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nick armbrister Sep 2021
The Big Boss
My manager is a locust brain
He doesn’t know what he’s doing

My manager is a locust brain
The job is kaos when he’s in charge here

My manager is a locust brain
Production takes a dip under him

My manager is a locust brain
He got the job by kissing arses

My manager is a locust brain
The supervisor is much more skilled

My manager is a locust brain
I ignore him due to his utter ineptitude

My manager is a locust brain
Even the toilet cleaner hates him!

My manager is a locust brain
Because he can’t read or write

My manager is a locust brain
Due to his lack of experience and *****

My manager is a locust brain
Simply because he’s my manager

My manager is a locust brain
And we’re gonna set him on fire!

My manager is a locust brain
Is my manager no longer cos he’s dead!
Larry dillon Feb 2023
You ensnared me like a dog in its cage
Locked me down in your cellar
drove to my estate
told my son it would be okay
Massacred my family with my face
And made sure to replay it for me everyday:
recorded the depravity so I could see it on tv
-Said to me:
"I know your heart is bleeding.
I will set you free when you watch,
Without shedding a single tear."
-I remained locked up for close to a year
I needed to know why you would trap me here
just to let me walk away
when you finally released me at gunpoint;
I learned to keep my tears at bay
Your response when I pressed for a reason:
        
               "...its just a game I play."

You set lives on fire then set us free
How many suicides have you kept as trophies?
Does it tingle like a wet tongue on your neck,
When you rip a life apart?
Presenting to us the imploded pieces
Like a perverted work of art?

You psychotic shapeshifter you sicken me
You serial-stealer of sacred space
You think the human race is a plague
So you became, "The Locust-Eater"
Playing out macabre fantasies
With such swift shifts of physical features
You delight in deriving such clever machinations
To deceive us ...
...but can you deceive yourself?
Underneath the bone and sinew
- you are still just YOU
...even though you masquerade as everybody else

How can I spot a chameleon in a kaleidoscope?
Belay your false colors.
Show me your true shade.

I studied you
Created a secret space- like you
Where I could stash you safe
Poured through claims of being kidnapped
By a being who could change its shape
Corroborated their claims-by the dates
Of misdeeds they were framed for
-And when they took their own life
In my research I found a smoking gun
-In your case your kryptonite
You must regress to your real skin
         once every month
So i set out ...
picked just the right target...
...and started to hunt

To lure out the chameleon...
I captured something...
      
        That I think you might love.

You wore Anessa's life like a glove
Was she to be your masterpiece?
You committed a crime so brazen- as her
it went viral within a week
you stole her child in the darkness of night,
Anessa's husband- that child's father
Must have been filled with such awful fright
He called authorities, you fabricated stories
you turned the victim into a suspect
Over a single fortnight
Not long after he was killed
in a drunken bar fight

As Anessa you were spotted months after
Ignoring a green light of a busy intersection
Parked in the middle of the road
Placed their child on that busy street
Then sped off in the other direction

Anessa was blindsided when you finally
let her go
Oh, i bet you waited with bated breath
For her self-removal from the world?
You ensured she would never again
Get to hold her baby girl
But Anessa never gave in
Did her steadfast resolve
feel like I rash upon your skin?
Where it festered forming feelings foreign
to a fiend such as you?

You scratched that itch
Began by sending her anonymous gifts
Even started shifting into her too
Stalked her waking moments
by engaging her as a stranger:
all the while unaware your sick infatuation:
Had put her in danger

I'm counting down the clock
I kidnapped maybe her or You
I left my address at Anessa's house
A note saying, " this is a game I play now too."
Soon now: a month will have passed
And it all comes crashing to A head:
at last.

So shed your skin
Prepare to fight
This vendetta ends here:

Tonight.

There is a lighter
          
           Just

waiting to ignite.

A knocking at my door
A knot in my stomach
Anessa...( or is it You)
bound beneath my floorboards?
I peer in the peephole then pull You (Or Anessa) out of that hidden hole
I drench us both( for every second You stole)
I  pour it all over
( my life will never be whole)  
I douse everything in here in gasoline
Confess your sins
(before the fire finds them out)
Its time to come CLEAN!!!

And it seems:
I will be dipping my hands in red tonight.
This will all end in the worst way.

I open the door
let Anessa( or You) In
She runs to my captive saying,
"Where do I begin?"

"I made something of my life
after it let me go
At first, it caused the Locust-Eater misery
You see it toys with humans:
ones it knows are weak
I was so meek and feeble before we met...
Yet,I'm the one person it failed to defeat
Its game gave me strength i never knew...
... resolve had always,somehow,eluded me
I do believe its games are vile...but,
They are necessary?
Please,**** me instead
"...but let the Locust-Eater free"

the captive Anessa(or You)
begins thrashing their feet
I yell," which one of you killed my family?!"
They both calmy respond:

" Me."

The lighter flicks in my hand
I'm unable to speak

A month has passed
Which one is the one I seek?
They both insist I let the other go
And you should know:
it slips from my hand
The lighter(like my grip of reality)
falling faster with exposed flame
adhering to the clear rules of gravity

The two Anessa's embrace.
They both begin to burn.

False colors from the chameleon fade out.
Hungry flames swallow me whole.
I am( am I?)...
seeing the Locust-Eater's true shade:

This is how I take control.

-
A story of a shape-shifting serial kidnapper who assumes the identities of his victims, implodes their lives...and lets them go.
Mike Hauser Dec 2018
Conditions were fought
As we planted our hearts
In righteousness
Then prayed for rain

But the desires of this world
Sowed weeds in our souls
Then took its toll
When the locust came

...and the locust came
with a hunger unguarded
the goodness we sought
to swallow it whole

...and the locust came
in record numbers
rolling like thunder
stunting our growth

Daily we're met
By the plans of man
We readily accept
But don't dare take the blame

Then wonder at
The troubles we have
Till there's nothing left
When the locust came

...and the locust came
in turmoil and emotion
first went the mind
the heart soon followed

...and the locust came
slipping and sliding
while we weren't watching
through the backdoor
Fanfare of northwest wind, a bluejay wind
announces autumn, and the equinox
rolls back blue bays to a far afternoon.
Somewhere beyond the Gorge Li Po is gone,
looking for friendship or an old love's sleeve
or writing letters to his children, lost,
and to his children's children, and to us.
What was his light? of lamp or moon or sun?
Say that it changed, for better or for worse,
sifted by leaves, sifted by snow; on mulberry silk
a slant of witch-light; on the pure text
a slant of genius; emptying mind and heart
for winecups and more winecups and more words.
What was his time? Say that it was a change,
but constant as a changing thing may be,
from chicory's moon-dark blue down the taut scale
to chicory's tenderest pink, in a pink field
such as imagination dreams of thought.
But of the heart beneath the winecup moon
the tears that fell beneath the winecup moon
for children lost, lost lovers, and lost friends,
what can we say but that it never ends?
Even for us it never ends, only begins.
Yet to spell down the poem on her page,
margining her phrases, parsing forth
the sevenfold prism of meaning, up the scale
from chicory pink to blue, is to assume
Li Po himself: as he before assumed
the poets and the sages who were his.
Like him, we too have eaten of the word:
with him are somewhere lost beyond the Gorge:
and write, in rain, a letter to lost children,
a letter long as time and brief as love.

II

And yet not love, not only love. Not caritas
or only that. Nor the pink chicory love,
deep as it may be, even to moon-dark blue,
in which the dragon of his meaning flew
for friends or children lost, or even
for the beloved horse, for Li Po's horse:
not these, in the self's circle so embraced:
too near, too dear, for pure assessment: no,
a letter crammed and creviced, crannied full,
storied and stored as the ripe honeycomb
with other faith than this. As of sole pride
and holy loneliness, the intrinsic face
worn by the always changing shape between
end and beginning, birth and death.
How moves that line of daring on the map?
Where was it yesterday, or where this morning
when thunder struck at seven, and in the bay
the meteor made its dive, and shed its wings,
and with them one more Icarus? Where struck
that lightning-stroke which in your sleep you saw
wrinkling across the eyelid? Somewhere else?
But somewhere else is always here and now.
Each moment crawls that lightning on your eyelid:
each moment you must die. It was a tree
that this time died for you: it was a rock
and with it all its local web of love:
a chimney, spilling down historic bricks:
perhaps a skyful of Ben Franklin's kites.
And with them, us. For we must hear and bear
the news from everywhere: the hourly news,
infinitesimal or vast, from everywhere.

III

Sole pride and loneliness: it is the state
the kingdom rather of all things: we hear
news of the heart in weather of the Bear,
slide down the rungs of Cassiopeia's Chair,
still on the nursery floor, the Milky Way;
and, if we question one, must question all.
What is this 'man'? How far from him is 'me'?
Who, in this conch-shell, locked the sound of sea?
We are the tree, yet sit beneath the tree,
among the leaves we are the hidden bird,
we are the singer and are what is heard.
What is this 'world'? Not Li Po's Gorge alone,
and yet, this too might be. 'The wind was high
north of the White King City, by the fields
of whistling barley under cuckoo sky,'
where, as the silkworm drew her silk, Li Po
spun out his thoughts of us. 'Endless as silk'
(he said) 'these poems for lost loves, and us,'
and, 'for the peachtree, blooming in the ditch.'
Here is the divine loneliness in which
we greet, only to doubt, a voice, a word,
the smoke of a sweetfern after frost, a face
touched, and loved, but still unknown, and then
a body, still mysterious in embrace.
Taste lost as touch is lost, only to leave
dust on the doorsill or an ink-stained sleeve:
and yet, for the inadmissible, to grieve.
Of leaf and love, at last, only to doubt:
from world within or world without, kept out.
  
IV

Caucus of robins on an alien shore
as of the **-** birds at Jewel Gate
southward bound and who knows where and never late
or lost in a roar at sea. Rovers of chaos
each one the 'Rover of Chao,' whose slight bones
shall put to shame the swords. We fly with these,
have always flown, and they
stay with us here, stand still and stay,
while, exiled in the Land of Pa, Li Po
still at the Wine Spring stoops to drink the moon.
And northward now, for fall gives way to spring,
from Sandy Hook and Kitty Hawk they wing,
and he remembers, with the pipes and flutes,
drunk with joy, bewildered by the chance
that brought a friend, and friendship, how, in vain,
he strove to speak, 'and in long sentences,' his pain.
Exiled are we. Were exiles born. The 'far away,'
language of desert, language of ocean, language of sky,
as of the unfathomable worlds that lie
between the apple and the eye,
these are the only words we learn to say.
Each morning we devour the unknown. Each day
we find, and take, and spill, or spend, or lose,
a sunflower splendor of which none knows the source.
This cornucopia of air! This very heaven
of simple day! We do not know, can never know,
the alphabet to find us entrance there.
So, in the street, we stand and stare,
to greet a friend, and shake his hand,
yet know him beyond knowledge, like ourselves;
ocean unknowable by unknowable sand.

V

The locust tree spills sequins of pale gold
in spiral nebulae, borne on the Invisible
earthward and deathward, but in change to find
the cycles to new birth, new life. Li Po
allowed his autumn thoughts like these to flow,
and, from the Gorge, sends word of Chouang's dream.
Did Chouang dream he was a butterfly?
Or did the butterfly dream Chouang? If so,
why then all things can change, and change again,
the sea to brook, the brook to sea, and we
from man to butterfly; and back to man.
This 'I,' this moving 'I,' this focal 'I,'
which changes, when it dreams the butterfly,
into the thing it dreams of; liquid eye
in which the thing takes shape, but from within
as well as from without: this liquid 'I':
how many guises, and disguises, this
nimblest of actors takes, how many names
puts on and off, the costumes worn but once,
the player queen, the lover, or the dunce,
hero or poet, father or friend,
suiting the eloquence to the moment's end;
childlike, or *******; the language of the kiss
sensual or simple; and the gestures, too,
as slight as that with which an empire falls,
or a great love's abjured; these feignings, sleights,
savants, or saints, or fly-by-nights,
the novice in her cell, or wearing tights
on the high wire above a hell of lights:
what's true in these, or false? which is the 'I'
of 'I's'? Is it the master of the cadence, who
transforms all things to a hoop of flame, where through
tigers of meaning leap? And are these true,
the language never old and never new,
such as the world wears on its wedding day,
the something borrowed with something chicory blue?
In every part we play, we play ourselves;
even the secret doubt to which we come
beneath the changing shapes of self and thing,
yes, even this, at last, if we should call
and dare to name it, we would find
the only voice that answers is our own.
We are once more defrauded by the mind.

