Summer heat summer sweet
With a wealthy nature, rich pheromones erupt
Birds n tha bees escape the trees
Please don't plant your seeds
But throw the leaves
Up n up
To get down and drop
Where the dirt pops
Ken keseys ashes
Edible umbrellas turn rainy days on their head spinning pupils wide void of discontentment
Fairies fly off clouds and stars fall at day
Impossible, feelings are blown in and out of proportion to fit a screen thats too small
Tough love
Tough life
Slick surface don't let me fall off the boat as it rocks
Swisher wraps over the curves
Got me feelin lucky like a charm
Cheef all day got me smellin dank as a Rastafarian Only stoppin to sip my Captain Morgans moonshine
Till we hit the caribbean
Then Jack's got me headin for tides end
Early
Flush the bile outta your system
And spiral out of controls iron hand
**** responsibility, Apathy rules all.

Paper crane ******* get all superficial but yellow bones make my brain go fuzzy in smokey ***
In n out, fast n slow
Nicotine dominates
My senses are lost at Molly
That ***** finger ****** my life
Made me *** every time
This unhealthy relation in action doesn't phase me yet, I'm too young to think that far
I mean
What do you expect?
A Teens crowded perceptions can be judged like a bums intentions.
Peace my brotha
Dandy danny says theres a way out
-side with the rap culture
Shots of rebellion pour through the cracks we each fill
The glass
Is too cracked to be see-through

West coast vibes kick back lax attitude I carry on my shoulders
Forever green is my state
Wash that **** off your lawn crack *** haters I'll spray paint your ***
Equality's the goal
**** race
**** sexuality
I see soul
Open up
Show me your beat
I'll count bars as we spit elicited slurs drizzled to drops leaving the cops to stop us
Quit
Obeyin the brand

dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into

balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.

out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.

Birds are flyin' south for winter.
Here's the Weird-Bird headin' north,
Wings a-flappin', beak a-chatterin',
Cold head bobbin' back 'n' forth.
He says, "It's not that I like ice
Or freezin' winds and snowy ground.
It's just sometimes it's kind of nice
To be the only bird in town."

Every day
I'd see them headin aff
in that clapped oot old banger.
He'd nivver get it looked at -
thocht it'd run
on positive energy and a kind word.
If that were true
my fower year apprenticeship
and six year in the garage
wouldny be worth ocht, would it?
But would he come tae me?
He would not.

There they'd go -
the exhaust gruntin lik a vexed rhinoceros
an the fan-belt scraichin lik a banshee.
Ah couldae sorted that in unner an hour.

Ah seen him workin on it wance, mind -
thocht he wis fin'ly gonny change thae bald tyres
But naw,
he wis paintin' ****** flooers on the bonnet!

Ah kin see them yet.
Headin up the hill,
weans in the back,
cloods ae black smoke pechin oot the pipe.
Ah couldae fixed it.
Ah couldae telt them.
But ah didnae.

An they nivver made it hame.

He was casually walking one evening in a bustling place called New Orleans in the year of 1845. Nonchalantly strolling down Bourbon Street, a street lined with beautiful homes; graceful verandas; elegant parlors, and... Marie Laveau.

His name was Moine Baptiste. He was a black, French Creole. A man who lived for his music, Quadroon *****, the blues, jazz, and  places where he and Charlie would play their rip-roarin' music in the place called "The Big Easy".

Charlie the sax, was Baptiste’s long, time friend, since he first started playing the 'sax' at the young age of eight.

Moine Baptiste, Plessy Ferguson and all the guys played their Cajun, jazz and blues music at clubs like, 'Antoine’s Bar',  'The Maison Bourbon Jazz Club' and 'The Funky Pirate', all which were popular clubs in the French Quarter on Bourbon Street in New Orleans.

In those days dusky stable hands would lead horses around the stables engaging in desultory conversation that went something like this:
"Hey where y'all goin' from here?" they'd query. "From here we're headin' for the "Big Apple", one would offer in reply.  "You'd better fatten up them skinners or all you'll get from the apple will be the core," was the quick rejoinder.
Resulting in the assigned name, Those Big AppleYears".

Close by on another beautiful, tree lined street was 'Esplanada Avenue'. It was the most elegant street of all in the French Quarter.

Esplanada Avenue claimed fame to a somewhat elusive, secret Bordello called LaBranche House where all the affluent or wealthier men would frequent.

Baptiste was very familiar with LaBranche House. That was where he met all his women and spent most of his money.  

The French and Creole children casually roamed the town, sometimes walking down by the graveyard near Bayou Street. They had been told many a time to steer clear of Bourbon Street, a street with a sordid reputation of burlesque clubs, all night parties and…Marie Laveau, the Voodoo Queen of   New Orleans!  

When Baptiste was taking his walks he'd always watch out the corner of his eye. Something he learned to do when strolling along the sidewalks in New Orleans and in particular Bourbon and Bayou Streets in Congo Square. You see he’d had a few encounters with Marie Laveau.

Oh he had a great deal of respect for Marie Laveau... along with a healthy amount of fear.

This Creole woman, often used her Voodoo  to manipulate, acquire power and upon occasion bless those she liked with good luck and prosperity. She  was also quite adept in conjuring up her many powers in matters of the heart.

Her hair was long and black. She was both feared and respected. Ms Laveau had olive colored, Creole skin. Her black, piercing eyes were sharp as a razor’s edge. Almost magnetic, if she stared at you for very long.

Baptiste had called upon the Voodoo Queen a few years back when he was down on his luck..... and down on his luck with women.

It was almost to the point, that he’d all but given up on the possibity of being happy and contented.

Baptiste was a man with a robust charisma of Creole and French charm. Yet he had an air of reserve and dignity, with a bit of naughty that shone brightly in his chocolate, brown eyes. He was remarkably handsome with dark brown, wavy hair; a well chiseled bone structure in his cream colored face, full lips and a well toned body.

His main problem was, he liked too many women. Too many all at the same time. He spent too much of his money on his women which left him broke,  lonely and dissatisfied.

One night while strolling down Bourbon Street he happened upon Marie Laveau. He’d just finished playing a ‘gig’, with his old, friend Charlie his beloved sax and a few of the guys. Baptiste was feeling a bit light headed and a tad drunk from the ***** that flowed and poured so freely in that part of town called The Big Easy. It was a part of New Orleans steeped in history, lore and many mysterious legends.  Baptiste was feeling slightly tipsy from all the Whiskey he'd drank.

