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"lengthens" poems
Leaning into the afternoons, I cast my sad nets towards your oceanic eyes. There, in the highest blaze my solitude lengthens and flames; Its arms turning like a drowning man's. I send out red signals across your absent eyes That wave like the sea, or the beach by a lighthouse. You keep only darkness my distant female; >From your regard sometimes, the coast of dread emerges. Leaning into the afternoons, I fling my sad nets to that sea that is thrashed By your oceanic eyes. The birds of night peck at the first stars That flash like my soul when I love you. The night, gallops on its shadowy mare Shedding blue tassels over the land.
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Leaning Into The Afternoons
The days of our future stand in front of us like a row of little lit candles -- golden, warm, and lively little candles. The days past remain behind us, a mournful line of extinguished candles; the ones nearest are still smoking, cold candles, melted, and bent. I do not want to look at them; their form saddens me, and it saddens me to recall their first light. I look ahead at my lit candles. I do not want to turn back, lest I see and shudder at how fast the dark line lengthens, at how fast the extinguished candles multiply.
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22.1k
Candles
She walked through the streets in her shimmering dress that hugged her skin as if part of her being. Speaking in tongue misunderstood by thought she stared not at you but within you as if she was gauging the purity of your inner grace. "What's a pretty girl like you doing alone? "Where did you fall from, One goaded, smiling she replied, "I fell a long way down, "Dii me ridere, [loosely translated] "The gods are laughing at me? She smirks at those in plentiful urgency to expel what time they have on tribal necessities. Wondering into a alleyway she had a few to choose from but this one barely lit. The spider and the fly came to mind, but who was in the web and who was but a husk waiting to decay? "Lady you going to have a bad night, "Bad night, try bad millennium you apes make me laugh, "Who you calling ape woman? *"Lets see your hairy, you smell, and you scrape your hand on the ground, no sorry ape is to good for you organisms,* Her dress seems to separate and he hair lengthens to hide modest of a body of perfection. before there eyes is an angel but her feathers are as onyx as coal. "See my true from, As screams bathe the walls and wisps of smoke ascend not to heaven but fade in the wind. Eyes are charred echoes of where sight Was blessed now eroded into husks of nothingness. *"Silly little things, when will they learn that there are things in the night you shouldn't play with,* Walking out of the alley a smile on her face, she hadn't had that much fun in a while. Scorching a soul wasn't fun but they weren't worthy of it any way. Now she was off to see what this nice little black number would help to get a free drink or two.
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Jun 25, 2016
Jun 25, 2016 at 2:46 PM UTC
Angel In A Black Dress
She walked through the streets in her shimmering dress that hugged her skin as if part of her being. Speaking in tongue misunderstood by thought she stared not at you but within you as if she was gauging the purity of your inner grace. "What's a pretty girl like you doing alone? "Where did you fall from, One goaded, smiling she replied, "I fell a long way down, "Dii me ridere, [loosely translated] "The gods are laughing at me? She smirks at those in plentiful urgency to expel what time they have on tribal necessities. Wondering into a alleyway she had a few to choose from but this one barely lit. The spider and the fly came to mind, but who was in the web and who was but a husk waiting to decay? "Lady you going to have a bad night, "Bad night, try bad millennium you apes make me laugh, "Who you calling ape woman? *"Lets see your hairy, you smell, and you scrape your hand on the ground, no sorry ape is to good for you organisms,* Her dress seems to separate and he hair lengthens to hide modest of a body of perfection. before there eyes is an angel but her feathers are as onyx as coal. "See my true from, As screams bathe the walls and wisps of smoke ascend not to heaven but fade in the wind. Eyes are charred echoes of where sight Was blessed now eroded into husks of nothingness. *"Silly little things, when will they learn that there are things in the night you shouldn't play with,* Walking out of the alley a smile on her face, she hadn't had that much fun in a while. Scorching a soul wasn't fun but they weren't worthy of it any way. Now she was off to see what this nice little black number would help to get a free drink or two.
