Farthest star, O farthest sun
you shed your light unto my skin
I feel the warmth, the mildest burn
scorch the heavens, O fire's kin

And bereave me of my father's sin
don't leave your maker's deed undone
crouch beneath the darkness dim
inferno's weilder, the fiery one

Unleash your wrath upon the sea
upon the frozen heart of God
bewildered, lost you seem to be
behold the perfect moment, flawed

And burn till time can't carry on
strangle darkness with your light
blaze through ages, fire spawn
burn a fervent, blinding white

Orb of hope, do you hear the cry?
ascend to heights unseen before
bleed dry the ever shimmering sky
and set ablaze the firmament's shore

Reach out to me, and with your rays
touch my eyes that your marvel behold
unveil that endless light of days
my friend of far, and friend of old

To walk beyond the farthest city light,
my heart exerts against my chest tonight
to leave the friend I made yesterday,
and kiss the foe goodbye
and erase from the paper that's Heart
every name and every dye
and leave at the city's end
all my sorrows and all my friends
to walk beyond the farthest city light
where no tear shall catch my sight
where no heart shall be offered to me
and no god shall my heart's deity be
and no man know my name
where I'll go or whence I came
To walk beyond the farthest city light
and fall in love with a foreign land
of flowing rivers, of colours bright
where mighty mountains stand
I'll live under a roof of straw
and my happiness from Nature draw
And then in melancholy solitude
forget every city light
To walk beyond the farthest city light
my heart exerts against my chest tonight.

It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that

For my cousin, Chris Goldrick

Lacing my skates
after walking two miles
in girl-strictured delight
Mom's stories of Sonja Henie--
No, not ever

Lacing my skates
with  snow-ball pompoms
felt skirt
and nylon tights
Cute little hat with matching scarf
My thighs and fingers
already freezing
icy burn
from miles on foot

to get there
the lake where--

I must get out
I must get OUT!

Knowing what
to expect from my body
the quick-twitch of muscle
Could always sense
specific--
gravity of water    
at 22 degrees

Desiring to feel
the motion between ice and steel
Read speed's vibrations through my body
The brain registers relation
to weather's effect
Tell of velocity
possibility of fall
Feel the slash of the blades beneath me
Throw my weight sideways, sudden
to hear that furious hiss
An object in motion tending, dire
to stay in motion

Threatening to stay there
always
in its heights-- of speed
away--

from the crowds of skaters
swirling distant in the lights

Seeking instead
the farthest reaches of Porter Lake
speed and speed and more
to overcome
inertia
of what it is to become
undone

at the outer edges, of humanity
A force  
centrifugal unto myself

Avoiding

Pregnant and slow
with years and babes....

The best
must be broken and tamed
of what it takes to stay free

catching the edges with every stride
catching my toe in the quick
180
spray of frost
to the sudden still

Listen to the frigid chill

and the heave of my breath
tumbling into evidence

Gliding
Once

Forever--

on, into darkness
of woods on frozen water

The wildness of it all

So infatuated with flight
so full of grace

I forgot Sonja

The moon rose
from her seat in the treetops
and applauded

I can make the earth stop in
its tracks. I made the
blue cars go away.

I can make myself invisible or small.
I can become gigantic & reach the
farthest things. I can change
the course of nature.
I can place myself anywhere in
space or time.
I can summon the dead.
I can perceive events on other worlds,
in my deepest inner mind,
& in the minds of others.

I can

I am
~~~

People need Connectors
Writers, heroes, stars,
leaders
To give life form.
A child’s sand boat facing
the sun.
Plastic soldiers in the miniature
dirt war.  Forts.
Garage Rocket Ships

Ceremonies, theatre, dances
To reassert Tribal needs & memories
a call to worship, uniting
above all, a reversion,
a longing for family & the
safety magic of childhood.
~~~

The grand highway
is crowded
w/
lovers
&
searchers
&
leavers
so
eager
to
please
&
forget

Wilderness
~~~

Now is blessed
The rest
remembered
~~~

A man rakes leaves into
a heap in his yard, a pile,
& leans on his rake &
burns them utterly.
The fragrance fills the forest
children pause & heed the
smell, which will become
nostalgia in several years
~~~

Sirens
Water
Rain & Thunder
Jet from the base
Hot searing insect cry
The frogs & crickets
Doors open & close
The smash of glass
The Soft Parade
An accident
Rustle of silk, nylon
Watering the dry grass
Fire
Bells
Rattlesnake, whistles, castanets
Lawn mower
Good Humor man
Skates & wagons
Bikes
~~~

Where’d you learn about
Satan- out of a book
Love?- out of a box
~~~

night of sin (The Fall)
-1st ***, a feeling of having
done this same act in time before
O No, not again
~~~

