A night owl in the harvest moon
was awake till the crack of the dawn
but wasn’t surfing online, wasn’t rowing
the boat in the digital river.
Deep down to a dreamweaving scene
that was, in musing, painstakingly creative.

Wait till you snap up a witty aphorism.
The darling buds of May will be in bloom.
The tickled pink nightingale too will
give out its voice, singing a song.
Save a copy and tweet it to all,
but do give us a demo, tell us a bit more.
Where does it shine and sizzle?
Where did the winter tuck away the rose?

Shrouded in secrets
The men from F-Branch
Recite the techniques
Undiscussed in advance
Of Democracy's dance
Democracy's dance
Democracy's Dance with Terror.

Outside the port of Umm-Qasr
Hundreds of men
Hooded in the dark
Of the midday sun
Kneeling on the run
From Democracy's Dance with Terror.

Suspected by students
Back home and online
Theories get conspired
Petitions get signed
"Stop Democracy's Dance!
Stop Democracy's Dance!
Stop Democracy's Dance with Terror!"

The attorney general
Is called for advice.
A solemn exchange
Top down bottom line.
His argument is
"If it's nice it's all right."

Ministers from Ministries
Are detained and questioned
By the goggles of a press
Suffering sleep deprivation.
It's like a game of touch rugby
Outside downing street
With a twist on the rules of 'Just a minute'.

And outside the port of Umm-Qasr
Democracy doggedly dances her dance.

But the rhythms of the dance
The stress of white noise
Peaked
And escaped on the wind
Blowing through the forgotten kindness
Of confused hearts and minds
Escaping through the drafty guilt
Of hung up uniforms
Dancing on the mumbling lips
Of sleeping soldiers
With wives, partners, families, friends
Back home
Who don't know what it's like
They don't understand the drill
They can't do the moves
They don't know what it's like.

But the dance did not stop
It did what every bad vibration does
And moved elsewhere
And was henceforth known
By an unpronounceable acronym:
JFIT!

And now we join James
Young musclebound man
With a drink in hand
Back from tour of duty
It's a Saturday night
And the Weston women like a soldier,
A real man.
The fact that he
Has been doing his duty.
"Do you mind if I ask..." Asked Deborah
Showing more than necessary of her bra
"Where was you based, your base in Iraq-
Your third base, in particular?"
"I'll tell you," Said James
And the ladies came quick
Putty in his hands
Just like a joystick.
Said James, with the gravitas
Or some silverscreen star,
"While out in Iraq,
I was stationed
At a British logistics base in Shaiba.
It's outside Basra.
Basra in Iraq.
Iraq?
You have heard of Iraq?"
But by then,
Deborah and her bra and her friends
Were talking to another group of men
Who worked in property development
And apparently, Deborah, they're neighbours
Or something, because that one said
They've got seventeen houses between them.

But what James hadn't told them is this
The exact meaning of words in English
Like British Logistics camp is
Not always what you think that it is.

Oh did I say camp?
I meant base.
Please delete any mention of camp
From the record.

It was not long before
That James' routine
Had been... very different
To say the least.

Indeed soon after crossing the border
And re-invading his parents' home again
He'd been watching Jeremy Vine when
He spotted a pattern of systematic abuse
On the curtains
Whenever he muted the telly.

James decided to get out of the house
And to help him get a grip
He decided to go shopping
But when he looked down at his list
It said:

59 hoodies
11 Electric plugs
52 Alarm clocks
122 pairs of earmuffs
160 torches
117 blackened goggles
132 stress positions
39 enforced nakednesses

And by this stage he realised
That perhaps he ought to see someone.
But instead of seeing a journalist
Or the Swedish King of wikileaks
He went and saw a military psychiatrist
Who charged him a lot to let him speak
On a one-off profit plus! contract
James ended asking the same question
Week after week -
Do you think I'm crazy?
What does all this mean?
The doctor replied:
"Of course you're not crazy,
It's just your mind is very ill,
I'll tell one part of it to ignore another part -
Here - take one of these little pills
They're only one pound ten each
And if you take one
Every three hours
Every day
For the rest of your life
(Or until you die,
Whichever is longer)
You'll be fine.

Meanwhile,
The dance continued to be taught
Like capoeira on a foreign-office team-building course
On the art of interrogation
The alpha-tango
Aimed at prisoners of war.
But the footsteps of karma
Where circling once more
And the base back at Shaiba
(Near Basra. In Iraq?)
Was once more withdrawn
This time to the airport
Along with other UK forces.

Now relatives of the victims
Both at home and abroad
And those most susceptible
To empathy's ill-considered force
Were planning to divert the dance -
Divert the Dance!
Divert the Dance
with Demo Dances,
Demo Dances!
Demo Dances!

Then it was the turn of the politicians
To work their magic of popular logisticians
By answering the questions no one has asked
Like are we human or are we just dancers?
We are just humans
Doing democracy's dance
Democracy's Dance
Democracy's dance with
(cough, cough).

And the news reporters
With their sleep-deprived goggles
Reported in such detail
As to make one's mind boggle
Each step, each move and each deliberate error
Of democracy's dance
Democracy's dance
Democracy's dance
With Terror.

(To be Continued... on the BBC)

II. TO DEMETER (495 lines)

(ll. 1-3) I begin to sing of rich-haired Demeter, awful goddess
-- of her and her trim-ankled daughter whom Aidoneus rapt away,
given to him by all-seeing Zeus the loud-thunderer.

(ll. 4-18) Apart from Demeter, lady of the golden sword and
glorious fruits, she was playing with the deep-bosomed daughters
of Oceanus and gathering flowers over a soft meadow, roses and
crocuses and beautiful violets, irises also and hyacinths and the
narcissus, which Earth made to grow at the will of Zeus and to
please the Host of Many, to be a snare for the bloom-like girl --
a marvellous, radiant flower.  It was a thing of awe whether for
deathless gods or mortal men to see: from its root grew a hundred
blooms and is smelled most sweetly, so that all wide heaven above
and the whole earth and the sea's salt swell laughed for joy.
And the girl was amazed and reached out with both hands to take
the lovely toy; but the wide-pathed earth yawned there in the
plain of Nysa, and the lord, Host of Many, with his immortal
horses sprang out upon her -- the Son of Cronos, He who has many
names (5).

(ll. 19-32) He caught her up reluctant on his golden car and bare
her away lamenting.  Then she cried out shrilly with her voice,
calling upon her father, the Son of Cronos, who is most high and
excellent.  But no one, either of the deathless gods or of mortal
men, heard her voice, nor yet the olive-trees bearing rich fruit:
only tender-hearted Hecate, bright-coiffed, the daughter of
Persaeus, heard the girl from her cave, and the lord Helios,
Hyperion's bright son, as she cried to her father, the Son of
Cronos.  But he was sitting aloof, apart from the gods, in his
temple where many pray, and receiving sweet offerings from mortal
men.  So he, that Son of Cronos, of many names, who is Ruler of
Many and Host of Many, was bearing her away by leave of Zeus on
his immortal chariot -- his own brother's child and all
unwilling.

(ll. 33-39) And so long as she, the goddess, yet beheld earth and
starry heaven and the strong-flowing sea where fishes shoal, and
the rays of the sun, and still hoped to see her dear mother and
the tribes of the eternal gods, so long hope calmed her great
heart for all her trouble....
((LACUNA))
....and the heights of the mountains and the depths of the sea
rang with her immortal voice: and her queenly mother heard her.

(ll. 40-53) Bitter pain seized her heart, and she rent the
covering upon her divine hair with her dear hands: her dark cloak
she cast down from both her shoulders and sped, like a wild-bird,
over the firm land and yielding sea, seeking her child.  But no
one would tell her the truth, neither god nor mortal men; and of
the birds of omen none came with true news for her.  Then for
nine days queenly Deo wandered over the earth with flaming
torches in her hands, so grieved that she never tasted ambrosia
and the sweet draught of nectar, nor sprinkled her body with
water.  But when the tenth enlightening dawn had come, Hecate,
with a torch in her hands, met her, and spoke to her and told her
news:

(ll. 54-58) 'Queenly Demeter, bringer of seasons and giver of
good gifts, what god of heaven or what mortal man has rapt away
Persephone and pierced with sorrow your dear heart?  For I heard
her voice, yet saw not with my eyes who it was.  But I tell you
truly and shortly all I know.'

(ll. 59-73) So, then, said Hecate.  And the daughter of rich-
haired Rhea answered her not, but sped swiftly with her, holding
flaming torches in her hands.  So they came to Helios, who is
watchman of both gods and men, and stood in front of his horses:
and the bright goddess enquired of him: 'Helios, do you at least
regard me, goddess as I am, if ever by word or deed of mine I
have cheered your heart and spirit.  Through the fruitless air I
heard the thrilling cry of my daughter whom I bare, sweet scion
of my body and lovely in form, as of one seized violently; though
with my eyes I saw nothing.  But you -- for with your beams you
look down from the bright upper air Over all the earth and sea --
tell me truly of my dear child, if you have seen her anywhere,
what god or mortal man has violently seized her against her will
and mine, and so made off.'

(ll. 74-87) So said she.  And the Son of Hyperion answered her:
'Queen Demeter, daughter of rich-haired Rhea, I will tell you the
truth; for I greatly reverence and pity you in your grief for
your trim-ankled daughter.  None other of the deathless gods is
to blame, but only cloud-gathering Zeus who gave her to Hades,
her father's brother, to be called his buxom wife.  And Hades
seized her and took her loudly crying in his chariot down to his
realm of mist and gloom.  Yet, goddess, cease your loud lament
and keep not vain anger unrelentingly: Aidoneus, the Ruler of
Many, is no unfitting husband among the deathless gods for your
child, being your own brother and born of the same stock: also,
for honour, he has that third share which he received when
division was made at the first, and is appointed lord of those
among whom he dwells.'

