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http://www.youtube.com/watch?v=LCgcgOAgq9w

-

The name is George Washington, but its the general to you,
or you could call me president one, not three or two,
and you probably heard a lot of silly stories about me,
but let me lay it down how raw it really used to be

I got a hemp operation back at the plantation
selling the stickiest **** around the new nation
so come run and find me if you wanna get high
***' honestly I got the bombest I cannot tell a lie

Pick it dry, of course I'm gonna try
bag it up and brick it and then just let them buy it
and if the Brits wanna come take a piece of the cut,
I'll raise a whole ******' army let em see whats what.

The kings like "yo I gotta get payed"
I'm like "tough ***** 'cause y'alls a whole ocean away
and you can try send some ships to come and make me pay up
but that's an awful long way just to **** deeze nuts.
You get my ******' message son?"
Take it, Thomas Jefferson


Sell drugs, run guns,
nail ***** and **** the law. (**** the law!)
We're Founding Fathers; we're Rushmore ****
and we were all high as *****.
The Declaration of Independence
I wrote so high I'm surprised it makes sense
but we find these truths to be self-evident:
it goes puff puff pass and next round you get skipped.


Abe Lincoln; I know what y'all thinkin':
Greatest president ever, I'll have what he's drinkin'
Ah-ha, yeah, well see, that's where you'd be wrong
'cause if you wanna chill with me you'd better go and grab that ****
or an apple or that can, see you do not understand
faded 24/7 'cause that's just the way I am.
I can see you're having a little trouble believing me
but check this letter I wrote it down, recorded in history, ahem:

"Two of my favorite things are sitting on my porch
and smoking a pipe of that sweet Hemp," of course
that's a quite that I wrote when I was still in office
but enough of that, I am too high, I have to back up off this.

Where is my horse, I think I need to go and ride him home
I was supposed to leave about four score and twenty rips ago;
you see my hat? I like it, I kinda think it looks like a stove.
Scratch it; pass it one more time and let me hit it for the road.


Sell drugs, run guns,
nail ***** and **** the law. (**** the law!)
We're Founding Fathers; we're Rushmore ****
and we were all high as *****.
And don't let 'em try and tell you we grew it just for rope
you can check what we wrote down in our harvest notes:
we separated seeds that we found more potent,
in layman's terms we were in to getting bent.


Smokin' out the Continental Congress,
everybody's ******* be like all up on us.
Patrick Henry's in the corner, lookin' pretty spent
Ben Franklin got so high he forgot to be President.

Your girl just said she never had it hit so good,
smoked so many trees my ******' teeth turned wood
and if they make a monument to me when I die
it'll be a giant abstract Joint up in the sky, ha ha!

But, you know they're gunna whitewash me;
make up some corny **** about me choppin' cherry trees.
It's hard to control a people if their Founder's a ****
so they'll just teach that I was all prayers, puppies and hugs.

But, that just ain't the way it was
we set this whole place up with a hell of a buzz;
so next time they try and to tell you that this stuff is wrong,
look at a dollar, light a blunt, ******' sing my song:


Sell drugs, run guns,
nail ***** and **** the law. (**** the law!)
We're Founding Fathers; we're Rushmore ****
and we were all high as *****.
The Declaration of Independence
I wrote so high I'm surprised it makes sense
but we find these truths to be self-evident:
it goes puff puff pass and next round you get skipped.

We're the Founders, and we found this
and we found this on Cannabis.
We're the Founders, and we found this
and we found this on Cannabis.

Mount Rushmore Crew;
A stone monument to some monumental stoners; a-ha-ha!
G. Washington, T. Jefferson, and A. Lincoln
and **** that other guy; Calvin Coolidge?
Whoever the ****...
We history.
Francie Lynch Aug 2018
I'll scale the hairs of Lincoln's beard,
Leap to the bridge of Roosevelt's nose,
Balance on Jefferson's brow,
Then plead on Washington's pate:
America, stop ******* up.
I'm slipping on the eyes
Of this granite outcrop
!
Craig Harrison Jun 2014
We live in a time of uncertainty
No jobs
Climate change
Mass killings
warnings of pandemics
Where is our utopia
where is our heaven on Earth

1900's we had
San Fransisco's earthquake
McKinley was assassinated
First Nobel prize
The Tunguska Event
nothing as changed in my eyes

1910's we had
Spanish flu
The sinking of the unsinkable ship, the Titanic
and World War 1
What else is needed to say about this decade
nothing changed as the human race lived on

1920's we had
Discovery of penicillin
The great depression
and prohibition

1930's we had
Bonnie and Clyde
Hindenburg disaster
Discovery of Pluto
Al Capone imprisoned

1940's we had
World War 2
Mount Rushmore completed
Big bang theory formulated
Israel founded
Nothing changed but who knew

1950's we had
Castro becomes Dictator of Cuba
Laika the dog goes into space
Korean War began
History never changed and neither will the Human Race

1960's we had
The rise of the Berlin wall
First man on the moon
Vietnam War
Nothing changed and won't any time soon

1970's we had
First test tube baby
Tangshan Earthquake
Kent state shootings
Elvis died

1980's we had
Chernobyl
Tiananmen square massacre
Exxon oil spill
Nothing changed and never will

1990's we had
Oklahoma city bombing
Princess Diana died
Columbine massacre
World Trade Center bombed
End of the Cold War

2000's we had
Hurricane Katrina
Pluto reclassified
Obama elected
September 11th

2010's we had
Haiti Earthquake
Japan Earthquake
Bin Laden killed
BP oil spill
England riots
Brazil riots
China banned time travel.
We're only 4 years in.


**** sapiens are nearly 200,000 years old
nothing changed
and never will
Hope you like
Arlo Miller May 2015
Who knew they would be so trendy
in today's era of the ".com"
As commanders in chief in a modern war
declaring their weapon in silent unison, "Photobomb"
spysgrandson Jun 2016
a thousand miles we traveled to see
your jack-hammered giants--we arrived at dusk
just as the torrents began, bathing your
chiseled countenances

we hid in our chariot of modernity
wipers flapping in syncopated time, Bluetooth belching
out words from kin, "have a good time,"
"sorry for the storm..."  

but I wasn't, for lightning struck
a blackjack pine, and four mammoth men
came to life, their sheen now electric, their long
mute voices once again a resounding roar
On our summer travels, we will visit Rushmore--I have a premonition it will rain while we are there
Jonathan Moya Sep 2019
Rapid City wears its patriotism like a shroud.
Corner streets are populated with less than
life-size statues of past presidents
squinting at the distant Black Hills
where the grandeur of Mt. Rushmore
casually crumbles their bronze dreams.

Wax settlers, loggers and gold miners
stake claims with souvenir hunters
touring a mine, panning for fool’s gold.

In nearby Custer, 75 breaths  from Wounded Knee,
shops hawk Chief Joseph, Sitting Bull, Geronimo t-shirts
proclaiming them “ The Original Founding Fathers.”
Mixed in are those in star-spangled letters and fireworks
proudly streaming “Welcome to America. Now Speak English.”

Rushmore was dynamited from a cliff
by a creator who spent the rest of his life
erecting grand Confederate gestures
out of ****** Georgia quartz monzonite—
finished and opened 100 years to the day
after Abraham Lincoln’s assassination.  

Thirty minutes from Rushmore, existing in its shadow
on private land filled with dusty trails,
unfinished after seventy years,
probably still unfinished after twenty  more,
facing away from these great stone faces,
emerging from the side of great Thunderhead Mountain,

on an ivory stead with a mane of flowing river and wind,
exists the Oglala Lakota warrior Tasunke Witko
the worm of Crazy Horse the Old and Rattling Blanket Woman,
sibling of Little Hawk and Laughing One, memory of the spirit of
Black Buffalo and White Cow who walked with an Iron Cane,
all enclosed with him in this massive breath of white stone.

The history of this great Indian space stretches the land,
four times higher than the Statue of Liberty,
extending beyond the warrior frown, the pointing left arm.
The horse’s ear alone is the size of a rusty  reservation bus.
When finished it will be the largest sculpture in history,
bigger than the land, breath and all of Indian memory.

It was the Vision Quest of Chief Henry Standing Bear to show the whites that the red man had great heroes, too.
In a man named Korczak he found a kindred spirit,
a storyteller in stone, a survivor of Omaha Beach,
who when the first wife faltered, found a second
who gave him enough children to carry, sculpt the Bear Dream.  

The big chief’s face is still the only finished part.
Korczak’s wife and children toil with the rest,
struggling to capture the essence of a warrior
who never allowed his shadow to be snared
in the false glow of the white man’s light,
trusting only the rain beams that fall

onto his people, mountains, plains and buffaloes,
onto Paha Sapa, “the heart of everything that is,”
where the Lakota huddled while the world was created,
now a land of broken treaties and dying dreams,
drenched in the dust of tears underneath,
while this white face torn from red gazes East.
Wounded Knee is not only the sight of an 1800’s Indian Massacre but the rumored burial spot of Sitting Bull.

The grand confederate gesture refers to Stone Mountain park, a Mt Rushmore etched with the faces of the Confederacy: Robert E. Lee,
s u r r e a l Jun 2016
For you knew of the girl whose cheeks were so pink, they'd be mistaken for sweet peas.
And whose skin could be misplaced for dogwood.
Tongue as innocent as the boy that cried wolf,
And eyes as golden as yore.

You knew of that girl, count every school day,
Where she walked through the door, head bowed and heart prayed.
'neath those bangs, whose color is as dark as our breaths, and as shiny as false tree,
Whose eyes--exotic--bluer--bluer than a thumbtack and bluebells set out by sea.

