it's a melancholy sadness and it grips hold of my joints with steel chains and i am bolted
bound to internal torment like a sadist playing sadist tricks oh i am bemused
wrap me in cotton wool and sing to me
nursery rhymes or tragic blackened symphonies
melancholy melodies / mad and misused
play the piano on my ribcage and sing your sadist tunes
this little rib went crack crack crack
everything in the room faded to black, black, black
what a bitter hymn oh and there is nothing holy about this
beetroot is red because you beat the root of me dead so tell me
where is your god?
i think i set him on fire with the acid in my chest
my blood is scathing / possessed
i drew a cross on his forehead with what i had left
monsters are manufactured; a product, you see
a deformed social escapee
non-conformist unmoral idiosyncrasies

laboratory rats

setting the world on fire with gasoline and dynamite
study the ill mind of a structureless parasite
understand that monsters are manufactured,
and they were once
just like you

Sheers of shimmering gloss grace her torso.
And I have broken her bones,
imploring that I love her so.
Blueberry lips belly the cold;
hold her too deep, hold her I'm told.

I.

He says Call me Mr. G.
G for Gore, Greed, that Green.
An atypical stoner
with hair wetter than his mouth.
With more ******* than a pound,
he says, With an understanding of
all the suffering in the global delusion
that is the Earth. Mr. G, his name.

Oily brunette, Mr. G., would smoke
Marlboro Green Blend -- menthol --
and spit shot out between stained lips
after each extracurricular exhale.
The saliva would land, tremendously,
and puddles of Rasta shooting stars
would lay, stretching across concrete galaxy.

Hazel eyes invaded and shamed him,
for he wished to be green, like life,
but only envisioned a contradiction:
death (see nature),
for which he learned to embrace, stoically,
like a shepherd of an endangered breed
meant to die among skewed perspective.

II.

This house could be mistaken
for a cinderblock purgatory;
between color and absence of,
eternal and temporary.

A raptor laughter purged the tension --
he abided by no accommodation of civility.
As smoke followed his hyena howl,
the landline lay suddenly of purpose.

Resin raided the clunky, black buttons;
a voice was whispered like a blue phantom:
*******' cheese, pineapple, pepperoni
-- no, extra ******' cheese, extra pep --
Sure, add some more pep with your driver:
he, she -- honestly, man -- they better have
pep-in-their-******-step-you-feel?

Minutes passed like sentient matchbooks
dropping towards a skeletal fire.
G threw the phone across the room
and, like a disenchanted drunk dance,
his words wobbled over each other,
I ordered a 'za, a pizza for the layman.
About thirty, probably thirty-one
minutes, that is.

Passing me the flower-stitched ****,
I ****** in one, maybe two, three,
blasts that I swore
had some sort of nano-insects
bite and burrow into the holes
of my sponge for a throat.

Wringing my rubbery neck,
watching my words leave my toothy cave,
I found out that G doesn't believe in beer.
Believes in souls but not beer,
believes in green men, not beer.

Alcoholic splash is what we all need,
at times. So I told him the obvious,
I'm going to get a case of
(Insert your ****** choice)
and I'll be back as soon as possible.

G stared at me and made a guttural noise,
Do whatcha please, I'll stay here and
protect us from vampires.
You know, blood-suckas.

Pale stoner vampires.


III.

The leather painted door was wide open
like the legs of ominous spider cave,
but the doors of a car
I had never seen before
were as closed as the lips of a VCR.
There's nothing but silence in these situations --
is this one of those situations? Grassy knoll?

Approaching the mouth of purgatory,
I entered with the hesitancy of a lost dog.
On the plastic covered couch,
two people sat atop the invisible cloud
above the patterned fabric
and above the fingers of time.

Blonde hair sprouted from her scalp,
raining down upon vanilla shoulder blades,
her chest a harbor for two pale, freshly mounds,
with crooked, beige diamonds in the center.

She trembled when G said, Meet Steph
-- can I call you Steph, Steph? --
Meet Steph, the artist formerly known as
Stephanie, holding up her licence,
Vanmeter, of 441 1/2 Locust Ave.

That's creepy, huh, Steph? Locust Ave?
Are you something that lives in the ground,
comes up every several years, making noise?
Has this been years in the making?
Are you bound to make noise in my house?

You know this is a house, right?
Whatsa matter, unfamiliar due to ya
living-in-the-*******-ground
or is it because you share a house,
an apartment, Steph? Is it one of those?
Pizza deliveries ain't paying the bills?

