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So all day long the noise of battle roll'd
Among the mountains by the winter sea;
Until King Arthur's table, man by man,
Had fallen in Lyonnesse about their Lord,
King Arthur: then, because his wound was deep,
The bold Sir Bedivere uplifted him,
Sir Bedivere, the last of all his knights,
And bore him to a chapel nigh the field,
A broken chancel with a broken cross,
That stood on a dark strait of barren land.
On one side lay the ocean, and on one
Lay a great water, and the moon was full.

      Then spake King Arthur to Sir Bedivere:
"The sequel of to-day unsolders all
The goodliest fellowship of famous knights
Whereof this world holds record. Such a sleep
They sleep--the men I loved. I think that we
Shall never more, at any future time,
Delight our souls with talk of knightly deeds,
Walking about the gardens and the halls
Of Camelot, as in the days that were.
I perish by this people which I made,--
Tho' Merlin sware that I should come again
To rule once more--but let what will be, be,
I am so deeply smitten thro' the helm
That without help I cannot last till morn.
Thou therefore take my brand Excalibur,
Which was my pride: for thou rememberest how
In those old days, one summer noon, an arm
Rose up from out the ***** of the lake,
Clothed in white samite, mystic, wonderful,
Holding the sword--and how I row'd across
And took it, and have worn it, like a king:
And, wheresoever I am sung or told
In aftertime, this also shall be known:
But now delay not: take Excalibur,
And fling him far into the middle mere:
Watch what thou seest, and lightly bring me word."

      To him replied the bold Sir Bedivere:
"It is not meet, Sir King, to leave thee thus,
Aidless, alone, and smitten thro' the helm.
A little thing may harm a wounded man.
Yet I thy hest will all perform at full,
Watch what I see, and lightly bring thee word."

      So saying, from the ruin'd shrine he stept
And in the moon athwart the place of tombs,
Where lay the mighty bones of ancient men,
Old knights, and over them the sea-wind sang
Shrill, chill, with flakes of foam. He, stepping down
By zigzag paths, and juts of pointed rock,
Came on the shining levels of the lake.

      There drew he forth the brand Excalibur,
And o'er him, drawing it, the winter moon,
Brightening the skirts of a long cloud, ran forth
And sparkled keen with frost against the hilt:
For all the haft twinkled with diamond sparks,
Myriads of topaz-lights, and jacinth work
Of subtlest jewellery. He gazed so long
That both his eyes were dazzled, as he stood,
This way and that dividing the swift mind,
In act to throw: but at the last it seem'd
Better to leave Excalibur conceal'd
There in the many-knotted water-flags,
That whistled stiff and dry about the marge.
So strode he back slow to the wounded King.

      Then spake King Arthur to Sir Bedivere:
"Hast thou perform'd my mission which I gave?
What is it thou hast seen, or what hast heard?"

      And answer made the bold Sir Bedivere:
"I heard the ripple washing in the reeds,
And the wild water lapping on the crag."

      To whom replied King Arthur, faint and pale:
"Thou hast betray'd thy nature and thy name,
Not rendering true answer, as beseem'd
Thy fealty, nor like a noble knight:
For surer sign had follow'd, either hand,
Or voice, or else a motion of the mere.
This is a shameful thing for men to lie.
Yet now, I charge thee, quickly go again
As thou art lief and dear, and do the thing
I bade thee, watch, and lightly bring me word."

      Then went Sir Bedivere the second time
Across the ridge, and paced beside the mere,
Counting the dewy pebbles, fixed in thought;
But when he saw the wonder of the hilt,
How curiously and strangely chased, he smote
His palms together, and he cried aloud,

      "And if indeed I cast the brand away,
Surely a precious thing, one worthy note,
Should thus be lost forever from the earth,
Which might have pleased the eyes of many men.
What good should follow this, if this were done?
What harm, undone? deep harm to disobey,
Seeing obedience is the bond of rule.
Were it well to obey then, if a king demand
An act unprofitable, against himself?
The King is sick, and knows not what he does.
What record, or what relic of my lord
Should be to aftertime, but empty breath
And rumours of a doubt? but were this kept,
Stored in some treasure-house of mighty kings,
Some one might show it at a joust of arms,
Saying, 'King Arthur's sword, Excalibur,
Wrought by the lonely maiden of the Lake;
Nine years she wrought it, sitting in the deeps
Upon the hidden bases of the hills.'
So might some old man speak in the aftertime
To all the people, winning reverence.
But now much honour and much fame were lost."

      So spake he, clouded with his own conceit,
And hid Excalibur the second time,
And so strode back slow to the wounded King.

      Then spoke King Arthur, breathing heavily:
"What is it thou hast seen, or what hast heard?"

      And answer made the bold Sir Bedivere:
"I heard the water lapping on the crag,
And the long ripple washing in the reeds."

      To whom replied King Arthur, much in wrath:
"Ah, miserable and unkind, untrue,
Unknightly, traitor-hearted! Woe is me!
Authority forgets a dying king,
Laid widow'd of the power in his eye
That bow'd the will. I see thee what thou art,
For thou, the latest-left of all my knights,
In whom should meet the offices of all,
Thou wouldst betray me for the precious hilt;
Either from lust of gold, or like a girl
Valuing the giddy pleasure of the eyes.
Yet, for a man may fail in duty twice,
And the third time may prosper, get thee hence:
But, if thou spare to fling Excalibur,
I will arise and slay thee with my hands."

      Then quickly rose Sir Bedivere, and ran,
And, leaping down the ridges lightly, plunged
Among the bulrush-beds, and clutch'd the sword,
And strongly wheel'd and threw it. The great brand
Made lightnings in the splendour of the moon,
And flashing round and round, and whirl'd in an arch,
Shot like a streamer of the northern morn,
Seen where the moving isles of winter shock
By night, with noises of the northern sea.
So flash'd and fell the brand Excalibur:
But ere he dipt the surface, rose an arm
Clothed in white samite, mystic, wonderful,
And caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere.
And lightly went the other to the King.

      Then spoke King Arthur, drawing thicker breath:
"Now see I by thine eyes that this is done.
Speak out: what is it thou hast heard, or seen?"

      And answer made the bold Sir Bedivere:
"Sir King, I closed mine eyelids, lest the gems
Should blind my purpose, for I never saw,
Nor shall see, here or elsewhere, till I die,
Not tho' I live three lives of mortal men,
So great a miracle as yonder hilt.
Then with both hands I flung him, wheeling him;
But when I look'd again, behold an arm,
Clothed in white samite, mystic, wonderful,
That caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere."

      And answer made King Arthur, breathing hard:
"My end draws nigh; 't is time that I were gone.
Make broad thy shoulders to receive my weight,
And bear me to the margin; yet I fear
My wound hath taken cold, and I shall die."

      So saying, from the pavement he half rose,
Slowly, with pain, reclining on his arm,
And looking wistfully with wide blue eyes
As in a picture. Him Sir Bedivere
Remorsefully regarded thro' his tears,
And would have spoken, but he found not words,
Then took with care, and kneeling on one knee,
O'er both his shoulders drew the languid hands,
And rising bore him thro' the place of tombs.

      But, as he walk'd, King Arthur panted hard,
Like one that feels a nightmare on his bed
When all the house is mute. So sigh'd the King
Muttering and murmuring at his ear, "Quick, quick!
I fear it is too late, and I shall die."
But the other swiftly strode from ridge to ridge,
Clothed with his breath, and looking, as he walk'd
Larger than human on the frozen hills.
He heard the deep behind him, and a cry
Before. His own thought drove him like a goad.
Dry clash'd his harness in the icy caves
And barren chasms, and all to left and right
The bare black cliff clang'd round him, as he based
His feet on juts of slippery crag that rang
Sharp-smitten with the dint of armed heels--
And on a sudden, lo! the level lake,
And the long glories of the winter moon.

      Then saw they how there hove a dusky barge
Dark as a funeral scarf from stem to stern,
Beneath them; and descending they were ware
That all the decks were dense with stately forms
Black-stoled, black-hooded, like a dream--by these
Three Queens with crowns of gold--and from them rose
A cry that shiver'd to the tingling stars,
And, as it were one voice, an agony
Of lamentation, like a wind, that shrills
All night in a waste land, where no one comes,
Or hath come, since the making of the world.

