Submit your work, meet writers and drop the ads. Become a member
Tom Leveille Mar 2015
ground zero
i become aware of boundaries
i am a dog chasing cars
i sing your voicemail to sleep
there are no surgeon general warnings
to tell me that
the objects in the mirror
are more depressed than they appear
so how do i tell you
that there are parts of my life
that move slower
without you in them?
or that i look for you every day
in emails & unanswered calls
in the sunrises
i didn't choose to be awake to watch
that i sometimes still stare at doorways hoping you would walk through them
   *stage 1
you tell your new lover you've got a splinter and they pull the sound of your body falling asleep on mine out of your fingertip
   stage 2 your new lover says something at dinner that makes you choke so they call 911 & the paramedics do the hymleich not knowing you would ***** our promises all over the the restaurant
   stage 3 your new lover surprises you by cleaning the house & washes the shirt you kept next to the bed, not knowing it was the last thing you had that smelled like me
after
people always ask
what was loving her like?
after a really long silence
i just say
"it must be nice"
but i never say
it's watching paint dry
i never say
it's a window seat in hell
i don't tell anyone
about the dreams
where i am reading you
bedtime stories
each one is a different way you die
& every time i can never save you
dreams where what i think
are angels in my bedroom
are just homeless versions
of myself you never loved
i have dreams
where i pay someone to shoot me
just to see if you would cry
just to see
if you would cradle my body
i don't tell people
that loving you is like
playing piano
for someone who can't hear
that it's hitting repeat
on my favorite song
& forgetting the words
every time it starts over
that it's finding out
there's no milk after you already
poured yourself a bowl of cereal
it's getting locked in the dark
& being told to
look on the bright side
that loving you is like
being reminded of what it felt like
the first time
you accidentally let go
of a balloon as a child
it's drowning without the water
it's the feeling you get
when you start to dance
& the song ends
Caro Mar 2019
It's March in California and,
It feels like an early September evening in Virginia,
An owl is cooing,
A nostalgic singsong that reminds me of the woods behind my parents house,
Comfort seekers in my senses inflate,
Disappearing into a heady haze,
Anything to distract myself from the mini self-betrayal I just executed.

I can watch myself as I do it,
Basking in this nostalgia,
The detachment from my pain easing my shoulders,
Making me feel high,
Or maybe it's the serotonin and dopamine,
Coursing around in my body,
Freely,
As it pleases,
Results of.

The owl is howling and my roommate is home,
My phone is silent and I'm blissfully alone,
Detachment, detachment, detachment,
My favorite drug, how I've missed you.

So sickly happy,
So near to trauma,
(my familiar place)
But my perspective saving me from feeling it..

I could be in Virginia in 2008,
My legs a little hairy,
A breeze blowing through my long, long hair,
Innocence teasing me.

Or I could be here, now,
Listening for an owl that has stopped calling.

How delicious. Sweet detachment.

My favorite drug.
Sarah Adkins Apr 2015
Dancing with detachment,
I watch the still planes below as I leave.
For just as I can't help the type of blood
that runs over my bones,
I have inherited my mothers cold feet.

Dancing with detachment,
As I wrap my arms around my grandmother
I feel her stiff shoulders shift,
see her skin as too big of bracelets around her wrists,
and wonder where her time went.

Dancing with detachment,
I'm standing in the front yard of my old house,
in the space where I accidentally grew up.
I go inside to climb the staircase that
spills into my parents empty bedroom.
And just as Win Butler once said,
I wonder what ever happened to them.
1.
From my
uneasy bed
at the L’Enfant,
a train's pensive
horn breaks the
sullen lullaby of
an HVAC’s hum;
interrupting the
mechanical
reverie of its
steadfast
night watch,
allowing my ear
to discern
the stampede
of marauding
corporate Visigoths
sacking the city.

The cacophony
of sloven gluttony,
the ***** songs of
unrequited privilege
and the unencumbered
clatter of radical
entitlement echoes
off the city’s cold
crumbling stones.

The unctuous
bellows of the
victorious pillagers
profanely feasting
pierces the
hanging chill
of the nations
black night.

Their hoots
deride the train
transporting
the defeated
ghosts of
Lincoln’s last
doomed regiments
dispatched in vain
to preserve a
peoples republic
in a futile last stand.

The rebels have
finally turned the tide,
T Boone Pickett’s
Charge succeeds,
sending the ravaged
Grand Army of the
Republic sliding
back to the Capitol,
in savage servility,
gliding on squeaky
ungreased wheels
ferrying the
Union’s dead
vanquished
defenders to
unmarked graves
on Potters Field.

The Rebels
joyous yell
bounces off
the inert granite
stones of the
soulless city.

The spittle
of salivating
vandals drips
over the
spoils of war
as they initiate the
disassemblage,
the leveling and
reapportionment
of the grand prize.

The clever
oligarchs
have laid claim
to a righteous
reparation
of the peoples
assets for
pennies on the
dollar.

Their wholly
bought politicos
move to transfer
distressed assets
into their just
stewardship
through the
holy justice
of privatization
and the sound
rationale of
free market
solutions.

In the land of the
pursuit of property,
nimble wolf PACs
of swift 527, LLCs
have fully
metastasized
into personhood;
ascending to
the top of the
food chain in
America’s
voracious
political culture;
bestriding
the nation to
compel the
national will
to genuflect
to the cool facility
of corporate
dominion.

As the
inertial ******
of the plaintive
locomotive
fades into
another old
morning of
recalcitrant
Reaganism,
it lugs its
ambivalent
middle class
baggage toward
it’s fast expiring
future.

I follow
the dirge
down to
the street
as the ebbing
sound fades
into the gloom
of the
burgeoning
morning,
slowly
replacing the
purple twilight
with a breaking
day of cold gray
clouds framing
silhouettes of
cranes busily
constructing
a new city.

The personhood of
corporations need
homes in our new
republic; carving
out new
neighborhoods
suitable for the
monied citizens
of our nation.

First amongst
equals, the best
corporate governance
charters form
the foundation of
the republic’s
new constitution.
Civil rights
are secondary
to the freedom
of markets; the
Bill of Rights
are economically
replaced by the
cool manifests
of Bills of Lading.

The agents of
laissez faire
capitalism
nibble away
at the city’s
neighborhoods
one block at a time;
while steady winds
blows dust off
the National Mall.

Layers of the
peoples plaza are
plained away with
each rising gust.  

History repeats
itself as the Joad’s
are routed from their
land once again.

A clever
mixed use
plan of
condos and
strip malls
is proposed
to finally help the
National Mall
unlock its true
profit potential.

As America’s
affection for
federalism fades
the water in
the reflection pool
is gracefully drained.

We the people
can no longer
see ourselves.

The profit
potential of
industry is
preferred over
the specious
metaphysical
benefits
of reflection.

The grand image,
the rich pastiche,
the quixotic aroma
of the national
melting ***
is reduced to the
sameness of the
black tar that lines
the pool and the
swirling eddies of
brown dust circling
the cracked indenture.

From his not so
distant vantage point,
Abe ponders the
empty pool wondering
if the cost of lives
paid was a worthy
endeavor of preserving
the ****** union?  
Has the dear prize
won perished from
this earth?

Was the illusive
article of liberty  
worth its weight in
the blood expended?

Did the people ever
fully realize the value
of government
by the people,
for the people?

Did citizens of
the republic
assume the
responsibilities to
protect and honor
the rights and privileges
of a representative
government?

Now our idea
and practice of
civil rights is measured
and promoted as far as
it can be justified by
a corporate ROI, a
shareholder dividend,
an earmark or a political
donation to a senators
unconnected PAC.

The divine celestial
ledgers balancing
the rights and
privilege of free people
drips with red ink.  

Liberty, equality
fraternity are bankrupt
secular notions
condemned as
expensive
liberal seditions;
hatched by
UnHoly Jacobins,
the atheist skeptics
during the dark times
of the Age of Enlightenment.

Abe ponders
the restoration
of Washington’s
obelisk, to
repair the cracks
suffered  from
last summer’s
freak earthquake.

I believe I detect
a tear in Abe’s
granite eye
saddened by the
corporate temblors
shaking the
foundations
of the city.

2.

The WWII Memorial
is America’s Parthenon
for a country's love
affair with the valor
and sacrifice of warfare.

WWII forms the
cornerstone of
understanding the
pathos of the
American Century.

During WWII
our greatest generation
rose as a nation to
defeat the menace of
global fascism and
indelibly mark the
power and virtue of
American democracy.

As Lincoln’s Army
saved federalism, FDR’s
Army kept the world safe
for democracy.

Both armies served
a nation that shared
the sacrifice and
burden of war to
preserve the grace of
a republican democracy.

Today federalism
crumbles as our
democracy withers.

The burden
of war is reserved
for a precious few
individuals while
its benefits
remain confined to
the corporate elite.

Our monuments
to war have become
commercial backdrops
for the hollow patriotism
of war profiteers.

We have mortgaged
our future to pay
for two criminal wars.

The spoils of
war flow into the
pockets of
corporate
shareholders
deeply invested
in the continuation
of pointless,
destructive
hostilities.

Our service
members who
selflessly served
their country come
home to a less free,
fear struck nation;
where economic
security and political
liberty erodes
each day while the
monied interests
continue to bless
the abundance
of freedom and riches
purchased with the
blood and sweat
of others.

America desperately
needs a new narrative.

The spirit of the
Greatest Generation
who sacrificed and met
the challenge of the 20th
Century must become
this generations spiritual
forebears.

The war on terror
neatly fits the
the corporate
pathos of
militarism,
surveillance
and the sacrifice
of civil liberties
to purchase
a daily measure
of fear and
economic
enslavement.

It must be rejected
by a people committed
to building secular
temples to pursue
peace, democracy,
economic empowerment,
civil liberties and tolerance
for all.

Yet this old city
and the democratic
temples it built
exulting a free people
anointed with the
grace of liberty
is being consumed
in a morass of
commercial
polyglot.

3.

During the
War of 1812
the British Army
burned the
Capitol Building
and the White House
to the ground.

Thank goodness
Dolly Madison saved
what she could.

The new marauders
are not subject to the
pull of nostalgia.  

They value nothing
save their
self enrichment.

They will spare nothing.

Our besieged Capitol
requires Lincoln’s troops
to be stationed along the
National Mall to defend
the republic.

The greatest peril
to our nation
is being directed
by well placed
Fifth Columnists.

From the safety
of underground bunkers,
in secure undisclosed
locations within the city’s
parameters, a well financed
confederacy employing  
K Street shenanigans
are busy selling off
the American Dream
one ear mark
at a time, one
huge corporate
welfare allotment
at a time.

The biggest prize
is looting the real
property of the people;
selling Utah,
auctioning off
the public schools,
water systems, post offices
and mineral rights
on the cheap
at an Uncle Sam
garage sale.  

The capitol is
indeed burning
again.

Looters are
running riot.

The flailing arms
of a dying empire
fire off cruise
missiles and drone
strikes; hitting the
target of habeas
corpus as it
shakes in its
final death rattle.
I make a pilgrimage
to the MLK Jr.
Monument.

Our cultural identity
is outsourced to
foreign contractors
paid to reinterpret
the American Dream
through the eyes
of a lowest bidder.

MLK has lost
his humanity.

He has been
reduced to a
a Chinese
superhuman
Mao like anime
busting loose from
a granite mountain while
geopolitical irony
compels him to watch
Tommy Jefferson
**** Sally Hemings
from across the tidal
basin for all eternity.  

MLK’s eyes fixed in
stern fascination,
forever enthralled
by the contradictions
of liberty and its
democratic excesses
of love in the willows
on golden pond.

Circling back to
Father Abraham’s
Monument,  I huddle
with a group of global
citizens listening
to an NPS Ranger
spinning four score
tales with the last full
measure of her devotion.

I look up into Abe’s
stone eyes as he
surveys platoons
of gray suited
Chinese Communist
envoys engaged
in Long Marches
through the National Mall;
dutifully encircling cabinet
buildings and recruiting
Tea Party congressmen
into their open party cells.

This confederacy
is ready to torch
the White House
again.

Congressmen and
the perfect patriots
from K Street slavishly
pull their paymasters
in gilded rickshaws to
golf outings at the Pentagon
and park at the preferred
spots reserved for
the luxury box holders
at Redskin Games.

They vow not to rest
until the house of the people
is fully mortgaged to the
People’s Republic of China’s
Sovereign Wealth Fund.

4.

A great
Son of Liberty like
Alan Greenspan
roundly rings
the bells of
free markets
as he inches
T Bill rates
forward a few
basis points
at a time; while
his dead mentor
Ayn Rand
lifts Paul Ryan
to her
Fountainhead teet.
He takes a long
draw as she
coos songs
from her primer
of Atlas Shrugged
Mother Goose tales
into his silky ears.

The construction
cranes swing
to the music
building new private
sector space with
the largess of
US taxpayers
money; or
more rightly
future generations
taxpayer debt.

Libertarians,
Tea Baggers, Blue Dogs
and GOP waterboys
eagerly light a
match to the
the crucifixes
bearing federal
social safety
net programs
to the delight
of NASDAQ
listed capitalists
on the come,
licking their chops
to land contracts
to administer
these programs
at a negotiated
cost plus
profit margin.

Citizens
dependent
on programs
are leery
shareholders
are ecstatic.

To be sure
our free
market rebels
don disguises
of red, white
and blue robes
but their objectives
fail to distinguish
their motives and
methods with
some of the finest
Klansman this
country has
ever produced.

5.

DC is a city
of joggers
and choppers.

Corporate
helicopters
wizz by the
Washington
Monument,
popping erections
for the erectors
inspecting the progress
of the cranes
commanding the
city skyline.

USMC drill team
out for a morning
run circles the Mall.

The commanding
cadence of the
DI keeps us
mindful of the
deepening
militarization of
our society.

A crowd  
rushes
to position
themselves,
genuflecting
to photograph
a platoon on
the move.

I try to consider
the defining
characteristics of
Washington DC.

DC is all surface.

It is full of walls
and mirrors.