(ll. 88-89) So he spake, and called to his horses: and at his
chiding they quickly whirled the swift chariot along, like long-
winged birds.

(ll. 90-112) But grief yet more terrible and savage came into the
heart of Demeter, and thereafter she was so angered with the
dark-clouded Son of Cronos that she avoided the gathering of the
gods and high Olympus, and went to the towns and rich fields of
men, disfiguring her form a long while.  And no one of men or
deep-bosomed women knew her when they saw her, until she came to
the house of wise Celeus who then was lord of fragrant Eleusis.
Vexed in her dear heart, she sat near the wayside by the Maiden
Well, from which the women of the place were used to draw water,
in a shady place over which grew an olive shrub.  And she was
like an ancient woman who is cut off from childbearing and the
gifts of garland-loving Aphrodite, like the nurses of king's
children who deal justice, or like the house-keepers in their
echoing halls.  There the daughters of Celeus, son of Eleusis,
saw her, as they were coming for easy-drawn water, to carry it in
pitchers of bronze to their dear father's house: four were they
and like goddesses in the flower of their girlhood, Callidice and
Cleisidice and lovely Demo and Callithoe who was the eldest of
them all.  They knew her not, -- for the gods are not easily
discerned by mortals -- but standing near by her spoke winged
words:

(ll. 113-117) 'Old mother, whence and who are you of folk born
long ago?  Why are you gone away from the city and do not draw
near the houses?  For there in the shady halls are women of just
such age as you, and others younger; and they would welcome you
both by word and by deed.'

(ll. 118-144) Thus they said.  And she, that queen among
goddesses answered them saying: 'Hail, dear children, whosoever
you are of woman-kind.  I will tell you my story; for it is not
unseemly that I should tell you truly what you ask.  Doso is my
name, for my stately mother gave it me.  And now I am come from
Crete over the sea's wide back, -- not willingly; but pirates
brought be thence by force of strength against my liking.
Afterwards they put in with their swift craft to Thoricus, and
there the women landed on the shore in full throng and the men
likewise, and they began to make ready a meal by the stern-cables
of the ship.  But my heart craved not pleasant food, and I fled
secretly across the dark country and escaped by masters, that
they should not take me unpurchased across the sea, there to win
a price for me.  And so I wandered and am come here: and I know
not at all what land this is or what people are in it.  But may
all those who dwell on Olympus give you husbands and birth of
children as parents desire, so you take pity on me, maidens, and
show me this clearly that I may learn, dear children, to the
house of what man and woman I may go, to work for them cheerfully
at such tasks as belong to a woman of my age.  Well could I nurse
a new born child, holding him in my arms, or keep house, or
spread my masters' bed in a recess of the well-built chamber, or
teach the women their work.'

(ll. 145-146) So said the goddess.  And straightway the *****
maiden Callidice, goodliest in form of the daughters of Celeus,
answered her and said:

(ll. 147-168) 'Mother, what the gods send us, we mortals bear
perforce, although we suffer; for they are much stronger than we.

But now I will teach you clearly, telling you the names of men
who have great power and honour here and are chief among the
people, guarding our city's coif of towers by their wisdom and
true judgements: there is wise Triptolemus and Dioclus and
Polyxeinus and blameless Eumolpus and Dolichus and our own brave
father.  All these have wives who manage in the house, and no one
of them, so soon as she has seen you, would dishonour you and
turn you from the house, but they will welcome you; for indeed
you are godlike.  But if you will, stay here; and we will go to
our father's house and tell Metaneira, our deep-bosomed mother,
all this matter fully, that she may bid you rather come to our
home than search after the houses of others.  She has an only
son, late-born, who is being nursed in our well-built house, a
child of many prayers and welcome: if you could bring him up
until he reached the full measure of youth, any one of womankind
who should see you would straightway envy you, such gifts would
our mother give for his upbringing.'

(ll. 169-183) So she spake: and the goddess bowed her head in
assent.  And they filled their shining vessels with water and
carried them off rejoicing.  Quickly they came to their father's
great house and straightway told their mother according as they
had heard and seen.  Then she bade them go with all speed and
invite the stranger to come for a measureless hire.  As hinds or
heifers in spring time, when sated with pasture, bound about a
meadow, so they, holding up the folds of their lovely garments,
darted down the hollow path, and their hair like a crocus flower
streamed about their shoulders.  And they found the good goddess
near the wayside where they had left her before, and led her to
the house of their dear father.  And she walked behind,
distressed in her dear heart, with her head veiled and wearing a
dark cloak which waved about the slender feet of the goddess.

(ll. 184-211) Soon they came to the house of heaven-nurtured
Celeus and went through the portico to where their queenly mother
sat by a pillar of the close-fitted roof, holding her son, a
tender scion, in her *****.  And the girls ran to her.  But the
goddess walked to the threshold: and her head reached the roof
and she filled the doorway with a heavenly radiance.  Then awe
and reverence and pale fear took hold of Metaneira, and she rose
up from her couch before Demeter, and bade her be seated.  But
Demeter, bringer of seasons and giver of perfect gifts, would not
sit upon the bright couch, but stayed silent with lovely eyes
cast down until careful Iambe placed a jointed seat for her and
threw over it a silvery fleece.  Then she sat down and held her
veil in her hands before her face.  A long time she sat upon the
stool (6) without speaking because of her sorrow, and greeted no
one by word or by sign, but rested, never smiling, and tasting
neither food nor drink, because she pined with longing for her
deep-bosomed daughter, until careful Iambe -- who pleased her
moods in aftertime also -- moved the holy lady with many a quip
and jest to smile and laugh and cheer her heart.  Then Metaneira
filled a cup with sweet wine and offered it to her; but she
refused it, for she said it was not lawful for her to drink red
wine, but bade them mix meal and water with soft mint and give
her to drink.  And Metaneira mixed the draught and gave it to the
goddess as she bade.  So the great queen Deo received it to
observe the sacrament.... (7)

((LACUNA))

(ll. 212-223) And of them all, well-girded Metaneira first began
to speak: 'Hail, lady!  For I think you are not meanly but nobly
born; truly dignity and grace are conspicuous upon your eyes as
in the eyes of kings that deal justice.  Yet we mortals bear
perforce what the gods send us, though we be grieved; for a yoke
is set upon our necks.  But now, since you are come here, you
shall have what I can bestow: and nurse me this child whom the
gods gave me in my old age and beyond my hope, a son much prayed
for.  If you should bring him up until he reach the full measure
of youth, any one of womankind that sees you will straightway
envy you, so great reward would I give for his upbringing.'

(ll. 224-230) Then rich-haired Demeter answered her: 'And to you,
also, lady, all hail, and may the gods give you good!  Gladly
will I take the boy to my breast, as you bid me, and will nurse
him.  Never, I ween, through any heedlessness of his nurse shall
witchcraft hurt him nor yet the Undercutter (8): for I know a
charm far stronger than the Woodcutter, and I know an excellent
safeguard against woeful witchcraft.'

(ll. 231-247) When she had so spoken, she took the child in her
fragrant ***** with her divine hands: and his mother was glad in
her heart.  So the goddess nursed in the palace Demophoon, wise
Celeus' goodly son whom well-girded Metaneira bare.  And the
child grew like some immortal being, not fed with food nor
nourished at the breast: for by day rich-crowned Demeter would
anoint him with ambrosia as if he were the offspring of a god and
breathe sweetly upon him as she held him in her *****.  But at
night she would hide him like a brand in the heard of the fire,
unknown to his dear parents.  And it wrought great wonder in
these that he grew beyond his age; for he was like the gods face
to face.  And she would have made him deathless and unageing, had
not well-girded Metaneira in her heedlessness kept watch by night
from her sweet-smelling chamber and spied.  But she wailed and
smote her two hips, because she feared for her son and was
greatly distraught in her heart; so she lamented and uttered
winged words:

(ll. 248-249) 'Demophoon, my son, the strange woman buries you
deep in fire and works grief and bitter sorrow for me.'

