“The Silicon Tower of Babel”
The over utilization of technology, its abuse, is unweaving humanity at the seams. Human health, sanity, and spirituality are under attack. The boom of accessibility over technology has increasingly subtracted from the frequency of face to face human interaction as well as human interaction with nature. The result is a declining emotional and psychological health and a ******* of spiritual values. Each individual who values holistic health should limit the time he or she spends using technology that isolates them to less than twenty-four hours in a week. They should make more purposeful efforts toward interacting with nature daily and for periods of at least an hour at a time. Lastly, these individuals should labor to replace reclusive technologies with modes of technology that encourage face to face and group social interaction such as movies, Skype, etc.
Self-limitation of the use of isolating technology will begin to correct the twisting of our spiritual values and the social and physiological damage that has been caused by the overuse and abuse of technology. In James T. Bradley’s review of Joel Garreau’s book discussion of radical evolution, called “Odysseans of the twenty first century”, Bradley quotes Garreau when he says that technology will result in human transcendence. In “Odysseans” it is said that “The nature of transcendence will depend upon the character of that which is being transcended—that is, human nature.”  James. T Bradley, scholar and author of this peer reviewed journal says that “When we’re talking about transhumanism, we’re talking about transcending human nature. . .  One notion of transcendence is that you touch the face of God. Another version of transcendence is that you become God.”  This is a very blatant ******* of the roles of God and man. When the created believes it can attain the greatness of its creator, and reach excellence and greatness on par with its God, it has completely reversed the essence of spirituality. This results in the ability to justify the “moral evolution of humankind” according to Odysseans. And this “moral evolution” often results in “holy wars”. In “Man in the age of technology” by Umberto Galimberti of Milan, Italy, written for the Journal of Analytical Psychology in 2009, technology is revealed to be “no longer merely a tool for man’s use but the environment in which man undergoes modifications.” Man is no longer using technology. Man is no longer affecting and manipulating technology to subdue our environments. Technology is using, affecting, and manipulating the populace; it is subduing humankind into an altered psychological and spiritual state.
Technology, in a sense, becomes the spirituality or the populace. It replaces nature and the pure, technologically undefiled creation as the medium by which the common man attempts to reach the creator. The common man begins to believe in himself as the effector of his Godliness. Here there is logical disconnect. People come to believe that what they create can connect them to the being that created nature. They put aside nature and forget that it is an extension of the artist that created it. Technology removes man from nature (which would otherwise force an undeniable belief in a creator) and becomes a spiritual bypass. “According to “The Only Way Out Is Through: The Peril of Spiritual Bypass” by Cashwell, Bentley, and Yarborough, in a January 2007 issue of Counseling and Values, a scholarly and peer reviewed psychology journal, “Spiritual bypass occurs when a person attempts to heal psychological wounds at the spiritual level only and avoids the important (albeit often difficult and painful) work at the other levels, including the cognitive, physical, emotional, and interpersonal. When this occurs, spiritual practice is not integrated into the practical realm of the psyche and, as a result, personal development is less sophisticated than the spiritual practice (Welwood, 2000). Although researchers have not yet determined the prevalence of spiritual bypass, it is considered to be a common problem among those pursuing a spiritual path (Cashwell, Myers, & Shurts, 2004; Welwood, 1983). Common problems emerging from spiritual bypass include compulsive goodness, repression of undesirable or painful emotions, spiritual narcissism, extreme external locus of control, spiritual obsession or addiction, blind faith in charismatic leaders, abdication of personal responsibility, and social isolation.”  Reverting back to frequent indulgence in nature can begin to remedy these detrimental spiritual, social, and physiological effects.  If people as individuals would choose to daily spend at least an hour alone in nature, they would be healthier individuals overall.
  Technology is often viewed as social because of its informative qualities, but this is not the case when technologies make the message itself, and not the person behind the message, the focus.  To be information oriented is to forsake or inhibit social interaction.  Overuse of technology is less of an issue to human health if it is being overused in its truly social forms. Truly social forms of technology such as Skype and movies viewed in public and group settings are beneficial to societal and personal health. According to a peer-reviewed study conducted by John B. Nezlek, the amount and quality of one’s social interactions has a direct relationship to how positively one feels about one’s self. Individual happiness is supported by social activity.
Abuse of technology is a problem because it results in spiritual *******.  It points humanity toward believing that it can, by its own power, become like God.  Abuse of technology inclines humanity to believe that human thoughts are just as high as the thoughts of God. It is the silicon equivalent of the Tower of Babel.  It builds humanity up unto itself to become idols. In extreme cases overuse of technology may lead to such megalomania that some of humanity may come to believe that humanity is God.  Technology is a spiritual bypass, a cop-out to dealing with human inability and depravity. The misuse of technology results in emotional and psychological damage. It desensitizes and untethers the mind from the self. It causes identity crises. Corruption of technology from its innately neutral state into something that negatively affects the human race results in hollow social interactions, reclusion, inappropriate social responses, and inability to understand social dynamics efficiently.
It may appear to some that technology cannot be the cause of a large-scale social interrupt because technology is largely social. However, the nature of technology as a whole is primarily two things: It is informational; it is for use of entertainment. Informational technology changes the focus of interaction from the messenger to the message. Entertainment technology is, as a majority, of a reclusive nature.
Readers may be inclined to believe that nature is not foundational to spirituality and has little effect on one’s spiritual journey, it is best to look through history. Religions since the beginning of time have either focused on nature or incorporated nature into their beliefs. Animists believe that everything in nature has a spirit. Native American Indians like the Cherokee believe that nature is to be used but respected. They believe that nature is a gift from the Great Spirit; that earth is the source of life and all life owes respect to the earth. Christians believe that it is the handiwork of God, and a gift, to be subdued and used to support the growth and multiplication, the prosperity and abundance of the human race.
In a society that has lost touch with its natural surroundings it is sure that some believe that nature has little effect on health, as plenty of people live lives surrounded by cities and skyscrapers, never to set foot in a forest or on red clay and claim perfect health. However, even in the states of the least contact possible with nature, nature has an effect on human health. The amount of sunlight one is exposed to is a direct factor in the production of vitamin D. Vitamin D deficiency has been determined to be linked to an increased likelihood of contracting heart disease, and is a dominant factor in the onset of clinical depression. Nature has such a drastic effect on human health that the lack of changing season and sunlight can drive individuals to not only depression, but also suicide. This is demonstrated clearly when Alaska residents, who spend half a year at a time with little to no sunlight demonstrate a rate of suicide and clinical depression diagnoses remarkably higher than the national average.
Dependence on technology is engrained in our society, and to some the proposed solution may not seem feasible. They find the idea of so drastically limiting technology use imposing. They do not feel that they can occupy their time instead with a daily hour of indulgence in nature. For these individuals, try limiting isolating technology use to 72 hours a week, and indulging in nature only three times a week for thirty minutes. Feel free to choose reclusive technology over social technologies sometimes, but do not let technology dominate your life. Make conscious efforts to engage in regular social interactions for extended periods of time instead of playing Skyrim or Minecraft. Watch a movie with your family or Skype your friends. Use technology responsibly.
To remedy the effects of the abuse of technology and the isolations of humanity from nature, individuals should limit their reclusive technology use to 24 hours in a week’s time, indulge in nature for an hour daily, and choose to prefer truly social technologies over reclusive technologies as often as possible. In doing so, individuals will foster their own holistic health. They will build and strengthen face-to-face relationships. They will, untwist, reconstruct and rejuvenate their spirituality. They will be less likely to contract emotional or social disorders and will treat those they may already struggle with.  So seek your own health and wellbeing. Live long and prosper.

My autism's a part of me,

But it is apart, you see.

...

Who are you?

With your ‘normal’ view.

Are you just one thing, or are you a person

With thoughts & feelings, that are your own unique version.

Preferences, ideas, talents, and dreams?

That are bound by senses that meet at their seams.

Are you fat, short sighted or visually impaired?

Are you ever wondering why I just stood and stared.

Those may be the things that I saw the first time I meet you,

But you’re more than just your ‘normal’ diagnosis…. True?

As an adult, you have control over how you’re defined.

Your normality means your perceptions are refined.

So why would you single out one characteristic of mine that you can make known.

As a child, I am still unfolding, I’m not fully grown.

Neither you nor I yet know of what I am capable.

If you think of me as just one thing, then one thing’s inescapable.

You run the danger of assuming I have no chance of achieving.

And my heightened senses know this, it’s only you you’re deceiving

For I am not endowed with any ordinary sense.

You need to know this before I commence.

You take for granted sight, sound, taste, touch and smell.

Never once realising that these things can be as painful as hell

For me.

You see.

My world often feels hostile, and makes me so fearful.

I may appear withdrawn or belligerent, whilst others are cheerful.

Or mean to you, or antagonistic,

Defending myself, then going ballistic.

You tell me we’re going on a trip to the shops

And out of the world my safety net instantly drops.

My hearing, you see, is hyper acute.

But I’m put in the car, though I loudly refute.

At the shops, walls of people jabber and whoop.

The loudspeaker booms and adds to the soup.

Music blares and lashes and whooshes.

Tills beep and cough, a coffee grinder swooshes.

The meat cutter screeches, a baby starts wailing,

I’m starting to malfunction and am rapidly flailing

As trolleys pass creaking, and fluorescent lights hum.

I’m starting to panic, but also turn numb.

My brain can’t filter the input, the voltage is massive

I’m in overload with no chance of staying passive.

My sense of smell is stratospheric.

That fish on the counter is NOT atmospheric.

The man in front hasn’t showered today,

That Stilton cheese – someone take it away!

A baby goes past, it’s ***** needs changing.

Things are going faster and turning deranging

They’re mopping up pickles on aisle two with some bleach and a rag.

My stomach is churning, and I’m starting to gag..

And there’s so much hitting my eyes!

This trip has turned into the world's worst surprise.

The fluorescent light

Is not only too bright,

it’s that flicker.

The space seems to be moving, getting quicker and quicker.

The pulsating light bounces off everything and distorts what I am seeing.

I don’t know what I’m doing, or saying, or being.

There are too many items for me to be able to focus.

The world starts to drain me of my internal locus.

My eyes try to compensate by tunnelling my vision

Fans on the ceiling, twist my senses into nuclear fission.

All this affects how I feel just standing there,

and I can’t even tell where my body is in space, do I care?

You’re yelling at me now, and shaking my shoulder

But the fiery fog is down and is starting to smoulder

It isn’t that I don’t want to hear your instruction.

I just can’t understand, due to mass self-destruction.

You're shouting now, but what does "£$%^&&% NOW! !£$%^&*" mean?

My senses will **** me in a collusion so obscene.

Once we’re back at the kids home, it all feels less absurd.

And now when you speak, I can hear every word.

Simple instructions, that I know off by heart.

And I cling onto these so I won’t fall apart.

You tell me what you want me to do next and I’m able to reply.

Now I’m happy and it’s easy for me to comply.

Now I’m OK and I’m running about

And performing my ritualised songs, which I shout.

Then a visitor grabs me saying, “Hold your horses, cowboy!” – This means danger!

I can’t stop the horses, I’m me, not the Lone Ranger!

And I’m thrown into panic when what you mean is, “Stop running.”

But I don’t know that! Those stampeding horses are coming!!

That’s my life, you see, it’s not “a piece of cake”

When there’s no dessert in sight and you’ve made a mistake.

When you say, “its pouring cats and dogs,” I see pets flooding from the sky.

Tell me, “It’s raining hard,” so I won’t fear the animals will die.

Puns, sarcasm and allusion

Simply generate confusion.

Tell me facts and keep things clear

So I can live, yet not in fear.

It’s hard for me to tell you what I need when my senses are reeling

When I don’t have a way to describe what I’m feeling.

I may be hungry, frustrated, frightened, or perplexed.

But I can’t find the words, and lash out, angry and vexed.

Be alert for my body language, or my gestures and obsessions

Then you’ll handle my feelings like your own treasured possessions.

Watch out for me compensating for not knowing the right word

By mimicking my favourite film star, or something just as absurd.

Rattling off words or whole scripts, which will leave you confounded

That I’ve memorised from Disney, because they make me feel grounded.

They may come from the TV, or speeches, or a book

And though they make people give a funny look

I just know that saying them gets me off the hook.

Show me, show me! I’m visual, you see.

And I’ll understand rather than you just telling me.

And be prepared to show countless times.

I’m listening, despite my ritualised rhymes.

Visual supports help me move through my day.

They relieve me of the stress and I feel OK.

I don’t have to remember what’s happening next

For I operate on a visual text.

This makes for smooth transitions in my life

And we’ll finally progress without anger or strife.

I need to see something to learn it, because spoken words are like steam to me;

They evaporate before my mind's eye, and are gone instantly,

Before I even have a chance to make sense of them,

They've died in the ether, leaving me in mayhem.

I don’t have instant-processing skills.

Instructions and information are my life giving pills

Images can stay in front of me for as long as I need,

and will be just the same in years, for they'll never recede.

Without visual help, I live the constant frustration

of knowing that I’m missing big blocks of information,

Not to mention falling short, by being a misfit

And I'm helpless to do anything about it.

Unlike other people, I'm unable to learn

If it's normal interaction for which you do yearn.

I’m constantly made to feel that I’m not good enough

And people are stern and people are tough.

They think I need taking in hand and need fixing.

Never knowing the world and my brain are tranfixing

I avoid trying any new things, for I'm sure I'll get 'dissed'

And another grown up will be angry and get 'real ******'.

But no matter how “constructive” you think you’re being.

Look for my strengths, though they're hard for the seeing.

There is more than one right way to do most things.

It may look like I don’t want to play with the other kids on the swings

But it may be that I simply do not know how to start

They just think I'm weird, and set me apart.

Teach me how to play with others.

Remove my autistic shrouded covers.

Encourage other children to invite me along.

They might learn something of value from my life's different song.

And rather than spend my day as separate, secluded.

I might show an ethereal delight at being included.

I do best in games that have a clear beginning and end.

Random play is something my fears won't transcend.

And just one other thing, a sort of confession

I cannot interpret a ****** expression

Or body language, or other peoples' emotion

So in group situations I'm resigned to demotion.

I want to learn, I want you to teach me.

Reach into my mind and help me to see.

If I laugh when Tommy falls off the climbing frame,

It’s that I don’t know what to say, nastiness isn't to blame

Talk to me about Tommy’s feelings and teach me to say,

“Are you hurt, Tommy, I'll get teacher, then you'll be okay?”

If you don't I'll meltdown or blow-up, and get in a stew

And this is a thousand times worse for me than for you.

For my mind will go into overload

My sense of equilibrium will start to off-road.

For I'm well past the limit of my social ability.

As those off road lights glare at my own disability.

If you can figure out why my meltdowns occur, they can be prevented

And my behaviours will abate, less frequently lamented.

Keep notes about me and a pattern may emerge.

As your understanding of me will gradually converge.

Remember that everything I do is a form of communication.

It tells you, when my words cannot, how I’m reacting to each situation.

My behavior may have a physical cause.

Think for a moment, just have a pause.

Food allergies and sleep problems can affect my behaviour.

Just look for signs, for you might be my Saviour.

Because I may not be able to tell you about these things.

That blunt my affect and cause my mood swings.

Throw away thoughts like, “If you would just—” and “Why can’t you—?”

You didn’t fulfill every expectation your parents had either, that's true.

And would you like to witness a constant rewind.

Of the traumatic deficits by which you're defined?

I didn’t choose to have autism.

Or to live with this division

Remember that it’s happening to me, not to you.

But without understanding, my chances remain few.

With love and support, my horizons are broader

But I can't live my life by other peoples order.

Patience. Patience. Patience, are the three words we need to live by

For my dreams to be reached, and my confidence fly.

View my autism as a different ability

Rather than as a freak show disability.

Look past what you may see as limitations and feel for my strength

I may not be good at eye contact or conversations of length

But have you noticed that I don’t lie, or cheat at a game

Or pass judgment on people, and make them to blame?

I rely on you, if you can make me your personal vocation

All that I might become won’t happen without you as my foundation.

Be my advocate, be my guide

Be my strength, stand at my side.

Love me for who I am, and not what you know

And we’ll see just how far I can go.

Matt Revans 2014
©Copyright

Praeludium in via ...

Vidi heri mane quando ridebam coloribus egregiis,
Eradere auro , trans tabula caeli , tentorium ...
Excelsus super omnes montes mundi mole fratres
Nimborum desertum , ubi non sit humana exsuscitatur .
Et non vidi nobili altitudo futura ...
Bonitas terribilis Vidi , *** indomitus.
Et peregrinare in ea carne existimarem Semel tamen divina ,
Nunc datum est scire , et non confundamur ab eo opus .
Ambulavitque *** Deo, quod nunc facio , et passus est ... accentus
Proditio amor et passionibus , quamvis non recipiat ecclesia ,
Divinitatis naturam , ne occulta omnia confitentur ?
Audis tu solus in universo ab duces ineptum
Ipsos victu pascuntur finguntur mendacii .
Sed ambulavit in vobis, ex ea ipsa mundi redivivi ,
Proelia ante hos annos multos, in carne nostra, amissis vate sacro .
Nos sequi vestigia veterum monumentis, ut ostensum est ;
Quia ex nihilo nati sumus , et adhuc in filiis tuis, ac spatium vivendi ,
Latebunt , quo melius in manifesto , vultus ingenio tegmina.
Ego sum primus , et consilium ... Memini tamen alta urantur
Humanis uti licet , *** aliena michi negotium.
Lorem quid ad ignorantiam et extra ,
Quia vidisti me in tenebris, in ardentem rogum meum .
Si sustinuero , praeire , ubi angeli labuntur ...
Quis autem, si non satis est dedicata piget.
Irrisorie , quoniam ego scio quod salventur , et saepe etiam ,
Post tantum est **** , et sic esset forma in re firmatam ?
Imago Dei , huc ad nos omnes in sanguine ipsius ,
A primis ad ultima, ut alpha et omega, gladius acutus .