Its primary hue
is obfuscation.

Open
communication
scripted from well
considered talking points
informs all dialog.

The city is thoroughly
enraptured in narcissism.

Thankfully, one can
always capture the
reflection of oneself in
the ubiquitous presence of
mirrors.  

Vanity imprisons
the city inhabitants.

Young joggers circle the
Mall and gerrymander
down every pathway
of the city.  

They are the clerks,
interns and staffers of
the judicial, executive
and legislative branches.

They are the children
of privilege.

They will never
alter their path.

You must cede the walk
to their entitlement
of a swift comportment
or risk injury of a
violent collision.

These young ones
portray a countenance  
of benevolent rulers.  

They seem to be learning
their trade craft well from
the senators and judges
whom they serve.

They appear confident
they know what's best
for the country and after
their one term of tireless
service to the republic
they look forward to
positions in the private
sector where they will
assist corporations
to extend their reach
into the pant pockets
worn by the body politic.

6.

Our nations mythic story
lies hidden deep in the
closed rooms of the
museums lining the
Mall.

I pause to consider
what a great nation
and its great people
once aspired to.

I spy the a
suspended
Space Shuttle
hanging in dry dock
at the air and
space museum.

Today America’s
astronauts hitch
rides on Russian
rockets.

America rents a
timeshare from
the European
space agency to
lift communication
satellites into orbit.

Across the Mall
I photograph
John Smithson’s
ashes in its columbarium.  

I fear it has become a
metaphor for America’s
future commitment
to scientific inquiry
and rational secular
thinking.

I am relieved to
discover a Smithsonian
exhibit that asks
“what does it mean
to be human?”

The Origins of Humans
exhibit carries a disclaimer
to satisfy creationists.

The exhibit timidly states
that science can coexist
with religious beliefs and
that the point of the exhibit is
not to inflame inflame religious
passions but to shed light on
scientific inquiry.

I imagine these exhibits
will inflame the passion of
the fundamentalist
American Taliban and
provide yet another
reason to dismantle
the Moloch of Federalism.

The pursuit of science
remains safe at the
Smithsonian for now.

7.

Near K Street at
McPherson Park
a posse of
well dressed
lobbyists, the
self anointed
uber patriots
doing the work
of the people
stroll through
the park
boasting a
healthy population
of bedraggled
homeless.

The homeless
occupy the benches
that have been
transformed into
pup tents.

Perhaps some of
the residents of this
mean estate were
made homeless by a
foreclosed mortgage.  

The K Street warriors
can be proud that their
work on behalf of the
banking industry has
forestalled financial market
reform.  

Through it exacerbates
the homeless problem it has
allowed these K Street titans to
profit from the distress of others.

Earlier in the day
I photographed
a homeless man
planted in front of
the Washington
Monument.

I wonder
if my political
voyeurism is
an exploitation of
this man’s condition?

I have more in common
then I probably wish to
admit with my K Street
antagonists.  

In another section
of the park the
remnants of a
distressed OWS
bivouac remain.

The legions of sunshine
patriots have melted away
as the interest of the
blogosphere has waned.

As the weather
improves Moveon.org
and democratic
party operatives
pitch tents in an
effort to resuscitate
the moribund
movement.

They hope
to coop any
remaining energy
to support their
stale deception,
a neoliberal vision
based solely on the
total capitulation
to the bankrupt
corporatocracy.

I heard someone say
a campaign lasts a
season; while a
movement for social
change takes decades.

If that metric proves
correct, and if the
powers don’t succeed
in compromising the
people’s movement
I’ll be three quarters
of a century old
before I see
justice flowing like
a river once again.

8.

I circle back to
the L’Enfant and
find myself
tramping amidst
the lost platoon
of Korean War
soldiers.

My feet drag
in the quagmire
of grass covering
the feet of this
ghostly troop.

My namesake
uncle was a
decorated
veteran of this
conflict and Im
sure I detect
his likeness
in one of the
statues.

The bleak call
of a distant train
sounds a revelry
and I imagine this
patrol springing
to life to answer
the call of their
beloved country
once again.

Yet they remain
inert.  

Stuck in a
place that the
nation finds
impossible to
leave.

The eyes of the
men stare into
an incomprehensible
fate.  

They see the swarms
of Red Army infantrymen
crossing the Yellow River
streaming toward
them in massive
human waves,
the tips of
sparkling bayonets
threatening to slash
the outmanned
contingent fighting
to bits.

They are the
first detachment
to bravely confront
the rising power
of China many
thousands of
miles away
from their homes.

America like
this lone company
is overwhelmed
and lost in the
confusion
that confronts
them.

Looking up
I perceive the
bewilderment
of my muddled image
reflected on the
marble walls
surrounding
the memorial.

I am a comrade-in-arms,
a fellow wanderer sojourning
with th
Vladimir Lionter May 2020
I
Colonel Zaev(1), our commander,
Lived seventeen years in Angolian land.
There are no Luanda’s(2) experts better
Than him- he met its ambassadors two hundred
Times. He smashed UNITA(3) and weakened SAR’s (4)
Power. He supported Fidel Castro(5)
And he became famous for counter-attacks.
The Angolians call him Victor-Pastor:
He does always set the young on the right path:
Aoi!

II
Roberto Holden6 was the foe of Neto
He was a monarcho-tribolist.
And he happened to declare vendetta
To foes. His aim’s to banish socialists.
He invited China’s instructors to teach his
Soldiers the skill of fighting retreating under
Kifangondo(7), he’d not swiftly yield positions
Colonel Callan(8) retreated farther
With him. He was a cruel and fearless
Rascal, he was good at arranging ambush in
Woods. He fought hand-to-hand many times
But he was taken prisoner by the Guard
He declared political indifference but the court
To his grief didn’t believe him so that
Then he was quickly and publicly shot.
Aoi!

III
Savimbi Jonas(9) continued that war
Robin Holden quitted his Motherland –
It’s hard to revise views. What’s to be done for
Tearing a half away for his Fatherland?
He went to America, got a Baptist,
As preacher – he was the lost’s lecturer.
He didn’t wish just to be a pessimist
He wanted to live till times more fair.
Savimbi Jonas founded UNITA –
He made up his mind to go underground
MPLA’s detachments were defeated
By the Cubans but they were free quite
For diversions in the city. A new spiral
Of resistance began – two ideologies’
Confrontation took place and in final
It did cost life to many people for this.
Aoi!

IV
Our Victor Zaev, the commander
Of marines often trained us tirelessly
And all of us were not up to laughter
In gas-masks. We loaded incessantly
Our guns, we crossed the equator, anyway
In a moment Poseidon glorifying
By recompense. We stuck to the right fairway,
Neptun’s Day(10) became a great undertaking.
Aoi!

V
Coming to Luanda was usual rather,
The port’s scenery was bright, beautiful.
“Well, beauty!” exclaimed Igor, a warrant officer,
Zaev added: “It’s, brothers, very wonderful!”
Our councilor climbed up a deck as
Head of the Soviet military legation
He tried to explain the situation to us
Continuous seemed to be his Head’s duration.
Then the Cubans’ crew met us, their commander,
Did happen to know Russian at his fingers’
End. He valued the bearing of our landing
Force. And he was called Francisco Ortis.
Aoi!

VI
Here Agostino Neto came with
His suite consisting of twelve grandees
The President was cordial and gay. This
Day was marvellously fine, in his
Speech he praised the ******’s guard arranged
To meet him. He’d not fail to give his regiment
For it. “What an array!” admired said
Antonio. And at this moment
Tanks floated forward out of the hold
To display Agostino manoeures
Antonio began to sweat: old
Allies can always surprise friends, of course.
The Angolians were invited to dinner
And contented officials were standing
But “No!” was Neto’s serious answer,
“We should return for the fight’s resuming!”
Aoi!

VII
We reached Kanton on cruisers. A warrant
Officer cried: “Sound urgently bells”
The Angolians didn’t let us on to the port,
We anchored no outer roads. What was else?
Mattheu Kureku visited us then.
The President of far mountains of Benin,
And we’d appreciate his being of those men
Who were as modest as Ibn- Sina.
We displayed him gifts and even more
Than we wanted: hand- to- hand fight,
The landing force’s landing to the shore.
Mattheu said us his warm good- bye after that.
Aoi!

VIII
Soon we headed for Luanda, how
Long an action had been fought in its suburbs
And suddenly we saw a fishing scow
Six fisher- men were rowing in the ocean’s
Water catching the sight of us they began
To row faster knots increasing as
If punishment waited them but the race did happen
To be transitory. But cruisors’ powers
Are not boats’ powers equal and at last
We caught them, their fish fell to our lot.
The fish’ reserves were enough for a month.
We said with thankfulness: “Thank you a lot!”
The meeting was pleasant for them and us.
Aoi!

IX
Suddenly came order of the day:
To bring in an identification prisoner. Stas
A secrete service man, volunteered. Anyway,
His own fist was of the bull’s head’s size.
And Grigory, head naval petty officer
Then did volunteer to follow Stas.
“Well, who is else?” were the sailors asked after
It. Silence. It’s better to live on deck. At last,
Watching this the captain himself intervened
In it. His bas was heard even in far hold: “Oh,
You, cowards, I’ll feed you to whales, mind it!”
And phrases were not necessary any more.
Thus six more sailors gathered together – they were
Superheroes as if they were handpicked
The detachment of sound, strong men. Chernomor
Himself would take them so quick-witted.
There are not more safe people in the fleet,
There were not, there won’t be, indeed!
Aoi!

X
Here the scouts came down from the deck and they
All went so deep into a foreign land
A hundred verst’s was their sailing away
From the port. Ships from their Motherland
Were seen. Their commander
was the major lieutenant
And he said: “Motherland is calling us!”
In the fleet he was just called Kostya Brandt –
He did lead the scouts bravely forwards!
Aoi!

XI
The detachment marched into woods being dense,
The jungle were rustling around Luanda. It
Was raining cats and dogs, there was entrance
There, there was no exit for retreat!
They covered their necessary ten versts
More on that day they heard their foes’ voices.
They thought: it’s, perhaps, one of hostile posts.
A good luck attended them! The members
Of UNITA waited for them ahead
Savimba knew of Brandt’s group so dare –
Devil. He was warned by an Angolian friend,
The general had friends everywhere.
Aoi!

XII
Even Kostya Brandt didn’t know it
And he led his vanguard through a marshy path
Sailors were like brothers in the detachment.
Everybody was ready to sacrifice
Himself! And suddenly they saw in front:
Tents standing in forty meters from them and
And something went pit- a pat in Kostya Brandt
And he stretched his hand to a pistol hard.
They stole up to the last one, went into it:
It was empty, there were only playing- cards
There: and perhaps it seemed to them far, indeed?
On the ground there were three machine-guns.
Aoi!

XIII
Meanwhile Savimbi Jonas gathered troops
And he made such a speech when warriors gathered
Together: “We’ll die for freedom as heroes
We do not want another Motherland!
We will repulse all the Cuban occupants
We’ve recently sacked all the colonists!
The Soviet landing force’s scouts
Are going here. Near are the communists!
We’ll organize ambush for them behind the tent –
I’m sure they will go into it a at once.
I was informed that there are less than ten
Of them. We’ll **** the foes at once
We’ ll win because there are much more of us”
And selecting one hundred and forty men,
The strongest ones, Savimbi encircled the scouts.
Aoi!

XIV
“Well, that’s all, forward”, Kostya said strictly
The tent’s bed- curtains having half- opened
By his hand. But suddenly he was slightly
Taken aback- he saw foes get in his road
And he did cry: “We shall die for Russia-
Not disgracing ancestors or the Motherland!”
He stepped forward like a sent messia
He had no right to run away like a coward.
Aoi!

XV
Ours defended each other by backs hard
The battle was hot as it was hand- to- hand.
Two sides’ supporters did not know fright
This region was home for the partisans. And
Brandt fought as an ancient lion Neimeyan –
No pistols’ bullets could reach him at all.
He was a mighty, stately warrior European –
UNITA’s terror and poets’ idol!
The partisans had also a strong warrior –
He was called Manuel by Luanda’s citizens
When hunting he became a hero of yore –
He could hit varios marks without miss.
He took aim at the lieutenant’s back so that
A sharp bullet could pierce his heart. He pressed
The sear. And it did hurt Konstantin and
Shroud overshadowed his consciousness
And a celestial disk burning low, meciless
It’s opening a picture before his eyes:
His own mother’s meeting him and he is
Whispering her: “Mum, I’m going to the skies ”
And fell onto the ground Kostya breathless:
People’s blood was shed as the river around
But ours fought desiring nevertheless
To be gone with foes in the palace. Wounded
Stas’ll hit and three of them’ll fall without
Life’s signs. When he hits on the right–eight
Of them’ll fall at once although there are a few
Epic heroes all of them are heroes dead.
The dead can’t be responsible anew.
Aoi!

XVI
They all were dead. There were
three times more foes
Ours and UNITA collected the dead.
And that very day happened to be worth
A week. Bitter news of blood that was shed
Killed us. Our ship was anchored for five days more
We covered Cuban troops from the sea there.
On the sixth day we sailed from the shore,
Painful grief left an after- taste in their
Mouths. And Victor Zaev, our bold
Colonel, was silent in painful sadness,
He had done the last deed for the dead of old.
He presented them with rewards: “For service”
Putting them on each of coffins. All the ******
Were standing being in their low spirits.
Aoi!