(ll. 250-255) Thus she spoke, mourning.  And the bright goddess,
lovely-crowned Demeter, heard her, and was wroth with her.  So
with her divine hands she snatched from the fire the dear son
whom Metaneira had born unhoped-for in the palace, and cast him
from her to the ground; for she was terribly angry in her heart.
Forthwith she said to well-girded Metaneira:

(ll. 256-274) 'Witless are you mortals and dull to foresee your
lot, whether of good or evil, that comes upon you.  For now in
your heedlessness you have wrought folly past healing; for -- be
witness the oath of the gods, the relentless water of Styx -- I
would have made your dear son deathless and unaging all his days
and would have bestowed on him everlasting honour, but now he can
in no way escape death and the fates.  Yet shall unfailing honour
always rest upon him, because he lay upon my knees and slept in
my arms.  But, as the years move round and when he is in his
prime, the sons of the Eleusinians shall ever wage war and dread
strife with one another continually.  Lo!  I am that Demeter who
has share of honour and is the greatest help and cause of joy to
the undying gods and mortal men.  But now, let all the people
build be a great temple and an altar below it and beneath the
city and its sheer wall upon a rising hillock above Callichorus.
And I myself will teach my rites, that hereafter you may
reverently perform them and so win the favour of my

the Islam of Malcolm X isn't the Islam of today... it isn't really the prescription of Nietzsche had before the Heraclitus flux took sway and said: waterfall or lottery... it really, really, really doesn't matter. the Islam of the 1960s isn't the Islam of today... too tinged with Sieg Heil... although less the Ave Caesar salute and more akin to: who's up for ****, *******? the Islam has changed... if i was wise enough i'd have converted, to mind you... but i thought: putting my faith by only having a library of only one book... i thought... n'ah... that's a bit extreme, can i at least have a comic book strip to add to that massive library? no? oh well, no, sorry, at least one book mentions several authors who tried to imitate but failed on the last hurdle, at least i can revise that, and completely erase the two extensions that borrowed from Hinduism; 'cos' like it ******* mattered.. don't test me, i'm anticipating death like  suicide-vest child... come on! let's start the Slavic crusade!

perhaps it's not about not thinking certain thoughts,
or feeling certain emotions...
but perhaps it just is...
i say, we need the Sophists these days to
apply the fishing-net tactic to deciphering or
simply selectively reflecting our vocabularies...
strait-jacket vocabularies are there in plain sight...
i mean... wait a minute...
i jumped from jazz into pop music on the headphones,
from Miles Davis' *kind of blue defining
moment of the flamenco sketches right into the bog
of one direction - so i guess this is where
the antidote for art being too subjective comes in...
well, they sorted that problem already...
objectivity in art is around us as we speak,
it means "artists" that are manufactured,
art in the age of mechanical reproduction
(Walter Benjamin), it means more props than artists,
the problem got solved, it means reaching an
autocratic plateau of plugging in and sharing
a non-individualistic stream of emotion,
the opposite of democracy is autocracy, it isn't
despotism... i don't know why democracy doesn't
understand that it's ugly sister (autocracy)
is the enemy and not a Genghis Khan style of government...
democracy in the form of autocracy is a failed
attempt at Utopia... it suggests the system is perfect...
it means the institutions go about their daily business
like children in the playground who ******* and wet
themselves (the bankers), and still not one does anything
about it... what was once a demo tape of a indie band
becomes an automatic big seller big grosser E.P.,
just because the tragedy came, and they drove the touring
bus off a bridge in Sveeden... *******...
you ain't fighting dictators, you're fighting your change
from democracy into autocracy... where things
seem so perfect they can hardly ever change,
they're automated, they're not demographically sound...
sure, i'm the clown, i'll juggle a few big words around...
but in term of art? well, pop music has reached
the limit of what "philosophers" argued against...
to be frank... jealousy got to them that argued
for counter-productive constraints...
now they rebel against this objective construct of
artists in the shadows, writing text and tune and needing
some amateur to perform... and where do you
seek their rebellion? in the subjectivity they once
argued against: that famous Rage Against the Machine
protest against the X-factor...
so wait, first you argue against the subjectivity
of the artistic expression, then you postulate the non-existence
of the self: countered as the dasein for all subjectivity,
then you miss artistic objectivity with the karaoke
and what comes as the **** utopia with French
euthanasia tourists in Switzerland and Belgium...
you missed the argument you favoured, i.e.
artistic objectivity, i.e. performers, not people who write
the hit singles, Hiroshima Karaoke,
well, aren't we all objective now, that we have to source
our feelings in the expressions we once made angst against?
odd, isn't it? you never knew how well established
the counter argument became...
it's pop culture, it's evidently going to become viral...
but you see the power of subjective art...
it spreads like an infection, no point arguing against it...
objectivity in art is already a well established
virus, it doesn't really bite into your soul,
it bites, but you just get the odd body chicken ****...
that's what i mean about how a self-assured-without-a-self
democracy morphs into autocracy...
the fake Utopia of the well-established social
institutions actually being bankrupt, starting
with the post-colonial charity companies,
lying sharks and interest rates at 2000% per annum
i'm starting to think of Islam... leeches and hypocrites...
so your pointless critique of the subjectivity of the arts
became your most sling-shot friction strained weapon
to aim at the industry of art objectified,
in the age of mechanical reproduction true art = dodo...
it's on its way out... i hardly think that
50 years from now you'll find someone as idiotic
as me writing poetry for the love of the **** thing...
you'll get Utopian plateaus, anaesthetic democracy in
the realm of humanism, and hanging over you
autocracy... immovable foundations, cos' everything's
just perfect, time to invade another Libya where
some genius ensured the people knew their place
and who kept order on the pretence of
keeping weapons of mass destruction and
dog leashes... but there you will be ****-strapped going
huh? i thought subjectivity in art was bad?
n'ah mate, that's the only thing that made art good...
you got your ******* Karaoke, live with it!
the English Renaissance of the 1960s ain't coming back,
even if you gave Belfast back to the Dublin crew...
i say we need another Protagoras to get
the vocabulary inflation up to speed...
i say devalue the words self, ego... and make the
psychologists bums..
i say devalue the words nation, british and hamburger
to make the anglophile influence on Europe
a bit like sniffing a mortar of ******* off a penny...
i say reestablish the virtues of Japanese feudalism,
scare depressed teenagers with the words:
your only way out is by Hara Kiri.
something must come from a poem like this...
i have rage... you reason with it...
i'm not going to reason a calm into my heart with the words
i just wrote... n'ah... n'ah n'ah... that ain't happening...
it only took one needle in a haystack to give me prompt...
the ailments of subjectivity in art...
that got me, bull's eye reddened mad...
you ain't turning me into Darwinian grey matter!
this is democracy at its most despotic...
let me try democracy first, before i join the legion of dentists
with happy middle-class lives in autocracy...
can't blame ****** in this guise of organising people,
'cos' there just ain't no ******...
that got me hot wired and hired to argue...
first they say: art deserves no subjectivity...
fair enough: 1 man draws a rhombus a 1000 men draw a square...
but now that we can finally see objectivity being applied
to art, we only get pop: **** jazz, classical, rock and speedy-indie...
we get manufacture... as you once hated those with
personal intention to add to the democratic demographic,
now you turn against them for disturbing the status quo...
well, happy are those that come to the sun's repeat jargon
and happily doubt the roundabout...
because criticising art as subjectively orientated
really spared you art having ascribed objectivity to its cause
of attaining mechanical reproduction,
and the subjective placebo... neither thinking nor feeling
anything deeper than nervous yoga twitching dances...
spare me the ******* details if you come up with
a more accurate historical pinpoint.

In June this year, designer Masaba Gupta and film producer Madhu Mantena had the quietest of civil ceremonies. It was only when she took to Twitter the next day to talk about the court registry that most people heard of it. It was a move most unorthodox, for a leading fashion designer, especially one who counts several Bollywood actors among her close friends.

At the time, she also announced “a Caribbean wedding in November”.

The destination wedding isn’t happening. But that’s not to deprive us of a grand, four-day affair, the sort that has the most coveted guest list, and is followed with the keenest interest. It will start on November 19, with the bridal showers, will continue with the mehendi on November 20, the sangeet on November 21 and a gala reception on Sunday, (November 22). Expect the works, and guest lists that boast of Bollywood A-listers (Shahid and Mira Kapoor, and Sonam Kapoor are close friends, just so you know).

In short, it sounds like any other grand Indian celebrity wedding. Except, this is Masaba Gupta we’re talking about. As we catch up with her, we get the sense that she’s approached the whole thing with the same minimalism and quirkiness with which she approaches fashion. “A lot of people are invited,” she tells us, “But I’m not going around and talking about my wedding designer or my lipstick, so on and so forth.”

Unlike most Indian brides, she’s not even fretting over the big day, or days, as it were. “When I was growing up, I always saw brides around me under tremendous stress. The pressure to dress a certain way, wear a certain amount of jewellery and make-up... I saw how uncomfortable it was. So I decided that, if I do get married, I’ll be someone who puts comfort first, and then looks at her options for cut, colour, embroidery or jewellery,” says Gupta.

So, in case you do find yourself invited (otherwise, there’s always Instagram), don’t be surprised to see the most relaxed bride, dressed so comfortably that she’d be the envy of any married Indian woman. The idea, she says, is that a bride should “dress in a way that she can interact with people and have a good time herself.”

She’s also taken charge of the whole thing, and planned a non-fussy, non-extravagant celebration. “For me, three vacations is more value-for-money than a mandap with diamonds on it.”

True to her word, for her sangeet and reception, Gupta is ditching the norm of heavily designed lehengas and saris. “I didn’t go into that heavy, couture, bridal space. And I’m the kind of designer who wears works of other designers,” she says. So, her trousseau will have outfits by several other leading designers. “There are a few people who are great at doing certain things. Anamika [Khanna] is great at reception outfits. I can do a cool, quirky mehendi outfit. For a sangeet, somebody more in the Manish Arora or Shivan and Narresh kind of space,” she says.

The designer who’s always stood apart also seems keen to set an example. By not conforming to rules, Gupta wants to make a point. “I do want it to be about comfort, but I also want to change things up a bit. I want to set an example and say that you don’t need to wear a certain colour, a certain type of maang tika; your hair doesn’t have to look a particular way,” says the young designer.

Ask her if this is the (unconventional) dream wedding come true, and she laughs. “I never had a dream wedding. I’ve never visualised anything except clothes. Certainly not an elaborate wedding setup. See, I just don’t want to starve at my wedding. So, my dream wedding is one where I get to eat a meal while everyone else enjoys themselves as well.”

Masaba’s five-point guide to a chilled-out wedding

1) Get people to help out. If you try and look at every detail, you’re going to have a hard time. You may have a great input, but get people to do it for you.

2)People think you should shop for jewellery and clothes much in advance, but I think it should be done as close to the wedding as possible. You’ll have the latest stuff, and your taste might change over time. It’s best done around the wedding, so you don’t regret what you’ve bought.

