon is a distant jasmine bud; nascent fragrance waiting to pour into the world. I've seen your work, magicienne, how you roll the stars out from your hat. A wand wave, and the celestial chorus of chants and hymns pours out from the skies. I've walked with you, on the old beaten steppe, pole star, I've seen ships dock at ancient inlets of water engorging in parched lands - they were reed boats before; they were catamarans later, rafts and sailboats; This is how we rose from the mollusc, seeking you in the stars; When thunder strikes the lonely peak and rains wash our plains, I've seen your footsteps, half-erased by the swelling riverbanks. I was in your womb, and never afraid of the primordial waters. Yours, an umbilical love. The clouds part for your evening sojourn through the western sky, where the larks go forth spreading cheer. I am the wood, the last refuge of all mysteries. I am the clearing where a solitary home hangs in time. I house all the antiquities. I am the subtle space that hosts bubble worlds. I am Hyperions.
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Feb 5, 2015
Feb 5, 2015 at 7:26 PM UTC
Hyperions | Mystical Lyric Poem
I have waited in certain landlocked towns, Near and far, and far from here. And I have sailed and been in low ports found, Their inlets clad in salted air. And I have dreamed on oft spoken of starry nights and on largely unspoken starless nights, Of select places with opportune and tactless new found faces. And I have lain out restless and uncomfortably awake, Hearing human voices shriek and drown, In salt clad harbor towns, And heard those specific siren calls of those particular siren girls, In those inlets, salt clad by the sea. And still awake I have heard, in those waiting-space landlocked towns, Curiously, those curious sounds, Of only human and yet inhumane calls. Dressed in that specific gauze of an agony-tone, For that specific landlocked home, Where drinkers go, That drunkard’s throne, And been sullen at that once and forever shoreless drone. And I have also been, you see, in places left unknown. And in a daydream I would hear and be heard by almost gasping voices, From waking and still somehow sleeping and unbelieving men. Grasping out onto air that has been made thin and further, Been gasping. Searching for woefully inaccurate words, With a woefully inarticulate tongue, And I have danced and been set atremble by the timbre of your breathe And then enamored by the resonance of your gasp, And I have gasped with a tongue set dancing behind lips all aflutter. In those unutterable places with specifically unknown locations, I have listened, Through rock and metal, Between those landlocked towns and those salt clad harbors, For the full sound escaped from your trembled lips. And I have listened, through daydreaming mist veils, And through known and unknown places, For that voice that speaks through space and time and rock and metal, And I have only heard that curious sound of human and inhuman calls, And I have heard those particular siren calls of those specific siren girls, And that cry of human voices that shriek and drown.
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Jan 17, 2013
Jan 17, 2013 at 11:00 PM UTC
Songs for Sirens I
I have waited in certain landlocked towns, Near and far, and far from here. And I have sailed and been in low ports found, Their inlets clad in salted air. And I have dreamed on oft spoken of starry nights and on largely unspoken starless nights, Of select places with opportune and tactless new found faces. And I have lain out restless and uncomfortably awake, Hearing human voices shriek and drown, In salt clad harbor towns, And heard those specific siren calls of those particular siren girls, In those inlets, salt clad by the sea. And still awake I have heard, in those waiting-space landlocked towns, Curiously, those curious sounds, Of only human and yet inhumane calls. Dressed in that specific gauze of an agony-tone, For that specific landlocked home, Where drinkers go, That drunkard’s throne, And been sullen at that once and forever shoreless drone. And I have also been, you see, in places left unknown. And in a daydream I would hear and be heard by almost gasping voices, From waking and still somehow sleeping and unbelieving men. Grasping out onto air that has been made thin and further, Been gasping. Searching for woefully inaccurate words, With a woefully inarticulate tongue, And I have danced and been set atremble by the timbre of your breathe And then enamored by the resonance of your gasp, And I have gasped with a tongue set dancing behind lips all aflutter. In those unutterable places with specifically unknown locations, I have listened, Through rock and metal, Between those landlocked towns and those salt clad harbors, For the full sound escaped from your trembled lips. And I have listened, through daydreaming mist veils, And through known and unknown places, For that voice that speaks through space and time and rock and metal, And I have only heard that curious sound of human and inhuman calls, And I have heard those particular siren calls of those specific siren girls, And that cry of human voices that shriek and drown.