Whose eyes are mismatched by plentiful lips--small as the silver spec on my shoe,
And shimmered 'neath sterile light, as if she kissed the face of Mt. Rushmore, too.
With those high lips and V-line chin, which connected with her pencil neck to her petite body,
No ******* or bottom, with legs as thin as stilts and as blinding as our phones,
She holds the body of a cradle, and sings like a tongue-less canary.

Always kempt and proper--her hair tied back with a lovely noose.
And shoes worry not of dirt--for she never played outside.
Resting 'neath maple-wood trees like a bunny--face and knees tucked by arms, and that's where they reside.
Many boys had asked for her hand in play, but that bunny went deeper--deeper into the flesh hole she burrowed.
"Painfully shy, she was." They said.
And that pain was her devil.

For you knew not the cause of those florid, pink, cheeks.
Whose purpose means nothing but dead machines.
Whose eyes rung bright--struck the world alight,
Yet, they themselves could not see.

For you knew of the girl whose cheeks were so pink, they'd be mistaken for vintage bust,
And whose skin could be misplaced for bile.
Whose eyes mistaken for lust,
And face mistaken for tile.

For you knew of the girl whose cheeks were so pink, they'd be mistaken for heat,
And whose skin could be misplaced for bleach.
For again and again and again, the belt beats.
And hello to endless ******.

For if you drew closer and closer--and closer, you see,
Blue waters and purple veins clash--wash again and again 'gainst land--and befit the word: queer.
For if you drew closer and closer--and closer, you see,
Innocence knows no bounds and eyes no longer see flavor,
For if you drew closer and closer--and closer, you see,
Exotic eyes bled--rained--pink--and pink--and pink with grand fervor...!
For sometimes it may frighten you to know,
Not all persons are truly healthy,
even those who you hold truly dear.
Mateuš Conrad Nov 2016
some say it's called dart-eyes, a kaleidoscopic venture
that might leave you myopic, oddly enough i know
that people say a lot of far fetched things,
   and the excuses are usually metaphors,
there's the literal cardinal,
the literal spanish inquisition,
  and metaphors of demons in the bible -
          i still want to experience a fully
theocratic world: where man's words come
forth from man, and god's words come from
the mouth of god... again: poetry without
a god is like biology without chlorophyll,
   no one even suggested a kneeling process and
ardent prayer to be invoked,
     all it took was a spare thought away from
the daily commute and the daily invigoration
from some sort of ethic, oddly enough it always
ends up being an ethic of work...
   i guess that's why in the west everyone is
nearing an addiction thoroughly apparent that's
named workaholism... once the relationships
fail, the only saving string of hope is work,
an absurd work ethic, because wouldn't you
take a syringe filled with ink and do shifts in an
office beyond the norm, thus entering the world
of night shifts and anything else antisocial?
   people can't really be friends, we're fired up
toward formal relationships and what's guiding us
to these relationships is hierarchy...
              oddly enough the Aztec or Mayan
pyramids don't have that sort of feel to them,
they don't prescribe interpretations of hierarchy,
quite the opposite,
     ask someone who doesn't have a conquistador
heritage to explain that they are:
  the gallows... guillotines... the tyrant is not
buried within, these aren't caves to entombing a
tyrant with all his riches...
      there are no chambers in these structures...
they were intended as architectural symbols of
common law... those presumptions European
*******... human sacrifice? a myth...
these were sights of capital punishment,
you stepped out of line: you'd get your heart
carved out and your body would drop from
the execution altar down the steps for
           the scavenger mob to tear you apart
even further: had you transgressed communal
consent... justice has to become overpowering
but that does not mean we carve a mount
Rushmore akin to the statues of the valley of
the kings of enthroned pharaohs...
  much of ancient Egypt lingers in what we
call "modernity"... esp. in America...
             and the world is currently establishing
itself into cold war ii (i said that once,
can't remember when)... and until this is firmly
established, that it's clearly accepted that we're
dealing in a cold / intellectual war, then
we'll pass all that intelligence and engage in a hot war /
and emotional war, as characteristic overflowing
of populism, which at present times: has
all the coordinates, but no proper vector to
allow a congregational march toward impeding
dangers... but better a second cold war than
a third world war... so much of ancient Egypt
in America... the washington memorial for one...
what's the other name for it? ah... obelisk;
or what the pagans built to counter the fear of
impotence: well... we've established a bountiful
supply of humans... can we do a floral pattern
now? oddly enough we embraced tomb-pyramid
builders from the north-eastern side of
Africa's brain-dead region, and trusted
conquistadors wiping out a people that used
pyramids to stress the importance of law:
i can't see no reason to think that those pyramids
were intended for human sacrifice...
capital punishment? well, d'uh... because wasn't
Golgotha so unspectacular as to be less
than what it was? had they crucified him in private,
in some back-alleyway crucified to a door,
would history open its doors to the advent of
Christianity? don't think so.
what i'd really love to see is people with
necklaces of silver, and the thing dangling on them
would be a different torture mechanism...
an iron maiden... it's like prescribing pain is
necessary... it's a dogmatic ruling on a once upon
a time
(even the briefest) chance of happiness...
but even then certain philosophers say:
why be happy, when you can be interesting?
how interesting do you have to be so many times over
to not even wish for a stillness of neither want
nor drive to go beyond what you already have?
i don't know if this is an adequate comparison,
but in terms of interesting...
   a movie (side effects, 2013) utilises only two songs
in its official title:
   the focal point of a ******
       is staged to a "sleepwalking" woman preparing
a dinner for three (only two people are in the apartment),
the song? thievery corporation's the forgotten people...
i knew the band prior, and i've seen the film
before... but i never bothered to watch the credits...
i remember the odd couple who'd sit in cinemas and
engage in watching the end-credits, always the one
odd bunch: as if saying thank you to all the people
involve... a quick stroll through a graveyard is probably
comparably akin....
   and the other song? Bach's
   orchestral suite no. 2 in B minor, bwv 1067 -
     but i can't remember whether it's actually featured
in the film, simply because there's no focal moment
in the film where it can be heard as prominently as
the first song... and then there's thomas newman in
between (no surprise);
but a film like that is a meditation...
             if only two songs are used, chances are
the dialogue will have many strengths, because there
will be a multiplicity of consistent reinterpretation,
a bit like talking into a Tate Modern and seeing
Rodin's the kiss statue (inspired by Dante's divine
comedy), sketching it from the northern perspective,
the southern, western and eastern perspectives...
    i've seen few films that accredit a very minimalistic
soundtrack... on that note, how songs could literally
be translated into film titles: side effects - the forgotten people,
  dead poets' society - carpe diem, american beauty -
any other name, are there others? there probably are.

but that's nothing compared to last night's antics...
   some people climb the Everest... clap clap clap...
some people design super-suction vacuum cleaners...
clap clap clap...
                    from time to time i solve sudoku drunk
(no clapping)... but there's a narrative involved,
the narrative goes when you try to map out solving
one of these 81 "rubic" squares... applause for
speed with these babies like applause for premature
*******... aren't they compatible?
   we all have limitations, mine came yesterday,
when i allocated superscript numbers to the journey,
quiet literally an optical tangle, i should have used
       things like ª ' “ ‘ ¨ † above the plotted line...
but it only takes one mistake to ground you
   and then you have to go back and make minute corrections,
as the notes themselves suggest (crazy eyed darting):

exhibit a.

0    0    0    0    0    2    7    0    0
0    0    0    0  ­  4    0    0    2    0
2    0    5    1    0    7    0    0    8
0    9    0    0    0 ­   0    2    0    1
7    0    0    8    0    0    0    6    0
0  ­  0    6    0    7    0    5    0    0
4    0    8    7    0    0­    1    0    0
0    1    0    0    0    5    0    0    0
0    0 ­   9    0    1    0    3    0    0

   exhibit b. html that doesn't allow subscript
            or superscript notation, hence the brackets
   denoting movement (pending)


9 (24)    0          3 (23)    0    8 (5)    2    7    1 (2)    0
1 (12)    8 (8)    7 (9)      0    4          0    0    2          0
2            0         5            1    0          7    0    3 (13)   8
8 (7)       9        4 (18)     0 5 (33) 0    2    7 (1)      1
7            5 (16) 1 (14)     8   2 (20)   0    0    6           3 (21)
3 (19)    2 (17)  6            0   7           1 (15)  5           8 (6)    0
4            3 (27)  8           7   0            0         1            5 (28)    2 (26)
6 (30)    1          2 (22)   4 (31)    3 (32)    5    8 (3)    0    7 (11)
5 (29)    7 (10)    9    2 (25)    1    8 (4)    3    0    0

      it is no surprise that the notation played a key part
in having failed to map out the route taken,
       when you're using numbers in a puzzle
  it's almost an inevitable path to failure,
since you're making superscript "bookmarks" at
high concentration, and without any distinction to
what the puzzle demands, hence you go "cross-eyed"
  in solving the puzzle, and superscripting your progress
using the same symbols that are required to solve it,
but given that the puzzle involves 81 slots
  with 9 x 9 identical components (only so rearranged
  to be not contradict the rule of the puzzle
i.e. 9 symbols in each square of the nine in total,
   with a 9 x 9 variation on all linear arrangements not
involving two similar symbols, i.e.
   1 2 3 4 5 6 7 8 9, rather than 1 2 2 3 4 5 6 7 8) -
what became a hope to correct the mistake, but given
the intricacies of the progress, all the more harder to
recount steps and subsequently move forward with
   the spotted error...
hence a refresh, and the need for schematic,
given that there are 81 slots in total, with
     27 already in place, and given that there are 26
units of alphabet... how handy to actually persist in
using these characters, but adding diacritical variations
to make up 54 necessary, without invoking
      a 10 or a sz...

exhibit c.

