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"interloper" poems
I am a Province, a State, a Municipality, and a Region. I am a Soldier, a Pilot, a Minister, and a Legion; I am a black man, a white man, a brown man, a woman, A French man, American, Canadian, and Roman. I am a rap artist, a singer, a slam poet and guitarist; I dabble in the dark arts accompanied by a Marxist. I'm a barista, a gas man, a secretary, and Tsarina, A King and a Queen and a janitorial cleaner. I am a "lover," a "hater," a "here now" and "there later," I am Luke Skywalker, yet at the same time, Lord Vader. I am a driver, a walker, a rider, a stalker, A conservative liberal and a well-learned straight-talker. I am a salesman and clerk, A criminal and a serf, The proud owner of a weapon that, while it kills, saves the Earth. I am a drinker and smoker, A consumer and broker, A bomb-maker, con-artist, Priest, and interloper. I am a Citizen. Religious and secular, Macrocosmic, molecular, Suit wearing, uncaring, emphatic, irregular, A "packie," a **** a Scrabble fan playing Yahtzee; A Jihadist, sadistic, addicted to Herodotus, History is repeated by the philosopher that thought of us. The eroticist literature towards which we've all lusted; It looks like the bullets machine-gun is busted. Indifferent, ecstatic, illicett, erratic, An infant, a senior, a young man with bad-lip, A black man, a white man, a brown man, a woman, A Jew and a Christian, a Muslim musician, A monarch, elitist, pro-abortion defeatist, An anarchist, Black Panther, and a rich plutocratic; I am a citizen, And as one, I'm elastic.
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Sep 12, 2011
Sep 12, 2011 at 1:35 PM UTC
I am a Citizen.
I am a Province, a State, a Municipality, and a Region. I am a Soldier, a Pilot, a Minister, and a Legion; I am a black man, a white man, a brown man, a woman, A French man, American, Canadian, and Roman. I am a rap artist, a singer, a slam poet and guitarist; I dabble in the dark arts accompanied by a Marxist. I'm a barista, a gas man, a secretary, and Tsarina, A King and a Queen and a janitorial cleaner. I am a "lover," a "hater," a "here now" and "there later," I am Luke Skywalker, yet at the same time, Lord Vader. I am a driver, a walker, a rider, a stalker, A conservative liberal and a well-learned straight-talker. I am a salesman and clerk, A criminal and a serf, The proud owner of a weapon that, while it kills, saves the Earth. I am a drinker and smoker, A consumer and broker, A bomb-maker, con-artist, Priest, and interloper. I am a Citizen. Religious and secular, Macrocosmic, molecular, Suit wearing, uncaring, emphatic, irregular, A "packie," a **** a Scrabble fan playing Yahtzee; A Jihadist, sadistic, addicted to Herodotus, History is repeated by the philosopher that thought of us. The eroticist literature towards which we've all lusted; It looks like the bullets machine-gun is busted. Indifferent, ecstatic, illicett, erratic, An infant, a senior, a young man with bad-lip, A black man, a white man, a brown man, a woman, A Jew and a Christian, a Muslim musician, A monarch, elitist, pro-abortion defeatist, An anarchist, Black Panther, and a rich plutocratic; I am a citizen, And as one, I'm elastic.
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"Here Made of Gone" for  Isabella Stewart Gardner Lyrics By Randy Vera Music By: Randy Vera and Anthony J. Resta   http://bopnique.com/anthony-j-resta-and-randall-vera-finalists-john-lennon LYRICS : Vermeer, Rembrandt, Manet, Degas, from my three thousand year old Chinese KU, I toast you.  Mrs. Jack, I am your Bronze Eagle. I cut the painting at the frame – thieves by any other name. Mrs. Jack with handcuffs and ***** I overcame your walls. Your collection’s complete. Titian's Europa still hangs. The mirror to my: Piece de la resistance. I’m your creme de la creme. I’m the John with the Procures on the wall in Vermeer’s concert. Here, made of gone.  Mrs Jack, I’m your new William James. Through your kindness, you support me, in Dutch Room empty frames. Like John Singer Sargent, I toil between your walls. I am Vermeer’s "corn flower blue," indescribable.  The metaphysical: Known unknown! St Patrick’s Day 1990, I’m in Boston in the Fenway. For my penance, I’ll go to Saint John’s, drop to my knees, and like you, scrub the tiles clean. Titian's Europa still hangs, the mirror to my: piece de La resistance. I’m your creme de la creme. I’m the John with the Procures on the wall in Vermeer’s concert. Here made of gone.  Where language fails that where art triumphs. The interloper between camps of reason and dreams. I’m an event not cognition. Like any event stored in canvas, paper, pen ,or ink. Oh Mrs Jack I so love your "Head Band." I’m also a Redsox fan. I loved the Champagne and donuts, and thank you for the paintings.