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40
We make grooves in our minds, I'm told Our thoughts, the racing ones, that we go to are like grooves, the ones we obsess about and when we clear our minds we make new connections, literally new grooves and rivers and inlets and that's why it's so hard to break a thought pattern and my groove is a man, always and once I've done with one I am relieved and think I will never do that again and then the going gets tough and I am anxious and I suddenly start thinking about a new one and I don't know him and or I don't like him and it's better if he has a girlfriend or wife because I can think oh, they have the perfect life and I am cold and outcast looking in a perfection, out in the cold and it's existential really, to ungroove this, to make a new pathway I need to know, to make a groove that says, no one is perfect and always happy it doesn't exist in this world and you are not the abandoned child looking in at your parents happiness forever and ever But it's so hard...my new one I don't even know...only in pictures a kind of celebrity, of sorts, but I don't like things he's done and he's got a wife who is on TV and I don't like her either since she's with him and she knows what he's done, and is doing and she still married him and they are not always perfectly happy they are rich, and go to gatherings of the elite but I've been to those and I hated them, was bored stiff Couldn't breathe But I am anxious-- A student next year will I be nearly all the time, and it has been a long time since anything so freeing has happened to me or frightening, because I've been used to a kind of hopeless drudgery, but I will emerge with a new skill and live near the beach and near one of my favorite places on Earth. So what is there to be afraid of, really? Only the grooves the grooves that take me back to suffering only in my mind
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Aug 18, 2013
Aug 18, 2013 at 12:51 AM UTC
Grooves in My Mind
We make grooves in our minds, I'm told Our thoughts, the racing ones, that we go to are like grooves, the ones we obsess about and when we clear our minds we make new connections, literally new grooves and rivers and inlets and that's why it's so hard to break a thought pattern and my groove is a man, always and once I've done with one I am relieved and think I will never do that again and then the going gets tough and I am anxious and I suddenly start thinking about a new one and I don't know him and or I don't like him and it's better if he has a girlfriend or wife because I can think oh, they have the perfect life and I am cold and outcast looking in a perfection, out in the cold and it's existential really, to ungroove this, to make a new pathway I need to know, to make a groove that says, no one is perfect and always happy it doesn't exist in this world and you are not the abandoned child looking in at your parents happiness forever and ever But it's so hard...my new one I don't even know...only in pictures a kind of celebrity, of sorts, but I don't like things he's done and he's got a wife who is on TV and I don't like her either since she's with him and she knows what he's done, and is doing and she still married him and they are not always perfectly happy they are rich, and go to gatherings of the elite but I've been to those and I hated them, was bored stiff Couldn't breathe But I am anxious-- A student next year will I be nearly all the time, and it has been a long time since anything so freeing has happened to me or frightening, because I've been used to a kind of hopeless drudgery, but I will emerge with a new skill and live near the beach and near one of my favorite places on Earth. So what is there to be afraid of, really? Only the grooves the grooves that take me back to suffering only in my mind
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37
*Bucolic piedmont woodland avenues , where rain clouds touch the hillside after welcome showers have passed Where pungent fields of green native wild grass connect ones place with his past Red-tailed Hawk sentries stand guard o'er Loblolly Pine forest Contemplative Blue Herons work scenic marshland unnoticed Land of Pink Dogwood , Cane and blackberry thicket Of riparian wonders , foggy cattle- worn bottom land , lake dancers that twirl morning side West Point , Lanier and Oconee inlets To rural lanes colored with the blessings of home* .....
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Jun 17, 2016
Jun 17, 2016 at 8:48 PM UTC
An Observation After the Rain ....
There are places where my heart ripped out of my chest by my hands in a fit of clarity , i yearned to see what kept me alive, with blood dripping from my fingertips and splashing onto my coat in artistic nonchalance the beat, beat , beat , of my only heart the beat , beat , beat , of my time keeper the beat , beat , beat , drip , drip , drip , silent watcher of ****** functions seeping onto the floor are the unwritten lines that flow into vein like patterns, as if the blood tries to reach the sea, only backwards - the pool spreads around my feet away the streams run criss crossing like rivers from a plane oxtail islands form with inlets that lead to dead end forests that spring up spontaneously on either side of the waters flow get lost in the forest - only to find more forest twinkling lights of skies dawn appear in the slipstreams and mountain ravines form slowly , valleys carved from the still beating ***** i wrap the contents in a plastic bag and put it in my coat pocket so maybe i’ll remember that i’m beating my drum to my final beat which will ring out - oh patient heart oh , oh , oh , peaceful heart full of yearnings for untainted love untouched , touched by malice touched by dandelions drifting seeds oh patient heart fill up your lungs with night falls dew point air , and falling stars falling still into my eyes that explode with the light of a million suns they burn. they burn. they burn. without the embers of loves hope i would surely stop right now slide the knife into the flesh hope for the best what a wicked thing to do - to make me dream of you the fall the thunderstruck tower of loves , loves touch send shivers up my spine and into the neuron pathways of tickled pink touches and strange worlds open up synapse exchange - electronic turns chemical and back again all too soon lightning flashes without thunders encore dappled light hits the spiders hammock old ladies weave their dried up tears into jumpers grandmas and grandpa’s their stories outshines the children they bear what burden to carry on the shelf of self.
