Now the need to rediscover himself rises over him, he leaves the Machiavellian stupor and the breath of his organism flavored with bile, alchemy, and pours it out until he expels his cancer-causing avital situation. Everything was already clear, Ludwig had a great refuge of himself, he was the superman who locks up all ages, who is senile and youthful; since it is surrounded by the aura of the perceptual smell of evil. That he renews knowledge and does not feel invariable, that he is a Cybernetic and divine Monarch. In contrast, the other is a mastiff that allows himself to docilize his instinct and follow the one who beats him, the one who mistreats him and shatters his will that accompanies the master who makes use of him, who uses him today, still and always. Now almost in his normal state, he decides to smell better and change his appearance, he coughs up his lobes by filling them with broth from Colibrí's twittering. He combs his damp hair and talks to himself by saying words like ...: Hello, how are you ... Who will you be today ...? Although his spirit is reluctant, he goes to the birthday of his friend Sara, a close friend of his, and lends to his benevolence. When he arrives, he repeats the protocol and cheers up his appearance, greets the ladies present, and hand in hand with the gentlemen, in Ludwig's intimacy an anti-desire pierces, the anguish of a weak pleasure that his expiring sap disturbs in the worldliness of him.
Distracted, he continues, walks with her eyes, and stops them in a brown hair, with radiant light he receives the sensual gesture, and the damsel takes her hair with her hand, pulling it towards her back. Ludwig, astonished and puzzled by her, made her look ******, he already imagined receiving from her a smile her, but knowing that he loved her, that her hair would let go of her and engender in him the impression of her as possessing the sculpture of her. He approaches her with a firm temper a little more, glancing at her casually. She, very contemplative, manages to find the vigor of her strength by getting close enough, he very thoughtful, pending her every step it would be easy for him to glimpse the future, to find his equivalence to his unpredictable existence, who for the moment would desire glory and majesty and not fugitive decadence, like something suicidal that instead of satisfying him, kills him.
When he was preparing to meet her, he did not hesitate and the last steps to her were the most solid, wherever he was with his idea of having her, he hung in his stomach the sharp desire to put out his eyes with a fork and thus proceed at a slow pace in his masochism in frisking his agonizing death. There came the other gesture where he would drop his arm and brush it with hers, with a stealthy touch he could see a certain excitement between his teeth, and the saliva was escaping from his mouth when he looked at himself in a mirror, also seeing how it trickled down his makeup chin impatience. He never believed that such a phenomenon would happen to him, so it was where Sara, who was tasting a delicious menu, was going to tell him that she was leaving her and that later he would call her. As he left and went through the front garden, he felt the birthday song being sung to the piano and at the same time he saw someone outside with an immutable expression --- And Ludwig told himself that the strange-looking one was an Augur del Budú, that It weighed on her stoic peace of being normal, which was just her high-profile imagination. Then he walks through the Prehistoric Park, crosses a low-level tunnel that endangers his balance when he barely sees his hands, but he manages to advance without paralyzing his limbs and reaches the main street where he sees a dog run over, takes it, and says to himself. ..: "I will take it to the food chain of my Green City, where the pure bacteria will gnaw its tissues ..." With great strength and noble spirit, he entered his Floral Forest, where he points the Cypress to the Sea, thus releasing it and sheltering it with his Deist energy, which is more than medullary and unbeatable. He withdraws and cannot help turning and looking at him, as if said Energy wanted him to resurrect the dog. Believing in his conscience, he asks permission to rest, he lies lightly on the humus; where photosynthesized leaves inoculate the percentage dreams of vegetables, trees and flowers. What the archer in his bolt threw, his chest oppressed unbreathable pneumonia, driving him to sleep for twenty-four hours. When he wakes up, still lying on his humus bed, he wants to lighten his heavy load by eating well, and drinking himself into alcohol. He did not know how to proceed, whether to beg or rob the wealthy of his leftovers, or humble himself with God and disavow him from throwing misfortunes, carelessness, cataclysms, the self-criticism of being imperfect, and whether he has to bleed or He has to defecate, provoke personal disgust, and may this lead him to lust, baseness, sin.
The more he brooded, the more weightless he became, and the murderous scavengers lurked around his will. Like a narcotic effect, it loses its cognitive capacity and reverses itself swirling through the funnel of reverie, where the sub-world circulates and where repressions, oppositions, and powerlessness collide. At the initial place where he hallucinates and sees himself entirely, he leaves the vigil and goes into the subconscious ...: He sees Debra in her moderated state where she was leaving that space --- Ludwig looks at her and so does she, but nothing is said to each other, only he says to himself "I prefer to love her to my distant ideal and not body versus body, just as the thought of her makes of her a kind, sweet and current portrait ..."
