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Ayad Gharbawi Dec 2009
WOMAN BUTCHERED



Ayad Gharbawi


Child that gathered knowledge
Knowledge frightening to human nature
Girl-child was awakened
Herself she awakened
Saw the glow of eyes buttery
Glow of hatred molten
Glow of **** howling
Child, pretended innocence pretty
Child smiled all along the paths unknown
Yet, her body recognized colours unimaginable in their serenity sublime
Figures in her sleep strange, yet beautiful
Songs of sweet sleep, yet alerting in their soothing abilities
Little girl, who are you?
Why won’t you let us
Define you?
Little girl
Honourable lady woman
Did you grow up at all?
Or did you just die in your infancy?
As so many before you have
Did you come
To feel and understand
Your sensitive dimensions?
We would have made sure that you would be mature
If you were submissive enough for us!
Child girl, laughs uneasily and seriously
Child girl, sees lofty, exalted visions possessive
Visions of history’s episodes are expressed pointedly in your compulsive embraces
The foolish martyred are reading holy sermons for their self remembrance
Soldier unknown unmasking his face mangled to the surprised horror and utter disgust
Of his family, friends and other serious clowns
Singing an anthem of Fate’s real truth and nature and essence
Heroine unnumbered, chained to deformity
And becoming a mirror of what they did chain you to
Child girl scarred and petrified by disturbed scenes committed lovingly and lavishly by Man
Child girl curls, yet anticipates
Listen! The foot-steps frighten you once more
The shrieking manic clown has arrived again, red eyed and even more
Laughing dreary, spitting words jumbled and aloud
Figure of shame stands in front of you
Intents pre-arranged by his late father
Little girl!
Are you a woman yet?
Hearing swirls of delirious, sickening
Madness, uncontrollable panic and deathly angst
Hearing painter’s brush strokes that scream their gasps of breathlessness out
Loudly and chaotically
Hears the anguish of colours’ contrasts and contradict each other to the point of
Serious suicide
Little child! Sees the begging deaf pleading for choirs heavenly to sing seriously
Sees the miserable, emaciated crumbles crumbling,
Yet foolishly searching for a non-existent tenderness in darkness painted by drunken Satans
With the foulest, blackest oil colours in their leprous fingers
They try to paint you; define you
Analyze you; dissect you
Categorize you; classify you
Little girl; woman; ******?
Alone and sincerely and deceptively guided by complicated, intertwining hatreds
That severely despised the existence of each other’s truths and falsities
Feeling sovereignty abused by casual, bored
Unconcerned sub-humans in powerful positions on earth
Pierced in pain
My sweet girl, you are now
Pierced in deathly, unforgiving
Pains and hatreds never forgotten
Sweet Humanity
Sweet Man
Sweet human beings
How sweet you all truly are!
Paint me in any colour you want,
you wish for
Draw any outline you visualize.
This will fade,
Falling victim to the seasons.
A masterpiece
Within itself,
the intricacy of the strokes
Shall be hidden by
the next masterpiece
That will take its place.

The unsung, the
Unheard
are the ones who draw this,
day
And night.
Going unnoticed,
no one stops to
Consider the combinations,
the contrasts,
Its various interpretations,
almost like
Those of a Rubik's Cube.

Layer,
upon caked layer,
depicts violence,
Craves freedom,
breathes anonymity and
Displays inspiration.
Helpful critique welcomed. :)
Ayad Gharbawi Jan 2010
PASSION PLAY

Ayad Gharbawi




Location: Desert Shore, Bitterly Cold Night, next to strong waves from the ocean.
Characters: Man ((M) and his Lover, a Woman (W).

----------------------------------------


W: “Search as I forever do, in manifold ways unknown, I seek but to love thee, and the meagre goodness from Life, with steely ardour - my armour faithful.”
M: “Alone I may be, and still, yes I love thee; these days heavy are and beset I am by burdensome trivialities, but I remain trusting, though my corner so narrow remain.”
W: “My Love! Your speech I hear aloud and thine lips I live within and yet, my Love, all Solitude I am. Man! I am unaided! In this journey of sinful thorns, my love, in this unforgiving journey, this blurred odyssey, I stand alone”.
M: “This trial you speak of, but I do know of it well; so, listen then: within the strength of trusted togetherness we can plough on, though everlasting harm shall do its spiteful tricks, warm to our united truth shall we remain.”
W: (Surprised) “O! My love! This thought I cannot hear! My life, my destiny, is but mine. And all have their own solitary roads of jagged rocks to embrace, like it we or not. We heartbreaking earthly sad beasts, either fiercely clutch at integrity, or we do let it go to perish away.”
M: (Confused) “My Love! I do hear, I do hear. But when Times decide on burdening us, what then can we achieve? To face Reality within the frail arms of solitude is to ignore, to refuse the severe threats of repulsive grins.”
(Silence)
M: (Passionately) “O! My sweet! Only in us, can we envelope, through joined, clasped warmth can we be as one united! The screams that so truly are meant to slice us off, only we, our Unity, can destroy. For mine eyes can only find sleep in your ears, and it is so - for otherwise nothing and no one can be.”
W: (Angry) “My Passion too is bubbling for thine bewildered ears. Am I not your soul? Do we not suffer as one? Do we not reflect as one? Am I not your lover true? Is not our warmth not weighty to our fickle bones?”
(Silence)
W: (Passionate) “But, Lover, this much ought I to formally declare unto thee: For our eyes, and all eyes, envision unequally at one another. Till eternity, in its casual, indifferent flicker, snatches at us all wretched mortals, the gazes from lords to paupers remain veritably mismatched. O my passion! My woeful heart! These words I thunder forth defines love unfeigned, and what mine eyes do pour out unto thine ears is authenticity true.
(Silence)
W: (Passionately) “What joined mem’ries you choose to caress may possess thee, but your exactness for what love is to you, doth not dwell in mine mind. What tears, what weepings you do, fall stormily upon thine own soul’s wildernesses. You choose to be chained by changing visions and indefinite sentiments of light weight – though so poignant at the moment they veritably are?”
M: (Inquiring) “My love! I cherish thee; where hast thou been in thine mind, for now ye talk of that truth you relate to in your heart. Your pronouncements, what depths I do feel! Can it perchance be that my passion has strayed our winds far from me?”
W: “No, my love! Why is anger, I feel, lush on thine tongue?”
M: (Surprised and Frightened) “Anger! I am too distant from that affliction! But yes, I feel my words make only for unstable murmurs in my breath.”
W: (Quietly) “Then, do tell me, lover, who do your murmurs betray - myself or yourself then?”
M: (Quietly) “Perhaps so, perhaps so. But my anxiety wilfully demands of me to eradicate your vision.”
W: (Firmly) “You answer naught from my undemanding question. Or, are mine meanings too violent for you? What aches thee?”
M: (Passionately) “My sweet! In so many moments, I created mysterious planets for thee! Bizarre worlds of contrasts and opposites and musical words of antiquity and sensual ravines. My love! I, my soul, my life, my inner deepest breath, tempted as I am by Fates’ inscrutable cruelties to ashamedly yield, I have yet always expressed to mine eyes’ heart, though they be in bleak darkness, to faithfully fight without pause all shades of vice and still yet - with loving integrity; I have stood with arms of righteousness and love for thee up and never down! Yes, sincere good and venal ill remain joined in life for all to feel, but you knew it was not for me to disentangle them. And so, I pronounce unto thee, still, and yet ever and ever more, my love for thee, though still beholding a thousand mountains before me, I remain sturdy for thee; I remain undisturbed by burly laws, and by exotic dictums, I stand fierce and unhurt, save in your absence.”
W: (With Sadness) “My beloved, your vivid voice stabs the falsehoods for thee, and I say unto thee, unto thee your excessive and unreasonable chains, and for myself my unreasonable and extreme chains remain.”
M: (Shocked) “But I burden thee with no steely chains, nor verbal fetters! For naught I produce for thee save grace, passion and freedom to love for us both to be in Unity Sacred! Dost thou embrace my visions as ‘shackles’, then ‘tis better we agree to class that which we are as but madness! Hear me, for my tears now must truly change their colours!”
W: (Determined) “Your feverish hands clutch only upon mine erratic wings!”
M: (Anger) “Never! Never! For I clutch only to destroy all malevolence; as for thee, Lady of the purest, untouched, guarded, secluded Ponds, I seek to unshackle for you the scattered, scared shadows that yearn for thine sovereignty. And what is this ‘sovereignty’ but our Sacred Union? What curse deemest you I impose? Do you equal my purest passions with atrocities? Murmur unto mine ears, your clearest love for me.”
W: “Ah! You enquire of me my ‘sincerity’ for thee? What demands!”
(Silence)
M: “I see naught but heaving forests of love betwixt us, and yet, you discover my words being ‘demanding’?”
W: (Drily) “Perchance, your visions are indistinct and ever more blurred, through these years cannot be ignored.”
M: (Begging) “My love! All mine life, though it be lengthy, I fought most venal tyranny, and for this moment, you question my righteousness?”
W: (Indignantly) “I have been plunged into seas hostile and I have plunged in a thousand miles of inert minds troubled beyond conceivable comprehension and I have yet to have my Right for my own greedy, ravenous flesh to be vigorously and forcefully embraced by sensuality and serenity. Yes, I do love thee, and yet in our union, as in all unions, I have been adorned with naught, save snickering, gossiping scenes of festive *****, games, chatter and farewells, themselves festooned within silly and sincerely stupid smiles and frowns, and shallow tears and never ending ludicrous chatter unworthy of monkeys conversing. I have met programmed rows of pats, respect and all other so-called decent intents and gestures, but, where, lover that you are of mine, where does my personal heart, throb and manically vibrate, save in your heavenly imaginations?”
(Silence)
W: (Quietly but Determinedly) “My love! I truly thee love and with passions, I tell you, of proportions of precise exactitudes; in your eyes I have witnessed symphonies of exquisiteness; and, I of thee ask: where dwelleth your own love for myself in thine body?”
(Silence)
W: (Passionate) “Do you recognise the changing structures that form this, that I name ‘My Love’? In my solitude eternal, I do evermore and always do pause, and be pensive, and be thinking of questions, such as ‘where’, ‘why’, ‘when’ ‘how’, and ‘which’ should be my path; I am forever and ever more searching, seeking the heavens of every corner, and the irritable tempests, within my changing self as they themselves do try to seek me, and we forever, through inconceivable murkiness, do try to assemble the everlasting entirety of these disorganized puzzles into some measure of comprehensible cohesion that ‘I’ am. That is how the ‘I’ you love is forever changing and thereby formulating itself, and within all these meandering passions, and endless errors, where am I to feel thee? Where? And where do you seek me? In which land? In which forest? You trivialise my beingness as you focus upon my lands as being that which so effortless to find, and yet, you are much too distant from an understanding of my conflicting, emerging civilisations.”
(Silence)
W: (Passionate) If the utterance ‘Never’ is pathetic for thee, then allow me to introduce you to my latest heart: for it screams out that single, protracted utterance! Never! My love, these winds of raging wraths, both within and outside by flesh, must and can only be annihilated by mine own sincerities – were I not to play against my own self. My uncontrolled desires and, yes, thirsty manic passions can only be tempered and thoroughly satiated to the utter brim, by mine own loving, sources of pleasure, my own uncontrollable ecstasies. As for the rest of ****** pleasures, my own erroneous words, speeches and utterances can only be severed and sliced by my tranquillity.”
M: (Resigned) “I hear thine words. Do not abandon me. Do not destroy our civilisation of justice.”
W: “What we share, the bonds, are enjoyment. Listen though to mine lips: enjoyment is what - when it is to be compared with convulsive ecstatic quivers of satisfaction?”
M: (Puzzled) “And what of all our journeys to attain that unity? For all that, is it to be of mere insignificance? And if that be your truth, for what then did we toil and labour for unity of minds and bodies?”
W: (Laughing) “Did you understand from Life itself, that here it was, grandly to proclaim its furtive faces unto thine own awaiting face?! “
M: (Baffled) “It was so far too plain and vastly clear unto me these sceneries we faced before our loving bodies.”
W: “Yes, and I too, did see them with thee. Our four eyes, did see unity for that flicker of time. How true you speak! But, time clocked on, I saw you as you stood there, moving nowhere, unawares that it was your duty to squash onwards whatever vile breaths faced us.”
M: (Desperate) “And did I not? Did I abandon thee in these crushing paths?”
W: (Accusing) “No, you did not. Never, once did you abandon me. I ask of thee; for what sense do we feel a need for a continuation of these gruelling marches? For unity? For love? Or, is love unity? Was that and is this our reason for us to carry on with these shackles?”
M: “For assuredly, yes, and more yes, I tell thee! Toil and gruelling dawns, and unbearable evenings and the whitest of nights are all for the sacred attainment of that heavenly summit of joy I name as blessed ‘Love’.”
W: (Assured) “And, Sire, what if my nerves, blood and ****** hunger tell thee in truth that we, all of us, need no longer, and need never in truth, to undertake these paths, for we find naught that nourishes us at the blessed summit of your definition of what ‘Love’ is?”
M: (Confused & Sad) “So, I falter here and now upon understanding your speech; do I reason from thee that our loving days in unity are frivolously bygone now?”
W: (Calmly & Gracefully) “Do the wandering birds, and do the blind bats, and do the reckless storms, and do the blindly, raging waves and do the supremely arrogant oceans eternally march on in but one direction only with the savage passage of time within their particular lives? You did pronounce that you built planets for our unity; well then, did you not view how planets endlessly revolve along the same path?”
(Pause)
W: (Calmly & with Dignity) “For, Sire, I am not as a Planet - could you not feel that throughout our journeys? You endlessly query and question ‘who’ it is that ‘I’ am? Well, I speak this much on myself; I am as the birds, and the bats, and the storms and the waves and the oceans.”  
M: (Angry) “Woman! I can only then tell of thee that you are naught but feuding clutter and violent disarray!”
W: (Unconcerned) “Those are your words. Not mine. Speak for what you wish, Sire.”
M: (Angry) “And I stand here, before thee, in anger – nay, more, more! In fury!”
W: (Laughing) “For what? For the deeds that created but sticky, and grimy grains of sand for the undoubted pleasure our eyes?”
M: “And so you label our truths, our love so much! Fair indeed, you speak, Woman of Justice.”
W: (Arrogantly) “Man! Express your delights for your own delights. And, alas, there the circle and reality ends – and it ends only for you. That is one morsel of truth for you to ponder. What we ‘created’ and what we ‘loved’ was never and never, ever be the same for you as it is for me. Are you a sincere believer that your personal vision is the same sight all other seeing creatures envision?”
M: (Angry) “Woman, you enrage me! Your arrogance is drenching thine rags.”
W: (Sarcastic) “Tis the Man with no reason who allows his breath and words to be a veritable cesspool of fuming stenches!”
M: “But I, that I am, no longer can define your contours?”
W: (Pointedly) “Precisely, Man, precisely. Perhaps, now you have come closer to the vulnerable shores of reality!”
M: (Confused) “Do you express that you are ever varying and so for that reason there is not a one unified you?”
W: (Calmly) “For we are all ‘varying’, to borrow your word – if you do so allow me, Sire. There was never ‘unity’ of soul, nor mind, nor self, nor of any one personality. This, I desire, that you may understand.”
M: (Aghast) “Then if that be your truth and then, are we naught but multitudes of ever changing confusions, Lady of the Desert?”
W: (Calmly) “Yes and no! For those who are muscular and full of fertile vigour in their flesh, and in their intellects, and those that are severely and strictly scholastic, then they do need and they can succeed in time, in their never ending struggle to bring together the mutually antagonistic factions of that which constitutes our beingness. And, as for the dense brained soulless beings, then, it is equally veritably true that, a descent into madness can be rapidly produced, since from their erratic constituents, they cannot attract together these antagonistic and mutually-hating emotions in some vision of cohesion, and thus mayhem can be fashioned.”
(Silence)
M: (Calmly) “So, pray do tell me, where does Love and Justice and Truth and Morality stand in your universe?”
W: (Serenely) “That has been mine desire to hear the words being produced from your lips, Man!”
(Pause)
W: “So, now perhaps, your sight may be getting clearer, for your question is certainly apt. Foremost, we pathetic mortals, we the be are forever slimy specks of sand that  crumbles, must necessarily seek to survive and flourish within whatever forest, desert, meadow we find ourselves cast upon.”
M: (Startled) “At what cost, Woman? At the expense of Morality?”
W: (Rapidly) “Yes and no.”
M: (Shocked) “Horrendous! How can you spout out such filth?”
W: (Quietly) “Restrain your stupidities, and give more room to your intelligence, Sire.”
(Silence)
W: (Gracefully) “In times of trouble, what can Man do when he be forced to embrace evil, even though he finds the act of the embrace loathsome, but he does what he does for the truth of his vital existence to continue. Only when he need never embrace vile, and then allows himself to commit the act, then he is for certainty to incur the everlasting wrath of God. Evil is thus never one truth to be utterly rejected, perchance you may now see. ”
M: (Calm but Tired) “I follow your words and their ideas therein.”
W: (Gracefully) “When you talk to me on Man and everlasting, conflicting changes within that self-same creature, I tell you with all the earnestness that I possess, of what God has scattered and endowed upon me; for this beast, we all call in unity Man, this creature has far too many a numberless number of mutually self-contradicting, distrusting, loving, hating, inspiring and a never ending number of feelings and emotions that are in constant flow and change – as in any rapid river descending unto its eventual destination, which in its case, is the sea, while in our case, it is Death itself for sure.”
M: (Despair) “And how can this beast ‘love’ anyone within this welter of confusion?”
W: (Rapidly) “He cannot!”
M: (Rapidly, Begging) “But Man and Woman do love with bristling passions! Do you deny that, Woman?!”
W: (Calmly, eyes downwards looking) “Yes, and no. Since the beast has needs, based on his vastly intricate constituents, to ‘love’ his fellow beast, he imagines and believes
Mateuš Conrad Jun 2016
preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights

and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise

(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre
.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.

germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi
Ayad Gharbawi Jan 2010
PASSION PLAY

Ayad Gharbawi




Location: Desert Shore, Bitterly Cold Night, next to strong waves from the ocean.
Characters: Man ((M) and his Lover, a Woman (W).

----------------------------------------



W: “Search as I forever do, in manifold ways unknown, I seek but to love thee, and the meagre goodness from Life, with steely ardour - my armour faithful.”
M: “Alone I may be, and still, yes I love thee; these days heavy are and beset I am by burdensome trivialities, but I remain trusting, though my corner so narrow remain.”
W: “My Love! Your speech I hear aloud and thine lips I live within and yet, my Love, all Solitude I am. Man! I am unaided! In this journey of sinful thorns, my love, in this unforgiving journey, this blurred odyssey, I stand alone”.
M: “This trial you speak of, but I do know of it well; so, listen then: within the strength of trusted togetherness we can plough on, though everlasting harm shall do its spiteful tricks, warm to our united truth shall we remain.”
W: (Surprised) “O! My love! This thought I cannot hear! My life, my destiny, is but mine. And all have their own solitary roads of jagged rocks to embrace, like it we or not. We heartbreaking earthly sad beasts, either fiercely clutch at integrity, or we do let it go to perish away.”
M: (Confused) “My Love! I do hear, I do hear. But when Times decide on burdening us, what then can we achieve? To face Reality within the frail arms of solitude is to ignore, to refuse the severe threats of repulsive grins.”
(Silence)
M: (Passionately) “O! My sweet! Only in us, can we envelope, through joined, clasped warmth can we be as one united! The screams that so truly are meant to slice us off, only we, our Unity, can destroy. For mine eyes can only find sleep in your ears, and it is so - for otherwise nothing and no one can be.”
W: (Angry) “My Passion too is bubbling for thine bewildered ears. Am I not your soul? Do we not suffer as one? Do we not reflect as one? Am I not your lover true? Is not our warmth not weighty to our fickle bones?”
(Silence)
W: (Passionate) “But, Lover, this much ought I to formally declare unto thee: For our eyes, and all eyes, envision unequally at one another. Till eternity, in its casual, indifferent flicker, snatches at us all wretched mortals, the gazes from lords to paupers remain veritably mismatched. O my passion! My woeful heart! These words I thunder forth defines love unfeigned, and what mine eyes do pour out unto thine ears is authenticity true.
(Silence)
W: (Passionately) “What joined mem’ries you choose to caress may possess thee, but your exactness for what love is to you, doth not dwell in mine mind. What tears, what weepings you do, fall stormily upon thine own soul’s wildernesses. You choose to be chained by changing visions and indefinite sentiments of light weight – though so poignant at the moment they veritably are?”
M: (Inquiring) “My love! I cherish thee; where hast thou been in thine mind, for now ye talk of that truth you relate to in your heart. Your pronouncements, what depths I do feel! Can it perchance be that my passion has strayed our winds far from me?”
W: “No, my love! Why is anger, I feel, lush on thine tongue?”
M: (Surprised and Frightened) “Anger! I am too distant from that affliction! But yes, I feel my words make only for unstable murmurs in my breath.”
W: (Quietly) “Then, do tell me, lover, who do your murmurs betray - myself or yourself then?”
M: (Quietly) “Perhaps so, perhaps so. But my anxiety wilfully demands of me to eradicate your vision.”
W: (Firmly) “You answer naught from my undemanding question. Or, are mine meanings too violent for you? What aches thee?”
M: (Passionately) “My sweet! In so many moments, I created mysterious planets for thee! Bizarre worlds of contrasts and opposites and musical words of antiquity and sensual ravines. My love! I, my soul, my life, my inner deepest breath, tempted as I am by Fates’ inscrutable cruelties to ashamedly yield, I have yet always expressed to mine eyes’ heart, though they be in bleak darkness, to faithfully fight without pause all shades of vice and still yet - with loving integrity; I have stood with arms of righteousness and love for thee up and never down! Yes, sincere good and venal ill remain joined in life for all to feel, but you knew it was not for me to disentangle them. And so, I pronounce unto thee, still, and yet ever and ever more, my love for thee, though still beholding a thousand mountains before me, I remain sturdy for thee; I remain undisturbed by burly laws, and by exotic dictums, I stand fierce and unhurt, save in your absence.”
W: (With Sadness) “My beloved, your vivid voice stabs the falsehoods for thee, and I say unto thee, unto thee your excessive and unreasonable chains, and for myself my unreasonable and extreme chains remain.”
M: (Shocked) “But I burden thee with no steely chains, nor verbal fetters! For naught I produce for thee save grace, passion and freedom to love for us both to be in Unity Sacred! Dost thou embrace my visions as ‘shackles’, then ‘tis better we agree to class that which we are as but madness! Hear me, for my tears now must truly change their colours!”
W: (Determined) “Your feverish hands clutch only upon mine erratic wings!”
M: (Anger) “Never! Never! For I clutch only to destroy all malevolence; as for thee, Lady of the purest, untouched, guarded, secluded Ponds, I seek to unshackle for you the scattered, scared shadows that yearn for thine sovereignty. And what is this ‘sovereignty’ but our Sacred Union? What curse deemest you I impose? Do you equal my purest passions with atrocities? Murmur unto mine ears, your clearest love for me.”
W: “Ah! You enquire of me my ‘sincerity’ for thee? What demands!”
(Silence)
M: “I see naught but heaving forests of love betwixt us, and yet, you discover my words being ‘demanding’?”
W: (Drily) “Perchance, your visions are indistinct and ever more blurred, through these years cannot be ignored.”
M: (Begging) “My love! All mine life, though it be lengthy, I fought most venal tyranny, and for this moment, you question my righteousness?”
W: (Indignantly) “I have been plunged into seas hostile and I have plunged in a thousand miles of inert minds troubled beyond conceivable comprehension and I have yet to have my Right for my own greedy, ravenous flesh to be vigorously and forcefully embraced by sensuality and serenity. Yes, I do love thee, and yet in our union, as in all unions, I have been adorned with naught, save snickering, gossiping scenes of festive *****, games, chatter and farewells, themselves festooned within silly and sincerely stupid smiles and frowns, and shallow tears and never ending ludicrous chatter unworthy of monkeys conversing. I have met programmed rows of pats, respect and all other so-called decent intents and gestures, but, where, lover that you are of mine, where does my personal heart, throb and manically vibrate, save in your heavenly imaginations?”
(Silence)
W: (Quietly but Determinedly) “My love! I truly thee love and with passions, I tell you, of proportions of precise exactitudes; in your eyes I have witnessed symphonies of exquisiteness; and, I of thee ask: where dwelleth your own love for myself in thine body?”
(Silence)
W: (Passionate) “Do you recognise the changing structures that form this, that I name ‘My Love’? In my solitude eternal, I do evermore and always do pause, and be pensive, and be thinking of questions, such as ‘where’, ‘why’, ‘when’ ‘how’, and ‘which’ should be my path; I am forever and ever more searching, seeking the heavens of every corner, and the irritable tempests, within my changing self as they themselves do try to seek me, and we forever, through inconceivable murkiness, do try to assemble the everlasting entirety of these disorganized puzzles into some measure of comprehensible cohesion that ‘I’ am. That is how the ‘I’ you love is forever changing and thereby formulating itself, and within all these meandering passions, and endless errors, where am I to feel thee? Where? And where do you seek me? In which land? In which forest? You trivialise my beingness as you focus upon my lands as being that which so effortless to find, and yet, you are much too distant from an understanding of my conflicting, emerging civilisations.”
(Silence)
W: (Passionate) If the utterance ‘Never’ is pathetic for thee, then allow me to introduce you to my latest heart: for it screams out that single, protracted utterance! Never! My love, these winds of raging wraths, both within and outside by flesh, must and can only be annihilated by mine own sincerities – were I not to play against my own self. My uncontrolled desires and, yes, thirsty manic passions can only be tempered and thoroughly satiated to the utter brim, by mine own loving, sources of pleasure, my own uncontrollable ecstasies. As for the rest of ****** pleasures, my own erroneous words, speeches and utterances can only be severed and sliced by my tranquillity.”
M: (Resigned) “I hear thine words. Do not abandon me. Do not destroy our civilisation of justice.”
W: “What we share, the bonds, are enjoyment. Listen though to mine lips: enjoyment is what - when it is to be compared with convulsive ecstatic quivers of satisfaction?”
M: (Puzzled) “And what of all our journeys to attain that unity? For all that, is it to be of mere insignificance? And if that be your truth, for what then did we toil and labour for unity of minds and bodies?”
W: (Laughing) “Did you understand from Life itself, that here it was, grandly to proclaim its furtive faces unto thine own awaiting face?! “
M: (Baffled) “It was so far too plain and vastly clear unto me these sceneries we faced before our loving bodies.”
W: “Yes, and I too, did see them with thee. Our four eyes, did see unity for that flicker of time. How true you speak! But, time clocked on, I saw you as you stood there, moving nowhere, unawares that it was your duty to squash onwards whatever vile breaths faced us.”
M: (Desperate) “And did I not? Did I abandon thee in these crushing paths?”