Defrauded? No. It is the alchemy by which we grow.
It is the self becoming word, the word
becoming world. And with each part we play
we add to cosmic Sum and cosmic sum.
Who knows but one day we shall find,
hidden in the prism at the rainbow's foot,
the square root of the eccentric absolute,
and the concentric absolute to come.

VI

The thousand eyes, the Argus 'I's' of love,
of these it was, in verse, that Li Po wove
the magic cloak for his last going forth,
into the Gorge for his adventure north.
What is not seen or said? The cloak of words
loves all, says all, sends back the word
whether from Green Spring, and the yellow bird
'that sings unceasing on the banks of Kiang,'
or 'from the Green Moss Path, that winds and winds,
nine turns for every hundred steps it winds,
up the Sword Parapet on the road to Shuh.'
'Dead pinetrees hang head-foremost from the cliff.
The cataract roars downward. Boulders fall
Splitting the echoes from the mountain wall.
No voice, save when the nameless birds complain,
in stunted trees, female echoing male;
or, in the moonlight, the lost cuckoo's cry,
piercing the traveller's heart. Wayfarer from afar,
why are you here? what brings you here? why here?'

VII

Why here. Nor can we say why here. The peachtree bough
scrapes on the wall at midnight, the west wind
sculptures the wall of fog that slides
seaward, over the Gulf Stream.
                                                       The rat
comes through the wainscot, brings to his larder
the twinned acorn and chestnut burr. Our sleep
lights for a moment into dream, the eyes
turn under eyelids for a scene, a scene,
o and the music, too, of landscape lost.
And yet, not lost. For here savannahs wave
cressets of pampas, and the kingfisher
binds all that gold with blue.
                                                  Why here? why here?
Why does the dream keep only this, just this C?
Yes, as the poem or the music do?

The timelessness of time takes form in rhyme:
the lotus and the locust tree rehearse
a four-form song, the quatrain of the year:
not in the clock's chime only do we hear
the passing of the Now into the past,
the passing into future of the Now:
hut in the alteration of the bough
time becomes visible, becomes audible,
becomes the poem and the music too:
time becomes still, time becomes time, in rhyme.
Thus, in the Court of Aloes, Lady Yang
called the musicians from the Pear Tree Garden,
called for Li Po, in order that the spring,
tree-peony spring, might so be made immortal.
Li Po, brought drunk to court, took up his brush,
but washed his face among the lilies first,
then wrote the song of Lady Flying Swallow:
which Hsuang Sung, the emperor, forthwith played,
moving quick fingers on a flute of jade.
Who will forget that afternoon? Still, still,
the singer holds his phrase, the rising moon
remains unrisen. Even the fountain's falling blade
hangs in the air unbroken, and says: Wait!

VIII

Text into text, text out of text. Pretext
for scholars or for scholiasts. The living word
springs from the dying, as leaves in spring
spring from dead leaves, our birth from death.
And all is text, is holy text. Sheepfold Hill
becomes its name for us, anti yet is still
unnamed, unnamable, a book of trees
before it was a book for men or sheep,
before it was a book for words. Words, words,
for it is scarlet now, and brown, and red,
and yellow where the birches have not shed,
where, in another week, the rocks will show.
And in this marriage of text and thing how can we know
where most the meaning lies? We climb the hill
through bullbriar thicket and the wild rose, climb
past poverty-grass and the sweet-scented bay
scaring the pheasant from his wall, but can we say
that it is only these, through these, we climb,
or through the words, the cadence, and the rhyme?
Chang Hsu, calligrapher of great renown,
needed to put but his three cupfuls down
to tip his brush with lightning. On the scroll,
wreaths of cloud rolled left and right, the sky
opened upon Forever. Which is which?
The poem? Or the peachtree in the ditch?
Or is all one? Yes, all is text, the immortal text,
Sheepfold Hill the poem, the poem Sheepfold Hill,
and we, Li Po, the man who sings, sings as he climbs,
transposing rhymes to rocks and rocks to rhymes.
The man who sings. What is this man who sings?
And finds this dedicated use for breath
for phrase and periphrase of praise between
the twin indignities of birth and death?
Li Yung, the master of the epitaph,
forgetting about meaning, who himself
had added 'meaning' to the book of >things,'
lies who knows where, himself sans epitaph,
his text, too, lost, forever lost ...
                                                         And yet, no,
text lost and poet lost, these only flow
into that other text that knows no year.
The peachtree in the poem is still here.
The song is in the peachtree and the ear.

IX

The winds of doctrine blow both ways at once.
The wetted finger feels the wind each way,
presaging plums from north, and snow from south.
The dust-wind whistles from the eastern sea
to dry the nectarine and parch the mouth.
The west wind from the desert wreathes the rain
too late to fill our wells, but soon enough,
the four-day rain that bears the leaves away.
Song with the wind will change, but is still song
and pierces to the rightness in the wrong
or makes the wrong a rightness, a delight.
Where are the eager guests that yesterday
thronged at the gate? Like leaves, they could not stay,
the winds of doctrine blew their minds away,
and we shall have no loving-cup tonight.
No loving-cup: for not ourselves are here
to entertain us in that outer year,
where, so they say, we see the Greater Earth.
The winds of doctrine blow our minds away,
and we are absent till another birth.

X

Beyond the Sugar Loaf, in the far wood,
under the four-day rain, gunshot is heard
and with the falling leaf the falling bird
flutters her crimson at the huntsman's foot.
Life looks down at death, death looks up at life,
the eyes exchange the secret under rain,
rain all the way from heaven: and all three
know and are known, share and are shared, a silent
moment of union and communion.
Have we come
this way before, and at some other time?
Is it the Wind Wheel Circle we have come?
We know the eye of death, and in it too
the eye of god, that closes as in sleep,
giving its light, giving its life, away:
clouding itself as consciousness from pain,
clouding itself, and then, the shutter shut.
And will this eye of god awake again?
Or is this what he loses, loses once,
but always loses, and forever lost?
It is the always and unredeemable cost
of his invention, his fatigue. The eye
closes, and no other takes its place.
It is the end of god, each time, each time.

Yet, though the leaves must fall, the galaxies
rattle, detach, and fall, each to his own
perplexed and individual death, Lady Yang
gone with the inkberry's vermilion stalk,
the peony face behind a fan of frost,
the blue-moon eyebrow behind a fan of rain,
beyond recall by any alchemist
or incantation from the Book of Change:
unresumable, as, on Sheepfold Hill,
the fir cone of a thousand years ago:
still, in the loving, and the saying so,
as when we name the hill, and, with the name,
bestow an essence, and a meaning, too:
do we endow them with our lives?
They move
into another orbit: into a time
not theirs: and we become the bell to speak
this time: as we become new eyes
with which they see, the voice
in which they find duration, short or long,
the chthonic and hermetic song.
Beyond Sheepfold Hill,
gunshot again, the bird flies forth to meet
predestined death, to look with conscious sight
into the eye of light
the light unflinching that understands and loves.
And Sheepfold Hill accepts them, and is still.

XI

The landscape and the language are the same.
And we ourselves are language and are land,
together grew with Sheepfold Hill, rock, and hand,
and mind, all taking substance in a thought
wrought out of mystery: birdflight and air
predestined from the first to be a pair:
as, in the atom, the living rhyme
invented her divisions, which in time,
and in the terms of time, would make and break
the text, the texture, and then all remake.
This powerful mind that can by thinking take
the order of the world and all remake,
w
Shaun Meehan Nov 2014
A human habit universal,
our measure of success by possessions to envy.
An infernal curse—commercial purveyors, trinkets
of gold and gem,
shining blinking, fabrics glistening;
the value of thing manipulated by
them insect kings.

By lion's fang and butterfly guise they rule,
a hubris deceiver upon their shoulder
obscuring their likeness to those
serfs upon whom they
cunningly demand servitude, otherwise
be starved, put out, forced to watch their
future falter—sons and daughters
failing in flight, their
wings clipped prior first spanning.

Locust clans spurred to fight over resources, who
sell and buy back nature's bounty once
formed anew into advertisement's subject.
Oceans emptied of fish, forests becoming myth,
uplands turned to wastelands,
abomination fog a spherical prison choking
earth's inhabitants—the marketer's dowry
paid for marriage to a precarious economy.
Royalty made rich at cost of labouring spine,
but worse—
our home and thereby our hope we consign.

By their futile attempt to survive,
the locust instinct to consume,
until all is gone we contrive,
the inevitable a meet with our doom—kings
with stained glass wings to follow soon.
So small are we amidst this vast existence;
the ambitions of men
barely bigger than an insect's significance.
One chemical afternoon in mid-autumn,
When the grand mechanics of earth and sky were near;
Even the leaves of the locust were yellow then,

He walked with his year-old boy on his shoulder.
The sun shone and the dog barked and the baby slept.
The leaves, even of the locust, the green locust.

He wanted and looked for a final refuge,
From the bombastic intimations of winter
And the martyrs a la mode. He walked toward

An abstract, of which the sun, the dog, the boy
Were contours. Cold was chilling the wide-moving swans.
The leaves were falling like notes from a piano.

The abstract was suddenly there and gone again.
The negroes were playing football in the park.
The abstract that he saw, like the locust-leaves, plainly:

The premiss from which all things were conclusions,
The noble, Alexandrine verve. The flies
And the bees still sought the chrysanthemums' odor.
Mike Arms Apr 2013
locust songs twist silver slivers
on the mattress on
the floor in the
fight to the death winding against
wet pink feathers

I turn my imaginary arm back
from cartoon space and We're
****** since arms are extinct.
Glenn McCrary May 2012
Distance cleaves us
Though we drink of the smiles
Bubbling from the corners of our lips

The colours of courtship begin to swivel
Locust echoes bloom ever so fearlessly
As fair passion sweeps through the fog
April doesnt hurt here
Like it does in New England
The ground
Vast and brown
Surrounds dry towns
Located in the dust
Of the coming locust
Live for survival, not for 'kicks'
Be a bangtail describer,
like of shrouded traveler
in Textile tenement & the birds fighting in yr ears-like Burroughs exact to describe & gettin $
The Angry Hunger
(hunger is anger)
who fears the
hungry feareth
the angry)
And so I came home
To Golden far away
Twas on the horizon
Every blessed day
As we rolled And we rolled
From Donner tragic Pass
Thru April in Nevada And out Salt City Way Into the dry Nebraskas And sad Wyomings Where young girls And pretty lover boys
With Mickey Mantle eyes
Wander under moons
Sawing in lost cradle
And Judge O Fasterc
Passes whiggling by To ask of young love: ,,Was it the same wind Of April Plains eve that ruffled the dress
Of my lost love
Louanna
In the Western
Far off night
Lost as the whistle
Of the passing Train
Everywhere West
Roams moaning
The deep basso
- Vom! Vom!
- Was it the same love
Notified my bones As mortify yrs now
Children of the soft
Wyoming April night?
Couldna been!
But was! But was!'
And on the prairie
The wildflower blows
In the night For bees & birds And sleeping hidden Animals of life.
The Chicago
Spitters in the spotty street
Cheap beans, loop, Girls made eyes at me And I had 35 Cents in my jeans -
Then Toledo
Springtime starry
Lover night Of hot rod boys And cool girls A wandering
A wandering
In search of April pain A plash of rain
Will not dispel This fumigatin hell Of lover lane This park of roses Blue as bees
In former airy poses
In aerial O Way hoses
No tamarand And figancine Can the musterand Be less kind
Sol -
Sol -
Bring forth yr Ah Sunflower - Ah me Montana
Phosphorescent Rose
And bridge in
fairly land
I'd understand it all -
Christine Ueri Aug 2012
"To the East, to the East"
Cry the Ibis and the Locust Beast
"To the East and the Sycamore Feast!"

The call of the Firebird
crackles in mid-air,
The Ash of the Sycamore
blowing in the wind
echoes of tomorrow
As silent slave bells bear
creaks at the gateway
Sing:
"Catch-ink; catch-ink!"

"To the East, to the East"
Cry the Ibis and the Locust Beast
"To the East and the Sycamore Feast!"
28.08.2012
Aa Harvey May 2019
Locust


I will make it through to the other side of the light;
The light which you cannot see for you have sun in your eyes.
I have focus, you are my locust;
So I will ignore all the insults you send my way.