Prologus : ( Os meum labitur )

Puer fui servus ad aras tam sacras ,
Hymnis immaculatorum : et absque iniquitate .
Quod *** ipse portabat diadema thons nudus ...
Expositum Spiritus meus, qui intellexi gravitatem.
Quis credit sanctum profanae habitu virtutum
Et illi qui in eo sunt ut carnifices ovis ad occisionem ,
Innocentes cogit induere larvis ad porcellana et operuerunt capita sua ,
Et filii eorum diriperent pueritia , vinctus catenis rudis .
Sicut teenager : ambulans in naturis hominum omnium adprobante ,
Et egressus est a me omnes, qui violatores extiterunt in coinquinatione verebatur .
Angelo fidem reperto cecidi inveni sanctitati
Nomen meum in ea , et curet abluitur dubium inveni .
Venit ad nuptias, et omnes dedi uxorem proditione ,
In solutione huius coniunctionis nostrae et sine intervallo in solitudinem imposuit ?
Traiectus mortalis caro mea reliquit me solum in sanguinem ,
Cor ejus scissum est , absque omni cultu ex ordine funem .
Angelus autem meus et leniat iras mansit dolori
Mea lux, in vigiliis, in nigrum, quod est victa ,
Admonens quia carnis mortalitate ... maxime
Angelus vult me et tremor et durum accepimus.
Et ego factus sum quam ... traumas vitae ac lacrimis
Et dimisit , in specie quae sunt post , veluti a me plagas .
Nox deinde calor intensior saunas percipimus ...
Sicut est mihi in choro , relictum est , nisi ab illo esse extensum ,
Et invicem tradent , et mortalem , ut impunita essent, sed numquam mihi ...
Non tradent ; effundam spiritum meum , et non totum .
FYLACTERIUM creare ex omni me , et oculus innocens ...
Quod amari posco sum ​​ut carbo margarita alba et nigra ;

Section I : Sacrificium Doll

Part I : ( litus sanguinem )

Ne revoces me pupa enim priscis recesserunt cavernam
Sunt inanima appetant , non realis forma in utero ;
A puero bibere rubeam ore exploratores in vastissimam taberna ...
Dum nati psallens FARRATUS agros effusi .
Vadimus ad domum Dei , in plagis , in magna pecunia debetis ...
Hoc non est ad oras Nunc cruore manant strigitu rubra de memoria , polluetur .
Nulla est enim me primus ad ignitionem gloriae ...
Quando autem mens aeterna , in omnibus placentes, causabatur laetitiam .
In stellis ibi verba quae ego volo inauditum revocare,
Quia descendi ita pridem apud venire primum ?
Sollicitus purus fabrica MYSTICUS chaos genitus antiquorum
Mitti expectant limine signa magica.
Interdictum revertatur in carminibus meis , Licinius, ut audacia ,
Quia oblitus est mei fere est: nunc originem , ut tragici.
*** filii bibere, et se abscondunt nati seorsum
*** aquæ in sanguinem, et super triticum, et arefecit fœnum, et humida !
Signum quod venturum est mutare et laboro mentem.
Facies in luna ALLUCINOR in metu torquetur , horror ...
Dumque in fauces manu stare super pectus
Inter ordines diu frumentum umbra nigro ambula
Genus servo meo animas infantium .
Aestas flavescunt, Phoebe caelesti audent .
Mea sola mcestas lupus sonitum audiri potest ,
Et *** feris leo in pontumque moueri relinquere ...
A natura mihi dolet cupio concupivit paradisus reducat .
Vidi terram terror , ut sanguis in sinu
Ater sanguis in terra , quae facit viventia ululare ...
Sicut **** habet stultitia non dicam prava vel !

Part II : ( Crucifixo et Inferorum Animas Excitat)

Nam inertis est gemere pupa altari parato, in sacrificium,
In lapidem calcarium, et in cavernam, ubi sunt wettest fingit arcus !
Un - res sunt, sed etiam *** vivit in vulneribus animae , ut in glaciem ,
In horrore frigoris fictilem , ita *** pedibus non vocavit.
Serpentipedi mucrone subrecto , remittit praecise a pupa in collo ,
Et non potest dici , quia non habet pupa voce clamare.
Puer, et egressus est a tabernam , aspectus eorum quasi a naufragii vile ...
Ut curem hominem a superioribus agentibus , corpus totum mundum.
Infra in concavis locorum asperitate visa petram
Magna voces resonare in tenebras , et vocavit nomen tacuit.
Eripuit animam trahit nauta Multo gregis
Ubi aereum reddet unicuique antiquum signum desideratum .
Et venit ad bibendum aquas illas vitae malis mederi ...
Porcellana , et liberatus a vinculis mortis obscuris sentiat frigore ;
Animas in captivitate , unde nemo mortalium loqui
Sed statim liberavit remotis perforabit clavi ...
Omnis **** , qui dicitur Golgotha ​​, olim in cruce positus .
Omnis autem mulier quoque, ad quod omnes tales sunt tormento
Et facta est , dum consummaretur sacrificium insita primum sic infirma est,
Et intantum ut nisl tot annis perpessi .
Signati post fata diu Quod murus ignis in Terra ,
Stigmatibus ferre posset ita etiam multa futura!
Quod signum erat in manu mea, ut labatur pes meus, et dimittam ...
Tamen adhuc vetera perseverare illusionibus , et non possum excitare multos .
Ego, qui iam tantum conligati Lorem ferrum quid reale,
Factaque est infinita in dolo : Ego sum ​​, et desiderio erat pax.
Nam et ego quod negas , nisi aspera ac rudia mei liberatione ;
Angelus liberavit me , et nunc inter saevus sigillum frangere conantur .

Part III : ( The Return of lux)

Qui a mortuis Surrexit , frigidior , ubi de somno , ultrices in somnis , per
Et obliti sunt intelligentiae invocatum est super sancta miserunt innoxia verba ...
Et inde apud hominem , ut maneat MYSTICUS sequuntur revertamur ,
Ea aetate in inferno commemoratione praeteritorum.
Qui suscitavit eis manum meam , et pugionem eius lumen gloriae,
Relicta meae effercio fluere sanguis subito currere libero.
Ex profundo flamma surgit millennial amisso puella puer ,
Quæ est angeli redivivam sinit luce clarius ostendit .
Et omnis qui non occaecat oculos ad intima ;
Infideles , in momento temporis ponere in obprobrium .
*** stellae ab Diua sacrorum opera voluntatis
Dum coccineum limen transeat , lucem adfert .
Momento enim omnes in caelo et in terris sunt ,
Sicut dies longus tandem inclinatus ante noctem veniat .
In tenebris , claritas multo maiorem et perfectiorem descendit ,
Eorum, qui dum in nomine meo orbata est devium.
Sicut incensum in conspectu angelorum ira animos eorum , occlusum ...
Ferrum IRRETUS texturae talis effugere nequeunt carcerem
Nam quicquid occaecat vidit lucem et scindit
Nisi quia in templis revellens mortalibus irae.
Et , postquam ipsæ fuerint fornicatæ infidelium , ut uoles, petulans ,
Et factum est in excogitando dogma , quod de ratione immemor ?
Horrendum non fides sit , tamen ita fecisse ,
Ante finem exspectent praemia petunt .
*** enim , ut est in paradisum suscipit dereliquerunt ...
Imago autem libertatis quam servitutis et negotio.
Nimia tempus extractam converterat a gladio:
****, ut spectet ad salutem in lucem , caeca lumina sua .

Antiphon alpha :
Quia hoc est ut , barbaris quoque innocentiae gentilitium mendacium vendere ...
Numquid et vos vultis emere , aut aliquam nunc forsitan putas,
Ad sciendum neque rationi consentaneum neque aetate sapientes ...
Quod si non moverent malles *** saltare!
Pleni sunt somnia noctes ; Dies mei tantum ...
Ego ad bis et quem maxime diligebam , in purpura quoque , et aprico occasus .
Ego autem haec imago non ad tangere memoriam tot ,
Qui replet in sanguinem furoris me , et frigidam desiderio finis .
Et considerandum est quod *** in ultima desperatione rerum , in cuius manu mea, equo et pilos in ore gladii ,
Nam ni ita esset, nunquam tamen inde trans familia .
Sed abusus est , ut fuit, et quidem instar caedentes sepem
An ut reliquos omnes transcendunt omnia , amice!
Ego superfui , transfiguravi ascendi in fine est ,
Multo magis quam erat, non plus quam diruere animus .
Sed tamen , quia speravi in solitudinem , ut a somno exsuscitem ancillam meam in flamma ...
Ardet , o superi, ut arbitror , usque uror dissiliunt!
De caelo et magis obscurant vestris, et tridentes, et contritio ,
Audio furorem tympana caelo antiqui gigantes hiemes.
Dii irascantur et ecce valide erutas ,
Uvasque calcantes Angeli hominis Illi autem vinariis ageretur ...
Recordatus sum in omnibus navigantibus battleship galaxies ,
In die ortus nubes inter exaestuans, quod ' vaporem ...
Depopulari Sodomam et Gomorrham, ad contumelias !
Ibi eram: et *** impiis non perire denique gemitu.
Ut illuderet mihi : et populus , quia ego bonus sum male velle ,
A Deo est, quam diu tot mala ferre cogetur .
Ego autem non sum solus , quia multa in eo et detorqueri
Deus remittit, nam adhuc sed non est intellectus ;

Section II : Hostiam de Spider

Part I : ( Rident Primus )

Caelum non egerunt pœnitentiam super ulcus nigrum est furore , et in indignatione, et in iustitia :
Et factus sum caro , quamvis intellectus non mortale .
In antro loca , quæ transivi , et dæmonia multa discurrunt ,
Et locis minus adhuc amor in search of a provocare .
In quo autem in craticiis tectoria atria mea, et thronus fuit stabilis ...
Et super collem , ubi dolorum laborum animae perit labor in mundanis ,
Transcendi vincula et consilio fidelium expectabo laudatur.
Ignis et sulphur et, semper est dextera arderent super altare ?
Ridentem cogo faciem meam : non enim veni , ut velle,
Ut in hora *** iam iuvenem, *** proposito aureum ...
Quæ pro impenso super solidum, pretium quis ,
Qui autem non cognovit , quomodo cupiam sibi solvere ...
Furor solitudinis nascitur ira nascitur ex malitia,
Qui autem contemnunt me , quia sine causa Provocantes me .
Quid est **** , impunitatem , ne quis putaret se excusat ;
Quam sapere , *** culturis tuum: mergi , in balneis , in ardentem .
Loquor de inferno, qui est infidelis nescis ?
Neque enim suis oculis effossis clavorum ...
Loquor cruciatus qui daemonia fecerunt superat .
Primus erit mihi dolor meus *** omnis fera voluntas ut ratio ...
Ut qui me conspui caro quod ambulans ,
Nescis modo larva facies mea , abscondens se.
Attendit ad illa nihil nisi insipientis solis erratur in sonis cantus
Tantum numerus ratus e fratre soror .
Sed in caelestibus quae sine causa nata est incestus est alchemical ?
Habitat in me peccatum occultum compages sǽculo.
Sit mihi vim inter gentes auditus est ABSURDUS musica ...
Spiritus meus qui regit omne simile est genitus.

Part II ( vindicta aurum )

In hortos, in quibus cupiditas sanguis rosaria semina ,
I , in manu eorum , qui esurit Quorum sitit aquam surgit !
In quaerere dilectionis affectum bestiis pavi eget
Quid faciam ut pudeat , habet me non elit .
O **** , quo impune ausu palamque vociferari ,
Quod amor sit ex me credis , et me opus manuum tuarum ,
Ut timidus , et cucurrit ad me latere turba depravari ,
In simulata excellentiam tuam , et ipse te vile animal .
Coniunctio oris linguae quasi telam laqueari
Si fieri potest araneae ; et fugiet a turpis ut octo pedes nidum ...
Et *** jam non calidus humanitatis indignum ,
Cogitans te meliorem quam reliqui descendes !
Ut vitae pretium millies , tibimetipsi .
Creaturam factus sum nocte expectant te aranea heu !
Nolite putare quia ego audirem . utrumque stridens cruris ...
Odium ductor tuus , et equi ejus , et ascensorem ejus .
Et in vestra web Video vos, Quirites immune ungues acuti ,
Ad toxicus venenum , quod oculis non potes, nisi te , octo ...
Ex quo bases Caesios sine timore, et sic primum
Ut dolores tuos comedat vos accendentes ignem caelum ;
Detur paenitentiae venia , quae dicis omnia cogit , ne superare dolores ,
Qui tibi semper, quæ videtur , non est potentia ad non noceat .
Et ascendit ulterius sapere plus pavoris tui ...
Numquam puerile ludibrium ulla facta .
Omnis domus tua dissolutae horologiorum ad socium non est ?
In desertis chaos est gaudium, ut si quod habuerunt.
Surgit in novum ordinem , nemo potest negare chaos genitus locus ,
Dum descendes perdunt, muneribus laesae.

PARS III ( Ultimo Rident)

Et sic videtur quod Angelus se et ante deam
Angelus autem nominis vocare aliquis tenuerit formarum.
Et qui in illis est , maiora sunt, ego saepe ad extraneas ,
Fingunt enim se perfectum , ignorant eorum saevitum ,
Num amor crustacea tam veteri quam in praedam , et mendicum ,
Quod minus quam tuum est , quam sumpsi eaque cibum ...
Est autem tarn coquina sicut clibanus tua vadit et ora
Ipse, ipse est extra te praemium virtutis tuae chores ,
Sicut enim res suo cuidam negotium , qui meretricem ... Lorem ipsum leve,
Putas praemium amaret , et mendicum , falli te .
Quid autem vocatis me alienum **** ... amor est malum , et hoc pudet,
Et similiter anima atque animus , quibus tandem corpus infirmare.
Vides tantum larva ... sub aspectu nisurum
Larva ut me in tenebris tenebris latet .
Circa collum tuum habebis , ut falsae aestimationis pendet a mortuis, et corona ,
Quia sterilis tibi relinquo mundum , Intenta ancillæ.
Consurgitur in excitate de reliquis abire tibi , qui sunt cognati mei
De manibus eorum procul offendant pedes vestri ?
Qui manet in coemeterio quasi mortui
Non tollere incorruptione Nimis tibi dubium .
Hue tacito lachrymis virgines flere ...
Ad mea, et robur , in quo praeda, gregibus rursum super vias hominum ,
Ad eos qui non ineptis metus mutetur ,
Aureus transmutare non magis quam plumbea nocte dies ;
Quod verum est de fine , qui scit ... Alchemist
Magistra rerum artes a me in profundum.
Ágite , quod sum aggressus creatura placet mutare ...
Ut res sunt nostrae demiurgorum lasciva oscula enim calidius ?

Omega Antiphon :
Non est autem in Utopia , non videtur quod ...
Donec ut nosmet ipsos cognoscimus prima quaerimus imaginem .
*** et in sacrificio sui ipsius , a volunt reddi obsequium ...
Qui ad reformandam et divina se , *** Leo renata agnus mitis !
Sicut in Christo, ex parte in qua invocatum est cicatrix, et vulneratus est ...
Sed simplex conversio ad dissimilis vultus nolui .
Memini dolore meo, ut acer et vehemens ...
Donee tantum possum emissus dolor servare sensu caret.
Quomodo potest aedificare paradisum non est, nisi in se mutant ;
Mutare ante mutatum esse non est in medio ; quae est in via .
Qua ad paradisum , et oportet eam, et non deficiunt,
Ne ad caelum, nisi quam nos aedificare illud infernum iniustitiis nos .
Utopia , non ruunt ad genus humanum, nisi a te, tu es qui habitavit ?
Nisi quod est extra omne malum quod in se corrumpunt ,
Manifestum enim est , nisi malum, quod mundatam ab omnibus malis moribus.
Tunc malitia faciatis abstulit senex super pluteo tom .
An non intellegat , quid est salvator ...
*** diceret quod non omne quod simplices filii ingredi
Regnum caelorum , et inde ad delectationem pertinere ...
Et quomodo potes perfrui , si tibi placet , cauillando crudelis ?
*** aurora tempore domini nituntur hominum planeta ...
Numquam imaginandi praecipiet ut discat primum voluntatis.
Non armorum vi , nec inutile mandatum ...
Sed *** modestia , et misericordia ; ergo qui ad cor suum in satietatem,
Gáudii innumerabiles et celebrationibus quae causa ?
Sed animus intendatur dolores peccatum lacus.
Ubi plausus rotundum vt quilibet sensus ?
Modernitatem iocabitur ullum definitum ornare.

Section III : sacrificium sui

Part I : ( hortos perditio )

A ziggurat sublatus est , arenosa in calidum lateres , quos coquetis in igne ...
Septem fabulae in caelum, sicut turris Babel ,
Quod in solitudinem, et in

drinking *** allows you to
spots things.... the like of insects crawling
on glasss... the oddity being:
inside a room... i call it a misguide
between glass and air...
    and then there's evanescne's
my immortal...
           and why i can forge
a need for a tear...
              that sense of
a gratifying gulp of snot...
    the pass on asking being
demanding....
  like wolverine asking jane / phoenix
out on a date... but being rejected....
because she's seeing
cyclopse;
**** me, a woman's take on scent...
and then cleaning up cat's ****...
     well done....
   to satiate the brute...
           you have to be the brute...
and what of a need for
a callous call to make amends?
          well, merely answered by a:
                                    hush;
and that's outside the domain
            of saying growl...
     when an actual growl was neccesary;
and was, a verb, rather than a noun...
          oh the freeing feeling
                of the much adored sadness!
god, with it, i am, nowhere closer than
to you, in that i am... "claustrophobic",
yes, res locus;
yes, res locus... it's something that gives
a historicity of the cartesian argument...
a temporal and a spatial guise-cocnern
    for temperaments that avoids
         fabrics, and that said, generally:
fashion; esp. to give vogue to cognition!
it really can be "unfashionable"
to think someone's argument...
        e.g. kant? unfashionable.
  nietszche? very much fashionable...
it's called hegel's lecture notes + marx's critique...
   cogntive vogue...
i like that term...
it sounds so much more astute to be said,
than say, cultural marxism...
      so much easier to state:
  well... given the year 2017, the cognitive vogue
is... a, b, c...
     than ascribe some definitves /
                             post-scripts of an ideology,
like darwinism, that's become as rigid
                            as the geometry of a triangle;
and **** me! the theaory won't budge!
it won't budge into a yawn! degraded as library
material!
   it had to compete with marxism
                      as having, a culutral status!

coming from the spatial, rather than the temporal position
of the reinvention of the cartesian
unit, i.e. res locus...
  the following can only be based in germanic:
dasien... i.e. there-being...
                   well, the english answer would sound
                             like the following:         there's being;
there, is, being;  **** me, that's seriously frankenstein like;
all it says though, is: there's existence
  to speak of... if it needs to be spoken of...
                    but the concept of res cogitans
   has to be replaced by something new...
   given the existentialists, esp. the germans,
it can only come about via heidegger's concept of dasein...
hence, me, at the bith of the 21st century...
   conceptualised as res locus equivalent
to expressing 24 / 7 news coverage...
     oh the thinking thing is relevant... but in the beginning
of the 21st century... you simply need to "locate" it...
you have to state the aversion to heidegger's dasien /
being there...       temporal...
            via                    there's being...     spatial;
             alternatively hand-in-hand with indiana jones
                 covering the happenings of, and in, the third *****.

A lone paddler
within rumoured holy waters,
blessed by the touch
of a vacant apathetic god,
she gaped mutely like a halibut,
lips parted comically in a silent wail,
the clockwork functions
of her jaw,
forced teeth to reacquaint as sisters,
grinding together
in discomfort,
as lukewarm fluids rippled
around her thighs.

In this silent act of cleansing,
sin's hallmark should have faded
from her skin,
still her father believed
'her to be the devil's young'
due to scientific witchcraft,
her concoctions to lure demons
to their dinner table.

'I'm doing this for you, darling.'
her father reassured
with an earnest glint in his eyes,
madness paced hungrily,
encircling pupils in a territorial manner,
delusions of God himself watching
over his daughter,
with tears streaming down golden cheeks,
repeated within his fragile mind.

Unsure, the girl remained standing,
the embodiment of Mary
with her arms spread like angel wings,
did she dare disobey
her father's wishes,
and feel the leather belt against
her rear,
or reject her own troubled heart,
for her father's sake?

precursor - title correlation
body -

mind of:

C                oh

    oh                      Ri

n'ah.   (half an hour fiddling with a 502 bad
gateway; traffic these days! jeez!)

