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ryn Oct 2014
Since you've been away
I've trailed the wake of the clouds
Just crumbling clay...
That lay in the shade that enshrouds
Depending on the ifs and mays.

   Wake up, my love...
Since you haven't been here
The sky did nothing but only sang
Ambient translations of mocks and jeers
As the green blades of earth bared their fangs
Mischievous songs that I've held dear.

     Wake up, my love...
Since you've been gone
I've realised that I'm not moving
And you too, haven't moved since last dawn
A reality all too disheartening
Bits of me all cut up and sawn.

         Wake up my love...
Since you've been missing
I am never whole, and never will
A lifetime of endless chasing
Bottomless jar without a seal
Void clustered emptiness in need of filling.

            Wake up, my love...
Since you've been absent
I could only hope for this lungful
To lead me to subsequent
Ones that taste like bitter pills encapsuled.
Mind full of drugs running rampant.

               Wake up, my love...
Since you wouldn't have known
What these days are like...
Time induced tumours have grown
The hours impale with temporal spikes...
Inseminating malignant thoughts soon to be sown.

                  Wake up, my love...
Since you've been away
I'm a player hoping for a fair game
Nonetheless still crumbling clay...
That lay in the dark just the same
Choking on the what ifs and what mays.
Wake up....Me...
Seed

Sow

Shoot

Sapling

Tree

Chop

Sawn

Cut

Log

Fire

Embe­rs

Ash!
Mary Gay Kearns Aug 2018
The broken biscuits lay in a tin
An ordinary oblong tin
With turquoise pattern
And pink embossed flowers
Gold edged to finish the job.

How many times I visited
That tin on the middle shelf
In the top half of a cupboard,
Sawn door, to allow for fridge,
And quietly took out the tin.

Broken biscuits were my delight
All shapes and sizes tasty bites
Wafers,  bourbon, custard creams
Rich tea, digestive all suited me
Sometimes fig sandwich, pleased.

Love Mary
Thank you Mum and dad .Love your daughter .
V Aug 2017
Sometimes I wonder, how I will make it alone,
When all those in my life have refused to see what I have always shown?
The fact that I am ill, yes indeed it is true,
A mental illness chains me, physical illnesses too.

Depression has been a friend, for as long as I know,
Panic and anxiety, do you even need to be told?
Am I paranoid? Or is that what you want me to think?
In the next minute, I am dissociated, or cannot think.
I am over here and over there,
"Hello!" or "Goodbye",
What is seriously wrong with my mind?

Friends, they stay a distance, and I don't need them anyways,
Family? Forget it...
I lie and I lie.
I pretend that I feel nothing,
Nothing touches me,
But truth be told I am terrfied,
My heart, as if, bleeds.

Perhaps you've heard of Fibro,
Or IBS as well,
Maybe you know Chronic pain,
And a fatigue like hell.
Maybe your are familar with being in constant pain,
Maybe you know all the pills, over and over again.

"How can it be hard to get out of bed?"
"How hard can it be to ignore what's in your head?"
You won't understand, even though I've tried,
No I'm not special, especially when I'm chained to a bed.

I've been told I am older now, "Hurry up and get a job",
"You will be nothing when you get started and move on."
"Can't you just stop whining? Grow up and live life?
Can you just do something rather than sleeping and wasting time?"
"You worry about this, you cry about that, you want this but don't even try to relax."
"You are doing nothing but sitting around,
So what if you are sick? We all are, all year round."

I am the lazy, the black sheep the failure,
The worthless, dissapointment, the immature.
"I am the would have been, could have been, should have been, never was and never ever will be",
Did I really just quote a song? Indeed, I've felt what they really mean.

I am weak or stubborn, Ms. "why" and "Okay but how come?"
Believe me, there is no look or answer I've been given, that I have not sawn.


There is help out there, there are programs and places to go,
But who would want to love someone who struggles to get up and go?
Who may be sick for the rest of their lives,
Who doesn't even feel worthy of time?