Between childhood, boyhood,
adolescence
& manhood (maturity) there
should be sharp lines drawn w/
Tests, deaths, feats, rites
stories, songs, & judgements
~~~

Men who go out on ships
To escape sin & the mire of cities
watch the placenta of evening stars
from the deck, on their backs
& cross the equator
& perform rituals to exhume the dead
dangerous initiations
To mark passage to new levels

To feel on the verge of an exorcism
a rite of passage
To wait, or seek manhood
enlightenment in a gun

To **** childhood, innocence
in an instant

i met her    
in a waking dream    
as i walked beside    
the sylvar stream    
whose chattering laughter    
shifted suddenly    
into a sylvar pool    
of enchanted silence    
a mirrored glaze    
in muted    
misty
dawning rays    
    
her cascading mane    
a crimson flare    
sea-green eyes    
alluring stare    
my heart stopped    
to see her there    
reposed    
'pon a verdant garden lee 
beside    
the misting sylvar mere    
'neath    
the weeping willow trees    
    
dahlia lips    
whispering desire    
vermilion plunder splayed    
spellbound 
by her charms    
heart pounding    
thundering    
captured    
i stay    
an' wi' faire
lithesome beauty lay    
'pon a lush an' vibrant field    
beside    
the misting sylvar mere    
'neath    
the weeping willow trees    
    
we lay there    
lost in time    
locked    
in the silence 
of kindred minds    
an' i knew her name    
tho she spoke it not    
sipped i then
the misty morning dew    
from precious lips
that from me drew    
all that i    
ever thought    
or felt    
or knew
'pon the grasses lush and green    
beside    
the softly glowing mere    
'neath    
the weeping willow trees    
    
soft sings    
the whippoorwill    
the meadowlark    
an' mourning dove    
their voices weaving spells    
for lover's yearning hearts    
in the meadow    
by the way    
where my love an' i    
do lay    
entwined  
'pon the gleaming sylvan shore    
beside    
the shining crystal lake    
'neath
the weeping willow trees    
    
alas    
the dawning days    
were passing
when came malevolence    
within
a thund'ring tempest    
lightnings flashed
in ragged gashes
'cross the heaven's    
stygian passes
an' from those
gnawing caverns
spewed
a raging
howling
demon's brood
an' down flew they
by the sylvar stream
where my love
and i
entranced
did lay
beside
the mystic sylvar lake
'neath
the weeping willow trees
    
then from my arms    
vile creatures tore    
my lifesong    
my heart's blood    
my one    
and only love
her scintillating form    
they ripped    
her silent
piercing cries    
bleeding    
thru my soul
an' took her they  
far from this    
battered    
desert shore    
as her soundless    
painful    
chorus fades    
an' leaves me
here alone    
to stand    
'pon these shifting lifeless sands    
beside    
this sylvar lake of tears    
'neath    
the weeping willow trees    
    
the meadowlark    
her spellsong sings    
thru ebon winter's    
weathering    
the silver stream    
her laughter froze    
this heart    
once fire    
a soulless stone    
    
so now this raven
winged    
doth fly
to scour the bruised    
an' shadowed skies    
to find my dove    
an' bring her home    
to lay
'pon these frozen brittle stones
beside
the darkened sylvar tarn
'neath    
the weeping willow trees    
    
thru timeless age    
an' dangerous realms    
i followed    
her silent    
morbid    
ravenings    
as her grisly    
mewling pleas    
hollowed out my soul    
'til at last    
i found her    
chained an' bound    
lost    
deep within    
peculiar planes    
an' baneful realms    
far from    
the laughing sylvar stream    
far from    
the weeping willow trees    
    
her lament    
of bitter tears    
an' fear    
sliced    
thru my defenses    
a doomed    
pernicious heart    
she was    
wandering    
thru deepest depths    
where madness reigns    
all hope destroyed    
hell's minions    
reveled
unconstrained    
    
my dove    
called i    
my love    
'tis i    
once more    
thrice more  
time  
and time again    
till finally    
she hearkened    
to my voice    
    
true love    
recall us    
you and i    
dancing    
thru ageless realms    
consider us    
twirling    
under heaven's wings    
she
spinning
at my fingertips

an' i  
drew her then    
breathless    
into my arms    
ambrosia lips    
her sweet alms    
from her dark pain    
i did drink    
of her    
malignant sorrow    
i did partake  
my questing    
thirsting hunger    
willingly  
did i sate  
gathering all    
her shattered pieces    
from those altered    
blighted    
reaches
    
chains    
now broken    
i carried her
'pon wings    
of true love's    
sylvar light    
far from    
these darksworn legions    
into    
the dawning night's    
farthest regions    
    
an' there    
close by    
the laughing    
whispering    
sylvar stream    
lay her gently    
'pon the verdant flowing shore    
beside
our gleaming slyvar mere    
'neath    
our weeping willow trees    
    
under glimmering    
starlit heavens    
sing    
the whippoorwill    
the meadowlark    
an' mourning dove    
whose soulful songs    
compose    
for yearning lovers    
charms of hope    
where pools    
the laughing    
sylvar stream    
whose mirrored gaze    
draws us deep within    
celestial    
starlit    
wanderings    
  
as the wind    
whispering
sighs    
thru our hearts  
as we lay entwined    
'pon a verdant garden lee    
beside  
our misting sylvar mere    
'neath  
our silent    
weeping  
willow trees    
      
p j upchurch

The distance between your heart and mine
Is like the farthest place on Earth
Far-off places come to mind
Like Jakarta, Tangiers, and Perth

Take a flight roundtrip on my dime
Then you'll know what your love is worth
For the the distance between your heart and mine
Is like the farthest place on Earth

©Jason Cole

to my darling who feels she's not:
our separation is mere illusion.
truly, your pain strikes me as i write this;
your sensations of abandonment,
and the decisiveness they have caused,
bleed from my skin into the fibers of my clothes.
i am no longer clean.
i do not feel pure.

to my severed arm and shortened tendons:
destruction is merely another side of life.
out of disappearance comes all things-
without space, there would be nothing to contain us,
nothing to allow and enfold our beings' spirits,
and they would sputter and cease like my love's flame.
i am no longer yours.
i do not feel full.

to the farthest star that my eyes can see:
your light reaches me- i glimpse you!
in the perceived emptiness between us
there is no distance to be found;
around us exists the infinite potential for
further connection and deeper growth in closeness.
i am no longer alone.
i do not feel sorrow.

1581

The farthest Thunder that I heard
Was nearer than the Sky
And rumbles still, though torrid Noons
Have lain their missiles by—
The Lightning that preceded it
Struck no one but myself—
But I would not exchange the Bolt
For all the rest of Life—
Indebtedness to Oxygen
The Happy may repay,
But not the obligation
To Electricity—
It founds the Homes and decks the Days
And every clamor bright
Is but the gleam concomitant
Of that waylaying Light—
The Thought is quiet as a Flake—
A Crash without a Sound,
How Life’s reverberation
Its Explanation found—

THE TRUE STORY OF JERUSALEM IN VERSE :
  FOLLOWING DONALD TRUMP'S RECOGNITION
Dear Readers, to usher in the spirit of Christmas, I wish to
share with you the true Story of Jerusalem in Verse. Based on
Biblical chronology, and several articles about its Early History.
Though the three of our World’s greatest religions have a common
lineage, yet religious bickering and hatred continues to exist in
our present age! Let this Season of Christmas bring peace with
goodwill and love. Let us all pray together for a peaceful World!
If you like this true story, kindly recommend it to all your poet
friends to read this slice of History. Thanks, from Raj Nandy.

   STORY OF JERUSALEM - GOD'S “PROMISED LAND”
                         IN VERSE: By Raj Nandy
                  
                       INTRODUCTION
After reading my ‘Arab Contribution to Science’ and the
downfall of Islam’s Golden Age,
A friend had requested me to write about The Crusades.
Now the Mongol contribution was far greater towards
Islamic Empire’s downfall,
For though the First Crusade besieged the Holy City of
Jerusalem making it fall,
The subsequent Crusades to the Seljuk Turks lost all!
But before writing about the Nine Crusades proper,
To acquaint my readers with the historic city of
Jerusalem becomes my present endeavor.
For Jerusalem is sacred to the Jews, Christian, and the
Muslims alike,
As their holy relics and shrines are housed in that Old
City’s revered sites!
But prior to narrating the story of Old Jerusalem City,
Let me tell you briefly about its early history.
About the patriarch Abraham, whom God led to this
‘Promised Land’.
From where this true story of Jerusalem really began.

                 HISTORICAL  BACKGROUND
The city of Jerusalem was twice razed to the ground.
Besieged 23 times, attacked 52 times, captured and
recaptured 44 times, surprising as it all may sound!
In an era of idolatry and multiple gods, Abraham born*
in the ancient City of Ur,# believed in a single God!
(1800 BC)
So God was pleased and in a covenant with Patriarch
Abraham,
Blessed him to become the ‘Father of Many Nations’
in a distant ‘Promised Land’!
Thus Abraham with his wife Sarah and nephew Lot,
Entered the Land of Canaan as promised by God.
But when a famine ravaged the Land of Canaan,
Abraham had moved onto Egypt on his own!
Having suffered there for some ungodly acts, his
return to the Land of Canaan remains a historical fact.
Through Abraham and Sarah’s Egyptian maid Hagar, -
his son Ishmael was born.
From Ishmael descended the ‘Ishmaelites’, to
become the Twelve Arab Tribes later on!
Next, with the blessings of the Lord, to Abraham
and Sarah son Isaac was born.
Isaac’s son Jacob fathered the Twelve Jewish Tribes,
Who became collectively known as the ‘Israelites’.
From the ‘Tribe of Benjamin’ came King Saul, the
first King of united Israel rising tall.
From the ‘Tribe of Judah’ King David, Solomon, and
several Kings of Judah did rise;
As proud forefathers of the Messiah Jesus Christ!
Thus in Judaism both the Arabs and the Christians
find a common lineage;
Yet unfortunately bitter differences continue to
exist even in our present age!
NOTES: Canaan was the ancient name of a large & prosperous
country (at times independent, at others a territory to Egypt),
which roughly corresponds to present day Lebanon, Syria, Jordan, and Israel. Canaan
was also known as ‘Phoenicia’ between 3200 BC & 539 BC. # Ur = an important
Sumerian city-state in ancient Mesopotamia.


           ORIGINS OF JERUSALEM
Jerusalem has been hailed by many names,
Gets mentioned as ‘Rushalium’ in an ancient
Egyptian text!  (2000 BC)
Also as Salem, Moriah, Jebus and Zion, this capital city
of the Israelites had been known.
Jerusalem as the remnant town of Salem, is also
mentioned in the ‘Book of Joshua’ Chapter Ten.
It was earlier a Jebusite City, which was conquered by  
King David around 1003 BC;
When David shifted his capital to Jerusalem from Hebron.
In Jerusalem he kept the Holy Ark in a sacred Tabernacle,
For which his son King Solomon had built the First Great
Temple.
This Sacred Ark contained the ‘Ten Commandments’,
Which accompanied the Israelites during their 40 years
of desert wandering with Moses, as their guidance!
But since majority of the tribes were hesitant to fight the
Canaanites for their ‘Promised Land’,
God blessed Joshua, the successor of Moses, to lead the
Tribes to their ‘Promised Land’.
NOTE: Jebusite was one of the ancient Canaanite tribes, conquered by
King David.

        TURBULENT HISTORY OF JERUSALEM
Now cutting across several centuries of its dynamic
history, let me continue with Jerusalem’s Story.
The death of King Solomon (931 BC) ended Israel’s
‘Golden Age’,
And this united Kingdom of Israel was split into
Northern and Southern states.
Ten Tribes formed the Northern Kingdom of Israel
with its capital at Samaria;
While Jerusalem became the capital of the Southern
half called Judea.
In unity lies strength, and in division further dissention;
This kingdom of King David and Solomon now becomes
prey to several foreign invasions!
Jerusalem gets attacked by the Egyptians, Assyrians,
Babylonians, Persians, and those imperial Romans, who
had initially built but later destroyed the Second
Jewish Temple!
The cruel King Herod, Judea’s Roman Protector,
Though of unstable mind, was a great builder!
‘The Wailing Wall’ and most of the ruins visible today,
Were built by the despot Herod as Archeologists say!
King Herod enlarged the Temple Mount with a massive
retaining wall around it.
Renovated the Second Temple which finally acquired  
his name!
But in 70 AD the Roman Emperor Titus, razed this
Second Temple to the ground, as Historians inform us!
Jerusalem had some peace under the Christian Byzantine
Emperor Constantine,
Who upheld Christianity, and his mother Helena inspired
the building of many hallowed shrines;
Only to be occupied by the Seljuk Turks later, who
desecrated those shrines!
Till the First Crusade in 1099 captured Jerusalem, to
provide eighty eight years of respite.
Next in 1187 the Seljuk Turk Saladin conquered Jerusalem;
When a peace treaty with Richard ‘The Lion Heart’ allowed
the visit of its ‘Holy Shrines’ by the Christians.
The British captured Jerusalem from the Ottoman Turks
in Nineteen hundred and seventeen;
And in 1948 the State of Israel was born, realizing
Abraham’s dream!
But surrounded by hostile enemies on all sides, Israel
had to fight continuously for its survival as a Nation;
And now I pause to pay my humble tribute to those
valiant Israelites with salutation!

           THE OLD CITY OF JERUSALEM
Nestled on the hollow of the hills of Judea this city
spreads out on a plateau 800 meters above the sea.
With its Dome shining in the sun, dominating  some five
thousand years of history!
The City stretches 0.9 square kilometers surrounded by
retaining walls between 16 to 46 feet in height.
Which includes more than 200 monuments and sacred
sites!
Until the 1860s the Old City had represented entire
Jerusalem collectively.
But later under the initiative of the British, settlements
outside its wall began confidently.
During 1946 when Israel declared its Independence,
The ‘old city’ remained under the control of the Jordanians;
Only to be liberated during the Six Day’s War in 1967!

           OLD CITY GATES AND QUARTERS
The walls around the Old City stretch for 4.5 kilometers,
With its height varying between five to sixteen meters.
It has 43 surveillance towers and eleven gates.
However, only seven gates remain open as on date.
The current wall was built in 1538 by Sultan Suleiman
the Magnificent.
On the southern side of this wall is the Zion Gate, leading
to the Armenian Quarters overlooking Mount Zion outside;
Where lies King David’s tomb, a Holy Site.
The Dung Gate leads to the Jewish Quarters from the south;
And the way to Al-Aksa Mosque inside the Temple Mount.
The Jaffa or the Main Gate is on the west, with its famous
Citadel and the ‘Tower of David’ built by King Herod.
This gate leads to the Christian Quarters inside, while the
road goes to the port of Jaffa outside.
A New Gate was also built further up on the north-western
side,    (in1898)
For entry of the German Emperor William the Second,
through the Christian side!
The Damascus Gate in the middle of the Northern Wall
was the largest and the most heavily defended Gate.
Where excavations have revealed an old ‘Roman Gate’
beneath it.
Through this Gate had entered the Holy Crusade!
Further east on the northern wall is the ‘Herod’s Gate’,
Leading to the Muslim Quarters and the ‘Souk’, – the
Arab markets.
On the East is the Lions Gate, with carved figure of
lions on the gate’s crest;
Both for the Christian and the Jews this gate has a
special significance!
For this gate marks the walk ‘Via Dolorosa’, the path
taken by Jesus from the Garden of Gethsemane to
his Crucifixion Site,
Where stands the Church of Holy Sepulcher built by
the Emperor Constantine.
In 1967 the Israeli 55th Para Brigade entered through this
‘Lions Gate’, after a hand-to-hand fight with the Jordanians.
When they hoisted the Star of David on the Temple Mount  
to reclaim Jerusalem!
Jerusalem was declared as their Capital City,
Concluding a chapter of its turbulent History!

Since the time of the Crusades Jerusalem has remained
traditionally divided into Jewish, Christian, Muslim, and
Armenian sections;
Each with its sacred Synagogues, Churches, and Mosques,
defying the City’s unification!
Yet amidst the gong of church bells, the call of Muezzin,
and recitation of the Torah,
Old Jerusalem reverberates with a unique religious
euphoria!

           SACRED MONUMENTS AND SITES
‘The Wailing Wall’ is the more popular name for that part
of Western Wall built by King Herod during 19 BC,
Around the Second Jewish Temple which he renovated,
for the world to see!
Today only 167 feet of this exposed ‘Wall’ remains,
which is 62 feet high.
As a solitary witness to that once glorious past, which
evokes a deep sighs!
It is the holiest of Jewish shrines today where they
congregate.
To pray in front of this Sacred Wall and to loudly lament,
The loss of their Great Temple which was once made!
Inside the cracks in the wall many folded papers can be
seen;
Coating their petitions to God with prayers from within!

The Temple Mount is perhaps the oldest of all shrines.
Sacred to both the Christians and the Muslims alike!
For here on a rock alter Abraham had bound his son
Isaac,
Ready to sacrifice him when the Lord put him to a test!
Here King Solomon had built the First Jewish Temple;
Which during 587 BC, was destroyed by the King of
Babylon!
The King also took the Jews into captivity lasting nearly
seventy long years;
And Psalm 137 tells us how the Jews remembering Zion
on the banks of River of Babylon, - shed their tears!
That old song by ‘Bonny M’, now rings in my ears!
This was also the site of the Second Temple destroyed
by the Romans.
Who renamed Jerusalem as ‘Aelia Capitolina’, making
the City pagan!
Al-Aqsa Mosque or ‘The Farthest Mosque’, located on the
Mount, was completed around 705 AD they say.
Has been claimed by the Muslims as the site where their
Prophet traveled ‘during the night’ from Mecca to pray;
And from where angle Gabriel accompanied him to
Heaven or ‘Jannat,’ - all the way!
So they constructed the ‘Dome of The Rock’ to mark
this ascension;