I.

it don't know what's more frustrating for the reasons that it's so good... i can't choose... it's a close call... either listening to Red Hot Chilli Peppers' B-sides from By The Way... ugh! why didn't they release that as a double album! Stadium Arcadium was not that good as a double-album... all the prior albums are MAGIC... literally... for ****'s sake: GOLDMINE is literally just that... there's that... i can't concentrate on making my own translation of Ovid... i'm yet to scribble down the translation i have... i can't even drink my whiskey properly... the other frustrating focus? watching Armand Duplantis break his own world record of 6.21metres... the ****** has still at least 10cm in him! a record that will have to stand-still for the next 20+ years... i'll be dead before this record is broken... Сергій Бубка best be sleeping... i'm listening to the music, reliving the end of the World Athletics and trying to heel-myself-in-the-buttocks: better get a move on boy... hmm! "trying"... i'm actually heeling myself in the buttocks: no time to wait... one can wait for a bus... one cannot for one's own incentive... ol' Lizzy is coming up the mountain... she's coming with the proper closure of the 20th century... however many popes she outlived... however many prime ministers and american presidents... come on Lizzie... just one more year... i'm actually dying to spend money with whittle Charlie printed on the notes... my fingers are itching... but **** me... music so good By The Way should have been a double-album... no! Stadium Arcadium was not the salvagable double-album worth session... i'm getting "schizophrenic" vibes... i know that poetry is not an entertaining medium: it's a complacent self-congratulatory, thereupeutic load of *******... it's obnixious when staged: the exasperated art of speaking with speed... today i realised that i much prefer drinking to having ***... i like the preservation of my brain with a hard-on of itchy fingers than any actual ******* hard-ons... the knife opening oysters or plucking out the eyes of deer... best the eyes be gauged out... than having deer stare into car lights... hybrid confusions of static, motivated to move... frozen in a make-shift imitation of root and clay and copper: bam! one more statue down...

II.

it's no wonder why i'm not looking for a girlfriend, it's no longer bewildering why i'm not looking for a wife, at best i'm looking out for that ancient custom of Roman emperors: to become a foster father, a surrogate - i'm yet to find a match-up... i almost did, but she undermined my chances by undermining her own seriousness in such affairs... but clarity does come... as much as i might be a surrogate father to her son or daughter: i wouldn't be faithful to her... i would steal the night and run away into a brothel... but there's something else... the whole dynamic of publishing has changed... the whole idea of a library has also changed... i own more valuable books in my private collection than the public library of Romford... which is me peering at the dire straits of what the public is fed... i know why i don't aspire for pair-bonding... perhaps man so levelled aspired toward the imitation of birds a long time ago... perhaps swans are truly noble creatures: for one hears of widow and widower swans... perhaps parrots: born from those monstrous beasts that were the dinosaurs can imitate our talk... all that's this reality within the confines of "perhaps": nonetheless, it's all true... but perhaps being the mammal that i am... i moved from a community of chimpanzees into a solo-ride of imitation-bear... perhaps i only entertain the opposite *** on the encounter of ***... i couldn't land a conversation with a woman outside the constrictive-framework of work, so much so: i would abhor the mindset of men that go on dates with women: buy them food and then EXPECT... i leave that ******* out in my interactions... pay-up-front for what you're about to receive otherwise don't play cat while the woman plays mouse... or rather... a rat in cat's clothing: the woman therefore becoming a rat-trap... mind you: i can't think of a more terrible idea than the modern version of: eat first, **** later... at the old ****** proverb states: a hungry ****** is angry... a filled ****** is lazy... god forbid i ever become tempted by those dating sites... i'm currently looking for the original Latin text of Ovid's the Amores book 2 poem 6... why? what i have in my hand... and what i'm finding... it's like what Robert Pinsky remarked about once: TRANSLATIONS differ so much from one translator to another...

they have done it... UEFA are mad... just to get my
accreditation for the women's Euros final
at Wembley they're asking me to bring my passport
with me... so is Wembley the JFK of Florida
          space-shuttle launch? Houston? am i leaving
the country?
                but the girls have done it...
funny: some other people are still complaining:
IT'S TOO WHITE!
   there's not enough diversity in the team...
          that's me also planning to go and live
in Kenya and become a model for toilet paper...
i'm sure i could replace that known Koala bear /
golden retriever or perhaps i could go there
and model for soap adverts...
it just so happened that racial tensions (only football
could create them) rose up for a little:
just one night the day England lost to Italy
on penalty shootouts... because... 3 black guys
were playing a rigged roulette...
            then again? me? and the African heat?
fat chance...

find me the original Elegy VI: the death of Corinna's
pet parrot...
oh man... and her name was Polly...
i sat up late last night trying to find something
interest on the television...
bam! thank you ma'am...
                       kurt cobain: montage of heck...
sort of reminded me of...
                           a SCANNER DARKLY...
                           mind you: i sometimes do enjoy
a one-man show... or at least two...
there was this brilliant show in the West End...
Stones in his Pockets...
       two actors... sharing the roles of...
                  about 15 people each...
but it was back in circa 2001...
so... maybe it was Louis Dempsey
                                                        & Sean Sloan...
mind you... i'd still love to see Samuel Beckett's
             NOT I...

Jack Trades says: i'm about to a heap
of hay of hate...
                                i'm everywhere sometimes...
if it's not music, then its visual arts,
then it's philosophy, then fine literature...
then something "oriental" in thinking...
then its coupling my fetish for Deutsche as:
father to the English zunge...
then it's back east to rummage in some Katakana...

i know why i'm single, Roger Moore remained
a bachelor until his death...
  courteous: as ever as forever always...
i'd be a terrible match-up... i've given pair-bonding
a chance: i can't bemoan why X is not Y...
the sort of men that pair-bond are claustrophilic...
they love the company of a mate...
each time i was ever in a "relationship" i already
had one foot dangling: tapping an imaginary
drum set...
recently i discovered the B-side of the Red Hot Chilli
Peppers... so for me it's a version
of keeping the 20th century alive with
the "dichotomy" of the Rolling Stones vs.
the Beatles... i'm more... R.H.C.P.'s A-sides
of R.H.C.P.'s B-sides?
                                        i'm busy...
                i'm always busy... i don't want to relax...
i want a Turkish barber to suggest that
i need  hot-towel and an arm massage after
my beard is trimmed and... i'm still going to state:
getting a Turk to trim my beard is a close
contender to oral *** from a Turkish *******...

but try finding me that original Latin of Ovid's...
ah! found it! let's see if i can compete with
my own translation... the one i originally read
and the one i found finding the original Latin
were so disparaging...

**** yes! well... there was Ted Hughes writing
about the Crow... poor ******...
should have killed himself: might have competed
with his terribly-wonderful wife of a poet...
i give her that: what noose?
best head in an oven...
and you want a shovel with that?
but this is Ovid... "complaining" about
the death of his lover's parrot...
immediately i jumped to conclusions:
not enough crackers...

(A) the Original:

Psittacus, Eois imitatrix ales ab Indis,
    occidit—exequias ite frequenter, aves!
ite, piae volucres, et plangite pectora pinnis
    et rigido teneras ungue notate genas;
horrida pro maestis lanietur pluma capillis,
    pro longa resonent carmina vestra tuba!
quod scelus Ismarii quereris, Philomela, tyranni,
    expleta est annis ista querela suis;
alitis in rarae miserum devertere funus—
    magna, sed antiqua est causa doloris Itys.
Omnes, quae liquido libratis in aere cursus,
    tu tamen ante alios, turtur amice, dole!
plena fuit vobis omni concordia vita,
    et stetit ad finem longa tenaxque fides.
quod fuit Argolico iuvenis Phoceus Orestae,
    hoc tibi, dum licuit, psittace, turtur erat.
Quid tamen ista fides, quid rari forma coloris,
    quid vox mutandis ingeniosa sonis,
quid iuvat, ut datus es, nostrae placuisse puellae?—
    infelix, avium gloria, nempe iaces!
tu poteras fragiles pinnis hebetare zmaragdos
    tincta gerens rubro Punica rostra croco.
non fuit in terris vocum simulantior ales—
    reddebas blaeso tam bene verba sono!
Raptus es invidia—non tu fera bella movebas;
    garrulus et placidae pacis amator eras.
ecce, coturnices inter sua proelia vivunt;
    forsitan et fiunt inde frequenter ****.
plenus eras minimo, nec prae sermonis amore
    in multos poteras ora vacare cibos.
nux erat esca tibi, causaeque papavera somni,
    pellebatque sitim simplicis umor aquae.
vivit edax vultur ducensque per aera gyros
    miluus et pluviae graculus auctor aquae;
vivit et armiferae cornix invisa Minervae—
    illa quidem saeclis vix moritura novem;
occidit illa loquax humanae vocis imago,
    psittacus, extremo munus ab orbe datum!
optima prima fere manibus rapiuntur avaris;
    inplentur numeris deteriora suis.
tristia Phylacidae Thersites funera vidit,
    iamque cinis vivis fratribus Hector erat.
Quid referam timidae pro te pia vota puellae—
    vota procelloso per mare rapta Noto?
septima lux venit non exhibitura sequentem,
    et stabat vacuo iam tibi Parca colo.
nec tamen ignavo stupuerunt verba palato;
    clamavit moriens lingua: 'Corinna, vale!'
Colle sub Elysio nigra nemus ilice frondet,
    udaque perpetuo gramine terra viret.
siqua fides dubiis, volucrum locus ille piarum
    dicitur, obscenae quo prohibentur aves.
illic innocui late pascuntur olores
    et vivax phoenix, unica semper avis;
explicat ipsa suas ales Iunonia pinnas,
    oscula dat cupido blanda columba mari.
psittacus has inter nemorali sede receptus
    convertit volucres in sua verba pias.
Ossa tegit tumulus—tumulus pro corpore magnus—
    quo lapis exiguus par sibi carmen habet:
"colligor ex ipso dominae placuisse sepulcro;
    ora fuere mihi plus ave docta loqui".

mein gott... in English it reads so smoothly reading
it while listening to Red Hot Chilli Peppers'
B-sides... quixoticelixer...
teatra jam (short)... and then thinking about it...
through to and through Going Li coupled
with trouble in the pub (instrumental version)...

i will never own a car...
              mind you: i already secretely own a house...
if i keep appeasing my mother and my father:
when reality kicks in and they're dead and i'm
project solo... it's not like i'm waiting for the day...
they are hoarders of shoes and screws...
literally... no metaphor...
  on my own: i will have to recycle so much ****
before i will put the house on the market...
and? i never pledged any allegiance to Essex...
England... i have: pledged an allegiance
to the English tongue...
                 but if not the Shetland Islands...
north... "god" send me north! even as far as
Greenland!
                i'm not willing to die in a place where
villages are flaring up in a July heat...

i can't bemoan what i honestly couldn't keep...
i sometimes get mad at my father for being
so submissive to my mother...
i sometimes get so mad at my mother for only
being able to talk about her chronic pains:
i'm alligned with my grandmother
who once said: she's just like your paternal
great-grandmother... every itch and scratch...
it's like writing with chalk on a blackboard...
hey presto! ruptures of the Grand Canyon...
that ******* bollocking of: ooh! ah!
           me? i don't understand people with tattoos...
me? i collect scars...
these two fading ones on my face are a disappointment...
i thought something more pronounced
could be kept from that bicycle-crach Francis Bacon
esque imitation of painting:
   the sort of painting where you can still revel
in brush-strokes being visible...
   because it's not rigid: Renaissance form painting...

now: i can sort of imagine what men couple up...
those who fear being alone...
those not interested in art...
those mostly interested in sport... but not all sport...
just some sports...
sports that they support "passing their lineage"
with according to the cult of football teams...
not all-sports... i.e. not an interest in fencing...
swimming... certainly guys who thought:
wow! tennis is great to watch!
   but squash is so much more fun to play!
cycling... well... if you love cycling per se:
watching other people cycle is a bit: BOO-RING...
what sort of other men get married?
probably those not interested in risque ***
with prostitutes...
ones interested in making money for a woman
to spend...
me? i'm not interested in money...
                       in terms of money:
i'm more likely to spend £30 on a book than
think about a dinner date...
                      
is that...   ??? i'm not even going to ask myself
that question that begins with a buzz-word
and the letters Mmmm... miso...
                             well... what is a boy to do...
figure out what to do with his spare time...
               i don't mind cleaning the house:
who ever said that it's the duty of a woman to keep
the house clean? i like living in a household in order...
i love cooking: it's like chemistry 2.0...
                      give me a bag of Indian spices and i'll
cook up a perfect storm of a curry...
but then again: i'm not work-shy when it comes
to using heavy-duty tools akin to the KANGO...
which... i later found out was a Japanese word for
Chinese in general... or the other way round...
i'd hate to be one of those Phil Collins types of
forgetting how many hands i have
by changing gloves like i might be an octopus...

and when it comes to children?
eh... it's enough for a boy in a buggy in a supermarket
pointing his finger at me as i walk past
making that chimpanzee face of OOH at me...
or a fist-bump with some teenagers at the London
Stadium... that's enough... i'm happy to play
the "secret uncle" role...
while women remain women: as fickle as the wind...
i've learned to live with that reality...
i scratch my beard and pretend that i'm playing
a violin...

plus, i'm a terrible drinker... i'm a loving-drunk...
i'm drunk right now...
if a litre of whiskey per night satisfies
my libido shortages i'm happy:
it implies i can write... i stop drinking and start
*******: alles goot...
                           today i was visited by a wasp...
i was visited by a bee before...
oh man... it was heart-breaking...
he was dying... i had to help him...
   i poured some honey onto the pave-,
and moved him towards the puddle...
he stuck his mighty Gene Simmons sucker out
and started to perform an OD on sugar...
i was glad... watching him die from a sugar-overdose...
it was: rather pleasant to watch...

TERROR! mix JAINISM with TAOISM
and fuse that in an European mind...
               but i'll still eat meat...
                        it's a parody of what's to be expected:
i prefer life with the possibilities of change...
with... curiosities of: extensive ulterior
possibilities that run counter to estblished norms
of expectations of a RIGID MIND...
i water: i flow...
      i fire: i dance...
i air: i whirl...
i earth: i rumble...
i lightning: i blink...
hey presto! the five elements!

in another language close to my heart:
since i was born with it...
the pronoun disappears:
ja woda: płyne
ja ogien: tańcze...
   ja powietrze: kręce się (odd)
ja ziemia: trzęse się (also "odd")
ja grzmot: mrygam

there are languages in existence where pronouns
hide... to be honest...
in ******? the pronouns are rarely used...
oh mein gott... when they're used in a sentence:
esp. the I... it's like... wow! i just found
a "nugget of gold"!
seriously... that how my mother-tongue
is structured: on English is the current
prounoun-circus available to watch...
i'm siding with the Somali pirates having
a giggle... playing blackjack with either Greeks
or some other Africans...

there are languages in English that cannot: will not,
succumb to the current Marxist onslight
happening in this tongue...
not because these languages will not:
they CANNOT...
mind you... it's such an intellectual low-bar
of achievement... but since it's piggy-pop...
it must be slaughtered on an individual level
before this DISEASE is allowed to spread...
thank heavens that English is only my second
language... how that allows me to bypass
buying into any sort of propaganda...
   my lingua Ingelese... my tongue for spreading
ideas...
    oh: and thank **** i' expressing in a medium
desecrated by the same people pushing these
sordid ideas... post-humous fame! 'ere i come!
obviously! who's in it for the "real" and immediate
if one isn't... fabricating a pickling of a shark
in plastic.... who? who?! woof!
   a-woooooo"

            my heart has shrunk and hardened to
the size and hardness of a pebble...
    i wish i could entertain cosy nights with a woman
watching some pointless movie about
the stereotypes of love... then again: no...
i'd rather not...
drinking alone: who the hell said i was alone?
i sometimes "hallucinate" someone crying:
of late... i'm like: this isn't Aud Lang Syne...
this isn't Shakespear...
then again i love the idea that my true readers
are yet to be born...
i'm happy, happy-bear-alone...
                       a Maine **** is sleeping in my
bed... i'll join him come the right hour...
but he's not looking at me... he's looking above me...
only yesterday i started to paparazzi
a wasp that flew into my bedroom...
          what the **** do i have above me?
please say letters... i will not do alright with a halo...
i'm not going to join that
archangel one minute... saint the next...
clip my ******* wings for a get-through-easy
card: no!
          
it became finalized today... i'm literally tired
of ***... i'm tired of *** when it's equivalent to not...
being tired of eating food... drinking water...
it's unnecessarily-necessary... *** as golf...
per say...
                2 months of delay in payment...
i'm thinking about rekindling my affair with that mountain
bike... i have to forget the streets...
i need the woods again... but for that i need new tires...
oh... hell... i no longer have anything
to prove in the brothel... blah blah whatever...
threesomes look great: LOOk...
like a block of cheddar looks great...
when shredded...
and then melting...
perhaps in pornographic flicks...
but in reality? the changing of condoms
from one mouth to another...
from one ****** to another...
                          
what?! peiple are having unprotected ***?
vermin ****?!
   **** me... well... at least i'm obnoxiously savvy
in that regard...
no no... it's too disappointing...
you have to split your attention up...
there's nothing good about a *******...
why? because, usually... of the two girls...
there's one you really want to be a screwdriver to...
while the other is just being a, *******...
a ******* bandwagon... leftovers...
a pair of **** you get to imitate ****** with...
it's a bit like:
coupling an elephant with a giraffe...
but i want to ride the elephant!
but i want to stroke the giraffe's neck!
but  i want to pretend the elephants's tusk...
no! not tusk! TRUNK....
that rectangular bit of ******* you shovel
your clothes in when travelling...
TRUNK... or a TRAMPOLINE!
no... not the bouncy layer...
TRUNK... sneeze! trambone! jazz! ******* Miles Daisies!
Davis!  trumpet *******!
no... don't get me started on the sax...

then again: i want a rhino's horn! ram-jam...
Black Betty Bam B'eh Lam!