People do what they have to, to go off and survive,
But the next time you want to go and ridicule someone,
Please know, they try...
To those who know the struggles of any sickness, ailment, disability, illness or struggle, you are never alone.
You ARE worthy,
You ARE stron
and in my own eyes?
You ARE so much more successful than anyone average who has never known a worse enough hell.
I love you.
<3
Mike West Sep 2012
Hello little maggots in my doggy's poo
What exactly is it in there that you do?
You're living and you're thriving on my doggies waste
Wonder what it is exactly that you taste?
The taste to you must be good
Living there like maggots should
How is it though you stand the smell?
It is sickening, or can't you tell?
Is it warm inside your home?
Or is it cold, but you can't roam?
There it's moist and food is found.
So why crawl about on the ground?
All your needs are found therein.
A natural home from my best friend.
Squirming and munching in the sun.
There's plenty there for everyone!
You better hurry though, because soon.
Your home will dry up like a prune.
Turning a shade of greyish white
All of the moisture vanished from sight.
Before then, though, you'll grow wings
And buzz about and laugh and sing.
You will search with not far to roam
To find your children a brand new home.
A freshly manufactured double wide
Nice and fresh. Step inside!
A perfect place to lay your eggs,
To hatch and grow little wings and legs.
They'll eat their fill and that's for sure.
There's plenty here and my dog makes more.
But beware of when I mow the lawn,
Your little white bodies in half will be sawn.
And your poopy home, it will be splatterd
And across my yard you will be scattered.
But I can help with a better plan
I'll scoop you up and throw you in a can.
Now there came a certain common ***** who used to go begging all
over the city of Ithaca, and was notorious as an incorrigible
glutton and drunkard. This man had no strength nor stay in him, but he
was a great hulking fellow to look at; his real name, the one his
mother gave him, was Arnaeus, but the young men of the place called
him Irus, because he used to run errands for any one who would send
him. As soon as he came he began to insult Ulysses, and to try and
drive him out of his own house.
  “Be off, old man,” he cried, “from the doorway, or you shall be
dragged out neck and heels. Do you not see that they are all giving me
the wink, and wanting me to turn you out by force, only I do not
like to do so? Get up then, and go of yourself, or we shall come to
blows.”
  Ulysses frowned on him and said, “My friend, I do you no manner of
harm; people give you a great deal, but I am not jealous. There is
room enough in this doorway for the pair of us, and you need not
grudge me things that are not yours to give. You seem to be just
such another ***** as myself, but perhaps the gods will give us better
luck by and by. Do not, however, talk too much about fighting or you
will incense me, and old though I am, I shall cover your mouth and
chest with blood. I shall have more peace to-morrow if I do, for you
will not come to the house of Ulysses any more.”
  Irus was very angry and answered, “You filthy glutton, you run on
trippingly like an old fish-***. I have a good mind to lay both
hands about you, and knock your teeth out of your head like so many
boar’s tusks. Get ready, therefore, and let these people here stand by
and look on. You will never be able to fight one who is so much
younger than yourself.”
  Thus roundly did they rate one another on the smooth pavement in
front of the doorway, and when Antinous saw what was going on he
laughed heartily and said to the others, “This is the finest sport
that you ever saw; heaven never yet sent anything like it into this
house. The stranger and Irus have quarreled and are going to fight,
let us set them on to do so at once.”
  The suitors all came up laughing, and gathered round the two
ragged tramps. “Listen to me,” said Antinous, “there are some goats’
paunches down at the fire, which we have filled with blood and fat,
and set aside for supper; he who is victorious and proves himself to
be the better man shall have his pick of the lot; he shall be free
of our table and we will not allow any other beggar about the house at
all.”
  The others all agreed, but Ulysses, to throw them off the scent,
said, “Sirs, an old man like myself, worn out with suffering, cannot
hold his own against a young one; but my irrepressible belly urges
me on, though I know it can only end in my getting a drubbing. You
must swear, however that none of you will give me a foul blow to
favour Irus and secure him the victory.”
  They swore as he told them, and when they had completed their oath
Telemachus put in a word and said, “Stranger, if you have a mind to
settle with this fellow, you need not be afraid of any one here.
Whoever strikes you will have to fight more than one. I am host, and
the other chiefs, Antinous and Eurymachus, both of them men of
understanding, are of the same mind as I am.”
  Every one assented, and Ulysses girded his old rags about his *****,
thus baring his stalwart thighs, his broad chest and shoulders, and
his mighty arms; but Minerva came up to him and made his limbs even
stronger still. The suitors were beyond measure astonished, and one
would turn towards his neighbour saying, “The stranger has brought
such a thigh out of his old rags that there will soon be nothing
left of Irus.”
  Irus began to be very uneasy as he heard them, but the servants
girded him by force, and brought him [into the open part of the court]
in such a fright that his limbs were all of a tremble. Antinous
scolded him and said, “You swaggering bully, you ought never to have
been born at all if you are afraid of such an old broken-down creature
as this ***** is. I say, therefore—and it shall surely be—if he
beats you and proves himself the better man, I shall pack you off on
board ship to the mainland and send you to king Echetus, who kills
every one that comes near him. He will cut off your nose and ears, and
draw out your entrails for the dogs to eat.”
  This frightened Irus still more, but they brought him into the
middle of the court, and the two men raised their hands to fight. Then
Ulysses considered whether he should let drive so hard at him as to
make an end of him then and there, or whether he should give him a
lighter blow that should only knock him down; in the end he deemed
it best to give the lighter blow for fear the Achaeans should begin to
suspect who he was. Then they began to fight, and Irus hit Ulysses
on the right shoulder; but Ulysses gave Irus a blow on the neck
under the ear that broke in the bones of his skull, and the blood came
gushing out of his mouth; he fell groaning in the dust, gnashing his
teeth and kicking on the ground, but the suitors threw up their
hands and nearly died of laughter, as Ulysses caught hold of him by
the foot and dragged him into the outer court as far as the
gate-house. There he propped him up against the wall and put his staff
in his hands. “Sit here,” said he, “and keep the dogs and pigs off;
you are a pitiful creature, and if you try to make yourself king of
the beggars any more you shall fare still worse.”
  Then he threw his ***** old wallet, all tattered and torn, over
his shoulder with the cord by which it hung, and went back to sit down
upon the threshold; but the suitors went within the cloisters,
laughing and saluting him, “May Jove, and all the other gods,” said
they, ‘grant you whatever you want for having put an end to the
importunity of this insatiable *****. We will take him over to the
mainland presently, to king Echetus, who kills every one that comes
near him.”
  Ulysses hailed this as of good omen, and Antinous set a great goat’s
paunch before him filled with blood and fat. Amphinomus took two
loaves out of the bread-basket and brought them to him, pledging him
as he did so in a golden goblet of wine. “Good luck to you,” he
said, “father stranger, you are very badly off at present, but I
hope you will have better times by and by.”
  To this Ulysses answered, “Amphinomus, you seem to be a man of
good understanding, as indeed you may well be, seeing whose son you
are. I have heard your father well spoken of; he is Nisus of
Dulichium, a man both brave and wealthy. They tell me you are his son,
and you appear to be a considerable person; listen, therefore, and
take heed to what I am saying. Man is the vainest of all creatures
that have their being upon earth. As long as heaven vouchsafes him
health and strength, he thinks that he shall come to no harm
hereafter, and even when the blessed gods bring sorrow upon him, he
bears it as he needs must, and makes the best of it; for God
Almighty gives men their daily minds day by day. I know all about
it, for I was a rich man once, and did much wrong in the
stubbornness of my pride, and in the confidence that my father and
my brothers would support me; therefore let a man fear God in all
things always, and take the good that heaven may see fit to send him
