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Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
Keith J Collard Dec 2012
I still have flashbacks, horrifying and spectral: of conference meetings, projectors and efficiency meetings...corporate metrics, acronymic value cards that read like a Masonic Temple's pledge.. ...honesty, commitment, sacrifice, the dutiful worship of mercury and saltpeter; also customer satisfaction.
           Those flashbacks frequent my mind alot--especially when I am ramming my co-workers into the trash compactor with the blades of the fork truck. They say " ooooh" and " ahhhhh" as if they are getting a massage. They dull my blades with their dull heads.
          I have to ram them with the blades of the fork-trucks, or they will scramble out. They still say things like, " make sure that has a tag,".....and " wear your safety goggles," making chills run down my spine. I haven't put all the workers from the " Do-Wee depot" in the compactor only corporate cadavers and not zombies.
          But I have to forewarn, the zombies are not a threat, it is a few cadavers and the "consumers" that pose a threat to me and what I have built. The zombies are producers, even only if it is moans and putrefaction, but they are good sports, and my only friends.
         Some co-workers, who I was friends with before, I have spared from the compactor--owing mostly to that the part of their brain that was corporate, either fell out on the floor, or was gnawed on by a fellow zombie rendering them good sports and not cadavers.
        I use the building material section to chain them to their previous aisles. Jose, was my best friend, he was shaped like a slug, with a huge lower lip, and slicked back greasy hair, he always cheered me up, how busy it was and how slow he remained. Him and I worked together in the ' outside-lawn-and-garden' section. Even his zombie self has kept his lisp.
          I chain him to the outside lawn and garden section, where he likes to water the flowers. He lunges at me sometimes, but the chain is thick, and Jose is still a cool zombie.
Angry Joe is out there too. He is chained to the 'reach' truck. He is always mumbling about overtime.....or " Im not staying late."
         I have disabled the riding engine, so he just stands on it and runs the fork blades all the way up then all the way down, beeping the horn the whole while. He is the only one I kept, that has some vestige of corporacy in his brain, for the reason that he watches the back gate. The consumers are constantly probing this outside metal fence gate, and Joe has eaten all of them. Don't get me wrong, Joe can be a good sport, when he is not drooling about 'overtime' or ' I havn't took a lunch yet.' He can be quite funny.
          He banters with Ryan from inside 'lawn-and-garden' all the time. Ryan is alot younger, alittle younger than me. He has a mullet(what I call a mullet and he say's a hockey cut) and verily is--before he become a zombie-- the laziest person ever, and now that he is a zombie, well let's just say, I don't have to chain him anywhere, I know where to find him.....at the back gate smoking a ciqerette backwards with his mullet on fire or in the break room. He had the most squeeky voice when he was a human, but now odd fully enough, he sounds like Tom Jones.
         " You ate my cosumer Ryan," drools Angry Joe, " No I didn't Joe, you ate your own consumer," Ryan rejoins in his acapella voice ( I like hearing Ryan's deep zombie voice).
There are others, in the various departments of the Do-Wee Store, but this journal is to relate the first most pressing concern, two cadavers have escaped the compactor.
             The store manager Joyce and her minion(the assistant manager Damien) have escaped. They were ******* humans, and remained so in corporate cadaver form. They hide from me, as I plow through the aisles with the inside forklift. I have used wire from the fencing aisle to reinforce my forklifts. Sometimes a cadaver co-worker will jump out with a price gun, drooling " where is your spootterrrr...."( a safety regulation in the store).....I run them over with great gladness, but then wishing I heeded their advice of safety glasses."Splat."
            I have my theories, on how everyone turned to zombies. It started with over-ocurring routine, which my a.d.d could have been impervious to. But I couldn't have been the only one in the store with a.d.d? But that seems the case. The first day when I showed up to ' outside-lawn-and-garden' it took me six hours before I noticed everyone was zombies. I didn't notice they were zombies until I noticed them in good spirits.
               But the first day of the zombies, was concurrent with the rise of the consumers--ever more dangerous, greedy, and audacious are the consumers. They consume everything in their path, they consume good conversation, good manners, and replace with their mark, which is this....your life with the current moment is to be sacrificed to get them what they need to continue resuming their lives. They do not enjoy shopping, but enjoy holding you in place, consuming you and your values into their value, which has no value at all, since their mind has consigned the present moment that has you and not them, to a number that always has too much value, and they will bring you and it down while you are subject to time and they are not.  
             They turned my friends into prisoners of arbitrary time; and like putting a rabbit in a dank dark basement, with plenty of food and treats and space, it will slowly get diarrhea and die.  Everyday I marked the sunrise, and I would always pay thanks to it, no matter if I was on break or not.  The nine hour day could not ruin me, but my friends being ruined, that started to ruin me.
                       And that is what I believed started all this, nature has no room for two kingdoms of Consumers. So the producers(zombies) were created from the routine of being divested of life, and from nothing they came to produce: producing gases, vile ****** smiles, human  cannibalism, hearty conversation, practical jokes, moaning questions to the infinite sky.... they were created human again, given value, and most of all, I have my friends back, and they are happy again. But, the corporate cadavers that escaped the compactor , put my creation in risk, they look to let in the consumers again, they are up to something...
             But presently with the corporate cadavers gone, and the consumers held at bay, I have my Depot of Eden, I can grow anything, make anything, and soon will be able to ferment everything, especially fuel.   Now monday morning conferences that threaten you to pick it up because there are alot of people out there that want your job( iterated by the frizzy headed gangly Joyce) are replaced with 'zombie dance parties'.  
            " Zombies, what is the first rule of zombie dance party," they reply to me, " dohmp talk bout damp party," then we make a music video.  I let loose a couple of cat's in the break room, and presto, an agile cat make's flesh eating zombies look like Micheal Jackson.  Even I get busy with them, I feel so comfortable with them; dancing to Juvenile "back that *** up,".the best dancer gets to eat the cat...sure beat's listening Joyce's depressing morning pep talks about quotas while I am watching a bird outside the front glass trying to eat a dragonfly, " Keith you paying attention."  I just want to say, " No I am not you frizzy headed gangly walking skeleton key(she is skinnier than the gang of keys jingling on her belt)."    I will find her and put a roofing nail in her temple and her plans.
                The sound of zombies walking in here is music to my ears, like gypsys walking barefoot on a strawberry patch.  I don't know what that has to do with anything, but I like it, and don't care who knows.

            I fortified the outside of the store with everything within the store. I grew a garden, with all the fertilizers, and acids and alkilines of outside garden. I also use the garden chemicals to sprinkle on the brains of my co-worker zombies to change their acidity(almost like a hyrdrangea shrub). The purpose to get them somewhat coherent to play poker and darts in the breakroom. I figured out how to make explosives, with the nitrogen fertilizer and pool cleaning acid, well actually HeyZues did, he always eats both, and one day he moaned really loud  " BLOOOONDEEE " ( his nickname for me from The Good The Bad And The Ugly) and  gestured his expanding stomach, he blew up and gave me my first wound, he destroyed my dart board.   I took his head and posted it on the back loading dock, I know there are consumers trying to infiltrate when he sounds off with " BLOOONDEEEE..."  resounding through the whole store (almost like when he was a human).   I created another dartboard, I can create anything here, sometimes I think, that feeling is what........
                But the point of this journal is the two who escaped the trash compactor, Joyce and Damien. They haunted me before and haunt me still. When I leave to venture outside for gasoline for the generators(the only thing I need, not for long hopefully) they run amok. I will see new ' sale signs' in zombie penmanship, and I can see that they have hidden co-workers to have cadaver meetings, where they talk about ' customer satisfaction.'  I can sometimes hear keys jangle, it has to be Joyce, for the sound is to the cadence of her John Wayne walk, like she has been on horseback her whole life.
            Outside is very dangerous. There are many consumers out there.
                 I was outisde in the parking lot, where consumers still wallow around when a consumer asked "which product is better." I had to drop a cinder block pallet on him with the forklift; they are more adacious then my zombie co-workers. Even after a pallet of concrete is forklifted on them, they wave fliers with sale advertisments from underneath.
            Well, this particular trip, I returned inside and was startled by the loudspeaker, it was Damien's voice, the same as before, paging the hardware department. I jumped on the fast slim forklift to hunt for him. There are phone terminals everywhere, and he could be in the upper level offices. I saw Joyce's shape through the window once.
          They are up to something.
Everytime I ventured outside, the store became altered. I even saw a consumer waiting in line with the cashier machine now on. I sent the consumer to Angry Joe, who was due for a lunch break.
          There is a gap in my wire somewhere, I know it.
            I was at the gas station, getting propane and gas, when a consumer was scowling " where is the gas attendant, is everyone stupid or what?" while he was trying to figure out how to pump gas. I disabled the safety pumps, they do not shut off, and do not coincide with numbers, you hold the handle it pumps out as much as you need.
              He was pacing around like a little kid denied recess and suffering from sounds of frolic and kickball--dragging his feet due to the fact he had to pump his own gas, I heard a scraping metallic clicking noise. My eyes were caught by a bright glare on his shoe tread, I gripped my nail gun..... then he dropped the hose and walked back to his car with gasoline gushing as his wake. I saw what it was on his tread, I had no time to flee....it was a push button grill ignitor with the orange tint of a " Do-Wee" label on it......" ****."
              The last thing I registered was the consumer saying " ahhh don't touch me," apparently talking to flames. I woke up in a ditch, the big fork truck and my gas station destroyed.
I limped back to the " Do-Wee" store, and utter horror greeted my singed and surprised eyebrows.
              " Grand Re-Opening, 50% off everything." I squeezed the trigger of the nail gun, the nail harmlessly echoed off the parking pavement at which it was aimed. "They set me up at the gas station. "
               They had to do better than that to separate me from my zombies.