- oh no... i moved along... R.H.C.P.'s: thanks for the t-shirt...
Big Bukowski style:
i hate the eagles... run through the jungle...
run Forrest! whun!
WHUN!
  and that's me... hardly a LAMNTIA of the Beatniks
tripping... me? enough whiskey
and the right song... and i'm grooving beside
an imaginary drum-kit...
in that: once upon a time...
when men grew their hair long...
they were the barbarians knocking
on the gates of Rome... rather than being
the implosion of Rome within with
all of Rome's degeneracy of transgender gimmicks...

mind you: i've given it some thought...
i broke it down toward the following schematic:

anonymous audience, commenting,
video making blah blah...
****** "schematic": if you can call it that...
mind you: the VAR in WIETNAM
had the best soundtrack...
just saying: hey! her?! hey! don't shoot
the messanger!
i'd rather work the Fulham opening night
with the new stand: Thames-side being opened
than attend Wembley for a Westwood...
Westworld... Westlife concert,
i'm all up for handling those Scousers:
northern monkeys?
southern fairies...
let's just call them for what they are...
northern TOURISTS...

but the dynamic of publishing has changed:
i already know the criterium first...
women and children first...
THIRST beccause water matters...
i'm thirsty too... one litre of whiskey and
i'm still typing like a machine...
i'll box my liver and kidneys
as long as i keep my brain and eyes happy...

but it's just a different dynamic...
the internet experience...
i know a lot of people miss it...
i can't force people to read my bollocking-riddles...
ergo? i don't stagnate into celebrating it
or therefore advertising it...
i'm either read or i'm STAUB...
   dust...
                
i can't! i'm only making something available...
i can't force people out of their democratic "wedlock"...
you like it? great! you don't? great!
but the psychology of those video creators that
mind how many views they receive and
how many comments they: likewise receive...
"false hits" with the number of hits of viewership?

me? i'm not bothered... i've been watching
the female Euro finals...
i was almost scared... what if the female England team
don't make it to the finals?!
me? i'm gearing up...
any rowdy hooligans up to speed?!
as much as i hate women not trying toi compete
in sports that are sexually-exclusive...
there's this... THIS... i watch the games because
the Colleseum is burning...
i'm only watching the fire...
    and i'm watching the women i'd love to ****...
this never would have happened if watching
tennis...

    the crisp biting attache of a sharpshooter
WONG sort of mixer-mix-up with a whiskey
and a pepssi...
me... reaching for a second glass
with one already filled like: *******... RAINMAN...

keep your horses!
i'm gearing up to a translation!
wait, the, ****, up! keep it cool in Doob-Lyn!
oh no... you don't get to tell me
i use too many vowels without me showing
you... you mishandled the vowel-to-consonant
dynamic... Doob-Lyn is Dublin: tow me...
no: not to me? tow me... now you're dragging me
along the snail-trail...

the disparaging translations:

(B) the A. S. Kline translation

Parrot, the mimic, the winged one from India’s Orient,
is dead – Go, birds, in a flock and follow him to the grave!
Go, pious feathered ones, beat your ******* with your wings
and mark your delicate cheeks with hard talons:
tear out your shaggy plumage, instead of hair, n mourning:
sound out your songs with long piping!
Philomela , mourning the crime of the Thracian tyrant,
the years of your mourning are complete:
divert your lament to the death of a rare bird –
Itys is a great but ancient reason for grief.
All who balance in flight in the flowing air,
and you, above others, his friend the turtle-dove, grieve!
All your lives you were in perfect concord,
and held firm in your faithfulness to the end.
What the youth from Phocis was to Orestes of Argos,
while she could be, Parrot, turtle-dove was to you.
What worth now your loyalty, your rare form and colour,
the clever way you altered the sound of your voice,
what joy in the pleasure given you by our mistress? –
Unhappy one, glory of birds, you’re certainly dead!
You could dim emeralds matched to your fragile feathers,
wearing a beak dyed scarlet spotted with saffron.
No bird on earth could better copy a voice –
or reply so well with words in a lisping tone!
You were snatched by Envy – you who never made war:
you were garrulous and a lover of gentle peace.
Behold, quails live fighting amongst themselves:
perhaps that’s why they frequently reach old age.
Your food was little, compared with your love of talking
you could never free your beak much for eating.
Nuts were his diet, and poppy-seed made him sleep,
and he drove away thirst with simple draughts of water.
Gluttonous vultures may live and kites, tracing spirals
in air, and jackdaws, informants of rain to come:
and the raven detested by armed Minerva lives too –
he whose strength can last out nine generations:
but that loquacious mimic of the human voice,
Parrot, the gift from the end of the earth, is dead
The best are always taken first by greedy hands:
the worse make up a full span of years.
Thersites saw Protesilaus’s sad funeral,
and Hector was ashes while his brothers lived.
Why recall the pious prayers of my frightened girl for you –
prayers that a stormy south wind blew out to sea?
The seventh dawn came with nothing there beyond,
and Fate held an empty spool of thread for you.
Yet still the words from his listless beak astonished:
dying his tongue cried: ‘Corinna, farewell!’
A grove of dark holm oaks leafs beneath an Elysian *****,
the damp earth green with everlasting grass.
If you can believe it, they say there’s a place there
for pious birds, from which ominous ones are barred.
There innocuous swans browse far and wide
and the phoenix lives there, unique immortal bird:
There Juno’s peacock displays his tail-feathers,
and the dove lovingly bills and coos.
Parrot gaining a place among those trees
translates the pious birds in his own words.
A tumulus holds his bones – a tumulus fitting his size –
whose little stone carries lines appropriate for him:
‘His grave holds one who pleased his mistress:
his speech to me was cleverer than other birds’.

(C) the  P. Green translation

parrot, that feathered mimic from India's dawlands,
is dead. come flocking, birds, to his funeral:
come, all you godfearing airborne creatures,
beat ******* with wings,
   mourn, claw your polls, tear out soft feathers
(your hair), and pipe high your sad lament.
Philomela, nightingale, the ancient crimes of Tereus
which you lament is long past -
    divert your grief to the obsequies of a rare and modern
bird: poor Itylus' case was tragic, but antique.
all wind-borne voyagers through the clear empyrean
lament now, and above all his friend the turtle-dove
they lived in complete agreement,
    their bond of faith held firm to the end.
what Pylades was to Orestes or Argos, that Parrot,
turtle-dove was to you - while fate allowed.
yet of no avail your devotion, your rare and beautiful
plumage,
your adaptable mimic's voice;
    not even the care that my darling lavished on you -
poor Polly, paragon of birdhood, is dead.
so gree his feathers, they dimmed the cut emerald;
scarlet his beak, with saffron spots.
no bird on earth could copy a voice more closely
or sound so articulate.
fate, jealous, removed him - that unaggressive creature,
that talktative devotee of peace,
with his tiny appetite , whose love of conversation
left him little leisure for food,
who lived on a diet of nuts, used poppy-seed to encourage
sound sleep: kept his thirst at bay with nothing but water.
quails spend their whole life fighting -
maybe that's how they reach a ripe old age.
carnivorous vultures, kites gyring high in the heavens,
weather-wise jackdaws, prophets of rain to come,
are all long-lived - while Minerva's bête noire, the raven,
can outlast nine generations. yet Parrot is dead,
that loquacious parody of human utterance,, that bonanza
from the eastern edge of the world,
greedy death almost always pickss off the best ones early -
it's the third-raters who reach a ripe old age.
Thersites attended the funeral of Protesilaus;
Hector was ashes while his brothers still lived.
what point is recalling the desperate prayers my sweetheart
uttered?
some stormy sirocco blew them out to sea.
six days he survived, and then, at dawn on the seventh,
his thread of destiny ran out.
yet somehow, though dying, he could still find utterance,
and the last words he ever spoke were: 'Corinna, farewell!'
beneath a hill in Elyium, where dark ilex clussters
and the moist earth is for ever green,
there exists - or so i have heard - the pious fowls' heaven
(all ill-omened predators barred).
harmless swaans roam after foot there, there dwells
the phoenix, that long-lived, ever-solitary bird;
there Juno's peacock spreads out his splendid fantail
amid the billing and cooing of amorous doves;
and there, in this woodland haven, the feathered faithful
welcome Parrot, flock round to hear him talk.
his bones lie buried under a parrot-sized tumulus
with a tiny headstone bearing these words:
r.i.p. Polly: this tribute from his loving mistress:
articulate beyond a common bird

the thought of LEMONS or perhaps
the IDEA of lemon...
then again: i can't refrain from
ORANGES and LIMES...
and the shy-sunlight of autumn
and the blooming of apples...
and operas...
             "someone"...
                              what pretty pies of
unfuckable wonders await...

divert your grief to the obsequeies of a rare and modern
bird: poor Itylus' case was tragic, but antique
(antiquated?).
all wind-borne voyagers through tge clear empyrean
lament nowm abd above all
his friend the turtle-dove, they lived in complete
agreement
   their bond of faith held firm to the end.
what Pylades was to Orestes of Argos, that, Parrot,
turtle-dove was to you - while Fate allowed,

i'm not even going to bother with a "bananna C"...
i woke up wild-awake with ideas...
brimming with Tao...
"non-doing" id est: point PROVEN
or rather point SERVED?!

Russia and China are clashing...
or rather sparring...
they're having their civilization-state
agenda being put in place...
while there's a "culture-war" in the "west"...
right... James Bond...
so we're refrrering to nation-stattes
as post-nationhood...
  "states"...
                    precursors to the globalist agenda
of fake space exploration via the ******* telescope...
if Russia and China are civivilasation-states...
then... whatever culture "war" is investing in:
or rather: digressing into... impliies
the FSA (federal states of america)
             is a culture-state...
                                                ­                 no?

personally? i don't like the current h'American culture...
it's absolute *******...
no! i'm not going to translate any more of Ovid...
i already read the better translation...
i found out only two minites ago that
i prefer drinking to having ***...
and keeping an eye on cats is just as rewarding
as rearing children: if you allow yourself
to give them a personality...

           so Russia is a civilisation-state...
while America is a culture-state...
                    well... no wonder...
                                            America is the zenith
that could be: but doesn't have to be
preserved...
the culture-state-of-the-sand-*******...
i wish: the Arabs clocked in lucky...
sitting on so much raw ill of oil...
bounce bounce libido bounce bounce...

hmm... "inner monologue"... i had that "thing"
once... i kost it... turning psychotic...
then again: within the confines of having
an internal monologue? i was passive...
       i was a passive agent...
                         upon losing it: having my soul
evaporate: becoming an "N.P.C."...
i became an active agent...
i opened my eyes a second time...

           i think my inner monolpogue became blocked
by:
został wyciszony... bo zaczoł być cykliczny,
tzn. nie po prostej:
       wymarł według koncepcji
sprawiedliwości...

even i know: the gods uttered the words:
shut the **** up! we know you're right!
but we're playing roulette!
shut the ******! we're playing cards!
shut up!
wait! wait your turn!
**** me, given the prowess at attaing
a concept of the differential of space comparing
time... i.e. speed... i'll be karma-happy
once i die...

i'm not translating the rest of that Ovid...
a girl's parraot died... great!
now i'm thinking about:
a bicyckle is a terrible idea... to ride...
on the roads towards St. Paul's... i think i might
require a horse!
i need a horse! bring me a hood, a hoof,
an apple and a toothbrush!
the last place i'm thinking about moving
to is California...
   and thank no god for that...
just the people who already live there.

III.

i sooner discovered the rare B-sides of Red Hot Chilli
Peppers than having realised... oh right...
they release two albums after By the Way...
i completely forgot about those two...
               guess i'm not as big a fan as i thought i was...
Go Robot... it's not oh so wo terrible now, or anymore...
oh woah woe... what a whale to ride into the night...

sometimes it just happens, a sort of blend of an Ezrra Pound
and a Charles Olson moment, poem, moment-poem...
it stretches for three days and you just don't want
to finish it... you kept repeating yourself writing seemingly
aimlessly with no focus...
at this point writing becomes theraputic...
by the simple act of writing: not theraputic regarding
what you're writing about: memories of frustration and
complications having finished Thomas Mann's Dr. Faustus...
unlike those joyous frustrations with Samuel Beckett's
Watt...
                  and on the third day "he" finished painting
four metal chairs a new colour of copperhead...
a copperneck painting chairs copperhead...
to me the colour of copper is more appealing than
that of gold...

if i still had that inner-monologue people speak of
i wouldn't be writing this,
that inner-monologue fantasy i once was a proud owner
of: i.e. the closest "thing" to the idea of soul
was also filled with so many doubts...
i simply don't care what the supposed benefits
of it were... that whole no-inner-monologue ergo
one's an NPC (non-playable character)...
    i remember that that when my first psychotic episode
slammed me on a rampage i started to see DIFFERENTLY...
it was as if a veil was lifted from my eyes...
if i didn't write terrible poetry back then...
i most certainly wrote very little...
             the inner-monologue doubts... a plethora of them...
no? psychosis = the osmosis of soul...
   the body has remained... the devils said:
but these idle hands and this idle intellect have to stay...
we'll pass on the message with your soul
as it leaves your body...
call it whatever you want:
   res vanus or the silence of the "mind"...
that's how you become more of an active agent...
it might be called writing but i call it digging...
a tunnel toward some variaton of: marrying Hades
with Tartarus...
                after all... Venus is the daughter of titans...
and she's the only Titan among the Olympian gods:
such is her perfection... almost on par with
   the patron of philosophers that's Sacred Sophia:
who entertains the foolishness of elder men
without being able to tell them apart from boys...

IV. if i were to translate Amores II. XI

would i be willing to add a D in the translation sequence?
i don't think so
there's no need... i like comparing the two i already
made available...
i just wanted to stress how unbelievable Latin is...
compared to the modern tongue, for example English...
how compact it is!
- and course, i prefer the second translation...
     it... exfoliates!
                     this is the point for me where i truly appreciate
Ovid to be on par with Horace...

side by side walking through the zenith-nadir of
man...

   i'm finally come across a sequence of events that
make me unwilling to stop typing: perhaps if i get
drunk enough and stumble on my first typo
perhaps a series of typos would end my ambition...

do i think men in the west are living
in a land of libido-insomnia? i think they are...
whoever said that watching one type of pornogrphy
soon spirals out of control and men start
scouting for more extreme *******:
hello outlier A! hello outlier B!
where's outlier C? oh... he's coming...
at a time when women are supposed to be these
sexually liberated creatures while men
are either STAGS with harems or limp biscuit *****...
thank god i managed to catch the train
of having the ***** of walking into a newsagent
and buying a pornographic magazine to ******* to...
stashed about six in a folder behind
the radiator in the bathroom at 21B Beehive Lane,
Gants Hill...
                         mind you: i started prematurely...
8?
     i switch off with western ****** antics:
people are either having too much ***: ergo the kinks
or not enough of it...
outlier in the middle: when it's too hot
i leave the insects to do their lineage pride...
cooler temperatures: *** like rubbing sand-paper
on a ****** paint-job...

                         makeshift boney **** of the hand...
well: at least ******* makes me more interested in
the **** than **** ***...
but i did the opposite... i need to keep a sack-of-sanity
atop my head...
beside adoring the Katakana...
i very much adore Japanese tamed sexuality...
     グラビア アイドル (gurabia aidoru)...
back in the day when the English tabloid newspaper
the Sun had a page 3 girl...
back to basics... a show of *******...
    a show of cleavage... perhaps even the breast
like the eye... the sclera of the rounded breast...
the darkened skin at the iris and then the pupil
as the ******...
  floral patterns of the *******...
                  back to basics...
                           a photograph of a naked woman
and all the imagination at work: what wouldn't
i want to do with her?

well... if you begin pleasing yourself while concentrating
on the kiss between Venus and Cupid
in one of Bronzino's beauties of paint-strokes...
you're hardly going to go down a rabbit-hole
of "hide and hide": wihtout seeking it out...
people and thier kinks...
while a minority: dodo-project sexuality of
homosexuality is celebrated: garnerded unto the guise
of "pride": i can't stomach shame...
but hey: look at me! i'm about to parade my sexuality
like and ******* latex-clad gimp readied
for being given ***-favour-orders...

outlandish! god-forgiving god-fearing...
  hardly every god-loving...
           a settling in of a blue that's not the sky
but a melancholy... i'm finally willing to end this
"diatribe"... to start afresh... again and again...
like mixing: Dreams of a Samurai with
Hans Zimmer's spectres in the fog...

                      my ***: going back to figuring out
the premature adventures into ***...
one boy passing on the secrets of *******
to another while sharing a bath:
the cruel curiosity of the circumcision:
in a secular environment: without the kippah
or the niqab: the submission of the women...
i will not give up the "sheath" to my "sword"...
i will keep my teeth with my twirling tongue...
if ever an improvement on the aesthetics?
clipping the ears of Dobberman dogs...
banning clipping the clipping of their tails...
but still: the preserved atrocity of male circumcision...
i could agree...
once a woman is devoted to her man...
a circumcision like putting on a wedding ring...
noble swans... oh noble swans...

a melancholy that's sort of azure...
amass enough water and you will see blue...
amass "too little": freeze it...
a paleness somewhat grey...
but then the icebergs roaming that are
the Cistercians...
            all i need right now is for some lonely
dog to start barking into the night...
or the cackling "laughter" of a fox...
    
    but all those sexless lives...
            "lucky" me for taming my consumption down...
where would i be without it?
i didn't ask for a *******...
i wa offered it... i will never forget how she clamoured
for the opportunity...
she couldn't stomach being rejected twice...
she just had to clamour like a crab in a crab bucket...
even if she thought she thought she succeeded:
she was the spare wheel...
what i've learned... i prefer one-on-one interactions...
but i gave in...
   it would have never worked out:
not like it "works out" in pornographic flicks...
the sharing of saliva and other juices...
we're responsible adults...
unlike in the pornographic flicks...
          two women: one man...
the changing of condoms...
                           i had to think quick:
there's only one way i will not be undermined...
snuggling up to the one i really wanted
to spend an hour with...
                       kissing neck and cheek...
while she did a hand-job...
   the other just sat there sort of idle...
                          until i figured out... those *******
could be of some use...

- i couldn't pull off a Jesus look...
long hair and a beard is not my "thing"...
even with a sly undercut...
i chose the better option.... short hair, a beard, yes,
but a "fu manchu": an elongated love-spot...
competing with the length of the beard...
i really "don't understand" why i have no memory
of my chin and neck...
it's like there was never the idea of using
water as a mirror... perhaps poor Xerxes lashed
at the Aegean for hiding his reflection
when he had one of those Narcisstic moments
of anguish: he forgot how he looked like...
but then the sides of the moustasche also drooping:
elongated... that work much better than
a beard and long hair...
it's so unfashionable these days...
i don't get why men think beards and long hair
"work"....

then again i never figured out why Khadira
wanted to have unprotected ***...
  how she insisted that it was just plain o.k.
for me to ******* into her...
how i snapped and dived in into her pandamonium
of multiples springs of irritated ****...
all slobbering with oyster-tongue
and knose...
                               all that informed me...

companionship? what a rare commodity...
it's enough to have a mother to know
how a woman's company can quickly sour
the already sweet grapes...
one word: tell a man he's LAZY...
while he's just tired of being pushed and shoved...
if a mother can do that to a son?
what could a wife do?
                          and i'm come across curiosities of
men who waged wars with their mothers...
at the Tyson Fury boxing match...
i was trying to calm the **** down a guy
who was having a panic attack after being
"abandoned" by his mother...
who bought the tickets... and drinks...
i squeezed him hard... told him: but i'm here for free!
nay! i'm here and getting paid for it!
blah blah...
               i hate seeing panic attacks in men...
it makes me either feel like
more than a man or less of a man...
it makes me think of the men prior
with shell-shocks... or women exploiting
the challenges of p.t.s.d.