When he begins to walk renewed, he sees several Debra in reproductive phases, they worked ardently in his subconsciousness. Some kissed him, others beat him, others confused him and others hurt him. In favor of his life and for his salvation, the virtuous side would mercifully go to dismay him and open the floodgate of reality, to desolder his eyelids and flowing air go with its dreamlike substances. Already fully awake, he sees through the window of the branches how the clouds moved and how everything moved, the bushes with their branches and their flowers. When seeing with alienated simplicity and electrifying the sky, the radiant light beams touch the vibrant colors, which touch his heart like a disquieting shout, although at the most acute in his decay it will be like the noise that broke his eardrum, or like the chard that her stomach upset. He gets up and straightens up, by the time he's standing, he takes a paper and writes ...: "How relieved I am to dabble in sleep ..., now that I make the inscription tangible ..."
When he left his home, he was accompanied by a splendid sun, the birds fluttered with indescribable happiness, the prevailing clarity and cleanliness of the environment was already perceived, seeing that everything was hubbub, he continued to be a victim of his endogenous suffering. But the children's laugh made him laugh, dissipating his sorrow. Passing through the Prehistory Park, where he always believed that trees were Dinosaurs; he remembered the jerks of his father when he took him to school. He concludes that there is no place on earth that is not ancient, and here in this park you can smell the sacrifice of the primitive to survive. In the same way, the Mammoth in instincts was the same as **** Sapiens, only that it took its spear against the animal because it evolved faster, without knowing why ...?, Perhaps to see this inhabitant moistened in the Jordan, very close to Jesus Christ. The world revolves around the man in need, who invents what is necessary, in this case fighting his hunger. In this way he kills the Mammoth, cutting it into pieces to then eat it, and whoever takes the food from it, simply dies in the struggle to survive before his ambitions.
When he got out of his mind, he set out on the path to follow, and when he crossed the Fountain of Geysers and Hot Springs; he saw at the top of the Waters of Delphi, that woman with chestnut hair; Sara's birthday. She was alone and with her eyes without detaching them from the vapor, from the liquid element, so excited Ludwig approaches her almost calm, with a racing heart that he could hide when talking to her --- Well he said to himself ..., now I'll talk to you ... - Excuse me, You. I saw you on Sara's birthday, I saw you surrounded by many people. Look, I would allow myself to be by your side, I promise not to get in the way --- Thus, the soliloquy continued, with great shock I watched her and seeing how delighted she was, I could even kiss her, achieving it with ease, because it was daytime, perhaps where it was. found in the nomenclature matter.
After a while, when she was thinking of quickly moving away from the place, from the Source that inspired her enchantment, she spoke to him and said ...: “We women are not very fixed when the man casts his insatiable gaze, but we do the vanity of feeling admired. That's why I remember you at that party, I even got really worried when the saliva ran down your chin, I thought you were going to faint. As you can see, if I remember you.--- He did not take long to ask her name, and he told her that her name was Antonieta. Ludwig thought how beautiful her name was --- she has the name I like the most, and she illuminated with adulation cleared her eyes making them greener and more feminine in her manners. He knew that he would be calmer if he met her again, asking her to be so. She affirmed his request, but it would be in a few more weeks; because she had to fulfill a contract with the Ballet Company. Since she was an actress and a dancer, this was going to take place in the city of San Lorenzo. Thus it is that the ballad mishap was fulfilled, in the thick of the Park, one and the other had the magic of enchantment; her with her eyes of her green sea of the rocky shore, of the green algae and the salty green fish with the immeasurable shine in her eyes eager to dance and interpret the steam dance of that deep-rooted Thermal Spring.
Even when she wanted to start saying goodbye to her, he was imbued with her beauty, like the wind of pure air that lifts her hair with pacifism and open disposition, with the peace of a face that looks at the ****** world and at first instance positive and very beautiful. Well, Antoinette said ... I have to go. I would have liked to be here more, but I have to continue rehearsing the Work. She telling Ludwig ...: I want to let you know that we are slaves to fulfillment and we all seek to communicate, that's why like you I will also go. Together they left without saying anything and when they reached the exit they said goodbye with an injective kiss of love, with sweetness and psychology. The latter, she leaves the place until lost in the hazy gray of the day. When Ludwig wanted to talk to himself about what had happened, the preliminary virus entered her brain, so that he could not remember her clothes, only her hair from the Thermal Abbey with her spells that he introduced stiff and sharp the benefit by clouding his unreason produced by the virus of unreason. He believed he was Troilo and she Créssida, raising his suggestive and despotic view of her, whose order tells him to walk away ... Perhaps where ...? Maybe to drag the golden threads of her dress destined for her debut. By introducing his instinct to a simple will, he remembers Sara and puts forces in her footsteps to shorten her arrival. As he passed through the jasmine trees, he approached his house in a tiny way, up to the Eucalyptus massif that always welcomed him, expelling the unmistakable and pleasant aroma of his house. Before it struck, Sara said ... come in, and he came in but didn't see her, and he started looking for her around the dining room and the living room, until she came out of somewhere fast and well dressed with the scent of a great woman, with the better scents that surrounded her satin dress with attraction and grace. She tells him that she is going to the Aula Magna to see a group of Medieval Music. He tells her that if he left so after her, arguing that he came to see her and tell her how beautiful he found her friendship with her and how good it feels to be I live here, She tells him not to worry when she smiles at him, and he agreed to her words telling him how happy he was after the sun that rose magnifying everything, even she felt willing to improvise their good moods.