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Dec 29, 2013
Dec 29, 2013 at 6:22 AM UTC
"Here Made Of Gone" for Isabella Stewart Gardner, by Randy Vera (BMI) finalist, 2012 John Lennon Award (Jazz Catagory)
"Here Made of Gone" for  Isabella Stewart Gardner Lyrics By Randy Vera Music By: Randy Vera and Anthony J. Resta   http://bopnique.com/anthony-j-resta-and-randall-vera-finalists-john-lennon LYRICS : Vermeer, Rembrandt, Manet, Degas, from my three thousand year old Chinese KU, I toast you.  Mrs. Jack, I am your Bronze Eagle. I cut the painting at the frame – thieves by any other name. Mrs. Jack with handcuffs and ***** I overcame your walls. Your collection’s complete. Titian's Europa still hangs. The mirror to my: Piece de la resistance. I’m your creme de la creme. I’m the John with the Procures on the wall in Vermeer’s concert. Here, made of gone.  Mrs Jack, I’m your new William James. Through your kindness, you support me, in Dutch Room empty frames. Like John Singer Sargent, I toil between your walls. I am Vermeer’s "corn flower blue," indescribable.  The metaphysical: Known unknown! St Patrick’s Day 1990, I’m in Boston in the Fenway. For my penance, I’ll go to Saint John’s, drop to my knees, and like you, scrub the tiles clean. Titian's Europa still hangs, the mirror to my: piece de La resistance. I’m your creme de la creme. I’m the John with the Procures on the wall in Vermeer’s concert. Here made of gone.  Where language fails that where art triumphs. The interloper between camps of reason and dreams. I’m an event not cognition. Like any event stored in canvas, paper, pen ,or ink. Oh Mrs Jack I so love your "Head Band." I’m also a Redsox fan. I loved the Champagne and donuts, and thank you for the paintings.
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18
he had a third beer before the hot platters came     he would have had another, had she not stared, like she going to ask every question he did not want to answer… how did it feel to slap his first wife?     how did it feel to pull the trigger   and mow men down like so many weeds? those were the questions in her eyes   and had he ever told anyone, what happened that night   when they came upon a village, where the young ones slept with the dead, their ancestors only a few feet away, watching, mute, beyond the paddies where they planted the rice, the narrow trails where they hunkered and spoke the ancient tongue, not adulterated by the romance of the French or the clumsy amalgam of shredded sounds from the new soldiers   the giants who ignored them in the steaming light of day but came one night, bringing strange smells, oiled steel muzzles pointed at their faces, shoved into their empty ears grunting and groaning in an even more grotesque tongue   leaving tears and trembling in their wake, the torn flesh, the wounded wombs, the silken vessels   meant to be there for the milky planting of tomorrow’s seeds   not the greedy groping of the interloper’s devilish deeds   was she asking about that night, the sounds he recalled like puppies under heavy foot, or worse, like the madding moaning of his own sister when someone ripped her open   not in the distant killing fields but in the back seat of her car   not two miles from where they sat   where he ordered more beer, and she asked those questions with her silence, with her eyes, the questions he would never answer   not after all the beer, in all the free world, and he was pitifully glad they served no sushi, in Kiki’s, though the sharpened knives were there ready for his confessional and the raw slaughter of truth
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Jul 30, 2013
Jul 30, 2013 at 2:43 AM UTC
sushi at Kiki’s
he had a third beer before the hot platters came     he would have had another, had she not stared, like she going to ask every question he did not want to answer… how did it feel to slap his first wife?     how did it feel to pull the trigger   and mow men down like so many weeds? those were the questions in her eyes   and had he ever told anyone, what happened that night   when they came upon a village, where the young ones slept with the dead, their ancestors only a few feet away, watching, mute, beyond the paddies where they planted the rice, the narrow trails where they hunkered and spoke the ancient tongue, not adulterated by the romance of the French or the clumsy amalgam of shredded sounds from the new soldiers   the giants who ignored them in the steaming light of day but came one night, bringing strange smells, oiled steel muzzles pointed at their faces, shoved into their empty ears grunting and groaning in an even more grotesque tongue   leaving tears and trembling in their wake, the torn flesh, the wounded wombs, the silken vessels   meant to be there for the milky planting of tomorrow’s seeds   not the greedy groping of the interloper’s devilish deeds   was she asking about that night, the sounds he recalled like puppies under heavy foot, or worse, like the madding moaning of his own sister when someone ripped her open   not in the distant killing fields but in the back seat of her car   not two miles from where they sat   where he ordered more beer, and she asked those questions with her silence, with her eyes, the questions he would never answer   not after all the beer, in all the free world, and he was pitifully glad they served no sushi, in Kiki’s, though the sharpened knives were there ready for his confessional and the raw slaughter of truth