                                    i've seen so many people fake
a mental illness... i've spoken at length
to them... how easily open up to their own struggles...
while i'm left alone with whatever ones
i have...
                   maybe because my "mental health issues"
have morphed into philosophical caviats
implies that i'm immune to outright sharing
the details... and boring people to death...
so i listen...
        i listen...
                            in one ear out the other...

i remember days in high school when we would love
to change the subject, create a game:
SLAP-BALL... imitation of Tsar Peter III prior
to tennis... an imitation court... with a fence between us...
or just playing BLACKJACK...
cards... that was big... we understood that ignoring
women was best done with / by playing cards...
at one point: i remember it to this day...
Samuel Richards grabbed Ian Goodman's neck
and pinned him to the floor...
we tried to intervene...
i don't know whether it was about the actual
game of cards or whether it was about
Sam bailing out... he was about to move to France...
and ****** off from pur in-group...
started playing basketball with the black-boys...
forgot he was supposedly the "PUNK" in the school...
i remember skateboarding with him...
he actually stole his mother's credit card and bought
a skateboard for me...
but his ******* MOHICAN was ****...
it didn't entertain the entire length of his skull
meeting his spine...
but we did walk back from Romford
toward Ilford this one night...
underage drinking... singing Backstreet Boys songs...

ha ha...
         time is a museum of melancholy...
while space is a museum of furthering whatever is left
of leftover potential...

i'm so despondent about this life having to end...
today i cycled up to the traffic lights
on my ******... ******?! £125 viking road bike... say the word
****** one more time... what was i facing?
a solitary man in an Aston Martin...
behind him? some solitary guy in a Porsche...
right... "alphas"...
i'm on my bicycle... but these two guys
in those choicest of motor-examples?
that's the thing with "competing" in life rather than
sport...
     i like my bicycle... i love my bicycle...
i am yet to wash away the blood from my head
from the crash...
i don't have a broken leg: i just have an outgrowth of bone
on my shin where my bone should have cracked:
i love milk...

competing with these men... **** me...
i was thinking about the Porsche guy...
nice game... but it's not playing cards...
i taart myself up: compete...
what do i get? i get a Porsche...
     but then ahead of me there's this guy
in an Aston Martin: mate! i'm ******!
oh blue blue Hue... the Aston Martin looked like
the bomb that is already was...
the Porsche? the Porsche looked like
a ******* Ford Mondeo by comparison...
Civic Extra... if that's even a car...
i was sort of happy to by cycling...
i figured... well: i'm not using my legs...
to walk... i'm peddling...

ever heard the expression "push-bike"?
i heard that only recently... what a werid coupling
of words... a motorcycle is distinguished from
a a bicycle by the term: "push-bike"
this half-brain-dead coworker...
what the **** am i pushing?!
it's just as weird as calling it a peddling-bicycle, no?
eh?
but what am i pushing? a bicycle is a bicycle
a turtle is a turtle... i still have to figure out
what's being pushed...
what comes first? the donkey, the carrot, or the stick?!

mawn the lawn: sieve the sand...
mawn the lawn: sieve the sand...
keep nurturing the spacing between numbers
but also keep lost track of the alphebticaal
queue...
never the type to rehash a refurbishment
of SPAWN...

           i simply don't want this day-dream to end...
around me people cowering into sleep...
i'm left in limbo...
            between consetllations and the scythe
of the moon... dearest: moooooon...
i'm itching to break the silence with a howl...
but first: the thirst of a dog barking...
i hear a dog barking i'll start to howl!

aren't we simply becoming the same
tired people of old?
              more impetus...
more gravity! more fire! more tides!
more the quaking of the earth!
more whirlwinds! more! more!
one Pompeii is not enough!

                       almost one litre of whiskey
into the session and i'm sober-tense...
i'm starting to think that entertaining
hell is not a bad "gimmick"...
                  there's the imaginary hell-crowd
and there' some also doubly-imaginary
crowd of people that yet to be bound to imitation-migration
focus...
           next time you ask me:
i'd rather be eating ice: crunching on
ice than drinking water...
i want to burn my tongue...
licking ice...l i want to burn my tongue
licking ice: but first i want to be dipping
it in coridnader-cumin-chilli-turmeric mix-up
of spiders...

i want to first bruise my knees before
i lick them clean...
i want the strict juices of: not tomatoes?
red is red: ergo blood is blood...
vulture ****...
there's an open window:
there's an evaporating night too...

best refrain: 6 by 6s refrain on 9s...
since? there's plenty of 0s / oopses...
by this "flesh and blood"...
i heave this sand and timer
like: i was sadly woken up with
an inheritance of salt...
boiling blue bloods and boiling gravy...
a smile that reads: clenched teeth...
a smile so awkward that
it make^ a parrot think twice about
imitating human speech.

^a notable typo, i think i might require an editor
(insert a snigger); two alternatives:
1. it might make a parrot think twice,
2. a smile so awkward that it makes a parrot think twince...
all depending on the tense.

“Nullus enim locus sine genio est.”

  Servius.

“La musique,” says Marmontel, in those “Contes
Moraux” which in all our translations we have insisted upon
calling “Moral Tales,” as if in mockery of their
spirit—”la musique est le seul des talens qui
jouisse de lui-meme: tous les autres veulent des
temoins.” He here confounds the pleasure derivable from
sweet sounds with the capacity for creating them. No more
than any other talent, is that for music susceptible
of complete enjoyment where there is no second party to
appreciate its exercise; and it is only in common with other
talents that it produces effects which may be fully
enjoyed in solitude. The idea which the raconteur has
either failed to entertain clearly, or has sacrificed in its
expression to his national love of point, is
doubtless the very tenable one that the higher order of
music is the most thoroughly estimated when we are
exclusively alone. The proposition in this form will be
admitted at once by those who love the lyre for its own sake
and for its spiritual uses. But there is one pleasure still
within the reach of fallen mortality, and perhaps only one,
which owes even more than does music to the accessory
sentiment of seclusion. I mean the happiness experienced in
the contemplation of natural scenery. In truth, the man who
would behold aright the glory of God upon earth must in
solitude behold that glory. To me at least the presence, not
of human life only, but of life, in any other form than that
of the green things which grow upon the soil and are
voiceless, is a stain upon the landscape, is at war with the
genius of the scene. I love, indeed, to regard the dark
valleys, and the gray rocks, and the waters that silently
smile, and the forests that sigh in uneasy slumbers, and the
proud watchful mountains that look down upon all,—I
love to regard these as themselves but the colossal members
of one vast animate and sentient whole—a whole whose
form (that of the sphere) is the most perfect and most
inclusive of all; whose path is among associate planets;
whose meek handmaiden is the moon; whose mediate sovereign
is the sun; whose life is eternity; whose thought is that of
a god; whose enjoyment is knowledge; whose destinies are
lost in immensity; whose cognizance of ourselves is akin
with our own cognizance of the animalculae which
infest the brain, a being which we in consequence regard as
purely inanimate and material, much in the same manner as
these animalculae must thus regard us.

Our telescopes and our mathematical investigations assure us
on every hand, notwithstanding the cant of the more ignorant
of the priesthood, that space, and therefore that bulk, is
an important consideration in the eyes of the Almighty. The
cycles in which the stars move are those best adapted for
the evolution, without collision, of the greatest possible
number of bodies. The forms of those bodies are accurately
such as within a given surface to include the greatest
possible amount of matter; while the surfaces themselves are
so disposed as to accommodate a denser population than could
be accommodated on the same surfaces otherwise arranged. Nor
is it any argument against bulk being an object with God
that space itself is infinite; for there may be an infinity
of matter to fill it; and since we see clearly that the
endowment of matter with vitality is a principle—
indeed, as far as our judgments extend, the leading
principle in the operations of Deity, it is scarcely logical
to imagine it confined to the regions of the minute, where
we daily trace it, and not extending to those of the august.
As we find cycle within cycle without end, yet all revolving
around one far-distant centre which is the Godhead, may we
not analogically suppose, in the same manner, life within
life, the less within the greater, and all within the Spirit
Divine? In short, we are madly erring through self-esteem in
believing man, in either his temporal or future destinies,
to be of more moment in the universe than that vast “clod of
the valley” which he tills and contemns, and to which he
denies a soul, for no more profound reason than that he does
not behold it in operation.

These fancies, and such as these, have always given to my
meditations among the mountains and the forests, by the
rivers and the ocean, a tinge of what the every-day world
would not fail to term the fantastic. My wanderings amid
such scenes have been many and far-searching, and often
solitary; and the interest with which I have strayed through
many a dim deep valley, or gazed into the reflected heaven
of many a bright lake, has been an interest greatly deepened
by the thought that I have strayed and gazed alone.
What flippant Frenchman was it who said, in allusion to the
well known work of Zimmermann, that “la solitude est une
belle chose; mais il faut quelqu’un pour vous dire que la
solitude est une belle chose”? The epigram cannot be
gainsaid; but the necessity is a thing that does not exist.

It was during one of my lonely journeyings, amid a far
distant region of mountain locked within mountain, and sad
rivers and melancholy tarns writhing or sleeping within all,
that I chanced upon a certain rivulet and island. I came
upon them suddenly in the leafy June, and threw myself upon
the turf beneath the branches of an unknown odorous shrub,
that I might doze as I contemplated the scene. I felt that
thus only should I look upon it, such was the character of
phantasm which it wore.

On all sides, save to the west where the sun was about
sinking, arose the verdant walls of the forest. The little
river which turned sharply in its course, and was thus
immediately lost to sight, seemed to have no exit from its
prison, but to be absorbed by the deep green foliage of the
trees to the east; while in the opposite quarter (so it
appeared to me as I lay at length and glanced upward) there
poured down noiselessly and continuously into the valley a
rich golden and crimson waterfall from the sunset fountains
of the sky.

About midway in the short vista which my dreamy vision took
in, one small circular island, profusely verdured, reposed
upon the ***** of the stream.

So blended bank and shadow there, That each seemed pendulous
in air—

so mirror-like was the glassy water, that it was scarcely
possible to say at what point upon the ***** of the emerald
turf its crystal dominion began. My position enabled me to
include in a single view both the eastern and western
extremities of the islet, and I observed a singularly-marked
difference in their aspects. The latter was all one radiant
harem of garden beauties. It glowed and blushed beneath the
eye of the slant sunlight, and fairly laughed with flowers.
The grass was short, springy, sweet-scented, and Asphodel-
interspersed. The trees were lithe, mirthful, *****, bright,
slender, and graceful, of eastern figure and foliage, with
bark smooth, glossy, and parti-colored. There seemed a deep
sense of life and joy about all, and although no airs blew
from out the heavens, yet everything had motion through the
gentle sweepings to and fro of innumerable butterflies, that
might have been mistaken for tulips with wings.

The other or eastern end of the isle was whelmed in the
blackest shade. A sombre, yet beautiful and peaceful gloom,
here pervaded all things. The trees were dark in color and
mournful in form and attitude— wreathing themselves
into sad, solemn, and spectral shapes, that conveyed ideas
of mortal sorrow and untimely death. The grass wore the deep
tint of the cypress, and the heads of its blades hung
droopingly, and hither and thither among it were many small
unsightly hillocks, low and narrow, and not very long, that
had the aspect of graves, but were not, although over and
all about them the rue and the rosemary clambered. The
shades of the trees fell heavily upon the water, and seemed
to bury itself therein, impregnating the depths of the
element with darkness. I fancied that each shadow, as the
sun descended lower and lower, separated itself sullenly
from the trunk that gave it birth, and thus became absorbed
by the stream, while other shadows issued momently from the
trees, taking the place of their predecessors thus entombed.

This idea having once seized upon my fancy greatly excited
it, and I lost myself forthwith in reverie. “If ever island
were enchanted,” said I to myself, “this is it. This is the
haunt of the few gentle Fays who remain from the wreck of
the race. Are these green tombs theirs?—or do they
yield up their sweet lives as mankind yield up their own? In
dying, do they not rather waste away mournfully, rendering
unto God little by little their existence, as these trees
render up shadow after shadow, exhausting their substance
unto dissolution? What the wasting tree is to the water that
imbibes its shade, growing thus blacker by what it preys
upon, may not the life of the Fay be to the death which
engulfs it?”

As I thus mused, with half-shut eyes, while the sun sank
rapidly to rest, and eddying currents careered round and
round the island, bearing upon their ***** large dazzling
white flakes of the bark of the sycamore, flakes which, in
their multiform positions upon the water, a quick
imagination might have converted into anything it pleased;
while I thus mused, it appeared to me that the form of one
of those very Fays about whom I had been pondering, made its
way slowly into the darkness from out the light at the
western end of the island. She stood ***** in a singularly
fragile canoe, and urged it with the mere phantom of an oar.
While within the influence of the lingering sunbeams, her
attitude seemed indicative of joy, but sorrow deformed it as
she passed within the shade. Slowly she glided along, and at
length rounded the islet and re-entered the region of light.
“The revolution which has just been made by the Fay,”
continued I musingly, “is the cycle of the brief year of her
life. She has floated through her winter and through her
summer. She is a year nearer unto death: for I did not fail
to see that as she came into the shade, her shadow fell from
her, and was swallowed up in the dark water, making its
blackness more black.”

And again the boat appeared and the Fay, but about the
attitude of the latter there was more of care and
uncertainty and less of elastic joy. She floated again from
out the light and into the gloom (which deepened momently),
and again her shadow fell from her into the ebony water, and
became absorbed into its blackness. And again and again she
made the circuit of the island (while the sun rushed down to
his slumbers), and at each issuing into the light there was
more sorrow about her person, while it grew feebler and far
fainter and more indistinct, and at each passage into the
gloom there fell from her a darker shade, which became
whelmed in a shadow more black. But at length, when the sun
had utterly departed, the Fay, now the mere ghost of her
former self, went disconsolately with her boat into the
region of the ebony flood, and that she issued thence at all
I cannot say, for darkness fell over all things, and I
beheld her magical figure no more.

Rugby, Warwickshire
16/10/2015

Unholy streets of G-d, liquid tobacco,
gentle froth and steam
from the coffee estuary, split beneath the clock tower
on the idle hour; more pigeons than people,
more buildigs than choices
on this small-town, charity shop parade.

The women are still beautiful, still unattainable,
still on the brink of a breakdown
in the most confident dress.
Street-pastors carry the drunks home,
the street-cleaners appear by the afterparty,
clear out the old bottles
before the commuter picks up cigarettes
from the newsagents that never rests.

Tattoo parlours, barber shops,
Christmas on the radio come Hallowe'en-
this is the town that crazy built:
war-time poetry, jet propulsion,
chief inventor of sport,
of mild alcohol addiciton.

There's hundreds of places to get drunk in this town,
hundreds of places to hide away;
a foreign face in a sea of family and friends.
Landlocked, gridlocked,
centrally located but left out on a limb;
this town clings to the tracks,
it's avenues of escape
the only margin to keep the residents
out of mind and in their place.

But this is where I grew up,
always more car-park than parkland,
my first steps on Campbell Street,
on Armstrong Close,
first time I broke the law on Bridget Street,
on Selborne Road.
I'd push my bike all around this town,
no stopping off for a smoke,
for to get my fix-
I'd push on and on past graveyards and open bars
without a second gance.

Now, it's all shooters and soul-singers
and happenstance;
chicken wings on a late-night binge,
a box of wine, a night of sin,
wake up in shame,
life's a guessing game
and guess what, you'll never win.

Chewing gum, patches,
vapour that scratches the back of my throat,
nicotine in my blood,
you know, I'm trying my best to get clean.
Blister packs of vitamins, bowls of fruit,
buying coconut water over the counter-
green tea by the rising moon,
incense sticks and vegetables in the garden,
yet by the time night rolls on by
the locus of my eyes, they darken;
I'll be back on the beer,
I'll be smoking a carton.

This is the town that crazy built,
even the flowers by the roadside wilt,
cement factory, hum-drum poverty,
post-code belonging to Coventry,
kept out of the war
by a matter of minutes,
kept from the future
by corporate interest.

Hospital lights, supermarket glow,
I can't remember the last time
I wasn't loaded with chemicals
every time I get home,
every time I sign out
and put my head on the pillow,
I see familiar streets, familiar signs,
the job centre, the floodlights,
the 12% lager, the twist of lime.
I struggle with rhyme,
I struggle most days to get out of the house,
but at night, I know, that sea of doubt
is a river of light, to ruin my liver,
to spike my fever, to calm me down.

There's hundreds of places to get drunk in this town,
and this world it don't spin,
it just throws me around.

phyllo dough considerations
veil the rigid silence
under quip, under smile-
covered cliche cud.
it is in essence meaningless,
this large party,
this braying urgency of guests

the house swims with life,
we mingle charismatic coughs
as talents strut; bouncing fruit
and swaying surface tension fizz
sparkles off the balcony of floating drinks

our tall pines are echoing beyond the yard
a sylvan soft allure of
living soundboard drape,
it needles aromatic carpet for a
*******, brink-of-dawn escape

allocate the living and the dead,
the borderline is begging to be tread.

an elastic belt extends the real,
a tool for party tricks, a tool for bending time--
i'm bounding off into the darkness
balling lightning in my dantien,
the world a trampoline;
running full i top the rail of gasps,
swinging through the arc
of thinning line to pull me back around,
stomach churning fiction-sick
with gravity inverted joltingly,
umbilically, aware.

then she has a turn as i,
as being me, and as i (as I)
careen away, the vaster leap
of single body, double mind-
it pulls beyond substantial thought

our uber-jumprope dangles
while we speed above the trees -- all is dark
excluding speckled stars
and the one, shrinking party-glow i lose below

the television orbits,
wobbles in a superstrings' embrace
all balance lost --
we're floating in a spin alone
unfocused universal locus..
stars diminishing reliquish cosmic depth
and nourish life in death

reeling eyes of weightless ******
squint to spacetime surgings
inward of the who i am--
plasticity-encasing glass of box
to offer all subverse companionship.
i tug the corded fabric
fronting interweaving screen
of futile marking where
i've riveted, lost, gazing
psychosoma scene
a modern mind-toy posted
to enframe another me we are,
even here with outside sight of world
vacuum up and lower heading
compass only gulping awe,
the breath is gone, a stinging heart
revalves its pacing flow
descending cosmogonic thread

allocate the living and the dead,
the borderline is begging to be tread.

i imagine trees again,
branches soft,
trunks my guideposts to the ground i've lost~
i'm mingling against my sense of real again,
packing leftovers, living social lies unknown.
a man compliments his speech
as "Bristling with business."
the jelly seeps beyond the pita's edge,
the pita slides out from under foil.
the party swivles on its axis,
the clowns play on, noble chefs
laughing in their pots
while i visit drooping psyche forms,
around and through glass doors,
crystal tables -- a furniture of ideal norms
to overturn. ah. i'm found again,
a bit less vast among a crowd
of nescient lives unlived. i'm
found undiscovered open all,
plainly lacking truth as well,
i'm me, this other presence,
this shifting sight,
flood experiential zoo,
this empty vessel holding two
a social fissure prying sense of self
from up a wild void..

From my balcony I can smell the change of seasons
wood smoke and salt and damp leaves,
long-sleeve shirts stale from the bottom drawer
and clouds bunched like sailors to the west
promising whisky and a hornpipe.

who will mourn the hot sun’s scent on plastic
the pallor of long afternoons
bored blind and dull as paint
spattered on old shoes
beside the door

leading to the courtyard
built to watch summers with disinterest
and clay tiles, the perpetual chat
of water in basins with wind in branches
plump with crows.

light the candle from punk
left over from July Fourth,
unstop the bottle of strong water
then scent your neck with the old apples of it
the wise apples and the flat ones

and the pears of autumn red as a nun’s wimple
soft as wet hay
sweet as a kiss in the shade of fruit trees
the sun arching into evening
the insects silent and dead

and your hand
with its long fate and short, tight girdle
its quick Mercury
resting upon mine
as if to say:  here is the work of winter.