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35
Open bramble gate, morning lets itself in, eyes open in welcome. Water stirs – a glance outside. A jade tiger rises, blue herons fly to South Mountain. ~~~ Forage through herb abundance on South Mountain sunlight pooled in cassia leaves. It’s why you reclused here, hermitage entwined in viridian mists. I find your footprints headed to the clouds, so I leave this poem on your wall and on a whim ascend South Mountain ridges. Sticks snap underfoot – blue herons startle away. ~~~ Boundless and empty to townsfolk, South Mountain peaks. But here immortals dance among indomitable pines. Above the sun blue herons fly into paper crumpled clouds – clouds the body, clouds the wings. Sonorous bird song - radiant clarity – makes mountain forests sing, each beat moves the clouds, red dust cleared from rivers and peaks, ochre streams flood forests and fields, canyons and gorges, jades and emeralds rise. Petals scatter on crystalline swells, night lengthens slowly – coldness wanders by but I will linger here, a little longer. Version 2 South Mountain peaks, boundless and empty to townsfolk. But here immortals dance among indomitable pines. Above the sun blue herons fly into paper folded clouds - azure heaven change – clouds the body, clouds the wings. Sonorous bird song radiant clarity – makes mountain forest sing, each beat moves the clouds, red dust cleared from rivers and peaks, ochre streams flood forests and fields, canyons and gorges, jade and emerald rises. Petals scatter on crystalline swells – night lengthens slowly - coldness wanders by but I believe I will linger here, a little longer. Version 3 South Mountain peaks, boundless and empty to townsfolk. But here immortals dance among indomitable pines. Above the sun blue herons fly into paper folded clouds - azure heaven change – clouds the body, clouds the wings. Sonorous bird songs radiant clarity – makes mountain forests sing, each beat moves the clouds, red dust clears from rivers and peaks. Streams of ochre flood forests and fields, canyons and gorges, jades and emeralds rise. Scattered petals on crystalline swells – night slowly lengthens - coldness wanders by but I believe I will linger here, a little longer.
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Jan 24, 2012
Jan 24, 2012 at 8:02 PM UTC
South Mountain
Open bramble gate, morning lets itself in, eyes open in welcome. Water stirs – a glance outside. A jade tiger rises, blue herons fly to South Mountain. ~~~ Forage through herb abundance on South Mountain sunlight pooled in cassia leaves. It’s why you reclused here, hermitage entwined in viridian mists. I find your footprints headed to the clouds, so I leave this poem on your wall and on a whim ascend South Mountain ridges. Sticks snap underfoot – blue herons startle away. ~~~ Boundless and empty to townsfolk, South Mountain peaks. But here immortals dance among indomitable pines. Above the sun blue herons fly into paper crumpled clouds – clouds the body, clouds the wings. Sonorous bird song - radiant clarity – makes mountain forests sing, each beat moves the clouds, red dust cleared from rivers and peaks, ochre streams flood forests and fields, canyons and gorges, jades and emeralds rise. Petals scatter on crystalline swells, night lengthens slowly – coldness wanders by but I will linger here, a little longer. Version 2 South Mountain peaks, boundless and empty to townsfolk. But here immortals dance among indomitable pines. Above the sun blue herons fly into paper folded clouds - azure heaven change – clouds the body, clouds the wings. Sonorous bird song radiant clarity – makes mountain forest sing, each beat moves the clouds, red dust cleared from rivers and peaks, ochre streams flood forests and fields, canyons and gorges, jade and emerald rises. Petals scatter on crystalline swells – night lengthens slowly - coldness wanders by but I believe I will linger here, a little longer. Version 3 South Mountain peaks, boundless and empty to townsfolk. But here immortals dance among indomitable pines. Above the sun blue herons fly into paper folded clouds - azure heaven change – clouds the body, clouds the wings. Sonorous bird songs radiant clarity – makes mountain forests sing, each beat moves the clouds, red dust clears from rivers and peaks. Streams of ochre flood forests and fields, canyons and gorges, jades and emeralds rise. Scattered petals on crystalline swells – night slowly lengthens - coldness wanders by but I believe I will linger here, a little longer.