All your words begin to fall,
Because your mind has become so dull,
By the simplicity of your ignorant thoughts;
Your life of id, you sold, I bought.


Leap onto another love,
Feeling oh so happy!
I kiss your kind goodbye, good luck,
You will never be my future family.


I will find one love who will be faithful to me;
She will push me forward towards my destiny,
For I can see beyond the horizon
And you are stuck in your eternal night,
With the person you sleep next to changing all the time.
Goodbye to you and good riddance.


I have escaped your rot, your kind of kind,
And all the lies, so many lies, I leave them all behind.
You are welcome to use them; I hope they use you always.
I hope you have a happy life and soon enter your grave.


I need the future which only I see,
The steps I need to take do not need three.
My heart beats like a humming bird's wings,
And you?  You do not need to tell me anything.


Creating things out of nothing.
No feelings to be found without understanding.
Just new meaning and already knowing,
You are lost to me; you should start going.


Your life a hedonistic self-indulgent existence,
And that part which was you, for me no longer exists.
All your hopeless, pathetic needs!
Are yours to seek, just do not follow me,
For I have already disappeared so far ahead,
By years and years I left you for dead.


You have a pathetic kind of love;
I hope I never cross your mind.
There was a time when there was an us,
But you are just born rotten and I hope you die.


(C)2019 Aa Harvey. All Rights Reserved.
swarming in to burrow
beneath the skin*
this a plague of much
chagrin

the locust band
had moved in
with a harmfulness
in its whirling spin

they'd not been detected
by the radar's pin
so unsuspecting were
those who dwelt within

as they stayed
we'd hear but their din
that was full on
regarding the clamorous tin

of the epidemic
which swarmed in
there'd be no possibility  
*for the kin to gain a win
Mike Arms Jan 2015
A lost cohort of arms folds improperly into itself
the hands red, mangled form spiked plumes
in the snow, on the rubble and pebble

Locust arrives white hot, blinding who
leaves a flight of magma terra
in her milk there is no puzzle and

each puzzle consumes its own waste
of perspira pursuing the next shoreline
of scalded blood and answers

Each convolutes by command to an
epoch of gaude and ***** where she
weaves a beaming scaffold
JJ Hutton Feb 2013
swashbuckling kittens wallpaper -- cutlasses, eyepatches, royal blue bandanas --
lined the walls of the kitchen.

"you love it, don't you?" Mathilda asked. she poured me a glass of almond milk.
and I could drink almond milk with a lesbian forever. and ever. and ever.
fridge door open. it's sparse. a world weary McDonald's bag and a last chapter beer,
the only other tenants.

"it's neat," I said. don't care much for animals. don't hate them by any means,
but don't go out of my way for them. my analyst says it's Sparks, Oklahoma's fault.
see, when a boy, I had seven---no, eight kittens named Simba. the howl of the coyote
taught me about expiration dates. Had a hard time accepting total loss (e.g., eight Simbas).

"do you feel okay?" Mathilda asked. and I didn't. but I said,

"yeah, yeah. sorry about waking you up last night. just didn't think I could make it home."

"I noticed you slept perpendicular to the futon. with your sneakers on. interesting choice."

Mathilda can be funny. and the almond milk was good. and like I said, I could drink it with
her forever. the ceiling fan, though, rocked off-kilter. she had stray, sad balloons in orbit
around the fan. imagined the balloon with the red-lettered "BOO-YAH" entering the wake
of the wobbling blades. imagined the blades flying off one-by-one. imagined one striking
me in the head and freeing me of a hangover. imagined being in the back of the line outside
the gates of heaven, while St. Peter kept letting the hot, single girls cut in line.

"will you?" Mathilda repeated, I think.

"will I, what?"

"take a picture of me in front of the wallpaper."

"sure."

"sorry, I've taken like 30 selfies trying to get Grace to re-notice me.
starting to feel like a chronic masturbator."

"what do you mean?"

"well, you know, selfies are pathetic indulgences in narcissism. hell, they can be
necessary, as is the case this time, I assure you---but pathetic, nonetheless."

took the phone. Mathilda stood in front of the pirate kitten wallpaper.
she leaned forward. made a kissy face.

"do you have to do that?" I asked.

"don't bust my *****," she said, "just take the photo. I know what Grace likes."

the two broke up last week. Mathilda in her oh-yeah-wanna-run-off-with-ol-banana-***** fury
threw a ******* party with balloons (they were tethered to things at the time.
the dining chairs, cabinet doors, the wrists of guests, etc., etc.). I left early that night.
I'm straight and not very relevant. so, well, you get it.

"would you like some coffee too?" she didn't look up. with locust clicks she fingered
the screen of her phone, uploading the kissy face, pirate kitten wallpaper picture to
her Tumblr. I nodded.

at the party she bedded two skeletal, Sylvia Plath feminists. self-fulfilling prophecy.
she'd written about the then-fictitious scenario months ago on her blog.
Mathilda called me crying the following morning. between the
shame/guilt/self-pity wails, she advised, "don't ever be the third wheel in a threeway."
noted. she said the three had a silent, last breakfast before they left. and I said something
to the effect of, you didn't let them go near the oven did you?

the first droplets of coffee hissed as they struck the bottom of the ***.

"if only coffee were a woman," Mathilda said. "am I right?"

"if coffee were a woman, I'm afraid I'd still pour her into a fine porcelain cup and drink her."

"you're awful."

and I am. but she doesn't mind because I've been celibate for two years, and she's been
so successful it brings her down. off-setting penalties, the basis of our friendship. or maybe
it's the way we leave things where they fall or rise. natural resting places. Simbas. balloons.

when the brew idles I grab two cups. fill hers three-quarters full. she likes almond milk in it.
and I could drink almond milk with a lesbian forever, I swear. to the fridge. the ceiling fan
seems a bit louder. one-by-one the blades. and heaven. and St. Peter, the pervert.
gave the almond milk a shake.

"why you holding on to the McDonald's bag and the practically empty beer?
I think they're starting to smell."

she didn't answer. well, not right away, anyway. and I took that to mean they belonged
to Grace. natural resting places. so, I mix the almond milk into the coffee.

"I know I should throw it out. Grace doesn't even like McDonald's. Do you know what's
in that bag?"

"I don't."

"avocados."

"what?"

"yeah. one of her friends works there. just cut up some avocados for her."

what sacrilege. made me tired, you know? fast food avocados, selfies,
Sylvia Plath feminists, etc., etc. the ceiling fan sped up, for no reason, I think.
the balloons cast shadows over the dining table. and I could drink almond milk
with a lesbian forever. trust me. just not under those conditions. beeline for
the fridge. door open. snagged the bag of blacker-than-brown avocados
and the bottle of beer.

"stop. she could be back any day," Mathilda said.

and what I should of said was no. what I should have said was Grace,
for all intents and purposes, was dead. and what she was doing
was reusing a dead name. and reusing a dead name isn't a resurrection.
but what I said was, "okay." and I sat down under the ceiling fan.
my natural resting place. almond milk forever. and ever. and ever.
Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)

Once upon a time in the city of Omurate
In the southern part of Ethiopia
Omurate that is on Ethiopian boundary with Kenya
There were two prosperous animal families
Living side by side as good neighbours
in glory and pomp of riches
Each family was ostensibly rich
And rambunctious in social styles
They were the families of African rat family
And the Jewish cat family; the city belonged to them
They all enjoyed stocks of desert scorpions from Todanyang
From the savanna desert of Northern Kenya,
The two families also enjoyed to feed on desert locusts
On which they regularly fed without food squabbles
                               Locust themselves they flew from Lowarang to Omurate
From Lowarang a desert region in Kenya, to their city of Omurate
Sometimes the Jewish cat family enjoyed an extra dish
In form of puff adder flesh, especially the steak of the puff adder muscle
Puff adder were cheaply available in plenty at the lakeshore,
Lakeshores of Lake Turkana
At point which river Ormo enters into Lake Turkana
So the cat was happy and relaxed
Even it rarely mewed,  
Neighbours never often heard its mewing sound
The rat also enjoyed plenty of milk with no strain
Easily gotten from the rustled cattles
Cattle rustled by the Merilee; a warrior tribe in Omurate.

That day the cat had gulped milk since morning
Even its stomach was bulging
Like that of Kenyan state officer
The rat had milk all over the house
In the kitchen, milk allover
In the sitting room, milk in abundance
In the wash, room milk all through
On the bed, milk and stuffs of milk
The rat was bored with nothing to be enticed
Sometimes plenty of milk can become a bother
The rat mused to itself in foolish African empathy
That may be the cat is starving in pangs of hunger
With nothing to drink, or may be it has no milk
When the milk is rotting here in my house
It is un-African for food to rot in your house
When the neighbour’s belly is not full,
On these thoughts the rat washed its legs, and hands
Finished up with its face,
Put on its white short trouser and a green top
It stuffed its tail inside its white short trouser,
The rat poured milk into two pots,
each *** was full to the brim
It carried one in its left hand
And balanced another on its head
In its right hand was an African walking stick
For the elders known as Pakora
The rat took off to the home of the cat
In full feat of animal love and philanthropy
Whistling its favourite poem;
An Ode to a good neighbour,
Walking carefully lest it spills brimful milk,
It entered into the house of the cat without haste
Neither knocking nor waiting to be told come in
In that spectacular charisma of a good neighbour,
When the cat saw the rat it giggled two short giggles
And almost got choked by indecision
For it had been long since this happened,
Since the cat had dine on milk leave alone rat meat
The rat said to the Jewish cat that my brother
Have milk I have brought for you
Have it and sip here it is; the real milk,
In devilish calmness the cat told the rat;
Put it for me on the table, thank you,
But my friend Mr. rat don’t go away; there is more
More for you to help me in addition to milk,
Continue my brother Mr. Cat, how can I help you?
Don’t call me your brother; bursted the cat,
For it is long since I ate the rat meat
And you know rat meat is our stable food
In a frenetic feat of powerlessness the rat was confused
In attempt to save itself
it pleaded that my dear elder, I was
Only having plenty of milk in my house
And to us African rats, it is a taboo
To have a lot of food in your house
When the neighbour’s belly is not full
So I only brought you the present of Milk
Please have it and drink,
Without taciturnity the Cat retorted in persistence;
I know and I am thankful for your good manners
But remember with us Jewish cats it is heinous sin
Forget of a taboo, it is blasphemy against the living
God for one of us to leave the rat free from our house
For you rats are the only stable and kosher food God blessed for us
The Jewish rat family all over the world
So shut up your mandibles, I am to eat you first
Then I will take milk later as a relish.

With its herculean paw the cat crushed the rat
With mighty of the leopard culture
Throwing away the white trouser
And green top from the torso of the rat
The cat ate the rat with voracity of the devil
After which it punctuated its mid day appetite
With slow and relaxed sipping of milk
Slowly and slowly as it felt its internal greatness
And hence the African proverbial cry that;
Behold foolish angst kills the African rat!
Janette Dec 2012
Sable, the swallow rising
as it banks over the white conduits
of marrow in the body, rain
slashes through the honey locust,
along the long ellipse of its hunt
as savage dragonflies rise from stems
to cling, a deep sienna of doeskin tremors
over their sting, catkins,
an aftermath, melancholy to the skin
soaked in white calla,
its reticence assails
the sleeping orchards of the heart,
in its darkest sheaves,
to cleave apart the soft joining of lips
and silence me;

for eternity
is this moment,
and the light you give
cloaks me in a coat of flames,
the burnt locust of slaughter, taunt
the rubric of Christs hidden scriptures,
as I night,
the body, solely a vessel
of shadow, returning
through a field of windfall,
ripe with wasps,
echo you
in me,
a dream of a dream dream't,
in the dim recess of light

your lips close
like a sutra over mine,
a brutality of moments
ground out of thick pine,
as the fine agony
of cricket ballets rise
shivering, to stillness,
this silence is a lotus,
a blue psalm,
throttles the throat,
as a quorum of swallows
gather between the swathes
of sunlight and skewed shadows,
and lift as one body, subsumed
by our abandoned depths,

out of exile, you
have made me a homeland
of truant light and as I night,
lightning opens like scripture,
a black plea, poured over some sore refuge,
and so that I may never be restored,
cloak me in a coat of flames,
suffering an ecstasy of moments hardened in amber,
over the white conduits of marrow
in the savage body, writhe
a black throng of swallows,
assail the sleeping orchards of the heart,
in its darkest sheaves, to cleave
apart the soft joining of lips
and silence me....
Mateuš Conrad Jan 2020
this is truly a welcome break from:
freeing all the drafts -
which i imagined to be equivalent, or rather:
the 2nd parallel of the original adjecent -

i imagined it would feel like:
releasing doves with laurel branches firmly
lodged in their beaks -
just as the waters of the flood would recede...