Which around 691 AD saw its completion.
The Golden Gate on the east leading to the Temple Mount,
Was sealed by the Muslims during Sixth Century following
their fears and doubts.
For the Jew’s claim their Messiah will enter through this
Golden Gate one day.
Which unnerved the Muslims whatever one may say.
So outside this sealed gate they also built a cemetery;
Let future events gradually unfold in Jerusalem’s Story!

                       CONCLUSION
Now dear readers I conclude this narration, with some
food for thought and contemplation.
‘Jerusalem’ is mentioned in the Jewish Bible 669 times,
and 154 times as ‘Zion’. (‘Land of Israel’)
In the Christian Bible it is mentioned 161 times; but not
once in the Hindu ‘Gita’, the Buddhist Scriptures, or in
the Muslim Koran;
Not forgetting the fact that God is Supreme and One!
The Koran speaks only of “The Furthest Mosque” where  
the Prophet went to pray,
From Mecca we know Holy Medina comes on the way.*
(please see notes below)
The Holy Bible is also a record of Early Civilizations ,
Supported by Archaeological finds, carbon dating, and
countless excavations.
The Jewish claim to the ‘Land of Canaan’ is more than
3000 years old;
And Israel today occupies 75% of that historic piece of
land we know and have been told!
The Old City in 1981 has been declared as UNESCO’s
Heritage Site.
Let the ‘Spirit of Humanity’ overtake all religious divide!
It is true that History has evolved from the Myths and
Legends of the past.
But it is for us to separate the wheat from the chaff.
I have done adequate research of this Ancient History.
Now I leave it to You my Readers for drawing your own conclusions after reading this true Story!
Thank you readers for reading patiently,
From Raj Nandy of New Delhi .
ALL COPY RIGHTS ARE WITH THE AUTHOR ONLY

Of Man’s first disobedience, and the fruit
Of that forbidden tree whose mortal taste
Brought death into the World, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful seat,
Sing, Heavenly Muse, that, on the secret top
Of Oreb, or of Sinai, didst inspire
That shepherd who first taught the chosen seed
In the beginning how the heavens and earth
Rose out of Chaos: or, if Sion hill
Delight thee more, and Siloa’s brook that flowed
Fast by the oracle of God, I thence
Invoke thy aid to my adventurous song,
That with no middle flight intends to soar
Above th’ Aonian mount, while it pursues
Things unattempted yet in prose or rhyme.
And chiefly thou, O Spirit, that dost prefer
Before all temples th’ upright heart and pure,
Instruct me, for thou know’st; thou from the first
Wast present, and, with mighty wings outspread,
Dove-like sat’st brooding on the vast Abyss,
And mad’st it pregnant: what in me is dark
Illumine, what is low raise and support;
That, to the height of this great argument,
I may assert Eternal Providence,
And justify the ways of God to men.
  Say first—for Heaven hides nothing from thy view,
Nor the deep tract of Hell—say first what cause
Moved our grand parents, in that happy state,
Favoured of Heaven so highly, to fall off
From their Creator, and transgress his will
For one restraint, lords of the World besides.
Who first seduced them to that foul revolt?
  Th’ infernal Serpent; he it was whose guile,
Stirred up with envy and revenge, deceived
The mother of mankind, what time his pride
Had cast him out from Heaven, with all his host
Of rebel Angels, by whose aid, aspiring
To set himself in glory above his peers,
He trusted to have equalled the Most High,
If he opposed, and with ambitious aim
Against the throne and monarchy of God,
Raised impious war in Heaven and battle proud,
With vain attempt. Him the Almighty Power
Hurled headlong flaming from th’ ethereal sky,
With hideous ruin and combustion, down
To bottomless perdition, there to dwell
In adamantine chains and penal fire,
Who durst defy th’ Omnipotent to arms.
  Nine times the space that measures day and night
To mortal men, he, with his horrid crew,
Lay vanquished, rolling in the fiery gulf,
Confounded, though immortal. But his doom
Reserved him to more wrath; for now the thought
Both of lost happiness and lasting pain
Torments him: round he throws his baleful eyes,
That witnessed huge affliction and dismay,
Mixed with obdurate pride and steadfast hate.
At once, as far as Angels ken, he views
The dismal situation waste and wild.
A dungeon horrible, on all sides round,
As one great furnace flamed; yet from those flames
No light; but rather darkness visible
Served only to discover sights of woe,
Regions of sorrow, doleful shades, where peace
And rest can never dwell, hope never comes
That comes to all, but torture without end
Still urges, and a fiery deluge, fed
With ever-burning sulphur unconsumed.
Such place Eternal Justice has prepared
For those rebellious; here their prison ordained
In utter darkness, and their portion set,
As far removed from God and light of Heaven
As from the centre thrice to th’ utmost pole.
Oh how unlike the place from whence they fell!
There the companions of his fall, o’erwhelmed
With floods and whirlwinds of tempestuous fire,
He soon discerns; and, weltering by his side,
One next himself in power, and next in crime,
Long after known in Palestine, and named
Beelzebub. To whom th’ Arch-Enemy,
And thence in Heaven called Satan, with bold words
Breaking the horrid silence, thus began:—
  “If thou beest he—but O how fallen! how changed
From him who, in the happy realms of light
Clothed with transcendent brightness, didst outshine
Myriads, though bright!—if he whom mutual league,
United thoughts and counsels, equal hope
And hazard in the glorious enterprise
Joined with me once, now misery hath joined
In equal ruin; into what pit thou seest
From what height fallen: so much the stronger proved
He with his thunder; and till then who knew
The force of those dire arms? Yet not for those,
Nor what the potent Victor in his rage
Can else inflict, do I repent, or change,
Though changed in outward lustre, that fixed mind,
And high disdain from sense of injured merit,
That with the Mightiest raised me to contend,
And to the fierce contentions brought along
Innumerable force of Spirits armed,
That durst dislike his reign, and, me preferring,
His utmost power with adverse power opposed
In dubious battle on the plains of Heaven,
And shook his throne. What though the field be lost?
All is not lost—the unconquerable will,
And study of revenge, immortal hate,
And courage never to submit or yield:
And what is else not to be overcome?
That glory never shall his wrath or might
Extort from me. To bow and sue for grace
With suppliant knee, and deify his power
Who, from the terror of this arm, so late
Doubted his empire—that were low indeed;
That were an ignominy and shame beneath
This downfall; since, by fate, the strength of Gods,
And this empyreal sybstance, cannot fail;
Since, through experience of this great event,
In arms not worse, in foresight much advanced,
We may with more successful hope resolve
To wage by force or guile eternal war,
Irreconcilable to our grand Foe,
Who now triumphs, and in th’ excess of joy
Sole reigning holds the tyranny of Heaven.”
  So spake th’ apostate Angel, though in pain,
Vaunting aloud, but racked with deep despair;
And him thus answered soon his bold compeer:—
  “O Prince, O Chief of many throned Powers
That led th’ embattled Seraphim to war
Under thy conduct, and, in dreadful deeds
Fearless, endangered Heaven’s perpetual King,
And put to proof his high supremacy,
Whether upheld by strength, or chance, or fate,
Too well I see and rue the dire event
That, with sad overthrow and foul defeat,
Hath lost us Heaven, and all this mighty host
In horrible destruction laid thus low,
As far as Gods and heavenly Essences
Can perish: for the mind and spirit remains
Invincible, and vigour soon returns,
Though all our glory extinct, and happy state
Here swallowed up in endless misery.
But what if he our Conqueror (whom I now
Of force believe almighty, since no less
Than such could have o’erpowered such force as ours)
Have left us this our spirit and strength entire,
Strongly to suffer and support our pains,
That we may so suffice his vengeful ire,
Or do him mightier service as his thralls
By right of war, whate’er his business be,
Here in the heart of Hell to work in fire,
Or do his errands in the gloomy Deep?
What can it the avail though yet we feel
Strength undiminished, or eternal being
To undergo eternal punishment?”
  Whereto with speedy words th’ Arch-Fiend replied:—
“Fallen Cherub, to be weak is miserable,
Doing or suffering: but of this be sure—
To do aught good never will be our task,
But ever to do ill our sole delight,
As being the contrary to his high will
Whom we resist. If then his providence
Out of our evil seek to bring forth good,
Our labour must be to pervert that end,
And out of good still to find means of evil;
Which ofttimes may succeed so as perhaps
Shall grieve him, if I fail not, and disturb
His inmost counsels from their destined aim.
But see! the angry Victor hath recalled
His ministers of vengeance and pursuit
Back to the gates of Heaven: the sulphurous hail,
Shot after us in storm, o’erblown hath laid
The fiery surge that from the precipice
Of Heaven received us falling; and the thunder,
Winged with red lightning and impetuous rage,
Perhaps hath spent his shafts, and ceases now
To bellow through the vast and boundless Deep.
Let us not slip th’ occasion, whether scorn
Or satiate fury yield it from our Foe.
Seest thou yon dreary plain, forlorn and wild,
The seat of desolation, void of light,
Save what the glimmering of these livid flames
Casts pale and dreadful? Thither let us tend
From off the tossing of these fiery waves;
There rest, if any rest can harbour there;
And, re-assembling our afflicted powers,
Consult how we may henceforth most offend
Our enemy, our own loss how repair,
How overcome this dire calamity,
What reinforcement we may gain from hope,
If not, what resolution from despair.”
  Thus Satan, talking to his nearest mate,
With head uplift above the wave, and eyes
That sparkling blazed; his other parts besides
Prone on the flood, extended long and large,
Lay floating many a rood, in bulk as huge
As whom the fables name of monstrous size,
Titanian or Earth-born, that warred on Jove,
Briareos or Typhon, whom the den
By ancient Tarsus held, or that sea-beast
Leviathan, which God of all his works
Created hugest that swim th’ ocean-stream.
Him, haply slumbering on the Norway foam,
The pilot of some small night-foundered skiff,
Deeming some island, oft, as ****** tell,
With fixed anchor in his scaly rind,
Moors by his side under the lee, while night
Invests the sea, and wished morn delays.
So stretched out huge in length the Arch-fiend lay,
Chained on the burning lake; nor ever thence
Had risen, or heaved his head, but that the will
And high permission of all-ruling Heaven
Left him at large to his own dark designs,
That with reiterated crimes he might
Heap on himself damnation, while he sought
Evil to others, and enraged might see
How all his malice served but to bring forth
Infinite goodness, grace, and mercy, shewn
On Man by him seduced, but on himself
Treble confusion, wrath, and vengeance poured.
  Forthwith upright he rears from off the pool
His mighty stature; on each hand the flames
Driven backward ***** their pointing spires, and,rolled
In billows, leave i’ th’ midst a horrid vale.
Then with expanded wings he steers his flight
Aloft, incumbent on the dusky air,
That felt unusual weight; till on dry land
He lights—if it were land that ever burned
With solid, as the lake with liquid fire,
And such appeared in hue as when the force
Of subterranean wind transprots a hill
Torn from Pelorus, or the shattered side
Of thundering Etna, whose combustible
And fuelled entrails, thence conceiving fire,
Sublimed with mineral fury, aid the winds,
And leave a singed bottom all involved
With stench and smoke. Such resting found the sole
Of unblest feet. Him followed his next mate;
Both glorying to have scaped the Stygian flood
As gods, and by their own recovered strength,
Not by the sufferance of supernal Power.
  “Is this the region, this the soil, the clime,”
Said then the lost Archangel, “this the seat
That we must change for Heaven?—this mournful gloom
For that celestial light? Be it so, since he
Who now is sovereign can dispose and bid
What shall be right: farthest from him is best
Whom reason hath equalled, force hath made supreme
Above his equals. Farewell, happy fields,
Where joy for ever dwells! Hail, horrors! hail,
Infernal world! and thou, profoundest Hell,
Receive thy new possessor—one who brings
A mind not to be changed by place or time.
The mind is its own place, and in itself
Can make a Heaven of Hell, a Hell of Heaven.
What matter where, if I be still the same,
And what I should be, all but less than he
Whom thunder hath made greater? Here at least
We shall be free; th’ Almighty hath not built
Here for his envy, will not drive us hence:
Here we may reigh secure; and, in my choice,
To reign is worth ambition, though in Hell:
Better to reign in Hell than serve in Heaven.
But wherefore let we then our faithful friends,
Th’ associates and co-partners of our loss,
Lie thus astonished on th’ oblivious pool,
And call them not to share with us their part
In this unhappy mansion, or once more
With rallied arms to try what may be yet
Regained in Heaven, or what more lost in Hell?”
  So Satan spake; and him Beelzebub
Thus answered:—”Leader of those armies bright
Which, but th’ Omnipotent, none could have foiled!
If once they hear that voice, their liveliest pledge
Of hope in fears and dangers—heard so oft
In worst extremes, and on the perilous edge
Of battle, when it raged, in all assaults
Their surest signal—they will soon resume
New courage and revive, though now they lie
Grovelling and prostrate on yon lake of fire,
As we erewhile, astounded and amazed;
No wonder, fallen such a pernicious height!”
  He scare had ceased when the superior Fiend
Was moving toward the shore; his ponderous shield,
Ethereal temper, massy, large, and round,
Behind him cast. The broad circumference
Hung on his shoulders like the moon, whose orb
Through optic glass the Tuscan artist views
At evening, from the top of Fesole,
Or in Valdarno, to descry new lands,
Rivers, or mountains, in her spotty globe.
His spear—to equal which the tallest pine
Hewn on Norwegian hills, to be the mast
Of some great ammiral, were but a wand—
He walked with, to support uneasy steps
Over the burning marl, not like those steps
On Heaven’s azure; and the torrid clime
Smote on him sore besides, vaulted with fire.
Nathless he so endured, till on the beach
Of that inflamed sea he stood, and called
His legions—Angel Forms, who lay entranced
Thick as autumnal leaves that strow the brooks
In Vallombrosa, where th’ Etrurian shades
High over-arched embower; or scattered sedge
Afloat, when with fierce winds Orion armed
Hath vexed the Red-Sea coast, whose waves o’erthrew
Busiris and his Memphian chivalry,
While with perfidious hatred they pursued
The sojourners of Goshen, who beheld
From the safe shore their floating carcases
And broken chariot-wheels. So thick bestrown,
Abject and lost, lay these, covering the flood,
Under amazement of their hideous change.
He called so loud that all the hollow deep
Of Hell resounded:—”Princes, Potentates,
Warriors, the Flower of Heaven—once yours; now lost,
If such astonishment as this can seize
Eternal Spirits! Or have ye chosen this place
After the toil of battle to repose
Your wearied virtue, for the ease you find
To slumber here, as in the vales of Heaven?
Or in this abject posture have ye sworn
To adore the Conqueror, who now beholds
Cherub and Seraph rolling in the flood
With scattered arms and ensigns, till anon
His swift pursuers from Heaven-gates discern
Th’ advantage, and, descending, tread us down
Thus drooping, or with linked thunderbolts
Transfix us to the bottom of this gulf?
Awake, arise, or be for ever fallen!”
  They heard, and were abashed, and up they sprung
Upon the wing, as when men wont to watch
On duty, sleeping found by whom they dread,
Rouse and bestir themselves ere well awake.
Nor did they not perceive the evil plight
In which they were, or the fierce pains not feel;
Yet to their General’s voice they soon obeyed
Innumerable. As when the potent rod
Of Amram’s son, in Egypt’s evil day,
Waved round the coast, up-called a pitchy cloud
Of locusts, warping on the eastern wind,
That o’er the realm of impious Pharaoh hung
Like Night, and darkened all the land of Nile;
So numberless were those bad Angels seen
Hovering on wing under the cope of Hell,
‘Twixt upper, nether, and surrounding fires;
Till, as a signal given, th’ uplifted spear
Of their great Sultan waving to direct
Their course, in even balance down they light
On the firm brimstone, and fill all the plain:
A multitude like which the populous North
Poured never from her frozen ***** to pass
Rhene or the Danaw, when her barbarous sons
Came like a deluge on the South, and spread
Beneath Gibraltar to the Libyan sands.
Forthwith, form every squadron and each band,
The heads and leaders thither haste where stood
Their great Commander—godlike Shapes, and Forms
Excelling human; princely Dignities;
And Powers that erst in Heaven sat on thrones,
Though on their names in Heavenly records now
Be no memorial, blotted out and rased
By their rebellion from the Books of Life.
Nor had they yet among the sons of Eve
Got them new names, till, wandering o’er the earth,
Through God’s high sufferance for the trial of man,
By falsities and lies the greatest part
Of mankind they corrupted to forsake
God their Creator, and th’ invisible
Glory of him that made them to transform
Oft to the image of a brute, adorned
With gay religions full of pomp and gold,
And devils to adore for deities:
Then were they known to men by various names,
And various idols through the heathen world.
  Say, Muse, their names then known, who first, who last,
Roused fr

Farthest World
You haven't reached this world yet, of mine
You, the distant viewer.
My words are no arrow
And aimed at none.
If you feel provoked,
Wait a moment, meditate . . .
I am no more
But you are still there!

A Masque Presented At Ludlow Castle, 1634, Before

The Earl Of Bridgewater, Then President Of Wales.

The Persons

        The ATTENDANT SPIRIT, afterwards in the habit of THYRSIS.
COMUS, with his Crew.
The LADY.
FIRST BROTHER.
SECOND BROTHER.
SABRINA, the Nymph.

The Chief Persons which presented were:—

The Lord Brackley;
Mr. Thomas Egerton, his Brother;
The Lady Alice Egerton.


The first Scene discovers a wild wood.
The ATTENDANT SPIRIT descends or enters.


Before the starry threshold of Jove’s court
