Who would not laugh, if Lawrence, hired to grace
His costly canvas with each flattered face,
Abused his art, till Nature, with a blush,
Saw cits grow Centaurs underneath his brush?
Or, should some limner join, for show or sale,
A Maid of Honour to a Mermaid’s tail?
Or low Dubost—as once the world has seen—
Degrade God’s creatures in his graphic spleen?
Not all that forced politeness, which defends
Fools in their faults, could gag his grinning friends.
Believe me, Moschus, like that picture seems
The book which, sillier than a sick man’s dreams,
Displays a crowd of figures incomplete,
Poetic Nightmares, without head or feet.

  Poets and painters, as all artists know,
May shoot a little with a lengthened bow;
We claim this mutual mercy for our task,
And grant in turn the pardon which we ask;
But make not monsters spring from gentle dams—
Birds breed not vipers, tigers nurse not lambs.

  A laboured, long Exordium, sometimes tends
(Like patriot speeches) but to paltry ends;
And nonsense in a lofty note goes down,
As Pertness passes with a legal gown:
Thus many a Bard describes in pompous strain
The clear brook babbling through the goodly plain:
The groves of Granta, and her Gothic halls,
King’s Coll-Cam’s stream-stained windows, and old walls:
Or, in adventurous numbers, neatly aims
To paint a rainbow, or the river Thames.

  You sketch a tree, and so perhaps may shine—
But daub a shipwreck like an alehouse sign;
You plan a vase—it dwindles to a ***;
Then glide down Grub-street—fasting and forgot:
Laughed into Lethe by some quaint Review,
Whose wit is never troublesome till—true.

In fine, to whatsoever you aspire,
Let it at least be simple and entire.

  The greater portion of the rhyming tribe
(Give ear, my friend, for thou hast been a scribe)
Are led astray by some peculiar lure.
I labour to be brief—become obscure;
One falls while following Elegance too fast;
Another soars, inflated with Bombast;
Too low a third crawls on, afraid to fly,
He spins his subject to Satiety;
Absurdly varying, he at last engraves
Fish in the woods, and boars beneath the waves!

  Unless your care’s exact, your judgment nice,
The flight from Folly leads but into Vice;
None are complete, all wanting in some part,
Like certain tailors, limited in art.
For galligaskins Slowshears is your man
But coats must claim another artisan.
Now this to me, I own, seems much the same
As Vulcan’s feet to bear Apollo’s frame;
Or, with a fair complexion, to expose
Black eyes, black ringlets, but—a bottle nose!

  Dear Authors! suit your topics to your strength,
And ponder well your subject, and its length;
Nor lift your load, before you’re quite aware
What weight your shoulders will, or will not, bear.
But lucid Order, and Wit’s siren voice,
Await the Poet, skilful in his choice;
With native Eloquence he soars along,
Grace in his thoughts, and Music in his song.

  Let Judgment teach him wisely to combine
With future parts the now omitted line:
This shall the Author choose, or that reject,
Precise in style, and cautious to select;
Nor slight applause will candid pens afford
To him who furnishes a wanting word.
Then fear not, if ’tis needful, to produce
Some term unknown, or obsolete in use,
(As Pitt has furnished us a word or two,
Which Lexicographers declined to do;)
So you indeed, with care,—(but be content
To take this license rarely)—may invent.
New words find credit in these latter days,
If neatly grafted on a Gallic phrase;
What Chaucer, Spenser did, we scarce refuse
To Dryden’s or to Pope’s maturer Muse.
If you can add a little, say why not,
As well as William Pitt, and Walter Scott?
Since they, by force of rhyme and force of lungs,
Enriched our Island’s ill-united tongues;
’Tis then—and shall be—lawful to present
Reform in writing, as in Parliament.

  As forests shed their foliage by degrees,
So fade expressions which in season please;
And we and ours, alas! are due to Fate,
And works and words but dwindle to a date.
Though as a Monarch nods, and Commerce calls,
Impetuous rivers stagnate in canals;
Though swamps subdued, and marshes drained, sustain
The heavy ploughshare and the yellow grain,
And rising ports along the busy shore
Protect the vessel from old Ocean’s roar,
All, all, must perish; but, surviving last,
The love of Letters half preserves the past.
True, some decay, yet not a few revive;
Though those shall sink, which now appear to thrive,
As Custom arbitrates, whose shifting sway
Our life and language must alike obey.

  The immortal wars which Gods and Angels wage,
Are they not shown in Milton’s sacred page?
His strain will teach what numbers best belong
To themes celestial told in Epic song.

  The slow, sad stanza will correctly paint
The Lover’s anguish, or the Friend’s complaint.
But which deserves the Laurel—Rhyme or Blank?
Which holds on Helicon the higher rank?
Let squabbling critics by themselves dispute
This point, as puzzling as a Chancery suit.

  Satiric rhyme first sprang from selfish spleen.
You doubt—see Dryden, Pope, St. Patrick’s Dean.
Blank verse is now, with one consent, allied
To Tragedy, and rarely quits her side.
Though mad Almanzor rhymed in Dryden’s days,
No sing-song Hero rants in modern plays;
Whilst modest Comedy her verse foregoes
For jest and ‘pun’ in very middling prose.
Not that our Bens or Beaumonts show the worse,
Or lose one point, because they wrote in verse.
But so Thalia pleases to appear,
Poor ******! ****** some twenty times a year!

Whate’er the scene, let this advice have weight:—
Adapt your language to your Hero’s state.
At times Melpomene forgets to groan,
And brisk Thalia takes a serious tone;
Nor unregarded will the act pass by
Where angry Townly “lifts his voice on high.”
Again, our Shakespeare limits verse to Kings,
When common prose will serve for common things;
And lively Hal resigns heroic ire,—
To “hollaing Hotspur” and his sceptred sire.

  ’Tis not enough, ye Bards, with all your art,
To polish poems; they must touch the heart:
Where’er the scene be laid, whate’er the song,
Still let it bear the hearer’s soul along;
Command your audience or to smile or weep,
Whiche’er may please you—anything but sleep.
The Poet claims our tears; but, by his leave,
Before I shed them, let me see ‘him’ grieve.

  If banished Romeo feigned nor sigh nor tear,
Lulled by his languor, I could sleep or sneer.
Sad words, no doubt, become a serious face,
And men look angry in the proper place.
At double meanings folks seem wondrous sly,
And Sentiment prescribes a pensive eye;
For Nature formed at first the inward man,
And actors copy Nature—when they can.
She bids the beating heart with rapture bound,
Raised to the Stars, or levelled with the ground;
And for Expression’s aid, ’tis said, or sung,
She gave our mind’s interpreter—the tongue,
Who, worn with use, of late would fain dispense
(At least in theatres) with common sense;
O’erwhelm with sound the Boxes, Gallery, Pit,
And raise a laugh with anything—but Wit.

  To skilful writers it will much import,
Whence spring their scenes, from common life or Court;
Whether they seek applause by smile or tear,
To draw a Lying Valet, or a Lear,
A sage, or rakish youngster wild from school,
A wandering Peregrine, or plain John Bull;
All persons please when Nature’s voice prevails,
Scottish or Irish, born in Wilts or Wales.

  Or follow common fame, or forge a plot;
Who cares if mimic heroes lived or not!
One precept serves to regulate the scene:
Make it appear as if it might have been.

  If some Drawcansir you aspire to draw,
Present him raving, and above all law:
If female furies in your scheme are planned,
Macbeth’s fierce dame is ready to your hand;
For tears and treachery, for good and evil,
Constance, King Richard, Hamlet, and the Devil!
But if a new design you dare essay,
And freely wander from the beaten way,
True to your characters, till all be past,
Preserve consistency from first to last.

  Tis hard to venture where our betters fail,
Or lend fresh interest to a twice-told tale;
And yet, perchance,’tis wiser to prefer
A hackneyed plot, than choose a new, and err;
Yet copy not too closely, but record,
More justly, thought for thought than word for word;
Nor trace your Prototype through narrow ways,
But only follow where he merits praise.

  For you, young Bard! whom luckless fate may lead
To tremble on the nod of all who read,
Ere your first score of cantos Time unrolls,
Beware—for God’s sake, don’t begin like Bowles!
“Awake a louder and a loftier strain,”—
And pray, what follows from his boiling brain?—
He sinks to Southey’s level in a trice,
Whose Epic Mountains never fail in mice!
Not so of yore awoke your mighty Sire
The tempered warblings of his master-lyre;
Soft as the gentler breathing of the lute,
“Of Man’s first disobedience and the fruit”
He speaks, but, as his subject swells along,
Earth, Heaven, and Hades echo with the song.”
Still to the “midst of things” he hastens on,
As if we witnessed all already done;
Leaves on his path whatever seems too mean
To raise the subject, or adorn the scene;
Gives, as each page improves upon the sight,
Not smoke from brightness, but from darkness—light;
And truth and fiction with such art compounds,
We know not where to fix their several bounds.

  If you would please the Public, deign to hear
What soothes the many-headed monster’s ear:
If your heart triumph when the hands of all
Applaud in thunder at the curtain’s fall,
Deserve those plaudits—study Nature’s page,
And sketch the striking traits of every age;
While varying Man and varying years unfold
Life’s little tale, so oft, so vainly told;
Observe his simple childhood’s dawning days,
His pranks, his prate, his playmates, and his plays:
Till time at length the mannish tyro weans,
And prurient vice outstrips his tardy teens!

  Behold him Freshman! forced no more to groan
O’er Virgil’s devilish verses and his own;
Prayers are too tedious, Lectures too abstruse,
He flies from Tavell’s frown to “Fordham’s Mews;”
(Unlucky Tavell! doomed to daily cares
By pugilistic pupils, and by bears,)
Fines, Tutors, tasks, Conventions threat in vain,
Before hounds, hunters, and Newmarket Plain.
Rough with his elders, with his equals rash,
Civil to sharpers, prodigal of cash;
Constant to nought—save hazard and a *****,
Yet cursing both—for both have made him sore:
Unread (unless since books beguile disease,
The P——x becomes his passage to Degrees);
Fooled, pillaged, dunned, he wastes his terms away,
And unexpelled, perhaps, retires M.A.;
Master of Arts! as hells and clubs proclaim,
Where scarce a blackleg bears a brighter name!

  Launched into life, extinct his early fire,
He apes the selfish prudence of his Sire;
Marries for money, chooses friends for rank,
Buys land, and shrewdly trusts not to the Bank;
Sits in the Senate; gets a son and heir;
Sends him to Harrow—for himself was there.
Mute, though he votes, unless when called to cheer,
His son’s so sharp—he’ll see the dog a Peer!

  Manhood declines—Age palsies every limb;
He quits the scene—or else the scene quits him;
Scrapes wealth, o’er each departing penny grieves,
And Avarice seizes all Ambition leaves;
Counts cent per cent, and smiles, or vainly frets,
O’er hoards diminished by young Hopeful’s debts;
Weighs well and wisely what to sell or buy,
Complete in all life’s lessons—but to die;
Peevish and spiteful, doting, hard to please,
Commending every time, save times like these;
Crazed, querulous, forsaken, half forgot,
Expires unwept—is buried—Let him rot!

  But from the Drama let me not digress,
Nor spare my precepts, though they please you less.
Though Woman weep, and hardest hearts are stirred,
When what is done is rather seen than heard,
Yet many deeds preserved in History’s page
Are better told than acted on the stage;
The ear sustains what shocks the timid eye,
And Horror thus subsides to Sympathy,
True Briton all beside, I here am French—
Bloodshed ’tis surely better to retrench:
The gladiatorial gore we teach to flow
In tragic scenes disgusts though but in show;
We hate the carnage while we see the trick,
And find small sympathy in being sick.
Not on the stage the regicide Macbeth
Appals an audience with a Monarch’s death;
To gaze when sable Hubert threats to sear
Young Arthur’s eyes, can ours or Nature bear?
A haltered heroine Johnson sought to slay—
We saved Irene, but half ****** the play,
And (Heaven be praised!) our tolerating times
Stint Metamorphoses to Pantomimes;
And Lewis’ self, with all his sprites, would quake
To change Earl Osmond’s ***** to a snake!
Because, in scenes exciting joy or grief,
We loathe the action which exceeds belief:
And yet, God knows! what may not authors do,
Whose Postscripts prate of dyeing “heroines blue”?

