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"thumbing" poems
My dream girl found a lover She speaks of him in rhyming lines the joy she feels dancing between every heart shaped syllable, thumbing it's nose at my breaking heart. My dream girl found a lover the deal was sealed with a rain soaked kiss and hands that fit just-so. A love tightly bound, according to her rose tinted ink. My dream girl found a lover I hope he hears the fragility in her sighs over the beauty that radiates when her smile crinkles her nose, for that alone can distract a man from the sound of breaking. My dream girl found a lover to mend her broken heart, a coveted position filled. Leaving me forever dreaming of almosts and half smiles.
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Dec 7, 2014
Dec 7, 2014 at 4:12 PM UTC
Almosts and half smiles
if you’re laying in bed wrapped up in sheets of miserable thought, go to sleep if thumbing through old messages only causes your heart to ache and long for something unattainable erase them if it hurts to keep everything you’re feeling bottled up inside let it out if you’re clinging onto someone that doesn’t treat you like you’re worth the world let them go because sometimes we choose to believe that things are only indistinguishable shades of gray when in reality, life is more black and white than it seems if you’re unhappy with the way you are living your life change it
0
May 10, 2013
May 10, 2013 at 11:28 AM UTC
black & white
The clock gets me. It comes to me in the middle of the night Pulls back the sheets and says, "Hey fucko." Then it lifts open my sobby wet sand-encrusted lids, It knows when I'm trying at sleep, pumping quarters Like I was swallowing yawns, sometimes I try to squint Harder and take a dream to the next level, whatever The next level is. It's like Friday night when I wanted to go Out to do something, whatever something is. Because I know that if I don't I'll miss that thing that's so Important that if I were to miss it the clock wouldn't come for me Again. And on Tuesday's when I'm knotting a dream around 2 o' clock In the morning, my web-footed adventure, say, killing your Boyfriend, say Fighting the Nazis, say, Rediscovering that you sent nudie pics to That rando guy we met in that club that lives in Prague- I throw the clock at the ******* wall. Because who knows, I make the bed wrong Or maybe I don't cook right, or look right, or Smile the right way at the right Time. And you start thinking that I have to die. The bane of my existence is an imagined feat in your Walnut-sized brain, slowly numbing us while we're Supposed to be, say Listening to the rich, Oxford voice of David Attenborough. Instead you're thumbing through that index of CVS cashiers, just trying to find a scruffy face To flip your digits to, your homemade justification. It becomes A feat, an unjust cause of mine to Get it right, that imaginative and artificial bit you've Been sewing up Monday twilight. That's when I go out and jaw your sister, somewhere between A smirk on your face and a bit of anger at the end of your sentences.
0
May 2, 2014
May 2, 2014 at 3:19 PM UTC
F**k Jaw
The clock gets me. It comes to me in the middle of the night Pulls back the sheets and says, "Hey fucko." Then it lifts open my sobby wet sand-encrusted lids, It knows when I'm trying at sleep, pumping quarters Like I was swallowing yawns, sometimes I try to squint Harder and take a dream to the next level, whatever The next level is. It's like Friday night when I wanted to go Out to do something, whatever something is. Because I know that if I don't I'll miss that thing that's so Important that if I were to miss it the clock wouldn't come for me Again. And on Tuesday's when I'm knotting a dream around 2 o' clock In the morning, my web-footed adventure, say, killing your Boyfriend, say Fighting the Nazis, say, Rediscovering that you sent nudie pics to That rando guy we met in that club that lives in Prague- I throw the clock at the ******* wall. Because who knows, I make the bed wrong Or maybe I don't cook right, or look right, or Smile the right way at the right Time. And you start thinking that I have to die. The bane of my existence is an imagined feat in your Walnut-sized brain, slowly numbing us while we're Supposed to be, say Listening to the rich, Oxford voice of David Attenborough. Instead you're thumbing through that index of CVS cashiers, just trying to find a scruffy face To flip your digits to, your homemade justification. It becomes A feat, an unjust cause of mine to Get it right, that imaginative and artificial bit you've Been sewing up Monday twilight. That's when I go out and jaw your sister, somewhere between A smirk on your face and a bit of anger at the end of your sentences.