G gets up, I, a coward, approaching him
about to say -- Hold up, brother, he says.
Not another move, pulling his hand from
behind her shaking, confused head,
a silver cannon an extension of his arm.

She's here to **** our blood,
She's here to ****. our. blood.
Whether she means to or not,
I know you don't think you want to, Steph,
I know you don't mean to,
But you're here to
drain-us-like-the-Red-Cross.

I tell G that she isn't,
What have you done, G,
You need to let her go
before this gets worse.
That cliche dialogue.
Because these things always do,
cliche or not.

Brother, you don't understand these things
-- It's impossible for a godless man
to understand the mechanisms
of something bigger, something holy --
but you need to listen, G said, You need to --
she tried to move, quickly,
but G grabbed her by her blonde strands,
pulled her back towards the couch,
She swiped at his eye, drawing blood.

There was a pause, a deathly silence,
by the hair, she was rendered motionless,
Oh, no, he echoed, Love, you shouldn't,
You ought not do those things.
Looking at me, he asked me to listen,
Always remember this wasn't your fault.
Sometimes, you can't be in control

Holstering her neck with his gun hand,
G picked her up, slamming her,
head first,
into the drug covered,
resin sprinkled
coffee table.

He dropped on top of her,
Looked at me, Remember, okay?
and beat her head with the **** of the gun,
until the cracking of a larger M&M; shell
muffled towards all eardrums,
maybe even hers.

With blood,
that could be mistaken as war paint,
swimming across his jaw and neck,
and sprinkled on his forehead,
G whispered, You are free,
and I was never sure
who he was talking about.

My feet left before I did,
I was suddenly in my car
with only the ignition
and G's voice registering.
I passed car after car,
pastel metal wagon after
metallic matte creation,
not sure if I ever saw him,
not sure if he ever existed,
if I ever existed.

IV.

Sheers of shimmering gloss grace her torso.
And I have broken her bones,
imploring that I love her so.
Blueberry lips belly the cold;
hold her too deep, hold her I'm told.

Waking up in a cavern darkness,
my dreams disintegrate from my eyes,
swirl in my headspace, evaporating to
heaven knows where.

Scattered pitter-patter
drowns midnight Seattle,
killing and washing away
cluttered, modern filth,
******* carnivorous minds
into hungrier gutters.

This is the part
where the screen of my life reveals:
SIX MONTHS LATER,
in yellow, stenciled letters.
But what it wouldn't say is
how I still feel like I'm dipped
in the ink of Ithaca, NY.

If this were the indulgent
autobiography of my life
it wouldn't say that
the distance doesn't matter,
because that'd be a lie;
I feel like I have only escaped myself.

The rain swells, sounding as
thick as blood, swishing around
the veins of the city.

Stephanie dies every night,
disappearing and reappearing
behind secret doors only she can open.

When she comes to me in sleep,
she is baptized in green, head caved,
Forget-Me-Nots sprouting
between fragmented skull
and select spots of brain soil,
the flowers singing jazz
with a different voice, every time.

One time she spoke.
With blueberry lips that belly cold,
she sounds like my mother:
I am so proud of you, she statically says.
You saved me. Remember.

V.

To be continued.

blood for blood.

it is clear, verily, this evening.
   the tabloids blurt the truth
    as the populace clutch
     the paper.

somewhere an explosion
   will be heard.
a child will be beheaded—
the land is tumescent with bones
   and compost rotting away, rotting away.

TV continues its comical static,
playing the music in contrapuntal satire.
  in the morning is a dog, trampling
the streets soldering a scale of metal.
  in the evening is the same dog,
sleepily cycling the humdrum town,
    his face a faint lamp, slowly dying away.

attenuated by either
   love or no love
i drag my sorry shadow across the avenue
   and a deathless cathedral is crowned
    by faithless ****** of crows.
god-driven or godless
  i awaken to the same strife-torn sky.

there is a love so immense
our bones are crushed when
it grasps us, yet there is hate
  and love altogether
intermixing, demanding another hue,
   a troubled one.

they burn the effigies.
they thump the metals
with lignified sticks.
they create a noise enough to
drown the world.
   blood against blood.
more hate to fuel more love.
lesser gods to **** all light.
the dark reigns supreme.

last night, the earth moved
and still,
  blood against blood.
  death peers through
the windowless hour
like an eyeless mannequin.