0    0    0    0    0    2    7    1ą    0
0    0    0    0 ­   4    0    0    2    0
2    0    5    1    0    7    0    0    8
0    9    0    0    0 ­   0    2    7α    1
7    0    0    8    0    0    0    6    0
0 ­   0    6    0    7    0    5    0    0
4    0    8    7    0    ­0    1    0    0
0    1    0    0    0    5    0    0    0
0    0­    9    0    1    0    3    0    0

exhibit d.

nb. α = 1, ą (ogonek) = 2, á (acute) = 3, à (grave) = 4,
â (circumflex) = 5, ä (umlaut) = 6, cedilla missing,
   ã (tilde) = 7, b = 8, c = 9, ć = 10, č (caron) = 11,
ĉ (circumflex) = 12, ā (macron) = 13, ç (cedilla) = 14,
d = 15, e = 16, é = 17, è = 18, ê = 19, ě = 20, ë = 21,
f = 22, g = 23, ǧ = 24, ḡ = 25, ĝ = 26
         (now i figure, could have used Greek... d'uh!
ahh, i'll use it for the finishing touches),
        h = 27, i = 28, ı = 29, í = 30, î = 31, ï = 32, μ = 33
j = 34, δ = 35, k = 36, λ = 37, ł = 38, τ = 39, n = 40,
ń = 41, ñ = 42, o = 43, ō = 44, ø = 45, p = 46,
q = 47, r = 48, s = 49, γ = 50, φ = 51, χ = 52, ψ = 53, ω = 54.

before i begin the puzzle... there's a reason why a caron
g (ǧ) might exist, and why a grave z might not...
   and why there's a piquant difference between
an acute z (ź) and ż - depending on the aesthetician,
who decides to move away from the national linguistico-aesthetic
dogma... for example the name George,
orthodoxy states you must learn the aesthetic version
of Grze'gosz... but you would also be able to write
the alternative: Ǧegoš - given that rz is equivalent to ż,
    and given that there is no grave accenting of z,
but there is the acute (ź), perhaps you could consider
the dot a convergence point that could assimilate
sound, immediately over the caron g... of course none
of these remarks are intended for application: because
they would never reach a consideration in a learning
curriculum of any nation, a whimsical idea derived from
the remnants of the esperanto experiment...
  from what i can see, ǧ would equal grz, and
the reason that rz exists at all, and it equivalent to ż
is because a grave version of z is missing, and that
the acute z (ź) exists, and there is no point of balance
that otherwise is the foundation of the caron...
  i wouldn't have thought focusing on such "trivial"
signs above letters provided so much pecking-orders.

exhibit e. focal points in greek notation

9ǧ    4ñ    3g    6o    8â    2    7    1ą    5τ
1ĉ   ­ 8b    7c    5p    4    3q    6ń    2    9ł
2     6γ     5      1      9r    7    4n    3ā    8
8ã    9    4è    3s      5ψ   6ω    2    7α    1
7    5e    1ç    8      2ě    4ø    9ō    6    3ë
3ê    2é    6    9λ    7    1d      5    8ä    4k
4    3h     8    7     6χ    9φ    1    5i    2ĝ
6í    1    2f    4î     3ï      5     8á   9μ    7č
5ı    7ć    9    2ḡ    1     8à     3     4j     6δ

thus completed: there's a reason why the majority
of the narrative is done utilising diacritical marks,
i could have used many more distinct symbols,
but the point is: there are very few focal points
that can be ascribed distinct markings,
most of the puzzle is done on the basis of "crazy eyes",
i.e. darting eyes - focal points do emerge after
much darting about the squares, notably when
a linear sequence is completed, or whenever one of
the 9 squares is completed, or when all nine squares
contain nine 7s or 8s...
      or that's one way to go about not having any whiskey,
the rain pouring outside, and the night stretching
into a near eternity -
            
exhibit f. narrative of correction, actual excerpt

it began at h, i.e. labyrinth corner no. 27,
******* trainspotting! this is going to be like reading
the time for the next train to arrive at Waterloo!
  5(28), 5(33)?, 5(28),
  6(30), 4(31), 3(22), 5(33), 33? 9(38), 4(34),
  6(35), 4(36)...
6(41) < 4(40) < 5(39) < 9(38) < 9(37)....
       4(42) < 6(43) < 9(44) < 4(45) < 5(46) < 3(47) < 9(48) < 3(49) <...>
   6(58) > 9(51) < 6(52)...
        longest period spent on 3(13) / ā -
   and the notation that gave way to this spiral?
5(33), which actually ended up being 5(53) / ψ.
luci Sep 2014
BOY #1
his eyes were as blue
as the deepest sea
his touch
exciting
his voice
as beautiful as Beethoven's symphony 5
the things he said could make any girl
believe that he loved them
only thing is
he didn't give a ******* ****
about me

BOY #2
his hair was as puffy and soft
as a baby bunny's fur
his words touched me in ways
only hands should be able to
his lips fixed wounds I thought
only doctors can fix
a moment with him was never dull
the stories he told me made
me want him more
"i had to jump the wooden gate
the cops were after me"
I couldn't help but smile
I gave you me
and you gave me you
but did you give yourself
to me like how I gave myself
to you

BOY #3
the height of Mt Rushmore
the style of Skateboarder's new model
your jokes were funny
but the way you treated me
after you got what you wanted wasn't
we laid in your bed and you held my hand
I rested my head on your shoulders
I trusted you
but I wasn't anything important to you

BOY #4
skin
dark as night
innocence
like a child
you were different
I wasn't attracted to you
but you liked me
so I let you give yourself to me
and before I knew it
you told your mama I was "a mistake"
we were the talk of the school

BOY #5
his hair was as puffy and soft
as a baby bunny's fur
his words touched me in ways
only hands should be able to
his lips fixed wounds
I thought only doctors can fix
and by now you would assume I
would've learned already
but this boy like no other
this boy excites me
I cant help but want his attention
****** allure maybe
whatever it is
I need him

(not done)
The phone rang in Red Lodge.  The sun had already faded behind the mountain, and the street outside where the bike was parked was covered in darkness. Only the glow from the quarter moon allowed the bike to be visible from my vantage point inside the Pollard’s Lobby.  The hotel manager told me I had a call coming in and it was from Cooke City.  By the time I got to the phone at the front desk, they had hung up. All that the manager had heard from the caller was that I was needed in Cooke City just before the line had gone dead.  Because of the weather, my cell phone reception was spotty, and the hotel’s phone had no caller I.D.

Cooke City was 69 miles to the West, a little more than an hour’s drive under normal circumstances.  The problem is that you can never apply the word normal to crossing Beartooth Pass even under the best of conditions, and certainly not this early in the season.  I wondered about the call and the caller, and what was summoning me to the other side.  There was 11,000 feet of mountain in between the towns of Red Lodge and Cooke City, and with a low front moving in from the West, all signals from the mountain were to stay put.

Beartooth Pass is the highest and most formidable mountain crossing in the lower 48 States.  It is a series of high switchback turns that crisscross the Montana and Wyoming borders, rising to an elevation of 10,947 ft.  If distance can normally be measured in time, this is one of nature’s timeless events.  This road is its own lord and master. It allows you across only with permission and demands your total respect as you travel its jagged heights either East or West.  Snow and rockslides are just two of the deadly hazards here, with the road itself trumping both of these dangers when traveled at night.

The Beartooth Highway, as gorgeous as it is during most summer days, is particularly treacherous in the dark.  Many times, and without warning, it will be totally covered in fog. Even worse, during the late spring and early fall, there is ice, and often black ice when you rise above 7000 feet. Black ice is hard enough to see during the daytime, but impossible to see at night and especially so when the mountain is covered in fog. At night, this road has gremlins and monsters hiding in its corners and along its periphery, ready to swallow you up with the first mistake or indiscretion that a momentary lack of attention can cause.

The word impossible is part of this mountains DNA.

: Impossible- Like the dreams I had been recently having.

: Impossible- Like all of the things I still had not done.

: Impossible- As the excuses ran like an electric current
                         through all that I hated.

: Impossible- Only in the failure of that yet to be conquered.

: Impossible- For only as long as I kept repeating the word.

Now it was my time to make a call.  I dialed the cell number of my friend Mitch who worked for the U.S. Forest Service in Cooke City. Mitch told me what I already knew and feared. There was snow on both sides of the road from Red Lodge to Cooke City, and with the dropping temperatures probably ice, and possibly black ice, at elevations above 7500 feet.

Mitch lived in Red Lodge and had just traveled the road two hours earlier on his way home.  He said there had been sporadic icy conditions on the Red Lodge side of the mountain, causing his Jeep Wagoneer to lose traction and his tires to spin when applying his brakes in the sharpest turns.  The sharpest corners were the most dangerous parts of this road, both going up and even more so when coming down. Mitch warned me against going at night and said: “Be sure to call me back if you decide to leave.”

The Red Lodge side of the mountain would be where I would begin my trip if I decided to go, with no telling how bad the Cooke City descent would be on the Western side.  This is assuming I was even able to make it over the top, before then starting the long downward spiral into Cooke City Montana.

The phone rang again!  This time I was able to get to the front desk before the caller got away.  In just ten seconds I was left with the words ringing in my ears — “Everything is ready, and we implore you to come, please come to Cooke City, and please come tonight.”  

Now, it was my time to choose.  I had to decide between staying where it was safe and dry, or answering the call and making the journey through the dark to where fate was now crying out to me. I put the phone down and walked out the front doors of the Pollard Hotel and into the dim moonlight that was shining through the clouds and onto the street.  The ‘Venture’ sat in its soft glow, parked horizontally to the sidewalk, with its back tire pressed up against the curb and its front tire pointed due North.  The bike was not showing any bias either East or West and was not going to help with this decision.  If I decided to go, this choice would have to be all mine.