Verdant eyes, translucent pearls
speak in silent witness,
wounds unfurl
meaning revealed,
interrupted girl.
Safe in solidarity
prolific eccentricity,
the scandal of particularity.
Pouting mouth
grief - filled lips
alluring, set sail a thousand ships;
tempt me to leave harbor.

Arousing euphoria as such,
resistance, amity and distance
amour sans touch
her sense of humor transcends,
appeasing the mind’s thirst
a vogue sultana,
seasoned swagger
hair resplendent flame,
alternating cool, black
asymmetrical coiffure;
nonconforming demure
the renegade metaphor -
singular for sure, no cure.

Muted vanity, bathos piercing
the jaded circumference of banality;
pale protagonist servitude
the sapient palaver of the urbane,
covered patina of pretense,
induced coercion,
the commodity self
appearing abased
wearing lesions of lassitude.
Artistic chattel - eminent domain
preempting genius,
subsidiary of consuming narcissism
external locus of control;
surrender to the tentative,
fettered pendant, Venus in chains
arrested visionary bane
sterile savant, edifice of pain.

The soubrette, dubious incarnation
gravid ingénue of prevarication
imperceptible venue -
theatre of the absurd;
withdrawn siren,
solitude of necessity -
skin - slender veil of shame,
nearness loitering redemption;
moments envisage
the appointment with the soul;
ambiguity eschews clarity
awareness; ineluctable anxiety,
imago - centric confession
sacred pardon, seraphic venation
intravenous textures presume,
the tactile margins of liberty.

Therapeutic retrieval,
Sanguine,
beneath the portico of
individuation;
Your smile I hear,
recovered autonomy
blessed emancipation,
The scandal of particularity;
peculiar treasure
ironically captured
film, canvas,
prose profundity.

Ciphering as an ambling book,
I peruse you,
rendered captive
hypnotic avant-garde fiction,
spectator of denuded opacity
analogous reflection, I Mirror you.
A modest proposal - pontificate the imperative,
forgo the disposal, adapt your narrative,
the scandal of particularity -
resonate the echo, cogitate our propinquity
Love, imagination and destiny.

©2008 & 2011 W.S Warner

My walls be made of books
  The bed wrapped in folds
             All I need
Is the silence of the void
   And a dim white light
Telling me
                read more, more, more

This morning I cried
Because the blanket you gave me
No longer smells like you.

That scent you had asked me to describe
But I couldn't.
I said something generic.
"It smells good. You smell good."

I guess it's weird to tell a person they smell like home.

You tell me not to worry.
You promise you'll be back.
Back to sleep under that blanket with me.

I believe you with my whole heart.
Just as I've done everything with you—
WITH MY WHOLE HEART

My head, however,
Isn't so sure.

Blinded by the sunlight that shines so brightly,
it proceeds to massage my spectacles,
rinsing the grime away from my eyes,
there lived mankind, buildings, plants, and animals,
but where was I, unaware of the planet I saunter,
I look in amazement, unborn to what to forecast,
but then I distinguished the dark side, somber and bleak,
impoverished skeletons walking hunchbacked, desperately
scrambling for silver, as so to purchase a bottle of liquor and a burger to indulge his vacancy that absents him,
as I trek my way further into this metropolis,
I hear a sudden commotion arising from the right direction,
it begins to steer me that way, luring me in deeply there was a mass of onlookers chanting on, of what seemed to be two individuals pummeling one another into a bloodbath, but then it escalated, the crowd began to all partake in the beating and it caused a mayhem, that was uncontrolled, I bolted the scene, protecting my mask from getting dismantled, as suddenly I hear a very deafening noise, it was a four wheeler wagon, that speedily amtrac it's way towards the locus in which we was in, everyone scattered the scene, as the people who dressed in uniform annihilated the scene, putting an outright stop to the madness that occurred, forestalling future procreation from the participants, my heart shriveled and I gasped for air, I ran aimlessly into a town that was lively and sunny, as I saw mankind playing sports, clubbing, riding nice convertibles, homes were futuristic, plants were vegetated, smiles and giggles were infectious, everyone was cheerful and amused enjoying this utopian I discovered, it was care-free, as folks walked in suit and ties, formal dresses, luggages entering and exiting, dialect as clear as caribbean sea, friendly animals chaperoned by their owner, "where am I?", "what was this strange but yet interesting soil I embark on?", ..... I don't know, but it closes me in like a maze and I'm forced to live as they.

it's almost beautiful, we created the thing called
money, in order to turn tribalism
into a myth of Eden (alone, stark naked) -
          it's almost as if we deviated from
creating it and asking for family values,
            but never got them,
       i'm trying to imagine a Russia where
Rasputin wrote a book
that might have resounded with Nietzsche's
ubermensch - but thankfully precipitated into
world war i & ii... fancy the interlude:
a cold war i, now the cold war ii...
you should be happy, to be honest, it's the best
status quo you'll ever get...
but **** me, 1970s disco craze: even i'm
like Mozart-who?
               a little notebook, and my getting
drunk thoughts in it, funny how drink intellect
knows all too well about the: diminished responsibility
white flag -
              as with the **** chokes come the
drunk-and-writing-a-poem jokes,
                                i'd say blame Al Capone!
you know how many diacritical distinctions i could
insert into that surname? diacritical marks
are ulterior forces at-be when all punctuation goes
*******, not sentences, but words -
Cá       ponè - cockney slang Capone on the phone:
        we had fun: because you really don't say
Cáponé like you might say a torero's olé, do you?!
me? i find it grand to paint syllables with
diacritical marks, i mean: it's not even a blank canvas,
shame the semi-colon isn't minded in distinction,
but still, i already know that poets are scared of
punctuation, hence breaking the lines and not
engaging in a paragraph... tying shoelaces seems about
fine when it comes to modern poets,
talk about knitting jumpers, or scarfs by grannies -
sold as doing that same activity on shredded wheat cereal:
- = a hanging pause (suspense);
       , = necessary pause (or the expected
in a rhythmic cyclone);
   then i say to all my would be assassins:
you'll be doing me a massive favour, to be honest.
at times it really is the age of trusting entertainers
and not the media and certainly not the politicians -
it's almost stating the obvious.
i was in St. Petersburg for a month, and every time
i wanted to go to a danceclub to dance she refused me....
me and my naiveness in thinking that people could
actually be seduced by good...
      i don't mean being exposed to a tsunami
among the other elemental congregations of Shiva
there goes my belief in people being good to each other...
shoom! gone... bye bi!
(origins of dyslexia? maybe).
                                 she took me to the opera and
she started her snarling condescending approach to
the new-rich girls in the next booth...
     **** me, relationships leave me so ill-equipped
i actually find it staggering that i had any...
                 i must have been really naive in believing
that people could do good that i ended up
   a hermetic pessimist or misanthrope -
i never expected to be one, or share the juices of such
a calibration of humankind:
but it's funny how a movement overstates the cartesian
sum and never the cogito,
and when you by chance encounter the actual cogito
organising a movement, you represent nothing
representative of the movement's sum,
because the cogito is actually so staggeringly
divergent from being affiliated to the (e.g.)
         French revolution's guillotine locomotive.
when utilising only one hand in writing?
a black notebooks is written into at a rhombic degree,
yep, slant.
        i have two or three decent points to make,
but, obviously, i have to utilise verbiage to state them,
let's compare that to building a thousand homes
before the leaning tower of Pisa comes along
and people say: wow! in the immediate sense i
will require compensating that exception with
enough social housing for the tower to actually be erected:
that's natural: regurgitating maxims from no experience
would be an equivalence to an exoskeleton:
no experience, no harm... and where's the fun in that?

(interlude no. 1)

almost 15 minutes in an opera house, long enough
for the march from your seat into the street and a smoke,
  i still can't understand while people adopted money
for the demand of talking to each other via pebbles,
we are in our billions and made it so demanding to
only appeal to the few for company... i mean, should
i be sad? we made our company so unbearable because
of engaging in the concept of money that we later had
adapt to books as the conversations we need to have
among people we can't even talk about the weather to.
people always think that talking about money is
shallow... as if it's some really necessary version of
the crucifix (which to my mind sounds like a name for
a charity and the need to be thankful for it being there),
then again: something so geometrically pure
hanging over us and then comes Rodin's the kiss:
that really is a miracle - walking on water can hide itself,
turning water into wine (40 days & nights in the desert would
do that to you, every time you rehydrated, any liquid
would be intoxicating).
             oh hell, i have the notebook narrative,
i need to take a break after having written the unexpected
intro, and subsequent interlude.

it seems to me that language can never be sampled,
sampling language
is anti-scientific,
because it breaches an objectification of things,
which sad,
    are the Balkan states Slavic, Christian or Turkish?
i'm asking because a Greek said
it's Byzantine, and then lapping allah illha Allah
turkish took to Istambul...
*how best to defame a god with ensnarled capitals,
each, levelled,
                                only Islam will reign under the
praise of my name, which alone, will sing my praise.
   to move mountains, one must move throngs.
          to move people you expect them to become
mountains: or sun-tanned noon
  having been charcoaled into obliteration.
     one thought: an ottoman janissary: and vlad
the lesser crucifier and the adamant
impaler, who said that homosexuality shouldn't matter....
   imagine the comparative pain...
i can't: therefore i won't.
                     thus the black scripts of notation...
better than uttering original maxims,
          as in... better to engage in transcendentalº
dialectics
     ºin ref. to Nietzsche: the masses do not hold
an opinion on sanity: hence my concordance
with "him" - and insanity in individuals (self-dividing
                      duos in calamity of one):
insane individuals are rare: but conglomerates are
the norm - thus an agreement of shared truths
that has no debate to support it, because it has been
"plagiarised",
   the transcendental aspect is the lack of dialectics
(replaced with diacritics),
     and also the historical novelty of shared observation
with a disparity of a century's worth of history:
governing still the caveman and the modern man,
            as if the two were mutually compatible.
that one could rewrite the other, and so too true in
reverse.
   i find it harsh having to relinquish the authority
of language, as my own it used,
but only when school-friends suggest it, those
with ******* family members do i foremostly
experience it as my own: well... thanks to you
i'm not a plumber because your father detonated
the atom bomb and never bothered checking what
the gorilla did next with the grand censor of fertility
to protect an aesthetic...
           but then again: you were always Irish.
oo! well: sodomite that oops... it'll be worth something
in 30 years' time. strange how it must read...
Holocaust deniers also have the same lysergic trip.
             insanity in individuals is rare,
among groups it's the norm, within a framework
of Nietzsche: thus an agreement of shared truths,
that has no debate to support it,
because it has been "plagiarised" (necessarily experienced
more than once),
   ºthe transcendental aspect is the actual lack of
dialectics, and also the historical shared novelty of sharing
of observation (the tsunami cult, the earthquake cult)
with a disparity of range toward the century-range...
   philosophy infamously aks purposively
unsolvable questions: or questions that require many
more questions... or what is known as a transcript
of Aristotelian awe: of those who commit to error
with that science of pure wording, to spur people on;
philosophers are the adventurers in error:
only because this engages them in providing a "gravity"
locus... for others to hone onto and correct...
(oh how i'd believe had there been a Koranic surah
on the mindful hoplites)...
         purposively erroring: philosophy;
philosophers are pioneers: birches... scientists
are all but oak: auburn well established.
       but what of transcendental dialectic that expands
into shared truths (as experience) within the dual-disparity
of nearing death and the dawn of the 20th century
   and never-nearing a life at the dawn of the 21st century?
excluding dialectics and diacritics has given us
such a society, where everything is nearly snowflake
lucratively dissolvable and gentle...
                   few people utter truths,
even fewer utter truths than need to be debated...
             for the over-lord truth is mono, or glue...
        but still the tactic of avoiding certain truths
for the necessity of sitting in an armchair rather than
on a cold pavement... for in their pluralism
they express as many universal traits of non-experience,
as they subsequently express enough
    particular traits of experience
(translate rhyming into philosophy and you get this...
going cross-eyed in allocating an understanding,
summarised by the word zez).
hence the unwinding: universals (x, ÷):
       and particulars (+, -):
    of time, and how to encourage abstracting
worded coordination into an advanced literacy rate,
that'll fail, because literacy is power that requires
labouring anyway.
  because you did say "encapsulating a zoo"
readied to perpetrate a staging of a freak-show.
examples: universals (x, ÷):
       and particulars (+, -)        are zeniths in
the narrative compensation to nothing -
        in literature a surprise turn of the plot,
a summarisation, as such stand-out moments,
or quotes: here is a version of encoding verbal
"mathematical" synonymity -
         i too would wish to create a language
that doesn't abide by the language of miles,
but that of metres, but then there's the thesaurus
distinction between metres in deviations of
centimetres and nano in close-proximity
          ruby, crimson, burgundy, bled throughout the week
until pale grey and with an epitaph.
      language never brings us together,
it never did, we all wished to be cats and have said
meow... but we rarely and will never say...
that's nearing toward shame...
  i absolve humanity of the original sin...
                    if sinning was so original i would suggest
other forms of compensating it rather than prayer:
i'm thinking of the original shame...
it's that story of a serial killer who believed he
had no universal traits concerning him,
he had no systematisation of conscience,
he denied having a sense of guilt...
          it's hard to believe such things,
given the ceiling is the universe...
        it's hard to become a rat in a solipsistic maze...
that's ****** had to believe...
                   to deny having universal a priori
is also to deny particular a posteriori...
                           even though nothing really happened
apart from god laughing and man yawning
and the devil crying. it's very hard to believe people
these days, even though they deserve it,
                    it's hard to summate oneself in being
able to;
  thank god philosophers didn't complicate simple words
with remnants of Latin like psychologists did,
there's the prior (a priori) and there's the after (a posteriori),
or the two within a-: without a prior (to) / priority -
                  or without an after / an imitable vogue / trend /
    zeitgeist.
          can you write something like someone disclosing the fudge
of what's technically an arithmetic summary?          
no intelligence is being undermined here,
         what's being undermined is what's critically an optical
   java transitory period.                                                    

(int­erlude no. 2)

the laziest philosophers always write about the word
philosophy without actually philosophising,
you can say as much when saying: i'm thinking about thought.
of all the professions, philosophers don't know theirs...
it's true, if you do it, you do it not-knowing / unconsciously.
modernity does in fact overprescribe the word genius
because it doesn't give practitioners of philosophy any
credit in the slightest of actually being recipients of
life... every time a thought spawns from nothing
the limitation of expressing it is: you don't exist;
soon enough you hang up having any competence in language
and say to people you thought you knew: adios amigos,
good luck: then you wonder why they're so
prematurely depressed, and then you forget about them
and think of a million Chinese carpenters:
simply because it's less depressingly so.
     do you ever write encapsulating a rhombus on a page
with your literary / wanking hand? i know i do,
write in a notebook askew - or that's what's called the
future of absurdity: i'm thinking about thought -
some later claim morality, and some later claim god -
        that should sound more simply as: ought i?
    but it doesn't... hey, here's to self-projecting ****** -
it's not even that good people invented god,
  it's that evil people did...
                  which is always a bit ****** having that
microchip in my abstract mind (the brain) i sometimes
try to get rid off while acting as an atheist for pop super!
       does that sound highly idealistic?
it probably does... have i an influential counter to it?
n'ah. thinking about thought without the either or of
ought leaves me asking outside the box / transcendental
questions about what self is ingested by that
Pontius Pilate... talk of the "true" self and talk of
the "false" self: who the **** is the narrator then?
are we all bleaching our handshakes these days to
give a handshake?!
    some men would claim to be the husbands of that
insatiable "woman" that's Sophia,
         who, after all, is better equipped to satiate 3
men, than a man to satiated 3 women:
the trinity of ****, vaginal: oral - funny that,
how perfectly that plays against all those years of
practising to a demand of the churches': kneel!
i'll just watch you **** him off while Mary Magdalene
spread the schematic that resulted in the Islamic
******* analing the "respected".

(interlude no. 3)

just can't be bothered mate...
  never did so much charity work pour into
      herr Herrman's charity chest of
the never thought of set of poems.

- and a day later, just a blank,
what a formidable evening,
why do i queue for even a trombone, violin,
       a viola, trumpet or a sax to add to my voice?
but in musicological terms: that's exactly what i'm doing.
it's hard to not see this as a cure:
with 16,713 views matta's echo babylon is
truly the antithesis of Prokofiev, or any other,
as might call it: windy character.
        classical music was bound to tornados and
zephyrs - modern music is the epitome of rhythmic
sampling, drum eroded violins,
           and other things happened, too.
rhombus within the framework of the hand-written prior,
on tiny scraps of rectangular paper,
because it's easier to write like that: slanting
and therefore for the imagery of cascading -
and as the pronoun revolution dies down,
                    and the voices go unheard,
   people will start to think about thought
and later thought per se for transcendental purposes...
     because choice will be ejected from
having competent access to it: namely?
   i can't see those **** the ***** protests seriously
if people can't take to shooting guns,
          i mean real rebellion... obviously i'm egging
on the situation and spraying gasoline on it
(obviously), but if the French give you the statue of
liberty as a present, you get to look at the appendix,
and start thinking: where are the guns, so
it looks like a genuine protest? i thought the idea of
being able to own guns (by the people), was to suggest
that if the government was electorally undesired,
people could start shooting... the tongue isn't
a

A quick right turn is accompanied by a shiver
Which just might balance the quivering intestines.
It is best friends, it is best friends…if we
Keep our eyes focused on the same horizon,
The locus is only half forward, half circled,
And it’s almost as if this river is natural..
It’s almost as if it’s course was cut before it’s spring was opened.
The salmon drive stealthy…relentless to the pressure,
Thinking that in conflict there might emerge something fresher,
Fresher than telephone calls with Alice
As she faced the looking glass
Or the crass manner of reaching for
An always-empty chalice.

But the shiver in itself was enough to explain his expectations
And the gaze of something greater gave him visions of creation
Shelter from the storm
Her silhouette has him splintered
Splintered in hope and doubt that the fates beat the furies

the far right, the far left,
the alt. right, the progressive left,
the regressive right...

basically an ****** of nouns:
a geyser of prefixes and
whatever suffixes...

trans-exclusionary-radical-feminist...
cis-man...
me­taphysics, alfred jarry
and pata-physics...

hopefully some mention
of ORTHO-graphy...
hard rock... boomer rocker...
a rocking chair...

sides of the waves...
the non-existent natural sculptor...
graveyards as
museums al fresco...
post- "the original sculptor"...

indie right...
googlewhacks?
bothersome hillbilly scam: 16,100 results
locus operandi...
modus operandi...
locus standi...
squat biggerbrain: 3,740 results...
onomatopoeia lombard: 45,600 results...
merovingian golem: 25,700 results...
oh look...
getting close:
⠉⠽⠎⠞ gush: 38 results...
⠉⠽⠎⠞ pataphysics: 5 results...
fingshuan: 9 results...
llyopod ligament tree: 4 results...
lobotomy molotov: 79,000 results...
tref zappa tick tock: 5 results...
trad trap zappa loco: 8 results...
myxedema orpheus: 9,030 results...
myopiacharon: 7 results...
janejeanjacketpuke: 10 results...
(stones in his pockets)
mariejones does *******: 4 results...

epitaphs are maxims: cueue debate...
perhaps more...
chiselching in beijing: 6 results...