W: (Accusing) “No, you did not. Never, once did you abandon me. I ask of thee; for what sense do we feel a need for a continuation of these gruelling marches? For unity? For love? Or, is love unity? Was that and is this our reason for us to carry on with these shackles?”
M: “For assuredly, yes, and more yes, I tell thee! Toil and gruelling dawns, and unbearable evenings and the whitest of nights are all for the sacred attainment of that heavenly summit of joy I name as blessed ‘Love’.”
W: (Assured) “And, Sire, what if my nerves, blood and ****** hunger tell thee in truth that we, all of us, need no longer, and need never in truth, to undertake these paths, for we find naught that nourishes us at the blessed summit of your definition of what ‘Love’ is?”
M: (Confused & Sad) “So, I falter here and now upon understanding your speech; do I reason from thee that our loving days in unity are frivolously bygone now?”
W: (Calmly & Gracefully) “Do the wandering birds, and do the blind bats, and do the reckless storms, and do the blindly, raging waves and do the supremely arrogant oceans eternally march on in but one direction only with the savage passage of time within their particular lives? You did pronounce that you built planets for our unity; well then, did you not view how planets endlessly revolve along the same path?”
(Pause)
W: (Calmly & with Dignity) “For, Sire, I am not as a Planet - could you not feel that throughout our journeys? You endlessly query and question ‘who’ it is that ‘I’ am? Well, I speak this much on myself; I am as the birds, and the bats, and the storms and the waves and the oceans.”  
M: (Angry) “Woman! I can only then tell of thee that you are naught but feuding clutter and violent disarray!”
W: (Unconcerned) “Those are your words. Not mine. Speak for what you wish, Sire.”
M: (Angry) “And I stand here, before thee, in anger – nay, more, more! In fury!”
W: (Laughing) “For what? For the deeds that created but sticky, and grimy grains of sand for the undoubted pleasure our eyes?”
M: “And so you label our truths, our love so much! Fair indeed, you speak, Woman of Justice.”
W: (Arrogantly) “Man! Express your delights for your own delights. And, alas, there the circle and reality ends – and it ends only for you. That is one morsel of truth for you to ponder. What we ‘created’ and what we ‘loved’ was never and never, ever be the same for you as it is for me. Are you a sincere believer that your personal vision is the same sight all other seeing creatures envision?”
M: (Angry) “Woman, you enrage me! Your arrogance is drenching thine rags.”
W: (Sarcastic) “Tis the Man with no reason who allows his breath and words to be a veritable cesspool of fuming stenches!”
M: “But I, that I am, no longer can define your contours?”
W: (Pointedly) “Precisely, Man, precisely. Perhaps, now you have come closer to the vulnerable shores of reality!”
M: (Confused) “Do you express that you are ever varying and so for that reason there is not a one unified you?”
W: (Calmly) “For we are all ‘varying’, to borrow your word – if you do so allow me, Sire. There was never ‘unity’ of soul, nor mind, nor self, nor of any one personality. This, I desire, that you may understand.”
M: (Aghast) “Then if that be your truth and then, are we naught but multitudes of ever changing confusions, Lady of the Desert?”
W: (Calmly) “Yes and no! For those who are muscular and full of fertile vigour in their flesh, and in their intellects, and those that are severely and strictly scholastic, then they do need and they can succeed in time, in their never ending struggle to bring together the mutually antagonistic factions of that which constitutes our beingness. And, as for the dense brained soulless beings, then, it is equally veritably true that, a descent into madness can be rapidly produced, since from their erratic constituents, they cannot attract together these antagonistic and mutually-hating emotions in some vision of cohesion, and thus mayhem can be fashioned.”
(Silence)
M: (Calmly) “So, pray do tell me, where does Love and Justice and Truth and Morality stand in your universe?”
W: (Serenely) “That has been mine desire to hear the words being produced from your lips, Man!”
(Pause)
W: “So, now perhaps, your sight may be getting clearer, for your question is certainly apt. Foremost, we pathetic mortals, we the be are forever slimy specks of sand that  crumbles, must necessarily seek to survive and flourish within whatever forest, desert, meadow we find ourselves cast upon.”
M: (Startled) “At what cost, Woman? At the expense of Morality?”
W: (Rapidly) “Yes and no.”
M: (Shocked) “Horrendous! How can you spout out such filth?”
W: (Quietly) “Restrain your stupidities, and give more room to your intelligence, Sire.”
(Silence)
W: (Gracefully) “In times of trouble, what can Man do when he be forced to embrace evil, even though he finds the act of the embrace loathsome, but he does what he does for the truth of his vital existence to continue. Only when he need never embrace vile, and then allows himself to commit the act, then he is for certainty to incur the everlasting wrath of God. Evil is thus never one truth to be utterly rejected, perchance you may now see. ”
M: (Calm but Tired) “I follow your words and their ideas therein.”
W: (Gracefully) “When you talk to me on Man and everlasting, conflicting changes within that self-same creature, I tell you with all the earnestness that I possess, of what God has scattered and endowed upon me; for this beast, we all call in unity Man, this creature has far too many a numberless number of mutually self-contradicting, distrusting, loving, hating, inspiring and a never ending number of feelings and emotions that are in constant flow and change – as in any rapid river descending unto its eventual destination, which in its case, is the sea, while in our case, it is Death itself for sure.”
M: (Despair) “And how can this beast ‘love’ anyone within this welter of confusion?”
W: (Rapidly) “He cannot!”
M: (Rapidly, Begging) “But Man and Woman do love with bristling passions! Do you deny that, Woman?!”
W: (Calmly, eyes downwards looking) “Yes, and no. Since the beast has needs, based on his vastly intricate constituents, to ‘love’ his fellow beast, he imagines and believes
‘I am…’ 'Or am I’? Who can say?
‘A posteriori’ leads the way
For the extra and the ordinary
Axiomatic sway,
In the gravity of corollary,
‘A priori’ interplay
Ataraxic overlay of anxious automation,
As the innocence of dissonance delay.
Practicing semantic contemplation,
In willfully prevenient interpolation,
Civilly disobedient in expediently seeming disarray,
Forecasts in vague extrapolation
Contrasts the millennial contagion
Already underway,
Filling nihilistic voids with particles in waves,
To interpret dreams of Freud to free Oedipus’s slaves,
A degreeless scholastic who never misbehaves,
Simulated humanoid dramatic in the affect that he craves,
Inflating linguistics in acrobatic raves,
A thespian who plans conation with legacy engraves.
The probabilistic determiner of cosmogenous debates,
An apperceived inquirer of qualitative states,
Inspiring proprietor of dismality abates.
Challenging aporia as epistemic oscillates,
Stoically, heroically, ‘one’ who amalgamates,
Circling the infinite in hermeneutic calibrates.
An escaped prisoner from depressive disillusion,
Of an introspective extrovert who finds solace in confusion,
The personable recluse fighting an illusion
Breaking down the nuances of every institution.
Calculating consequence as time goes to infinity
Revolutionary commonsense of principal utility,
An opinionated adversary,
to the realist without evidence,
Theorizing in futility,
Stipulating every sense leading to the virility of the pretense that dominates community.
Divergently converging all the efforts we’ve personified,
Inadvertently submerging old traditions that unethically were codified,
Hastening the urgency for purging that which cannot be modified through the merging of the certainty that will no longer coincide,
Stationing the levies to finally stem the tide,
Of periodic enmities disguised to be necessities so blatantly deified.
Observing moral sentiments, perched upon eternity,
As consequential regiments are expounded universally,
To unstratify the residents indiscriminately
And identify quantum elements spiritualistically,
Changing collective behavior individually,
Socializing constructs in joint ventured logo therapy.
This is an edited, expanded, expounded, confounded, reverberation of Linguistic Illusions to Probable Solutions written months back.
Crossyde Gimp Jul 2014
There is a set of Conflicting contrasts about what I feel for you
The first, a resentment for the hopelessness in our paths not crossing in love
And the second, an obsession for the sustenance of your life cycle in my heart
But the sweetest of all these my darling is the freedom in your lips setting free the locked away smile, and running to my heart with such affection.
It's no wonder when I laugh or cry, I shed tears because in each case you heighten the emotion.
This was just a collection of random thoughts. It's still a work in progress...
Correctly he is John the Baptizer,
His birth was delayed up to late,
Late post menopausal age of his mother,
Elisabeth the wife of Zachariah the priest,
At the temple of the Jews in Palestine
During the regal time of Rome
As a world empire and a role model of tyranny,

Imagine conceiving after menopause,
During the nonagenarian ages
Of all the ages, in the nineties?
But she conceived John,
Was it true or mere sensationalism?
Or mere nerve chilling art style?
To hold the world audience a hostage?
I don’t know but  John was born
After his mother’s menopause,

He contrasts with Jesus
Born by a ****** Mary,
Imagine a Jewish ******
Without ****** *******
Became pregnant,
And gave birth to Jesus,
When Mary was pregnant
She socially visited Elisabeth
John’s fetus somersaulted,
Like a Chinese acrobat
Inside his mother’s tummy,
It was his baptism before birth,
But may be pregnancy of a ******
Has more strength than pregnancy
Of a post menopause octogenarian,

Hence the famous ode by Catholics;
In the name of Hail Mary
The mother of God
Most blessed above all women,

These post menopause pregnance
And ******‘s pregnancy without ***
Contrasts with Adam’s creation from clay
And Eve’s creation from Adam’s left rib,
Another super-sensational literature,
Or pataphorical art; Magical surrealism?