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37
Petite arctic terns navigate the sky on epic migration wings clocking 45,000 miles each year it seems they know how to go with the flow by thumbing a lift on atmospheric airways that crisscross the planet adding thousands of seemingly needless miles to an already arduous journey flocks congregate in open ocean to rest and fuel up on fish and krill for the last push home these tenacious birds understand the cliché it's all about the journey they synchronize with invisible currents because to beat into the wind is a futile expenditure they pause in community to re-energize and feed on unfathomable bounty four ounces of feather and hollow bone instinctively holds these truths there is much to be learned from an arctic tern.
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Jan 15, 2016
Jan 15, 2016 at 1:57 PM UTC
Arctic Tern
Bodhidharma, the first Zen patriarch, told Emperor Wu that merit meant nothing; but great emptiness revealed by sitting facing a wall had great merit. Wu was perplexed. Patriarch number two, Hui-k’o, faced a granite wall in a forest for seven years; it became his beloved. Seng-Tsan, the third Zen patriarch wrote poems and his legendary Hsinhsinming verse transcended all the unnecessary duality in the mind’s mire. Tao-Hsin, patriarch number four, said don’t’ stare at a wall, just do the laundry and watch the clear water turn brown then pour it onto the vegetables in the garden when you’re done. Patriarch five, Hung-Jen meditated from age six staring at the horizon and said if you find the line between sky and land and sea you slip into infinity with no sky, land and sea just one place for the mind to finally rest. Hui-Neng came next; no wall no laundry water no heavenly horizon just fascinating monkey mind sometimes full, sometimes empty running whichever way, whenever, and that was all good. The 300-year Tang dynasty had three wild man patriarchs- Ma-Tzu shouted constantly; Pai-Ching did laundry, and Huang-Po told everyone they were already enlightened and should not bother with Zen at all. Lin-Chi was the Jesus of Zen who loved everybody everyday. He taught the heart’s clear natural action, compassion, not walls and laundry and trying not to think. His love was wiser than his mind. The patriarchs of zen taught more than a thousand years before I grew up an American idiot in a materialistic world populated by narcissistic borderline freaks thumbing smartphones in leather car seats never doing laundry afraid to face the walls built of brick made mortared tight together with the fear of their own compassionlessness.
0
Jun 26, 2012
Jun 26, 2012 at 1:46 AM UTC
PATRIARCHS
Bodhidharma, the first Zen patriarch, told Emperor Wu that merit meant nothing; but great emptiness revealed by sitting facing a wall had great merit. Wu was perplexed. Patriarch number two, Hui-k’o, faced a granite wall in a forest for seven years; it became his beloved. Seng-Tsan, the third Zen patriarch wrote poems and his legendary Hsinhsinming verse transcended all the unnecessary duality in the mind’s mire. Tao-Hsin, patriarch number four, said don’t’ stare at a wall, just do the laundry and watch the clear water turn brown then pour it onto the vegetables in the garden when you’re done. Patriarch five, Hung-Jen meditated from age six staring at the horizon and said if you find the line between sky and land and sea you slip into infinity with no sky, land and sea just one place for the mind to finally rest. Hui-Neng came next; no wall no laundry water no heavenly horizon just fascinating monkey mind sometimes full, sometimes empty running whichever way, whenever, and that was all good. The 300-year Tang dynasty had three wild man patriarchs- Ma-Tzu shouted constantly; Pai-Ching did laundry, and Huang-Po told everyone they were already enlightened and should not bother with Zen at all. Lin-Chi was the Jesus of Zen who loved everybody everyday. He taught the heart’s clear natural action, compassion, not walls and laundry and trying not to think. His love was wiser than his mind. The patriarchs of zen taught more than a thousand years before I grew up an American idiot in a materialistic world populated by narcissistic borderline freaks thumbing smartphones in leather car seats never doing laundry afraid to face the walls built of brick made mortared tight together with the fear of their own compassionlessness.