3) Shoes are important. Make sure you’re in comfortable heels or flats, so you can survive the night.

4) Always test the make-up artist. Don’t just do a demo and leave it; test it through the day. See how the make-up behaves over a few hours, then you’ll know what it will actually be like, because it takes a couple of hours for make-up to set.

5) Receptions should start becoming more informal. You shouldn’t have to have the couple on stage smiling through the evening. I’ve heard of brides getting locked jaws. It’s absolute torture.

How to be the unconventional groom

• Fusion looks work well. If you’re wearing a Jodhpuri or a bandhgala, team it up with Jodhpuri pants. For men who are slimmer, suits do wonders.

• If you wish to be quirky and know you can carry it off, team dhoti pants and a shirt with a really formal blazer and a brooch.


• I love the cropped, ankle-length formal pants men are wearing now. It’s great for a reception.

• You don’t need to wear laced up shoes. Wear a nice slip-on in patent leather or a printed pair of shoes that stand out. So, you can make the whole look black and white, and have a nice pop shoe and make that the focus.

• Don’t be afraid of colours at your wedding. Get over navy blue, black or maroon. On a darker man, a haldi yellow kurta will look fantastic when teamed with an off-white or cream churidar. Even a soft pink in raw silk — it has a silver-pink shine — looks lovely.

How to be the ‘in vogue’ bride

• We’re seeing a lot of shapewear backs. Instead of the flared lehenga, women are opting for the fishtail cuts. Girls are also wearing shararas with big flares that almost look like a lehenga.

• Brides are going minimal. Go for less embellishment, and lighter lehengas.

• The dupatta is being ditched. Either that, or it’s attached. Much easier to handle.

• The choli is becoming more modest. People are wearing longer lengths, which are more fitted; the ‘60s style kurtas with shararas are also in. There’s more focus on the body and shape.

• I’m hoping the anarkali has died. It’s the worst of the lot. And it’s not very flattering. If you’re very skinny and tall, it works for you. If you’re short, you look like you’re lost in your outfit.

• Ditch the trail. At the end of the night, it’s a rag. It’s been stepped on and is *****.

read more:www.marieaustralia.com/mermaid-trumpet-formal-dresses

www.marieaustralia.com/cheap-formal-dresses

Hari itu hari Sabtu. Dan, aku sedang ulangtahun.

Sepi. Hanya terdengar suara tetesan air dari keran yang lupa ditutup rapat di wastafel dapur. Desiran angin yang menggesek dedaunan di halaman belakang. Bambu angin yang bersiul di teras rumah tetangga sebelah. Jalanan beraspal yang kosong. Terpaan sinar matahari. Mangkuk beling yang diketuk penjual makanan keliling. Suara jarum detik jam dinding.
Dalam diam aku menunggu. Mahesa belum juga datang. Duduk di atas sofa, perlahan kulahap sekantung keripik kentang, suara iklan di televisi kini menjadi musik latar yang mengisi siang terikku yang sepi ini. Lupakan fakta bahwa kakakku, Mas Kekar, adalah satu-satunya orang yang mengingat hari ulangtahunku. Ucapan ulangtahunnya tiba tadi pagi pukul tujuh lewat pesan suara. Kalau ada Nenek, ia pasti akan membuat kue tar dan nanti malam kami akan duduk melingkar di atas meja makan, menyantapnya bersama-sama sambil minum teh lemon. Sayangnya, sekarang rumahnya jauh; di surga.
Tiba-tiba, telepon genggamku berbunyi. Satu notifikasi baru, ada satu pesan masuk. Dari Mahesa, katanya ia akan sampai lima menit lagi. Baiklah, akan kutunggu dengan sabar. Walaupun ia bilang akan menjemput pukul setengah dua belas ― aku sudah menunggunya sejak pukul sebelas lewat, sekarang pukul satu, dan lima menit lagi ia akan datang. Menghabiskan waktu seharian bersama Mahesa selalu menjadi momen istimewa bagiku, membuat jantung jumpalitan tak karuan, dan berakhir tersenyum-senyum sendiri setiap kali sebelum memejamkan mata di atas tempat tidur pada malam hari. Singkatnya adalah orang ini selalu membuatku bahagia, sadar atau tidak sadar dirinya, ialah sumber kebahagiaanku. Bulan dan bintang bagi malamku.
OK. Kubalas pesannya, lalu kubuka pesan-pesan lain yang mungkin belum kubuka. Tidak ada pesan lain atau telepon. Belum ada telepon dari Ayah ataupun pesan singkat. Entah kapan ia akan pulang. Entah kapan ia akan menyempatkan diri membuka kalender, teringat akan sesuatu, dan mengucapkan, “Selamat ulangtahun.”.
Aku berjanji tidak pernah ingin jadi orang yang hidup tanpa memiliki waktu.
Bel berbunyi dan pintu diketuk. Spontan, aku merapikan rambut, memakai tas selempang, dan bangkit. Kusiapkan senyum terbaik untuk menyambut Mahesa. Setelah pintu kubuka, senyumku langsung sirna. Mang Ijang, tukang pos daerah kami yang malah muncul.
“Siang Mbak Maura, ada tiga surat buat Bapak,” dia menyerahkan tiga surat berbentuk persegi panjang yang sangat familiar bagiku. Sudah berpuluh, bahkan mungkin ratusan kali aku menerima surat macam ini sejak lima tahun terakhir. Kubaca nama perusahaan yang tertera di kop surat itu. Masih sama seperti biasanya; bank, perusahaan listrik, perusahaan telepon.
“Tandatangan di sini dulu, Mbak,” Mang Ijang menyerahkan pulpen dan sebuah kertas tanda terima surat. Setelah kutandatangani, ia pergi.
Kubuka surat itu satu per satu sambil duduk di kursi teras. Surat-surat tagihan, seperti biasa. Hampir dua bulan rupanya Ayah tidak membayar tagihan telepon. Aku bahkan tidak berselera lagi membaca nominalnya. Aku menghela napas dan memandangi jalanan kosong di depan rumah. Kuputuskan untuk memakai earphone, memilih playlist di aplikasi musik, menunggu Mahesa di kursi teras sambil ditemani angin semilir.
5 menit.
Everything is Embarrassing – Sky Ferreira.
10 menit.
Please, Please, Please, Let Me Get What I Want – The Smiths.
15 menit.
Love Song – The Cure.
Dua puluh menit kemudian, Mahesa datang. Senyumku seketika merekah, walaupun ia terlihat begitu lelah. Kaos polo abu-abunya basah oleh keringat, dahinya dibanjiri keringat, napasnya terengah-engah dengan ritme yang tak beraturan. Aku duduk di sampingnya yang memegang kemudi dan masih bisa mencium wangi parfumnya samar-samar, meskipun tujuh puluh persennya sudah bercampur dengan semerbak peluh. Tapi, siapa peduli? Menurutku, ia tetap mengagumkan.
“Maaf lama, Ra. Tadi ada urusan penting yang mendadak,” katanya sambil memilih-milih saluran radio. 19.2, saluran radio yang khusus memutarkan musik-musik indie dan jadul. Mungkin ini salah satunya mengapa sejak awal aku tertarik dengan manusia yang satu ini dan berujung benar-benar mengaguminya, kami menyukai jenis musik yang sama. “Jadi, ke mana kita hari ini? Dan, akan mengobservasi apa?”
Kubuka catatan jadwal terakhir kami, “Hmm. Hari ini jadwal kita ke galeri seni kontemporer yang ada di sebelah balai kota dan pameran seni di hotel Metropolite. Kita bakal mengobservasi lukisan kontemporer supaya bisa membandingkan dengan jenis lukisan yang lain.”
Kamu benar, sesungguhnya ini hanyalah sekadar tugas kelompok bahasa Indonesia. Mungkin bagi Mahesa begitu, tapi bagiku bukan sama sekali. Kuanggap ini sebuah kebetulan yang ajaib. Kebetulan kami sekelompok. Kebetulan kami berdua sama-sama tidak masuk di hari ketika guru Bahasa Indonesia kami membagikan kelompok dan kami masuk ke dalam kelompok terakhir, kelompok sisa. Kebetulan kami memilih tema seni lukis dan belum ada kelompok lain yang mengambil topik itu. Kebetulan dua anggota kelompok kami yang lainnya tidak bisa diandalkan, yang satunya sakit berat dan yang satunya lagi sudah dikeluarkan dari sekolah sejak bulan lalu. Kebetulan hanya aku dan Mahesa yang tidak bermasalah. Maka, hanya kami berdua yang selalu jalan ke tempat-tempat untuk mengobservasi. Sejak saat itu, aku percaya akan keajaiban.
---
Semuanya berawal dari pertemuan singkat kami di minggu keempat kelas sebelas. Oke, ralat, bukan sebuah pertemuan lebih tepatnya, melainkan hanya aku yang memandanginya dari jauh. Namun, itu satu-satunya kejadian yang mungkin dapat memberi jawaban atas pertanyaan mengapa dan bagaimana perasaan ini bisa muncul. Bukan secara tidak sengaja dan spontan seperti yang biasa kau dapatkan di adegan jatuh cinta pada film-film romansa norak, tetapi adeganku sederhana, penuh kehati-hatian, dan perlahan.
Kelas sebelas adalah tahun yang cukup sulit bagiku. My dad was busy more than ever—well, until now dan itu tahun pertama Mas Kekar menginjakkan kaki di dunia perkuliahan. Dia diterima di salah satu universitas negeri ternama di Bandung, jadi hanya pulang ke rumah setiap akhir bulan. Aku punya waktu sendirian di rumah dengan jumlah yang berlebih.
In that year, my friends left me. Ghia pindah ke luar kota dan Kalista bergabung dengan anak-anak populer sejak mendaftar sebagai anggota baru di tim pemandu sorak. Kami hanya makan siang bersama pada beberapa hari di minggu pertama sekolah, setelah itu dia selalu dikelilingi dan menjadi bagian dari kelompok cewek-cewek pemakai lip tint merah dan seragam yang dikecilkan. Aku mengerti, barangkali dia memang menginginkan posisi itu sejak lama dan citra dirinya memang melejit pesat, membuat semua leher anak cowok melirik barang beberapa detik setiap ia berjalan di tengah koridor. Lagipula, jika ia sudah mendapatkan status sosial yang sangat hebat itu, mana mungkin dia masih mau berteman dengan orang sepertiku? Maura, the average one, yang selalu mendengarkan musik lewat earphone, yang lebih banyak menyantap bekal di dalam kelas pada jam istirahat. Aku hanya masih tidak paham bagaimana seseorang yang semula kau kenal bisa berubah menjadi orang lain secepat itu.
Tapi, hal lainnya yang cukup melegakan di tahun itu adalah aku bertemu dengan Indira. Kami berkenalan pada hari Senin di minggu kedua kelas sebelas, hari pertama dia masuk sekolah setelah seminggu penuh dirawat di rumah sakit karena DBD. Begitu melihatku duduk sendirian di baris paling belakang, dia buru-buru menghampiri sambil bertanya, “Sebelahmu kosong?”. Sejak itulah kami berteman.
Indira dan teman-temannya biasa menghabiskan makan siang di bangku koridor lantai satu yang menghadap ke lapangan, bukan di kantin. Walaupun secara harfiah aku bukan salah satu bagian dari kelompok pertemanan mereka, Indira selalu mengajakku bergabung dan orang-orang baik itu rupanya menerimaku.
Di bangku koridor itu kali pertama aku memerhatikan anak laki-laki yang bermain bola setiap jam istirahat kedua. Hanya ada dua-tiga orang kukenal, itu juga karena mereka teman sekelasku sekarang atau di kelas sepuluh, sementara selebihnya orang asing bagiku. Di antaranya ada yang berperawakan tinggi, rambut tebal, rahang yang tegas. Aku hanya belum tahu siapa namanya waktu itu.
Selanjutnya, aku bertemu dengan laki-laki itu di kantin, sedang duduk bersama beberapa cowok yang tidak kukenal, tertawa lepas. Mungkin karena aku jarang ke kantin, aku baru melihatnya di sana waktu itu. Pada acara demo ekskul, aku melihat dia lagi. Bermain bass di atas panggung. Anggota klub musik rupanya. Pemain bass. Pada hari-hari berikutnya, aku lebih sering melihatnya berjalan di koridor depan kelasku, kadang sendirian dengan earphone, kadang ada beberapa temannya. Anak kelas sebelas juga rupanya, jurusan IPS juga. Hari-hari berikutnya, selalu kutengokkan kepala ke jendela setiap kali ia lewat di depan kelasku. Aku penasaran, kenapa mataku tidak pernah melihat orang semenarik dia sebelumnya? Dan, kenapa dia hanya muncul di tempat dan saat-saat tertentu, seperti saat istirahat, masuk sekolah, dan jam pulang? Hari-hari berikutnya, berpapasan dengannya membuatku senang sekaligus semakin penasaran. Dia anggota klub fotografi juga, aktif, sering memimpin rapat anggota di kantin sepulang sekolah, dan ternyata karyanya banyak dipublikasikan di majalah sekolah. Dari situ aku tahu namanya, Mahesa.
---
“Geser ke kanan sedikit. Bukan, bukan, sedikiiit lagi. Sedikiiit, oke, pas!”
Sebagai dokumentasi, Mahesa memotret beberapa lukisan dari berbagai angle dan beberapa kali memintaku untuk berpose ala-ala tak sadar kamera. Tentu saja aku pasti bersedia, selalu bersedia. Dia juga merekam keadaan sekitar dalam bentuk video, yang katanya, bakal dia edit menjadi super artsy.
“Percaya sama gue, kita bakal jadi tim paling keren yang menghasilkan dokumentasi paling berseni, Ra,” kata Mahesa sambil tersenyum sendiri melihat hasil jepretannya.
Destinasi terakhir kami—pameran lukisan yang sedang digelar selama seminggu di hotel Metropolite—akan tutup sepuluh menit lagi, tepat pukul tujuh malam. Setelah terakhir kalinya Mahesa merekam keadaan pameran dan beberapa pengunjung yang masih melihat-lihat, baterai kameranya habis. Sebelum pulang, Mahesa bilang dia tahu tempat makan enak di sekitaran sini. Jadi, kami mampir untuk mengisi perut dengan soto ayam dan berbincang-bincang sebentar, setelah itu baru benar-benar pulang.
Di perjalanan pulang, derai hujan turun perlahan. Karena rumah kami terletak di pinggiran kota, jadi kami harus melalui jalan tol atau kalau tidak, akan lebih jauh. Mahesa memencet-mencet tombol radio, mencari saluran nomor 19.2, tapi setelah mendengar acara yang dibawakan penyiar radio, dia langsung mengganti asal saluran radio yang lain. Saluran radio yang menyiarkan lagu-lagu pop kekinian yang sedang hits.
“Sekali-kali dengerin genre lain, ya, Ra,” katanya sambil menginjak rem. Jalanan seketika padat merayap di depan kami. Mungkin karena hujan mulai deras, jalanan mulai tergenang, orang-orang mengemudi dengan lebih hati-hati.

