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Mateuš Conrad Jan 2020
finding gravity on a bicycle...

surely... given that most people
don't write a ******* hemmingway...
and there's no william buckley jr.
doing the interview...
and there's no norman mailer...

and that: no one really bothers
with kierkegaard and that:
kant "famously" didn't marry starry crap...
why didn't i have kids
and start a family?
uh... dunno... mother's best lie...
or the best lie a neighbour brings
with her... whenever you're
being a 2nd witness without
the 1st witness being there...

and she says an "also" with regards
to her son having the same luck
with women...
when the comparison comes:
a koala bear versus a gorilla...
bonsai tiger!
like a koala is a ******* bear
to begin with...
cuddly soft-pouch toy-ah-thing!

but there's that great feat!
finding gravity on a bicycle...
my mother helped me with that...
and that famous fail of
a rotondo... well... more or less
a cricket ground egg shaped, oval...
or a rugby ball...
the shoulder on the salto bike
hard... rammed into a car....

as a child you were supposedly well
loved...
and this is modern poo'etry i hear about?
here's to: john sounding like johny...
will sounding like *****...
richard sounding like: **** and not richy...
it's cute... matthew... matti: finnish...
leonard is: leo oh leo...
why art we all not named: Li Lo Po!

of course everyone managed to spot
the tetragrammaton vowel catchers that's
hey'zeus! no... not the bloke strapped
to the mannequin of tailoring...
oh no... not the crucifix pendulum
"for us all"... by blood... by cross...
who is to exfoliate on the crucifix...
better than some well scouted for materials
on a mannequin canvas for tailoring
a suit?
the guilt?! oh the guilt!
well... thank god this metaphysician would
never address the material realm of
enjoying a... dabble with... wool...
when donning a suit...
or leather shoes... or any presence of suede...
beside the crucifix mannequin: replica
and pittance!

- but finding gravity on a bicycle is one thing...
finding gravity when swimming is another...
it's called gravity...
but some heretical circles call it:
balance...
after all... it is both gravity...
and balance... given that while riding
a bike... or swimming...
you're pretty much sure, assured:
to not be falling...

you can find gravity with newtonian hindsight...
of sure...
that's there... it involves the magicians orbs...
copernican mathematics and...
target practice when it comes to
propaganda spew...
and Steward... the lesser... Stew...
cousin of the house of Stuart...
not Steward... Stuart...
which is (again)...
a McKiteit and MacCoddlewit...
some Glaswegian *****-donor clinic
"miss-up" mix-it: tend to...
lounging busy... which is of course...
besides the "look"...

5 bazookas cleared for a salvo!
hip hip! burger-pound!
hip hip! boom shizzle shoom!
hip hip! hooray!
oh now we'z getz uz best
partay birth doy wishy-washy
"protagonists"!

but given the current Persian affair...
i couldn't help to notice...
love actually... the narrative...
the u.s.a. and england...
the Z-spezial re-la-tion-ship...

so... who's spastic... and who's fantastic?!
spaz: B-bristolian-esque joking...
never aside...
who's the spaz and who's the frizzy-fuss?!

spe-zial mother russia talks down
to dog Kiev: yes, it's in (the) Ukraine...
spezial iz not what iz?

h'america... kept a yorkshire terrier...
media leetches of england
firmly in its grasp...
cuz onez we woz: once -
the militia contra the crown...
of north virginia...

coz b'rah: a 79-year-old man
who lit himself on fire protesting
against russia's language policies
in the capital of the volga region
of udmurtia has died;
name? alberto raisin...
which sounds terrible in its
non-native spanish...

but there's something worth of gravity
without debating
the heliocentric model...
finding one's balance on a bicycle...
a posteriori events...
but... the same balance can be
translated into a swimming session...

my god my father tried to teach me...
if i was supposed to learn
to swim in the sea...
with the fear: of not seeing the depth?
isn't that like a thesaurus
congestion of: acrophobia?
isn't there a word in the borrowed
lexicon of the ancient greeks...
concerning... fearing to swim in a body
of water... where you can't see the bottom?
i could learn to swim in a swimming
pool... thankfuly all because and due to...
moi...

i also found gravity in water...
i could... lie in water and become...
the antithesis of: the body consists
of 90% of water...
yes sherlock watson & sons... ltd...
but in water i'm mostly fat...
if i find the right balance...
i float...
which is why swimming is a bit
like riding a bicycle...
you find: the center...
or gravity...

again... in this special "relationship"
of bruv-love...
between h'america and whittle brit-pop interlude...
oasis on the continent...
my my... blur, even...
breakfast at tiffany's back in the dough-dough-us...
who is the ******* SPASTIC?
in this "SPEZIAL" relationship?
i guess the english must be the SPEZIALS...

a bit like watching:
go-go-gonzales trip up on a spelling mistake...
which is all i care for...
like a comedia...
a deviation from the informal, later,
subject of language implementation...
and all this peacocking prior...

where else does gravity allow itself...
a presence of the multi-vector?
up and down... left and right...
it's not as easily explained as:
on a ledge... with an apple...
drop it... newton with a header!
a 1-all equalizer in stoppage time
an F.A. cup re-match!

gravity on a bicycle...
it's hardly a drop affair...
gravity in water...
it's hardly merely swimming...
there's that aspect of finding... buoyancy...
there's not need for you to swim...
to exhert so much effort...
that you might as well drown 10 meters
in after swimming the 'undred...

no buoyancy: no chinese fortune cookies...
i still don't know which is more grand...
beside the acrobatics of... olympic level
acrobatics...

it's not bound to youth via lifting weights...
or supreme mao tse tung's winter olympics
of: hunger strikes in Vinter...
the gravity bound to a bicycle...
or the gravity bound to swimming...
after all... the latter is a bit "funny"...

"levitation" and buoyancy...
the dracula soundtrack:
only because of gary oldman and the composer
wojciech kilar... and the given, current...
b.b.c. spin-off and how...
yes... it's that terrible...
i don't even know where those five-stars
came from!
the archetype of feminine romance novels?
the syphilitic lover? the "vampire"?

yes, no? two guesses as good as: nein - keiner...
and, quiet honestly...
nothing could make this exercise in:
not engaging in any of all the available
comments sections on any website...
any worse... than it already is...

it comes as no surprise that: i write this poo'ems
not because i don't write poetry...
but because i will neither write
a poem by standards reserved for
pedagogy or demagogy...
or write identifiable puzzle-bog-trots of...
language reserved for politicization:
and not for... counter-marxist...
"psychiatric" post-...
hardly modern or... "today's journalism"...
eh... pushing it toward a Beckett-clause...
concerning language that is not expected...
oh but i certainly do know
a difference between formal language
and... this... the informal language...
the cognitive extension that does not
require a "free speech" protection bias...

none of this was spoken...
it was seen...
weaved into "thinking"...
that's the difference... isn't it?
from my end of the tenniscourt "promenade"
i've heard nothing but clickick...
off this dead-end replica piano
of a qwer
asdf
zxcvbnm

unless my shadow spoke... or there was some
telepathic connection
with the schizoid "group-think" of me
sourcing my sometime odd...
cognitive-murmors of "thought"...
"hallucinations"...
so be it...

this defence of a freedom of speech...
how does that even extend into writing?
i will never know...
and to be honest? i don't want to know...
writing is an extension of thinking...
which is also an inversion of speaking...
but it's never speaking...
where's the audio on this piece?!

how about... plucking your eyes out,
after fating yourself with the
original curiosity to begin with?
sounds better: than... what still persists as...
not being, said!