      Then murmur'd Arthur, "Place me in the barge,"
And to the barge they came. There those three Queens
Put forth their hands, and took the King, and wept.
But she that rose the tallest of them all
And fairest, laid his head upon her lap,
And loosed the shatter'd casque, and chafed his hands,
And call'd him by his name, complaining loud
And dropping bitter tears against his brow
Striped with dark blood: for all his face was white
And colourless, and like the wither'd moon
Smote by the fresh beam of the springing east;
And all his greaves and cuisses dash'd with drops
Of onset; and the light and lustrous curls--
That made his forehead like a rising sun
High from the dais-throne--were parch'd with dust;
Or, clotted into points and hanging loose,
Mix'd with the knightly growth that fringed his lips.
So like a shatter'd column lay the King;
Not like that Arthur who, with lance in rest,
From spur to plume a star of tournament,
Shot thro' the lists at Camelot, and charged
Before the eyes of ladies and of kings.

      Then loudly cried the bold Sir Bedivere:
"Ah! my Lord Arthur, whither shall I go?
Where shall I hide my forehead and my eyes?
For now I see the true old times are dead,
When every morning brought a noble chance,
And every chance brought out a noble knight.
Such times have been not since the light that led
The holy Elders with the gift of myrrh.
But now the whole ROUND TABLE is dissolved
Which was an image of the mighty world;
And I, the last, go forth companionless,
And the days darken round me, and the years,
Among new men, strange faces, other minds."

      And slowly answer'd Arthur from the barge:
"The old order changeth, yielding place to new,
And God fulfils Himself in many ways,
Lest one good custom should corrupt the world.
Comfort thyself: what comfort is in me?
I have lived my life, and that which I have done
May He within Himself make pure! but thou,
If thou shouldst never see my face again,
Pray for my soul. More things are wrought by prayer
Than this world dreams of. Wherefore, let thy voice
Rise like a fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?
For so the whole round earth is every way
Bound by gold chains about the feet of God.
But now farewell. I am going a long way
With these thou seest--if indeed I go--
(For all my mind is clouded with a doubt)
To the island-valley of Avilion;
Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly; but it lies
Deep-meadow'd, happy, fair with orchard-lawns
And bowery hollows crown'd with summer sea,
Where I will heal me of my grievous wound."

      So said he, and the barge with oar and sail
Moved from the brink, like some full-breasted swan
That, fluting a wild carol ere her death,
Ruffles her pure cold plume, and takes the flood
With swarthy webs. Long stood Sir Bedivere
Revolving many memories, till the hull
Look'd one black dot against the verge of dawn,
And on the mere the wailing died away.
ryn Feb 2015
)
       o    (              (             (                  
O   )     (                      )        
            )                (      o
    (              (      (                       O  
   )     o              )   O       )        o
(    O              (     o      (         ) 
)    o                              )    (
**make me a cauldron of a witch's
brew•let it bubble and boil...;
simmer and stew• allow the con-
coction to churn•feed it with raw an-
guish and spiteful spurn•whisper my wi-
shes into shady ingredients•scatter them in
to render it potent•stir it wild...with an iron
ladle with a wooden haft•raucous incanta-
tions of a long forgotten craft•...now give
me a vial of the witch's brew•let it
**** me or grant me the gifts
promised in lieu•
Simon Oct 2019
Like probability. Fate exhibits the constraints to a more tolerable atmosphere at heart. The heart of an atmosphere, is the atmosphere functioning with a heart. Completely one sided. Never admitting who’s mentions are who. Whose opinions mattered the absolute most. Options become tiresome. Tolerable frequencies through pure hearts devoted without contract to inner self awareness. Prompting the judgment of what atmosphere has over the heart of the problem. There are problems within hearts? WHAT!! Contrary to the balance of symmetries without depth. Hearts full of many brimming effects. Only determined to sending out there resume for better times. And which one is disclosing from the standard developments rotting the better picture into ruin? Pictures printed with resumes aren’t fruitful. When dynamics in the surface, isn’t comparable to challenge. Challenge lays claims to birthing the right focus. Take charge! Listen carefully to directions! What does that all haft to do with fate being exiled? It doesn’t. Well, not conclusively anyway. Fate is a thought manufactured behind the scenes. It won’t show it’s face directly. Too imposed in everyone else’s business. A directive with no claim in its heart. An atmosphere unsocialized with parts never discovering inner desires. Concluding fate never trusting itself. Fate exiled… Means to test one’s own claims of basic will. The hint is why does fate act? Rather then think the way it’s acting? Could simply be a perspective too old for the majority to classify broadly about. Justifications rise and fall. Birthing the right assorting facts, isn’t a focus. It’s diverging away. Imprints full of empty reassurance. Concluding something different in a basic platform the majority concentrates on. Fate just stands taller than the rest. Filtering all unsuspecting protocols from the inside out. Propagating pressure with insolence. Insolence flowing in-between the rough exteriors of right and wrong. Abiding time for another surface. Triggering the inside out dynamics at large. A picture finally noticing a part of itself without deciphering what complexes itself apart from the others. All this is a much-discovered piece of evidence. But it lacks companionship. No light or dark. A patronage not as diverse as the one heeding influences out with a weapon changing velocities around left and right. Pieces of quietness is an illusion. The surface being what it is. Underneath is where fate discloses further information completely. It’s weapon of probability is just that. A surface area too big for noticing details in itself. Rather picking others to commune a wishing sentence. Hinting at probability being a fake! There isn’t probability in the logical area of flat platforms without big thinking specifics. It’s all hogwash! Fate determines exilement to rush the borderline potential awareness of others. Except that’s probability maneuvering as a mask in the light. Tricking typical surface dwellers in an area too complex for delusional purposes. Even it’s claims are full of doubt. So why does everyone bounce from one flaw to the next? Practicing what it means to put one step after the other. Exercising doubt completely as a waypoint to a better tomorrow. More like a fruitful one-minute moment of standards too gray for focuses to admit. (Tricking won’t get you anywhere, if your full of bland statements.) An assertive quote straight from someone who exiles themselves onto others for practices into the next benign claims. Resumes with a statement that’s only delusional to what tricking isn’t. Showing you exile is the right future for an atmosphere with a heart. Which functions its heart towards the atmosphere. Switches in claims divert the true knowledge around in circles. So, who is fate, exactly? What possibly could they decide amongst themselves for the better future to the surface area of majorities? Try flipping yourself inside out. You might just want to write (Exile) on the permission slip of your own determined mark. Welcome to your identity in exile!
Fate claiming its own rights to act for itself, rather then wanting to break down others interpretations completely. Exiling every piece of information in one’s heart forever! A trick amongst claims.
Ethan Titus Nov 2014
Oh, how the mighty art fallen
Lucifer, son of the morning star
Behooved by manner of thy own devices
How pompous thou hadst become to refuse to bend thy knee to man
It was pride that filled thee to burst
Had it not been but a few millenia later
Even your knee would have bent to the King of Glory
Whenst He did stoop down to the level of man
Even you wouldst have cried out "Lord, Lord wouldst thou not take upon thyself my raiment of glory? Clothe yourself as a king, not as a commoner."
Were it so much that us being made of dirt and you of fire that your proudness could render thee blind to our beauty as endowed by our shared Creator?
Though our mediums be different, were the Crafter's hands not the same?
Wouldst thou haft only humbled thyself, a different world we could have
I pity and thank thee, oh fallen one
For showing me how not to be
Simon Oct 2019
Words are less important when there actually never together as one whole. Only a statement for something without thought. Coating different contents rationalizing the formulations of single added words. Words with single letter’s acting like separate components. Vibrating together like energy forming a magnetized exterior. Exposure to something higher than one letter keeping itself away from a fully fleshed out identity. Components away from fully established words, begin to understand faults of all sizes. Are they meant to form into a component beyond its state of letters? Or one single letter meant to form into a better juxtaposition? Cramming letters into words won’t make beneficial glances toward what’s really sounding each component out. Cramming is immature. Full of delicacies. Giving identity to something without time on its hand. The subject of time, will create the illusion of success. Something adopting without fair point involved. An unestablished, unfinished, uncredited maneuvering of stating the obvious blemish in formulations. Formulations become dotted without pattern. Pattern begins to separate juxtapositions away from the vibrations holding it together. Magnetized exterior becomes less wanted for survival. Survival intriguing sense of believe. Believe on the sidelines, acting as a stand-in for potential in-between gaps that focuses blemishes without identity. Formulations become less respected with time swallowing up (describing factors). (Describing factors) becomes less taunted by its own grip. Letting go the seriousness it’s been influenced to act upon. How does anything make sense without (describing factors)? Easy! Don’t think, by feeling. Just act on what you feel. Like instinct is more then words. More then single components. Something auto piloting in-between maneuvers. Juxtapositions lingering as the pattern forming a basin of after thoughts. Instead of thinking words haft to be orchestrated by volumes of thought alone. Fanciness will only make sense with a heart on (overflow)! Full to the brim with nasty, prolific, and incorrigible symptoms in the complexes. The complexes without undesirability, if it’s without merit when honing its balance fruitfully. A heart on (overflow) dumps all the rigid symptoms all over the complexes. Diverting thought for feeling. Feeling revving up different letters in the components that drive its formation proudly. Time swerves around every bend. Prompting the localized fissures of spaces without the muck invading it’s practices. Components of different formations attach the letters to the already imprinted silhouette of magnetized exteriors. Something clicking without measured volume. An instinct rush’s past visuals becoming unkempt and untamed. Never taunted by logic sounding too bland for everyday practices. The heart now empties to a crisp! Shows its formulation as a cauldron that assists the formulations of pure emotion. Emotion being the final victor of formulating words acting as components. Why haven’t we described anything about words acting as components, instead of letters acting as words instead? Simply because you follow a simple manual meant for visuals without thought. What does this imply? It doesn’t. You haft to find a center under the hood of your own (writer’s bug). A bug fueling an (instinctive formulator). One not ruled by thoughts. But by feeling. Feeling coats the improvising stature of a heart on (overflow)! Polishing the cauldron repeating the nasty, prolific, and incorrigible. Undesirably feeling balance rescue your merits without rut blocking visuals by thought. Thought ignores speculation. Taking all pride from feeling. Feeling knows all. As it doesn’t take brain power to figure out regular stimuli taming time before thought has even interpreted details alone. Everything’s been described. BON VOYAGE! To the ones spreading out repeated processes never redeemed by thought alone. Except I deceivingly left out the most important part. What happened to the rest of the fully stacked, brim cauldron of hearts content? It’s necessary when it’s never necessary. Cryptic locals understanding the bad details from the good, are everything wrapped into one bundle. I never said components have to be the littlest fraction in the complex. Describing components not ready for its magnetized exterior that’s already suited to formulation. The (overflow) is secretly the instance of formulation. The (emptying to a crisp), is cleansing every detail in question. Showing components without time attached by statistics. Free to roam willingly. An identity for labeling attires by feeling alone. Thought never abstracting components in a round up of early formulation. Existing close ties in magnetized colours harnessed to each letter in the bunch. Colours surging like a rope hanging on for dear life! Like a soulless thread never understanding what close encounters with the capability is all about. Colours interpreting the non eligible into understanding alone. Except only one (overflow) happened. And another in repeat. And another! Cleansing each component to form into words. Words repeating the constant process of joining into more words. Words acting as single components back to back. An endless cycle of repeating formulations. PS… Are you a letter waiting for it’s other components trying to gain single passage to identity? One rule complicates the (overflow). Do not overflow the heart to a crisp, before it hasn’t even dumped the full brim yet! It will collapse in on itself. Manufacturing a vocabulary too rotten to tell who’s free. Or who’s making up diagrams in the after claims of thoughts distinctly different then what overflow’s the opposite of brimming fully. Or who’s truly still trapped in a fixated rush of thoughts!
Letters full of too much clutter! Vocabulary giving tangled up letters a bad impression to there formulations. Letters as (single components), should be free thinking components.
Richard Riddle Apr 2014
The store would soon be closing-
it was fifteen to the four-
When the bells began to jingle-
as the old gent came thru the door.