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41
risque thoughts inhabit my mind as she steps back and forth across the threshold   nubile twenty something hippy dreadlock girl such a lovely persona   and moist inked beauty of form she shouts my poem in the parking garage at four am the echoes add integrity to it she laughs my girl takes her in our bed and shows her some integrity i would so willfully indulge but i know that such a creature is the kind i could come to love with true deep feeling far too easily and i dare not such misadventure i am so drawn in by her golden patchouli locks her fine line inked breast her laughing gentle eyes i tell my girl this interloper of her treasures must depart in the morning she is unhappy but agrees i sleep on the floor waking to my happy home restored
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Jun 8, 2013
Jun 8, 2013 at 11:32 AM UTC
hippy dreadlock girl
"These days I'll sit on corner stones And count the time in quarter tones to ten, my friend Don't confront me with my failures I had not forgotten them" Jackson Browne <> these days, you can come by tween the mostly soft warming cracking of Dawn, and the early born-ing of the first peek of a full grown but yet sleepy sunrise, you'll find me siting on a asshard dock, two seagulls staring at the human interloper, alone with the threads in my hardened head, beating time in casual rhyme, because that's what poets do, to warm up their tongues & toes, clear their eyes and sniffling nose, their partly opened, party closed, throats, eyes and give up, sacrifice the longest list of little lies, that makes (forces) us to get up  in the undimming earlies, when it's just me, the gulls, & the minnows poking around, the fluke, smarter but not wiser, further out in deep water, waiting to be caught and the cool blood barely flows, until the rising orb warms our fragility, and we review the stories old, that make us cold at night promising ourselves that today you'll do that thing(s) you've been putting off for years, "Don't confront me with my failures" Jackson pleads, but I concede, thinking tell me them one mo' time, make me unrighteous, make me whole, then take me, holy displayed fully, and the first poem of the day, will be my confession total, without reservation and yet muse on honor something I thought I knew, but needing a closer examination it might've been dishonor that was what I was truly knew <> Sunrise July 5 '25 *sitting on the dock by the bay, would I* lay down with a lie?
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Jul 6, 2025
Jul 6, 2025 at 2:52 PM UTC
My "these days"
"These days I'll sit on corner stones And count the time in quarter tones to ten, my friend Don't confront me with my failures I had not forgotten them" Jackson Browne <> these days, you can come by tween the mostly soft warming cracking of Dawn, and the early born-ing of the first peek of a full grown but yet sleepy sunrise, you'll find me siting on a asshard dock, two seagulls staring at the human interloper, alone with the threads in my hardened head, beating time in casual rhyme, because that's what poets do, to warm up their tongues & toes, clear their eyes and sniffling nose, their partly opened, party closed, throats, eyes and give up, sacrifice the longest list of little lies, that makes (forces) us to get up  in the undimming earlies, when it's just me, the gulls, & the minnows poking around, the fluke, smarter but not wiser, further out in deep water, waiting to be caught and the cool blood barely flows, until the rising orb warms our fragility, and we review the stories old, that make us cold at night promising ourselves that today you'll do that thing(s) you've been putting off for years, "Don't confront me with my failures" Jackson pleads, but I concede, thinking tell me them one mo' time, make me unrighteous, make me whole, then take me, holy displayed fully, and the first poem of the day, will be my confession total, without reservation and yet muse on honor something I thought I knew, but needing a closer examination it might've been dishonor that was what I was truly knew <> Sunrise July 5 '25 *sitting on the dock by the bay, would I* lay down with a lie?
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79
There was a place I knelt In the light of chicken feathers, And heard the song of God Pouring from rain frogs in day lilies. There was a bark bench in a wood Underneath an apple-cedar rusted tree That yielded its slimy children to me Whenever I needed entertaining. There was a rabbit that did not run Immediately, but stilled and watched, Nose twitching in apprehension, as if Maybe I was no interloper, no enemy. These things were - And some still are - Though I no longer remember The path to the fallen pine Or the hiding place of the rabbit’s burrow, And the tree has been burned up For many years. There are pangs of hunger in me, Not to hear God in the day lilies (For I am still shaking from the sound), But to find in myself the Absolute wonder that I found Inside a circle of roses.