but it truly felt like:
the inversion of the diarrhoea-constipation
"paradox"... because it felt like both,
but never giving me a clue as to
what was more prominent -

the sharp edge of a knife -
or the horizon when the sky becomes
the sea far away....

i'm not ashamed to throw this onto the fore...
it happened to me once...
but on purpose...
i wanted to compensate marquis de sade's
antic in a brothel when he implored
the ******* to turn the crucifix into
a ***** into his decapitated precursor
of a mary antoinette... puppet...

profanity in images and all the other seances
of the senses...
i wouldn't go as far as to make the crucifix
profane... or do anything profane
with it...

only the words...
hic (est) mea corpus - hic (est) mea cruor...
this is my body - this is my blood...
and i am aware the mead is the gods' ****
when they're in a good mood - all... jolly...
and that beer is the gods' **** when
laughter hits a dry run...
and that ms. amber or whiskey is but:
the blood of the gods...

i had to corrupt it...
to prove to myself: that i am not a god...
it was quiet simple...
once upon a time i was drinking
a glass of wine...
and as you do... on a whim...
i decided to **** into it...
perhaps all that drinking prior would
give me something to elevate the palette
of exploration that was to come...

hmm... at least that sorts out
hic: mea cruor... *** urinae...
but back then i did that on purpose...
and if only this was a desert scenario...
and i would have to drink my own *****
to survive...
well... i just thought: here's to starving
from a lack of better imagery...

i will come unto some Horace in a minute...
i don't know how i managed to find
this citation - it's only very losely related...
and yes i will showcase another draft from
May of last year...

but today i was unsure...
did i leave yesterday's pepsi max bottle
with only the stale pepsi left...
or did i forget to do the lazy sly wee whizz
jumping out of bed in the middle of
the night...
but i already poured this "cocktail"
over two shots of whiskey...
and i'm hardly desperate but...
my original intention of alligning myself
to the profanity of the crucifix...
i had to somehow make profanity
of the wine...

since i am... thinking how to compensate
being satisfied with wine...
how the ancient world was always
satisfied with wine...
the story of the 3 ambers of the north...
the beer, the mead and the whiskey...
all in a varying degree...
but i will not bow before the blood of a god
that's so... diluted...
whiskey yes... that can be blood indeed...
otherwise it's down in the trench
with gods' **** - mead if they are in a good
mood... beer if they are in a talkative mood...

thank god i wasn't thinking:
better salvage those two shots of whiskey
and drink this cocktail of the "ultimate" surprise...
and apparently eating a woman's
placenta is good for you...
as was... apparently once... breastmilk...
funny... give me the milk of a cow or a goat
and i'll show you: one dislocated thumb...
one dislocated distal + intermediate phalange
from the index finger of the right hand's
proximal phalange... no broken bones...

knock-knock... who's there? touchwood superstition.

it's not as bad as it sounds...
stale, yes...
but i am also known for sometimes
performing the antithesis of drinking tequilla...
*****... i'll sprinkle some cigarette ash
onto my hand... lick it... take a shot of *****
then throw one or two black peppercorns into
my mouth for the crunch...
each drinker and his own myths... right?
i call that the black cracovite...
cracow being so close to aushwitz...
and once it snowed and they thought it was
snowing... sure... ash from the furnaces
of aushwitz... here's my ode to... the dead...
in a drink...

hell better a cracovite than a cracowite, white?
i mean: right? seriously: low hanging fruit,
the elephant's testicles...

i will never understand this whole veneration
of wine: in vino veritas...
these days wine is better drank by women
and castrated monarchs of the clergy...
i had to check... so i ****** in my holy grail...
and guess what didn't come out
the other end? gods' **** (beer and wine)
or gods' blood (whiskey and wine)...
just this stale, almost bland...
water with a pinch of grape that has been
left to sit in a puddle on some
industrial estate in dagenham enjoying
the ripe downpouring of chemicals
that leave it with a rainbow of diluted
petroleum...

akin to: try shoving that sort of doughnut
into this kind of pile of ****...
not that i would...
but i have also been prone to test
99.9% spirits... or 96% absinthe...
with a locust mummified in the bottle's neck...
from Amsterdam...

i had to rethink: why become engaged...
when chances are...
to the displeasure of someone who read:
but never bought my work...
the self-editorial process...
the self-publishing process could be...
guillotined on a whimsical constipation
of a "dear reader"...
as it might happen...

again... Horace and the perfect example
of poetry with conversational overtones...
poetry as prosaic...
my god... paper was expensive back in old
Horace's days... surely you would need
something spectacular to write:
like a psilocybin trip account word for word:
wrong!
a certain don juan said to a certain
carlos castaneda: don't bring back words from
such experiences...
but of course: they did...
upon once upon a time loving the beatniks...
i started to abhor them...
getting drunk and smoking "something"
is one thing... exposing the altars of solipsism
of such experiences: words intact...
is a profanity...
each dream is individually curated
to the dreamer... the introduction of words
to relate back... for some next be disciple...
the "drugs" / portals of escapism are already
contaminated...

why wouldn't i: even if these are only
objective recounts of an experience?
perhaps because... they are subjectivelly null...
there are only the comparable heights of Gideon...
such experiences are best: kept to each individual's
right to enjoy... a freedom of thought...
and of silence...
each keeps a secret...
but what secret is left?
when the objective parameters have already
been stated?
i see no point... better down and finding
it at the end of a bottle...
or... ******* into a glass of wine
and drinking it...

they have been contaminated by words that
have been retrieved from such experiences
that (a) no one should talk about...
(b) surprise! the objective reality already
being stated as altered...
am i going to a ******* cinema with my body...
or am i going to a surprise
gallery with my thought?
doesn't matter... word contamination...
bigmouth struck his final last time!
at least the remains is what gives me
the labyrinth... the blood the **** you name
it the three sisters amber... for all i care...
it's readily available: make do...
with what's already been given.

me? i drink for that very special date...
monday 9 march 2020...
when all the orthodox jews get drunk...
that's one of those celebrations i wouldn't mind
being a part of... purim, festival of Lots,
funny... that period of history...
the Persian aspect of the hebrews...
never made it to the big screen...
seeing modern day Iran as day-old Persia
in muslim garbs...
we're still only seeing the: African adventure...
perhaps once the dust has settled...
we will get the Persian installement...
and then... oh... **** it...
we're all in it for the long run...
then when christianity is no longer useful...
the Roman bit of history...
and how the hebrews conspired with the greeks...
2000 years later we'll probably see
some prince of egypt cartoon movie
of the pristine romance and a mention of germany...
not yet... ****'s still to ripe to entertain
the universal child and children...
no screen adaptation from "their" time in Persia...
songs... we have songs!
Verdi's Nabucco - the chorus...
perhaps only in song from Persia and always
with movies and hieroglyphs when from Egypt...

but the festivity... of course! i'll celebrate...
cf. though... Puccini's coro a bocca chiusa -
the humming chorus...
before the band enigma... i am pretty sure my mother
would crank up the volume to at least
one of these songs... should they come on the radio...
i'm still to hear christopher young's:
something to think about - to be on air...
and to also be treated as a piece of classical music...
if wojciech kilar's dracula soundtrack can be treated
as classical music... what's wrong with a little
bit of hellraiser?!

perhaps, "again" is this desecration of the sacred not,
simply hanging in the background,
all, the, ******, time?
who is to celebrate wine giving it a god's blood
status in sips? one is expected to somehow become
drunk on the passion!
no one is here for crumbs of sips!
first they came for the loaf of bread...
and said you should fast and eat only a crumb...
then they came for the bottle of wine...
and said you should abstain and drink only a sip...
then they came for *** and by then
vatican was a monaco with better tax protections...

it's an investement: having to **** into a glass
of wine you're about to drink...
worse... you accidently "forgot" about
******* into some left-over pepsi max
and you're making yourself a cocktail
with one of the graeae ambers - 2x -
and you wonder: is this the proper state
of carbonated water, stale?
but i'm hardly going to bash the crucifix...
i'm here for the words...

the... transfiguration of the wine into blood...
and i say of my gods:
and here is their **** - beer and mead...
and here's their blood: the three graeae ms. ambers...
see no: clearer? no... happier?

i will get onto ancient roman poetics
with its conversational overtones in a minute!
first we have to settle the sacraments!
the metaphors and the sacraments!
i have no ivar the boneless claim of god...
season 6? to be honest...
i'd rather watch an english soap opera...
at least the intricacy of the plot remains...
even though it has been recycled
so many times...

i can't **** out the gods' ***** even if it was
stale beer... or ideal mead...
as i can't leisure a Seneca's bath filled
with the blood of the immortals...
problem solved... "problem":
as if it ever was...

why, Horace? a very short rhetorical retort:
if Dante had his Virgil...
why can i have my Horace, as guide?
again... what Roman poet could venture for
ambitions among the myths -
or extend his "consciousness"
to devastate the land and become
the mad Xerxes wanting the waves
of a sea whipped into submission?
why, Horace? if Dante could have his Virgil...

poetry... at least among the roman poets
there's no boxed in a box "without" a "box"...
the conversational overtones are ripe...
the almost complete lack of
character dimensions... beside their dimensions
from anecdotes...

to difuse wine, to desecrate the hic mea cruor...
**** in it!
then drink it...
or have one of my antithesis of a tequilla surprise
with me...
smoke a cigarette... drop some ash on the lick-part
of the space between the thumb
and the index metacarpal... lick it...
follow it with a shot of *****...
then throw some black peppercorns
into the hades of your gob
and we've arrived at the black cracovite...

and also the day when the orthodox jews
recant their story of their time
in Persia... the festivity of Lots...
when they become blind drunk and pretend to
have the sort of alcohol intolerence as
the Japanese... 1 shot! just 1 shot:
and hey! they throw their kippahs in
the air and we can all dance the ukranian 'opak!

looks good to me!
but only looks good...
when there's this plump drunk playing the accordion:
i.e. me,
and there's the sort of adrew rieu directing
an upcoming crescendo of a poliushko polie...
and we can all leave the auditorium
feeling, less than russophobic...
and then i can be told...
you young to be old yet still
profane pan-siberian peasant root!
indo-european leftover!
well... at least then i have been allowed
the scrap i'm supposed to see
before i showcase my *****, frost riddled fangs!
of the lesser wolf that i am:
as a rabid dog!

since the crescendo will come...
what better fathom of it...
esp. just beside a cemetery... twirling to the music...
ear-plugs out seancing my time in a grand
orchestral hall... plucked from the ears...
the crescendo is coming...
but... plucked... the orchestra of buffalo-sized
snowflakes... and... the worst kind of ballet...
a male soloist... doing his crazy
ukranian folk... maestro! the music never ever
dies! even in the silence of the universe!
however micro- or macro- this theatre will take
form... the music remains playing: uninterrupted!

but the snow was there,
the "ballerina" was also there...
the night was there,
the music was there -
albeit no grand orchestral hall -
couldn't ask for a better canvas
than a cemetery -
and all the heart's content!
comparative "literature"
to love like a muslim...
or to love like a sparrow...
or to love with a grudge like a crow...
mind you; site note...
i have been many a pigeons attempt
fornication unabashed...
i've never seen two crows attempt it...
perhaps they do "it" in the night
and never in the open?

crows... pedantic priests of the kingdom...
and where the widower king
and the widow queen among the swans?
where i and you will have probably left them...
admiring a family of ducks...

as asked by the serpent of the swan...
you and me of the same birth in a Fabergé egg...
me with serpentine spine...
while you: with a crooked neck?
silly... it really is...
of a being.... that was once
a t-rex roar... now a pickled brain
in pickle jar... boasting about being...
pure spine and tingles and...
the better part of what... becomes the mammalian
hibernation...
hibernating "hibernating" upon the
impetus of digestion...
a serpent would ask a swan about
a crooked neck?

because what would a **** sapeins look toward,
as he is always prone to to look elsewhere?
if not to borrow the fixed, rigid ontology
of other animals?
i better from the birds, solely...
the swans and the crows...
perhaps the fox...
rarely something that has lent itself
to being curated by man's leash and grip...
collective the known herd...
otherwise the refined bonsai tigers...
perhaps the fish without a knowledge
of a tide or a wave...