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59
meggie was thumbing through her fair trade “style with a conscience” holiday catalog eyeing baby organics indulgent Alpaca’s green gear for guys dining as nature intended, and the best reusable shopping bags, period! “What do you want for Christmas Dad?” “just be a good girl, meggie.” I answered. “I’m gonna get you a pair of socks for Christmas Dad.” “I don’t need an expensive pair of socks. megs... After a couple of washes one always gets lost inside the bottomless tumbler. Leaving only one to lay inside a chest of drawers, in the company of happy matched pairs, waiting to warm my Lamisil wanting toes One sock alone and unhappy its a really sad story. Radio Arcade: Socks Song Suffern 11/8/13 jbm
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Nov 8, 2013
Nov 8, 2013 at 11:16 AM UTC
A Pair of Fair Trade Socks
"hello kate ," Jack delleto says and sits down. "my name isn't kate. it's Kathleen.'" hello Dell. "sue thinks Dell is such a **** name. " what should I call you?" "how about darling?' she looks up from the whiskey glass "hello, Jack, DARLIN." her soft deep voice whispers. Kathleen crosses her legs and the black dress rides up to the middle of her thigh. Jack glances at the milky white flesh. she is drunk and Dell does not care. he leans forward, ''do you wanna dance ? "but no one else is dancing." "Well, we could go to the beach and take a walk on the sand. "It's twenty degrees outside." she swallows the last of the whiskey. "we'll freeze." "i' ll keep you warm." "all right let's  dance." "jack stands up and takes her by the hand. she rises and jack holds her close to him. jack feels her heart thumbing. she rests her head on his shoulder. "what matters most to you?" "not giving up." "what's important to you?" he asks. Kate lifts her head off his shoulder and looks into his eyes. "I don't want to be on welfare, and I want to be able to send my son to college." she rests her cheek against his. "I lived in foster care homes all my life and I always knew one day I'd have to leave. do you know the difference between a house and a home?" Her voice is a roaring whisper in his ear. "love." the song comes to an end. kate takes a cigarette from the pack. jack strikes a match and the light flickers in her eyes. "maybe someday you'll have a home." "do you want me to?" she leans forward and puts the cigarette to the flame.      "Yes." Kate blows out the match.
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May 13, 2017
May 13, 2017 at 2:25 PM UTC
circles of night and light
"hello kate ," Jack delleto says and sits down. "my name isn't kate. it's Kathleen.'" hello Dell. "sue thinks Dell is such a **** name. " what should I call you?" "how about darling?' she looks up from the whiskey glass "hello, Jack, DARLIN." her soft deep voice whispers. Kathleen crosses her legs and the black dress rides up to the middle of her thigh. Jack glances at the milky white flesh. she is drunk and Dell does not care. he leans forward, ''do you wanna dance ? "but no one else is dancing." "Well, we could go to the beach and take a walk on the sand. "It's twenty degrees outside." she swallows the last of the whiskey. "we'll freeze." "i' ll keep you warm." "all right let's  dance." "jack stands up and takes her by the hand. she rises and jack holds her close to him. jack feels her heart thumbing. she rests her head on his shoulder. "what matters most to you?" "not giving up." "what's important to you?" he asks. Kate lifts her head off his shoulder and looks into his eyes. "I don't want to be on welfare, and I want to be able to send my son to college." she rests her cheek against his. "I lived in foster care homes all my life and I always knew one day I'd have to leave. do you know the difference between a house and a home?" Her voice is a roaring whisper in his ear. "love." the song comes to an end. kate takes a cigarette from the pack. jack strikes a match and the light flickers in her eyes. "maybe someday you'll have a home." "do you want me to?" she leans forward and puts the cigarette to the flame.      "Yes." Kate blows out the match.
