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SE Reimer Dec 2015
~

solstice = sun stopped; in the case of winter solstice,
the moment when the sun ceases its journey northward
from the earth’s equator and turns southward toward
longer days; much like the journey our sun takes,
love solstice then is that moment of
arrest and redirect for one’s direction of travel
in life... and in this, the moment
a Sagittarian and Capricornian
separated on two sides of the solstice,
turn, collide and coalesce.


~

hers,
the waning side,
winter's reprise,
calls to the night,
at height of eventide.
his,
on ebbing turn,
the sun's reverse,
together rise to step
as one at winter's ball.
their dance across the sky
'neath moonlit nights.
two in love,
in lockstep of
the stars above,
collide and coalesce,
their waltz amidst
the delicate pearls of
a Milky Way stage!
no more his lonely
path among the stars;
his heart she's swept,
to never dance alone;
her arrow sent with bow,
piercing to the marrow,
holds his life,
his very soul.
bold and daring,
her voice of caring,
soothes his troubled heart.
he, her promise, calls
to her adven’trous heart,
two stepping toward
a rising warming sun,
in birth that spans
the space and time between,
forever now as one;
this their solstice of love!

~

post script.

*she (late Sagittarian) is the setting-sun-kissed, rain-misted huntress,
he (early Capricornian) is the rising sun's icicled traveler.  
mere days separating their arrival, though theirs could not be
more varied.  their births under different signs; his in the wintry
heartland, hers in the sun-kissed southwest; individually they are fire
and ice, huntress and wanderer who together have captured,
captivated each the other’s heart.  you’re not likely to see them
separately, but when you do, it’s only briefly when resupplying
their home, their hearth, their hearts. two making a most unlikely one,
but oh so surprisingly, so beautifully passionate!
Nigel Morgan Dec 2013
A Tale for the Mid-Winter Season after the Mural by Carl Larrson

On the shortest day I wake before our maids from the surrounding farms have converged on Sundborn. Greta lives with us so she will be asleep in that deep slumber only girls of her age seem to own. Her tiny room has barely more than a bed and a chest for her clothes. There is my first painting of her on the wall, little more a sketch, but she was entranced, at seeing herself so. To the household she is a maid who looks after me and my studio,  though she is a literate, intelligent girl, city-bred from Gamla Stan but from a poor home, a widowed mother, her late father a drunkard.  These were my roots, my beginning, exactly. But her eyes already see a world beyond Sundborn. She covets postcards from my distant friends: in Paris, London, Jean in South America, and will arrange them on my writing desk, sometimes take them to her room at night to dream in the candlelight. I think this summer I shall paint her, at my desk, reading my cards, or perhaps writing her own. The window will be open and a morning breeze will make the flowers on the desk tremble.

Karin sleeps too, a desperate sleep born of too much work and thought and interruption. These days before Christmas put a strain on her usually calm disposition. The responsibilities of our home, our life, the constant visitors, they weigh upon her, and dispel her private time. Time in her studio seems impossible. I often catch her poised to disappear from a family coming-together. She is here, and then gone, as if by magic. With the older children home from their distant schools, and Suzanne arrived from England just yesterday morning, they all cannot do without lengthy conferences. They know better than disturb me. Why do you think there is a window set into my studio door? So, if I am at my easel there should be no knock to disturb. There is another reason, but that is between Karin and I.

This was once a summer-only house, but over the years we have made it our whole-year home. There was much attention given to making it snug and warm. My architect replaced all the windows and all the doors and there is this straw insulation between the walls. Now, as I open the curtains around my bed, I can see my breath float out into the cool air. When, later, I descend to my studio, the stove, damped down against the night, when opened and raddled will soon warm the space. I shall draw back the heavy drapes and open the wooden shutters onto the dark land outside. Only then I will stand before my current painting: *Brita and the Sleigh
.

Current!? I have been working on this painting intermittently for five years, and Brita is no longer the Brita of this picture, though I remember her then as yesterday. It is a picture of a winter journey for a six-year-old, only that journey is just across the yard to the washhouse. Snow, frost, birds gathered in the leafless trees, a sun dog in the sky, Brita pushing her empty sledge, wearing fur boots, Lisbeth’s old coat, and that black knitted hat made by old Anna. It is the nearest I have come to suggesting the outer landscape of this place. I bring it out every year at this time so I can check the light and the shadows against what I see now, not what I remember seeing then. But there will be a more pressing concern for me today, this shortest day.

Since my first thoughts for the final mural in my cycle for the Nationalmuseum I have always put this day aside, whatever I might be doing, wherever I may be. I pull out my first sketches, that book of imaginary tableaux filled in a day and a night in my tiny garden studio in Grez, thinking of home, of snow, the mid-winter, feeling the extraordinary power and shake of Adam of Bremen’s description of 10th C pre-Christian Uppsala, written to describe how barbaric and immoral were the practices and religion of the pagans, to defend the fragile position of the Christian church in Sweden at the time. But as I gaze at these rough beginnings made during those strange winter days in my rooms at the Hotel Chevilon, I feel myself that twenty-five year old discovering my artistic vision, abandoning oils for the flow and smudge of watercolour, and then, of course, Karin. We were part of the Swedish colony at Grez-sur-Loing. Karin lived with the ladies in Pension Laurent, but was every minute beside me until we found our own place, to be alone and be together, in a cupboard of a house by the river, in Marlotte.