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Mar 16, 2011
Mar 16, 2011 at 8:47 PM UTC
They Hide in Windchimes Too
The Soul, my eternal interloper Disciple of numerous incarnations And admirer of the disembodied spirit Cast from me, my dear What are you good for? For I truly do not understand your counsel My Albatross in life Shadowy in death I wait for a glimpse of your light How do I draw the curtains to Enlightenment How many more manifestations?
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Aug 10, 2014
Aug 10, 2014 at 7:06 AM UTC
Soul II
A toe-tapper with dapper deities dancing amongst my dreams, whilst whispering the seeds of hidden keys Interloper of the thieves Charmer of the fleas A Powerful peon, seceding from the teams Daring to believe in the sea, swallowing the cities in its grief Dare to achieve the belief of flight and fly away Contemplate and fall in over thought Just do not Stop Doing the undo-able Fate is renewable Outwardly controllable In what you think you see in the deplorable hues from the hopeful news of better days, lead astray in satisfaction to the complaints of saint-less ways I debate creating another other place, and drifting away through space, but hey, maybe its a phase and i'm just late to the show Last to know your nothings Im [Spinning] In place
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Dec 15, 2012
Dec 15, 2012 at 10:03 AM UTC
Spinning
it seems too contrite to think that it is a revelation that life can change in a single instant like the fraction of a second the blink of an eye when the world goes dark and you forget that you can actually see but i get stuck there knocked out of this reality and thrown headlong onto the asphalt that doesn't give way for my crystalline bones and tear-stained face how can this not be real when the pain is inescapable taking up residence in each secret crevice of my war-torn self and i can't run with these compound fractures ivory bone peeking through my crimson stained skin my spilt blood somehow reabsorbing into my pores trying to return home but those cells are outlaws they've been expelled exiled and it feels like they are now more a part of the obsidian ground around me where i've lost myself where no one can reach me i'm behind a mirror hidden in a plume of smoke and my agony my suffering cannot be touched or sublimated into ether where i can die and all the world will note is the lack of my return to the reality of the world around them so concrete they would never imagine the tenuous connection that we share a fishing line that i rely on that i wrap around my fist until it cuts to the bone and i am certain that it cannot be pulled away but i lose it i grasp desperately to pull it back into the wounds where it fits like that's where it was created to inhabit and when i'm empty when i'm not bleeding from self-inflicted gunshot wounds and razor slices that never seem to fall deep enough to remind me that i'm still alive to spread bloodstains and confirm the strange world around me is actually reality and that i am a part of it because most of the time i feel like an interloper an alien species and integration is impossible.
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Jul 22, 2015
Jul 22, 2015 at 1:56 PM UTC
my eyes are open but i can't see
it seems too contrite to think that it is a revelation that life can change in a single instant like the fraction of a second the blink of an eye when the world goes dark and you forget that you can actually see but i get stuck there knocked out of this reality and thrown headlong onto the asphalt that doesn't give way for my crystalline bones and tear-stained face how can this not be real when the pain is inescapable taking up residence in each secret crevice of my war-torn self and i can't run with these compound fractures ivory bone peeking through my crimson stained skin my spilt blood somehow reabsorbing into my pores trying to return home but those cells are outlaws they've been expelled exiled and it feels like they are now more a part of the obsidian ground around me where i've lost myself where no one can reach me i'm behind a mirror hidden in a plume of smoke and my agony my suffering cannot be touched or sublimated into ether where i can die and all the world will note is the lack of my return to the reality of the world around them so concrete they would never imagine the tenuous connection that we share a fishing line that i rely on that i wrap around my fist until it cuts to the bone and i am certain that it cannot be pulled away but i lose it i grasp desperately to pull it back into the wounds where it fits like that's where it was created to inhabit and when i'm empty when i'm not bleeding from self-inflicted gunshot wounds and razor slices that never seem to fall deep enough to remind me that i'm still alive to spread bloodstains and confirm the strange world around me is actually reality and that i am a part of it because most of the time i feel like an interloper an alien species and integration is impossible.
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Aureole...Manna's descent like showering waveforms. Eyes hungering...upturned, cloven in rapture. Mouth slants open in a salivary click-- come the incantations...come the anatomical sway of microcosm. Intergalactic cynosure, pariah, shaman-- mangy interloper teaching wind to dance! Tamer of the subconscious...mender of schism! Anathema to Gaia's Satanic Stewards! To be sought in the House of Aquarius, haunting its foundation that it may uphold. The roads to and fro are as anagrams that alter with the perceiver. It is the second look, of what's cross with what Is...and ever shall be--that gives rise to disorientation...reincarnation. O grant dancer of self-evidence, grant your sundry incantations... yearning for Gaia's heart of hearts.