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Sep 4, 2013
Sep 4, 2013 at 4:27 PM UTC
Untitled
There are places where my heart ripped out of my chest by my hands in a fit of clarity , i yearned to see what kept me alive, with blood dripping from my fingertips and splashing onto my coat in artistic nonchalance the beat, beat , beat , of my only heart the beat , beat , beat , of my time keeper the beat , beat , beat , drip , drip , drip , silent watcher of ****** functions seeping onto the floor are the unwritten lines that flow into vein like patterns, as if the blood tries to reach the sea, only backwards - the pool spreads around my feet away the streams run criss crossing like rivers from a plane oxtail islands form with inlets that lead to dead end forests that spring up spontaneously on either side of the waters flow get lost in the forest - only to find more forest twinkling lights of skies dawn appear in the slipstreams and mountain ravines form slowly , valleys carved from the still beating ***** i wrap the contents in a plastic bag and put it in my coat pocket so maybe i’ll remember that i’m beating my drum to my final beat which will ring out - oh patient heart oh , oh , oh , peaceful heart full of yearnings for untainted love untouched , touched by malice touched by dandelions drifting seeds oh patient heart fill up your lungs with night falls dew point air , and falling stars falling still into my eyes that explode with the light of a million suns they burn. they burn. they burn. without the embers of loves hope i would surely stop right now slide the knife into the flesh hope for the best what a wicked thing to do - to make me dream of you the fall the thunderstruck tower of loves , loves touch send shivers up my spine and into the neuron pathways of tickled pink touches and strange worlds open up synapse exchange - electronic turns chemical and back again all too soon lightning flashes without thunders encore dappled light hits the spiders hammock old ladies weave their dried up tears into jumpers grandmas and grandpa’s their stories outshines the children they bear what burden to carry on the shelf of self.
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46
She sits on the rocks An island between inlets As the sea surges. She sits on the rocks Tempest within her raging A beast in a cage. She sits on the rocks Hypnotised by crashing waves Enticing her in. She sits on the rocks Brittle bones in silken skin So vulnerable. She sits on the rocks An offering to neptune Sacrificial lamb. She slips from the rocks In solitude no longer. Witnessed by no-one.
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Aug 5, 2015
Aug 5, 2015 at 10:14 AM UTC
The rocks
Carried like a scent on the wind, she pulls me along quietly, no point in fighting, I've lost. Pushing me forward, to a red end, love is in the air, force is present, ever so sly, pushing, wind at my sail, don't land, it is of cost. It doesn't get better. It morphs, carves and twists bones and flesh, no end, wailing and flowing from a cave in the twilight coldly, cutting, killing, crushing, no stopping the bloodlust, breathing into & for me, a forced life to lend, never put to self indulgence, never boldly, waves bleed port & starboard, tranquility's holocaust, systematic & brutal, my ink ever wetter.
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Apr 9, 2015
Apr 9, 2015 at 12:24 PM UTC
Scrawled Oceans, Blood Inlets
When Daniel swam out towards the island, the children and I saw it happen, the family safe on shore, oblivious to the riptides that pull shells, weeds, flounder, and men down. We could not believe the ocean claimed him. He had romanced her, witholding for once his scorn for things too vast. Today, I leave this coastline, its cliff-faces and inlets. I walk on the beach, and then I walk into the water up to my ankles, knees, waist, up to my neck before I let the sea take me. I swim, I grow fins, lose my arms and legs, gills supplant my lungs, and my face flattens 'til I'm fisheyed. I am a citizen of the sea, come to sue for my loss. I swim like a mad maiden, I swim, then I dive below, dear Daniel.