  Above all things, Dan Poet, if you can,
Eke out your acts, I pray, with mortal man,
Nor call a ghost, unless some cursed scrape
Must open ten trap-doors for your escape.
Of all the monstrous things I’d fain forbid,
I loathe an Opera worse than Dennis did;
Where good and evil persons, right or wrong,
Rage, love, and aught but moralise—in song.
Hail, last memorial of our foreign friends,
Which Gaul allows, and still Hesperia lends!
Napoleon’s edicts no embargo lay
On ******—spies—singers—wisely shipped away.
Our giant Capital, whose squares are spread
Where rustics earned, and now may beg, their bread,
In all iniquity is grown so nice,
It scorns amusements which are not of price.
Hence the pert shopkeeper, whose throbbing ear
Aches with orchestras which he pays to hear,
Whom shame, not sympathy, forbids to snore,
His anguish doubling by his own “encore;”
Squeezed in “Fop’s Alley,” jostled by the beaux,
Teased with his hat, and trembling for his toes;
Scarce wrestles through the night, nor tastes of ease,
Till the dropped curtain gives a glad release:
Why this, and more, he suffers—can ye guess?—
Because it costs him dear, and makes him dress!

  So prosper eunuchs from Etruscan schools;
Give us but fiddlers, and they’re sure of fools!
Ere scenes were played by many a reverend clerk,
(What harm, if David danced before the ark?)
In Christmas revels, simple country folks
Were pleased with morrice-mumm’ry and coarse jokes.
Improving years, with things no longer known,
Produced blithe Punch and merry Madame Joan,
Who still frisk on with feats so lewdly low,
’Tis strange Benvolio suffers such a show;
Suppressing peer! to whom each vice gives place,
Oaths, boxing, begging—all, save rout and race.

  Farce followed Comedy, and reached her prime,
In ever-laughing Foote’s fantastic time:
Mad wag! who pardoned none, nor spared the best,
And turned some very serious things to jest.
Nor Church nor State escaped his public sneers,
Arms nor the Gown—Priests—Lawyers—Volunteers:
“Alas, poor Yorick!” now for ever mute!
Whoever loves a laugh must sigh for Foote.

  We smile, perforce, when histrionic scenes
Ape the swoln dialogue of Kings and Queens,
When “Crononhotonthologos must die,”
And Arthur struts in mimic majesty.

  Moschus! with whom once more I hope to sit,
And smile at folly, if we can’t at wit;
Yes, Friend! for thee I’ll quit my cynic cell,
And bear Swift’s motto, “Vive la bagatelle!”
Which charmed our days in each ægean clime,
As oft at home, with revelry and rhyme.
Then may Euphrosyne, who sped the past,
Soothe thy Life’s scenes, nor leave thee in the last;
But find in thine—like pagan Plato’s bed,
Some merry Manuscript of Mimes, when dead.

  Now to the Drama let us bend our eyes,
Where fettered by whig Walpole low she lies;
Corruption foiled her, for she feared her glance;
Decorum left her for an Opera dance!
Yet Chesterfield, whose polished pen inveighs
‘Gainst laughter, fought for freedom to our Plays;
Unchecked by Megrims of patrician brains,
And damning Dulness of Lord Chamberlains.
Repeal that act! again let Humour roam
Wild o’er the stage—we’ve time for tears at home;
Let Archer plant the horns on Sullen’s brows,
And Estifania gull her “Copper” spouse;
The moral’s scant—but that may be excused,
Men go not to be lectured, but amused.
He whom our plays dispose to Good or Ill
Must wear a head in want of Willis’ skill;
Aye, but Macheath’s examp

Even as the sun with purple-coloured face
Had ta’en his last leave of the weeping morn,
Rose-cheeked Adonis hied him to the chase;
Hunting he loved, but love he laughed to scorn.
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor ‘gins to woo him.

“Thrice fairer than myself,” thus she began
“The fields chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee with herself at strife
Saith that the world hath ending with thy life.

“Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know.
Here come and sit where never serpent hisses,
And being set, I’ll smother thee with kisses.

“And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety:
Ten kisses short as one, one long as twenty.
A summer’s day will seem an hour but short,
Being wasted in such time-beguiling sport.”

With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth’s sovereign salve to do a goddess good.
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.

Over one arm the ***** courser’s rein,
Under her other was the tender boy,
Who blushed and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.

The studded bridle on a ragged bough
Nimbly she fastens—O, how quick is love!
The steed is stalled up, and even now
To tie the rider she begins to prove.
Backward she pushed him, as she would be ******,
And governed him in strength, though not in lust.

So soon was she along as he was down,
Each leaning on their elbows and their hips;
Now doth she stroke his cheek, now doth he frown
And ‘gins to chide, but soon she stops his lips,
And, kissing, speaks with lustful language broken:
“If thou wilt chide, thy lips shall never open”.

He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;
Then with her windy sighs and golden hairs
To fan and blow them dry again she seeks.
He saith she is immodest, blames her miss;
What follows more she murders with a kiss.

Even as an empty eagle, sharp by fast,
Tires with her beak on feathers, flesh, and bone,
Shaking her wings, devouring all in haste,
Till either gorge be stuffed or prey be gone;
Even so she kissed his brow, his cheek, his chin,
And where she ends she doth anew begin.

Forced to content, but never to obey,
Panting he lies, and breatheth in her face;
She feedeth on the steam as on a prey,
And calls it heavenly moisture, air of grace,
Wishing her cheeks were gardens full of flowers,
So they were dewed with such distilling showers.

Look how a bird lies tangled in a net,
So fastened in her arms Adonis lies;
Pure shame and awed resistance made him fret,
Which bred more beauty in his angry eyes.
Rain added to a river that is rank
Perforce will force it overflow the bank.

Still she entreats, and prettily entreats,
For to a pretty ear she tunes her tale;
Still is he sullen, still he lours and frets,
‘Twixt crimson shame and anger ashy-pale.
Being red, she loves him best; and being white,
Her best is bettered with a more delight.

Look how he can, she cannot choose but love;
And by her fair immortal hand she swears
From his soft ***** never to remove
Till he take truce with her contending tears,
Which long have rained, making her cheeks all wet;
And one sweet kiss shall pay this countless debt.

Upon this promise did he raise his chin,
Like a dive-dapper peering through a wave
Who, being looked on, ducks as quickly in;
So offers he to give what she did crave;
But when her lips were ready for his pay,
He winks, and turns his lips another way.

Never did passenger in summer’s heat
More thirst for drink than she for this good turn.
Her help she sees, but help she cannot get;
She bathes in water, yet her fire must burn.
“O pity,” ‘gan she cry “flint-hearted boy,
’Tis but a kiss I beg; why art thou coy?

“I have been wooed as I entreat thee now
Even by the stern and direful god of war,
Whose sinewy neck in battle ne’er did bow,
Who conquers where he comes in every jar;
Yet hath he been my captive and my slave,
And begged for that which thou unasked shalt have.

“Over my altars hath he hung his lance,
His battered shield, his uncontrolled crest,
And for my sake hath learned to sport and dance,
To toy, to wanton, dally, smile, and jest,
Scorning his churlish drum and ensign red,
Making my arms his field, his tent my bed.

“Thus he that overruled I overswayed,
Leading him prisoner in a red-rose chain;
Strong-tempered steel his stronger strength obeyed,
Yet was he servile to my coy disdain.
O be not proud, nor brag not of thy might,
For mast’ring her that foiled the god of fight.

“Touch but my lips with those fair lips of thine,
—Though mine be not so fair, yet are they red—
The kiss shall be thine own as well as mine.
What seest thou in the ground? Hold up thy head;
Look in mine eyeballs, there thy beauty lies;
Then why not lips on lips, since eyes in eyes?

“Art thou ashamed to kiss? Then wink again,
And I will wink; so shall the day seem night.
Love keeps his revels where there are but twain;
Be bold to play, our sport is not in sight:
These blue-veined violets whereon we lean
Never can blab, nor know not what we mean.

“The tender spring upon thy tempting lip
Shows thee unripe; yet mayst thou well be tasted.
Make use of time, let not advantage slip:
Beauty within itself should not be wasted.
Fair flowers that are not gathered in their prime
Rot and consume themselves in little time.

“Were I hard-favoured, foul, or wrinkled-old,
Ill-nurtured, crooked, churlish, harsh in voice,
O’erworn, despised, rheumatic, and cold,
Thick-sighted, barren, lean, and lacking juice,
Then mightst thou pause, for then I were not for thee;
But having no defects, why dost abhor me?

“Thou canst not see one wrinkle in my brow,
Mine eyes are grey and bright and quick in turning,
My beauty as the spring doth yearly grow,
My flesh is soft and plump, my marrow burning;
My smooth moist hand, were it with thy hand felt,
Would in thy palm dissolve or seem to melt.

“Bid me discourse, I will enchant thine ear,
Or like a fairy trip upon the green,
Or like a nymph, with long dishevelled hair,
Dance on the sands, and yet no footing seen.
Love is a spirit all compact of fire,
Not gross to sink, but light, and will aspire.

“Witness this primrose bank whereon I lie:
These forceless flowers like sturdy trees support me;
Two strengthless doves will draw me through the sky
From morn till night, even where I list to sport me.
Is love so light, sweet boy, and may it be
That thou should think it heavy unto thee?

“Is thine own heart to thine own face affected?
Can thy right hand seize love upon thy left?
Then woo thyself, be of thyself rejected,
Steal thine own freedom, and complain on theft.
Narcissus so himself himself forsook,
And died to kiss his shadow in the brook.

“Torches are made to light, jewels to wear,
Dainties to taste, fresh beauty for the use,
Herbs for their smell, and sappy plants to bear;
Things growing to themselves are growth’s abuse.
Seeds spring from seeds, and beauty breedeth beauty;
Thou wast begot: to get it is thy duty.

“Upon the earth’s increase why shouldst thou feed,
Unless the earth with thy increase be fed?
By law of nature thou art bound to breed,
That thine may live when thou thyself art dead;
And so in spite of death thou dost survive,
In that thy likeness still is left alive.”

By this, the lovesick queen began to sweat,
For where they lay the shadow had forsook them,
And Titan, tired in the midday heat,
With burning eye did hotly overlook them,
Wishing Adonis had his team to guide,
So he were like him, and by Venus’ side.

And now Adonis, with a lazy sprite,
And with a heavy, dark, disliking eye,
His louring brows o’erwhelming his fair sight,
Like misty vapours when they blot the sky,
Souring his cheeks, cries “Fie, no more of love!
The sun doth burn my face; I must remove.”

“Ay me,” quoth Venus “young, and so unkind!
What bare excuses mak’st thou to be gone!
I’ll sigh celestial breath, whose gentle wind
Shall cool the heat of this descending sun.
I’ll make a shadow for thee of my hairs;
If they burn too, I’ll quench them with my tears.

“The sun that shines from heaven shines but warm,
And lo, I lie between that sun and thee;
The heat I have from thence doth little harm:
Thine eye darts forth the fire that burneth me;
And were I not immortal, life were done
Between this heavenly and earthly sun.

“Art thou obdurate, flinty, hard as steel?
Nay, more than flint, for stone at rain relenteth.
Art thou a woman’s son, and canst not feel
What ’tis to love, how want of love tormenteth?
O, had thy mother borne so hard a mind
She had not brought forth thee, but died unkind.

“What am I that thou shouldst contemn me this?
Or what great danger dwells upon my suit?
What were thy lips the worse for one poor kiss?
Speak, fair; but speak fair words, or else be mute.
Give me one kiss, I’ll give it thee again,
And one for int’rest, if thou wilt have twain.

“Fie, lifeless picture, cold and senseless stone,
Well-painted idol, image dull and dead,
Statue contenting but the eye alone,
Thing like a man, but of no woman bred!
Thou art no man, though of a man’s complexion,
For men will kiss even by their own direction.”

This said, impatience chokes her pleading tongue,
And swelling passion doth provoke a pause;
Red cheeks and fiery eyes blaze forth her wrong:
Being judge in love, she cannot right her cause;
And now she weeps, and now she fain would speak,
And now her sobs do her intendments break.

Sometime she shakes her head, and then his hand;
Now gazeth she on him, now on the ground;
Sometime her arms infold him like a band;
She would, he will not in her arms be bound;
And when from thence he struggles to be gone,
She locks her lily fingers one in one.