He answers her by making her words difficult as if intensifying her anemic and soft ductility in her breathless lungs. She rebukes him by saying that her illness should be treated more regularly. And he answered her only by shaking her head moderately, telling her that when he was not with someone like her, he believed he felt that the weight of the calculations of the geophysical world and the floating voices did not leave her hope in the peace in peace. her brain. Sara takes Ludwig's hands, giving him her comfort. My poor friend Ludwig, Alma Matter, you have now awakened the affection that I have never felt before for someone I hold dear and feel good today. She gets up and serves him a Vermouth, to go to the exhibition. In the fourth sip he wanted to fall into the hands of a certain audacity, he could not avoid falling into the ******* of the vision of paintings and sculptures, he wanted to stop and go to the garden to philosophize, perhaps with a butterfly such as the peaceful and healthy essence, full of transparency and stillness. She in this way she stretched her nose towards the ****** leaves, filling them with pure color, with pure airy candor. Sara, looking at him through the glass door, understood his state and wanted to caress his head and face. She immediately called him Ludwig ... come on, it's about time ...! He waited for him to close the door, before cutting off his overexcitement, until Sara quickly arrived and they went to the car. Upon arriving at the Aula Magna, both were in an excellent state of predisposition. They went in and up, sitting in the box. They instantly cheered up and Ludwig, shocked, was getting ready to tell him of his well-being, but the lights just faded to initiate the presentation. They begin by instrumentalizing the works of the 15th century in Spain and France, to later continue with choral music from the Gregorian´s chants Solesmes.
In the intermission, they commented on the lightness of the performers with their instruments and the fiery auditors acclaiming the variations and colors of the voices. His gestures also said how perplexed some attendees were by the perfection of his mastery. As they continue, pairs are introduced performing music for Bach's Harpsichord, and ending with pieces by Vivaldi, El pastor Fido and others by Telemann for Guitar. In the final moment, Ludwig remembered his youth and among them the metallic sound of the instruments that his father carried to compose in his house, assimilating the inexhaustible sounds of those volumes in his sensations. And so the aerial images escaped beyond music and love, from that inexhaustible resistance of his body, from his doubtful states which destroyed the apogee of his evolution. Those great awakenings of little serenity like the great clamor of union that he saw in his parents that later he did not seem like that, but belligerent on all sides, and how hatred broke out and disordered in his person increasing in swearing mouths altered in not measuring his words. Very close together on the step, they said goodbye to the Auditorium, and with a melodic sound, Sara appears singing, Ludwig not understanding that mixture that she sang in her French hymn. He seemed very bohemian and spoke of the pioneers of the Juggler Song. With telepathy he carried the fulfillment of his wish for a magical state, which had no input or output, only it corresponded to extracting an abstract thought from what was divinely related to music. Outside of Ludwig, Sara sang with satisfaction the appropriate atmosphere appropriate to her, but not so with his who was about to spill an ocean of liquids from eyes and ears, in which would come the remnants of quiet time, of the conflict of the others, maybe Debra with a handicapped part endocrinately composed with the flow of mineral and organic acids. In order to open the necessary contact of a soon to relieve, to suspend the claustrophobic tormenting existing, derived from the seizing and painful gesture of her unbearable wanting to heal and not getting it.
Ludwig said intimately ...: Uz ..., Uzzz ..., What a burning sensation I feel, it will pass ...! When the fatigue was overcome, the derutinization begins, to receive the delight, the music of the plumber ingredient of early life. That if it is spontaneous, it is capable of generating great proportions of delight and externalizing the result of the bodies in agitation that still emanated from its rhythmic musical cortex. They said goodbye to the Aula Magna "Bernardo Courtois", leaving a memorable satisfaction in his already enlarged spirit.
Weirdly Emigrate Chapter IV