this was written, it wasn't said...
this is not a transcript...
this is not a transcript...
if this is censored...
then my... "schizophrenia" is not even
my original thesis of: bogus
mono-lingual parody of bilingualism...
no need to cite **** sapiens
jurisprudence advocates...
lawyers... the thesaurus bargain barons etc.
this is... what's those words they use?
invasion of the tabernacle?
do my "auditory hallucinations" stem from...
these words...
a private investement in internet access...
again: nothing is being said!
because this is a "public arena"...
a "forum"...
and the eyes on the other side of this text...
are c.c.t.v. eyes?!
not private eyes?

what's the point of freedom of speech?
when the freedom to think:
and subsequently write... is bombarded
by being who: see via reading braille...
and read... comments likes dislikes and all
those other ratios?

writing is an extension of a freedom
to think... most people who speak freely
don't speak via a precursor script...
that's not free speech: that's scripted speech!
and just because it happens be placed
in a public "forum"...
that's the argument that this writing
is a freedom of "speech"?!
really?! i guess your average u.s. citizen
is more despotic than the *******
president... then...

again.. blah blah blah blah blah...
blah blah.... blah blah blah blah blah...
blah... blah blah... blah blah blah blah blah blah...

you'd sooner convince a parrot to sing
you a song in sparrow than call this "debate"...
evenly focused on one or neither side "winning".
Theia Gwen May 2015
People always tell you that it can get better
What they neglect to tell you is how much worse it gets
Before the better part comes
In every eating disorder novel,
You can always perfectly pinpoint the moment
The protagonists steps over the line of unwell
Into well
This whole 'recovery' deal sounded good enough at first
I get to eat Luna Bars,
I have positive quotes all over the place,
I meditate and do yoga all day,
I somehow reach the a level of Enlightenment
Usually reserved for Buddhist monks
And I don't have to live with a ******* eating disorder anymore
I bought a recovery journal
To talk back to my mental illness
But so far my depression has taken control of the pen
I bought a adult coloring book
To help me de-stress
But I still only want to color a river on my wrists a crimson color

I keep thinking there's a way to be a functional bulimic
Or even better, a functional anorectic
A way that I can be recovered and enlightened and normal
And still dissect each and every meal
As if I was dealing with something ***** and impure
Is it still recovery if I can't fight the voices in my head?
Is if still recovery if I don't even try?
Is it still recovery if I still can't look in the mirror,
want the outside to mirror the chaos inside,
crave sunken cheeks and fallen out hair
That I want to preform a vanishing act right before your eyes
See my skin cave in, bones protruding
I used to think that eating disorders were about beauty
But now I realize they're about pain
And perfection and punishment
And I had to live through it to see that

I seem to never be able to do anything right
And my eating disorder was supposed to remedy that
I was good at self destruction
I was good at sitting at dinner, sipping diet coke
Feeling oh, so superior and smiling brightly
As I said that I'd already eaten
And begged my stomach pains not to betray me then
But now I've failed at having an eating disorder
And at not having an eating disorder
And I can't live anymore in this shade of gray
Coloring everything and ruling my thoughts
I don't want to be in "recovery"
I want to be recovered
Because no one tells you
How you'll cry through every single meal
How you'll see yourself grow in the mirror and not know
What's real and what's not
No one tells you
That an eating disorder never goes away
That you'll never diet again
That trying to lose weight in recovery isn't a good idea

The worst thing about an eating disorder
Is that there is no such thing as abstinence
Recovery is not one decision
It is a decision you will have to make
Every time you find yourself looking down at a plate
And at first, you'll have to pray to the gods
For indulging in the sins of being a human
But someday, maybe someday
Those prayers will go somewhere else
I have no idea what this is. I just needed to ramble.
tell me what words are there
to articulate this savage parade
not here, not in all the Lebanons
whose crystal castles sparkle
like broken glass
on the dark horizons
at the jagged edges of the world
from which cultured minds have receded
and all humanity has been relinquished
to the barbarity of the frenzied flavours of fools
who will speak for this wild parade
without impediment to mythical protagonists
tell me where are the energised arguments
against sophisticated yet false laments
where testament is torn through
weeping cedar trees
producing the unpredictable accidental quality
that memorialises phantom caresses
that have neither been invented nor encouraged
the hallow that inaugurates
the distinctive features of
destructive energies that are both
exuberant and hard to comprehend
this parade where there is
a savage sensibility
capable of apprehending
contradictory ethical imperatives
that vouch for a mocking stream of
tragic political consequence
displayed vividly in the inextricability
of civil order and political violence
that defies exclusive claim
by casting itself as freedom warrior
in disguise as militaristic humanism
and burns the temple tree
and where human identity
becomes an elusive possession
owned by a few
who in the inevitability of ignorance
refuse to recognise their tragic error
and the world does not mount
a strenuous protest
at this headlong dash for Ephesus
where antagonistic language and
neutral expression of thought converge
and here the value of valulessness
repudiates, even in a single poetic moment
Robert Ronnow Aug 2015
Herpetologist meets actress (Cameron Diaz).
If he's funny he's me.
South America or Africa (on location).
In a diamond mind.
The protagonists (lovers), the diamonds, the miners and the minders.
By minders we mean watchers, organizers, supervisors.
As all art must: choose a focus.
The personal is political said Cameron on the night bus to Quebec.
I had never met a girl so willing to make love in public.

To what extent is violence necessary? And
is that the essential question or
should violence be accepted as man's state, fate
a more essential question existing beyond or below
peace or war. Perhaps
the religious and (for the irreligious) sacred injunction
against egregious violence exists
to still ourselves
to open ourselves
to the deeper question. That Cameron Diaz is funny and beautiful
is hopeful. And the telescope and microscope have extended
the eye's appreciation. Under the microscope
Cameron becomes a collection of foreign, alien, uncompassionate,
      selfish, self-organizing
organisms. Frightening, inexorable, fascinating
to the scientist in you!

To the telescope
vanishingly small, infinitesimal as the farthest sun
only smaller
smaller by magnitudes of magnitudes of ten
and incinerated in a nanosecond. Gone
from the movie (photographs the contents of which move
for the naked eye).
I cannot help what I do or hope.

Anyway, it's a love story
or science project, socio-political documentary. An essay.
An essay about how it is actually impossible to say what you mean
but it is possible with a lifetime of meditation and study to shut up
and know what you meant.

Now I'm deaf.
I can see Cameron Diaz but not hear her.
The guy, the herpetologist, at first colorless turns out to be
colorful as a bird or snake!
He knows a lot about snakes, and birds! Not only how they mate
but what they eat
(amateur botanist)
where they rest
what they do with their pain. Do they get depressed?
Can they have guests?
How do they judiciously employ violence to organize and defend
the nest.

The international collective remains insufficiently organized
resulting in violence and threats of violence that interrupt
commerce, procreation (love) and the pursuit of happiness (Cameron
      Diaz)
at least for certain populations, sometimes.
Otherwise, most men, most times, live in peace excepting
flood or fire God or man may
choose to impose.
I lay in my bed and listen naked.
Have a good day (Diaz).
The goddess does not exist, except as bone.