i call a dog the noble friend,
the swan the sombre monogamist...
the crow the priest...
the furry spider one's own reflection
dealing with aracnophobia...
the snake the old "say-what?"
or that pickled spine with a brain
the worth of brine juices...
the extinguished remnant
of a dinosaur's toothache... or some
transcendental exploration
of the carpals of the wrist
extending into the length of a spine...

i'm not going to cry over this one...
skål!
i feel disinhibited from writing a memorandum!
slàinte!
gasoline to the peddle and... off... we, go!

i am bound to get this translaton right...
at some point of hinging-on... i.e. beginning with...
and most probably at the opposite end
of having to finish...
hence "open bracket"... prefix-
and -suffix allowance given the archeological
excavation began with:

-seu pila velox molliter austerum studio
fallente laborem, seu te discus agit, pete cedentem
aera disco: *** labor extuderit fastidia, siccus,
inanis sperne cibum vilem; nisi Hymettia mella
Falerno ne biberis diluta. foris est promus,
et atrum defendens piscis hiemat mare: *** sale
panis latrantem stomachum bene leniet. unde putas
aut qui partum? non in caro nidore voluptas summa,
sed in te ipso est. tu pulmentaria quaere
sudando: pinguem vitiis albumque neque ostrea
nec scarus aut poterit peregrina iuvare lagois.
vix tamen eripiam, posito pavone velis quin
hoc potius quam gallina tergere palatum,
corruptus vanis rerum, quia veneat auro
rara avis et picta pandat spectcula cauda:
tamquam ad rem attineat quidquam.
num vesceris ista, quam laudas, pluma?
cocto num adest honor idem?
carne tamen quamvis distat nil, hac magis illam
inparibus formis deceptum te petere esto:
unde datum sentis, lupus hic Tiberinus
an alto captus hiet? pontisne inter iactatus
an amnis ostia sub Tusci?
laudas, insane, trilibrem mullum,
in singula quem minuas pulmenta necesse est.
ducit te species, video: quo pertinet ergo proceros
odisse lupos? quia scilicet illis maiorem natura modum
dedit, his breve pondus: ieiunus raro stomachus volgaria
-temnit.

it's translated, isn't it? no
stefan gołębiewski or no 1980 warsaw...
is to know...

- nec meus hic sermo est, sed quae praecepit Ofellus:
these are not my words, this said the simpleton
Ofellus - neither of which of us is a laurel-leaf
adorned Orpheus...

that via a living "game": stoking up an appetite
with this entertainment the appetite increaes...
as does one health...

sorry... pagans... bloodthirty people...
trouble with the translation...
apparently the mud slinging
***** and bricks are nothing new...

or when you "minus" the disk,
litter the distance, head with the wind into
competition!
after hardships of the body is good and
the meal is simple -
(apparently all of this is still "connected",
scratch of the ol' 'ed and we're fine...
we're ******* sailing!)
Falern will not hurt "us"...
seasoned by honey from Hymettis,
before the entré. Safaz left,
the sea rumbles, the zephyr of fish it protects,
storm, fishing made unsafe;
stomach grumbles, bread with salt:
excuisite; you do not have any better! why?
taste does not reside in the scent of dishes,
but in your self alone.
toil merely increases appetite's presence.
he who over-eats, will not know the taste
of an oyster, nor a turbot, nor chickpeas,
the northern bird.
perceptions take the scalp of the mountain
above the actual taste of the dishes
(one might scalp... but never eat the scalp)...
you will not take a chicken onto a tooth,
when you are given a peacock,
you will trust your delusion:
a rare bird, worth its own weight of gold,
a most rarified tail, how it sparkles
with subtle hues!
as if the tail were to lead -
and there was no head to be found!
do you allow yourself to judge the hue
of the feathers as precursor for the adjecctive:
that's it's "also" tasty? the meat, of course?
the old - judge a book by its cover...
is the oven baked... also as delicious / beautiful?
chicken meat... or peacock meat?
almost without difference.
therefore: light... albeit...
although only vanity lures the peacock
(to be compared to a poultry)...
let's go further... i want to know: after what
do you recognise this, that a pike
with its gaping mouth was left:
from the sea... or from the Tiber fished?
somewhere among bridges... or from some
conrete estuary? idiot-kin of the surname whim...
you admire a three-pound mullet!
do you take size... for the gauge of all measure?
when you... cut the bell?
then why... why... with disgrace
do you demand in appreciation:
elongating pikes!
evidently nature: this greater gave the proper
measure... and with it: the lesser weight -
an empty stomach will rarely -
being fed a simple thing - despise -
what is...

an empty stomach - rarely despises -
simple matters.

how true... i was allowing myself the time
it would take to drink,
and translate into the vulgate...
but... from no better source...
and i am still to add to this one of my...
"freeing of the drafts"...

as promised...
"draft"...

- a most confiscated man -
no italics included...

.the original draft:

binges, worth the count
of a liter of whiskey
per night,
for a year, if not more...
become so...
so unspectular...

          the world either
screams, or yawns,
generally:
it exhaust a desire
to toss a coin,
agitate the vocab.,

a grand canyon
huddling
in the "depths" of
a glass of water...

baron science
comes with his rubric
of bore,
      and:
i find myself,
most idle:
while the world
orientates
itself in keeping
itself busy,
bothersome,
always the prime concern,

the ant-colony coup,
the:
i always find friends
in the orientations
of an empty glass,
but prior to:

i drink
before no altar,
no mirror,
no confidante...

     pure flesh revels itself
in a blank's worth
of prior to dictum's
  allowance of, a page...

bothersome
the knot of the pretentious
anti- in scold of
the passing fancy:
expression...

            poker charm
of a love's affair...

_

i sometimes entertain myself
with ancients proverbs,
one slavic proverb reads:
better a sparrow in your hand
than a dove on your roof...

what, could, possibly be,
the interpretation?
care for the small joys in
your possession,
than, for the peace of your household,
which is, on the roof,
but not in your hands...

if i were paid? would i be more
honest?
probably not...
        what i see, is what needs
to be seen...
  em... simple pleasures talk...
once upon a time,
donning long hair, implied
you were a mosher...
a metal-head...
    now? three days +,
long hair, and you're not a
grunge fanatic?
  trans-, etc.?

   a man of simple pleasures,
i know what long hair,
jealousy, associated with
putting it in a french braid,
does to a camel jockey ego...
ruins and ruins as far as the eyes
can see...
    he replicates...
he grows his hair long...
at the same time boasting about
haivng a premature beard...
then you grow a beard yourself...
you start fiddling with it...
****, ***** on my face...
and then...
the "question" of a girlfriend
flies out of the window...
i'm happy with a beard,
thank you, very much,
i don't, exactly want to wish upon
myself, a female, company...

*** protest all you want...
the *** differences between men
and women, to my sort of understanding,
are, unrepairable...
     they were, never,
bound, to being, repaired...
savvy?
            i take my route,
a woman took her route...
  we're even...
                
      since what can only frighten a freed
woman, beside a monarch,
a free man?
                   a man with...
a gamble...
         i am a man with a gamble...
i don't like being told what
to be, or what to think...
like any man,
and like any man:
i don't like being forced
ownership over a being:
that can share my sense of freedom...
so...
    i find myself,
thrilled with relief,
at now having to answer to
a woman's subjugation...
like a woman, and, i have learned
from women: i like being
my objective's self...
rather than a "self" made subject...

i like that: thank you...
i can start feedings the pigs and the peasant
the diatribe life, and lie,
of: there being an existential cricis,
a need to reproduce...
and i, and i am, being demeaning
in this, way, for a justified reason...

once the peasants attack you:
you attack, the peasants...
you demean them in the same way
they demeaned you...

once upon a time i thought:
greater good came from the number
of innocents being salvaged
than for the few great of grand bearing
being salvaged...
even if bound to an ill will:
an ill command,
of a will, predisposed to pretend
actions of the blind...
but now i see...

   the many: if beside fulfilling
their petty deeds,
having to stand outside of those,
petty deeds,
  have ambitions equivalent
to their emotions...
            akin to something worth,
pity, akin to something
worth: as little as a rat's heartbeat...
petty, primitive bull-*******...
and all the amount of sorrow,
or pity,
or mercy...
              that, these, ******* allow...
are worth the same response
Pontius Pilate gave...
       there isn't enough of water,
in this world,
to wash my hands, clean,
of these people...
   even if innocent blood plagues
them,
    not enough waters have run their
due course,
to... release me from the indentation
of memory upon my mind...
and i am plagued by an elephant's
memory...
        we've reached the conclusion
of: some people...
  just do not see an insult,
             past the insult's eloquence!

i am a most conflicted man,
i binge watched vikings
for a while now,
and right now, i'm ready for
an extraction of what i have learned...

believe me: i am not someone
who has the sort of ego-presence
to fate myself in the role
of the protagonist...
     i'm too pedantic to have to
market my body and deeds,
for the fates tio see,
and history to ascribe fame unto me...

even homer was off too war
with troy,
   and blessed he became...

because? time morphs,
the longer something is kept,
the more, "unreal" is becomes,
a fairy-tale...
esp. now, with the onslaught
of journalism...
two things in this world
are insomniac,
money never sleeps,
and, now, apparently,
journalism doesn't sleep either:
well, given its ******
bed-fellow of political liars...
why should it?

             Rolo... a semi-minor character...
but i feel his angst at the already
fervent dichotomy,
(dichotomy, modern variety variant
of schizoid-affective...
or bilingual in turn)...

            music...
                    all these modły...
gesticulations of prayer,
phantom conjuring,
               lunatics with candles
at high-noon...
                  i am fated by music,
i am perverted by music,
i am swayed by music...
who is the god, patron,
of music?
who is the angel (demi-god),
patron of music?
         i do not seek the highest
influencer...
the minor one...

   when Archangel Sandalphon
met St. Cecilia...
but as such, i am, conflicted...
even though, this is the first time
i have heard of Sandalphon...

Rome, never reached my peoples,
the Vikings did...
   weren't the ugly vikings the founders
of Kiev?
  so they must have passed via
the Polen (field) land, no?

feelings are not important,
facts don't care about your feelings...
granted...
but i'm not hear for facts,
contra, feelings,
i'm here for the rivers...
what i feel, what my heart yearns for,
needs to attain an equilibrium
with my mind...
for that: i need to clarify my feelings,
to hush my heart, silence it,
in order to listen to my mind,
and the mind, needs to feed into
heaving the heart: to do,
what, the heart, desires,
autonomous to what the heart
"thinks", is right...
                    that's how it was forver
going to work...
consolidated...
and yes, i much envy the punctuation
of king Ecgberht,
a man of cunning: much admired...
abstract thinker...
        and a reality...
        pun-ctu-a-tion...
the delivery of one's speech...
   much admired, as much as...
                the crude brawl possession...
the chief protagonist of the story?
as important as is: the required from
Atlas... burden upon burden...
a man burdened with the illusion
of freedom...

so why am i conflicted,
but becoming less and less so?
    it was always the music...

songs...

           chavelier, mult estes guariz...
wardruna - helvegen...
           da pacem domine...
             agni parthene...

you know... there's much more beside
being a jazz enthusiast or
a classical music snob...
         there's folk... there's religious and pagan
chants...
if there's one thing to benefit from,
in terms of the Byzantine context...
the chants...
        let the barbarians do the thinking
from now on: you do the sing-along...
no people ever reinvented themselves
from an ancient glory...
   new blood had to come to the fore...

like today...
       i spoke with my father and my mother...
about the names of apples...
we must have talked for an hour,
we named so many lost "breeds" of apple...
nouns i will not write,
nouns i wish death to write down,
i want Samael to have,
beside the book of my deeds in hand,
i want him to have
my dictionary in hand,
my knowledge of the sacred script,
i want to listen as he recites me the words
i've used,
notably today's conversation
            about the many types of apples...
e.g.: shogun apples...
             kox...
                    szare renety...
          papierówki...
                    marabella prunes...
that's all i ask of Samil.
Miss Honey May 2016
The black locust bloomed the day you left
It's sweetness will replace yours
The honeybees will find me
Joshua Haines Apr 2016
Sheers of shimmering gloss grace her torso.
And I have broken her bones,
imploring that I love her so.
Blueberry lips belly the cold;
hold her too deep, hold her I'm told.

I.

He says Call me Mr. G.
G for Gore, Greed, that Green.
An atypical stoner
with hair wetter than his mouth.
With more ******* than a pound,
he says, With an understanding of
all the suffering in the global delusion
that is the Earth. Mr. G, his name.