Everyone who painted en-plein-air, writers, composers, they all flocked to Grez just south of Fontainebleau, to visit, sometimes to stay. I recall Strindberg writing to Karin after his first visit: It was as if there were no pronounced shadows, no hard lines, the air with its violet complexion is almost always misty; and I painting constantly, and against the style and medium of the time. How the French scoffed at my watercolours, but my work sold immediately in Stockholm. . . and Karin, tall, slim, Karin, my muse, my lover, my model, her boy-like figure lying naked (but for a hat) in the long grass outside my studio. We learned each other there, the technique of bodies in intimate closeness, the way of no words, the sharing of silent thoughts, together on those soft, damp winter days when our thoughts were of home, of Karin’s childhood home at Sundborn. I had no childhood thoughts I wanted to return to, but Karin, yes. That is why we are here now.

In Grez-sur-Loing, on a sullen December day, mist lying on the river, our garden dead to winter, we received a visitor, a Swedish writer and journalist travelling with a very young Italian, Mariano Fortuny, a painter living in Paris, and his mentor the Spaniard Egusquiza. There was a woman too who Karin took away, a Parisienne seamstress I think, Fortuny’s lover. Bayreuth and Wagner, Wagner, Wagner was all they could talk about. Of course Sweden has its own Nordic Mythology I ventured. But where is it? What is it? they cried, and there was laughter and more mulled wine, and then talk again of Wagner.

When the party left I realized there was something deep in my soul that had been woken by talk of the grandeur and scale of Wagner’s cocktail of German and Scandinavian myths and folk tales. For a day and night I sketched relentlessly, ransacking my memory for those old tales, drawing strong men and stalwart, flaxen-haired women in Nordic dress and ornament. But as a new day presented itself I closed my sketch book and let the matter drop until, years later, in a Stockholm bookshop I chanced upon a volume in Latin by Adam of Bremen, his Gesta Hammaburgensis Ecclesiae Pontificum, the most famous source to pagan ritual practice in Sweden. That cold winter afternoon in Grez returned to me and I felt, as I had then, something stir within me, something missing from my comfortable world of images of home and farm, family and the country life.

Back in Sundborn this little volume printed in the 18th C lay on my desk like a question mark without a sentence. My Latin was only sufficient to get a gist, but the gist was enough. Here was the story of the palace of Uppsala, the great centre of the pre-Christian pagan cults that brought us Odin and Freyr. I sought out our village priest Dag Sandahl, a good Lutheran but who regularly tagged Latin in his sermons. Yes, he knew the book, and from his study bookshelf brought down an even earlier copy than my own. And there and then we sat down together and read. After an hour I was impatient to be back in my studio and draw, draw these extraordinary images this text brought to life unbidden in my imagination. But I did not leave until I had persuaded Pastor Sandahl to agree to translate the Uppsala section of the Adam of Bremen’s book, and just before Christmas that year, on the day before the Shortest Day, he delivered his translation to my studio. He would not stay, but said I should read the passages about King Domalde and his sacrifice at the Winter Solstice. And so, on the day of the Winter Solstice, I did.

This people have a widely renowned sanctuary called Uppsala.

By this temple is a very large tree with extending branches. It is always green, both in winter and in summer. No one knows what kind of tree this is. There is also a spring there, where the heathens usually perform their sacrificial rites. They throw a live human being into the spring. If he does not resurface, the wishes of the people will come true.

The Temple is girdled by a chain of gold that hangs above the roof of the building and shines from afar, so that people may see it from a distance when they approach there. The sanctuary itself is situated on a plain, surrounded by mountains, so that the form a theatre.

It is not far from the town of Sigtuna. This sanctuary is completely covered with golden ornaments. There, people worship the carved idols of three gods: Thor, the most powerful of them, has his throne in the middle of the hall, on either side of him, Odin and Freyr have their seats. They have these functions: “Thor,” they say, “rules the air, he rules thunder and lightning, wind and rain, good weather and harvests. The other, Odin, he who rages, he rules the war and give courage to people in their battle against enemies. The third is Freyr, he offers to mortals lust and peace and happiness.” And his image they make with a very large phallus. Odin they present armed, the way we usually present Mars, while Thor with the scepter seems to resemble Jupiter. As gods they also worship some that have earlier been human. They give them immortality for the sake of their great deeds, as we may read in Vita sancti Ansgarii that they did with King Eirik.

For all these gods have particular persons who are to bring forward the sacrificial gifts of the people. If plague and famine threatens, they offer to the image of Thor, if the matter is about war, they offer to Odin, but if a wedding is to be celebrated, they offer to Freyr. And every ninth year in Uppsala a great religious ceremony is held that is common to people from all parts of Sweden.”
Snorri also relates how human sacrifice began in Uppsala, with the sacrifice of a king.

Domalde took the heritage after his father Visbur, and ruled over the land. As in his time there was great famine and distress, the Swedes made great offerings of sacrifice at Upsal. The first autumn they sacrificed oxen, but the succeeding season was not improved thereby. The following autumn they sacrificed men, but the succeeding year was rather worse. The third autumn, when the offer of sacrifices should begin, a great multitude of Swedes came to Upsal; and now the chiefs held consultations with each other, and all agreed that the times of scarcity were on account of their king Domalde, and they resolved to offer him for good seasons, and to assault and **** him, and sprinkle the stall of the gods with his blood. And they did so.