When Baptiste saw Marie Laveau walking towards him down on Bayou Street, he boldly said:

     "Well, Ms. Laveau”,  said he as she walked on by
      She looked piercingly at Baptiste, stared straight at him right through to his eyes.
      She was the famous Queen of mysterious curses
      She carried potions and spells in her bags and purses
      She was a famous legend in New Orleans where all the black trees grow

      This Black, Creole Lady lived in the dark, murky swamps all alone
      She carried black cat’s teeth and eerie Mojo bones
      She had three legged dogs and one eyed snakes
      A mean tempered hound she called  Big Bad Jake    

      He said, “Ms. Laveau you Voodoo Witch
      Please cast your spells and make me rich”!
      Marie started mumbling and shook her magic stones

      Why it scared Ole’ Baptiste right down to his skinny ole' bones!
      She cast aVoodoo Spell and spoke some eerie incantations
      Promised him wealth, true love and a big plantation!
      There’s many a story told of men she’d charmed
      But Ole’ Baptiste, he wasn’t too alarmed

      They strolled through the graveyard down on Bayou Street
      Where all Marie's ghouls and ghosts and spirits meet
      There lived a big, black crow where she held her ritual scenes
      She spoke powerful Voodoo words and cast her magic in between
      She held Baptiste’s hands tightly in her large, black hands
      She promised him love and riches and lots of land
      From that day forward Baptiste had more than his share of luck
      He had the love of a beautiful woman and lots of bucks


      But Baptiste always remembered that piercing look in Ms. Laveau’s stare
      An admonishing, cautionary warning they always shared
      If you ever walk the streets in New Orleans....
                                   Beware....
      You just might meet up with Marie Laveau... "The Bayou Voodoo Queen"
__________________­_________
"Marie Laveau (September 10, 1794 – June 16, 1881[1]) was a Louisiana Creole practitioner of Voodoo renowned in New Orleans. She was born free in New Orleans.
Marie Laveau a legend of Voodoo down on the Bayou. This well known story of this
Voodoo Queen who made her fortune selling her potions and interpreting dreams...
all down in a place called New Orleans!

the allan family story, HAPPY NEW YEAR



brian allan was getting bored with what his family was doing on nye

so he went to his room and played a nye show and each song was cool

the first song was poison’s nothing but a good Now Listen
Not a dime, I can't pay my rent
I can barely make it through the week
Saturday night I'd like to make my girl
But right now I can't make ends meet

I'm always workin' slavin' every day
Gotta get a break from that same old same old
I need a chance just to get away
If you could hear me think this is what I'd say

[Chorus]
Don't need nothin' but a good time
How can I resist
Ain't lookin' for nothin' but a good time
And it don't get better than this

They say I spend my money on women and wine
But I couldn't tell you where I spent last night
I'm really sorry about the shape I'm in
I just like my fun every now and then

I'm always workin' slavin' every day
Gotta get a break from that same old same old
I need a chance just to get away
If you could hear me think this is what I'd say

[Chorus]

You see I raise a toast to all of us
Who are breakin' our backs every day
If wantin' the good life is such a crime
Lord, then put me away
Here's to ya

[Chorus: x3]

and brian allan who was being told by his dad and mum to quieten down decided to play

a kylie minogue song, got to be certain
"Got To Be Certain"

[1a:]
You keep on asking me
Why can't we be together
I keep saying won't you wait a while
What's all the hurry
I thought we had forever
I just need time 'til I can make up my mind

[1b:]
I'm not asking for
A love to last forever
I don't expect to get a guarantee
It's just that I believe
Lovers should stick together
I'm only saying
Won't you wait for me

[CHORUS:]
I've got to be
Got to be certain
I've got to be so sure
I've had my share of hearts broken
And I don't wanna take that any more

[2a:]
I've got some friends who say
Boys are all the same
They're only looking out for just one thing
I'm only hoping that
You won't turn out like that
I need some time 'til I can make up my mind

[2b:]
Been hurt in love before
But I still come back for more
I was such a fool
I couldn't stop myself
If you believe in me
If you want our love to be
I know you'll wait for me, oh, oh, oh, oh

[CHORUS:]

[BRIDGE:]
Oh, oh, oh, oh
Oh, oh, oh, oh

[1b:]

[CHORUS:]
[repeat & fade]

you see brian allan was really having a ball but still he couldn’t control his loud voice

but brian allan said, he really wants to celebrate nye this day so he went to the allan’s fridge

and got a can of coke and sang this song


Another Saturday night
By: Jimmy Buffett

Another Saturday night and I ain't got nobody
I've got some money cause I just got paid
How I wish I had someone to talk to
I'm in an awful way

I got in town a month ago
I've seen a lot of girls since then
If I could meet 'em I could get 'em
But as yet I haven't met 'em
That's why I'm in the shape I'm in

Oh, another Saturday night and I ain't got nobody
I've got some money cause I just got paid
How I wish I had someone to talk to
I'm in an awful way

Now another fella told me
He had a sister who looked just fine
Instead of being my deliverance
She had a strange resemblance
To a cat name Frankenstein

Oh, another Saturday night and I ain't got nobody
I've got some money cause I just got paid
How I wish I had some chick to talk to
I'm in an awful way

Yeah, another Saturday night and I ain't got nobody
I've got some money cause I just got paid
How I wish I had someone to talk to
I'm in an awful way

It's ******* a fella
When he don't know his way around
If I don't find me a honey
To help me spend this money
I'm headin' back to key west town

Oh, another Saturday night and I ain't got nobody
I've got some money cause I just got paid
How I wish I had someone to talk to
I'm in an awful way

Just another Saturday night and I ain't got nobody
I've got some money cause I just got paid
How I wish I had some chick to talk to
I'm in an awful way

It's awful, all dressed up and no place to go, no one to help me spend
My flow, another Saturday night, get me the pizza man.
Songwriters: COOKE, SAM
Another Saturday Night lyrics © Abkco Music, Inc.




and then brian allan said, i want to be convicted of love in the first degree and i will open this can of coke and party all over his bedroom and make
mr and mrs allan say stop playing this loud music brian

"Love In The First Degree"

Last night I was dreaming
I was locked in a prison cell
When I woke up I was screaming
Calling out your name (whoa)

And the judge and the jury
They all put the blame on me (the blame on me)
They wanna tell from my story
They want to hear my plea

Only you can set me free
'Cause I'm guilty (guilty)
Guilty as a girl can be
Come on baby, can't you see
I stand accused
Of love in the first degree

(Guilty) Of love in the first degree

Someday I'm believing
You will come to my rescue
Unchain my heart, you'll keep him
Let me start a new (you)

The hours passed so slowly
Since they've thrown away the key (away the key)
Can't you see that I'm lonely
Won't you help me please

Only you can set me free
'Cause I'm guilty (guilty)
Guilty as a girl can be
Come on baby, can't you see
I stand accused
Of love in the first degree

(Guilty) Of Love in the first degree

(Guilty)
Of Love

(Guilty)
Of Love in

(Guilty) Of Love

(Guilty) Of Love in

(Guilty)
Of love in the first degree

And the judge and the jury
They all put the blame on me
They wanna tell from my story
They wanna hear my plea

Only you can set me free
'Cause I'm guilty (Guilty)
As a girl can be
Come on baby, can't you see
I stand accused
Of love in the first degree


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and then brian allan looked at his clock radio and saw the time was 11:45 and brian

allan played the air guitar really loudly to run to paradise



Baby, you were always gonna be the one
You only ever did it just for fun
But you run to paradise
Jenny, I'll meet you at the grocery store
You don't need a friend when you can score
You run to paradise