A "dapper" chap with a bowler hat-
a three piece suit, to look his best-
And when he turned, you could see it--
a watch fob, draped across his vest.

With a pale, and wrinkled fist
in his hand, he firmly grasped-
A black, and polished "walking stick",
which added to his class.


He stood there, as if frozen,
poised upon the floor-
As his eyes perused the displays,
neatly placed throughout the store.

"Gentlemen, I would like to see,
your "time pieces" of variety-
Pocket watches, by which they're known,
and since a child, I've always owned."

From his accent, he was English-
with a bit of Scottish brogue-
Perhaps, here on a visit-
or on a trip around the globe.

"Allow me sir," the clerk replied-
to show you all our stock-
"Some pieces are rather old and rare-
and kept under key and lock."

He laid his hat atop a case-
and propped the stick against a wall-
Then began an examination
of those "time pieces", one, and all.

The mantle clocks began to chime-
and a cuckoo came alive-
The old gent seemed astonished-
that his "time piece" noted "five."

"Gentlemen, I must apologize",
showing a little red upon his face,
"But, I'll be back on the 'morrow'
to this fascinating place."

With hat in hand, he placed it-
hiding hair of solid gray-
Then doffed his hat, and smiling-
stepped through the door and walked away.


At closing time, they still weren’t through-
for they all had a job to do-
They had to clean the entire shop-
and each had a choice, broom, or mop?

Shades were drawn across the doors-
as each began their chosen chores,
When one called out, in a voice so thick-
“that old gent forgot his stick!”

There it was, the "stick", often called a "cane",
for their use is much the same-
Standing *****, against the wall,
with a shaft, a half inch thick, and thirty-six tall

But, it was the "hilt", the handle,
also called a "haft”-
That was the perfect compliment
to that "straight and perfect" shaft.

It glistened, and reflected-
and a joy to behold-
For that haft was fashioned
in 18 karat gold.

Oh, it was beautiful, don't you see-
from a pharaoh's treasure, it could be-
How could such a piece be left behind,
a piece so intricately designed?

On many accessories of it's kind-
there is a space, that is designed,
Either on the top, or on the side-
to which a name can be applied.

Ah yes, a person, perhaps someone of fame-
for in old fashion, style, and script,
Was etched the name of
"Noah Zane."

The cane was wrapped in  jeweler's cloth,
and placed inside the safe-
For the "old gent" would be returning
to this "fascinating place."

With a sigh, I have to tell you,
tho' sad, but it's a fact-
That "old gent" who had the stick-
he never did come back!

Shops of like were "queried"
both jewelery and the pawn-
And neither hint, nor clue was found-
for that "old gent" was gone.

So, what has come of the "stick",
or "cane" you wish to call?
I'm sitting here looking at it-
for its mounted on my wall.

(Thanks folks, for your patience)
copyright-richard riddle- April 15, 2014
The walking stick/cane has been in possession of my family
for 83 years. In 1932, San Diego, California, my father was employed as a jeweler/watchmaker, and was working the day the "old gent" visited the store.
Richard Riddle Feb 2015
The store would soon be closing-
it was fifteen to the four-
When the bells began to jingle-
as the old gent came thru the door.

A "dapper" chap with a bowler hat-
a three piece suit, to look his best-
And when he turned, you could see it--
a watch fob, draped across his vest.

With a pale and wrinkled fist
in his hand, he firmly grasped-
A black, and polished "walking stick",
which added to his class.


He stood there as if frozen,
poised upon the floor-
As his eyes perused the displays,
neatly placed throughout the store.

"Gentlemen, I would like to see,
your "time pieces" of variety-
Pocket watches, by which they're known,
and since a child, I've always owned."

From his accent, he was English-
with a bit of Scottish brogue-
Perhaps, here on a visit-
or on a trip around the globe.

"Allow me sir," the clerk replied-
to show you all our stock-
     Some pieces are rather old and rare-
and kept under key and lock."

He laid his hat atop a case-
and propped the stick against a wall-
Then began an examination
of those "time pieces", one, and all.

The mantle clocks began to chime-
and a cuckoo came alive-
The old gent seemed astonished-
that his "time piece" noted "five."

"Gentlemen, I must apologize",
showing a little red upon his face,
"But, I'll be back on the 'morrow'
to this fascinating place."

With hat in hand, he placed it-
hiding hair of solid gray-
Then doffed his hat, and smiling-
stepped through the door and walked away.


At closing time, they still weren’t through-
for they all had a job to do-
They had to clean the entire shop-
and each had a choice, broom, or mop?

Shades were drawn across the doors-
as each began their chosen chores,
When one called out, in a voice so thick-
“that old gent forgot his stick!”

There it was, the "stick", often called a "cane",
for their use is much the same-
Standing *****, against the wall,
with a shaft, a half inch thick, and thirty-six tall

But, it was the "hilt", the handle,
also called a "haft”-
That was the perfect compliment
to that "straight and perfect" shaft.

It glistened, and reflected-
and a joy to behold-
For that haft was fashioned
in 18 karat gold.

Oh, it was beautiful, don't you see-
from a pharaoh's treasure, it could be-
How could such a piece be left behind,
a piece so intricately designed?

On many accessories of it's kind-
there is a space, that is designed,
Either on the top, or on the side-
to which a name can be applied.

Ah yes, a person, perhaps someone of fame-
for in old fashion, style, and script,
Was etched the name of
"Noah Zane."

The cane was wrapped in  jeweler's cloth,
and placed inside the safe-
For the "old gent" would be returning
to this "fascinating place."