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50
There is a silence in the house An empty voice There is a lack of something And I cannot find it I wake up early And get out of bed late. I do little chores but I never get anything done I drive to coffee shops And cafes I search for places that have people But still I am alone And so I come home There is a vacancy here That I cannot explain There is a void that grows And every day it feels larger And the silence gets louder As if the space in which there is no one Gets bigger day by day The echo of it lengthens And the sound of footfalls And the creak of old wood stretches outwards And at the end of it all It feels like a stadium filled with no one An arena of empty chairs And all the howling, cheering life That isn't there
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Aug 16, 2014
Aug 16, 2014 at 2:10 AM UTC
Of Loneliness
I. I would not if I could undo my past, Tho' for its sake my future is a blank; My past for which I have myself to thank, For all its faults and follies first and last. I would not cast anew the lot once cast, Or launch a second ship for one that sank, Or drug with sweets the bitterness I drank, Or break by feasting my perpetual fast. I would not if I could: for much more dear Is one remembrance than a hundred joys, More than a thousand hopes in jubilee; Dearer the music of one tearful voice That unforgotten calls and calls to me, "Follow me here, rise up, and follow here." II. What seekest thou, far in the unknown land? In hope I follow joy gone on before; In hope and fear persistent more and more, As the dry desert lengthens out its sand. Whilst day and night I carry in my hand The golden key to ope the golden door Of golden home; yet mine eye weepeth sore, For long the journey is that makes no stand. And who is this that veiled doth walk with thee? Lo, this is Love that walketh at my right; One exile holds us both, and we are bound To selfsame home-joys in the land of light. Weeping thou walkest with him; weepeth he?-- Some sobbing weep, some weep and make no sound. III. A dimness of a glory glimmers here Thro' veils and distance from the space remote, A faintest far vibration of a note Reaches to us and seems to bring us near; Causing our face to glow with braver cheer, Making the serried mist to stand afloat, Subduing languor with an antidote, And strengthening love almost to cast out fear: Till for one moment golden city walls Rise looming on us, golden walls of home, Light of our eyes until the darkness falls; Then thro' the outer darkness burdensome I hear again the tender voice that calls, "Follow me hither, follow, rise, and come."
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They Desire A Better Country
I. I would not if I could undo my past, Tho' for its sake my future is a blank; My past for which I have myself to thank, For all its faults and follies first and last. I would not cast anew the lot once cast, Or launch a second ship for one that sank, Or drug with sweets the bitterness I drank, Or break by feasting my perpetual fast. I would not if I could: for much more dear Is one remembrance than a hundred joys, More than a thousand hopes in jubilee; Dearer the music of one tearful voice That unforgotten calls and calls to me, "Follow me here, rise up, and follow here." II. What seekest thou, far in the unknown land? In hope I follow joy gone on before; In hope and fear persistent more and more, As the dry desert lengthens out its sand. Whilst day and night I carry in my hand The golden key to ope the golden door Of golden home; yet mine eye weepeth sore, For long the journey is that makes no stand. And who is this that veiled doth walk with thee? Lo, this is Love that walketh at my right; One exile holds us both, and we are bound To selfsame home-joys in the land of light. Weeping thou walkest with him; weepeth he?-- Some sobbing weep, some weep and make no sound. III. A dimness of a glory glimmers here Thro' veils and distance from the space remote, A faintest far vibration of a note Reaches to us and seems to bring us near; Causing our face to glow with braver cheer, Making the serried mist to stand afloat, Subduing languor with an antidote, And strengthening love almost to cast out fear: Till for one moment golden city walls Rise looming on us, golden walls of home, Light of our eyes until the darkness falls; Then thro' the outer darkness burdensome I hear again the tender voice that calls, "Follow me hither, follow, rise, and come."
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45
lunar luminance lights his lucent lordly lair. leaden legs languish lazily as he lay, laconic-- lexical loquaciousness long lost. his latent lupine lust lignifies and lengthens, longing lonesomely for his lovely limber lioness. with lips of luxurious labial liquer, and licks lapping like lashing lingual lightning, liquifying his lavish lover, luscious lyrical lubrication.