             I entered through the store in a nun-plussed state. I woke out of my unbelieving stupor with the sound of Jose's voice. " Welcome to Doooooo-Weeee....can I eat your...."
            "Jose it's me, who chained you to the entrance?"
         " Dammian, Keeeeeth, they are waiiiting....here's a newsletter...." --he smacked me across the face with the newsletter.
        " I don't want that ****.....' as I clutched the newspaper the loudspeaker went off in Dammians annoyingly over-polite and late-night-voice.
       " Attention shoooppers. all prices are feeeefty percent off, ask our associate Keeeeeth for a 80% discount, he is the skinny deleeecious looking kid with spicy skin, and a boston red sox hat on."
Hundreds of consumers pivoted their heads to my direction. " Hey, that kid has a Boston Yankees hat on."
         " Run Keeeth," zombie-lisped Jose.
           Fifty million imbecilic questions assailed me at once......" can I return this sprinkler for a jacuzzi.....can I get 120% off.....can you come to my house and fix my television for free"-- it was unabashed audacity, survial of the most annoying and repetitious; and the corporate cadavers have let this consuming flood in on me and my poor zombies.
           I needed to find my steed, my inside forklift. It was not where I left it near the entrance.            
        Surely they have sabotaged it. " the riding mowers," the thought uplifted my fading resolve. I darted past wallowing consumers before they could get my scent. I heard a consumer, " you obviously don't know what Im talking about," talking to zombie George, who was munching roofing nails.
         The consumer grabbed me, and said "here he is, this is Keith, he is wearing a Phoenix red sox cap"--panic bit into my brain, this consumers grip was implaccable. The grip that holds the steering wheel tightly driving nowhere fast, with anything in that interstice of commuting, not worthy of manners and the least of which being a friendly wave to 'go ahead.'
           They formed a wall of uttering stupidity, escape was cut off. They scratched at me, hissed, tore at my flesh and screamed demonistically in my ears. I caved and and called the hoard m'am and sir, they choked me, and loosened their grip only so I could tell them " Im sorry, sorry for your inconvenience, take my life and personality as tribute, take my imagination rendered prostrate by these sceptic corporate words that this mouth emits, betraying my personal form, the human element to this lifeless purposeless machine....destroy me, for finding the infinity between letters of corporate law and none between nature's laws......"
        I was almost unconscious, giving a speech to imagined hooded phantoms......" destroy me, for valuing friendship and imagination, and seeing infinity, in the shadow of a letter, eternity in the numeral of a number, and for defying the order to see things as others do....."...." destroy me, for seeing that people are unhappy and trying to uplift people for the sake of seeing them smile....destroy me, destroy my smirk, and add a lifeless smile to my corpse."
              I heard a horn, the riding floor mopper/buffer, it was Ryan, he commandeered the machine with precision-like drunkenness. He knocked down the consumers like twenty pin bowling. " What's up ***** cat," he possibly said, and I climbed to my feet.
         I walked to the riding mowers, and turned the key on the floor model. I sped the main aisle, with caresses of consumers that would be deep clawings at a slower speed. I dodged stupid question, and swerved from unabashed frugality. I turned up the tool aisle, grabbed a battery nail gun.
              " It says batteries are included, but are they included?" I answered with a 12 gauge nail, and resumed my course to the upper offices, that for too long looked down on me and my friends. I climbed the stairs and entered. The office was abuzz in corporate banalities. " Hello, this is Damian how may I help you.....oh helloooooo keeeeeth, one minute.......sir hold one second thaaaanx."
                I aimed the nail gun muzzle at his ugly overly polite mug." I finally found you, I will get the store back in shape Damian...."
          He cut me off, " no yoou woonn't, they are pouring in, we will meet our quota for the year...."
        " Me and my friends
JK Casilda Dec 2018
Being away from home makes me able to do anything I want without my parents having a panic.
I mean they don’t know that every morning I have my cup of coffee despite being told I’m acidic.
Or that at least every week I go try different coffee shops and order an espresso with less milk.
Really? Am I a coffee addict?

I mean…

Who can say no to the aroma soothing your nostrils   and leave you
                                                                ­                 craving
There in your table sits your very own cup, waiting
to be kissed from its very seductive rim, parting
            your thrilled lips, burning
            your yearning tongue, providing
your soul the bittersweet taste of the coffee you love
And as you sip that blessed liquid
                           Like lightning it electrifies you over your taste buds
                                                                ­                              to your throat
down
             to your chest then back up switching on every nerve in your brain.
You bathe in that wonderful kick of caffeine.
And you just can’t help but close your eyes and enjoy this hot bath from a long cold rainy day.
Listening to the every chemical reaction
feeling that sublime sensation
now creeping into every part of your body
telling you
                     that you are no longer your own property.
Then you suddenly get reminded of the last time you had your coffee.                               The abnormal beating of your heart
the fireworks in your head
           the ringing in your ears
                       the whispers of voices from your back
thezjdflksjcxkdjfghdisquiet of the night and
            how it left you gasping for breath
   drowning in the sea of your tears of regret.
It’s frightening.
But being scared makes you hear your present heartbeat, slowly, rushing
like it’s 8 in the morning
You’re alive.
It’s beating. You survived.
You savor this forbidden sensation for as long as it lasts.
                                                          ­               But nothing lasts forever.
When it starts to wear off, of course,
               it all comes back to the tongue.
Here comes “The Finish”.
Funny how acidity
is the strong point of coffee
but a weak point of you.
Cold sweat runs through your back
and a sharp burning feeling starts in your stomach.
Your tongue                      touching the ceiling of your mouth
                  is now starting to burn an unpleasant, undesirable sharpness,
over-fermented bitterness.
The bittersweet becomes            just the bitter.
You open your mouth like puffing out cigarette smoke
breathe out               deeply and slowly
your tongue searching every corner of your mouth
trace the lining of your gums
               desperate
for that elusive sweetness
that once filled you with     happiness.
In despair you’re left with nothing      but the bitter aftertaste.
Like a whistle of the kettle that tells you the water is boiling
The reminder that you had coffee.
Had.
For a moment you want to cry—why can’t you just cry—but if they tell you not to cry over spilled coffee then
         more reasons they’ll tell you not to cry from drinking coffee
Because who cries over coffee and why would you cry from drinking coffee?
You ask yourself
        left with two answers:
You’d cry because it’s bad,
           or you’d cry because you once had something so good.
Almost.
See even the most natural task on Earth like drinking coffee gives difficult life choices, too.
But before you lose your mind thinking about
The aftertaste,
        your breath,
        your heart,
        the whistle,
        the bittersweet,
the bitter,
               the sweet,
  the aftertaste,    the bitter,
the…
You feel the cup between your hands
            warm and welcoming.
A faint light from this darkness
has started to devour the blackness.
And you open your eyes.
You no longer hear the whistle of the kettle nor the rushed beat of your heart.
Even the bitter taste in your tongue felt like it’s been there right from the start
And you just no longer care of the aftertaste that takes ages to depart.
You look at your cup with your loving doe eyes.
You’re ready to take in another sip of your coffee
not minding the aftertaste                      of that same unrequited love.
This was originally performed as a spoken poetry, my first in that field.
He belches verses of prayer
from the acidity of his gut,
staggering upright
on two toddler feet,
he trails drunkenly
to the fridge,
scarce with only a few dented beers,
a bucketful of ice to feed him,
till the next scroungers pay-check is due.

Cracking open a frozen one,
it hisses a warrior's cry,
loud in the stillness
then dies swiftly,
as he raises the carcass to his split lip
swilling alcoholic entrails
round him gums.

Wincing slightly,
the beer half-empty in his hand,
he twitches a pink eye
in pain
as something rolls
around his jaw,
the made-of-man pinball stage
has begun a game
without him.


Gathering his saliva
into a hard bullet,
he spits the foreign object
onto splintered floorboards,
where his last tooth lands,
a final casualty
of his handsome youth.
RJ Days Oct 2018
Each sorrow is the child of a happiness
you thought would never end;
Every happiness is a sadness
I may not survive—
a brilliant October day
lying back in dock hammock suspended
quoting bits of Rilke and starlight anthems
the shadows cast by buildings and frogs
ink drawings made on August nights
by our beautiful chain-smoking artistette
admiring a giant spider friend who’d
spun her majestic web and vanished
while we were swimming
backdrop of bay and boys and cherries
creaky boardwalks under bare feet
and stickiest pine and sand darkness
photos over wing clouds below
creepy call to prayer from ancient Mosque
at twilight punctuating strange dreams
perfect reconciliation on hotel balcony
McDonald’s after soaring from Black Sea
to Bosporus Straight, edge of Asia
visible on the horizon and all of life
a nightmare from which I can’t get woke
terrorized by ***** donor bonesaws
homophobic maternal afternoon rejection
peace that passeth no understanding
when you’re a ******* genius or just
a few points lower sorry never enough
compassion leaking through pores
drawn out by steam more darkness
Eucalyptus perfumed
another flaccid experience on a stranger’s
bed recalling Hippocrates on the drive
away after more bad ***
shots of sauces and grilled roasted
poached lentils bespoke chickens finery
malodorous wafts limestone smoothed
by centuries of acidity oily tourist touches
but they’re in Mexico Australia India
we’re back at home twins calling
each day an error of time rounded off
the incorrigible quark refusing
to cooperate with Einstein choosing its
own entangled path and lighting fools
what beautiful skyline
what amazing celebrity capture
what nostalgic group assemblage
what **** cute puppy who’s no more pup
what swanky tailored look
what smiles what smiles what seriousness
the soft and supple features curves lines
practiced looks and wayward hairs
a simple flourishing according to the lens
so much that skin conceals and eyes
beer garden sidewalk orations
wedding after party for April fools
we were who dance grabbing rings
swinging wildly discussing the vulgarities
of gastronomy and digestion
tumbling into diners midnight offices
brick lined streets magical talks
demonstrations and ideas unbounded
carving pumpkins into likable politicians
we think are statesmen and wailing
when she loses winning a trophy case
buckling under weight of moral victory
the thought of skyscrapers lit
shining under heaven unsubtle insinuation
we’re better than all this nonsense
and stronger having raised this glass
and steel by our own hands, our parents
rather now maybe that’s confusion
erecting higher stairwells to escape
encroaching seas and bums below
all memory all happy every laugh
each rumination on the hours
kisses cocktails cuddles laughter
that perfect vest completed outfit
those thrift store jeans that shirt
that secondhand one speed bike
those lunches with the priest
those brunches with the students
those happy hours with the coworkers
those dinners with the beard
all interchangeable parts in show
theater of recollection one subway car
one taxi ride one bus to NY or DC
one flight to Seattle or Vegas
or some Floridian seascape, mansion
each cog or bit like paper currency
imbued with no value but buying
the totality of lived experience
from which to draw upon in sad elsewhere
—but they cut deep, well meaning though
whenever was now isn’t and can is blind
to what day will ever be when I can say
in truth now sadness isn’t.
How memories, even of happy times, can feel smothering when recalled from within the Bell Jar.
Mateuš Conrad Oct 2016
lessons in graffiti, or the Pinocchio giraffe;
and was the H absolutely necessary
when otherwise asking of a cappuccino
or at your local caf? evidently there was distinction
with the mocha too, but that won't matter,
otherwise the language isn't used... but abused.