With a sigh, I have to tell you,
tho' sad, but it's a fact-
That "old gent" who had the stick-
he never did come back!

Shops of like were "queried"
both jewelery and the pawn-
And neither hint, nor clue was found-
for that "old gent" was gone.

So, what has come of the "stick",
or "cane" you wish to call?
I'm sitting here looking at it-
for its mounted on my wall.

(Thanks folks, for your patience)
copyright-richard riddle- April 15, 2014
The walking stick/cane has been in possession of my family
for 83 years. In 1932, San Diego, California, my father was employed as a jeweler/watchmaker, and was working the day the "old gent" visited the store.
Simon Dec 2020
Christmas isn't just your ordinary holiday... For one thing (personally speaking), it's my MOST favorite! (If you haven't guessed already....)
However, Christmas isn't just about the regular attire that you "wear" (upon your own 'body language' that tames such a 'posture' towards the gimmick of which language you speak...or even what ethnicity you may have been born as).
My point towards Christmas, is not the regular tradition towards both it's meanings or properties... But what it takes too truly celebrate this MOST "prosperous" and VERY "EXOTIC" holiday itself!
And what I'm (seemingly) going too 'endorse'...is the logic of how you want too celebrate such a holiday to begin with. Because when it comes too "Christmas" nothing is more giving then having family who cares for you. And who you care about in "natural" return. (Because what you give back in return, could give you a message that you've been simply waiting for... ALL YOU LIFE!!!) That being said, if you don't have any such person on Christmas to celebrate with... Don't feel that you have "failed" your own heart at the center of your very being. Because your MORE at such a calmful "rest"...than you know. And it's because whoever you might be, or wherever you come from... Remember to stay true too your own self. And the universe will exchange that very behavior (the way you act...into a mere "signal"). A signal that would more than EVER...turn the very tide that either RICHOCHETS off certain energy signatures that RIPPLE that very frequency towards (that very attitude your very heart simply gives off). Simply put it, when you "wish/wishing upon the blessing of single plea"! That's where the very truest spirt of Christmas comes straight into the fold! Something that truly "basics" itself ALL THE LIVE LONG DAY!
And when this very wishing upon the blessing of a single plea comes full circle... So will Christmas trees! So will the festivities of decorations, Christmas trees and HUGE banquettes! Become that VERY necessity. All in the honor of this very "wishful thinking", so to speak.
After all, you don't necessarily want too feel that you have "wronged" some sort of rule of Christmas itself, do you...?
Just because you "feel" you didn't again, (necessarily) "sense" that you weren't good enough in simply celebrating... In your OWN way....
A wishing upon the blessing of a single plea could (very well "drink") too the very regards (royally speaking) of course! In hopes of advancing the very cause of EVERYONE... "ALL AROUND YOU!!"
And when you feel like you weren't necessarily good enough this year, either. Just remember the wishing upon the blessing of a single plea. It's not the saying that matters... Since the very words coming together in it's MOST sequenced (now 'established' order of fashion), could simply come off (at first) as very "simplistic" in it's (more than 'natural') approach. Simply because when you read it... Your reading just a bunch of words MASHED together into a single sentence! (Everything isn't as "what it seems"... When looking at something at first light/glance. Because it's truly "more than what it seems"!) Don't "judge a book by it's MOST 'notorious and natural' cover"! Just because you don't understand it (not for someone else)... But simply for you...alone! And by how the very words (that come first) simply "orchestrate" the very (doubtless and impervious) proverbial finger in the ****! One that would "outlast" US ALL... If ONLY we could truly understand the very words that "communicate" in on that very saying, accordingly. Then the very "cryptic" way of how it shows itself, would outlast its own impression of itself...when it's already been presented... FOR ALL TOO SEE!
So, in a natural state of calmly (put together "recompense"), what does ANY OF THIS haft too do with Christmas? Well haven't you've been listening too ANTHING...???!!!
Wishing upon the blessing of a single plea comes close too one’s own heart who is both religious or non-religious (according to its own mark upon the truer common reference of how the usual story of Christmas sprit itself goes by)! But that's not how one's own individuality see's it, simply speaking....
Because what one see's in that very quote, is nothing more then "belief, hope, trust, guidance, 'wishful thinking', moral support, moral compass, good 'standard' morals"!
Because in the end of it all... There's nothing more important, then "wishing" upon something too diverse for common "trustful" ears too handle! At which time gives such "remedial" tension towards the "blessing" that needs more "useful" guidance...then ANYTHING in one's own existence! And lastly, the very "plea" comes into such a "recognition" type state. For at which time, everything centers forward for that such individuality too be present... FOR ALL TOO SEE!
Because at the end of the (more than 'natural' day), Christmas isn't (just about having 'others' to simply call upon yourself among the VAST 'secured' majority) first and foremost. Whose claims aren't as "diverse" as you'd want others simply too believe in! (Since that's not how it would have truly worked... Now would it??)
It's simply (not just about having others by your side, while having your own self MOST OF ALL) in charge of your own 'orderly' lifestyle.
It's how your own "wishing upon the blessing of a single plea" would/should give such ('wishful thinking') to that very orderly lifestyle (upon its own 'lifecycle'. That may or may not be entirely 'orderly' to begin with.)
Because there's nothing more "appreciative", then having your own 'wish' at the hands of Christmas itself!
Christmas isn't your usual testament towards such a calmly disposition for rightful/ever-lasting resources too keep you up at night! No... It's simply about how you regularly present your own self. Both upon your own behavioral attitudes (that acts like a VERY useless 'limp'). And a mere (ALWAYS helpful 'crutch') that convinces you that EVERYTHING will simply be... ALL RIGHT...FOREVERMORE! And this mere crutch, is your own "linear line". Except, a linear line full of "benefits"! Benefits that tame the exposure of what was ("once upon a time go") the such nurturing focus of your entire core!
I AM an ancient reluctant conscript.

On the soup wagons of Xerxes I was a cleaner of pans.

On the march of Miltiades' phalanx I had a haft and head;
I had a bristling gleaming spear-handle.

Red-headed Caesar picked me for a teamster.
He said, "Go to work, you Tuscan *******,
Rome calls for a man who can drive horses."

The units of conquest led by Charles the Twelfth,
The whirling whimsical Napoleonic columns:
They saw me one of the horseshoers.

I trimmed the feet of a white horse Bonaparte swept the night stars with.

Lincoln said, "Get into the game; your nation takes you."
And I drove a wagon and team and I had my arm shot off
At Spottsylvania Court House.

I am an ancient reluctant conscript.
JP Goss Aug 2014
1
Faerie, fey, in a windless stride
Along the verdant wood and wild
Beasts, so are, here do abide
Yet this urban life, maxims beguile.
So true, the only beast is man
Though he’s born of claw, the tooth
By birth it’s of the haft
Dagger, gun, and perfidious craft.
Apart, I see only one
Together, sparks to bring, undone
Me, for this, I dare not stand.
Such impropriety, a fellow’s creed
Rich are all in my mother tongue
Speak volumes for their egotism,
And seemingly endless greed,
Divest from it, with righteousness,
With acts they before shun.
Bah! To clean air and streams to follow
Network of the aimless vein
Blood for the vindicated!
Whilst they proceed to their empty smog
And free wills ever truncated
Marching headlong and abreast
To Hell they step in tow.
Never mind those evils done
My cure is in anathema, unchained
The inner man, the wild!
Autonomy, dumb, and pure!
I am the center of starry pull
I’m the individual, in me all is whole
I am the blot, the rebel, and the Wife of Lot!
A mark upon the cosmichead
My material exists, destined to rot
But, this death, it shall be free
Unlatched from this society.
No more shall these orchestras
Be condemned to prune as sighs
Now to high monastic chants
To venerate this life of mine.
Every corner of this brick and mortar
Keep us penned, like cattle adorned
In slacks and ties, agendas several miles high
This Fetish-Messiah, Banality
Makes sweet the cuds of humanity
None of this impurity can exist beneath
The canopy, foundation’s wrought of Ego’s dust
Pretense, a star, of foundry of the Heaven’s cusp.
#2
**** this, i have returned
the scwl of the citi
So litle and worthless
Huge slabs of grey metal
--failed of my conviction
i’m knowing in the sense
of Tao (dao), mute and confused
Tying to remove it
farce and utopia!
This cow is really low
Munching on—now, I know
As the faeries said
“At cross, betuta, moss”
What mean, all nonsense. All!
#3
The city was always upon my soft palms
That chaffed when I struck for a flame
The vanity hung in loose little threads
When my sleeves fell tattered, the same
It was through my teeth, my fellows did breathe
Strangers upon the tongue
I saw in the water the face of them
And heard them in my curses  
A stranger voice said “we” and “them”
Had genesis’d these verses.
It was those about me who birthed the world
As I had done for them
Momentum! Be quick! For fellow man!
As I am
As you are
The other’s cosmic order
I’ve built the structure I can deny
But with undeniable mortar.
Wade Redfearn Mar 2018
What is the Rust Belt?
Can we define it?
   - on a map, we mean -
Can we circle in black marker,
topographical green and brown, one mound,
from Canada on down to
Kentucky and say
well, there -
America’s sore fingers in old age
floating, separate, in the pond,
white and knobbed and wrapped around something
a lever, the haft of an oar,
the tuning dial to twist to Cavalcade,
the body of the eel which just keeps swimming away.