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22
Return trip from the borderlands and Maria, she's driving though she's had a little too much based on the tremors and the listless drift of the party bus from left lane to right. I'm in my Chuck Taylor's, the Warhols, the $795 collector's, thumbing through my girlfriend's Facebook timeline. She just bought a Picasso, a self-portrait. I want to stab her with the long end of my ****** shoes. They're on the carpeted floor. Jenny's on the carpeted floor too. I roll her on her side so she doesn't choke on her own ***** Hero. The path lights overhead start blinking and somebody, Kate or Kristen, I get them mixed up, starts screaming, "Strobe." We're in the left lane going ninety, ninety-five. The right lane looks weak. Jenny mumbles something as I step over her. "What's that?" I ask. "Read the quiet book. Love the quiet book. the whole human experience captured in twenty-six scattered symbols." Someone's in the ****** laughing. We go into a tunnel and everything goes quiet and thoughtful and black. Breathe in through the nose and out the same way. Click the heels together and wait.
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Mar 23, 2015
Mar 23, 2015 at 10:28 PM UTC
Post-Bachelorette
Every human walks around with a certain kind of sadness stitched into the tag in the neck of their coat. They carry it like a wallet weathered from use and old gift cards in the pocket poke at the seams. They keep it tucked away like a pressed flower in between the pages of their favorite novel and find it while they're thumbing through for that line about love that they have forgotten. They leave it in the bottom of their shoe and let it poke at their soles when they walk, and, becoming accustomed to it, no longer feel it at all.
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Jan 21, 2015
Jan 21, 2015 at 8:10 PM UTC
"Every human walks around with a certain kind of sadness." -Taraji P. Henson
Water is reeked with nicotine The souls are reeked with Ginsberg but the heads and the thoughts have both pungent smell like hot rooster comb flowers I slept last time the day before yesterday I saw the ****** Mary so beautiful in that glow of blue & gold                                            neons of Bethlehem thumbing a lift near a cadillac with CD plate & the jazz was caroling in wet sand there were twelve bars in the honour of that boy who has to come here one day finally, **** he has to come just for jamming in this world as it's said he could /!/ get all that mess of ours off ourselves gentlemanly playing the part.
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Nov 2, 2015
Nov 2, 2015 at 5:31 AM UTC
+++ by V. Hrabě (1940-1965)
billboard's calligraph -- past the haze of Manila infested by car sprawls and belching machines. magnanimous treatise of tarpaulins, people chin-up asking God with askance something like this "o god make this bearable like a mound of fresh fruits from ****** labour." maniacal sensurround: earth-shattering frequency of footsteps trampling the mouth of monolith shadows - the peak of this quake is our complete silence. rain's catharsis in effect sousing us in the blood of unreal light. this diastolic shrinkage jamming the beat of constricting vessels. the adrenaline surges within the dermis of this pretension. a collective of tired beings heeding the recherché of voice metamorphosing into form, a dagger-butterfly paring us skin to bone, cranial to visceral, soul to nothing - catapult of a trajectory spit plummeting in eased-up pace from Taft Avenue flyover to a subjugated wagon of scraps and empty wine bottles. today's paper reads: "Palace hits hiring of **** dancers" fancying to fall right in the spanked curved of this insatiate melodrama - something prayer could not save from this land's mutinous ignominy. we resume to fulfill our madness, hundreds of tack-headed people rolling down the streets of Makati, drenched with rain's trilling aftermath. squinting to look at no sun, only the grieving of skyscrape, thumbing down unidentified objects in the depth of loose pockets, desperate for home.
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Oct 2, 2015
Oct 2, 2015 at 12:39 AM UTC
Hazy Manila Headline
Her thoughts grow like weeds through swaying reeds. In her head exists a garden as bright and as varied as the tulips of Amsterdam. Each canal lined with bikes, the water flowing from one to the next. If not careful, though, that mind will overflow, overgrow with the seeds of past ill deeds. She sits still now, thumbing through her prayer beads, pleading for the protection of some modern-day Diomedes.
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May 1, 2018
May 1, 2018 at 9:48 PM UTC
Tulips of Amsterdam
Simple string slips through, complicated fingertips. Wishes, desires tied into the shape of, a single red balloon. Thumbing a ride on a Sunday breeze, Surfing its way over tops of rooted trees. Winged aerialists delicately balanced on mirrored water, The leavers dance, front row for a final show. Doing what I can never find the courage to do, Slip away, uncharted destination. Through ragged linen flowing in the sky, Past the saffron fireball, Cautiously placed beyond the horizon.