“Fondling,” she saith “since I have hemmed thee here
Within the circuit of this ivory pale,
I’ll be a park, and thou shalt be my deer:
Feed where thou wilt, on mountain or in dale;
Graze on my lips, and if those hills be dry,
Stray lower, where the pleasant fountains lie.

“Within this limit is relief enough,
Sweet bottom-grass and high delightful plain,
Round rising hillocks, brakes obscure and rough,
To shelter thee from tempest and from rain:
Then be my deer, since I am such a park;
No dog shall rouse thee, though a thousand bark.”

At this Adonis smiles as in disdain,
That in each cheek appears a pretty dimple.
Love made those hollows, if himself were slain,
He might be buried in a tomb so simple,
Foreknowing well, if there he came to lie,
Why, there Love lived, and there he could not die.

These lovely caves, these round enchanting pits,
Opened their mouths to swallow Venus’ liking.
Being mad before, how doth she now for wits?
Struck dead at first, what needs a second striking?
Poor queen of love, in thine own law forlorn,
To love a cheek that smiles at thee in scorn!

Now which way shall she turn? What shall she say?
Her words are done, her woes the more increasing.
The time is spent, her object will away,
And from her twining arms doth urge releasing.
“Pity!” she cries “Some favour, some remorse!”
Away he springs, and hasteth to his horse.

But lo, from forth a copse that neighbours by
A breeding jennet, *****, young, and proud,
Adonis’ trampling courser doth espy,
And forth she rushes, snorts, and neighs aloud.
The strong-necked steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven’s thunder;
The iron bit he crusheth ‘tween his teeth,
Controlling what he was controlled with.

His ears up-pricked; his braided hanging mane
Upon his compassed crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send;
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.

Sometime he trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say ‘Lo, thus my strength is tried,
And this I do to captivate the eye
Of the fair ******* that is standing by.’

What recketh he his rider’s angry stir,
His flattering ‘Holla’ or his ‘Stand, I say’?
What cares he now for curb or pricking spur,
For rich caparisons or trappings gay?
He sees his love, and nothing else he sees,
For nothing else with his proud sight agrees.

Look when a painter would surpass the life
In limning out a well-proportioned steed,
His art with nature’s workmanship at strife,
As if the dead the living should exceed;
So did this horse excel a common one
In shape, in courage, colour, pace, and bone.

Round-hoofed, short-jointed, fetlocks **** and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide;
Look what a horse should have he did not lack,
Save a proud rider on so proud a back.

Sometime he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a base he now prepares,
And whe’er he run or fly they know not whether;
For through his mane and tail the high wind sings,
Fanning the hairs, who wave like feathered wings.

He looks upon his love, and neighs unto her;
She answers him as if she knew his mind:
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
Spurns at his love, and scorns the heat he feels,
Beating his kind embracements with her heels.

Then, like a melancholy malcontent,
He vails his tail that, like a falling plume,
Cool shadow to his melting buttock lent;
He stamps, and bites the poor flies in his fume.
His love, perceiving how he was enraged,
Grew kinder, and his fury was assuaged.

His testy master goeth about to take him,
When, lo, the unbacked *******, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them,
Outstripping crows that strive to overfly them.

All swoll’n with chafing, down Adonis sits,
Banning his boist’rous and unruly beast;
And now the happy season once more fits
That lovesick Love by pleading may be blest;
For lovers say the heart hath treble wrong
When it is barred the aidance of the tongue.

An oven that is stopped, or river stayed,
Burneth more hotly, swelleth with more rage;
So of concealed sorrow may be said.
Free vent of words love’s fire doth assuage;
But when the heart’s attorney once is mute,
The client breaks, as desperate in his suit.

He sees her coming, and begins to glow,
Even as a dying coal revives with wind,
And with his bonnet hides his angry brow,
Looks on the dull earth with disturbed mind,
Taking no notice that she is so nigh,
For all askance he holds her in his eye.

O what a sight it was wistly to view
How she came stealing to the wayward boy!
To note the fighting conflict of her hue,
How white and red each other did destroy!
But now her cheek was pale, and by-and-by
It flashed forth fire, as lightning from the sky.

Now was she just before him as he sat,
And like a lowly lover down she kneels;
With one fair hand she heaveth up his hat,
Her other tender hand his fair cheek feels.
His tend’rer cheek receives her soft hand’s print
As apt as new-fall’n snow takes any dint.

O what a war of looks was then between them,
Her eyes petitioners to his eyes suing!
His eyes saw her eyes as they had not seen them;
Her eyes wooed still, his eyes disdained the wooing;
And all this dumb-play had his acts made plain
With tears which chorus-like her eyes did rain.

Full gently now she takes him by the hand,
A lily prisoned in a gaol of snow,
Or ivory in an alabaster band;
So white a friend engirts so white a foe.
This beauteous combat, wilful and unwilling,
Showed like two silver doves that sit a-billing.

Once more the engine of her thoughts began:
“O fairest mover on this mortal round,
Would t

My days have forgotten the sunsets
They only remember the harsh, beaten sunrays
Pounding against the memories,
Heaving, in the background, like a sneeze
Hoping to congest my worried looks
The sun burnt my pale skin,
And I cried,
For the day had ended
But, with it came no golden rays,
Only fractured skin,
Crackling with the slightest touch,
My day had ended,
But not for me,
It ended for the one who scorns, you see.

How dull the wretch, whose philosophic mind
Disdains the pleasures of fantastic kind;
Whose prosy thoughts the joys of life exclude,
And wreck the solace of the poet's mood!
Young Zeno, practis'd in the Stoic's art,
Rejects the language of the glowing heart;
Dissolves sweet Nature to a mess of laws;
Condemns th' effect whilst looking for the cause;
Freezes poor Ovid in an iced review,
And sneers because his fables are untrue!
In search of hope the hopeful zealot goes,
But all the sadder tums, the more he knows!
Stay! Vandal sophist, whose deep lore would blast
The grateful legends of the storied past;
Whose tongue in censure flays th' embellish'd page,
And scorns the comforts of a dreary age:
Wouldst strip the foliage from the vital bough
Till all men grow as wisely dull as thou?
Happy the man whose fresh, untainted eye
Discerns a Pantheon in the spangled sky;
Finds sylphs and dryads in the waving trees,
And spies soft Notus in the southern breeze
For whom the stream a cheering carol sings,
While reedy music by the fountain rings;
To whom the waves a Nereid tale confide
Till friendly presence fills the rising tide.
Happy is he, who void of learning's woes,
Th' ethereal life of bodied Nature knows;
I scorn the sage that tells me it but seems,
And flout his gravity in sunlight dreams!