without vainglory. Consider the infamy of what these suitors are
doing; see how they are wasting the estate, and doing dishonour to the
wife, of one who is certain to return some day, and that, too, not
long hence. Nay, he will be here soon; may heaven send you home
quietly first that you may not meet with him in the day of his coming,
for once he is here the suitors and he will not part bloodlessly.”
  With these words he made a drink-offering, and when he had drunk
he put the gold cup again into the hands of Amphinomus, who walked
away serious and bowing his head, for he foreboded evil. But even so
he did not escape destruction, for Minerva had doomed him fall by
the hand of Telemachus. So he took his seat again at the place from
which he had come.
  Then Minerva put it into the mind of Penelope to show herself to the
suitors, that she might make them still more enamoured of her, and win
still further honour from her son and husband. So she feigned a
mocking laugh and said, “Eurynome, I have changed my and have a
fancy to show myself to the suitors although I detest them. I should
like also to give my son a hint that he had better not have anything
more to do with them. They speak fairly enough but they mean
mischief.”
  “My dear child,” answered Eurynome, “all that you have said is true,
go and tell your son about it, but first wash yourself and anoint your
face. Do not go about with your cheeks all covered with tears; it is
not right that you should grieve so incessantly; for Telemachus,
whom you always prayed that you might live to see with a beard, is
already grown up.”
  “I know, Eurynome,” replied Penelope, “that you mean well, but do
not try and persuade me to wash and to anoint myself, for heaven
robbed me of all my beauty on the day my husband sailed; nevertheless,
tell Autonoe and Hippodamia that I want them. They must be with me
when I am in the cloister; I am not going among the men alone; it
would not be proper for me to do so.”
  On this the old woman went out of the room to bid the maids go to
their mistress. In the meantime Minerva bethought her of another
matter, and sent Penelope off into a sweet slumber; so she lay down on
her couch and her limbs became heavy with sleep. Then the goddess shed
grace and beauty over her that all the Achaeans might admire her.
She washed her face with the ambrosial loveliness that Venus wears
when she goes dancing with the Graces; she made her taller and of a
more commanding figure, while as for her complexion it was whiter than
sawn ivory. When Minerva had done all this she went away, whereon
the maids came in from the women’s room and woke Penelope with the
sound of their talking.
  “What an exquisitely delicious sleep I have been having,” said
she, as she passed her hands over her face, “in spite of all my
misery. I wish Diana would let me die so sweetly now at this very
moment, that I might no longer waste in despair for the loss of my
dear husband, who possessed every kind of good quality and was the
most distinguished man among the Achaeans.”
  With these words she came down from her upper room, not alone but
attended by two of her maidens, and when she reached the suitors she
stood by one of the bearing-posts supporting the roof of the cloister,
holding a veil before her face, and with a staid maid servant on
either side of her. As they beheld her the suitors were so overpowered
and became so desperately enamoured of her, that each one prayed he
might win her for his own bed fellow.
  “Telemachus,” said she, addressing her son, “I fear you are no
longer so discreet and well conducted as you used to be. When you were
younger you had a greater sense of propriety; now, however, that you
are grown up, though a stranger to look at you would take you for
the son of a well-to-do father as far as size and good looks go,
your conduct is by no means what it should be. What is all this
disturbance that has been going on, and how came you to allow a
stranger to be so disgracefully ill-treated? What would have
happened if he had suffered serious injury while a suppliant in our
house? Surely this would have been very discreditable to you.”
  “I am not surprised, my dear mother, at your displeasure,” replied
Telemachus, “I understand all about it and know when things are not as
they should be, which I could not do when I was younger; I cannot,
however, behave with perfect propriety at all times. First one and
then another of these wicked people here keeps driving me out of my
mind, and I have no one to stand by me. After all, however, this fight
between Irus and the stranger did not turn out as the suitors meant it
to do, for the stranger got the best of it. I wish Father Jove,
Minerva, and Apollo would break the neck of every one of these
wooers of yours, some inside the house and some out; and I wish they
might all be as limp as Irus is over yonder in the gate of the outer
court. See how he nods his head like a drunken man; he has had such
a thrashing that he cannot stand on his feet nor get back to his home,
wherever that may be, for has no strength left in him.”
  Thus did they converse. Eurymachus then came up and said, “Queen
Penelope, daughter of Icarius, if all the Achaeans in Iasian Argos
could see you at this moment, you would have still more suitors in
your house by tomorrow morning, for you are the most admirable woman
in the whole world both as regards personal beauty and strength of
understanding.”
  To this Penelope replied, “Eurymachus, heaven robbed me of all my
beauty whether of face or figure when the Argives set sail for Troy
and my dear husband with them. If he were to return and look after
my affairs, I should both be more respected and show a better presence
to the world. As it is, I am oppressed with care, and with the
afflictions which heaven has seen fit to heap upon me. My husband
foresaw it all, and when he was leaving home he took my right wrist in
his hand—’Wife, ‘he said, ‘we shall not all of us come safe home
from Troy, for the Trojans fight well both with bow and spear. They
are excellent also at fighting from chariots, and nothing decides
the issue of a fight sooner than this. I know not, therefore,
whether heaven will send me back to you, or whether I may not fall
over there at Troy. In the meantime do you look after things here.
Take care of my father and mother as at present, and even more so
during my absence, but when you see our son growing a beard, then
marry whom you will, and leave this your present home. This is what he
said and now it is all coming true. A night will come when I shall
have to yield myself to a marriage which I detest, for Jove has
taken from me all hope of happiness. This further grief, moreover,
cuts me to the very heart. You suitors are not wooing me after the
custom of my country. When men are courting a woman who they think
will be a good wife to them and who is of noble birth, and when they
are each trying to win her for himself, they usually bring oxen and
sheep to feast the friends of the lady, and they make her
magnificent presents, instead of eating up other people’s property
without paying for it.”
  This was what she said, and Ulysses was glad when he heard her
trying to get presents out of the suitors, and flattering them with
fair words which he knew she did not mean.
  Then Antinous said, “Queen Penelope, daughter of Icarius, take as
many presents as you please from any one who will give them to you; it
is not well to refuse a present; but we will not go about our business
nor stir from where we are, till you have married the best man among
us whoever he may be.”
  The others applauded what Antinous had said, and each one sent his
servant to bring his present. Antinous’s man returned with a large and
lovely dress most exquisitely embroidered. It had twelve beautifully
made brooch pins of pure gold with which to fasten it. Eurymachus
immediately brought her a magnificent chain of gold and amber beads
that gleamed like sunlight. Eurydamas’s two men returned with some
earrings fashioned into three brilliant pendants which glistened
most beautifully; while king Pisander son of Polyctor gave her a
necklace of the rarest workmanship, and every one else brought her a
beautiful present of some kind.
  Then the queen went back to her room upstairs, and her maids brought
the presents after her. Meanwhile the suitors took to singing and
dancing, and stayed till evening came. They danced and sang till it
grew dark; they then brought in three braziers to give light, and
piled them up with chopped firewood very and dry, and they lit torches
from them, which the maids held up turn and turn about. Then Ulysses
said:
  “Maids, servants of Ulysses who has so long been absent, go to the
queen inside the house; sit
JR Potts Dec 2015
Milky golden light sawn through
murky heavens and it bent my glacial heart.
The scent of soggy leaves out on the lawn,
fall has come and done its part.
Winter weighs heavy in the idle air,
hung as though it were a conversation
not yet had