Around this time (July)
the queen yellow jacket (redcoat) searches
blind and deaf
for a ledge or cavity to build a city of her descendants
safe, that they can defend.
Most cities
prosper, undisturbed
and sleeping peacefully, overwinter. We, however,
remain active, Cameron Diaz makes winter movies or
love stories in South America, and I
delight to imagine her herpetologist. Or one who
discovers the sun
around which a habitable, understandable, compatible
orb orbs. Or
maybe the movie's about the revolution, soldiers dying defending
this dictator or that dreamer
and the movie completely failing, not even trying, to explain how
the sons and daughters of the dying soldiers (miners) feel
fishing alone, hunting for wisdom, thereafter.
Sure, these men chose violence, not Cameron Diaz, and were not
farmers, botanists or herpetologists
their tools could have been and should have been the telescope or
      microscope
but are there enough microscopes and telescopes to go around
and did we not (taxpayers, moviegoers) encourage them to
defend Cameron Diaz?

Man's world is insufficiently organized to preclude violence
in allocating resources (Cameron Diaz).
When we invade Iraq
to defend our allies and interests
with rockets and rocket throwers, Rockettes and Cameron Diaz
each man (each Diaz) must make his
own individual choice
whether this war
is worth fighting for or the next or the worst.
Go to jail, go directly to waterboard, at the hands of
your local police, chamber of commerce.
Learn how to walk the desert and the universe.
The names of rocks and planets,
that being the only answer to the hyperorganization that is a cancer on
      our insufficient organization.

I was reading Foreign Affairs
The Case Against the West by Kishore Mabubami (Cameron Diaz).
How can I relinquish my privileged position
sit still, lie naked
until what constitutes consent of the governed and non-violent change,
      Cameron Diaz,
to her herpetologist
is known.
www.ronnowpoetry.com
Emily Austin Aug 2017
To watch or not to watch.
That is the question;whether it is nobler in my mind to suffer the feels and emotions of addicting shows and yet be so in love with them.
To watch, to cry.
One more episode and only sleep will help me to end.
The heartache and the thousand cinematic shocks the writers are obsessed with.
‘tis a consuming world with everything I wish.
To watch, to cry. To cry-- perhaps too much. Ay, but it's worth it.
For, when watching these shows and knowing what feels may come, when we have shuffled off this depressing factor, we must not forget the humor that makes happiness last oh so long.
To watch characters travel the depths of space and time.
The detectives prove wrong the proud men and even the relationships and love ‘tween the main protagonists.
The insolence of the hiatus that even patient fangirls cannot take. When we go on great adventures with a hobbit and a ring. Who could bear the long wait? To punt a sweat is a weary life. To discover world's unknown from books or shows. We travellers never want to return.
Our fangirl hearts burn and even still
We would rather bear the tears we have Than live in a world where there are none.  Thus Fangirls are not cowards, not at all
Thus we are heroes so very proud
So we proudly say take flight on the enterprise with Captain Jean Luc
We bare our lights sabers alight
And lose ourselves in the action
Go we now happy as could be-- off to fangirl forever 
To be normal? Ha! Never.
I forgot I had written this, so enjoy!
Carlo C Gomez Mar 2022
~
Weddings and honeycombs.
Why do they give us the hives?
The keeper knows.

There's a buzz in the air.
It belongs to
the rudimentary happinesses:
The minor miracle of father's smile,
a morning breath of honey,
painting toy lips with
blood from mother's finger.

Deathless protagonists,
Mom and Dad,
our propolis.
They love us from afar.
They love us with what they are.

There's a buzz in the air.
There must bee!
They can't help loving
us little monsters,
who sting
and then say goodbye,
sting and say goodbye.

A linn begins to form
in the corner of their eye,
as wheat fields sway in the wind.

The innocent
and the beautiful
have no enemy, but time.

~
We have a small sculpture of Henry James on our terrace in New York City.

Nothing would surprise him.
The beast in the jungle was what he saw--
Edith Wharton's obfuscating older brother. . .

He fled the demons
of Manhattan
for fear they would devour
his inner ones
(the ones who wrote the books)
& silence the stifled screams
of his protagonists.

To Europe
like a wandering Jew--
WASP that he was--
but with the Jew's
outsider's hunger. . .

face pressed up
to the glass of ***
refusing every passion
but the passion to write
the words grew
more & more complex
& convoluted
until they utterly imprisoned him
in their fairytale brambles.

Language for me
is meant to be
a transparency,
clear water gleaming
under a covered bridge. . .
I love his spiritual sister
because she snatched clarity
from her murky history.

Tormented New Yorkers both,
but she journeyed
to the heart of light--
did he?

She took her friends on one last voyage,
through the isles of Greece
on a yacht chartered with her royalties--
a rich girl proud to be making her own money.

The light of the Middle Sea
was what she sought.
All denizens
of this demonic city caught
between pitch and black
long for the light.

But she found it
in a few of her books. . .
while Henry James
discovered
what he had probably
started with:
that beast, that jungle,
that solipsistic scream.

He did not join her
on that final cruise.
(He was on his own final cruise).
Did he want to?
I would wager yes.

I look back with love and sorrow
at them both--
dear teachers--
but she shines like Miss Liberty
to Emma Lazarus' hordes,
while he gazes within,
always, at his own
impenetrable jungle.
Ian Beckett Jun 2013
Woe is the man who revels in romance
He must hide his revelling from the world.
Never on a bus or plane or train, have you
Seen a man reading a romance novel, the
Lurid cover compelling the reader to delve
Into the protagonists embarrassment of
Embraces, between the satin sheets.
Got Guanxi May 2015
One year on....

My Nana has unfortunately passed away after a valiant fight against cancer. In this passing we have lost a lovely woman who meant the world to our whole family. Me and my cousins affectionally called her 'straight Nana' as when we were younger we were lucky to also still have our great gran around who we called 'curly Nana' this was based on the fact that Nana Pauline has Straight hair and her mother had curly hair. In all my years I've have never heard even a choice word said against her spirit or character which is truly a rare commodity in this day and age.



She lived a full life and had three amazing daughters and a step son who she raised as her own. Thirteen grandchildren one being myself and five great grandkids. Thankfully we recently all got together and she was able to see her whole family together for the first time. I could see how happy it made her that day to see the legacy she had created and more importantly that we all were in a good place before she left us for the final time.



'May the wind always be on your back and the sun always upon your face and may the winds of destiny carry you aloft to dance with the stars '



My mother was very young when she had me so the support that my Nan gave her as I grew up was vital. Without her me and my mum would of struggled but we always had a safetynet of support that we could rely on that was invaluable to us both. I know this notion is appreciated by my aunties and cousins too. We all share our own individual special memories as well as collective moments too that we will never forget. I would appreciate it so much if anybody has any memories stories that they wish to share as I know they will help us all as a family as we cope with this difficult time.




Cara: ". I once mistakingly rang there (labour club) instead of nanas house looking for mum, nana answered anyway, and passed me on to mum! Good job I got the wrong number! 



Her husband John is a great man who was with my Nana for her last 20 years. He is a part of our family and I hope he knows that we will always be here for him and I look I will look forward to his Sunday Dinners in future and having a beer in the back garden in tribute to our usual routine. I know I'm not alone when I say we are always here for you and we love you
and respect you so much. If you ever need anything please do not forget that.


She had a a gift for poetry that was exposed when she made her way to Facebook. I would always giggle at the little dittys she would loving, yet embarrassingly post to our Facebook walls with affection, nailing little pockets of the personalities of the protagonists each time she wrote them. Reading back some of these small potent poems know I smile as a proud Grandson and I'm happy we will all each have our own little prose to refer to in the future. 