XVII
Thus the song of Luanda came to an end
We paid our duty to military Motherland.
We’d drawn up and the commander said:
“Fine fellows! I wish your life to be quiet!”
Then he sailed not a little, I must say.
He waged war in seven companies. “Glory!”
Cry we to him in Navy Day today.
That is the end of the Luandian story.
Aoi!
The Civil war in Angola represented armed confrontation between
quarelling with each other groups: MPLA (People’s movement for
Angola’s liberation, the Labour’s Party), (port.Movimento Popular de
Liberaçao de Angola- Partido de Trabajo, MPLA), UNITA (port. Uniao
Nacional para a Independencia, Total de Angola, UNITA). The war began
in 1975.
1.Victor Zaev is the main hero of the given poetical work, he is an
invented personage;
2. Luanda (port. Luanda)- Angola’s capital;
3. UNITA – see above;
4. SAR – South African Republic;
5. Fidel Castro – Fidel Alejandro Castro Rus; he was born in August,
13, 1926; Biran, province Oriente , Cuba. He’s a Cuban revolutionary,
party and political figure, Chairman of Ministers’ Council and Chairman
of the State Council of Cuba (president) in 1959- 2008 and 1976- 2008.
6. Roberto Holden- Holden Alvaro Alberto (port. Holden Roberto;
January, 12, 1923, Mbanza- Kongo(its former name is San- Salvadordu- Kongo)- August,2, 2007, Luanda). He was also Jose Gilmore, an Angolian founder and many- year leader of the National Liberation’s Front (FNLA). An active participant of the war for Independence and of the Civil war in Angola. He’s a conservative monarcho-tribolist, anticommunist.
He was a member of the Angolian Parliament.
7. “…under Kirfangongondo…” – this battle was from October, 23
until November,10, 1975 in Angola. It was the first common victory of MPLA and the Cubans.
8. the colonel Kallen… – he is also “colonel Callan, a British service
man, corporal of parachute troops’ regiment’s corporal.” He’s an ethnic
Greek and Cypriot (Greek. Kώozaç Γιώργιoν). He’s a participant of the
Angolian’s Civil war, on FNLA’s side. He was executed according to the
court’s sentence in Luanda, on July,10, 1976.
9. Savimbi Jonas Maiheiro, (August, 3, 1934- February, 22, 2002),
an Angolian political and military figure, a partisan leader, the rebel
movement’s founder and the political Party UNITA’s founder from
March,13, 1966 to February, 22, 2002. He was an active participant of the
Angolian war for independence and of the Civil war. He was candidate
for President in Angolian elections in 1992. He was a prominent figure
of Cold War and world anti- communist movement.
10 Neptun’s Day-Nepptun’s holiday, sometimes it’s called “Neptun’s
Day”. It’s a water show. Sailors founded this tradition after their crossing
of the equator.

{2018}


ПЕСНЬ
I
Наш командир – полковник Виктор Заев(1)
Семнадцать лет прожил в стране Ангольской.
Страну Луанду(2) он отлично знает –
Встречал раз двести местное посольство.
Разбил УНИТА(3) и ЮАР(4) ослабил,
Поддержку оказал Фиделю Кастро(5)
В контратаках. И себя прославил.
Зовут его ангольцы Виктор-Пастор:
Он молодых советом наставляет.
Аой!

II
Роберто Холден(6) был врагом для Нето –
По убеждению – монархо-трайболистом.
И объявил противникам вендетту,
Поставив цель – изгнать социалистов.
Он пригласил инструкторов Китая
Учить своих солдат уменью драться.
Под Кифангондо(7) в битве отступая,
Он не хотел стремительно сдаваться.
С ним отступал назад полковник Каллэн(8) –
Головорез жестокий, но бесстрашный.
Засады ставил он в лесах умело,
Не раз бывал и лично в рукопашной.
Но был пленён он гвардией. И вскоре
Всем заявил свою аполитичность.
Но не поверил суд ему на горе –
Он был расстрелян быстро и публично.
Аой!

III
Савимби Жонаш(9) ту войну продолжил,
Роберто Холден родину покинул –
Переосмыслить взгляды очень сложно:
Как оторвать Отчизне половину?
В Америку уехал, стал баптистом,
Как проповедник – лектором заблудших.
Он не желал быть просто пессимистом
И до времён хотел дожить до лучших.
Савимби Жонаш основал УНИТА –
Борьбу свою он перевёл в подполье:
Отряды МПЛА кубинцами разбиты,
Но для диверсий в городах – раздолье.
Второй виток пошёл сопротивленья –
Противоборства двух идеологий.
И жизнями платило населенье –
Война тогда коснулась очень многих.
Аой!

IV
Наш Виктор Заев – командир морпехов -
Тренировал нас часто, неустанно:
В противогазах было не до смеха -
Мы заряжали пушки беспрестанно.
Пересекли в один момент экватор,
Прославив Посейдона воздаяньем,
Наш путь лежал на правильный фарватер.
Нептуна день (10) – большое начинанье!
Аой!

V
Приход в Луанду очень был обычным,
Пейзаж портовый – яркий и прекрасный.
«Ну, лепота!» - воскрикнул Игорь-мичман.
Добавил Заев: «Это, братья, классно!»
На палубу советник наш поднялся –
Глава советской миссии военной.
Он обстановку дать нам постарался,
Поскольку был там, кажется, бессменно.
Затем кубинцев встретила команда –
Их командир знал русский в идеале.
Он оценил всю выправку десанта –
Франсиско Ортис команданте звали.
Аой!

VI
Вот Агостиньо Нето подошёл
Со свитою двенадцати вельмож.
Был Президент приветлив и весёл,
И день был удивительно хорош!
Он похвалил матросский караул,
Поставленный наверх его встречать.
«За них бы полк отдать не преминул, –
Антонио сказал, – вот это рать!»
Из трюма танки выплыли вперёд –
Маневры Агостиньо показать.
Антонио пробил холодный пот:
Союзники умеют удивлять!
Ангольцев пригласили на обед –
Чиновники довольные стоят.
Но Нето отвечал серьёзно: «– Нет,
Нам возвращаться надобно назад!»
Аой!

VII
На крейсерах в Катону мы приплыли
И крикнул мичман: «Склянки срочно бейте!»
Но в порт ангольцы нас не пропустили –
На якорь встали мы на внешнем рейде.
Затем нас посетил Матье Куреку –
Сам Президент из дальних гор Бенина –
Заметим в дань ему как человеку –
Он скромен был как мудрый Ибн Сина.
Ему мы показали все таланты –
И даже больше, чем хотели сами:
Бой рукопашный, высадку десанта.
Матье тогда тепло прощался с нами.
Аой!

VIII
И взяли курс мы снова на Луанду –
Велись бои давно в её предместьях.
Вдруг видим мы рыбацкие шаланды –
По океану плыло ровно шесть их.
Завидев нас, они быстрей поплыли,
Узлов прибавив, будто ждёт их кара!
Не долгими, однако, гонки были.
Любая лодка крейсеру не пара!
Догнали их. И нам досталась рыба –
Запасов тех на месяцы хватило.
Сказали мы признательно: «Спасибо!»
И после встречи всем приятно было!
Аой!

IX
Нежданно вдруг пришёл такой приказ:
Любой ценой доставить языка.
Тут вызвался морской разведчик Стас –
Его кулак был с голову быка.
И главный корабельный старшина
Григорий захотел идти за ним.
– «Ну, кто ещё?» – спросили. Тишина.
Уж лучше быть на палубе живым.
Тогда вмешался лично капитан –
Был даже в дальнем трюме слышен бас:
– «Ну, трусы! Всех скормлю сейчас китам!»
И больше не понадобилось фраз.
Так набралось ещё шесть моряков –
Супергерои – все как на подбор –
Отряд здоровых, крепких мужиков.
Их взял бы даже Дядька-Черномор!
Надёжнее людей на флоте нет
И не было, не будет и вовек!
Ушло в разведку восемь человек.
Аой!

X
Вот с палубы разведчики сошли
И углубились в даль чужой земли.
На сотню вёрст от порта отошли –
Уж не видать родные корабли.
Руководил всем старший лейтенант.
И молвил он: «Нас Родина зовёт!»
Его на флоте звали Костя Брандт –
Он храбро вёл разведчиков вперёд!
Аой!

XI
Отряд вступил в дремучие леса –
Вокруг Луанды джунгли шелестят.
Льют воду каждый день тут небеса –
Зашёл туда и нет пути назад!
Прошли они ещё десяток вёрст,
Услышали чужие голоса.
Подумали: возможно, вражий пост –
Счастливая настала полоса!
Унитовцы их ждали впереди.
О группе Брандта сам Савимби знал –
Его ангольский друг предупредил:
Имел везде знакомых генерал.
Аой!

XII
Сего не ведал даже Костя Брандт
И вёл отряд болотистой тропой.
Любой матрос в отряде был как брат.
Готовы все пожертвовать собой!
И вдруг увидел каждый впереди:
Стоят палатки метрах в сорока.
У Кости что-то ёкает в груди
И к пистолету тянется рука.
Подкрались к крайней и в неё зашли:
В палатке пусто, карты на столе –
А может, померещилось вдали?
Три автомата было на земле.
Аой!

XIII
Меж тем собрал Савимби Жонаш войско
И речь сказал собравшимся такую:
– «Мы за свободу все умрём геройски,
Ведь не желаем родину другую!
Дадим отпор кубинским оккупантам –
Прогнали ведь недавно колонистов!
Разведчики советского десанта
Идут сюда. Уж близко коммунисты!
Устроим им засаду за палаткой –
Они войдут в неё, уверен, сразу.
Мне донесли: их менее десятка.
Возьмём числом: врагов положим разом!»
И отобрав сто сорок самых сильных,
Пошёл Савимби окружать разведку.
Аой!

XIV
«– Ну, всё, выходим!» – Костя молвил строго,
Палатки полог приоткрыв рукою.
Но только вдруг... опешил он немного,
Когда врагов увидел пред собою.
И закричал: «Умрём же за Россию –
Не посрамим и предков, и державу!»
Шагнул вперёд, как посланный миссия –
Он не имел бежать позорно право.
Аой!

XV
Стояли наши все спиной друг к другу,
Был жаркий бой, поскольку рукопашный.
Из двух сторон никто не знал испуга –
Для партизан был этот край домашним.
И бился Брандт как древний лев немейский –
Его не брали пули пистолетов!
Могуч и статен воин европейский –
Гроза УНИТА и кумир поэтов!
У партизан был тоже сильный воин –
Его луандцы звали Мануэлем.
Он на охоте сделался героем –
Без промаха стрелял по разным целям.
Прицелился он лейтенанту в спину,
Чтоб сердце пуля острая пробила.
Нажал на спуск. И больно Константину,
И пелена сознание затмила.
И тут картину взору открывает
Небесный диск, на небе догорая:
Родная мать с войны его встречает,
А он ей шепчет: «Мама, умираю…»
Упал на землю Костя бездыханно:
Людская кровь лилась вокруг рекою.
Но бились наши – было им желанно
Нести в чертог жизнь вражью за собою.
Изранен Стас: ударит – лягут трое,
Направо стукнет – лягут сразу восемь.
Богатырей хоть мало, все – герои
Погибшие. А с мёртвых долг не спросят.
Аой!

XVI
Все полегли. Врагов – в три раза больше.
Забрали павших наши и УНИТА.
И день тот был иной недели дольше.
Мы были горькой новостью убиты.
Ещё пять дней на якоре стояли –
Мы части Кубы прикрывали с моря.
На день шестой под вечер отплывали –
Осадок был от тягостного горя.
И Виктор Заев, наш полковник смелый,
Молчал угрюмо в тягостной печали.
Последнее для павших сделал дело –
Он «За отвагу» им вручил медали.
На каждый гроб он положил награду –
Все моряки в унынии стояли.
Аой!

XVII
Так завершилась песня о Луанде.
Отдали долг мы воинский Отчизне.
Наш командир сказал тогда команде:
– «Вы молодцы! Желаю мирной жизни!»
Он по морям потом немало плавал.
И воевал ещё в семи кампаньях.
В день ВМФ кричим ему мы: «Слава!» –
На том конец Луандского сказанья!
Аой!
{31.12.2015}

Гражданская война в Анголе представляла собой вооружён-
ное противостояние между враждующими группировками: МПЛА (Народное движение за освобождение Анголы – Партия труда (порт. Movimento Popular de Libertação de Angola — Partido doTrabalho, MPLA), ФНЛА (порт. Frente Nacional de Libertação de Angola,
FNLA) и УНИТА (порт. União Nacional para a Independência
Total de Angola, UNITA). Война началась в 1975 году, а завершилась
в 2002 году.
1. Виктор Заев – главный герой данного поэтического произве-
дения, вымышленный персонаж;
2. Луанда (порт. Luanda) – столица Анголы;
3. УНИТА – см. выше;
4. ЮАР – Южно-Африканская республика
5. Фидель Кастро – Фиде́ль Алеха́ндро Ка́стро Рус (исп. Fidel
Alejandro Castro Ruz; род. 13 августа1926; Биран, провинция Орьенте, Куба) – кубинский революционер, государственный, политический и партийный деятель, который являлся Председателем Совета министров и Председателем Государственного совета Кубы (президентом) в 1959 – 2008 и 1976 – 2008 годах.
6. Роберто Холден – Холден Альваро Робер-
то (порт. Holden Roberto; 12 января 1923, Мбанза-Кон-
го (тогдашнее название – Сан-Сальвадор-ду-Конго) –
2 августа 2007, Луанда), он же Жозе Жилмор (порт.José Gilmore)
– ангольский политик, основатель и многолетний лидер Национального фронта освобождения Анголы (ФНЛА). Активный участник войны за независимость и гражданской войны в Анголе. Консерватор, монархо-трайбалист, антикоммунист. В 1992 – 2007 годах– депутат парламента Анголы.
7. «…под Кифангондо в битве…» – это битва при Кифангондо,
которая произошла с 23 октября по 10 ноября 1975 г. в Анголе и стала первой совместной победой МПЛА и кубинцев.

8. «…полковник Каллэн» – настоящее имя Костас Ге-
оргиу (греч. Κώστας Γιώργιου, англ. Kostas Giorgiou; 1951 –
1976), он же «Полковник Каллэн», Colonel Callan – британский военный, капрал парашютно-десантного полка. Этнический грек-киприот. Наёмный участник гражданской войны в Анголе на стороне ФНЛА. Казнён по приговору суда в Луанде 10 июля 1976 года.
9. Савимби Жонаш – Жо́наш Малье́йру Сави́мби (порт. Jonas
Malheiro Savimbi; 3 августа 1934 – 22 февраля 2002) – ангольский политический и военный деятель, партизанский лидер, основатель повстанческого движения и политической партии УНИТА. Лидер УНИТА c 13 марта 1966 по 22 февраля 2002. Активный участник ангольской войны за независимость и гражданской войны. Кандидат в президенты Анголы на выборах 1992. Видный деятель Холодной
войны и мирового антикоммунистического движения.
10. «Нептуна день…» – Праздник Нептуна, иногда –
«День Нептуна». Водное представление. Берёт основы от тради-
ции моряков при пересечении экватора.