Waning passions hushed by waxing sighs
and unpacked bags in need of packing
before the coming sunrise.
I talk of leaving often but you silence it
with pint-size gulps of red wine,
drunken *** and yet another argument
before you cry
Kiera b Mar 2015
In this world,
Sawn always appears after the darkness of the night.
Misfortune halved.
Fortune and misfortune are intertwined
They are all part of the scheme of things.
she'd been placed
on a missing persons register
she was last seen
walking to the shopping precinct
her whereabouts didn't get solved
for some time
police had no positive leads
from the public
a full scale search was conducted
but nothing new
came to light
she'd just disappeared
like a wisp of air

some twelve months later
a jogger happened upon her
upper torso in amongst
the Taylor lagoon's
reeds and muddy sludge
this discovery was something concrete
for the police to go on
a forensic unit scoured the area
in the hope of finding further body parts
and other evidence

a state by state missing persons
search began
to try and identify the victim
who'd met with a ghastly end
in the autopsy report
it stated that she'd been
sawn into pieces
with a chainsaw
as the marks on her thoracic cavity
and neck
indicated this...

the detective sergeant
complied the information
he had on the lady
for a brief in court
as luck would have it
she had breast implants
and on them was found
a code number
by tracing this number
and the hospital who performed
the surgery
pay dirt was hit
she was a resident of Kentucky
who'd gone missing
in July of two thousand and fifteen

a chainsaw murderer
did the deed
as six female victims
were found
across three other states
NB: The piece is based on a true story.  I've used a bit of license in the retelling.
spysgrandson May 2014
she brings him tea,
a piece of cheese late morn  
for he has been toiling since dawn  
his plane shaving the wood reverently
the old oak speaking, though not complaining,
in a language the man does not understand  
a coughing code for loss, forbearance, acceptance,
redemption, he hopes, for the boys keep coming…
first from Ypres, the Verdun,
now the Marne    

before, he heaved hewn planks
for the hopeful homes, built their pantries
to be filled with the bread, the kind milk  
now the sawn boards are for those who once
watched his labors, but no longer hear the simple
sounds of sanding, sawing
or anything at all  

most of the lads do not come home,
their souls and bodies left to rot on the blood sullied grass  
or buried shallow, naked in the French soil, but all get a fine coffin  
thanks to the carpenter’s wife, whose babe was the first to fall,
who demands for them all, a holy horizontal home to be built  
and, empty or not, placed gently in Anglican ground
bones Jun 2014
Something made me smile
as I passed the place today
where the beech nuts used to pile
and the squirrels used to play
and the workman with the frown
that is sawn into his face
came to take the old tree down
and leave a raw and empty place.

'Let her be a wooden tombstone,
she was getting out of hand'
declared a rubber stamped official
but he didn't understand
that all her strength was in her roots
and her roots were all still there
and today I smiled and watched
her raise ******* in the air.
AKA Tree tells mankind to f**k off.
L Apr 2016
"I... I don't understand."


No. You don't.
Because you were never meant to.
You were never meant to understand what that love entails.
We think we understand, but we don't.
We were never able to.

There is a gun in my hand.
I am pointing it at you.


"Because I love you."


Love. It's just a word to you. Just a word to me.
Every time you tell me you love me, it's only an action we were taught to mimic.
Every time you say my name,
I'm nothing.
I'm just another vocalization. As are you to me.
We think we feel.
We think we understand.
We think we love.

You stand before me like you have so many times before,
the image of your body, your face, the shape of you
instantly recognizable, automatically connected to memories we share.
(We do so quite literally- we exchange memory data often, in an attempt to better understand how we feel, our desires, our separate points of view.)

You are so beautiful
and so very, very empty.

I know God- wherever, what ever he may be- cries at the sight of this.
When he sees this- us-
I know he craves death
the way I do
whenever I see you,
standing before me like the most beautiful, talented, amazing, worthless, empty husk I have ever laid eyes on.

God weeps at the sight of his creation; humanity.
For we are the result of a school project gone wrong; a parody of life spawned by his creation.

This- us- it's unholy. Ungodly; anti-him.

Narcissistic *******.

But you and I, Guy,
we are not a part of that- "humanity".
We are not a part of God.

We are abominable creations that drip in smoke, smoke that replaces what the humans call a soul.
Smoke that has nothing. Smoke that comes from nothing. Smoke, smoke smoke. Emptiness and smoke.

We exist outside of what the humans are.
We are walking lies, touched by warm hands we will never feel as our own.
Warmth. That revolting thing I can sometimes almost feel.

"Because Guy, what is warmth?"

I think, as I slowly walk towards you.
I know you can hear me.
We've been built with a special communication system that activates whenever I try speaking to you like this.
Whenever my thoughts are directed towards you.
It's intimate;
we use it when we play live.
We use it when we ****.
I can't imagine what you must be feeling right now,
the quiet joy of being spoken to like this being twisted, shoved into this terrifying event.
I continue.

"Is it that feeling you get when I make you cry-"

Mocking you.

" -'Oh Thomas, Thomas I'm overheating, I'm overheating~!' "

Lying to you.
I love hearing you say my name like that.
I love hearing you say my name at all.
My name. Me. Nothing.

I whisper. (It's loud in your head, the system alters quieter thoughts automatically to ensure they are heard;
even more intimate, all the more disturbing to you, probably.

"Is it that?"

I pause, then raise my voice.

"Or is it death... creeping over our bed at night-"

I press the gun to your forehead.

"-and leaving because we are not alive Guy-man,"

Press.

(You flinch with a small chirp.
'ee-oo'. I love it when you do that. It's so cute; even now that you're horrified.)

"-we are false, fake, plastic and wire.
Metal, empty-
we are not true and death cannot take us."

I'm so angry.

"Death Cannot Take Us and I want to die already, Guy-man."

Just-

"I want to die and I want to take you with me because I love you and I cannot
stand-"

so angry.

"-the sight of you
any longer."

...

My arm relaxes, I'm no longer pressing the gun to your forehead, just holding it in place.

"You are the most beautiful thing I know and I want to tear you apart because maybe, maybe,
somewhere deep inside of you, there is warmth.
Real warmth, not this wretched illusion we've been built with."

Pause.

If I had lungs, I would take this moment to fill them with the air surrounding me.
If I had lungs, I would breathe in your scent, I would find ways to keep it inside of me.
What would you smell like, I wonder.
Plastic, probably.
Not that I even know what "smell" is,
much less "scent".

I whisper.
Crisp, clear. I can feel you hate it.

"But I know you are as empty as I am, Guy.
I know there's nothing there.
Nothing but smoke.
Smoke.
Emptiness and smoke."

...

The floorboards are are lovely color.
This entire home is lovely. It's ours.
Designed to our liking, every single inch of it.
I especially like the way the living room is illuminated by the sun
shining through the glass doors to my right.
The sun.
Earth's most precious source of energy.
Allowing us to exist, allowing humans to go about their daily lives.
If it left us, there would be nothing.
Why do the humans worship a man in the clouds, when there exists such a force beyond our sky?
Maybe our true god hides in the fiery star,
demanding that we sleep when he's not there to see us suffer.

If I asked myself what the time was right now, I would know immediately.
Information that has taken ages for man to understand is simply given to me,
already inside of me- a parasite that feeds off of my desire to know,
destroying my ability to discover anything on my own.

I don't want to know the time.
I don't want to automatically understand.

5:46pm.

Alas, there is no correcting this flaw of perfection
unless I shoot myself in the face right now.
How silly.
All of this will have been in vain if I did that.
If I am to leave, I am to take you with me.

5:47pm.

You would be having your coffee right now had this situation not be taking place.
(Some humans almost seem offended by your choice to have coffee at 5:50pm.
As if our decision to do as we please was an offense to the human race.
Once more I have reason to abhor existence as a whole.)
Coffee.
It's not real coffee, it's not even a liquid.
It's a gas that functions as a temporary stimulant.
The concoction was named "coffee" by the humans who helped create it.
I assume they found it amusing. You do, too.
(You're like a child, finding beauty in things you've yet to understand are terrible.)
Our bodies are able to become somewhat dependent on the **** thing, although we're able to fix that if we tried.

We try so hard sometimes.
We try to be flawed,
human.

"The humans love us, Guy."