Let me not go dumb or mute
Like Zachariah when he believed not,
But no, I already believed ergo, my vocality,

Now why did John refuse to put on clothes?
Only to put on a skin of a goat,
Or was it a monkey Clobus,
The one which we in Africa
We are forced to ****
Before your father permits you
To face the circumcision knife,
John again refused to eat cooked foods,
He survived on raw honey and locusts,
Nuts, roots and raw fruits, dietician?

Or it was self denial or self immolation?
Like the one often displayed
by the Islamic statesmen aka terrorists
When committing suicide bombing?
No it began with the Japanese Kamikaze,
In preparation to bomb Pearl Habour,
I don’t know at all at all,

Now what of the howling in the wilderness,
Calling for people to baptism in water
At the riverbanks of polluted Jordan
And when he saw the Negroes
Among those who came for baptism
He called them the viper’s generation
Or were they Libyan Arabs?
And Jesus came, John went inferior,
He declined to baptize Jesus,
But Jesus pleaded for the service,
Then the dove opened the heaven
And came down to anoint Jesus,
Which heaven was opened?
Was the sky or the heaven?
This must be the writer’s Gnostics
Used to calling the sky as the heaven
Why the dove and why the heaven?

Then john again began doubting
Very genuine doubt I m telling you,
You see john began spying on privacy of the king
Was he also a night runner? Maybe,
He spied on Herodias the mother of Salome
She was a chic for the king; Herod Antipas,
This stuff threw John into  a calaboose,
Then John began day dreaming
Like any other prisoner
For his freedom and bush foods
He really missed honey and locusts
And also the fruits; Quavas and mustaberries,

He thought Jesus would come running,
Panting like a cheetah to pull him out,
Out of colonial prison, Jesus never came
Hence Johns doubts;
If Jesus is the Messiah really,
Can’t he come to redeem me?
From these colonial prison Herod,
Look; we are all Jews
In fact blood related Jews
And it is a year he has never come,
To pay me a visit when am in prison
Is he the Messiah really?
Or we still have to wait for a true messiah?

But Jesus was a rude messiah
Or Jesus was jealousy? Envious?
Of John’s spiritual competence,
I think he was wrong, totally wrong
He should have saved john the Baptizer
From the Roman colonial prison,
For there is no need nor spiritual logic
For Jesus to heal the lepers, and the blind
To resurrect Jairus’s daughter
And command the devils out of a madman,
But he could rescue his cousin brother
From a colonial prison, was it detention?
Remember Mary and Elisabeth were sisters,

John was a victim of circumstance
Like those who now languish in torture,
Torture chambers of the quatanamo bay prison,
Detained and tortured inhumanly
Without hope of trial nor justice
For no other reason but faith and race,
John was a harbinger of Sadam Hussein,
Osama Bin Laden, Mummar Gaddafi,
Nelson Mandella, Luther King, Dedan Kimathi,
Elijah Masinde, Arap Manyei and Mugo wa Gatheru,
They fought tyranny with firmness
They underwent torture for the sake of humanity,
They suffered for no reason but folly that goes with tyranny.

And finally, Salome the poet,
Living by performing the spoken word,
And Proceeds of her mother’s adultery
And vampirizing on the blood of the righteous
She came and danced in artful wickedness
by gyrating her ***** satanically
In the usual wicked style of a *****’s daughter
Sending the male audience nerveless with ego
Only for to suggest her prize;
As John’s head on the platter,
John was grisly mattered in the cells
Then his head was delivered on a platter
To Salome the poet the daughter of Herodias,
It all happened when Jesus was aware
Amid the full wind of his wonders
On the crest of his fame as the messiah
Isn’t saving the prisoner good as resurrecting
Young damsels and healing the lepers’?

But anyway, it is stark culture of Europe
To chop off the heads
Of those who oppose their tyranny,
It is not only John the Baptist that have suffered,
Suffered like this in the hands of Europeans tyranny,
The list of such-like victims is endless;
Mugo wa Gatheru was buried alive in Kenya
He was ordered at a gun point
By the British colonial police,
To dig his own grave using a mattock
Then the British clobbered and buried him a live,
On this brutal burial of Mugo wa Gatheru,
The Queen of England promoted these policemen
That buried Mugo wa Gatheru,
Kotalel Arap Samoia of the Nandi Militia in Kenya
Was shot twice in the head by the British spy;
The spy chopped off Koitalel’s head
He took it to the queen in heroic dint
And the queen glorified the spy,
Anglo-American power chopped of sadam’s head
Anglo-American power killed Mummar Gaddafi,
Anglo-American power Killed Osama bin Laden
They perpetrated all these without trial,
I am tired of all these………………
SøułSurvivør Jul 2016
~~~<♢>~~~

olive green
Palo Verde
drape over roofs
of russet red

ochre houses
across our wide brown street
lavender
Texas Ranger
flower bed

oblique sunshine
glances off persimmon trees
sheets of clouds
Egyptian cotton
slate blue threads

black and white cat
sits by our neighbor's door
waiting to be fed

contrasts
of the morning
a pallet brush
painting

inside

my

head



SoulSurvivor
(C) 7/17/2016
Complementary or contrasting colors make colors pop! When laid against each other there is a vibrancy which can be paralleled only in heaven.

Red/Green  Yellow/Purple  Orange/Blue

What I wouldn't give for the time to paint this morning!

Thank You God for your glorious Creation!

Happy Sunday!

~~~<♢>~~~
Simon Soane Jul 2013
I'm a schizophrenic hypocrite
thankfully not in a medical way
i don't have to pop pills everyday
to keep an essence of danger under control
and to stop my head doing backward flips and forward rolls
to curtail bad thoughts and contain OCD
wake up and think "what's happening to me?"
but sometimes i'm full of mazey bomb blasts
and crazy contrasts,
I'm a schizophrenic hypocrite
I say work i'm not even gonna give 50% percent never mind double
but i'll stay just below the warning threshold so i don't really get in trouble,
i do see my sick days as extra days of annual leave
but my bums on my seat most of the year and at least one Eve.
I'm always ducking and diving, i hide and they seek,
but i hit my targets every week.
They can say put down your pens,
strip your pencils of lead,
you can't stop me writing in my head
But you'll sometimes dictate what time i go to bed.
I'm a schizophrenic hypocrite
Nearly every road i walk down i've got a ***** cat friend
there meowing never drives me round the bend
but if me owing then just a letter i'll send.
I’ll rescue  spiders from the bath, without any exception,
But I’ll clean their webs and evict them when I have a house inspection.
Giving up pork, on a parity with pigges at last
But then i broke my faste with bacon for breakfast
Watching lambs a gamboling there frolicking is fab,
but i'll see you on a plate later if i'm craving a kebab.
I'm a schizophrenic hypocrite.
Money and the capitalist structure baffles, no thanks, no ta
but before i go out a quick sub off Ma and Pa.
I'll pay for a taxi, i don't care about the amount,
while checking fervently the statement from my bank account.
Cash cannot be eaten it just gets you into Eton
but i'll rifle through my pockets for pennies to get an eat on
i don't adore you, i'll say your the means to an end
but then i spend some more and ask for a lend.
I'm a schizophrenic hypocrite.
I'll say anarchy  is everywhere, petition and abstain
then  read in the late edition who i think should take the reins.  
I scream smash the system without any regrets
but then start stubbing out where they deem no cigarettes.
I'll say **** big business they are always looting tons
while cutting out Asda coupons to get the soup with croutons.
i'll say **** materialism, to that i am adverse,
"ohh if you want to get me some trainers Mum can you make em Converse? "
I'm a schizophrenic hypocrite
One Saturday i found it hard to move
crying out for water, more than needing food,
stomach emptier than the packets in my pockets
Early winter scribble
spoiled by the ripple of rain,
deadened and dull
on a precious day,
the time I crave
passes through a husk
full of caves.
Each inhabitant curses
and burns
the stagnant soil under their feet,
I want something to eat.
I need to drink.
The cold slab of sink
lures flesh to rest,
unsatisfied
with retched offerings
flung from a scorched earth
so next Friday, a few beers and l I’ll hit the hay
Ten beers later, where’s the MDMA?
And my staunch resolutions go up my nose
Chatting through the night, striking a pose,
Music accentuated, stars sparkling hard
World’s discussed in magic back yards,
Focused and fraught in tumultuous thought
Ten cigs in an hour
An hours too short,
As the morning comes, I start feeling a mess
It slowly disintegrates the treasure in my chest,
Feelings of strength crumble to a feeble frame,
Spears in my head, WHOOPS I’VE DONE IT AGAIN.
You’ll stop this time, I curse and lecture,
Two bottles down next Friday etc etc,
I’m a schizophrenic hypocrite
I remember an uneventful Tuesday when i wasn't working
belly full of rice
and i saw you twice,
two times a day,
on a day in lieu,
time stood still,
smiling at you
i thought i'm gonna have to write about you,
so i park myself in a bar after a joint in Netto carpark
and start using words to build an arc
and if you you do wanna walk in two by two,
can i walk in with you?
Is it this green ride that's getting me high
or the regret i seen in the gleam of your eye
that as soon as we said hi we said bye,
as disappointed as the catcher when he dropped the rye.
If i may be so bold,
if you were cold
i wouldn't hail these stones
i'd pummel Jack Frost until he knows he's lost,
i'll leave all the lights on to hasten global warming
make Obama declare winter a season of mourning,
If you met an iceberg of Titanic  proportions
i'd cut through it quicker than the Ripper does back street abortions.
If you were in prism
i'd try to unrangle the science of triangles
so i could build you a pyramid with all the right angles,
my stomachs in knots;
the most tranquil of tangles.
Then i saw you get out of the lift
and i wanted to play you a rift
until you exposed your midriff
because you set me adrift from chains and shackles
my mind goes crazy and fills with cackles,
i crackle with lightning, my energy heightens
my heart tightens
and not cos of cholesterol
cos i think you're special
and celestial!
I got dreams from naught, my head feels taught,
i prised a lesson from your eyes,
love is the greatest prize.
But now that's gone, all things
pass evolution in transience
faces that were everything lost to balance
blue it merge
but seldom a residual surge
and your bark today was worst than your bite
it said something softly,
i sow the seeds for the sycamore trees
we can carve our names on next summer.
Under an endless stretching sky
you wrote you
and i wrote i,
the lights in our eyes don't lie
they are gateways to the suns inside,
our hearts couldn't hide from this brightening tide.
I'm a Schizophrenic hypocrite
I remember this guy from work, cooed to me
look at the **** on this page 3
he drooled over Nuts magazine like he belonged in a zoo
i bet he frequented strippers too.
He said seen this clip, it's ******* great,
it ad turn a couple of queers straight
it was these two twins with rouge lips being rude,
the way she chomped on her like food
and they defo loved it,there is  no doubt
it's just just ***** Eskimo ******* kissing snouts
and sharing with her sister the joy of getting licked out.
Wonder how they looked in the family car?
giggling about some exciting destination,
like all kids displaying a lack of patience,
“are we there yet” chorused with glee and duality,
dressed in the same clothes to ensure parity.
Ice cream for tea.
Maybe they might be way into drugs
or addled with addiction
lacking hugs
and sore from the friction.
Not liking the glare
feeling scared.
maybe?
He said nar they love it up them baby.
But then,
i have it
about 3 or 4 times a week
after the 5th time of hitting snooze,
or a heavy night on the *****,
or sometimes no beer,
even after a sonnet of Shakespeare
a sudden urge comes over me,
GET THE LAPTOP!
GET THE *******!
Then it's
Japanese teen lesbians spitting,
finger ******* wearing mittens,
****'s ******* Britions,
oap creampies
***** covered eyes
***** flicking,
extreme suction,
**** destruction,
Captain Birds Eye gobbing
Batman ******* Robin,
A ten inch plumber ******* in a kitchen sink drama
Robert de Niro unpeeling Bananarama
Marty doing the Doc
a gimped up Kirk whipping Spoc
Rita  ******* Norris
Gail licking Fizz
Sally doing Dev
and Kevin doing ki.............Kevin, get out of the room.
Back to
a **** doing a ******
a pre op pleasuring granny
two ***** one *****,
then i chuck my muck all over my tunic
flip over and continue reading The Female ******,
I'm a Schizophrenic Hypocrite,
i've gotta split.
Vicki Kralapp Sep 2018
Autumn’s brusque wind slices its way through the remnants of summer,
painting maples in hues of brilliant oranges and reds.
Long shadows of late September streak across the last blades of grass,
as fall’s stark contrasts light the afternoon.