My mansion is, where those immortal shapes
Of bright aerial spirits live insphered
In regions mild of calm and serene air,
Above the smoke and stir of this dim spot
Which men call Earth, and, with low-thoughted care,
Confined and pestered in this pinfold here,
Strive to keep up a frail and feverish being,
Unmindful of the crown that Virtue gives,
After this mortal change, to her true servants
Amongst the enthroned gods on sainted seats.
Yet some there be that by due steps aspire
To lay their just hands on that golden key
That opes the palace of eternity.
To Such my errand is; and, but for such,
I would not soil these pure ambrosial weeds
With the rank vapours of this sin-worn mould.
         But to my task. Neptune, besides the sway
Of every salt flood and each ebbing stream,
Took in by lot, ‘twixt high and nether Jove,
Imperial rule of all the sea-girt isles
That, like to rich and various gems, inlay
The unadorned ***** of the deep;
Which he, to grace his tributary gods,
By course commits to several government,
And gives them leave to wear their sapphire crowns
And wield their little tridents. But this Isle,
The greatest and the best of all the main,
He quarters to his blue-haired deities;
And all this tract that fronts the falling sun
A noble Peer of mickle trust and power
Has in his charge, with tempered awe to guide
An old and haughty nation, proud in arms:
Where his fair offspring, nursed in princely lore,
Are coming to attend their father’s state,
And new-intrusted sceptre. But their way
Lies through the perplexed paths of this drear wood,
The nodding horror of whose shady brows
Threats the forlorn and wandering passenger;
And here their tender age might suffer peril,
But that, by quick command from sovran Jove,
I was despatched for their defence and guard:
And listen why; for I will tell you now
What never yet was heard in tale or song,
From old or modern bard, in hall or bower.
         Bacchus, that first from out the purple grape
Crushed the sweet poison of misused wine,
After the Tuscan mariners transformed,
Coasting the Tyrrhene shore, as the winds listed,
On Circe’s island fell. (Who knows not Circe,
The daughter of the Sun, whose charmed cup
Whoever tasted lost his upright shape,
And downward fell into a grovelling swine?)
This Nymph, that gazed upon his clustering locks,
With ivy berries wreathed, and his blithe youth,
Had by him, ere he parted thence, a son
Much like his father, but his mother more,
Whom therefore she brought up, and Comus named:
Who, ripe and frolic of his full-grown age,
Roving the Celtic and Iberian fields,
At last betakes him to this ominous wood,
And, in thick shelter of black shades imbowered,
Excels his mother at her mighty art;
Offering to every weary traveller
His orient liquor in a crystal glass,
To quench the drouth of Phoebus; which as they taste
(For most do taste through fond intemperate thirst),
Soon as the potion works, their human count’nance,
The express resemblance of the gods, is changed
Into some brutish form of wolf or bear,
Or ounce or tiger, hog, or bearded goat,
All other parts remaining as they were.
And they, so perfect is their misery,
Not once perceive their foul disfigurement,
But boast themselves more comely than before,
And all their friends and native home forget,
To roll with pleasure in a sensual sty.
Therefore, when any favoured of high Jove
Chances to pass through this adventurous glade,
Swift as the sparkle of a glancing star
I shoot from heaven, to give him safe convoy,
As now I do. But first I must put off
These my sky-robes, spun out of Iris’ woof,
And take the weeds and likeness of a swain
That to the service of this house belongs,
Who, with his soft pipe and smooth-dittied song,
Well knows to still the wild winds when they roar,
And hush the waving woods; nor of less faith
And in this office of his mountain watch
Likeliest, and nearest to the present aid
Of this occasion. But I hear the tread
Of hateful steps; I must be viewless now.


COMUS enters, with a charming-rod in one hand, his glass in the
other: with him a rout of monsters, headed like sundry sorts of
wild
beasts, but otherwise like men and women, their apparel
glistering.
They come in making a riotous and unruly noise, with torches in
their hands.


         COMUS. The star that bids the shepherd fold
Now the top of heaven doth hold;
And the gilded car of day
His glowing axle doth allay
In the steep Atlantic stream;
And the ***** sun his upward beam
Shoots against the dusky pole,
Pacing toward the other goal
Of his chamber in the east.
Meanwhile, welcome joy and feast,
Midnight shout and revelry,
Tipsy dance and jollity.
Braid your locks with rosy twine,
Dropping odours, dropping wine.
Rigour now is gone to bed;
And Advice with scrupulous head,
Strict Age, and sour Severity,
With their grave saws, in slumber lie.
We, that are of purer fire,
Imitate the starry quire,
Who, in their nightly watchful spheres,
Lead in swift round the months and years.
The sounds and seas, with all their finny drove,
Now to the moon in wavering morrice move;
And on the tawny sands and shelves
Trip the pert fairies and the dapper elves.
By dimpled brook and fountain-brim,
The wood-nymphs, decked with daisies trim,
Their merry wakes and pastimes keep:
What hath night to do with sleep?
Night hath better sweets to prove;
Venus now wakes, and wakens Love.
Come, let us our rights begin;
‘T is only daylight that makes sin,
Which these dun shades will ne’er report.
Hail, goddess of nocturnal sport,
Dark-veiled Cotytto, to whom the secret flame
Of midnight torches burns! mysterious dame,
That ne’er art called but when the dragon womb
Of Stygian darkness spets her thickest gloom,
And makes one blot of all the air!
Stay thy cloudy ebon chair,
Wherein thou ridest with Hecat’, and befriend
Us thy vowed priests, till utmost end
Of all thy dues be done, and none left out,
Ere the blabbing eastern scout,
The nice Morn on the Indian steep,
From her cabined loop-hole peep,
And to the tell-tale Sun descry
Our concealed solemnity.
Come, knit hands, and beat the ground
In a light fantastic round.

                              The Measure.

         Break off, break off! I feel the different pace
Of some chaste footing near about this ground.
Run to your shrouds within these brakes and trees;
Our number may affright. Some ****** sure
(For so I can distinguish by mine art)
Benighted in these woods! Now to my charms,
And to my wily trains: I shall ere long
Be well stocked with as fair a herd as grazed
About my mother Circe. Thus I hurl
My dazzling spells into the spongy air,
Of power to cheat the eye with blear illusion,
And give it false presentments, lest the place
And my quaint habits breed astonishment,
And put the damsel to suspicious flight;
Which must not be, for that’s against my course.
I, under fair pretence of friendly ends,
And well-placed words of glozing courtesy,
Baited with reasons not unplausible,
Wind me into the easy-hearted man,
And hug him into snares. When once her eye
Hath met the virtue of this magic dust,
I shall appear some harmless villager
Whom thrift keeps up about his country gear.
But here she comes; I fairly step aside,
And hearken, if I may her business hear.

The LADY enters.

         LADY. This way the noise was, if mine ear be true,
My best guide now. Methought it was the sound
Of riot and ill-managed merriment,
Such as the jocund flute or gamesome pipe
Stirs up among the loose unlettered hinds,
When, for their teeming flocks and granges full,
In wanton dance they praise the bounteous Pan,
And thank the gods amiss. I should be loth
To meet the rudeness and swilled insolence
Of such late wassailers; yet, oh! where else
Shall I inform my unacquainted feet
In the blind mazes of this tangled wood?
My brothers, when they saw me wearied out
With this long way, resolving here to lodge
Under the spreading favour of these pines,
Stepped, as they said, to the next thicket-side
To bring me berries, or such cooling fruit
As the kind hospitable woods provide.
They left me then when the grey-hooded Even,
Like a sad votarist in palmer’s ****,
Rose from the hindmost wheels of Phoebus’ wain.
But where they are, and why they came not back,
Is now the labour of my thoughts. TTis likeliest
They had engaged their wandering steps too far;
And envious darkness, ere they could return,
Had stole them from me. Else, O thievish Night,
Why shouldst thou, but for some felonious end,
In thy dark lantern thus close up the stars
That Nature hung in heaven, and filled their lamps
With everlasting oil to give due light
To the misled and lonely traveller?
This is the place, as well as I may guess,
Whence even now the tumult of loud mirth
Was rife, and perfect in my listening ear;
Yet nought but single darkness do I find.
What might this be ? A thousand fantasies
Begin to throng into my memory,
Of calling shapes, and beckoning shadows dire,
And airy tongues that syllable men’s names
On sands and shores and desert wildernesses.
These thoughts may startle well, but not astound
The virtuous mind, that ever walks attended
By a strong siding champion, Conscience.
O, welcome, pure-eyed Faith, white-handed Hope,
Thou hovering angel girt with golden wings,
And thou unblemished form of Chastity!
I see ye visibly, and now believe
That He, the Supreme Good, to whom all things ill
Are but as slavish officers of vengeance,
Would send a glistering guardian, if need were,
To keep my life and honour unassailed. . . .
Was I deceived, or did a sable cloud
Turn forth her silver lining on the night?
I did not err: there does a sable cloud
Turn forth her silver lining on the night,
And casts a gleam over this tufted grove.
I cannot hallo to my brothers, but
Such noise as I can make to be heard farthest
I’ll venture; for my new-enlivened spirits
Prompt me, and they perhaps are not far off.

Song.

Sweet Echo, sweetest nymph, that liv’st unseen
                 Within thy airy shell
         By slow Meander’s margent green,
And in the violet-embroidered vale
         Where the love-lorn nightingale
Nightly to thee her sad song mourneth well:
Canst thou not tell me of a gentle pair
         That likest thy Narcissus are?
                  O, if thou have
         Hid them in some flowery cave,
                  Tell me but where,
         Sweet Queen of Parley, Daughter of the Sphere!
         So may’st thou be translated to the skies,
And give resounding grace to all Heaven’s harmonies!


         COMUS. Can any mortal mixture of earthUs mould
Breathe such divine enchanting ravishment?
Sure something holy lodges in that breast,
And with these raptures moves the vocal air
To testify his hidden residence.
How sweetly did they float upon the wings
Of silence, through the empty-vaulted night,
At every fall smoothing the raven down
Of darkness till it smiled! I have oft heard
My mother Circe with the Sirens three,
Amidst the flowery-kirtled Naiades,
Culling their potent herbs and baleful drugs,
Who, as they sung, would take the prisoned soul,
And lap it in Elysium: Scylla wept,
And chid her barking waves into attention,
And fell Charybdis murmured soft applause.
Yet they in pleasing slumber lulled the sense,
And in sweet madness robbed it of itself;
But such a sacred and home-felt delight,
Such sober certainty of waking bliss,
I never heard till now. I’ll speak to her,
And she shall be my queen.QHail, foreign wonder!
Whom certain these rough shades did never breed,
Unless the goddess that in rural shrine
Dwell’st here with Pan or Sylvan, by blest song
Forbidding every bleak unkindly fog
To touch the prosperous growth of this tall wood.
         LADY. Nay, gentle shepherd, ill is lost that praise
That is addressed to unattending ears.
Not any boast of skill, but extreme shift
How to regain my severed company,
Compelled me to awake the courteous Echo
To give me answer from her mossy couch.
         COMUS: What chance, good lady, hath bereft you thus?
         LADY. Dim darkness and this leafy labyrinth.
         COMUS. Could that divide you from near-ushering guides?
         LADY. They left me weary on a grassy turf.
         COMUS. By falsehood, or discourtesy, or why?
         LADY. To seek i’ the valley some cool friendly spring.
         COMUS. And left your fair side all unguarded, Lady?
         LADY. They were but twain, and purposed quick return.
         COMUS. Perhaps forestalling night prevented them.
         LADY. How easy my misfortune is to hit!
         COMUS. Imports their loss, beside the present need?
         LADY. No less than if I should my brothers lose.
         COMUS. Were they of manly prime, or youthful bloom?
         LADY. As smooth as ****’s their unrazored lips.
         COMUS. Two such I saw, what time the laboured ox
In his loose traces from the furrow came,
And the swinked hedger at his supper sat.
I saw them under a green mantling vine,
That crawls along the side of yon small hill,
Plucking ripe clusters from the tender shoots;
Their port was more than human, as they stood.
I took it for a faery vision
Of some gay creatures of the element,
That in the colours of the rainbow live,
And play i’ the plighted clouds. I was awe-strook,
And, as I passed, I worshiped. If those you seek,
It were a journey like the path to Heaven
To help you find them.
         LADY.                          Gentle villager,
What readiest way would bring me to that place?
         COMUS. Due west it rises from this shrubby point.
         LADY. To find out that, good shepherd, I suppose,
In such a scant allowance of star-light,
Would overtask the best land-pilot’s art,
Without the sure guess of well-practised feet.
        COMUS. I know each lane, and every alley green,
******, or bushy dell, of this wild wood,
And every bosky bourn from side to side,
My daily walks and ancient neighbourhood;
And, if your stray attendance be yet lodged,
Or shroud within these limits, I shall know
Ere morrow wake, or the low-roosted lark
From her thatched pallet rouse. If otherwise,
I can c

The hotel balcony is the highest
That I could get, just as lying down
On the greener grass in Luneta Park
Is the lowest that I could ever be,
All because she is with me,
All because my hand fits, feels just
Right about her hand, and all because
All the warmest stars kept on
Staring back at us, inspired.
We are the farthest satellite
That they could ever find.*

© 2014 J.S.P.

When Pigs Fly
by Michael R. Burch

On the Trail of Tears,
my Cherokee brothers,
why hang your heads?
Why shame your mothers?
Laugh wildly instead!
We will soon be dead.

When we lie in our graves,
let the white-eyes take
the woodlands we loved
for the *** and the rake.
It is better to die
than to live out a lie
in so narrow a sty.

In October 1838 the Cherokees began to walk the "Trail of Tears." Most of them made the thousand mile journey west to Oklahoma on foot. An estimated 4,000 people, or a quarter of the tribe, died en route. The soldiers "escorting" the Cherokees at bayonet point refused permission for the dead to be buried, threatening to shoot anyone who disobeyed. So the living were forced to carry the corpses of the dead until camp was made for the night. Years after the Cherokees had been rounded up and driven down the Trail of Tears, John G. Burnett reflected on what he and his fellow soldiers had done, saying, "Schoolchildren of today do not know that we are living on lands that were taken from a helpless race at the bayonet point, to satisfy the white man's greed... ****** is ****** and somebody must answer, somebody must explain the streams of blood that flowed in the Indian country... Somebody must explain the four thousand silent graves that mark the trail of the Cherokees to their exile." Keywords/Tags: Cherokee, Native American, Trail of Tears, Ethnic Cleansing, Genocide, ******, Evil, Death, March, Death March, Infanticide, Matricide, Racism, Racist, Discrimination, Violence, Fascism, White Supremacists, Horror, Terror, Terrorism, Greed, Gluttony, Avarice, Lust, ****, mrbpig, mrbpigs



Cherokee Prayer
loose translation/interpretation by Michael R. Burch

As I walk life's trails
imperiled by the raging wind and rain,
grant, O Great Spirit,
that yet I may always
walk like a man.

This prayer makes me think of Native Americans walking the Trail of Tears with far more courage and dignity than their “civilized” abusers.



Native American Prayer
loose translation/interpretation by Michael R. Burch

Help us learn the lessons you have left us
in every leaf and rock.



Native American Travelers' Blessing
loose translation/interpretation by Michael R. Burch

Let us walk together here
among earth's creatures great and small,
remembering, our footsteps light,
that one wise God created all.



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux, circa 1840-1877
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.



Cherokee Travelers' Blessing I
loose translation/interpretation by Michael R. Burch

I will extract the thorns from your feet.
For yet a little while, we will walk life's sunlit paths together.
I will love you like my own brother, my own blood.
When you are disconsolate, I will wipe the tears from your eyes.
And when you are too sad to live, I will put your aching heart to rest.

Published by Better Than Starbucks and Cherokee Native Americans



Cherokee Travelers' Blessing II
loose translation/interpretation by Michael R. Burch

Happily may you walk
in the paths of the Rainbow.
                  Oh,
and may it always be beautiful before you,
beautiful behind you,
beautiful below you,
beautiful above you,
and beautiful all around you
where in Perfection beauty is finished.

Published by Better Than Starbucks



Cherokee Travelers' Blessing III
loose translation/interpretation by Michael R. Burch

May Heaven’s warming winds blow gently there,
where you reside,
and may the Great Spirit bless all those you love,
this side of the farthest tide.
And wherever you go,
whether the journey is fast or slow,
may your moccasins leave many cunning footprints in the snow.
And when you look over your shoulder, may you always find the Rainbow.

Published by Better Than Starbucks



What is life?
The flash of a firefly.
The breath of the winter buffalo.
The shadow scooting across the grass that vanishes with sunset.
―Blackfoot saying, loose translation/interpretation by Michael R. Burch



Warrior's Confession
loose translation/interpretation by Michael R. Burch

Oh my love, how fair you are—
far brighter than the fairest star!



Cherokee Proverb
loose translation/interpretation by Michael R. Burch

Before you judge
a man for his sins
be sure to trudge
many moons in his moccasins.



Cherokee Prayer
loose translation/interpretation by Michael R. Burch

As I walk life's trails