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Jul 2, 2014
Jul 2, 2014 at 6:50 PM UTC
Hitch Hiker
a guy sits here hair a twist no ordinary man but a case whatever prefix fits he knows no limitations seeks no thrill but fear holds no memory dear brains grasp simply too frail such a broken outside and gargoyles pier however he tranquilizes them anytime someone comes near yet the people abstain still no shame, no cheer they simply cannot see what purity he has in his crypt intimidated severe so let us move forward and glaze over the thick move towards the misery which anguishes him nonsense is sensical, whimsy at best rational is of logic and dreary detest ********* and thumbing he frantically does his best pulls his hair out pulls his hair out closed fist punches chest "where is she where is her name i cannot confess for it escapes me... not because but rather-" due to his distress he stopped and sighed violence cried broke down then bled red from his eyes i want her the sad one shy hurt inside abused, accursed diseased but undisguised she'll love me she will there's nothing there to hide she'll make me forget myself sing or dance or romanticize "i want her... a baby's friend the neighbor's newborn daughter the baby friend that came over as an infant, i saw her i kept the same heart but its been through a lot and now its done with slaughter i kept the same heart its growing apart i need the neighbor's daughter" it seems as though convinced he truly had the heart of a newborn ambivalent knowing no complexity purely hurt or comfort either way's a shoulder diamond or dirt seemed to be bipolar so he seeks the same not the opposite that would be a shame because no one else can relate to someone who feels the world has turned its back on fate he seeks out this girl overlooking all the beasts in his way with evil colors they mask their face appear to appeal, they may but he knows better their defenses fragile they attract a plethora to which they expose like a sinister rose the black rock in frame the black rock so hard shapely carved to which its "blacksmith" inscribes no name a black heart he sighs which holds no light might as well not exist
0
Dec 30, 2011
Dec 30, 2011 at 3:39 AM UTC
Lapidary.
a guy sits here hair a twist no ordinary man but a case whatever prefix fits he knows no limitations seeks no thrill but fear holds no memory dear brains grasp simply too frail such a broken outside and gargoyles pier however he tranquilizes them anytime someone comes near yet the people abstain still no shame, no cheer they simply cannot see what purity he has in his crypt intimidated severe so let us move forward and glaze over the thick move towards the misery which anguishes him nonsense is sensical, whimsy at best rational is of logic and dreary detest ********* and thumbing he frantically does his best pulls his hair out pulls his hair out closed fist punches chest "where is she where is her name i cannot confess for it escapes me... not because but rather-" due to his distress he stopped and sighed violence cried broke down then bled red from his eyes i want her the sad one shy hurt inside abused, accursed diseased but undisguised she'll love me she will there's nothing there to hide she'll make me forget myself sing or dance or romanticize "i want her... a baby's friend the neighbor's newborn daughter the baby friend that came over as an infant, i saw her i kept the same heart but its been through a lot and now its done with slaughter i kept the same heart its growing apart i need the neighbor's daughter" it seems as though convinced he truly had the heart of a newborn ambivalent knowing no complexity purely hurt or comfort either way's a shoulder diamond or dirt seemed to be bipolar so he seeks the same not the opposite that would be a shame because no one else can relate to someone who feels the world has turned its back on fate he seeks out this girl overlooking all the beasts in his way with evil colors they mask their face appear to appeal, they may but he knows better their defenses fragile they attract a plethora to which they expose like a sinister rose the black rock in frame the black rock so hard shapely carved to which its "blacksmith" inscribes no name a black heart he sighs which holds no light might as well not exist
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100
The Record Store died and the windows, some broken; held the light of day in transparent tangles, sharp cracks in spiky slabs of glass. Red splints... fissures of bluish tint, silver yellows glint in shifts, misfit prisms. An old poster roasting an English Invasion, facing the setting sun's horizontal furnace. Here and there, the odd box, coats of dust, strips of beige tape; these huddle in long shadows of analog. Looking in - hands on either side of your father's face, you can almost see hipsters thumbing empty bins, like bowling pins in an empty lane. Bowling pins wearing scarves. I shuffle my pod and rock on.