There it was, at the end of Adam of Bremen’s description of Uppsala, this description of King Domalde upon which my mural would be based. It is not difficult to imagine, or rather the event itself can be richly embroidered, as I have over the years made my painting so. Karin and I have the books of William Morris on our shelves and I see little difference between his fixation on the legends of the Arthur and the Grail. We are on the cusp here between the pagan and the Christian.  What was Christ’s Crucifixion but a self sacrifice: as God in man he could have saved himself but chose to die for Redemption’s sake. His blood was not scattered to the fields as was Domalde’s, but his body and blood remains a continuing symbol in our right of Communion.

I unroll the latest watercolour cartoon of my mural. It is almost the length of this studio. Later I will ask Greta to collect the other easels we have in the house and barn and then I shall view it properly. But for now, as it unrolls, my drama of the Winter Solstice comes alive. It begins on from the right with body of warriors, bronze shields and helmets, long shafted spears, all set against the side of Uppsala Temple and more distant frost-hoared trees. Then we see the King himself, standing on a sled hauled by temple slaves. He is naked as he removes the furs in which he has travelled, a circuit of the temple to display himself to his starving people. In the centre, back to the viewer, a priest-like figure in a red cloak, a dagger held for us to see behind his back. Facing him, in druidic white, a high priest holds above his head a gold pagan monstrance. To his left there are white cloaked players of long, straight horns, blue cloaked players of the curled horns, and guiding the shaft of the sled a grizzled shaman dressed in the skins and furs of animals. The final quarter of my one- day-to-be-a-mural unfolds to show the women of temple and palace writhing in gestures of grief and hysteria whilst their queen kneels prostate on the ground, her head to the earth, her ladies ***** behind her. Above them all stands the forever-green tree whose origin no one knows.

Greta has entered the studio in her practiced, silent way carrying coffee and rolls from the kitchen. She has seen Midvinterblot many times, but I sense her gaze of fascination, yet again, at the figure of the naked king. She remembers the model, the sailor who came to stay at Kartbacken three summers ago. He was like the harpooner Queequeg in Moby ****. A tattooed man who was to be seen swimming in Toftan Lake and walking bare-chested in our woods. A tall, well-muscled, almost silent man, whom I patiently courted to be my model for King Dolmade. I have a book of sketches of him striding purposefully through the trees, the tattooed lines on his shoulders and chest like deep cuts into his body. This striding figure I hid from the children for some time, but from Greta that was impossible. She whispered to me once that when she could not have my substantial chest against her she would imagine the sailor’s, imagine touching and following his tattooed lines. This way, she said, helped her have respite from those stirrings she would so often feel for me. My painting, she knew, had stirred her fellow maids Clara and Solveig. Surely you know this, she had said, in her resolute and direct city manner. I have to remember she is the age of my eldest, who too must hold such thoughts and feelings. Karin dislikes my sailor king and wishes I would not hide the face of his distraught queen.

Today the sunrise is at 9.0, just a half hour away, and it will set before 3.0pm. So, after this coffee I will put on my boots and fur coat, be well scarfed and hatted (as my son Pontus would say) and walk out onto my estate. I will walk east across the fields towards Spardasvvägen. The sky is already waiting for the sun, but waits without colour, hardly even a tinge of red one might expect.

I have given Greta her orders to collect every easel she can find so we can take Midvinterblot off the floor and see it in all its vivid colour and form. In February I shall begin again to persuade the Nationalmuseum to accept this work. We have a moratorium just now. I will not accept their reasoning that there is no historical premise for such a subject, that such a scene has no place in a public gallery. A suggestion has been made that the Historiska museet might house it. But I shall not think of this today.

Karin is here, her face at the studio window beckons entry. My Darling, yes, it is midwinter’s day and I am dressing to greet the solstice. I will dress, she says, to see Edgar who will be here in half an hour to discuss my designs for this new furniture. We will be lunching at noon. Know you are welcome. Suzanne is talking constantly of England, England, and of course Oxford, this place of dreaming spires and good looking boys. We touch hands and kiss. I sense the perfume of sleep, of her bed.

Outside I must walk quickly to be quite alone, quite apart from the house, in the fields, alone. It is on its way: this light that will bathe the snowed-over land and will be my promise of the year’s turn towards new life.

As I walk the drama of Midvinterblot unfolds in a confusion of noise, the weeping of women, the physical exertions of the temple slaves, the priests’ incantations, the riot of horns, and then suddenly, as I stand in this frozen field, there is silence. The sun rises. It stagge
To see images of the world of Sundborn and Carl Larrson (including Mitvinterblot) see http://www.clg.se/encarl.aspx
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Composed on 00:53, 21/09/2016 using Hello Poetry's 'Words' algorithm. We don't assume this means something.
Ackshita Chauhan May 2012
The cloudy arena that spreads around

little dew drops on the pine leaf that i have found

Sweet cinnamon like fresh morning scent

that lingers through out the winter stretch.

Staring through the window pane

the sight of this mystical gallore

of the Winter Solstice that i adore.

The snow flakes that form a white cast

erasing the tracks from the past

pine cones that form a pile on the ground

and white little flowers  growing wild around.

Makes me hitched to the immortal gaze

of this winter solstice

it seems so quite and calm around

yet so perfectly profound

the breeze through the pines is the only sound

so cozy and snuggled appears every thing around.