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Apr 22, 2012
Apr 22, 2012 at 4:36 PM UTC
A WIDOW SWIMS FROM SHORE
Supine, I sonder... all syzygies and cromulent salons. Stalking inlets, outbound.... surrounding swathes of simpletons and awkward savants. Sublime, I bombinate blithely... babbling oblique begonias - abloom... beyond barbarous gardens. I tune my loom to weave a wondrous garland - the envy of every Harvest Moon eclipsed... [ and beg no pardon ] As The Aurora of our angular momentum aptly allude to our diluvian droughts. boundlessly departed from all dominion... Like - a dessicated deluge dormant at the heart of an epibenthic pearl of dew. I slake my thirst at the First Well... desolate of mirth. yet ever at peace. contiguous in the extreme. Supine, i sonder.... stitching my brother's shadow to the heel of my odyssey. My Wilderness complete... when I go missing. [ where i oughta be ]
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May 12, 2018
May 12, 2018 at 12:02 AM UTC
Supine, I Sonder...
I often think of the swimming body, arms unfurling the rough afternoon lake into smooth planks while stretching through the catch, carving mosaic reflections into shapes reflecting glimpses of the sun before strewn onto the surface like broken pearl necklaces. It was in this practice I learned patience, in the process of the crossing and perfection of glide, the conclave with the lake and flow of language between body and water the dialogue of the skimming, rotating torso, forehead below surface line, chin down consummation of movement. The body suspended above the muddy bottom, stretching through the round shoulder, the square shape of the hand with fingers slightly apart coiffing currents, surging naked anatomy forward. In Autumn, the buoy clangs louder conversing through fog of the changing season to lake swimmers, row on row, blinded at their bow reminding them of the turn, the edge of the precipice before cavernous depths pilfer reason, those masters of rhythm turn attention to stroke of arms away from blackness beyond sight, where creatures dwell. Pivoting parallel to the lakefront, elongated through the feet, into the legs, along the chest, barren ******* cutting waters connecting one shore to the next, before absolute zero of winter sets in the vein splitting East-West coursing between inlets, skirting islands and birch skinned canoes dancing atop foamy plumes, It was in this practice I learned patience, when all thoughts are flex of body, the slight curve of torso and abdominal reach toward shore unseen through glistening sheets of morning’s mosaic surface
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Oct 23, 2017
Oct 23, 2017 at 10:47 AM UTC
Lake Swimmers
I often think of the swimming body, arms unfurling the rough afternoon lake into smooth planks while stretching through the catch, carving mosaic reflections into shapes reflecting glimpses of the sun before strewn onto the surface like broken pearl necklaces. It was in this practice I learned patience, in the process of the crossing and perfection of glide, the conclave with the lake and flow of language between body and water the dialogue of the skimming, rotating torso, forehead below surface line, chin down consummation of movement. The body suspended above the muddy bottom, stretching through the round shoulder, the square shape of the hand with fingers slightly apart coiffing currents, surging naked anatomy forward. In Autumn, the buoy clangs louder conversing through fog of the changing season to lake swimmers, row on row, blinded at their bow reminding them of the turn, the edge of the precipice before cavernous depths pilfer reason, those masters of rhythm turn attention to stroke of arms away from blackness beyond sight, where creatures dwell. Pivoting parallel to the lakefront, elongated through the feet, into the legs, along the chest, barren ******* cutting waters connecting one shore to the next, before absolute zero of winter sets in the vein splitting East-West coursing between inlets, skirting islands and birch skinned canoes dancing atop foamy plumes, It was in this practice I learned patience, when all thoughts are flex of body, the slight curve of torso and abdominal reach toward shore unseen through glistening sheets of morning’s mosaic surface
Continue reading...