Oily brunette, Mr. G., would smoke
Marlboro Green Blend -- menthol --
and spit shot out between stained lips
after each extracurricular exhale.
The saliva would land, tremendously,
and puddles of Rasta shooting stars
would lay, stretching across concrete galaxy.

Hazel eyes invaded and shamed him,
for he wished to be green, like life,
but only envisioned a contradiction:
death (see nature),
for which he learned to embrace, stoically,
like a shepherd of an endangered breed
meant to die among skewed perspective.

II.

This house could be mistaken
for a cinderblock purgatory;
between color and absence of,
eternal and temporary.

A raptor laughter purged the tension --
he abided by no accommodation of civility.
As smoke followed his hyena howl,
the landline lay suddenly of purpose.

Resin raided the clunky, black buttons;
a voice was whispered like a blue phantom:
*******' cheese, pineapple, pepperoni
-- no, extra ******' cheese, extra pep --
Sure, add some more pep with your driver:
he, she -- honestly, man -- they better have
pep-in-their-******-step-you-feel?

Minutes passed like sentient matchbooks
dropping towards a skeletal fire.
G threw the phone across the room
and, like a disenchanted drunk dance,
his words wobbled over each other,
I ordered a 'za, a pizza for the layman.
About thirty, probably thirty-one
minutes, that is.

Passing me the flower-stitched ****,
I ****** in one, maybe two, three,
blasts that I swore
had some sort of nano-insects
bite and burrow into the holes
of my sponge for a throat.

Wringing my rubbery neck,
watching my words leave my toothy cave,
I found out that G doesn't believe in beer.
Believes in souls but not beer,
believes in green men, not beer.

Alcoholic splash is what we all need,
at times. So I told him the obvious,
I'm going to get a case of
(Insert your ****** choice)
and I'll be back as soon as possible.

G stared at me and made a guttural noise,
Do whatcha please, I'll stay here and
protect us from vampires.
You know, blood-suckas.

Pale stoner vampires.


III.

The leather painted door was wide open
like the legs of ominous spider cave,
but the doors of a car
I had never seen before
were as closed as the lips of a VCR.
There's nothing but silence in these situations --
is this one of those situations? Grassy knoll?

Approaching the mouth of purgatory,
I entered with the hesitancy of a lost dog.
On the plastic covered couch,
two people sat atop the invisible cloud
above the patterned fabric
and above the fingers of time.

Blonde hair sprouted from her scalp,
raining down upon vanilla shoulder blades,
her chest a harbor for two pale, freshly mounds,
with crooked, beige diamonds in the center.

She trembled when G said, Meet Steph
-- can I call you Steph, Steph? --
Meet Steph, the artist formerly known as
Stephanie, holding up her licence,
Vanmeter, of 441 1/2 Locust Ave.

That's creepy, huh, Steph? Locust Ave?
Are you something that lives in the ground,
comes up every several years, making noise?
Has this been years in the making?
Are you bound to make noise in my house?

You know this is a house, right?
Whatsa matter, unfamiliar due to ya
living-in-the-*******-ground
or is it because you share a house,
an apartment, Steph? Is it one of those?
Pizza deliveries ain't paying the bills?

G gets up, I, a coward, approaching him
about to say -- Hold up, brother, he says.
Not another move, pulling his hand from
behind her shaking, confused head,
a silver cannon an extension of his arm.

She's here to **** our blood,
She's here to ****. our. blood.
Whether she means to or not,
I know you don't think you want to, Steph,
I know you don't mean to,
But you're here to
drain-us-like-the-Red-Cross.

I tell G that she isn't,
What have you done, G,
You need to let her go
before this gets worse.
That cliche dialogue.
Because these things always do,
cliche or not.

Brother, you don't understand these things
-- It's impossible for a godless man
to understand the mechanisms
of something bigger, something holy --
but you need to listen, G said, You need to --
she tried to move, quickly,
but G grabbed her by her blonde strands,
pulled her back towards the couch,
She swiped at his eye, drawing blood.

There was a pause, a deathly silence,
by the hair, she was rendered motionless,
Oh, no, he echoed, Love, you shouldn't,
You ought not do those things.
Looking at me, he asked me to listen,
Always remember this wasn't your fault.
Sometimes, you can't be in control

Holstering her neck with his gun hand,
G picked her up, slamming her,
head first,
into the drug covered,
resin sprinkled
coffee table.

He dropped on top of her,
Looked at me, Remember, okay?
and beat her head with the **** of the gun,
until the cracking of a larger M&M; shell
muffled towards all eardrums,
maybe even hers.

With blood,
that could be mistaken as war paint,
swimming across his jaw and neck,
and sprinkled on his forehead,
G whispered, You are free,
and I was never sure
who he was talking about.

My feet left before I did,
I was suddenly in my car
with only the ignition
and G's voice registering.
I passed car after car,
pastel metal wagon after
metallic matte creation,
not sure if I ever saw him,
not sure if he ever existed,
if I ever existed.

IV.

Sheers of shimmering gloss grace her torso.
And I have broken her bones,
imploring that I love her so.
Blueberry lips belly the cold;
hold her too deep, hold her I'm told.

Waking up in a cavern darkness,
my dreams disintegrate from my eyes,
swirl in my headspace, evaporating to
heaven knows where.

Scattered pitter-patter
drowns midnight Seattle,
killing and washing away
cluttered, modern filth,
******* carnivorous minds
into hungrier gutters.

This is the part
where the screen of my life reveals:
SIX MONTHS LATER,
in yellow, stenciled letters.
But what it wouldn't say is
how I still feel like I'm dipped
in the ink of Ithaca, NY.

If this were the indulgent
autobiography of my life
it wouldn't say that
the distance doesn't matter,
because that'd be a lie;
I feel like I have only escaped myself.

The rain swells, sounding as
thick as blood, swishing around
the veins of the city.

Stephanie dies every night,
disappearing and reappearing
behind secret doors only she can open.

When she comes to me in sleep,
she is baptized in green, head caved,
Forget-Me-Nots sprouting
between fragmented skull
and select spots of brain soil,
the flowers singing jazz
with a different voice, every time.

One time she spoke.
With blueberry lips that belly cold,
she sounds like my mother:
I am so proud of you, she statically says.
You saved me. Remember.

V.

To be continued.
Half of "Godless". Any feedback, good or bad, is appreciated.
Andrew Rueter Apr 2018
We are all birds of a flock
That is pervaded by hawks
Predators who sympathy block
Until it's in conflict we're locked
Brought on by hateful conclusions
Conjured from shameful delusions
Trying to avoid societal fusion
Based on a diabolical illusion

They claim to love the man who digs the ditch
But this comes off as a hollow pitch
Because they all seem so rich
And say that the poor have a glitch
And their worst nightmare would be to switch
They're aware of other's values and interests
But they ***** their brothers like ******
Using hatred and ignorance
To make up the difference

They're so jingoistic
Creating misfits
To shift focus
Away from them
They're the locust
That chew the stem
Obtaining the power of love
Inside of their glove
That they use to shove
A misappropriation
That strangles a nation
At the rate of inflation
Yet the hawks show elation

When the going gets tough
We hear the same old stuff
Something about 9/11
Or who gets into heaven
They find simple answers
For complex issues
I hope their sinful cancer
Happens to miss you
But their negativity takes many forms
Anything from budgets to bullet storms
Tearing down bountiful fields of corn
To build another convenience store

These vultures keep consuming
While resources dwindle
Their desperation causes fuming
So they cheat and swindle
Surviving by eating the dead
That died from violent words said
Coming from the greedy vulture's head
Until every single animal has viscerally bled

These hawks used to look so regal
Until we experienced chemotherapy
Now they've become bald eagles
Always trying to steal my hair from me
But we're different species apparently
Because I have no feathers to offer
To further fill their nest egg coffers
So they forcefully take what they want
And then their shameless riches they flaunt
Using perceptions of status to tease and taunt
Hoping we'll forget they're the ghosts that haunt
A world of immutable truths
Even the richest can't elude
They build a curtain that's crude
To protect their fortunate brood
Fearing it will be dismantled
By an activist carrying a candle
So the vast majority can get a handle
On a future other than slavery
But to finally fight back
Requires the utmost bravery
And it's courage we lack
Can be found in my self published poetry book “Icy”.
https://www.amazon.com/Icy-Andrew-Rueter-ebook/dp/B07VDLZT9Y/ref=sr_1_1?keywords=Icy+Andrew+Rueter&qid=1572980151&sr=8-1
I tied together
a few slender reeds, cut
notches to breathe across and made
such music you stood
shock still and then

followed as I wandered growing
moment by moment
slant-eyes and shaggy, my feet
slamming over the rocks, growing
hard as horn, and there

you were behind me, drowning
in the music, letting
the silver clasps out of your hair,
hurrying, taking off
your clothes.

I can't remember
where this happened but I think
it was late summer when everything
is full of fire and rounding to fruition
and whatever doesn't,
or resists,
must lie like a field of dark water under
the pulling moon,
tossing and tossing.

In the brutal elegance of cities
I have walked down
the halls of hotels

and heard this music behind
shut doors.

Do you think the heart
is accountable? Do you think the body
any more than a branch
of the honey locust tree,

hunting water,
hunching toward the sun,
shivering, when it feels
that good, into
white blossoms?

Or do you think there is a kind
of music, a certain strand
that lights up the otherwise
blunt wilderness of the body -
a furious
and unaccountable selectivity?

Ah well, anyway, whether or not
it was late summer, or even
in our part of the world, it is all
only a dream, I did not
turn into the lithe goat god. Nor did you come running
like that.

Did you?
What can you say about Pennsylvania
in regard to New England except that
it is slightly less cold, and less rocky,
or rather that the rocks are different?
Redder, and gritty, and piled up here and there,
whether as glacial moraine or collapsed springhouse
is not easy to tell, so quickly
are human efforts bundled back into nature.

In fall, the trees turn yellower-
hard maple, hickory, and oak
give way to tulip poplar, black walnut,
and locust. The woods are overgrown
with wild-grape vines, and with greenbrier
spreading its low net of anxious small claws.
In warm November, the mulching forest floor
smells like a rotting animal.

A genial pulpiness, in short: the sky
is soft with haze and paper-gray
even as the sun shines, and the rain
falls soft on the shoulders of farmers
while the children keep on playing,
their heads of hair beaded like spider webs.
A deep-dyed blur softens the bleak cities
whose people palaver in prolonged vowels.

There is a secret here, some death-defying joke
the eyes, the knuckles, the bellies imply-
a suet of consolation fetched straight
from the slaughterhouse and hung out
for chickadees to peck in the lee of the spruce,
where the husks of sunflower seeds
and the peace-signs of bird feet crowd
the snow that barely masks the still-green grass.

I knew that secret once, and have forgotten.
The death-defying secret-it rises
toward me like a dog's gaze, loving
but bewildered. When winter sits cold and black
slumped between its two polluted rivers,
warmth's shadow leans close to the wall
and gets the cement to deliver a kiss.
DaSH the Hopeful Apr 2017
A poet's supposed to only post poetry
     If I try to do anything different under a pseudonym
They'd know it's me
               They're not too dim
  To shine a light on similarity
             Between two varying laugh tracks despite all the hilarity
        Been getting down to brass tax with a microscope
       I could read the fine print even if both my eyes were closed
     So tie the rope tightly around your own necks
                          As I work far outside of my trajectory from how I make the bow flex
         If I was Archie mixed with Cupid
          I would
    Follow an arrows arc like an archery marksman whose targets are Betty and Veronica's beating hearts
    And when they get hit,
        They both fall pretty hard
      And meet me in my back yard where I get their backs archin'
         Point is, I've got precision aim
    When I'm shooting for emotions
            Make you never feel a thing
      Make you clear minded and focused
             Let you all in on my pain
   Have you buzzin' like a locust
Come into my parlour
said the spider to the fly,
would you like a cup of dew or a slice of cricket pie.

Locust is for dinner,
Roach's served for tea
it should be really comfy
cause there's only you and me.

Perhaps we both can surf the web
or talk about the weather.
We could go out and try on clothes, I look real good in leather.