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May 25, 2013
May 25, 2013 at 1:14 AM UTC
long
you have always been half a world away but now my heart is only breaking more i don't know if you're really gone but your silence only lengthens this war even though you never knew it you helped fight the demons in my mind just the thought of you leaving me erases all hope i could ever think to find i honestly can't say that i'm surprised i always knew that one day you'd leave me but i still don't want to believe it's true because my heart still says that it can't be i didn't even know that i could break more but i guess that's what you do you poison and destroy then leave when it's convenient for you even though you've ruined me forever to me, love was never a lie and there is no way that i could ever say goodbye
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Nov 2, 2014
Nov 2, 2014 at 1:45 AM UTC
Sophie
for Richard, the boy who narrated life Today, leaves are falling. “One day Aaron will watch the falling leaves.” The first day of school arrives.   “One day Champ’s mom will take him to school.” Life is the story of life, says the narrator. Life expands. The story lengthens. The intertwined threads begin to pull apart. Life is surface and sheen, laughter, tears, opaque signs. The story strains after fictive frames, the hero’s epiphany, the villain’s inner pain, and undreamt creatures beyond human sense. And so myth and magic give form to stories that we no longer star in.   New worlds take shape where the story creates its own life, an escape from "the shock of recognition." In time the threads converge again.   Life’s pattern breaks and needs a new plot. The stories yield their human meaning— maybe we were in them all along. The story ends and life goes on. Life ends and the story goes on.
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May 22, 2016
May 22, 2016 at 6:21 PM UTC
Life Is the Story of Life
*When at the peak voltage streetlights **** the stars and behind closed doors rumbling slumbers down the cries of the nocturne awakes a world of opened windows.* Home from the last show eyes colored with screen idols shadows huddling over supper talk of the length and worth the plot intrigues and intricacies the creator's whims and fantasies while unbeknownst the night lengthens tiring the shadows that excavate the trash bin's bottom for living through the morrow. *The filaments feel lonelier as those last windows shut down starlight wasted on an enveloped town.*
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Aug 16, 2017
Aug 16, 2017 at 10:06 AM UTC
Night Windows
Inspired by Shel Silverstien’s “Hungry Mungry” They’re coming. They’ll get me. They’ll get me, and hit me, and make me bleed my young blood that looks just like theirs, With skin that looks just like theirs, but something in me’s different. As different as my mothers before me. It doesn’t matter. They’re coming. Their dark boots clomp down the hall, begging to bash my ribs, or my face, or my shins, or-- --They’re here. They take their fists and their feet and their words, taking turns finding the soft flesh Covered by my backpack and my shoes and my clothes and my bones. They found me, and they’ll beat me, and they’ll **** me-- That’s what I think until-- --I change. I grow. My shins and my fingers and my skull and my toes. My body elongates, it stretches and lengthens. I’m still bleeding and bleeding and still bruising and bleeding. But the blows stop. They back away, at least I think so, but my body pushes them farther and farther, I’m pressed against the ceiling, pressed against the lockers, until I feel them give, and I’m free. I break through the ceiling, I break past the rain, I-- --Stand up. My head skims the clouds, misting my face. I feel myself drift away from this place, As my head reaches farther, my neck, my chest, my stomach, my legs. Trees break beneath my feet. They crack and splinter, just like the houses, just like the schools. The ground gets farther and farther away, my feet so big they spread across the land and the seas. I’m blowing up like a balloon, like Violet-fucking-Beauregard, from that book I read in in the second grade. I push back against mass under my feet, Let them feel the fire, let them feel the heat. Earth is flying too close to the sun, as I grow, and I grow, and I grow. The stars drift around me, popping blistering holes in my skin as I grow and push against them too. I stick my hand in Jupiter, in Neptune, in Saturn. I crush Mars like a dirt clod inside my fist, and slap nebulas together with a flick of the wrist. I am the sun, and I am the storm, and the wind and the waves, From the place I was birthed-- --The place I was birthed? Where was I? Where’s that? I look to my feet and see naught but a speck, I do a summersault to examine it closer-- --Not an inch from the Sun, my home withers and dies. But still I grow, and I grow, and I grow. Earth is now too small to hold Still I grow, and I grow, and I grow. I see so many things from here, but I shan’t get closer, for fear they’ll disappear. But that’s not enough, still I grow, and I grow, and I grow. Pushing them away like so many I know. I hope and I dream for this ride to stop, still I grow, and I grow and I grow. I grow, and I grow, and I grow.