52
I often think of the swimming body, arms unfurling the rough afternoon lake into smooth planks while stretching through the catch, carving mosaic reflections into shapes reflecting glimpses of the sun before strewn onto the surface like broken pearl necklaces. It was in this practice I learned patience, in the process of the crossing and perfection of glide, the conclave with the lake and flow of language between body and water the dialogue of the skimming, rotating torso, forehead below surface line, chin down consummation of movement. The body suspended above the muddy bottom, stretching through the round shoulder, the square shape of the hand with fingers slightly apart coiffing currents, surging naked anatomy forward. In Autumn, the buoy clangs louder conversing through fog of the changing season to lake swimmers, row on row, blinded at their bow reminding them of the turn, the edge of the precipice before cavernous depths pilfer reason, those masters of rhythm turn attention to stroke of arms away from blackness beyond sight, where creatures dwell. Pivoting parallel to the lakefront, elongated through the feet, into the legs, along the chest, barren ******* cutting waters connecting one shore to the next, before absolute zero of winter sets in the vein splitting East-West coursing between inlets, skirting islands and birch skinned canoes dancing atop foamy plumes, It was in this practice I learned patience, when all thoughts are flex of body, the slight curve of torso and abdominal reach toward shore unseen through glistening sheets of morning’s mosaic surface
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Mar 21, 2017
Mar 21, 2017 at 9:50 AM UTC
Lake Swimmers
I often think of the swimming body, arms unfurling the rough afternoon lake into smooth planks while stretching through the catch, carving mosaic reflections into shapes reflecting glimpses of the sun before strewn onto the surface like broken pearl necklaces. It was in this practice I learned patience, in the process of the crossing and perfection of glide, the conclave with the lake and flow of language between body and water the dialogue of the skimming, rotating torso, forehead below surface line, chin down consummation of movement. The body suspended above the muddy bottom, stretching through the round shoulder, the square shape of the hand with fingers slightly apart coiffing currents, surging naked anatomy forward. In Autumn, the buoy clangs louder conversing through fog of the changing season to lake swimmers, row on row, blinded at their bow reminding them of the turn, the edge of the precipice before cavernous depths pilfer reason, those masters of rhythm turn attention to stroke of arms away from blackness beyond sight, where creatures dwell. Pivoting parallel to the lakefront, elongated through the feet, into the legs, along the chest, barren ******* cutting waters connecting one shore to the next, before absolute zero of winter sets in the vein splitting East-West coursing between inlets, skirting islands and birch skinned canoes dancing atop foamy plumes, It was in this practice I learned patience, when all thoughts are flex of body, the slight curve of torso and abdominal reach toward shore unseen through glistening sheets of morning’s mosaic surface
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52
Crappie running in beds along the lit docks , bridges and abutments .. Flathead catfish bigger than a grown man at the base of the dam , Largemouth bass hitting shad like battering rams , early morning , late afternoon and darkest night .. Hardwood forest brimming colorful shores , stoic Whitetail Bucks dining on acorns , field nuts and sweet moss , Canadian geese and frozen shorebirds working her tributaries and inlets .. Smokey water silhouettes relayed by whippoorwill hymns , the first angelic beam of the morn striking her poetic surface .. Lake Jackson returning to diurnal joy , across reflective , freshwater twirling plains ...
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Mar 26, 2016
Mar 26, 2016 at 8:59 PM UTC
My Childhood Fishing Memories of Jackson Lake
VII This is my end surely this is the end of it all all I know is here and though I am young this is the end of life as I know it now and soon I will see my home no more for this is my end here where I shelter from all I cannot think beyond this ending surely the end of all I know is here and will be gone (after a cine still from 1930 of a St Kllda woman) XVIIIa house above the hut of shadows holds itself against the relentless wind on so open a shore islands and inlets beyond reasonable number stand before its policies its promontory land Up on the third floor light fills every corner expelling its shadows to the hut held within its sight XVIIIb slowly the darkness reveals less than a shadow thrown against a plastered wall inside silenced from the wind an image grows as the eyes succumb to less than light used to looking Suggestion and the memory of outside supply the rest (two poems connected by Chris Drury’s Hut of Shadows on North Uist) XIX following footsteps crisp in the sand hour-fresh from tide-fall now the shadows form in the weight of press the imprint mark different with every fall of limb and claw the 3-pronged bird-foot the sandaled human step singular one before another after another until perspective conceals and merges into distant sand ** silence suddenly the ringed plovers hold their breath then chorus a chirping as they wade together in their own reflections the water like glass at their feet mirroring movement that light hop for a few steps onto a slight but sturdy island tweet then terweet inflected upwards a questioning call terweet? XX1 the taste of salt sea in the mouth the touch of water thick sea-water on the legs between toes the sharp cold plunge immersion envelopment sunlight throws a cascade of bright steps across the sea gradually merging into a band of light ablaze on the horizon at the base of distant Monarchs a silhouette of massed rock rises from the sea crowned by static clouds decorating the sky gentle white ermine-soft