So spake the Son of God; and Satan stood
A while as mute, confounded what to say,
What to reply, confuted and convinced
Of his weak arguing and fallacious drift;
At length, collecting all his serpent wiles,
With soothing words renewed, him thus accosts:—
  “I see thou know’st what is of use to know,
What best to say canst say, to do canst do;
Thy actions to thy words accord; thy words
To thy large heart give utterance due; thy heart            
Contains of good, wise, just, the perfet shape.
Should kings and nations from thy mouth consult,
Thy counsel would be as the oracle
Urim and Thummim, those oraculous gems
On Aaron’s breast, or tongue of Seers old
Infallible; or, wert thou sought to deeds
That might require the array of war, thy skill
Of conduct would be such that all the world
Could not sustain thy prowess, or subsist
In battle, though against thy few in arms.                  
These godlike virtues wherefore dost thou hide?
Affecting private life, or more obscure
In savage wilderness, wherefore deprive
All Earth her wonder at thy acts, thyself
The fame and glory—glory, the reward
That sole excites to high attempts the flame
Of most erected spirits, most tempered pure
AEthereal, who all pleasures else despise,
All treasures and all gain esteem as dross,
And dignities and powers, all but the highest?              
Thy years are ripe, and over-ripe.  The son
Of Macedonian Philip had ere these
Won Asia, and the throne of Cyrus held
At his dispose; young Scipio had brought down
The Carthaginian pride; young Pompey quelled
The Pontic king, and in triumph had rode.
Yet years, and to ripe years judgment mature,
Quench not the thirst of glory, but augment.
Great Julius, whom now all the world admires,
The more he grew in years, the more inflamed                
With glory, wept that he had lived so long
Ingloroious.  But thou yet art not too late.”
  To whom our Saviour calmly thus replied:—
“Thou neither dost persuade me to seek wealth
For empire’s sake, nor empire to affect
For glory’s sake, by all thy argument.
For what is glory but the blaze of fame,
The people’s praise, if always praise unmixed?
And what the people but a herd confused,
A miscellaneous rabble, who extol                          
Things ******, and, well weighed, scarce worth the praise?
They praise and they admire they know not what,
And know not whom, but as one leads the other;
And what delight to be by such extolled,
To live upon their tongues, and be their talk?
Of whom to be dispraised were no small praise—
His lot who dares be singularly good.
The intelligent among them and the wise
Are few, and glory scarce of few is raised.
This is true glory and renown—when God,                    
Looking on the Earth, with approbation marks
The just man, and divulges him through Heaven
To all his Angels, who with true applause
Recount his praises.  Thus he did to Job,
When, to extend his fame through Heaven and Earth,
As thou to thy reproach may’st well remember,
He asked thee, ‘Hast thou seen my servant Job?’
Famous he was in Heaven; on Earth less known,
Where glory is false glory, attributed
To things not glorious, men not worthy of fame.            
They err who count it glorious to subdue
By conquest far and wide, to overrun
Large countries, and in field great battles win,
Great cities by assault.  What do these worthies
But rob and spoil, burn, slaughter, and enslave
Peaceable nations, neighbouring or remote,
Made captive, yet deserving freedom more
Than those their conquerors, who leave behind
Nothing but ruin wheresoe’er they rove,
And all the flourishing works of peace destroy;            
Then swell with pride, and must be titled Gods,
Great benefactors of mankind, Deliverers,
Worshipped with temple, priest, and sacrifice?
One is the son of Jove, of Mars the other;
Till conqueror Death discover them scarce men,
Rowling in brutish vices, and deformed,
Violent or shameful death their due reward.
But, if there be in glory aught of good;
It may be means far different be attained,
Without ambition, war, or violence—                        
By deeds of peace, by wisdom eminent,
By patience, temperance.  I mention still
Him whom thy wrongs, with saintly patience borne,
Made famous in a land and times obscure;
Who names not now with honour patient Job?
Poor Socrates, (who next more memorable?)
By what he taught and suffered for so doing,
For truth’s sake suffering death unjust, lives now
Equal in fame to proudest conquerors.
Yet, if for fame and glory aught be done,                  
Aught suffered—if young African for fame
His wasted country freed from Punic rage—
The deed becomes unpraised, the man at least,
And loses, though but verbal, his reward.
Shall I seek glory, then, as vain men seek,
Oft not deserved?  I seek not mine, but His
Who sent me, and thereby witness whence I am.”
  To whom the Tempter, murmuring, thus replied:—
“Think not so slight of glory, therein least
Resembling thy great Father.  He seeks glory,              
And for his glory all things made, all things
Orders and governs; nor content in Heaven,
By all his Angels glorified, requires
Glory from men, from all men, good or bad,
Wise or unwise, no difference, no exemption.
Above all sacrifice, or hallowed gift,
Glory he requires, and glory he receives,
Promiscuous from all nations, Jew, or Greek,
Or Barbarous, nor exception hath declared;
From us, his foes pronounced, glory he exacts.”            
  To whom our Saviour fervently replied:
“And reason; since his Word all things produced,
Though chiefly not for glory as prime end,
But to shew forth his goodness, and impart
His good communicable to every soul
Freely; of whom what could He less expect
Than glory and benediction—that is, thanks—
The slightest, easiest, readiest recompense
From them who could return him nothing else,
And, not returning that, would likeliest render            
Contempt instead, dishonour, obloquy?
Hard recompense, unsuitable return
For so much good, so much beneficience!
But why should man seek glory, who of his own
Hath nothing, and to whom nothing belongs
But condemnation, ignominy, and shame—
Who, for so many benefits received,
Turned recreant to God, ingrate and false,
And so of all true good himself despoiled;
Yet, sacrilegious, to himself would take                    
That which to God alone of right belongs?
Yet so much bounty is in God, such grace,
That who advances his glory, not their own,
Them he himself to glory will advance.”
  So spake the Son of God; and here again
Satan had not to answer, but stood struck
With guilt of his own sin—for he himself,
Insatiable of glory, had lost all;
Yet of another plea bethought him soon:—
  “Of glory, as thou wilt,” said he, “so deem;              
Worth or not worth the seeking, let it pass.
But to a Kingdom thou art born—ordained
To sit upon thy father David’s throne,
By mother’s side thy father, though thy right
Be now in powerful hands, that will not part
Easily from possession won with arms.
Judaea now and all the Promised Land,
Reduced a province under Roman yoke,
Obeys Tiberius, nor is always ruled
With temperate sway: oft have they violated                
The Temple, oft the Law, with foul affronts,
Abominations rather, as did once
Antiochus.  And think’st thou to regain
Thy right by sitting still, or thus retiring?
So did not Machabeus.  He indeed
Retired unto the Desert, but with arms;
And o’er a mighty king so oft prevailed
That by strong hand his family obtained,
Though priests, the crown, and David’s throne usurped,
With Modin and her suburbs once content.                    
If kingdom move thee not, let move thee zeal
And duty—zeal and duty are not slow,
But on Occasion’s forelock watchful wait:
They themselves rather are occasion best—
Zeal of thy Father’s house, duty to free
Thy country from her heathen servitude.
So shalt thou best fulfil, best verify,
The Prophets old, who sung thy endless reign—
The happier reign the sooner it begins.
Rein then; what canst thou better do the while?”            
  To whom our Saviour answer thus returned:—
“All things are best fulfilled in their due time;
And time there is for all things, Truth hath said.
If of my reign Prophetic Writ hath told
That it shall never end, so, when begin
The Father in his purpose hath decreed—
He in whose hand all times and seasons rowl.
What if he hath decreed that I shall first
Be tried in humble state, and things adverse,
By tribulations, injuries, insults,                        
Contempts, and scorns, and snares, and violence,
Suffering, abstaining, quietly expecting
Without distrust or doubt, that He may know
What I can suffer, how obey?  Who best
Can suffer best can do, best reign who first
Well hath obeyed—just trial ere I merit
My exaltation without change or end.
But what concerns it thee when I begin
My everlasting Kingdom?  Why art thou
Solicitous?  What moves thy inquisition?                    
Know’st thou not that my rising is thy fall,
And my promotion will be thy destruction?”
  To whom the Tempter, inly racked, replied:—
“Let that come when it comes.  All hope is lost
Of my reception into grace; what worse?
For where no hope is left is left no fear.
If there be worse, the expectation more
Of worse torments me than the feeling can.
I would be at the worst; worst is my port,
My harbour, and my ultimate repose,                        
The end I would attain, my final good.
My error was my error, and my crime
My crime; whatever, for itself condemned,
And will alike be punished, whether thou
Reign or reign not—though to that gentle brow
Willingly I could fly, and hope thy reign,
From that placid aspect and meek regard,
Rather than aggravate my evil state,
Would stand between me and thy Father’s ire
(Whose ire I dread more than the fire of Hell)              
A shelter and a kind of shading cool
Interposition, as a summer’s cloud.
If I, then, to the worst that can be haste,
Why move thy feet so slow to what is best?
Happiest, both to thyself and all the world,
That thou, who worthiest art, shouldst be their King!
Perhaps thou linger’st in deep thoughts detained
Of the enterprise so hazardous and high!
No wonder; for, though in thee be united
What of perfection can in Man be found,                    
Or human nature can receive, consider
Thy life hath yet been private, most part spent
At home, scarce viewed the Galilean towns,
And once a year Jerusalem, few days’
Short sojourn; and what thence couldst thou observe?
The world thou hast not seen, much less her glory,
Empires, and monarchs, and their radiant courts—
Best school of best experience, quickest in sight
In all things that to greatest actions lead.
The wisest, unexperienced, will be ever                    
Timorous, and loth, with novice modesty
(As he who, seeking *****, found a kingdom)
Irresolute, unhardy, unadventrous.
But I will bring thee where thou soon shalt quit
Those rudiments, and see before thine eyes
The monarchies of the Earth, their pomp and state—
Sufficient introduction to inform
Thee, of thyself so apt, in regal arts,
And regal mysteries; that thou may’st know
How best their opposition to withstand.”                    
  With that (such power was given him then), he took
The Son of God up to a mountain high.
It was a mountain at whose verdant feet
A spacious plain outstretched in circuit wide
Lay pleasant; from his side two rivers flowed,
The one winding, the other straight, and left between
Fair champaign, with less rivers interveined,
Then meeting joined their tribute to the sea.
Fertil of corn the glebe, of oil, and wine;
With herds the pasture thronged, with flocks the hills;    
Huge cities and high-towered, that well might seem
The seats of mightiest monarchs; and so large
The prospect was that here and there was room
For barren desert, fountainless and dry.
To this high mountain-top the Tempter brought
Our Saviour, and new train of words began:—
  “Well have we speeded, and o’er hill and dale,
Forest, and field, and flood, temples and towers,
Cut shorter many a league.  Here thou behold’st
Assyria, and her empire’s ancient bounds,                  
Araxes and the Caspian lake; thence on
As far as Indus east, Euphrates west,
And oft beyond; to south the Persian bay,
And, inaccessible, the Arabian drouth:
Here, Nineveh, of length within her wall
Several days’ journey, built by Ninus old,
Of that first golden monarchy the seat,
And seat of Salmanassar, whose success
Israel in long captivity still mourns;
There Babylon, the wonder of all tongues,                  
As ancient, but rebuilt by him who twice
Judah and all thy father David’s house
Led captive, and Jerusalem laid waste,
Till Cyrus set them free; Persepolis,
His city, there thou seest, and Bactra there;
Ecbatana her structure vast there shews,
And Hecatompylos her hunderd gates;
There Susa by Choaspes, amber stream,
The drink of none but kings; of later fame,
Built by Emathian or by Parthian hands,                    
The great Seleucia, Nisibis, and there
Artaxata, Teredon, Ctesiphon,
Turning with easy eye, thou may’st behold.
All these the Parthian (now some ages past
By great Arsaces led, who founded first
That empire) under his dominion holds,
From the luxurious kings of Antioch won.
And just in time thou com’st to have a view
Of his great power; for now the Parthian king
In Ctesiphon hath gathered all his host                    
Against the Scythian, whose incursions wild
Have wasted Sogdiana; to her aid
He marches now in haste.  See, though from far,
His thousands, in what martial e

Something inspires the only cow of late
To make no more of a wall than an open gate,
And think no more of wall-builders than fools.
Her face is flecked with pomace and she drools
A cider syrup. Having tasted fruit,
She scorns a pasture withering to the root.
She runs from tree to tree where lie and sweeten.
The windfalls spiked with stubble and worm-eaten.
She leaves them bitten when she has to fly.
She bellows on a knoll against the sky.
Her udder shrivels and the milk goes dry.

you will not like what
you will soon imbibe...

long has a single moot court team
infernal internal debated,
the if's and of's, among itself:

"To Read, Or Not To Read?"

in solitary confinement,
place one's self,
undisturbed but for stale bread,
but unpolluted water

letting only visions sprung internal
guide thy words and world,
from tongue to paper,
creating as pure as one can,
unperturbed by the
rocket's glare of another's poetry

risking all but certain knowing,
it is my fawlty fault alone,
no compare, all laid bare,
no infection of inflection,
no reflection of yours,
in mine mirrored image

my issued seed, entire genetic,
it's only inked environment what is
pre-seeded by blood and *****,
my eyes filter all sight by this light,
this lonely light alone

for the moment, when,
I bend my head to thy stream
to partake when inspiry is parched,
the knowledge that what you
write and wrought,
so much better
than my small portions,
I am condemned in perpetuity
not to the agony mot of defeat,
for I could not
cease to write,
any more than I could
cease to breathe,
or despair of all hope
for messianic better days

but, if to be burdened
by the too real title of
second best,
then my poems,
all sadness to be.

this I cannot have,
so let my pieces,
mediocre or even trash,
live peacefully unencumbered
by the site lines of the living
and the dead

thy finery exceeds my plain grasp,
when I read yours,
my self-pity self-suffocates,
and I ask,
nay, I beg of myself:

let my voice be still
but not stilled,
let my thoughts be boundless,
but not in thine clasped,
let my heart speak my truth,
even unto admitting my yellow courage,
let it not be disparaged by,
for my rank of commonality,
it's low caste author's curse

"for who would bear the Whips and Scorns of time"

I have read the best

once, I wrote
to laugh,
reminded and reminding,
they too feared,
the compare to those who
wrote before their own hour

now I know better,
my only solution,
let my additive, be uncomplicated
my images, uncompromised,
by that, my eyes have n'ere seen,
in languages unspoken, but yet believed,
that were given birth only
for a poet's needs

you may dispense
with my droppings,
as you please, but when
I read you and yours,
I am,
so dangerously pleasured,
my creativity,
my one true god and deity,
oft no longer speaks to me,
it's silence a death sentence
that no court, not in any land,
on earth or unheaven,
may e'er grant clemency,
that of course,
unkindest cut of all

"Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprise of great pitch and moment
With this regard their currents turn awry"

"The undiscovered Country, from whose bourn
No Traveler returns, Puzzles the will,
And makes us rather bear those ills we have,
Than fly to others that we know not of"

You see, already cursed and contaminated,
All my sins italicized, except for my original one,
The imposition of mine own hand,
To dare to write and dream in line and meter, verse

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


*To be, or not to be, that is the question—
Whether 'tis Nobler in the mind to suffer
The Slings and Arrows of outrageous Fortune,
Or to take Arms against a Sea of troubles,
And by opposing end them? To die, to sleep—
No more; and by a sleep, to say we end
The Heart-ache, and the thousand Natural shocks
That Flesh is heir to? 'Tis a consummation
Devoutly to be wished. To die, to sleep,
To sleep, perchance to Dream; Aye, there's the rub,
For in that sleep of death, what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes Calamity of so long life:
For who would bear the Whips and Scorns of time,
The Oppressor's wrong, the proud man's Contumely,
The pangs of despised Love, the Law’s delay,
The insolence of Office, and the Spurns
That patient merit of the unworthy takes,
When he himself might his Quietus make
With a bare Bodkin? Who would these Fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered Country, from whose bourn
No Traveler returns, Puzzles the will,
And makes us rather bear those ills we have,
Than fly to others that we know not of.
Thus Conscience does make Cowards of us all,
And thus the Native hue of Resolution
Is sicklied o'er, with the pale cast of Thought,
And enterprises of great pitch and moment,
With this regard their Currents turn awry,
And lose the name of Action. Soft you now,
The fair Ophelia. Nymph, in all thy Orisons
Be all my sins remembered.

My manner of thinking, so you say, cannot be approved.
Do you suppose I care? A poor fool indeed is he who adopts a manner of thinking for others! My manner of thinking stems straight from my considered reflections: it holds with my existence, with the way I am made. It is not in my power to alter it; and were it, I’d not do so. These manners of thinking you find fault with is my sole consolation in life; it alleviates all my sufferings in prison, it composes all my pleasures in the world outside; it is dearer to me than life itself. Not my manner of thinking but the manner of thinking of others has been the source of my unhappiness. The reasoning man who scorns the prejudices of simpletons necessarily becomes the enemy of simpletons; he must expect as much, and laugh at the inevitable. A traveler journeys along a fine road. It has been strewn with traps. He falls into one. Do you say it is the traveler's fault, or that of the scoundrel who lays the trap? If then, as you tell me are willing to restore my liberty if I am willing to pay for it by the sacrifice of my principles or my tastes, we may bid one another an eternal adieu, for rather than part with those, I would sacrifice a thousand lives and a thousand liberties, if I had them. These principals and these tastes, I am their fanatic adherent; and fanaticism in me is the product of persecutions I have endured from my tyrants. The longer they continue their vexations, the deeper they root my principles in my heart, and I openly declare that no one need talk to me of liberty if it is offered to me only in return for their destruction.