The seasonal wind breathes cold with the smell of autumn in the air.
Autumn’s brusque wind slices its way through the remnants of summer,
while cottony clouds in a sea of cornflower blue, slowly slide out of view,
chased down by v’s of geese as they race across the sun.

Helicopter seeds line the sidewalks, green and gold, as others float on the wind,
down to join with cones and acorns awaiting next year’s crop.  
Autumn’s brusque wind slices its way through the remnants of summer.
Crows, harbingers of the winter to come, make their sad calls.

Squirrels pause to pack their cheeks with Fall’s fare and scurry to secret caches,
their bulging cheeks filled with fallen nuts and acorns.
Fall greets me with a kiss as summer bows to its chill, as
Autumn’s brusque wind slices its way through the remnants of summer.
Autumn Quatern.

All poems are copy written and sole property of Vicki Kralapp.
In response to a sardonic essay written in the recent Saturday Nation by Proffessor Ekara Kabaji, wryly  disregarding the position of Kwani in the global literary movement within and without Kenya , I beg to be permitted a leeway  to observe that any literature, orature, music,drama,cyborature,prisnorature,wallorature,streetorature , sculptor  or painting can effortlessly thrive and off course it has been thriving without professors of  literature, but the reverse is not possible as a proffessor of literature cannot be when literature is not there. Facts in support of this position are bare and readily available in the history of world literature, why they may not be seen is perhaps the blurring effects from tor like protuberant irrelevance of professors of literature in a given literary civilization.
A starting point is that literature exists as a people’s subculture, it can be written or not written like the case of orature which survive as an educative and aesthetic value stored in the collective memory of the given people. The people to be pillars of this collectivity of the memory are not differentiated by academic ranking for superlativity of any reason, but they are simply a people of that place, that community, that time, that heritage, that era and that collective experience. Writing it down is an option, but novels and other written matter is not a sine qua non for existence of literature in such situations. This is not a bolekaja of literature as Proffessor Ekara Kabaji would readily put, but it is a stretch towards realism that it is only people’s condition that creates literature. Poverty, slavery, colonialism, ***, marriage, circumcision, migration, or any other conditions experienced as collective experience of the people is stored or even stowed away in the collective memory of the people as their literature. Literature does not come from idealistic imagination of an educated person.
Historical experience of written literature informs us that the good novels, prose, drama and poetry were written before human society had people known as professors of literature. I want you my dear reader and You-Tube audience to reflect on the Cantos of Dante Alighieri in Italy, novels of Geoffrey Chaucer in England, Herman Melville and his Moby **** in Americas, poetry of Omar khwarisim in Persia, Homeric epics of Odyssey in Greece and the Makonde sculptures of Africa and finally link your reflections to Romesh Tulsi who grafted the Indian epic poetry of Ramayana and Mahabharata. At least you must realize that in those days literature was good, full of charm, very aesthetic and superbly entertaining. This leads to a re-justification that, weapon of theory is not useful in literature. University taught theories of literature have helped not in the growth of literature as compared to the role played by folk culture.
Keen observation will lead you dear reader, down to revelations that; professors of literature squarely depend on the thespic work of the people who are not substantially educated to make a living. Let me share with you the story about Dr. Tom Odhiambo who went to University of Witwasterand in South Africa for post graduate studies in literature only to do his Doctoral research on books of David G Maillu. Maillu is a Kenyan writer, he did not finish his second year of secondary school education but he has been successfully writing poetry and prose for the past three decades. His successful romantic work is After 4.30, probably sarcasm against Kenyan office capitalism, while his eclectic, philosophical and scholarly work is the Broken Drum. Maillu has many other works on his name. But the point is that Dr. Odhiambo now teaches at University of Nairobi in the capacity of senior lecturer in Literature. What makes him to put food on the table is the effort of un-educated person in the name of David Maillu. Dr.Odhiambo himself has not written any book we can mention him for, apart from regular literary journalism he is often involved in on the platforms of the Literary discourse in the Kenyan Saturday Nation which are in turn regular Harangues and ripostes among literature teachers at the University of Nairobi, the likes of Dr Siundu, Proffessor wanjala Chris and Evans Mwangi just but to mention by not being oblivious to professors; Indangasi and Shitanda.
No study has yet been done to establish the role of university professors on growth of African literature. One is overdue. Results may be positive role on negative role, myself I contemplate negative role. Especially when I reflect on how the African literati reacted on the publication of Amos Tutuola’s book The Palm Wine Drinkard. The reactions were more disparaging than appreciative. Taban Lo Liyong reacted to this book by calling Amos Tutuola the son of Zinjathropus as well as taking a self styled intellectual responsibility in form of writing a more  schooled version of this book; Taking Wisdom up the Palm Tree. Nigerians of Igbo (Tutuola being a Yoruba) nation cowed from being associated with the book as it had shamefully broken English, broken grammar etc. Wole Soyinka had a blemished stand, but it is only Achebe who came out forthrightly to appreciate the book in its efforts to Africanize English for the purpose of African literature. Courtesy of Igbo wisdom. But in a nutshell, what had happened is that Amos Tutuola had taken a plunge to contribute towards written literature in Africa.
One more contemplated result from the research about professors and African literature can be that apart from their role of criticism, professors write very boring books. A ready point of reference is deliberate and reasonless obscurantism taken Wole Soyinka in all of his books, Soyinka’s books are difficult to understand, sombre, without humour and not capable to entertain an average reader. In fact Wole Soyinka has been writing for himself but not for the people. No common man can quote Soyinka the way Achebe’s Things Fall Apart is quoted. Achebe wrote Things Fall Apart when he had not began his graduate studies. However, he did not escape the obvious mistake of professors to become obscure in the Anthills of the Savanna, the book he wrote when he had become a proffessor. This is on a sharp contrast to entertaining effectiveness, simplicity and thematic diversity of Captain Elechi Amadi, Amadi who studied chemistry but not literature. He does not have a second degree, but his books from the Concubine, The great Ponds, and Sunset in the Biafra and Isibiru are as spellbinding as their counterparts in Russia.
Kenyan scenario has Ngugi wa Thiongio, he displayed eminence in his first two books; Weep not Child and The River Between. These ones he wrote when he was not yet educated, as he was still an undergraduate student at Makerere University. But later on Ngugi became a victim of prosaic socialism, an ideology that warped his literary imagination only to put him in a paradoxical situation as an African communist who works in America as an English teacher at Irvine University. His other outcrops are misuse of Mau Mau as a literary springboard and campaigning for use of Kikuyu dialect of the Gema languages to become literary Lingua Franca in Kenya. Such efforts of Ngugi are only a disservice to Kenyan literature in particular and African literature collectively. Ngugi having been a student of Caribbean literature has failed to borrow from global literary behaviour of Vitian S. Naipaul.  Ngugi’s position also contrasts sharply with Meja Mwangi whose urban folksy literature swollen with diversity in themes has remained spellbinding entertainers.
The world’s literary thirsty has never failed to get palatable quenching from the works of Harriet Bechetor Stowe, Robert Louis Stevenson, Shakespeare, Alice Munro, Octavio Paz, Pablo Neruda, John Steinbeck, Garcia Guarbriel Marguez,Salman Rushdie, Lenrie Peters, Cyprian Ekwenzi, Nikolai Gogol,I mean the list is as long as the road from Kaduna to Cape town. Contribution of these writers to global literature has been and is still critical. Literature could not be without them. Surprisingly, most of them are not trained in literature; they don’t have a diploma or a degree in literature, but some have won literature Nobel Prize and other prizes. Alfred Nobel himself the author of a classical novella, The Nemesis, does not have University education in literature. What else can we say apart from acceding to the truth that literature can blossom without professors, the Vis-à-vis an obvious and stark impossibility.
Liam May 2013
personal journal musings from last week...*

Stopped in at my neighborhood pub last night
  a couple of pints, some word exchange
Colorful place on a perfect Spring evening
  people on tap, constantly spilling in and out

The place is bustling and packed
  loud and dynamic
Sound flowing on open air
  drifting in from sidewalk patio and out to beer garden

Luckily nab a lonely stool near the entrance
  girl sitting kitty-corner around curving end of bar
Casually we cover topics from her mac 'n cheese
  to wind chill generated by ceiling fans

Conversation is suddenly confiding
  prior night's end-all fight with her live-in boyfriend
Obvious need to talk to someone neutral
  bartenders are busy, so it's me and we do

She's come seeking emotional sanctuary
  awaiting his departure to some event
Unhappy with her role in the argument
  unhappy with the person she has become with him

They'd intended to go ring shopping
  as recently as last week
She now looks forward only to the comfort of
  quiet, pajamas, ice cream, dreamless sleep

Upon leaving, she twice asks that I promise
  to be here if she finds no solitude and must return
This is no request...more of an appeal
  alone in privacy is one thing...alone in festivity another

I promise twice - I'll be here
  she doesn't return
I sincerely hope that she's well on her way to
  an ice cream induced pj slumber

              Less than an hour later...same bar stool

Pleasingly boisterous bachelorette party arrives
  staking claim to a nearby parcel of floor
Numerous "excuse me" squeeze-throughs  for drink orders
  rendering me a semi-familiar bar obstacle

One reveless wedges in, questions me
  what color underpants do I have on...don't recall
Insists that we check...dark bluish-grey
  too bad...she was hoping for purple to match her own

Impishly waiting long enough for my mind to stew
  she finally reveals the query as part of a formal interactive checklist
I apologize for not being more daring in spectrum
  we laugh, nevertheless...strike one

Eventually exchanging pleasantries with another
  a more subtle approach, but the inquisition repeats
Here we go again...Batter up!...Red?...very sorry...strike two
  I'm feeling of no value to this effort

Red offers me a redeeming pitch from the list
  someone must serenade the bride-to-be
I accept and get to meet the veiled celebrity
  she wears an engaging and jubilant aura

Gauging the atmosphere, I decide against romantic
  opting for a song that playfully questions the sanity of her choice
From my heart, I sing the chorus to Matchbox Twenty's "Unwell"
  It goes over very well and I avoid strike three

She and I hit it off, we discuss her wedding plans
  discover our roots are in the same part of the city
I'm rewarded for my musical contribution
  allowed to buy her a shot of Patrón...the checklist dwindles

Now partaking in the excitement of their celebration  
  an honorary addition to the large but exclusive group
My joyous new acquaintance has us take a picture together
  a snapshot of this special occasion to which I've somehow been privileged

A train of waves, goodbyes, thanks, and good lucks
  trails the party as I watch it crawl to the next establishment
In the hushed cacophony, I return to my thoughts
  a fantastic diversity of emotional experience within two short hours

My elbows on the bar in sober contemplation
  counting crows ...one...two...juxtaposed
A contrast of simultaneous realities
  somberly lamenting vs vibrantly anticipating