i look for you in the frantic hour
and found all loveliness gone.
the glint of the edge of what has once
  cut us laughing in the shearing wind
has died out — i dance to a music
  only i hear, bringing back the dead.

meanwhile, i ravish
   the streets mad without chance
and supernal, my bar-drunk soul.
   in the weekend, I will read my poem
to a dead crowd, drink more, jousting with a fleeting shadow, and toss
   the final cigarette into the
      stillness of the void and fade out;

it is blood against blood.
   the knife will slit.
   the gun will ****.
   the fists, clenched to the size
    if two worlds, will claim.

the earth moves, and you are not here.
the leaves abandon the trees.
the park-benches are heavily laden
with the yoke of the Earth.
the mouth of the gutter receives
the belch of a passing automobile.
the graveyards are tender
with bones.
the parking lots are vacuous,
and only the moon fills the world.

  it is blood for blood,
  love without love,
  hate with love.
i will look at the photograph
  of a woman i never touch any longer.
i will once more ask the gods
  what they have done,
but never the blur of answers to myself.

i am drunk without chance,
   and the knife invites.
   the portrayals of blood
     inveigle.
  the whims and caprices
    of the masses have no use
     any more.

it is blood against blood,
   hate against love,
and time
    is running
   out.

I used to be religious,
but that was years ago,
you know, when I was young
And there were so many things that I didn't know

I was a puppet,
I was not allowed to think
when my mind was like someone
pouring water into an empty sink.

I always went to church
against my own will,
sitting in a pew for hours
trying to keep still.

then I got older
And then I realized
my mind is more powerful
then the other guys.

So I started questioning,
was called a blasphomer.
The only thing I believed in
was death without fear.

I mean, don't you find it odd
that we're told to believe in God
And as long as it's only him
then we defeat the odds
of going to hell?
but the bible always had a different story to tell.

you shall have no other god before me.
those are his words written in his story.
Yet were also told about Christ
And the holy ghost.
that makes three gods that use us as their host.

that way of thinking,
the holy trinity,
is a contradiction
that human eyes are too blind to see.
And we always wonder
"why doesn't he talk to me?"
yet in the past he spoke directly
to prophets in the era
that human minds were developing.

I was raised not only as Christian
I was raised by my mother in multiple religions.
Each one saying that the other is wrong.
Although they have the save versus and songs.
I just don't get it,
I know humans need an escape.
Especially from reality, whatever it takes.
But why do I have to be labeled religious if I'm a good person?
When the ones with the most hatred are the ones rehearsing.


I follow a code
Peace love unity respect,
Hatred is not something
That I chose to accept.
But because I'm atheist
I'm considered a heathen.
When they don't realize the words they're breathing

And anti gay?
Are you serious?
That **** is so ******* stupid.
They're still humans wanting love
Because love is fluid.
It flows through us.
Every creature,
Every soul,
Every tree that you see.
We are connected
Indefinitely

My problem is,
Everyone wants to make their decisions
Off of a book written based on visions
By man that are known
To manipulate the systems.
And create hate without a second opinion.

For example.
The anti-gays.
Only want to listen to the words they say.
But don't realize that the words relayed
Is different from years ago today.

And divorce is a sin as big as they come.
But they don't say **** about that.
How come?!

why do you have to judge?!
why can't you just accept we were all created
the same regardless of blood?!
why can't I just be as blind as you?!
why does my mind ask questions and have a different view?!
why can't I be closed minded?!
why can't I just accept everything and stop trying to find it?!

**** it I'm done.
I am not a prodigal son.
I am not a saint,
I am not a sinner.
I am me, a human,
the line could not be painted any thinner.

next time you decide to **** into someone resilient.
make sure it's not the mind of manic brilliance...

