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Piotr Balkus Nov 2015
What if death is a pretty girl
with long legs, beautiful curves
and shiny hair?

With eyes like milky way,
with the softest lips in the world,
with a smile you can't forget,
with two sweet fruits of *******,
and body, beautifully shaped,
much warmer than any of the living girls?

What if pleasing is the way she smells
and her moves are full of grace?
What if she waits for you
to make you a happy, not sad?

What if the medieval art bluffs,
saying that she is ugly, scary and without face,
and without eyes and lips,
without nose, smile and *******,
but the cold ***** skeleton?
And that she stinks and she limps,
foaming heaves at the mouth,
waiting for you at the end of the tunnel,
where no light,
to take you in her arms and to kiss you goodbye?

You won't know until you die,
but why not to imagine her
in the meantime, called - life.
Devin Ortiz Oct 2015
What is the right ending?

Murders of crows sing
Prophetic tales

An evil man, in righteous body
Waiting eternities, to leave a wake
Of ruins, oracles weaping
The fall of man.

This false world,
Twist apart the flesh
Fighting, torn to pieces
To encapsulate, the intent

Fiendish resonates in the chest
A word, spoken by strangers
Summoning, to their ignorance
The mad king

Howling vibrations grasp
At the walls lining the throat
Where booming echoes
Locate the delusions.

Words, chain the beast.
The maniac cackles,
Taunting in the cells.
Always ready, always waiting.
Brent Kincaid Jul 2015
Come and let me tell you
Tales of distant wizards
In far off foreign lands.
The speak in words of poetry
And magic incantations
Even they don’t understand.

They tell of arcane stories
Of dragons and the caves
Of gemstones where they hid.
They tell of verve and derring-do
And swashbuckling heroism
In legendary acts they never did.

They chant, these ancient shamans
To deities and gods of ancient name
Who they know well are fakers.
They foretell and portend wonders
And riches for those who rule, and
Call themselves movers and shakers.

These magic-minded soothsayers
Drape themselves in auras of mystery
And tell the believers they can heal.
And if the congregation fails to look
Closely enough at their performances
They believe the mythological is real.

And time can coat the stores in paint
That looks like the patina of the ages
So it passes the inspection of he willing.
No true believer looks for cracks
In the walls around the real facts
Or questions the truth they are killing.
Brent Kincaid Jul 2015
You can talk about Jesus
And be instantly heard.
You can call him your Savior
And not mean a word.
You can shout your hosannas
To the people on your street
And few will suspect you
As having pure clay feet.

Holy, holy, Holey Moley,
Things have turned for the worse.
Hiding behind Jesus
Gives our land a ride in a hearse.

When you talk about Jesus
Please be true to the words.
Read what he has said
And not what you heard.
If you read the Holy Bible
And find reason to hate
You’ve been led astray
And it’s not too late.

Holy, holy, Holey Moley,
Things have turned for the worse.
Hiding behind Jesus
Gives our land a ride in a hearse.

So far we’ve noticed
The words that bigots use
Are not from Christians,
But are textual abuse
In that they are from before
Man learned to write
So why are bigots so sure
They got everything right?

Holy, holy, Holey Moley,
Things have turned for the worse.
Hiding behind Jesus
Gives our land a ride in a hearse.
Derrick Feinman Jul 2015
Power corrupts so
If you're God's agent on Earth
We must demand proof.

Everybody lies
But why's it inscrutable
When one "speaks for God?"

Write a science book,
With facts unknown if you have
Omniscient source.

If not, go away!
Why believe you; not others?
There's motive to lie.
Derrick Feinman Jul 2015
Now's a perfect time
For a prophet to be sent
With signs for us all.

With proofs not mere words.
Should divine law be hearsay-
Left to human hands?