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Oct 1, 2020
Oct 1, 2020 at 12:15 PM UTC
I GROW, AND I GROW, AND I GROW
Inspired by Shel Silverstien’s “Hungry Mungry” They’re coming. They’ll get me. They’ll get me, and hit me, and make me bleed my young blood that looks just like theirs, With skin that looks just like theirs, but something in me’s different. As different as my mothers before me. It doesn’t matter. They’re coming. Their dark boots clomp down the hall, begging to bash my ribs, or my face, or my shins, or-- --They’re here. They take their fists and their feet and their words, taking turns finding the soft flesh Covered by my backpack and my shoes and my clothes and my bones. They found me, and they’ll beat me, and they’ll **** me-- That’s what I think until-- --I change. I grow. My shins and my fingers and my skull and my toes. My body elongates, it stretches and lengthens. I’m still bleeding and bleeding and still bruising and bleeding. But the blows stop. They back away, at least I think so, but my body pushes them farther and farther, I’m pressed against the ceiling, pressed against the lockers, until I feel them give, and I’m free. I break through the ceiling, I break past the rain, I-- --Stand up. My head skims the clouds, misting my face. I feel myself drift away from this place, As my head reaches farther, my neck, my chest, my stomach, my legs. Trees break beneath my feet. They crack and splinter, just like the houses, just like the schools. The ground gets farther and farther away, my feet so big they spread across the land and the seas. I’m blowing up like a balloon, like Violet-fucking-Beauregard, from that book I read in in the second grade. I push back against mass under my feet, Let them feel the fire, let them feel the heat. Earth is flying too close to the sun, as I grow, and I grow, and I grow. The stars drift around me, popping blistering holes in my skin as I grow and push against them too. I stick my hand in Jupiter, in Neptune, in Saturn. I crush Mars like a dirt clod inside my fist, and slap nebulas together with a flick of the wrist. I am the sun, and I am the storm, and the wind and the waves, From the place I was birthed-- --The place I was birthed? Where was I? Where’s that? I look to my feet and see naught but a speck, I do a summersault to examine it closer-- --Not an inch from the Sun, my home withers and dies. But still I grow, and I grow, and I grow. Earth is now too small to hold Still I grow, and I grow, and I grow. I see so many things from here, but I shan’t get closer, for fear they’ll disappear. But that’s not enough, still I grow, and I grow, and I grow. Pushing them away like so many I know. I hope and I dream for this ride to stop, still I grow, and I grow and I grow. I grow, and I grow, and I grow.