imperiled by the raging wind and rain,
grant, O Great Spirit,
that yet I may always
walk like a man.

When I think of this prayer, I think of Native Americans walking the Trail of Tears.



The Receiving of the Flower
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch

Let us sing overflowing with joy
as we observe the Receiving of the Flower.
The lovely maidens beam;
their hearts leap in their *******.

Why?

Because they will soon yield their virginity to the men they love!



The Deflowering
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch

Remove your clothes;
let down your hair;
become as naked as the day you were born—

virgins!



Prelude to *******
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch

Lay out your most beautiful clothes,
maidens!
The day of happiness has arrived!

Grab your combs, detangle your hair,
adorn your earlobes with gaudy pendants.
Dress in white as becomes maidens ...

Then go, give your lovers the happiness of your laughter!
And all the village will rejoice with you,
for the day of happiness has arrived!



The Flower-Strewn Pool
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch

You have arrived at last in the woods
where no one can see what you do
at the flower-strewn pool ...
Remove your clothes,
unbraid your hair,
become as you were
when you first arrived here
naked and shameless,
virgins, maidens!



Native American Proverbs

The soul would see no Rainbows if not for the eyes’ tears.
—loose translation/interpretation by Michael R. Burch

A woman’s highest calling is to help her man unite with the Source.
A man’s highest calling is to help his woman walk the earth unharmed.
—loose translation/interpretation by Michael R. Burch

When you were born, you cried and the world rejoiced.
Live your life so that when you die, the world cries and you rejoice.
—White Elk, loose translation/interpretation by Michael R. Burch

What is life?
The flash of a firefly.
The breath of a winter buffalo.
The shadow scooting across the grass that vanishes with sunset.
—Blackfoot saying, translation by Michael R. Burch

Speak less thunder, wield more lightning. — Apache proverb, translation by Michael R. Burch

The more we wonder, the more we understand. — Arapaho proverb, translation by Michael R. Burch

Adults talk, children whine. — Blackfoot proverb, translation by Michael R. Burch

Don’t be afraid to cry: it will lessen your sorrow. — Hopi proverb

One foot in the boat, one foot in the canoe, and you end up in the river. — Tuscarora proverb, translation by Michael R. Burch

Our enemy's weakness increases our strength. — Cherokee proverb, translation by Michael R. Burch

We will be remembered tomorrow by the tracks we leave today. — Dakota proverb, translation by Michael R. Burch

No sound's as eloquent as a rattlesnake's tail. — Navajo saying, translation by Michael R. Burch

The heart is our first teacher. — Cheyenne proverb, translation by Michael R. Burch

Dreams beget success. — Maricopa proverb, translation by Michael R. Burch

Knowledge interprets the past, wisdom foresees the future. — Lumbee proverb, translation by Michael R. Burch

The troublemaker's way is thorny. — Umpqua proverb, translation by Michael R. Burch



Earthbound
an original poem by Michael R. Burch

Tashunka Witko, better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting ...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.



Years after the Cherokees had been rounded up and driven down the Trail of Tears, John G. Burnett reflected on what he and his fellow soldiers had done, saying, "Schoolchildren of today do not know that we are living on lands that were taken from a helpless race at the bayonet point, to satisfy the white man's greed ... ****** is ****** and somebody must answer, somebody must explain the streams of blood that flowed in the Indian country ... Somebody must explain the four thousand silent graves that mark the trail of the Cherokees to their exile."

In the same year, 1830, that Stonewall Jackson consigned Native Americans to the ash-heap of history, Georgia Governor George Gilmer said, "Treaties are expedients by which ignorant, intractable, and savage people are induced ... to yield up what civilized people have the right to possess." By "civilized" he apparently meant people willing to brutally dispossess and **** women and children in order to derive economic benefits for themselves.

These nights bring dreams of Cherokee shamans
whose names are bright verbs and impacted dark nouns,
whose memories are indictments of my pallid flesh . . .
and I hear, as from a great distance,
the cries tortured from their guileless lips, proclaiming
the nature of my mutation.
―Michael R. Burch, from "Mongrel Dreams" (my family is part Cherokee, English and Scottish)

After Jackson was re-elected with an overwhelming majority in 1832, he strenuously pursued his policy of removing Native Americans, even refusing to accept a Supreme Court ruling which invalidated Georgia's planned annexation of Cherokee land. But in the double-dealing logic of the white supremacists, they had to make the illegal resettlement of the Indians appear to be "legal," so a small group of Cherokees were persuaded to sign the "Treaty of New Echota," which swapped Cherokee land for land in the Oklahoma territory. The Cherokee ringleaders of this infamous plot were later assassinated as traitors. (****** was similarly obsessed with the "legalities" of the **** Holocaust; isn't it strange how mass murderers of women and children can seek to justify their crimes?)

Native Americans understood the "circle of life" better than their white oppressors ...

When we sit in the Circle of the People,
we must be responsible because all Creation is related
and the suffering of one is the suffering of all
and the joy of one is the joy of all
and whatever we do affects everything in the universe.
—"Lakota Instructions for Living" by White Buffalo Calf Woman, translated by Michael R. Burch



Veiled
by Michael R. Burch

She has belief
without comprehension
and in her crutchwork shack
she is
much like us . . .

tamping the bread
into edible forms,
regarding her children
at play
with something akin to relief . . .

ignoring the towers ablaze
in the distance
because they are not revelations
but things of glass,
easily shattered . . .

and if you were to ask her,
she might say:
sometimes God visits his wrath
upon an impious nation
for its leaders’ sins,

and we might agree:
seeing her mutilations.

Published by Poetry Super Highway and Modern War Poems.



Ali’s Song
by Michael R. Burch

They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.

They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.

Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.

They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.

My face reflected up, dark bronze like gold,
a coin God stamped in His own image―BOLD.
My blood boiled like that river―strange and wild.
I died to hate in that dark river, child,
Come, be reborn in this bright river, child.

Originally published by Black Medina

Note: Cassius Clay, who converted to Islam and changed his “slave name” to Muhammad Ali, said that he threw his Olympic boxing gold medal into the Ohio River. Confirming his account, the medal was recovered by Robert Bradbury and his wife Pattie in 2014 during the Annual Ohio River Sweep, and the Ali family paid them $200,000 to regain possession of the medal. When drafted during the Vietnamese War, Ali refused to serve, reputedly saying: “I ain't got no quarrel with those Viet Cong; no Vietnamese ever called me a ******.” The notice mentioned in my poem is Ali's draft notice, which metaphorically gets tossed into the river along with his slave name. I was told through the grapevine that this poem appeared in Farsi in an Iranian publication called Bashgah. ―Michael R. Burch



evol-u-shun
by Michael R. Burch

does GOD adore the Tyger
while it’s ripping ur lamb apart?

does GOD applaud the Plague
while it’s eating u à la carte?

does GOD admire ur intelligence
while u pray that IT has a heart?

does GOD endorse the Bible
you blue-lighted at k-mart?



Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name.

Lament to the Spirit of War
by Enheduanna
loose translation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy the land,
descending like a raging storm,
howling like a hurricane,
screaming like a tempest,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.

Tortured dirges scream
on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down a mountainside.

Spirit of hatred, greed and vengeance!

******* of heaven and earth!

Your ferocious fire consumes our land.

Whipping your stallion
with furious commands,
you decide our fate.

You triumph over all human rites and prayers.

Who can explain your tirade,
why you go on so?



Temple Hymn 15
to the Gishbanda Temple of Ningishzida
by Enheduanna
loose translation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain,
dark like a mother's womb...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying...

Though approaching through a safe-seeming field,
our hair stands on end as we near you!

Gishbanda,
like a neck-stock,
like a fine-eyed fish net,
like a foot-shackled prisoner's manacles...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's Holy One,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!



The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!



The Exaltation of Inanna: Opening Lines, an Excerpt
Nin-me-šara by Enheduanna
loose translation by Michael R. Burch

Lady of all divine powers,
Lady of the all-resplendent light,
Righteous Lady clothed in heavenly radiance,
Beloved Lady of An and Uraš,
Mistress of heaven with the holy diadem,
Who loves the beautiful headdress befitting the office of her high priestess,
Powerful Mistress who has seized all seven divine powers,
My lady, you are the guardian of the seven divine powers!
You have seized the divine powers,
You hold the divine powers in your hand,
You have gathered up the divine powers,
You have clasped the divine powers to your breast!
Like a dragon you have spewed venom on foreign lands that know you not!
When you roar like Iškur at the earth, nothing can withstand you!
Like a flood descending on alien lands, O Powerful One of heaven and earth, you will teach them to fear Inanna!



Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains!...



Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!



Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!



Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!



Temple Hymn 42: an Excerpt
to the Eresh Temple of Nisaba
by Enheduanna
loose translation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



Update of "A Litany in Time of Plague"
by Michael R. Burch

THE PLAGUE has come again
To darken lives of men
and women, girls and boys;
Death proves their bodies toys
Too frail to even cry.
I am sick, I must die.
Lord, have mercy on us!

Tycoons, what use is wealth?
You cannot buy good health!
Physicians cannot heal
Themselves, to Death must kneel.
Nuns’ prayers mount to the sky.
I am sick, I must die.
Lord, have mercy on us!

Beauty’s brightest flower?
Devoured in an hour.
Kings, Queens and Presidents
Are fearful residents
Of manors boarded high.
I am sick, I must die.
Lord, have mercy on us!

We have no means to save
Our children from the grave.
Though cure-alls line our shelves,
We cannot save ourselves.
"Come, come!" the sad bells cry.
I am sick, I must die.
Lord, have mercy on us!

NOTE: This poem is meant to capture the understandable fear and dismay the Plague caused in the Middle Ages, and which the coronavirus has caused in the 21st century. We are better equipped to deal with this modern plague, thanks to advances in science, medicine and sanitation. We do not have to succumb to fear, but it would be wise to have a healthy respect for the nasty bug and heed the advice of medical experts.--MRB



Regret
by Michael R. Burch

Regret,
a bitter
ache to bear . . .

once starlight
languished
in your hair . . .

a shining there
as brief
as rare.

Regret . . .
a pain
I chose to bear . . .

unleash
the torrent
of your hair . . .

and show me
once again―
how rare.

Published by The HyperTexts and The Chained Muse



The Stake
by Michael R. Burch

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.

Originally published by The Lyric



If
by Michael R. Burch

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
even for a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn―one moment less brightly,
one instant less true―
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.

Originally published by The HyperTexts



The Effects of Memory
by Michael R. Burch

A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember

now that I cannot forget.

And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...

our soft cries, like regret,

... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...

now that I have forgotten her face.



Villanelle: Because Her Heart Is Tender
by Michael R. Burch

for Beth

She scrawled soft words in soap: "Never Forget,"
Dove-white on her car's window, and the wren,
because her heart is tender, might regret
it called the sun to wake her. As I slept,
she heard lost names recounted, one by one.

She wrote in sidewalk chalk: "Never Forget,"
and kept her heart's own counsel. No rain swept
away those words, no tear leaves them undone.

Because her heart is tender with regret,
bruised by razed towers' glass and steel and stone
that shatter on and on and on and on,
she stitches in wet linen: "NEVER FORGET,"
and listens to her heart's emphatic song.

The wren might tilt its head and sing along
because its heart once understood regret
when fledglings fell beyond, beyond, beyond ...
its reach, and still the boot-heeled world strode on.

She writes in adamant: "NEVER FORGET"
because her heart is tender with regret.



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Turkish Poetry Translations

Attilâ İlhan (1925-2005) was a Turkish poet, translator, novelist, screenwriter, editor, journalist, essayist, reviewer, socialist and intellectual.

Ben Sana Mecburum: “You are indispensable”
by Attila Ilhan
translation by Nurgül Yayman and Michael R. Burch

You are indispensable; how can you not know
that you’re like nails riveting my brain?
I see your eyes as ever-expanding dimensions.
You are indispensable; how can you not know
that I burn within, at the thought of you?

Trees prepare themselves for autumn;
can this city be our lost Istanbul?
Now clouds disintegrate in the darkness
as the street lights flicker
and the streets reek with rain.
You are indispensable, and yet you are absent ...

Love sometimes seems akin to terror:
a man tires suddenly at nightfall,
of living enslaved to the razor at his neck.
Sometimes he wrings his hands,
expunging other lives from his existence.
Sometimes whichever door he knocks
echoes back only heartache.

A screechy phonograph is playing in Fatih ...
a song about some Friday long ago.
I stop to listen from a vacant corner,
longing to bring you an untouched sky,
but time disintegrates in my hands.
Whatever I do, wherever I go,
you are indispensable, and yet you are absent ...

Are you the blue child of June?
Ah, no one knows you―no one knows!
Your deserted eyes are like distant freighters ...

Perhaps you are boarding in Yesilköy?
Are you drenched there, shivering with the rain
that leaves you blind, beset, broken,
with wind-disheveled hair?

Whenever I think of life
seated at the wolves’ table,
shameless, yet without soiling our hands ...
Yes, whenever I think of life,
I begin with your name, defying the silence,
and your secret tides surge within me
making this voyage inevitable.
You are indispensable; how can you not know?



Fragments
by Attila Ilhan
loose English translations/interpretations by Michael R. Burch

The night is a cloudy-feathered owl,
its quills like fine-spun glass.

It gazes out the window,
perched on my right shoulder,
its wings outspread and huge.

If the encroaching darkness seems devastating at first glance,
the sovereign of everything,
its reach infinite ...

Still somewhere within a kernel of light glows secretly
creating an enlightened forest of dialectics.

In September’s waning days one thinks wanly of the arrival of fall
like a ship appearing on the horizon with untrimmed, tattered sails;
for some unfathomable reason fall is the time to consider one’s own demise―
the body smothered by yellowed leaves like a corpse rotting in a ghoulish photograph ...

Bitter words
crack like whips
snapping across prison yards ...

Then there are words like pomegranate trees in bloom,
words like the sun igniting the sea beyond mountainous horizons,
flashing like mysterious knives ...

Such words are the burning roses of an infinite imagination;
they are born and they die with the flutterings of butterflies;
we carry those words in our hearts like pregnant shotguns until the day we expire,
martyred for the words we were prepared to die for ...

What I wrote and what you understood? Curious and curiouser!



Mehmet Akif Ersoy: Modern English Translations of Turkish Poems

Mehmet Âkif Ersoy (1873-1936) was a Turkish poet, author, writer, academic, member of parliament, and the composer of the Turkish National Anthem.



Snapshot
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

Earth’s least trace of life cannot be erased;
even when you lie underground, it encompasses you.
So, those of you who anticipate the shadows,
how long will the darkness remember you?



Zulmü Alkislayamam
"I Can’t Applaud Tyranny"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

I can't condone cruelty; I will never applaud the oppressor;
Yet I can't renounce the past for the sake of deluded newcomers.
When someone curses my ancestors, I want to strangle them,
Even if you don’t.
But while I harbor my elders,
I refuse to praise their injustices.
Above all, I will never glorify evil, by calling injustice “justice.”
From the day of my birth, I've loved freedom;
The golden tulip never deceived me.
If I am nonviolent, does that make me a docile sheep?
The blade may slice, but my neck resists!
When I see someone else's wound, I suffer a great hardship;
To end it, I'll be whipped, I'll be beaten.
I can't say, “Never mind, just forget it!” I'll mind,
I'll crush, I'll be crushed, I'll uphold justice.
I'm the foe of the oppressor, the friend of the oppressed.
What the hell do you mean, with your backwardness?



Çanakkale Sehitlerine
"For the Çanakkale Martyrs"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

Was there ever anything like the Bosphorus war?―
The earth’s mightiest armies pressing Marmara,