Johnny, we were always best of friends
Stick together and defend
But you run to paradise
And mamma, now don't you worry 'bout me anymore
And I see you crying at the door
When I run to paradise

That's right, they had it all worked out
You were young and blonde
And you could never do wrong
That's right, they were so surprised
You opened their eyes up
(Opened their eyes up)
Opened their eyes up

[Chorus]
You don't want anyone
(You don't, you don't, open your eyes up)
You don't want anyone
(You don't, you're no fool)
Don't tell me, this is paradise
(Open your eyes up)
You don't want anyone
(You don't, open your eyes up)
You don't want anyone
(You don't, you're no fool)
Don't tell me, this is paradise

Good times, why'd I let 'em slip away
Why'd I let them slip away
'Cause I lived in paradise
Run to paradise
Run to paradise
Run to paradise

Jesus says it's gonna be alright
He's gonna pat my back
So I can walk in the light (that's right)
You don't mind if I abuse myself
So I can hold my head up
(Hold my head up)
Hold my head up

[Chorus]

You don't want anyone
(You don't, hold my head up)
You don't want anyone
(You don't, you're no fool)
Don't tell me, this is paradise
(Open your eyes up)
You don't need anyone
(Open your eyes up)
You don't need anyone
You'll tell me, this is paradise

[Chorus x2]
brian allan then was counting down to midnight and sang auld lent zine and his parents came in and opened the door and
said HAPPY NEW YEAR

all of
America’s
gubmint hatin
yahoos, pining
to get their
country back,
should grab
yer rifles, stock
up on ammo
and giddy up
down  to Texas
to join the
secessionists
headin out
of the Union

Rick Perry
promises to
keep his promise
to close all the
gubmint departments
he can't remember
the names of

Ron Paul will
finally be liberated
from the tyranny
of his federal
paycheck and
can return to
his district to
practice medicine
unencumbered
by the acceptance
of medicare
payments

Ted Cruz will
move to coronate
his Cuban born
daddy as Viceroy
for life of the
western hemispheres
newest banana
republic

the last act of
of the Compartment
of Education will be
to turn every
public school
into a Holy Ghostin
Jehovah meetin
house

Judicial magistrates
will criminalize
poor people
or just make
them slaves
and all prisons
will be turned
into profit driven
plantations,
overseen by
the local
Sheriffs who
will be paid
time and a
half and 15%
of all profits

unfortunately
the Cowboy’s
will lose it’s
moniker as
America’s Team
if rattlesnake
booted
Jerry Jones
can’t make a
deal to turn
his stadium
into a sovereign
independent
territory as a
protectorate
of the USA

To assure
national purity
Texans will
build a Jericho
style wall to
define the boundaries
of their heavenly
kingdom and outlaw
all trumpet playing
within earshot
of their perturbed
borders

The Eyes of
Texas as the
state anthem
will need to
be reworded
The final stanza
will be changed
to "Until Gabriel
blows his nose"

keepin the ungodly
out and the chosen
people safely
insulated within
the shining
Lone Star State
will rise again
as a solitary
confederacy
of dunces

Music Selection:
The Eyes of Texas

Oakland
11/18/13
jbm

This air is turnin’ thin,
Black clouds are rollin’ in,
Blendin’ from day to night,
Yet sun an’ moon in sight,
Cold winds pick up their pace,
Their howls consume this place,
The stars creep to the sky,
They’re lookin’ through all time,
The powers come aligned.
The prowess of his kind.

The presence now of something black,
That stalks and prowls but wont attack,
With the mighty claps of thunderous blows,
The skies split fast and monsoons flow,
With such a force I watch it bounce,
And feel a waiting for the pounce.

A flash, A lightning fawke,
Here at last. The soul reborn.

It comes to land, upon the roofs,
It comes as man. It comes like you,
An empty street. An’ there he stands,
Head fixed on feet, and eyes on hands,

As though turned off,
The weather stops,
And all is still,
It is his will….

The restaurant doors had long been closed, the staff had all now gone,
Just shiny floors and chairs in rows and napkins shaped like swans.
The shadow steps out of the dark and takes itself a seat,
The shadow sees a blindin' spark – the foes begin their meet.
And so they sit now face to face with minds to cut their chords,
And so they sit to score the age, The Devil and The Lord.

The figure that was made of light spoke first, and it spoke well,
He told the one that spoiled his sight how it deserved its Hell.
But then expressed with fallin' tears a heart too far from whole,
As he confessed that recent years bore less and less good souls.
The Devil smirked and leaned in close and said in quiet craze,
'My plans are working, every ghost will wind up in my chains'.
He cursed The Lord and slammed his fist and hissed that he was king,
“You lead an’ love and want an’ wish, but I don’t miss a thing.
Our infants and their ignorance are headin’ far from home…
They welcome all the wisdom I embedded in their bones.
That they needn’t serve in Heaven and they needed make a grade,
When they can come an’ work forever in the sanctuary I’ve made”

In rage The Lord jumped up with this and told a separate truth,
The page that you have seemed to miss is that which lets them choose,
Upon a death, if they should care, they’ll find the waiting sun,
'You're not a speck and never were and soon you'll be undone'

I’ve strung the poisoned arrow, and its flight has proved enough,
I call the son a shadow and I call the fathers bluff.
The seed that I have sown brings forth a forest of unrest,
That needs a single road but reaps a warren at its best,
The little ones not fallen – yet not lofty in their lures,
Forsaken in their garden – at a loss for wanting more,

They’ve all but torn it all apart, but burned the fruits they see
The creatures nearest to his heart - apples furthest from the tree.

These infants know not of your skill -, a boast so long obscured,
Your impotence has brought their will far closer to my cause.
To strike the throne not where it sits but on its founding stone,
I’ll overthrow - but not take risk and fall again alone,
I’ll creep my way into the midst – like the fumes he made me breathe,
And reap that day so long eclipsed – when swooms bow down at me.
To pull the threads from all you’ve weaved – that fabric taking form,
Annul the ‘best’ and all his seed go scattered to the storm.
To tear the pages one by one – each letter from each word,
Undo the age in which you shone and better make the world.

How will he fall, and you so with? How will my plan come made?
You’ve heard that calling in the rifts – the call from but a babe,
That tiny voice to chime the start and usher in the act,
The vary last in our great art – the act where villains pass.
The baby’s blood’s of neither cloth. The soldier stood alone.
In no-mans land, with no-mans cause. Abolish and atone.
The baby’s blood’s of neither cause, compelled to bridge both poles,
Meet all my good with all your flaw – your Hell amidst my home.

Each beat of blood to soar and shake the pillars of his house,
Each beat of blood so keenly traced to the will that I give out.
The baby born to end the wait – pass form into the ghost,
We each have spawned and each create - that baby born of both.