As i step out to embrace this day

the winter binds me to its amaze

and i silently pray for this winter solstice to stay.


                                                                                 ~By Ashima
Marian May 2013
Nocturnal melodies of the Harp
Sing of Winter's Solstice
Pristine strings chime out
A harmony of sublime beauty
Song of snowdrops hidden in the snow
Song of dogwoods not yet in bloom
Song of snowflakes falling sweetly on my cheeks
Song of footprints in the blanket of snow
Song of firs and pines swaying in the Winter wind
Song of tears being shed at it's beauty
Sung from the sweetest of Harps
O, how I love the Harp
And it's angelic beauty
Which makes me cry
'Tis a song of
Winter Solstice
Played
Upon
The
Harp
Of
Beauty

*~Marian~
I am in love with the Harp!! :'') :'') ~<3
Drunk as drunk on turpentine
From your open kisses,
Your wet body wedged
Between my wet body and the strake
Of our boat that is made of flowers,
Feasted, we guide it - our fingers
Like tallows adorned with yellow metal -
Over the sky's hot rim,
The day's last breath in our sails.

Pinned by the sun between solstice
And equinox, drowsy and tangled together
We drifted for months and woke
With the bitter taste of land on our lips,
Eyelids all sticky, and we longed for lime
And the sound of a rope
Lowering a bucket down its well. Then,
We came by night to the Fortunate Isles,
And lay like fish
Under the net of our kisses.
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strong avoid lessons returns poison relax exhale whispered intention liquid stare dope needs ****** smoking club relative glitter reached fractured stones junkiedom aspect ketamine heavenly scares domain excess robes vast euphoria grass thrall elation buzz renew dr waste let's morality wanna bottle immortal owe intuitive wouldn't teachings transcendent nocturnal education eternal divinity drive aligned illegal lamplight sell sail insomnia curious beatific seeing insane continuum kiss beta void soar roar fog basis **** town cost regrets appropriate brave threat using emptiness fountain short stole shield riot shade ghost numbness stained steam dreampt october ion derived hazy money message sing quote metaphysical scene swept plain colors nirvana alright unlike dear low teens nonetheless pick considering teenagers beneath door electronic kids build pulse teaching kid mistake teach tear contextual political civilization vision dissociation completely tells normal nevermind raised brings laughed melody spot streets holding coffee praying violence appreciate vengeance law trust exploits slowly trouble mirror's refrain compassion eats recognition discovered blaze otherworldly pieces darkest angst brothers sit win buckfast vicious binge breaks undead forgot demands able notice lucid dimensions evolution sunrise plans philosopher killing produce working cloth produced painter gazing favourite track bunch haul arrives started chemistry prevent awaits definitive strive versus rule dread bare slow stayed onward altered helps lifestyle losing followed woke fight event innocence charade child ventures higher y'all acceptance pay any-more bay vicissitudes codex cannabis pleasures planes doses awareness steal beat zero-summing narcotic lest strength matters reading easy sons drift solstice half formed normality weren't hungry hopes declare research tales envelope regret tired breed release honestly haven't it'll blow entheogenic stories amidst insofar technology direct binary 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Composed on 01:33, 27/02/2017 using Hello Poetry's 'Words' algorithm. We still don't assume this means something.
Mike Jewett Feb 2015
Midnight’s glowing solstice moon
From moonrise to moonset-
She feels, hears, sees
Magic, crickets, skunks, dew-

She’s summer.
Laura Robin Nov 2012
it is a sea of leaves -- a deep, bottomless, sea of leaves.
you can get lost in there, you know.
lost like an abandoned child in a city of strangers
and lost
like when you drive and drive and drive
aimlessly, mad, senseless,
when your only intent is to get lost and be lost.

but
this sea of leaves
[yes, this vast ocean of leaves on leaves on leaves]
this is myself only on the best of days.
my mind cannot and will not ever find itself.
sanity had been abandoned years before
when i came to the realization that
nothing really matters
too much.

and now i am autumn when all of the leaves fall down --
unordered, hysterical,
all of the time changing
all of the time varying
never the same as a moment before.
beautiful, but knowing
that beauty is impermanent.

soon i will be like the tree branches
when the leaves have abandoned them.
stark, empty, cold.
naked, with all of my flaws displayed to the world
[with all of my life on the ground.]
and i will still be lost.
and so incredibly lost in my mind.
lost.

so let me dive into this deep sea of leaves,
'cause lord knows it is better than being found.
Liz Delgado Feb 2014
The stars chose you to be special and so
every Summer Solstice you use to
celebrate another year of walking the Earth,
forming a part of the Universe.
That day two stars were born in a pool of brown emotions.

As life slipped through your fingers in a matter of seconds,
Summer Solstice was just another day
and those lovely stars were loosing their shine,
and you learned to tame the waters completely.
And soon, only the razor,
red lines on your pale skin let you breathe.
Lines kept appearing, and more flowers grew.
Maybe the constellations aren't in your favor,
but trust me when I say that 90's Summer Solstice
means the world to me.
norm milliken Aug 2010
(trying to write away this heat)*

squirrel solstice

squirrels curled
in maple nests
are promises
built of acorns and seeds.

bunched in sleep,
they await the snow
that comes after night fall.

whisker twitching
twenty feet up,
squirrel dreams occupy trees.


        in monochrome season
        those gray and black bundles
        brush snow from limbs
        and punctuate the sky.
Lexi Harwick Jan 2016
a plant grows towards
the sun
as we grow towards
happiness
but the sun is 93 million miles
away
and happiness is out of reach
Night Flyer Jun 2014
In swirling clouds of silver lace
The disk of Luna lies concealed
Across the Autumn skies they race
Over this shadow realm surreal.