From Moat Road, to Winterslow Avenue, Clover  Croft and finally your home in Widnes - I'll always remember each place fondly for reasons as they represents different periods of my life as I've grown up. My blue bear and parties, your back garden at Moat Road. Snowballs and magic tricks, teddy football at Winterslow Avenue. Clovere Croft was a place of refuge in my teenage years, your naughty rabbits and old school cooked dinners and misbehaving Malig. The dog who you took in and never left your side. The Labour club, where you worked hard and played hard! The beautiful garden you have created that will grow and remind us of your colourful nature as the flowers grow and bloom each year. I know John will tender them with care and think of you with a smile as he listens to smooth FM and remembers all the great times that you both spent together there. 



'if winter comes can spring be far behind?'



As a woman she was truly beautiful, a short stunning blonde. Her three daughters each different in ways but each a  reflection of there mother in their own unique ways.  Looking at them now they are all testament to her gorgeous genes and gentle, kind nature.



Nana was the most amazing crossword completer I have ever met. I was consistently surprised by her ability to finish these crosswords as she watched daytime TV and it was one of the small funny things that made me really proud of her. She filled in the gaps that was synomomus to her life.

Each of her daughters have fought through hard times and she provided a back bone of support that helped them reach the stability and happiness in their lives today. I know she said to me personally how she had comes to terms with her fate and that she was especially happy my Aunty Julie has found happiness with a good man like her sisters. I feel this represented the final piece to the puzzle for her and as usual she was able to complete this before she left. She took great solace in this fact - and so she should. It made me feel a small element of contentness when she told me this during one of our last conversations together.



To all my cousins now is the time to step up and being there for your mums. I have no doubt you will be.  I am proud of you all and you all have a special place in my thoughts. You all have great qualities and potential and it's been a pleasure to watch you all grow up into fine young men and ladies, even mothers.  Please never hesitate to contact me if you need to talk or share your thoughts. I know we will remain strong as a unit and we will get through this tough time together as a family!


In closing I want to thank my Nana just for simply being her. I will hold you in a special place in my heart forever and you will never be forgotten. Each Christmas I will toast you with a Jack Daniels (Nan would always buy the guys a JD related present every year) I will never taste that whiskey again without a passing thought for you as it passes my lips. I know I will not be the only one with this sentiment.

Even as a close family - I still hope this brings us all together and that we use this experience to better ourselves in our own personal ways. Fight hard to reach your potential and stay true to your essence and the person you desire or have chosen to be. It's these times that expose what really matters to you - embrace those thoughts and do not lose them in grief or forget them in time.

I am so proud of you.
Goodby Nana. I love you.
Your Grandson,
Nathan x
this was difficult to revisit but it's important to remember those you love most and don't take a fleeting moment for granted.
You had to be me
talking **** about Aristotle
then finding him in the poem on the next page.
We had been talking about how rhetoric makes students of analysis
feel like they live in some intelligent matrix.

You had to be me
to know that was very topical at that time in my life.
To know what wild bewilderment meant
at it’s actual size.
Two eyes, about the size of spare change, must of been going crazy,
but I couldn’t know unless I was you.

You had to be me
to feel as if you were enclosed in open space
feeling simultaneously,

empty objects come to life.
Tugging at the connections in mind
I was bound to make because of where
those same mechanical hands
had already fostered me.

Making me think something like god
could be construction lights over my exit sign
creating a tunnel out of the kind of darkness
night tells tired protagonists
exists to make you stronger.

You had to be me
to know that strength is a metric of preparedness,
and preparedness is a metric of memory.
I forgave mine.
I only know an instant,
the past shrinks under the weight of my experience
like a shivering body
under a bed sheet.

My strength dreams quiet fists and
sweats from voracious hips.
Unlike the stories,
the night has made me a tender man.
Unlike the stories,
that’s ok.
I’m dying just as fast as any hero with much more romance.
Cadence Apr 2018
Boys will be boys, will be men, will destroy
Will take and take what you create
Will shame you if you deviate
Will make the rules they proceed to break
And after every encounter, you're a little more shaken
A little more autonomy from you has been taken

You rack your brain to find the words to demonstrate just how it hurts
Time passes - and the moment is gone
They were staring at your ***, and you know it was wrong
You know you don't belong
You are an object for observation
But that's a whole different song

So does it make it any better when you play along?
Are you simply playing victim in a manmade system?
A child of the Fight, how do you extract from that mode?
In a world full of players, you let yourself be taken
How is it that you manage to let the simple words break in?
The glass ceiling is surprisingly sharp
And the burden on your back gets heavier as you approach
The child in the closet didn't make it this far

There's a fine line between honoring your wounds and hiding in the dark
This is the line I walk every day
On one side, victim and healer, I tend to my wounds
The other lives in reality and makes the right moves
But duality is a falsity
Of course one can't be two
And the structure I see in the world I perceive brings out the fight
**** the patriarchy
**** the Right
They're not right
Their vision is just limited

There are so many issues I wish to address
If I cry through the fight, does that make it worth any less?
Does my brokenness somehow discount the rest?
The weight of my burdens change by the day
And yes, victimhood is the easiest way
May I be the last to place blame
This glass house holds no shame
And if you won't throw the stones at the broken and stuck
Pass them around and throw them straight up
Let's all make the ceiling shatter and fall
And watch now as the shards rain down
And this can happen when we're all ready to be active
And act as protagonists in our own play
So **** the patriarchy, but do it in your own time, and in your own way
Sally A Bayan Feb 2014
(The first one, Marian...hope you like it.)

The Lady sat on the ledge of the fence
elevated,
higher than the rest
unreachable...
from left to right
She glanced,
observing, waiting...
action was about to begin:
the chosen two sashayed in,
from both sides of Her majesty...
if only looks could ****
they would have glared at each other
to death
they teased,
then swaggered,
emitting sounds of arrogance,
soft, becoming loud
to scare, to ensnare...
The Lady sat, still waiting,
until a winner is proclaimed...
the teasing and the noise
was taking too long, she thought...
She, who was above the rest
yawned, and was quickly
deciding...
slowly, she stood,
stretching legs, curling at the end
then left the ledge
while the two protagonists
stopped short of wounding themselves...
they looked at each other
angrily,
frustrated...
it had been an empty, useless fight
the two noisily meowed, purred
short of sparring
enthusiasm wasn't there anymore..
they went to their own sides of the street
Her majesty, gone to another place
entertaining two new protagonists
disgusted with the first two...

choosing her mate was far from over.

Sally

Copyright 2014
Rosalia Rosario A. Bayan
I actually saw this happen in front of my house...at the sidewalk.
Their mating season is always very noisy, replete with angry meows, their paws and fangs ever threatening...
Tiger Striped Aug 2022
I glimpsed you
for a moment
miles away,
across a tangled knot of time.
In front of you,
shadows melted into obsoletion
obscured by sweet rays
radiating from every surface
of your skin.
I didn't realize
I was grinding my teeth
until I felt you
in the enamel, at my gums
so I dropped my jaw
to let you in.
And you entered,
stage left,
the impassioned playwright
determined to turn my past
from a ledger of mistakes
into the prologue
of a beautiful, convoluted fairy tale.
Grace Jordan Aug 2015
In my life I have had the very unpleasant experience of being attached to two manipulative, insane, selfish *******. Of course, these people I was attached to simultaneously so I was a bit of a crazed mess during that time. I was so desperate for attention and love I took it from people who would ultimately use me for their own personal gain. **** those two, specifically, thank you very much.

One I had a crush/****** attraction to, the other was my best friend. **** me, right? Well they certainly did. I may have put myself in those situations, but **** them for still taking advantage of it.