Wrapped in culture's veil
Why would God make salvation
Not universal?
it's auto Jul 2015
Promises made by diviners: first,
the month of my undoing dissected,
uncertainty excised. Fingers splayed,
the prophet makes a pretty ritual
out of ribcage. Says: any bone
can be an oracle bone, given time.
Unhook the vertebrae, then.
Plate apart the musculature
and there’s fate, that red spool,
that hungry spine. Ask me if I
believe. I believe all prophets
are butchers. The small chime
is her fingers at my glass rib
and not my leaving. Ah, fate,
that tangle of guts, of chyme.
the first in a series of 10-minute poems i'm supposed to be cranking out every two days.
Julie Grenness Jun 2015
THE  GIFTS THE DRUIDS FORGOT...

The gifts the Druids  forgot,
Imagination or a load of rot?
Envisioning future along the track,
Looking forward, not looking back.
Miracles and prophet's dreams,
Mystic lands blessed by moonbeams,
Heroes and inspiring queens,
Appearing in transit, sight unseen,
Imagination or a load of rot?
The gifts the Druids forgot....
Feedback welcome.
SøułSurvivør May 2015
10W


sometimes
the shaking pen
spells out the words of

PROPHETS



soulsurvivor
(C) 5/11/2015
Martin Narrod May 2014
Memory

     is  the birth of cool, it is rapture and ignominious spokesmanship unearthed. Packed into a slatted-wood crate, milking the obsession from cash-toting hands. Freeing itself from your bottom lip while life ticks itself away on a digital stock-exchange display. I am down and you are up, and you save pennies while I search for Chrysanthemums and vanilla-scented candles. Scent is my fifth grade spaceship,
     I hide it in my pocket and take it into the forest when the week is over. Adventure is the part of our story that's caught in between complaining about money and having clean sheets. Tuesday, Thursday, Friday and Sunday my hands mend themselves back from bleach, their crevices cave under bright lights, I go to the garden strip and put dirt on my face, over my shoulders, and on my back. I make a altimeter from an alarm clock, and worry what will happen if your feet should ever touch the ground.
Relief
     is a sarcophagus, the satiny silk chrysalis I weave into invincibility. I make myself a small child with a demon-proof lair, no one comes in, not even you.  I see

     how drugs take out your heart and put you anew, fresh: orange, pink, ultramarine. A wave is a soft gesture for twilight, a slow walk among the greying statue towers, bliss extracted from person to person tedium. How you exclaim about **** music as if your temple home was unfocused by jazz or synth-electro.
     I forgot your room of quiet had no bells, no hope, and no notes of resolve. Tragedy was the desert of your six to sixteen, while I made an opus out of crystal glasses and Cran-Raspberry jars. Then it was the relief, Neptune's hands on your *******, red dots of ecstasy connecting you to a higher vibration. You felt it was time to start exercising. I didn't **** you for modifying your perception of color, degrading in a salt pool- I didn't own your ****** it was just a place I went into to write.
    
    Three years later. I was growing backward, I was sixteen, making you the muse in my doorway, a James Bond goddess unraveling my fingers on her silky skin, except your golden crown was really a turban of snakes, and instead of silk I was groveling underneath you. That was the sweat that Ryan Shultz said I garbled up into two pedestal doves, I aimed by eyes straight at the city of gold, and then inside me shucked out every piece of self-respect and vitrified my spirit, castrating my lips and my tongue for something to come to or come at, he said I lived under pointed stars and that lying isn't a good way to get over past phases of silence.

     A few days ago, it all game back to me, in a random series of songs on an iTunes playlist. One memory from an isolated beach outside a strawberry patch near Santa Cruz, a second, two hands cupped over the ears, my face closing in on her smoothed-out pink bottom lip on an over-exagerated car ride to the San Francisco airport, and the third was the mention of non-vegan banana cupcakes with cream cheese frosting, a birthday I celebrated several years earlier. All of them in the coda.
    
     Verse four unbelievable. It caught me straying from the next stressor at hand. What's next? I move my cold hands from a keyboard versing strange relapse of mind, or I tear out another page, whip across town, and peel stamps onto a postcard to send.
     They were all tails from a memory. A slowing ghost that cooed at me from far away, beating me up and down, pulling my eyes away from a scent I continually tried to remember.

— The End —