Translator - I. Toporov
Martin Narrod Apr 2014
12 Monkeys
17 Girls
127 Hours
2 Days in New York 2012
2 Days in Paris 2010
2001 A Space Odyssey
360
A Beautiful Mind
A Bridge Too Far
A Few Good Men
A Single Man
A Perfect Getaway
A Serbian Film
A Very Long Engagement
A.I.
Absolute Power
Adaptation
Airborne
Air Force One
Airplane 1
Airplane 2
Albert Nobbs
Alex Cross
Alpha Dog
American Beauty
American Gangster
Amorres Perros
Amour
Anchorman
Andy Warhol's Bad 1977
Andy Warhol's ******* 1964
Andy Warhol's Eat 1964
Animal Kingdom
Annie Hall
Anti-Christ
Apocalypse Now Redux
Apollo 13
Arachnophobia
Apt Pupil
Armageddon
Babel
Backdraft
Bad Company
Bad Education
Badlands 1973
Barton Fink
Basquiat
Before Night Falls
Being Flynn
Beneath Hill 60
Beyond the Black Rainbow
Billy Madison
Biutiful - Spanish
Blade 1
Blade 2
Blade 3
Blade Runner Final Cut
Blades of Glory
Blood Work
Blue Valentine
Breach
Broken Arrow
Born on the Fourth of July
Boyz in the Hood
Bullet
Bulworth
Brothers
Caddyshack 1 & 2
Career Opportunities
Carlos The Jackal The Movie
Carne by Gaspar Noe - French
Cashback
CB4
Charlie Wilson's War
Chelsea Girls 1966
Cherry
Chinatown
Ciao Manhattan ft. Edie Sedgewick 1972
Cinema Paradiso
City of God
Clear and Present Danger
Closely Watched Trains - Czech
Contact
Corpse Bride
Courage Under Fire
Crazy Stupid Love
Dark Shadows
Dave 1993
Daybreakers
Days of Heaven
Dazed and Confused
Dead Presidents
Defiance
Desperately Seeking Susan
Despicable Me
Detachment
Die Hard Quadrilogy
**** Tracy
***** Harry
Django Unchained
Dogtooth - Greek
Dogville
Doubt
Dracula, Bram Stoker's
Dragonheart
Dream House
Drive
Drop Zone
Dumbo
Dune Extended Edition
Ears Open, Eyeballs Click
Easier With Practice
Easy Rider 1969
Edward Scissorhands
Empire of the Sun
Encino Man
Enter the Void by Gaspar Noe
Eraser 1999
Eyes Wide Shut 1999
Face Off 1997
Fallen
Fantastic Mr. Fox
Fast Times at Ridgemont High
Fight Club
Fill the Void
Fish Tank
Fitzcarraldo
Five Minutes in Heaven
Flickan 2009 - Swedish
Flubber 1997
Folks!
Forbidden Planet 1956
Fracture
Friday 1995
Friday After Next 2002
Frost Nixon
******* Amal - Swedish
Full Metal Jacket
Funny Farm 1988
Funny Games
Fur- An Imaginary Portrait of Diane Arbus
G.I. Jane
G.I. Joe Retaliation
Gangs of New York
Gangster Squad
Garden State
Get Rich or Die Tryin'
Ghostbusters 1
Girlfriend
Girl, Interrupted
Glengarry Glen Ross
Gomorra - Italian
Great Expectations 1998
Greenberg
Grindhouse Death Proof
Grindhouse Planet Terror
Groundhog Day 1993
Grumpy Old Men
Grumpier Old Men
Gummo
Gus Van Sant's Last Days
Half Nelson
Hannibal
Havoc
Haywire
Heartbreak Ridge
Heat
Hell on the Pacific 1986
Hesher
Hitchcock
Holy Rollers
Hook
Honey I Shrunk the Kids
Hyde Park on Hudson
I Am Curious Blue
I Am Curious Yellow
I Heart Huckabees
I Stand Alone by Gaspar Noe - French
If Looks Could **** 1991
I'm Not There
In Bruges
In The Line of Fire
Inglorious Basterds
Inland Empire
Innerspace 1987
Innocence
Interview With the Vampire
Jacob's Ladder
James Bond - Diamonds Are Forever 1971
James Bond - From Russia With Love 1963
James Bond - Goldfinger 1964
James Bond - Never Say Never Again 1983
James Bond - On Her Majesty's Secret Service 1969
James Bond - Thunderball 1965
James Bon - You Only Live Twice 1967
Jane Eyre
Jeremiah Johnson 1972
JFK
Joe Versus the Volcano
Johnny English 2
Julien Donkey-Boy
Juno
Just Cause
Kapringen aka A Hijacking - Icelandic
Ken Park
Killing Season
Killing Them Softly
Kindergarten Cop
Kingpin
Koyaanisqatsi
Krippendorf's Tribe
Kiss the Girls
La Vie En Rose
Last Night
Last of the Dogmen
Leon: The Professional
Leonard Pt. 6
Les Miserables
Lie With Me
Life of Pi
Lincoln
Lions For Lambs
Little Children
Lord of the Rings Trilogy BR Extended
Lord of War
Lost Highway
Love and Other Drugs
Love in the Time of Cholera
Love Liza
Lovers of the Arctic Circle
Mad Max 1979
Mad Max 2 1981
Mad Max 3 1985
Major Payne
Malcolm X
Man on Fire
Manhunter
Maverick 1994
Meet Joe Black
Melancholia
Menace II Society DIrector's Cut 1993
Mesrine 1 Killer Instinct - French
Mesrine 2 Public Enemy - French
Milk
Minority Report
Mission Impossible Ghost Protocol
Mister Lonely
Money Train
Moonrise Kingdom
Moulin Rouge
Mr. and Mrs. Smith
****** By Numbers
Munich
My Sassy Girl 2008
Naqoyqatsi Life As War
National Lampoon's Christmas Vacation
National Treasure Book of Secrets
Never Cry Wolf
Never Let Me Go
New Jack City
New York I Love You
Night on Earth 1991 - Italian
Nixon
Not Fade Away
Notes on a Scandal
O Brother, Where Art Thou
October Sky
Olympus Has Fallen
Ondskan - Swedish
One False Move
Out of Africa
Outbreak
Palmetto
Paris Texas Criterion 1984
Passenger 57
Paths of Glory 1957
Perfect Sense
Peter Pan
Philadelphia 1993
Pinocchio
Pirate Radio
Platoon 1986
Pleasantville
*******
Project X 1987
Proof
Quiz Show
Rabbits
Revolver
Robocop Trilogy
Robot and Frank
Rolling Stone's Gimme Shelter
Romance and Cigarettes
Romeo and Juliet 1996
Sahara
Saving Private Ryan
Schindler's List
Searching For Bobby Fischer
Secretary, The
Seven Years in Tibet
Sgt. Bilko
Shame 2011
Shine
Shooter
Shopgirl
Sid and Nancy
Sin City
Sky Captain and The World of Tomorrow
Skyfall
Slackers
Sleepers
Sleeping Beauty 1959
Sleeping Beauty 2011
Sleepy Hollow
Snow White and the Seven Dwarfs
Somewhere
South Central
Sphere
Spread
Spy Game
Stand Up Guys
Stay
Summer Hours - French
Sweeney Todd - The Demon Barber of Fleet Street
Synecdoche, NY
Syriana
Talk To Her - Habla Con Ella
Taken 1 & 2
Takers
****
Taxidermia
Tetro
Thank You For Smoking
That Thing You Do!
The Adjustment Bureau
The Age of Innocence by Martin Scorcese 1993
The Bad Lieutenant - Port of Call New Orleans 2009
The Basketball Diaries
The Beach 2000
The Believer
The Beverly Hillbillies
The Black Dahlia
The Blue Lagoon 1980
The Book of Eli
The Boxer
The Constant Gardner
The Conversation
The Curious Case of Benjamin Button
The Darjeeling Limited
The Dark Knight
The Dark Knight Rises
The Day of the Jackal
The Diving Bell and the Butterfly
The Fifth Element
The Flock
The Flowers of War
The Fountain
The Getaway
The Girl With the Dragon Tattoo 2011
The Golden Compass
The Good Shepherd
The Good The Bad and The Ugly
The Goonies
The Green Mile
The Grey
The Help
The Hudsucker Proxy
The Hurricane
The Hurt Locker
The Ice Storm
The Ides of March
The Illusionist
The Imaginarium of Doctor Parnassus
The Impossible
The Informers
The Invasion
The Iron Lady
The Island of Dr. Moreau
The Jackal
The ****
The Killer Inside Me
The Kingdom
The Legend of Bagger Vance
The Lost Boys
The Lost Boys The Tribe
The Lost Boys Thirst
The Machinist
The Mask
The Man Who Fell to Earth 1976
The Master
The Mechanic
The Money Pit
The Naked Gun 1
The Naked Gun 2
The Naked Gun 3
The New World
The Pelican Brief
The Place Beyond the Pines
The Prestige
The Queen
The Raven
The Reader
The Red Balloon
The Right Stuff
The Road
The Rock
The Rocketeer
The Rules of Attraction
The *** Diary
The Saint
The Shawshank Redemption
The Silence of the Lambs
The Skin I Live In - Mexican
The Soloist
The Talented Mr. Ripley
The Thin Red Line
The Town
Transformers Trilogy
The Tree of Life
Tron Legacy 2010
The United States of Leland
The Usual Suspects
The Way Back
There Will Be Blood
There's Something About Mary
Three Days of the Condor
Three Kings
Tinker Tailor Soldier Spy
To the Wonder
To Rome With Love

Tombstone
Total Recall 1990
Trainspotting
Trash Humpers
True Lies
Two Lovers
Two Weeks in September(Brigette Bardot) 1967
Tyrannosaur
Unbreakable
Uncle Buck
Unforgiven
Unleashed
Unstoppable
V for Vendetta
Varsity Blues
Vertigo
Vicky Christina Barcelona
Videodrome
Virtuosity
Wag the Dog
Wake Up Ron Burgundy The Lost Movie
Walkabout
Wall Street 1987
Wall Street 2010
Wanderlust
Water World
Wayne's World 1 & 2
We Are The Night
War Witch
We Need to Talk About Kevin
Weekend by Jean-Luc Godard - French
Weekend 2011
West of Memphis
What Doesn't **** You
What's Eating Gilbert Grape
When Harry Met Sally
Where the Wild Things Are
White House Down
White Material Criterion 2009
White Oleander
Who is Harry Nilsson?
Wolf 1992
Womb
You Will Meet a Tall Dark Stranger
Zardoz 1974


Documentaries & Music Videos


BBC - Life in Cold Blood
BBC - Planet Earth
BBC - Rolling Stones Crossfire Hurricane
BBC - Great Bear Steakout
BBC - Ice Age Giants
BBC - Insect Worlds
BBC - Life on Earth 1979
BBC - Lost Cities of the Ancients
BBC - Operation Snow Tiger
BBC - Penguins: Spy in the Huddle
BBC - Polar Bear: Spy on the Ice
BBC - Richard Hammond's Miracles of Nature
BBC - The Life of Birds
BBC - Wonders of Life
David Blaine Collection
**** Proenke Collection - Alone and Solitude, The Frozen North
Encounters at the End of the World 2007
Nanook of the North
National Geographic Wild Kingdom of the Oceans Giants of the Deep: Whales
Shine A Light - The Rolling Stones
Vladimir Horowitz - Der Ietzte Romantiker
Vladimir Horowitz - Live in Vienna 1987
Vladimir Horowitz - The 1968 TV Concert
Whale Adventure with Nigel Marvin
4 | 31 Poems for August 2017

Stories about how the girl I was crushing on crushed my feelings.
Stories about how I dug my own grave right after the masquerade.
Are diamonds still forever if whoever you pictured spending your eternity with isn’t the one you’re committed to?
Before she puts the blame on me just let her know that I was committed too.
Detachment is something she was always good at and I still do not know why she let me go.
My poetry was never meant to be this revealing – I’m gradually letting go of all my past demons.
I was wrong when I thought I’d always be supported by the people I believe in.
I should just call it quits and stop seeing the good in people – it drives me crazy having this much of a loving heart.
Are diamonds still forever if whoever you pictured spending your eternity with isn’t the one you’re committed to?
We should’ve done this a long time ago – we should’ve stopped wasting our relationship on building a relationship.
Detachment has become the only way to cope, I’m hanging by a thread and I hope no one cuts the rope.
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Sal Gelles Oct 2014
MOMMY DEAREST*
sadly,
you killed everyone in your head
including the loving person i knew,
growing up with a best friend
that ended up being my mother,
and the past twelve years i watched
as you died and the heartbreak
you caused all who loved you
and by denying the help they gave you
by denying the help you needed
to accept reality the way *we
have to,
and so as you've killed us all
and isolated yourself to the point
that i'd had to write your eulogy,
for you couldn't accept your life's detachment
from everyone, ties you severed yourself,
and that me being the only one left
left me with no choice
but to bury you six feet deeper
than the demons i created on my own
because I can't take care of yours too
in the fifth circle of hell
after I've escaped purgatory senses
and discovered my freedom's as a man.
I hope they can forgive you and you can get your wings.
I'll cry harder this year watching It's A Wonderful Life alone when that bell rings.
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Nylee May 2017
Build a detachment
over all things
that will hurt .
All the loved
cherished beautiful dreams ,
precious treasured possessions ,
long loved relationships .
all these things
can succeed in
breaking the heart
worst  way  possible
I thought we were so similar but now I see the difference
You want peace and friendship
While I want nothing
You constantly make attempts
To rebuild a scrap of friendship from the fragile bond I set a flame
To re kindle a candle but hide it from inferno
To delete the awkwardness and hit undo to before
But I don't care
And that's what scares me
I thought I almost loved you
But like that I'm ready to go
I want to move on
To hop in a car and drive away from the dust that's choking me
Despite our bond the fire is done and I don't need to clean the ashes because the bond was severed and the scraps of love burned too.