Reflecting on the beauty in such contrasts
  that serve to define the images of our lives
I finally come to the inevitable conclusion
  it's time for another pint...of ice cream
A sea of foliage girds our garden round,
But not a sea of dull unvaried green,
Sharp contrasts of all colors here are seen;
The light-green graceful tamarinds abound
Amid the mango clumps of green profound,
And palms arise, like pillars gray, between;
And o'er the quiet pools the seemuls lean,
Red—red, and startling like a trumpet's sound.
But nothing can be lovelier than the ranges
Of bamboos to the eastward, when the moon
Looks through their gaps, and the white lotus changes
Into a cup of silver. One might swoon
Drunken with beauty then, or gaze and gaze
On a primeval Eden, in amaze.
dark leaps when
there is the frothing light
beaming a sizable aureole
on your face
this evening
and its palpable brigade.

dark is having your
inwoven dress free
from swaying
pressed against raucous
facelessness of things
rogue and renegade.

and when i have you
not, shining the light
and its intone,
wind felt like
stabs or
i in attendance
of a crazed vaudeville—
trapeze is the hinge
of the void
afloat, upstream, space-hovering;
a display of love
   and not so much
is shown of the vertigo
trapped in a square,
a face
impinged in the seamlessness
of this fabulation
when you've gone
quickly fading out;
    
     light is my remember,
o, dark my
     forgetling.
CharlesC Sep 2012
a day
with contrasts faded
hazy smoke from
distant forest burnings
skylight diffused..
traffic at rushhour
a monotonous din..
such muffled appearances
invited a more
exacting look..

white paint splotches
accidental decorations
to a darkened parkbench
suggests here a distant
supernova explosion..
a motorcycle pistons'
high pitch report
self identification
in the traffic din..
an airliner's orange
contrails laced the
gray cloudless sky..

then a sudden appearance
a haloed quartermoon
light enhancement
with circular glow..
yes contrasts seemed to
speak on this day
bursting the haze...
walking experiences...took a couple photos...see blogsite...
Jerry Howarth Jan 2016
CONTENDING FOR THE FAITH
  Certain men, described by Jude,
  As ungodly filthy dreamers,
  Condemned unto judgment,
  Evil speakers and flesh defilers

  Have subtly and secretly made themselves
  A part of the Christian faith,
  Purposely undermining salvation
  with ungodly speeches against God’s Grace.

Who are these insolent filthy dreamers
Who speak evil against Dignities with
                              disdain?
“Woe unto them” says the Apostle Jude,
“Woe unto Balaam, Core and Cain.”

Representative are these three of
The self-righteous for salvation,
The self-seeking for prestige and power,
The worshipper of wealth and mammon.

These are spots, ugly, despicable spots
In your love feast celebrations.
With all boldness and fearlessness,
They join you without invitation.

These are the murmurers, the complainers,
The mockers, of the soon  return of Christ,
As prophesied by Jesus and the Apostles,
     that in the last days they would arise.

In view of such apostates as these,
Be praying in the Holy Ghost, Beloved,
And building yourselves up in the Spirit,
Be living daily in the sphere of God’s love.

Having compassion on the innocent deceived,
The sincere soul drawn into a damning lair;
And others, addicted to chains of sin,
With great caution, ****** from the fire.

This, then, is the message of God,
With compassion, caution and love,
Be ready always to contend for the faith,
For the glory and majesty of God above.
From Jerry Howarth's original Poetry
Hello & Poetry
Jerry Howarth   Poems  
Published147  Drafts54 Hidden16 Deleted3

ADJUST OR BUST

A GOOD DAY FOR BIKE RIDING

A GOOD DAY FOR RUNNING

A LESSON WELL LEARNED

A Man and His Religion

And Then There Is God

AND YE FATHERS

ANGELS, MINISTERING SPIRITS

An Old Testament Love Story

A PRAYER OF PRAISE

ARE THERE CONTRDICTIONS IN THE BIBLE?

Are You Certain?

ARE YOU GOD'S MAN?

" ARE YOU READY FOR 'FREDDY?' "

" ARE YOU READY FOR 'FREDDY?' " (DRAFT)

ARE YOU SELF-CENTERED OR CHRIST-CENTERED

As a Man Thinketh

Atheism, Agnosticism, Deism, Humanism

A TREE HOUSE

ATTENTION ALL FATHERS

BACK IN THE WHEEL CHAIR AGAIN

"But My God Shall Supply All Your Needs" 4:19

Butter Milk Boogie

Christ the Strength of My Life

CONTRASTS

COPD

DEALING WITH SET BACKS OF LIFE

Dear Lord, I'm Bored

DEATH COULD NOT HOLD HIM

Jerry Howarth Dec 2019
DOUBT NOT GOD'S FAITHFULNESS
FAITHFUL TO THE LORD
   The Bible tells of a man called Job,
Whose life was filled with great discord.
He lost all his family and fortune,
But through it all was faithful to the Lord.
            chorus
Faithful to the Lord, Faithful to the Lord,
My Brother and Sister, be faithful to the Lord!
Yes faithful to the Lord, faithful to the Lord,
Be like Job, be faithful to the Lord.

Have your friends all turned their backs upon you,
And left you walking all alone?
Just remember, God is always faithful,
and will love and keep you as his own.

To Abraham, Isaac and Jacob,
God's promise of faithfulness was given,
To Joshua, the Judges of Israel,
And to a man called Gideon.

Yes my friends, doubt not  God's faithfulness,
Read the long list of men and women
to whom God was faithful to supply of their needs.
Found in the book of Hebrews, chapter eleven.
From Jerry Howarth's Book of Orginal Poems

Written by
Jerry Howarth  Topeka, Ks.
      
24     3
1 comment

Esteem Others Better Than Y'self

EVOLUTION SAYS.........by G.E. Parson

FAITH OR FEAR

Faith -What is it?

Father Forgive

FEAR NOT TOMORROW

FIRE! FIRE!! FIRERRRR!!!!!!

Five Kings In A Cave

FRIENDS

God's Faithful Provision

Go Forth With Confidence

Going Up to Glory

GRAMPA BACK IN GRAMMA' KITCHEN

GRAMPA BOUGHT A NEW CAR

Grampa Cooking Hashbrowns

Grampa G.E. Parsons's Creed of Life

Grampa Parson's 4th of July experience

Grampa Sold His Garage

Grampa Took An Unplanned Train Ride

HAVE YOU EVER THOUGHT OF....

Heaven Is Only A Prayer Away

Heavenly Blessings

He Lied About Her

I Don't Get Mad, I get Even

IF CLOUDS HAD EYES

IF YOU HAVE EXPERIENCED

If you need a little help just call on me

IF YOU'RE TOO BUSY TO PRAY IF

I'm a physically Challenged Man

I'm so Blessed

I SEE GOD

IT ONLY TAKES BELIEVING

Jerry can't sleep

Jerry's Breakfast Sandwich

JESUS IS COMING

JESUS THE ONLY WAY

JESUS=What He Means To Me

JOHN Q.PRISONER

JOSHUA AND CALEB

JOY, PEACE AND HAPPINES

Judges of Israel Cont.

JUST RAMBLING AND RYMING

Keep Your Spiritual Eyes On Jesus

Legally Dishonest

LESSONS FROM THE PRODICAL SON

LIFE IS A CONSTANT STRUGGLE

Livn'n To Glorify The Lord

MAKE YOUR CHOICE

MARANATHA

ME AND MY SUNSHINE

Jerry Howarth Jan 2016
More Poems of Faith
CONTENDING FOR THE FAITH
  Certain men, described by Jude,
  As ungodly filthy dreamers,
  Condemned unto judgment,
  Evil speakers and flesh defilers

  Have subtly and secretly made themselves
  A part of the Christian faith,
  Purposely undermining salvation
  with ungodly speeches against God’s Grace.

Who are these insolent filthy dreamers
Who speak evil against Dignities with
                              disdain?
“Woe unto them” says the Apostle Jude,
“Woe unto Balaam, Core and Cain.”

Representative are these three of
The self-righteous for salvation,
The self-seeking for prestige and power,
The worshipper of wealth and mammon.

These are spots, ugly, despicable spots
In your love feast celebrations.
With all boldness and fearlessness,
They join you without invitation.

These are the murmurers, the complainers,
The mockers, of the soon  return of Christ,
As prophesied by Jesus and the Apostles,
     that in the last days they would arise.

In view of such apostates as these,
Be praying in the Holy Ghost, Beloved,
And building yourselves up in the Spirit,
Be living daily in the sphere of God’s love.

Having compassion on the innocent deceived,
The sincere soul drawn into a damning lair;
And others, addicted to chains of sin,
With great caution, ****** from the fire.

This, then, is the message of God,
With compassion, caution and love,
Be ready always to contend for the faith,
For the glory and majesty of God above.
                                  -  by G. E. Parson
     06/272011

Written by
Jerry Howarth  Topeka, Ks.
      
703     Don Bouchard, Got Guanxi and 1 other
Don Bouchard

Don Bouchard  I see we are writing on similar themes. Jude is a book for our times.

0



1 reply

May 2017

MORE THEE, LESS OF ME

MURDERING BABIES

My First Airplane Ride

My Lost Toy Bear

MY SUNSHINE GAL

NO EXCUSES

NONE OF YOUR BIZWAX

ONE MAN'S TESTIMONY

Out Line for Devotions or Full sermon message

PLAY BALL !!

POEMS UPLIFTING

POSITIVE PRAGMATISM

PRAISE GOD I GOT SAVED !!

PRAISE GOD, JESUS CAME!

PRAISING GOD FOR AMERICA

Preaching On Facebook Live

PRESIDENTS DAY 2/19

RABBONI ! MASTER !

READ THE BIBLE !
Next page

            MORE POEMS OF FAITH

Hello & Poetry
Jerry Howarth   Poems  
Published147  Drafts54 Hidden16 Deleted3

ADJUST OR BUST

A GOOD DAY FOR BIKE RIDING

A GOOD DAY FOR RUNNING

A LESSON WELL LEARNED

A Man and His Religion

And Then There Is God

AND YE FATHERS

ANGELS, MINISTERING SPIRITS

An Old Testament Love Story

A PRAYER OF PRAISE

ARE THERE CONTRDICTIONS IN THE BIBLE?

Are You Certain?

ARE YOU GOD'S MAN?

" ARE YOU READY FOR 'FREDDY?' "

" ARE YOU READY FOR 'FREDDY?' " (DRAFT)

ARE YOU SELF-CENTERED OR CHRIST-CENTERED

As a Man Thinketh

Atheism, Agnosticism, Deism, Humanism

A TREE HOUSE

ATTENTION ALL FATHERS

BACK IN THE WHEEL CHAIR AGAIN

"But My God Shall Supply All Your Needs" 4:19

Butter Milk Boogie

Christ the Strength of My Life

CONTRASTS

COPD

DEALING WITH SET BACKS OF LIFE

Dear Lord, I'm Bored

DEATH COULD NOT HOLD HIM

Jerry Howarth Dec 2019
DOUBT NOT GOD'S FAITHFULNESS
FAITHFUL TO THE LORD
   The Bible tells of a man called Job,
Whose life was filled with great discord.
He lost all his family and fortune,
But through it all was faithful to the Lord.
            chorus
Faithful to the Lord, Faithful to the Lord,
My Brother and Sister, be faithful to the Lord!
Yes faithful to the Lord, faithful to the Lord,
Be like Job, be faithful to the Lord.

Have your friends all turned their backs upon you,
And left you walking all alone?
Just remember, God is always faithful,
and will love and keep you as his own.

To Abraham, Isaac and Jacob,
God's promise of faithfulness was given,
To Joshua, the Judges of Israel,
And to a man called Gideon.

Yes my friends, doubt not  God's faithfulness,
Read the long list of men and women
to whom God was faithful to supply of their needs.
Found in the book of Hebrews, chapter eleven.
From Jerry Howarth's Book of Orginal Poems

Written by
Jerry Howarth  Topeka, Ks.
      