(bersambung.)

waking me up without saying farewell
to the ties i have knotted in my dreams
because reality unties them without asking.
waking me up without warning
you speak through cold hard teeth life is what you make it,
living through dreams will only drown your luck.
face facts, i'd rather face your face and kiss it in my dreams

in my dreams
you are waking me up to a hollow grave
cause your love is dead to me
like roseless stems and winter tree limbs

waking me up from daydreams
you said i should be here not there
but in reality i am falling to pieces
in my dreams i am collected into one gallery of what i want to be
and isn't that so wrong?

/                                america, july 18th:
  and the utter media shambles -
like ****** and steroids
for the uninitiated -
     tongues without the rattlesnake
trill of an ᚨᚱ:
   numbed w'ah w'ah peddling
of woe to row the sinking boat:
maniac adult funfair
attempting a nostalgia
for the playground game
of bulldog...

                russia, 25th march:
the kemerovo fire (siberia) -
          children frying, screaming,
perhaps even hoping -
  a shying herod, the example
of: as moloch descended...
          prayers in the fire
                  by the innocents...

england, july 19th -
   alternative to rehydrating
using water...
    a generous 5 hour sleep -
******* on the remains
of last night's lemon
     used to infuse the subtle
smoky of bell's whiskey,
playlist:

- the jon spencer blues
  explosion (bellbottoms)
- britney spears (criminal)
- twenty one pilots (heathens)
- calvin harris (this is what you came for)
- camila cabello (habana)
- rihanna (disturbia)
- birdbrain (youth of america)
- ghost (ritual)
- focus (hocus pocus)
- edwyn collins (a girl like you)
- the guess who (american woman)
- the knack (my sharona)
- cronica (herr mannelig)

and then onto buckling in
4 beers and thinking
about black holes as the pin-head
of antimatter -
a dead sun...
     dead, but not dead...

   and the first, crude graphic
tomb raider game...

   rather than having completed
it...
     since only owning
a demo...

                 investigating
the possibility of 2D objects in
3D space...
       well: the universe isn't even
exactly 3D: it's hyper-3D...
    but in the tomb raider game
you could walk up to a minor
detail in the game, a fern,
and observe two-dimensionality
in a "three dimensional space"...

   namely: the ferns were all 2D,
and rotated within a "hyperbole"
of the eye -
   however you observed the "object"
it rotated round and round,
never allowing you to see
    its demoniac otherside -

i can only expect dead suns to
behave in such a manner -
   two dimensional objects in a three
dimensional subject matter -
almost paradoxical -

     rotating at immense speed...
invigorating a near but not quiet
a postportem of a death...

       and you really can see UV light
surface
staring at a glaring hot sun with
a naked eye -
   and see the same hyper-rotation -
it's almost like looking at
molten silver, but with a hint
of violet - i.e. akin phosphorescence:
but in the daytime...

and who said you need to
ingest hallucinogenics -
    and enter the labyrinth of a short,
short, history,
    of the chipmunk caveman?

i'm just drunk, you're probably
sober...
    but those guys doing
a timothy leary sermon?
   they're...
     gone.......................... gone -
     they hit the tangens curve.

https://soundcloud.com/apexparadigm/11-11-demo

25/16 time. 6+6+6+7. Enjoy.

Each time you smile..
Each time the sparkle of your eyes meet my eyes...
Each time the wind  caresses your hair..
Each time the melody of your voice fills the air...
You are demoing your soul...
Your most precious asset....