I thought we could be sisters
The others called you that
To me you were still a friend
But perhaps you were more than that
But with your double edged sword you stabbed our strings
And cut out our hearts
The others will still talk to you
Worry and cry
Still save you from danger
Because you are thise sister
But to me you are gone
An empty shell
And any love I felt dissipated into the air
To see you killed and walk away
Would no longer phase me
All I think of you is hate
No r eminence of emotion

I thought you were a friend
We were never sisters
But you were always there for me
Someone to talk to about the light things
I couldnt discuss the pain but at least your voice could lift my hidden sorrow
But then I was ripped away
Pulled from you and my sisters
But somehow I forgot
To miss you too much
I lived my life
Forgot to call
Simply acted as though
You didn't exist at all
What ever love I felt for you
I learned to live without
And simply forgot
About the emotion I used to feel
When our times were more real.
Each verse is about a different time and a different person by the way.
Jon A Fernandes Aug 2014
Why,
When words calmly manifest the intimacy,
Our hearts render them asunder.
In just a sliver of time.

How,
When surrounded by souls dimly lit,
Do I feel as a death moth fluttering near a lamp.
Ceaselessly eternal.

What,
Can my lips say when my heart is burnt by fire.
What words?
When all are mean.

Where,
Are the seconds of every day gone?
Swallowed;
Except in frivolous pursuit or meaningless drudgery

When,
Could I raise my arms up without fear of falling,
Or be swept by Lethe.
this swirling roaring wind that blows homeward from the sea
                                         saltiness with eucalyptus blending in twisting my fear
                                                the knots in my chest and stomach entangling
                                                      ­deadly mocktail of emotions surging
                                                         ­ with every  howling whoosh  
                                                        ­        a new green life falls breaking
                                                        ­                      life prematurely ending
                                                          ­                       storm violently shaking
                                                         ­                           every limb of every tree
                                                            ­            an attempt to blow anxiety
                                                         ­               into each living breath
                                                          ­                       a drenched vision
                                                          ­                           of a couple of crows
                                                           ­                        seemingly meditating
                                                      ­                      in the midst of the tempest
                                                         ­            holding their own  
                                                           ­                     in the eye
                                                             ­                   of the storm
                                                           ­                       they find
                                                            ­                         Peace

- Vijayalakshmi Harish
   01.11.2012

Copyright © Vijayalakshmi Harish
my city Chennai experienced the effect of Cyclone Nilam which hit the south-east coast of India yesterday. No major damage done in the city though. 1 person has been reported dead and 5 missing at sea. My prayers go out to them , and to those affected by Sandy as well.
Prathipa Nair May 2016
Searching for something
Staying away from interminable pleasure
Searching for something
Helping me from being an elegiac
Searching for something
Staying away from unavoidable relations
Searching for something
Helping me from being an egoistic
Searching for something
Staying away from everything
For making me a peaceful soul
Attained my destination
By preaching Detachment!
Lyra Brown Apr 2013
i remember the time
i told you all of my secrets  that one night
you drove me home

"please don't hate me"
i kept repeating
you looked at me all wide eyed as if
that thought had never crossed your mind

your innocence
should have
rubbed off on me

i still wish there could have been something different
i had said or done
that would have made you
stay

you made me feel accepted that night
but it was short lived
as all good things are

my heart was too malleable
for you
i will always envy your
penchant for detachment
Mateuš Conrad Jan 2016
the torso of stars of the constellation of scorpio is dying, it's weakening; the venomous scorpion tail still shines brightly, and the pliers are bright enough to see even with immediate light pollution: but no street lamp shines brighter than the stars, even the the distance disparity, and indeed if the last constellation of the zodiac becomes dim, i'll begin to worry.

i was given three christmas presents this year,
the third i can't immediately remember
but the first two i can:
two houses side by side,
one had twelve black bin bags and one orange
recycling bag for collection -
the other had a skip in its driveway
with a sign in the skip:
PLEASE TAKE YOUR DOG ****
FROM MY SKIP AND NEVER DUMP
IT HERE AGAIN!
ah... the third present, it's january
and i'm walking without gloves,
in converse, with a short sleeve shirt
and a hoodie and nothing else:
newspaper "dialectics" section writers
say northern england floods of recently
are not due to global warming...
i wonder how much this writer gets paid
to say the floods were caused by orangutan farts,
or the dairy factories of ukrainian methane punch
politics; i really do wonder...
i guess newtonian physics' principles
died with einstein's theories
stuck in the deep end of einstein's parabolas
of solid objects dipped into: speed of light
indeed, it gains momentum because it travels
via parabolas rather than straight lines,
hence the parabolic acceleration: up-down
up-down trigonometry linear functions of
either sine or cosine... the third trigonometric
allowance i cannot explain but it doesn't really
matter when it comes to what i'm trying to say:
relativity of immersion as a sinking into:
time relative to space means it equates at some point,
either death as a point of departure
or life as a point of constant engagement -
and as for those who say the theory is too difficult
and your interpretation of a theory in a different
medium is stupid... well... do the mathematics,
my mathematical + and = are equivalent to adjectives
and verbs (e.g.).
no, what really bothers me with this problem
of the global warming debate is the synchronised
activation of denial with doubt missing,
if it can't be doubted (cause & effect), and if
nothing is to be done about it... the only solution
is to deny it: block a punch... get a tsunami back.
it's bothersome on two levels...
english as the language of globalisation (
not exactly the old lingua franca), but rather
the encircling language, the language of constraints,
lingua amplexa / lingua stasus quo, hardly a language
of trade, a language of monotone -chromatic politics...
is very prone to bombastic expressions:
it has not philosophical narrative in the sense
of a book of philosophy - it merely ushers in
a maxim to stop any philosophical narration or dialogue.
on another level though, it's immersion in darwinism,
educational darwinism of post-colonialism is horrid,
if all that scientific positivism was the zenith of science
between the 18th and 19th centuries, the nadir
came with darwinism... because with science being
tricked to encapsulated popular imagination
the greater proportion of the populace had the easiest
of accesses to a scientific theory (aristotle kept in
the **** in the dark all this time), an with a popularised
imagining of darwinism hell broke free in the 20th
century... indeed darwinism killed off scientific positivism,
and by doing so... all noble and human ideals died
with it... came the mechanisation of society,
the death of the rural life, a detachment from nature
as man took to live above nature rather than parallel with it;
and the new zenith that's the zeitgeist of today?
humanistic negativism, humanistic negativism...
the death of the novel, the death of an interest in
philosophy in the english speaking world...
take as you like...
but when you're a sensitive drinker as i am,
and you watch the 2014 film *i origins
and don't cry...
well... then i guess anaesthetics won't work
when your heart can't feel the calm good apathy
with your many stage frights concerning your
next ingenious plot-line over a little hurt or a little
scare... not courageous enough to hurt the one
that hurt you, but simply passing the hurt onto
a stranger.

p.s. YOU RENTED THE ******* SKIP!
       AND DOG **** IS NOT REALLY ASBESTOS!
Derrick Feinman Feb 2015
It is not your fight
You're a mere mercenary
In someone else's
Nigel Morgan Oct 2012
It was a cold night for a concert. There was frost on the windscreen as we got into the car for the short drive to this city church. We drove because we were going to be late, and it was cold, and would be likely to be colder still when the concert was over. I had wondered if part one would be enough. Could Bach and Rameau be enough? Might the musical appetite cope with Mozart and Beethoven too? Were we about to sit down to a large meal, possibly in the wrong order. Can the cheese course be a transcendental experience I wondered? Bach to begin certainly, a substantial starter with one of the mid period keyboard toccatas and two ‘distant’ preludes and fugues, but then a keyboard suite by Rameau?
 
When I listen to Beethoven though I want to hear a work on its own, unencumbered round about with other musics.  A recent experience of several hours driving to hear a single Beethoven symphony has remained close and vivid, and an experience that brought me close to tears. So I imagine that I might only hear Op.110 to make that opening sequence of chords so ominously special. The introduction seems to come from nowhere and does not connect with musical past, except perhaps the composer’s own past. It is as though the pianist puts on a pair of gloves imbued with the spirit of the composer, and these chords appear . . . and what is there that might possibly prepare the listener for the journey that pianist and listener embark upon?  Certainly not the soufflé of Mozart’s K.332.
 
The audience is hardly a smattering of coats, hats and grey hair. There is another piano recital in town tonight and this is but the artist’s preview of a forthcoming concert at a major venue. Our pianist is equipping herself for a prestigious engagement and sensibly recognizes the need to test out the way the programme flows in front of an audience, and in a provincial church where she is not entirely unknown. I admire this resolve and wonder a little at the long-term planning which makes this possible and viable.
 
Now a figure in black walks out from the shadows to stand by her piano. Coming from stage right she places left her hand firmly on the mirror-black case above the keyboard. She looks at her audience briefly, and makes a bow, almost a curtsey, an obeisance to her audience and possibly to those distant spirits who guard the music she is to play. We will not see her face again until the next time she will stand at the piano to acknowledge our applause after the Bach she is about to play. Her slightly more than shoulder-length hair is cut to flow forward as she holds herself to play; her face is often hidden from us, her expression curiously blank. Perhaps she has prepared herself to enter a deep state of concentration that admits no recognition of those sitting just in front of her. Her dress is long and black with a few sparking threads to catch the careful lighting. Without these occasional glimmers her ****** movement would be unnoticeable. As it is the way the light is caught is subtle and quietly playful, though not enough to distract, only remind us that though in black she is wearing the kind of starry sky such as you might perceive in crepuscular time.
 
Thus, we already sense so much before she has played a note there is a firm slightly dogged confidence and reverence here in her approach to instrument and audience. And in the opening bars of the Bach toccata that is manifest; and not just a confidence born out of some strategy against nervousness, but a ritual of welcoming to this music that now spills out into the partially darkened church. The sonorousness and balance of the piano’s tone surprises. It is not a fine piano, but it has qualities that she seems to understand. There is a degree of attentive listening to herself that enables her to control dynamics and act resolutely on the structure of the music. When the slow section of this four-part toccata appears there is a studied gentleness and restraint that belies any ****** led gesture or manner. Her stance and deliberation at the keyboard remain determined and in control, unaltered by the music’s message. She does not pull her body backwards as seems the custom with so many who feel they have to show us they are stroking and coaxing such gentleness and restraint out of the keyboard.
 
As the final fugato of the toccata flows at almost twice the speed I’ve ever heard it, my concentration begins to disengage. It is too fast for me to follow the voices, I miss the entries, and the smudged resonance of the texture hides those details I have grown over so many years to know and love. This is Glen Gould on speed, not the toccata that resides in my musical memory. I am aware of missing so much and my attention floats away into the sound of it all. It seems to be all sound and not the play of music.
 
In this stage of disengagement I sense the tense quality of her right leg pedalling with the tip of a reddish shoe just visible, deft, tiny flicks of movement. She turns her face away from the keyboard frequently, looking away from the keyboard through the choir to the high altar; and for a moment we see her upturned face, a blank face, possibly with little or no make up, no jewellery. A plain young woman, mid to late thirties perhaps, and not a face marked by children or a busy teaching life, but a face focused on knowing this music to a point at which there is almost a detachment, where it becomes independent of her control, flowing momentarily beyond herself.
 
Then she reins the toccata in, reoccupies it; she is seeking closure for herself and for her audience whose attention for a short while has been, as the Quakers say, gathered. Gathered into a degree of silence, when breathing and the body’s sense and presence of itself disappear, momentarily, and musical listening moves from a clock time to a virtual time. There is a slowing down, an opening out, even though in reality’s metronomic time-field there is none.
 