lessons in graffiti, or other confectionary products,
while you ooze the shopping experience
on your daily commute,
       *skittels
on brickwork with the origins
of the #, cut short by simply the graffiti tag,
      you wrote tag, without the collective hash,
  not so much noughts and crosses gaming,
or remembering your phone number,
                  here graffiti: or the rekindling of
trademarks in the urban scenic bypass,
or: truly under the bridge.
             writing on money does very little:
but writing on newspapers? that say a lot,
the odd day i write something on a newspaper
review section and feel almighty -
        which is much more than the rage against
the machine instructions are about:
   write a message on a penny, it's still a penny,
write a message on a dollar, it's still a dollar,
but write a message on a newspaper:
you's basically encapsulating shouting at a protest!
() hence the picture.
             r.s. (receptui scriptum):
         i never knew whether the dot belonged in
the ). or the .) part of encapsulation, if that's to be
worded or acutely pill-sized embryo,
that bypasses the oesophagus workout before
the hydrochloric gym acidity.
   how is one to make science human again?
how is one to make science lessened in the Frankenstein
myth and the ostracized ostrich citizens
that scientists very much so, actually are?
       my notes on the matter?
non-existent: i see the feminist movement
i.e. there are more women than men as such
as not a case of **** culture, but as a case of "i'm not
getting any!" call in the Vikings,
mind you, even the supermarket cashier looked
astounded in between Friday and Saturday,
  on Friday a litre of whiskey
    on Saturday a litre of whiskey...
and some men climb the Everest or walk the moon...
while some envision their liver
as a Klitschko - the tetragrammaton exists only
because people made aesthetic suggestions / blunders,
it's a suggestion in the sur- or what's otherwise a surd /
a silent nonetheless inserted atom of sprechen:
like Nietzsche and Klitschko: you say less than you
write... out pops the tetragrammaton -
        if ever Caesar Octavian needed a teacher
my vanity suggests i'd done better teaching him
than Aristotle teaching Alexander, or Seneca teaching
Nero...
                  it's all down to excessive spelling, or
the keeping up of appearances, or simply looking
bizarre, and like in mathematics, there's a remainder,
what yhwh represents is in linguistic terms
as in mathematical terms: what's left over, scraps...
see it differently and it becomes gold:
five fish, two loaves of bread sort of scenario.
                           it's a remainder -
it cannot be eradicated, denied or be left into a limbo
of diminished responsibility
      it's man concern with how language should
look and how painting should feel:
               the fact that we created art from letters
and forgot our concern for art representing forms
is not postmodernism, it's post-Platonism; finally!
of course the s and the z are the crude and the refined
versions of each other via the transition of
being modulated by the chirality enzyme,
          but they're still called zigzag twins -
there's no delta involved akin to one face of a pyramid.
how grand then, to be living in a time
when a single phonetic encoding of sound
transcends into complex meaning:
akin to s and sigma and what's mathematically
the sum / total of constipated matter...
                    strange how the Cartesian model
falters thus,
           the fact that i think is never the ending
causality of my being's summation:
           it's but a summary, but never the summation /
sum - it's never the arithmetically sound answer:
hence the god-implant, or as i said:
the remainder, which i can't erase from the realm
of thought.
                 by the way? no Jew could have wrote as
much about their god as i have:
as said: the crucifixion was worthwhile,
      but there was no question that Latin had
to remain -
                     what was saved was the Latin encoding,
not some puny redemption from doing ****...
**** no! you couldn't create robotics or write
software without Latin: no other encoding has as
many "blank" hula hoops as already provided:
Q, R, o, P, p, A, a, D, d, g, b, B...
        26 x 2? 52 - and of those how many are spies
that we are descended from the gods and can
create our slowly-ascending replicas in robotics?
as the list suggests: 12.
     should i call up St. Peter and the rest to work
out the ******* numbers of correlation in
the framework of mirror / anti?
                      ah, the eagerly waiting public:
speak of the devil... and he shall appear.
      that ****'s been going on since the death of a man
in the year 1900...
           and oh my, the search has been gruelling,
you have Western Europe remembering the 1st
and Eastern Europe trying to not remember the 2nd...
   the name's Mars... while i say: try Moby **** first:
because god knows what's lurking in the depth.
or maybe i got my bearings wrong? maybe language
truly is a statement of Bermuda magnetics
that makes all compasses into twirling ballerinas?
to me? what comes with authenticity is a good joke,
nothing remotely suggesting a seriousness:
or as Wittgenstein said: have a joke, make a joke,
compose everything with a joke in mind -
        oh the fringe minority still have a bargain on
identity in this field, they're brewing their next cup
of tea brown-nosing and fidgeting over how to
answer... oh i'm mad enough to turn on the Mr. Bombastic
attitude, 1L of whiskey in a single night goes a long
way in terms of unwinding and making vocab verbiage,
or counter to that: something worthy of an antique status.
still, a reminder, the yhwh is the Jews' great
present, expressed dutifully in English as equivalent
of the mathematical remainder:
                      only because the diacritical bargain
wasn't met with much approval:
what with the elites wanting to push a global rather than
a solely Mediterranean twist on the plot of how:
a revival?          well... combing back to the ulterior
motive for graffiti, an elitist sport, your handwriting
over printed press rather than Coca Cola sorta similar
on a brick wall: i'm telling you, handwriting is
a bit like wanking these days...
         but isn't it true that when we write we are
sorta becoming radiologists? aren't poems essential
x-rays? am i not simply showing you my bones?
these isn't skeletal? you sure?
and there's me thinking that America is on
the threshold of romanticising the French Revolution,
with the former concern? to reinstate a Polish
state, i.e. the Duchy of Warsaw...
              but it's not really a first world war reparations
injustice while the Germans used money instead
of wood to warm themselves in winter...
no, nothing can be said that would ever appeal
to the fact that the Third ***** was milked:
not even Indiana Jones had a ******* of that horror;
me? i took the best of the ****** affair,
the fully bewildered insurance broker of the zeitgeist:
Heidegger, and yes, i made more apologetics with
him than philosophy: as with an fatal attraction:
be it the bazar flute charmer of the cobra -
this one is bound to sting in the ***.
then another thing hit me, usually an internet
variance off state media... you ever wonder why
very claustrophobic pronoun usage (frequent interchange)
is almost equivalent of brawling with someone?
dreams of Angelique:
                     imagine a scene at a protest (two people):
- i doesn't matter what you think! your opinions are not relevant!
- true, as is the case of: you don't matter with regards
                 to what i think.
anyone spot this concentrated pronoun use
for the purpose of aversed violence via a degradation
emphasis, concerned with defending sported violence
but not social injustice : turned into justified violence?
   (yes, colon as ratio, variant of fractions,
meaning? less comparative literature of the fraction,
   and more divergence of authority within the Libra
of what's necessarily unfair: the whole is no authority
to distribute fairness);
  it's just that i feel the relentless overuse of pronouns
in a confrontation symbolises a need to use the body
rather than the tongue -
when too many pronouns are interchanged
and the repugnant pronoun collectivisation begins
the paranoid "they" and the sane "we" -
            well... Rη-oh! Rη-oh! Rη-oh!     (sheen sheen Mecca
       ism)
                             well hardly ref. to Brazil: rhy ate!
rhy ate!
                see how that tetragrammaton remainder just,
like, plops up like a baby gazelle from the mama
gazelle's ******? plop! and no diapers either.
ah: the cruelty. or as someone said:
  few letters are given geometric status, or at least
something remotely symbolising twins,
but still there are a few:
   m - sine (trigonometry)
   w - cosine (     "              )
  Δ - Pythagoras for short
      LΓ - the right hand
                  and the left hand in the non-superimposable
          categorisation of things
   ψ - the devil's barrister / i.e. a fork
     also 8008135 upside-down on a calculator screen
(insert a weird face) -
   χ - compass convergence, i.e. the point b
        you need to get to from your starting point oh,
and i guess H       for a rugby goal...
             oh hell, only a few phonetic encodings make
it out of blah blah land -
                       and without really wanting
to orientate myself on the origins of things:
i'm getting a suntan basking in all of this
in the immediate sense: actually using it.
                             and to think: we actually think
about what we talk about using only 26 symbols?
that's ****** effective,
                             which is why we were so keen
to spread out encoding system to think / say things.
and why the Chinese felt the greatest pull of gravity
in all of mankind and due to their ideograms
got pulled way way down and just say there:
which enabled them to reproduce on a scale such as
is apparent to us exporting our manual labour to
them: who the hell would want to learn
unit wording when it can be wording units?
       they have words we treat as onomatopoeia
shrapnel -
                   which is why we have enshrined ourselves
to sit on laurel leaves with Mozart:
     if ever us, then never us: linguistic atomists
                                            who perversely dissect
words into, what i can only call: a Lingua Table of
the 26 elements. it's there, it's naked, compared
with the diacritical approach: English is all
and Adam & Eve ready for a voyeuristic spelling
out of realities
- hence the plural:
    there was never one intentional crowd-surfer out
there to make people form cults, plagiarise
and sooner than later: get lost.
Mateuš Conrad Jan 2018
the second phase of marxism is:
why do people enforce Hegel
to commad, when neglecting
Kant?
              i find Kant to be neglected...
of all schwabe...
     bewildering: like admiring
a yoyo sling...
             if there ever was
a dialectical materialism,
  capitalism is profound,
in that it killed communism when
communism was a premature
death -
            too young to
match up to the relieved serfdom -
yet communism will continue
to subvert,
           it will sentence
the subconscious with a tease -
said poet - said terse -
       otherwise the scaffold!
dialectical materialism has
morphed into
dialectical historiology -
        could it be an exclusion