The original plan had been to stay in Red Lodge for two more days, awaiting friends who still had not arrived from a trip to Mount Rushmore. Then together we had planned a short stopover in Cody, which was not more than ninety-minutes away. From there we planned to take the ‘Chief Joseph Highway’ to Cooke City, which is both a beautiful and safe way around Beartooth Pass. Safety drifted out of my consciousness like a distant mistress, and I looked North and heard the mountain call out to me again.

As much as I wanted to see my friends, the voice that was calling from inside was getting harder and harder to ignore.  With the second phone call, my time in Red Lodge grew short in its importance, and I knew in the next two minutes I would have to choose.

I also knew that if I stood in the clouded moonlight for more than two more minutes I would never decide.  Never deciding is the hallmark of all cowardly thought, and I hoped on this night that I would not be caught in its web as victim once again.  

                                         My Decision Was To Go

In ten short minutes, I emptied my room at the Pollard, checked out, and had the bike loaded and ready at the curb.  I put my warmest and most reflective riding gear on, all the while knowing that there was probably no one to see me. No one on that lonely road, except for the deer, coyote, or elk, that would undoubtedly question my sanity as they watched me ride by in the cold dark silence.  I stopped at the gas station at the end of town and topped off the tank --- just in case.  Just in case was something I hoped I wouldn’t have to deal with, as the ride would at most take less than a half a tank of gas. It made me feel better though, so I topped off, paid the attendant, and rode slowly out towards U.S. Highway # 212.  

As I headed West toward the pass, I noticed one thing conspicuous in its absence. In fifteen minutes of travel, I had not passed one other vehicle of any kind going in either direction.  I was really alone tonight and not only in my thoughts.  It was going to be a solitary ride as I tried to cross the mountain. I would be alone with only my trusted bike as my companion which in all honesty — I knew in my heart before leaving the hotel.  

Alone, meant there would be no help if I got into trouble and no one to find me until probably morning at the earliest.  Surviving exposed on the mountain for at least twelve hours is a gamble I hoped I wouldn’t have to take.

I kept moving West. As I arrived at the base of the pass I stopped, put the kickstand down and looked up.  What was visible of the mountain in the clouded moonlight was only the bottom third of the Beartooth Highway. The top two thirds disappeared into a clouded mist, not giving up what it might contain or what future it may have hidden inside of itself for me.  With the kickstand back up and my high beam on, I slowly started my ascent up Beartooth Pass.

For the first six or seven miles the road surface was clear with snow lining both sides of the highway.  The mountain above, and the ones off to my right and to the North were almost impossible to see.  What I could make out though, was that they were totally snow covered making this part of southern Montana look more like December or January, instead of early June.  The road had only opened a month ago and it was still closing at least three out of every seven days.  I remembered to myself how in years past this road never really opened permanently until almost the 4th of July.

When the road was closed, it made the trip from Red Lodge to Cooke City a long one for those who had to go around the mountain.  Many people who worked in Cooke City actually lived in Red Lodge.  They would ‘brave’ the pass every night when it was open, but usually only during the summer months. They would do this in trucks with 4-wheel drive and S.U.V.’s but never on a motorcycle with only two wheels.  Trying to cross this pass on a motorcycle with high performance tires, in the fog, and at night, was a horse of an entirely different color.  

At about the seven-mile mark in my ascent I again stopped the bike and looked behind me. I was about to enter the cloud barrier.  The sight below from where I had just come was breathtakingly beautiful.  If this was to be the last thing I would ever see before   entering the cloud, it would be a fitting photograph on my passport into eternity.

I looked East again, and it was as if the lights from Red Lodge were calling me back, saying “Not tonight Kurt, this trip is to be made another time and for a better reason.” I paused, but could think of no better reason, as I heard the voice on the phone say inside my mind, “Please come,” so I retracted the kickstand and entered the approaching fog.

There was nothing inviting as I entered the cloud.  The dampness and the moisture were immediate and all enveloping, as the visibility dropped to less than fifty feet.  It was so thick I could actually see rain droplets as it passed over my headlight.  The road was still clear though and although it was hard to see, its surface was still good.  The animals that would normally concern me at this time of night were a distant memory to me now. The road stayed like this for what seemed to be another two or three miles, while it trapped me in its continuing time warp of what I still had to overcome.

It then turned sharply right, and I heard a loud ‘wail’ from inside the bike’s motor.  My heart immediately started racing as I thought to myself, ‘What a place to have the engine break down.’  It only took a few more seconds though to see that what I thought was engine failure was actually the tachometer revving off the scale on the dash.  The rear tire had lost traction, and in an involuntary and automated response I had given it more throttle to maintain my speed. I now had the engine turning at over 5000 r.p.m.’s in an attempt to get the rear tire to again make contact with the road.  Slowing my speed helped a little, but I was now down to 10 MPH, and it was barely fast enough to allow me to continue my ascent without the rear tire spinning again.

                                  I Could Still Turn Around And Go Back    

I was now at an elevation above 8,000 ft, and it was here that I had to make my last decision.  I could still turn around and go back.

While the road surface was only semi-good, I could turn around and head back in the direction from which I had just come.  I could go back safely, but to what and to whom? I knew my spirit and my heart would not go with me, both choosing to stay on this hill tonight regardless of the cost.  “If I turn around and go back, my fear is that in my lack of commitment, I will lose both of them forever. The mountain will have then claimed what my soul cannot afford to lose.”  I looked away from Red Lodge for the last time, and once again my eyes were pointed toward the mountain’s top.

It was three more miles to the summit based on my best estimation.

From there it would be all down hill.  The fear grew deeper inside of me that the descent would be even more treacherous as I crested the top and pushed on to the mountain town of Cooke City below.  Cooke City and Red Lodge were both in Montana, but the crest of this mountain was in Wyoming, and it looked down on both towns as if to say … ‘All passage comes only through me.’      

This time I did not stop and look over my shoulder. Instead, I said a short prayer to the gods that protect and watch over this place and asked for only one dispensation — and just one pass through the dark.  My back wheel continued to spin but then somehow it would always regain traction, and I continued to pray as I slowly approached the top.  

As I arrived at the summit, the road flattened out, but the cloud cover grew even more dense with visibility now falling to less than ten feet.  I now couldn’t see past my front fender, as the light from my headlamp bounced off the water particles with most of its illumination reflected back onto me and not on the road ahead.

In conditions like this it is very hard to maintain equilibrium and balance. Balance is the most essential component of any two-wheeled form of travel. Without at least two fixed reference points, it’s hard to stay straight upright and vertical.  I’ve only experienced this once before when going through a mountain tunnel whose lights had been turned off. When you can’t see the road beneath you, your inner sense of stability becomes compromised, and it’s easier than you might think to get off track and crash.

This situation has caused many motorcyclists to fall over while seemingly doing nothing wrong. It creates a strange combination of panic and vertigo and is not something you would ever want to experience or deal with on even a dry road at sea level.  On an icy road at this elevation however, it could spell the end of everything!

My cure for this has always been to put both feet down and literally drag them on top of the road surface below. This allows my legs to act as two tripods, warning me of when the bike is leaning either too far to the left or to the right.  It’s also dangerous. If either leg comes in contact with something on the road or gets hung up, it could cause the very thing it’s trying to avoid. I’ve actually run over my own foot with the rear wheel and it’s not something you want to do twice.

                     Often Causing What It’s Trying To Avoid

At the top of the pass, the road is flat for at least a mile and gently twists and turns from left to right.  It is a giant plateau,10,000 feet above sea level. The mountain then starts to descend westward as it delivers its melting snow and rain to the Western States. Through mighty rivers, it carries its drainage to the Pacific Ocean far beyond.  As I got to the end of its level plain, a passing thought entered my consciousness.  With the temperature here at the top having risen a little, and only just below freezing, my Kevlar foul-weather gear would probably allow me to survive the night.  On this mountaintop, there is a lot of open space to get off the road, if I could then only find a place to get out of the wind.  

I let that thought exit my mind as quickly as it entered. The bike was easily handling the flat icy areas, and I knew that the both of us wanted to push on.  I tried to use my cell phone at the top to call Mitch at home.  I was sure that by now he would be sitting by the fire and drinking something warm.  This is something I should have done before I made the final decision to leave.  I didn’t, because I was sure he would have tried to talk me out of it, or worse, have forbidden me to go. This was well within his right and purview as the Superintendent of all who passed over this mountain.

My phone didn’t work!  This was strange because it had worked from the top last spring when I called my family and also sent cell-phone pictures from the great mountain’s summit.  I actually placed three calls from the top that day, two to Pennsylvania and one to suburban Boston.

                                         But Not Tonight!

As I started my descent down the western *****, I knew it would be in first gear only.  In first gear the engine would act as a brake or limiter affecting my speed, hopefully without causing my back tire to lose traction and break loose. With almost zero visibility, and both feet down and dragging in the wet snow and ice, I struggled to stay in the middle of the road.  It had been over an hour since leaving Red Lodge, and I still had seen no other travelers going either East or West. I had seen no animals either, and tonight I was at least thankful for that.

The drop off to my right (North) was several thousand feet straight down to the valley below and usually visible even at night when not covered in such cloud and mist.  To my left was the mountain’s face interspersed with open areas which also dropped several thousands of feet to the southern valley below.  Everything was uncertain as I left the summit, and any clear scenery had disappeared in the clouds. What was certain though was my death if I got too close to the edge and was unable to recover and get back on the road.

There were guardrails along many of the turns and that helped, because it told me that the direction of the road was changing.  In the straight flat areas however it was open on both sides with nothing but a several thousand-foot fall into the oblivion below.