You said it in a message -
“Rust Belt” -
and a great blank region was filled
by old poets in corduroy
better than their surroundings
and if not better precisely
then at least when they drink
they drink in bars like smokestacks
with hubcaps on the walls, with weak plumbing,
listening to conversations, not having them.

Rust is something I know well:
I feel rust (but I don’t wear corduroy).
Rust like a signal ingredient
all through the cupboards.
Shot through, something you have too much of
and could never want to write about.
Rust in this message, too.
Simon Nov 2020
She goes by Maisha. But too me, she's known as my “Watson”. A Watson that is the VERY "incredulous" sidekick towards Sherlocks (somewhat) "overanalyzing" and (seemingly...when it truly isn't much of the time) "doubtful" nature. (Just as Watson isn't as soft spoken...when they truly aren't as incredulous as you'd expect them too truly be...at first glance!) Thou, no matter how false or true something might seem... It matters not. Towards the fate of a good enough "bargain" too “pry” the (seeming) essential pieces that go one way. And come SNAPPING back straight into your own face the next! (Without so much as a standard warning, beforehand...or even ahead of time!) That is both the never-ending/ever-increasingly, mind-bogglingly, fated desires that "swing" (impatiently)...when there's NO breeze too simply sway back and forth on the spot!
And when there's sometimes NO recognition towards either fact... That's when Watson is there too kick me into gear (without the seeming faulty wiring of my CRAZY and SPIRALING and SPORADIC and WILD)... Assumptions!
Because assumptions don't mind those very facts that perfectly fit inside those very details that doesn't have a half-hearted claim towards the very desires of those very specifics (at which the very details fit perfectly nestled inside).
And if it wasn't already incredulous enough already... Then Sherlocks too random of assumptions...must surpass your very logic too handle at one single time....
Meaning my very assumptions is what forces you too "transcend" your own piece of art for the fate of a brain that would (in theory...and try as it must) "reconnect" with the complete countering opposite... That is the opposing goodness towards how a brain ticks those too random assumptions) too shame! When the heart starts too "unravel" it's VERY (seemingly) "dormant" period full of unkempt lust for that very now "presently" so-called ("transcending your own piece of art") right then and there!
But a piece of transcending art, isn't complete...just because you are (now of ALL times) beginning to understand it... Since it's NEVER that easy to just understand a VERY abstract/cryptic (someone or something) who's too random assumptions seem too SPARK your heart! As if your heart now has a flow of radiation coming out of it... Because it was simply "poked"!
But why of ALL times did it haft too be poked...? Well, isn't it obvious by now.......???
The "frames of logic" would speak of a VERY important "scheduling event". Where the heart needed too be poked, first!
Simply because the heart was literally BLOATING up and "suppressing" too much of that newly escaped flow of radiation!
And since now it's (seemingly) ready too take off like a once (trapped bird in a cage...ALL it's life)! You better bet things shall be different... For this time around, at least....
Do you simply think the brain and the heart would become "one" and detest ALL the past formalities (from a past gone SO "rigid" like)... That it's now truly impossible too truly tell just what its current condition is really about. And how the very current present timeline...then would speak of a VERY fortunate scheduling event, that would change everything for the better... Possibly even (if your assumptions truly grasp another's frame of logic good enough too transcend right off the bat seemingly)... Forevermore!
Then, what are you waiting for, huh...???!!!
A moment of doubt is normal too include the fear of failing ANY type of reasoning either (beforehand or ahead of time)! Since it doesn't matter which would be the better offer...? Unless you were too (I don't know), keep "trekking" as you ALWAYS have towards "breaching" the (seemingly) "impenetrable" darkness that hails your own "lit impression/lit focus" (conscious wise) structure/mechanism...without fear of “blinking out” that very reasoning right then and there! Since "snuffing" out the light...is where fear comes from, after all.... Remember and forget! Are those very reminders that fail...ALL THE SAME!
Richard Riddle Mar 2016
The store would soon be closing-
it was fifteen to the four-
When the bells began to jingle-
as the old gent came thru the door.

A "dapper" chap with a bowler hat-
a three piece suit, to look his best-
And when he turned, you could see it--
a watch fob, draped across his vest.

With a pale and wrinkled fist
in his hand, he firmly grasped-
A black, and polished "walking stick",
which added to his class.


He stood there as if frozen,
poised upon the floor-
As his eyes perused the displays,
neatly placed throughout the store.

"Gentlemen, I would like to see,
your "time pieces" of variety-
Pocket watches, by which they're known,
and since a child, I've always owned."

From his accent, he was English-
with a bit of Scottish brogue-
Perhaps, here on a visit-
or on a trip around the globe.

"Allow me sir," the clerk replied-
to show you all our stock-
Some pieces are rather old and rare-
and kept under key and lock."

He laid his hat atop a case-
and propped the stick against a wall-
Then began an examination
of those "time pieces", one, and all.

The mantle clocks began to chime-
and a cuckoo came alive-
The old gent seemed astonished-
that his "time piece" noted "five."

"Gentlemen, I must apologize",
showing a little red upon his face,
"But, I'll be back on the 'morrow'
to this fascinating place."

With hat in hand, he placed it-
hiding hair of solid gray-
Then doffed his hat, and smiling-
stepped through the door and walked away.


At closing time, they still weren’t through-
for they all had a job to do-
They had to clean the entire shop-
and each had a choice, broom, or mop?

Shades were drawn across the doors-
as each began their chosen chores,
When one called out, in a voice so thick-
“that old gent forgot his stick!”

There it was, the "stick", often called a "cane",
for their use is much the same-
Standing *****, against the wall,
with a shaft, a half inch thick, and thirty-six tall

But, it was the "hilt", the handle,
also called a "haft”-
That was the perfect compliment
to that "straight and perfect" shaft.

It glistened, and reflected-
and a joy to behold-
For that haft was fashioned
in 18 karat gold.

Oh, it was beautiful, don't you see-
from a pharaoh's treasure, it could be-
How could such a piece be left behind,
a piece so intricately designed?

On many accessories of it's kind-
there is a space, that is designed,
Either on the top, or on the side-
to which a name can be applied.

Ah yes, a person, perhaps someone of fame-
for in old fashion, style, and script,
Was etched the name of
"Noah Zane."

The cane was wrapped in  jeweler's cloth,
and placed inside the safe-
For the "old gent" would be returning
to this "fascinating place."

With a sigh, I have to tell you,
tho' sad, but it's a fact-
That "old gent" who had the stick-
he never did come back!

Shops of like were "queried"
both jewelery and the pawn-
And neither hint, nor clue was found-
for that "old gent" was gone.

So, what has come of the "stick",
or "cane" you wish to call?
I'm sitting here looking at it-
for its mounted on my wall.