Forcing entry between her mountain passes
To a triangle of land besieged by countless vessels.
Oh, what dishonorable assemblages!
Who are these Europeans, come as rapists?
Who, these braying hyenas, released from their reeking cages?
Why do the Old World, the New World, and all the nations of men
now storm her beaches? Is it Armageddon? Truly, the whole world rages!
Seven nations marching in unison!
Australia goose-stepping with Canada!
Different faces, languages, skin tones!
Everything so different, but the mindless bludgeons!
Some warriors Hindu, some African, some nameless, unknown!
This disgraceful invasion, baser than the Black Death!
Ah, the 20th century, so noble in its own estimation,
But all its favored ones nothing but a parade of worthless wretches!
For months now Turkish soldiers have been vomited up
Like stomachs’ retched contents regarded with shame.
If the masks had not been torn away, the faces would still be admired,
But the ***** called civilization is far from blameless.
Now the ****** demand the destruction of the doomed
And thus bring destruction down on their own heads.
Lightning severs horizons!
Earthquakes regurgitate the bodies of the dead!
Bombs’ thunderbolts explode brains,
rupture the ******* of brave soldiers.
Underground tunnels writhe like hell
Full of the bodies of burn victims.
The sky rains down death, the earth swallows the living.
A terrible blizzard heaves men violently into the air.
Heads, eyes, torsos, legs, arms, chins, fingers, hands, feet ...
Body parts rain down everywhere.
Coward hands encased in armor callously scatter
Floods of thunderbolts, torrents of fire.
Men’s chests gape open,
Beneath the high, circling vulture-like packs of the air.
Cannonballs fly as frequently as bullets
Yet the heroic army laughs at the hail.
Who needs steel fortresses? Who fears the enemy?
How can the shield of faith not prevail?
What power can make religious men bow down to their oppressors
When their stronghold is established by God?
The mountains and the rocks are the bodies of martyrs! ...
For the sake of a crescent, oh God, many suns set, undone!
Dear soldier, who fell for the sake of this land,
How great you are, your blood saves the Muslims!
Only the lions of Bedr rival your glory!
Who then can dig the grave wide enough to hold you. and your story?
If we try to consign you to history, you will not fit!
No book can contain the eras you shook!
Only eternities can encompass you! ...
Oh martyr, son of the martyr, do not ask me about the grave:
The prophet awaits you now, his arms flung wide open, to save!



Sessiz Gemi (“Silent Ship”)

by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch

for the refugees

The time to weigh anchor has come;
a ship departing harbor slips quietly out into the unknown,
cruising noiselessly, its occupants already ghosts.
No flourished handkerchiefs acknowledge their departure;
the landlocked mourners stand nurturing their grief,
scanning the bleak horizon, their eyes blurring ...
Poor souls! Desperate hearts! But this is hardly the last ship departing!
There is always more pain to unload in this sorrowful life!
The hesitations of lovers and their belovèds are futile,
for they cannot know where the vanished are bound.
Many hopes must be quenched by the distant waves,
since years must pass, and no one returns from this journey.



Full Moon
by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch

You are so lovely
the full moon just might
delight
in your rising,
as curious
and bright,
to vanquish night.

But what can a mortal man do,
dear,
but hope?
I’ll ponder your mysteries
and (hmmmm) try to
cope.

We both know
you have every right to say no.



The Music of the Snow
by Yahya Kemal Beyatli
loose translation/interpretation by Michael R. Burch

This melody of a night lasting longer than a thousand years!
This music of the snow supposed to last for thousand years!

Sorrowful as the prayers of a secluded monastery,
It rises from a choir of a hundred voices!

As the *****’s harmonies resound profoundly,
I share the sufferings of Slavic grief.

My mind drifts far from this city, this era,
To the old records of Tanburi Cemil Bey.

Now I’m suddenly overjoyed as once again I hear,
With the ears of my heart, the purest sounds of Istanbul!

Thoughts of the snow and darkness depart me;
I keep them at bay all night with my dreams!

Translator’s notes: “Slavic grief” because Beyatli wrote this poem while in Warsaw, serving as Turkey’s ambassador to Poland, in 1927. Tanburi Cemil Bey was a Turkish composer.



Thinking of you
by Nazim Hikmet
loose translation/interpretation by Michael R. Burch

Thinking of you is beautiful, hopeful―
like listening to the most beautiful songs
sung by the earth's most beautiful voices.
But hope is insufficient for me now;
I don't want to listen to songs.
I want to sing love into birth.



I love you
by Nazim Hikmet
loose translation/interpretation by Michael R. Burch

I love you―
like dipping bread into salt and eating;
like waking at night with a raging fever
and thirstily lapping up water, my mouth to the silver tap;
like unwrapping the unwieldy box the postman delivers,
unable to guess what's inside,
feeling fluttery, happy, doubtful.
I love you―
like flying over the sea the first time
as something stirs within me
while the sky softly darkens over Istanbul.
I love you―
as men thank God gratefully for life.



Sparrow
by Nazim Hikmet
loose translation/interpretation by Michael R. Burch

Little sparrow,
perched on the clothesline,
do you regard me with pity?
Even so, I will watch you
soar away through the white spring leaves.



The Divan of the Lover

the oldest extant Turkish poem
loose translation/interpretation by Michael R. Burch

All the universe as one great sign is shown:
God revealed in his creative acts unknown.
Who sees or understands them, jinn or men?
Such works lie far beyond mere mortals’ ken.
Nor can man’s mind or reason reach that strand,
Nor mortal tongue name Him who rules that land.
Since He chose nothingness with life to vest,
who dares to trouble God with worms’ behests?
For eighteen thousand worlds, lain end to end,
Do not with Him one atom's worth transcend!



Fragment
by Prince Jem
loose translation/interpretation by Michael R. Burch

Behold! The torrent, dashing against the rocks, flails wildly.
The entire vast realm of Space and Being oppresses my soul idly.
Through bitterness of grief and woe the sky has rent its morning robe.
Look! See how in its eastern palace, the sun is a ****** globe!
The clouds of heaven rain bright tears on the distant mountain peaks.
Oh, hear how the deeply wounded thunder slowly, mournfully speaks!



An Ecstasy of Fumbling
by Michael R. Burch

The poets believe
everything resolves to metaphor—
a distillation,
a vapor
beyond filtration,
though perhaps not quite as volatile as before.

The poets conceive
of death in the trenches
as the price of art,
not war,
fumbling with their masque-like
dissertations
to describe the Hollywood-like gore

as something beyond belief,
abstracting concrete bunkers to Achaemenid bas-relief.



Excerpts from “Travels with Einstein”
by Michael R. Burch

for Trump

I went to Berlin to learn wisdom
from Adolph. The wild spittle flew
as he screamed at me, with great conviction:
“Please despise me! I look like a Jew!”

So I flew off to ’Nam to learn wisdom
from tall Yankees who cursed “yellow” foes.
“If we lose this small square,” they informed me,
earth’s nations will fall, dominoes!”

I then sat at Christ’s feet to learn wisdom,
but his Book, from its genesis to close,
said: “Men can enslave their own brothers!”
(I soon noticed he lacked any clothes.)

So I traveled to bright Tel Aviv
where great scholars with lofty IQs
informed me that (since I’m an Arab)
I’m unfit to lick dirt from their shoes.

At last, done with learning, I stumbled
to a well where the waters seemed sweet:
the mirage of American “justice.”
There I wept a real sea, in defeat.

Originally published by Café Dissensus



The Leveler
by Michael R. Burch

The nature of Nature
is bitter survival
from Winter’s bleak fury
till Spring’s brief revival.

The weak implore Fate;
bold men ravish, dishevel her . . .
till both are cut down
by mere ticks of the Leveler.

I believe I wrote this poem around age 20, in 1978 or thereabouts. It has since been published in The Lyric, Tucumcari Literary Review, Romantics Quarterly and The Aurorean.



The Hippopotami
by Michael R. Burch

There’s no seeing eye to eye
with the awesomely huge Hippopotami:
on the bank, you’re much taller;
going under, you’re smaller
and assuredly destined to die!



Ballade of the Bicameral Camel
by Michael R. Burch

There once was a camel who loved to ****.
Please get your lewd minds out of their slump!
He loved to give RIDES on his large, lordly lump!



The Echoless Green
by Michael R. Burch

for and after William Blake

At dawn, laughter rang
on the echoing green
as children at play
greeted the day.

At noon, smiles were seen
on the echoing green
as, children no more,
many fine vows they swore.

By twilight, their cries
had subsided to sighs.

Now night reigns supreme
on the echoless green.



Unlikely Mike
by Michael R. Burch

I married someone else’s fantasy;
she admired me despite my mutilations.

I loved her for her heart’s sake, and for mine.
I hid my face and changed its connotations.

And in the dark I danced—slight, Chaplinesque—
a metaphor myself. How could they know,

the undiscerning ones, that in the glow
of spotlights, sometimes love becomes burlesque?

Disfigured to my soul, I could not lose
or choose or name myself; I came to be

another of life’s odd dichotomies,
like Dickey’s Sheep Boy, Pan, or David Cruse:

as pale, as enigmatic. White, or black?
My color was a song, a changing track.



Spring Was Delayed
by Michael R. Burch

Winter came early:
the driving snows,
the delicate frosts
that crystallize

all we forget
or refuse to know,
all we regret
that makes us wise.

Spring was delayed:
the nubile rose,
the tentative sun,
the wind’s soft sighs,

all we omit
or refuse to show,
whatever we shield
behind guarded eyes.

Originally published by Borderless Journal



The Shijing or **** Jing (“Book of Songs” or “Book of Odes”) is the oldest Chinese poetry collection, with the poems included believed to date from around 1200 BC to 600 BC. According to tradition the poems were selected and edited by Confucius himself. Since most ancient poetry did not rhyme, these may be the world’s oldest extant rhyming poems.

Shijing Ode #4: “JIU MU”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

In the South, beneath trees with drooping branches
thick with vines that make them shady,
we find our lovely princely lady:
May she repose in happiness!

In the South, beneath trees with drooping branches
whose clinging vines make hot days shady,
we wish love’s embrace for our lovely lady:
May she repose in happiness!

In the South, beneath trees with drooping branches
whose vines, entwining, make them shady,
we wish true love for our lovely lady:
May she repose in happiness!

Shijing Ode #6: “TAO YAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

The peach tree is elegant and tender;
its flowers are fragrant, and bright.
A young lady now enters her future home
and will manage it well, day and night.

The peach tree is elegant and tender;
its fruits are abundant, and sweet.
A young lady now enters her future home
and will make it welcome to everyone she greets.

The peach tree is elegant and tender;
it shelters with bough, leaf and flower.
A young lady now enters her future home
and will make it her family’s bower.

Shijing Ode #9: “HAN GUANG”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

In the South tall trees without branches
offer men no shelter.
By the Han the girls loiter,
but it’s vain to entice them.
For the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

When cords of firewood are needed,
I would cut down tall thorns to bring them more.
Those girls on their way to their future homes?
I would feed their horses.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

When cords of firewood are needed,
I would cut down tall trees to bring them more.
Those girls on their way to their future homes?
I would feed their colts.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

Shijing Ode #10: “RU FEN”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

By raised banks of the Ru,
I cut down branches in the brake.
Not seeing my lord
caused me heartache.

By raised banks of the Ru,
I cut down branches by the tide.
When I saw my lord at last,
he did not cast me aside.

The bream flashes its red tail;
the royal court’s a blazing fire.
Though it blazes afar,
still his loved ones are near ...

It was apparently believed that the bream’s tail turned red when it was in danger. Here the term “lord” does not necessarily mean the man in question was a royal himself. Chinese women of that era often called their husbands “lord.” Take, for instance, Ezra Pound’s famous loose translation “The River Merchant’s Wife.” Speaking of Pound, I borrowed the word “brake” from his translation of this poem, although I worked primarily from more accurate translations. In the final line, it may be that the wife or lover is suggesting that no matter what happens, the man in question will have a place to go, or perhaps she is urging him to return regardless. The original poem had “mother and father” rather than “family” or “loved ones,” but in those days young married couples often lived with the husband’s parents. So a suggestion to return to his parents could be a suggestion to return to his wife as well.

Shijing Ode #12: “QUE CHAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

The nest is the magpie's
but the dove occupies it.
A young lady’s soon heading to her future home;
a hundred carriages will attend her.

The nest is the magpie's
but the dove takes it over.
A young lady’s soon heading to her future home;
a hundred carriages will escort her.

The nest is the magpie's
but the dove possesses it.
A young lady’s soon heading to her future home;
a hundred carriages complete her procession.

Shijing Ode #26: “BO ZHOU” from “The Odes of Bei”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

This cypress-wood boat floats about,
meandering with the current.
Meanwhile, I am distraught and sleepless,
as if inflicted with a painful wound.
Not because I have no wine,
and can’t wander aimlessly about!

But my mind is not a mirror
able to echo all impressions.
Yes, I have brothers,
but they are undependable.
I meet their anger with silence.

My mind is not a stone
to be easily cast aside.
My mind is not a mat
to be conveniently rolled up.
My conduct so far has been exemplary,
with nothing to criticize.

Yet my anxious heart hesitates
because I’m hated by the herd,
inflicted with many distresses,
heaped with insults, not a few.
Silently I consider my case,
until, startled, as if from sleep, I clutch my breast.

Consider the sun and the moon:
how did the latter exceed the former?
Now sorrow clings to my heart
like an unwashed dress.
Silently I consider my options,
but lack the wings to fly away.



The Drawer of Mermaids
by Michael R. Burch

This poem is dedicated to Alina Karimova, who was born with severely deformed legs and five fingers missing. Alina loves to draw mermaids and believes her fingers will eventually grow out.

Although I am only four years old,
they say that I have an old soul.
I must have been born long, long ago,
here, where the eerie mountains glow
at night, in the Urals.

A madman named Geiger has cursed these slopes;
now, shut in at night, the emphatic ticking
fills us with dread.
(Still, my momma hopes
that I will soon walk with my new legs.)

It’s not so much legs as the fingers I miss,
drawing the mermaids under the ledges.
(Observing, Papa will kiss me
in all his distracted joy;
but why does he cry?)

And there is a boy
who whispers my name.
Then I am not lame;
for I leap, and I follow.
(G’amma brings a wiseman who says

our infirmities are ours, not God’s,
that someday a beautiful Child
will return from the stars,
and then my new fingers will grow
if only I trust Him; and so

I am preparing to meet Him, to go,
should He care to receive me.)

Keywords/Tags: mermaid, mermaids, child, children, childhood, Urals, Ural Mountains, soul, soulmate, radiation



On the Horns of a Dilemma (I)
by Michael R. Burch

Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn is so ***** it lofts her thus?

I need an artist or cartoonist to create an image of a male rhino lifting his prospective mate into the air during an abortive kiss. Any takers?



On the Horns of a Dilemma (II)
by Michael R. Burch

Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn deforms her esophagus?



On the Horns of a Dilemma (III)
by Michael R. Burch

A wino rhino said, “I know!
I have a horn I cannot blow!
And so,
ergo,
I’ll watch the lovely spigot flow!



The Horns of a Dilemma Solved, if not Solvent
by Michael R. Burch

A wine-addled rhino debated
the prospect of living unmated
due to the scorn
gals showed for his horn,
then lost it to poachers, sedated.



The Arrival of the Sea Lions
by Michael R. Burch

The sound
of hounds
resounds in the sound.



Hounds Impounded
by Michael R. Burch

The sound
of hounds
resounds
in the pound.



Prince Kiwi the Great
by Michael R. Burch

Kiwi’s
a ***-wee
but incredibly bright:
he sleeps half the day,
pretending it’s night!

Prince Kiwi
commands us
with his regal air:
“Come, humans, and serve me,
or I’ll yank your hair!”

Kiwi
cries “Kree! Kree!”
when he wants to be fed ...
suns, preens, flutters, showers,
then it’s off to bed.

Kiwi’s
a ***-wee
but incredibly bright:
he sleeps half the day,
pretending it’s night!

Kiwi is our family’s green-cheeked parakeet. Parakeets need to sleep around 12 hours per day, hence the pun on “bright” and “half the day.”



Ah! Sunflower
by Michael R. Burch

after William Blake

O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!

Published as the collection "When Pigs Fly"

But some good Triton-god had ruth, and bare
The boy’s drowned body back to Grecian land,
And mermaids combed his dank and dripping hair
And smoothed his brow, and loosed his clenching hand;
Some brought sweet spices from far Araby,
And others bade the halcyon sing her softest lullaby.

And when he neared his old Athenian home,
A mighty billow rose up suddenly
Upon whose oily back the clotted foam
Lay diapered in some strange fantasy,
And clasping him unto its glassy breast
Swept landward, like a white-maned steed upon a venturous quest!

Now where Colonos leans unto the sea
There lies a long and level stretch of lawn;
The rabbit knows it, and the mountain bee