On evening shadows now, I gaze
A gentle wind swirls through the trees
From depths of sleep, I watch half-dazed
Thin branches stirring in the breeze.

Lights flickering neath mystic skies
Through gaps in trees, they shine within
Entranced, my mind, I watch surprised
This spectral beauty in the wind.

In these dark shadows, spirits drift
Translucent ghosts and dryads old
From this meadow, I sense their gift
Strange stories from the wood untold.

Oh let me join thy sylvan fest
Pale spirits of this Solstice night
Before the Moon sets in the west
We'll revel neath her misty light.
Wrote this in 2008 while living in Florida. Much of my poetry was inspired by walks beneath the stars.
aar505n Dec 2014
Sunrise at Newgrange
and
Sunset at Stonehenge.

Value those precious
hours of light
before it is devoured
by the devious night.

The dense darkness
can sense your fears
and hear your tears

Soon to devour
your sour flesh
Leaving a fresh
carcass in the darkness

And where is my
Great Dark Hope?
Gone to get the rope
Or
hiding in the shadows
waiting
baiting her time
Until we are at our weakest

The last thing we will see
are the Darkest Eyes
then hope no more
As our door is closed
and locked

This is the Winter Solstice
This bitter hiss
Death's long and last kiss
Spent my summer solstice in solitude.
Many don't like to be alone, but I fear not...
Being alone helps me gather my thoughts.
The longest day of the year and I chose to spend it with myself.
Elizabeth Kelly Dec 2015
Sixty degrees on solstice day.
An incubator.

If we go to the beach we can find all the bones of the dead animals
that are supposed to be buried in the snow
and throw them in the lake.
We can dip our heads in the cold water
to wash away these nasty thoughts
growing on our brains like bacteria in the warm weather,
send them into the lake with the bones and the souls of the dead animals
that are supposed to be buried in the snow.

The supercharged atmosphere
zaps my fingers when I open the car door.
Static electricity.

If I collect all that ecstatic magic
I'll let you hold it in your hands
in a jar
and we can watch it dance.
A hundred million fireflies
that should have died on the lips of
December.
Gary Gibbens Jun 2012
Summer Solstice

"Everybody knows that the change is coming
"Everybody knows that the deck is stacked"
Leonard Cohen

In Colorado, the Cache La Poudre is burning
That's where they hid the gunpowder
Has it blown yet?

In the Southeast Asia Enterprise Zone
The suicide nets are ready for another night's harvest
Do we understand that our beautiful electric screens
Are polished with blood?

In Syria, the death squads are arming
For another day in the abattoir
Everyone is ready for the bodies

I called out to you in the night
I dreamed you loved me
From the bottom of your soul
In the morning, your e-mail address
Was blocked, texts came  back forlorn

The earth is crying out
But Jimi is so long gone
No one understands
And the wind howls alone

In the land of plenty
We're all tucked into our corners
Of the unlimited cage match
Our abs are ripped
Our tattoos look good
But our eyes are empty.

Winter is coming.
Maggie Emmett Sep 2016
The cram of stars in the navy-night
blue-light of summer solstice.

The majestic zodiac sprawled
across the ever-stretching sky.

Ancient definitions of myth
star-stories of pre-determined fate

mapped in the moment and place
of our birthing; such fantasies

such imaginings of stellar systems
and mankind’s significance.

Heavens and humours; rules and rights
from Gods to kings and subjects

All settled in an ordered Universe
until, curiosity, ingenuity and invention

observation and record, rigor and Science
with its license to question freedom.


© M.L.Emmett
martin Dec 2012
Cold and dark the solstice night
But shadows dance inside by candle-light
Pampered spruce holds centre stage
Calendar counts down the days

Festive holly berries red, mistletoe with white
Cards suspended on a string, flashing fairy lights
All is quiet in the house
Nothing stirs except...a mouse

He has no fear
Of cat or trap or carving knife
On his mind is something nice
Perhaps a chocolate-covered nutty treat
Beneath the Christmas tree to eat

Tonight no usual pickings poor
Of meagre breadcrumbs on the floor
For tonight he dines like a king
On fruit and nuts, dates and cake
A little bit of everything

All the Drambuie chocolates he ****** dry
He could not stop, he knew not why
Then he passed out on the floor
One hung-over little mouse, his head so very sore
Robert C Howard Aug 2013
At Woodhenge's sacred circle
hut roused Mississipians
gathered in wintery bleakness
to track the golden crown's
ascent above the solstice post.

Their Solar Priest presided:
explaining,
blessing,
interpreting,
and assuring them all
that tomorrow's sun would rise
slightly farther to the north.

Last solstice morn at Cahokia,
latter day Mississippians
observed our red dwarf star
as it broke the tree - clad horizon,
inclined slightly to the right
and soared into cold December's sky.

Our Sun Priest, robed
in a ranger's jacket
in his own way:
explained,
blessed,
interpreted
and released us
to our journeys home -
assured that tomorrow's sun
again would climb the heavens
slightly farther to the north.