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Mar 22, 2012
Mar 22, 2012 at 5:35 PM UTC
APPLES ARE CANNIBALS
And now there's a gap where the last eight hours should hang sitting in a hospital bed looking at my boss across the way arms crossed, thumbing his mustache like cleaning a brush He says, "Forgive us, but we had your mouth reconstructed" "As well as your wounds healed. We didn't think you'd mind." I say, "I don't mind. I don't like liquid diets, anyway." Why does it hurt so much? No work for me for now. He tells me I'm dying and that I'm strung out too far! Tells me I'm putting too much in to what turns to scar. Take some time off he says and give myself a chance. Forgotten for so long to grin and ask myself to dance. So I say, so say you, and I'll try but I'm fine. And now there's a plan unfolding without my direct discretion I can feel strings somewhere above as they're pulled softly I sleep on the train after dressing up doll-like at home Makeup and suicide tools wrapped around my curves in laughing walls A women in red locks is taunting me from inside her ward, so familiar "I should never have let you go," I say as I'm approaching "I could have found you out," I say but she laughs once more And sets herself on fire Nothing but ash before me just out of reach The dust swirling Motes of adolescence tickling my fingertips Why does it hurt so much? Waking I can't place her face. Arrive at The Roxy. Beneath her neon sign I absorb cold rain in a way that makes my spine quake. And inside the lobby, through my boots, I feel the floor erupting from the music just through the doors. Why do I come here? Knowing there's nothing. I'm nothing.
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Dec 16, 2013
Dec 16, 2013 at 10:48 PM UTC
Full Green Moon: Sudden Jarring Displacement
And now there's a gap where the last eight hours should hang sitting in a hospital bed looking at my boss across the way arms crossed, thumbing his mustache like cleaning a brush He says, "Forgive us, but we had your mouth reconstructed" "As well as your wounds healed. We didn't think you'd mind." I say, "I don't mind. I don't like liquid diets, anyway." Why does it hurt so much? No work for me for now. He tells me I'm dying and that I'm strung out too far! Tells me I'm putting too much in to what turns to scar. Take some time off he says and give myself a chance. Forgotten for so long to grin and ask myself to dance. So I say, so say you, and I'll try but I'm fine. And now there's a plan unfolding without my direct discretion I can feel strings somewhere above as they're pulled softly I sleep on the train after dressing up doll-like at home Makeup and suicide tools wrapped around my curves in laughing walls A women in red locks is taunting me from inside her ward, so familiar "I should never have let you go," I say as I'm approaching "I could have found you out," I say but she laughs once more And sets herself on fire Nothing but ash before me just out of reach The dust swirling Motes of adolescence tickling my fingertips Why does it hurt so much? Waking I can't place her face. Arrive at The Roxy. Beneath her neon sign I absorb cold rain in a way that makes my spine quake. And inside the lobby, through my boots, I feel the floor erupting from the music just through the doors. Why do I come here? Knowing there's nothing. I'm nothing.