The first, I was fascinated by. He was a year older than me and seemed nice and funny and had my same humor and liked the same movies. i thought we could be compatible, who knew? So I tried it out. I hung out with him more at school, got his number, all that. We started to text a lot, and at first we just joked around and talked about things we liked,  then I started talking about him about my feelings and serious things and we got quite close.

I should have known something was up when he started getting ****** all of a sudden, and started asking for **** pictures, and trying to convince me into ****** things.

I dodged his ****** advances for some time, but eventually I caved and when we went to get ice cream once. I took off all my clothes in his car and he called me beautiful but it wasn't the type of beautiful a girl wanted to be called. He liked my body and my big ***** and my willingness to do this, not me. But still, I sort of gave him a half-assed ******* before he dropped me off at home.

Funny thing is I never even kissed that *******. Not even once. Kind of happy I didn't.

A week later, I decided to disclose to him that I was bipolar, so that he understood me better, and maybe our relationship could develop. But the second I said I was bipolar, he said he had a girlfriend. Of course the one second I'm not even caring about any romantic relationship with him, he decides to jump that on me.

I stopped texting him. I was ******. The girl he was now dating was someone he pretty much had told me was only his best friend, not anyone he was interested in, but that was obviously a lie. And the whole time he was getting closer to her and pursuing her, he was using me as his ****-talk and eye candy. Worst thing was she was a sweet girl who had some similar features to me, and I didn't want to ruin her world by telling her that her best friend and now boyfriend was a manipulative *******.

They're still dating to this day, and I know at this point it would be fruitless for me to try to stop it. She'd probably say I'm a liar or that I'm making stories up or whatever. I guess I just wish her the best of luck. The only good thing that came out of it was that he never became my boyfriend, so I didn't get lied to. I just got the occasional request for nudes or odd being hit on text that are easy to brush off. She wants to spend the rest of her life with him. I truly pity her for being stuck to that, and truly thinking he's a good guy.

Now the other. We collided as kindred souls who like writing, the arts, music, and are a little crazy. But hell did that go out there fast, and of course I didn't realize I needed to get the **** out until three years too late.

It wasn't long before the friendship turned into a competition. I'm competitive, so I won't say I'm not to blame at all, but she pretty much was the one to instigate most of it. By telling me she was better. That she was wonderful. That her work was revered by everyone, or she got special training, or that she was just so much more than me.

The girl honestly thought she was the second coming of Jesus sometimes, because she was so different and special. But also, she was tortured and misunderstood and needed loving. **** that, you needy *******. Everyone has problems. Get help and deal with them. Its cute and understandable for a few months. By three years you better get off your ******* *** and do something.

She always was the 'better' singer, because she was more trained. She was the 'better' romantic entanglements because she was so 'well-versed' in ****** things. She was always 'better' at being mature because she had gone through so much more than anyone else. She just thought she was better at everything, but at the same time would hate herself. It was awesome. She was basically saying "I'm a complete piece of awful ****, but I'm better than you!"

Sounds annoying, right? Well it was.

The one that really got me was that she always professed she was a better writer. That her writing was beautiful and poignant and tortured. Every longer story I read of hers she basically wrote about herself, used pretentious names, and every one of her protagonists was some madly tortured person who no one understood. Their lives would drastically change once they met this magical person that changed everything. That hit them just the right way. But honestly most of it was about being tortured and misunderstood, but somehow better than everyone else because of it. Ok, whatever, please sit down pretentious writer number 3,467. It just drove me nuts. She wasn't bad at it, but it was always the same thing. Being tortured, or bitter, or being grossly in love with someone. It was just so horribly repetitive and outlandish I couldn't stomach most of it. To this day every time I read some of her pretentious work i want to set her on fire and slowly watch her burn. She may be a better singer, she may be a better tortured soul, she may even be a better starving artist or whatever.

But actually writing variety and real people and not repeating the same thing over and ******* over again?

Please, honey, I got you beat.

I guess I'm just sick of them. I'm sick of what they did to me, what I let them do to me, and who I became with them. I was selfish and meek and competitive and always trying to prove myself to them. I know who I am, and they don't deserve my attention or even me. **** them.

I know writing will get me somewhere. I'm not the best writer ever, but I know how to write. I always have. I have finished novels. I'm working on more to come. I have the drive and ability to do this, and I don't want to be the cliched ******* starving artist. I don't want to be poetically tortured or whatever the **** pretentious ******* strive for. I just want to be a human writing stories for other humans. And maybe it'll mean a lot to someone one day. It already does to me.  


I don't need flaky ******* who want nothing from me but to use me for their selfish gains. I'm me. I'm happy. I can be a writer and artist without being a complete ******* about it. And I don't need them.

I got this.
judy smith Mar 2016
Detective stories have been making a splash on European screens for the past decade. Some attract top-notch directors, actors and script writers. They are far superior to anything that appears over here -- whether on TV or from Hollywood. Part of the impetus has come from the remarkable Italian series Montelbano, the name of a Sicilian commissario in Ragusa (Vigata)who was first featured in the skillfully crafted novellas of Andrea Camilleri.

Italians remain in the forefront of the genre as Montelbano was followed by similar high class productions set in Bologna, Ferrara, Turino, Milano, Palermo and Roma. A few are placed in evocative historical context. The French follow close behind with a rich variety of series ranging from a revived Maigret circa 2004(Bruno Cremer) and Frank Riva (Alain Delon) to the gritty Blood On The Docks (Le Havre) and the refined dramatizations of other Simenon tales. Others have jumped in: Austria, Germany (several) and all the Scandinavians. The former, Anatomy of Evil, offers us a dark yet riveting set of mysteries featuring a taciturn middle-aged police psychiatrist. Germany'sgem, Homicide Unit -- Istanbul, has a cast of talented Turkish Germans who speak German in a vividly portrayed contemporary Istanbul. Shows from the last mentioned region tend to be dreary and the characters uni-dimensional, so will receive short shrift in these comments.

Most striking to an American viewer are the strange mores and customs of the local protagonists compared to their counterparts over here. So are the physical traits as well as the social contexts. Here are a few immediately noteworthy examples. Tattoos and ****** hardware are strangely absent -- even among the bad guys. Green or orange hair is equally out of sight. The former, I guess, are disfiguring. The latter types are too crude for the sophisticated plots. European salons also seem unable to produce that commonplace style of artificial blond hair parted by a conspicuous streak of dark brown roots so favored by news anchors, talk show howlers and other female luminaries. Jeans, of course, are universal -- and usually filled in comely fashion. It's what people do in them (or out of them) that stands out.

First, almost no workout routines -- or animated talk about them. Nautilus? Nordic Track? Yoga pants? From roughly 50 programs, I can recall only one, in fact -- a rather humorous scene in an Istanbul health club that doubles as a drug depot. There is a bit of jogging, just a bit -- none in Italy. The Italians do do some swimming (Montalbano) and are pictured hauling cases of wine up steep cellar stairs with uncanny frequency. Kale appears nowhere on the menu; and vegan or gluten are words unspoken. Speaking of food, almost all of these characters actually sit down to eat lunch, albeit the main protagonist tends to lose an appetite when on the heels of a particularly elusive villain. Oblique references to cholesterol levels occur on but two occasions. Those omnipresent little containers of yoghurt are considered unworthy of camera time.