There is a hesitation. With more Bach to follow, should we applaud? With relief after holding the flight of time’s arrow in our consciousness, just for those concluding minutes and seconds we acknowledge and applaud - the beginning of the concert.
Mateuš Conrad Nov 2016
could you ever, with your ears, express a piece of music, as: fluffy? dark soho's piece is fluffy; and by god i was the pretentious one at the beginning of the 20th century critical of the emerging music... but i'm the one merging at the beginning of the 21st century: and it's a T.S. Elliot scenario: the overload of rhythm: industrial core due to the industry being foetal sieg heil! and so many have fallen for the nostalgia trap... it's not coming back: against the thump thump gyroid reproductive muscular we emerge from... for whatever lack of drums in the orchestra: we're paying for it with an excess of techno techno Bob the goldfish cardboard box dance sequence... or as some would suggest: filling in the gap about the joke concerning a triangle being a part of the orchestra and the person educated in it, rather than the harp.

ah, the blank, and i have to work on it: let's imagine i was just
cooking a pork stew for my father and you don't
bother to ask why someone's surname is written
Raßer - and you don't know how
to pronounce it: and you end
up with razors - which you end up saying
racer - or how about sharpening
the s into a zed - how's that?
this is surgical activity while you you're
at at the butchers: necromancy aplemty:
when god speaks, the devil whispers -
American divergence of the pronoun
y'all / you all -
                           we the safeguard
and they the paranoia -
                                    take it slow,
imagine yourself living in Alaska:
you're exposed to the elements
and Prometheus isn't handy:
  all you have is west London drool
that later translates into easter in London,
Ld: isn't even an postal code:
given Greenwich, bellybutton on the world
they're bound to abuse / feel special
                 about, it's just a John Bishop
          Scouser type of beating.
                  ya - i say i aye, you frostbite of
culture, ya yarn ball of ****!
    oh 'ere we go: the red-coats are hunting
foxes: sort of scenario -
   the sooner they ******* a killing
the better for me: 'ave that one with a grizzly:
             some say the longer the yawn
the greater the applause -
      yo! Yogi! turntable of Las Vegas
says you better gamble on hibernating in the
effing Hermitage!
  - we say a lot of y'all when we imply the
plural, don't we? terrible, ****** thuggish
'n' all, to say it.
   i have five pages worth of notes,
and even though i'm drunk,
i came across a foundation, i'll never be ask happy
at i am right now,
   i signed a copy of my book (look! i don't
have a publicist, i don't have the ******* swagger,
i have the inferno that says:
  when the writing dries up, get a proper job;
if the writing doesn't dry up?
             you're less than necessary than a
supermarket shelf-stacker...
                 there are succumbing reasons that
explain the affair later) -
      no i'm about to sell my first copy -
  i say to her: when you working this circuit next?
Friday night? i'll tell you how much i'm selling
for, well: i'll never be this happy: ever -
it really doesn't matter how much for how little:
   i'm not exactly a family animal: farmed -
i'm political: through and through -
   by the time i finish this whiskey i'll be
demanding something new...
    i don't think your able limbs do idle chores:
i just think admire that they do them
and hardly complain: i blame it on the workers'
encouraged banter - and that's called solidarity.
still, right now, it's all about
dark soho's: dark moon in stonehenge -
       or why you never take l.s.d.
   question arises with Bach...
and polyphony - again, non-linear polymers:
   back when the Germans were at it
music sliced through the air
                   - or the modernity of lost
string (quartets) and woodwinds -
          only the thing plucked rather than in slicing
stroked kept from the strings:
    it was truly a devolution via brass -
   you can have the iron age,
but this is the brass age -
                   and subsequently the evolution
or filling the void of orchestral percussion,
which began with jazz: how orchestra was stripped
of woodwinds and strings and elevated
the humble triangle and enforced drums
and the rhythmic transcendence of limb and heart
and less ear and mind -
           oh the spontaneity thus involved:
forever the enigma of the composer's ability
to say much more than *A
, when saying in A# -
oh hell: music used to be the Mongolian horde
of all things imaginable,
                  the screams, all the entrenching
embodiment of battle: soothed -
  but in our apathetic guises: music is a variant
of the once exfoliated, thus hushed:
music is expressing a war in waiting - or a war
that's not to be - once music music ascribed
wind and tornado toward its elemental composition -
these days there is less wind, and more earthquake:
we are exposed to a trembling -
           an overt percussion methodology:
that's not fire and the storyteller / poet by
the lonesome huddling of nomads by the fire
with oud and recitation of the to come Quran:
we are experiencing a complete reversal of wind:
here we have dark soho's tectonic cardiovascular:
over stating the percussion until the eventual
obliteration of breath, and subsequently
the flatline of the heart's rhythm: to reach the zenith
of a flatline: beehive musicology.
         it's all earth: and the quaking
rather than a waking into.
                  sure: to the alien ear outside the populace
of those that listen to that kind of "****":
but let me assure you:" you can intellectualise
anything beyond the guilty pleasure:
or else - care to disclose your opinions about doggy?
once we were slicing and ******* -
these days? we're hammering, Soviet committee
said: hammer hammer hammer...
            gravitational drilling against the Catholic
lessons of worldly-detachment akin to a Gagarin:
and all the world's problems morphed into
an image of moving away from earth...
    far far away...       well: we're grounded, like it
or not.
              i love that: y'all -
                          it's as if we all need to agree, ~.
and what better way to actually open a poem up
if not to say how prose is a miser and poetry
the mad spender, or compose: he had / another thought
he wished to take / but...
           originally
                    he had
                  another thought he wished to take
                 but...
saving an Amazonian tree, suggesting that: one by one.
i'll sell my first copy on Friday,
i just need to know how much money was put
into printing it -
   and it will be the happiest i'll ever be -
who cares that it's only 1... if i were selling
100,000 copies i'd be thinking of buying a Mercedes
to do away with the capital...
      oh right, the poem (six pages of notes):
the question, what does it all mean?
       i'm thankful that the all means very little,
or at least enough for physicists to take a bother
in answering:
               i'm just thankful to say that at least
bites / bytes / isolated units have more meaning
than the whole... i.e.?
do i care what the universe means, more so
than i known what the word darkened means?
                 pause for thought -
the well established organic search engine that memory
is: and never will be: an algorithm (engine) -
           still the organic variation of accessing it
reveals Rodin's statues -
                        post-Rodin (Rho-dan: ****** iota!
why so naked in the first place?!) -
            the point where it's not so much enigmatic that
you wish to replicate: but entomb, and mould
a statue worthy of the perpetuated cut-short
and mediating the idea that thought has also
the faculty of imagining and memorisation
that hardly translate into being via ergo...
       if that's the case: you're demented via the
ergo of memory... and deluded via the ergo of
imagining -
                      or Frankenstein / Disney respectively:
but never the extinguished cogito, somehow,
oddly enough:
                          and by the way - no one is going
to question my opinions because dialectics was
giving the hemlocks... my opinions
will only become passed around like Bulgarian
Versace copyright thefts, or because they
were never ideas: attachment .pdf
                   will never entertain someone else's thought,
or because they were originally always opinions
will be consecrated on the attachments of .jpeg:
ever wonder why the crucifix always
mobilises so much emotional foundation to
react and protect a torture-filled instrument
worthy of worship? me neither.
                but that's the whole beginning:
we ensured our memory is eroded by an easily
accessed algorithm - we prefer the goggles to
mensa -
                   and if i were a technophobe: e ah e ah oh...
McDonald would turn out to be McTrump:
'cos' i wouldn't be using it.
              then how to synchronise the senses:
you surely can't leave one the prime consumer of
all the things around you:
     i guess that as stated: you can't live out a life
whereby one is polarised, and the others recessively
make your thinking into potato -
   then again: not polarising one of your senses
will leave you thinking that old fantasy that
you live in a hologram "reality": which i mean by saying:
if one of your pentagram limbs isn't polarised
like a blind person, your thought will claim a sixth
sense status - and subsequently you'll experience
either a second chance of allowing one of your senses
to be stressed / polarised, or all your senses will become
overpowering your non-sense: that's thought into submitting
to a polarity / vector: kindred of
the manual worker feeling his trade take
perfect replication -
a composer polarised by "hearing" -
a painter polarised by "seeing" -
a poet polarised by "speaking" -
a chef polarised by "tasting" -
   a perfumer polarised by "scenting" -
and within the sixth sense extension:
a politician polarised by "thinking" -
  the first antonym suggestion comes within the latter's
parameter: mobilising or puppeteering:
would i care to find variations for the latter? no.

     interlude... opening of page 3 of notes on a windowsill...

and how often is soul ascribed a sensual dimension?
i guess as many a time thought isn't ascribed one:
necessarily made into nonsense.
soul? what do i mean by that? the part of you
that isn't indestructible, but, rather,
the part of you that feels that ease: the uninhibited
correlation (verbiage necessary, darling,
if you want the gist of it) -
when at ease you're not really ascribing to yourself
thinking, but a narrative -
  hence your notion of being indestructible,
or young.
      when thinking is easy we're not actually thinking,
we're narrating, hence the majority of us
are clogs in the machine, and once the machine works
we're upbeat about it, because we prefer to narrate
ourselves into life than think ourselves into it:
primarily because (even i included):
we lack a public addressal attache to make
vague concerns over our: inhibitions -
we are entrusted with inhibitory encrusting
for the sole purpose (we should be afraid of
suggesting): let's see who falls off the ferris wheel
first and we can entrust our congeniality toward
the joke: thank **** it wasn't me, later...
          but still:
if were were really intended to think
rather than narrate we'd be given global warming
solutions everyday...
   there's nothing in us that suggests an 'ought',
a moral choice to later say: thought
                      that could fish-hook us out of
kissing the narrative goodbye -
  narration is an undisturbed faking of thought -
as such the 'ought' is never thought of:
because there's a narrative going on
that's more important than anything requiring
even the most basest obligation.
       we are never obliged to be, because we are
never obliged to think: it's strange how the
two are anti-synonymous due to the ergo disparity:
as if one produces the other, or the former
the latter.
              thinking you're good never precipitates
into being good - and vice versa:
   for all i know i know fake rather than falsifiable
saintliness: the power of the scientific
  suggests that i should be Baron von Scorn
when it comes to the ignorance of testifying
         against people who abhor science
and reproduce, nonetheless, with failure to
transcend deformities: because deformities are
glorified and all forms of ability demonised:
so it looks quasi-Vatican-e.
                   preface to a Michelin star:
start with a ******: work your way down:
enjoy your meal, bygones-be-bygones:
you very happy people.
                  but i never understood why
the idea of thought has never the opinionated phrase:
me, exponentially, to no book's avail!
        p.s. as to be ever written!
    thought conscripts man to rubrics -
for example? examinational candélabre -
  some call it i.q., other's call it: for god's sake man,
****** shoot! shoot!
                        and the flying toes and digits:
thumbs away: booh booh Blitz.
                        first thought: that Jersey song:
fifth of November - that Fawkes ****
who almost.... n'ah.
                            in case you're narrative:
thought has its narrative: it's transcendental -
phenomenology comes into play with
narratives and Lady Gaga and how you're an
"individual": thought is acquired trying to transcend
atomic electron orbits that says: electron clouds -
or it's there, but it isn't there, but it's not there,
but it's there: huh?
                         narration conscripted to the rubric
of school exams at school: palpitations, sweat,
nerves... in this scenario thinking is actually
regurgitation -
                          actually we're still doing the Elvis
Costello hope: while narrating we pass from
these shackles of having to think lessons through
when in fact: we're gearing to having no need
in having to learn them primordially, period!

the paranoiac "they" are eroding our protective
membrane -
    they begin with memory -
         it's not that we care to remember certain things,
but by educating us in the Pythagorean theorem
they're not necessarily dressing us in bow ties either -
they need to implant an abstract educational
thought to replace our natural assimilation into
a narrative that we ourselves have created -
       they need to create erosion within our
memory to stop us coagulating our sense of memory
within a framework of us imagining backwards
rather than forwards:
      the cinema of the mind means memory utilises
imagination to do cartwheels backwards
rather than forwards: because forwards is always
a Disney pharmacology of the neon hyper colouring.

or how they made us escape the "Alcatraz"
of the couch of cognitive narration into an
iron maiden of thinking -
                    in this realm narrating is disparaging
from thinking: narrative is a comfort zone:
thinking is a discomfort zone -
                       but neither me nor you will
become a Newton in terms of narrating the ideas:
so why the hell would they want us to think?!
       concerning Heidegger:
the problem is not that we're not thinking -
the solution is that we're narrating and have
no urge to write books, and thank god for that!
               or man, as the pentagram of the senses,
reversed into thought as the sixth sense calamity
and reversed back as that sense missing
and the tetra exemplified...
         when learning what is the weakest point,
the audio or the optic-receptive stimulation?
                         i mean, the senses over accuse
thought's complexity as if it were a sense akin
to them, hence the suggestion nonsense;
well of course, thought is actually non-sensory -
     i just suggested that when thinking
i'm not polarising any of the penta -
         i'm suggesting that when thinking i'm
invoking the tetra - as if blind or deaf -
but that means i'm deviating from the superstition
that a sixth correlative mediatory balance exists
between the two dichotomies -
                            the senses will always treat
obscure thinking as if obscure narratives:
even though i know how much a price of bread
costs in the 21st century -
                              what i'm saying is that
the nonsense assertion is also true for the other:
not having had the chance to polarise one
of its senses to point toward the artefact use of
wh
NitaAnn Aug 2014
I have been doing a lot of work with my feelings lately.  I have avoided them for most of my life because, well the bad ones outweigh the good ones.  

The rest of them were f@#ked or beaten out of me.

I have always believed that my feelings only led to trouble and pain.  A simple feeling stated as a child sent me tumbling down a rabbit hole of horrific pain.  An innocent smile was interpreted to be nothing but filthy desire.  A frown was nothing but blatant rebellion that had to be dealt with.

My thinking is extremely black and white.  Good or bad.  Right or wrong.  But what I'm learning is that feelings don't fall easily into any of those categories.  The classifications that I have used to reason my life into some semblance of order do not work for feelings.

So walking in this grey area is very difficult for me.  I cannot make much sense of what I allow myself to feel and if I do, I get stuck.  The detachment I have felt to my memories is slowly being bridged by the missing feelings.  And that is terrifying.

I have always been able to share, matter of factly, the details I have chosen to disclose.  And I'm very afraid that those details were the easy ones; the ones I could disconnect from and push the feelings onto someone else.

Remember those rabbit holes?  When I find the feelings associated with that pain it's like falling down that hole bound, gagged, and blindfolded.  My logic was my only means of control and I've lost it amongst the feelings.  The only way to climb out of that hole?  

Literally feel my way out.
Cné Jun 2017
There's a key
      that unlocks rainbows
             that I keep within my heart.
It's a little "catch"
      within my chest
             where melancholy begins to start.
It unlocks walls,
      emotions hide behind
              (for my protection).
And it cracks the shell
      surrounding me,
              to give my soul direction.
Without this key,
      I'll always be
              a fire detachment smothers...
An empty vessel,
      self-absorbed...
              bereft of love for others.
But with it...
      ah...then life becomes
              a carousel of feelings.
A roller coaster
      ride of love
             with ups and downs revealing....
all the colors of the rainbow
       all the tastes,
                the sounds, the rhythms..
all the warmth of sacred lovers
       and the heartbeat
               that's within them.
And the key is dual
        in purpose
               with it's compass so unerring;
Guiding to my soul-mates
       with a lifetime
               that's worth sharing.
So, when I've found my heart's desire
       THEN
               I'll set the rainbow free.
Unlock the words
      within my heart
               and throw away the key.
Gabrielle Casey Sep 2015
Ive always felt weird,
that I so easily detach myself
from the the company of others.
But now I know
I have been loved,
then forgotten and hurt,
to many times
for me to care about you
after you leave now.
Amastea Jan 2013
detach me
cut my skin loose
from your enormous love
that i imagined

detach me
from my greatest memory of
how you ate my heart
with silver spoon
Ian Cairns Feb 2014
To finish anything in entirety requires a full circle- and goodbye is a picky eater. Good is the pieces of pie fully enjoyed already- don't forget the fingertips good. The ones licked crisp and clean from the plasticware every time. While bye remains the uneaten slices spoiling silence in the kitchen. Crumbs too stubborn to move along, to move anywhere at all. Notice these slices never once greeted each other on a dinner plate- and there is no place for distance during dessert.