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47
By Me, the Great Duncan Fickle and ever indecisive, Destiny such a mistress Taunting at my soul, Yet, When it shines in your favor, Such a shine, shimmering with your jubilation for everyone to see Hopeing was now a tired act, Always the same night, same time, Deep in sleep wanting nothing more, Than to wake to someone, Anyone to just ease this, This tragic ironic loneliness I had put myself in "Why?!" I screamed to the heavens of my dark ceiling, Calling a question that mockingly, Never was answered, Yet No more, Live, I whisper to the glass and grass, Flowing and burning, Mimicking the nights, Speeding by, Blurs on a deserted and dark, desolated highway, thumbing my way down, Trying, searching, For the tell tale signs of destiny, Shimmering on the horizon, Till, Finally, in a bar, "Let the night begin!" We yell as we begin our hunt, Laughing, yet always on the scout, Never seeing her, Passing oh so close, Almost! The clock ticked down, Closer and closer as Destiny, That fickle mistress of my nightmares, As deemed fit, I met her tonight, For all my cries in the night, For all my past failures, For all the ones lost, I would find the one, I've been asking for, But only just, As the clock, Ticks, Down, Ever, Closer, Till... She smiles sweetly, I see her, only her, The rest is blurred, Distorted in the wake, Of the beauty, Radiating, Only for me Another smile, From on high, Destiny laughs, We embrace, A sigh, Happily, My question answered, "Why?!" I had screamed, Her, Destiny answered
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May 20, 2013
May 20, 2013 at 4:05 PM UTC
Happenstance of Destiny
By Me, the Great Duncan Fickle and ever indecisive, Destiny such a mistress Taunting at my soul, Yet, When it shines in your favor, Such a shine, shimmering with your jubilation for everyone to see Hopeing was now a tired act, Always the same night, same time, Deep in sleep wanting nothing more, Than to wake to someone, Anyone to just ease this, This tragic ironic loneliness I had put myself in "Why?!" I screamed to the heavens of my dark ceiling, Calling a question that mockingly, Never was answered, Yet No more, Live, I whisper to the glass and grass, Flowing and burning, Mimicking the nights, Speeding by, Blurs on a deserted and dark, desolated highway, thumbing my way down, Trying, searching, For the tell tale signs of destiny, Shimmering on the horizon, Till, Finally, in a bar, "Let the night begin!" We yell as we begin our hunt, Laughing, yet always on the scout, Never seeing her, Passing oh so close, Almost! The clock ticked down, Closer and closer as Destiny, That fickle mistress of my nightmares, As deemed fit, I met her tonight, For all my cries in the night, For all my past failures, For all the ones lost, I would find the one, I've been asking for, But only just, As the clock, Ticks, Down, Ever, Closer, Till... She smiles sweetly, I see her, only her, The rest is blurred, Distorted in the wake, Of the beauty, Radiating, Only for me Another smile, From on high, Destiny laughs, We embrace, A sigh, Happily, My question answered, "Why?!" I had screamed, Her, Destiny answered
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68
Shoulder to shoulder These young men, Boys, Stood for the rights of all, Thumbing their noses At the iron fist that crushed Their people's heart, Giving voice To those rendered mute And heart To those without hope. Shoulder to shoulder These young men, Boys, Stood while bullets ripped And cannons bellowed Until they could stand no more, The word surrender Unheard and unspoken. Shoulder to shoulder These young men, Boys, Lay at peace. They lit a spark That ignited a revolution And the dreams of giants Were realized With the sacrifice of These young men, Boys, Legends.
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Aug 12, 2015
Aug 12, 2015 at 3:21 PM UTC
Revolution
Standing by the road side Thumbing a ride Sleeping Bag, Backpack And...Guitar on my back Heat rolls off the Highway Like Hallucinogenic Waves Found a Roach in my pocket Got me through the Day Nothing but 70s Buick's... And Cadillac's Roll By On the on ramp to  I-80 Rolling on to  West Skies A wish for a fast ride's best Been up for 36 Hours Popping Little White Crosses Nothing Passing by but... Military bosses......... A VW Micro-bus pulls up With a Band of Tie Died, Dead Heads, cranking Jerry Garcia The smoke the bowl, Kept on Toking Greatful Dead played "Keep on Truckin' " I Rolled off some Riffs, along with the Band Flyin' 300 miles in that beat up old Van My head got mellow, with these fine Fellows They Dropped me off in the cool of the Night And all I saw of them was their Red Tail Lights...1/27/15
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Jan 27, 2015
Jan 27, 2015 at 8:09 AM UTC
The Hitch Hiker