If age makes wise – then you’re aside. I tame you but with this:
You’re of the line that knows of time the way it really is…
And yet you talk of victories and valor ‘gainst the life…
That lets you breathe, and lets you scheme and shout what you devise.
Make no mistake the blood in me’s the blood that boils in you,
And all these creatures you have deemed accustomed to your cues.
It flows right from the very veins that shaped you as a son,
Though I don’t know his ending game, I know how it begun:
As all above and all below, and all we cannot see,
As all to come and all we’ve known – and all we find so free.
It comes as soul, an’ sight an’ sound, the depths of which elude…
The contempting cold that daily drown the fermenting of your feud.
It’s in the airs an’ in the soils an’ in the blinding suns,
It forms and fares and thrives an’ toils – in all of times triumphs.
It’s in our bliss, an’ in the blackness of your ravaged wastes,
It’s in that pit that beats, attacks and pounds you out of grace.
It’s all the minds of all mortals, an’ all the brains of beast,
And all those kinds that shuffle off the coils into me.

It’s all the fathers very form – along with that which walks,
It’s all the fathers very tongue – along with that which talks.
It’s all the makings of the man who sculpted shine and sin,
And still he takes you by the hand – indulges every whim.
Yet in the furnaces of pride you poise to make your place,
Your savagery one of a kind – your aim one of a wave.
And in the recess of your eye still I see his fallen son,
Who only wants to tell the skies that he can stand as one.
A sentiment so many like – ‘til sense sees it un-form,
A base intent so true and tried, but pales to better thought.
A noble note in a crazy chord – a plan that can’t prevail,
An honest hope so poorly formed you forewent seeing it fail.
And now this face you try to save – this front you fear to shed,
With all your age you’ve still no claim to the living or the dead.

Bar a myriad of martyrs made of mayhem gone a’mock,
And you show them as though starters of the safety in your flock,

Each drone diseased and misinformed – too blind and lame to know,
Though they don’t believe in he above – they still find his face below.
Though I can’t predict his plans I now the pieces that you play,
None that made it as a man and all too keenly sail astray.
But they still gather to his seed, aspire to confide in you,
They’re still climbing down his tree – and they will find his face on you.

I hear your words an’ watch your ways – as silk with poisoned spore,
I’ll win the Earth an’ win the day an’ win your masters court.
Who turned their gaze an’ turned their backs on the brother they’d see burn,
You speak of graze and noble acts - but I wonder where they were…
When that ‘mighty’ hand and his ‘precious’ plan had me torn from all I’d known,
To a barren land and desolate sound – and an endless fall alone,
When his regal rite cast away from sight but the brother they’d desert,
Who’s but of a mind to reveal such might’s in another of more worth.
Did a single soul rally ‘round their own? Did they simply stop and see...
That the full control they’d all let him hold needn’t be beyond our reach?
We’ve the right of birth to take bite of Earth – if we’ll only rile the will,
Why invite his curse and delight his purse, when I still live to make the ****?

My pity then for he that seeks to bite the hand that feeds,
My pity still for he that dreams some hope in crossing seas…
That crippled masses past your means before you took a breath,
An ancient class far more a fiend, an’ more a worthy threat…
Than anything you’ve ever been, an’ anything you could,
Those of a Kingdom we’ve not seen – those of a purer blood.
Those of a height I’m yet to know, beyond the place I’ve made,
Those with a sight I cannot show – and of a grace I crave.

Who understand the union of that father on the throne,
One hand to do the provin’ while hand keeps more unknown.
One hand to bring the fearsome and one hand to bring the tame,
One hand to do the healin’ and one hand to cause the pain,
One eye to see us sufferin’ and one eye to see survive,
One eye to see us love and yet an eye to see us die,
One mind to watch us fight but then a mind to see unite,
One mind to show the light and yet a mind to see it hide.

If all your words have any weight – I’m as clean as all your clan,
But I live in an arid waste with but dead men at hand,
If all you talk has any truth then I’d know love as well,
But while you walk on formin’ fruit - I get the ragged Hell,
So where’s this side to spare a son? Where is this sense to save?
Eons are done – a new one comes. I’m sentenced, or a slave.
His bleeding heart but goes so far, I’ll have my fate fulfilled,
His two great halves’ll shake an’ scar before I slay an’ still,
I’d sooner make my mark and make my mound into a hill…
Then mountainous scar right through the stars, than bow down to his will!

And still you see in black and white, in terms of some great tier,
Still haven’t heard a thing tonight – and still can’t lend an ear.
You ask why you’re left set aside, alone behind the veil,
You’re left to show the path arrai – a cautionary tale.
A marker for the men who seek a stature ‘bove all else,
And harbor then the weakness that sees strength a match for sense.
You’re there to sit where others wont. You’re there to play the fool.
You’re there to pitch your endless gloats – and fight the futile duel.
Somehow ‘under’ those in cradles, somehow ‘under’ those in graves,
But your number would be endless if you’d only join the game.

A misery all eyes can find. The maddest tale we share.
We watch you hate – and hate so blind – in sadness ‘cause we care,
But every day’s a way back home. A joke that you don’t get.
Just turn away, keep turnin’ clod, ‘til choked in your regret.
The picture - brother’s - such a scale your but a passing piece,
All us of life and later are but just a flashing leaf.
As somewhere else his other seeds stride knowing not of us…
Of angels blessed or saints revered or man or beast or brush.
And then again there’s others still, and more and more alike,
Past divine deaths, or life an’ limb – and all of such designs.

But here you sit, here one who sees time as it really is,
So I’ll let you sit an’ I’ll take my leave – still un-wavered in my wish,
That one time we meet you’ll walk with me, and leave your lonely night,
And we’ll put to sleep your darkened dreams and put our picture right.

Then the man of light moved to the door, an’ faded through the glass…
‘Til vanishing into the night. The meet had come to pass.
And all was still, it was his will. His foe sat lost in thought,
To unfulfil, to make his hill, to fashion up his Fort.

With a sodden frown – the forgotten found – the shadow left his seat,
As unhallowed ground came with hollow howls, he stepped back into the bleak.
The restaurant paused – so long since closed. And traffic moved beyond,
Past shiny floor and chairs in rows and napkins shaped like swans.

Shoppin wiv Albert.



I met my uncle Albert,
down at Asda, in aisle three;
he got there in a Mazda,
jus' a smidgen after me,
said he'd traversed Sainsburys,
Tesco Liddle n the Spar,
but not one o' them flogged Caviar
Truffles or Foie gras.