Ye martial pow’rs, and all ye tuneful nine,
Inspire my song, and aid my high design.
The dreadful scenes and toils of war I write,
The ardent warriors, and the fields of fight:
You best remember, and you best can sing
The acts of heroes to the vocal string:
Resume the lays with which your sacred lyre,
Did then the poet and the sage inspire.
  Now front to front the armies were display’d,
Here Israel rang’d, and there the foes array’d;
The hosts on two opposing mountains stood,
Thick as the foliage of the waving wood;
Between them an extensive valley lay,
O’er which the gleaming armour pour’d the day,
When from the camp of the Philistine foes,
Dreadful to view, a mighty warrior rose;
In the dire deeds of bleeding battle skill’d,
The monster stalks the terror of the field.
From Gath he sprung, Goliath was his name,
Of fierce deportment, and gigantic frame:
A brazen helmet on his head was plac’d,
A coat of mail his form terrific grac’d,
The greaves his legs, the targe his shoulders prest:
Dreadful in arms high-tow’ring o’er the rest
A spear he proudly wav’d, whose iron head,
Strange to relate, six hundred shekels weigh’d;
He strode along, and shook the ample field,
While Phoebus blaz’d refulgent on his shield:
Through Jacob’s race a chilling horror ran,
When thus the huge, enormous chief began:
  “Say, what the cause that in this proud array
“You set your battle in the face of day?
“One hero find in all your vaunting train,
“Then see who loses, and who wins the plain;
“For he who wins, in triumph may demand
“Perpetual service from the vanquish’d land:
“Your armies I defy, your force despise,
“By far inferior in Philistia’s eyes:
“Produce a man, and let us try the fight,
“Decide the contest, and the victor’s right.”
  Thus challeng’d he: all Israel stood amaz’d,
And ev’ry chief in consternation gaz’d;
But Jesse’s son in youthful bloom appears,
And warlike courage far beyond his years:
He left the folds, he left the flow’ry meads,
And soft recesses of the sylvan shades.
Now Israel’s monarch, and his troops arise,
With peals of shouts ascending to the skies;
In Elah’s vale the scene of combat lies.
  When the fair morning blush’d with orient red,
What David’s fire enjoin’d the son obey’d,
And swift of foot towards the trench he came,
Where glow’d each ***** with the martial flame.
He leaves his carriage to another’s care,
And runs to greet his brethren of the war.
While yet they spake the giant-chief arose,
Repeats the challenge, and insults his foes:
Struck with the sound, and trembling at the view,
Affrighted Israel from its post withdrew.
“Observe ye this tremendous foe, they cry’d,
“Who in proud vaunts our armies hath defy’d:
“Whoever lays him prostrate on the plain,
“Freedom in Israel for his house shall gain;
“And on him wealth unknown the king will pour,
“And give his royal daughter for his dow’r.”
  Then Jesse’s youngest hope: “My brethren say,
“What shall be done for him who takes away
“Reproach from Jacob, who destroys the chief.
“And puts a period to his country’s grief.
“He vaunts the honours of his arms abroad,
“And scorns the armies of the living God.”
  Thus spoke the youth, th’ attentive people ey’d
The wond’rous hero, and again reply’d:
“Such the rewards our monarch will bestow,
“On him who conquers, and destroys his foe.”
  Eliab heard, and kindled into ire
To hear his shepherd brother thus inquire,
And thus begun: “What errand brought thee? say
“Who keeps thy flock? or does it go astray?
“I know the base ambition of thine heart,
“But back in safety from the field depart.”
  Eliab thus to Jesse’s youngest heir,
Express’d his wrath in accents most severe.
When to his brother mildly he reply’d.
“What have I done? or what the cause to chide?
  The words were told before the king, who sent
For the young hero to his royal tent:
Before the monarch dauntless he began,
“For this Philistine fail no heart of man:
“I’ll take the vale, and with the giant fight:
“I dread not all his boasts, nor all his might.”
When thus the king: “Dar’st thou a stripling go,
“And venture combat with so great a foe?
“Who all his days has been inur’d to fight,
“And made its deeds his study and delight:
“Battles and bloodshed brought the monster forth,
“And clouds and whirlwinds usher’d in his birth.”
When David thus: “I kept the fleecy care,
“And out there rush’d a lion and a bear;
“A tender lamb the hungry lion took,
“And with no other weapon than my crook
“Bold I pursu’d, and chas d him o’er the field,
“The prey deliver’d, and the felon ****’d:
“As thus the lion and the bear I slew,
“So shall Goliath fall, and all his crew:
“The God, who sav’d me from these beasts of prey,
“By me this monster in the dust shall lay.”
So David spoke.  The wond’ring king reply’d;
“Go thou with heav’n and victory on thy side:
“This coat of mail, this sword gird on,” he said,
And plac’d a mighty helmet on his head:
The coat, the sword, the helm he laid aside,
Nor chose to venture with those arms untry’d,
Then took his staff, and to the neighb’ring brook
Instant he ran, and thence five pebbles took.
Mean time descended to Philistia’s son
A radiant cherub, and he thus begun:
“Goliath, well thou know’st thou hast defy’d
“Yon Hebrew armies, and their God deny’d:
“Rebellious wretch! audacious worm! forbear,
“Nor tempt the vengeance of their God too far:
“Them, who with his Omnipotence contend,
“No eye shall pity, and no arm defend:
“Proud as thou art, in short liv’d glory great,
“I come to tell thee thine approaching fate.
“Regard my words.  The Judge of all the gods,
“Beneath whose steps the tow’ring mountain nods,
“Will give thine armies to the savage brood,
“That cut the liquid air, or range the wood.
“Thee too a well-aim’d pebble shall destroy,
“And thou shalt perish by a beardless boy:
“Such is the mandate from the realms above,
“And should I try the vengeance to remove,
“Myself a rebel to my king would prove.
“Goliath say, shall grace to him be shown,
“Who dares heav’ns Monarch, and insults his throne?”
  “Your words are lost on me,” the giant cries,
While fear and wrath contended in his eyes,
When thus the messenger from heav’n replies:
“Provoke no more Jehovah’s awful hand
“To hurl its vengeance on thy guilty land:
“He grasps the thunder, and, he wings the storm,
“Servants their sov’reign’s orders to perform.”
  The angel spoke, and turn’d his eyes away,
Adding new radiance to the rising day.
  Now David comes: the fatal stones demand
His left, the staff engag’d his better hand:
The giant mov’d, and from his tow’ring height
Survey’d the stripling, and disdain’d the fight,
And thus began: “Am I a dog with thee?
“Bring’st thou no armour, but a staff to me?
“The gods on thee their vollied curses pour,
“And beasts and birds of prey thy flesh devour.”
  David undaunted thus, “Thy spear and shield
“Shall no protection to thy body yield:
“Jehovah’s name———no other arms I bear,
“I ask no other in this glorious war.
“To-day the Lord of Hosts to me will give
“Vict’ry, to-day thy doom thou shalt receive;
“The fate you threaten shall your own become,
“And beasts shall be your animated tomb,
“That all the earth’s inhabitants may know
“That there’s a God, who governs all below:
“This great assembly too shall witness stand,
“That needs nor sword, nor spear, th’ Almighty’s
  hand:
“The battle his, the conquest he bestows,
“And to our pow’r consigns our hated foes.”
  Thus David spoke; Goliath heard and came
To meet the hero in the field of fame.
Ah! fatal meeting to thy troops and thee,
But thou wast deaf to the divine decree;
Young David meets thee, meets thee not in vain;
’Tis thine to perish on th’ ensanguin’d plain.
  And now the youth the forceful pebble slung
Philistia trembled as it whizz’d along:
In his dread forehead, where the helmet ends,
Just o’er the brows the well-aim’d stone descends,
It pierc’d the skull, and shatter’d all the brain,
Prone on his face he tumbled to the plain:
Goliath’s fall no smaller terror yields
Than riving thunders in aerial fields:
The soul still ling’red in its lov’d abode,
Till conq’ring David o’er the giant strode:
Goliath’s sword then laid its master dead,
And from the body hew’d the ghastly head;
The blood in gushing torrents drench’d the plains,
The soul found passage through the spouting veins.
  And now aloud th’ illustrious victor said,
“Where are your boastings now your champion’s
  “dead?”
Scarce had he spoke, when the Philistines fled:
But fled in vain; the conqu’ror swift pursu’d:
What scenes of slaughter! and what seas of blood!
There Saul thy thousands grasp’d th’ impurpled sand
In pangs of death the conquest of thine hand;
And David there were thy ten thousands laid:
Thus Israel’s damsels musically play’d.
  Near Gath and Edron many an hero lay,
Breath’d out their souls, and curs’d the light of day:
Their fury, quench’d by death, no longer burns,
And David with Goliath’s head returns,
To Salem brought, but in his tent he plac’d
The load of armour which the giant grac’d.
His monarch saw him coming from the war,
And thus demanded of the son of Ner.
“Say, who is this amazing youth?” he cry’d,
When thus the leader of the host reply’d;
“As lives thy soul I know not whence he sprung,
“So great in prowess though in years so young:”
“Inquire whose son is he,” the sov’reign said,
“Before whose conq’ring arm Philistia fled.”
Before the king behold the stripling stand,
Goliath’s head depending from his hand:
To him the king: “Say of what martial line
“Art thou, young hero, and what sire was thine?”
He humbly thus; “The son of Jesse I:
“I came the glories of the field to try.
“Small is my tribe, but valiant in the fight;
“Small is my city, but thy royal right.”
“Then take the promis’d gifts,” the monarch cry’d,
Conferring riches and the royal bride:
“Knit to my soul for ever thou remain
“With me, nor quit my regal roof again.”

The eyes that could change the world.
If only they could speak.
For they would speak of the woes and trageties
of what lies behind them.
They emit light to show content.
But the light is produced by fire.
It burns, damages, scorns.
Yet yeilds light to see the color.
The beautiful color of his stained-glass eyes.
-n.s.

Wee falsely think it due unto our friends,
That we should grieve for their too early ends:
He that surveys the world with serious eys,
And stripps Her from her grosse and weak disguise,
Shall find 'tis injury to mourn their fate;
He only dy's untimely who dy's Late.
For if 'twere told to children in the womb,
To what a stage of mischief they must come
Could they foresee with how much toile and sweat
Men court that Guilded nothing, being Great;
What paines they take not to be what they seem,
Rating their blisse by others false esteem,
And sacrificing their content, to be
Guilty of grave and serious Vanity;
How each condition hath its proper Thorns,
And what one man admires, another Scorns;
How frequently their happiness they misse,
And so farre from agreeing what it is,
That the same Person we can hardly find,
Who is an houre together in a mind;
Sure they would beg a period of their breath,
And what we call their birth would count their Death.
Mankind is mad; for none can live alone
Because their joys stand by comparison:
And yet they quarrell at Society,
And strive to **** they know not whom, nor why,
We all live by mistake, delight in Dreames,
Lost to ourselves, and dwelling in extreames;
Rejecting what we have, though ne're so good,
And prizing what we never understood.
compar'd to our boystrous inconstancy
Tempests are calme, and discords harmony.
Hence we reverse the world, and yet do find
The God that made can hardly please our mind.
We live by chance, and slip into Events;
Have all of Beasts except their Innocence.
The soule, which no man's pow'r can reach, a thing
That makes each women Man, each man a King.
Doth so much loose, and from its height so fall,
That some content to have no Soule at all.
"Tis either not observ'd, or at the best
By passion fought withall, by sin deprest.
Freedome of will (god's image) is forgot;
And if we know it, we improve it not.
Our thoughts, thou nothing can be more our own,
Are still unguided, verry seldom known.
Time 'scapes our hands as water in a Sieve,
We come to dy ere we begin to Live.
Truth, the most suitable and noble Prize,
Food of our spirits, yet neglected ly's.
Errours and shaddows ar our choice, and we
Ow our perdition to our Own decree.
If we search Truth, we make it more obscure;
And when it shines, we can't the Light endure;
For most men who plod on, and eat, and drink,
Have nothing less their business then to think;
And those few that enquire, how small a share
Of Truth they fine! how dark their notions are!
That serious evenness that calmes the Brest,
And in a Tempest can bestow a rest,
We either not attempt, or elce [sic] decline,
By every triffle ******'d from our design.
(Others he must in his deceits involve,
Who is not true unto his own resolve.)
We govern not our selves, but loose the reins,
Courting our ******* to a thousand chains;
And with as man slaverys content,
As there are Tyrants ready to Torment,
We live upon a Rack, extended still
To one extreme, or both, but always ill.
For since our fortune is not understood,
We suffer less from bad then from the good.
The sting is better drest and longer lasts,
As surfeits are more dangerous than fasts.
And to compleat the misery to us,
We see extreames are still contiguous.
And as we run so fast from what we hate,
Like Squibs on ropes, to know no middle state;
So (outward storms strengthen'd by us) we find
Our fortune as disordred as our mind.
But that's excus'd by this, it doth its part;
A treacherous world befits a treacherous heart.
All ill's our own; the outward storms we loath
Receive from us their birth, or sting, or both;
And that our Vanity be past a doubt,
'Tis one new vanity to find it out.
Happy are they to whom god gives a Grave,
And from themselves as from his wrath doeth save.
'Tis good not to be born; but if we must,
The next good is, soone to return to Dust:
When th'uncag'd soule, fled to Eternity,
Shall rest and live, and sing, and love, and See.
Here we but crawle and *****, and play and cry;
Are first our own, then others Enemy:
But there shall be defac'd both stain and score,
For time, and Death, and sin shall be no more.

