i - Introduction:
ii - Lismore Park
iii - The Road to Maidenhead
iv - Town Square
v - Contradiction, contraband
vi - Saturday Afternoon
vii - The Circus Comes to Town (Sunday)
viii - The Show
ix - The ringmaster
x - The Fracas
xi - An incident at Upton Park
xii - No ball games
xiii - New found…
xiv - Nearly done
xv - Another time…

i - Introduction:

Come friendly bombs you’ve still to hit
The place whose name means quagmire
The town, the place that’s left bereft
Of soul, of spiritual fire.
But hurry, hurry, please be fast
For the crack dealer plies his trade
With slight of hand and cunning
A ghetto he’ll have made

The peroxide perms have now all grown
And muster outside shops
To wait for the be-suited sales rep
With his rocks and his alco-pops
They’ve all spawned offspring of their own
Fifteen-year-old cradle pushers
Who sold their souls in return for hope
To thirty year old cradle snatchers

Come friendly bombs it’s plain to see
The vacant, empty faces
The lifeless eyes, the pallid skin
The love that leaves no traces
The love that lasts a knee trembling minute
Outside Harry’s and Sluffs
A love that smells of emptiness
O they cannot get enough

Come with me, look over there
To the sculpture in the mall
The stainless tree with it’s stainless birds
And stainless birdsong call
A bird sings and the town all stops
To see from where this sound will show
A bitter disappointment when learned
It was played on the radio

Community service on the airwaves
To draw the crowd together
A song played, a one hit wonder
Reminds us nothing is forever
The sterile radio station plays on
Opiates to which we should yield
And bare our souls and be grateful for
The song of Bedingfield

ii - Lismore Park

The sight of a child playing in the street
Is one of day’s gone bye
But Lismore Park sees them out in droves
Stealing cars and getting high
The twelve year old sent out to play
Whilst mother takes a knap
But really she’s having it away
For a fiver and a brown wrap

The party at the house next door
That never seems to stop
The men all come and go and paw
Girls in this knocking shop
But halt weary traveller, stop!
Come sit and rest your back
The bench awaits you on the green
And the deluded maniac

The man who knows what’s wrong with you
And how to make it better
As long as he keeps his soul filled up
With cheap White Lightening cider
Six large cans for a five-pound note
From the corner shop near the school
An offer really not to be missed
And to make the drunkards drool

A songbird sits on the climbing frame
And sings his cheerful tales
A tune too much for our dear lush
The maniac exhales
The songbird sings and fills the air
With a loving string of notes
That reminds the sitters on the bench
There may still be a hope

A radio plays ‘that’ song again
Should you dare to forget the rhythm
The bird has flown away now
Fed up with this hypnotism
The airwaves are now filled with dross
Thanks to the flat opposite the green
The weary traveller moves on
“Better days has this place seen”

iii - The Road to Maidenhead

O friendly bombs do try to miss
The sweet blossom, the fragrant smell
The flowers, the green grass of the parks
The havens in this hell
Be careful around the Jubilee River
With it’s wildlife and sculpted hills
For a walk in this very man-made place
Will surely heal your ills

But spare no mercy for the superstores
That pollute and destroy our thoughts
“If it’s not on the shelf, we haven’t got it…”
The familiar assistants’ retort
Take no prisoners with the office blocks
That lay empty year after year
For they clutter up the atmosphere
And have no value here

O friendly bombs, o friendly bombs
The cabbages are all grown
They read the Sun and sing along
To the radio’s dreaded drone
Whilst in their vans they speed on by
Jumping all the lights
To price a job – a small brick wall
Based on a thousand nights

The car showrooms… the car dealers
Stack ‘em high and sell them cheap
Chop-chop salesman, soften ‘em up
The rewards are there to reap
Finance, part exchange or cash
Anyhow you like
“No sir, not me sir…
…I’d prefer to use my bike”

The bustle of the weekend crowds
The steamy traffic queues
Stare too hard at that red car
And suffer the abuse
Overtake the blue one now
And make him toot his horn
See him raise his voice in anger
To satisfy his scorn

iv - Town Square

Saturday morning, seven o’clock
The town begins to wake
A pair of sleeping winos
Dream about their fate
They plan their morning sermon
But who will really care
For what they say means nothing
Less than their icy stare

The busker and the balloon man
Wait to take their turns
To entertain and irritate
And suffer being spurned
By a thousand shady shoppers
Who’ve heard it all before
And probably given hard earned cash
To make them play some more

The trickster and the barra’ boys
Set up all their stalls
Selling mobile phone covers
And fake branded hold-alls
Adorn your phone with logos
Hankies for a pound
“Yes sir, we’re here on Sundays…
…(Providing there’s no police around)”

Grab a baked potato and sit
And watch the folk go by
Some will have you in hysterics
Some will make you cry
The man on his double-glazing stand
In his suit and in his tie
The perspiration on his head
Watch him wilt and fry

The songbird settles on the wall
And sings to our delight
A merry sonnet that will inspire
Dreams we’ll have that night
The wino shouts his sermon now
The bird has paused his song
This post-war sprawling Hooverville
Muddles slowly along

v - Contradiction, contraband

On the steps of the library he screams aloud
Through a mist of smuggled gin
“You’re all fools, the lot of you is ****
I’ve not committed sin…”
“It’s not my fault I’m a lush… a drunk
I don’t choose to live this life”
“You’re all wrong in carrying on
It’s you what’s caused my strife”

In his wretched form he abuses the world
Pooh-poohing this and that
A skunk telling the world it stinks
The polemic polecat
“Society has robbed me of everything
And left me less than whole”
“The only day that’s good is Thursday
When the postman brings me dole”

On Friday he meets his dealer
To fuel his pickled mind
The man with the van on Saturday
With the spirit and the wine
By Monday, he’s all skint and broke
The weekend has passed him by
He takes his place on the library steps
We shake our heads and sigh…

Every week the same routine
The same routine again
Like clockwork his life ticks on by
The suffering and the pain
But he tells us it’s all our fault
We’re the ones not right
But it’s very easy for him to say
The man who’s so contrite

The children watch him puzzled
It’s more than they can bear
“It’s very rude…” their mothers say
“To stand like that and stare”
But what, do they expect their young
To ignore this fool a mumbling?
For they will see it for what it is
A stormy weather warning

vi - Saturday Afternoon

I sit on a wall in Slough with friends
Sharing the Dutch export
Watching and laughing at the world
And it’s variety of sorts
A happy bond that we all share
The joy of simple things
Come friendly bombs and gather round
Watch us while we sing

The friendly bombs you call upon
Are they straight off the shelf?
It’s my belief, my firm belief
The bomb is in yourself
Ticking slowly by and by
Just waiting for the code
To trigger you and trip the switch
To make the bomb explode

We watch the people from where we sit
The hellholes they’ve all made
They don’t live they just exist on
The edge of a razor blade
Stop! Step back and take a look
It’s not too late to change
And become what you really want to be
An icon of your age

Over now to Langley Park
To sit and bathe in the sun
O friendly bombs please wait a while
Until this day is done
But what will tomorrow bring my friends?
And will it come too late?
Something that may save us all
The bombs may have to wait

A sedate sleepy Saturday
Away from all the crowds
Share a joke, a ****, a smoke
And laugh together loud
The sun warms our sombre souls
As on our backs we lie
Staring as the clouds roll by
United under the sky

vii - The Circus Comes to Town (Sunday)

Halt now, wait awhile please
Stop the counting down
Today the air is charged with joy
The circus comes to town
Must have arrived last night we think
Under cover of dark
And settled down and pitched it’s tents
In the grounds of Upton Park

The queue to purchase tickets
Trails far along the road
No. 53 offers cups of tea
From outside her abode
The crowds are mum, they say not a word
As they wait their turns to go
Inside the circus big-top tent
And sit and watch the show

We settle down and take our seats
With an ice-cream and a coke
But wait, where are the circus clowns?
Is this some kind of joke?
A wall of mirrors fades into view
And puts us in a spin
Reflecting all the bright lights
The colours and the din

The ringmaster enters, cracks his whip
And hands out little slips
“Everyone’s a winner” was
On every body’s lips
The clowns they all appear now
With a modicum of fuss
Hold on just a minute now!
The clowns we see are us

A spotlight points up to the gods
At the top of the trapeze
A giant money spider glides
Down with greatest ease
He touches each and everyone
All paralysed with fear
And hands out ten pound notes to all
Then promptly disappears

viii – The show

A strongman strolls out slowly with
A length of iron bar
A leopard spotted leotard and
Moustache sealed with tar
He looks around the big top with
A menace and a sneer
Surveying all the audience
He seeks a volunteer

The white van man he raised his hand
The tattoo on his arm
Said this man must not be crossed
To do so would mean harm
The strongman bent the iron bar
Across the van man’s back
Then invited him to strike him down
An unprovoked attack

The van man clenched his hand and hit
And hurt his mighty fist
A statue of the strong man shattered
Turning into mist
The van man stood and stared in fear
The mist it gathered round
And carried out our hero driver
He hardly made a sound

No-one clapped we all just stared
Our faces ghostly white
The strongman re-appeared and looked for
A second stooge that night
No-one raised a hand in fact
No-one said a thing
The strongman shrugged and vanished…
Empty was the ring

A knife thrower was the next to appear
And seek the help of one
With nerves of solid steel and courage
Secondly to none
Down came a fallen woman
Who said she had no fear
A knife was thrown and pierced her skin
Her right large ear-ringed ear

ix – The ringmaster

A second knife it struck her chest
She didn’t seem to weep
She didn’t seem to be in pain
Although the knife was deep
A third knife struck her arm and then
A fourth it struck her head
The knives that should be missing her
Were hitting her instead

Horrified the crowd looked on
Without a fuss or row
The woman now all full of blades
Politely took her bow
She then went back and took her seat
And never said a word
Not another word she said
And not a word she heard

A magician was the next to charm
And thrill us with his tricks
He pulled a rabbit from his hat
Then sat it on some bricks
He then threw watches at this beast
That grew to a great size
The rabbit caught them all and juggled
Them to our surprise

But here’s the rub when we all looked
At places on our wrists
No watches were there to be seen
A cunning little twist
The magician cracked a whip and put
The rabbit in a stew
Which vanished there before our eyes
Vanished out of view

The magician he announced that he
Alone did have this plan
To mystify and amaze us all
With his clever hand
Indeed he was the ringmaster
That owned this circus troupe
That terrified and petrified
Our frightened little group

x – The Fracas

A swarm of bees engulf us now
And cover us with honey
The ringmaster cracks his whip again
The bees all turn to money
Then suddenly the fight begins
As we grab this flying stash
Filling up our purses now
With the hard-grabbed cash

The ringmaster, a clever man
Calms us with his sigh
“There’s plenty here for everyone
…And more than meets the eye”
Suddenly a flock of doves fly
Sweetly through the air
They then attack the baying crowds
Pulling at their hair

Then with a deafening bang, a crack
A flash of burning light
We all cascade towards the floor
The circus out of sight
Confused we all stare around
Thinking it absurd
This bizarre spectacle should vanish
Gone without a word

I look from face to face to face
Whatever could this mean?
We all are laughing nervously
How stupid have we been?
We talk about the day’s events
We talk and talk some more
A voice booms from out the sky
“I’ve opened up the door”

“I’ve brought you all together now
To pander to your greed
To watch you take from fellow man
Deny him what he needs”
I reach in to my pocket
For the money I did place
It reads “Admission: 1 adult
To The Human Race”

xi – An incident at Upton Park

That week the local paper ran
An exclusive full-page ad
“Faland’s Travelling Circus Troupe”
“The most fun ever had”
But no review was there to read
To tell of our event
The strange encounter with this circus
To which we all went

The following Sunday we meet up
In groups of three or four
Since that incident in Upton Park
The spectacle we can’t ignore
No-one knows quite what it means
I don’t think that we’ll ever
Understand all that happened here
That brought us all together

Perhaps there is a deeper message
Given on that day
Faland may be telling us
That we have lost our way
He simply used us all as tools
To illustrate our folly
That had now become too serious
A risk to things so jolly

Every week now we all gather on
This hallowed piece of land
And this is very odd because
Nobody makes the plan
The idea comes to all of us
A self-ignited spark
And draws each of us in turn
To meet in Upton Park

We picnicked then we all played games
Then talked about the rain
We toasted our new friendships
And vowed to meet again
The bombs, the bombs they’ve all slowed down
Compassion saved the day
This newfound love we now all have
Must surely pave the way

xii - No ball games

The joy did not take long to spread
Across our grimy frowns
And bring a little sunshine
To lighten up this town
Happiness is upon us now
The whole of Slough-kind
Depending on how you look at it
And on your state of mind

The lush upon the library steps
The wino on the bench
The Publican and Landlord
The ***** serving *****
They all wear smiles and laugh a lot
And speak of wondrous things
A songbird perches on the fence
And merrily she sings

The children, o the children
How they sing and dance
Always being friendly
In any circumstance
They have no care for politics
You’ll see it in their face
They want to play with everyone
Who’s in the human race

Meanwhile back in Upton Park
The townsfolk meet again
But there’s no talk of horror
Or suffering and pain
Instead though how a monument
Should be erected in our names
And pulling down the signs
That read ‘No Ball Games’

The bombs have all stopped ticking now
And line up by the wall
And every now and then they clang
Just to remind us all
If we get too complacent
And don’t respect our friends
We’re marking down the seconds
To our bitter end

xiii – New found…

We shared our food and shared our tales
Life stories we all told
They made us laugh they made us cry
Left us warm and cold
The suffering we did speak of
Helped us understand
How fellowman and woman kind
Dwelt in other lands

We laughed at tales of folly
And stories of the past
Stories that we are in awe of
Stories that will last
For another thousand years or more
And travel on the wind
A gentle breeze that talks to us
Thrilling to the end

Gathering momentum
Our stories travel far
Picked up and told by new folk
Under glowing stars
They bring warmth and humanity
Softened by the rain
They travel back to each of us
To be re-told again

Who’d have thought this loving joy
This beacon in the dark
Would begin upon the grass
Of hallowed Upton Park
The greed has gone or mostly so
Now happiness is here
We’ve seen the light and now must spread
Our messages of cheer

Looking back it hardly seems
We could have been that way
Not caring if each other lived
To see another day
This new found near Utopia
Must spread across the land
And we must stand to offer all
Our warm and guiding hand

xiv – Nearly done

The story is now almost told
Of how a strange event
Saved us from our selfish selves
A message heaven sent
With cunning tricks and sleight of hand
The error of our ways
Was written up in greasepaint
Shining through the haze

A strange di

The hallowed turf is a six-seasonal
always one step ahead on Earth.
So exceptional a land is out of the box
acutely drawn down the Moon
and sublimely unique is written in stone!

A patch of land every star loves to touch
so much so the Mintaka know they can mirror
the pyramid on the surface of the earth
but not the tucked away zenana here
the planetary gem, the earth's gold dust:
Matches the lead Prophet's birthplace!

Open and globular star clusters
up above the mundane Himalayas peak look
diagonally into Sylhet down the Meghalaya stardust
eying on for a shortcut to Earth's gold dust
that only gushes out elixirs Abe Hayat.

Lovely sought after by the water nymphs
that won't tarry scurrying to the waterfront of paradise
in Ma, the space between, while the waxing moon
takes a waning pause only to roll down and croon
in deep tranquil, thaws the midnight moonlit blue pond
amidst silhouetted bamboos, the sun after a night pause,
there it blooms new again bathing in the morn!

Boarding in such a serendipitous moment, they dream,
carried out just these hidden elixirs in their pitchers
before Queen Fathima The Queen of Heaven.
Perfectly spherical she zeroes in the cosmic loop
and spills in the open sea one more colourless scoop
without a pinch of salt there the sunrise and set troupe
pause and lay in once again the most colourful swoop.

Up above heaven's Saal Saabila River
on the empyrean Moon, she hops on one foot
and down the evergreen Earth's spring dips a toe
without a shadow without a footprint, tone on tone
ties both worlds forever in bloom!

Blow the wrap off, score a preserved geometry
somewhere in Sylhet, even the Hebrew King David here
would offer his thousand and one melodic symposium
and King Solomon princely his whole affluent shebang.
'Cause the prevailing sun from heaven this time
could roll down on a palm simply like a handful of earth!