Twice I ran over onto the apron and felt my foot lose contact with the road surface meaning I was at the very edge and within two feet of my doom.  Twice, I was sure that my time on this earth had ended, and that I was headed for a different and hopefully better place. Twice, I counter steered the bike to the left and both feet regained contact with the road as the front tire weaved back and forth with only the back tire digging in and allowing me to stay straight up.

As I continued my descent, I noticed something strange and peculiar.  After a minute or two it felt like I was going faster than you could ever go in first gear.  It took only another instant to realize what was happening.  The traction to the rear tire was gone, and my bike and I were now sliding down the Western ***** of Beartooth pass.  The weight of the bike and myself, combined with the gravity of the mountain’s descent, was causing us to go faster than we could ever go by gearing alone.  Trying to go straight seemed like my only option as the bike felt like it had lost any ability to control where it was going.  This was the next to last thing I could have feared happening on this hill.

The thing I feared most was having to use either the front or rear brakes in a situation like this.  That would only ensure that the bike would go out of control totally, causing the rear wheel to come around broadside and result in the bike falling over on its opposite side. Not good!  Not good at all!

Thoughts of sliding off the side of the mountain and into the canyons below started running through my mind.  Either falling off the mountain or being trapped under the bike while waiting for the next semi-truck to run over me as it crossed the summit in the darkened fog was not something I welcomed. Like I said before, not good, not good at all!

My mind flashed back to when I was a kid and how fast it seemed we were going when sledding down the hill in front of the local hospital.  I also remembered my disappointment when one of the fathers told me that although it seemed fast, we were really only going about ten or fifteen miles an hour.  I wondered to myself how fast the bike was really going now, as it slid down this tallest of all Montana mountains? It seemed very, very fast.  I reminded myself over and over, to keep my feet down and my hand off the brakes.

If I was going to crash, I was going to try and do it in the middle of the road. Wherever that was now though, I couldn’t be sure.  It was finally the time to find out what I had really learned after riding a motorcycle for over forty years.  I hoped and prayed that what I had learned in those many years of riding would tonight be enough.

As we continued down, the road had many more sharp turns, swerving from right to left and then back right again.  Many times, I was right at the edge of my strength. My legs battled to keep the bike upright, as I fought it as it wanted to lean deeper into the turns.  I almost thought I had the knack of all this down, when I instantaneously came out of the cloud.  I couldn’t believe, and more accurately didn’t want to believe, what I was seeing less than a half mile ahead.

The road in front of me was totally covered in black ice.  Black ice look’s almost like cinders at night and can sometimes deceive you into thinking it holds traction when exactly the opposite is true. This trail of black ice led a half mile down the mountain to where it looked like it ended under a guardrail at the end.  What I thought was the end was actually a switchback turn of at least 120 degrees.

It turned sharply to the right before going completely out of my sight into the descending blackness up ahead.

My options now seemed pretty straightforward while bleak.  I could lay the bike down and hope the guard rail would stop us before cascading off the mountain, or I could try to ride it out with the chances of making it slim at best.  I tried digging my feet into the black ice as brakes, as a kid would do on a soapbox car, but it did no good.  The bike kept pummeling toward the guardrail, and I was sure I was now going faster than ever.  As my feet kept bouncing off the ice, it caused the bike to wobble in the middle of its slide. This was now the last thing I needed as I struggled not to fall.

As I got close to the guardrail, and where the road turned sharply to the right, I felt like I was going 100 miles an hour.  I was now out of the cloud and even in the diffused moonlight I could see clearly both sides of the road.  With some visibility I could now try and stay in the middle, as my bike and I headed towards the guardrail not more than 500 feet ahead.  The valley’s below to the North and South were still thousands of feet below me, and I knew when I tried to make the turn that there would be no guardrail to protect me from going off the opposite right, or Northern side.

                   Time Was Running Out, And A Choice Had To Be Made

The choices ran before my eyes one more time — to be trapped under a guardrail or to run off a mountain into a several thousand foot abyss.  But then all at once my soul screamed NO, and that I did have one more choice … I could decide to just make it. I would try by ‘force of will’ to make it around that blind turn.  I became reborn once again in the faith of my new decision not to go down, and I visually saw myself coming out the other side in my mind’s eye.

                                        I Will Make That Turn

I remembered during this moment of epiphany what a great motorcycle racer named **** Mann had said over forty years ago.  

**** said “When you find yourself in trouble, and in situations like this, the bike is normally smarter than you are.  Don’t try and muscle or overpower the motorcycle.  It’s basically a gyroscope and wants to stay upright.  Listen to what the bike is telling you and go with that. It’s your best chance of survival, and in more cases than not, you’ll come out OK.”  With ****’s words fresh and breathing inside of me, I entered the right-hand turn.

As I slowly leaned the bike over to the right, I could feel the rear tire break loose and start to come around.  As it did, I let the handlebars point the front tire in the same direction as the rear tire was coming.  We were now doing what flat track motorcycle racers do in a turn — a controlled slide! With the handlebars totally pressed against the left side of the tank, the bike was fully ‘locked up’ and sliding with no traction to the right.  The only control I had was the angle I would allow the bike to lean over,which was controlled by my upper body and my right leg sliding below me on the road.

Miraculously, the bike slid from the right side of the turn to the left.  It wasn’t until I was on the left apron that the back tire bit into the soft snow and regained enough traction to set me upright. I was not more than three feet from the now open edge leading to a certain drop thousands of feet below.  The traction in the soft snow ****** the bike back upright and had me now pointed in a straight line diagonally back across the road.  Fighting the tendency to grab the brakes, I sat upright again and counter steered to the left. Just before running off the right apron, I was able to get the bike turned and headed once again straight down the mountain.  It was at this time that I took my first deep breath.

In two hundred more yards the ice disappeared, and I could see the lights of Cooke City shining ten miles out in the distance. The road was partially dry when I saw the sign welcoming me to this most unique of all Montana towns.  To commemorate what had just happened, I was compelled to stop and look back just one more time.  I put the kickstand down and got off the bike.  For a long minute I looked back up at the mountain. It was still almost totally hidden in the cloud that I had just come through.  I wondered to myself if any other motorcyclists had done what I had just done tonight — and survived.  I knew the stories of the many that had run off the mountain and were now just statistics in the Forest Service’s logbook, but I still wondered about those others who may had made it and where their stories would rank with mine.

I looked up for the last time and said thank you, knowing that the mountain offered neither forgiveness nor blame, and what I had done tonight was of my own choosing. Luck and whatever riding ability I possessed were what had seen me through. But was it just that, or was it something else? Was it something beyond my power to choose, and something still beyond my power to understand?  If the answer is yes, I hope it stays that way.  Until on a night like tonight, some distant mountain high above some future valley, finally claims me as its own.

                     Was Crossing Tonight Beyond My Power To Choose?

After I parked the bike in front of the Super 8 in Cooke City, I walked into the lobby and the desk clerk greeted me. “Mr Behm,

it’s good to see you again, I’m glad we were able to reach you with that second phone call.  We received a cancellation just before nine, and the only room we had left became available for the night.”

I have heard the calling in many voices and in many forms.  Tonight, it told me that my place was to be in Cooke City and my time in Red Lodge had come to an end.  Some may need more or better reasons to cross their mountain in the dark, but for me, the only thing necessary was for it to call.

                                               …  Until It Calls Again





Gardiner Montana- May, 1996
Seán Mac Falls Aug 2014
Grand old mountain,
Bearded in cloud  .  .  .
Rushmore to the Gods.
Payton Hayes Mar 2021
He comes, she goes, no one every really sticks around much.
It rains, the sun bares its face, the clouds come back to steal it’s thunder.
Nothing is ever set in stone
Well, except for maybe human bones and Founding Fathers.

This is a poem I quickly threw together after I heard the line “Since when did my apartment become your watering hole of choice?” —Dan Humphery, Gossip Girl, S2:E22, 21:45-21:40. The last two lines are a play on Mount Rushmore and the setting, Founding Fathers, a bar that often appears in the hit TV Drama, Bones. In the show, Dr. Temperance Brennan, Agent Booth, and their friends often meet at FF for drinks after work. The poem is basically saying, “Nothing is certain, except alcohol and my favorite watering hole.”
This poem was written in 2020.
Mateuš Conrad Nov 2016
hard to play the idiot; likened to Mr. Bean
taking the role from
            Angus Daily into a Blackadder
   hurrah who? ha, ha, ha!
        my eyes never
left me baffled - or washington prone:
*** to a stirrup - furthermore,
  or Rushmore:
Atilla with an entourage
worthy of Genghis: of prone gravitas -
i too santa's little helper
and sinatra's
five p.m. flamingo strut's
worth of martini -
when said slavic eye then lessened
germanic white-boy fisheyed to boot...
i mean less binocular and more concentrate...
      but
there's me as a fifth of Nevada in Siberia
that's always the: ****! we sold Alaska!
Nicolai! oh Nicolai! Alaska! ****! or
  of what was the Crimea, of what is the Kremlin:
k, c, k, c, s, c, k, c, k, c, Vlad, s, t, u, v, k, c, s,
Rasputin, k, c, k, c, Boney M....
i'm still fidgety about the third ethnicity in
europe... i have to gather them attune to being
southern slav, or pseudo-turkish,
Finns, Latvians and Greeks... sounds like
falafel: all guidance to the subsequent reprimands
of necessarily tongue-tied whiplash -
gravitas with the kink and jeopardy of a gimp
fetish on the loose.
Renée May 2020
i say i miss you more
i see your face all etched
into my mind like mount rushmore
i say i miss you more but maybe
i've been missing my hometown or
the way i felt my cheeks flush pink
from sun i soaked in on the shore
i miss the heat, i miss the warmth
i miss the pretty things i wore
you noticed them,
i noticed more
i'm sorry i never talked to you
i wish i understood it for
myself
SøułSurvivør Aug 2016
~~<♢>~~

i wrote a poem
in a book
and left it in the rain
a masterpiece
to say the least
now nothing but a stain

i crossed the
Himalayas
went to the farthest shore
wrote by hand
upon the sand
it's not there anymore

i found a piece of granite
of Mt Rushmore size
broke 2 hammers
and a chisel
carving only lies
o'r the years i prized it
thought it was just grand
but with the wind
erosion
will turn it into sand


but there is a tablet
that's been there from the start
don't find it odd
i write of God

He's written on my

HEART!