of space? by comparison
the 20th century is absolute
in these times, its not relative,
yet relativism pervades
the narrative...
            we always and always
have lived in absolute times,
the allude to relativism
in a framework of temporal
affairs will never achieve
spatial democracy,
   untied from the spaghetti past...
love it or loath it,
         the 2nd phase of
the: ignoring Kant while
fervently adamant concerning
Hegel trusts what is
already apparent:
journalism is a trans-categorical,
szubrajce!
                journalism's primo
concern is the loser white
living with his parents,
little do they know of the investment
paid by the man who
entertains being patient...
journalists,
the ones who send their grandparents
to homes for the elderly,
quack out a Bulgarian **** joke
by now...
   a baby is far from an Alzheimer -
rotten memory,
   rekindle imagery of
lost years...
ensure that memory is
a citadel, and not some
     meagre fancy worth the pillage;
of those who find thought
least entertaining,
find morality the hardest
the fathom -
for the said concern,
lacking a mediating ought -
principle theta;
buckle on the P -
boss around a cleavage,
       pardon, rho alt romeo,
ultimatum grzechotnik...
   rattler... god i hate crosswords.
- because of journalism
history has become irrelevant...
   i hate journalists,
journalists are to me
the grand inhibitors of
what's necessary: inhibitions...
the journalist is the new Jew
to me...
         a leech, a parasite,
akin to the parody of a kiss
under a mistletoe...
  ever set foot on Slavic lands?
ever see a tree, plagued by
a mistletoe?
  mistletoe is a parasite...
yet you kiss beneath it,
cranium above myrhh's worth
of crown...
         jemioła,
ever see a tree riddle with this
parasite?
  as i once said:
the cancerous man better
invite the sight of the botanical
cancer akin to the mistletoe...
  only in Slavic lands,
akin to mole mounds
   (maulwurfhügel -
germanem, faust, chem -
czyli chmiel; zdrowo)...
and yet the social norm is
to kiss beneath this botanical
scurvy...
             easier seen
on a botanical body
than on a heaving gloat -
          yet have you ever seen
mole mounds, or mistletoe
on a tree in its wintry skeletal
form?
          what a sad sight...
but a sight kept, as reminder...
western lands do not
allow such trivialities -
quasi-germanic Gaels -
               akin to the labours
of the mistletoe -
sometime mistaken for
abandoned nests of migrating
birds -
   man lost,
in the advent, atomising
the percularity of swan
and stork nobility -
namely monogamy...
             feeble man knows not
the sixth sense bypassing
sight of ghosts:
   fickleness -
     and chance of adequate
temperament stagnate-:
for the exploration of
the civilised caste.
         mistletoe is a botanical
parasite...
              in the wild i've
seen it green on branches
of birches and oaks -
while the host hibernated
the parasite grew...
    yet this kiss-me-lovely
parasite never managed
to bind itself
to the acidity of the pine,
the evergreen, the prickly
needlework of insomniac
tree...
              and they
make amends with a kiss,
under a parasite...
     how horrid wild
mistletoe is,
        perverse,
nonetheless,
  what else to comfort a cancern
patient with,
  if not a tree labouring
with a likened strain
of excessive bulge?
o, right...
  dialectical materialism has
been replaced by
dialectical historiology...
        at least the 1st tier
achieved something akin
to competition...
the second tier of communism
is merely confusion...
   economical model intact...
yet talk of ****; thoroughly.
matilda shaye May 2019
If I was a coffee drinker
I’d balance your body like a rosetta
I’d kiss your cheek with my
Colombian coffee breath
the flavor of our love like
your crema on my tongue-
notes of rich chocolate evenings
and salty, very salty
your bitterness like the very first time
notes of my coffee cherry-
no, your coffee cherry
the aftertaste like high acidity
your complexity gets lost on
my caffeine intolerance
but I still feel your finish
each time I swallow
I still find notes of you,
cupping me
I don’t drink coffee
Mateuš Conrad Nov 2016
i hate it when a ~haiku is forced upon me, but such
is the case, and it's not a case of dittoing out
a mechanical aspect of that body that's
known as vocabulary:
thus, suddenly, as if a ****, or
a reflex the tongue commanded
the entire body -
left-wing obstructions gave way to
right-wing rebelliousness -
    the left said the tongue was no dagger,
the right said: merely a dagger -
the gyroid: or the muscles we never thought
existed! lanky tendons, etc.
    never the microscopic proof reductionism
and never the telescopic proof           ",
always somewhere in the middle:
and that's about right.
               i wrote a poem, it sounded about right
and then i get the wanked-over shoulder
calling it life-support dandruff
because of the many sprouts possible -
as ever: some come and give a voice unto
the people, and some come and give an ought
unto the people.
               a choice that's mutually inclusive
of thought and choice as a battleground
for the mechanisation of language into
sulphur gas and bayonets
and a thousand wildcards charging and screaming
lost toward the bewilderment of
   forgotten sexting.
      what a mighty affair:
the only country delving the prospect of
an atom bomb being dropped again doesn't believe
in munition economics and doesn't see
that the paranoia can be stopped when the capitalist
sober-heads enter and say: but where's the profit?
there's not profit in an atom bomb:
it ends too soon,
     you never got a Hollywood chapter yoyo
      concerning Hiroshima or Nagasaki...
you got one about Pearl Harbor...
a competent act of war... but not like our
civilians really matter: we civilians got the treatment
of being active members of the army,
while the army personnel were given civilian
Pilate status, the army was given civilian status
and the Japanese civilians were given army status...
oh forget the noodle swindler -
that handwritten hoola-hoop spinster of
carbohydrates is long gone...
          or the greatest paranoia against all other
nations comes from a nation that actually used the weapon!
       i could write a haiku version of what i lost,
but i'll still have to write something about you-tube
vloggers and how they are the newest version
of the objective propaganda machine that's in
the Islamic camp of merchants...
       prophet-merchant? give me a break:
if his word doesn't sell, then who's does?
my endorsement? less of a cosmetic light-touch surgeon
attitude, my endorsement is that of
Morphy Richards' Soup Maker...
cooking pumpkin soup...
  pumpkin... well: it's hardly an easy peel when it
comes to cooking butternut squash...
it's a disaster! a hell to endure! no wonder it's the veg
that frighten offs the ghouls and the ghost
you can't peel it, you have to Apache skin it
like getting a colonial wig: scalping your way into
the high court, albeit minus the greyish curls -
******* is a king of culinary demises
that were sought out expeditions -
you have to knife your way beneath the snail-like
shell and then there's that cobweb of mush
with intrinsic fake seeds / flies lodged in
the orange cobweb - for all that effort
i appreciate it more as a lampshade than a food
source... but then the advertised starving Africans
as anti-colonial compensation for "our"
grandfather's recollection of monochromatic cultures,
before globalisation took off.. hmm.
the soup? pumpkin, potato, onion, garlic,
nutmeg, paprika, chicken stock,
salt and pepper to taste...
tomorrow? a pumpkin risotto...
hey! seasonal abundance, Spanish strawberries
in late winter are too watery anyway...
   people forgot that certain things taste better
in season, that's namely fruits and vegetables...
   go outside your fancy, outside your whim,
you'll finally have to say: my eyes eat
at the very credibility of such things being
there without the season... but my tongue does not
taste the thing that requires a pentagonal sense
honing in toward an agreed to democracy:
it ain't there... as ever autumnal fruits make their
way toward the culinary redcarpet -
                   apples, pears....
     but the real ice brokers remain tangled in
the gnostics of dairy *****: you only see the *****
when the milk turns sour...
              and the two segregate
their cauliflower bergs and that pristine seethrough
        matrix -
then it's like watching the 1054 schism:
          aquasal herring
                               and aquadulci tench -
as painful as listening to my father speak english:
it's just ****** painful,
i write english and speak it like an Anglo
   and he speaks it like an Arab:
with me it's: left right left right left right
and his is an ancient form of actual Latin
              right left right left right left -
of the tongues that appropriated the Latin lingua
optics that weren't conquered it's the same as it was
for Seneca of Virgil, e.g. red beast / proof of all
scientific generic category principle: **** sapiens
                  upright man / bestia rufus -
and that's still orange beast - then aliq for yellow:
then liquid and runny khaki - a monetary equivalent
of money.
          but of the tongues
                      which is why i kept my mother tongue,
i can't imagine what would have been the case
had i not kept it intact... i'd be whitey boy bleached
into an anaemic Arian with those rubbery red
             lost for words rabbit crazy irises that
albinos sport when on the sociopathic treadmill:
that's a daily commute for most people.
i should have anticipated something better coming
out of a forced bad gateway message when
i tried to published and didn't save the outcry...
but it was never a reality when defined by a few
people... it always necessarily the many,
the market square, the hustle and bustle,
     then again few took to ****** to say love...
understandable: if something is called private
it's not called reality, because so many people
have so much **** to say in public that they
treat private life as a tabernacle -
reverse that and suddenly you find people
who possess a "voice for the multitude",
but not (not oddly enough) a thought -
ah the caring scream when not bound to
the horror genre of politics: it's too late!
               end here: a prior to rather than, a
desirably said to appease and conform:
by now we're all cited as having only said
an onomatopoeia of what words should sound like -
we're found hacking a door to shreds with
an axe, rather than merely curling our hands
so the knuckles can be used to knock on the door.
still, i made pumpkin soup today,
tomorrow i'll make a pumpkin risotto -
and the pumpkin is, rightfully, the halloween king
of all vegetables: i am not surprised it's the perfect
lampshade people leave outdoors -
hell of a thing to peel, a butternut squash
would have been simpler to make...
but for the first time in my life:
  i actually appreciate the colour orange...
as said: cooker orange is beyond that fluorescent
acidity of a citrus fruit:
  cooked orange is actually grand...
raw citrus orange?                and a handful
of creepy crawlies.
    funny how the spectrum necessarily made me
endorse a soup maker, rather than the next
big thing in the realm of toothpaste and mascara.
Dominique U Apr 2014
Stupid mouth.
Shut it.
Tame my tongue.
Pure acid. Vapid from my lungs.
It cuts.
It stings.
Stings my soul.