West reality made so
that people forced to consume
whatever material or unmaterial goods
here any protest is legalised
in form of demo
which is necessary surround by police
northeless there are people exist who are illegal
beside of refugees from east lands
there also socalled  insane people
who are locked in closed loony bin
or hunted like amok
untill they really get insane
if you take separately each after other
their fate and observe it precise
you will find there all the evil of
patriarchal repression
what is the consequence of capitalism
patriarchal repression
which is so masterfully comuflaged in west
but since the victims, the renegades live on rand of society
no one ever take their lifes and deaths under lenses
just example:
feminists dont fight for the rights of the debased woman
 in their neigbourhood
but just speculate about arbitrageness in Iran
not ever able to change something in afar lands
they simply ignore evil which happens beside them
every day, every night
there is pseudo-publicity in capitalism
since those who rebel against
become mostly so oppressed
that they never ever get any chance to
speak out loud
and revenge!
While those anarchists and punks
who squats in city and towns
will never give political asylum
to the one who's life circumtances
penetrate to be betrayed by friends
living on the streets and parks
and hunted by psychiatry
during anarchists and punks are not
real activists of underground
but just kind of subculture
which live quite comfortably in capitalism
it just funky to be anarchist or punk
and nobody knows how they will act
in critical situation
I lost my believe on socalled leftists
in fact they are same equal part of society
like bankers or yuppies
with a difference that they
pretend  they still had some ideals!
known to many
believed by the few as
the truth
Accordingly my individual struggle their claim
is nothing as fallacy
whom believe? Whom with resist in action?
Where hides real iconoclasts?

The streets became the targets
targeted by meaner men
and women too,
in march across the capital
making capital of
circumstance.
Which would dance around the pole now that May has gone?
who are these devils in disguise who seek to tell the ignorant and uninterested lies
and lies they tell
that sell their ideology
to you
not me
for I can see them in the power zone if what they want to call their home
but home for them will never be
the homeland of democracy.
People see it every day attacks against the homeless,gay and any other sort whose parents once set sail from some distant sunlit port to find a better way
and life would only have it
that these devils want to take a bit away from them
these meaner men and women too
would take it all away from you
so watch your back
they don't care when
or how they attack
but it's usually in packs like cowards do.
I'm watching them
are you?

SUNDAY
written: July 13, 09 sunday (of course)

simplicity just isnt me
intricate intamacy
leaves me breatheless
helpless

don't leave me here naked
stripped of all i am
don't leave me here now to die in my shame
and give into my concioius screaming my name
this is where you take away the pain
you inflict on me
help me breathe
please

and i broke
though i swore i wouldn't
and i only blame myself
and they tell me i shouldn't
i should hate you
for only wanting this from me
but i couldn't stand too make you unhappy

your miserable
and i pity your insanity
and i'm terrible
for trying to make you happy
at least that's what they think

i'm torn
and i don't want to do this anymore
but i can't stand to let you go cuz it'd hurt you,hurt me more then you know

you help me breathe
the only thing keeping me sane while pushing me over the edge of insanity
the pain oh the pain

let me pull up my pants
i can't unless you tell me your satisfied with me
finally happy
ive given up fighting agaist your hands
someday they'll understand why i can't live without them

your invisible touch
suduction that inspires my ****** lust
for you
this is all i have to do
to prove to you i'm true  

pocessed by you
obsessed with you
undress for you
because you asked me too

pocessed by you
obsessed with you
undress for you
because you need me too

it's the least i can do
for someone so upset
for someone who needs me
i can't hold regret
for you, i'll never forget
though remembering makes me sick
a lifetime of this uncurable illness
a sacrafice i took to try to save you from your disease
and i'd willing die naked to save you from your suffering

SILENCE THA VOICES

written: july 8th,09 wendsday

breaking all tha glass
forgetting all tha terror
everything feels better when i can't remember
you

forgetting the pain is impossible
the more i try
the more i **** my soul

the more i **** myself
it's to late for help

these 4 white walls
reflect my insanity
torture my mind by locking me behind with these voices
that whisper me lies
and i cry
because i know their right

then these walls turn to glass
and everyone can see me destroyed
no more secrets to protect myself from the noise
and you look into my eyes
and i scream with the voices that's mine

no where to hide
i can't take the exposure
i can never have closeur
this has to be over

silence tha voices

silence tha voices

silence tha noises

i love you

breaking all tha glass
forgetting all tha terror
everything feels better when i can't remember
you

All Of ME
written: july 8th, 09 Wednesday

broken desire,
unbearable pain,
haunting passion,
white room dreams,
all equal secret insanity.
all equal me.

your skin
your lips
your eyes
your tears
temptations that possess me

i still dream of you
and it pushes me over tha edge
as i scream in slience
and i hear you voice in my head
suductive and kindless

taunting me
haunting me

just illision
i'm delusional

i want you so badly
you make me forget
the regret
and the incurable infections of my heart

you can call me selfish
i am
but your a insure desperate man

paranoid thoughts,
deprived imagination,
isolated pride
and sweet desperation

you and me and our bodies
you and me and our bodies

entwined
as i breathe in your name
and my lungs hurt with tha pain

something i can never have
i tasted the sweetness and i want it bad

your magical sin
giving in.....to impurities  

now you have all of me

I am not well liked.  no human will admit.  having a kid puts ***** on a scarecrow.  what happens after Christ stays during.  a dog’s mouth runs into my mouth and I am alerted to my preferential treatment.  phase one puts a headlight in a deer.  phase two will be there I promise I tremble.  a bad shadow of a bare tree by artist.  naked down it like a fire pole on a day I toured children.  the womb depends on where the mother points it.  she can’t just end up in heaven.

My contri people
I tire for this mata
Person run go there na wahala
Person waka come here
I beg wen I see
Serious kasala

My contri people
Story full ground
Na so Aisha for detim side
Dem no fit go school
Dem no even fit sleep well
Unto say these people
Dem call BH
Fit just scatter ground

My contri people
We young soji people
We bin reason am say
If we hustle go school
Lock up for morning and afternoon
Softly arrange Ewa Agoyin for night
We believe say our Suru go lere


My contri people
Person turn ogbologbo for school
Sake of say na wetin
Sake of say na so so strike, haba
My contri people
Dis no be story for us o
Na story for the gods

E no get any work for any where
How person wan do Bad guys
Pepper no rest

Day before yesterday
Yomi just come lament
Unto say him chikala done follow one Chidi
Way come from America
International
Yomi say Shade say
'' I am not getting younger
   My biological time is ticking
   You are 37 still leaving with your parents
    I hope you understand''

My guy breakdown
Come to think of the mata
Shade get truth for her talk
She done tire, she done try , she done wait
If na your sista nko, omo na to port na
She got to move on mehnn
I no blame her

Now dem say na election
******* mehnn
As you see me so, I no send
Dem say DEMOCRACY
Demo wat
I say demo fire

My contri people
I NO VOTE
I VOTE O, I NO VOTE O
Who go win go still win
We cry o, die o, shout o
Dem go just look us like lucozade

My country people
people dey bailout
Go yonder
I send dem now
Because that na the way forward
Ds mata no be today
Story full ground
My countri people



Written By; Esther Esuga

Hot/Cold, Part 2

Hot endings, cold starts.
Hot feelings, cold marks.
Hot temper with a cold reaction.
Hot double barrel with cold pump action.
Hot church with a cold congregation.
Hot merch with cold affiliations.
Hot meat, cold wine.
Hot dollar, cold dime.
Hot queens with their cold mink.
Hot kings with their cold links.
Hot art with cold reception.
Hot mirror and a cold reflection.
Hot woman with a cold reputation.
Hot main chick with a cold side on placement.
Hot funk and cold R&B.;
Hot world but the colds all I see.
Hot information, cold intelligence.
Hot faults, then cold recompense.
Hot forgiveness, cold mistakes.
Regardless of what the world intakes.
Hot ignorance and cold oblivion,
are bliss to those who favour dominion.
Hot pathogens and cold diseases.
Hot gold with the cold diamond pieces.
Hot gat within a cold Gucci belt.
Hot knife inside the skin it starts to melt.
Hot love for God and the cold religion.
Hot pain after a cold circumcision.
Hot skin, cold whip.
Hot hands, cold grip.
Hot city, cold ghetto.
Hot calls, but no memo.
Hot rapper with no demo.
Hot baller with no c-notes.
Hot thoughts, cold emotions.
Hot theories and cold notions.
Hot models with their cold body motions.
Hot love before the warm heart ceases.
Hot hatred 'fore the cold heart seizes.

I look at you all see the love there that's sleeping
While my guitar gently weeps
I look at the floor and I see it needs sweeping
Still my guitar gently weeps.

I don't know why nobody told you
How to unfold your love
I don't know how someone controlled you
They bought and sold you.

I look at the world and I notice it's turning
While my guitar gently weeps
With every mistake we must surely be learning
Still my guitar gently weeps.

I don't know how you were diverted
You were perverted too
I don't know how you were inverted
No one alerted you.

These were two verses from a demo version of the song that didn't make the final recorded version:

"I look at you all, see the love there that's sleeping
While my guitar gently weeps
Problems you sow are the troubles you're reaping
Still my guitar gently weeps
I look at the trouble and hate that is raging
While my guitar gently weeps
As I'm sitting here, doing nothing but ageing
Still my guitar gently weeps"

And then this verse which came from another take of the song and is now included on the Love Album

"I look from the wings at the play you are staging
While my guitar gently weeps
As I'm sitting here doing nothing but ageing
Still my guitar gently weeps"

"My Curiosity"

(Whats her name? Now why won't she stop and talk to me?)

Trying all day to find the right merge, planning every way just how to quench this here urge
Now walking my way, I may come on to her, dare I not scare her, should I loose this cool...

All I want is just to take-a-peek, as she grabs my... attention: is she too shy to speak?

Until this fine girl I met; she hadn't found me yet - Well, there ain’t no crime in tryin', so don’t get so upset

It’s just my curiosity!  It’s got the better, the better of me
(ay ay ay ay) I can’t help if I like what I see

The chance comes once, only once in-a-while
We might just flip it upside-down tonight, so's I can teach her how to smile!