For it deserts Hymettus, and the Faun
Is not afraid, for never through the day
Comes a cry ruder than the shout of shepherd lads at play.

But often from the thorny labyrinth
And tangled branches of the circling wood
The stealthy hunter sees young Hyacinth
Hurling the polished disk, and draws his hood
Over his guilty gaze, and creeps away,
Nor dares to wind his horn, or—else at the first break of day

The Dryads come and throw the leathern ball
Along the reedy shore, and circumvent
Some goat-eared Pan to be their seneschal
For fear of bold Poseidon’s ravishment,
And loose their girdles, with shy timorous eyes,
Lest from the surf his azure arms and purple beard should rise.

On this side and on that a rocky cave,
Hung with the yellow-belled laburnum, stands
Smooth is the beach, save where some ebbing wave
Leaves its faint outline etched upon the sands,
As though it feared to be too soon forgot
By the green rush, its playfellow,—and yet, it is a spot

So small, that the inconstant butterfly
Could steal the hoarded money from each flower
Ere it was noon, and still not satisfy
Its over-greedy love,—within an hour
A sailor boy, were he but rude enow
To land and pluck a garland for his galley’s painted prow,

Would almost leave the little meadow bare,
For it knows nothing of great pageantry,
Only a few narcissi here and there
Stand separate in sweet austerity,
Dotting the unmown grass with silver stars,
And here and there a daffodil waves tiny scimitars.

Hither the billow brought him, and was glad
Of such dear servitude, and where the land
Was ****** of all waters laid the lad
Upon the golden margent of the strand,
And like a lingering lover oft returned
To kiss those pallid limbs which once with intense fire burned,

Ere the wet seas had quenched that holocaust,
That self-fed flame, that passionate lustihead,
Ere grisly death with chill and nipping frost
Had withered up those lilies white and red
Which, while the boy would through the forest range,
Answered each other in a sweet antiphonal counter-change.

And when at dawn the wood-nymphs, hand-in-hand,
Threaded the bosky dell, their satyr spied
The boy’s pale body stretched upon the sand,
And feared Poseidon’s treachery, and cried,
And like bright sunbeams flitting through a glade
Each startled Dryad sought some safe and leafy ambuscade.

Save one white girl, who deemed it would not be
So dread a thing to feel a sea-god’s arms
Crushing her ******* in amorous tyranny,
And longed to listen to those subtle charms
Insidious lovers weave when they would win
Some fenced fortress, and stole back again, nor thought it sin

To yield her treasure unto one so fair,
And lay beside him, thirsty with love’s drouth,
Called him soft names, played with his tangled hair,
And with hot lips made havoc of his mouth
Afraid he might not wake, and then afraid
Lest he might wake too soon, fled back, and then, fond renegade,

Returned to fresh assault, and all day long
Sat at his side, and laughed at her new toy,
And held his hand, and sang her sweetest song,
Then frowned to see how froward was the boy
Who would not with her maidenhood entwine,
Nor knew that three days since his eyes had looked on Proserpine;

Nor knew what sacrilege his lips had done,
But said, ‘He will awake, I know him well,
He will awake at evening when the sun
Hangs his red shield on Corinth’s citadel;
This sleep is but a cruel treachery
To make me love him more, and in some cavern of the sea

Deeper than ever falls the fisher’s line
Already a huge Triton blows his horn,
And weaves a garland from the crystalline
And drifting ocean-tendrils to adorn
The emerald pillars of our bridal bed,
For sphered in foaming silver, and with coral crowned head,

We two will sit upon a throne of pearl,
And a blue wave will be our canopy,
And at our feet the water-snakes will curl
In all their amethystine panoply
Of diamonded mail, and we will mark
The mullets swimming by the mast of some storm-foundered bark,

Vermilion-finned with eyes of bossy gold
Like flakes of crimson light, and the great deep
His glassy-portaled chamber will unfold,
And we will see the painted dolphins sleep
Cradled by murmuring halcyons on the rocks
Where Proteus in quaint suit of green pastures his monstrous
flocks.

And tremulous opal-hued anemones
Will wave their purple fringes where we tread
Upon the mirrored floor, and argosies
Of fishes flecked with tawny scales will thread
The drifting cordage of the shattered wreck,
And honey-coloured amber beads our twining limbs will deck.’

But when that baffled Lord of War the Sun
With gaudy pennon flying passed away
Into his brazen House, and one by one
The little yellow stars began to stray
Across the field of heaven, ah! then indeed
She feared his lips upon her lips would never care to feed,

And cried, ‘Awake, already the pale moon
Washes the trees with silver, and the wave
Creeps grey and chilly up this sandy dune,
The croaking frogs are out, and from the cave
The nightjar shrieks, the fluttering bats repass,
And the brown stoat with hollow flanks creeps through the dusky
grass.

Nay, though thou art a god, be not so coy,
For in yon stream there is a little reed
That often whispers how a lovely boy
Lay with her once upon a grassy mead,
Who when his cruel pleasure he had done
Spread wings of rustling gold and soared aloft into the sun.

Be not so coy, the laurel trembles still
With great Apollo’s kisses, and the fir
Whose clustering sisters fringe the seaward hill
Hath many a tale of that bold ravisher
Whom men call Boreas, and I have seen
The mocking eyes of Hermes through the poplar’s silvery sheen.

Even the jealous Naiads call me fair,
And every morn a young and ruddy swain
Woos me with apples and with locks of hair,
And seeks to soothe my virginal disdain
By all the gifts the gentle wood-nymphs love;
But yesterday he brought to me an iris-plumaged dove

With little crimson feet, which with its store
Of seven spotted eggs the cruel lad
Had stolen from the lofty sycamore
At daybreak, when her amorous comrade had
Flown off in search of berried juniper
Which most they love; the fretful wasp, that earliest vintager

Of the blue grapes, hath not persistency
So constant as this simple shepherd-boy
For my poor lips, his joyous purity
And laughing sunny eyes might well decoy
A Dryad from her oath to Artemis;
For very beautiful is he, his mouth was made to kiss;

His argent forehead, like a rising moon
Over the dusky hills of meeting brows,
Is crescent shaped, the hot and Tyrian noon
Leads from the myrtle-grove no goodlier spouse
For Cytheraea, the first silky down
Fringes his blushing cheeks, and his young limbs are strong and
brown;

And he is rich, and fat and fleecy herds
Of bleating sheep upon his meadows lie,
And many an earthen bowl of yellow curds
Is in his homestead for the thievish fly
To swim and drown in, the pink clover mead
Keeps its sweet store for him, and he can pipe on oaten reed.

And yet I love him not; it was for thee
I kept my love; I knew that thou would’st come
To rid me of this pallid chastity,
Thou fairest flower of the flowerless foam
Of all the wide AEgean, brightest star
Of ocean’s azure heavens where the mirrored planets are!

I knew that thou would’st come, for when at first
The dry wood burgeoned, and the sap of spring
Swelled in my green and tender bark or burst
To myriad multitudinous blossoming
Which mocked the midnight with its mimic moons
That did not dread the dawn, and first the thrushes’ rapturous
tunes

Startled the squirrel from its granary,
And cuckoo flowers fringed the narrow lane,
Through my young leaves a sensuous ecstasy
Crept like new wine, and every mossy vein
Throbbed with the fitful pulse of amorous blood,
And the wild winds of passion shook my slim stem’s maidenhood.

The trooping fawns at evening came and laid
Their cool black noses on my lowest boughs,
And on my topmost branch the blackbird made
A little nest of grasses for his spouse,
And now and then a twittering wren would light
On a thin twig which hardly bare the weight of such delight.

I was the Attic shepherd’s trysting place,
Beneath my shadow Amaryllis lay,
And round my trunk would laughing Daphnis chase
The timorous girl, till tired out with play
She felt his hot breath stir her tangled hair,
And turned, and looked, and fled no more from such delightful
snare.

Then come away unto my ambuscade
Where clustering woodbine weaves a canopy
For amorous pleasaunce, and the rustling shade
Of Paphian myrtles seems to sanctify
The dearest rites of love; there in the cool
And green recesses of its farthest depth there is pool,

The ouzel’s haunt, the wild bee’s pasturage,
For round its rim great creamy lilies float
Through their flat leaves in verdant anchorage,
Each cup a white-sailed golden-laden boat
Steered by a dragon-fly,—be not afraid
To leave this wan and wave-kissed shore, surely the place was made

For lovers such as we; the Cyprian Queen,
One arm around her boyish paramour,
Strays often there at eve, and I have seen
The moon strip off her misty vestiture
For young Endymion’s eyes; be not afraid,
The panther feet of Dian never tread that secret glade.

Nay if thou will’st, back to the beating brine,
Back to the boisterous billow let us go,
And walk all day beneath the hyaline
Huge vault of Neptune’s watery portico,
And watch the purple monsters of the deep
Sport in ungainly play, and from his lair keen Xiphias leap.

For if my mistress find me lying here
She will not ruth or gentle pity show,
But lay her boar-spear down, and with austere
Relentless fingers string the cornel bow,
And draw the feathered notch against her breast,
And loose the arched cord; aye, even now upon the quest

I hear her hurrying feet,—awake, awake,
Thou laggard in love’s battle! once at least
Let me drink deep of passion’s wine, and slake
My parched being with the nectarous feast
Which even gods affect!  O come, Love, come,
Still we have time to reach the cavern of thine azure home.’

Scarce had she spoken when the shuddering trees
Shook, and the leaves divided, and the air
Grew conscious of a god, and the grey seas
Crawled backward, and a long and dismal blare
Blew from some tasselled horn, a sleuth-hound bayed,
And like a flame a barbed reed flew whizzing down the glade.

And where the little flowers of her breast
Just brake into their milky blossoming,
This murderous paramour, this unbidden guest,
Pierced and struck deep in horrid chambering,
And ploughed a ****** furrow with its dart,
And dug a long red road, and cleft with winged death her heart.

Sobbing her life out with a bitter cry
On the boy’s body fell the Dryad maid,
Sobbing for incomplete virginity,
And raptures unenjoyed, and pleasures dead,
And all the pain of things unsatisfied,
And the bright drops of crimson youth crept down her throbbing
side.

Ah! pitiful it was to hear her moan,
And very pitiful to see her die
Ere she had yielded up her sweets, or known
The joy of passion, that dread mystery
Which not to know is not to live at all,
And yet to know is to be held in death’s most deadly thrall.

But as it hapt the Queen of Cythere,
Who with Adonis all night long had lain
Within some shepherd’s hut in Arcady,
On team of silver doves and gilded wain
Was journeying Paphos-ward, high up afar
From mortal ken between the mountains and the morning star,

And when low down she spied the hapless pair,
And heard the Oread’s faint despairing cry,
Whose cadence seemed to play upon the air
As though it were a viol, hastily
She bade her pigeons fold each straining plume,
And dropt to earth, and reached the strand, and saw their dolorous
doom.

For as a gardener turning back his head
To catch the last notes of the linnet, mows
With careless scythe too near some flower bed,
And cuts the thorny pillar of the rose,
And with the flower’s loosened loneliness
Strews the brown mould; or as some shepherd lad in wantonness

Driving his little flock along the mead
Treads down two daffodils, which side by aide
Have lured the lady-bird with yellow brede
And made the gaudy moth forget its pride,
Treads down their brimming golden chalices
Under light feet which were not made for such rude ravages;

Or as a schoolboy tired of his book
Flings himself down upon the reedy grass
And plucks two water-lilies from the brook,
And for a time forgets the hour glass,
Then wearies of their sweets, and goes his way,
And lets the hot sun **** them, even go these lovers lay.

And Venus cried, ‘It is dread Artemis
Whose bitter hand hath wrought this cruelty,
Or else that mightier maid whose care it is
To guard her strong and stainless majesty
Upon the hill Athenian,—alas!
That they who loved so well unloved into Death’s house should
pass.’

So with soft hands she laid the boy and girl
In the great golden waggon tenderly
(Her white throat whiter than a moony pearl
Just threaded with a blue vein’s tapestry
Had not yet ceased to throb, and still her breast
Swayed like a wind-stirred lily in ambiguous unrest)

And then each pigeon spread its milky van,
The bright car soared into the dawning sky,
And like a cloud the aerial caravan
Passed over the AEgean silently,
Till the faint air was troubled with the song
From the wan mouths that call on bleeding Thammuz all night long.

But when the doves had reached their wonted goal
Where the wide stair of orbed marble dips
Its snows into the sea, her fluttering soul
Just shook the trembling petals of her lips
And passed into the void, and Venus knew
That one fair maid the less would walk amid her retinue,

And bade her servants carve a cedar chest
With all the wonder of this history,
Within whose scented womb their limbs should rest
Where olive-trees make tender the blue sky
On the low hills of Paphos, and the Faun
Pipes in the noonday, and the nightingale sings on till dawn.

Nor failed they to obey her hest, and ere
The morning bee had stung the daffodil
With tiny fretful spear, or from its lair
The waking stag had leapt across the rill
And roused the ouzel, or the lizard crept
Athwart the sunny rock, beneath the grass their bodies slept.

And when day brake, within that silver shrine
Fed by the flames of cressets tremulous,
Queen Venus knelt and prayed to Proserpine
That she whose beauty made Death amorous
Should beg a guerdon from her pallid Lord,
And let Desire pass across dread Charon’s icy ford.

Dear Readers, to usher in the spirit of Christmas, I wish to
share with you the true Story of Jerusalem in Verse. Based on
Biblical chronology, and several articles about its Early History.
Though the three of our World’s greatest religions have a common
lineage, yet religious bickering and hatred continues to exist
in our present age! Let this Season of Christmas bring peace with
goodwill and love. Let us all pray together for a peaceful World!
If you like this true story, kindly recommend it to all your poet
friends to read this slice of History. Thanks, from Raj Nandy.


   STORY OF JERUSALEM - “THE PROMISED LAND”
                IN VERSE: By Raj Nandy
                  
                       INTRODUCTION
After reading my ‘Arab Contribution to Science’ and the
downfall of Islam’s Golden Age,
A friend had requested me to write about The Crusades.
Now the Mongol contribution was far greater towards
Islamic Empire’s downfall,
For though the First Crusade besieged the Holy City of
Jerusalem making it fall,
The subsequent Crusades to the Seljuk Turks lost all!
But before writing about the Nine Crusades proper,
To acquaint my readers with the historic city of
Jerusalem becomes my present endeavor.
For Jerusalem is sacred to the Jews, Christian, and the
Muslims alike,
As their holy relics and shrines are housed in that Old
City’s revered sites!
But prior to narrating the story of Old Jerusalem City,
Let me tell you briefly about its early history.
About the patriarch Abraham, whom God led to this
‘Promised Land’.
From where this true story of Jerusalem really began.

                 HISTORICAL  BACKGROUND
The city of Jerusalem was twice razed to the ground.
Besieged 23 times, attacked 52 times, captured and
recaptured 44 times, surprising as it all may sound!
In an era of idolatry and multiple gods, Abraham born*
in the ancient City of Ur,# believed in a single God!
(1800 BC)
So God was pleased and in a covenant with Patriarch
Abraham,
Blessed him to become the ‘Father of Many Nations’
in a distant ‘Promised Land’!
Thus Abraham with his wife Sarah and nephew Lot,
Entered the Land of Canaan as promised by God.
But when a famine ravaged the Land of Canaan,
Abraham had moved onto Egypt on his own!
Having suffered there for some ungodly acts, his
return to the Land of Canaan remains a historical fact.
Through Abraham and Sarah’s Egyptian maid Hagar, -
his son Ishmael was born.
From Ishmael descended the ‘Ishmaelites’, to
become the Twelve Arab Tribes later on!
Next, with the blessings of the Lord, to Abraham
and Sarah son Isaac was born.
Isaac’s son Jacob fathered the Twelve Jewish Tribes,
Who became collectively known as the ‘Israelites’.
From the ‘Tribe of Benjamin’ came King Saul, the
first King of united Israel rising tall.
From the ‘Tribe of Judah’ King David, Solomon, and
several Kings of Judah did rise;
As proud forefathers of the Messiah Jesus Christ!
Thus in Judaism both the Arabs and the Christians
find a common lineage;
Yet unfortunately bitter differences continue to
exist even in our present age!
NOTES: Canaan was the ancient name of a large & prosperous
country (at times independent, at others a territory to Egypt),
which roughly corresponds to present day Lebanon, Syria, Jordan, and Israel. Canaan was also known as ‘Phoenicia’ between 3200 BC & 539 BC. # Ur = an important Sumerian city-state in ancient Mesopotamia.


               ORIGINS OF JERUSALEM
Jerusalem has been hailed by many names,
Gets mentioned as ‘Rushalium’ in an ancient
Egyptian text!  (2000 BC)
Also as Salem, Moriah, Jebus and Zion, this capital city
of the Israelites had been known.
Jerusalem as the remnant town of Salem, is also
mentioned in the ‘Book of Joshua’ Chapter Ten.
It was earlier a Jebusite City, which was conquered by  
King David around 1003 BC;
When David shifted his capital to Jerusalem from Hebron.
In Jerusalem he kept the Holy Ark in a sacred Tabernacle,
For which his son King Solomon had built the First Great
Temple.
This Sacred Ark contained the ‘Ten Commandments’,
Which accompanied the Israelites during their 40 years
of desert wandering with Moses, as their guidance!
But since majority of the tribes were hesitant to fight the
Canaanites for their ‘Promised Land’,
God blessed Joshua, the successor of Moses, to lead the
Tribes to their ‘Promised Land’.
NOTE: Jebusite was one of the ancient Canaanite tribes, conquered by