2. Goodbye is invisible ink scribbled too quickly for certainty. Proper sendoffs deserve the type of visibility that billboards form. So if you have the audacity to send seven letters my way disguised as our final embrace- I will unwrap your formality, like 5am Christmas morning, and pretend I'm on the naughty list. Hidden messages lack a sense of transparency that leaves only second guessing and farewells should need no crystal *****.
Goodbyes are as good as guesswork- and we are not fortune tellers.

3. Goodbye implies loss or rejection, but well wishes are meant for times
when loss is undeniably absent. Wishing wells bathe separation with good intentions- each copper coin anointed an underwater masterpiece.
While goodbye addresses detachment with partial reflections, splitting waves too strict for clarity. So all I see are the ripples of me spread too thin, the pieces of me scattered in every direction. Goodbye wishes no one well.

4. Goodbye is simply one word. Goodbye is not naturally destructive. Goodbye is no vocal cord villain.
Words are neither inherently good nor bad because we ascribe their significance, but evidence suggests a one word farewell serves innocent ears unjust death sentences.

5. The moment you allow I love you to skydive from your tongue, the word goodbye steals the parachutes mid-launch causing fatal free fall to artificial grass your hands never actually planted. This land is lunar rock rare- desolate when day breaks.
Goodbye is not fertilizer for greener pastures- rather an open invitation for wildfire to reduce the cosmos to ashes.

6. Endings are inevitable and sometimes quite necessary. And I'm not suggesting we prolong foregone conclusions. But our parting words need not necessarily be regrettable. Goodbyes are often stressed in tragic spectacles only designed for Broadway stages and sometimes all that's needed
is a genuine platform to stand on to say something like-- I'll miss you or I'm not ready for this or I can't do this anymore.


7. Goodbye is not a last resort.
Last resorts lead to final destinations you never come home from and you were never home, you were never home for me, you were always goodbye. Goodbye was your one way ticket to paradise, the kingdom your words worshiped and call me a traitor if you must, but the paradox you fundamentally found comfort in is tyranny trapped in one breath.
And that's never been comforting enough for me to believe in, never been real enough for me to hold.
Goodbye is sweet sorrow- one hollow word that makes your smile hurt.
It's solid rain on sunny days, stolen hearts on lay away. It's two syllables that were forced to hold hands that were never ever friends to begin with.
Goodbye is an oxymoron- and it will never justify your warm hello.
Dani Just Dani Aug 2023
I want to
go right
And pick
the perennial
flowers
That cover
what the eye
can see,
I’ve seen
the Fields
of Indian blankets
And spider lilies

I think
of myself
laying Down
and resting
my eyes
As the sunset
showers me
With color
and despair.

Today
I’ll go left
instead
To see
what waits
For me there.
I feel more sedated than alive,

Defying reason and questioning reality,

It’s like morbidly walking through

The endless fields of familiarity.

Slowly losing the ability to feel,

I can no longer distinct what is real,

Cold melancholy and apathy creep in my heart,

My existence becomes shrouded; like a rainbow in the dark.

Testing the bounds of sanity,

Human excess and passion flood the mind,

Releasing any bonds of any kind,

As I’m consumed by the snakes of vanity.

Laying among the ruins of my life,

As my paradise plummets down to Hell,

Because the confusion of chaos defeated me,

With kind words of reverence.

“Pride cometh before the Fall”,

As narcissism festers in self-loathing,

The feeling which makes your soul crawl,

Will cause intimacy to be exposed like clothing.

Fear is a thief for whom I hold no grudge,

And pain is a rehearsal for death.

I looked down at the abyss and took the lunge,

As my world was compressed into a single last breath.
Shashank Virkud Aug 2013
The leaves fall in September, during the festivals. They dissipate, reintegrate into vivid little vespers that bob and levitate on gusts of wind that leave one bristling. The ferris wheel looks like an electric celestial ferry, set ablaze and bound for distant dimensions, man with mutated mohawk green, eyes wretched, livid and obscene, was the maniacal who manned it. Glow stick ghouls, with faces smeared americana snow cone red and blue haunt the parking lot, purple precipitate that hisses as it hits the pavement the product of their incessant chanting, pulling fuzz-lined warmth from my marrow. Under the stadium lights, women tighten their scarves as tiny, cerulean seahorses shimmer and dance with the ebb and flow of their jewel studded breath, retreating, giggling like immortal birds fallen from the nest.
Love is paper mache; a pop culture artifact. Like a stuffed hare that seems to have lost its ability to come to life after one loses their virginity. It has long legs and keen ears. It's very fast and would be quite handsome as well if it wasn't so **** helpless. It has been bred into the fibers of contact, the filter we set on lust, the way recycled cans make castles on lily pads and dead skin makes dust. We are swirling around in its whirlpool, if it wasn't drowning us we would be dead by now, same goes for the mad, mangy men who will count their teeth with their dimes and pick at their scabs, finger their sores, the retired professor who was too clever to have ever been faithful, the mockingbird that sings on my windowsill every morning in French, the mailmen and the dogs who bark at them in Quebec. An obsessive complex affords one the privilege of straightening the line, counting in time and putting the rabbit en route.
If it is the case that detachment follows from distance then I am one cactus length away (average, or medium sized cactus of course) from destroying the moon's mezzanine, housing all of the dreams behind ethereal, Egyptian, colored crystal that a pagan god stole from a black hole, never intended for you or me.
Cynthia Jean May 2016
accepting
what we cannot
change

but giving space
to
ourselves

boundaries

from
what hurts us

what is beyond
our endurance

to bear

cj 2016
one day at a time
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Jesse Alexander Sep 2014
I'm looking outside the classroom window
thinking of how i'm going to manipulate this ink
into symbols expressing emotions to catch those of others

how to annotate pain
how to demonstrate euphoria
i look outside the window again. i'm trying too hard

no aches
no delights
no inspiration

cold-blooded and passionless
i wait for ingenuity
but it's not coming

i can't ******* go on like this
i can't look people in the eye and tell them i don't care
knowing i'm not lying
I'd still rather feel everything than nothing. There's no beauty in nothing. But is the risk of getting hurt worth feeling something?
K Balachandran Sep 2014
Eating mushrooms, to her is yet another art
she loves to perfect, in my ear she whispers
with such visible pleasure,"I want to be a connoisseur in this"
Her studio smelled herbs and wild flowers of inner forest,
brought me back to the cardamom and cinnamon garden
I played in my days of boyhood; spices build a  bridge for us.

More of a herbalist than a paint smelling artist, she seems,
mounted on the wall on irregular fashion were the mushrooms
she painted with a passion rare, and a precision mirroring life;
the paintings  brought her past in to the studio, only trained eyes
would discern the cryptic symbolism, a consummate artist she certainly is!

 The woman who smoked cigars in succession and untiringly danced,
she said was her favorite, along the lake front we took a long walk
comparing notes;  there were parallels that met, we found soon enough.
"You too knew her so well, I am aware", she said. A room filled with smoke
where we dance, make love, grow tired, fall down and sleep, wasn't it our life?
No one can miss the signature smell of her dense cigar smoke on my dress!"

I loved the smell of cloves she exhaled while eating mushrooms.
though detachment she pretended, eating mushrooms never was that!
I kept looking down at her eyes, a sailor about to sight the land,
any panting moment that rushes with a monsoon song for me and her.
Mateuš Conrad Oct 2016
no, i don't need an outlet: talk to the public,
they tell you you're
either a well guised political machine,
a psychiatrist,
           or an oddity: come October time
propheteering rather than profiteering;
your choice, not mine:
   i look at poetry like
a plumber might look at a toilet:
go in and get the francophone out!
    so pardoning the French
is lost, as casual phrasing goes, woop,
  away away Superman included.

oh right, you might think i'm spelling
something Evangelical,
sure, i hope you do or d.p. as in
do please,
           what with the cool of Wall St.
sprechen d.l. (down low);
i had a few scribbled notes,
yes, Yanky, my laptop broke down
and i'm reduced to pen & paper
         like handcock & *******,
easy does the ****** of loser vill
           (can we drop the e
for the sake of autocorrect being right
when the big words matter? thanks) -
Platonism is plainly Thespian,
             Platonic thought is a Thespian
"espionage", get used to it,
you haven't matured into Aristotelian
         autism: you still want to act,
to puppeteer that shadows of people
without ever *being
the people,
don't take it as if it's supposed to be unlikely:
there's a boss around every corner:
whether you get paid or don't, which is fun,
because you state an authority but
still only play the cameo.
      reminiscent guise literature
of rewatching that t.v. phenomenon
that's billions -
             oh sure, t.v. these days overshadows
cinema, cinema is worth jack-****,
it's poverty is intrinsic in forming ideas
or reversed "Latin" grammar  idea-fermentation,
i said English loves to hyphenate
two kindred words,
    like that ego theory
             with the Germanic self-theorising,
self-enabling, self-interest, self-haemorrhaging
  gusto of the capital -
    what a way to finish, i as a prefix
toward robotic modula.

(i write pending, but ensure the enso,
            or Swahili wasabi sting of
green horseradish,
       same so, i live dangerously, or pretty
much on the sly,
           if i tell the taxpayers
  they're getting their money's worth
i'll bound to see a third runway at Heathrow:
got my nose in an Alsatians' buttocks mind you).

so...

i was going to end with it, but i'm afraid i must
begin with it, page entitled

a. a rebellion from the top?
    or right, it only comes from the bottom,
the guillotine and all,
  but never the despotic cupcake for an Antoinette,
right? wrong!
                coming from a worker's background,
i'd been happy doing the ******* roofs of
the Tate Gallery among other examples,
but i was educated as a chemist,
  and, i was told, you need toothpaste, or
am i wrong in that assumption?
     picture it thus:
a son of a roofer is real smart,
      goes to Edinburgh, gets his money's worth
in terms of tuition, over 30 hours year three
of his chemistry degree, when things were still
decent, ~£1,250 a year (one thousand two hundred
and fifty pounds): with words like that
you might sketch Dante and Donatello and
the Italian Renaissance in terms of clapping the ****
away at the gesture...
     but no, it was like that, study chemistry
and you get your money's worth in terms of tuition,
so how the **** did i descend from the "high" tier
of the sciences into the murk of poetry
and humanism?
       history of science and David Hume:
black swans to mind, also.
                          but the other kid in question
was a son of a doctor / radiologist,
and this talk of rebellion from the top?
he couldn't stomach a shifting hierarchy,
he couldn't stomach social progress,
     had i or hadn't i invested my pleasure
time in reading philosophy is no one's business,
had i made a professional wage from it,
sure, but i wasn't intending to do so:
      what's your favourite colour sort of
question and whether truant of the zeitgeist:
the ******* guillotine, mate!
            i just can't perpetuate this loaf of wording,
but it's necessary:
    of jealousy so corrosive, of jealousy so lined
with lice, only then a god is spawned -
           the person in question?
a skiving belittling camel jockey -
and that's me being polite...
       you can almost become auto-suggestive
of needing to cite: what Abel did next when
the roaring Milton God subsided and
     wanked a crucifix that later became 2000 years of
history: or in the making.

i can be a pompous and bombastic parrot
          that cites Polly this, Polly that,
but i can speak to a scaffolder and laugh: with him,
and not, at him...
                 because i know my bombastic mr. fantastic
behaviour about spending aeons in a library
   rather than sniffing bullseyes and ****
        is made to be the fo' sho' lingua rapper tinder
of something or other that doesn't require me
to foolishly date...
                         **** it, cheaper at the brothel.

...........................