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Dec 1, 2014
Dec 1, 2014 at 1:21 PM UTC
Pariah, Shaman
I used to eat dinner with his family. I would drive over there, once I had a car, and have a meal prior to going out. I never enjoy eating with another set of parents. Each has their own rituals, habits, structures around which they sit down together. I was an interloper. No one noticed the awkwardness but me, perhaps, but in my eyes it was palpable. His mother didn’t work. She was a mild-mannered woman who cared for her children because she realized that was what one was to do. She was the one who would pick us up from concerts in her Mercedes SUV and take us home before we could drive. Or to the movies. She didn’t mind if it was rated R. She was a hero for that. His father was a businessman. I didn’t know him very well. I shook his hand when we were older because men do that. I don’t think he minded me. His little brother was four years younger. He was my savior at dinner because he didn’t understand the regulations. The slurp of his spaghetti kept the tension light. After the accident I only ate with them once more. It’s hard to associate with people when the mutual interest is gone. Especially with the guilt choking down any conversation starter in my throat. I didn’t speak much that last dinner. I tried very hard not to spill on my suit. I was the interloper still. No one noticed the guilt but me, perhaps, but in my eyes it was palpable. The brother didn’t slurp his spaghetti. The tension choked in my throat and I think I started crying. No one spoke.
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Jul 2, 2014
Jul 2, 2014 at 3:55 PM UTC
Family Dinners
I used to eat dinner with his family. I would drive over there, once I had a car, and have a meal prior to going out. I never enjoy eating with another set of parents. Each has their own rituals, habits, structures around which they sit down together. I was an interloper. No one noticed the awkwardness but me, perhaps, but in my eyes it was palpable. His mother didn’t work. She was a mild-mannered woman who cared for her children because she realized that was what one was to do. She was the one who would pick us up from concerts in her Mercedes SUV and take us home before we could drive. Or to the movies. She didn’t mind if it was rated R. She was a hero for that. His father was a businessman. I didn’t know him very well. I shook his hand when we were older because men do that. I don’t think he minded me. His little brother was four years younger. He was my savior at dinner because he didn’t understand the regulations. The slurp of his spaghetti kept the tension light. After the accident I only ate with them once more. It’s hard to associate with people when the mutual interest is gone. Especially with the guilt choking down any conversation starter in my throat. I didn’t speak much that last dinner. I tried very hard not to spill on my suit. I was the interloper still. No one noticed the guilt but me, perhaps, but in my eyes it was palpable. The brother didn’t slurp his spaghetti. The tension choked in my throat and I think I started crying. No one spoke.
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47
Lucifer just said I'm two-faced; But the reality is I wear many faces Each one a mask Picking a bouquet of oopsie-daises Unabashedly lashing out at you I eviscerate; wielding a scalpel Then I pounce; scalped him, Pelt dangling from my ***** pack **Went Kerouac on ***** *** Surprise, surprise Palpable attack Thumbing tacks into your eyes Lame as a bad sitcom Band-wagon careening off the laugh-track Everybody loves disarray **** Vamoose! Underlying interloper Feel the allusion in high resolution; Little tike on the ***** Anne frankly I'm that Führer fomenting furor Have you lost your marbles? Inaudibly garbling warbled garbage Mauled to death **I **** narwhals** Convoluted revolution I revel in it Elusive illusion Testify, I bring the excellence in electrocution I'm the executioner Putting the fun in funeral Like a neurotic necrotizing narcotic A lobotomy to the temporal I dreamt the demented torment of descent Cascading like a torrential waterfall Ghoulish delight Primeval upheavaler With hopes to elope, many fold Mic bold, but I suspect she's hitting the slopes; Ice cold Evoking emotion but a hopeless show marionette in a stranglehold
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Mar 1, 2014
Mar 1, 2014 at 9:01 AM UTC
✈ ▌▌
Time and Place (To Say Goodbye) You know where I am ensconced, In my nook, in my solar system, By the bay. My love, my life's interloper, Who divided black from everything, My creditor, comes upon me silently, Checking upon her investment, This sneak attack, holy anticipated. The music, unfettered by earbuds, Plays for all who share the moment, But it plays for her, specially. When she arrives, Madame Butterfly Fills the air, before extinguishing life. When entering the Kingdom of My Lapland, Time To Say Goodbye, Con te partirò, Fills the frothy air, that selfsame wind of yesterday, Not just remaining,  but has grown stronger, carryover, And the voices, my poetic entreaties, All, have failed, to calm the blowhard's wrath. No matter. My possessions, few and final, The music, my poetry, the sun bright and my life, my love. Of the moment, I whisper. This, this precise spot, In this worn down chair, Where I gave birth to so many Of my children, Is where I wish to die, When it is time, Con te partirò, Time To Say Goodbye. "But not-today, my love, she orders." In my heart I whisper, Who can say, But I smile and say, *"But not-today, my love, But not-today, my love."* For if it were today, I would not deny it, For if it were today, In the moment of now, Its perfection, accepted. For should to my chair, She, solitary, returns, She will have the music, The sun's companionship, The wet-stain spots where the tears, I weep, at this, of the moment, and, So many love poems, And the comfort, Of this one too, And the perfect lyrics Of this our song-to-be.