A few other features of contemporary American life are missing from the dialogue. I cannot recall the word "consultant' being uttered once. In the face of this amazing reality, one can only wonder how ****-kid 21 year old graduates from elite European universities manage to get that first critical foothold on the ladder of financial excess. Something else is lacking in the organizational culture of police departments, high-powered real estate operations, environmental NGOs or law firms: formal evaluations. In those retro environments, it all turns on long-standing personal ties, budgetary appropriations and actual accomplishment -- not graded memo writing skills. Moreover, the abrupt firing of professionals is a surprising rarity. No wonder Europe is lagging so far behind in the league table of billionaires produced annually and on-the-job suicides

Then, there is that staple of all American conversation -- real estate prices. They crop up very rarely -- and then only when retirement is the subject. Admittedly, that is a pretty boring subject for a tense crime drama -- however compelling it is for academics, investors, lawyers and doctors over here. Still, it fits a pattern.

None of the main characters devotes time to soliciting offers from other institutions -- be they universities, elite police units in a different city, insurance companies, banks, or architectural firms. They are peculiarly rooted where they are. In the U.S., professionals are constantly on the look-out for some prospective employer who will make them an attractive offer. That offer is then taken to their current institution along with the demand that it be matched or they'll be packing their bags. Most of the time, it makes little difference if that "offer" is from College Station, Texas or La Jolla, California. That doesn't occur in the programs that I've viewed. No one is driven to abandon colleagues, friends, a comfortable home and favorite restaurants for the hope of upward mobility. What a touching, if archaic way of viewing life.

The pedigree of actors help make all this credible. For example, the classiest female leads are a "Turk" (Idil Uner) who in real life studied voice in Berlin for 17 years and a transplanted Russo-Italian (Natasha Stephanenko) whose father was a nuclear physicist at a secret facility in the Urals. Each has a parallel non-acting career in the arts. It shows.

After viewing the first dozen or so mysteries of diverse nationality, an American viewer begins to feel an unease creeping up on him. Something is amiss; something awry; something missing. Where are those little bottles of natural water that are ubiquitous in the U.S? The ones with the ****** tip. Meetings of all sorts are held without their comforting presence. Receptionists -- glamorous or unglamorous alike -- make do without them. Heat tormented Sicilians seem immune to the temptation. Cyclists don't stick them in handlebar holders. Even stray teenagers and university students are lacking their company. Uneasiness gives way to a sensation of dread. For European civilization looks to be on the brink of extinction due to mass dehydration.

That's a pity. Any society where cityscapes are not cluttered with SUVs deserves to survive as a reserve of sanity on that score at least. It also allows for car chases through the crooked, cobbled streets of old towns unobstructed by herds of Yukons and Outbacks on the prowl for a double parking space. Bonus: Montelbano's unwashed Fiat has been missing a right front hubcap for 4 years (just like my car). To meet Hollywood standards for car chases he'd have to borrow Ingrid's red Maserati.

Social ******* reveals a number of even more bizarre phenomena. In conversation, above all. Volume is several decibels below what it is on American TV shows and in our society. It is not necessary to grab the remote to drop sound levels down into the 20s in order to avoid irreparable hearing damage. Nor is one afflicted by those piercing, high-pitched voices that can cut through 3 inches of solid steel. All manner of intelligible conversations are held in restaurants, cafes and other public places. Most incomprehensible are the moments of silence. Some last for up to a minute while the mind contemplates an intellectual puzzle or complex emotions. Such extreme behavior does crop up occasionally in shows or films over here -- but invariably followed by a diagnosis of concealed autism which provides the dramatic theme for the rest of the episode.

Tragedy is more common, and takes more subtle forms in these European dramatizations. Certainly, America has long since departed from the standard formula of happy endings. Over there, tragic endings are not only varied -- they include forms of tragedy that do not end in death or violence. The Sicilian series stands out in this respect.

As to violence, there is a fair amount as only could be expected in detective series. Not everyone can be killed decorously by slow arsenic poisoning. So there is some blood and gore. But there is no visual lingering on either the acts themselves or their grisly aftermaths. People bleed -- but without geysers of blood or minutes fixed on its portentous dripping. Violence is part of life -- not to be denied, not to be magnified as an object of occult fascination. The same with ****** abuse and *******.

Finally, it surprises an American to see how little the Europeans portrayed in these stories care about us. We tend to assume that the entire world is obsessed by the United States. True, our pop culture is everywhere. Relatives from 'over there' do make an occasional appearance -- especially in Italian shows. However, unlike their leaders who give the impression that they can't take an unscheduled leak without first checking with the White House or National Security Council in Washington, these characters manage quite nicely to handle their lives in their own way on their own terms.

Anyone who lives on the Continent or spends a lot of time there off the tourist circuit knows all this. The image presented by TV dramas may have the effect of exaggerating the differences with the U.S. That is not their intention, though. Moreover, isn't the purpose of art to force us to see things that otherwise may not be obvious?Read more at:http://www.marieaustralia.com | www.marieaustralia.com/short-formal-dresses
Beinghonest Nov 2016
I am now
starting new chapters
with new
pretty
protagonists.
I have been wondering
Every story are just the same
There's the protagonist
And there's the antagonist
It's all just the same

I have been wondering
Every story are just the same
Protagonists always win
Antagonists are always the losers
It's all just the same

I have been wondering
Why everything goes for the protagonist?
And this little antagonist have nothing
Every story are just the same
They're all just the same

I have been wondering
Aren't all stories unfair?
It leaves a mark on our minds
There's no chance for everyone
There's no hope for everyone
mori Nov 2015
when my mother was pregnant,
my mother looked up names and their holy meanings and found one to be to her liking
and so i was named ;
but my brother, upon hearing this
squirmed and pleaded to change it for whatever reason
and so i was named ;
and later
i would play two videogames and love the two female protagonists so dear
i'd name myself ;
and a little further on
i would read a book with a main character so enticing and thoughtful
i'd name myself ;
and now
i find myself drifting from meaning to mood to games to books
and so much else - so many factors in a life and person
and i am only character
with a debated name
the names if you're curious are: hannah, isabella, ellie, and theo
astronaut Nov 2018
I looked for love,

In high language novels read by men who always wear big glasses, and bigger intellectual endeavors.

In independent films with moody pianists for protagonists, or extravagant detectives, or mad prophets.

In the disappointments of post-12 AM conversations with strangers smoking outside an underground theater.



I looked for love,

In old photographs with brown spots, and wrinkled covers of vinyl records.

In candles with mysteriously inviting names, like “white musk” and “black forest".

In dictionaries that show how nostalgia and exoticism are alike: a longing for the imaginary.



I looked for love,

In between the lines, and tucked into metaphors.

In the closet where I used to hide as a child

In everywhere except for the coffee shop in plain sight where a 23 year old goes to have coffee, and write about how love is nowhere to be found.
It’s the hollow sound of a toast to fill the silence of unaddressed questions,
the celebratory clanging of glass on glass
ringing from assumptions based on past experiences and theories
     from synapses of protagonists or all
that is mystical; a god or a God
          for the rhetoric of bad days; the precatory shoulda, woulda, coulda’s
   you can count with all digits and the humdrums,
the lalala’s to songs with lines you can never remember.

It is to fill in, with pencil, the
blanks of unclear intentions, capricious endings,
     the what comes after the highest number, tentative now, for it is a trick question,
the true stories of Bermuda Triangles and Altantises,
          for the ones Amelia kissed goodbye and all that is brief,
               promises neither broken nor kept;
     some, hypotheses for what happens after waiting.