Oh, what will it land in Sylhet, the pearl of the earthy depth?
Art in light, the spark from the Earth's foundation stone?
Eyes gaze on so firm like the solid sky yet surge like kite
in the air looking here over a truly pristine drop of water
with the ocean is inside until it shows up down the blue sky
though rainbows oft pop out tantalising every looking eye!

The fairy that ascends then is a stealer no hand can touch
seven colours shine on a patch of blue unspoiled untouched
took on a meaning for Sylhet in a handful of earth
matching the soil of Makkah the centre of the Earth
the birthplace of the lead prophet Muhammad (PBUH)!
One who is in the know hops on the foundation stone
and rose to heaven in the Night of Ascension.

How a regular soil mirrors the very pivotal one?
The labyrinth is out of this world, relates to Queen Maab
let alone a native maestro that no genie can describe!
Every atom loves to discover the meaning of that
it knows the constant vibrations of the never-ending dance
keeping it on its toe the choreography comes from outside.
The feet are most polished and motions are butterfly dance,
still the canvas is blank, light one more candlelight!

Light a candle in Sylhet I wonder here the moonlight
spills through even into an atom's black canvas and the sun
lovely drops down on a handful of earth on the flipside!
Meet here the open future shows up at the Earth's hub
the moon's anew rallying to the untouching-sea
the Indian subcontinent's corner to the ancient wind!

Go with the southern breeze on play with the sun
here it colours the wind, gives it its Midas touch
and strikes a deal to part a silhouetted cloud.  
That a beauty spot raises the eyebrows of the day on a high,
on the shining face of the golden Bangla in broad daylight!

Hark the morning birds, follow singing deep in the midst
mellifluous-shrills fill the air unveiling the dream scenes!
Ah, the deep footed earth how mystique,
every morning the sun off the heaven's hill
lays in a new diaphanous gold-light-rug beneath it,
only to loose its colours in a colourless magic
let alone painting its footprint!

Every time is new numerates the bounties of our land
craving to sip in a dew-potion on our blossoming rose
cirrus clouds dancing over the seas here they drop
banish the midday blues singing the deep sea's song!

Nestled amidst the Rivers Surma, Kushiara and Monu
perched on the shades of the trees, each one is a canvas.
Returning melodic birds crescendo by the downstream  
hail from the autumnal breeze on the upstream.
Six seasons rebound alike leap and swing on the trees
unpacking their intricate and mesmeric fluid designs
often make a meal of the obvious and work of art alike!

Stunned angels on their way heaven taking one more sunset
potted in the starry bowl look back here at the wee hours.
They can hear pianissimo on this preserved perennial land
it never falls asleep is awake with a perfectly round
360-degree circle of spiritually impowered dynamos
dead but live on a different level Dervishes
keeping an ear on the hallowed Sylhet's ground.    
A deep-seated truth, rock-solid Shilahatta in Sanskrit
clothed in an enduring vesture minted Sylhet loops in
with the Hebrew Bible's Shalet, a ruler, a shield!  

A little drop makes the mighty ocean
likewise with one single word on the lips,
the maestros' great epics begin to be told.
Just with a mundane handful of earth
pristine Sylhet's masterpiece begins to unfold.

With the whole ball of wax keeping us onboard
lo, before the face of the Earth, it unveils the mirror!
With the whole nine yards on her least hold
believe it or not, Sylhet is cherry-picked chosen by God!

At four, you took my hand and pulled me to your bed,                                                            
your small form cuddling, curling, you urgently said,
"Tell me… tell me a story! Story, make it long",
I began to tell the story, the story of when you were born.

Drums and bugles, bubbles and balloons,
somersaulting clowns and calliope tunes,
you came out to meet them, on the day that you were born,
and they were there to greet you, through a January storm.

Lions and gorillas marched to military airs,
snowmen and snowwomen danced without a spring time care,
somewhere in the harbor, a tugboat played a note,
and all the while you smiled a smile, upon a birthday float.

Just like a circus troupe, we formed a great parade,
and sauntered to the birthing bed where your mother lay,
she picked you up, she held you, as close as close can be,
her hand in mine, she softly said, “Now... we are three.”

Copyright © 2003 Gary Brocks

1
five moons for earth
sometimes I wish
dear moon
sometimes I wish
the earth had five moons
and all so positioned
we can see
one every night and then in twos and in threes
never four (just so for mystery’s sake)
and then all five
all in perfect alignment once a year
just three nights so
and then we’ll all here on earth
go ga ga ga
or moo moo moo looooney
those nights and go crazy
and climb up trees and enact our ape ancestry …

and don’t you be jealous
I asked for four others;
I just want more of you –
just never seem to get enough of you


2
I see you moon
I see you moon
this cool autumn morning
you sing over the river and trees
and you are supported
by your belly-dance troupe of stars




3
ah poor moon
ah poor moon
you're just hanging around
and through no fault of your own
you attract all these weirdos
these lunatics
and the vampires and the blood-******* bats
and the sleep-walkers and murderers
and the flesh-eaters
(the moon made me do it!)
and the lunatics
and the werewolves
and even stock-pickers
and wild women who want to **** Orpheus

O poor moon
you're just about your own radiant business
and all these freaks put it at your doorstep


4
dear moon, you will understand
darling moon
dear moon
do not be offended
we have stripped you
down to rock and a plain face
and we show pictures of you
in black, gray and white;
and though a writer of verse,
in this verse,
I strip you of your romance and aura;
be not angry
for after all,
you will understand,
we are children who come after
Galileo
and Neil Armstrong



5
Li Po, the moon and me
You know
lovely moon
Li Po
was drunk
and he paddled out to you
seeing your reflection
and he jumped in to the lake
embracing you in the waters
and so he drowned;
but,
you know
loving moon,
I will not come to you thus;
instead you know my time
and you will drown
in the lake shadows of my quiet


6
in praise of the moon
I will not sing you a song of praise
O gentle moon
there are too many modern people around
too many enlightened minds tonight
they reckon they don't need your light;
there are too many elect
and too many going to Heaven
and if I sang in praise of you
they will throw their Blessed Books at me
and they will say
'You moon-worshiper, you go to hell!'
(they fancy words like idolator)

O so most divine moon
O godly moon
O most sacred moon
I shall not sing in praise of you;
there are too many bloodthirsty wolves around


7
was it you, mooon?
cold moon
I am sad;
was it you,
distant moon,
who made me so
tonight?


8
you are there moon
you are there moon;
I thought you were not
and I went to sleep
and I sighed: "She will not come, not tonight;
she has some other lover";
and I went to sleep
and then much later now I wake up
and you've come, out there
and your light full within my room
and your fingers on every cell of my being



9
you witness my dying
you witness my dying
as you see my life, my hopes and desires
and all my embarrassments
and my achievements too,
dear moon;
O quiet presence,
O radiant presence all one's life;
and what do you look at these days
in my life
darling moon
what do you see?
you who have seen the child grow old
and you hang out beaming by the window
patiently
to see one more death
to add to the countless you witness
since the day you came

10
M for Man, Money and Moon
M for moon
M for Man
M for Money;
and at last Man has seen the moonlight
and now they know
Man can make Money out of the Moon

11
Moon, I hear you are moving away
Moon, I hear you are moving away
Why moon, are you moving away?
Don’t you like your neighbor
earth so blue and green
and earthlings so adorable?
Did you not come so near
to get to know your neighbor well?
why then are you moving, moon?
maybe you’ve come to know us well
I hear you’re moving slowly,
so slowly your neighbor doesn’t notice;
how considerate of you
Anyway, I’ll be gone before you

Warning:
The seagull flying over the Appalachians
could not possibly be amused by the
puzzles of an illegitimate composer
and the skyscrapers climbed.

1.
The skyscrapers were played by tall
rocks a girl climbed when she couldn't
remember if the cape she wore was
made from steel or newspaper.

11.
The newspaper they all read together
that morning (girl, boy, king, etc)
promised nothing but a fifty percent
chance of dandelions terrorizing the bus stop.

2.
The bus stop had since become a
dealer corner and the sunset behind
the mountains was blocked by the
flipping hair of a lost boy.

7.
The boy bought a toy for cheap -- it had
a built-in laser, so she stole it to blast a
whole hole in that guilt-ridden quilt hung
over the four dollar love seat.

6.
The love seat, she bought the day he went
to maple -- the soap dispenser was broken,
but she couldn't find anything new (that she
knew) to wash her hands with.

5.
The hands that handed her a hammer were covered
in promotions, so she stole the motorcycle when
they were watching the scarecrow going
through electric-shock, disco therapy.

8.
The therapy that she received from the
parrot-king and his troupe of square roots
was enough to make her not forget not regret
the boy with feathers in his ears.

10.
The ears she woke up with one morning
were different in shape than before
and the black fur she knew
was growing before her eyes.

3.
The eyes of the boy were wider than
the nightly news station promised, and
there wasn't really a difference
between caves and boxes in a town that small.

4.  
The town she arrived in didn't have
a carpool lane or derby, so
she had to take her pet goldfish
to the river for his depressive state.

9.
The river wasn't as flooded after a couple
weeks of changing the tune on the jukebox
she found way before the departure
of her white gold pearls.

12.
The pearls she wore for her
coming-of-age were buried beneath
a dirt mound when she promised herself
to always insist on herself.

Sigh! It's so boring! Life's but a loop
Wish I could run with a circus troupe
Or maybe join a rock climbing group
Why doesn't 'coup' sound exactly like 'coop'
'Coop' rhymes with 'soup' which is 'coup' with an 'S'
I'm late, in hot soup! What a mess!

Work...work... Gotta get to work. I'm late
Aww man...did you really have to lock the gate??
Splendid, terrific, this is just great!
Who the heck puked on this floor made of slate

I'm out and it's pouring now. The rain will wash it away
Sh*t! It's pouring and I'm stranded, no brolly. Yay...!

Stranded...thank goodness I have music
Choose shuffle and then click
Through my plugs, stream out N'Sync
I know... I know... I know what you must think

I think I have to think of something
Take shelter for now is what I'm thinking

Or maybe I should call in sick
No...no... It's the last day of the week
A taxi! A taxi I should seek!

A taxi would quicken my pace
If I can get one in the first place
If only I hadn't sold... I still had my bike
My head wouldn't potentially be on a pike

Miss my bike, her knobby tyres, she was my Winona Ryder
Sensuous and sleek, my Yamaha with jet black fender
Ride a bike, must wear shoes. Much safer

Love my shoes, I own more than a dozen
Nails need trimm... Oh look! A ******* raven!

No... a crow... Well, some bird stranded like me
Can't fly on wet feathers seeking refuge under a tree

Wait a second! Where was I?
Oh nails! Trimming tonight, I must try
Clean fingernails, everyone likes
***! I'm still stranded! Yikes!

Brave the rain, walk briskly, no time to waste
Move quickly, go on...make haste!

Care not for getting wet
Go now! Ready...get set...
Awgh! Didn't zip up my bag
This just adds on to my lag

ZIPP!
TRIP!
Tripped over a stone
No one saw, luckily I'm alone!

Gee... I have 21 bags, perhaps too many for a guy
Must go jogging tonight, next week or maybe next July
Oh shoot, shoelace's undone...now I've got to tie
Text message in on my phone, volume set on high

Work just texted, asking so many questions
Among which - "Have you submitted last week's requisitions?"
Why do we text when we can talk
People don't meet anymore, on Facebook they rock

Hmm beginning to hate Facebook but I still do check
Woohoo! Found a coin by the grass verged track
Oh ten cents, well it's still money
I'll save it, it'll come in handy
Perfect! Now I'm wet
Because of the coin I tried to get

Hmm...where was I again?
Gosh my mind's like a derailed train
One of those days I guess I'll remain...
A...

          S CA  TTE  RB RA  I    N

.

À Maurice Raynal.


S'étendant sur les côtes du cimetière
La maison des morts l'encadrait comme un cloître
À l'intérieur de ses vitrines
Pareilles à celles des boutiques de modes
Au lieu de sourire debout
Les mannequins grimaçaient pour l'éternité

Arrivé à Munich depuis quinze ou vingt jours
J'étais entré pour la première fois et par hasard
Dans ce cimetière presque désert
Et je claquais des dents
Devant toute cette bourgeoisie
Exposée et vêtue le mieux possible
En attendant la sépulture

Soudain
Rapide comme ma mémoire
Les yeux se rallumèrent
De cellule vitrée en cellule vitrée
Le ciel se peupla d'une apocalypse
Vivace
Et la terre plate à l'infini
Comme avant Galilée
Se couvrit de mille mythologies immobiles
Un ange en diamant brisa toutes les vitrines
Et les morts m'accostèrent
Avec des mines de l'autre monde

Mais leur visage et leurs attitudes
Devinrent bientôt moins funèbres
Le ciel et la terre perdirent
Leur aspect fantasmagorique

Les morts se réjouissaient
De voir leurs corps trépassés entre eux et la lumière
Ils riaient de leur ombre et l'observaient
Comme si véritablement
C'eût été leur vie passée

Alors je les dénombrai
Ils étaient quarante-neuf hommes
Femmes et enfants
Qui embellissaient à vue d'œil
Et me regardaient maintenant
Avec tant de cordialité
Tant de tendresse même
Que les prenant en amitié
Tout à coup
Je les invitai à une promenade
**** des arcades de leur maison

Et tous bras dessus bras dessous
Fredonnant des airs militaires
Oui tous vos péchés sont absous
Nous quittâmes le cimetière

Nous traversâmes la ville
Et rencontrions souvent
Des parents des amis qui se joignaient
À la petite troupe des morts récents
Tous étaient si gais
Si charmants si bien portants
Que bien malin qui aurait pu
Distinguer les morts des vivants

Puis dans la campagne
On s'éparpilla
Deux chevau-légers nous joignirent
On leur fit fête
Ils coupèrent du bois de viorne
Et de sureau
Dont ils firent des sifflets
Qu'ils distribuèrent aux enfants

Plus **** dans un bal champêtre
Les couples mains sur les épaules
Dansèrent au son aigre des cithares

Ils n'avaient pas oublié la danse
Ces morts et ces mortes
On buvait aussi
Et de temps à autre une cloche
Annonçait qu'un nouveau tonneau
Allait être mis en perce

Une morte assise sur un banc
Près d'un buisson d'épine-vinette
Laissait un étudiant
Agenouillé à ses pieds
Lui parler de fiançailles

Je vous attendrai
Dix ans ans vingt ans s'il le faut
Votre volonté sera la mienne

Je vous attendrai
Toute votre vie
Répondait la morte

Des enfants
De ce monde ou bien de l'autre
Chantaient de ces rondes
Aux paroles absurdes et lyriques
Qui sans doute sont les restes
Des plus anciens monuments poétiques
De l'humanité

L'étudiant passa une bague
À l'annulaire de la jeune morte
Voici le gage de mon amour
De nos fiançailles
Ni le temps ni l'absence
Ne nous feront oublier nos promesses
Et un jour nous aurons une belle noce
Des touffes de myrte
À nos vêtements et dans vos cheveux
Un beau sermon à l'église
De longs discours après le banquet
Et de la musique

De la musique
Nos enfants
Dit la fiancée
Seront plus beaux plus beaux encore
Hélas ! la bague était brisée
Que s'ils étaient d'argent ou d'or
D'émeraude ou de diamant
Seront plus clairs plus clairs encore
Que les astres du firmament
Que la lumière de l'aurore
Que vos regards mon fiancé
Auront meilleure odeur encore
Hélas ! la bague était brisée
Que le lilas qui vient d'éclore
Que le thym la rose ou qu'un brin
De lavande ou de romarin

Les musiciens s'en étant allés
Nous continuâmes la promenade

Au bord d'un lac
On s'amusa à faire des ricochets
Avec des cailloux plats
Sur l'eau qui dansait à peine

Des barques étaient amarrées
Dans un havre
On les détacha
Après que toute la troupe se fut embarquée
Et quelques morts ramaient
Avec autant de vigueur que les vivants

À l'avant du bateau que je gouvernais
Un mort parlait avec une jeune femme
Vêtue d'une robe jaune
D'un corsage noir
Avec des rubans bleus et d'un chapeau gris
Orné d'une seule petite plume défrisée

Je vous aime
Disait-il
Comme le pigeon aime la colombe
Comme l'insecte nocturne
Aime la lumière

Trop ****
Répondait la vivante
Repoussez repoussez cet amour défendu
Je suis mariée
Voyez l'anneau qui brille
Mes mains tremblent
Je pleure et je voudrais mourir

Les barques étaient arrivées
À un endroit où les chevau-légers
Savaient qu'un écho répondait de la rive
On ne se lassait point de l'interroger
Il y eut des questions si extravagantes
Et des réponses tellement pleines d'à-propos
Que c'était à mourir de rire
Et le mort disait à la vivante

Nous serions si heureux ensemble
Sur nous l'eau se refermera
Mais vous pleurez et vos mains tremblent
Aucun de nous ne reviendra
On reprit terre et ce fut le retour
Les amoureux s'entr'aimaient
Et par couples aux belles bouches
Marchaient à distances inégales
Les morts avaient choisi les vivantes
Et les vivants
Des mortes
Un genévrier parfois
Faisait l'effet d'un fantôme

Les enfants déchiraient l'air
En soufflant les joues creuses
Dans leurs sifflets de viorne
Ou de sureau
Tandis que les militaires
Chantaient des tyroliennes
En se répondant comme on le fait
Dans la montagne

Dans la ville
Notre troupe diminua peu à peu
On se disait
Au revoir
À demain
À bientôt
Beaucoup entraient dans les brasseries
Quelques-uns nous quittèrent
Devant une boucherie canine
Pour y acheter leur repas du soir

Bientôt je restai seul avec ces morts
Qui s'en allaient tout droit
Au cimetière
Où
Sous les Arcades
Je les reconnus
Couchés
Immobiles
Et bien vêtus
Attendant la sépulture derrière les vitrines

Ils ne se doutaient pas
De ce qui s'était passé
Mais les vivants en gardaient le souvenir
C'était un bonheur inespéré
Et si certain
Qu'ils ne craignaient point de le perdre

Ils vivaient si noblement
Que ceux qui la veille encore
Les regardaient comme leurs égaux
Ou même quelque chose de moins
Admiraient maintenant
Leur puissance leur richesse et leur génie
Car y a-t-il rien qui vous élève
Comme d'avoir aimé un mort ou une morte
On devient si pur qu'on en arrive
Dans les glaciers de la mémoire
À se confondre avec le souvenir
On est fortifié pour la vie
Et l'on n'a plus besoin de personne.