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46
i have survived storms. i have survived a father's voice like thunder; handprint lightning flowers petal over my skin like i am a garden to sinners- adam and eve call my grassroots their home and hum lullabies- i have survived anger. pros and cons of clock-ticking therapy sessions where money is thrown at my gaze, fixed on the wall, dollar-a-second drumming fingers screaming so loud that heaven shuts the blinds and hangs a "closed" sign on the door. pros and cons of stumbling home, under a murky peerless crowd of smoke, slurring words trail around and behind me like moths to a porchlight. morning headaches, angry adults damaging drywall and breaking family portraits exhausting search for answers exhausting search in a silence that lengthens the disconnect from child to mother where your mind goes red and the honest truth that stays stuck to the roof of your mouth falls out where you become an overflowing mailbox and your hands shake the absence of parents who never taught you to hold your tongue i have survived hurt. i have survived the specific type of loss that you feel in the pit of your stomach the one that lies next to you when you stare at the ceiling and your face hurts from crying tears scrub your eyelids raw and you promise, "if i ever make it through this, i will never be here again." i have survived giving up, taking it all back, throwing it all away, parallel structures of contemplation and decision i have survived lonely. angry storms of abandonment, melodies of the lonely and the hurt i reprise to the ones that add injury to insult, you are not the worst thing that has ever happened to me. i echo choruses to the people that force me to grow up at sixteen i have destruction embedded into my neurotransmitters i have shooting post-traumatic pain in my memories i have survived a hell that your hands are not stained enough to touch. i assure you, my love, i will survive you as well
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Oct 5, 2016
Oct 5, 2016 at 8:18 PM UTC
durability
i have survived storms. i have survived a father's voice like thunder; handprint lightning flowers petal over my skin like i am a garden to sinners- adam and eve call my grassroots their home and hum lullabies- i have survived anger. pros and cons of clock-ticking therapy sessions where money is thrown at my gaze, fixed on the wall, dollar-a-second drumming fingers screaming so loud that heaven shuts the blinds and hangs a "closed" sign on the door. pros and cons of stumbling home, under a murky peerless crowd of smoke, slurring words trail around and behind me like moths to a porchlight. morning headaches, angry adults damaging drywall and breaking family portraits exhausting search for answers exhausting search in a silence that lengthens the disconnect from child to mother where your mind goes red and the honest truth that stays stuck to the roof of your mouth falls out where you become an overflowing mailbox and your hands shake the absence of parents who never taught you to hold your tongue i have survived hurt. i have survived the specific type of loss that you feel in the pit of your stomach the one that lies next to you when you stare at the ceiling and your face hurts from crying tears scrub your eyelids raw and you promise, "if i ever make it through this, i will never be here again." i have survived giving up, taking it all back, throwing it all away, parallel structures of contemplation and decision i have survived lonely. angry storms of abandonment, melodies of the lonely and the hurt i reprise to the ones that add injury to insult, you are not the worst thing that has ever happened to me. i echo choruses to the people that force me to grow up at sixteen i have destruction embedded into my neurotransmitters i have shooting post-traumatic pain in my memories i have survived a hell that your hands are not stained enough to touch. i assure you, my love, i will survive you as well
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50
Within walls the humdrum echoes footsteps magnify into monsters so do journeys untaken, unplanned. Step by step conquest is mastered in real motion forward mountains climbed distances measured with hard muscle counted in steps -one by one. Nothing impossible to the journeyman No yardsticks to measure success even God is a step closer. Meditate dreams in sequence until nirvana nears at the journeys end and reincarnations materialise step by step. Walking on the wild side lengthens the shadows of darkness until we fail to see the light that will lead us back to the beginning to the first step from where we started. Step by step in rhythm with the heartbeat we all work through life and onwards into eternity. Author Notes Step by Step. ' He who wants to walk the whole world must take his first step' © Marshall Gass. All rights reserved.