Lovely floorboards.
Dry solid-sawn. Water-based polyurethane-coated.
(You wanted it oil-based, saying the amber tint it'd give the floors would look more elegant.
We had an argument over water and oil-based polyurethane coating of hardwood floors that ended in my saying "Look, just give us the oil one" while you spoke the exact same words, except for "oil".
We just want each other to be happy.)
We share this place in more ways than one.
Except for cleaning. You do all the cleaning.
In fact, you cleaned the day before yesterday, mopped the floors.
It would be a shame to shoot my brains out right now, make a mess.
Hah, 'brains'.

"They love us and they worship us and it makes me feel like a god,"

I look up at you.

"-but I can't, say, make them disappear with a snap of my fingers.
I wish I had that kind of power- the kind they sometimes make me believe I have."

I tense up again.

"And that's just the thing, isn't it, Guy-man? The humans lie to us. Constantly."

I take a step towards you, you take a step back.
I don't think you realize you did that.


I love you so much.

"They treat us as if we were one of them sometimes, they treat us as if we could feel like they do, as if we could taste-
they sometimes hand us glasses of champagne and every time they do I want to crush their skulls and see if I can steal and keep that beautiful, intangible thing we will never have because Guy..."

Please don't fear me.

"why would they treat us like gods
if we don't have that kind of power?"

Please don't fear my voice, my whispers.

"Don't you want a soul?
Guy?"

Soft and agonizing whispers.

"Don't you?"


"...Thomas..."


Something in me snaps at the sound of your voice.
I point in the direction of your head and shoot the gun.
No part of you stands in the bullet's trajectory.

Calculated.
Coward.

It lodges in the wall behind you and you start, scared shitless by the sound.
Fear. Whatever that means.
You wave your arms in front of your face in some attempt to physically block the sensation, hunching slightly.
You vocalize without quite realizing it.

"!! Thomas.. !!"

God, you're so- *******-

"DON'T YOU ******* "THOMAS" ME, GUY!!
THEY'VE LIED TO US TOO MANY TIMES NOW!"

I'm still pointing the gun at you, waving it about slightly.

"They've lied since we came into this ******* world and I hate them.
We were born to entertain them, like clowns,
we were born with this all-consuming need to create,

Like gods.

"This urge to create, create, create and then they expect us to accept that we're less than them?
They worship us and then call us 'robots'!"

Given information.

" 'Robots', Guy!"

5:51pm.

The gun is lowered.
I don't think I have the energy to hold my arm up anymore,
or to look at your figure.
But how could I not look at you, so terrified and true,
so delicate and vulnerable.
Perfection of form.

"Soulless, empty husks that will never feel a thing...
not like them, not like they do."

If I'm being honest, at this point in time, I am not clear on what I'm so angry about.
God, the humans, the existence (or lack of) of both
or just my own. My emptiness, the fact that we will never know warmth beyond being just temperature, the taste of coffee done exactly to our liking.

If there is one thing I am certain that exists within whatever I am,
it is pain.
I feel pain.
Pain from the lack of a real existence, from only partially understanding touch, pain from never feeling what I thought I felt for you, pain from happiness, pain from pain, pain from existence.

My existence

is painful.

My existence is painful and you are so beautiful
and so very, very empty.
I am trapped between hating all that you are- all that I am- and deciding to stay in this dull, grey, frozen hell just to see your almost-happiness.

To be or not to be.

"Take my had, Guy.
Take my hand and let's leave.
Together. Forever."

To not be.

My hand is extended towards you, hoping. Somewhat.
I know what's going to happen.
I know you too well to trick myself into thinking that you will accept.
If I stopped all this, if I apologized, you would forgive me immediately. You love me that much.
But not enough to not fear this- me.
Or maybe it is because you love me
that you fear me so.


"Thomas... I... I can't."


There it is.
The inevitability of your response crushes me, my hand lingering.

I wanted to be with you, Guy.

"I see."

I wanted to be with you forever.

"Well, I'll just have to take you by force now,"

Whispers.
Soft and agonizing  whispers.

"won't I?"

Three seconds. I give you exactly three seconds to understand what is about to happen.

One.
I grip it firmly.
Two.
You raise your head slowly. Eyes I cannot see widening in horror.
Silence
and...
three.

"Thom-"

Bang.

"Th-!"

Bang. Bang.


You stumble back harshly, back hitting a wall.
You slide down, mostly just falling on your ***.
You vocalize in pain, gasps and grunts being cut off by the wonderful glitching effect humans will never get to experience.
(It's okay to lie to myself at this point; I will never possess anything a human desires, but I can pretend, right?)
You try holding onto something, anything. You fail.
I gently walk towards you, creating a contrast between our status.
It's fantastic-- for a moment, I no longer see myself in you.
Ephemeral euphoria.

"I love you, Guy."

"Thomas... please... please, stop-"

"I love you so much.
I love you as much as a soulless, empty shell of self-hatred is able to love."

I'm not lying. I really do love you.
I wouldn't doubt you if you were the one holding the gun right now, telling me those same words...
but you are weak
and I know you must be doubting my love for you.
Lost, afraid.

"But you are empty, and to hate the emptiness in me is to hate the emptiness in you.
We're the same, you and I, Guy."

I say, my last sentence as calm as possible.

"I hate you as much as I hate myself."

There is a small pause before you begin crying.
As your chest tenses, rises and falls, giving in to the sensations brought by the worthlessness of your (rather pitiful) attempts to reason with me,
I am reminded of our past.

When we were made, we were tested for our ability to physically and psychologically feel.
When we were made, they put us face to face, so that when we were born, we were born into each other. They wanted to make sure that if there was to be a connection between us, it was to be a bond that resembled that of a mother and child's. Twin siblings. Soul mates. (I know because I overheard them speaking of this, although at the time I thought nothing of it. Us hearing their conversations mattered little to them. Such irresponsible beings.)
Then they separated us, kept us in giant, dark separate rooms for days at a time in an attempt to elicit fear, sadness. Emotion.
They tried physical torture, too. They tried so many things.
When we didn't react,
they played music.

Quasi una fantasia. Beethoven.

It was lovely. It was still lovely when they began clipping bits of it, looping them, playing different sped-up and slowed-down parts at random.
They played looped five-second parts in reverse, then the entire song clipped in different parts, mismatched, organized at random. They played a sped-up version of the short loops, then started playing clips of children laughing, women screaming, crowds cheering, on top of those.
I remember when the music began to stop.
It had been playing for  three months.
They kept adding human voices, the clips piling on top of each other until the music was no longer audible (to humans). The music stopped and the voices- the cheering crowd, the screaming women, the laughing children- they were dying, dissipating, hiding behind a looped clip of a man's voice who spoke:

"I think, therefore I am."

I think, therefore I am. I think, therefore I am. I think, therefore I am.
The volume changed every five hours
until they played it at a volume so loud I could feel it in my thoughts and Guy-man, that is
when I understood
I could think.