Farewell Govan -
bathed in a baking sun
littered with betting shops
and no win/no fee criminal lawyers
and a myriad of pubs caked in years of libation
steeped in history of industry and shipbuilding
blackened smoked walls etched with gangland symbols:
tooled-up local carnivores who ride shotgun on a BMX
swapping discrete envelopes for indiscreet wads of cash.

Farewell Govan -
you fractured my ribs once in a moment of mistaken identity
I didn't heed the advice to not walk through the park at night
I didn't hear the pitter-patter of adolescent feet
speeding my way in brand new trainers across the grass
but I did feel the clunk of something solid on my head
as the ground rushed up to meet me in a concrete embrace
and watched as 4 bags of overladen shopping spewed out
lying face up spread-eagle in Lilliput fashion
and a mobile torch-app in my face with the repeating words
“Ima tellin’ you man its naw him, its naw him”
I reassured them frantically that I was definitely not him!
as the hooded troupe picked up what was left of my shopping
and even gifted me a couple of cans of super strength lager,
a cube of dubious council estate hash
and an usher to leave immediately
(and think myself lucky).

Farewell Govan -
you got me blazing on cheap beer at the local pub
which had recreated a holiday beach scene
with a hand-written sign that read: Better than Ibiza!
awash with carefree children
and pit-bull terriers wearing bespoke Barbour dog jackets
and brand spanking new Adidas white trainers
purchased from Tam out of a nondescript blue plastic bag
who always passes the day's pleasantries
while topping up his pension
chatting with auld Billy who was in the war (don’t you know)
via the Merchant Navy
and the version of how he was gunner on an oil boat in Vietnam
via the umpteenth pint that afternoon.

Farewell Govan -
your late night shadows harbour an underlying tension
masked with comic humour only if you can understand the lingo
words that are distasteful anywhere else are in fact a term of endearment here
I shall miss the odious vernacular and doth my cap to your spirit
the Salt of the Earth and the Lifeblood of the Community
with at least 40% proof liquids mixed with Irn Bru
purchased at the 24/7 corner store along with a can of processed peas;
one of your five a day.

Farewell Govan -
I go to the sunny side of the Clyde
where it rains just as much
but you don’t get mugged for carrying an umbrella
or asked for the time from a watch-wearing tattooed sailor
and joy-of-joys there will be actual fruit & veg shops
where I don’t have to explain what fresh coriander is
and what you use it for, other than on a pizza;
I was offered dried bottled parsley instead.

Farewell Govan.

Gus is the Cat at the Theatre Door.
His name, as I ought to have told you before,
Is really Asparagus. That’s such a fuss
To pronounce, that we usually call him just Gus.
His coat’s very shabby, he’s thin as a rake,
And he suffers from palsy that makes his paw shake.
Yet he was, in his youth, quite the smartest of Cats—
But no longer a terror to mice and to rats.
For he isn’t the Cat that he was in his prime;
Though his name was quite famous, he says, in its time.
And whenever he joins his friends at their club
(Which takes place at the back of the neighbouring pub)
He loves to regale them, if someone else pays,
With anecdotes drawn from his palmiest days.
For he once was a Star of the highest degree—
He has acted with Irving, he’s acted with Tree.
And he likes to relate his success on the Halls,
Where the Gallery once gave him seven cat-calls.
But his grandest creation, as he loves to tell,
Was Firefrorefiddle, the Fiend of the Fell.

“I have played,” so he says, “every possible part,
And I used to know seventy speeches by heart.
I’d extemporize back-chat, I knew how to gag,
And I knew how to let the cat out of the bag.
I knew how to act with my back and my tail;
With an hour of rehearsal, I never could fail.
I’d a voice that would soften the hardest of hearts,
Whether I took the lead, or in character parts.
I have sat by the bedside of poor Little Nell;
When the Curfew was rung, then I swung on the bell.
In the Pantomime season I never fell flat,
And I once understudied **** Whittington’s Cat.
But my grandest creation, as history will tell,
Was Firefrorefiddle, the Fiend of the Fell.”

Then, if someone will give him a toothful of gin,
He will tell how he once played a part in East Lynne.
At a Shakespeare performance he once walked on pat,
When some actor suggested the need for a cat.
He once played a Tiger—could do it again—
Which an Indian Colonel purused down a drain.
And he thinks that he still can, much better than most,
Produce blood-curdling noises to bring on the Ghost.
And he once crossed the stage on a telegraph wire,
To rescue a child when a house was on fire.
And he says: “Now then kittens, they do not get trained
As we did in the days when Victoria reigned.
They never get drilled in a regular troupe,
And they think they are smart, just to jump through a hoop.”
And he’ll say, as he scratches himself with his claws,
“Well, the Theatre’s certainly not what it was.
These modern productions are all very well,
But there’s nothing to equal, from what I hear tell,
That moment of mystery
When I made history
As Firefrorefiddle, the Fiend of the Fell.”

Upper East Side
The Hamptons
Aspen, Colorado
The plastic people
Follow each other
Moving in herds
Like cattle to the
Slaughter

Drifting
Floating
Shifting focus
From one charity event
To another
Whatever’s trendy
Whatever’s fashionable
Whatever’s happ’ning
Whatever’s the need
Tainted new artists
Society’s rejects
The film-maker who fits in with
The flavor of the month
The disease or the cause
That captures the moment
Stigmas overlooked
Deformities relieved
By one hyper exertion
By one pseudo good deed

Changing bedrooms
Changing partners
New alliances
Noblesse oblige

Mrs. Astor’s
Four hundred
Reinvented forever
Reinvented with fervor
On the edge
Of hypocrisy
Keeping up with the Jones’s
Maintaining the houses
Paris, Rome, Cote du Jura
Malibu, Palm Beach
Couture fashion
Madison, Rodeo
Worth avenues united
Avenues of the liege

Location, location, location
The right address unspoken
Dinner in the right places
Sporting events to be seen
Three martini luncheons
Halcion evenings
Business is business
Where money’s retrieved

Look to plastic people
For fashionable guidance
No matter the moment
No matter the need
Remember to catch them
While jetting to Santa Barbara
Saint Maarten, San Troupe
San Marco, warp speed
They live in their milieu
Can’t function outside it
Can’t follow a shadow
That others believe

It’s easy to find them
They leave behind footprints
But barely a mem’ry
Or singular creed
Other than finding
The latest in fashion
The latest persona
Or new plastic breed

In a desperate attempt to  save hello  from near destruction the evil man ****** but yet charming in all togather strange way.
Elliot had a moment of true brillance   To get the anchors of hello togather  in a nice beach house.
Okay it  was a soon to be condemed rat trap hotel  on the Jersy shore and film it.

My worries were alerted already  for I was  really  wasnt up for making a **** .
Who am i kidding  sure i am.
But like when momma  gonzo told me that fat *****  in the red suit
wasnt really santa  just a child  molester.
I was wondering why santa  was  giving out candy in july
And why that candy cane was never in his pocket .
So the **** thing was off  it was to be a reallity show.

Freee ***** a chance to act up like a three year old hyped up on cookies    and crystal **** or whatever the kids were into these days.
They had me  sold so like a flock of segulls we ran   we ran so far away  eventhough  probation  said no my    gonzo sense said yes hey  lindsy lohan told me it sounded like  great idea  and who can argue with a crazy coke head.  

So we gathred in the bleek hope of saving hello from total boredom  and thoose hiku  writting nazis   from poetry soup.
Jack, Baths, Chris,Eileen,Gary,Paula,And that ***** Gonzo  
really  im so insecure  must just be that time of the month.

The rooms reminded me as a cross between the bates motel
and something outta the shining yes charming indeed.
We had the top floor  I always liked being on top but enough with the
forplay children.

The rooms  were picked  okay guys over there   girls come with me it was worth a try.  
The rooms were picked the honey moon suite  
going to me and Jack   ahh ****    there were strobe lights  stripper pole heart shapped  hot tub   jesus it was like  elton john had thrown  up in here  at least it smelled like it.

elliot had made it clear the bar tab was on us but knowing what a true sweetheart  he was he had somehow  left me his credit card
in my wallet maybe without knowing it.

One thing bout  are weird kinda umm  well  funny smelling digs  
there was a true blessing there  a bar   for what is a gonzo without his bar   much like a samuri  without his sword or a mean twig model without her cellphone  to throw  and finger to put down her throat to puke   memories   all alone in the moonlight dam you cats.

With some simple calls  the party was in full swing  and are shuttle bus slash   pinto had us at the hotest club slash retirement  home.
The music blasting so low as to not cause   bowel problems.
Me and Chris showing the old farts  how to play beer pong.
Missed shot  drink up grandma and please put your clothes on
****** you gravity.

Jack  kept the dance floor jumping  with his  fake mustache  little captians hat   and some other leather gear  once told me one thing that ****** was fahasion forward  you go girl.

Paula, Baths and Eileen   worked the newly  started  card game. You dont know how to gamble?  
Well are girls are happy to show ya gramps
Gary had disapeared  to the rest room  for some odd reason.
How he did put a smile on thoose  old ladies faces  seinor care
aint it grand they were were just glowing  what a odd place to be giving reading.

After we had hustled i mean  helped thoose old folks outta there life savings  it was time to party  really  they were almost dead  anyways
and a  funeral plot is overrated   just do what my  uncle did with his ex wife  tell everyone  one she went on vacation and bury her in backyard.

I'll never go tressure hunting again.
We hit the club like  like a hurricane that was laced with wild turkey   and   and a few rational thoughts.

The night was magic   for the money dissappeared   in seconds so like  any broke ***  writers  would do when facing  a fifteen thousand dollar bar tab.
We got the **** outta there.
Thank  god for a restroom window never mind me miss
im with security  and may i say you have a great rack.

The hotel reaked of mayhem and  a old winos ****  and maybe a dead
corpse or two.
HaAHahaha they'll never find you Drew.

It was like the cover of Sgt  Pepers lonley hearts club band  you know by   that classic group the backstreet boys.  
Yes drinking it doesnt effect the mind at all   now who the **** are you?

Dwarfs  junkies   men wearing sailors hats and **** straps did Jack have a dance  troupe?
Hookers drag queens  holy bat crap wonder woman   Lady Ga Ga.
Seems she had crashed into are pinto parked in the the street ******   Chris  i told you park it on the side walk  like me.

Jack  as  if  in a trance  was on stage with the  space alien ******
known as Ga Ga   it was a match made in a state   thats probaly filled with crazy people  like  Utah  or Canada.
Okay im kidding i love Canada  and i just learned it's a country
oh no wonder they hay have fences  I just thought they was a gated  community.  

Paula hit the floor after her third drink   and would probaly question   why somone  had written this space for rent  on her forehead
But like a true man that i was i would  blame that on Gary.

Chris and Eileen  danced laughed I had this odd feeling they were close   as Baths replied no **** sherlock  now pour me another  wine
befor i kick you in the *****   she is a charmer.

The crew fliming are madness  as togather we all danced apon the bar  but for some odd reason the ground had tilted and only effected me  dam UKs and there ninja abiltys and Garys knack for floating  on air.
I went down like a cheerleader on prom night hitting my head apon the floor.

Out like a stripper at a frat boys party after she had   beer and roofie
cocktail.
I was taken to a magical place  were  whiskey  flowed  like water
and you didnt have to pay for ***.

I awoke  in a hospital bed   head taped up  surrounded  by friends
the doctor asking many questions puzzled I made no sense.
Dear Lord this man has   brain dammage the doctor said.

The nurse leaned over  her  low cut top hey it's my write okay.
Brought a gleam to my devilish eyes   hey i mouthed   to Chris
I can see her *******.

Well  Gonzos fine  Chris replied.
As From the restroom there was a clatter
so i did turn my hungover head to see what  the **** was a matter.            

Jack appeared from the rest room Ga Ga in arm.
naked as bald eagle   void of feathers.

Gary.  Hey  i always herd  she was a .

Chris  Thats just ******* weird.

Paula. Who's the ***** who wrote on my forhead?  

Eileen.  it wasnt Chrisey poo.

Baths. Jesus  Gonzo your   long winded  crazy   and good looking
yeah i added that       hey don hit me i just had a near sober experience.
dam gaga is really a.

Jack  yeah and im in love my my my  poker face

FIN

Vernarth sequence

Prophecy I -  “Eighth month of sailing in systemic plenitude”

“Since they will not hunt us down in all our Itheoi cycles…
nor in other lapses from where the fine eye could have sewn the buttonholes of the shroud, where there will be life and if there will be a short time without life...
dragged by you for a long time where the sun is melted over the word, staying stored and locked in your pocket to collect it blushing,
tomorrow's jump without a yesterday declining..., without a tomorrow in the heat of a bonfire...
lamb in bait handled being the portal of those who have been slapped inside their cheeks… who will not shorten the cycle that transcends all the oblong sepulchral vaults or who abound in the nonsense of sanitizing nights of ***** despot life having to measure themselves in your flourishing duel by Aiónius of the cleanest dew of its solid stroke and announced delineation of the new one that has been retraced again being more than a brief syllable created again fertile, in the biosphere mouth so as not to see you omnipresent mist, meditating not having you and that dares to meditate on your future that will have to be reserved for yourself by professing it when you are cold in front of you and insinuating if in living followed by letters to be flooded pondering like a paralyzed sleeping part that wants not to be covered with feigned warmth and that does not fit in all the parts of me being who wants to be consul of some shelter with all those who sleep also half dreaming in the company of the lost afternoon that never ends serving Saint John in Katapausis here, perhaps Aiónius del Ibico 1 as a magnificent and net unit that sees the luminous truth when we all come out of a prophecy alive even if it's dark ".

"What a reckless job of losing value,
I am already in Katapausis in the eighth month...,
I entered as the light opened with my hand turned into the light...
being already a katapausis meaning in Sabbatarianism.
Quasi-unit method exhibiting cohesion to the rest motif
With levers in my hands and intra-sabbatism in his dissertation...
of an exegetical and theological nature that has transpired soft insomniac light, We are a people who do not have to fear or air to deposit for a future warehouse above the Sycamore or birds that guard all the Gold above my hands on the Sycamore…”

"Stay in my house, if I don't come back it will be yours
stay at home, it will belong to everyone even in the apocalypse...
that more reckless will be silent as a work of losing value,
Katapausis is the threshold where my life enters and leaves at once,
stay at my house, if I don't come back it will be yours...
Open windows by meekly closing them to that confronted obverse to you...