Their lives bleed into mine
What am I becoming?
As long as I'm bleeding in line
I can hear war drums drumming
I feel my purity and youth leave me
As their lack of couth feeds me
And their sweet tooth bleeds me
Until eventually I too am greedy

In this ****** atmosphere
Our ***** past is clear
Inspiring future fears
And hardened tears
Drowned by beers
And empty cheers
Through the years
Until we're here
As a ****** stranger
Head banger
Teenager
In Jesus' manger

This blight
Of life
As a simulation
Of assimilation
Into a nation
Of incineration
In a ****** mire
Lit by the fire
Positioned higher
I call my sire

I fidget in the cage
Of this pivotal maze
Called the Digital Age
I'm in need of healing
From this dark feeling
That I'm an innocent child reading
A book about a grown man bleeding
Always met with a hateful greeting
While sympathy is fleeting
Being replaced by our own jadedness
After living with those who hated us
We develop defensive thorns
Resembling demonic horns
To match public scorns

My first love
Drew first blood
And I couldn't halt the blood loss
Exacerbated by the mud toss
Of the sinister town crier
Exposing my heart's desires
So I said never again
For the bleeding to stop
When dealing with men
Is like meeting the cops
Aware that I'm defenseless
They start beating me senseless
So I become a judge myself
Part of the sludge for my health
I won't budge unless it's for wealth
Accepting the cards I was dealt

They bled into me
Now red is all I see
No way to get free
So I follow their lead
And choose to bleed
As they pray and plead
It becomes my turn
To cause the burns
That I had learned
When I was spurned
And lost my purity
Now blood cures me

He who doubts me shall one day admire.
He he scorns me shall later revere.
He who accompanies will rise with my fire
while he who rejects dies grimly in fear.

He who will listen to here what I know
Is invited to stand-up and argue, if sharper.
He who accepts may play on my team,
Though, he who respects gets promoted to partner.

He who helps others when all else has failed
has secured my blessing in fighting the demon.
So, friend, face the storm and boldly set sail.
I share with you poise, self confident ******.

Believe in yourself.  Don't ever lose hope.
A dope of a man gives up on a whim.
But if I should fall, and call for a rope...
I thank you your throw.  Together we'll win.

Save tomorrow for memories and smiles with no pain,
as today we face all of yesteryear's hurt.
Though, if I should slip and call out your name.
I thank you for  being there, true man of his word.

YES, DELIA loves! My fondest vows are blest ;
Farewel the memory of her past disdain ;
One kind relenting glance has heal'd my breast,
And balanc'd in a moment years of pain.

O'er her soft cheek consenting blushes move,
And with kind stealth her secret soul betray ;

Blushes, which usher in the morn of love,
Sure as the red'ning east foretells the day.

Her tender smiles shall pay me with delight
For many a bitter pang of jealous fear ;
For many an anxious day, and sleepless night,
For many a stifled sigh, and silent tear.

DELIA shall come, and bless my lone retreat ;
She does not scorn the shepherd's lowly life ;
She will not blush to leave the splendid seat,
And own the title of a poor man's wife.

The simple knot shall bind her gather'd hair,
The russet garment clasp her lovely breast :
DELIA shall mix amongst the rural fair,
By charms alone distinguish'd from the rest.

And meek Simplicity, neglected maid,
Shall bid my fair in native graces shine :
She, only she, shall lend her modest aid,
Chaste, sober priestess, at sweet beauty's shrine !

How sweet to muse by murmuring springs reclin'd ;
Or loitering careless in the shady grove,
Indulge the gentlest feelings of the mind,
And pity those who live to aught but love !

When DELIA's hand unlocks her shining hair,
And o'er her shoulder spreads the flowing gold,
Base were the man who one bright tress would spare
For all the ore of India's coarser mold.

By her dear side with what content I'd toil,
Patient of any labour in her sight ;
Guide the slow plough, or turn the stubborn soil,
Till the last, ling'ring beam of doubtful light.

But softer tasks divide my DELIA's hours ;
To watch the firstlings at their harmless play ;
With welcome shade to screen the languid flowers,
That sicken in the summer's parching ray.

Oft will she stoop amidst her evening walk,
With tender hand each bruised plant to rear ;
To bind the drooping lily's broken stalk,
And nurse the blossoms of the infant year.

When beating rains forbid our feet to roam,
We'll shelter'd sit, and turn the storied page ;
There see what passions shake the lofty dome
With mad ambition or ungovern'd rage :

What headlong ruin oft involves the great ;
What conscious terrors guilty bosoms prove ;
What strange and sudden turns of adverse fate
Tear the sad ****** from her plighted love.

DELIA shall read, and drop a gentle tear ;
Then cast her eyes around the low-roof'd cot,
And own the fates have dealt more kindly here,
That blest with only love our little lot.

For love has sworn (I heard the awful vow)
The wav'ring heart shall never be his care,
That stoops at any baser shrine to bow :
And what he cannot rule, he scorns to share.

My heart in DELIA is so fully blest,
It has not room to lodge another joy ;
My peace all leans upon that gentle breast,
And only there misfortune can annoy.

Our silent hours shall steal unmark'd away
In one long tender calm of rural peace ;
And measure many a fair unblemish'd day
Of chearful leisure and poetic ease.

The proud unfeeling world their lot shall scorn
Who 'midst inglorious shades can poorly dwell :
Yet if some youth, for gentler passions born,
Shall chance to wander near our lowly cell,

His feeling breast with purer flames shall glow ;
And leaving pomp, and state, and cares behind,
Shall own the world has little to bestow
Where two fond hearts in equal love are join'd.

''And if your Nancy frowns, my lad,
And scorns a jacket blue,
Just hoist your sails for other ports,
And find a maid more true.''

Wellspring of blood and gold
In flame and glory ever
Doest thou faithful rise
Cast off thy vapor shrouds
Radiance of ancient godhood undimmed

Magnified by singing ice
As prophesied in the late darkness thy
Hoped triumph heralded while
Bearers chained on metalled rails
Muttered protest under
Hoary breath of polar air

But lo! The brazen promise of thine
Image graven in beholder's eye
Rings hollow in the bitten ears
And the stung flesh
Feels thy boasted fire
Not at all

Above thee stands the city's goddess proud
So virile once thou smilest
Upon her white clad shoulder now
Ceres scorns thine impotence turns not
But fixes her steeled gaze
On the frozen north

To the unknown,
I cannot fasten words strong enough to show you my care.
You have taken my language so I can not comprehend, just as you will take a sliver of my heart and gallons of my blood,
So I can understand your pain.
I will save you from the savagery of emotion and the feelings of pointlessness.
I will protect you from the cruelty of man and the scorns of women.
You will never have to experience your heart being torn in two like you have done to mine.
The only thing I cannot keep you from is myself, my twenty first century sense of logic and my own bittersweet selflessness.
You are made of only love just as you will be let go in it.
Let that raw energy you were created from, let it shoot you into the night sky.
So you can experience everything that I will not.

It was time.
It was time, and so I read every one of your poems and
Cried.
They were different tears from last time.
Some truer grief fell with these
And they
Were silent.
Silver, like rain reaching its fingers into the soil
Late at night
Ready to grow something
Lovely.
I know you
So much better now.
I loved you- oh, how I loved you
In a complex way
The way that always
Loses me the thing I love.
I shake now, the aftershocks of feeling vibrating my bones
A music too low and too aching
For sound
It murmurs to the earth
And, sleeping beneath the snow, the ground echoes my loss back to me.
I loved you, how I loved you
But I never knew you like I do now.
How you must hate yourself, inside.
People who hate themselves always hate me.
They love me first, and then they loathe me.
If I am lucky, someday they face themselves and forgive me for loving what they hated for so long.
It is all very wearisome and human of them.
Sometimes I see you in the halls.
You refuse to meet my eyes,
As if we were two high school lovers broken up
The week before,
Pretending our lives were not
Altered.
I look at you, though.
I loved you different than that.
There was nothing of owning to it, nothing of flesh,
And so although my heart and mind miss yours
Miss the rise and fall of your low voice,
Miss the thoughts and ideas, so intricate, exquisite
That you would write to me instead of sleeping at night,
To see you doesn't make me angry.
I know seeing me makes you angry.
I see it in your jaw, the way your eyes go dead.
Oh, darling, I know you so well now
So much better than if you'd been kind to me.
Do you forget that as I told you my dreams and my fears
You slowly unveiled your own?
I still feel them, beneath your wax mask of indifference.
They live.
They rule you, as always, more even than before.
They are why
You cannot look at me.
Maybe you loved me. Who knows. And if you did
Who knows how. There are so many ways
To love someone.
There isn't a word for how I loved you.
Now when I dream it is of a little flat with a cat and a curly haired girl in bed beside me
But you never took shape like that in my mind.
You were never a companion, never a lover.
You were never a home for me.
Nor were you a sister, or a friend.
I loved you like I love music, like I love the way rivers surge forward after it has been raining for days, the way I love the sea.
But there was always a difference, I suppose, although I couldn't see it-
For Nature cannot hate. It is, only is,
And my love for you
Was
In much the same way
It was, like a stone is, like the trees are, like the sunlight is.
But you weren't, aren't. You are flesh, and you
Are ruled by feeling and, sometimes, by fear.
I see you now and I know I should hate you
For when you walked away from me
You confirmed every fear I'd ever confided to you.
You took a larger chunk of my soul
Than I had even thought was left, just then,
And I mourned you
Like you had died.
I still remember.
I will always remember.
I sat on Rachel's broken armchair
And I cried for hours
Unable and unwilling to speak.
She stared at me, grief stricken with her own loss
But through it she stared at me as if witnessing a great mountain cave in
Or the sea
Suddenly boil.
She stared and stared, and I shook apart, pieces of me flying into all the dusty corners of that apartment.
I'm sure some are still there, sharp and jagged, ready to cut a foot or tear a hem.
I had thought myself incapable of grief like that anymore
And yet there I was, my soul rejecting itself like a bad transplant.
And yes, I was angry at you, so angry at your cowardice,
So maddened to be left again to try to make sense of a mess somebody else made with no warning
And no
Apology.
Weeks later I asked you why
In a last stand of sudden strength I accused you
And in refusing to tell me you confirmed my suspicions that it was
Your fear and not my wickedness
That lost me your love.
I saw you as such a meld of energies, fierce and delicate all at once
And moons and suns decorated
Some of the most beautiful art I've ever created.
That style died with you. You have the first and last of it.
Sometimes I wonder if you've burned my paintings, or else thrown them away. I don't know. I hope not.
If you ever truly look at me again
You will see that my hands have a white scarlike design of a sun on one thumb and a moon on the other
When I clasp my hands they form a perfect circle.
I couldn't sleep, you see, remembering how you wanted to erase me
Wanted me to erase you.
Everything important in my life leaves a mark
And even if you never speak to me again these hands will make beauty, will spread kindness, will carry loads
And they will bear your mark, for I was so changed by you and your sudden cruelty that for a long time
My own hands looked so... foreign
And would create nothing lovely, nor touch anything gently, nor hold anything fragile.
So much time has passed,
And yet when I saw you again, here, after all the ways my life has changed since then
I knew when you refused to look at me
That you did care
Would always care
Would always hate that you cared
And I gazed at you
Because although I can't say I love you as I did
I would be dishonest to say that I don't. I always will. I always did, really. I chose you. I saw your self loathing and the depth of your beauty and I chose you
To know
And I paid the price I sometimes pay to know people like you.
And I still consider it worth it.
I find I am still partial to your voice
To the lines of your face-
The face I longed to draw, because it reminded me, still does, of some mighty greek heroine.
I still admire how you move, and I still laugh at your jokes when I overhear them, although my face remains unchanged.
Sometimes I am brave enough to search for your gaze,
Sometimes I stumble on it suddenly and it immobilizes us both, and I look away, although I wish I could stare you down and force you to, instead.
Sometimes I think of doing something small and nice for you
Because the desire never really leaves me once I care for someone
But I can never discover something you wouldn't trace back
And I admit I fear your anger.
You told me to leave
And my pride will only let me try so much to give to someone who scorns my kindnesses.
And so there is this odd, unsettled, unresolved feeling I get
Walking these hallways.
I dread and crave
To walk around the corner and see you.
When I do my muscles thrill with fire and ice, ready for a fight, ready for a struggle for my life
And I placidly look your way, force my gaze to slide over you as if you are ordinary.
Know that you are not. That you never will be.
We are so similar, inside.
Reading your poems tonight I cried because I miss your friendship,
But mostly I cried because I understand you
The lost wolf, pretending to be lone
The lonely little girl with fangs.
I understand how much you must loathe yourself, how much feeling you must bury each day to be as you are
And
As all true friends do
I wish you wouldn't.--
I wish you well. I wish you happiness. I wish you all good things. And it makes me sad to see you in the hallways
Because I know that as long as you cannot forgive me for having loved you
You haven't forgiven yourself for being loved.