*December, 2006
Included in Unity Tree - Collected poems
pub. CreateSpace - Amazon.com
Kristaps Sep 2018
Broccoli in a white lamp shade
cast shadowy face tattoos
to mark the unjoustly.
The festival in background
is throbbing in directly contrasting sound, to the art nouveau it's sleeping with.

Each vegan burger stand vomits exquisite neon. However
the collage itself
is apologetically brown.
Theatre masks and DJs, VR and a Just Dance floor set,
a sprint before midnight, a sprint after discount ethanol;
so I gaze and perhaps ponder for a friend.

And yet when counting the heads,
I find I needn’t more than my own to hands
for the few middle-aged supermarket clerks
John F McCullagh Jun 2014
Solstice stirs my Druid roots.
Those roots entangle with my dreams.
A language, strange and musical,
celebrates the world unseen.

The druids issue from the grove,
solemn in their robes of white.
The doors of time are open wide
on this, the long year’s shortest night.

Ovates divine and bards will speak,
Singing in the Cambric tongue,
The Druid raises arms on high
to praise the power of the Sun.

She lies upon the altar stone.
The victim of the gods’ caprice
Sunlight pours between the stones
where blood was shed and breath has ceased.
( Our ancestors did some pretty strange things. I believe some of mine painted themselves blue and ran around naked- but you won't catch me doing that.)
Lawrence Hall Dec 2016
Winter Solstice – The Year’s Compline

The winter solstice is the year withdrawing
From all the busy-ness of being-ness,
And life in all its transfigurations
Seems lost beyond this cold, mist-haunted world

Time almost stops. Low-orbiting, the sun
Drifts dimly, drably through Orion’s realm
Morning becomes deep dusk; there is no noon
Four candles are the guardians of failing light

Until that Night when they too disappear
Beneath a Star, before a greater Light
Sam Hawkins Jun 2018
moon
waste no seconds with my heart

above my head invitations open

moonlight's no solstice sun reflection,
but solstice moon rather
mooning moon

what gifts you bring for me
to make me stop!

simplicity in the message

solstice moon
you my heart

and my heart
love
andy fardell Jun 2012
Black heart beats through the treacle of life
as the outside world hates another day
Solstice moment seals the new
and ends the end life without darkness
Shortest day in battle against the longest light

Chase those shadows away
Please
Chase those shadows away
Oh please oh please
Chase those shadows away  

My mood is fixed no change of heart
Still dark the treacle still pain inside
No change in me yet dusk approach
A shorter start a longer shadow
My heart in sorrow blackened sorrow

Chase those shadows away
Please
Chase those shadows away
Oh please oh please
Chase those shadows away

A shining sun yet cold inside
No worries here as time takes time
A fear not in as life goes by
My blackened heart in pain inside
Please save me from the dark as i reach into the sky

Chase those shadows away
Please
Chase those shadows away
Oh please oh please
Chase those shadows away
Summer's heat has come again,
And with it a growing womb.
The union formed of May's young flowers,
Begins to start to show.
The risen lord's seed runs strong,
The laughing queen was ripe.
In summer's heat, her sweat is sweat,
The warmth that forms within.
She smiles sweetly in Solstice sun,
Spring's rain fades away.
The white veil gone, her golden hair,
Darkens to chestnut brown.
New moon's time, a darkened moon,
A bonfire burning high.
The dancers dance, round and round,
A fever burning high.
The Horned King sits close by her side,
His smile as big as hers.
The summer sun it rises bright,
Round like her growing womb.
The moon moves on and starts to grow,
Just like her unborn Child.
Summer's heat has come again,
And with it a growing womb.
The womb will grow to harvest time,
The Child that will be born.
From blessed womb and serpent's seed,
The Mother of all life.
Tilly Dec 2012
By paper-lantern light

flames colour a snow crystals dance, beautifully enchanting, to

the distant sound of singing; Joyous songs of celebration, lulling all in revelry. Each note heard

in silent reverence, beneath the skeletal canopy of majestic oak spread. Where from amongst the

damp branches, wise old saucer eyes calls "Ubi? Ubi?", heralding a cacophony of wide-eyed whispers

This afternoon, sweet twilight guides our paths as we search on ever onward journeys unknown; Our

arms collecting firewood, to fill the empty hearths of others. Unaware of the cold hands, we are, when

there's such warmth in our hearts. We toil within the stillness, snow falling softly, and covering the
  
crisp ground. From deep beneath the dazzling pure white, tiny hibernating animists
  
blink wide from the                               warmth of hidden
  
woodland beds.                        Gently,         
   sweep the                   12 droplets
                             of ice from                 all our eyes, Sol,                   
                             as we cough        darkness                                
                     from our      lungs,                       
                       watching the sparkles     of no                                              
                      matter,  floating                  
in the  paper-
            lantern light            
       to scatter across    
this   Solstice   sky,
illuminating our fates,
as cold  snowflake hearts
twinkle like falling stars, unseen,
turning, embracing the return of the Light
R Saba Jul 2014
i slipped out
into the waves of watercolour
that broke themselves upon the shore
of the horizon
and i disappeared
as they darkened into black

i escaped through the sunset
as words were climbing up my legs
setting fire to my ears
and forcing me to retreat away
from the choking letters and sinking ink
that tattooed all this sound into my skin

at first, the sunset saved me
and the waves that gently hit the dock felt like a heartbeat
telling me that this was how it would always be

but soon, i began to miss the panic
just for the simple fact that it was a feeling
and the sunset had stolen them all from me
leaving me bare, black and stretched high above
unable to land on the ground again
unable to even blink stars down onto the grass
unable to do anything
other than wait for the sun to rise again

but solstice has already passed
and the dark hours grow longer again
and i am pulled thin, veiling a world
that accepts me as the night
and doesn't even miss the stars
Fay Slimm Sep 2016
Solstice Sun.
Under a clear blue bowl of a sky
warm sea slumbers as still
scraps of cloud like spun gauze float by
to let sun shine at will.