(Thanks folks, for your patience)
copyright-richard riddle- April 15, 2014
The walking stick/cane(banner photo) has been in possession of
my family for 83 years.
In 1932, San Diego, California, my father was employed as a jeweler/watchmaker, and was working the day the "old gent" visited the store.
ungdomspoet Nov 2014
vi er ingenting
du gentager altid dig selv og vrøvler
og som L.O.C rapper "og vi jo intet, men intet varer forevigt"
intet er uendeligt
man kan ikke miste noget man aldrig har haft
du har aldrig haft mig
men du var altid mit alting
så jeg tvivler på hvad jeg er for dig

vil du være mit ingenting for evigt?
for jeg vil intet elske for altid
- en historie
- om ham
Kasandra Curtis Aug 2012
Like the mighty redwood
My love for you
Is massive, indomitable, and lasting.
With roots sinking deep into my soul.
Long after the hate and wickedness of others fades,
Even after we too, are laid in the grave
My love for you, shall grow stronger everyday.
The axes and saws of the skeptics,
All break on my trunk,
The saw teeth shear off, and dull,
And the axe haft snaps,
Not making so much as a dent.
High into the sky
My love rises,
To bask in the rays of your love.
The fires of those who scorn love
Lick at the base
But they cannot so much as singe my love.
You are the nutrient rich soil,
The life giving waters,
And the solar brilliance shining down.
Your love wards off all blight,
You are my earth, my water, my light.
ungdomspoet Jan 2016
kom med mig
bare bliv i nat
du siger alle de ord jeg engang ville høre, men det føltes ikke rigtigt
hvad forventer du at jeg skal sige
du ved jo godt at det er lidt for sent
du tager min hånd
og siger du har ændret dig
men søde, dine undskyldninger narrer mig ikke
fordi for dig er det hele bare et spil
så bare forfør mig nu
for tiden har gjort mig stærk
jeg er begyndt at komme videre
jeg siger det her nu
du har haft din chance
og du ved jo godt at det er lidt for sent
en lille smule for forket
og jeg kan ikke vente
men du ved lige hvad du skal sige
du ved jo godt at det er lidt for sent
du siger at du drømmer om mit ansigt
men det er ikke mig du savner
du kan bare godt lide det du ser nu
men for at være ærlig
er det helt ligemeget nu
for du ved jo godt at det er lidt for sent

jeg var ung og forelsket
jeg gav dig alt hvad jeg havde
men det var aldrig nok
og nu vil du pludselig have kontakt
du ved jo godt at det er lidt for sent
gå hjem til din kæreste
jeg slipper dig fri
jeg elsker mig selv
du har et problem
men kom nu ikke og spørg mig om hjælp
for du ved jo godt at det er lidt for sent
en lille smule for forket
og jeg kan ikke vente
men du ved lige hvad du skal sige
du ved jo godt at det er lidt for sent
du siger at du drømmer om mit ansigt
men det er ikke mig du savner
du kan bare godt lide det du ser nu
men for at være ærlig
er det helt ligemeget nu
for du ved jo godt at det er lidt for sent

jeg kan elske med hele mit hjerte
jeg ved jeg har så meget at give, jeg havde så meget at give
men med en player som dig
der har jeg mistet troen
det er ikke den måde jeg skal leve mit liv
det er bare lidt for sent
det er bare lidt for sent
en lille smule for forket
og jeg kan ikke vente
men du ved lige hvad du skal sige
du ved jo godt at det er lidt for sent
du siger at du drømmer om mit ansigt
men det er ikke mig du savner
du kan bare godt lide det du ser nu
men for at være ærlig
er det helt ligemeget nu
for du ved jo godt at det er lidt for sent
du ved jo godt at det er lidt for sent
Daniel A Russ Jul 2010
Peering up from the precipice, a cyclops! – a
Many-fanged and mono-eyed beast,
Flesh a sickly sea-shell and putrid yellow as a
Series of pustules pulse rivulets of green-black blood,
Staining scarred surfaces and shadowing engorged strength.

Reaffirmed grip on haft,
I plunge the sticked-spike a shade-shy of horizontal,
Missing the mark obvious but finding purchase,
Shattering clavicle and spraying sinew in a perverse sort
Of macabre rainbow arc, yet met with instant,
Abject terror: spear now not merely stuck but gripped
By mine beholden nemesis, and he shifts, twists the
Leverage and I, trained in the art of never-surrender-never,
Have not his primitive power to resist and thus fall,
Giving way to laws of momentum – and the world shudders.

Eyes-wide as fist-eclipses-sun, a quick scramble,
Desperate-probing-reflexive grab for the half-arm length stabber,
Unsheathe, roll, aim and ******:
A scoring glance, slicing more pox and pus than
Bone or gristle, but desired effect achieved:
Nemesis rails, howling, orb clenched and pointing skyward,
Arms guarding reflexive at bloodied torso, leaving precious,
Glorious goal unguarded:
A backwards roll, leaning into the earth like Atlas,
I push, spring, and the world gleams in high-contrast
Blood-red and silvered-steel-sword as I’m propelled skyward –
Blade-and-hand acting in concert, a conductor in a symphony
Of prospective gore seeking to punish the cyclopean’s dissonance,
I plunge deep, scoring a bassonic rumble from
His jugular and cacophonic crackings as his cerebral
Column gives way to the superior song.

His shuttered eye now open as he slumps, falling to the
Ground ilke a dead god, it develops a strange sort of calm,
As if he’s hearing his own song of slaying – but that
Sizzling, that pig-eating-slop sound, that wasn’t my song –
That must be his, and awareness dawns as adrenal sets –
Blinded by blood and battle, I’d neglected to heed
The refuse of the beast’s bilious eruptions,
Blown back from the force of my blade, and now, immersed
By the nauseating, liquid-green mass, I am devoured from
Without.

I lay now, eyes alternating skies, and weep that I
Am sapped entirely of strength enough for noble suicide:
I shall die here, propped astern like a failed Atlas, a
Boneless, gibbering mash of grit, guts, and warm, soupy glory,
muted and deafened to the howlsong from above of vultures.
Richard Riddle Nov 2015
The store would soon be closing-
it was fifteen to the four-
When the bells began to jingle-
as the old gent came thru the door.

A "dapper" chap with a bowler hat-
a three piece suit, to look his best-
And when he turned, you could see it--
a watch fob, draped across his vest.

With a pale and wrinkled fist
in his hand, he firmly grasped-
A black, and polished "walking stick",
which added to his class.


He stood there as if frozen,
poised upon the floor-
As his eyes perused the displays,
neatly placed throughout the store.

"Gentlemen, I would like to see,
your "time pieces" of variety-
Pocket watches, by which they're known,
and since a child, I've always owned."

From his accent, he was English-
with a bit of Scottish brogue-
Perhaps, here on a visit-
or on a trip around the globe.

"Allow me sir," the clerk replied-
to show you all our stock-
Some pieces are rather old and rare-
and kept under key and lock."

He laid his hat atop a case-
and propped the stick against a wall-
Then began an examination
of those "time pieces", one, and all.

The mantle clocks began to chime-
and a cuckoo came alive-
The old gent seemed astonished-
that his "time piece" noted "five."

"Gentlemen, I must apologize",
showing a little red upon his face,
"But, I'll be back on the 'morrow'
to this fascinating place."

With hat in hand, he placed it-
hiding hair of solid gray-
Then doffed his hat, and smiling-
stepped through the door and walked away.


At closing time, they still weren’t through-
for they all had a job to do-
They had to clean the entire shop-
and each had a choice, broom, or mop?

Shades were drawn across the doors-
as each began their chosen chores,
When one called out, in a voice so thick-
“that old gent forgot his stick!”

There it was, the "stick", often called a "cane",
for their use is much the same-
Standing *****, against the wall,
with a shaft, a half inch thick, and thirty-six tall

But, it was the "hilt", the handle,
also called a "haft”-
That was the perfect compliment
to that "straight and perfect" shaft.

It glistened, and reflected-
and a joy to behold-
For that haft was fashioned
in 18 karat gold.

Oh, it was beautiful, don't you see-
from a pharaoh's treasure, it could be-
How could such a piece be left behind,
a piece so intricately designed?

On many accessories of it's kind-
there is a space, that is designed,
Either on the top, or on the side-
to which a name can be applied.

Ah yes, a person, perhaps someone of fame-
for in old fashion, style, and script,
Was etched the name of
"Noah Zane."

The cane was wrapped in  jeweler's cloth,
and placed inside the safe-
For the "old gent" would be returning
to this "fascinating place."

With a sigh, I have to tell you,
tho' sad, but it's a fact-
That "old gent" who had the stick-
he never did come back!

Shops of like were "queried"
both jewelery and the pawn-
And neither hint, nor clue was found-
for that "old gent" was gone.

So, what has come of the "stick",
or "cane" you wish to call?
I'm sitting here looking at it-
for its mounted on my wall.