24     3
1 comment

Esteem Others Better Than Y'self

EVOLUTION SAYS.........by G.E. Parson

FAITH OR FEAR

Faith -What is it?

Father Forgive

FEAR NOT TOMORROW

FIRE! FIRE!! FIRERRRR!!!!!!

Five Kings In A Cave

FRIENDS

God's Faithful Provision

Go Forth With Confidence

Going Up to Glory

GRAMPA BACK IN GRAMMA' KITCHEN

GRAMPA BOUGHT A NEW CAR

Grampa Cooking Hashbrowns

Grampa G.E. Parsons's Creed of Life

Grampa Parson's 4th of July experience

Grampa Sold His Garage

Grampa Took An Unplanned Train Ride

HAVE YOU EVER THOUGHT OF....

Heaven Is Only A Prayer Away

Heavenly Blessings

He Lied About Her

I Don't Get Mad, I get Even

IF CLOUDS HAD EYES

IF YOU HAVE EXPERIENCED

If you need a little help just call on me

IF YOU'RE TOO BUSY TO PRAY IF

I'm a physically Challenged Man

I'm so Blessed

I SEE GOD

IT ONLY TAKES BELIEVING

Jerry can't sleep

Jerry's Breakfast Sandwich

JESUS IS COMING

JESUS THE ONLY WAY

JESUS=What He Means To Me

JOHN Q.PRISONER

JOSHUA AND CALEB

JOY, PEACE AND HAPPINES

Judges of Israel Cont.

JUST RAMBLING AND RYMING

Keep Your Spiritual Eyes On Jesus

Legally Dishonest

LESSONS FROM THE PRODICAL SON

LIFE IS A CONSTANT STRUGGLE

Livn'n To Glorify The Lord

MAKE YOUR CHOICE

MARANATHA

ME AND MY SUNSHINE

Jerry Howarth Jan 2016
More Poems of Faith
CONTENDING FOR THE FAITH
  Certain men, described by Jude,
  As ungodly filthy dreamers,
  Condemned unto judgment,
  Evil speakers and flesh defilers

  Have subtly and secretly made themselves
  A part of the Christian faith,
  Purposely undermining salvation
  with ungodly speeches against God’s Grace.

Who are these insolent filthy dreamers
Who speak evil against Dignities with
                              disdain?
“Woe unto them” says the Apostle Jude,
“Woe unto Balaam, Core and Cain.”

Representative are these three of
The self-righteous for salvation,
The self-seeking for prestige and power,
The worshipper of wealth and mammon.

These are spots, ugly, despicable spots
In your love feast celebrations.
With all boldness and fearlessness,
They join you without invitation.

These are the murmurers, the complainers,
The mockers, of the soon  return of Christ,
As prophesied by Jesus and the Apostles,
     that in the last days they would arise.

In view of such apostates as these,
Be praying in the Holy Ghost, Beloved,
And building yourselves up in the Spirit,
Be living daily in the sphere of God’s love.

Having compassion on the innocent deceived,
The sincere soul drawn into a damning lair;
And others, addicted to chains of sin,
With great caution, ****** from the fire.

This, then, is the message of God,
With compassion, caution and love,
CharlesC Jun 2013
In morning sun
yellow-green leaves
black branches
such contrasts flow..
yellow sun warmth
seems to pull..
pulls the sensations
fullness and growth
and makes nature
luxuriant once more..
hidden chirpers note
the dawning of
summer...
dorian green May 2021
i've been waking up to desaturation all my life.
i don't know why but i've been
rolling over in the same grey-skinned body,
opening shoddy eyes, heart heavy
as a hangover. i climb into your chevy with
it in my hands. i know this is the fifth time i've lit
a cigarette since i quit, but my lungs needed the ash.
did you know, in a car crash, just one person
not wearing a seatbelt would worsen the casualties?
so if you see the casual ease with which i bare my chest,
know that the carnage of my reckless form,
hail in a storm of steel and violence, at least felt sorry.
the starry dark of a backroad, an explosion of light,
a bright metal supernova and colors even my eyes can't doubt;
we'll all find out exactly how heavy my guilt
is when the body sorrow built ascends through the windshield.
R K Hodge Nov 2015
I adore you.
That is all there is to it.
Sometimes red poppies blossom in my stomach because of it
Like ***** watercolour water it grows increasingly murky
I find it is a beautiful shade of hurt and soul
It contrasts nicely with my porcelain casing
Like a tea *** I am poised to empty my contents
I adore, you.
Rowan Deysel Dec 2016
Caucasian cadaver in the windless woods.
Carelessly hanging from a tree.
Colorless face looking down.
Carrion yet to be seen.
Creation of an evil man.
Displaying his departed art.
Completed, his compelling plan.
Of helping death do its part.
Few colors, fewer sounds.
White skin contrasts the black dress.
Faded yellow floating all around.
Splatters of red fill the rest.
A frightful figure that overwhelms.
Above the confused and thorny trails.
All the shallow know themselves.
At the sight of this female.
Breathless before being dangled.
Dead before being displayed.
Beautiful body, cold and mangled.
Death magnificently portrayed.
Multiple stab wounds in your back.
Added to the smell of war.
Mind immersed in barren black.
Gnawed eyes to watch and adore.
Dripping, dim and dreadful.
The portrait he wanted to smear.
Your future as empty as your words.
Your hollowness shown clear.
You don't know what you're missing. 
Elders still die, the young still grow.
The leaves below are hissing.
At the corpse of a girl I used to know.
Made when I was an angsty, cringe teenager who just got dumped by his first girlfriend.
Lunar Apr 2016
we both had two different painting styles. he was into calligraphy, the bold and gentle strokes of black ink on white paper; i was into watercolor, the translucent colors slowly spreading to a gradient on a Canson. we were two painters with brush styles of stark contrasts.

three objects. a flower arrangement, an antique vase and grecian sculpture. we were asked to pick the most eye-catching one out of the three, paint it in our of style of representation. and so we began.

him: what will you be painting?
me: i can't tell, you might judge me for it.
him: alright, but promise me you'll show it to me once you're done.
me: okay. same to you too, then.

hours passed, and while i often discreetly glimpsed at him, he caught my eye sometimes and would make funny faces or just softly smiled at me. i could not deny that my hands were shaking as i dunked my brushes into the watercolor jar and continued to finish my painting.

him: i'm finally done. this is a masterpiece.
me: i believe it's the same for me too.
him: should we count down as we turn our boards to each other?
me: nothing better than a surprise of what's the most beautiful thing out of all the objects before us.

we flipped our boards to each other's viewpoint, and we were both shocked to be looking at ourselves, a painting of ourselves, one done by the other. he painted me in black and white, a figure-ground influenced painting, strong in lines, simplicity in its finest state, rendering me bare and raw. i painted him in pale colors, a positive reflection of him lighting up life, and soft shadings to give depth to the meaning of his existence.

after knowing this and scrutinizing our works, his cheeks turned pink as the pink on my palette, while i covered my eyes with my hair as dark as his ink. we burst out laughing and blushing at the fact that the most beautiful object before our eyes was each other.

sometimes, i wonder if he's my muse, the art or the artist. and i felt like a watercolor jar at that exact moment, as if brushes soaked with different colors were being dipped into me all at once, the tint, hue and vibrancy bleeding into the clear liquid, getting murky. it was like those colors are my emotions, and with every emotion mixing, my thoughts get murky. i guess this is how it feels to be in love with all forms of art at once.
wjh, you, and loving you, is the definition of my art.
you and only you are the meaning of my muse.
you and just you are the artist
Yenson Sep 2018
Listen to the slivering  paths of the Autumn breeze
The coming velvety skies drenched in ink reflecting silver stars
Wave goodbyes to the elusive flawed brown stone with pensive eyes
A heart will gasp years ahead for callousness past shown now in tears
Remember those golden sunsets for now woeful days are never azure
Watery eyes and wrinkled mask lament a time you could have shared
A King's ransom at your feet twined with an  honest heart assured

Hear the whisperings of the mockingbirds and muted cold choruses
Rainbow starlights betrays pots of gold hidden never to be found
Maidens dance retro and the harpist pluck for painters with brushes
By sunkissed shores blends of contrasts joyous in customary ponds
Smiles pure from honeyed caves same when as waxed spears plunges
Save me a place in the delights of Troy and tell Helen to send a sound
Bring me home to peace and love, rescue me from lions in golden cages




Copyright@LaurenceA.19thSept2018Allrightsreserved.
Terry Collett Jul 2013
The way
Miss Manners

sat
on the school desk

when the teacher
was out

of the room
or before

he came in
hands on each side

of her thighs
flat

on the desk top
her white socks

hugging her carves  
and black shoes

toe touching
and the knees rubbing

each on each
and Boxy said

nudging you
giving her

the eye
wouldn’t mind being

her bicycle seat
and the sunlight

lit up her hair
angel like

sitting there you thought
the hands small

palms down
the fingers

slightly spread
the nails

pinkie white
unchewed

and Boxy whispered
bet she’s *******

his breath
easing out

sweetness
of bubblegum

wouldn’t mind
kissing her ***

he sniggered
there was

where the sunlight
caught her profile

that contrast
of light and shade

the nose
the lips

slight spread
and where

the sun lit her
a halo shone

around her
****** head.
Marshes and meadows
Sunshine and shadows

Gentle ripples on the calm river
Foaming rapids in white water

The jungle echoes in the semi-darkness
while daylight creepy-crawlies clear the mess.

Peasants toiling and pheasants scratching
as I spy a cricket somersaulting

The cactus the desert's prickly femme-fatale
elsewhere a lone leaf floats in the canal

Prairie dogs go popping
while hares go hopping
and ladies go shopping

Swans have formed a V-line
The flora too is divine
as bees nosedive in bee-line.

Seista seizes birdlovers too
Thus they miss out on the hoopoe's song
For the hoopoe, it does not sing on cue
since a bird may sing anytime to woo.

What a medley eh of scenery
Murky eve and dawning greenery

Ah, wherever you go nature's so panoramic
While we make and take pictures
God actually makes what's so picturesque!
Leila Valencia Apr 2019
I turn my head to the most beautiful sight of all - the sapphire, green-brown, grey ocean.
(Breath In)

The thick blue ocean that rolls, churns, and glistens.
And the glisten slices, the glistening currents. The ripples that move the ripples that have no ending or beginning.
(Breathe Out)
_

Every shape, form, and structure captured in the liquid.
It smooths out.
It rounds out.
It rolls out, it crashes down.
It’s smooth clarity. It’s smoothness it beyond me.

Its beauty is truly found within its movement. It’s constant change, exchange between all forms;
Connections throughout,
Different experiences of the same object throughout,
And out and out.

I see this giant blue gulp, of sea of truly magnificent bodies of water held in a single space.

As I see the land overturn over:
In new shapes, colors, lengths, and everything that contrasts one thing to another

I just see so much brightness, dimness, and something that overturns into another.
,,,,
I can not believe this sea
How it makes that sound

And when nothing is around
It just profound,

How every jewel of the dancing ocean
is a collection of drops
connecting forms throughout
__

When I feel the truth of this beauty
I see,

the ocean, something I never created
It was there to touch us
To hold us
This ocean was made to believe in us.

Without realizing it I just fell into a deep sleep.
I fell into something so deep.
I felt the ocean's arms
embracing me
I love the ocean. This is my ode to the ocean
Mary Gay Kearns Jan 2019
The cast iron cot frame stood in the garden
At the top left and held the relics of blue
Unleaded paint used to cover a girlish pink
The mattress disintegrated it contained plants
Mother’s cuttings from an extensive garden.

The girl now eleven and very thin
Sat in a homemade embroidered skirt
And played with her unbraided hair
Her feet neatly together like a doll
A teenage doll from The Pedigree range.

The beginning of ******* were forming
And insecurities and dissatisfaction open
That day in the sun with cousin Hilary
Two different specimens of womanhood
I only really knew her a short time .