                        oh­ i'm just getting started, hence
the title with (penting) in it: no, not really mr. tough-guy,
just a **** break and a smoke and all that's
necessary in terms of transparency, begging to
be revealed in all forms of literary composition...
  
let's just say: a new interpretation of the paragraph,
     for me reading books, a paragraph means Sunday,
1905... because of the constipation and what-not,
   a comma makes me feel like i need a pause to
hiccup or sneeze,
       a full-dot is never a full-dot unless it's a full-dot
and then it's a definite article of end, rather than
the intermediate an end: let's start over, once again;
       but when have you actually experienced
a Macgyver of what's otherwise a "work in progress"?
answer? never!
               you never have: you had to become
censored by publishers and editors for everything to
look the end-product squeaky-clean!
                   unless published posthumously...
and then... you might already be dead:
you never got to see a work in progress...
   and believe me, i have 8 pages worth of notes to
encode into something that's not
that fable about a boy waking up Barbarossa
from slumber and upon seeing crows
shouting: messerschmitt! messerschmitt! messerschmitt!
well, a diet of hanzel und gretyl will do that
to you, you get a fetish like Shpielberg and direct
the Indiana Jones franchise...
                       funny little me, "phony" Englishman
speaking a piquant variation of Essex banter,
8 years in Poland and of memories i speak of the fondest
in my life, and 22 years in this rotting *******...
                    i feel less organic, more inorganic,
i.e. metallic,
       it's like my insides were hollowed out
and i was faking that i am actually being -
   weird sensation, ask any displaced individual when
they have the organism of a Slavic, but a soul
of a German... feels, ******* weird...
                        i mean, Nietzsche and that complement
that the Poles are the French in the ethnic category?
what are the English in the Slav category then?
                          most likely Ukrainian.
i dare you to find a philosopher with a similar dilemma,
i dare you: in light of how this whole
gaining of fame works, not one wrote about
being displaced... well... unless you're talking about
Moses -

                (haven't even started, i need a drink).

there was no social tract anyway!
    to be forced into accepting insemination
        when the forward wording was:
       "i'm talking counter-contraceptive
measures" & 'i want you to *** in me'.
                 ditto encapsulating quote
for ambiguity, the otherwise: real life.
       is my ***** worth more than me?
have i not transcended a weak bladder / **** muscles?
       a pseudo-humanity, intrinsic in man
but not not in beast?
                    i call upon a reversal of what's
a staging of ****, or money grubbing -
                with a woman's twist of the Grimm tale:
as she said: i want this man,
              i will impose a moral grounding / battlefield,
judgement on him! entrapment!
and there's me apologising for the "****" / so-called,
in a fully-consenting intimacy:
   well, *****, why don't you? another Beethoven
is waiting? who's the whopper feminist these days?!
               me? you?! hardly you!
   i consented to a full intimacy,
        is ***** a foetus?
tissue would know,
    or a twisted fetish for ****** cream
advertisement in ****, huh?
              sure, my socks smell, but so does
your moral instinct.
                        the difference is that that i get to
say airy, while you get to say fairy.
                         it really takes a man respecting
a woman's freedom: i seriously thought you
were advocating the right to abort
as you might avert ****...
    sure: i'm sorry i inseminated you,
can you please treat it as a tear-jerker experience
of a rom-com that's actually a transvestite-rom
  and needs 50 years to ferment for the earthquakes
and heartaches and cha cha attacks?
              to me it's an apron needing a wash,
to you it a ******* moral dilemma needing
a ******'s rights to not father a child and you
needing your body to unnecessarily incubate it
so you get the Catholic nod... bonkers!
    yes, i impregnated a girl, at university:
i avoided white trash at school, sorry, but it's true,
i liked reading... let me stress that: i liked reading,
      or bold if italics and colon Gemini be antiquity...
she lacked the character judgements,
the 'why he didn't stay' method statement...
she called my friend and study buddy a troll
based on her aesthetic tastes...
          i could have had a family now, and all
the responsibilities, it just didn't fit into
a replica of Cleopatra and Anthony *******
when they honestly didn't have ******* to claim
as their own...
          jeez (replica of the hand-written transcript) -
writing this on pen + paper is like *******
a **** for reach a champagne fizz of ******
for an hour - thank you keyboard and the digital
pixel off blank: ******* is less painful
than writing with that oddity that's handwriting).
there was no social contract anyway!
     it's not like i was married, there's
no unwanted child joke in this: i do find abortion
abhorrent within a social contract, a marriage,
but outside of marriage? are you ******* kidding me?!
you an Irish priest or something?
       there was no social contract,
did i sign a social contract akin to marriage?
      am i in this for the shambles?
of course i didn't get married,
there was no +ring,
                     sure abortion is abhorrent,
but under a social contract,
  without a social contract (marriage)
i,    had,    no,         obligation.
      what, in order to practice a variation of Islam
on a woman's whim?
    *******.
                     plus i had the gross indecency
gay men have with surrogate mother prostitution;
oh wait, it isn't that? my bad.
            i always had a nicety divisiveness for
incubators... a 9 month ****, with dividends...
        really: feminism can **** itself!
because aren't we at a stage of rhetorically counter-validating
what we abhor in certain Asian communities?
oh sure, the patriarchs are gone,
forced marriages are gone too...
          but didn't i just describe a case
of forced marriage, where a western girl is given
all the powers to reign over a young man
as any despot might over a worker
so he can "think" and drink cocktails and
chuckle over his position between cocktails?
      
  i said abortion, yes, i didn't like the girl's aesthetic,
and you know what? that thing you call abortion,
apart from the fact that the foetus has no soul
the baby neither: not until the diaper is off...
to learn to strain the muscles outside the womb:
you really forgot that the implant of soul
or the later disputed notion of god
is only implantable once the memory kicks into
gear...
               only when you start to remember
is the human person born:
   beyond that it's still nature's brutalist lottery...
maybe a Beethoven might have been born,p
but who cares? we already have a Beethoven!
it's avoiding consented ****:
that's feminism and 9 months spared
the continuation of endured affair / "relationship",
i seriously thought that's what women
were campaigning for... obviously it's counter!
   i claim soul outside of a woman's body:
when the ****** thing passes the diaper gym
and learns to automate the bladder and the ****...
then i say: worthy an implant of a soul...
or chauvinistically that's counter and double-****
of 9 months and Bach with his 14 children,
and the Borgia Popes...
          but at least we have the surrogate "mothers"
and that pretty Disney scenario of two gay dads
to fictionalise into watchable Platonic cavemen
when the eyes aren't glued to the 2D.
why do you think such thoughts ferment in
the heterosexual imagining of actuality?
                your utopian counter-clockwise
has already extended into China being the only
provable state of physical activity...
    and the western zoo of mental philosophical
build-up-detachment? your mental health
scenario only suggests you created acid professions...
at least the physical "antiquity" of China
is compensated by a universal shortcoming:
death and mortality...
you created acid-baths: sport and completely mental
professions: YOU'RE SICK!
     honestly!
     people used to enjoy physical professions,
and the essence of such professions?
no immediate competitiveness!
         you replaced physical professions
with sports!
                  and compensated the need for
physical hands-on with the ****** gym!
no wonder you countered-Darwinism while
adapting the need to advertise it
            and made so many young people
mentally ill...
      because your whole mental estrangement
is the sauce or a broth that's currently on the boil!
I

Midwinter spring is its own season
Sempiternal though sodden towards sundown,
Suspended in time, between pole and tropic.
When the short day is brightest, with frost and fire,
The brief sun flames the ice, on pond and ditches,
In windless cold that is the heart’s heat,
Reflecting in a watery mirror
A glare that is blindness in the early afternoon.
And glow more intense than blaze of branch, or brazier,
Stirs the dumb spirit: no wind, but pentecostal fire
In the dark time of the year. Between melting and freezing
The soul’s sap quivers. There is no earth smell
Or smell of living thing. This is the spring time
But not in time’s covenant. Now the hedgerow
Is blanched for an hour with transitory blossom
Of snow, a bloom more sudden
Than that of summer, neither budding nor fading,
Not in the scheme of generation.
Where is the summer, the unimaginable
Zero summer?

              If you came this way,
Taking the route you would be likely to take
From the place you would be likely to come from,
If you came this way in may time, you would find the hedges
White again, in May, with voluptuary sweetness.
It would be the same at the end of the journey,
If you came at night like a broken king,
If you came by day not knowing what you came for,
It would be the same, when you leave the rough road
And turn behind the pig-sty to the dull facade
And the tombstone. And what you thought you came for
Is only a shell, a husk of meaning
From which the purpose breaks only when it is fulfilled
If at all. Either you had no purpose
Or the purpose is beyond the end you figured
And is altered in fulfilment. There are other places
Which also are the world’s end, some at the sea jaws,
Or over a dark lake, in a desert or a city—
But this is the nearest, in place and time,
Now and in England.

              If you came this way,
Taking any route, starting from anywhere,
At any time or at any season,
It would always be the same: you would have to put off
Sense and notion. You are not here to verify,
Instruct yourself, or inform curiosity
Or carry report. You are here to kneel
Where prayer has been valid. And prayer is more
Than an order of words, the conscious occupation
Of the praying mind, or the sound of the voice praying.
And what the dead had no speech for, when living,
They can tell you, being dead: the communication
Of the dead is tongued with fire beyond the language of the living.
Here, the intersection of the timeless moment
Is England and nowhere. Never and always.

II

Ash on and old man’s sleeve
Is all the ash the burnt roses leave.
Dust in the air suspended
Marks the place where a story ended.
Dust inbreathed was a house—
The walls, the wainscot and the mouse,
The death of hope and despair,
       This is the death of air.

There are flood and drouth
Over the eyes and in the mouth,
Dead water and dead sand
Contending for the upper hand.
The parched eviscerate soil
Gapes at the vanity of toil,
Laughs without mirth.
       This is the death of earth.

Water and fire succeed
The town, the pasture and the ****.
Water and fire deride
The sacrifice that we denied.
Water and fire shall rot
The marred foundations we forgot,
Of sanctuary and choir.
       This is the death of water and fire.

In the uncertain hour before the morning
     Near the ending of interminable night
     At the recurrent end of the unending
After the dark dove with the flickering tongue
     Had passed below the horizon of his homing
     While the dead leaves still rattled on like tin
Over the asphalt where no other sound was
     Between three districts whence the smoke arose
     I met one walking, loitering and hurried
As if blown towards me like the metal leaves
     Before the urban dawn wind unresisting.
     And as I fixed upon the down-turned face
That pointed scrutiny with which we challenge
     The first-met stranger in the waning dusk
     I caught the sudden look of some dead master
Whom I had known, forgotten, half recalled
     Both one and many; in the brown baked features
     The eyes of a familiar compound ghost
Both intimate and unidentifiable.
     So I assumed a double part, and cried
     And heard another’s voice cry: ‘What! are you here?’
Although we were not. I was still the same,
     Knowing myself yet being someone other—
     And he a face still forming; yet the words sufficed
To compel the recognition they preceded.
     And so, compliant to the common wind,
     Too strange to each other for misunderstanding,
In concord at this intersection time
     Of meeting nowhere, no before and after,
     We trod the pavement in a dead patrol.
I said: ‘The wonder that I feel is easy,
     Yet ease is cause of wonder. Therefore speak:
     I may not comprehend, may not remember.’
And he: ‘I am not eager to rehearse
     My thoughts and theory which you have forgotten.
     These things have served their purpose: let them be.
So with your own, and pray they be forgiven
     By others, as I pray you to forgive
     Both bad and good. Last season’s fruit is eaten
And the fullfed beast shall kick the empty pail.
     For last year’s words belong to last year’s language
     And next year’s words await another voice.
But, as the passage now presents no hindrance
     To the spirit unappeased and peregrine
     Between two worlds become much like each other,
So I find words I never thought to speak
     In streets I never thought I should revisit
     When I left my body on a distant shore.
Since our concern was speech, and speech impelled us
     To purify the dialect of the tribe
     And urge the mind to aftersight and foresight,
Let me disclose the gifts reserved for age
     To set a crown upon your lifetime’s effort.
     First, the cold friction of expiring sense
Without enchantment, offering no promise
     But bitter tastelessness of shadow fruit
     As body and soul begin to fall asunder.
Second, the conscious impotence of rage
     At human folly, and the laceration
     Of laughter at what ceases to amuse.
And last, the rending pain of re-enactment
     Of all that you have done, and been; the shame
     Of motives late revealed, and the awareness
Of things ill done and done to others’ harm
     Which once you took for exercise of virtue.
     Then fools’ approval stings, and honour stains.
From wrong to wrong the exasperated spirit
     Proceeds, unless restored by that refining fire
     Where you must move in measure, like a dancer.’
The day was breaking. In the disfigured street
     He left me, with a kind of valediction,
     And faded on the blowing of the horn.

III

There are three conditions which often look alike
Yet differ completely, flourish in the same hedgerow:
Attachment to self and to things and to persons, detachment
From self and from things and from persons; and, growing between them, indifference
Which resembles the others as death resembles life,
Being between two lives—unflowering, between
The live and the dead nettle. This is the use of memory:
For liberation—not less of love but expanding
Of love beyond desire, and so liberation
From the future as well as the past. Thus, love of a country
Begins as attachment to our own field of action
And comes to find that action of little importance
Though never indifferent. History may be servitude,
History may be freedom. See, now they vanish,
The faces and places, with the self which, as it could, loved them,
To become renewed, transfigured, in another pattern.

Sin is Behovely, but
All shall be well, and
All manner of thing shall be well.
If I think, again, of this place,
And of people, not wholly commendable,
Of no immediate kin or kindness,
But of some peculiar genius,
All touched by a common genius,
United in the strife which divided them;
If I think of a king at nightfall,
Of three men, and more, on the scaffold
And a few who died forgotten
In other places, here and abroad,
And of one who died blind and quiet
Why should we celebrate
These dead men more than the dying?
It is not to ring the bell backward
Nor is it an incantation
To summon the spectre of a Rose.
We cannot revive old factions
We cannot restore old policies
Or follow an antique drum.
These men, and those who opposed them
And those whom they opposed
Accept the constitution of silence
And are folded in a single party.
Whatever we inherit from the fortunate
We have taken from the defeated
What they had to leave us—a symbol:
A symbol perfected in death.
And all shall be well and
All manner of thing shall be well
By the purification of the motive
In the ground of our beseeching.

IV

The dove descending breaks the air
With flame of incandescent terror
Of which the tongues declare
The one discharge from sin and error.
The only hope, or else despair
     Lies in the choice of pyre of pyre—
     To be redeemed from fire by fire.

Who then devised the torment? Love.
Love is the unfamiliar Name
Behind the hands that wove
The intolerable shirt of flame
Which human power cannot remove.
     We only live, only suspire
     Consumed by either fire or fire.

V

What we call the beginning is often the end
And to make and end is to make a beginning.
The end is where we start from. And every phrase
And sentence that is right (where every word is at home,
Taking its place to support the others,
The word neither diffident nor ostentatious,
An easy commerce of the old and the new,
The common word exact without vulgarity,
The formal word precise but not pedantic,
The complete consort dancing together)
Every phrase and every sentence is an end and a beginning,
Every poem an epitaph. And any action
Is a step to the block, to the fire, down the sea’s throat
Or to an illegible stone: and that is where we start.
We die with the dying:
See, they depart, and we go with them.
We are born with the dead:
See, they return, and bring us with them.
The moment of the rose and the moment of the yew-tree
Are of equal duration. A people without history
Is not redeemed from time, for history is a pattern
Of timeless moments. So, while the light fails
On a winter’s afternoon, in a secluded chapel
History is now and England.

With the drawing of this Love and the voice of this Calling

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river
The voice of the hidden waterfall
And the children in the apple-tree
Not known, because not looked for
But heard, half-heard, in the stillness
Between two waves of the sea.
Quick now, here, now, always—
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well
When the tongues of flame are in-folded
Into the crowned knot of fire
And the fire and the rose are one.
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Eshwara Prasad Mar 2023
Detachment is the path to salvation

— The End —