SoulSurvivor
(C) 8/15/2016
When you write of God you write with indelible ink!

Thanks to Bill Hughes
and his poem "SomeDays"
For the inspiration ♡
Steve Page Jan 2017
Deep purple rainbows ground
Through my isolation
Their road-show resonating
And shaking my status quo haven
Singing rivals' swan song
Building a Rushmore-strong
More resilient rock song
Taking me on to the next page
As I was swept along
And came of age
Relishing my discovery
Of a wider stage
With so much more
Than three-cord monotony.
70s rock is where my heart is.
Sukanya Basu Nov 2012
Hurrying...pacing fast the time...
Can you hear my beats..its so **** loud!
What my time would be of value..
Standing on the mount of death....
****** **** me...beat me with a cane!
Do something, just don't leave me insane!
Cops crowding my doorway to listen to some ****!
Nothing, just those insominate fools!
I have also been through dark alleys
And the dead bodies have also been carried..
But have i cut my neck and fed it to the birds?
Trust me, this world is an opportunity not a curse!
Maybe you'll not be in a mt. Rushmore head
But yes...you'll get 10% of it...
To make your parents proud
With sweat and blood they cried out loud!
Just not to see you in the mount of death....
Just take a step ahed.......black.
Darby Rose Jan 2014
I want my chance.
I wanted to bask in the sunlight with nothing but your company; I do not seek any more than your being.
I want you to see me shine, to thrive in my comfort zone, and soar outside of it; I want to quit the chit chat, I despise small talk.
I love long walks, and you would have never even known.
I don’t want to be looked right through, like my glasses reflect you and your choices and our voices fade into our own minds and neither one of us can conjure up a way to unwind and speak of our passions, our inspirations, our fears, and not just simple the weather.
Could it really hurt to test the waters? I am sick of questioning myself; am I trying to hard? Just give me a way to measure the depth of your interest, have we sparked a match, or do see me as this cesspool of unwarranted emotions and insecurities? Because I look at you and see so many purities, but I see the uncertainty as well. Yet, I still can’t get a read on what it is behind your shell.
Show me bits and pieces of yourself, and I swear I am willing to try and piece it together, but you’re giving me nothing but pieces of alternating puzzles - yeah, I have put together an entire cloud, but this, over here, looks like the ocean and this, this is definitely part of Mount Rushmore, and I’ve no ******* clue as to where any of those pieces connect.
I don’t know why I set myself up for such failure. I want to know you, but the mystery is your primary allure. I want to know what is beneath your trademarks, the dark parts of your eyes, your evident demise, but at the same time, I am terrified. I don’t think it could shock me, I can work with outrageous. But, I don’t think I could handle finding out you were mundane; a bourgeois creature.
Alas, I am stuck in this loop, of wanting all of you, but at the same time, none of you. Tell me, how does one keep a mysterious persona?
Carla Michelle Nov 2013
Down,
down at the bottom
of that pit less
***** you call
your stomach
you all have
taken
or
thought
about the mere fact
that there's
one thing
in the soulless
trench whom we've
named Earth
which controls our
"meaningless lives."

A piece of ******* paper.
That kind of off-forest green,
torn up, and passed around
slice of priceless paper.
A tree in the form of a
rectangle shocks our eyes
with ******, vengeful
appeal every single day
of our withering lives.
Could it be the
face that we've
memorized off of
Mount Rushmore
that makes us
believe for even a second
that our taste could possibly
be a bit more
lavish.

**A piece of ******* paper.
jeffrey conyers Nov 2012
It could be in your dreams.
It could be within the car.
When the mood attacks.
Just look out for the cabs.

It could be in the park.
It could be in the den.
When the mood attacks.
You'll be adventurous.

You awake up with that message of wants.
And that need to be fulfill.
When the mood comes on.

It's better too.
When partner is turned on.

Phones goes ringing.
Doors goes unanswered when you hear knocking.
Even when the cars are parked out side.
Unless someone has a key.
Then they ruin everything.

In the mood for love makes you know you're in for exploring.
You'll be like a climber trying to reach Mount Rushmore.
Mateuš Conrad Jan 2016
and i'm the dumb one that said
you weren't dumb
and you were the intelligent
one that said hello,
may as well enjoy the rocky
mountains with mt. rushmore
shave; to keep it all under wraps
of a hollywood movie that
never made it from scripts.
yeah you asked to be treated as dumb,
and i asked to be treated as a wizard,
evidently both of us became middle class
debates on parenting:
white man's neck muscles became
black girl's hypnotic celluloid hip arsenal,
and i faked a combo of each in comparison:
while rolling a wine barrel
up a steep hill for a laughing horse
in exchange for three magic kidneys
that were categorised
as baked bean & ******, oh lawd the giant
came from the heights,
with the magic goose ******* out golden
swastikas rather than eggs of date printed 1933,
holocaust unknown khaki shirts prior the schwarzhemd
recycled for marble marrow statues,
like gold carat plating of statues with beneath
only cheap metal... but then the atomic authenticity
measuring cylinder in u-turn to provoke
such animate extension into theory of inanimate things
that animate things provoked inanimate things to ask
whether the one promise be worth blind acceptance
or eyed destruction via logic itemising in coupling
of two base words - after all neither psyche or logic are
acidic words... they're base words... but coupling two
base words leaves an aftermath of acidic reactionaries
more prone than the singleton word **** that's acidic.
abby Dec 2014
my heart was a monotonous beeping
a soft old grandfather clock,
background noise at dinner parties
and a focal point for insomniacs
it droned on, neither increasing or decreasing,
neither rising or falling,
a steady beat of a steel drum on a hot summer night

i moved an inch closer to you

my heart was a ticking time bomb,
still steady as clockwork
but adding drama to the movie screen
it was stippling and a connect-the-dot photo of a sailboat
if you wired me up to a machine,
the line of my heart would be a steadily increasing mountain,
closer and closer to the destination
which is you

three inches closer

my heart was alla turca on piano
and impressionist paint strokes
it was dashed-dotted-dashed-dashed
it was swift like wind and current
it was nearly hummingbird wing
nearly death defying

you are two inches away

my heart has broken metronomes,
the tempo reached over five hundred
and chatter flooded into it
speaking words so fast
it sounds like a language from another planet
sometimes i wonder if my heart is really like mount rushmore
but it's not the head of founding fathers carved into the side
but the way you look when you look at me

you are here, i am here

the love i feel for you is plotted out on graph paper covering my floors but it keeps running off the page and i don't have enough paper

*(a.m.c.)
James Jul 2020
(He)I’ll free Buchenwald and Belsen eventually
Or maybe (I)He’ll lie here
Morose as the faces on Mount Rushmore        
For the first time I(He) recognized a universal neural network
A reserved self programming, algorithmic logic to all things
(I)He grinned, an intelligent uniqueness programmed
An open circuit on a yin line
Nothing is true, everything is permissible
A Closed circuit on a yang line
I(He) re-enters the cafeteria naked and hungry
(I’m)He’s closing in on the Illuminati
I Ching hexagram closes on a yang line
Eyes that cut into the granite of his face,
not a hair out of place.

walk this way to the end of the day
take five for a smoke
a joke

the tales we tell
and
sell me the contents of your leather valise.

knife crime?

loved ones
can't wake 'em
when they're taken,

a lifetime
undelivered.
Mateuš Conrad Oct 2015
the donkey-drawn cart etches the night with the remnants of a forgotten soberness, and for all those 1930s american sensibilities that spawned al capone and many more pharmacists of lost names more associated with mt. everest and mt. rushmore - a siamese of both heavy baritone drone song and a lotus dance on the windowsill emerges to illuminate over the cloudy night, so at least one fallen star might strike flint-on-flint with this coal heart; but on a sober note, if whiskey tangles words, let the same whiskey allow the orca thought to exhaust the use of words and make entry into the tomb of sleep more pleasant.*

it was shiva on the windowsill bopping along to
the evolution of classical music:
not much drumming in beethoven, is there?
no wonder modern music took to excess drumming
to the point of shunning the winds and the galloping horses
captured with the lazy swing.
but the best beer i ever drank was - franziskaner weissbier...
i tasted a melody of vanilla in it,
then i downed a bottle of whiskey, and as rich girls
selling advice said: alcoholic men are unavailable...
em... we are... but to cats...
i can get the she cat’s attention in her cushion in the corridor
to walk up to me while i walk down the stairs and
when descending start to wear an imaginary niqab,
she then decides to prance along to my twitchy eye comedy
and the stroke...
we’re available alright... but not for self-help therapy sessions
of two rich girls trying to aim at a powerless caesar with
fear of virtue and criticism - i’d allow your disciples to learn
the same mistakes as you before selling them advice
elephant in heels lawson and rayner - i have a french attitude to death...
ah crap **** crème brûlée (è eats the last e.... crem... and û = oo, like
drool - two point connectivity in the u like i dotted to an i to double up,
and the remaining e is missing, added for annoyance when the
é stresses the bull charge) - when will i regain my body without your subjects?!
tomorrow? golf help me, eagle ahoy!
let them the same freedom you had and **** up,
don’t let them **** up with your advice... at £500 a piece that’s
too much of life wasted... let them **** up as you did and stop giving advice
as a business model for you to **** up some more!
out of the two? persia lawson i’d do blindfolded with her mighty thighs.

p.s. as nietzsche suggested, we will only continue our belief in god if this parallels our belief in grammar, and since i've taken advice to do the opposite and bypass the twinned trajectory of god & grammar (=) having instigated my own presence and prevalence to understand these insignia (≠), i de-categorised several words, leaving each use of a word to float in ambiguity where obvious, although by stating this i also managed to conspire against another thing nietzsche said: a thinker who tells us what is thought and the manner in which it is thought? what a *******! well, my redemption comes from the fact that nietzsche prevailed in a belief in grammar to the extent that his writings are aware of linear limitations of an aphoristic narrative, not the geometric complications spinoza favoured.
Beth Decisions May 2015
You had me at "Hey"
You had me at "Do dolphins get dizzy?"
You had me at "I wanna be a whale"
You had me at "Cyborgs in Mt. Rushmore."
You had me with every joke.
You had me at out first phone call.
You had me at first sight.
I was always yours.
I don't know why I let you in like I did.
You lighted up my whole world.
Then you let me shatter back into the darkness.
But you always had me at hello.
I will always think of you and all the butterflies with every mailbox I pass.