Lazy and lapping like coloured flint
around flattened path, more
carbuncle-red light changes tint
to let tide paint the shore.

Life-symbol-sphere wedded to fire,
evening sun throws her cloak
on midsummer day's heated pyre
to let night's grey in-soak.

And I breathless absorbed sky's bold
change as cloudmass diminished
after vivid crimson gauged holes
to let solstice sun sink.
BianchiBlue Nov 2014
His love
is the winter  
solstice, mounting  
the top of her world
where  
her love  
is the summer  
equinox, embracing  
the basis  
of his
andy fardell Jun 2012
Black heart beats through the treacle of life
as the outside world hates another day
Solstice moment seals the new
and ends the end life without darkness
Shortest day in battle against the longest light

Chase those shadows away
Please
Chase those shadows away
Oh please oh please
Chase those shadows away  

My mood is fixed no change of heart
Still dark the treacle still pain inside
No change in me yet dusk approach
A shorter start a longer shadow
My heart in sorrow blackened sorrow

Chase those shadows away
Please
Chase those shadows away
Oh please oh please
Chase those shadows away

A shining sun yet cold inside
No worries here as time takes time
A fear not in as life goes by
My blackened heart in pain inside
Please save me from the dark as i reach into the sky

Chase those shadows away
Please
Chase those shadows away
Oh please oh please
Chase those shadows away
Hannah Mar 2019
When I think of the sun at night,
of how it is a flashlight turned on to help us see throughout the day,
or how during Summer Solstice the sun is fully charged.

As time goes on, it slowly runs out of batteries and its light gets dimmer,
when it hits the Autumnal Equinox, it has half its battery life left.
Winter Solstice is when it is just about to run out of energy, but doesn’t.
It hangs onto the last bit of energy it can without giving up, with hope it will recharge, not knowing if it will.

Then finally it begins charging, slowly gaining more battery life until the Summer Solstice marks that it is fully charged and when it can continue living without worrying that it will die.
With the help of the Sun’s day schedule the, Moon can create and follow its own.

When I look into the dark, mysterious night sky covered by the clouds, there is nothing left to see except the luster of the full moon.
The moon is like an eye, looking through a keyhole at what lies behind the dark door.

I say I would wonder what it would be like,
being the moon,
looking down at everyone, slowly fading each night, into its own kind of sleep,
such a deep sleep, that even if it was the clearest of skies, its light would not show,
not even a sliver of light shining in the dark,
to leave nothing but the stars out in the open to be seen.

I lie in bed at night,
falling asleep,
thinking of what I may dream about,
Wondering if the moon dreams too.

The moon.
The glowing orb in the sky that illuminates our surroundings.
The thought of the moon sparks something that makes me think of the ocean tide, water, and waves.

The waves.
The cool, crisp, salty waves always crashing on the sandy shore.

When I think of waves, I don’t just think of water.
Instead I think of the feelings behind them.
What if the waves showed how the ocean felt?
When there are a few calm waves the ocean could be happy.
When it has a lot of waves it could be excited, upset, or jealous.
If we infuriate the ocean it shows its anger with its salty, drowning waves, very tall.

And when low tide comes rolling in,
the ocean craves more water due to dehydration.
When the high tide arrives,
its thirst is quenched.

That’s why you don’t mess with the ocean.
Go with the flow,
treat it with respect,
don’t throw your trash in it,
because if you don’t know,
you won’t be able to control the ocean,
because it has a mind of its own.
vircapio gale Dec 2012
Either this town is without character, or my own lack thereof blinds
me to what style hums it into history. The brook's rapids are drowned
by the highway roar, central song that never passes through, spilling
over walls and roofs. A railroad collects rust between weeds, silent
authenticity. Impassive clouds remind me of other ways to witness.
And this is real, too; sadness accrues over store counters, fatigue
glowing in the pavement connecting all, cracked and rubble
facing skies a simulacrum grey. Inebriation, par for course,
a hidden semblance of a self-chosen haze within a haze.
Gravity, acoustic footfalls question my arrival here.

phosphene breath--
dark, dark mining town solstice
unearths inner rainbows
Tilly Dec 2012
Heralding new, in skeletal chariot;
she chases fodder across Solstice night.
Bright ribbons, on garlands made of *******.
Beiwe feasts.
For Karl Johan, with a pat :)
My neighbour, mad Swedish friend, and awesome story teller.
I found him, putting butter around my front door, so Beiwe can eat it on her way onwards...hence the title!