The very thing I wish to cut.
The very thing I yearn to bleed.
Is my own.
My hands.
My feet.
My ears.
My nose.
My guts.
My guts...
My very core.

Tear my heart.
My acidity has made me numb.
Vile fluid flows in my veins.
Pray I should bleed.
Drained.
That love for my own be filled.
Words cut.
Frisk Jun 2014
the pH in my stomach has plummeted
to an all time low. as a defense mechanism,
my stomach clenches.
2. my jaw is extremely sore from grinding
my teeth while i was sleeping (and having
the regular nightmares.)
3. sometimes, my joints decide to act like they
are eighty years old instead of twenty.
4. that's what i get for burying the acidity of
the self loathing.
5. now i am a pinata except i'm hallow.
The Napkin Poet Dec 2016
To make wine,
Grapes are crushed then poured into fermentation tanks.
Once fermentation begins, the grape skins are pushed to the surface by carbon dioxide gases released in the fermentation process.

I am the only fruit who has the necessary acids to make natural, stable wine.
My tannins add a bitterness and astringency,
But I must be picked at the right time.
My acidity and sweetness must be zen in balance.
The right ones are sorted through, but not all of us make the cut.
Unable to be served as sweet wine, too bitter.
Some more sweet, not bitter enough.
Simply picked at the wrong time, their peak unwanted, forgotten.

After being sorted we are destemmed and crushed.
Our roots ripped from us, dignity stomped upon.
For years, it was done manually, by foot.
Now, preformed mechanically, systematically.
But hey!
"Mechanical pressing has brought tremendous sanitary gains as well as increased the longevity and quality of wine."

Grape abuse continues, white wine grapes are quickly crushed.
Why do you ask?
To keep unwanted "color" from leeching into the wine.
But red wine,
Red wine is left in contact with it's skin, forced to acquire more color, more flavor and additional tannins.

After being sorted and crushed, I naturally ferment with in six to twelve hours.
This continues until all my sugar,
Is converted to alcohol.
To produce dry, wine.

The final stage is aging.
I am bottled with a cork,
Put on a shelf.
And ironically,
await my optimal fruitfulness.
Nikki Longmuir Jul 2013
A Solemn girl, in a red faded hoodie,
Sits outside the door of her classroom.
Crying by the hasty tapping of her foot,
Her head hangs low enough to kiss the ground
Her tongue as a net, fights to capture
Oxygen streaming the air.
But it descends a heavy weight
Into the core of her stomach,
Where the last of her exuberance
Awaits a dismal death of acidity.
Sentences habituate themselves
In the dark spaces between icy eyes.
Relentlessly reminding her ears of the reasons
Why she will never be like all the other
Fluffy cotton clouds
In the immeasurable crystal sky
Why she doesn’t gracefully float
With them, in packs of cloudy friendships.
What she cannot see,
Is the reason she cannot be a cloud,
Is because she is destined one day
To become the sun.
michelle Dec 2013
For some, the words leak out of them
For me, those three words are like acid
Burning me from the inside
Starting in my mind where they've sat for too long
To my stomach where they wait along side the butterflies
Slowly climbing to my throat where they get stuck for days on end
Maybe soon I'll be able to cool the acid by having it roll off my tongue
Washing it down with the sweet sound of similar words returned
Tristan Claude Oct 2012
Sick fluttering sullen imagination, I can call you a safe house no more,
You are a diseased heart, acidity burned into your beating flesh,
Tears heard as screams, from the mouths of tortured smiles grasping at the air,
As a sun, set still with jazzy oranges flying in every direction,
You are so still, but move as the twitches, of a silent shock treatment gone wrong,
Tick tock, I can not hear the time pass by, thunderstorms without rain, full of crimson fog,
With this electricity in my veins, I wonder if this is blood I hear, or acid and tar,
My legs move as weights upon tongues that can not speak truthful words, awake but so slowly asleep,
Burning and left black as night, the dripping blood of these eyes that have been open too long,
I am tied down to a chair where I see the same image upon every view, the lips that whisper,
These lips sting a sour poison to see the side of my ears, and tighten ropes,
My neck screeches, hands as squirming spiders flee but squish into armrests that are nothing but pain itself,
Dreams drift, not as monarch butterflies, but as insects upon a corpse, my lingering joy rots into the air,
This reality is but a nightmare, nothing as the films with kissed upon cheeks and moments with eyes that smile,
Grins that open wide through cheekbones and lips a light with amorous memories stained upon them,
What do I trust, the dreams with my mind open, or the reality with my eyes open, eyelashes scratching against me,
There is an itch upon the words, like matches that ignite these terror filled moments, an ivy twisted itch,
I fall into a hope, as deep as the warmth beneath the earth, a wish to keep sleeping,
To be dragged into an eternal heat of dreams that seem more normal than mobid reality, a sense of normalcy,
Sweat surrounds me, I am coated with a layer of fear, swung up against reality, awakened from a night terror,
Am I back, back to see and hear kind voices through unfaltered velvet lips, am I here again, not in paradise,
But am I back, to hear the touch upon my skin, the scratch of teeth tenderly with whispers of sunlit joy,
Here again, not paradise, but not a kin to hell, let me stay, and not fall my eyelids shut again,
Please, I could beg you, I live for these sights, of lilac, rose, and gladness, breaths sweet with candied wind,
Help keep these eyelashes from meeting and staying together, strangle this ungodly imagination, keep it from sleep, keep it awake, and don't let it breathe.
Jade Ivy Apr 2017
I took this semester to study abroad
I couldn't be on that campus anymore
The one where your prestige follows you
Even after you've been found guilty
But even here
In a medical classroom in the heart of São Paulo
It finds me
Your legacy, your good character
Your side of the story
It creeps in the shadows behind me
Startling me
Sending cold, damp shivers down my back
And burning black anger and fear behind my eyes
I exit the lecture and walk to the bathroom
Flexing my freshly polished fingers
Until they reach the back of my throat
And *****
Ris Howie Jan 2014
My fingernails are ***** from the blackness of the graphite coated words
refusing to come to actualization.

My tongue chokes on the half formed sentences
swimming in the back of my throat.

They fill my mouth with a bitterness
coming only with the acidity known to unrequited thoughts.

Physiological markers of one who has simply too much to feel,
the penance for scar tissue of wounds who too quickly "healed."
Al May 2016
i take my tea with sugar;
it curves the acidity, and
builds my validity ‘cause
a tea or a coffee taken in
without some saccharine
sweetener lends itself to
a world where tea and a
coffee can either be very
sweet or absolutely bitter.
this website ******* up my perfectly cuboidal structure; oh well. written on a whim.
Dev Dec 2012
She was the girl constantly being thrown lemons
Expected to make lemonade over and over, she did
Growing used to the sour taste of what she had come to know as her reality
A child’s innocence
She danced through thunderstorms
Twirling through the rain like she twirled through her life
Graceful leaps of laughter sending her in circles, growing dizzy
Only to find that by the time her dizziness had faded nothing was ever the same
Tangy lemonade had returned
Gulping it down along with her insecurities, she kept dancing but the bitter sense of having to grow up so fast hit her like a bolt of lightning she had once danced upon
And finally the thunderstorms grew too strong for her
The downpour that once sent her soaring soaked into her shoes
Damp and despair into her bones
Where once she would have floated over the world she dragged her feet to safety
She’d now watch the droplets of rain hit the window pain
Struggle after struggle
Lemon after lemon
She was left with nothing but the compromise of happiness
The acidity left her melting
Draining the juice from her slowly until she was just a little dusting of zest thrown on top of what used to be her childhood
Her days of dancing but a bare memory
And the girl she used to know had since disappeared
Lost hopes she tucked herself away
Her only idea of dreams locked away in her dream book next to her bed
Frantic scribbles on each page
She wrote her feelings as her old friend Thunder cracked over head
Her faint remembrance of happiness
But a sound
A raindrop
A window away
She blocked her ears now
Willing the constant bang of her Thunder to stop
Couldn’t it tell it only caused her more pain?
Persisting past her pleads; it rang out louder and louder
Taunting her
Haunting her
It yelled at her
And for the first time since the lemons had been thrown her way
She yelled back
Breaking that window open
Broken glass like all her old broken hopes hit the ground
She jumped outside
Enveloped by dazzling drops of clarity and surprise
For her shoes were no longer wet and her bones no longer heavy
And the weight of the storm no longer pinned her soul down
Her lost peace now found
She danced
A dance for all the dances she had forgotten
A dance that left the ground trembling and the skies flickering in her wake
This girl who had been thrown lemons without rest
Had figured out the answer to the test
Finally understanding that she was never too weak to conquer the storm
She was as strong and as fierce as the winds around her
As gentle as a raindrop hitting an eyelash but as grand as a flood covering land as far as the eye could see
No longer would she compromise her happiness
Her dreams
Herself
For now she knew that happiness was for her taking and hers alone
That girl now knew that the next time life through her a lemon
She’d throw it back
And yell
“I am no longer bitter lemonade”
“I am a thunderstorm”

For my best friend who is beautiful, smart and the strongest girl I know, even if she forgets it sometimes.
AJ James Jul 2016
Restless leg syndrome
A hindrance on my being
Retching foam dribbles out
the side of my mouth
South it goes, down
to the ground.

Wound tight with salvia my
self-hatred flows in unity with it
The acidity of the bite bursts to flames
as the earth hits it

Worth every penny, I chuckle as
I chuck a bottle of pills into the
billfold of my coat.