Content, the false World's best disguise,
The search and faction of the Wise,
Is so abstruse and hid in night,
That, like that Fairy Red-cross Knight,
Who trech'rous Falshood for clear Truth had got,
Men think they have it when they have it not.

For Courts Content would gladly own,
But she ne're dwelt about a Throne:
And to be flatter'd, rich, and great,
Are things which do Mens senses cheat.
But grave Experience long since this did see,
Ambition and Content would ne're agree.

Some vainer would Content expect
From what their bright Out-sides reflect:
But sure Content is more Divine
Then to be digg'd from Rock or Mine:
And they that know her beauties will confess,
She needs no lustre from a glittering dress.

In Mirth some place her, but she scorns
Th'assistance of such crackling thorns,
Nor owes her self to such thin sport,
That is so sharp and yet so short:
And Painters tell us, they the same strokes place
To make a laughing and a weeping face.

Others there are that place Content
In Liberty from Government:
But who his Passions do deprave,
Though free from shackles is a slave.
Content and ******* differ onely then,
When we are chain'd by Vices, not by Men.

Some think the Camp Content does know,
And that she fits o'th' Victor's brow:
But in his Laurel there is seen
Often a Cypress-bow between.
Nor will Content herself in that place give,
Where Noise and Tumult and Destruction live.

But yet the most Discreet believe,
The Schools this Jewel do receive,
And thus far's true without dispute,
Knowledge is still the sweetest fruit.
But whil'st men seek for Truth they lose their Peace;
And who heaps Knowledge, Sorrow doth increase.

But now some sullen Hermite smiles,
And thinks he all the World beguiles,
And that his Cell and Dish contain
What all mankind wish for in vain.
But yet his Pleasure's follow'd with a Groan,
For man was never born to be alone.

Content her self best comprehends
Betwixt two souls, and they two friends,
Whose either joyes in both are fixed,
And multiply'd by being mixed:
Whose minds and interests are still the same;
Their Griefs, when once imparted, lose their name.

These far remov'd from all bold noise,
And (what is worse) all hollow joyes,
Who never had a mean design,
Whose flame is serious and divine,
And calm, and even, must contented be,
For they've both Union and Society.

Then, my Lucasia, we have
Whatever Love can give or crave;
With scorn or pity can survey
The Trifles which the most betray;
With innocence and perfect friendship fired,
By Vertue joyn'd, and by our Choice retired.

Whose Mirrours are the crystal Brooks,
Or else each others Hearts and Looks;
Who cannot wish for other things
Then Privacy and Friendship brings:
Whose thoughts and persons chang'd and mixt are one,
Enjoy Content, or else the World hath none.

I mind me in the days departed,
How often underneath the sun
With childish bounds I used to run
  To a garden long deserted.

The beds and walks were vanish’d quite;
And wheresoe’er had struck the *****,
The greenest grasses Nature laid,
  To sanctify her right.

I call’d the place my wilderness,
For no one enter’d there but I.
The sheep look’d in, the grass to espy,
  And pass’d it ne’ertheless.

The trees were interwoven wild,
And spread their boughs enough about
To keep both sheep and shepherd out,
  But not a happy child.

Adventurous joy it was for me!
I crept beneath the boughs, and found
A circle smooth of mossy ground
  Beneath a poplar-tree.

Old garden rose-trees hedged it in,
Bedropt with roses waxen-white,
Well satisfied with dew and light,
  And careless to be seen.

Long years ago, it might befall,
When all the garden flowers were trim,
The grave old gardener prided him
  On these the most of all.

Some Lady, stately overmuch,
Here moving with a silken noise,
Has blush’d beside them at the voice
  That liken’d her to such.

Or these, to make a diadem,
She often may have pluck’d and twined;
Half-smiling as it came to mind,
  That few would look at them.

O, little thought that Lady proud,
A child would watch her fair white rose,
When buried lay her whiter brows,
  And silk was changed for shroud!—

Nor thought that gardener (full of scorns
For men unlearn’d and simple phrase)
A child would bring it all its praise,
  By creeping through the thorns!

To me upon my low moss seat,
Though never a dream the roses sent
Of science or love’s compliment,
  I ween they smelt as sweet.

It did not move my grief to see
The trace of human step departed:
Because the garden was deserted,
  The blither place for me!

Friends, blame me not! a narrow ken
Hath childhood ‘twixt the sun and sward:
We draw the moral afterward—
  We feel the gladness then.

And gladdest hours for me did glide
In silence at the rose-tree wall:
A thrush made gladness musical
  Upon the other side.

Nor he nor I did e’er incline
To peck or pluck the blossoms white:—
How should I know but that they might
  Lead lives as glad as mine?

To make my hermit-home complete,
I brought clear water from the spring
Praised in its own low murmuring,
  And cresses glossy wet.

And so, I thought, my likeness grew
(Without the melancholy tale)
To ‘gentle hermit of the dale,’
  And Angelina too.

For oft I read within my nook
Such minstrel stories; till the breeze
Made sounds poetic in the trees,
  And then I shut the book.

If I shut this wherein I write,
I hear no more the wind athwart
Those trees, nor feel that childish heart
  Delighting in delight.

My childhood from my life is parted,
My footstep from the moss which drew
Its fairy circle round: anew
  The garden is deserted.

Another thrush may there rehearse
The madrigals which sweetest are;
No more for me!—myself afar
  Do sing a sadder verse.

Ah me! ah me! when erst I lay
In that child’s-nest so greenly wrought,
I laugh’d unto myself and thought,
  ‘The time will pass away.’

And still I laugh’d, and did not fear
But that, whene’er was pass’d away
The childish time, some happier play
  My womanhood would cheer.

I knew the time would pass away;
And yet, beside the rose-tree wall,
Dear God, how seldom, if at all,
  Did I look up to pray!

The time is past: and now that grows
The cypress high among the trees,
And I behold white sepulchres
  As well as the white rose,—

When wiser, meeker thoughts are given,
And I have learnt to lift my face,
Reminded how earth’s greenest place
  The colour draws from heaven,—

It something saith for earthly pain,
But more for heavenly promise free,
That I who was, would shrink to be
  That happy child again.

Humble pianist, not so grand
With her soft and silken hands
She plays a different kind of key
Not your grandmother’s ivory,
But something entirely
Different.

Her notes are lucid
And spontaneous.
Her facts are wild
And erroneous.
Her keyboard is,
Not one that sings
But one that weaves
Such trivial things.

She births not art
Musically
Her notes are letters
“A” through “Z”.
Her works are neither
Sung nor Heard
She’s an artist of
The written word.

When in the night,
They’ve taken flight;
Hooting
Empathetic owls.
For in the night
Is when she writes,
Her passion
Most marvelous and foul.

She clicks and types,
Screams and cries
Her perseverance almost dies.
Her eyes are calloused
Raw and sore
Her computer screen is what she scorns.

And this must be
For it is she,
Who plays these notes so
Brilliantly.
And with her keys
Most endlessly
She writes her laptop poetry.

Little slow suicide boy
Has lips tainted frozen blue
From threefold the norm amount
Of ecstasy's strong hue.

Little slow suicide boy
Has lungs of ravaged tar
*** combined with cigarettes--
Mind gaining ground on a star.

Little slow suicide boy
Finds sunshine in the rain
Happiness in depression
Places the needle to his vein

Little slow suicide boy
Scorns the girl with a slashed wrist
Scorns the boy who is dying to exist
But one fall into a lifeless choke.

Takes another drag, blows out smoke.

ya well
it's fiery hell
not living well
right at home
buried bones
torture
de joured
some fine imaginings
of the most clever
scorns

right on
it serves me swells
all i need is here well
mountains move
uncovered veils
holy grails
deep wells
forever winds
love captions
hearts sing
fuller sails

what you see
the delusions
contusions
devastating confusions
freely came
and leave their
tracement as scape sets
behind and glorious
stories

are just as free
no longer welcomed
as the lie
as aberrance
malevolent bees
upsettings trees
have left already

with refreshments
and mints being roses
the windy holy
way of love
as breezes
readily come
as kisses
to hearts toes and noses

cheaper illusions
have other preferences here
then just as free
readily go

What rumble grumbles thundering
     beneath another boiling sky,
Which warns me, scorns me,
     distant thorns flee: flashing light from clouds, and I…

Am harkening – darkening towers,
     ivory-cast and sunlit spires lie!
Still distant, though these
     trees are bending, rending, raising arms up high.

Green fingers flailing, leaves travailing,
     one warm-gust, and the blues go grey;

Then silence…
And the wind dies:

Calm

I can feel you coming.

I can taste your spray.

There’s nothing better
     than a thunderstorm;
I love them, and especially
     the way your tempest touches,
And the way your thunder talks to me.


©14Sep10 @DracoTalpus

watching lightening
rip through the tenebrous sky,
anger-filled thunder scorns
the midnight hour.
We only came here to watch...
to breathe in cool night air.

I couldn't distinguish the shock
of your touch
from the wave of currents striking
the window of this sundance
crossing the blackened sky.

A feather-touch:
my lips, your lips, ours;
soft, seductive shivers.
Touches so electric,
we were unaware
of the youth-filled
dodge gunning
towards the embankment...
teen kisses, too innocent.

(They see our mirror image.)

In excited jolts,
like those of lightening raging
through the mountains,
we seek refuge
to thrill-seek
the precarious union
we are.

I’m in the same place as all of yous, but I’m absent minded and got misanthropic contempt, like anthropomorphic deer by the highway watching Cadillac surgery. But deep cardiac compassion, all you idiots are inside of me, lashing out with lively love. Scorns used to scar, but now I smile. **** the struggle you’re on, and put your shoes on the final platform. It’s not truth mama, it’s death. Have you tried it? Me either, we’re both among breathers. Now, tell me about your facts in expressions unconditioned by human history. Tell me about those bats on your shoulders that babble obscenities like Black Beard’s parrot, named ******. He speaks not of this century, so his “*****” are now children’s songs, sung around plastic bonfires, trying to roast electrical socket covers. To no avail.  

Born human mightiest
Socially slighted and far-sighted
Let’s bash through hierarchy
I said bash
you P.C. crusader
cold as a computer
slaughtering the people’s good language
in the name of removing something savage
instead of asserting a new image
A true sign of the artist
but I’m no artist

The Queen revels beyond the realm of summer’s lurid light
Yet scorns the damp recess of shade where moss has laid its lawn.
Her pale and powdered faces flaunt the earth by starry night;
Though falling, faint and faded, by the cawing crow of dawn.
Her slender, waxen limbs are draped upon her chosen sire  
Who cradles her, consumed amid the scent of her perfumes.
Wherever out her branches bend; is loveliness admired
By fleeting bat and beating moth; by men and sailing moons.
Magnificent she flourishes; dry, dappled shade her nest
Where wild and unrestrained, resplendent flowers ever grow
So fair, and verdant framed, and scarlet tipped, and golden tressed;
With flames of bronze and ivory her lighted candles glow.
The chills of night cannot befall: the hallowed earth is blessed
Wherever blooms the Queen of Night; Selenicereus.