(Drums: Boom Ba Boom Ba Boom Ba Boom Boom Bap!)

Now hidin' my face isn't what I do best - I just want to know ifin' I can pass her test
You see it makes no difference if I embarrass myself
Hell, that's the only way I know to find me somebody else

I’m a thrill hunter, not some geek, Better hurry up, like there’s no time to be meek

Some say it’s the thing that really killed the cat - Well, I got nine lives: an' I ain’t turning back

It's just...My curiosity!  That's got the better, the better of me
(ay ay ay ay) I can’t help if I like what I see

Them pretty things come once, only once in-a-while
I'm gonna smash her bedroom wall, make her flower stand tall!

Say pretty lady, now maybe be sad, but I ain't no stalker or Moon howlin' mad
Say like when you give me the time of day, you might just spend a minute, not just walk away...

And satisfy, satisfy... My Curiosity!
Why, ay, ay satisfy, satisfy this: hungry guy you see!
Well satisfy, satisfy all of my curiosities
(Why ay ay) satisfy, satisfy this lonely night come see
Just make Love to Me!

David Wayne Clare  (c) In Perpetuity - ALL RIGHTS RESERVED
Clairvoyant Music / BMI

www.mynoisyplanet.com/davidjohnclare

Rockin country lyrics
Non plagiarized

crude a cappella demo on YouTube

Link here

My Curiosity  a cappella demo: http://youtu.be/tBk0n8xC2TI

Thank you!

And I don't give a **** that's my whole M.O.
I rock the whole globe with no problemo
Been rocking coats since my first demo
And now I'm banging hoes in the continental
And I done seen me slidin' out my dope ride
I open up the doorsthe doors, suicide
I came from the bottom, the sewer side
I made it to the topthe top cause I do it fly
Feelin' ******' lucky like the ******' Irish
I see the whole game from my third Iris
I tour the whole world like a ***** pirate
To give the whole club some Miley Cyrus

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Lets to say a ball of stone and a ball of paper were dropped by hand. If we exclude surface area and resistance, they will fall at the same speed. If two people fall in love, they fall with the same speed. It does not matter what origins they come from, or something to make use of.

If I fall in love, I think it would be beautiful that no one will be able to explain it....

I should shut up soon, zip up
My mouth and hack my pen
Maybe I can stay with orange
Ink and licit words spread
All over the place. You bet.
Get me some poison Iago!

Forest and its men; O-M-G-
‘Underdeveloped illiterate pigs’
"Fish! We need development
**** it all, one by one and make-
A main streamers committee"
Get me some poison Iago!

I should soon quit voting
If am ordered to ink my nail for
A caste, a religion or a loser
Maybe I should vote, but
There's a shoot at sight notice.Oops.
Get me some poison Iago!

DIG-IT-ALl? Total babe!
Let’s talk about empowerment
And a survey on farmer’s suicide
But no new-generation
“mushy mushy”, save our culture
Get me some poison Iago!

I should stop eating as well,
Cook books unavailable, animals
Went back to temples (****!)
I really have a bad taste for
Green-lush-healthy-vegetables
Get me some poison Iago!

“Get inside, get inside”
Set an alarm and get inside
“Cover up, cover up”
Never dream an opening up
“Rapists are rapping out there”
Get me some poison Iago!

We are DEMO-crazy! Hell yea!
Where is my salvation?
Killer idea sirji! Killer idea!
“***** tonight?”
“Hang up. Someone’s knocking”
Get me some poison Iago!

it all makes sense after a beer and a whiskey, honestly, as honest as is this statement, i'm only a misogynist with regards to white girls, who i find so, so adequate for feministic fickleness that they could never produce 1 billion blue indians or 1 billion chinese.

i tell you how it started, i was at university,
first year i met this french psychology exchange
student, she was older than me,
she got drunk at one party and crawled into my bed,
when i climbed and felt frisky,
she just told me to put a ****** on,
prior to she was stiff watching some cartoon
by studio ghibli, man i was young and frisky
about loose the white of virginity and enter
the blackness of personal psychologies
passing via the rainbow of the visible world,
it didn't work out with isabel, we climbed
arthur's seat and took a picture
while she scolded me for napoleon
and the duchy of warsaw as the re-emergence
of poland but missed marquis de sade's picture
hanging on the wall... who's sick then,
the one who pleases the many or the one who
displeases a few?
plato's picture also hanged on the wall...
she was oblivious to the fact that an 8 year old
child can be categorised as a native speaker,
because that's when i started my anglo oral examination
to speak it.
later i spotted her after my first session with a bottle
of whiskey in lycra, going to the initiation ceremony
for the lacrosse team... i never joined... i just puked
into a bucket.
you never realise that when people label themselves:
i'm an atheist... i'm a christian... i'm a muslim...
i'm agnostic... you see the labels... you see how
they rememeber of themselves in terms of nanometres?
they kept their memory very cancerous...
the proto-socratic maxim in modern times
stands as: remember yourself, knowing nothing
is worth the existence of an encyclopedia -
feel and make the facts absentee...
just remember yourself as some point in your life
to re- re- repeat yourself so i can known you
as i can know myself, just so we can interact
like in a school playground... if you don't...
forget it... stay with your ***** **** stiches of a partner
and tell me whether your children got an a at a-level.
so he told me about her eagerness for *** with
strangers... she was apparently abducted...
so he told me he ****** her... believing him...
not getting enough... i went to a brothel in my second year,
and i didn't really understand the emotions of
someone who's ~******* outside a brothel,
well she really did let that one rip among one of the
major proofs of solispsism: someone farted in a crowded
space and appreciated by himself alone,
all the perfume companies who even hired
the best chemists could produce the scent of solipsism,
therefore the proof of solipsism: we appreciate our own
but loath the ****-burp of others; hey, i just took
all the theories of existentialism into hades via ****.
but that's the thing - back when darwinism was
active, active enough to build pyramids, motto active:
strength multiplied by ****... back then...
chaos known as god entered and said this that
and the other... we can now say democracy is safe...
demo tapes everywhere, half complete scripts...
but the limit of democracy comes when
you start to disagree with yourself... that's the limit...
obviously a high proportion of people
succumbed to the democratic weakness
and started to disagree with themselves or
the ontological starting point and ventured into
ethical questions to give birth to conscience...
first year was magical, second year had a highlight
where me and this guy played golf on the street
with glasses, smashing them next to a graveyard...
about a dozen jewish couples got married
when we took over stomping the glass with golf sticks...
so it's like this, make memory as selective as nature is,
as bizarre as the colour of magpies and parrots...
plus... you wouldn't get existentialism
if you changed the cartesian expression that
thought precipitates into existence...
sarte's explanation that existence comes prior to essence
is true, he stresses the essence: i think,
but existence doesn't really precipitate into thought,
because then we're all analogue: god doesn't exist
because of such and such parasite...
this world is beautiful but harsh, but with harshness
comes adventure and with beauty laziness...
what's crucial is to curb the precipitation of thought
into existence... unless you innovate and materialise
a telescope or paracetamol... for the majority of us
the one thing guiding us is not res cogitans,
but res vanus... not the thinking thing, but the empty thing,
and the empty thing is primarily filled
with the first linear association, thought, and later
being - which is why most of us think about being millionaires
but never are... and therefore create the lottery,
then we put our thinking into to being millionaires
as a mere chance, luck... which is really emotionally debilitating.
i agree... an unjust world of freedom with a just god
who's whimsical existence has freedom like ours...
rather than a just world of slavery with an unjust
god who plays us like puppets;
go on, complain... but that's hardly a logic i wish i could
understand like 1 + 1.

-Mariah: "what makes you different"?
•Johnathan: "I don't want you, I need you"
-Mariah: "what do you need from me"?
•Johnathan: "I need your heart and I need to give you mines"
-Mariah: "What are you gonna do with my heart"?
•Johnathan: "I'm going to cradle it right aside my own, I'm going to compress them together so I won't miss a beat of your life"
-Mariah: "well you already missed every beat up until now. My heart has taken a beaten and I don't think you can heal it"
•Johnathan: "I can't heal it by myself you have to help me"
-Mariah: "If you're good enough of a man then you can do it alone"
•Johnathan: (interrupting) "wrong"
-Mariah: "I need a man to be able to carry the load. I'm right I don't think that you can do it, and if you can't do it by yourself you can't do it"
•Johnathan: "So you're telling me that you want a man who put up all the effort to comfort and please you but in return his heart remain empty; what are you gonna do to keep love loving you?"
-Mariah: "I usually make a guy prove to me that he really love me before I can show him my love, I'm worth it. Right?"
•Johnathan: "it's not all about worthiness. Worthiness doesn't always consist of how much value another person place upon you. Especially if a person don't get the results from what they invested all their time and mind in. If the person isn't satisfied themselves, they're only tired, then where's the "worth" in that deal? That's only gambling"
-Mariah: "So you're telling me that I'm not worth it"?
•Johnathan: "Mariah listen do you think I would be here trying to fix something that's broke if it doesn't mean anything?"
-Mariah: "I don't know would you? And how am I suppose to know that you're not just trying to break me more?"
•Johnathan: "because if I was trying to break your more I would tell you that you're only useful for pleasure. Besides if you remember, I said that I wanna give you my heart as well; therefore, I'm putting my feelings on the line too. I can get hurt as well as you could. You do know men can hurt huh?"
-Mariah: "Every man that I came across seem not to care, so from my experience I don't know if men hurt. Men only seem to think and feel with their penises. Look I heard it all and I'm tired of men I don't wanna hear anymore lies"
•Johnathan: "Well have you ever thought that it was just the men that you are attracted to? And have you ever thought that you are attracted to boys and not men? And have you ever considered the fact that boys only do exactly what it is that they think they can do? So mistreating you, lying, and relying solely on ****** relations they thought was well within their rights; moreover, the rights that you granted them".
-Mariah: (She storms off angrily without saying anything)