"Won't this hurt?"
That's the point.
Right, back to the top

Restless leg syndrome
Catching on?
My mind can't contain one thought at a time
I spin on a dime, fine dining is the drug of
the millennial nines.
Hi! I'm super high today.

Just kidding, I'll never smoke ****
see me judging you in the corner?
I'm a straight laced, even paced
large tempered feminist *****.
Pitch me your best rich boy pitch
to get a date and maybe I won't chuck
your ***** into a ditch.

Hitch a ride down the road
Follow it now, down it goes!
Drop out quick!
Here comes the gun
run from it fast, till you reach the sun

Worship me or hate me, I don't really care.
Stare at me until you see who you wish
I actually was

t'was a sad story I read
when I found out you would be dead
by nine o'clock this evening

Did I tell you I plotted this reaping?
I peep in on your life from time to time
Crime is the center of my kind
Find me in the dark deep corners of
your mind, I'm always there
Seeing and watching but never debauching.

Have I mentioned I suffer from
restless leg syndrome?
It really is a hindrance on my being.

"Won't this hurt?", you ask
That's the point.
Right, back to the top
Luke R E Webster Aug 2012
Head pain and ugly,
World movement too,
The insatiable slug thee,
Manifests between two.

Lounge lay and eat,
The extent of the life,
Scrounge play and bleat,
You're not the only one,
So revel in this life,
A resplendent underclass,
Make bankers and beauracrats,
Pay it through the
Glass ?

Is one proud of this half life one lives ?
Radiation dwindling in 30 to 10,
To be in rain with freedom to squat,
Looking in strangers for compassion,
When all you deserve,
Is a sound good lashing.

Hide away from your responsibility,
No entry on response,
Forgotten all ability,
Ability all lost,
Based on  acidity.

Face all edited,
The preservation of youth did not preserve your face,
The resignation of you,
Did not delay fate
K F Feb 2018
He offered a watery beer,
with a **** green half moon shoved in the can.
It tasted odd and was paid for
With the promise of conversation.
—The unspoken trade agreement that nothing is free.
Though strange he wasn’t a stranger and I thought (and there’s the problem)
See I thought I could gleam
A litmus test of jealousy,
After all you were there with me,
When he asked to buy me the drink.
But you were water,
A perfect neutrality that betrayed,
the indifference I’d been ignoring.
Milushka Oct 2010
Masculinum Hyppeastrum,
monstrum;
the man eating
botanica,
the endlessly flowering plant,
had enough of me.

Went to sleep,
or worse,
he perished.

I must have said something nasty
about his size;
doesn't flower anymore,
all dried out,
doesn't do a thing,
his onion is weeping.

Christmas roses,
as I call the girls,
lost the will
to live.

All my,
previously green, flora
is pointing her leafless finger
at me.

I've done nothing,
that's the problem.
I forgot all about my green plants;

the environment is wrong,
there is too much acidity,
and that's my fault.

I will search
under the garden snow
for snow drops,
I left to themselves
two years
February,
my snow tears.

For colour,
I have lemons and limes,
green and yellow;
sitting on a traditionally,
blue, hand-painted
Chinese china platter.

River Yangtze
is still running through my mind.
Chai,

Lemon tea and lemonade.

~
Author Notes
Flowering plants from Bahia : Hyppeastrum sp.
From the 1970s, many plant novelties from Bahia
came to light with the expeditions carried out
by Howard Irwin and collaborators
of NYBG (USA) and by Raymond Harley
from RBG-Kew (UK). This provoked a renewal
of interest, among botanists, in the flora of Bahia


(3-1-07)
~This is not my Poem; this belongs to me Lamushkia; (Milushka) who is no longer with us.
Check out her other poems in her collection here.
She deserves to be remembered.
~Anna
Dustin Staples Dec 2012
“I’ve become lost in the cross hairs of love and lust.”
His line of thought became stagnant with no one to watch,
spellbound by her snare looking for someone to care,
her words would trimmer proving to much to bare—
“it’s just not the same, in the way that i love you,
something doesn’t remain.”
A sword breeched his heart that day,
vessel went off course filling with black waters of spite,
lines became blurred, compass askew,
naive conceptions of a roadmap wouldn’t do.
“Rain washed away our chalk, it’s not all lost”
this thought’s become seared,
simmering in his mind until the time would come.
I can’t talk of the grilling in our prince’s kingdom,
except that the tyrannical king, made hell his home.
Acidity was palpable, yet still he continued,
never ceasing words kept him through—
“but I do love you” until the fat lady’s tune,
sulking in the nostalgia of her swoons.
He continued to praise her more than the moon
thanks the sun, for illuminating it’s room,
in the sky, and the stars scream out cries,
for the mangled prince lays waiting only for her shine;
however the lyrics must stop, at some point,
the fat ladies pitch will drop,
until the nightingales love song stops.
Scared to be hurt once again,
a vow has been made that no more friends will be lost,
or bring pain, but this came at a cost.
Drowned by sorrow he knew only one way to manage,
cut everyone out because they can do damage.
Reclusive, seclusive, he shut out all,
friends’ unaware, the ball couldn’t have dropped further;
ashamed, self-disdained the thought feels like ******.
What of the piper that doesn’t pipe?—As grim as tales come,
stuck between a gloc and a hard bane.
“Baring may be impossible” he said to cold steel,
heavier than expected, ice-like to his lips,
sitting against the wall, with a cumbersome grip.
Last text sent “Take care of everyone for me, you’re now the guardian.”
Panic set in friends, but it was all to late to heed.
Until the end comes, he looks into the cosmos of his mind,
and lastly to her shrine; final thoughts unknown,
except to the wall and rug bellow
but here I’ve presumed— “I will love you forever”
trigger pulled, death concludes.
RIP- Clay
Chris Jun 2015
~

Sizzling summer evenings,
desires on tanned salsa skin,
pico de gallo pleasures
dripping of cayenne gazes
aromatic acidity

Heart beat quiverings swelter
‘neath ****** Mary secrets
waiting to be unleashed
in sultry illusions,
writhing silhouettes grinding

Drenched satin oasis,
shaping torrid mirages,
exposing trap doors
collecting rhythmic pulses,
spiced temptations,
blistering lips

Fingers crawl
across saturated skin,
black pepper scars
jagged delusions
melting desperate souls
in the heated wake
Good night Beautiful
if you can sleep after this.  :)
Meredith Dec 2013
The moment he rejected you the first time
I saw a little part of you break
like the icicles in your eyes were melted with a self destructive hate fire
burning dangerously with the unrequited desire
for his love.
I want to tell you you're perfect.
On the times he moved closer to you at the lunch table
I saw the way your body stiffened
I could see the mental checklist being ticked
making sure you had the grocery list of the things that you wanted
the things you thought he needed.
I want to tell you you're perfect.
He fluttered your heart with his smile
making you realize that this spell he put you under isn't temporary
no matter how many times he knocks you down
you'll always go back for more.
I want to tell you you don't need him.
Where other girls want to undress him with their eyes
to see the chiseled swimmers body armor created from
years of waking up before sunlight
all you want is to strip the armor from his skin
to see if what lies underneath the charm
is really as soft and sweet as it is in your dreams.
I want to tell you he doesn't matter.
The day he asked out another girl in front of you
you tell me you need a friend
you say you don't even know how to stop crying
you say it hurt so bad
choking back tears is causing you to choke out that it's killing you
and it just kills me when you say that you feel so pointless
but you're infinitely perfect to me
so I make sure that you know how pointless he is too
and that if he can't even see through his glasses to realize how beautiful you are
then he might as well be as blind as a bat.
I want to tell you you're perfect.
even though you say your importance can be rationed out in teaspoons
I tell you that no amount of measuring cups could ever measure how much you mean to me
I want to tell you that your shine is like the one light in powerless city
gifting those in the dark with the wonders of your intelligence
and with the beauty of the way in which you look at the world
I want you to know that you're perfect.
I want to tell you I'm sorry.
I'm sorry for not noticing all the times that your lip was white beneath your teeth
or the way your eyes stung from the acidity of rejection
causing tears to form around the red insides of your eyelids
I'm sorry I wasn't there to wipe those tears off your face like I always promised I'd be.
I'm sorry for the time that you had to ask for me to listen
because the invisible rules written by love
in the book of friendship in my mind
say that you shouldn't have to ask for me to uncover my ears
they should always be open
and so should my arms
because that's what friends are for.
I want  to tell you you're perfect.
I want to tell you I'm sorry.
I want you to know that putting layers of make up on your face
makes him fall in love with a copy of every unoriginal
girl he's ever dated but you
my friend
you are not a copy
you are not unoriginal
you are a story
you are amazing
and you should never let your self feel like any less.
Mateuš Conrad Apr 2016
once you claim to not have not experienced
all the fooling with women in youth
and exhausted the libido...
you never really want to claim a need
for their company while ageing and
growing jealous when her stories emerge
over drunken conversations when her
friends get invited -
i mean, it's almost like you have a *****
stitched to your forehead that
is a reminiscence of youth not claimed -
indeed old age is hell for women...
and youth the hell for men -
in between there are children...
feminism is an odd-ball... it's this rebellion
against an ageing patriarchy...
men who sway power...
what a weird and wired fetish of thinking...
why would i claim companionship with a woman
if she experienced all the sensual freedoms
in her youth... while all i got is a freedom
of a range of professions? exertion of one muscle
here, exertion of another muscle there...
had i stuck to full-time industrial roofing i'd
probably write one poem a week...
oh please, let's not obstruct with too much consciousness
of how poetry is defined, that's for english teachers
to rekindle hopes of a Shakespeare resurfacing
while ignoring Milton in the curriculum ante-vitae...
no, when youth is not allowed mutual pleasures...
the following concerns for life suddenly disappear...
there's no acidity relevant to it, no abhorrence,
no need to testify a revenge...
it's all a matter of comfort... and it's more comfortable
to be without a woman than with one,
considering the pelvic-pivot-of-*** was not strained
well enough to settle down into a friendship
with women... since my own sensuality was barely
scraped to consider a friendship...
instilled in me, the idea of two potential flints
scratched for a spark... but nonetheless remaining
two rounded marble spheres
that dimmed the lights... i felt it too opposing
to consider a half measured sensuality forced into
a platonic love... i might as well have been born a homosexual.
jemma silvert Jul 2014
I beg you,
Do not make this out to be a love note;
Do not romanticise my words
     until a list of all that is wrong with you
          becomes a letter in a bottle, washed up on an island’s shore.
Do not teach the child I will never have
     that the locked wooden box of dated but unsent letters hidden beneath her bed
          will one day become a novel.
They are all addressed to you--
   just as every thought I think echoes with your name
              every song is about you
              every tear burns my skin with the acidity of your touch
         the smoke from
              every cigarette tastes of you.
It is you.
It is you
             who is the black mist enveloping my lungs from the inside out,
It is you
             swirling in my hollow veins
                as they wrap themselves like chains
                   around my organs, screaming for night,
and you capture my beating heart.