He comes from a den relativized on reliefs in weathered beads...
they will be soluble mineral beings convened moving away from the most distant and closest to the least distant…, from waters of underground siphons… there we will all be floating… like vertebrate invertebrate animals”

Vernarth, after not entering the grotto not having found Saint John, goes outside where he goes on a campaign for three months before he can be received by God's law. Here he meets with Reader and his pelican, as well as Eurydice.


Prophecy II -  “Seventh, Inter-synergy energy”

“Three months I have waited in the middle of this mountain,
symmetrically arranging the steps to be taken, not going backward
prana of life walking in oceans of life walking…
us and them… how much must separate us to reach us?
what I have not tried to separate…, what I have not been able to achieve…

I think I died early in the worlds that haven't risen yet,
I think I was reborn late among dense curves that overwhelm us with straight lines
soul, principle, matter, and material distinctive ontology
Ghost god of parallelisms beings and activities in affinity...
starvation body of low energy ceasing creatures in embryo
incessant firstborn to infuse other confining souls
trails demons slip where my ashes hands are sore
wounded doctrines to engender and doctrines to ulcerate...

As the prophecy uses the sea carrying messages resolved from shore to shore
close to a Virtual why in the twilight your Faith that must be glandular… matter of soul and body exposed to predisposing theological and chemical, in pursuit of the corruptible whole in vice versa if he does not burst with atheistic impatience.”

Eurydice takes a zither and sings tempting stormy actions to Vernarth, Raeder and Petrobus put their souls in line in the first linear principle, Together with the matter of corporeal fire proceeding to the definition where all the parts are confirmed without distinction dancing next to them creating the greatest bond of faith in body and soul, thus spending the three months in a few words of light of the sated fire.

"In the eighth-month katapausis, eight times your permanent peace must rest in
cited state; once it is translated into Sabbathisms and it will be the same state… When everyone finishes their dance in the cave and enters believing they have the courage to enter eight times in connection with rest…, plus eight times in connection without rest.
In some verses, the urgency of the entrance will be accentuated. The main issue “is that history will be repeating itself exactly where the Israelites were at Kadesh-Barnea. A related term either synonymous with Kadesh or referring to one of two sites, is Kadesh (or Qadesh) Barnea. Various etymologies for Barnea have been proposed, including 'wilderness of travel' but none have produced a broad consensus. What is the consensus? will we stop believing or lean on the shores of a preacher rain of Jehovah or lean on the shores of a preacher sinful waterfall or lean on the shores of a preacher confessing rain or lean on the shores of a preacher wet wind inquisitor...? where ever the aromas of its faithful winds served will go sacred to everything named before and many before the confessing rainy…, waterfalls in favor of the temperamental inquisitor wind”.

Astheneiais”, in Greek is and will be a weakness, in Hebrews a moral connotation and will mean not only physical weakness but a conscious weakness and trembling in temptation. Our Lord also understands us in this weakness because he was tempted in every way as we are. Since he himself was tempted he knows from experience what it means for us to be tempted. He was not tempted in all the particulars of our life, for example, He was not tempted as a husband or father, owner or employer or soldier, because he was none of these things. But he was tempted in all three areas of human susceptibility: body, soul, and spirit.

Prophecy III -  “Sixth, Resilience…”

“They were on the perimeter trying to keep me together at his command,
I go every day for its pantry, food, groceries, bookstore supplies and ink, oils, and other essences for the environment in continuous handwritten obedience, I have to leave for Skalá where some residents are waiting for me who have ordered to bring materials from Gricos and Psili Ammos to project your home,
If this has been written like this, it is because my pleasure in walking has written it, in the company of the one, he has written for the one who walks next to me the god Ibicus!

They always asked me why to mention why I have to do this for them… I will tell you that I used to serve leaders who consolidate the Hellenic geography,
without them, everything would have been invaded by unled foreign hands… in that rest, I have to attend to the verse that precedes it...
which says that we have already entered where I already intend to argue the following…

Resilience and exhortation that from the beginning I have taken since it began... now I will abide by and present your messages in a very predominant note, I was Hoplite Commander of the Falange and Hetairoi, now a Christian who does not dispute living a life of obedience to those who are not and are not without his martyrs...
like those people to whom God swore they will not enter my rest
whose amen will be preached in the passive voice verse!

Remain as the verb indicates with the real facts, the word
independent of the present, independent of who and when…
Saint Gabriel my Abrahamic angel will give me white strength and frolicking lilies like baskets of hermaphroditic lilies procreating only-begotten forests at the altar.

Stand tall over the Abrahamic fire without knuckles or shields,
rethink your beloved woman and take a sudden step to heal your wounds there is so much grass to cut and so much poetry to chew...
up the mountain towards Skalá at night after drinking wine
Epitrapezios Inos setting fire with innocuous saffron atmosphere
lips of fire and bread, for a good offensive fight.
Greek fire naphtha, cinnabar, and anthracite.

Wake up united with the deep disorder
Grant the color that deserves to have your day as a constellation
with the image that rests on your angular and calloused hands.
stopping spaces of loss more than all the centuries that waited for the minimum incense to a good warrior, sweet wine for open bleeding wound not his… the thunder that hides baptisms in all hearts empty of blood...

“While Vernarth was praying in the oracle he felt a thunderous supra sound As if the gates of hell had opened...
As if millions of seconds of angels were to be dispersed from the sky
To reduce more seconds of silence to the thinnest pleading eardrum

A few days ago I saw a ghost that was chopping wood...
I couldn't realize that he was really Him...,
I also saw him cutting thousands of volumes from a library...
Also, not realizing it, I saw several, like more than eighty manuscripts..., of breaths that still did not prosper in the hands of San Marcos...

A gigantic door slam is felt again...!
again it was the angels that came
at the wrong time in his return..., but now in his repatriation
they climbed through and into the Garden of Eden.”

Vernarth, evicted from the habit of the unknown, was apprehended by his craftsmanship of him, he was still attentive to be received by San Juan. The longer he waited to be arranged for an audience, he did not postpone what his memory pointed out to be more than an experience plotting capacities in the face of his own limitations. From that moment on, a gigantic gate slam is felt again! the angels who went back one after another with their polished golden-white cloaks relapsed..., but now making the Garden of Eden their own,... being theirs in what was theirs, that they would be in the house of a wise gardener of Eden perhaps being the same Katapausis manger at once!

Raeder says: hugging him profusely! time has to fly like little angels, having them by your side as companions of the time that is leftover on their wings, giving it all to your enjoyment of living and feeling it lost in you without finding it. ! khaire mi Vernarth!, I have some karidopitas with nuts and yogurt accompanied by baklava with nuts in delicious syrup from Kalymnos. Petrobus jumped for joy and fluttered like a hummingbird to steal a few pieces! Eurydice and Vernarth did the same. That night they told militia stories while they ate the morsels, so they fell asleep as if it had been the first time they had fought such a great menu. Euridice assists in the same with his fresh clean face, creating an atmosphere of conciliation to renew the dream of a day that will dawn close to his waking up far from the criminals. Vernarth takes the staff from him from then on and divides books and manuscripts into two portions so that he has time to take steps to really feel that he can walk close to Saint John.

Prophecy IV -  "Fifth, Nature, Manuscripts and Jophiel"

“Zeus wakes up trembling, full of headaches saturated with Herbs for headaches Jophiel speaking this time with the Kabbalistic language of the Torah...with golden commoner super zone of the Organikon Sorousliston Papadikon….age-old music that supplies Zeus with protein albumin, to make him more human…Zeus accepts Jophiel by placing his head about the house of Jophiel; a divine island to throw cards…brings the second ray to the Sahasrara at the crown of your head, pacifying love that is the suspicious and risky loser of everything risk in the head especially when a feeling is born!

Zeus turns his head and Jophiel twists it to the opposite side
about the ruined zeros that he did not count from the plasma of his dependency, Zeus feared having albumin at risk of human transmutation... happy to be able to cry he imagines slipping into the middle of a lake and he sees that he falls on Hera's poultry harming none, Zeus pours brimstone from his mouth and milks inelegant prose from the scythe…

Trina flame whose son bears glorious her bearer,
thousands of lives being clumsy for the wisest destitute
being what in the present you were more than past trine
when you harbor from Hanael's Blue Sodalite quarry
the imperfect perfects when you listen to your
body how it beats, how it breathes... you realize that it is perfect
as is Jophiel and discerns repairing the wisdom in the decisive punt
where gum rosin myrrh and multi urban frankincense go
towards the soul plane architecture of the human plane.
Hardened Zeus overflows glazed sallow emulsion of war
coagulated exhausting guarantor of everything is well,
books of the silent world of nails that do not sound sheets,
Hanael in massive books divides sounding with her iris gel-colored nails encrypted library manuscript of a thousand years, the voluptuous organism of a thousand years…
flapping unpredictable millennia and wiry hands,
colossal capstans…, annihilated with a thousand years…
a silly propeller that spins like a sickle rolling over a certain holistic tabernacle of the small portion of the next day when Zeus awoke to the diaphanous threatening light with sunless cloud waistband…
His face is seen with frowns and he looks at his face as well
without seeing folds…but in front of the Aiónius.

The geranium appears in the representation of the natural whole kicking the Sickle, much more here lost of our spiritual being
Zeus Jophiel's hardened shoulder heats up only to lean on Him...
light on his shoulders fires on both of them…
how long it takes to save us perhaps twenty times what supports us even tired and much more unwrapped than the treachery of him alone and without being followed without knowing
nothing more than a thousand-year-old shell through which he would drain…perhaps a tortoise-like millennial angel walked up to the omega! joy preparing to give you live hopeful,
that if it would be timely to give you more life...
Here is Aiónius reordering the world together with Zefian…
He shares everything eternal of all your life that floats in the sea,
miserable mix space where capo dastro separates the end
where all the wheres cannonade the hoarse fire...
cement that joins brick wall and plenary adobes
love without nature that castrates your beautiful woman
that hides her face without mascara looking for it...
let's go outside says Vernarth..., we still have a few seconds in his solvent... sensible, full, and arc well-being...
as if you were floating in the air floating more
also needed me to teach you before your limits limit you,
and make you angry from the miserable sense,... Don't listen to me anymore...!!”

Vernarth puts his first three fingers on the capo dastro roosters crow with his skin vibrating beyond the sleep of Raeder and Petrobus. Reader wakes up and says…; My Vernarth I will make fire and heat water. Petrobus runs with his wings to look for sacred wood. Eurydice comments…, I will prepare the praiseworthy sacred breakfast.

When they were preparing to do all this, Jophiel and Hanael appeared to him, joining in the breakfast that would feed all the days and millennia of the world. Unleavened fruit, honey, and milk multiply above all, satiating hunger with satiated satisfaction.

Prophecy V – Fourth, Limbus Necropolis

“From so far away…, so far away that I listen to your sacrosanct cries…!
from the Koumeterium of Messolonghi…, rocking my elbows and hurting myself
moving in rare pleasant crypt upon crypts disconsolate stones
not so far away..., keys held in the eighth cemetery...
Who is to open the heavy door now...?
I come from Messolonghi 555 km in linear figures to Patmos...,
narrowing concave… doubtful in extension, passion princess cloud
He must welcome me benevolently in the night nymph consort...
Limbus N cloud, Cloud Cemetery lofty lofty hypogeum
soul of Limbo, before seeing the nut that girds the face in the graceful Grim Reaper resurrecting restless…, sinning… grail sacrament without Being or being…?
Necropolis Cloud, expectant mortuary technology...
amaze me if there is a byte for me...
narrow conscience, unseemly to amaze me?

Here the lost mist of the Nothofagus God phoneme-photon vanishes with divine mass light to build the Áullos Kósmos. The Sacrament of Limbus will provide spaces and assemblages of meters for thousands of areas of infamous wandering the Ouranos, approaching the Áullos Kósmos to host him and rescue the children of the meter that was missing in the numeral rule of the Megaron acroteria before going up to the Necropolis Cloud. Vernarth, mere body formalizing principle...
extinct delicate evocation of the shadow of Elpenor;
Achaean warrior of Ulysses grandiloquent who even has otitis
and verse where flu spreads influenza
heartbreak from far away reverberating in the elite of lexicons…
arriving equidistant ... the last one arrives threatening with his Kantabroi staying neither divided nor captured, taking refuge in outright failure twilight of megahertz, farce propaganda surrendered fear will not fall even after …

Vernarth falls from the Koumeterium Mesolonghi in the Necropolis cloud privileging his status, he falls from this gloomy digital platform with a high alcoholic degree! from the high heaven after drinking hours he came in the carriage that was from Zilos, with the passion of heaven depriving his understanding stunned on some branches of will of Ziziphus…, stunned on branches of mercy….

Vernarth in a contrite accident with Elpenor, his psyche flies to the realm of the dead, Hades was remaining prisoner in that world taking the form of a Homeric icon or shadow. Vernarth was asleep after his binge, and Elpenor asks him if he wanted to join him with some concoctions. He was with blurred vision, a headache, and still lying down. But in the passionate horror of his drunkenness, he gets up quickly, saying to Elpenor: For me, it was one less pain to drink after having fallen from such a distance without being able to request and have had the grace of my mother's lullaby. For this reason, I hug you! They went together to the Cloud Necropolis to continue in the Limbus trying to alternate their physical body to gaseous liquid. At that moment Eurídice hits her with a piece of wood on her legs so that she wakes up from the bite of that nightmare that overwhelmed her to finally be able to wake up. Raeder had gone with Petrobus to Skalá to seek inputs of gnosis and his own inspiration for accents before the welcome in Katapausis to come in the blink of an eye of San Juan, necessary redaction for licenses and to be admitted to his library.

Prophecy VI - “Third, Rethymnon City and State”

“Vernarth heard the sound of a bouzouki, spoke of a 40-day fast that Greece celebrates before Easter, at the Rethymnon carnival they come from all over Greece to attend as a family during the week with animations, evenings and concerts, dances…theatre, floats with Venetian art in the picturesque old town and modern city, in this ancient city …

Rethymnon Political Ellipsis

“Like territorial extension, past-future organized infamous scene…Vernarth imagines being with Etréstles in immediate predictions
with years and thousands…, clan hobbies, Rethymnon manuscript…
while he thus deliberated…, thus rejoicing in the immaculate extramural grotto thus being as if it were comparable to a Neolithic village; being together lost with eagerness to appear from political power... palaces, kings, pro-organized religions..., rancorous superlative temple, priestly-eucharistic, nationalized sovereign citizen... commanding Parliament of the Hellenic politai people
the competent anti-value entity of the substratum political state…
sedentary-agricultural or nomadic-livestock culture…, vertical Hoplite culture!”

In Thessaloniki street, he would meet his brother head-on...Imagining how he would be...? Well-dressed-shiny, he would be in a passing tavern usually naming himself tradition and terms of questionable validity rather than those of a retro-linguistic family, in the remarkable urban-city dialogue called seditious inns with networks of political territorial extension, reaching the colossal size of multinational ideals of a complex stratification, social meeting place, future ministries to whom to delegate?. They would arrive at the tavern in Rethymnon in Crete, they order coffee, biscuits, and Mosaikó chocolates. In an unexpected moment, he suddenly wakes up from this deep, hallucinating, and futuristic imagination! His brother appears immediately, not in Rethymnon but in Katapausis with the goddess Lepidoptera!

End Ellipsis Rethymnon

“At the moment his imagination breaks just when they were preparing to toast… Etréstles in this same interval appear in Katapausis Reader and Petrobus coming in a singular pilgrimage from Skalá…this is how the syllabic song of the arcane ***** is heard emitting from the grotto…, yellow lights and saffron…. Saint John and the Gospel celebrating the Eucharist…Vernarth would believe for the first time that the hermit would come, but No…!
his brother was to be in the intervening yellow-white light
in front of him nothing more than Etréstles visiting him”

Likewise, they would no longer be in Rethymnon,
but the carnival would already begin in the region of Patmos...
eating delicacies, and the Sousta towards the circle of the Sun in the hands…They have been two months with the sweetened Moon and the Sun posing its mass of light in her… soft palm next to her waiting for him in the proximity of a Hebrew silence

Estretles says Khaire Vernarth! from Piacenza who did not see your joyous lux! I can see now to the sound of yourself the stoic zither...
countenance light, the orbit of your eyes, pale asthenia without photon without light, expectorant suppuration of your sacred Lynothorax, Absent in front of the long and fatal transverse lapse!
Raeder makes a speech to Zeus Photon Child Lux
Fulminant spends time where it remains greater than the minimum...
Patmos is the time of the Messiah…, retrograde years…
polis Helennic city-states.