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Oct 3, 2016
Oct 3, 2016 at 3:40 AM UTC
Sketches of Summer XVII - XXI
VII This is my end surely this is the end of it all all I know is here and though I am young this is the end of life as I know it now and soon I will see my home no more for this is my end here where I shelter from all I cannot think beyond this ending surely the end of all I know is here and will be gone (after a cine still from 1930 of a St Kllda woman) XVIIIa house above the hut of shadows holds itself against the relentless wind on so open a shore islands and inlets beyond reasonable number stand before its policies its promontory land Up on the third floor light fills every corner expelling its shadows to the hut held within its sight XVIIIb slowly the darkness reveals less than a shadow thrown against a plastered wall inside silenced from the wind an image grows as the eyes succumb to less than light used to looking Suggestion and the memory of outside supply the rest (two poems connected by Chris Drury’s Hut of Shadows on North Uist) XIX following footsteps crisp in the sand hour-fresh from tide-fall now the shadows form in the weight of press the imprint mark different with every fall of limb and claw the 3-pronged bird-foot the sandaled human step singular one before another after another until perspective conceals and merges into distant sand ** silence suddenly the ringed plovers hold their breath then chorus a chirping as they wade together in their own reflections the water like glass at their feet mirroring movement that light hop for a few steps onto a slight but sturdy island tweet then terweet inflected upwards a questioning call terweet? XX1 the taste of salt sea in the mouth the touch of water thick sea-water on the legs between toes the sharp cold plunge immersion envelopment sunlight throws a cascade of bright steps across the sea gradually merging into a band of light ablaze on the horizon at the base of distant Monarchs a silhouette of massed rock rises from the sea crowned by static clouds decorating the sky gentle white ermine-soft
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(Discovering my Quad-polar compartments) But sleep never satisfies for long. I find myself dreaming more and more, vivid, frightful dreams as real as being awake but with less control, movies play through my mind mirroring the day In some ****** up way, and just like that, Like a drug, sleep loses its ability to provide escape because of tolerance. I watch a snail move slowly across the flagstone. I lose track of how long I've been watching. Only the thin line of spit beneath my pillow lets me know it was a dream. Without escape There is no reward, No rejuvenation only confusion, and that which is easy is not. But this quest has opened my eyes in more ways than just lack of sleep. My quad-polar discovery has helped me identify these quadrants of my mind.      God.            Beast.      ***              Love. My quad-polar compartments. Confused and bewildered they will not be merged. The god in me thinks the beast needs to be loved. The beast in me thinks that *** is a god. The *** in me thinks that love kills the beast. The love in me thinks the beast is just *** It’s the love I am most afraid of, At least during those times when there is a me, a me that looks down on the quads, but mostly that’s rare because I never know who’s in charge anymore. It's such a difficult existence when what’s theoretically my greatest need is also my greatest fear. If I consider this logically then the conclusion is clear, that is, my dedicated inlets and my spiritual outlets cannot get along. *** and love do not co-exist. At least not in me. I’m either penetrating inlets and ignoring outlets or seeking mysticism while the inlets go on wanting. I have known this for a very long time. Maybe if I find a new island I could find a new inlet, open the outlet back up.
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Dec 12, 2014
Dec 12, 2014 at 10:08 PM UTC
Give Me Back My Wars: Canto III
(Discovering my Quad-polar compartments) But sleep never satisfies for long. I find myself dreaming more and more, vivid, frightful dreams as real as being awake but with less control, movies play through my mind mirroring the day In some ****** up way, and just like that, Like a drug, sleep loses its ability to provide escape because of tolerance. I watch a snail move slowly across the flagstone. I lose track of how long I've been watching. Only the thin line of spit beneath my pillow lets me know it was a dream. Without escape There is no reward, No rejuvenation only confusion, and that which is easy is not. But this quest has opened my eyes in more ways than just lack of sleep. My quad-polar discovery has helped me identify these quadrants of my mind.      God.            Beast.      ***              Love. My quad-polar compartments. Confused and bewildered they will not be merged. The god in me thinks the beast needs to be loved. The beast in me thinks that *** is a god. The *** in me thinks that love kills the beast. The love in me thinks the beast is just *** It’s the love I am most afraid of, At least during those times when there is a me, a me that looks down on the quads, but mostly that’s rare because I never know who’s in charge anymore. It's such a difficult existence when what’s theoretically my greatest need is also my greatest fear. If I consider this logically then the conclusion is clear, that is, my dedicated inlets and my spiritual outlets cannot get along. *** and love do not co-exist. At least not in me. I’m either penetrating inlets and ignoring outlets or seeking mysticism while the inlets go on wanting. I have known this for a very long time. Maybe if I find a new island I could find a new inlet, open the outlet back up.
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76