(Thanks folks, for your patience)
copyright-richard riddle- April 15, 2014
The walking stick/cane has been in possession of my family
for 83 years. In 1932, San Diego, California, my father was employed as a jeweler/watchmaker, and was working the day the "old gent" visited the store.
Nikoline Apr 2015
jeg har haft nok åbne sår til at
tømme min krop
for blod
men mit hjerte forlanger, at
rød væske
flyder i mine
vener
så jeg tømmer endnu en flaske rødvin
fordi jeg lytter altid til mit
hjerte
og den fjerde flaske rødvin
smager bedre end tanken
om dig
sammen med en
anden
Marolle Aug 2015
Jeg ofre mig hele tiden
jeg giver mig selv til folk
som kun giver halvt tilbage
Kan du tage min arbejdsvagt? Ja
Vil du med i byen og 2 dage i streg? Ja
Vil du besøge mig og så spiser vi sammen? Ja
Din flis-jakke er hæslig, skal jeg lave en ny? Ja
Denne konstante cirkel
af ting jeg skal, gøre og nå
den gør mig sindssyg
Jeg vil hellere ligge i min seng  
føle spændingerne forlade min krop
og mærke hvor øm den egentlig er
af at jeg har glemt at lytte til mig selv
Jeg vil hellere se på skyer
eller bare på himlen
om den er lyserød, med skyer på eller blå
Jeg vil hellere trække vejret dybt
helt ned i lungerne, helt ned i maven
og mærke den friske luft inde i mig
Tankerne i mit hoved danser disco
og jeg er ikke selv inviteret
men det er ikke som at gå i byen
ikke som 2-dage-i-streg-bytur  
mere som en konstant orkan
hvor mit ydre er orkanens rolige øje
for hvordan kan du være så rolig, Maria?
Jeg ved det ikke
Jo det ved jeg
Har ikke haft tid til at tænke over det
fordi der er en ny ofring at bringe
Ingen tid til eftertanke
eller fortanke
Før jeg ved af det er cirklen startet igen
Forfra eller bagfra
Det er det med cirkler
lige meget hvor den starter
så vil den nå hele vejen rundt
Ingen tid til eftertanke

*(Marolle)
Simon Jun 2020
EG as always, is without value in herself. Except for when she wants to get what she want’s, without even having to exert a fine bundle of resources straight from her VERY “tampering” collective that is her “feelings”. Because you see, her feelings aren’t what just make her the “friend” who helped me throughout and in the bad times… They are literally what make me understand her for her. Also, to what she is to me, for what I am to her in return. And that’s never truly a saddening thought when you think you can’t (for a second longer) converse in the regular, MORE normalized manner. Conversing (naturally) with words, straight from a mouthpiece with words to offer the “immaculate” assistance towards a personality your about to criss-cross all over and between the **** gap that surrounds two sense of selves. Trying to further a correlating connection. Not to mention without the clear variety for a VERY “tempting individuality” to clearly become entirely outspoken within their own selves. Which (I got to say) is never a programming thought… Especially when that very (“programming thought”) isn’t pre-programmed in advance to ever become supplemented enough at ever being ready when you start to FINALLY realize, you’ve been (conversing with words) over a long span of time with what you never truly thought at first. (Especially when it’s entirely impossible for even “words” to announce what thing it possibly could have been…?!) Well then, “indulge me” then…? What is it that I just haven’t noticed (for the “supposed” life of me) towards what I’ve been conversing with (of course with words) for that long span of time?! (And to the one whoever is then conversing gently towards a calm disposition in order to filter out something without alerting a “shock” in the most right of places displayed across the even WORST of times to ever transpire…!) You’d then start to of course think it could be (“oneself”) right? At it again for all to VERY “specifically” hear! But that’s where typical majority thought processes are then (“suddenly, immediately and unexpectedly”)! Since a cueing announcement had just popped out of nowhere spouting seemingly irrational nonsense all around the place. Thou, I’ll have you know, that if you just look a little deeper and closer… You’d start (somehow without even knowing how) to understand, (and seemingly able to just what…” rationalize”)? Oneself could respond by simply saying, “perhaps” … Thou if I were you…I’d STOP and hear out the one who’ve been conversing with this entire time. Seeing as how it’s obvious they converse with NO words in ANY manner. They connect openly. “Open viewing points” in all! All to both rationalize the grievances of those connections and the severity of the tolerance one is able to handle when (not knowing right off the bat where everything of course seems to “flutter a VERY calm feather”) as it swiftly flows through the air. Except without fully perceiving that it doesn’t just flow seemingly “through” the air. Because you see (“conversing with worded types” …) That little “itsy bitsy” little feather, has an “immaculate” impression towards its own assistance of having a personality as not for itself. But for the one who responds to those very “open viewing points” in all! Too busy “up in its own grill” to ever respond lightly when it’s fluttering swiftly through the air to then actually connect with its BETTER half. “IN”! Which it responds by fluttering swiftly “through” to then seemingly go “inward”. But how is that even possible for a feather to go inward in air, if it’s been supposedly fluttering swiftly through the air (what was once previously thought) as one’s very first perceived glance…? Good question. As it’s an obvious, but VERY cryptic hint at who you could be conversing with? The input that is oneself seems to then have what’s called a “seminar of truth” within its own inner “delightful” council. Another somewhat fanciful instance of power that demands the attention for a sense of self’s attention-seeking “self-servitude”. So then (sooner rather then later…) it could come to terms with whatever or whichever that very example about connecting “through” with then the word “in” is about. Well isn’t it obvious, since even the “teaser” to this very passage willing to be both happyful and polite gives its respected tone away. Because again you see, (“throughout and in”) is another cueing announcement. Just as (“suddenly, immediately and unexpectedly”) is, for it has a simulation (just as throughout and in does as well), called “abrupt flaws”. For throughout and in’s simulation for “phasing” is nothing more then a transcribing will made to offend every rationalizability. That’s exactly why you won’t ever understand the “inwardness” of how a seemingly fluttering feather swiftly flowing through air, could actually go inward the air at will. It’s a riddle, sure. A VERY fanciful one, I assure you. That being said, what does any of this haft to do with the one who simply helped me throughout and in the bad times…?! Well (and again I say this) isn’t it obvious by now? They’ve been helping me, as they still do to this very day. Helping me both (“throughout and in”) the bad times. Of course, whichever bad times seems to come forward again (sooner rather then later). That’s when the seminar of truth amongst the input known as oneself had concluded its own inner delightful council. In other words, what did it simply come up with? Well what you’d simply like the “knowing” right off the bat, that both doesn’t make up for the clearer information. Or for the fact that wasn’t really helpful in it’s “expressing investigation”. The very fact for why this passage is called my friend’s “tampering withering appearance”! Well that’s because my friend’s mere appearance has been “shackled” with too much torment for many, many lifetimes. Too much torment in fact, is why at all they’re still withering to this very day…? That’s because they don’t know any better, then to just be themselves. It’s what’s called when someone is truly “twistedly warped”. Since I’ve gone both throughout and in in my own way. So, has she. I’m twistedly warped in my own fashion statement, thank you very much! As many others (while they EVER want to admit it or not, is simply their own concern). But without even knowing why that is? As it’s not for the “faint of heart” to be in the realm of one’s consciousness while proceeding to simply find out. Or else, then why do I question repeatedly? But I’m still learning with each striding experience, to see if mine would EVER “pale in comparison” with hers. Seeing as how she even once revealed to me why she’s simply interested in me. Because I’ve seemed to of asked MORE times then I could possibly count. And I try (as I must) to refrain from repeating myself over long periods of time. Which just happens to be a HEAVY weakness of mine. Which is no half-*** bargain at keeping me in my place in order to simply stride me forward, respectfully. And with that very question, she revealed it in one “death-defying breath”! Which is…? Oneself would ask within its own input. I’m interested in you, Simon! Because you are like me! WAIT! What?! Then between many “oneselves”, their own inputs were “firing off” between their very own robust compressed together “pressurized synapses”. The effects of those very inputting thought processes came with both the “clicking and smashing” of those robust compressed together “pressurized synapses”. It seems oneself didn’t either fully catch what was actually said (where they couldn’t comprehend it properly) or they simply misinterpreted the entire thing? (Which is entirely understandable, by the way.) But they aren’t foolish in a sense of self, as to never “miss” something as simple as that. They just couldn’t come to terms with experiencing (as they did) when it came to coming in contact with EG herself. That’s why they purposely held back the actual transcribing of its simulation for translations. It wasn’t whatever was just expressed. Because in fact, (and with a little “paraphrasing help” here) we can find out how it truly was interpreted. A little loose knot here and there. And they fully unpatched the circumstances at what the information truly was expressed as. (Because in truth…they would rather mend it, then not to unravel it again…if you know what the input known as oneself means…?) So, after coming to terms, it’s ready to reveal it. And a little advice towards sense of selves to take as a heedless warning… It’s simple in all it’s expressions, ok! But what it truly refers towards, is why oneself wanted to keep the truer importance of the interpretation secretive to begin with? I’m interested in you Simon, because (and it’s not “because you are like ME”) but in fact “I see myself in you”. Clean as a whistle! Nothing missing as more then that. And with that shocking realization to that very “wordy expression”, the entire collection of inputs (“suddenly, immediately and unexpectedly”) got a CHILLING feeling going both throughout and in such a way that literally “tingled” their very input mechanisms for simply producing thought processes. For if they went any further with that very “tingling” sensation, that very cueing announcement’s simulation for abrupt flaws would follow in a VERY “corruptive heating pursuit”. Now MORE then ever, it made the entire lot of inputs go on HIGH ALERT for no apparent reason, other then what a simple memory had brought with it when sifting throughout and in “old archives” that changed everything for (of course) the better! Because it’s obvious that a sense of selves inputs is truly afraid of this (“girl” or whatever…)? Then we come to the last finalization of this passage. Since I ask you ALL of this, respectfully… Who then essentially made her this way? It wasn’t (“I”), but her own father! And that isn’t a half-assed maneuver to outplay something other then the respectful truth. NO deceit here, other then the “truth” I’d been keeping from you all to begin with. (Not to mention myself in “repeated” questioning.) Which I’m entirely expressing in its very revelation right here and now!
This is another poem about the friend who helped me throughout and in the bad times. But this time, they show themselves “throughout and in” a VERY “tampering withering appearance” so to speak.
Ashley Grey Nov 2015
Let me know when you will care
For now I'll just be standing there
All alone, just waiting
Even if my heart is breaking