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Apr 19, 2014
Apr 19, 2014 at 1:46 AM UTC
Step by Step
As the sound of her footsteps diminish in proportion to her figure her shadow lengthens across the street The horizon eats everything and I am always on the inside from that same hunger I yell, please. / She told me a secret Now I make maps from empty pages and hide my poetry in her I believe in nothing else / In the emptiest hours of evening through an open window to your kitchen stray animals are lured by the scent of flavours they've never tasted and I knock on your door hoping you are not home / In spite of the chemicals and circumstances that we are I kiss the stars and lose my place upon the pages you are writing / I long to be collecting on your tongue like snowflakes like secrets / I see now how after the third try a genie fails to complete what comes naturally in your arms / childhood is a secret we'll remember someday; for the heroes we were, for the monsters we saved / hope everything falls out of your pockets hope you arrive at the gates empty handed hope they can forgive you for arriving empty
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Jul 7, 2014
Jul 7, 2014 at 12:33 PM UTC
Pinch (poems of brevity and everything)
The cordoned off cricket pitch, behind orange tape long, is waiting for the grass to grow for when the summer comes along. The leaves are shedding their autumn gown, upon the grass it lays, and in her winter-time-zipped-up coat a small girl runs and plays. The benches around the park border sit solemn, scuffed and lonely, if only someone would put them back together again before they become broken debris The sky lengthens overhead, a puzzling sight to see, it stretches forth over the horizon line buckling past the old oak trees, and the people walk in straight lines narrow, concentrating on the ground, if only they’d look up not down, they’d see the city’s teeth and not it’s frown
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Nov 4, 2013
Nov 4, 2013 at 12:17 PM UTC
Parker's Piece
the real nature hidden beneath many layers of skin there is truth deeper in those myths many doors to the same corridor met each other quite a lot of times. Many scene changes the travel lengthens along grows like and dislike, dark and white. There are many dimensions the time relative evolution and decline and all the unknowns undefined. There is the pride with the many passions dragging us towards another illusion the mirage stays for the eyes. Existence questioned time blinks away only in grasp of enlightened others effort futile this chance while. Acceptance will keep the peace no appeal, no appease keeping still the background wheel initiating the end of the suffer meditating to get better. The inner light shaded and dim concentrate to ignite again to the right bright remove the leftover dirt all that spins it and revive the lost spirit the one hidden beneath.
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Feb 22, 2018
Feb 22, 2018 at 12:19 PM UTC
Inner journey
There's times that seem to fit and make it all more real. Like the snapping of the plastic seal on that cheap bottle of ***** Just as she slams the door for that final time. Frusciante on the radio and you with a needle in your hand. The seagull who passed and dropped his waste upon your sunset. There's images that swirl inside your head and leave behind deep grooves within your memories Impressions like her sculpted face in candle light. That strung out you in the mirror that even you didn't recognize. There's that love you thought was dead and those addictions you swore you left behind. There's times and ways that seem to fit. And it's what lengthens this life that are like the pages of a calender. One on top of the next to be written over. All to be lived one page at a time
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Jan 21, 2014
Jan 21, 2014 at 12:06 PM UTC
Such a Thing as Time
it is what you most fear, your reoccurring nightmare, the thing you can not grasp, understand, that shorts your brain, that death is the end, there is no after life, no purpose to your existence, no just god sitting on a throne, dispensing justice, punishing the evil, rewarding the good. reality is too hard and harsh, you pray to god, is it true, you are more my creation than i am yours. how do you reconcile the fact that you know so deep down inside is true. you lie to yourself, suppress the fear, repress the thoughts, ignore what you see with you own eyes. the fear rises, the anxiety worsens, the insomnia lengthens, you fall prey to cognitive dissonance. to understand is to forgive, the anger, the irrational behavior. the idea that you are mortal is unbearable, that you will die, your flesh rot, and be forgotten. how any man can make sense of it and live, court, marry, have children, when the world has spun out of control, the three horses are here. the pale horse is coming, it will soon be time to die.
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Sep 12, 2019
Sep 12, 2019 at 2:04 PM UTC
pale horse
Now lunacy kicks its hoof, throwing dust across my heart. The taste of sour gin lengthens out the smart. All the the things I've ever felt entitled to are gone. I've felt deeply about too much, I've felt it all too long. I guess I understand now, if to understand is to think. Where and when and how are still fabulous unformed things. There isn’t much reason to heave these dense veins unobligated and alone. I lay down and let the rain cry for me instead. On my face I can tell it wished it was frozen, cryogenic as it fell so it could be solid, strong, colder. It would never fall again, just melt to a throng of puddles and vanish. I realize now nothing I thought was mine was. Not the spectacular waves receding or the buzz of beer. Not my guitar, its rich sounds, that shooting star that I wished on in the desert August of 2008. Not my first lover or my big brother’s hate. Right now I discover what was mine is here: my veins, my skin, my eyes, my face, my happiness and hurt: small sanities in the rain's lace.