Culture-state… state time chorus in tune
Philosophical poetic-epic Olympian Aiónius global leader
Homeric poems..., Raeder I am..., a naughty Politai...
you Vernarth are Politai Hetairoi militia
candy wasted by me Raeder… sweetened in my memory
polytheistic, cultured and declined…
theocratic referendum or democratic right,
Exciting porridge of my Kourabiedes cookies
butter, icing sugar, flour, eggs from the icy cliff
vanilla or Mastica resin, ***, Ouzo, mastica liquor…
or other alcoholic beverages…, which bubble on the underside of Aiónius soaked in my mouth with water from petal buds
coated for you with sugar on the tip of my tongue…
reflective cops in a wonderful dialogue of a tasty recipe...
It's time for everyone else to snack too!!

In that second Raerder was choking on a Kourabiede biscuit,
but there was the guardian of the Petrobus who piloted the
throwing hieratic water on the inside of his mouth,
forcing him to take heart from the buttress of his speech
shooing thick crumbs from his skinny dialogue spitted...
Gerakis, ray, tabletop oak bull, scepter for those who rule with him and not...My Zeus friend I invite you to play marbles,
I invite you to tell us that we are friends...
we're both fine… only Space-separated us…?

Raeder runs towards Zeus' thunderbolt from his right hand.
he jumps up and takes it from her, in exchange for this she gives him his marbles...The entire earth tilts over the Aegean..., the earth's axis tilts eight degrees, altering the cerebrospinal fluid of the Hellenic geopolitical conception..., with Zeus poly infarcted over descending magnitudes of inter-politics, millennia and headless governments...

“Apokalypsis lightning restarted, emerged from a New World”
Prophecy VII -. “Second, Alikanto Aion, Quantum”
"Kalymnos, golden tetra steed Alikanto was grazing under the metallic moon...
transiting its quantum physics…, golden legs…, four golden domes
the super host being in Apoika Andros next to the villagers,
commemorating troupe and advent…, Heraklion next period
celebrant anniversary, progeny bearer of Kanti Cretense,
close cycles of the sacred fire, domestic environment, and private zeal...
funerary hidden cult… streets in the hieratic family dwelling
fertile women… totalized and lustful ****…
productive longevity and harvests…, family Apoika
next successor belligerence…, funerary plexus…
culty predecessor…, treatise and imprecation of law, theme and legible religion domestic scene, family civic servant ceremony

Goddess Hestia austere, head with eight sacred candles dressed
Olympus lacking without gods…, only Goddesses embargo!
Feminine Hestia Domestic Goddess, an emanation of the female oval to ovulating…Pritaneo, the central decree of the political harvests… foreign exchange grains to be minted monetary stock exchange of Athens… Pritaneo ford on the rise, ford on increase Aion... hesitant dart swoop into eternity,
Alikanto Perpetual Aion…Speaks with both hands
synchronized and tilted tongue…
stutters and swallows, in six paranasal sinuses
saturated with fiery saliva..., and an Internal voice saying say...
what makes sense to feel and what does not turn off...
sleeping waves in the poison of love igniting
intra-Vernarth love…, billing infected holy blood
methodical coupled time…, Gaugamela the bronze extremity,
of a lost leader…, won leader!

If I had to run to rewrite retro Adhoc poems and chosen trova,
With a shy Trojan verse, I would dare today if I kissed her in front of me… she!
she would jump from the hyperesthetic-Ouranos…, inhuman to the Aion world
aurora celestina, bleeds big and defiant today in your star
In herself Ella…, pestiferous condemnation sweetness and aura between her…she just be, she herself be supported be…, Oh… Goddess Hestia on your opposite leg unbraced arm, meadow and vein braid… assaulted by lost and thirsty love written everything if she tempts…, everything wields darkly if it took you to our Olympus… at night loving you whole..., emptying everything with no inappropriate hand singing don vine fissure and intimate company, may it be exterminated... passion outside with nailed stake..., iron embedding..., nails wounding...exhausted supra lips supra yours…, mid sand writing full to her…
tip of my Xiphos… blood made written with written maiden mythology,
letter sword Spatha…, cyclamen balm made whole if I had you!

“To the loves of the world I say…, cover your ears fungus of boredom, your torn ears squander ignoring more than sordid saying...my blood kills, my blood revives! I **** my blood and I **** everyone, with your blood scattered, ***** blood scattered…!
do not leave me alone until nightfall… I only ask for holy water,
emptied from your mouth goddess Hestia who flies tons over me...
I only ask for a spatha romantic blood sharp, ******, and scattered...
to write to the love wars that I have lost...
to the wars of love that I have won, slicing the jugular of the
treacherous and wicked emperor"

“… Alikantus, he remembered the Hoplite commander in Gaugamela, he remembered when he dodged arrows with his head so that they would not hit his body or his pectoral. From such a present moment falling by surrendering to the evocation of him. He goes down to a stream and confines himself to the vanity quagmire, continues on his path reaching a suspicious lagoon, drinks sacred water, drinking again manages to perceive the effigy of Vernarth in the mirror of Aion's Hydor... calling him from Patmos! Law reminded his master how he died for everyone in the world just as the world would not let him bring more than agonizing for him because there was no more space said Aionius ... "

Alikantus then clenched his jaws too hard, falling out all his molars, he asked the Gods in front of Hestia to restore them fifteen days before arriving at the Ekadashi in Patmos where his master, thus loving all the lives of the world, as well as the hidden cries behind the Dypilons hiding the power of God… or laugh at gagged iris flashes and mummified sighs with lives that subsist!

Vernarth from Patmos called to him so that his eyes looked invigorated like the swarms of green and gray vanadium fire, of mood in the predictive table and close prediction. AlIkantus bids farewell to Kalymnos spraying sorrel and hyper-odoriferous flowers of the Apoika in Kalymnos loving from above, very close, flying, loving everything so much that he forgot to fly. He sometimes fell hard but recovered retried as a baby steed in the womb of a mother new species to be born again in Apoika!


Prophecy VIII -  "First of Aionius, "Eleusis Prophecy of Hamor"
“Aiónius received news of Hamor's prophecy; cosmic orgiastic order
tyrannical snake victim throwing herself into her abyss and purpose..., banishment as an objective void to be decreed, even so ending the world from another world,
discontinuous terse march, slurred arpeggio, speech by Aiónius
there is no world left but if extermination…, undone threshold…, provoke in delicate chaos…!

As a child, I ran to the supreme world herding lions... I called them and they ran to me..., they came alone, some didn't...! Being young, one day Aionius went to the farm and counted the lions... Some came others No... Aionius..., in such a hamorio he was locking an earring from his ears, he hung them again, which happened the next day relaxed..., he saw a maiden who laughed hypnotized…, he sighed when she turned around saying with her poor gestures… Destroy it! The afflicted turned away not knowing what was coming… destroying the desolate world vilifying silky physiognomies, chipped and dandruff face slipping from yours being captive and arid…, tempts to flow libertarian imprint in foreign praxis, origin, and end,
me from the slime being born in my eighth life in nothingness ataxia…

The beloved Victim surrounded by snakes moved the stump of her arms
eaten away by the serpent that took refuge in thorns of forged steel...
she kept walking…, Aiónius pointed at her and kissed her gestures escaping frightened towards the valley in farewells... not fitting itself in valleys that were never anything she paraded with the current of her last word, the beloved again moved her arms following her in front of her the beast was on her, Aiónius buried from fleeing and coming… with fiery phenotype, abrupt vocabulary, says: “Strapping and interludes, after beings of impiety, the world of impiety, Hamor of the first wit… towards other refuges I will depart about a Yes devouring bare ring on it…”
escape curve that cuts the pelvis of my beloved
destructive be your curved world that before had to destroy me...
ultra pre-hellenic nymph Harpé passion spread on me…
Hailed libertarian praise, aristocratic vermilion accent, minority ruling? Overwhelming rigor expended, prophetic Hamor, prophetic expansive arsenal! It must come from all the supreme worlds with strokes and silhouettes conquering...true dream, confused hypothetical oscillate sweeping imploring and contracting popular decision, management and space of my Sickle…, sometimes uncontained… worse avenues in its radius and dark mourning badly wounded shadow! The vertex that finally launches opens the dawn and his Hamada flees... Leaving with the untidy serpent, about touching and causing rangers in the stuck earth.

Demeter and Persephone; based on Eleusis in ancient Greece
mystery myth of the abduction of Persephone daughter of Demeter…
by the king of the underworld of Hades, Abrahamanica's offspring
cabal, life in the descent, the search and the ascent…
Ascent of Indra lightning Vahana and lightning from her right eye,
Persephone to the reunion with her beloved daughter ascending.

Zodiac and mysteries involved, visions and sleight of hand
that of an afterlife, rain of seven trunks, long-lived Airavata
elephant, Eleusis jump psychedelic mystery, incision, and coherent rites, ceremonies and experiences of cold winters and life on earth
plants in gestation under the gift of Elitíaen and beings that
they are about to germinate and be born, beings in a chain of genes...
vegetable running on the earth, vegetable in March in its glory
September in the jaws of the purified phrase and inaccurate acropolis I…

Sacred obscenities, deadly tributes with the death penalty...,
wandering nights without clothes with obese and badly fragrant meats point and taco dances praising the harvest in honor of a dead Thracian bull, libating priestly vessels and bullfighting heads in a deliberately defined and improper triweekly ritual, revealed in Demeter and Persephone.

Only Hamor in his venerable pyx lies locked up knowing he is unable to open inside this lustful bewitching sparkles, the mystery of emancipated disenchantment that awakens from his slow consciousness without knowing how to go on passing in the sum of all happenings of Aiónius. ”

This is how he defined himself from the syncretism of Indra and the mystery of Eleusis, from Demeter and his daughter Persephone from the vile kidnapped underworld. Of the divine Goddess Elitia and the annual records of children born within a year in the germinating seed of the mystery of love that would begin with this prophecy with the initial "H" of the underworld exclaimed Hades and Greek heritage in this event. Vernarth and his companions listened to this prophecy, almost falling asleep, it seemed to them sweet pallor-bitter, love-heartbreak in the previous day before diagnosing having a presence in the hermitage of San Juan Apóstol for the superior company of a later day that was approaching as the greatest daring of all up in the mountains while disposing of Vernarth's Apologist obverse of Aiónius's.

Epilogue Prophecies - “Eleusis, Isadora Duncan to the Parthenon”

“Vernarth and Eurydice indulged in the jargon of agitated diasporas
of inhabitants fleeing the Rite of Eleusis, crossed hands and feet
They dueled on olive trunks with Theban thunder, vague Insurrection of the ancient world, and consonants of barbarian Pleiades,
acclaiming predilection of the Eremita San Juan to appear...
in a breath of peace resurfacing... but seeing that Vernarth was accompanied of Eurydice hid in front of them leaving only her aura near from the stream of a chrysalis!
In the dizzying succession of myths, good news reaches her sacred ears, waking up her trend and her high quarterly price outside the walls... being later received in the grotto of the hermitage in growing expectation and a link of longing that weaves to remind him of being a crusade piece.

The kidnapping of his reverie feared and timid frivolous crushing blizzard, he was walking surrounded by Falangists on horseback pointing at him and threatening him, scrutinizing in the distance loneliness of his past lives,
his regressive life, concerning key to origins of his illustrative Existence, stranded at this moment..., Vernarth makes a pact with himself to detach himself..., of his spirit, detach from their lives under a hypnotic and compelling law..., like a suspended index in the Sistine Chapel, homologous ship Ave Maria Messiah!

From Eleusis Vernarth vanished in aerial horse-dreaming,
he crossed through the pavilions with himself persevering some wake
riding his Alikantus ******* and standing with him to pillage the Empyrium niche Persephone's trace of herself and her ******* ******* them...
with devoted passion, milky way, and milky syrup chin howling...
Vanishing dancer, Athenian acropolis, Dionysian sanctuary of the acropolis… Stepdaughter-patron in the dance of Zeus and Themis lopsided frame of the season's wildness of all creation and defiance of Eleusis looking for her daughter and her children, priestesses safely taking off their corset and their pictures…
raging chastity, oligo blood, Itheoi music, outraged dance complaining, Possessed expressing being seductive but also a native *******... the underworld in darkness, free daughter, and iconoclastic Greek mythologist
inconvenient Victorian mania, a courtesan from Olympus, courtesan undressed! Isadora, Demeter, and Persephone… flooded with Aphrodite foam!

She “prayed songs with plexus and feet, plotting gardens around the world… full of baseboard feet where everything created in brief Apokálypsis was dying! By desolate Parthenons dancing in Muscovite ruins, maenades sweaty enclave and also throwing back his head as if possessed by ecstasy in her Bugatti and Leonidas…, enchanted by Aiónius! intoxicated and exorbitant with beautiful rosy placebo eyes... Hair with headbands vine petioles, her Nebris tight skin was wearing... in her hand's bunches of barberries to Dionysus with torches and live snakes a chaste crook naming Thirsus; rod topped with Kashmar branches wrapped in borders, vines and ivy, allusive link…, morbid ecosystem! covering her crotch in the Temple of her Kopanos dancing from the eternal fire cremated and in a romantic dimension remembering Byron's meritorious…
Hellenic passionate, and of Hölderlin poeticizing together with Aiónius.

Rudiment wound … ruinous on value exciting in those
of the imagined and creative in her perdition, Sicalipsis e impudicias
torn fire in the Metelmi and her ***** we are twisted,
epic worthy of greek tragedy dancing like waves of fire
in the forge in terrifying death of her children Deirdre and Patrick,
submerged and injured in the Seine in Paris in 1913, falling into the
water in the car that was traveling with her wet nurse… before…!
saying goodbye to them in urgent social commitments,
I Aiónius take you to the Empyrium.

What a dire tribulation in the prevailing misfortunes by not postponing it, retain the fate of whose children is quite a story with the kidnapping of theirs and merits of fulfilling commitments committed to solicitous artists... support, crestfallen inside a dresser or Bolshoi dancing statue, dancing empty with bare feet, frigid anemone, frigid Sea…

Arriving at the dawn of her last prophecy, Isadora Duncan accompanies her in full life beyond all limiting borders with the borders of her dance, the flat field of Eleusis receives her presumptuously associating in around for the dressings...
And left-handed dalliance self-indulging…, advanced barefoot to the Parthenon…!naked towards the world and the orb dug out of her before her undressed.