Do you realise I've been here
Always there for you, so near
I kept your tears in my heart
But now we'll haft to be apart

For now I'll try to be a friend
Won't imagine "Until When"
It's alright to watch you go
But when you return let me know
A Poem for my long time crush "AO"
Laura Amstutz Nov 2018
jeg har altid været en klimafamilie for sig
som var jeg en matematisk ligning
uden at ville det med vilje
har fundet ro i genbrugens hjørner og lofte
haft for stort et hjerte til at ødelægge et andet
væsens væren i verden
væmmes ved andre menneskers fryd og grådighed
myrd den æd den
måske jeg bare har udviklet en allergi
for industriens masseproduktion. usynlighed. ensformighed.
efterspørgsel efterspørgsel
kopivarer
Basic *******
undskyld hvad sagde du lige der?
elsker broccoli fordi det
minder mig om små træer
får ondt i hjertet når
et skal falde for at en klods af beton kan
gro og vokse sig stor
af økologiske grunde
industri industri
dobbeltmoral og hykleri
sabinasophie Feb 2015
jeg er hende den sjove
hende der med beton i øjnene smiler og griner
jeg er hende den sjove
hende der danser ballet hen over tilværelsen, iført blodige ******>jeg hende den sjove
hende der med et smil, fjerner de knuste glas uden at skære sig
jeg er hende den sjove
hende der har det vidunderligt, selv med tårer trillendne ned af kinderne
jeg er hende den sjove
hende der får det bedste frem i dig, når din selvtillid er i kælderen
jeg er hende den sjove
hende der som talent kan skjule smerte med den efterhåden slidte frase "jeg er hende den sjove, jeg har aldrig haft det bedre"
jeg er hende den sjove
men det er bare ikke sjovt
sabina sandager
Heavy Hearted Feb 2017
A gap within my minds brigade
is the price, solemnly payed
weak- the bold brain's barricade

a barricade assumed concrete,
proven otherwise as I repeat
irrational- my slow defeat

Compelled am I, a victim to
intrusive thoughts I can't subdue,
to cease them truly, I've no clue

But I've a hunch that if I end,
consumption, and myself defend,
longer no more I'll haft pretend

No one can function at this pace
I wish always my steps retrace
back to run a different race
to end in a much different place.
Beyond what I may feel for you I haft to say that sooner is better then never that I love you about face. I can not really describe how my mind races daily but it's almost too amazing that it's  about phasing. Phasing the different thoughts that I think of all the time it's almost their out of line. :) I am patient in my soul and even more patient in body but the way you make me feel is so oh so exciting. In a hearts time I will give you the key to my knowledge. Hard to explain but it should make perfect sense or atleast it will given that my love is unconditional. I guess you wonder why I am the way I am and again it's hard to explain. Just give me the respect you would wish to befall upon yourself. Wether things go smoothly or roughly I just need you to know that anything I have had to hide has been let go. Questions you ask and the answers I give don't take it personal you know how it is. You will think this is about you but it is not but don't be depressed like the rest. :) I have too much to hold inside but yet I say that I let it go but we know I am more complicated then that, so. I have had more to say but I leave it at this if I am never enough for you just tell me I won't be ******. So I say but you almost know me better then that but your far from the others and nothing like the rest. That brings a real smile to my face and warms my spirit. Nothing left to say just gald you read this. In hearts time you will be mine.
ShamusDeyo Sep 2014
As you talk of Pleasure of another Kind,
You let me know whats on your mind.
While Urgently From Behind
I feel the Press of your Firm Flesh
As you Start, I part
to grasp the Haft, of your Slick Shaft
While so slowly you fill me

And from this Tender Stillness,
you begin a Rythimic Dance
As labored Breathing Comes in Pants
'til in the End, I am lent
Your Pleasure Filled
Your Passion spent


*This Poem is from the Collection "POETIC STALKINGS"
Anna Nov 2018
#1
gå ned på det lokale beboerhus og drik noget urtete. læs den bog du har haft stående på reolen i årtier. fortæl din mor om din dag. græd til en film der rør dig som ingen dreng har kunne røre dig før. invitér dine venner over til gulerødder og hummus. drik te. lav en playliste med sange der gør dig søvnig; gå tidligt i seng og lyt så til den playliste. forkæl dig selv med din yndlingssnack efter en lang dag. hav altid en paraply i tasken, så du er forberedt i disse regnfulde dage. få nu lavet det ekstra hul i øret, som du så gerne ville have. og skriv nu til den tatovør du synes er så god. lav en kande te. genoptag kontakten til gamle venner og bekendtskaber. fjern dine neglelakrester og mal dine negle i en ny farve. drik nu noget mere te!
fokusér på de små ting.
forkæl dig selv, som du ville forkæle én du elsker. det fortjener du.
med tårer i øjnene hiver jeg luft ned i mine ekspansive lunger, husker
husker: det er bare nu'et. det er blot en brøkdel.
og en dag vil jeg have glemt dette øjeblik, dette blink med øjnene, forbipasseret fortvivlelse og forvildelse og utilpashed
og en dag vil jeg have varme, gyldne minder lokaliseret bag øjenhulen, bag drømmene
og jeg vil have hængt hvidt vasketøj op, jeg vil have talt med en vred bille, kørt i en lyseblå bil og købt mine egne øko-appelsiner.
jeg vil have klippet mit hår mindst ti gange, foldet fingrene om en andens krop, om en andens ømheder, en andens tanker, jeg vil have haft et hundrede forskellige par sko på mine to fødder, set nye vidundere og nye lavpunkter
og det smelter sammen og alt det ubehagelige fylder mindst
men lige nu kaster ubehag lange skygger
ShamusDeyo Feb 2015
As you talk of Pleasure of another Kind,
You let me know whats on your mind.
While Urgently From Behind
I feel the Press of your Firm Flesh
As you Start, I part
to grasp the Haft, of your Slick Shaft
While so slowly you fill me

And from this Tender Stillness,
you begin a Rythimic Dance
As labored Breathing Comes in Pants
'til in the End, I am lent
Your Pleasure Filled
Your Passion spent
Sensual ****** Verse...
JP Goss Aug 2014
Two forms sat, eye to eye
Alight by ambiguity
To you, I, you to me.
The air and lamps
Breathed like knives
As they both listened
At a distance
Some eulogy
Both known and alien
On pipes in the wall.
A debt rent in half
Empty purchases
Turned to roses
Bouqueted ‘round the dagger’s haft:
When the flowers would thirst
Weapons remain.
We knew this would happen.
This is not about me, but just a genuinely confusing circumstance in a relationship.
Zeyu Dec 2019
I.
Her blade was quenched in limestone brine
Its sable haft laced with golden thread.
Atop the palace walls, she treads lightly
In her robe woven thin as cicada's wing

II.
When I saw his children past the silken screen
again-- from atop the cedar crossbeam--perhaps
I should lightly retreat but I lingered still:
until he saw silver ribbons that tied my hair
He (I had thought) unlike those lives I severed  
can live to tomorrow (but our gaze had locked!)

III.
A swing, a flash, an unfelt wound-- she moves
with Gansui's fury, and Chunjun's spirit
And softly these shattered visages laid to
a dreamless rest upon her gracious touch.
This poem is largely inspired by the story of a female assassin, Nie Yinniang, in the Tang Dynasty short story collection Chuanqi (The Legends); Her independence and desire for freedom are unparalleled in the story. Yinniang was a truly amazing character in the fiction at the time.

Gansui and Chunjun are two legendary swords said to be owned by the King of Yue, who reigned around the late 5th century B.C.E.
Anna Sep 2016
167
hvor er det underligt jeg har haft dig i 167 dage
men det er først nu jeg *har dig

— The End —