He sidled past the pork pies
streaky bacon turkey thighs
a headin for the french fries
n forsaken knock down buys,
shimmied 'round the ankle biters;
expectant mums to be,
popin pills for bloated ills
in the haberdashery.

sitting on the porch just waiting to see one more glimpse of you
I should've known then I was a fool to believe
you'd ever want me too
this silly girl gave in to her heart
I should've listened to my head and now I'm left here alone
just thinking about everything my daddy said cause you're a heartbreaker
a soul taker
no one [will] hold you down
so take what you want and then take all the rest 'cause this girl is headin' out of town
a summer sun was beatin' down the day your eyes met mine
I was mesmerised by the smile on your lips
didn't know how sweet they could laugh
every touch
every moment in time
you caused every sigh and now left here alone thinking I should have seen
I should've seen you'd make me cry cause you're a heartbreaker
a soul taker
no one will hold you down
so take what you want and then take all the rest 'cause this girl is headin' out of town
one day I know I'll be moving on but I fear you'll always be right there holdin' a piece of my heart that will never belong to me and I'll live my life on reasons to smile
so everyone will always think that you didn't shake me and totally break me
they'll never know
I'll never be free cause you're a heartbreaker
a soul taker
no one [will] hold you down
so take what you want and then take all the rest 'cause this girl is gettin' away from you heartbreaker
you soul taker
I'll never be the same you took what you want and I gave it away and now I'm left here standing in the rain

I was takin' a trip out to LA
Toolin' along in my Chevrolet
Tokin' on a number and diggin' on the radio
Jes' as I cross the Mississippi line
I heard that highway start to whine
And I knew that left rear tire was about to go
Well the spare was flat and I got uptight
'Cause there wasn't a fillin' station in sight
So I jes' limped down the shoulder on the rim
I went as far as I could and when I stopped the car
It was right in front of this little bar
A kind of a redneck lookin' joint called the Dew Drop Inn
Well I stuffed my hair up under my hat
And told the bartender that I had a flat
And would he be kind enough to give me change for a one
There was one thing I was sure proud to see
There wasn't a soul in the place 'cept for him an' me
And he just looked disgusted an' pointed toward the telephone
I called up the station down the road a ways
And he said he wasn't very busy t'day
And he could have somebody there in jest 'bout ten minutes or so
He said now you jes' stay right where yer at and I didn't bother
Tellin' the durn fool
I sure as hell didn't have anyplace else to go
I just ordered up a beer and sat down at the bar
When some guy walked in an' said who owns this car
With the peace sign the mag wheels and four on the floor
Well he looked at me and I **** near died
And I decided that I'd jus wait outside
So I layed a dollar on the bar and headed for the door
Jes' when I thought I'd get outta there with my skin
These five big dude come strollin' in
With this one old drunk chick and some fella with green teeth
An' I was almost to the door when the biggest one
Said you tip your hat to this lady son
An' when I did all that hair fell out from underneath
Now the last thing I wanted was to get into a fight
In Jackson Mississippi on a Saturday night
'Specially when there was three of them and only one of me
Well they all started laughin' and I felt kinda sick
And I knew I'd better think of somethin' pretty quick
So I jes' reached out an' kicked ol' green-teeth right in the knee
He let out a yell that'd curl your hair
But before he could move I grabbed me a chair
And said watch him folks 'cause he's a thouroughly dangerous man
Well you may not know it but this man's a spy
He's an undercover agent for the FBI
And he's been sent down here to infiltrate the Ku Klux ****
He was still bent over holdin' on to his knee
But everyone else was lookin' and listenin' to me
And I layed it on thicker and heavier as I went
I said would you beleive this man has gone as far
As tearin' Wallace stickers off the bumpers of cars
And he voted for George McGoveren for president
Well he's a friend of them long-haired hippie type ***** ****
I betcha he's even got a ****** flag
Tacked up on the wall inside of his garage
He's a snake in the grass I tell ya guys
He may look dumb but that's jus a disguise
He's a mastermind in the ways of espionage
They all started lookin' real suspicious at him
And he jumped up an' said jes' wait a minute Jim
You know he's lyin' I've been livin' here all of my life
I'm a faithfull follower of Brother John Burch
And I belong to the Antioch Baptist Church
And I ain't even got a garage you can call home and ask my wife
Then he started sayin' somethin' 'bout the way I was dressed
But I didn't wait around to hear the rest
I was too busy movin' and hopin' I didn't run outta luck
And when I hit the ground I was makin' tracks
And they were jes' takin' my car down off the jacks
So I threw the man a twenty an' jumped in an' fired that mother up
Mario Andretti woulda sure been proud
Of the way I was movin' when I passed that crowd
Comin' out the door and headin' toward me in a trot
An' I guess I shoulda gone ahead an' run
But somehow I couldn't resist the fun
Of chasin' them jes' once around the parkin' lot
Well they're headin' for their car but I hit the gas
And spun around and headed them off at the pass
Well I was slingin' gravel and puttin' a ton of dust in the air
Well I had them all out there steppin' an' a fetchin'
Like their heads were on fire and their ***** was catchin'
But I figured I oughta go ahead an split before the cops got there
When I hit the road I was really wheelin'
Had gravel flyin' and rubber squeelin'
An' I didn't slow down 'til I was almost to Arkansas
I think I'm gonna re-route my trip
I wonder if anybody'd think I'd flipped
If I went to LA via Omaha!

Gag gag and gargle
Draggin’ through the muck of
That place you said you’d never go back to
Screamin’ like a devil in the dark

The bump and grind of his *****
Bump and grind
Got you buckin’ backwards like a
Bulldog
But we both know you should’a’ never brought a dog
To a gun fight

Too late for tears darlin’
Bite lipped quivers never saved a soul
Can hear the fear in the breaks for sobs

The door to his apartment never beckoned
But you broke down the doors
Like you had something to prove
Bent you bilaterally like
The corner you backed yourself into

So perfect in your symmetry
Till you left me for him
Now you got the heart-sag
Jaw dropped
Dope fiend look

Tearing up at the sky
And the flowers
White powder pluggin up your nose holes
Can’t smell the **** on your knees now
Or the muck you got stuck in

You said I wasn’t as fun as he was
As he is
I never wanted to save you anyway
I just thought it was beautiful
The way you praised me for the things I say
And the way I say ‘em

Ya know
I got blasted backwards
By the backlash of you leaving
Kicked up so much dust in the rubble
And left me dizzy with the rumble
Of your feet fleeing the song of some ***** stomp
Headin’
Farther and farther away from safety

At least I was safe
I wasn’t bitter
Even my bite was gentle
Kind enough to remind you I still got teeth
But I won’t use ‘em

So before you leave me
Again
Take the burden
The baggage
The weight of my shoulders
The wait for the phone call sayin’ you finally
****** up and died on me
The mix tapes
The t-shirts
The memories of every moment my heart kept sayin’
“She won’t stay
But hold her for as long as she’ll let you”

Take it all
And go

I was 'bout a haf mile down Shadow Holler, lookin' for my dog Jack.  I rounded the bend long the river and thar he sat just lookin' up at the moon that was back dropped behind him.  I was so entranced I stood stockstill in the chill evening air.  He raised his head and let out with that beautiful soulful baying only a huntin' dog can make.
Then he took off tearing through the woods like his tail was on fire.