Reader and Petrobus jumped on this steep stone, emulating the meteorites that shone in the sky of Patmos such a party of nocturnal lights, such emery detached from a fleeting planet in the largest Hellenic scene saying: "Well-being to the Hellenic World all calm, dance and immunity to the firmament where Isidora rests in the Kantabroi of Aionius”

feminism is pretty much a failure like communism... the latter wanted the workers of the world to unite... but they didn't... each working man took too much pride in his earnings an expenses to the extent that he sought no idealistic solution... the self-preservation element... feminism is very much alike to communism... it comes from the same source, the bourgeoisie caste... which explains why prostitutes in France defended their pundits... they basically said: ******* little Freudian undecided *****, with us it's 100 ***** a week... with you it's only about 100,000 interpretations of a **** in clingfilm at a Hollywood premier: your choice, either 100 *****, or a ***** and the cinema of the would-be agonies or a man resembling Richard Burton, sober, and being a Swedish patent for a house-husband, and a closet poet, and a chef, and a, and a, and a... can i suggest a kaleidoscope as the safest investment?

imagine sitting in a brothel waiting room,
there's about 10 of them -
and they're looking at your like you're
their father and they're about to skin you alive
like piranhas with their eyes -
it can be quiet intimidating,
what for £10 entry fee and £110 and hour
baggage of silenced ******* -
you're basically ******* Ferraris and Lamborghinis -
but it's worth the while,
you genitalia turn into a pavlova before
it's baked mush - your testicles are soaring
angels with the ticklish bits added
to what feels like a shiver of goosebumps -
you sit there for a while, it's the hardest time
to be making choices, you ask for a cup of water
(i always did),
you get it, Keith Lemon is doing his talk show,
the older prostitutes are un-amused -
they're the ones who'd skin you alive,
pick one and she turns into a sadistic
vacuum cleaner in the realm of oration -
you think these terrorists and so-called
martyrs would have the ***** keep up with an ante-chamber
like that? these women can sniff out perversity
like they might sniff out a woodlice in damp wood...
or the spiders that complete their weaving
and never take the central role on the stage,
but ****** their spiderweb before scuttling
into the frenzy of making a body of other insects
into immobile dough to **** into on the sidelines,
they're the out-of-body experiencing their architecture,
there's no ego in them, not central nervous system...
i always thought that spiders compensated the
cartesian problem with their spiderwebs -
they extended their nerves through their *****
into an architectural project of nerve endings / extensions...
see, that's the thing about poetry: pure narration...
no technique, no nothing, no need to create a
third person or first person ******, no characters
to study and incubate into a thrill ending: poetry
is the purest form of narration, easily a ricochet
into digression that in fiction would only mean another
grey matter character to involve in the plot.
. and - (dot and hyphen, as suggested by Nietzsche,
is steaming along forgetting the semi-colon).
- i swear insects are the perfect telescopes into
alien life... on that micro level you get to
understand the many hazards of differentiated life
elsewhere... it's the microbes you need to
mind as the real hazards and blizzards -
but this one time i broke the brothel rule
denoted as choice: i didn't make one.
i asked for one to make a choice for me...
one talkative gall said i shouldn't be asking...
so i replied: well aren't you the talkative one...
you'll do. told you a butcher's supermarket -
i turned myself into a piece of meat -
the ***** butcher said: he'll have to do,
he prompted me to talk the heretical *credo...
the outer-body experience, prostitutes are the experiment,
i asked of the 10 present and my penguin **** solo
shrivelled up newspaper of ******* to chose -
and she did... it's funny giving choice to someone
who you payed to choose from... these Muslim martyrs
will find it had to keep it level headed like Solomon -
these boys will really struggle to reap their rewards...
they just blow up ten people but never sat in
the company of ten prostitutes...
ten blown up, in the company of ten prostitutes...
you really don't know what it's like trying out
whether you could stomach a harem, let alone keep
one like a walrus...
ever stole a kiss from a ******* who's saintliness
involved never giving one but merely ******* more ****?
hmm? oh i can get pornographic after all...
it's a joyride troupe of force in thinking the joys i
nourished in such places... although i have to admit
Amsterdam would never feed such poems...
it's just common place everything's worth clapping
(or too much clapping by the serfs at a Bolshoi ballet),
you need the thrill of something being illegal...
in the case of itemising England it's the brothel owners
that are the culprits, not the prostitutes, nor the pundits,
which is why i asked to perform oral *** once in a while
for the extra undocumented 10 quid... that didn't fall
into the hands of the madame... so it ends...
feminism alright for you, in that ivory tower of yours,
unscathed, belligerent and with sulphuric toxic gas
to **** out from your mouth as the proper argument?
the heart not steady? i see... i guess you have a hard fight
ahead of you... young men go to prostitutes undiscriminating
their age and **** as **** would do too,
but young women don't go to prostitutes,
professional women do... and they'd always probably
**** some young dude... see the difference?
young men go to prostitutes... young women have all
the eye-to-**** candy they can have... older women order
**** and limousine, a night out, a date, a dinner...
young men are like: broken pipe, need a plumber,
stillson pipe wrench! and where's that ******* spanner?!
and contrary to popular beliefs, cats have
a second weak spot other than petting their heads
and playing with their whiskers... the point
between the evolve coccyx and the spine...
they really love a rub when the coccyx turns into
a tail... it's almost like a reverse test for prostate cancer...
every cat sitting down when rubbed in that area
will do a marching army band salute of raising its
hind in anticipation of a rainbow -
and yes, urinating with ******* is pretty much as
exciting as a woman massaging her ******* with
a shower head with pulverising pressurised water.

Reality is the stage upon which I play the fool & lover.
Delusion is the Act, not knowing one from the other.
The Past, a script,
Memorized to poison the mind.
Hope, a costume,
Worn to keep the heart blind.
Falling into bed,
the curtain raises from the ground.
Quiet whispers in my ear,
house music thrashes loud!
I Perform with passion,
putting faith in my troupe.
Convincing the audience
My story is true.
Scene to scene,
They see no flaw.
Each song & dance
Inspires awe.
In the end my cheeks, they shine,
like all the roses that will fall.
My eyes stay glamoured
with the curtain call.
The lights come up,
The morning sun,
They cheer, they kiss.
But the show is done,
they have had their fun.
It was pleasure, it was bliss.
Take a bow.
I played the Lover for a night.
I am the Fool now.
Exit stage right.

326

I cannot dance upon my Toes—
No Man instructed me—
But oftentimes, among my mind,
A Glee possesseth me,

That had I Ballet knowledge—
Would put itself abroad
In Pirouette to blanch a Troupe—
Or lay a Prima, mad,

And though I had no Gown of Gauze—
No Ringlet, to my Hair,
Nor hopped to Audiences—like Birds,
One Claw upon the Air,

Nor tossed my shape in Eider *****,
Nor rolled on wheels of snow
Till I was out of sight, in sound,
The House encore me so—

Nor any know I know the Art
I mention—easy—Here—
Nor any Placard boast me—
It’s full as Opera—

Ono no Komachi translations

These are my modern English translations of the ancient Japanese poems of Ono no Komachi…

As I slept in isolation
my desired beloved appeared to me;
therefore, dreams have become my reality
and consolation.
―Ono no Komachi, loose translation by Michael R. Burch

Submit to you, is that what you advise?
The way the ripples do
whenever ill winds arise?
―Ono no Komachi, loose translation by Michael R. Burch

Watching wan moonlight flooding tree limbs,
my heart also brims,
overflowing with autumn.
―Ono no Komachi, loose translation by Michael R. Burch

If fields of autumn flowers
can shed their blossoms, shameless,
why can't I also frolic here ...
as fearless and as blameless?
―Ono no Komachi, loose translation by Michael R. Burch

So cruelly severed,
a root-cut reed ...
if the river offered,
why not be freed?
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

I had thought to pluck
the flower of forgetfulness
only to find it
already blossoming in his heart.
―Ono no Komachi, loose translation by Michael R. Burch

The wildflowers and my love
wilted with the rain
as I idly wondered
where in the past does love remain?
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

I nodded off thinking about you
only to have you appear in my dreams.
Had I known that I slept,
I'd have never awakened!
—Ono no Komachi (KKS XII:552), loose translation/interpretation by Michael R. Burch

That which men call "love" ...
is it not merely the chain
preventing our escape
from this world of pain?
―Ono no Komachi, loose translation by Michael R. Burch

Did you appear
only because I was lost in thoughts of love
when I nodded off, day-dreaming of you?
(If I had known that you
couldn't possibly be true,
I'd have never awakened!)
―Ono no Komachi, loose translation by Michael R. Burch

Sad,
the end that awaits me ...
to think that before autumn yields
I'll be a pale mist
shrouding these rice fields.
―Ono no Komachi, loose translation by Michael R. Burch

In this dismal world
the living decrease
as the dead increase...
oh, how much longer
must I bear this body of grief?
―Ono no Komachi, loose translation by Michael R. Burch

Once-colorful flowers faded,
while in my drab cell
life's impulse also abated
as the long dismal rains fell.
―Ono no Komachi, loose translation by Michael R. Burch

Now bitterly I watch fall winds
battering the rice stalks,
suspecting I'll never again
find anything to harvest.
―Ono no Komachi, loose translation by Michael R. Burch

This abandoned mountain shack ...
how many nights
has autumn sheltered there?
―Ono no Komachi, loose translation by Michael R. Burch

Am I to spend the night alone
atop this summit,
cold and lost?
Won't you at least lend me
your robes of moss?
—Ono no Komachi (GSS XVII:1195), loose translation by Michael R. Burch

Two things wilt without warning,
bleeding away their colors:
a flower and a man's heart.
—Ono no Komachi (KKS XV:797), loose translation/interpretation by Michael R. Burch

Alas, the beauty of the flowers came to naught
as I watched the rain, lost in melancholy thought ...
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Watching the long, dismal rains
inundating the earth,
my heart too is washed out, bleeds off
with the colors of the late spring flowers.
―Ono no Komachi, loose translation by Michael R. Burch

Wretched water-**** that I am,
severed from all roots:
if rapids should entice me,
why not welcome their lethal shoots?
―Ono no Komachi, loose translation by Michael R. Burch

Though I visit him
continually in my dreams,
the sum of all such ethereal trysts
is still less than one actual, solid glimpse.
―Ono no Komachi, loose translation by Michael R. Burch

I feel desire so intensely
in the lily-seed darkness
that tonight I'll turn my robe inside-out
before donning it.
—Ono no Komachi (KKS XII:554), loose translation/interpretation by Michael R. Burch

This vain life!
My looks and talents faded
like these cherry blossoms inundated
by endless rains
that I now survey, alone.
―Ono no Komachi, loose translation by Michael R. Burch

Autumn nights are "long"
only in verse and song:
for we had just begun
to gaze into each other's eyes
when dawn immolated the skies!
―Ono no Komachi, loose translation by Michael R. Burch

I think of you ceaselessly, with love...
and so... come to me at night,
for in the flight
of dreams, no one can disapprove!
―Ono no Komachi, loose translation by Michael R. Burch

On nights such as these
when no moon lights your way to me,
I lie awake, my passion blazing,
my breast an inferno wildly raging,
while my heart chars within me.
―Ono no Komachi, loose translation by Michael R. Burch

Since my body
was neglected by the one
who had promised faithfully to come,
I now lie here questioning its existence.
―Ono no Komachi, loose translation by Michael R. Burch

Since there's obviously nothing to catch
in this barren bay,
how can he fail to understand:
the fisherman who persists in coming and going
until his legs collapse in the sand?
―Ono no Komachi, loose translation by Michael R. Burch

What do I know of villages
where fisherfolk dwell?
Why do you keep demanding
that I show you the seashore,
lead you to some pearly shell?
―Ono no Komachi, loose translation by Michael R. Burch

Yielding to a love
that recognizes no boundaries,
I will approach him by night ...
for the world cannot despise
a wandering dreamer.
―Ono no Komachi, loose translation by Michael R. Burch

Now that I approach
life's inevitable winter
your ardor has faded
like blossoms devastated
by late autumn rains.
―Ono no Komachi, loose translation by Michael R. Burch

Am I to spend another night alone
atop this ice-crag,
cold and lost?
Won't you at least lend me
your robes of moss?
―Ono no Komachi, loose translation by Michael R. Burch

"It's over!"
Your words drizzle like dismal rains,
bringing tears,
as I wilt with my years.
—Ono no Komachi (KKS XV:782), loose translation/interpretation by Michael R. Burch

I pursue you ceaselessly in my dreams ...
yet we've never met; we're not even acquainted!
—Ono no Komachi, loose translation by Michael R. Burch

Like flowers wilted by drenching rains,
my beauty has faded in the onslaught of my forlorn years.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Fiery coals searing my body
hurt me far less than the sorrow of parting.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Love is man's most unbreakable bond.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

This moonless night,
with no way to meet him,
I grow restless with longing:
my breast’s an inferno,
my heart chars within me.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

How brilliantly
tears rain upon my sleeve
in bright gemlets,
for my despair cannot be withstood,
like a surging flood!
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

This flower's color
has drained away,
while in idle thoughts
my life drained away
as the long rains fall.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Fatal reality!
You must do what you must, I suppose.
But even hidden in my dreams
from all prying eyes,
to watch you still pains me so!
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

In eye-opening daylight
much stands revealed,
but when I see myself
reflected in hostile eyes
even dreams become nightmares.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

I would meet him tonight
but the moon shows no path;
my desire for him,
smoldering in my breast,
burns my heart to ash!
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Sleepless with loneliness,
I find myself longing for the handsome moon.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Sotoba Komachi is a modern Noh play by Yukio Mishima (1925-1970). Mishima's play is based on an ancient work by Kan'ami Kiyotsugu (1333-1384). The first kanji means "stupa" (the dome of a shrine) while the second kanji means "belle" or "beautiful woman." So the title may be interpreted as something like "Beauty's Shrine" or "Shrine to Beauty." Kan'ami was the first playwright to incorporate the Kusemai song and dance style and Dengaku dances into plays. He founded a sarugaku theater group in the Kansai region of Honshu; the troupe later moved to Yamato and formed the Yuzaki theater company, which would become the school of Noh theater.

Excerpts from SOTOBA KOMACHI
by KWANAMI
loose translation/interpretation by Michael R. Burch

Priest of the Koyasan:

We who have built our homes on shallow slopes
now seek solitude in the heart's deep recesses.

Second Priest:

This single thought possessed me:
How I might bring a single seed to flower,
the wisdom of Buddha, the locus of our salvation,
until in despair I donned this dark cassock.

Ono no Komachi:

Lately so severed,
like a root-cut reed,
if the river offered,
why not be freed?

I would gladly go,
but here no wave stirs ...
I was once full of pride
now fled with the years,

gone with dark tresses
and with lustrous locks;
I was lithe as a willow
in my springtime frocks;

I once sang like a nightingale
sipping dew;
I was wild as the rose
when the skies shone blue ...
in those days before fall
when the long shadows grew.

But now I’ve grown loathsome
even to ******;
even urchins abhor me;
men treat me with scorn ...

Now I am nothing
but a poor, withered bough,
and yet there are wildflowers
in my heart, even now.

Only my body lingers, for my heart left this world long ago!

Priests (together):

O, piteous, piteous!
Is this the once-fabled flower-bright Komachi,
Komachi the Beautiful,
whose dark brows bridged eyes like young moons;
her face whitest alabaster forever;
whose many damask robes filled cedar-scented closets?



Ono no Komachi wrote tanka (also known as waka), the most traditional form of Japanese lyric poetry. She is an excellent representative of the Classical, or Heian, period (circa 794-1185 AD) of Japanese literature, and she is one of the best-known poets of the Kokinshu (circa 905), the first in a series of anthologies of Japanese poetry compiled by imperial order. She is also one of the Rokkasen — the six best waka poets of the early Heian period, during which poetry was considered the highest art. Renowned for her unusual beauty, Komachi has become a synonym for feminine beauty in Japan. She is also included among the thirty-six Poetry Immortals. It is believed that she was born sometime between 820-830 and that she wrote most of her poems around the middle of the ninth century. She is best known today for her pensive, melancholic and ****** poems. Keywords/Tags: Ono no Komachi waka tanka translation Japanese love women womanhood feminist feminism

Circus Who Cares
arrives by night, places
fliers in torchlight.

Circus Some ****
riding train. Look
where graffiti is facing.

It's true, tracks can divide.
John Hughes marketed lies.
It's true, it's difficult --

But in this cult, none of us
wants to be you.
F < |< 666

“CAAAAMON-CAAAMON-CAAMON-CAMON. *******. *******, YOU STUPID *******!!!!”  I slam on the brakes as the traffic light turns red, the front end of my car now parked in the middle of the intersection.  

A bunch of headlights begin to move towards me, and I rev the engine, slamming the car into reverse.   Now behind the white line, I lean back and take a few breaths.  I sound like my old man.  That nasty, fat ***** was always screaming at those useless racehorses as his soggy, limp cigar would bounce from his lips, spit landing all over the paid-in-full fakies of whatever blonde ***** was cuddled up next to him for the afternoon.  Having lost everything by the end of the day, he would always plod home and deposit his soiled, checkered pants on the laundry room floor and crawl into bed to make love to my mom.  

Ugh. I need to stop thinking about him.  I already wish I could be one of those old horses who gets shot in the head.  Today was my five-year work anniversary, and on behalf of the entire department, volcano-face Emily bestowed upon me a massive dog bone, which now sits tauntingly on my passenger seat.  As she suppressed that nasty giggle of hers and handed me the bone, the room erupted with laughter, someone shouting from the back corner, “Hey, Ed! Get it?!  You’re always like a dog with a bone!”  Maybe I should go back to work and make that ***** play fetch.

No. I’ll save that for later.  Right now I am going to go get that Philly Cheese Steak sandwich that’s been on my mind all afternoon.  That is if this light ever turns green again.  But ******* is my mouth salivating just thinking about that sandwich.  