Goodbye.
I'm missing you so much, I'll see you die tonight
Just so I can get to you before the sun will rise
I know the signs are on and I feel this too
None of that ever seems to matter when I'm holding you

And I'm wasting away, away from you
And I'm wasting away, away from you

What have I gotten into this time around
I know that I had sworn I'd never trust
anyone again but I didn't have to

You had me at hello.

I've never seen a smile that can light the room like yours
It's simply radiant, I feel more with everyday that goes by
I watch the clock to make my timing just right

Would it be okay?
Would it be okay if I took your breath away?

And I'm wasting away, away from you.
And I'm wasting away, away from you.

What have I gotten into this time around
I know that I had sworn I'd never trust
anyone again but I didn't have to
You had me at hello

You gave me butterflies at the mailbox (you had me at hello)
You gave me butterflies at the mailbox (you had me at hello)
You gave me butterflies at the mailbox (you had me at hello)
You gave me butterflies at the mailbox (you had me at hello)

You gave me butterflies (you are so cute)
at the mailbox (you had me at hello)
[x4]

What have I gotten into this time around
I know that I had sworn I'd never trust
anyone again but I didn't have to
You had me at hello
You had me at hello
You had me at hello
-A Day to Remember
Terry Jordan May 2018
She knows exactly how the world works
Shares her well-read cynical voice
She wishes for miracles coming
Not believing our leader’s choice

She’s longing for Swords into Ploughshares
All words of war she cannot bear
Doesn’t trust The United Nations
Declares we haven’t got a prayer

The world’s Toolbox of Diplomacy
Lets foxes design the henhouse
She knows the top 3 richest people
Have more than HALF of everyone else

She shows how to make her life richer
Not relying on someone else
Has no sentimental view of life
Fully acquainted with herself

Challenging ANYONE’S opinion
Firing people up with the facts
She predicts trump’ll be on Mount Rushmore
His Nobel Peace Prize on his back
My best friend cannot be pigeon-holed politically, but aggravates me with her cynicism, that nothing can change.  I say HUH!
Devon Brock Aug 2019
Oh ye slaveholders,
hesitant emancipators
and empire builders run manifest -
time will have its way.

Grain by grain,
nose by nose,
eye by eye,
you will return to stone - inpressed.

A monumental hypocrisy
blown into a mountain
will no longer preside
over ponderosa pine
and in that place, once corrupted,
the granites will prove this vanity.

In another age, perhaps
some distant race, chiselled, inflected
but unknowing shall squint upon these
weathered myths and wonder,