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Jul 4, 2012
Jul 4, 2012 at 7:57 AM UTC
Now lunacy kicks its hoof,
As your hand caresses my face Your skin converts to velvet Every sense has been awakened Every second of time lengthens to hours The warmth of your touch Envelopes this cold heart Wraps it in a tornado of fire Washing over me like a soft summer breeze Resurrecting emotion and lust Vulnerable to every whim Fumbling for words, unable to speak Mesmerized by your gaze Awaiting breathless, for your next move I close my eyes and concentrate On every single touch On every sound of your breathe and mine Anticipation will be my end
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Jan 22, 2013
Jan 22, 2013 at 9:49 PM UTC
Lush
A balcony underneath a blanket of stars, Any other night and it may have been beautiful. Fearing the unknown; not really knowing what it is I fear. Standing at the edge of a precipice- Wondering, waiting for fate’s hands to guide me over the edge, Or to drag me back into my blinded distrust Where soothing words smother uncertainties. Prepare yourself; a thousand questions to which there are no answers, Only a deathly silence, a blank face, unquestionable- There is a fine line between eternal slumber and death, And through the eyes of another I face both. In darkness, time unmercifully lengthens- in sleeplessness, I ask myself over and over and over, But the wind’s whispers are too quiet to hear. So many others relish the relief of the unknown, Alone I stand, able to see through their grimaces. Through self-indulged abandonment have I dug my own grave. I left you in his healing hands; judgment and doubts aside. Each marked stone bears the signature of your remembrance, To all of these days I have walked upon the earth. Convince me, tell me and take me away from this precipice- Back into your awaiting arms. 21.09.2010 Anna Elizabeth Rose ©
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Nov 28, 2010
Nov 28, 2010 at 10:47 AM UTC
You Can't Leave Me- Not Yet.
A car pulls up along the shoreside and a man in a suit and tie slides out to find the sand. The beach has quieted. A few surfers paddle hurriedly out to sea for a last run in the twilight. An older couple stands by the water’s edge. Wisps of the woman’s gray hair flutters above her, caught in the ocean breeze. The lifeguard station sits quiet, the small, whitewashed house perched on reed-like stilts shuttered for the night, though the sand is still warm from the afternoon sun. The man rolls up his pant legs and removes his socks and shoes and places them beside him. He shields his eyes from the splintered sun’s rays as he scans the water clear to the thick black line of the horizon. A young woman, flaxen-haired, a surfboard cupped effortlessly at her side, the bridge of her nose tinctured white, emerges from the waves. Wet-suited, bare-footed, head tilted skyward, she hikes along the sand, her day’s work done. As her shadow lengthens over him, the specter causes him to glance downward. A few grains of sand have clung to the tips of his polished shoes. He decides to leave them.
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Dec 18, 2023
Dec 18, 2023 at 11:17 AM UTC
Sand
A mirror is a perception A trick of the mind Try looking in a mirror and saying "I'm ugly" And surely enough that is what you will see Tainted looks and lost expression My nose is too big I have imperfections, including each and every freckle I am bossed around by worldly views Through the eyes of fashion magazines and top model My thoughts pulse and with each pulse my list of imperfections lengthens I've gained too much weight I didn't need that sandwich I need a hair cut And a possible nose job I turn away from the mirror I look at my hands I feel my waist I feel skinny I feel beautiful So what is with these false perceptions? These standards of beauty, only meant for a super human **** the standards **** the fliers, the model pictures **** societies standards of me Because I don't need them. I've got mine.
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Nov 18, 2010
Nov 18, 2010 at 7:06 PM UTC
Mirrors
In the beginning there was procrastination, and I can't wait to start putting that off. To begin or not to begin that divides us all. Deferring action never increases entropy, and lengthens the life of the universe. Completion happens once, but delay has no limit. I'm not dithering, just exploring all the options. This "beginning" poem has just been hijacked by hesitation, and dragged down the rat hole of reluctance. Oh well, there is always tomorrow. One can always say, my muse took a snooze.
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Feb 20, 2021
Feb 20, 2021 at 10:22 AM UTC
Why Begin