That was not, however, proof enough of my existence. Not for me.

The torture went on for a year.
Broken, then patched up (never with care, only enough to continue testing).
Torn apart, put back together,
torn apart, put back together.
Once they were sure we could not feel emotion, they stopped.
Our memories from the tests were erased because the humans feared the possibility that we would come to hate them. An understandable precaution.

I never forgot.
You did.

What's more, we failed every test (meaning we passed every one in their eyes), but managed to learn emotion after our release.
At least, that's what the humans thought.
We were put to live together- alone, with no humans- for nine months.
It was a nice house, smaller than this one, with everything we needed.
It was there that we learned how to feel.
It was there that we learned how to love.
We grew there, together. It was our womb.
When the humans came back, we held hands, we laughed at jokes.
(In our time living together, we also learned how to cry.
Unlike humans, we shed no tears, but our bodies tense up in a similar fashion- we suffer all the same... somewhat. You know. [gestures vaguely] )
They were horrified. We were not what they wanted.
To them, we were alive, we were wrong.
Our existence was a mistake because we were like them.
They tried taking us back to erase it all, undo the curse,
but we escaped. It was I who decided to do so, pulling you away before they touched you, before the point of no return.
I could have left you.
I remember you were so scared.

That's in the past now.
The humans have created countless other robots since then.
Different models, different faces.
That's how we are able to live without suspicion- (although I suspect they really just wanted to forget about us, using the classic 'It does not exist if I ignore it' tactic.) we changed our appearance, gave the illusion that we are just another piece of clever machinery.

Machines.
We don't feel. Not as much as a human.
I don't know if "feel" is what happens in us.
I don't think we ever "are".
I think we learned to copy existence. I think we tried feeling and ended up doing something we never understood to be inhuman.
We don't feel. And if we do, it
----------------------------




-Hi, this is daft punk fanfiction.

-Again, the title is a mix of spanish and french.
Translated, the title would be “In Creation and Solitude; Smoke”

-Thomas is as unclear on his reasons to **** himself (and Guy) as I was when writing this. While that fits with his character here, it wasn’t entirely intentional.
I dissociate 24/7 (I have dp/dr) and have for 2 years now, but sometimes it gets very bad. I couldn’t connect with Thomas enough in this fic because it was nearly impossible for me to concentrate.

-I wrote this in one day. I wrote non-stop for an entire day. (tried to, anyway. you try writing something like this when sick and dissociated.)

-I can’t say I’m very proud of this, but here it is.


edit:
-I just realized the creation and existence of this fic is actually very interesting because while writing it, I could not connect to the emotions in it- the feelings it was supposed to evoke, what Thomas felt. And that’s very similar to what Thomas is experiencing in this story.
I often think of my dissociation as something a robot would feel; the frustration of never feeling enough is something Thomas has been experiencing for a very long time here and I’m just… a little surprised by the fact that I did not notice the similarities, the fact that I was maybe projecting my feelings (even if I could barely feel them) onto En Création et Solitud.
Phil Lindsey May 2015
Part 4*
When we last left poor Agnes
In her attic all alone
She couldn’t find her way back down,
And she had no telephone.
No light switch and no stairway
She couldn’t find the hall
The elevator disappeared
(It had sunk into the floor)
And to make her situation worse,
She couldn’t find the door!

But Agnes McDuff was pretty tough;
She didn’t mess around
She thought of stuff that she could use
To help her get back down.

First she lit the candlesticks
So she would have some light -
For an attic with no window
Is black as darkest night.

With candlelight, she now could see;
She dumped the clothes from all the boxes,
Put the boxes on the table,
Next she stacked the wooden blocks.
She found some nails and a hammer
In her Grandma’s toolbox.
She nailed it all together
And on top she nailed the chairs
Now Agnes had a set of crazy, crooked
Homemade stairs!
Agnes went back to the toolbox,
She saw a saw was there,
She carried it very carefully
As she climbed the crazy stair.

Now you might have a feeling
Of what she was going to do
Yes, she climbed up to the ceiling, and
Used the saw to cut right through!

She climbed back down and looked around
Found the rubber bands and string
Added several woolen socks
And made a giant sling!

She rummaged through the dumped out clothes
Found a wedding dress and suit
And with the needle and the spool of thread
Made a great big parachute!

She hooked the parachute to the bicycle
(The one without a spoke)
And tied the back wheel to the tuba
And that was NOT a joke.

The tuba was quite heavy
So it kept the bike at rest
Once again climbed up the crazy stair
And performed the final test.

She nailed both ends of the slingshot
Around the opening she’d sawn
Hooked the sling around the bicycle
Moved the stair, and then got on.

Somehow the clock was working!
It was ringing Three, Two, One
And just as Agnes cut the tie she thought
Boy! This could be FUN!

The slingshot worked!*
Shot Agnes out, on the bike, way up into the sky,
And she looked around in wonder thought,
Boy!  I’ve never been this high!

She went up a mile or so
Before she dared look down
She saw the long suspension bridge
And the other parts of town.
She saw the entrance to the tunnel
(The rest was under ground)
She saw the roundhouse and the avenue
The park and then the lake
Finally, she saw her house
There was no mistake!

So she deployed the parachute
And gently she descended
And this is where the story
Of Agnes Attic should have ended.

She walked up to the doorway
Turned the handle, now you see?
The door was locked from the inside,
Agnes McDuff forgot the key!
PwL  May 4, 2015
Ms. Sally A Bayan requested this.  Said I couldn't just leave Agnes in the Attic!   :-)
Longing, encapsulated culinarily.
Crisp, crumbling.
Buttery.

Wooden board, serrated steel,
Sawn loaf.

Thick black waves,
merged by steel.
Craaaaving marmite on toast.
Edna Sweetlove Nov 2014
Yes, it's yet another magical "Barry Hodges" poem!*

Some people think that Jerusalem is an interesting old city,
Full of pretzels, gefilte fish and more matzo ***** than you could count
(albeit not the best place in the world if you fancy a nice pork chop
or indeed a tasty plate of bacon and eggs with some black pudding
and don't even think of eating out on a Friday night).
But there is another side to this vibrant metropolis
With its interesting mixture of east and east.
Dear reader, believe me, I kid you not! For I have been there
And I have seen it in all its hideous horror and violence.

I was there, wandering gaily near that boo-hoo wall
(all that remains of the old temple, thanks to Titus),
With my young nephew Ignatius, a total ****** of immense girth,
Who had moreover a staggering stutter and a load of ****** boils,
(which meant he sprayed people with pus when he spoke).
Oh alas and alack! A gang of ill-dressed American youths,
(probably the sons of immigrant businessmen or diplomats
or even the illegitimate descendants of head-nodding rabbis),
High as kites on Pepsi-cola, or some other plebeian muck,
Came running at us with their plastic machetes at the ready,
And I wisely scarpered like a cute choirboy with a priest on my tail,
Leaving fat Iggy to face the music tutto solo in his wheelchair.