Perched beneath the weeping tree
to signify the things that be
Left alone on a moonless night
the branches here have caused a fright
To shadow flee, and darkness wrought
here, and hither I am brought
Weeping on my knees at last
turned careless as it’s come to pass
Still here I lie beneath the day
seeking to unwind the fray
Of troubled thoughts housed within
my secrets crossed my body thin
Here I lie my soul held high
I pray the Lord will let me die
For here to death what graver day
what blessed respite, what truer way
Than to lay my cares all here,
but it’s death alone that I fear
Solace fleeting catch here nigh
but soul it seems at last will fly
Here at this tree i tarry still
the branches swaying, my body nil
For here I am condemned to be
ever pupil, never free
Till death at last his cold embrace
seeks one day my tired face
And then he will draw more nigh
no more, no more will I decry
I do not wish this upon another
my lot is here, I will go now, under
To bear the burden for a friend
his thoughts, not mine my soul is weighed
A burdened path i do now tread
seeking to find a weary thread
Woven through my pages thin
death here no more taunts me with sin
For i lie here, no noise, no din
your shadowy form is on the tin
Where the lattice & the fountain sweat
the fish dance in their own way
The aimless turn, turn and sway.
the red light high, the shadow falls
The anger swept, the raven calls.
Each feathered wing, from tip to tip
the candle wax begins to drip
A patterned verse all carefully crafted
this shadow falls, unmasked and tattered.
It seems to follow, despair and dismay
the light it fades with every passing day.
Each tear you cry it freezes in time
for the days go on, but this place is mine.
I cry aloud to find some solace
from this quicksand I would fly.
To wave my hand, wave it goodbye,
I must at last, I lie, I lie.
The shadow still, it stands and stares
I know not why, it harshly glares.
But ere I despair my gaze it shifted
And from the dust, my eyes I lifted
and saw a light though dimly burning
and my eyes again, again are turning.
Each feather falls, like eagles soar,
we scream at the clouds, they drop no rain
will nothing now ease this pain?
I saw a light, I know tis true,
I’m not alone, I won’t stay for you.
Fell shadow my fear you no longer own
for this dim light at last has shown
you for what you really are,
cast and crown you’ve fallen far.
Yet to show with compass rose,
where these shadows their road they chose.
But sinners still continue on,
I lie here, now and anon.  
Shadows torment and follow still
but they cannot my Light ****.
For ever since I caught a glimpse
I know my savior will draw nigh.
The light has come the shadow past
I will not stop ere day is cast.
For darkness hides and tides they break,
but nothing can my soul take
for here I lie, my mind’s made up;
I’ve seen the light the shadow’s cup
at last has dried, no more to fill
until the day has drawn at last
for me to lie here, the die is cast
I lie and dream no more to seem
a wanderer or a cloudy morn.
From me you flee, I carry the light
Through your fear I never shall be put to flight
For you have chosen, marred and crippled
to sit upon this floor, and listen
to my screams my agonized wails
and feed off my hunger, my scorn, my travail.
Seemingly no more to ride,
I travel on, through speedy decline.
Your mount is here, though fixed I am not
I move around like a twig torn down
Blown about by winds and tides,  
Shall I ever see the waking bride?
Or am I doomed at last to flee,
seeking for the blessed shores of eternity
finding no rest in mortal man
no friend to call brother, no place to bed
For if you my darling I shall wed,
fair Light you always were the prize.
You and I were made to be
One, and One in eternity.
How far we’ve fallen you and I,
still from these dark shadows I will hide
as the courage swells within
I know who I am called to be
my skin still stretched tight upon my bones
my teeth chatter, my nose it scorns
Though from behind I see the sneer
it follows still, ever near.
Oh blessed Light, come and shine
you make the darkness blind.
For in you there is none of it
at last in you I find my niche
for here no more need I fear
You ever, ever draw me near
and here I’ve found, no more to flee
I can rest my soul in Thee.

Time cares not for your tears,
nor contemplates the weary years,
it toils with its prey inside its lair,
feasting on our pain and despair,

It cannot sooth a weeping soul,
or spirit dark as blackened coal,
it bares no comforting arms to hold,
just scorns in jest as our life's unfold.

When the many
penny-sparrows
fall
to
the ground

[copper autumn leaves]

I fear,
lest I am worth
far
less

[and forgotten]

I have
his
sworn
word: he never will,
and
it’s never enough

[for me]

my heart scorns
to believe
impossibility--
this sparrow

[you are mindful of her]

I linger long for you
in the desolate wasteland
that is
my speechless silence.

Lusting for replies
to my love
that demands
and scorns.

Why would the rose
of fields so fertile
dare to touch
this trodden ground
worn,
and weathered?

Who am I
to claim
your ****** toes?

I miss the heavy static grunge of your music muffled by my walls,
I miss your glasses,
I miss when you showed emotion,
I miss when you would drive me to school and give me cigarettes,
I miss when you would show me new indie bands and unlock a whole new world for me,
I miss our explosive and ordinarily magical science experiments,
But you dived into the blood contract of the world,
Now you are void,
Now,
You are not you,
You are a puppet to a mouth,
I have never stopped at my every intention,
To rips it's tongue out,
No matter how much yours scorns me,
Brother

Like the king of a rainy country, am I!
Rich, but weak, young with an agèd eye -
The grovelling of his old tutors he scorns,
The company of dogs leaves him forlorn.
Nothing can bring him joy, no hunt nor falconry,
Nor the mortal jousts  before his balcony,
From his favourite jester no ***** tale
Can redden the cheek of one so pale.
His ornate chamber has become a tomb -
And courtesans, *******-clad, to whom,
Though royal favours inspire their provocation;
This skeletal youth finds no temptation.
Flamel himself could forge no plan
To extract the dark humours from this man.
In the baths of blood from days of yore,
He finds no properties to restore
This dazed corpse in whose veins once red -
Now flows the green waters of Lethe instead.

Lyrics written on Church walls
Bashful lurking Lucifer,
Carved glazes of canker crawling on the mead
Drinking vile torments of men
Lucifer hath angel been
Spread wings of human fate
guided men on burlesque dives
through historic and futile rage
Drawing on lost and regained have never been thy aim
For jeopardy in art's name is nothing but a lost game
God and man and Vinci guise
And letters of un-earthly paradise
And decades of poetry sinned
To unmask man through lyrical films
Morte, life, determining naught
Empty pages of science and draught
Realms of here and realms of there
Realms that thy heart found rare
Antonym of fright being scare
Is not what man learnt through time
And there as courage behooves and
Life draws you to her
Death seems close in the arms of beloved
Pain, man's secret armour
bellows courage with a fake accent
Coming of seasons and dawn and light,
Poetic romance fretful sight
World naught ready to love and cherish
Human cans't broil feel
April as thy knows
A heavenly soul of a year,
Brewing rose, carnations and dew drops in time
A certain cotillion towards the other,
A light breathing when eyes met
Beyond the language of the celestial walls
Eve and Adam through bright colour meadows
I see as thy eyelids quiver from haunts of past
And as night descends the maiden shy
With light prance of the lion he prances
Flesh by flesh swoon by temptation
Drops of naive lies
promises of eternity
Battles of Brunanburh
Horses line up to a steady flame
Fishes swim in fleshy rain
Draining mouth of Paris gates
Writing pages of descent
And on with thy fire of the month,
November rose in the wild grass of beams
Battle lost and won it seemed
On another hill a maiden swept her hair
Through rosy gleams and eye of glass
And smiled like the forbidden apple of fate
Jumped like the lion
left in dismay
songs of despair
An orchestra of pain
Nightingale of death bellows of wind
On sunday the fifth he had sinned
she had cried and shown the rose
cigarette and smokes
of nothing proposed
Flesh be thy crime
heart be thy muse
Naughts had been reflected
in thy abuse
Stricken the horror bladder
Rose with dismay
And to **** the canker
in whom the ***** played
Alone within thy celestial walls of God, Goddesses and fate
Questioning thy holy spirit
the mistakes thy made
Entrusted with athenian history
Women bearing dagger
Human sentiments are evil
Lucifer is the rightful dowager
It's him who sheltered blue
Evil is romance
hardly to swoon
The right and wrong and sadness grief
If they see world of poverty
And happiness a myth
And now trumpets of war
And experiences blithe
To see the world anew
whom is right?
If Lucifer the fallen angel saw
what was yet to see
God is a liar and heaven's a greed
Thy stealth steal within bosoms canker
hate, ****, juvenile crime,
Crime is the way
to drive horrors in time
Human history baffles thee!
Social etiquettes and manners of glee
Whom to fool and whom to wrought
The lamb, the tiger a hated must
Angels, demons painted square
whom to whom the battles were?
The right of man to sin and begone
are fated dramas of life and forlorn?
Brew the evil and feed thy good
Awake! Arise! never be fooled!
And sadness a step,
sudden and dark
Thy unending stairs to heaven abased
Lonely as autumn arises and leaves gather
Memories of child and man
Memories of fated hand
Thy walks through
Matured, mind of steel
Anguish concealed
A heavy sigh of a grown mind
Scorns the happy girl
And laughs over her dead pearls
Mind of a grown self
Visits Celestial walls,
The temple, the bed the wrongs
The right is a foolish girl
Inside her body the birth of a new world
the falls the laughs the pain the demands!
The gunshot of life
The circle of hope
And nursing and growing the cherub of flesh
Is they mother nature with a man of crest
The moon as it shines, shows horrors no more
But in thy heart, a maiden sad
To loose all she ever had
But to gain life
and knead love
To love love and to grow above
Lucifer reads bedtime stories
God saves the crown of glory
Life smiled and played along
Death for death
and finding songs
Growing up in lilac storms
She learned to battle and grow a home
Keen on her *** to bottle dreams
Milk and bread is new it seems
Tyranny with a ****** sword
Knives it's prey as it creeps from it's door
But in white she clad and drew the sword at hand
Tears as bows it drew
Battle of ages seen never so shrewd
The good plot for her
The evil shined
Who art evil or good
She painted blind
She called her demons risked her God
She became human is sad of all
Thy maiden story once again read
The man who left
Evil has no name
So good naught trust
for good is thee
Good is evil
That had been set free
Whom to whom
And what to name
Should haunt the grave
or visit a pray
For to pray is a prey
And grave is a paradise
Questions she darted
With wide eyes
I showed thee card where black and white
Rose to fame side by side
God is lucifer
heaven is hell
Man made tricks on walls
For stories to tell
Man is mortal
desires are innate
Soul is thy spirit that lies awake
Death of life is a soul that plots
Stays on Earth in shallowed knots
To be beyond and to see the light
Have naught done that
Life is a sight
Not seen to man, if realised is beyond
To trust in fame is all that is done
Meekly shown courageous sprout
To do good or evil is a judgement about
The religious amenities made by man
To shun Lucifer is yet in thy hand
To pray him is a choice thus
But to prey pray has been man's lust
Again memories squint of thy maid on the meadows
Flesh on flesh haunts thy skin
Shallow breadths and mortal eyes
Rise beyond skies they speak
What sky what ground
What lava and heavenly abode
To grow old in folktales
Aside dusky shores
Man knows all
Man knows good
Good of man
Is a questionable truth
Man knows evil
Man knows crime
Man knows nothing
He is lost in time
Man knows man
is what tale they should
Write on walls instead of evil and good
Evil might harm
And good might ease
But man does both
And later he grieves
For grief hath no church nor temple nor mosque
Grief is inside man's chest
Pumping through his *******
Of Eve's fool and Adam's greed!
Of the canker of the holy grail
Of the lies he feed!
Who art to decipher life beyond life
When life is tormenting
even in it's sight
Who death, desert or leaves the soil
Who plants and grows in thy turmoil
Who loves and cares and makes thy life
Who saves who draws and pushes knives
Who grows and finds peace in thy self
Who plots and fails and satisfies and helps
Who prays and begs and trust in him
Who prays and begs and trusts in sins
What the sins, what the truth
Human beings are born aloof
To end to grow to die or to be born
Man hath no power to tell of or scorn
Man is a flick
Man is a pride
Man draws wars
Man lies
Man brings flesh
Man grows thee
Man dies tomorrow
Man is me.