What the hell is that?

A Ford Bronco is blazing towards the intersection, directly into oncoming traffic.  It swerves onto the shoulder, speeding past the rows of stopped cars and blasting through the red light.  The driver is leaning out the window, swinging around a sword.  He notices me staring and looks straight into my eyes, solidifying his unspoken threat by pointing his medieval weapon straight at my heart.  

Fine.  If that ******* wants a duel, I would hardly be a gentleman if I did not oblige.  I reach behind the passenger seat and grab the antique cop light that’s been gathering dust on the floor ever since I purchased it at the neighborhood thrift store.  I slap the thing on the top of my car and punch through the red light, cranking the steering wheel to make a quick u-ey.  As I gain some distance, I can just barely make out the license plate.

DR PEPR

You’ve got to be kidding me.

Dr. Pepper ignores the fact that I am only 20 feet behind him and turns up his stereo, blasting a Renaissance dance tune from hell.

I’m going to end this, and I’m going to end it by sticking that sword up that Shakespeare *******’s ***.  

Dr. Pepper slams on his brakes, the sudden jolt causing him to drop his sword.  The passengers in the back of the cab burst into a slow-motion uproar, and I take the opportunity to cut off their escape route.  Now stopped, I pull out my mocha-flavored e-cig from my front pocket and look over at my dog bone as the vapor fills the car.  I snag the bone and step outside, feeling the weight of the rawhide in my hand as I approach the truck. Not stopping to bother with the driver, I head towards the back, kicking the forgotten sword into traffic.  My clothes are bathed in red from the brake lights, and the coked-out frenzy of the Renaissance men reaches a ****** as I stand before them, looking like the devil himself.

Adrenaline is surging through me.  As I take a drag of mocha, I scan the faces of the annoying pukes in the back of the truck and locate the nastiest in the bunch sitting in the middle of his troupe, completely stiff with fear.  I look deep into his eyes and slowly exhale.  I pull one more drag as I raise the massive bone and bring it crashing down, making full contact with the left brake light.  The red shards explode into the sky, and I do not hesitate to follow up with the other break light.  Adrenaline coursing through my veins, I can’t help but swing even harder.  

Wow - what a beautiful explosion.  

“Unsheathe thy sword!  UNSHEATHE THY SWORD!”

Dr. Pepper searches frantically for his sword as I casually approach his door. “Dr. Pepper,” I say calmly. He continues to desperately ***** around the truck, so I lean forward, “DR. PEPPER.” He turns begrudgingly to look at me.  Wanting to bid farewell to my defeated adversary, I raise my right hand into a 90 degree angle and wiggle my fingers “bye-bye” in his direction. His blood-shot, brown eyes widen, and it’s clear that he is terrified that his face will be the source of my next fireworks display.  Lucky for him my stomach growls, reminding me that my quest for a Philly Cheese Steak sandwich remains unfulfilled.

I walk away, the cherry light still flashing on top my car, so I take my bone and take a hard swing, unleashing the last set of fireworks in my perfectly-directed scene.  I get in the car, and as I start the engine, the oldies station is blaring Clarence the Frogman Henry’s song, “Ain’t Got No Home”.  It’s the best part of the song, and without hesitation I begin to tap out the rhythms on my steering wheel and sing along with Clarence in that high-pitched voice of his:

“I ain’t got no sister,
I ain’t got a brother,
I ain’t got a father,
not even a mother,
I’m a lonely boy,
I ain’t got a home.
Whoo-woo-woo-woo-woo-woo-woo-woo!
Whoo-woo-woo-woo-woo-woo-­woo-woo!”

meaning of wishtastes
desires drive delusion
devils delve deepening
seeds to root loathsome leaves
smelt cinders graying goals
craving strangled contentment
under backalley blackness
beats heart sneeze two
cavalcade blue
cacophony in fast dreams

reseized by letting go of circus surlplus
reassurance of real love is real gone
gone is the relooped sad troupe armies of needinesses
truth proofed ****! the magician disappeared
withdrew tears,fears, smears, and leers
now amongst new artful peers
The lions tail was a cobra coming with teeth under the door
awoke then broke my dreams end and don't hafta go back again
ego sinning by ego being a sin says ego
leggo my ego waffle a proper prophet
the jewels three sweet gleams eaten
gifts even the ego cant teacher the reached rifts
sewn up all dischordian accordian polka poked out eyes
belief swam away to the island of surprises
can I ? I can will it . Will then be faithful to real action.
kung fooled schools chop trees sticks
paper stones throw away
I can walk 6 feet on airs invisilbe stairs
ears heard alistening stream just the branch that froots
Shotgun riding to the holy holy holy
Dee vine

A woman traipsed with the whole company of ballet;
She was but only a soloist, a mere sujet.
Her companions wore clothes for traveling hard,
But our sujet, she dressed in dancing shoes and leotard.
Her head was upturned and her nose pointed
High, as if by a great saint she had been anointed.
With ease she stretched into each dainty pose
But no other ballerina saw the bandages wrapped around her toes,
Which she had to replace every other hour;
Seeing her bleeding sores did often make her cower.
To the other ballerinas she was dismissive and ****
But her oft-clenched fists belied the faltering of her heart.
Her chestnut hair she had dyed golden like the rest
And her curves became thin so she would dance her very best;
She had hidden herself inside ‘till her olive skin turned pale,
Believing if she fit in, at her craft she never could fail.
Instead of breaking her fast or supping at night
She practiced her art and took nary a bite.
The ballet troupe sneered while the sujet put on her airs
Yet I know she wept at the ice hardened in their stares.

where's the rain-man? where's the rain-man? where's the rain-man (comparison)? oh wait, in the interpretation of art by feminism: successful artist... house, wife, children... no... chauvinism's interpretation: desolation, desolation, car-boot sale for the rich at sotheby's - or nietzsche the inspiring thought in benito mussolini's mouth.

after edging to provide legal guidance
for the turkish shop by exposing the
legal balance worth a public bench
enclosed in the turk's caravan,
i became known as mathias del rado
(turkçe parçaladı), deltore, de amore (amoré)
bull's charging eye amore... olé! amoré!
que sera, sera... c'est la vie... well,
i do enjoy drinking and pretending to have
my shadow partner in ping-pong
always win... but why would i need to
feed a common consensus of drinking /
****** who masturbated prior having
the scalpel into the soft kangaroo hand-replica
when society eagerly sells and taxes the stimulant?
they criminalise the escapees of reality
ranging from classification A, B to C...
alcoholics aren't even categorised as D... we're
the troupe labelled Z... yet we're the most
economic addicts, we don't deal with shady
warlord economy, just dull political economy...
the two disparage when one shoots you
in the head and the other talks about an opinion
being free from dialectics... an opinion
free from dialectics (akin to shelling,
bullets whizzing past) is what entrenched
the germans and the english in belgium.
loved the film Ida (2013) though, an oscar contender,
not really black narcissus (but that's not the point),
english language movies can't ever capture
the purest existentialism of loneliness,
the way Ida was shot, black & white...
the poverty of the landscape, the Hopper like
moments after serious moments, honing
on the stasis of the the world and movement of
beings... the way one went back to the nunnery
with the truth of being spared by her family's
killer who purposively dug the grave and gave
back the remains of his butchery...
her aunt's suicide that was almost a secondary
comedy of the everyday shattered vase
in dialogue: i'm sorry, i broke the vase,
but did anything happen to you? no...
then there's nothing broken! the way she did her
final routine the last time,
shagged drunk, woke up and forgot it wasn't
her father, took a bath, turned on music,
got dressed in a jacket, but nothing beneath the waist,
and just jumped out of the window...
the music continued playing, the camera froze
on the scene as an infinite number of things
could have happened... then the nun Ida
embodied her nun, took to wearing heels,
a dress, showing her hair, drinking *****
spiralling in a window-curtain, smoking,
embodying her last remnant connection to a past
of jewry, imaging whether she could live out
the temptations suggested by her aunt...
she ****** the saxophone player and while
in bed she asked with dogmatic undertones
of useful regime instilled in her from early on:
and then? and then?
'a dog, children... and after that life's problems,'
he answered her.
she woke early and donned her nun outfit
and with a sense of courage retreated into
the convent. i mean, a great film...
but then mr. turner came up:
painting used to be so expensive,
all the necessary chemists to give aquamarine pigments,
poetry used to be expensive too,
write a poem, send a 100 men into a godforsaken war...
now technology has enabled painting
to be cheap, so cheap that graffiti tagging with spray
does the trick on a concrete grey slab of canvas...
and so poetry has become cheap too,
emotions have cheapened, people do not really
have ennobling emotions that might quake
100 men to go to war... perhaps 10 down the pub,
but war? not really... but it still leaves me detached,
admiring vintage cars from the 20th century on the driveways,
the way the familial cars dwarf trade cars (white mini van, e.g.),
for example the *mercury 1956 montclair 4-door hardtop,
or the ford zephyr zodiac mark ii "lowline" saloon,
back in the day when people didn't make their life
compact, when girls modelling where the day
of modern day pornstars rather than shaped like coat-hangers,
and when people didn't make their life compact
and holiday resorts from mexico to kenya to australia
also compact in terms of their generics of cloning.

October roads are littered with nostalgia;

auburn and crimson embers sink

like ash to the ground,

perpetually estranged from the spirited conflagration

as an old man is estranged from his wife of fifty years

after knowing her when her eyes bore the lucidity of an autumn sky,

after knowing her when her fair hair was full and gleaming,

after knowing her when she was able to distinguish the fact

that he was the man she loved,

before her mind became opaque and disjointed,

before her skin became as brittle as a desiccated maple leaf,

before she lost the steadiness to hold a sheaf of papers

without causing them to tremble

as a blazing autumn oak tree trembles lugubriously in the wind.



As he crunches down the

worn, flaming path,

his arthritic fingers clumped in a gnarled fist

deep within the recesses of his jacket pockets,

the old man smiles dejectedly as a young couple passes by,

their spry Labrador trotting happily by their side.

How it was, he muses, scuffing a stone along with his shoe,

to hold her hand and walk down here this time every fall.



A few minutes later he happens across a spindly sapling,

its arms thin as matchsticks,

its leaves defiantly clinging to its last remains of green

despite knowing that ruthless Nature will inevitably drain it all away.

The sight of this display of childish insubordination

reminds him of his son,

once a boy as small as that little tree

with convictions as grand as a red oak.

The man turns his face and shuffles along;

he has neither seen

nor heard

from his son for several years now,

not since her death drove him away to a place

where autumn does not exist;

to dwell upon it is to be struck

with great sorrow and longing,

like strained branches keening under intense wind.



Turning around,

the old man hunches his shoulders

in a futile effort to keep the chill from freezing his ears.

He grimaces; his hip never was the same,

not since the accident.

She patched me up, though, he recalls longingly,

she patched me up real good.

Didn’t even need a doctor. He chuckles.

Didn’t even need a doctor.

I bet she could’ve stitched me up better

with a needle and that blue thread of hers

than that uppity man with his nose in the air

like he was trying to find the sun.

And he didn’t do a good job, neither.

But I know she could’ve.

She could do just about anything.



A troupe of jack-o-lanterns grin

with the unrefined skill of young children on his neighbor’s porch.

Massaging his leg as he hobbles by,

he sighs and coughs. He looked so **** cute that year—

musta been around six or seven—in that cowboy costume.

She did a real good job, putting that whole outfit together.

Even made a holster and everything.

Felt a little bad for the kid

when she wouldn’t let him put a fake gun in it, though.

The old man cranes his neck to face the twilit sky.

You don’t mind if I let him have it, anyway,

do you, darling?

I know you always said I babied the kid,

said I’d turn him into a cube of sugar,

but he came out to be a good grown man, didn’t—



He stops mid-sentence,

unable to utter that very last word.

Standing at the lip of his driveway,

he pulls his hands out of his pockets

and pries his stiff, tangled fingers apart.

Night has fallen.

So, it seems, has his happiness.

You hear their siren song in the air,
before you ever see the truck.
If it is “The Rolling Cones”,
Then my friend, you are in luck.

Where "Mister Softee" use to be
an old bald man down on his luck,
“The Rolling Cones” have sweet young things
Make **** sundaes in a cup.

These ice cream ladies sell the wares
while wearing frilly bustiers.
Men of a certain age all troupe
to wave their dollars for two scoops.

Curves and ice cream swirls can be
****, yes, but not obscene,
It’s a profitable duopoly.
They use hot babes to sell ice cream.

To differentiate their trucks
From the ******* coffee vendor “Cups”
They needed a name all their own
That’s why they’re called “The Rolling Cones”

I am just a useless metal
probably kryptonite
hated by the person
who is loved the most

I am probably kryptonite
known to everyone
but hated by all

Maybe you should join the troupe
and start hating me
because that's all my world lacks
more haters..

Lorsque le grand Byron allait quitter Ravenne,
Et chercher sur les mers quelque plage lointaine
Où finir en héros son immortel ennui,
Comme il était assis aux pieds de sa maîtresse,
Pâle, et déjà tourné du côté de la Grèce,
Celle qu'il appelait alors sa Guiccioli
Ouvrit un soir un livre où l'on parlait de lui.

Avez-vous de ce temps conservé la mémoire,
Lamartine, et ces vers au prince des proscrits,
Vous souvient-il encor qui les avait écrits ?
Vous étiez jeune alors, vous, notre chère gloire.
Vous veniez d'essayer pour la première fois
Ce beau luth éploré qui vibre sous vos doigts.
La Muse que le ciel vous avait fiancée
Sur votre front rêveur cherchait votre pensée,
Vierge craintive encore, amante des lauriers.
Vous ne connaissiez pas, noble fils de la France,
Vous ne connaissiez pas, sinon par sa souffrance,
Ce sublime orgueilleux à qui vous écriviez.
De quel droit osiez-vous l'aborder et le plaindre ?
Quel aigle, Ganymède, à ce Dieu vous portait ?
Pressentiez-vous qu'un jour vous le pourriez atteindre,
Celui qui de si haut alors vous écoutait ?
Non, vous aviez vingt ans, et le coeur vous battait
Vous aviez lu Lara, Manfred et le Corsaire,
Et vous aviez écrit sans essuyer vos pleurs ;
Le souffle de Byron vous soulevait de terre,
Et vous alliez à lui, porté par ses douleurs.
Vous appeliez de **** cette âme désolée ;
Pour grand qu'il vous parût, vous le sentiez ami
Et, comme le torrent dans la verte vallée,
L'écho de son génie en vous avait gémi.
Et lui, lui dont l'Europe, encore toute armée,
Écoutait en tremblant les sauvages concerts ;
Lui qui depuis dix ans fuyait sa renommée,
Et de sa solitude emplissait l'univers ;
Lui, le grand inspiré de la Mélancolie,
Qui, las d'être envié, se changeait en martyr ;
Lui, le dernier amant de la pauvre Italie,
Pour son dernier exil s'apprêtant à partir ;
Lui qui, rassasié de la grandeur humaine,
Comme un cygne à son chant sentant sa mort prochaine,
Sur terre autour de lui cherchait pour qui mourir...
Il écouta ces vers que lisait sa maîtresse,
Ce doux salut lointain d'un jeune homme inconnu.
Je ne sais si du style il comprit la richesse ;
Il laissa dans ses yeux sourire sa tristesse :
Ce qui venait du coeur lui fut le bienvenu.

Poète, maintenant que ta muse fidèle,
Par ton pudique amour sûre d'être immortelle,
De la verveine en fleur t'a couronné le front,
À ton tour, reçois-moi comme le grand Byron.
De t'égaler jamais je n'ai pas l'espérance ;
Ce que tu tiens du ciel, nul ne me l'a promis,
Mais de ton sort au mien plus grande est la distance,
Meilleur en sera Dieu qui peut nous rendre amis.
Je ne t'adresse pas d'inutiles louanges,
Et je ne songe point que tu me répondras ;
Pour être proposés, ces illustres échanges
Veulent être signés d'un nom que je n'ai pas.
J'ai cru pendant longtemps que j'étais las du monde ;
J'ai dit que je niais, croyant avoir douté,
Et j'ai pris, devant moi, pour une nuit profonde
Mon ombre qui passait pleine de vanité.
Poète, je t'écris pour te dire que j'aime,
Qu'un rayon du soleil est tombé jusqu'à moi,
Et qu'en un jour de deuil et de douleur suprême
Les pleurs que je versais m'ont fait penser à toi.