⠝          
ⰏmⰑoⰓrⰗFⰅeⰖuⰔs
ל ******* gnat!
sticks to you like a...
nomad sort of letter it's supposed
to be...
******* hitch-hiker...
hitchens et al... atheists etc....
sure... when all the "gentile" gods are
dead... the hebrew degradation of
a demigod will be...
the pulpit and the prayer
and i'm somehow supposed
to "mind"...
etymology bonanza loop: 62,000 results...
dymitra z goraja chleb: 1,680 results...
libero felicjan zach: 902 results...
belz bełz: 17,100 results...
kogelmogel harasho: 124 results...
kogelmogel haraшo: 5 results
чekam na "чat"... чatem - 6 results...
"burden boris with a password"...
chequers cheese and cyrillic: 5 results...
what?!
chequers cheese and cyrillic цc: 4 results...
chequers cheese and cyrillic цc gag... 4 results...
after tabernackle... turbanknuckle...
chequers cheese and cyrillic цc esq. = 3 results...
chequers cheese and cyrillic цc loan Ф⠋ = 2 results...
nearing a googlewhack...
chequers cheese and cyrillic цc loan Ф⠋...
chequers cheese and cyrillic цc loan Ф⠋φ blue =
2 results...
chequers cheese and cyrillic цc loan Ф⠋φ ж =
2 results...
chequers cheese and cyrillic цc loan Ф⠋φ ж 6 carboxylic:
3 results...
ah... loan words...
equers cheese and cyrillic цc loan Ф⠋φ ж 6 carboxylic cymes...
2 results... weekend after carboxylic? 3 results...
chequers cheese and cyrillic цc loan Ф⠋φ ж 6 carboxylic хoць:
5 results...

щur gnat: 2 results...
AAAAAH! FOUND ONE!
googlewhack:

щur gnat seq...
https://tinyurl.com/qo3z5km
i knew i'd get one...
i was just hoping it would come...
more or less circa 1am than...
2am... but as Leibniz pointer out:
even if this be the best of all possible worlds...
it's hardly accustomed to
OCD fanatics and those...
quasi-... what do you call them?
i forgot...
if i really minded wanting a ****...
i'd have treated not minding it
in my 20s like some sort of disability...
thank **** that i had
two outlets... a kantian sense of "hobby"...
and access to a brothel...
if you tied me up with but one
drunk irish girl in the vicinity of
goodmayes...
i would still want my dreams
of my great-grandfather back...
in "reality" he remained a ghost figure...
and i have his remains in my mind...
his apparently pristine set of teeth...
how many times did i dream of teeth?
i can't remember...

but i frequent the slow parts of the night...
with dreams of teeth...

my my... just lookat m'ah pearlies!

well... щur: it's szczur... ivoke
a caron above the S and C to hide the ZZ:snooze...
and you... evidently... have yourself...
a rat... gnat? gnat or vermin?
seq. that really does depend...
on what you're "looking" for"
ex genesis...
well... ex nunc / ex iam... etc.

boris brejcha: art of minimal techno tripping
the mad doctor by RTTWLR was my date...
for this... evening...
*** and pistons...
but i wouldn't mind that...
"sad loner" would still rather
listen to those macaques monkeys
in kenya...
up on a tree...
up north...
i pray you stay up into the night...
to hear a crow croak in the night...
it's such a rare event...
i'll beg you...
to hear but one insomnia riddled bird
in the night...
in the night: you will not hear a sparrow...
you ill not hear a pigeon...
birds... birds are very hygienic
in terms of encrusting sleeping patterns
at part of a translation of cognitive health...

stay up all night with me...
replace the wolves with foxes...
and wait with me... for the crows' croaking...
that complete absence of human activity...
and chain yourself with me...
who seem to dream while awake...
who can only dream when everyone else
around them has to be sleeping.

Without the souls of Trouvere, will he aspire to spheres from where he can replicate himself in the ductile state of the ceremonious Energeia...? The naive action is univocal as the first practice modulated in inclinations and lexical motricities, where they die within their fears, failing to hope and convalesce their desecrated wounds congruent in concepts of Energeia, as an arbitrary neologism to move what in itself is not self- scrollable. Vernarth after witnessing Stratonice's intermission decides to run barefoot for those who banish needs on the parental scale of his range. Succeeded by the need of Energeia towards the impudent sense of being enraptured in possibilities, and supernatural substantialities that transported him in the Epistle even to his desiring hands, but in natural causes, and kinetic emotionality in the destiny of the principles of a movement that dialogues by a spinning spin; alembicated in particles of displacement time eccentricity, towards itself in the synonymous statics, providing intrinsic angles to be associated with the rotation of time and Epistolary demands so that the quantum light can relate the energetic spiritual emotionality, with the own dissociated relationship in the spaces of appearance; where it is to be believed that there is a moment of bias provided in the emotional-movement rooted in linear memories of the temporality of the Hellenic mental axis. Everything is proper in the coordinates of the speculating, which is adduced and duplicated in Poielípsis or unveiled generation of relativistic emotions. For this reason, Vernarth naughty importunates this metaphysical precognition, alluding to particles that generate dissimilar inclinations in lapses until reaching the threshold from when Stratonice partially divided its material and spiritual origin into stationary diversity, in meditated phases that will not take place nuclear, but in the polymathy of its exteriorized threshold, and of the emotional mass of its free and passionate matter that concerns its strident and impalpable Macedonian origin.

From this moment on, the intuition corresponds to the angular reinforcement of "Poielípsis", in this way the coordinate of the Souls of Trouvere becomes present, as pseudo images of the Diadochi, involving magnetized radial movements that will lie in the spheres of physical value., in the garb of the Gerakis and Petrobus, who strived in the sense of the energeia of the Epsilon neologism, not to restrict themselves as Aristotle affirms, investigating the being towards a mono-sense in this causal, of such alpha that it says the paradoxical, demonstrating the diversity of optics. Faced with this diatribe Vernarth from the naturalness decides to empower Souls that are part of both topics according to Vernarth, it is to alleviate the potentialities of the acts that apprehend the light of genius that coexists with both. What the entity justified us in unfolding will be delivered by divine intelligence, so as not to reduce the free power of the Epsilon that was extracted in the welcoming presence of Stratonice still withdrawn in the atmosphere of the Voielípsis (substitute scale of relativistic emotions of Vernarth). There are few seconds that can be extended more from a selective argument of trends in the specifications, which could be attributed to dimensions of the Trouvere period of souls, lacking stillness in simulated biological environments, as if they deliberate the naturalness of an expression of who It does not philosophize if something has to detach itself or grab hold of creation to privilege the natural, re-arguing affection when professing, if there is time to express it, so it is intuited what the virtue of muttering simultaneously in the laborious, and in what does not progress. The dynamics of this Poielípsis is to dress the Voielípsis, as an analogous addition of quantum causality and of temporal and timeless Christianity, since it supports a conjugate mix deified by Saint Thomas Aquinas, heading towards the prop in the mega absorption of Christian Aristotelian ideals. The souls of Trouvere will be residents of the indeterminate spiritual mechanics, to deposit effects of the incredulous versatility in themselves, in the sub-aquatic depths that coexist with the geological structure of the cavern of San Juan Apóstol, but in subterranean concomitance, under the same axial coordinate that is sustained sub-geological. Namely; They will coexist as long as the Mandragoron of the Duoverso and its Voielípsis are established, but three hundred and eight meters from its antipode in the underwater base of the Profitis Ilias.

The antithetical line is the verifiable germinability of those vertical events of the plinth settled by the Souls of Trouvere, containing the germinable starch of the growth of the ergonometric stirrup of the Zefian Bolt, which from zero elevation to 308 meters above the Aegean level will form a mega extra parapsychological bilocation, which will be gestated in its uniform vertical chronological numbering, with the pre-Christian Pythagorean and post-Christian representation in the coronation of Carlo Magno, mentioned in royal visions by the Apostle Santiago, in the versant apology of Pythagoras as an entity supra divine, envisioning the scenographic depository, and fragmentability of these three components of this start of the Hellenic Magna in the hydrographic, sub-terrestrial geological and residential basin of the Souls of Trouvere.
The upholstery of the Pythia of Herófila attacks the subtended of the flying buttress that supported the volcanic cavities of the Sub-Patmos, indicating its agreement with the Souls of Trouvere by its disoriented cognitive dissonance, generating paradigms that traced stones that formulated Aquarian sounds, in a dominant tonality by the minuscule machine of light, more distant from the incommensurability that escaped eclipsed in the resplendent major note that becomes monarchical by the hypotenuse of a rectangle in three subdominant angles. This brings about the thaumaturgy of Pythiais, the mother of Pythagoras who, together with Vernarth's Poielípsis, forge retentive songs given the scarce natural light that was only born from some of Trouvere's souls called Poielípsis, in stories of the oracular Delphians. The Poielípsis remains encapsulated from the thaumaturgy of the banal anti-desires that would make it mortal, for a hypotenuse that makes the gift of poetic prayer tangible, prompting the Bio axiom, by fertilizing scaled suspicions of repeated mortality in the banner of risk. Stratonice well points it out:

“The signal field has been prophesied today for the Apollo tripod. Having to reencause itself in three parts of the support of the oracles, and in clairvoyance in the pre and post Christian insemination of the gift of the word that redeems man from sin, sub-tenant of the flying buttress, from the interface of the supra trinity of sin as a blood element, and difficult to evade or avoid. Here the Hegemonic energy of Alexander the Great has been condensed in the arch of ideas, pointing out that the diseased body of Antiochus; my father…, is supplanted by that of the to happen all the trances and difficulties that are assumed after the hazardous departure in Babylon. Therefore he has to bring all the corollary prophesied in the death of my grandfather Seleucus in the hands of Ptolemy Ceraunos. Wanting to dress up the irrevocable interference that occurred in Judah by his Diadocos gangs, opting for the effect of his offspring, therefore on his spiritual stretch of energetic residual and static mass, ad libitum that will end when unleashed in his son. All will already be consumed in the pathogenic body of Antiochus, and of the love for my mother where she was abducted, and possessed she sees by retaliation from Alexander the Great for proven insubordinate ethical demands. "

Stratonice walks with the sendal that should be translucent by Santiago of Compostela. As an intra-everlasting geometric raconto, subduing fears that slide through the sendal of the dogma of the architrave, where no philosophy can look higher if it is not allowed, typical of vegetarianism or freedoms that turn green in fears that do not illuminate life. eternal, perhaps from the same Matematikoi who doubts a basis for Adfinitas, to understand limitless limits, taking Pythagoras to the soil of Crotona. Always, someone who is ignored of the linguistic power, he plans to rewind spheres that still weave crossed angles, placing himself in scores to consider as an irreplaceable past. The soul of Poielípsis adopted a Pythagorean conception, in the halters of the livid legions of Orpheus, as if it were his consecrated hypogeum where the high position was, to stir to the embankment where it will merge with the Zefian arrow. This liquefaction should purify all storage of cognitive and circumscribes of those ancestral, becoming reincarnable pre-Christians, who transmigrate in the need of osmosis of universal unity. Atonal music will transmigrate molecules to great sidereal distances, being the same replica of the other eurythmic, in multi-trigonometric periods, vivifying the fractional number residues as souls of the same numeral that finally perish of Pythagorean digits, perhaps at the angles of the Phalanxes of Vernarth or in the oblique crucial moment that slumbers in an elegy, flourishing in those beings that do not Live...! Already under-treated, they will only be souls tired of keeping themselves alive and deprived of their morbidity, in a dissociated cause of immortality that will distance itself from the forbidden abstinences, in liberating exercises of any count that ponders in the coming etymology of the Vita Pythagorae, on the divan of the joys of serving his doctrine, which saves himself, and which will save the Messiah, for those who in the soul have no sacrifice of a lamb that grazes..., nor on the pedestal that goes ahead in the centuries..., pasturing what nobody was capable of ?. The second triad of the oracle of Apollo of the Souls of Trouvere reveal Charles the Great, favored by the Apostle Santiago for the protectorate of Compostela and its spiritual regency, invited Charlemagne from Aachen, in 33 consecutive years of dispute with swords, stating that the Saxons never complied with the treaties and signed surrenders. Charlemagne placed himself at the head of his army on several occasions to fight with his sword against the Saxon danger, also entrusting the troops to the counts when other matters required his presence.

In the second segment of the concave wasteland of the straight ascendant of Trouvere, he crowned Charlemagne emperor of Rome and the Franks, predicted by the Apostle James, in defensive papal struggles and in defense of Christianity. In this paradigm it appears how they are transmitted from the dead ungraspable world, they unite here in the axon of Poielípsis for the sake of the times that occur due to the anonymity of a silence that augured to link, and to know within what the endless intrinsically organic movement is, as well as the biological cosmos in the discovery of the Jacobean route. In what better region than the Dodecanese, he will be fused by twelve apostles, and now the brother of the son of Zebedee; Santiago brother of Saint John the Apostle. Dating back to 778 AD, spreading to Hispania. In the ****** and constant fight against the Saxons, Carlo Magno, entered Hispania crossing the Pyrenees, as a preview of the aforementioned Jacobean Route, everything raged witnessing their overwhelmed squares in the fueros of the Trouveres, who were Pythagorean elite soldiers, who had been bilocated in this post was Christian, preceded by the perfidious Basque in the forests, subsisting separated right here from the progenitors of the Trouvers, who claimed to be the strongest to continue them to Pamplona with Charlemagne. All escaped from Islam, and not a few Christians resented this affront, the dynamics will be reflected in the Songs of the French Gesta, to enter the Jacobean Route on the way to Santiago de Compostela, when the Calixtino Codex, in its book IV o Historia Turpini, the apparition of the Apostle Santiago to Charlemagne is told in dreams, pointing to the Milky Way as a way to find his tomb, which must free them from the Saracens to be able to venerate their relics with the enamels and medallions that they issued in the Apostle's crypt in Compostela. The souls of Trouvere, are beings that enjoyed a short life in the Pyrenees, they enjoyed the fortune of originating a liberator of post-Christian inheritances, mechanized by the exquisite citation of Pythagorean antiquity, behind indigo faded in red blood cells, to dress the sendal of the figure of Faith, freed behind those who should have dressed her as a Codex Calixtinus.

Five sections rose along the straight line of the Trouvere pyramidal axon, the base of the liturgical appendix that honors the multidimensional space, with antiphons for the cult of Carlo Magno on the underlying Patmos. Santiago was lacerated in the Holy Land far from his Brother Apostle Saint John, but he came to meet with the Trouveres who came from the rugged Pyrenees. Santiago passed the Strait of Gibraltar and reached Padrón, which is about 20 kilometers west of Santiago de Compostela; there some angels took him to the place where he actively rests. In a boat he arrived..., and always by the Mediterranean he will now reach Patmos, still acquiring the iconography that attempts to find Charlemagne, and a codex that would unite pre-Christians like Pythagoras and Aristotle united in the relic of the taxpayers transformed into three maritime rivers, concerned with a predicted belligerent episode, to say that all roads lead to Patmos, like Locus Sanctus, of all the shepherds who heal their sheep in which they are not of others that are populated with souls white, for the good of others. Thus the souls of Trouvere from the Pyrenees revealed themselves as predecessors of the raiding of the shells 308 meters below the Profitis Ilias, in agreement with Stratonice who would be arriving in Macedonia, where the passing of the centuries would tell him about the Jacobean Route instructed in confronts, and concordances with the airones of the Trouvere, protected by a rectangle in three subdominant Pythagorean angles in the dissipated darkness of the golden indigo of Theoskepasti, in the meridian of Kímolos.

obviously with a grounding in chemistry, i'd elevate myself to the only scientific humanism in existence, philosophy, and thus cling to an atomists' interpretation of words... a tier higher? let's just call that a kabbalistic venture... the tetragrammaton can replace the linguistic alphabet; basis: alphabetically you say A... but when you reach a moment of prior to unknown but revealed appreciation for a fact, you express awe, via ah...

and how many brain-cells died
and how much memory has become
eroded by the fallacy of
learning the alphabet?
              not the clear indicator
of numbers based upon evens & odds
interchange -
       so why randomly position
the vowels?
    why not state the five elements
first? a, e, i, o, u
and move toward the 21 pillars
of consonants: b, c, d, f, g, h, j... ? ? ?

re.: aphorism 50, ponderings V.

by being
                 vs.
                         in being
vs.
         being of-itself

             being-of-itself (source,
  direction, vector, cause, motive,
reason) - correlated similis via *by...

   v.s being off-itself
   ( no longer enclosing,
          not supported or attached,
       away from origin
     i.e. coordinates of
   the triple negation: )0,0,0( )
  i.e. in-being -
   a self-serving (per se) manifestation
                         of change, or flux.

aus - off
   von - of
                durch - by
    im - in

    da-mit-sein:

                a purpose!

da-sein merely states:
   there's being (da ist sein)!
  actuality...

      ist da sein?! (is there being?)
   potential...

that's self-evident
   or anti-purposive in observation...

revision:

loss of article, means sharpening
the meaning (enforcing the locus):

   but the "locality" has to change
for the loss of articles - i.e.

hier-mit-sein -
  the loss of ein - the finis abstractus:
the end of abstracting -
   morph the article into a prefix
i.e. a becomes a-,
   and you're left without either
a there or a being to consider...

   ein-da-mit-sein: a there with being -
well, to forget the article,
    hier-mit-sein:
                     meaning?
   (i'm) here, with (a) purpose...

               hic sum, *** id est
  (the maxim to represent esse / being)

it has a purpose, and i have a purpose
to match its purpose of
      watching the spring exfoliation
of the per se...

and what a fetish for speaking german
            i have gathered,
ask the commies...
   they'll tell you that simply
speaking german you're somehow a fascist.

a- (without)
       ex- (out of) -
            out of every instance -
   a monism of:

poetic sketches are the supreme form
of dissociation,
   words become syllables,
while syllables become prefixes and suffixes
and affixes:

              the unison:
           a- without the monistic unison
of the omni,       namely?
   disharmony of free wills -
    
                          a- omni ex- "dictum"...

what the ancient spoke of in terms
of being as λoγoς -
refers to a temporal realm...
what evolved?
   with mass communication
  and the generally perceived electric
spider-web?
             well... the hands of power
had to change, from the greek
λoγoς, to the roman λoκυς -
enforced by heidegger's dasein...

     the locus vs. the logos...

if there is a vs. to begin with.

  hier-durch-sein
   (here, by being)
                da-durch-nicht-sein
              (there, by not being)

does this no answer einstein's mathematics
if no numbers are to be used?
       the space-time debacle?

    already philosophy has become
closely realised in quanta of the tongue
either talking, or silent...

   and if kant "allowed" for the tragedy
of von kleist and nietzsche,
   then heidegger reaped from the ashes
of hœlderlin (variation of original
umlaut ö) - the gold-standard of
enforcing the end of the war of civility
between philosophers and poets
began by plato...
                             ending with a:
reminder of the original enemy,
namely the sophists, by zeitnahweise
also called rhetoricians;
as said, for all who care to think,
              they'll be found chewing gum
and having a hard time speaking...
thinking really does, mute if not
simply obstruct the mouth from speaking.

why do you think i "*****" heidegger's
concept of dasein?
    the hyphen and the italics...
   it came down to style, and how "confusing"
it became...
      i had to explore the temporal
   dimension with the spatial originality...
otherwise known as
     the disconcerted attitude of popular
                   literature, namely journalism.