She had stopped crying.
All evening in her black-mesh coup de voodoo.
On the plane she had been crying
For her Summer pal. Yesterday she had been to market
Big brown bags and white bags, little pink bags filled with crimsony scents,
Capricornia, looseleaf newsprint, postcards, and colored pencils,
She had hands full of handles, bags bundled, stitched in strict Saturday fashion.
He could barely break a step, he could fake dance with her feet on his tip toes.
She was only three quarters the perfect size to fit inside his frame.
The grand disappearing act. And she was only ifs and suicides.
A stranded ray of sun-draped hair on a cooly porcelain forehead, the segments were all just wrong,
Something so wrong, trembling heart cries over a mute coo through a flattened tongue.
The sickle tongue, dodgy on Tuesday's, She had a simple mug, oh! But so cute and soothing, the nape
That wrapped around, my arm lapped its hands in a clapping ginormous duck's bill!
Lapping rhythmically. Thwack! Thwack!
Like no crying I had ever heard. Nor Earthen beauty I had never seen.
Her little lamb legs lumbered over, her awkward thinness and long limbs spilt on top of her,
Her tiny shoulders searching for support from her hips. White aurulent doll head on a stick,
She had sad defeated eyes, whimpering, pathetic,
Too small, and she shuttered and she shook,
And she shivered out every teardrop her body ever made. And she fell back on her bottom, and looked
Up as if to see a white steed standing with her guy striking a poised hand down to her,
He split down the middle, stammering, broken pieces of words crumbling out of his mouth
With eager intentions. He was too weak
To give her his feet, or pull her up in, he hadn't the gumption. He was fully occupied standing,
He wept too; then shuffled a little
Towards where she had fallen. He knew she wasn't right
She couldn't get the devil out of her piercing blue pupils, she couldn't
She lied.
Then she just piled on top of her knees and fumbled as if to rise like a demure lamb trying to rise off its Newborn legs, she just curled her legs,
So stiffly built, and narrow footed, built with such inequality to her siblings,
She got in the way of herself, a little lamb that could not manage.
Too whittled for him, he tried, he really tried, but three years had drained his strength, no real help.
When he sat her upright on her bottom, she opened her eyes, and for a moment smiled, grabbed for His hand but then after awhile she was lost, she lost interest, her pupils wandered.
He was orchestrating everything.
A real project, much more urgent and important. By nightfall she could not stand. It was not
That she couldn't smile or laugh or love, she was born
With everything but the will to live -
That cannot be destroyed, just like a love.
Melancholy was more important to her.
Life could not get her attention.
So she died, with her handles still in her hands, green grass stains her legs.
She did not survive another warm summer night.
And then he wept uncontrollably again.
"The wind is oceanic in the elms
And the blossom is all set."

2

The boy has come back
From the seashore, and atop the plateau.
The woes of women are like a genocide
In the morning, when the killing is over,
And the heat begins, and the bodies lie,
And stark life moves for its sobbing bones,
The curved women move with fire.
Father Father Father the girls
Are weeping, and crying and I cannot resist that gentle frailty
They are shucked in their skin suits rising from their soporific slumbers
In decadent leathers and frou frou dresses. They cling to bold faces,
Nothing can escape that cold crying of women weeping for their princes.
Blood-letting rage cannot overthrow the meadow from the pebble brook,
As a laden head bleats its tarnished tongue across a milky breast, it cannot
Escape the sounds of blue-stained teardrops cascading across the plains,
The sounds of woolbirds braying while their skins are sheared against the
Sluicing sound of water rushing through the flume.
All summer they have lamented, gorging on melancholy, tottering their cotton pyramid heads,
Shaking their cries in deliberation, bald skinny victim women screaming out!
Cotton-mouthed clams yaffing, hearts in panic, wholes of bodies clambering in a *** of woe.
They roost useless, pollard and wethered, jealous
Squinting out the last droplets of desperation from their eyes, screaming their mouths in awful
Togetherness, this cacophony of tortured tongue-song
They curdle the last notes of despair out under knotted breaths
With every inch of strength left inside them, they bray this way and that.
Their mothers scream out in wretched despair, ahhh!
On distant cliffs, on scrawny legs
Their stiff pain goes on and on in the September heat.
"Only slowly their hurt dies, cry by cry,"
Whipped bodies toting wergeld on a shore.

The Day She Died

Was the gloomiest day of the new century,
The first of calamitous, unfortunate autumns to come,
The first dying breath from piceous lungs.

That was yesterday. Early morning, soft rime droplets
Frosted to every blade of grass, not like any other
Earlier June day we've ever had. In the deep twilight
The syzygy announced the moon and demoted the sun.

The Earth-crisp frost nuzzled snow droplets.
Black bands of ravens whipping. Martens littering
Fresh kills of red-eyed rabbits on stark white stale
Summer lawns. A fox grayed, its cold bones
Mapped by ravaged feasts. A possum prowling
In a spot of tawny light.

The concrete spread into a maze
Of black veins ripening in the acute niello
Destitution of its widening cracks,

And when the summer left
It left without her. It will have to accept,
In the paley dim light of this vengeful wilderness -
She is gone.
But for now the warmth has not returned but a naked, half-pomegranate
Rotten moon for us two.
And a great vacancy in our memory.