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Sep 8, 2013
Sep 8, 2013 at 11:10 AM UTC
Time and Place (To Say Goodbye)
Time and Place (To Say Goodbye) You know where I am ensconced, In my nook, in my solar system, By the bay. My love, my life's interloper, Who divided black from everything, My creditor, comes upon me silently, Checking upon her investment, This sneak attack, holy anticipated. The music, unfettered by earbuds, Plays for all who share the moment, But it plays for her, specially. When she arrives, Madame Butterfly Fills the air, before extinguishing life. When entering the Kingdom of My Lapland, Time To Say Goodbye, Con te partirò, Fills the frothy air, that selfsame wind of yesterday, Not just remaining,  but has grown stronger, carryover, And the voices, my poetic entreaties, All, have failed, to calm the blowhard's wrath. No matter. My possessions, few and final, The music, my poetry, the sun bright and my life, my love. Of the moment, I whisper. This, this precise spot, In this worn down chair, Where I gave birth to so many Of my children, Is where I wish to die, When it is time, Con te partirò, Time To Say Goodbye. "But not-today, my love, she orders." In my heart I whisper, Who can say, But I smile and say, *"But not-today, my love, But not-today, my love."* For if it were today, I would not deny it, For if it were today, In the moment of now, Its perfection, accepted. For should to my chair, She, solitary, returns, She will have the music, The sun's companionship, The wet-stain spots where the tears, I weep, at this, of the moment, and, So many love poems, And the comfort, Of this one too, And the perfect lyrics Of this our song-to-be.
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56
Brown water, rocks and trees, habitat of geese and ducks. Endless ripples blur the water’s surface, and no cloud is mirrored on its face. The season of death robs the color from this vista, while snow paints majestic peaks touching clouded skies. Willows, with fall-rusted leaves stubbornly clinging, sway like hair in the pre-storm winds, and pompous grass banners bend northward shaking in anticipation of winter’s cold touch. Black-headed geese with white chin straps bob peacefully on unsettled waters, or stand one-legged – beaks buried ‘neath their wings in Zen-like balanced repose. Why doesn’t the wind knock them over? A lone green-headed mallard swims amongst the geese muttering to himself and looking for his kind. He seems to know he is an interloper. Finally he spies his clan resting sleepily beneath a spreading pine, and quickly retreats to a more accepting place. A sudden disturbance makes the geese run on water – flapping wildly and finally lifting into the sullen November sky. © 2012 Michael Hunter
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Dec 20, 2012
Dec 20, 2012 at 9:58 PM UTC
Beside a Pond in Fall
An empty street succumbs to one solitary walker, anonymous in his raincoat, listening to his own footsteps, and the camping holiday rain, dripping. Pigeons mutter disapproval at this inconsiderate interloper. His stride shortens, pace quickens, feeling discomfort at his isolation, his cold wet feet spattering through puddles. Grids gurgle, lace curtains tremble. Mute unseen watchers focus on this dark figure at the centre of the taciturn invisible crowd. Guessing his destination and motives - a night worker or burglar up to his tricks - until his key opens number twenty-six. Uncountable stealthy spies retreat and sigh.