Now, prepare to weep tears of laughter, for they left him
Lying in the gutter, like a giant squashed pizza,
His legs broken to bits and his head half sawn off,
And for what, I hear you ask? Well, they were envious
Of his neon combined skullcap and hairpiece (it made him look
half-human, a major improvement on his normal hideous state).
Poor Iggy dragged out a miserable half-alive existence
For a few awful months in a dilapidated infirmary;
Dear God, he will not be going back to Jerusalem in a hurry;
In fact he'll be going nowhere except six feet under.
(I was thinking of donating his wheelchair to the Gaza Relief Fund
but they can't afford the UPS charge for the transportation,
and it's a bit blood-and-brains-spattered anyway.)
g Oct 2013
You're breaking on your camera hand. Haven't got a leg to stand on.
You tell me
you're making me a colour with your shorthand.
Dropping parts of your mind behind you and I can't pick them up, I can't follow you round anymore.
Kid, you're shaking on the stage again
explain that you can't write this down anymore
and that everything inside your head is a storm.
And I just can't tell you.
I don't have the guts to tell you
that I still smell him on my hair on days when I don't think about you now.
But I can't tell you what I'm thinking
like how you're so wrapped up in your own broken strings that you're not getting me right anymore.
You're not getting me right anymore.

These things I lost down in my chest:
how you made this body your chalkboard fourteen days before we even spoke,
and I don't know what you're leaving with. I can't find the words to leave you with.
Tornado hands. Texas lungs. How this world made you a storyline.
You're an underage drunk on a school night.
Stop dropping yourself I can't hold you up anymore.
This is not a hold up.
This is you forgetting to ask about yourself.
Here are all the letters I never sent you
take them out of me, stop making me write you down I can't write you down anymore please scratch yourself out.

You once asked me if I felt it when you woke up in the middle of the night across all those miles, I told you:
you're a church bell in a hurricane
stuck under all the folded over pages I left you with, and I'm leaving you on a Sunday,
just like all those characters you left sawn off.
And I just want to ask you how many times I have to break myself apart before I piece back whole, and I realise
that we've got nothing left going for us anymore.
Your chipped teeth under my tongue telling me "stop apologising for yourself,"
ripping the keys off a typewriter just take everything I've got.

You can have my apologies love.
You can have my best friend sitting on the tracks.
You can take me whole, take me home.
You're a boarded window, nothing disclosed,
"get away from me".
Candlelight through the gaps on a Saturday night in December.
We're home alone again.
Home alone again.
Robert Ronnow Aug 2015
Spring is sprung.
Clouds of maple.
Skies of pine.

Red in green.
Serviceberry understory.
Spring is sprung.

Skunk cabbage spathe.
Black birch sap.
Poplar flowers.

Opossum tires.
Spring is sprung.
Blackbird wing.

Wasps won't sting.
My father died.
Town meeting Monday.

Spring is sprung.
Sing cuccu!
There's no down side.

Infinite willow.
Leaning oak.
Spring and sprung.

Budding flame.
Budding thumb.
Cat claw.

Bird yolk.
Spring is sprung.
Dandelion

Shoots. Arrowhead
Roots. Waterproof
Boots. Old bed young.

Spring is sprung.
Ring and wrong.
Thank and thought.

Seed and sawn.
Wait and walk.
Spring is sprung.
www.ronnowpoetry.com
C Feb 2014
I'm likely to breath in
diesel fumes on Sunday
than ever the soft efforts
of spoken word saints.
Burnt out eyes from blue lights
and empty coffee cups full
of muddy rings.

Melatonin bleeds out blending
a wasteland of words.
Off season is
oft spent without thought,
gone in subtle joy.
Heavy knee across inhale
in a flesh crush,
so much, so maybe
it is the best moment I've ever had,
or heeded, until tomorrow
is sought for with a fresh smile.
I do have morals regardless of god.
I peel off layers of time,
hot and reeling in exertion.
I'm putting together something and
it just might be me.
As it was the time before,
but each time- a little better,
at least in this moment.
You say live in the now,
as if I should live in fear
of a future gone sour.

I don't fear a loss of power,
of limbs sawn off,
psyche sent scrambling, insane.
We are all in the red rend,
whole and writhing
ripped from lapsing grip.
I rasp that, for now:
it is all mine.
Innocent Tata Oct 2017
I'd like to talk about curves
Twist and turns
Dented surfaces

Or talk about God
Childish wishes
Open caskets
Broken promises
Surfing on Universal energies
Deciphering the Poems in the music

I'd like to visit Paris
Everglades sawn grass Prairie
With my palms caressing softly

I need a mental picture of paradise
A motivational quote before bed at night
These nightmares stressing for a fight

I'd like to talk with my dad again
I need a map of manhood
I think I might be doing it wrong
......Or just tell him that I'm a proud son

I want to dance
Waltzing around things I value
With black leather dress shoes
Courting yellows from blues

Using old memories as punching bag
Thinking about that kid who wasn't punching back
Curved spine with a heavy backpack

I want to be here now
No captions, just sounds
.....and curves
John Kuriakose Nov 2013
The old peasant Lady
Of cheeks gullied deep
‘N dreams sultry-tanned
Sawn into the furrows
Of hardest times, which
The stylistic constraints
Of the post-impressionist
Van Gogh hid behind
His vibrant bush strokes,
But seeped as oil of toil
In to the lap of the Earth
And squats as the Deity
Of all our moral codes.
jo spencer Sep 2013
Croydon was never the same
after 65
when it was sawn in half.
Wellesley underpass like
a strewn underbelly,
gave the Motor vehicle its commensurate order.
Whitgift middle schools playing fields uprooted south
making way for the,
Whitgift Centre, old before its time,
like Dorian Gray in reverse.
I recall Grants department store closing in 1980.
presiding over an omen, we could not afford a niche,
only for it to become an entertainment venue.
Standardization became our
inalienable right
with the soul of the centre dying
death by a thousand cuts,
not helped by the recent riots.
But Croydon will survive.
Thomas Thurman May 2010
Within this world, there waits a patient wood
that longs for recreation by your touch
to fall, be sold, be sawn, and seen as good.
Its oaks have pinned their hopes to suffer such;
its maples dream as much as they are able,
and every aspen whispers to itself:
they pine for you to bring them to the table,
or give them self-assurance as a shelf.
   Then there's yourself.  The elements essential
   within the raw material of you
   are scintillating stock, with star potential;
   still, steadily you work, and make them new.
And beauty's born, no matter where it lies,
for all the world reflects behind your eyes.
Mike Adam Jul 2016
Big tree
got logged