               It is the makeshift certainty ascertained the day he left
          all these unfinished, unanswered, incomplete… things. The sure of it
     invented by staking everything in a nebulous something,
a nebulous anything that will have to do, like cotton patches
     on satin dresses or saints for hopeless causes.
               It was the invention to quench the constant
          need to know, to fill the in-between start to end
       for all that we can not stop. A made-up map by pirates below ten
for every time we must set destinations beyond unchartered unknowns;
                     a make-believe place holder to hold us to the relief
          we get from closure when
                  the universe gives us none.

It is the lemniscate, the amen,
the St. Jude we assign to our altars
until we find actual satin or the aviatrix herself,
          or surrender everything in the spirit of faith
                    or believe
          that not all things unfound are lost.
HelloPeople Jan 2016
Different books,
Different chapters,
Different protagonists,

Same world,
Same cast,
Same rival;

Can you turn the odds?
Would that rival be friendly,
Or would it be brutal?

Make up your mind, quick;
It's cunning,
It's deceiving,

It's time.
Hodgepodge of thoughts
Sam Temple Jun 2015
mostly undiagnosed ghosts host coast roasts
and no one shows
haunted wind blows going slow
dethroning grown men being sown
unknown gnomes debone stones
throwing plumbs at scrub jays
whilst listless fitness ****** insist
on resisting mystic visions
implicitly –
ragtag gag gifts for bags
smoking **** with saggy pants
chancing protagonists
and prancing fisters
wrist rocket **** pocket
time, clock it
rock it sock it
don’t mock
interlocking bicarbonates
wait for the ingrate to *******
and regulate the regurgitation –
****** ancestrally protestors
digest their disgust
discussing muskrats as lab cats
basking in the glow of white coats –
Vamika Sinha May 2015
It's the awkwardness and strangeness and
slugging-in-time-ness
of discovering a new
person.
Too often, movies portray the meeting of the
protagonists as some
heady rush or a
whirlwind of sparks or some
******* like that.
In reality, it's a slow fire
laboriously
begun with two
sticks.

And sometimes that fire never even starts.
Sick of cheesy rom-coms even though they make me cry.
what cross do you bear?
whisper to me the pains you've repressed,
the regrets that consume you,
divulge to me your darkest sins,
and lend utterance to your woes.

how do you build the ark,
that exists in your mind?
rocking in the arms,
of the slow, swinging seas,
whilst quixotic dreamers,
dance across the sky,
lost in the clouds.

solace in tears,
premonitions in fears,
let me cradle your soul,
and mend,
piece by piece,
plastered poultices,
and golden lacquer scars,
sealing all that ran deep.
let me shoulder your burdens,
so that one day, you may learn
and live alongside them.

so long as molten rock,
anoints our heads,
and flickering flame,
sears our feet,
we shall traverse
the crucible that is life.

each bearing a cross,
and a crown of thorns,
we are beautifully broken,
the faceted protagonists
of faded film noir.

we will prevail.
“No pain, no palm; no thorns, no throne; no gall, no glory; no cross, no crown.” -William Penn

angst, ik lol, but i just wanted all of you to know that i'm here for all of you. not sure how much i can do for you but i'll certainly try! thank you for stopping by.
brooke Apr 2017
I have always thought of home to be a place
have described myself within a myriad of
different protagonists, herbs and flaccid analogies
i have been birds nesting in rafters, wolves
and nothing more than a willowy spirit without a
body--

and i thought for a moment that people could be homes
too, the way you walk into hugs or are metaphorically
gathered, i watched him in the mirror sliding around
my waist, resting on my hips, smelling my hair, picking
me up to put in a vase, ridiculously pretty, you know that?

and it's not that I longed for more,  
that I have longed for where, for a here that
i am acutely aware of how i vacillate between empty
and overflowing, of my own thoughts, i have heard
you think too much and maybe I do-- maybe too much
of me lingers

In dreams I unzip and turn myself inside out
like a dress, fold my shoulders down and the mountains
reappear, i am all the grass of a former self, before the tides and winds and men, before my choices bent me back
and took a swiss army knife to whittle me away

i think i am longing to be clean
to be over to breathe and not feel the strings
the way my voice splits into a rank of pipes swelling into a hundred  voices and he only hears a few, i am many
longing to be one, he cannot twist the drawknob
because I am already filling the cathedral in the words of
Stravinsky, the
                                m onster never b r e a t h e s



and I feel like i never have
i am earnest to fill my lungs with air instead of water
join the present, but the Welsh knew me too well,
the portuguese, saudade and the Germans, sehnsucht
put a letter to the things that can only be described in paragraphs or tears or indeterminate intervals of time sitting on his bed while he showered, all the doors slammed, empty coffee cups,
clogged sinks, unswept floors, long drives,
shots of whiskey, withering glances held on tension and
te amo mouthed across the room--

we wonder, can we be reached?  wrought? touched.  found.
in our deepest hearts, wounded mysticism, an untapped sense of joy that can be lanced and spilled, I am wistful, anxiously waiting to be siphoned,

Hiraeth.
(c) Brooke Otto 2017

I could not for the life of me pronounce all the words correctly in one go, and this last recording was unusually emotional for me so I didn't want to waste it.

Here's the recording: https://soundcloud.com/brooke-otto-597708624/hiraeth/s-dQvVh

Hiraeth doesn't directly translate into english, but it is more a less a  Welsh word to describe the longing for a home lost. Homesickness, for lack of a definition. Which makes a lot of sense given the history of Wales. Too much has been said on the subject, though. I don't think hiraeth is meant to be understood so much as it is meant to be felt. Either way, this poem is to be felt.
mûre Jul 2012
The tea cup clouds were reason enough.
Reeling, the clock hands spun on an axis wobble
noon flirted with night
and I broke into a run
as the sky opened its maw
and screamed.
Even the suits scramble for burrows.
Retrospection always has a punchline.
Hide away, slide away
Stop looking at my *******, please.
Now watch wide-eyed behind
public glass, with a
sitcom gang of affable protagonists
who are now late for their respective chapters
Staring at their phones, willing the weather
forecast to telepathically change.
The light strobes, the bricks quiver sympathetically
and I riddle a fourteen year old pantheon
as they sway, as they jaunt
ankle deep in charged water
daring each other and daring the sky
daring the noise with headphones still around necks
like defiant plastic boas
Clothes plastered, mouths open, rain-drunk
feeling ****, revealing secret intimate shapes,
feeling sheepishly exposed next
to crushes who will kiss them at the next movie.
I am aware of each nerve as I drip and shiver
I'm terrified of storms, my reasons are mine
but even this fear
can cat-stroke my skin
hyper-sensitized, electric
and make me feel
****, too.
Sam Cardinale Mar 2011
The lake is colored a hue of purple, even though the retina is deprived of blue.
Freedom to swim, yet choosing not to.
Choosing to eat, although mandatory.
Funny how the world works. Especially while dreaming.


Wake up at 8, feeling like the amount in my pocket.
2 dollars and 47 cents. Illegally consumed.

Breakfast at 9, ****** eggs again. We eat in silence.

After breakfast I am forced to the yard, forced to smoke, with no gun to my head.

Run run, shoot, steal. Basketball used to be fun.

1 oclock, and I decide to read. Not much choice on activities, but a crate full of books to read. Yet what's the point?
Why fill my mind with wild dreams? Wishing the problems of the protagonists were my own?

The cell is colored a hue of gray, and yes my retinas can manage.
Freedom to think, no choice but to.
Choosing to eat, but why not?
Funny how prison works, especially when it's reality.

Wake up at 7, the nap was delicious.
Pockets are empty, and with two cigarettes to show for it.