But first of all let's go inside.
That's it my dear fly
and now that you have entered here
it's time to say goodbye.
16th Sept 2014
As Farm tractors brush the hayfields of Summer
White Holland turkey's and dairy cattle share
enclosed greenery ..
Late morning vegetable harvest , the cackle of
laying hens and Chinese geese , our Postman smiles
and waves with his Noon delivery ...
Hereford cattle on the move , Fig trees feeding
songbirds , bumblebees and hummingbirds working
the afternoon flowers ..
Tubular bells in town , just over the horizon strike the one o'clock hour ...
Copyright March 2 , 2016 by Randolph L Wilson * All Rights Reserved
aj Apr 2015
the swarm engulfs my being with love and blood;
your horrific cleansing of amor among life in death sends a shock of terror among the world.

so insidious that the stars hide behind their veil of opaque mist.
little do they know that their pale haze is only a shimmer of anonymity.

the fire-baptism commences, and i can not feel the burning of unholy light.

this must be the end.

my blood turns to ice, my eyes see only streaks of apocalypse, and my mouth is sewn shut by the infernal creatures of purification.

the hellmouth speaks for me now.

the sleeper woke the world and it bled.
the flames of rebirth purged the world and devoured it.
the lover remains comatose and shattered.

seraphim swoop down from a silent heaven to clean the mess of a love too strong for one to bear.

blood oozes out of the ears of those too occupied and diluded to care
Sara L Russell Aug 2013
(A poem to be recited by actors)*

I

[Salome]

Jokanaan, such is my desire for thee,
The moon and stars hath turned away their face
I thirst to kiss thy sullen lips, softly,
I love thy lips, thine eyes that darkly gaze.

Fain would I strip thy garments all away
Replacing each with kisses to thy skin
Just as the dark of night becalms the day
Mine open arms shall gather thee within.

I burn to taste the kisses of thy lips
Just as the hummingbird sips from a rose
Stealing thy nectar with such tender sips
As melt thy sternest aspect, till it goes.

O let me taste thy kisses, holy man,
And quench desire as only woman can.


II

[John The Baptist]

Depart from me, daughter of Babylon,
That look'st on me with such covetous gaze!
Siren of *****'s mire, harlot, begone!
Away with thee and all thy wanton ways!

How canst thou speak with such depravity
Addressed unto a holy man of God?
How canst thou dance in merry liberty
Where our forefathers, seers and sages trod?

Look not upon me with thine eyes of lust,
With salivating, ravenous desire!
Love's purity shall outlive mortal dust
When thy dark soul burneth in Hades' fire!

Harlot of Babylon, strumpet, begone!
I am not thine to crudely gaze upon.


III

[King Herod]

Salome dances, circling the hall,
Gold lamplight shimmers in her dove-like eyes;
Her flame-red chiffon swirls with each footfall,
She glides like a bright bird of paradise.

Behold, she throws a veil onto the floor,
Exposing but a fleeting glimpse of breast;
Allowing but a small promise of more,
Another veil she throws, at my behest.

She sinuously sways her slender hips
And not one moment do her eyes leave mine;
She dances closer, smiles play on her lips
Those lips that could be sweet as Muscat wine.

And still she dances, ravaging my sight,
This light-skinned girl with hair as black as night.


IV

[John The Baptist]

Behold! She dances now before the king,
Whose eyes are full of lust incestuous;
For *****'s daughter, wildly gyrating
Whose very presence here is blasphemous!

I hear the music from my dungeon cell
Her light footsteps, distracting me from prayer,
She dances like a dervish sprung from hell,
I reel with loathing, knowing she is there.

Beware thy sins, Herod, Herodias!
Thy fall from grace approacheth like a storm!
Beware daughter of *****! None shall pass
Beyond the pit, the flames, the locust swarm!

Thy kingdom shall be cast into the flames;
Thy souls struck from the book of living names!


V

[King Herod]

Ah! Now the last veil flutters to the floor,
Her body holds no secrets from mine eyes;
Like ripened fruit making me thirst for more,
But I have promised more than may be wise.

Now I make good my promise unto you,
Salome, fairer sister to the moon;
Come now, I am thy slave; what can I do,
Name thy reward, and thou shalt have it soon.

Come hither, precious girl, I wish to share,
Take from the riches offered up to thee;
Choose from the sweetest wines beyond compare,
The rarest rubies of my treasury.

From treasured gems to pleasures of the vine,
Pray name thy heart's desire; it shall be thine.


VI

[Salome]

My heart's desire cares nothing for my love
What jewel can ever love me in return?
My regal beauty's deemed as not enough
For Jokanaan. I see him, and I burn.

I spurn thy earthly treasures set in gold,
I yearn not for their dancing play of light
There was but one pleasure I could behold
And he regaileth me with words of spite.

Thy precious cellar brimming full of wine
All taste divine; yet never quite as sweet
As luscious lips of he who can't be mine
Whose savage beauty stings me like defeat!

Therefore I say, reward me if you can;
Bring me the severed head of Jokanaan!


VII

[Herod]

Salome, you have asked a dreadful thing,
Such monstrous words flame from thy pretty lips!
I offer thee my finest emerald ring
The choicest clipper from my fleet of ships;

Thou canst prevail upon me for my land
My fields and vineyards all lain at thy feet;
Stables of horses all at thy command,
All of these gifts might make thy joy complete.

But do not ask of me the baptist's head,
His eyes disturb me far enough in life;
I listened well to everything he said,
His death would be a curse; a flaying knife!

Salome, quell the anger in thy breast,
I beg thee, reconsider thy request.


IX

[Salome]

Thou shalt not swerve the purpose of my mind,
My mind is set, this action must be done.
There is no greater gift that thou might find
Than that Jokanaan's eyes forsake the sun.

I prithee, take that scurvy **** away,
His eyes stare so, his tongue derides my name;
Silence his prating tongue, he's had his say
Now he must suffer for his words of flame!

I shall not sleep with that voice in my ears,
Sever that head, that mask of insolence!
He rants of prophecies, preys on thy fears,
Now he must make his final recompense.

I danced for thee. Reward me like a man,
Bring me the severed head of Jokanaan!


X

[John The Baptist]

A famine on thy fields, monarch of shame!
Locusts shall take thy vineyards and thy corn!
Rivers of blood have stained thy royal name
Thou art forever doomed, thy kingdom torn!

Thy family are coiled like nesting snakes
Thy daughter whispers with thy feckless queen,
They die along with thee, when the earth quakes
And fall into the bottomless ravine!

I hear thy soldiers storming through the halls
Approaching now, to my decrepit cell;
I shiver at the sound of their footfalls,
Though I'll not be the one condemned to hell.

May God send Raphael down from the sky;
Take me to somewhere better when I die!


XI

[Salome]

Ah now, thine eyes that once held so much fire,
Forever hide their light of righteousness;
I almost miss that shiver of desire
I once felt in their presence, I confess.

Thy tongue is silent now, that once cried out
In shards of venom, wounding blades of words;
And I'm at liberty to pluck it out,
If I desire; and throw it to the birds.

Thy rosy lips, as sullen as thy brow,
Soft petals, rendered harmless in repose;
They spurned me once, but I shall kiss them now,
As easily as one might steal a rose.

Thou once dared to refuse me, holy man,
Now I will kiss thy dead lips, Jokanaan!



The End.
Police siren screams
   Man sings a bar of
Star Spangled Banner
   Land of the Free
& the brave subway screech
   makes me wana holler
      ...like Marvin Gaye did
11/20/09
Alagius Jul 2014
Venne, Videt, Delent*
They came, They saw, They destroy

They came, after days and nights of travel from different places

With them are vicious machineries, roaring to harvest the land

Nourished by the earth itself

They saw, with hungering and ambitious eyes

Over the fortune they can make out of the natural wealth

The land restlessly developed for years

They Destroy, with their machines

They senselessly cut down timber, dig out ore and hunt down animals

For no other reason other than their greedy and materialistic desires

Then they leave, going to another land and repeat the evil cycle; leaving the

former ruined and devastated
This refers to the consumeristic and materialistic behaviour of mankind - willing to obtain wealth at the expense of nature. this likely suits corrupt corporate leaders, animal smugglers etc.

Also i compared humanity to a horde of locusts since i find that two species bear something in common - consuming practically all green material wherever they go.

P.S: This is my first poem
Astral Oct 2015
We lost ourselves a long time ago

What stands isn’t bone and flesh, no pulse, no feeling

Something very jaded, apathetic, bitter

Maybe it was always that way

And those hurricane songs washed the paint away

To reveal the cracks that were always present

And when another body lies dead in the locust’s pit

Will walk over it, like it never was anything

But a body
King Bacon Oct 2014
(Litos)
Hey yo start the beat
I'm Coño mixed with “pardon me”
and part of me thought to see
the kid behind the harmony,
where’s the scholarly artistry?
you burn my chest so viciously,
Caught heart disease,
these bars, emcee
are so clogged into your arteries.

(Yeshua)
I know its hard to be
as raw as me
and still rap consciously

(Litos)
But your consciously
conflicted between honesty and modesty.

(Yeshua)
Well honestly
I'm probably a prodigy
just trying to make a profit
of this prophecy
so I can feed the body
of the God in me.

(Litos)
We stay calm
with made bombs
and grey palms
Im saying what I say, calm!
But know this is my song.

Your the kid by the bricks with his homies to smoke ****.

(Yeshua)
No! I’m the kid in the back of the class getting no sleep.

(Litos)
Same story different penmanship
but this sentence in irreverent
Your browner than the cypher.

(Yeshua)
I'm In tune with my sentiments.
sonically logical
grammatically accurate.

(Litos)
Quick the masking
get off that fashion
you know you have to be disastrous.

(Yeshua)
You know my life
we hold the mic
my flow is to bring the soul to life
I met faith face to face
and that's the reason I roll the dice
I’m prolific with the written
and that’s the way you know its me
perfect with the poetry
and we don’t need to know to read.

(Litos)
Hey yo Yeshua do me a favor and elevate those decimals
and watch those foot soldiers dismember your generals

(Yeshua)
You promise me you'll forget it
but the feeling is unforgettable
but now I’m trying to get it
cause you said I wasn't ghettoble.

(Litos)
But I don’t need a step up stool
to ****** you off your pedestal.

(Yeshua)
Shut up!
My mother use to make me eat knowledge
instead of vegetables,
but now I grab a fork and knife
what ever metaphor is right,
Don’t swarm me like locust
You know I really don’t like to fight
i’ll beat a dead pig to life
don’t catch my photons
you’ll burn with light
cause I have skills like your favorite Emcee

(Litos)
Before the Hype?
now the locust is scattering like roaches
guess they saw the light
make them look so bad
you think they would want to fight?

(Yeshua)
Cause' when they see me speak
they start to laugh at me a first
then they get shattered
and they beg for me to do a verse

(Litos)
Dude? Your brain is disproportion
You have three endorphin?

(Yeshua)
They work when I
write words
perform words
or record them
and do it with no sleep
and beat breeze

Don’t ask me what that **** means
its a riddle with a sick scheme,

(Litos)
So put me on your playlist
don't put me on your **** list!
If you are just in this for business
then skip this.

(Yeshua)
But soon all you fools
in this
just witness
that this kid is gifted
like rich kids on Christmas.

(Litos)
The sickness with which I'm afflicted
is lethal
Yeshua be careful what you shoot up
through that needle.

(Yeshua)
SHUT THE **** UP!

I don't give a ****
You won't win this fight
cause' I won this fight
get off my mic...
Battle between Me, Myself, and I
Andrew Rueter Jul 2017
The clock struck midnight
With an informative pang
I couldn't face it's music
So I turned counterclockwise
But time kept moving forward
As my wisdom dissipated
Bad times I anticipated

As I wandered through life
Burdens grew
Weight added with each step
My feet started to sink into the ground
So I got in my car
And drove
And kept driving
The more I traveled
The more I witnessed
The less I talked
As I grappled with the futility and necessity of communication

The clock warned of night's approach
I decided to continue driving
Luminous fireflies pelted my vessel
Their lamps exploding upon impact against my vehicle
The ability to destroy light
Exhilarated me
And I became addicted
To extinguishing that which shines
Until darkness flooded my engine
And an abysmal order was made by my abyssal odor

I had to exit my vehicle
And consult a mechanic
He explained my engine wouldn't work
Unless my windows were down
Which solved my darkness problem
But those ****** pests pervaded my car
Their locust glow disoriented me
The slight variations of their unique displays
Manufactured chaos within the light

My eyes grew accustomed to entropy
My brain grew accustomed to impairment
Commuters noticed my erratic driving
And offered to assist me
By attempting to ram me off the road
But the impenetrable light created a force field
Impalas couldn't run through
For my light bugs too much
Buffering me from others
And driving others from me
Leaving me alone
As a giant pulsating light that never stops moving
Is this how a star is born?
Can be found in my self published poetry book “Icy”
https://www.amazon.com/Icy-Andrew-Rueter-ebook/dp/B07VDLZT9Y/ref=sr_1_1?keywords=Icy+Andrew+Rueter&qid=1572980151&sr=8-1
Narrow path sunless temple locust tree
Deep dark much green moss
Should gate except meet sweep
In case have hill monk come


A narrow, sunless path to the temple tree,
Deep and dark; abundant green moss.
Wait by the gate when finished sweeping the yard,
In case a monk should come down from the hill.
Big Virge May 2015
So What’s The Score … ?        
To Be Seen As … *******… !?!            
            