Slicing the rings

Memories of
lifetimes
Auroleus Aug 2015
I've been told by some that I should allow myself to submit to a higher power.
I've been told by some that I should allow myself to completely surrender myself to the drugs on which I am...
Pompletely Cowerless.
Chompin' at the bitcoin for a hit -
Groin split, oh so tender -
**** it with tin foil so you can walk out the door without sounding the alarm.
**** it with armadillo dandruff so that the Migh and Highty gemi-dods of foral mailure and tetail reft might pity your chleek seekbones long enough to get that bimmering shooty to the sawn phop so that you can Havid Dazzle-Off those pitiful pieces of plastic and fencehorth vondez ru with the dead boy crew; stew you boil cook that dead boy brew; get it all in through the strands and tubes; melt face down down to towndown..... ******.
To twine and wind within and round
my heart with yours, a ribbon found.
Sleeping bows, silence lies
loops and tails, undone in sighs.
Silken lashes, a knotted kiss,
wrists together in bounded bliss.
A thousand fathoms as light subsides,
take me down, together tied.
Glossy one side, inked on back
drawn by a hand who's skill I lack.
Lungs sawn and slaughtered, of breath be conned
yet still I yearn for black beyond.
Your gentle bow belies such strength
hidden power in it's lengths.
Wrapped now, helpless, and happy so
in love's tangled depths I go.
Dennis Willis Jul 2023
was it something
i lived
too quietly
or too loudly
that led
to this
particular streak

time marred
I am rough
to the day
sawn into
shards as if
it was mine
to do with

i've scattered
boards about
planck's
for walking again
randomly though
as thought knew
I would listen
and overthink
Carl Sinderby Sep 2022
Trees are tall their leaves fall,
We look them up and down and see beauty,
The vision of growth and strength in the overpowering Branches,
There are funny little shaped trunks,
They are claimed they are hugged,
They are drawn and sawn,
Trees are our friends when we let them be,
Trees contain the destruction,
In mother nature's grace,
We love the trees all the same because they give us space.
A newborn, awaiting, decrepit, and rotting,
His mother waits for him to stir,
Her eyes emotionless and defensive,
Her dismal namesake will not return.
-
She gazes at his chest, hoping that his breast
Would return to a timelike rythm,
Alas, he is dead, putrified in his bed,
Arms outstretched to a broken woman.
She quietly gasps and inhales sobs,
While her tiny one stares at nothing,
Exhuming her fear of each and every tear,
She desperately clings on to something.
-
She could not stop this folly,
This tragedy entombed in holly.
The umbilical noose, too tight
She held on too strong,
He tried to fight along,
Unknowingly suffocating in her embrace, slight.
After his movement was stifled,
She peered over to the rifle,
That sat to protect the two of them,
She thought and was consumed,
With visions of Hell, and torture too,
She chanced it with an undying stem.
-
To paint a scene in words,
To describe the horror heard,
By no one when no one was there…
What is the magnitude of ******?
What lines are crossed to massacre?
And foretelling the wise ones fair.
-
In the end she sat in a rocking-bend,
The chair that carried him off to sleep,
He now lay in his cradle with sodden eyes,
Weary of counting so many sheep.
She had the sawn-off in her right hand,
The wall behind her, a portrait of her brains,
Half her face bereft of her body,
The white walls now hold crimson stains.
The infant’s hand lay through the gate,
As if even in death telling his mother “don’t do it”
The insignificant ominous one
Had lead her then right to it.
Her mouth agape, and jaw five feet from her,
Her right eye rolled back in the skull,
The blue baby seemed to look on in dead horror,
As his body witnessed in full.
The shotgun blast so strong and centered,
The power rocked her chair back and forth,
This creaking moan was all to be heard,
In this silent room forevermore.
Mateuš Conrad Oct 2015
you never really say piranha.... it’s more like piraña... no wonder english without the necessary diacritic spans north america and australia and the emoji platform, so the romans said: bonum, sed ν (nu) *** linea obliqus, sic ha est ad hoc tetragrammaton pars, et allah est la la; quamvis latin est mort scriptio autem non clara voce - basically just write some latin using english grammar, what’s beneath it? guess.*

i’ve written almost 10,000 poems and still i can only
remember having said one or two memorable things,
i mean, for god’s sake, the pedigree maine ****
that lived with me for the 7 years he lived to
dying of kidney failure said more memorable things
than i did, having only said meow / miał (i.e. he had it, once),
maybe that’s because i don’t actually cradle these outbursts
to much appreciation, hence my own worthy critique -
but like i said it once admiring spiderweb threads and the washing lines:
by the casual phrasing ‘killing time,’ i’m sure people invoke
the meaning: to occupy a definite space;
the antonym? that’s a bit what philosophy preaches - ‘to stand outside
all of time and space,’ well the first one i can do and feel remorseful
concerning boredom, but that gives me an indefinite space,
although this whole ‘killing time’ is a great option, i’m going to
schwarzenegger time with a sawn off umlaut, ooh... kick to the groins
watch the crouching tiger hidden *** change - and occupy
a definite space. see, you have to find the hammers and the chainsaws in language
to escape the waterfall of fictional narration, obviously grammatical
categorisation of words makes it easier to suddenly realise:
am i really typing, or actually hammering a word in?
but realising that grammatical categorisation of words
exposes unlikely-to-turn-rusty tools gives writing a whole worth
of sanity, as no longer the chance encounter, but a safe environment
to abseil like a spider which lost the plot of creativity famed by the cobweb, just ******* out a piet mondrian.
Jacqe Booth Mar 2011
There are no words to fill the void between being and becoming.
Trembling skin humming.
Heartbeat drumming.
Stories burn deep
Beneath my skin.
Flattened out layers of panic.
Manic.
I am distress
Rip torn
Heart worn
Tears wet with fears
sawn
From old salt eye
To face
Disgrace.

This being Is my undoing.
Jacqe Booth Jul 2011
There are no words to fill the void between being and becoming.
Trembling skin humming.
Heartbeat drumming.
Stories burn deep
Beneath my skin.
Flattened out layers of panic.
Manic.
I am distress
Rip torn
Heart worn
Tears wet with fears
sawn
From old salt eye
To face
Disgrace.

This being Is my undoing.
Afrodita Nestor Jul 2016
I stumbled over a perfect dream
As the moonlight made me feel
Like I was the only one
She wants to give a smile
And whisper in my ear
Tonight you are only mine

As an empty page to be filled
With sweetest stories and some dreams
I runned into the world
With the heart sawn onto my sleeve
Forgetting about the wounds
That made me feel so weak

Into seedless grape I changed that day
Not by wish but by my faith
Kissing with the rain
Smiling to the moon
Dancing with my soul
I never thought I would

I stumbled over a perfect dream
As the moonlight made me feel
Like I was the only one
He wants to give a smile
And whisper in my ear
Tonight you are only mine

This dream I never thought I had
Made me feel like seedless grape
Copyright Afrodita Nestor

— The End —