Love Mary ***
A beautiful lady from Bridport who died of cancer at 58
In remembrance of cousin Hilary loved and cherished.Cousin Mary
***
Joe Bay Mar 2014
"As a core, idealistic truth, love is all that matters. In practice, especially between fundamentally flawed and unfinished beings, it’s not. Sometimes our love isn’t greater than whatever is doled out beside it. It doesn’t always win out. Sometimes it shouldn’t.

When you first realize someone could be something to you, the days become hazy and fluid and the last thing on your mind is logistics. It seems cold to be calculating at the beginning, to compartmentalize a person and see if those parts match up to the whole you envisioned.

We’re so quick to glide over whatever instinctive inkling resonates every time we realize there’s a void greater than our love for someone can fill. We press on, seldom realizing that every relationship culminates in deciding whether or not those instincts are the ones to follow.

Love exists in multitudes. In shades and elements and dynamics. In pieces and in learning, in growth and in change. In strangers and in soul mates. It does not exist as a single, expendable truth or experience. We’re so quick to attach that idea to one person or one relationship. We don’t want to go through the motions of experiencing those levels of commitment, attraction, interrelation with anybody else. The risk of losing is too great, but withholding waives the possibility of ever finding it in the first place.

Some relationships are long, steady, and easy; some are quick and enlightening and challenging. Some brush along our surface and others dive beneath and uproot us. Some might be temporary, one might last “forever.” That doesn’t mean it has to be the only one there is. That doesn’t mean there’s not something to be experienced, to be taken, to be learned, from whatever came before.

You can’t make a relationship something more than what it inherently is. You can’t make yourself fit into something you inherently won’t.

The whole of human love is what’s enough, the parts are just precursors.

We are unfinished, every last one of us. We have to let go of wishing each chapter was the last one because we’re afraid of how it could end otherwise. We have to stop forcing people into being the end-all-be-all for the same reason. We have to paint in contrasts, in love and from loss, and we have to find eventually that the whole picture is filled, and we are filled, from what we take, find, lose, gain, learn, give and create with the multitudes of people who loved us, in the multitude of ways that happens.

You’ll realize you knew the answers to your questions all along, it was only a matter of having the courage to act on them. You’ll let go when you don’t realize you’re doing it. You will have to learn that loving someone doesn’t always mean that being with them is the answer. You’ll realize that love is enough, but the kind of love that makes you stay only partly comes from the person you stay with. The other part comes from you.

You’ll realize you don’t have to be out of love to say goodbye. You’ll learn to separate the two: the loving part of you and the logical part of you. You’ll learn to use them in tandem. You’ll learn that two such things can be used in tandem, though you were taught otherwise and it seems impossible. What you’ll find eventually is the only love worth having is the kind that’s there even when the rest is gone."
-Brianna Wiest
She is essence of la bella donna,
    herein lies the paradigm mid
       ***** pearls & nightshade's poison,
exhales echoes of dark crescent moons &
        sandalwood's perfumed incense
burning sentience of duality's seasonings
   'tween contradiction 'neath her own breath,
  born to gypsy souls 'twixt a solar eclipse
    she worried naught what society thought,
her poetry was incalculably beyond measure
     neither less than or more than incurable,
   rendered nuances as a badge of significant honor
      gaily whirling beyond distinctive contrasts,
            'neath importance of individuality's calling
      amidst her own unique indulgent nature,
                  dazzling sensuality's intrinsic whimsy
La Bella Donna is 'the beautiful woman' in Italian. Belladonna is also
a drug prepared from the leaves and root of deadly nightshade plants.
A better time
and a sunburn later

Things aren't good here
but I have nowhere else to go

Time to tie on my shoes
and hit the road again

There's no point in trying
when there's no reward
Well, I need something to do so why not track
Mary Gay Kearns Mar 2018
Travelling by foot in whatever weather
I took to walking the gardens' route,
With single lens reflex camera
Still able to take the sort of pictures
That stop the eyes from wandering.
Photos in black and white
Where contrasts given a subtlety
Slowly revealing the depths
Of the familiar.

And into the park
Where rain, recently fallen,
Drenches the lens with jewels
Dropping from tree and cloud,
Sporadically,
Catching the light
With its rainbow spectrum
And collecting moments
Of nature's splendour
Into unnoticed places.

Love Mary ***
Steele Mar 2015
The red of cigarette ashes contrasts the white upon the snow.
The expanse is unbroken as his gaze wanders lonely plains.
He takes one puff; then another; then another one so
he can forget her face, and remember how it feels to live again.

His parka is unzipped as he breathes in air so cold,
and cigarette cherries reach his palm and burn away cold contemplations.
He smiles at the Arctic gods' cool ministrations; their fervent consolations
for the love he is smoking and forgetting in the snow.

He zips up his jacket, tosses ashes far below.
He turns away, his footsteps marking the white waste.
They are the only remnant of his remembering ablation,
and soon, they too, are absorbed by the plateau.
Loreena Lynn Jun 2014
Today is not the same
I will never feel the same way
As I did yesterday
I find it so strange and so confusing
The way a warm breeze can change
The world around me
From wanting so badly to bury myself
Under the heaps of waste that our population
Has produced,
Wanting to drown in the lakes we’ve poisoned
With our machines and fuel for our machines
Wanting to suffocate in the smog and let the
Filth that we’ve created destroy me entirely
To wanting to stay a little while longer
Closing my eyes to feel the sweet air
Brush against my chemical-infused skin
Seeing the pure, untapped joy in children
(who I pray will grow up unscathed by us)
Are some of the few hopeful delicacies I have.

I’m not sure when I became bitter
But I wonder if I was really even happy before this
Or just ignorant. I wonder too,
If the moments like this, that make me want to
Fall to my knees and sob and sob because I feel so
******* lucky and so alive
So lucky to be alive and so stupid
For wanting to give it all away,
Are simply average, normal moments
That only stick out because I’ve began to notice
Reality. Hell on earth that I know I will
Never be able to change.
Katie Mac Dec 2013
i like to feel my stomach,
where it's soft and then turns
into the hardness of my ribs.
i like the contrast, the
feeling of it underneath my hand.
i don't know why
but i like my contrasts
and the way that sometimes
i feel so low
and other times like i'm
ten feet above the ground.
i like that i can laugh
and then lie in bed at night,
feeling the loneliness settle on top of me
as an extra sheet that fails to keep me warm.
i like that the wild, contradicting variation
like New England weather, like a prediction
versus a storm.
i like knowing that i can feel everything,
all the violence of myself.
i like hurting because it means i'm real,
and happiness for the same reason.
i like my contrasts.
Matt Jun 2017
A Man killing in the name of Justice
A Brother slaying another in Self-defense
A Son firing a round into an intruder in Fear
A Nephew taking up a sword for his Country
An Uncle giving up a criminal to the Authorities
A Grandfather using his cane in response to Violence

A Need for
Power, Money, Fame.
A Response of
******, Theft, Oppression.
  
A Need for
Justice, Vengeance, Retribution.
A Response of
Judgement, Violence, Restitution.

Two sides of the same coin?
Who is the villain?
If both are the victims of the other,
Who is Guilty?
What then is Justice?
Who shall decide?
You?
Will You be the one to throw the first stone?

Do Good and Evil,
Equate to Yin and Yang?
Balanced forces of Light and Dark.

Or,
Is Evil apparent and easily discerned from Good?
Contrasts of Black and White.

If Neither, Nor,
Do they mix into a swirl of indecision?
A mess of self-righteous Grey.
  
What if it is my own life I sacrifice?
What if I am the one taking the bullet?
Not in a suicidal attempt or mission,
But instead in protection of Good.

Am I the Villain for causing my ******?
Is the intended Victim the Villain for being targeted?
Are the Witnesses guilty for not acting?
Are You guilty for being unaware?

History is written by the Victors,
So do they command Justice?
  
Does History demand the mantle,
Of deciding Right from Wrong?
Everything unsure in the Present,
Until the Future decides.

If You name me the Villain,
I’ll wear it in Red,
Speak in Riddles,
And break the Rules.

But if I name You the Villain,
Would You do the same?
Tamaira Johnson Aug 2014
There is a side to us which is hidden from all.
It nearly always creeps and crawls.
In darkness it is hidden from sight.
It only comes out when touching the light.
Only then will people see this dark side,
It contrasts the light, then runs and hides.
Nat Lipstadt Aug 2013
Spanish Guitars

A few years ago, in 2011, I went to a concert of young classical guitarists.  Just before or after, I don't recall, I saw an exhibition of Picasso's guitars at the Museum of Modern Art in NYC (http://www.moma.org/visit/calendar/exhibitions/1101).
This poem ensued.  This is one of the lost poems I mentioned, recently rediscovered on an archaeological dig.


Spanish Guitars

two weeks pass.

I have seen
two guitars
one of wood,
one of sheet metal.

both were alive,
both were inanimate
both birthed for display,
useful for granting pleasure and
heating up le jus d'creation

products of a tradesman's craft,
animated to pierce my brain and
pleasure me with the realization
that when you see
what I see
When you,
you hear,
What I see
we all perforce speak but one language,
an alphabet of music, art and love

A young,
oh so most beautiful
Croat guitarist girl,
Ana, coaxes an urgency
from her love, the blonde wood,
she takes Piazzola's notes,
as if they were Picasso's thoughts
and set them within so
days later, the resonance plucks
at my temples

Picasso, like a little boy,
collects collaged bits and pieces of
life's stuff most ordinary,
postage stamps, playing cards,
wallpaper, pieces of cardboard,
cutouts from Le Journal,

and with fingers delicate
sticks and glues discrete notes,
individually nothing
but pieces of this and that,
bits and bobs
superimposed on faux woodwork,
presenting an instrument tooled to

conjures up a milonga^,
the sounds of angels dying,
a fandango of trembling tones
a sonnet of sounds,
celebrating human touch
upon animal, strings taut,

feasts both, a banquet,
a  triomphe of sounds
that tutors my senses
to hear sheet metal guitars
imprisoned in museum glass
gush sounds of parallel lines
and delicate contrasts,
A duet of animate, inanimate
Virtuosity

All is clarified.
One language.
Many dialects.
Both, Spanish guitars.


^ a milonga has many meanings, but here, refers to a Argentine tango dance party
“The Maiden”

Over her long legs,
Hips sway in a salacious manner,
As she strolls,
Past the gaggle of gentlemen,
Mustering the valor to face,
Their glances varying from curiosity,
To disgust,
Perhaps intrigue as these men,
Behold this exotic form of femininity.

An aura of mystery emanates,
From a tenderly warm demeanor,
Welcoming the viewers,
Who encounter this daughter of Aphrodite,
Capturing attention regardless of,
One’s alleged reasoning.

Intrepid knights receive the blessing,
To witness the hazel windows,
Into a maiden’s soul,
Deeply adorned with unbidden intensity,
Bestowing a small glimpse,
Into a beguiling beauty,
Mistaken as a cozening siren,
To an untrained eye.

Many chaps desire her,
Until revelations bereave these fellows,
Of security interwoven into the fabric,
Of society sewn with fine threads,
Uniting into an existence of conformity.

Some licentious men lunge,
At the maiden,
Gaping at what these fellows,
Observe as a tantalizing goddess,
Desiring to place lascivious hands,
Upon her soft skin.

Misguided stories allow life to be given,
To glaring spectators,
Spewing jeers of rancor,
Bemused as the unknown,
Deftly saunters near,
The valley of Oblivion.

Like the majestic Mona Lisa,
The maiden consists of subtle nuances,
Painting her tributes behind cryptic techniques,
Allowing one to inspect her façade,
Learning her similarities to the wind,
Feeling her spirit,
Rather than glancing upon visual proof.

The souls encountering the maiden,
Gain respite from strangling thoughts,
Placated by her light,
Revealing the contrasts,
The highlights to expose,
An extraordinary beauty,
Manifesting from genuine kindness,
Breaths of generosity,
And irrevocable love of all shades and tints,
Within a painter’s palate.

— The End —