Being Lyrically RAW … !!!            
For Some Fa’ SURE … !!!            
            
Or Dropping BOMBS … !!!            
On Heads Through Songs …            
In …. Native Tongues.…            
I Guess For Some …              
Is … ******* Stuff … !?!            
            
******* Words …            
of … Curse-Filled Verse …            
Like Those That Run …            
Wordplay Like … ” **** ” … !!!!!            
Now Makes MILLIONS … !!!!!!            
Believe It Son … !!!!!            
            
Is That … ******* … ?!?            
            
Or Talk For ****** … !?!            
Whose Thoughts Are Poor …            
When It Comes To The Cause …            
of REALLY Being … ******* … !!!            
            
Well Here’s The Score … !!!            
My Wordplay STUNS …              
WITHOUT Taser Guns …            
Or Running Gums …            
To Prove I’m TOUGH … !!!            
    
My ******* Mind …            
Creates Fine Rhymes …              
That EXPOSE Crimes …              
I See In This Life …      
        
So My Rhyme Designs …            
Are ******* Lines …              
That Take The Stance …            
of A … RIGHTEOUS Man … !!!!!            
            
That’s QUITE A Claim … !!!            
******* … INSANE … !!?!!            
            
Hell Nah I’m Playing … !!!            
            
My Brain INFLAMES …            
Pages With REIGNS … !!!!!            
            
REGAL … NOT Slave …              
Unable To BREAK … !!!            
            
ABOVE The Snakes …            
Lyrically... A SAGE …. !!!            
            
Ya See ******* Talk …            
INSPIRED My Walk …            
Towards These Thoughts …            
To Source Lyrical Swords … !!!            
    
Wu Tang INSURED... !!!  
            
******* To Ya Pores …              
With … Lyrics of WAR … !!!!!            
            
No Blood Need Pour … !!!!!            
But THOUGHT Fa’ Sure … !!!            
I DO …. IMPLORE …. !!!!            
Ya Bring To The FORE … !!!            
To Join THE CAUSE …. !!!!!            
            
Lyricism Good For Rhythm … !!!!!            
Incision Filled With Scissors …            
That Cut With Skilled PRECISION … !!!!!            
You Suckers NEED TO Listen … !!!!!            
            
******* Does Not Mean KILLING … !!!!!            
Or Illin’ … Penicillin …            
Is That Good For Your Children … ?!?            
            
It’s Just Rhyme Flows I’m Bringin’ … !!!            
******* NO I’m Just Kiddin’ …            
            
See This Is Lyricism …            
Built With Witticism...              
Joke Filled … YES …            
For The … Women …              
            
Cos’ Jokes Help Man …            
Get …. In Em’ …. !!!!!            
            
Girls Who KNOW Be Grinnin’...          
Cos' ******* Bros' Be Winning...            
And Seeing **’s Like VISION …. !!!            
            
I See You Chose To Live In …            
A World of... " Western Fiction ” … ?!?            
            
It Seems It’s BROKE … !?!          
..... NO Fixing..… !!!!!            
            
No Jims or Joes Enlisted …          
That Line’s For Those With Children... !!!            
    
It’s Deeper Than You’re Thinking …            
Paedophiles Who Mess With Child …            
My ******* Vibe Gets WICKED … !!!!!!!            
            
I’d **** Them Up With QUICKNESS …              
YES Them And ALL THEIR Siblings … !!!            
    
Right Now Big Virge Ain’t KIDDIN’ … !!!!!!!!!            
These EVIL BREEDS Are SICKENING … !!!!!!            
I’d Cut Heads OFF Like Quickenings … !!!!!            
            
Highlander Slander …            
******* Gambler … !!!            
Take A Risk And Slit The Wrist …            
            
I Meant The NECK...              
of ANY ******* Racist Head … !!!            
            
******* And VEX …            
When YES … ” UPSET ” … !!!            
            
Silence Transcends …………            
To Make Things TENSE … !!!!!            
            
I’m A PEACEFUL MAN …            
So It Doesn’t Make SENSE … ?!?            
            
To Make ATTACKS …            
******* Like DEATH … !!!            
            
These Thoughts Expressed …            
Have … NO CONTEXT …            
Cos’ This Violence Rests …            
            
... Inside My Head... !!!  
    
******* Oh YES … !!!!!!            
Until I’m … DEAD … !!!!!!            
            
I’m A ******* Smoker …            
Well Some Say … ” JOKER ” …            
Who Gets Through Quotas …            
Like Stocks Do …. Brokers …. !!!!!            
            
NOPE NOT Bram Stoker … !!!            
AFRICAN Yes …            
But NOTHING LIKE Botha … !!!!!!            
            
Just A Breed Like Locust …              
Swarming WARNING Those Informing … !!!!!            
...... Watch Yo’self...… !!!!!!            
Them Cards You Dealt …            
May Just Have Spelt …            
A... ******* Tell …            
            
That’s Gone DAMAGE Your Health … !!!            
            
This Set of Rhymes …            
Is A ******* WRITE … !!!            
    
Now Across The Lines … !!!            
.... of My Notepad … !!!  
As My Mental GRABS … !!!            
These Words Like SLABS …            
With … COMMANDMENT Tabs … !!!!            
            
Thou Shalt Be RAW … !!!            
And Lead The Hoards … !!!            
Like Jim WITHOUT Doors … !!!!            
            
Thou Shalt Not FORCE … !!!            
Wordplay That’s Poor … !!!            
    
“My Prose rocks jaws            
of those on boards,
Yes, Corporate ****** !”            
            
Thou Shalt Face WAR … !!!            
And Deal With SCORN …            
From Ignorant Scores …            
Who You NEED TO Ignore … !!!            
Thou Virge Were Born To YES Adorn …            
            
Pages That Source …            
Verse Born From Thought …            
            
That Some Fa’ SURE … !!!!!            
Will Call ………            
    
… ” ******* ” … !!!!!
Listen Here :

https://soundcloud.com/user-16569179/sets/virges-world-files
L B Jul 2017
Part I.  Like Gods Falling

At first—
new trembling
and then she didn’t want
to be—

alone

with guilt

or seen

as **** half-eaten evidence
So she held it out to him
with her half-hearted, “It's OK.”
her crippling distance

“Why doesn’t she just embrace me
as before?”
He thought
that he had never seen her eyes that way—
with no words for their ruin
he loved her fearfully more

Gorged in the aftermath of forbidden
fat and animal fruit
Sick with excuses
Staring at
the core of lust
Rationalizing
Food?  Beauty? Intrigue?

Wisdom!

Searing awful terror
into each other’s minds

Part II.  Love and War

In the years between
the harrowed rows of sprouting corn
they found pleasure without plan
that bound them more than guilt had severed

How curious the textures of a man
in sunlight

her power?
In all the brilliance she had bargained for

How curious this burning for her
in the sodden life of rotting

She was always holding him now
from the scorching day
as the earth sizzled and swam
in seas of senseless—
background drone of locust and revenge
sealed in sweat and clutching labor

She was always holding him back by night
from the icy crackling mad!
his restless hunting hate!
And sometimes, while she pleaded
he would seize her
Make her pay!

For that afternoon

by the well where the boy was washing
A basket of vegetables returned
a bowl of blood

Part III.  Grief

Prepare the darling carcass
Shroud it in her pleas
clawing in the mud beside its silence
consumed beyond all fire by her anguish
“Can this not be enough to make him move?
Yes! He did! I’m sure I saw it!”
Can this not be enough?”
to stop the knowing…
grief from pouring into space?

Not even light escapes
____

Returning from the Mount of Meeting
hollow chores
collecting fatwood
grinding joyless grain

From corner of her eye
she watches the boy
walk toward the forest
spear in hand
She pauses
looking down
at hands on stone
that once had cradled...
Breath catching on jagged sorrow

She continues to grind

bitterly pregnant


Part IV.  Endings

Descended now
Reclining heap
reflects before a sun’s surrender
His face gleams with last light
hair blown back by volleys of wind

Her face
Not visible
as we are behind them
Her head rests in his lap
She is on her side
Soles of her shoes
mute and toward us
His eyes search the sky for a god—any god!
Her God

Exhaustion poses them past
the point of question
When the matter of “Why?”
becomes each other

Close in

the net of twilight
Dulled of hope and pain
at the edge of all that can be done...

...everything is gray going on black—
but we always knew that
My take on an old story that reverberates through all time.  She sinned-- to know the mind of God.
He sinned because he loved her.
You consume and consecrate like a locust
  In the heat of a summer night;
A mirage of your face casts before me in the
  Hellfire of a southern prairie.

The scorched ends of my eyelids struggle
  To see through the sunlight;
I can no longer see you.
  You've packed up and left behind a dust bowl.

A large section of my heart is left empty
  And hollow;
It's a place you've decimated to the very end
  Until I am left with nothing more.

I'm used up.

My heart has been reduced to ashes
  Where your wild fire caught me.

I am withered like the edges of thirsty leaves
  And blackened;
  My soul is cauterized with the flame
Of remorse and grief.

I'm an oil derrick shifting restlessly
  Up and down hoping to salvage
What is left our love in a drying well;
  A lonely machine working around the clock.

I'm just a faded polaroid blanketed by dust...
  Emaciated and hopeless.

I wish you could feel how heartbroken
  You've made me!

Hangman's noose snaps under the weight of
  Whisky and bygone memories.

You've consumed me like a locust.
I still love you
Seán Mac Falls Mar 2013
IN THE POOL OF THE LOST MAIDEN SONG

                1

Down in the shrouded wood a wanderer walks
And dreams the dreamers story he has lived.
Sidled by the stream that sheds blue waters
By the beds, trailing the rail of loves unknown
Kiss and a voice that conjures truest bliss,
Down in the drink where sweet Ophelia sleeps;
In the pool of the lost maiden song.

And the dreamer, he is dreaming . . .
Hair, that ropes the stoic man upon his mount.
Hair, making souls’ lost ending breath a shout,
And hair that weighs the wind, teaches it to sing;
Hair, wending whirlpools waving fools to dive in.


                2

Lost at land’s end the sea lions, washed-up, wail
And buzzards coast where eagles flail, rip tides
Assail and chop the collected bones they drop;
It is a chalky bone-yard break, golden escarpments
Wake and a ******’s salty sermons shake;
Where gathering ghosts glom and chide steeping,
In the pool of the lost maiden song.

And the seeker, he is seeking . . .
Eyes that turn the sands and are mirrors,
Eyes that taught the books of Alexandria,
Eyes that shook the flesh and are seers,
Eyes that lit the pyres, burned true believers.


                3

Deep in the dark wood the waters rush, hush,
Cramp, crew and creep, melodiously tread,
Trammel, and burn as furies in keeping true
The melting moon, the onerous owl, fluttering
Things, muttering wings, cones in darkness
Flings and filmy time flicks by the wayside;
In the pool of the lost maiden song.

And the lover, he is longing . . .
Love, lithe and lyric, he sees your sweeping shapes.
Peace, parsed and pained he hears the voicing gape.
Blind, bliss’d and shamed he wears the votive drapes.
Hungered, thirsted and gone; seeks your pearly gate.


                4

Out in the forest maze the jarring sun seeps
And swirls, only to roust the traveler onward
Where soon he must meet the faces in the grotto
Down in destroyed lands by the seas’ unreasoning
Chime, deep in the dark whine of the shining mermaids,
Where the doomed cry, round the navel of the world,
In the pool of the lost maiden song.

And the doomed, they are crying . . .
“****** beauty bade us, in a star crossed chrysalis,
Made us, choose a desert’s winter of loneliness.
Heed our fate and leave this valley torn of bliss;
The many millions of locust fall in ripest fields.”

— The End —