Enter through the double doors and it will hit you A one of a kind, nothing like you ever smelled before You will know where you are even if you’re blind. Plug in air fresheners filling all the outlets through out With a fragrance of fresh cut nectar filled flowers. Masking now the true scent of the repulsive chemicals That fill your body and flush you till you run clear. Stronger the smell, stronger my fear The closer I come to the lower room The deeper I inhale. Expanding my lungs to capacity and hold as long as I can Setting up my writing room next to the dead is my plan. Nickel silver oil lamps eight feet tall And a matching tear soaked blue velvet prayer alter Worn out from carrying all the weight from the mourners Will be my only light and seat as I sit and write. Thumbing now through a hard cover book That sat in there for many years Eyes closed and close to my nose I fan the pages as fast as I can go. Polo, Taylor, and Calvin Klein, They used to be a favorite Pores now sweat a strange new lovely kind. (CARSr.6-19-12)
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Jun 19, 2012
Jun 19, 2012 at 1:00 PM UTC
A Wolf in Sheep’s Clothing
She sent a package tied in this biege tweed cord. It turned out to be a picture of you two at the lake, that day it was cold and she wore that beanie with the flames, her hair all curly and escaping, your lips all red and chapped. A folded note tucked on the inside of the frame reads: "I have Connie, **** you Love always, smiley-face, smiley-face smiley-face, smiley-face, me." Connie: your/her rat terrier. You put the picture in its black frame on the tv table. The tweed you nail to two spaced planks on the wall above the tv. It's like abstract modernist-expressionist- constructionist-art. It's just one string. A taut cord of brown tweed. The black night comes, over and over, over and over, she doesn't return, but the tweed remains as taut as a fingernail or an exposed artery. Somehow it's so human and obstinate that the woven vertebrae seems to curve minutely and femininely. As time passes, the tweed moves from beige to golden and gravitational. A call to a friend goes something like this: "Come over here, I've got this amazing thing on my wall." The friend, Eric, calls more friends. The friends come over, all piling around this golden tweed after they've taken stock of the kitchen and Wild Turkey. They take turns plucking it, thumbing it, putting their ears to it, and studying it, all at your insistence. Somebody, ******* Eric, coughs in the room. More people begin to cough. Eric walks up to the the string, that is nailed at top and bottom on two spaced planks. Eric gives it a final hard tug, snapping it like a belt. the tweed hums and shivers off a few flakes of dust and amber material. "I've just wasted five minutes with this thing," Eric says to the string, and you. Eric speaks for the group. He turns and leaves, taking the whole group of twenty with him. They trail behind Eric like a great, long tail flicking and knocking things over in your apartment out of sheer agitation on the way out. The golden gravity subsumes you. You do not close the door behind them, you can't even hear their tiny, black voices as they all clamor into the elevator and ding.
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Nov 19, 2011
Nov 19, 2011 at 11:30 PM UTC
Why do we ever tell our friends about the people we love?
She sent a package tied in this biege tweed cord. It turned out to be a picture of you two at the lake, that day it was cold and she wore that beanie with the flames, her hair all curly and escaping, your lips all red and chapped. A folded note tucked on the inside of the frame reads: "I have Connie, **** you Love always, smiley-face, smiley-face smiley-face, smiley-face, me." Connie: your/her rat terrier. You put the picture in its black frame on the tv table. The tweed you nail to two spaced planks on the wall above the tv. It's like abstract modernist-expressionist- constructionist-art. It's just one string. A taut cord of brown tweed. The black night comes, over and over, over and over, she doesn't return, but the tweed remains as taut as a fingernail or an exposed artery. Somehow it's so human and obstinate that the woven vertebrae seems to curve minutely and femininely. As time passes, the tweed moves from beige to golden and gravitational. A call to a friend goes something like this: "Come over here, I've got this amazing thing on my wall." The friend, Eric, calls more friends. The friends come over, all piling around this golden tweed after they've taken stock of the kitchen and Wild Turkey. They take turns plucking it, thumbing it, putting their ears to it, and studying it, all at your insistence. Somebody, ******* Eric, coughs in the room. More people begin to cough. Eric walks up to the the string, that is nailed at top and bottom on two spaced planks. Eric gives it a final hard tug, snapping it like a belt. the tweed hums and shivers off a few flakes of dust and amber material. "I've just wasted five minutes with this thing," Eric says to the string, and you. Eric speaks for the group. He turns and leaves, taking the whole group of twenty with him. They trail behind Eric like a great, long tail flicking and knocking things over in your apartment out of sheer agitation on the way out. The golden gravity subsumes you. You do not close the door behind them, you can't even hear their tiny, black voices as they all clamor into the elevator and ding.
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