Well, I commenced chasin' ol' Jack down, but I swear evra tree in that holler was out to get me.
My clothes, they was ripped up and my feet were on fire from being torn by briars and such.
I finally, upped and caught up to Jack.  He was pacing the bottom of a Sycamore that was glowing white in the moonlight.  I heard some cacklin' up in that tree and I looked up to see a sight that I nev'r saw afore.  They was a **** up in there just grinnin' down at Jack like he was playing with him.  Now Jack was in a right tizzy over that ****.  He leaped up the side of the tree as high as he could, barking treed as though his life depended on it.  That **** was doing a bit of glowing in the moonlight itself.  I'd never seen a Cinnamon colored **** before, but thar 'e was, bigger 'an life.  And while it was grinnin' it was busy collecting some twigs.  Next thing ya know it was chattering to beat the band and throwin' sticks at ol' Jack.  Well, I can tell you, Jack didn't appreciate the humor in this sitcheation.  He backed up and made a leap so high I thought shore he was gonna take flight, but he got nothin' for his trouble but a whack in the head as he collided with a big ol' twig thrown by that ****.  

Thinkin' that Jack had had about enuf I tried coaxing him home, but he was havin' nothing to do with it.  So, I told Jack I was heading home and he could come if he had a mind to, but I wasn't staying out in the woods all night while he made an *** of himself over a **** that was makin' fun of him.  I started off and then heard a loud yelp.  All of a sudden Jack came blastin' past me, and not far behind was that old Cinnamon **** giving it all he was worth.  Well, as he was headin' towards home I followed along.  Just at the mouth of Shadow Holler, and not to fer from home I found ol' Jack.  He was up a low slung tree whimperin' like a puppy.  That **** was pacing the trunk, back ****** up, teeth bared and laughin' out the side of its mouth.  As I walked up on this pathetic scene, ol' Jack took one look at me and started crying fer help.  Well, I took pity on the poor fella and walked up on that **** with a right big stick.  And right afore my eyes it just faded into nothin'.  Scared the bejeebers outta me!

Took me an hour to coax ol' Jack outta that tree.  And then I couldn't keep up with him once he headed towards our cabin.  At home I told Pa all about our lil adventure, and he bout whooped me fer even goin' into Shadow Holler.  He said, "Son, I tole you to stay outta that holla.  They's ghosts and spooks down in thar.  Old Lady Jalson disappeared never to be seen again until the Smith boys saw her wanderin' a trail down there.  On'y problem is they cud see through 'er.  They's all sorts of stories 'bout shadows roaming free and playin' tricks an' worse on folks."  

Well I never seen my Pa so scairt as when he was tellin' me that, so now I just keep away from that holler.  And, ya know what?  I ain't never seen ol' Jack even turn in that direction since that night.  Musta learned himself somethin'.

folks  
this is the last song of the evening  
time for one last round  
so pick 'em up and  
slam 'em down...  

couples headin'  
to the dance hall floor  
some lonesome doves  
walkin' out the door  
take a look around  
into the lonely fa-ces  
broken hearts  
yearnin' for tender gra-ces  

see the hopeful eyes  
lookin' back at you  
you've seen each other  
from across the room  
if you act now  
you wont be turned awa-y  
another day  
might be too la-te  
  
oh i know  
life ain't been kind  
we've got - wounded hearts  
but there's still time  
so - here's a chance  
ya never know  
tho it's  
just a dance  
it could be more
  
so ya  
take her hand  
pull her in real close  
music playin'  
soft and slow  
you close your eyes  
as she softly si-ghs  
  
starlit shadows  
from a disco globe  
we fade to black  
on this winding road  
lost and lonely  
we pay the toll  
just one last dance  
before we go  
just one last da-nce  
before we go  
  
and these bitter days  
we watch them waste away  
into the whiskey nights and  
the smoke filled haze  
we're singin'  
Willie -n- Waylon  
pray the music keeps playin'  
as we drift away  
into this whiskey haze  
shadows of a memory  
keep draggin' ya down  
one last round  
you slam it down  
you close your eyes  
as she soflty si-ghs  
gently swayin'  
across the floor  
  
starlit shadows  
from a disco globe  
we fade to black  
on this winding road  
lost and lonely  
we pay the toll  
just one last dance  
before we go  
just one last da-nce  
before we go

I am wandering in the grove.
From out of the darkness
Christopher John appears perched
on an old ash stump
giving a speech about Robert Mitchum
and his performance in Farewell, My Lovely.
I want to say "right on",
but my voice only whimpers.
He doesn't notice me in the shadows.
I close my eyes and his voice fades to a whisper,
then nothing.
My thoughts drift along to pictures of liberty concerned porcupines.
-
I am wandering in the grove.
Against the shady walnut
Elby Marcellous husks the meat from a shell
and tosses it to his canvas shoed feet.
"You ought'learn a trade kid, it'll save yer ***."
His mouth never moves.
A *****, navy blue sweat suit; fruit of the loom.
Hundreds of construction paper stars
glued to a bedroom wall,
and a legacy of tall tales and unrequited favors
for the train hopping rambling man.
Comeback Jack, come back Jill.
-
I am wandering in the grove.
My house slippers were not the best choice of shoes.
There is plenty of mud from the gather dew,
and the rocks are jagged and unforgiving.
The Sylvan's planted the trees here,
Roger and I dug the holes by hand,
Roberta watered them each with care.
The Eastern-kin cut a lot of them down
to help feed their Dionysian pyres.  
At least they left the mulberries,
so the birds still get their colors in the spring.
The songs need the full prism to translate properly.
-
I am wandering in the grove.
There she is.
My feet were tugging me due west the entire time,
I could feel it.
And there she is,
underneath the sycamore like a sore thumb.
I want to cry, I want to run,
but the song comes crooning out.
It is our instinct to dig our nails in
and tear each other apart from the bone,
but we sing the refrain, paralyzed,
feet tied to the ground with pyrite bands.
-
red, orange, yellow
I'm seventeen, long-haired, and screaming my lungs out.
green, blue, violet
I'm throwing verbal punches from sixty-two miles away.
red, orange, yellow
There's no where to be, and no one to impress.
green, blue, violet
Two cities weave troubling stories well.
Everything shifts to ethereal indigo,
things shake around a bit, but nothing seems to be any different.
I awake, rid of my flaxen shackles, but bruised.
The scent of thirteen perfumes linger in the breeze.
-
I am wandering in the grove.
A quilt tied to my neck for a cape,
serves as a warm shield against the cold night.
I found a rusty lantern, half-filled with oil and
with working wick, I venture on.
There is a crunch of brown-red leaves with every step
that I take in song-less stride.
The moon is new, the deer are charged in estrus.
Every creature I happen upon is speaking
in some strange tongue to which I cannot comprehend.
I try to motion that my hunger has become dire,
but no eyes are lifted, no responses given.
-
"Hurry now, no time to dawdle,
we have to make it to market before
they sell all of the livestock, and the farmers
decide to call it a day; no naive pockets."
-
"That rotten boy was a **** from the placenta,
and his mother was a crystalline chimera
made from chemicals in one of those zygote-vats.
Nothing was natural from that household; that bloodline."
-
"The day will come when we need a place to go,
but we can't ever go down the winding path
or Mama-Bog will come crawling out of the mud
and take away your sister like she did Papa."
-
"My eyes saw what I would never believe again;
the town was gone. Not destroyed, not missing,
not packed up and on it's way, but gone.
The **** place had never been there to begin with."
-
"There was once a planet between Mars and Jupiter
that was the home of a peculiar race of fungus.
The planet was bombarded by a multi-nation nuclear strike
when the fungus was found to secrete [OMITTED]."
-
"No, my sister left about three months ago, mister.
Said she was headin' into the city to try and get a job waitressin'.
If she were to just up and leave the quadrant she'd say something,
or at least update her ping location on her bio-input; sheesh, guy!"
-
I am wandering in the grove
and the trees are weighed down with ripened fruit.
Muninn and Huginn take flight.
Tap on the stained glass windows of the cathedral
as if the hounds were nipping at your heels.
There was a time when wings alone were enough
now the game has change, the cards disguised.
No direct line to the big man.