as we look upon the Sphinx
and so wonder -
why these haunches,
why this withered broken face,
staring blankly into sand.
Julian Aug 2020
“The Revenant”(Ghost Song Inspiration)
Awake yearning Asleep
Barnacles of riveted keel ajar with wonder keepsakes to sweep
Traipsing the moonlit path between equidistant insanities
Billowing fumes of rage fulgurant in the vogue modality
Whispering 9 Billion hymns to an immemorial cemetery
Silenced by shattered quakes rumbling in the deep forest
Imagined long ago yet again…
Surfing the few fragile crestfallen waves Tighter Nooses in tsunamis on Portugal in the eleventh month hanging ten
Fragile swoons of kenspeckel verbatim echoed in hallowed halls of evening Diaspora gilded in excellence
Limit is no boundary to the timeless clock of tilted tendencies towards barbed decadence
Revelry is no artifact tethered to a patibulary pole folded in the pokerish sneakthievery of triumphant owl’s night
We laugh like soft mad children waxing the candlelit vigil of barren Beirut struck down with ultrageous fright
Cackling as misfortune trespasses are shot on sight
That The Remedy asphyxiates National Anthem hues
Slippery in the crevasse of caffeinated daydream sues
Toasting butter cretaceous with wonder a lapse of sentience is its ultimate blunder of 1015 Rooz
Because the tottering paragon overlooks his habitable tomb
Bequeathed in Nero’s fright askew for the itching view
Spawned instants of thunderous applause serenade the weaning night littered with dancing fragments of illusion
Time is no object to objective dimples on Helicopter dime
Swank is no subject because the predevoted pause owes all to cadence of currency in the heyday of sublime
Long-winded but curt
Outskirts to every vacant and inhabited skirt suburban to muses crooning with antiquity destitute with forbidden flirt
Livid with indignation over fallen hands outstretched to unheralded bands
Simpering with scalded water of tattered whisper of the nauclatic heralds of sunrise over moonlight land
Effort is no music without tragedian Shakespearean rebuke
Taylor’s stop-and-go with flashlight frisk a Pharaohs’ Zion too much of a Fluke
Greco-Roman travesty blinks with scary flicker in an alpenglow Apollon stained-glass window summit
Dirges always precede precipitate glamour aflame with spectral filibustered blight and plummet
besieged by fallen wonders
Sunken by echoes of consequence in Heavy Metal Thunder
Glimpsing the Revenant of a future tango with backwards sentinels of séance
Grief overtakes the rejuvenated sunlit hike
Hitched by Horses with No Name Painless by harnessed spike
Of a Roadhouse Blues not Red enough for the Scarlet Letter Hues of Bill the Butcher White with Tweed nullifying his diacopes of spite
Cadence peerless paling to mirrored reflection of recapitulated mated soul
Limpid nexility that ghosts flex with reflective Jazzy soul
Jailhouse rocking Malone swerves with jaunt
Easy to dance easier to flaunt
Dastardly darts four score and seven jerseys ago
The seamstress of violence alacrity to sow
Vindication belonging to orphaned asylum 44th
A King lost too soon because of masons coming fourth
Degrees of Solomon rustling through A Biff’s Palace
Jimpster hitman an Akabu of hustled alarm pegged to wild shadows dancing a delicate filigree of spawn and spark
To the plug anointed by tethered Cable Guy treason
Few vigilantes of Batman’s caliber yet to reason
In the Revenant’s wake of fallen timbers of Sunset Strip
Reapers prowl with the tide of Bruno Mars RIP
That he sprawls in survival a hat too generous to tip
Uptown Chelsea in uproar as auditoriums fill with hedged victims of sense and sensibility etched in Gore
Lone Pine Mall stranded by conflagration of bulletproof lore
Clowns dedicate independence while crowns croon ***** repentance
For a forlorn starvation of cities of jackals sailed to sentence
Dripping with a faucet of ghostly haunts
Kapstone Paper in Kansas verging on misery wants  
Yet Bleeding American with French-British hues
The world’s lovelorn starlet yet too swollen to amuse
Stark travesty in fatuous emoluments to Walter White vanity
A current streak unbeaten because of realism in Virtual Insanity
A Joker’s Gamboled revenge skittish in sketchy chalkboards of ossified prestige
Left to the milk carton missing is yet another Abandoned Pools squeeze
The Young Robot scared to Fly-by-Night in the pathway of terminal poignant disease
A punitive prison worthy of the cackles of Dinosaurs besieged by Mr. Freeze
Folksy natatoriums agape with bathhouse squalor
Every hierodule a ******* to the witwanton bottom dollar
For the buggery of a Titanic warning towering ever taller
Stilted Wilts 50 a game warbles without Chinese glowers of Silk Road Silk
An albatross of agrarian hubris is how Ping-Pong Champions were eventually built
Hollywood’s grotto a despairing bravado
Of a masonry skyscraping a surpassed entelechy of a half-known tomorrow
Escape malingering and dare to dream
Listless maneuvers of space a hipster jam of the rollicking heyday of a fortress of a team
That I brandish with pride and retrospective snide
How perjury Underoath is a much better bribe
Air Force pride against Scorched Earth fallow because of a wayward bride
The Spectrum of Casper is galloping in deceitful degrees of a piety too wide
Swayed by Swayze pretended or lazy
The whole world in centration glistens with the fashionable crazy
Electromagnetic Detroit a rumpus for Notorious donnybrooks of a Gretchen cloaked too tight for Avalanche brawls cemented in burgundy and white
Industrial locomotives bulldozing Buffaloes of a Boulder fraternity too leaky to always be right
Scattered on Dawn’s Highway Bleeding crowded by a sing-song peril by design
That deference is reference to rappers glistening in surrealism ripe and prime marveling at the Ace of Military Base’s glaring Sign
Lethal Killers on patrol roaming Earthquake plodded land
Count the number of hairs of vitriol in silicon purebred amicable handfuls of wafting sand
Drifting in Mescaline ends at the periphery of Desert Movies Goldmines for Choosing
The Native American Jabberwocky or Mulder’s Father’s dying musing neither of which is favorable to boozing
The Brown doctor disfavored by armed aristocrats is always alive and rarely unbuttoned when snoozing
Flynn torches bemuse the tattered knight
Presumptuous Arthur is only on the quorum when consentience of accord is proven right by both deed and prescient light
Hardly a sidesplitter for a curveball time
California Love is plastered with rivalries of NorCal grime
Of the greatest Banana Slug Fiction flagrant with Quinntessential clairvoyance of a deceased 60’s crime
A dead queer lollygag belonging to the advice of a Pearl Jam Jeremy’s erasure of snares of beleaguered blasphemous chyme
Nonlinear spurts fielded by stolen bases of paralyzed rebuffs rather curt
A rapper worthy of the stage rarely an actor beyond a churlish vendetta hurt
Yet I dazzle the lingerie of even the most guarded skirt
The kiln of machination is a wedding of guarded betrayals of Monster Mash extortion
Alexisonfire a harbinger to the world’s belabored victory over corrugated striptease contortion
Thursday is a miraculous noise of shattered glass
Inertia knows ventriloquial varnish of shattered bones and tempted blood dripping in crematorium ash
Yet I survive with a Jive walk and a sardonic wagtail flock
Of the best patronage of cognoscenti shockwaves of bonanza stocks stalked like a swarpollock locket invisible to Tik Tok
I’m the best hip-hop in the game beyond the treachery of retreads of psychobabble inane
I strut like magic belonging to the sanitorium of the edgy swank of modest profane
Granite defected is my cement planet infesting the game like Boardwalks on the revived Titanic
Aliens headbash the gamut of my spangled manic
Ghost Ridin’ Raiders of the Lost Arc leads to hysterical panic
Indiana laughs at Elway’s squirrel because he bolted Baltimore with a baseball pretense for a sexier girl
When the rigmarole of genius aligns infamy bails out the oyster aphrodisiac of a Heart of the Ocean pearl
Time is a self-referential quisling of a monarchy built of subtle curling
A bored sport dazzling with scintillation in recursive zeal unfurling
A Canada Dry livid stargazer dozes on Oiler comets meteoric as hydroponics
**** quaffs the lazy lollygag rarely hooked on the righteous phonics
But no distaste to the canine game
I am well beyond the distance to the lethargy of NV in shame
Bear Bryant on Rushmore flowing high
Jetsetting across Pink Floyd’s lurid Clear Blue Skies
George trampled by Chauvinist monsters
Zuckerberg and Gates are honkies betting on bonkers loud both in Boston and in Yonkers
100 Billion of counterfeit souls sold to slot machine mannequins quite droll
Someone needs to devour their corner like a Revelations sour-tasting scroll
Tagged to apothecary mountebanks of Trey’s on repeat
A hard-won small Utah town harder than Joe Montana to beat
Bypassed hack of time Luminosity the adultress of 1693 regaled as a freakish feat
Time simpers to Spirit of Grace graven kantikoys in Seattle Graveyards blemished by dancing Creep
The Idioteque squalor of bemused negligence in a flooded Avatar Jurassic Park Jeep
I recall the St. Joseph’s brawl not with Sevendust Animosity or a squawk on short-sighted grating flag hooped with haywire lines snorted on Basketball
The marstions of plenilune filigree are 32 Leaves of RINOs of crestfallen dirges of cacophony deafened by Yachted Wedding Crashers’ squall
The swagger of a Vogue Rose kissed by Shadow Dancing ******* is livid in throes
Of a throwaway stretchgrave of Jackson’s crooning on astounding Mike Bossy Bose
Engraved with Islander epiphany that smokestack chockablocks itch every more Leary in gawsy clothes
I rampage through the filibusters of Jerusalem silt sunken by immigrants in tired tattered kilt
That the only famine known to McDonald’s is the demolition of Fireman of young Wayne Enterprises yet rigged to insuperable caverns hitched to the hilt
Soul Kitchen alphabets on Dewey Decimal design swagger yet with a Lugubrious Monkey-Silent Bob’s Feared Spinosity in Sprites of commercial Lemon-Lime
Of a dauntless Decision among many subdued by Prison that the apish caper gouges 20/20 Vision a cacophony dimpled in recessive alleles of a modern prime
That is also primacy antecedent to yoked Cartel SUV’s perfected in acerbic dungeons Monster Mash corners yet death unfurled in matchbox tinder of Futurama slime
Jet Lagged infancy of Nuclear Duff hustling the Illmatic Annoyance of BiffCO ***** riddles Uncle RICO wed boschveldt of Kansas City seen 21-30 with zeal and repine
The Bizarre Inc. of a lovelorn 96’ robbed Liberace into untimely death the spinsters of Key Auditorium Dine
Hemlock sprees of Socratic whimpers of treason of Piraeus marks the infamy of Brutus lagging with conscience diseased
That the marvel of vengeance is the plaudits of swanky New York Times rustling against dead Nevada Subways and Lusitania rollicking seas
Rage itches as Brock is capsized to Hearts of Oceans littered with Sparrow Murders of Ravens Batty with Belief
Mourning the Twister carnage of A Shining City on a Hill printed by Federal Way disclosure by Armada Music without a receipt
To the dozen graves of Monster Mash London Fog the Undeveloped Story of a balcony of Wayne Packer Million Dollar degrees
Challenged to a Final Revolution of a Fantasy terrorizing the Trafficked hand a Coca Cola seizure God spared for “Canceled” Taco Bell automotive brain freeze
Spinsters with vertigo paralyze on the hopscotch kettle of popcorn for amusement racketing squashed Colombia too many lines yet to appease
And too gaping Walls of Chauvin weaning on freckles of Comfortably Numb disease that Love Story castle is the monarchy of allusion to 19-17
Coffins for 24k Carat foresight by the antiquated architects
attacked for 2001 vengeance on Forsberg’s Spleen
Notorious by scores of tourists in aperture for Native American Casinos blankets on Red Scare forests
Apple’s chocolate-box sergeant prescience on brittle Reed Chorus
Sung by the litany of Ima memorialized by punctual Grace of the sashay of Delphinium fountain pens porous.
It's not perfect but some Rhymes are  absolutely untouchable. This is my first real attempt at Rap but with my 160+ IQ I will get more consistent!
Mateuš Conrad Jun 2016
man might suffocate under much less that expected of such concern; with such concern the least he can ascribe is worthy of an echo, or lost pedigree, or the forgotten remains.*

if bygone twice
the angel-wing,
a pigeon-****
and thrice the bowler-hat
of luck on the parade
of Trafalgar, then
my third Nelson hand
to shake a congratulation
to flick off Napoleon's
bi-corn to make a twangy
tango with four lions
rather than three
to make the shirt, and that too
was worth a kangaroo pouch
of son prior the father,
Jim prior to Timothy -
and the rest is, as they say is Lincoln
on Mt. Rushmore - thank
god i read the Marquis de Sade
too early,
to pervert myself with the French than
anticipate the English.
my first love was my father,
and the latter came, litany's oeuvre,
to which i sentenced my love
a caricature, and with each breath a loss...
what i might call a U-boat...
and that too was once a graffiti and tattoo
O days when a love for father coerces
the love for splendour - for he abandoned by both
mother and father and crucifix...
and kept idiotic chastised and chiselled...
to pigeon shape Gabriel
and crow croak Satan
and eagle aloof Raphael -
and with whatever tear to shed,
i shed..  with no eyes... blind - my tears
have wedded me to being blind.
I'm going to write I love you,
With the tide,
The ripples on my finger,
Watch me glide.

I've grown wings, fins,
Darling can't you see?
Way up here, it's what you've done to me.

I'll etch Mount Rushmore,
With your face,
Darling darling darling,
Catch my pace.

I'll blow rings with the clouds,
Loops of love,
The silver bounds.

I turn the light bulbs,
In the stars,
Make them shine,
You'll see them from Mars.

The water the sun
The earth, the flame,
All of them wild,
A love I can't tame.
sleepy poetry
Hailyn Suarez Sep 2017
Pencil tips are like
Ladies hips
Gently swaying to the music
Gliding on frosted marble,
Drinking in the purity of
Rough parchment

Pencil tips are for when
ideas form words and
words form complexity
Scratching into notebooks,
Mountain peaks,
Translating concepts into
Mount Rushmore

Pens are too forceful
Permanent
Pencils can be erased
Just like every memory stored
Within a coffee can
In a homemade time capsule

The priest said God is pure
But when he made us,
He used pencil tips,
paper thin lines
Tracing and retracing
Imperfectness is perfect he said

Japanese paintings
Created with brush strokes
Evok-ing pictures of marvelous queens,
Cowardly jesters,
Mighty kings,
Elegant ballerinas, and
Alluring princes

Pencil tips created these fantasies
Dreams
Grandiose mirages fold and unfold
On top of tissue paper bibles,
Delicate taut skin

How do words create overbearing tears,
phantom heartbreak,
Jealous ex-girlfriends,
Infidelity infested ignorant *******,
breathtaking wedding bells?

Pencil tips
Written in University at Buffalo, while visiting my boyfriend, after loosing my first draft and having to start all over again.
Jane Doe Aug 2016
Less is more.
Blood and gore.
Mount Rushmore.
Rush away from me.
Like ****** water, (what are you doing to me?)
Traveling sales men sell me his body and his bruises.
On the weekdays, when the son says he wants the world to go away.
We lock ourselves on hide away shelves and built – in beds. (washer and dryer sets)
We play house,
Less is more.

— The End —