Ono no Komachi translations

These are my modern English translations of the ancient Japanese poems of Ono no Komachi…

As I slept in isolation
my desired beloved appeared to me;
therefore, dreams have become my reality
and consolation.
―Ono no Komachi, loose translation by Michael R. Burch

Submit to you, is that what you advise?
The way the ripples do
whenever ill winds arise?
―Ono no Komachi, loose translation by Michael R. Burch

Watching wan moonlight flooding tree limbs,
my heart also brims,
overflowing with autumn.
―Ono no Komachi, loose translation by Michael R. Burch

If fields of autumn flowers
can shed their blossoms, shameless,
why can't I also frolic here ...
as fearless and as blameless?
―Ono no Komachi, loose translation by Michael R. Burch

So cruelly severed,
a root-cut reed ...
if the river offered,
why not be freed?
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

I had thought to pluck
the flower of forgetfulness
only to find it
already blossoming in his heart.
―Ono no Komachi, loose translation by Michael R. Burch

That which men call "love" ...
is it not merely the chain
preventing our escape
from this world of pain?
―Ono no Komachi, loose translation by Michael R. Burch

Did you appear
only because I was lost in thoughts of love
when I nodded off, day-dreaming of you?
(If I had known that you
couldn't possibly be true,
I'd have never awakened!)
―Ono no Komachi, loose translation by Michael R. Burch

Sad,
the end that awaits me ...
to think that before autumn yields
I'll be a pale mist
shrouding these rice fields.
―Ono no Komachi, loose translation by Michael R. Burch

In this dismal world
the living decrease
as the dead increase...
oh, how much longer
must I bear this body of grief?
―Ono no Komachi, loose translation by Michael R. Burch

Once-colorful flowers faded,
while in my drab cell
life's impulse also abated
as the long dismal rains fell.
―Ono no Komachi, loose translation by Michael R. Burch

Now bitterly I watch fall winds
battering the rice stalks,
suspecting I'll never again
find anything to harvest.
―Ono no Komachi, loose translation by Michael R. Burch

This abandoned mountain shack ...
how many nights
has autumn sheltered there?
―Ono no Komachi, loose translation by Michael R. Burch

Am I to spend the night alone
atop this summit,
cold and lost?
Won't you at least lend me
your robes of moss?
—Ono no Komachi (GSS XVII:1195), loose translation by Michael R. Burch

Two things wilt without warning,
bleeding away their colors:
a flower and a man's heart.
—Ono no Komachi (KKS XV:797), loose translation/interpretation by Michael R. Burch

Alas, the beauty of the flowers came to naught
as I watched the rain, lost in melancholy thought ...
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Watching the long, dismal rains
inundating the earth,
my heart too is washed out, bleeds off
with the colors of the late spring flowers.
―Ono no Komachi, loose translation by Michael R. Burch

Wretched water-**** that I am,
severed from all roots:
if rapids should entice me,
why not welcome their lethal shoots?
―Ono no Komachi, loose translation by Michael R. Burch

Though I visit him
continually in my dreams,
the sum of all such ethereal trysts
is still less than one actual, solid glimpse.
―Ono no Komachi, loose translation by Michael R. Burch

I feel desire so intensely
in the lily-seed darkness
that tonight I'll turn my robe inside-out
before donning it.
—Ono no Komachi (KKS XII:554), loose translation/interpretation by Michael R. Burch

This vain life!
My looks and talents faded
like these cherry blossoms inundated
by endless rains
that I now survey, alone.
―Ono no Komachi, loose translation by Michael R. Burch

Autumn nights are "long"
only in verse and song:
for we had just begun
to gaze into each other's eyes
when dawn immolated the skies!
―Ono no Komachi, loose translation by Michael R. Burch

I think of you ceaselessly, with love...
and so... come to me at night,
for in the flight
of dreams, no one can disapprove!
―Ono no Komachi, loose translation by Michael R. Burch

On nights such as these
when no moon lights your way to me,
I lie awake, my passion blazing,
my breast an inferno wildly raging,
while my heart chars within me.
―Ono no Komachi, loose translation by Michael R. Burch

Since my body
was neglected by the one
who had promised faithfully to come,
I now lie here questioning its existence.
―Ono no Komachi, loose translation by Michael R. Burch

Since there's obviously nothing to catch
in this barren bay,
how can he fail to understand:
the fisherman who persists in coming and going
until his legs collapse in the sand?
―Ono no Komachi, loose translation by Michael R. Burch

What do I know of villages
where fisherfolk dwell?
Why do you keep demanding
that I show you the seashore,
lead you to some pearly shell?
―Ono no Komachi, loose translation by Michael R. Burch

Yielding to a love
that recognizes no boundaries,
I will approach him by night ...
for the world cannot despise
a wandering dreamer.
―Ono no Komachi, loose translation by Michael R. Burch

Now that I approach
life's inevitable winter
your ardor has faded
like blossoms devastated
by late autumn rains.
―Ono no Komachi, loose translation by Michael R. Burch

Am I to spend another night alone
atop this ice-crag,
cold and lost?
Won't you at least lend me
your robes of moss?
―Ono no Komachi, loose translation by Michael R. Burch

"It's over!"
Your words drizzle like dismal rains,
bringing tears,
as I wilt with my years.
—Ono no Komachi (KKS XV:782), loose translation/interpretation by Michael R. Burch

I pursue you ceaselessly in my dreams ...
yet we've never met; we're not even acquainted!
—Ono no Komachi, loose translation by Michael R. Burch

Like flowers wilted by drenching rains,
my beauty has faded in the onslaught of my forlorn years.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Fiery coals searing my body
hurt me far less than the sorrow of parting.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Love is man's most unbreakable bond.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

This moonless night,
with no way to meet him,
I grow restless with longing:
my breast’s an inferno,
my heart chars within me.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

How brilliantly
tears rain upon my sleeve
in bright gemlets,
for my despair cannot be withstood,
like a surging flood!
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

This flower's color
has drained away,
while in idle thoughts
my life drained away
as the long rains fall.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Fatal reality!
You must do what you must, I suppose.
But even hidden in my dreams
from all prying eyes,
to watch you still pains me so!
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

In eye-opening daylight
much stands revealed,
but when I see myself
reflected in hostile eyes
even dreams become nightmares.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

I would meet him tonight
but the moon shows no path;
my desire for him,
smoldering in my breast,
burns my heart to ash!
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Sleepless with loneliness,
I find myself longing for the handsome moon.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Sotoba Komachi is a modern Noh play by Yukio Mishima (1925-1970). Mishima's play is based on an ancient work by Kan'ami Kiyotsugu (1333-1384). The first kanji means "stupa" (the dome of a shrine) while the second kanji means "belle" or "beautiful woman." So the title may be interpreted as something like "Beauty's Shrine" or "Shrine to Beauty." Kan'ami was the first playwright to incorporate the Kusemai song and dance style and Dengaku dances into plays. He founded a sarugaku theater group in the Kansai region of Honshu; the troupe later moved to Yamato and formed the Yuzaki theater company, which would become the school of Noh theater.

Excerpts from SOTOBA KOMACHI
by KWANAMI
loose translation/interpretation by Michael R. Burch

Priest of the Koyasan:

We who have built our homes on shallow slopes
now seek solitude in the heart's deep recesses.

Second Priest:

This single thought possessed me:
How I might bring a single seed to flower,
the wisdom of Buddha, the locus of our salvation,
until in despair I donned this dark cassock.

Ono no Komachi:

Lately so severed,
like a root-cut reed,
if the river offered,
why not be freed?

I would gladly go,
but here no wave stirs ...
I was once full of pride
now fled with the years,

gone with dark tresses
and with lustrous locks;
I was lithe as a willow
in my springtime frocks;

I once sang like a nightingale
sipping dew;
I was wild as the rose
when the skies shone blue ...
in those days before fall
when the long shadows grew.

But now I’ve grown loathsome
even to ******;
even urchins abhor me;
men treat me with scorn ...

Now I am nothing
but a poor, withered bough,
and yet there are wildflowers
in my heart, even now.

Only my body lingers, for my heart left this world long ago!

Priests (together):

O, piteous, piteous!
Is this the once-fabled flower-bright Komachi,
Komachi the Beautiful,
whose dark brows bridged eyes like young moons;
her face whitest alabaster forever;
whose many damask robes filled cedar-scented closets?



Ono no Komachi wrote tanka (also known as waka), the most traditional form of Japanese lyric poetry. She is an excellent representative of the Classical, or Heian, period (circa 794-1185 AD) of Japanese literature, and she is one of the best-known poets of the Kokinshu (circa 905), the first in a series of anthologies of Japanese poetry compiled by imperial order. She is also one of the Rokkasen — the six best waka poets of the early Heian period, during which poetry was considered the highest art. Renowned for her unusual beauty, Komachi has become a synonym for feminine beauty in Japan. She is also included among the thirty-six Poetry Immortals. It is believed that she was born sometime between 820-830 and that she wrote most of her poems around the middle of the ninth century. She is best known today for her pensive, melancholic and ****** poems. Keywords/Tags: Ono no Komachi waka tanka translation Japanese love women womanhood feminist feminism

Breeze bellows,
leaves echo in
quivering psithurism,
dithering like
unbroken smoke,
this approaching omen goads.

Dozing crows
slumbering in rows,
droves of locusts'
silenced drone,
almost comatose in repose;
nighttime overtones
choir of toads'
raspy croaks
answered by alto
of crickets' orchestral strokes.

Gust encroaches;
robed boughs
cloven open,
bring into
scope and focus
me juxtaposed,
suspended apropos.

Although motionless
and petrified in stone,
provoked by zephyr
coaxing to and fro;
swaying pendulous
and no longer frozen,
locus gently thrown.

Death rattle moan
evoked from throat,
reflex can't say no
to rigor rigidly posed,
final sigh in silence,
awoken vocal,
expelled and disposed.

Smote by
morose emotion,
gun loaded then exploded
by neurosis,
now bloated
necrosis decomposes
into gross ochre.

This trophy
and this ode
both an opus to
my inability to cope;
romanced i proposed,
eloped and betrothed to
my own
inappropriate composure.

Pocket full of posies
plucked when luck bestowed
and tears in a cup, a toast;
crying copiously,
tempest runneth overflowed,
eyes swollen and soaked.

Dipped my toes
in the coast
of this ocean's
amorphous folds,
gripped by undertow
holding control of my soul;
swiftly shipwrecked in
shallow shoal,
an old atoll.

On sandy floor,
water burrows roads;
digging, carving, roams
through unmarrowed
silica and sandstone
eroding into a cove.

A host for
opal geode trove,
enclosing a
technicolor rose,
from the depths
a glowing mosaic shone

Unopened lotus floats
on foam
of lapping waves,
a boat;
prone to no
grandiose notion
or motive,
adrift as wind stokes.

I suppose
this only shows
the total corrosion
into which I dove,
the only foes to oppose
are those of burdens, so
only weightless can I atone-
I must let go.

First Contact
"How did I get here,I can't remember,
my brains burning out like a dwindling ember,
are those tears in my eyes?-no its pourin' rain,
I'm lying on my back in the bottom of a stormdrain,
hunted like an animal,but still I'm deadly,
like a wounded lion,you better bet ye,
will lose more men than I've already taken(taken sample),
the hunter hunted? I think you're mistaken,
I'm a one man army,armed or not,
you didn't bring enough manpower,have you forgot?,
that the sandman(badman,phantoms in the dark)
has more in his bite than you do in your bark,
it's getting dark now,tables turning,

tyger,tyger,my eyes are burning,

better keep your guard up,I've been confronted...
but how can you tell who's hunter or hunted? 16.

Riposte

Better count your sentries,I think ones missin,
when you see his blood glistenin your pants your ****** in,
should have been listenin,I gave you a chance,
now its time for the Sandman to do his dance,
like a praying Mantis I move so swiftly,
bullet's fly like locusts,but each one missed me,
the Locus and Focus of my 3rd eyes movin,
got your sentries rifle,but I won't even use it,
taunt you haunt you,flaunt skills I honed,
from a broken home,to the streets to battlezones,
catch you alone,smash your skull with a hanbo,
appear behind you from the mud like Rambo,
bodies placed like hannibal,a deadly scene,
you're a ****** housecat and I'm wolverine,
told your boss you could get me now you know you fronted,
cat and mouse reversed-YOU'RE the one who's hunted.

Denoument*

Now I know who you are,and I know where you live,
and in this line of work I can't forget or forgive.

We were partners once now you've betrayed my trust,
taught you everything you know,now it's ashes and dust
your bodyguards are good,but they know I'll get ya,
more ghost than man,a modern day ninja,
leave you injured,begging for mercy,
but you know the concept is alien to me,
grabbed the bull by the horns,my hand you forced,
you're a moveable object,I'm unstoppable force,
force feed your limbs til you beg for death,
line your family up and slowly take their heads,
then I'm in the wind,gone like keyser sozey,
the word is spread,don't try to **** me,
you were my friend,but you crossed the line,
try to hunt the Sandman,"you're all ****** dyin"

The mysterious pregnancy
of the present moment.
Call it hazard, randomness
whatever you like.

Contained in that moment,
all the possibilities of life.
The locus of existence.
Whatever you do could
change everything.

You are 21 and sitting in a bar.
You walk out the door and turn right.
One life looms. Hazard.
You walk out the door and turn left.
A different life. Hazard.
You stay at the bar;
someone sits down beside you.
A third life opens up. Hazard.

Forget choice. You didn't choose,
you just unthinkingly did.
Yet so many possibilities
in that innocent instant.
Mythic, timeless, un-contemporary.
Powerful as a Black Hole.

We speak of good choices,
bad choices, as if we control
our lives absolutely.

Wrong. Worse than wrong: absurd.
Ego. You believe yourself a god?

First comes the random hazardous moment,
numinous and fecund with an unknown power.

Choice only follows that moment.
You choose within the arena of hazard.

Only then, thumbs up or down.

some of us walk insistently,
instinctively, and instantly to
and upon the edged path,

this physical nexus & abstract mental locus,
a cliffside enticing rock strewn trail,
drawn of men, by men, for men

(yes, men are people too, still)

enthralling views,
down to the riverside,
where eyes intuit the
beauteous aroma of
precious precocious
precarious precipices
and the near-stench of
mortality

amidst
wafting scents of inane undesirable need,  
hints of destruction, or,
alternating eager relief,
like a ****** infused, instant attractiveness,
making weakness in the knees, all too real,
trembling with a delicious accented edge of
a fresh, familiar scent, fresh baked bread,
an all enveloping consumption need now!

to
crave what we fear,
to fear what we crave
our cravings are craven,

this twisted sense, annuls
our common sensibility, yet,
titillates our pleasured imagined relief,
releases, our unsated, even better,
our insatiable curiosity to tremble,
an entire body enjoined by vibrato~
enticing tremulations, shaken and stirred,
this danger choice releases something primordial,
escape? a reckless wrecking so deeply designed,
it has its very own designation…death wish

multitudes of easy choices afforded my senses,
and by accident, all mine chosen, all nearby,
I travel the esplanade près de the East River,
where even if calm is the sole visiblilty,
undercurrents and the unpredictable passage
of container wakes and the larger freighters
will hand you down, so easy, to become parcel
to a littered river bottom of centuries’ artifacts

but even more tempting, the balcony,
a hop, skip and a jump unlocked,
mere ten steps, no need for a running start
why it’s the “height of convenience,”
he ruefully winces, and not even any
TSA lines or inconveniencing “conveniences”

Why this calamity seems so desperately desirable,
Why this unabrogated feat so featured, nay, even
feted in our hot? cold? bloodstream

“Why just men?

I don't know,
Perhaps,
it is all I know.”

The pendency of emotion trickles through your winding hair ocean air greets a wave from the window a pause at the base of your spine you're mine lady you cause subtle tensions to rise I surmise the locus of tension: your eyes.

Consider for a moment
the Great Library of Alexandria,
a wonder of the ancient world
a pinnacle of human achievement,
a locus of human knowledge,
what with its endless papyrus scrolls
and torch-lit hallways
and hunched, bearded, sagacious men.

Consider now whether or not it
only contained about eighty gigabytes of data.

Consider Jesus.

Consider the thousands of Bible apps
(most of them free)
that are available for download onto your phone.

Consider the different translations that are available
at your fingertips,
each telling a divergent story,
each version of the messiah slightly different
in terms of humanity,
miraculous deeds,
skin tone—
and all of this distilled
into a single, trivial
press of a handheld device.

Consider yourself as you lie in bed
in the dark
trying to pray to God,
but too distracted by the fact
that a text message you sent earlier
never got a reply.

I am just waiting for something
anything
to leap out from behind me and say,
you.
my darling, beaten-blue.
you with the bitter taste,
you with the b-sides
you with the photographs, too.
come with me, out of this
                                          bruised and terrible
                                                                         you.

The tea sits
Death collecting different scenes
I’m stressed
Such a mess with the reaper next to me
Life vest on my chest
And I couldn’t really see
Long steps to unrest and I’m bent reality
Still
The fragments breathe
Will deliver and I’m keen to the quiver
Arrows preen
The apple’s novelty
Real
Surreal it seems
The venom makes sin of me
A little sliver the beast
Disturbing the honesty
Feel
The havoc see it in the light
And let it seek a little strife
Collapse in dreams it’s still alright
Just follow me and

Days go by
And the days go by
And the days

Fall next to me
They wither in seasons
Oppressive tendencies
Observe the winter casualties
With frozen blood and splinters
Unruly royalty for dinner
The bloodline isn’t coiled
So they haven’t found a winner
The peril focused
Elapsed so nobody would notice
It wasn’t hopeless
Ascension hadn’t found a locus
Scrambling the frequency
A remedy just like unbroken chains that lead to purity
As if the marks of shame were lotus
Petals
Drinking deep amidst tequila dreams
Settled
With that much alcohol I’m bound to see
The difference
What it takes from me in travels
Hollow ships that creak and battle with my frenemies
Just trying to find some ******* peace
Scattered
A little crazed
A little battered
Hazard
So many names
Poetic ******* is my favorite
And it’s said with sharp tongues and flagrance
Art forms and a cadence
Just trying to count the ways that

Days go by
And the days go by
And the days

Make clouds break
Unraveling the seasons
Couldn’t fathom all the reasons
Left to brandish all the pieces
Couldn’t handle all the artifacts
To me the voice of treason was a pretty ****** father that I couldn’t wait to see
He left scars
Gave me emptiness to seek the stars
I grew lost
With a tendency to keep to bars
Some new parts of me I never noticed
Please
I wasn’t hopeless
I’m just barely even getting started
Some new paths
Chasing fantasies I seek to harvest
Undo traps that I set to self destruct the progress
Parallel to heavens gate
I’m aiming for the secret garden
Eyy
So catch me gliding through the waves as

Days go by
And the days go by
And the days go
-Whoo-
-Whoo-
-Whoo-
And the days go by
*And the days go by