The Saami, indigenous people of Finland, Sweden, and Norway worship Beiwe, the sun-goddess of fertility...
& sanity.
Tilly Dec 2013
By paper-lantern light

flames colour a snow crystals dance, beautifully enchanting, to

the distant sound of singing; Joyous songs of celebration, lulling all in revelry. Each note heard

in silent reverence, beneath the skeletal canopy of majestic oak spread. Where from amongst the

damp branches,wise old saucer eyes calls "Ubi? Ubi?", heralding a cacophony of wide-eyed

whispers. This afternoon, sweet twilight guides our paths as we search on ever onward journeys

unknown; Our arms collecting firewood, to fill the empty hearths of others. Unaware of the cold

hands, we are, when there's such warmth in our hearts. We toil within the stillness,  

snow falling softly,and covering the crisp ground.         From deep beneath
        
         the dazzling pure white,                                     tiny hibernating animists   

blink wide from the                            warmth of hidden

 woodland beds.                        Gently,         
   sweep the                   12 droplets
                             of ice from                 all our eyes, Sol,                   
                             as we cough        darkness                                
                     from our      lungs,                       
                       watching the sparkles     of no                                              
                      matter,  floating                  
in the  paper-
            lantern light            
       to scatter across    
this   Solstice   sky,
illuminating our fates,
as cold  snowflake hearts
twinkle like falling stars, unseen,
turning, embracing the return of the Light
a seasonal  repost....
no snow in the UK yet, but hoping for a ***** frost on the Solstice :)

Peace & Love this Yuletide
and to all,
returning light...
L  ***
Brian Oarr Mar 2012
Summer struck with the fist of Chicxulub,
incinerated spring in a blinding flash.
Abruptly the pond on Chehalis Trail
was topped with water lilies,
where famished families of water fowl had
festooned the serenity of the surface;
now vanished for cool Canadian climes.
Racoon eyes peered in night shade green,
Foxglove and California Poppy brushed
through blades of overgrown grasses.
Crow song battled with Stellar's Jay,
the morning's true American Idols.
I stirred from slumber to impatient cawing,
chiding --- The best of day's awaiting.

I was off to savor summer's sugar,
lest autumn slip in unannounced
on the coats of Quetzalcoatl.
Where Shelter Jul 2017
alas, the same promise,
yet again, broken, no more writing of
the lightness of perfection so real,
it cannot be a truly,
a man's one more poetic homage to improve upon nature's gift,
nary a single craft to be seen,
tho somewhere, a motor hums nearby,
a mechanical reminder that men
will intrude, even if unobserved,
not necessarily then,
a picture complete

the sun 7 o'clock afternoon sky low,
warmths the world, as did its AM reciprocal,
a dozen hours earlier,
both on a low heat,
a sky stove top
'keep warm' setting,
a desirable global warming temperature

that promise not to burden you
with a hundredth scribing of his
lottery luck, this poetry nook and the
idyll of its surround,
it's childlike insistence,
stomping on the greenest sea grass
of this portly world,
"write of me, attention must be paid!"

the lightest breeze of excellent sufficiency
asks the trees to shake
their compatriot leaves
as if to applaud,
one more time, a lord of the ring serenade,
an evenstar song of
the solstice of perfection

a cloudless night but for
an occasional wispy white blemish,
hinting that the orb's final bow will be
a forever remembered,
standing ovation performance

in an hour, to the dock we'll go,
joining  the congregant gulls
in appreciating the edging lower of
an immaculate inception
of a dying day's deceptive departure

my troubles, those that
furrow and till the brow,
105 miles away, as the crow flies,
for now suppressed into non-existence,
as we drink to
la vie en rose,
our wine, snatching the salmon pink
of suns rays rippling and reflecting
upon humans, who too reflect,
upon their good fortune,
this single and singular
peeking at the peaking of their perfection,
each wishing this be
their journeys end, their final solstice,
to walk into a funnel upon the water,
into the sun and the
horizon in attendance faithful,,
alighting upon the wings of the most glorious of  inviting, dying rays of setting,
answering the question, a long last finale,
here, here is shelter!
a  sincere apology for writing of, again and again, the perfection of this place in our lives

Silver Beach, Peconic Bay, S. I
Megan Zhao Dec 2015
The Sun & Earth
23.5 tilted degrees
North Pole & South Pole
Equator
Tropic of Cancer
Tropic of Capricorn
and Meridians
North/South/East/West
Hemispheres
Equinoxes
Solstices
Four seasons
Astronomical phenomena

Today at where I live——
On northern hemisphere
The Garden of Eden
A local Home Depot
The Sun will directly hit
The Tropic of Capricorn
giving us the longest night
and abandoning the North Pole
All it has remembered
is the pole on the other end
Where penguins, whale seals,
and albatrosses will bathe
whole day in full brightness
at -15 degrees Fahrenheit
What a chilling exhilaration!

Could I run away from
this so called winter solstice
this unbearable darkness
this senselessness of
obscurity and wickedness
Could I go to the South Pole
and dance with the penguins?
In youth I danced for druids
I twirled in twighlight haze
tinkling bells adorned my feet
and magic filled my days.

My skirts flowed softly outwards,
as I spun between the stones
the wisdom of all women,
as the drumming shook my bones.

I danced my steps with passion
my joyful limbs took flight
as the flames rose ever higher
sending sparks into the night.

Then when the dance was over
and my offering was done,
we sat and praised the solstice
with the coming of the sun.
The solstice comes tomorrow....tonight we dance.

— The End —