And it is you
     who tells us to teach our children
                         to make sure to say their pleases and their thank-yous,
And we taught them not to talk to strangers,
  but we never taught them to say
                                                      ‘no’. --
Now I don’t speak to the kids hanging out on the corner
And I don’t speak to the man when he pulls up his van,
And now I don’t speak
                                  when I'm lying in bed
you never taught me to say no
I don’t speak when your hand runs down my body
          like I am something you own
          like my bones are the ivory keys of a grand piano
               and you must hit every note on your glissando
descending
   to
hell.



I don’t speak as you wrap yourself around me
metal chains on a summer’s day
I close my eyes
            and listen to my organs screaming for night
                   like a child who just wants her bedtime story,
                                                          ­   her mummy to come home,
                   like a child who is not afraid
                               of monsters in her head,
                          or of monsters under the bed,
                          or of you,
Lying
     beside her.


And we scream for night
   And we close our eyes
      And we float up into a moonless sky.
The definition of a black hole is
               ‘a region of space having a gravitational field so intense that no matter or radiation can
                escape’.
If it is the matter that creates the pull that traps the matter,
   then you are not so much in me
         and I am not so much in you
               as we are trapped inside each other.
The world made up of people and
      people made up of world,
                                          like Romeo and Juliet,
      we do not exist without the other,
                                          you and I.


For the words
           immorality and immortality
                                            may be frighteningly similar, but there is a difference between
                 apathy and anaesthesia;
I do not close my eyes to shut you out,
           I close my eyes because it is only darkness that can make the space between my bedroom walls appear infinite;
           It is only music that lets me hear your screams as you suffocate mine;
                  only smoke that lets me taste your toxicity as my ashes spread like a virus through your veins.


I want to die.
And I'm taking you down with me,
   So don’t you dare tell me to teach the child I will never have
      that her scars seek attention,
         or that she needs them as proof of what you have done to her mind;
   Don’t you dare teach us that the rope from which we hang is a diamond necklace;
          that corpses are more beautiful when drained of blood,
             that we are more beautiful when broken.


Dear world,
   I beg you,
Do not make this out to be a love note;
Do not romanticise my words
     until a list of all that is wrong with you
          becomes a letter in a bottle, washed up on an island’s shore.
Do not teach me that my suicide note is poetry
     when our existence is intertwined
          and my death is yours,
          and you are too cowardly to do it for the both of us,
  but, darling,
                    so am I.
So please,
   I beg you,
You can make this out to be a love note,
                                             a letter in a bottle,
   just close your eyes;
      float up into a moonless sky;
         dissolve into infinity.
                                            Die with me--.
                                                           ­                                                       *j.s.
Mateuš Conrad May 2017
i'm pretty **** sure you'd gobble this like i did, wolfish;
it's a reinvention of the original: sweet & sour...
but this is                            sweet & salty.
  mmm...
                          rice noodles! rice nnn! that almost see-through
squids of tangles...
                       not egg noodles! not egg noodles!
rice! rice noodles!
          and then we fry some bacon,
                              add a bit of mushrooms...
                                          a few pinches of paprika...
         and then the magic happens...
                                honey....
                                 followed up by some soy sauce...
mmm, keep frying...
                            some pepper...
                                       then nicely cut cherry tomatoes
to break apart the sweet from the salty with some
                                                                                 acidity,
and then some parsley to garnish.
                                                                    woof!
went down like a storm, it probably took me less time to
down the bowl of noodles than i took to cook it...
           but what an ingenious concept, rather than the classic
sweet & sour...             sweet & salty...
                                     comrade mao would have approved:
just think how simple it sounds...
                 it's not exactly, hoisin sauce,
        honey
                                soy sauce
                                                             cherry tomatoes:
oh **** me... you need a buffer zone...
                       some sort of acidity...
                          if you were going to bottle it i'm sure citric salt
would do the job... but in real time? when you're actually
conjuring such a recipe?     cherry tomatoes...
          and no... egg noodles won't do... they're too heavy,
they won't soak up the juices...           so you need the squid-like
tentacles of rice noodles...          and yes, fry the concoction
        in some chili infused olive oil.
a microcosmos in under 15 minutes...
              the universe disappears... and the idea of a polyverse
                is but a ****; and a burp half an hour later.
Raegan Marie Oct 2011
The shock and pop of thunder,
rain drops,
rolling down smooth skin like
peals of thunder,
broken lightning streaking through the sunshine.
Polarity bringing a smile to my face,
even while acidity burned and scrunched my face to conceal my eyes,
the swirl of twigs in puddling holes in the driveway making me
ponder,
soaked,
getting up to hear the sploosh and feel the wave of a full gutter.
To look at the leaves stuck between my toes.
Breezes raising goosebumps and giggles.
hair dripping and clinging,
eyelashes catching drops upon drops.
Light reflected off car windows and tree leaves,
gusts of wind causing intermittent rain
fall,
crack,
shudder,
I whip my hair
back and forth,
and wipe the water from my face.
I am the sky's lover, and it is mine.
Mateuš Conrad Jul 2016
against the motto: write little; do it well -
sure, let's fill galoshes with frogs and slugs and
seawater - fry a pancake, eat a leotard -
play chess using our toes -
do all those things, but never get a brimful's
worth of insight into waterfalls
or volcanoes interrupting the goody-two-shoes'
lives in the market sq. of Pompeii -
let's do that, let's do that, write sparingly,
let's not gesticulate at the void like
what's missing at the para-Olympics -
two blind men boxing, lights out already?
throw a torso into the swimming pool!
misery... and the funniest comedy - you
could almost get tired, but it doesn't tire,
you were expecting a mile long walk -
now you're running a ******* marathon,
hyphen (or the hanging pause) -
just yesterday, a minor virus on word,
font turned into Vendetta from Times New Roman,
and this ******... ¶... everywhere, each line
a new paragraph, who's he?
Mr. ¶ or Mr. Pillow-Crow - piquant like
a radish in pickle acidity - before
writing the invoice a good 10 minutes trying
to make Mr. ¶ disappear - long ago it was
like so:

¶xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
xxxxxxx­xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
xxxxxxxxxxxxxxxxxxx­xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx­xxxxxxxxxxxxxxxxxxxxx
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx­xxxxxxxxx
¶xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
**­xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
xxxxxxxxxxxxxx­xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
xxxxxxxxxxxxxxxxxxxxxxxxxx­xxxxxxxxxxxxxxxxxxxxxxxxxx
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx­xxxxxxxxxxxxxx

but it changed into

        xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
xxxxxx­xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
xxxxxxxxxxxxxxxxxx­xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxx­xxxxxxxxxxxxxxxxxxxxxx
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx­xxxxxxxxxx
         xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
xxxxxxxxxxxxxxxx­xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
xxxxxxxxxxxxxxxxxxxxxxxxxxxx­xxxxxxxxxxxxxxxxxxxxxxxx
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx­xxxxxxxxxxxx
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx­

(cheaper print charges, could allow more blank space)

nah, forget writing well but very little,
learn the trombone or the viola instead,
write a lot, write a lot to make mistakes,
become Jack the Decathlon inquirer,
all the trades, master at none,
splash in a rainbow, some thunder and
some sleet, give it a proper variation juggle
and wait for the chuckles brigade -
now instead of writing about reading
we're writing about giving advice,
i'm not, pronoun usage can be misleading,
i'm giving myself self-assurance,
yeah, in a car accident, whiplash,
i'm gonna bank about 2 thousand quid in insurance,
and i'm working it out from the citation
of Alexander Dumas, Athos - "the best advice
is to not give advice", and boy did that morph
from " " into ' ', i.e. my own -
the best plan is to not have a plan -
while they write their systematisation and
skeletal fiction with unsurprising anatomies
i'm writing and i'm like... huh? i didn't plan this!
well, no shame in that, no beetroot face,
unlike squeezing a wet **** on a rush-hour
commute home on the tube -
write a lot, so you can write ****** pieces,
write a lot, so you can become a simile of a missing person,
write a lot, so they don't find you (no paranoia intended,
not really about some obscure government organisation),
write a lot, just so you can write mistakes,
don't become a prim-bow-tie perfectionist.
An Uncommon Poet Sep 2014
Where did this illness come from?
Who is responsible for this?
I am not ready to perish
I am not ready to say goodbye
Who is responsible for these toxins?
In our air, water and food
I am only 19
I have a world ahead of me
Wait,
I have an ashtray before me
A capitalistic wasteland
Of the walking dead
Dressed in business suits
And Louis Vuitton dress shoes
Carrying brief cases of polluted thoughts
How do I stop this acidity?
How do I unite a body of 7 billion people?
Empower the people for wanting to stay alive
We could easily lose our minds
We could pull the trigger
Or overdose with a bottle of Jack
But we stand tall
Unwilling to fall
We will not collapse
All I want to do is breath
Don’t take away the Northern Winds
Leave me alone and let me prosper
While I strengthen my lungs
Let me fall asleep
Whispering Victoria in my mind
But instead I ponder my tax dollars
And I am accompanied with guilty thoughts
As you use my money to decay the minds of billions
Until it is an issue
You will not speak of this issue
Until fingers are pointed
You place blame on the companies which you sponsor
Change your ways
Before the Muskoka lakes become toxic
And the fall leaves no longer exist
I want to live
Don’t take this away from me
Mateuš Conrad Jun 2016
you see it...
the Cartesian pH scale...