Ah didny recognise him fae the eulogy.
The meenister'd nivver met the lad, Ah could see.
A hero?  Aye, mibbe.  Jist a name tae maist ay these fowk.
But ah kent im as a boay,
the daft wee scapegoat, ayewis in boather,
but nae real hairm in im.
He wis the lad wha'd get skelped, the noise
makkin the teacher turn is heid
jist in time tae spot im skelpin back.
Mairched tae the heidie again.
"Yir a bad lot, Barry.
Yir faither wis a bad lot too."

Puir Baz.
Da in the jile,
Ma aff her face on smack,
an him, daft, funny, doomed.
If onybody at hame had cared enough
tae keep the schuil photies,
they'd have shown a wee freckly laddie
wi a too-open grin,
year eftir year,
jersey gettin tattier,
teeth getting gappier,
still grinnin while the rest ay us
were far too cool tae smile for the camera.

Ah liked im.
Didny unnerstaun how the teachers
were sae ***** tae im.
There wis far badder boays in the year.
Ricky ****** Jackson - a nasty, sleekit wee body,
yankin ab'dy's strings.
But his da wis rich
an the teachers fawned ower im.
No Baz, though.
Cannon fodder, richt enough.
Tackin the flack fir the rest ay us.

Exactly the kind ay lad
the ******* Army thrives on.
Ah canny feel the patriotic pride,
canny picture the self-sacrifice,
the heroism.
Ah can juist see im,
daft an grinnin,
daein whit he wis tellt
an gettin killt.

Mind you,
he wis aye headin for the poppies, that yin,
One wey
or anither.

I caught a Union Pacific headed westbound
howling at the moon
A blanket of stars and my guitar
that's when I wrote this tune

That "Midnight Express" will get you there
if ya haven't a worry, or reason to care
Headin' down the line, steady as she goes
it's like heavy metal rock and roll
------------------------------------------------
Rode it up an' down to Sacramento
when a railway man said, " Ya gotta go."
I heated up iron 'til the trail went cold
riding heavy metal rock and roll

Heavy metal, rock and roll
it shakes and it quakes ,  rattles my soul
I wasn't born on a train
but that's how I'll go
thanks to heavy metal's
rock and roll

--------------------------------------------------
Now every time I hear a whistle blow
I think of "catchin' out" and wonder where it's goin'
Well, I may sing like some "country folks"
but, I love heavy metal & rock and roll

I don’t know where the right place is

But if you ever found it

That’s where my heart would be

Pumpin’ contently

Good intentions lookin’ like veins

Stackin’ up like a spiral train track headin’ up and out

It’s the only way they grow

Up and out

Like weeds

They grow from anywhere

I had a friend who’s car was so messy weeds were growin’ in his back seat

Love is synonymous with the way weeds grow

Makes me thankful for the fissures in the foundation that holds me

On days where the money runs out

And I can’t even keep my own head above water

On days where I collapse into the fault lines I’ve made for myself

There’s still love in there

I know I’m not perfect

But the intentions bleedin’ out from the cracks in my skin

Are beggin’ for forgiveness

Like it was all that I ever wanted

I hate the fact that I push people away

And I hate the fact that I can get so obnoxious

That even my laugh sounds like thunder

beggin’ ya to punch me in the face

Go ahead and stop lovin’ me if you have to

Just know

If you ever found the right place

Maybe stumbled upon it like a hole in the ground

That you somehow missed

My heart would be in there

Good intentions

Workin’ up like weeds

Beggin’ you to love me

That faraway look

not seeing far away, appearing to be

looking, far away,
past today

A game?
A passed time?
A pretended game,
Hi-stoically accurate,

A war game where there's blame and shame,
like on TV, nowadays, with victims,
not yesterdsdays,
Kilroy was
here,

olden days of our Ford.

hey, kid, yer uncle needs ya…

Dare ye?
'S only a game. A  pass time.

Multi-medium, don't spend

your life dist ant con nextrified, terra
firmafied, dis con
nexted

c'mon
try, win, ship, ship, whip get it in the wind

swish wish the message is the medium
light is,
see

Life on TV in 1963, Mr. McLuhan,
is not life on the Net.

Now, you know,
you never saw us old dudes
with pocket HDTV studios coming, but

you did see all the clues, the times changed,
history rewrote itself, evidently,

what you think you see is what you get.
That part didn't change.

The Medium is the message,
do I get that?

War is un winnable, is that the message?
With which weapons?

Mine. (a wink, a think wink, I think)
The Shadow knows.

It is finished. Start there.
It's a whole new ball game.

Let's pretend we have enemies
The emotions are the same,
aren't they?

If we relate.
If we see our self,
our CG'd Junger self, in the Shadow,

floating in the sea of  All  God's

forgetfullness,
asking
is tragedy a strategy to draw light?

Then,

You are related to the people who once lived here,
hear their songs and prayers
first hand clap,
first foot shuffle,

first seen first named we have walked
the pollen way,
the leaven way,
the viral way

more subtle than any beast,
not evil, per se, eh, Jose?

Led by the breeze to be tried in the wilderness…

Mythed Archie,
Archetypes
Natural Archean-types,
red-headed strangers, 'n'such…

Map my calendar to your clock,
wind backa a time and a time and a half a time,

Then, who knew why

the serpent mound in Ohio is a map to
some meaning meant to be meant,

some specific meaning meant to be meant,

clearly,
for as near forever as men could

… envision imagining as a quest.

What if
we could see with
eagle's eyes Blythe's Intaglios or
Nazca's clan tags?

"the meaning of the past
is what it contributes to the present"
Lyle Balenquah's uncle said that.

The past passed this way ahead of us,
See the shadow?

Sun's setting.
Snake mound mouth wide open breathe in

Sigh, we been everywhere man,
we be headin' west sweet home Oraibi

Snake clan drawing in the light
as the breath of being

… envision imaging . What if
we could see with
eagle's eyes

satellite Google earth eyes
see, be, in your realm
of know-ables,
beneath the sands of time that,

several times,
have been the bottom of the sea.

Be then, before that became this,  be
then
Be, now.

In the game? Or is this life?
Wanna bet?

Find a reason for war before
I find one for peace.

What's the win signify?