Dinner at 8. Oh **** it, its the same **** every day.
Sleep by 9.
Amitav Radiance Jan 2015
Looking forward to a beginning
Everyday will be written a new saga
Few, we shall carry forward
After the ellipsis
Much happens even during a hiatus
We are stretched ahead
Time pulls us away to a new realm
New vistas and landscape
Fresh flowers and aroma
Old vases shall hold them
With much pride
Amidst the new rooms
Every wall has a door
Welcoming the new beginning
Old and new protagonists
Have taken the pledge
To give a new twist to the saga
Sometime we take a turn
Allowing us to reclaim
That was elusive in the past
Fresh ink
Shall fill the void on paper
New chapter, new beginning
Story shall continue
With renewed charm
Miracle do happen
If you believe
The Jolteon Oct 2014
Treat others
As if they were your most beloved
Person
From your favorite
Novel
Savio Mar 2013
Lost child afternoon
green pick up truck
cigarettes silver lipstick gold'n red
red like the horizon
in closed eyes
in
underwater blankets
where
Tiny fish and clams and beer bottles swim
Lost Child Afternoon
Gorgeous road signs
laying like a dog
with women of Florida purity alligator tongue
laying like a dead fly
on the carpets chest
resting like a mother
resting like a newborn Larva
like a newborn seed
grasping onto a Nebrask-ian breeze
A'hoy
A'hoy
the sail boat of life
is casting out
give us
give eye
a penny for a ride
for a passser-by
2 pennies to love
3 to keep the love
and 4 to
come back to shore
come aboard
come aboard
the whiskey is
practically gone
practically free
Wear some boots
because  it rains
and the mud is thick like hair
the flowers of life
bow like magnificent dream girl eye lashes
questions balance on a blink
come aboard
life seeker
life conquistador
life Apollo 11'er
life
wanderer wonderer
life protagonists
life main character
life 10 dollars
life love affair
life
30 years old
in dog years
Life
Mexican SunRise
Life
A.M.
Life
take her out to dinner
she put on
25 dollar lipstick
to imprint
to stain
your
offered
cigarette.
Joe Wilson Jul 2014
Sometimes we return to long ago conversations
where more than cross words were uttered
where protagonists squared up to one another
and arguments and insults were uttered.

And when with the benefit of hindsight,
that most magical and wondrous thing
we realise often how wrong we were
and the knowledge of embarrassments sting.

If we could just take back those words
that were aimed to wound so deep
knowing how they’d hit their mark
and said to make someone weep.

In those teenage years, how cruel we were
how very little of life we knew
how gentle and forgiving our heart’s desire
how slow the understanding – in young men grew.

I’m now a man – three score and five
a man who love has touched so deep
but I colour now as I think back
at my cruelty then and I want to weep.

For almost fifty years I've loved just one
kindness flows through her every pore
I've strived to make up for those teenage years
and she just smiles and then loves me more.

My luck has held, we've stayed the course
I pinch myself to check I can still feel
and she looks and smiles at me and I know
it’s not a dream and it’s still real.

©Joe Wilson – Teenage boys can be cruel 2014
alaistair Jul 2014
step one: you must realize that
villains are the protagonists of their own stories;
ergo, everything does revolve around you.
you really are not worthless.
why should you care
what the people trying to overthrow you think?

step two: use your anger to create.

step three: or use it to destroy.

step four: allow yourself to feel.
allow yourself to
hide.
you are not wrong for shining in the light or for shying from it.

step five: you must realize that
this too shall pass.
in one thousand years louisiana will be underwater
and new landmasses will rise from the sea like individual venuses.
geologic time will march on, inescapably slowly, on clocks you cannot read,
regardless of you.
we are still only in the holocene era.
the universe doesn't care how many times you try;
the universe doesn't care if you try; but
someone has to, and i believe it should be you.
on the word-a-day desk calendar of existence,
humans only arrived on earth on
the last minute of december thirty-first:
whatever pain you're feeling is temporary.
Third Eye Candy May 2014
we have our plots and flotsam
and plod joyless; rain smitten.
we join the heap of foil and protagonists
in the tale of our distemper.
we whimper in the dark of our hard furnace.
fumbling for trinkets of mirth
where no god has birth
even as a dented
trumpet
to a hairlip...

Or a Name that comes First.

and yet we sing. but -
the song is wrong righted. a blight
blighted and a long drum
mumbling benighted
in the silk light
of our simple
worms.

our apples ache. our knowledge, rots .
but our temples, at the core
seed the valley. we famish the mountain
but feed the foothills of our strange
and strum the harps of Oblivion
with our mean thumbs.

constant gardeners of hard loss and flight.
and the Night's Sun.
Sia Jane Dec 2014
Soul not for sale
(intimate back room shows)
No closing escrow
(renters may inquire)
Fostering a new neighbourhood
(Gods fallen angels)
Million dollar men touch & tamper
(bodies of women whose stories are unknown)
Little girls playing in a park they've barely grown in to
(Lingering over men old enough to father them)
Lucifers female protagonists
(post box red lingerie cheap tattoos)
A reckless promiscuity dollar bills bleed
(hands tied to beds)
Male lovers pass through
(mediums of wives fiancées)
Aversions never self sought
(lost to the Devil)
Purified souls marked by the world
(falling like flies)

Suffer
          Suffer
                    Suffer

    ­­                           Pleading
                Pleading
Pleading


(there is no escape)
Dawn may break
(promising new light)
Kissing away melancholic madness

Still tied to the same beds.

© Sia Jane
Marshal Gebbie May 2015
Oh ye student of Gothic complication
How dost thou writhe in a sea of nightly scented jasmine?
How dost thou cast off the shackles of thy piteous life lost?
To effortlessly shed the ruckfall of protagonists
...in a double narrative of well travelled refinement?

Linguistically intriguing it be. the richness therein enthralls.
A depiction of contemporary expression from a student of sleight of hand, wed in a rapture to the knowledge that whatever thou has written, shall flow through the fingers like a waterfall of soft white sand.
M.
Phantasisms after travelling Beryl Dov's "The Lonely Astronomer"
Marshal Gebbie Jun 2010
Is it really any wonder
That we court the God of war ?
When a man offends in innocence
With imprudent comments poor,
When the slightest altercation
Leads to seeking of red blood,
And grudges borne with vehemence
Paste protagonists with mud.

Why is it that we tip toe
Through the fragileness of life ?
How is it that you rage
When he glances at your wife ?
What generates the jealousy
Of competitive bright flame
And activates the trigger
In the deadly baiting game ?

Why should we seek redemption
When the way is set in stone,
When antagonistic temperament
Is the customary way home,
When the flare of angry attitude
Leads the bearer to abyss
And inevitable conflict
Throws all reasoned thought amiss ?.

Reflect on how protracted
Is the winding road to love,
How long to place the building blocks
Of friendships’ hand in glove,
How gradual the process
Of steady cultivating trust
To the wondrous actuality
Of a brother bond that must.

Why does the God of war surmount
Mans best and dearest quest
To find a peace and harmony
Despite discords’ very best,
To live his days in certitude
Sidestepping risk of harm
To work toward tomorrows’ dawn,
And evening’s soothing charm.

Shatter prides absurdity
To dare to breach the norm,
To reach aloft for courage
And scale the unknown’s form.
To rail against mans’ enmity
To flail against his foe
To conquer human natures‘ worst
This beast of war must go!

Marshalg
Victoria Park Tunnel
21 June 2010

— The End —