i think
             the acidic               concerning
       evil thoughts

and

i am
         the alkaline                 concerning
evil action...
                          sketching mezzo in Spain...

but still so much resides in people
expressing da- -denken,
no fallacy with that,
to express thinking you're there
is no fallacy, there's no wrong with that,
being there is a fake,
Heidegger spoke of plagiarism,
rightly he's a magician, a quick hand,
a droplet of Mercury -

sometimes music overpowers,
there's no music, only meaning, after all,
aren't we to decipher our encoding?

philosophy has no access to music,
it can't enter the realm of syllables, or alphabetical
units, its limit is reasoning and meaning,
it cannot perform autopsy on words,
for philosophy words are cursors, vectors,
it cannot dissect words toward syllables
and units of sound, it relies on compounds
ending with a -logy-, pristine ~arithmetic ...

the therefore sequencing
akin to 1 + 1 + 1 + 1 = 4 can be discarded,
acceptable the Newtonian causality
and the mishmash loss of vector, of Einstein's paralleling
for the parabola, or vacuum dipping...

we are concerned with therefore acting as
a multi-facet mathematical function,
with two algebraic modes of expression -
as much bewilderment entombs Newton's theories
as much bewilderment entombs a serial killer's actions...
acidic or alkali are expressions of pigmentation
or activity, yet when encompassed within
pH scaling, non-differential...

in that so many concerns enter the verb thought
(verb - activity of expressing it) that thought per se
excludes nouns to revel in pristine form...
what basis is there for nouns if not automation
rubrics that are settled for a rekindled encounter?
if thinking is an activity, it turns the animate thing
into an inanimate thing, a philosopher's stone
away from peculiar assortment -
and when god seized walking freely,
he turned into a stone, apathetically accepting
monotheistic prayers - once an animate thing,
chained into inanimate enthroning.

what is the prime category of words utilised
in thinking, should no narrative schematic be utilised?
we all know the cognitive schematic narrative,
in fear of linguistic bombardment
that provides puzzles from syllables and
eyed-encoding shapes such as mm or dentistry's
A having cut out the tongue.

but the Cartesian balance - being does not
prove thinking, and thinking does not prove being -
better that unsolved than perpetually
exhausting the argument of being via beings sacrificed
to enshrine a memory - lesser concern
for the thought that spurned others to think
a similar complication, via allowance of the leisurely
timing worth consuming -
with the former a gas chamber, with the latter
a library - there is still a scaling,
not necessarily attributing acidity or alkaline superstition...
_______________­____________________­________
                                     ­  Δ
on topic of pivots and Archimedes.
Colzz MacDonald Apr 2017
Many a song has been written about the girl
Stating how the sweet love of two will unfurl
How beautiful she is outside and under cover
She means the world to the one who loves her
There's a song,
That beautifully describes your cognitive thrill
It's by a band called Cypress Hill
And it goes,
"Insane in the membrane
Insane in the brain"

Because if you think I'm masquerading as two
There's something not quite right about you
Yes, there was a closeness of friendship new
But that didn't mean there was anything true
There was none of that other business mind
I think you'll see I'm not that way inclined
Your jealousy and spitefulness has to conclude
Your insanity is venomous and beyond rude
There's nothing, I repeat nothing, wise about you
When you present so many lies about you
You wouldn't know how to be a child of the Lord
You wouldn't know diddly about The Word
You can sit in church and praise all day long
It don't make you a Christian singing that song
Any less than sitting in a garden on my ****
Makes me blossom, I'm not the **** rosebush
You need to be locked away and kept an eye on
That acidity burning inside is what you'll die on
Your dissecting of the human soul by half
Now has me shaking my head
At how sad you are instead
It's not funny, *but you gotta laugh
Ranting poetry is not my style this is more of a pisstake of a true situation. More like a therapeutic release. Please indulge me on this one as *poetic licence*
Infectious wounded words, gargled grief,
ring leaders in foul filled filth,
door opening to the left of the blackened
wallpaper, stooping from its support

Floor, a waterlogged mess of yellowed
****, stabbing stink, suffocating, like flayed
corpses, acidity burning in the back alleys
of wounded worn out hearts on sick leave

Cowering in crumbled crevices, filmy outlines
of themselves, insides outgrown fulfillment,
faded, grasped their gasp and sold it,
folded into walls....gross with age

I would have cried but, energyless, I'd fallen
out of my body long ago, beat the light from
my eyes, layed down in yellowed tears of ****
alongside the ratted out corridors of squalor
Sorry for the black feel to this...not about me...thank god, yet others...living daily in such deprevation
Mateuš Conrad Dec 2015
import: the northern tongue bespoke of the didgeridoo with the larynx as akin. północ ze mną... reszta gnije! a ja w twym oku jak dziób kruka wydłubie prawde raz - kraka - raz jeszcze na pokaz chociaż raz! bo ze mnie nie kura... jeno kruk! czemu? bo ty swym tłumaczeniem grzechu równasz gniew naprzeciw: w okolicy reprodukcji z tłumaczeniem orgnanizacji społeczenstwa jako wedle znaku (=) ktory też jest równaniem jako krzyż... a wiec jest naprawde wiarygodne to aby kontynuować wybaczanie niby grzechów i tak naprawde praw w rubryce niespełnionych pierw zamiarów?*

why then peer into the past without imagination,
and try to peer within the present with memory,
surely the present will not conjure any memory
had the opaque past any imagination,
i’d swear the burnish bush be nothing more
than what could be imagined,
not excess of skin on my phallus
as the shaft known as the female circumcised bit...
but i guess truth sidewinds while lies have the fortune
of walking a straight path into nowhere...
if there is imagination in the past i find it hard
to conceive phonetic images, i.e. letters being allowed in there,
and if future forsee such circumstance
i find it hard to let the future project images
as recognisable without a - z being recognisable first...
in order that they might be used... in order
that they might be used for ignorance’s sake if only that...
man remembers skeletons easier in terms of usage
rather than fully embodied canves of a van gogh
to say **** all... as most men do,
dating their mistresses for the first time in art galleries;
the fault of the past is that in terms of imagination it
cannot be re-imagined... but the future can be twice
remembered... given holocaust deniers...
simple... it can be simply denied because
what imagination would have conjured
reality conjured too much iron acidity of what went on;
please be intelligent when you read this,
i don’t have many readers and it’s already insulting
to ask my readers for intelligence; sorry.
RWM Apr 2018
my shoes scuff against the pavement
my head's in the basement
i need to learn to have patience
hiding in my safe haven
i get the news clearer
she's not the one for you

i look in the mirror
and hold my pills nearer
i get the news clearer
i'm not the one for you

recalling my ex-girl
written these songs full of acidity
when i lost her bitterly, no
oh no i see these feelings twisting up inside me
like a double helix
i'm a realist
but my dreams are poetic
i might've made mistakes but sometimes you gotta let it
happen
tragic
hanging with slum kids
illusionary magic
i'm an addict
eyes red
cooped up in the hotel
i'm that dude
that's passion, obsession
my gift
my curse and my blessing
different's infinite,
living in open emotions and poems
my life is filled with
"i used to know her and know him"
but now i'm that kid
thinking that i'll just
fall off the wrong side of the sky
but after all, all i wanna do hold you tight
Leanna, I hope you recover quickly and feel better
Vamika Sinha Jul 2015
Paris: immutable
permanent marker
dream.

I love you like
the giddy sparkle-crack,
irrational love
found in picture-book fairy tales
I outgrew by
13. You are
my desperate idealism
romanticized into sepia wallpaper
on my laptop screen so
hi there.
Hi, Eiffel Tower.
I think I know your contours
better than a man knows the outlines of his lover but
Paris.
My feelings run
still.
Stiller than still, like
blood gone cold
in love's deep-freeze,
I'm fixated.

Paris, you've got
a residence permit
without an expiration
date
to live in the red beating
city
within me
where no boy has ever kept up his rent and
what,
           what
what does that say about me?
That I reach out my arms to
a rose-tinted Google image
rather than a
tangible embrace waiting for me at my
locker every day.

Why can I serenade you
but not even speak about him?

Paris, I don't think...
I don't think I should love you so
fairly.
For you are my soul investment
but we won't breakeven.
And they warned me,
Paris, they warned me
that you are most beautiful in the rain.
How gorgeous, how
dangerous,
in this age of acidity.

You do not need me
when countless 'artistes'
make love to you
on camera rolls, ivory keys, second-hand
typewriters of silk-faced men.
You do not need me.
Even history has shaped you
into an evenly symmetrical heart
on the map.
You do not need me
but I gorge myself on your
romance
to keep me sane.

Who needs therapy when there's the Champs-Elysées?

And I know that you're crumbling
like, God, yes, the pastries in your abandoned patisseries. I
know that you're crumbling
beneath pink candy wrappers and Casablanca
scene imitations so
that's why
they say you disappoint.

My aunt had a suite at the Ritz but
emailed to tell me
about the soot-stained post office
on rue-this or rue-that and
what,
         what,
what does that say about you?

Is that why they took
all the locks off your eternal bridge,
discarded each love-tale
attached to your hinges
because you were
                               heaving?
Vomiting out love because
it was over-indulgence, like
you'd stuffed yourself on red velvet cupcakes
to find you couldn't digest all that romance and
Paris,

I'm holding you tightly.

My feelings irrationally match
with some product with a price-sticker that reads
'true love'.
Did I tell you I cherish your flaws?
The smoke snuck on buildings and
vines like
veins
bleeding honeysuckles onto windowpanes
and brusque sandwich orders
in some seedy cafe.

I want to crawl
into your chinks and spaces,
make little dark coves
in each little gap where
I can sit and
read.
I can read.

I can read you.

Paris, you are
the postcard that never
came in the mail
but I somehow found
in an empty drawer one day and
I love you.

Paris, I love you.
I'm writing it now but
in some beautiful future,
I'll tell you in person.
If you want, Paris can be a metaphor for something...or somebody.

— The End —