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Mar 30, 2016
Mar 30, 2016 at 1:55 PM UTC
Suspicion
I wake in a rage! A poacher has dared step foot in this, my City. It is just not done. The fool. I will....extract....him tonight. Are we that many, that we cannot stay at home? He may be a rogue. If he is, all the better. They tend to put up a fight. I will toy with him. This rogue. This interloper. Give him a small chance. In the end I will **** him of course. I will simply behead him. Not such a hard task. But it is rather grisly. Oh well. Off I go. Now, just what does one wear to a messy beheading? ~Lord Kellington This is the second installment from the Diary of Lord Kellington and my Halloween offering for Oct. 14th
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Oct 18, 2010
Oct 18, 2010 at 6:03 PM UTC
The Diary Of Lord Kellington (2)
Hiking in a musty wood, A path is laid in mulch and fern, Dark and canopied, rung evergreen And deciduously rooted.  My one goal Set to plateau, reach of hilltop meadow, Others had told me, lay a pond in the sky, Was there to experience a peek, where tall Grasses and dry luster of flowers wild, sang In highland clearings of golden lace and tarn, Set with sun to fly and by sharing the long ocean Straights, beyond the wildest, white horned mountains Of the moody pacific and with eyes casted once more of Youth, after sanded sleep and then to steep in wandering Cloud, as eagles, robed in light and gleems of night, drift, Careening wistful and free as running dream or simply roam A foot as the wise, bearded, mountain goats sure and snowy As they ruminate and forage.                                                    At elevated breaking point, Of storied, pristine clearing, a smoking, lone marmot knotted His voice in plead and alarm as I was about to breach, As brigand, the sun clad forbidden, citadel unbidden, Home of pious souls, of cerulean still waters, intact Peace, untrampled sanctuary.  As made, that day, Unwashed interloper, I gazed through threshold Ends of trees and respectfully circled, Reverent in spectacle and joy, Back, down, earthwards.
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Mar 4, 2015
Mar 4, 2015 at 6:48 PM UTC
Narrow Highland Pathway
Ecstatic in the sea breeze, a magnanimous moment of interloper pride ******* the day. Uncoil—my heart, my chin, my unglamorous abstinence enforced by fear. This is no lapse, but fury and fortitude forging me in the crucible of love. Yet again I am up against it— the stage of floating eyes and overcooked feelings pawing at my attention like squids in a pool. Ink and jelly in a room temperature soup swirling and sloshing under the authority of a rented room. By gods, this time I’ll make it work— plant leaves and blunderbusses leaning against teal paint, the sun really is on a fishhook. Stand apart from me then and judge the waters for what they are— a storm too small to surface in a sky too big to swallow. I’m sweating in it and the alarm clock is going off. *bleet    bleet       bleet* Too deep to turn back. Too tired to go on. This is where the end begins, in the middle of it with no ground at all.
0
Sep 3, 2025
Sep 3, 2025 at 7:47 PM UTC
free fall
This is not so much a poem. This is more a revealing of a high that comes from taking the liars down. This is not about reposting ones own work under multiple accounts (I don't understand it and I don't get it but you can't steal from yourself...) This is a story of being able to show ones true character by pointing out that what they write, how they bask in the muted sunlight of another's ignorance to their thievery, just leaves them looking pale! You see me as a troublemaker storming your made up works just trying to influence your friends that your not that kind of girl You see me as an interloper just jealous of your success Little Darlin' I don't care for you except for exposing your lying cheating *** Stop garnering your self esteem upon backs that are already broke Stop making people believe you suffered what you supposedly wrote Honestly! If you are impressed and feel heart whole, then simply, Say thank you, *I feel what you wrote I feel you wrote it for me* Just don't steal their words and let everyone think You're a master poet/ess All you need to do is link...
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Nov 27, 2014
Nov 27, 2014 at 3:41 AM UTC
Staring Down the Barrel (a true plagiarist fear)
rather a third interloper that tears off polite visage and hairspray bun and gentleman's stance to reveal red meat ****** carnage and fierce passion *** is a friend that ruins the - i thought i was going somewhere with this, but all i want at the moment is your hand behind my back your caress of words but i'll take ***
0
Jul 8, 2014
Jul 8, 2014 at 10:50 PM UTC
*** isn't an act
. Hiking in a musty wood, A path is laid in mulch and fern, Dark and canopied, rung evergreen And deciduously rooted.  My one goal Set to plateau, reach of hilltop meadow, Others had told me, lay a pond in the sky, Was there to experience a peek, where tall Grasses and dry luster of flowers wild, sang In highland clearings of golden lace and tarn, Set with sun to fly and by sharing the long ocean Straights, beyond the wildest, white horned mountains Of the moody pacific and with eyes casted once more of Youth, after sanded sleep and then to steep in wandering Cloud, as eagles, robed in light and gleems of night, drift, Careening wistful and free as running dream or simply roam A foot as the wise, bearded, mountain goats sure and snowy As they ruminate and forage.                                                    At elevated breaking point, Of storied, pristine clearing, a smoking, lone marmot knotted                           His voice in plead and alarm as I was about to breach, As brigand, the sun clad forbidden, citadel unbidden, Home of pious souls, of cerulean still waters, intact Peace, untrampled sanctuary.  As made, that day, Unwashed interloper, I gazed through threshold Ends of trees and respectfully circled, Reverent in spectacle and joy, Back, down, earthwards.