Qui de nous, Lamartine, et de notre jeunesse,
Ne sait par coeur ce chant, des amants adoré,
Qu'un soir, au bord d'un lac, tu nous as soupiré ?
Qui n'a lu mille fois, qui ne relit sans cesse
Ces vers mystérieux où parle ta maîtresse,
Et qui n'a sangloté sur ces divins sanglots,
Profonds comme le ciel et purs comme les flots ?
Hélas ! ces longs regrets des amours mensongères,
Ces ruines du temps qu'on trouve à chaque pas,
Ces sillons infinis de lueurs éphémères,
Qui peut se dire un homme et ne les connaît pas ?
Quiconque aima jamais porte une cicatrice ;
Chacun l'a dans le sein, toujours prête à s'ouvrir ;
Chacun la garde en soi, cher et secret supplice,
Et mieux il est frappé, moins il en veut guérir.
Te le dirai-je, à toi, chantre de la souffrance,
Que ton glorieux mal, je l'ai souffert aussi ?
Qu'un instant, comme toi, devant ce ciel immense,
J'ai serré dans mes bras la vie et l'espérance,
Et qu'ainsi que le tien, mon rêve s'est enfui ?
Te dirai-je qu'un soir, dans la brise embaumée,
Endormi, comme toi, dans la paix du bonheur,
Aux célestes accents d'une voix bien-aimée,
J'ai cru sentir le temps s'arrêter dans mon coeur ?
Te dirai-je qu'un soir, resté seul sur la terre,
Dévoré, comme toi, d'un affreux souvenir,
Je me suis étonné de ma propre misère,
Et de ce qu'un enfant peut souffrir sans mourir ?
Ah ! ce que j'ai senti dans cet instant terrible,
Oserai-je m'en plaindre et te le raconter ?
Comment exprimerai-je une peine indicible ?
Après toi, devant toi, puis-je encor le tenter ?
Oui, de ce jour fatal, plein d'horreur et de charmes,
Je veux fidèlement te faire le récit ;
Ce ne sont pas des chants, ce ne sont pas des larmes,
Et je ne te dirai que ce que Dieu m'a dit.

Lorsque le laboureur, regagnant sa chaumière,
Trouve le soir son champ rasé par le tonnerre,
Il croit d'abord qu'un rêve a fasciné ses yeux,
Et, doutant de lui-même, interroge les cieux.
Partout la nuit est sombre, et la terre enflammée.
Il cherche autour de lui la place accoutumée
Où sa femme l'attend sur le seuil entr'ouvert ;
Il voit un peu de cendre au milieu d'un désert.
Ses enfants demi-nus sortent de la bruyère,
Et viennent lui conter comme leur pauvre mère
Est morte sous le chaume avec des cris affreux ;
Mais maintenant au **** tout est silencieux.
Le misérable écoute et comprend sa ruine.
Il serre, désolé, ses fils sur sa poitrine ;
Il ne lui reste plus, s'il ne tend pas la main,
Que la faim pour ce soir et la mort pour demain.
Pas un sanglot ne sort de sa gorge oppressée ;
Muet et chancelant, sans force et sans pensée,
Il s'assoit à l'écart, les yeux sur l'horizon,
Et regardant s'enfuir sa moisson consumée,
Dans les noirs tourbillons de l'épaisse fumée
L'ivresse du malheur emporte sa raison.

Tel, lorsque abandonné d'une infidèle amante,
Pour la première fois j'ai connu la douleur,
Transpercé tout à coup d'une flèche sanglante,
Seul je me suis assis dans la nuit de mon coeur.
Ce n'était pas au bord d'un lac au flot limpide,
Ni sur l'herbe fleurie au penchant des coteaux ;
Mes yeux noyés de pleurs ne voyaient que le vide,
Mes sanglots étouffés n'éveillaient point d'échos.
C'était dans une rue obscure et tortueuse
De cet immense égout qu'on appelle Paris :
Autour de moi criait cette foule railleuse
Qui des infortunés n'entend jamais les cris.
Sur le pavé noirci les blafardes lanternes
Versaient un jour douteux plus triste que la nuit,
Et, suivant au hasard ces feux vagues et ternes,
L'homme passait dans l'ombre, allant où va le bruit.
Partout retentissait comme une joie étrange ;
C'était en février, au temps du carnaval.
Les masques avinés, se croisant dans la fange,
S'accostaient d'une injure ou d'un refrain banal.
Dans un carrosse ouvert une troupe entassée
Paraissait par moments sous le ciel pluvieux,
Puis se perdait au **** dans la ville insensée,
Hurlant un hymne impur sous la résine en feux.
Cependant des vieillards, des enfants et des femmes
Se barbouillaient de lie au fond des cabarets,
Tandis que de la nuit les prêtresses infâmes
Promenaient çà et là leurs spectres inquiets.
On eût dit un portrait de la débauche antique,
Un de ces soirs fameux, chers au peuple romain,
Où des temples secrets la Vénus impudique
Sortait échevelée, une torche à la main.
Dieu juste ! pleurer seul par une nuit pareille !
Ô mon unique amour ! que vous avais-je fait ?
Vous m'aviez pu quitter, vous qui juriez la veille
Que vous étiez ma vie et que Dieu le savait ?
Ah ! toi, le savais-tu, froide et cruelle amie,
Qu'à travers cette honte et cette obscurité
J'étais là, regardant de ta lampe chérie,
Comme une étoile au ciel, la tremblante clarté ?
Non, tu n'en savais rien, je n'ai pas vu ton ombre,
Ta main n'est pas venue entr'ouvrir ton rideau.
Tu n'as pas regardé si le ciel était sombre ;
Tu ne m'as pas cherché dans cet affreux tombeau !

Lamartine, c'est là, dans cette rue obscure,
Assis sur une borne, au fond d'un carrefour,
Les deux mains sur mon coeur, et serrant ma blessure,
Et sentant y saigner un invincible amour ;
C'est là, dans cette nuit d'horreur et de détresse,
Au milieu des transports d'un peuple furieux
Qui semblait en passant crier à ma jeunesse,
« Toi qui pleures ce soir, n'as-tu pas ri comme eux ? »
C'est là, devant ce mur, où j'ai frappé ma tête,
Où j'ai posé deux fois le fer sur mon sein nu ;
C'est là, le croiras-tu ? chaste et noble poète,
Que de tes chants divins je me suis souvenu.
Ô toi qui sais aimer, réponds, amant d'Elvire,
Comprends-tu que l'on parte et qu'on se dise adieu ?
Comprends-tu que ce mot la main puisse l'écrire,
Et le coeur le signer, et les lèvres le dire,
Les lèvres, qu'un baiser vient d'unir devant Dieu ?
Comprends-tu qu'un lien qui, dans l'âme immortelle,
Chaque jour plus profond, se forme à notre insu ;
Qui déracine en nous la volonté rebelle,
Et nous attache au coeur son merveilleux tissu ;
Un lien tout-puissant dont les noeuds et la trame
Sont plus durs que la roche et que les diamants ;
Qui ne craint ni le temps, ni le fer, ni la flamme,
Ni la mort elle-même, et qui fait des amants
Jusque dans le tombeau s'aimer les ossements ;
Comprends-tu que dix ans ce lien nous enlace,
Qu'il ne fasse dix ans qu'un seul être de deux,
Puis tout à coup se brise, et, perdu dans l'espace,
Nous laisse épouvantés d'avoir cru vivre heureux ?
Ô poète ! il est dur que la nature humaine,
Qui marche à pas comptés vers une fin certaine,
Doive encor s'y traîner en portant une croix,
Et qu'il faille ici-bas mourir plus d'une fois.
Car de quel autre nom peut s'appeler sur terre
Cette nécessité de changer de misère,
Qui nous fait, jour et nuit, tout prendre et tout quitter.
Si bien que notre temps se passe à convoiter ?
Ne sont-ce pas des morts, et des morts effroyables,
Que tant de changements d'êtres si variables,
Qui se disent toujours fatigués d'espérer,
Et qui sont toujours prêts à se transfigurer ?
Quel tombeau que le coeur, et quelle solitude !
Comment la passion devient-elle habitude,
Et comment se fait-il que, sans y trébucher,
Sur ses propres débris l'homme puisse marcher ?
Il y marche pourtant ; c'est Dieu qui l'y convie.
Il va semant partout et prodiguant sa vie :
Désir, crainte, colère, inquiétude, ennui,
Tout passe et disparaît, tout est fantôme en lui.
Son misérable coeur est fait de telle sorte
Qu'il fuit incessamment qu'une ruine en sorte ;
Que la mort soit son terme, il ne l'ignore pas,
Et, marchant à la mort, il meurt à chaque pas.
Il meurt dans ses amis, dans son fils, dans son père,
Il meurt dans ce qu'il pleure et dans ce qu'il espère ;
Et, sans parler des corps qu'il faut ensevelir,
Qu'est-ce donc qu'oublier, si ce n'est pas mourir ?
Ah ! c'est plus que mourir, c'est survivre à soi-même.
L'âme remonte au ciel quand on perd ce qu'on aime.
Il ne reste de nous qu'un cadavre vivant ;
Le désespoir l'habite, et le néant l'attend.

Eh bien ! bon ou mauvais, inflexible ou fragile,
Humble ou fier, triste ou ***, mais toujours gémissant,
Cet homme, tel qu'il est, cet être fait d'argile,
Tu l'as vu, Lamartine, et son sang est ton sang.
Son bonheur est le tien, sa douleur est la tienne ;
Et des maux qu'ici-bas il lui faut endurer
Pas un qui ne te touche et qui ne t'appartienne ;
Puisque tu sais chanter, ami, tu sais pleurer.
Dis-moi, qu'en penses-tu dans tes jours de tristesse ?
Que t'a dit le malheur, quand tu l'as consulté ?
Trompé par tes amis, trahi par ta maîtresse,
Du ciel et de toi-même as-tu jamais douté ?

Non, Alphonse, jamais. La triste expérience
Nous apporte la cendre, et n'éteint pas le feu.
Tu respectes le mal fait par la Providence,
Tu le laisses passer, et tu crois à ton Dieu.
Quel qu'il soit, c'est le mien ; il n'est pas deux croyances
Je ne sais pas son nom, j'ai regardé les cieux ;
Je sais qu'ils sont à Lui, je sais qu'ils sont immenses,
Et que l'immensité ne peut pas être à deux.
J'ai connu, jeune encore, de sévères souffrances,
J'ai vu verdir les bois, et j'ai tenté d'aimer.
Je sais ce que la terre engloutit d'espérances,
Et, pour y recueillir, ce qu'il y faut semer.
Mais ce que j'ai senti, ce que je veux t'écrire,
C'est ce que m'ont appris les anges de douleur ;
Je le sais mieux encore et puis mieux te le dire,
Car leur glaive, en entrant, l'a gravé dans mon coeur :

Créature d'un jour qui t'agites une heure,
De quoi viens-tu te plaindre et qui te fait gémir ?
Ton âme t'inquiète, et tu crois qu'elle pleure :
Ton âme est immortelle, et tes pleurs vont tarir.

Tu te sens le coeur pris d'un caprice de femme,
Et tu dis qu'il se brise à force de souffrir.
Tu demandes à Dieu de soulager ton âme :
Ton âme est immortelle, et ton coeur va guérir.

Le regret d'un instant te trouble et te dévore ;
Tu dis que le passé te voile l'avenir.
Ne te plains pas d'hier ; laisse venir l'aurore :
Ton âme est immortelle, et le temps va s'enfuir

Ton corps est abattu du mal de ta pensée ;
Tu sens ton front peser et tes genoux fléchir.
Tombe, agenouille-toi, créature insensée :
Ton âme est immortelle, et la mort va venir.

Tes os dans le cercueil vont tomber en poussière
Ta mémoire, ton nom, ta gloire vont périr,
Mais non pas ton amour, si ton amour t'est chère :
Ton âme est immortelle, et va s'en souvenir.

Eleanor stepped from the rear platform of the caboose as they were sidelined to let a freight
Pass she mused how she loved freight trains how romantic they were the gust of night air from the
Passing train that and the sound the train made was intoxicating she too was a piece of heaven she only
Had a blanket wrapped around her body just above her breast her blonde hair was wet it had deep
Comb lines she presented the highest qualities of womanhood freshness innocence a wild freedom a
Tenderness her face expressed a look of longing a yearning the call that commanded wonder she picked
Up the natural richness from the golden sunset as they traveled west the silver stream that was wide in
The river they ran alongside for many miles this night it had been her bathing pool bemusement and
Wistfulness came from her eyes and played on her face there to was a sadness a mystery that spoke of
Pain she was travelling with a music troupe on the cheap she stated to stroll in the dark up the length of
The train first she encountered the only Spanish man in the group he was setting with his back against
The train on the rail at first quiet and thoughtful was his tune you visualized walking down the dark quiet
Street of a Spanish village then he increased with a fastness you could hear Olay the scene quickly
Changed to the famed bull fight in the great arena he played slow and softly making you feel the
Tenseness as the great Matador faced the great beast the first pass was letter perfect the grace the cape
Moved in a half circle then he spoke Toro the bull charged but in the blink of an eye the Matador saw
The bull turn his head with those massive horns it caught him in the side and then the terror of a human
Doll being tossed and stomped the cadence of the guitar told it all the day would go to the bull glory and
Honor would go to the dead Matador she continued to walk as the guitar sound faded only to be picked
Up by the sound of a rich trumpet it pierced the sweet night the distant pine seemed to sway in
Appreciation the lone Coyote not to be out done howled his plaintive cry to the magnetic moon the
Expanse of the dark southwest night was the fulfilling and telling of the tale many ghost rose that night
Native American people always on the move in their nomadic way the wild mustang were real they
Stood grazing in the lush grass just across the river Eleanor with her rich creamy skin seemed as a dream
Passing between them made perfection call out from a night train

I lived in Pyongyang,
Breathing to be wired to follow my father’s footsteps.
Taught all day the greatness of our homeland.
As a kid, I sunk into their teaching,
But now seen as propaganda through my grown eyes.
I dreamed of leading my own troupe
Into battle, for my great country, to stand with pride
As I was destined to protect it.


Out of grief and sadness
A cry stretched its ways to my ears.
The great leader fell
From swell to nothing well.
I was told we were to go on holiday
In Gyeong-Seong forced to stay.
Moving in and out of it to see the light of day.
No longer blinded from my homeland’s falsehood
Tricks and tactics meant for military
Used against it for my own tranquility.
Oh! The irony.


Now grown up, with a new dream.
I no longer see Joseon the way it used to seem,
I say my story as a North Korean defector in hope,
hope to see better lives for those who reside there.
In my oh so forsaken great homeland Joseon.

God took my soul

This morning.

In the poet's nook,
Ye old adirondacke chair, turned about face!
My back to the bay,
In order to feel the early morn sun kisses
Excavate the approaching fall chills.

I don't possess any more the skills,
Making images, that take your breath away.

All my poetry plain spoke, another trademark.

Simple verse what I feel, what I see,
What I know,
Like Jason sings,
Almost out of words.

So the sun rays enveloped,
Speaking in tones dulcet,
Thru them into my pores,
He spoke, a song for the soul,
Is simple words, just like mine,
Oil and spices of passing over,
They, his troupe, poured,
Cinnamon and myrrh, oil of balsam,
Upon my tired head.

Child of mine,
Needy for you,
Needy for a poet
To sit besides my throne,
On my right,

In need for someone who sees
Just like me, the extraordinary,
In the everyday things that populate
The earth, the kindness of loving,
The planets, the loving of kindness.

You, yeoman job done and done.
Poems drip from your eyes,
Glory, Glory, Glory,
To man to woman, their
Shapes unique, their foibles, amusing,
Understanding that the pieces
Do all fit.

Needy for your-perspective to give to
Another.

It's time,
Close your eyes,
For your journey,
To new places,
Where you will lyre us, we-who await you,
Our daily poet-writer.

Your love is now
Our responsibility.
Your responsibilities, now
Our love to tend.

Just bring alone those
Pocket tissues, used and new,
That you always carry,
To wipe the tears yet to arrive,
And the ones you shed,
Even now,
As we begin
All over again.

~~~
8:36am
August 24 2013