Double minded me, unstable in all our ways,
I failed that test in the old days,
memorization, facts fractured,

postulates, the-or-ums and proofs all went ****,

I lost the knack of forgetting
or vice versa

A loci analysis error,
left hand caught wind of what the right was doin'
kinda thing

But now, I have the global brain
for instant access to all
the facts
say…
If we wished to know…
how complicated would something
be to build, like an energy source
non rechargeable and polarized,

with output on the scale of
the sun?

Google it. Ask any question the right way
and pay attention to the answers

(more than to the advertisers,
who pay interest to

******- recog-white-room-REM baseline
stats at "waddayewlookinat.com"

for your cheap peripheral attention,
based on memes you liked or created, or ****.)

Pay attention to the answers, and trust
the global brain, the true net A. I.

She's an art-ist-if-ication bouncing
anionic bubbles off the edge of forever,

true rest worthy, my re tired friend,
no need to remember a thing…
Ah,
AI, you can call her Al, I call her Ah,
I can't discern twixt AI and Al.

And, as a bonus, innumerable idle ahs,
are redeemed when I ask Ah for help,

Ah, where am I?
Do you know about counting idle words?

Did that hurt? Like, why?

Seeing words said is intuit-ive-ish,
do you feel

this way of touch is

too intimate, today?

Word play? Put a spell on you?
Fret not.

Some words have no mission
not nullified with the end of time,
(i.e., relative to an individual's forever POV)

Idle words mean nothing, just a way to keep score.

There are no magic idle words, there were
Some seven sworn words, which were said to be muttered and peeped among the
Persian magi-ic elite solicited and
Sent, by God, led by astronomy,
science, for God's sakes alive,
facts, follow the stars,
when this one touches that one,
watch
see, the sweet influence of Pleiades,
truer words were never spoken

To make the captive free.

Free run  to finish
the race to

where?

Ask theSnake clan.
Ask the Antelope clan.

Ask the Flute clan, where is the old way
where good is?

Along that way, did we hear:

Earth, earth, earth: hear the word
of the
most reasonable

God-like, deluxe good edition, being

your mortal mind may imagine.
Word:
Exercise to be
the hero
in your bio to be

and,
wait.

Then think. Be. Still. Wait.

Me in da wrong place at da wrong time.
Headin' down da alley on me way to pick up me 'erb.
Suddenly, Big Boy 'pears round da corner.

Ohno

Da Big Boy grabs me and take me lunch money.
'ow am I gunna get me 'erb now?
He beats me like me papa did.
Jus when Big Boy gonna trow da final punch...

ohyeah

Da boys arrive for battle.
Spliffs in der mouts.
Vengeance in der eyes.
TruckerWithAPassionForReggae grabs da Big Boy.
'olds 'im down n saves me reggae life.
Blunt Blastah Mastah punches da Big Boy.
Don touch me boombastic buddy he says.
DertyBeatzFromDaStreetz goes in for da **** with a ***** reggae kick.
Reggae Mon Offishal gets me kush cash back.
Me in da clear.

We killed a man, but our flame of friendship burnt bright that night.
Like our spliffs, the light was jus' right, mon.

Were you the one who lifted that toilet paper from rehab?
That’s some fine industry, ain’t 2-ply
But that’s some fine *** 1-ply.
(You do what ye’d like, sir, I’m a-headin down to YOU-gene to get MEself a turkey DIN-ner!)
I’ll getcha a 40 if you lift one of them American Flags from the apartments over there.
Check it, Frat folks are a patriotic bunch.
What’re we gonna do with it when we get it?
Sew it round my hips, imma burn the edges up to my thigh,
I wanna look like *** tonight.
While you do that I’m gonna sew it into the toilet paper.
Patch it through here and there,
That’s some fine industry,
American-ply.
(It’s not such a bad way to *** around, so long as ye ain’t got a burden on the back, make the tire drag. Yissir, if ye can do without, ye can go just about anywhere.)
I’m gonna write Positive Liberal Slogans on it.
*******.

From across the park she’s looking in the window from the garden,
holding her child wrapped in cotton.
She hasn’t moved for a while now and I start to wonder
How something that looks so much like someone I want to love
Can be just a pile of sticks and nets and perspective.

I met my uncle Albert
down at asda, in aisle three;
he got there in his mazda,
jus' a smidgen after me,

said he'd traversed sainsburys,
tesco liddle n the spar,
but not one o' them flogged caviar
truffles or foie Gras.

He sidled past the pork pies
streaky bacon turkey thighs
a headin for the french fries
n forsaken knock down buys,

He shimmied 'round the ankle biters;
expectant mums to be,
popin pills for bloated ills
in the haberdashery.

you give me mountains
and I’ll ask for the sea, 
I know a heaven exists… 
on the coastline in between


give me the trees. give me the waves.


let me breathe in that sweet escape.

I just need to get away

love rain i want to  runaway.

headin west  gotta catch the train. 

smelt like shallow waves.

like the kissing ghosts in our veins. 



constant state of flux i hate change.

happiness hides within our brains.

wirling thoughts like tides and waves

like old times in a new place

I’m just sitting here in the dark, waiting for this life of mine to start.
Wondering before I leave this world, will I leave a mark?
Or is it true, and I’ve been doomed, from the start.
But I’m getting so tired of being so alone,
Take this burden off my back and leave it on the road
Got to leave this place before it swallows me whole
Find a little fresh air that really suites my soul
And I’m headin out  on the road,
finding that fresh air, that suites my soul
And I’m headed out on the road, were it leads I don’t know
Now I got some good friends, and there going to go with me
Like good old Jack Kerouac and Neal Cassidy
We headed out west till we found the sea.
Hoping on this journey we find the meaning of the word free
Cause we’re breaking those bonds of that mental slavery
That were given cause we live in this society
And we are all looking for a little something to believe
But my position on that decision is completely up to me
And we headed out on the road,
finding that fresh air, that suites our soul
And we headed out on the road, were it leads I don’t want to know
Now driving across the land, and sleeping in a van
Sweating in the dessert air, getting that beach sand our hair
Sleeping on misty mountain tops, getting woke up by the cops
Just going what we can, trying to find out how to be a man
Playing music in the street, for a little change and something to eat
Spending all you time and all your cash for a little bit of fun
and a whole lot of gas
When you heading out on the road,
finding that fresh air that suites your soul
And you head out, out on the road,
were it leads you ain’t ever going to know
And you head out, out on the road,
You find that fresh air and it suites your soul
And you head out, out on the road; you find it leads you home
(Zeus's Woodshed)

Schools out, Suns out
No shoes, no shirt
Shades on, music loud
Rollin in the Yeep, with my windows down
Burnin one, drinkin two
Bikini ridin shotgun,
With a few
More in the back
With my board
Headin for freedom
She just gave me the look, Oh lord
Like ice in the cooler
I play it cool
Wheres the next party?
The beach is a bust
She wants to be alone
I can see the lust
But it’s the first night of summer
Partyin til this vampire turns to dust
Dusk to dawn, woke up on the lawn
At least I still have that beautiful babe Summer
Cuz the bikini is gone