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Mar 16, 2015
Mar 16, 2015 at 5:42 PM UTC
Narrow Highland Pathway ( reprise )
the isle is surrounded, one if by day, and too by night, a thickening paste of fog, condensed humidity, and the mind smiles that interloper explorers would sail past by us, unawares, for the waters are merely a dirtier shade of green grey, a "path" to follow and we would be spared the noisy pollution of politics and and injections of identity that divide, the tirades of the overly righteous chest beaters, who never question their certainty, their compasses always broken pointing their "only one way" sail on, sail past. this piece of quiet tranquility, a place that has just one of everything, a sufficiency, a rejection of excess, and the only melancholy is the finality of passing of the day lillies, b u t, the multi-colored irises, the flowering of azaleas, rhododendrons, and the brevity of the cheery cherry blossoms of those; secure, safe we are, assured that their peaceful return is guaranteed by the firmament and its secrets, that, along with the overwhelming greenery of this spot, for the pleasuring enjoyment of all, even the fog's quietude, its surround sounds silences the anxious rapid heart beating, slowed by one thought only: Here, herein is, here within lies the truths of shelter S. I. 2025
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Jun 17, 2025
Jun 17, 2025 at 10:51 AM UTC
a borderline of white
Loquacious and Lascivious, a most distracting combination You’ve driven me, pitch black, headlights off, into twisted metal heaps of distraction And yet, it is not me, at least not me alone There is a sense, from where I know not, that these thoughts I think are not mine own That by some impossibility an interloper has managed to tap in to my frequency And subjugate my better self in favor of foreign imprints, dark and ****** dripping blood that spells my name How is it that you have arrived, or perhaps the better question is how long have you been here How many moons has it been like a spider creeps that my thoughts have not been from myself conceived Claws dug in from where do you perch, fishing with ****** bait until you find the strain that draws me in Infects me wherein I add combustion to your dégagé, and seek out satisfaction dark and base at which point your needle ****** you mainline the light from my veins while I am lost in pull and ****** I really must commend you for such a charade that has been for so long captivating, adding darkness where light would grow But we must now part ways, for I am tired of this game, and have matters of importance that do not include a blooming rose, flush with blood from a thorny bush that you have sewn Adieu, I pray that you find no safe landing inside the gentle mind of your next victim though you have known me more intimately than most I’ve known You know me not at all
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Jul 17, 2017
Jul 17, 2017 at 11:17 PM UTC
You Know Me Not At All
The birthmark rides her set jaw. It is a deep, bruised, purple that starts just below her left eye and runs like a brushstroke, to the right and comes clear across the lower mandible, stopping after her right ear is swallowed by the color of fresh plums. The iPod or smartphone rides in the pocket of her pink sweatshirt. It matters little what songs reside therein; those jams are pure armor. The sun is in her warrior’s eyes, she squints and the muscles in her jaw flex. She’s spotted me, ambling in her direction. We share a brief glance. Immediately, I can see that I’m both a kindred and an interloper. (I start. I stop myself. I say nothing.) She continues with the thousand yards, the long knives, the silver-bullet eyes. I’d lay real money that her DNA is angry. She’s an Incan or an Aztec warrior, and she wears her unwelcome birthright, her birthmark, her war paint, her war pain because she has to. *** - JBClaywell © P&ZPublications; 2017
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Jan 25, 2017
Jan 25, 2017 at 4:56 PM UTC
War Pain(t)
Hard to pin us down, an interloper built for one cause, to disrupt all the visions that we stir around. Rip the motivation from our skins, mix it up in a *** A stew blended with just numbers, throw them in, brains, limbs and all. We're not using the knowledge, so let us pay to devolve. Sinking deeper into the ground from which we came. Once a mystical entity, now a puddle of disgust. Mixing in with the rain, and rust. No longer recognizable, no longer do we posses trust. Inspirations and morals dissipating in the vapor, vanishing into dust. A name not worthy to remember, a story never to be told. An idea we can't fathom, a sinister manipulator we can't tame. A distortion of our dreams, something so vain. Creating an algorithm of words, creating a tale of reason. Leaving something stranded to ponder, while wandering in the chaos, reminiscing in the mind. A creature seasoned, helpless, bitter, old.........out of time
0
May 4, 2014
May 4, 2014 at 2:56 PM UTC
War of the Wages