The truth is blistering to lies told and  lies lived.
Hearing the truth kills all disputes
But if she's scared of the truth then she'll find herself comforted by lies
Men try to be supplementary to souls
And boys deter lives
They chase thrilling moments
And if she run off of fun as well, then let the games begin
But the heart is so dramatic that excitement always ends
Serious men...
Come along and by then pain is plain
She's used to it like a pilot in a plane soaring over terrain
And love is a joystick
She only had a demo
Mistakenly she judges the entire franchise from the games that the rookies played
Discrediting hall of fame names and the ones who has not yet been  inducted
She handed her heart to freshmen and they muffed it
They were too inexperienced to coach her that when she  hear the truth to trust it

Mariah is used to liars
Johnathan is a honest man

-------------
Time's were hard, we see,
as we look back and wonder, asking
actually,
wondering
is asking who knew, or knows,
at the ha,
a breath acclaiming exhaled, huff.
I know. It acts as if, I am the prey, in quest…

Of course, in slow, out burst… ah wit' ha a aitch
witches silence, 'ear ye, 'ear ye,
order in the court,
the open court before the temple,

gather, all ye hinderers and holder-backs, rally
round the banner over us,
which is love of duty to God and Country,

¿Eh, little man, dis tinctual intel, confi, semper set,
semper fi, do or die, or do and die, why
is not a factor,
or luck is not a factor, time and chance, dance…

dance with this wondering mind, wishing to be
of some significance, when plopped
on the scale,
for what it is worth,
for the cost
to fit the three strand thread
from Delphi riddles writ
in Greek et Ebersprachen Proverbs
from the very early days,
collected fragments
of ever ago, cetera

as far as ships had sailed, we know, now
we have sailed farther,
we have flown, as far as our perception may
hold the experience,
as power we may use, if we choose, buy a ticket,
wait in line…

read one hundred and forty seven maxims,
think three missing, for I was told to find
one hundred and fifty pre-positioning
glyphs, single sign, single signal, taken

as given, one will to wonder, one to wonder why.

I am at the moment Qwerty Guy, qwertying code,
in clear text,
through sieves witches were known, to use,
by King James, the first, of England,
who wrote the book on sorting
witches from his loyal servants,

all sworn to alliegiance,
to the king of two kingdoms, all stand,

Come to order, let the judgement begin…
in this worlds interpretation,
of ἐγγύα πάρα δ'ἄτα
- Swear not at all… Certainty makes madness
after we recall, there needs be order, must be
in the court,
where each man, wombed or un, and possibly,
old or young, or, better said,
old from young, must judge the angels
we each trust to always see things our way
- draw the right vectors, from my POV
- Graphic communication demo
Cartesian, belling thing, seen on two dimensions,
to and from, but here
the point
the readers perceptivity
to the precept set in ifery was,
so quite long ago we lost our grip,

holding, holding, holding that thought,
we thought, a chapter or so ago, you know
we thought,
ever
was a thinkable thing, and we thought it.

------------- Proud of it, too.
Dis, take it
Easy, you are privileged, legated privacy
for knowing what may be known,
in the realm of all you may ever know.

Gnostic mystic alien ties
religamental truth coded moral worth,
stores of stories studied in hope,
choking on the dust, those missing,
layers,
the bringers of peace,
the releasers of the knowing to the chosen,
those selected by childish preferences,
to become the model image
of good done right,
as natural as
sneezing whole armys into being,
after sowing dragon's teeth for years.
All we agree, we may imagine, making up

Messengers from former days,
telling us to mend our ways,
no, telling us, to get a grip.
Oracles or angels, or mass hysteria,
none portrayed as boogermen and witches,
wrinkled hags and fatphag priests in shades.
At you, we see the dust blown.
Celebrate.
A series of sneezes axon-triggering,
deep anti-histamine relief reaction, coming on,

must be something in the wind,
must be my body, reacting, doing what must
be done,
or I shall die, or I shall die, each sneeze,
from within me cries,
no, from inside,
we whisper, prepare, to not spray snot,
in civilized mindspacetime patterning arrays.

and in our childhood we beheld the beauty of
theocracy - all of us - bedazzled by it,
enthralled by it, we reached the pinnacle
there and then - in our childhood we beheld
the beauty of theocracy - each and every one of
us cherubs worthy a plucking for the heavenly
choir - and like Adam and knowing through
to Eve and un-knowing that a man might
riddle trousers with a kilt - just like that,
it's not a belief in god that's required - far from it -
in childhood we sensed theocracy - the grand
hall oratory place of inconvenience - a talk to the hand
moment; thank yous and not yous -
we were too young to formulate a being as grand
as god - too young - even though it was implanted
in us by others that came prior - we're maturer now,
it's not the idea of god - we were young and
the prospect always hanged in the air of inhibition -
we weren't entirely eager to exhibit prayer and petulance
equally - in childhood as in nostalgia (for the two
are equal in meaning - a rarity to remember outside
childhood, romanticism and whatnot) - in childhood
as in nostalgia it's not god we're searching for,
it's more or less: theocracy - we're nostalgic about
a system of politics that overshadows what came with
the fall / maturity of man - man answered democracy!
and so it was - our version of politics always sends
a shiver down my spine - belief in the midgets of
the caricature of spine-and-wing is not that far apart -
no one in their truest mindset is searching for a god
in order to receive ridicule, not a personal god that
overpowers a man's personality to a U-turn abstract
of what was formerly known of a man -
against the strain of that some champion as necessary:
individuation - the pressure to a coup d'individu -
that sort of god isn't there - the pressure is to find a
the once intrinsic theocracy of childhood -
now that we have the governing body of democracy
hanging over as: demo politics - demonstrative,
demanding, debatable and... debatable -
and to merely think outside democracy is to have a
thought of an autocrat and a mouth of a slave -
otherwise you're just mouthing everyone to a lullaby
of intrinsic Tory toff-ha-ha. we're not missing god,
god is hardly dead, it's that we don't have the same
theocracy that children have governing them -
we have democracy - finding god in singleton-land
of proofs is about as good as finding a teardrop in
a sea - it means abandoning your personality in order
to skip the hardships for the perks - who is anyone
to collect knee-bending at the altar? why wouldn't
an Orthodox attendee of a church in St. Petersburg
let me sit in church while the choir sang?
oh right... the priests here still have their backs to the people
when reciting the testimonies -
and this simply sprung to mind after reading a psychiatrist
or anti- write out his the bird of paradise (1967, r. d. laing),
a psychiatrist opens up and thinks he's writing prosaic
poetry - great in theory - i mean lucid, frank, simplistic,
but the conundrum comes when no theory is
passed down - no hereditary intellectualism - nothing,
starting from scratch - that's the existential brick-wall
of notation focusing on the i the existentialists used -
the unit they thought they could bounce theories against
and get some original echo back... the only originality that came
back was mere criticism - nothing more.
i'm not looking for god - why is anyone looking for him?
everyone in democracy has this sudden urge to
become a cult-leader or despot? it seems so...
i'm looking for theocracy - in the democratic spirit of
transition that's been given to me - so funny...
god is an uncertainty but death is a certainty - strangely-funny
how the two never seem to coincide - unless in the mouth
and eyes of a madman who shoots you at point
blank range and says the words: time to meet you maker;
Jack'oh Wacko.

The Batman Movie (a review). The clues part was cool, but the end of it got boring. I liked that Batman kept a journal - I like the idea of men keeping journals, because, do men have many thoughts they share? Men’s thinking seems so ephemeral.

In this Batman resurrection, Pattinson’s Bruce Wayne & Batman are Kurt-Cobain-like emo and that seemed to work. Didn’t you just want to take your hand and get his hair out of his eyes? I think guys should have hair - I like hair on guys, not buzz cuts. I liked the muscle-car Batmobile.

I liked Zoey Kravitz, she was girl power, but not in a hot girl way, she had her own motivations, she wasn’t just in danger and served up to fuel Batman.

The movie is too long though. They need to bring back movie intermissions - I’d vote for that. As usual, I drank my giant slurpee and ate ½ my popcorn before the twenty minutes of previews were finished.

It’s a three hour movie. I had to *** so bad by the time the movie was ¾ over that I was grinding on my popcorn bucket to keep it in. I finally had to make a dash for the bathroom - I was afraid I’d miss the KISS scene. Argh!

Let’s talk about Robert Pattinson, the actor, and his arch from Twilight to Batman. Of course, doesn’t every vampire turn into a bat? (joke) but it’s always Pattinson being moody, being hot, figuring himself out and the introspective man - the broody man.

Are broody men ****? I don’t like broody men in real life - I feel that only one of us gets to be moody in a relationship - and it’s going to be me. Pattinson seems almost zany and cheeky in RL so the brood is his method act. I Like that Pattinson didn’t buff-up for the role - I think the buffed-up muscle-man as superhero perfection somehow relates to capitalism. Pattinson’s American accent was good.

What was missing from the movie was horniness. Batman didn’t seem HOT for Cat-girl - he just stood there for her to kiss. What’s boy-girl attraction if it’s not horniness? Where has the horniness gone in movies? Sexiness is missing from ALL the superhero movies - I guess the age demo is too young.

I give it three out of five stars