King David.

            TURBULENT HISTORY OF JERUSALEM
Now cutting across several centuries of its dynamic
history, let me continue with Jerusalem’s Story.
The death of King Solomon (931 BC) ended Israel’s
‘Golden Age’,
And this united Kingdom of Israel was split into
Northern and Southern states.
Ten Tribes formed the Northern Kingdom of Israel
with its capital at Samaria;
While Jerusalem became the capital of the Southern
half called Judea.
In unity lies strength, and in division further dissention;
This kingdom of King David and Solomon now becomes
prey to several foreign invasions!
Jerusalem gets attacked by the Egyptians, Assyrians,
Babylonians, Persians, and those imperial Romans, who
had initially built but later destroyed the Second
Jewish Temple!
The cruel King Herod, Judea’s Roman Protector,
Though of unstable mind, was a great builder!
‘The Wailing Wall’ and most of the ruins visible today,
Were built by the despot Herod as Archeologists say!
King Herod enlarged the Temple Mount with a massive
retaining wall around it.
Renovated the Second Temple which finally acquired  
his name!
But in 70 AD the Roman Emperor Titus, razed this
Second Temple to the ground, as Historians inform us!
Jerusalem had some peace under the Christian Byzantine
Emperor Constantine,
Who upheld Christianity, and his mother Helena inspired
the building of many hallowed shrines;
Only to be occupied by the Seljuk Turks later, who
desecrated those shrines!
Till the First Crusade in 1099 captured Jerusalem, to
provide eighty eight years of respite.
Next in 1187 the Seljuk Turk Saladin conquered Jerusalem;
When a peace treaty with Richard ‘The Lion Heart’ allowed
the visit of its ‘Holy Shrines’ by the Christians.
The British captured Jerusalem from the Ottoman Turks
in Nineteen hundred and seventeen;
And in 1948 the State of Israel was born, realizing
Abraham’s dream!
But surrounded by hostile enemies on all sides, Israel
had to fight continuously for its survival as a Nation;
And now I pause to pay my humble tribute to those
valiant Israelites with salutation!

                              THE OLD CITY
Nestled on the hollow of the hills of Judea this city
spreads out on a plateau 800 meters above the sea.
With its Dome shining in the sun, dominating  some five
thousand years of history!
The City stretches 0.9 square kilometers surrounded by
retaining walls between 16 to 46 feet in height.
Which includes more than 200 monuments and sacred
sites!
Until the 1860s the Old City had represented entire
Jerusalem collectively.
But later under the initiative of the British, settlements
outside its wall began confidently.
During 1946 when Israel declared its Independence,
The ‘old city’ remained under the control of the Jordanians;
Only to be liberated during the Six Day’s War in 1967!

                OLD CITY GATES AND QUARTERS
The walls around the Old City stretch for 4.5 kilometers,
With its height varying between five to sixteen meters.
It has 43 surveillance towers and eleven gates.
However, only seven gates remain open as on date.
The current wall was built in 1538 by Sultan Suleiman
the Magnificent.
On the southern side of this wall is the Zion Gate, leading
to the Armenian Quarters overlooking Mount Zion outside;
Where lies King David’s tomb, a Holy Site.
The Dung Gate leads to the Jewish Quarters from the south;
And the way to Al-Aksa Mosque inside the Temple Mount.
The Jaffa or the Main Gate is on the west, with its famous
Citadel and the ‘Tower of David’ built by King Herod.
This gate leads to the Christian Quarters inside, while the
road goes to the port of Jaffa outside.
A New Gate was also built further up on the north-western
side,    (in1898)
For entry of the German Emperor William the Second,
through the Christian side!
The Damascus Gate in the middle of the Northern Wall
was the largest and the most heavily defended Gate.
Where excavations have revealed an old ‘Roman Gate’
beneath it.
Through this Gate had entered the Holy Crusade!
Further east on the northern wall is the ‘Herod’s Gate’,
Leading to the Muslim Quarters and the ‘Souk’, – the
Arab markets.
On the East is the Lions Gate, with carved figure of
lions on the gate’s crest;
Both for the Christian and the Jews this gate has a
special significance!
For this gate marks the walk ‘Via Dolorosa’, the path
taken by Jesus from the Garden of Gethsemane to
his Crucifixion Site,
Where stands the Church of Holy Sepulcher built by
the Emperor Constantine.
In 1967 the Israeli 55th Para Brigade entered through this
‘Lions Gate’, after a hand-to-hand fight with the Jordanians.
When they hoisted the Star of David on the Temple Mount  
to reclaim Jerusalem!
Jerusalem was declared as their Capital City,
Concluding a chapter of its turbulent History!

Since the time of the Crusades Jerusalem has remained
traditionally divided into Jewish, Christian, Muslim, and
Armenian sections;
Each with its sacred Synagogues, Churches, and Mosques,
defying the City’s unification!
Yet amidst the gong of church bells, the call of Muezzin,
and recitation of the Torah,
Old Jerusalem reverberates with a unique religious
euphoria!

               SACRED MONUMENTS AND SITES
‘The Wailing Wall’ is the more popular name for that part
of Western Wall built by King Herod during 19 BC,
Around the Second Jewish Temple which he renovated,
for the world to see!
Today only 167 feet of this exposed ‘Wall’ remains,
which is 62 feet high.
As a solitary witness to that once glorious past, which
evokes a deep sighs!
It is the holiest of Jewish shrines today where they
congregate.
To pray in front of this Sacred Wall and to loudly lament,
The loss of their Great Temple which was once made!
Inside the cracks in the wall many folded papers can be
seen;
Coating their petitions to God with prayers from within!

The Temple Mount is perhaps the oldest of all shrines.
Sacred to both the Christians and the Muslims alike!
For here on a rock alter Abraham had bound his son
Isaac,
Ready to sacrifice him when the Lord put him to a test!
Here King Solomon had built the First Jewish Temple;
Which during 587 BC, was destroyed by the King of
Babylon!
The King also took the Jews into captivity lasting nearly
seventy long years;
And Psalm 137 tells us how the Jews remembering Zion
on the banks of River of Babylon, - shed their tears!
That old song by ‘Bonny M’, now rings in my ears!
This was also the site of the Second Temple destroyed
by the Romans.
Who renamed Jerusalem as ‘Aelia Capitolina’, making
the City pagan!
Al-Aqsa Mosque or ‘The Farthest Mosque’, located on the
Mount, was completed around 705 AD they say.
Has been claimed by the Muslims as the site where their
Prophet traveled ‘during the night’ from Mecca to pray;
And from where angle Gabriel accompanied him to
Heaven or ‘Jannat,’ - all the way!
So they constructed the ‘Dome of The Rock’ to mark
this ascension;
Which around 691 AD saw its completion.
The Golden Gate on the east leading to the Temple Mount,
Was sealed by the Muslims during Sixth Century following
their fears and doubts.
For the Jew’s claim their Messiah will enter through this
Golden Gate one day.
Which unnerved the Muslims whatever one may say.
So outside this sealed gate they also built a cemetery;
Let future events gradually unfold in Jerusalem’s Story!

                            CONCLUSION
Now dear readers I conclude this narration, with some
food for thought and contemplation.
‘Jerusalem’ is mentioned in the Jewish Bible 669 times,
and 154 times as ‘Zion’. (‘Land of Israel’)
In the Christian Bible it is mentioned 161 times; but not
once in the Hindu ‘Gita’, the Buddhist Scriptures, or in
the Koran;
Not forgetting the fact that God is Supreme and One!
The Koran speaks only of “The Furthest Mosque” where  
the Prophet went to pray,
From Mecca we know Holy Medina comes on the way.
The Holy Bible is also a record of Early Civilizations ,
Supported by Archaeological finds, carbon dating, and
countless excavations.
The Jewish claim to the ‘Land of Canaan’ is more than
3000 years old;
And Israel today occupies 75% of that historic piece of
land we know and have been told!
The Old City in 1981 has been declared as UNESCO’s
Heritage Site.
Let the ‘Spirit of Humanity’ overtake all religious divide!
It is true that History has evolved from the Myths and
Legends of the past.
But it is for us to separate the wheat from the chaff.
I have done adequate research of this Ancient History.
Now I leave it to you for drawing your own conclusions
after reading this true Story!
Thank you readers for reading patiently,
From Raj Nandy of New Delhi .
ALL COPY RIGHTS  ARE WITH THE AUTHOR ONLY

Cradle my emotions in the gentlest of whispers
Lace my heart with sultriest of ribbons
Fill full my sail with the worthiest of winds
Engulf my being in the sweetest of notions

Colour me beautiful with the most vibrant of rainbows
Propel my universe into the farthest reaches
Soothe my aches with the most abundant love
Carry my vessel to the sandiest of beaches

Embed my thoughts within the fluffiest clouds
Let soar my dreams on the bravest of kites
Set my destination in the furthest horizons
Present me with life's buffet with the tastiest of bites

Ch. 1.

1.

Behold, thou art dark and comely, my love;
richly hath the sun favoured thee,
delighting in thy presence.
Let me savour thy kisses of wine;
for in the gardens of the temple
the lotus furls open,
wild bees fall asleep on her face.


2.

Lilies and jasmine bloom
in the garden of my love;
falls of wisteria,
carpets of thyme.
Let us lie in the shade of the olives
to gaze on the sky.


3.

For many hours my love slept
  beneath the cedars,
couched on cool swathes of linen,
like the Lord of Midnight enthroned on a cloud.
Long tresses of willows shivered to cool his face.
I called his name but he heard me not,
being entranced in slumber,
deep in the thrall of dreams;
therefore I shall let him awaken when he please.




Ch. 2.

4.

A warm breath of nard is my master, my king,
A great golden deity haloed with stars.
Behold, the noble bearing of a king,
the finely-wrought body of a man.
In my dearest dreams he standeth before me
out of my reach, gesturing for me to follow,
calling unto me like the very embodiment of love.


5.

Night comes softly, o daughters of Jerusalem,
My king's desirous eyes have grown heavy with sleep.
His black hair ripples about his face
  like curtains of smoke,
gold bracelets entice my gaze to
the sinews of his arms.
Like roses unfurling, so open the lips of my love,
  I burn for their flavour,
yet awaken him not till he please.





Ch. 3.

6.

Out of the forest I came, with my
maidens and minions;
with carpets of hibiscus strewn at my feet.
Columns of frankincense curved into the air,
burning from lamps of copper and gold.
From the broad slopes of Edom
my soul's love stopped to observe us.
I felt his warm gaze upon me,
so soft a look as touched like caresses of hands.
I am weary with desire, my lord and king,
Bring me the looks of thine eyes, dark as midnight,
That regard me with touches of silk.


7.

Though I may stand with my legion before thee,
an army behind me,
The west wind roars to my left,
the east to my right,
a million strong with all my banners, warriors
and standard-bearers,
still my delight were only to serve thee,
see how I tremble with awe by thy side.


8.

Behold, my ladies, the noble bearing of a king,
the finely-wrought body of a man.
My king is a custodian of the sanctity of love,
see those arms with the strength to smite
yet full of the will to embrace.
Nightly cometh he to my chambers,
whispering of love,
with the stealth of a lion,
as meek as a lamb.




Ch. 4.

9.

Preparing for my beloved,
I have put on my mantle of midnight sky
garlanded with stars.
My black locks are hung with beads of gold,
my neck is anointed with sandalwood and rose.
Come, my ladies,
Bring me my white chargers,
my sedan lined with silks from Lebanon,
my heralds and cavalcades of guards;
My beloved king awaits my pleasure.






10.

When I am in the embrace of my beloved,
He is worlds of landscapes of desire,
he is all the earth, air and sky to me.
His eyes shineth as my sun and moon,
his broad chest becometh as the
cool desert dunes by night,
where I may rest my head.
Go safely in thy dreams, beloved king,
with sentinel angels, to roost with the doves.




Ch. 5.

11.

Such a turmoil of a dream
hath troubled me, my sisters,
I dreamed that my love approached my window,
Calling unto me through the
rosewood trefoils of the lattice.
Forgetful of our tryst I answered him not,
all oils and fine trappings were put away,
mine eyes were full of slumber.
When finally I rose from my bed
   he had gone.


12.

Overwrought and afraid,
I went out in the streets,
  calling unto my beloved,
receiving no answer and calling again.
  The night watchmen came and found me,
they smote me and denounced me as pagan,
calling me harlot and worshipper of false idols,
harshly they beat me with flails
and threw me into the darkest cellars
of the palace of Solomon.


13.

Awakening at last,
I felt a warm breeze,
It was my love's breath upon my face.
Let all the world suspend in time,
let hate, rage and darkness flee as a shadow,
otherwise let me die here in the arms of my king.
There is but this one hour, one place,
in one lingering moment,
When my soul's love and I are conjoined
in the petals of love.




Ch. 6.

14.

Midnight has fallen in the gardens
  of the temple of Solomon.
The moon communes with her sister in the lake,
painting the magnolias with mother-of-pearl,
turning her buds into silver doves.
Passion and beauty intertwine in my love's garden,
Like the twisted trunks of the fig trees of Judea.
Behold, my beloved,
thou art more comely even than the moon.
Come and walk with me
in the balmy air of night.


15.

Only through the love of another may
a soul come to know of itself.
My king is mine and I am his;
The sun and moon each taketh their
turn in the sky,
the shepherds go sure-footed
over their hills and valleys,
the merchants go their ways in the
spice markets of Lebanon,
while he and I are lost in one another's eyes.




Ch. 7.

16.

Love's weariness hath overcome me,
beloved lord and king.
Bring me thy pleasant fruits, thy tender words,
Lie betwixt my *******; my hair shall
be thy curtain,
these arms shall be as thy cocoon.
Let the tides cease their turning
and the winds give pause to hold their breath.
Awaken not my dearest love, until he please.


17.

Even in sleep,
such beautiful eyes hath my beloved;
his eyelashes rest upon his cheek
like the feet of a butterfly on a lily.
Come, my sisters, we shall make him
a bed of hemp and poppies,
with fruit of the lotus,
that he may languish beside me
for many days and nights.




Ch. 8.

18.

Filling my days and dreams,
here is a man with the grace of a young hart,
whose honeyed voice speaketh mantras of desire.
Arise and follow me, beloved, for my vineyards
are ripe with luscious fruits,
the doves beat their wings and fly from the cots.
Emerging from the amber of sunrise,
with a swirling of veils,
summer dances into the season of our love.


19.

Lying amid the twisting vines
My love and I are deep in each other's embrace
and his lips taste of roses heavy with dew.
I am a queen of the Red Sea,
an orchid from a sacred garden,
and my kingdom reacheth to the farthest hills.
None but my love shall pass the boundary
where my vines bear the sweetest fruit,
nor taste their heady wine.


20.

The gates of my vineyard are wrought of
iron clad with gold,
taller than cedars, decorated with
the royal insignia,
guarded by three score watchmen,
by day and night.
While other men are kept without
and the foxes are driven back by dogs,
see how swiftly they open for thee.




Ch. 9.

21.

Behold, the noble stature of a king,
the finely-wrought body of a man.
In the sanctity of love
we may walk in the realm of paradise,
undisturbed by the foibles of men.
Come beloved, awaken,
the new dawn opens as wide and fresh
as infant eyes.
Come run with me through the spice hills
  and gardens of Lebanon.

We’d sit on the back porch
On the Fourth of July
Spitting watermelon seeds
Into the tall grass,
Which glimmered in the midday sun.

The competition of who could spit the farthest
Never really with a winner,
It was mostly about the feeling of the sun,
Glimmering on our pudgy cheeks,
And the opportunity to abandon our napkins,
Letting that cool watery juice spill
Down our white shirts, leaving pink stains
And permanent reminders of summer

Of course a tattoo is only as permanent
As the body that wears it:
I outgrew the shirts around the same time
As the world outgrew those little black seeds

This year on the Fourth of July
We sat inside making small talk
Because there weren’t any black seeds
In the watermelon we ate:
Just dehydrated flesh, the color a little
Farther from pink and closer
To the off-white color of those flakey little seeds,
Which were miraculously allowed to remain

287

A Clock stopped—
Not the Mantel’s—
Geneva’s farthest skill
Can’t put the puppet bowing—
That just now dangled still—

An awe came on the Trinket!
The Figures hunched, with pain—
Then quivered out of Decimals—
Into Degreeless Noon—

It will not stir for Doctors—
This Pendulum of snow—
This Shopman importunes it—
While cool—concernless No—

Nods from the Gilded pointers—
Nods from the Seconds slim—
Decades of Arrogance between
The Dial life—
And Him—

You know, I love you to the farthest
Galaxy in our wide universe
And no scientist knows how far that is
No matter the distance they traverse.

I will love you til the sun turns white
And the stars begin to fade.
And when that time finally reached us
I'll even love you for a few more decades.

The ocean through an opened window
Frontier between all that's known
of here
and sleep
riding out the waves as they come

A gull cries in passing

Waves sating themselves
in the womb of the earth
kissing the neck of Bride's Brook
Her seaweed streaming hair
in wind of tides
The moon's pull to release
coaxing spent and tender moans--

the farthest reach of sighs

Shane Page made a quick call to his daughter, LeAnn, as he waited in the hospital lounge. “Hey, Dad, what’s up? You sound kind of upset.”

“LeAnn, Grandpa had a heart attack…”

LeAnn’s dark brown eyes grew large. “Is Grandpa dead?”, she asked. She was fourteen years old, and a wise, sensitive girl who cared a lot about her grandpa.

“No, not that, hon. The doctor says he will recover, but he had some blockages and he needs some fixing up.  He’s resting right now, pretty comfortably. I just wanted you to know where I was and that I’m okay—so don’t you worry. Look out after your brother…” He sighed in exhaustion and ran his fingers through the top of his dark hair. “It’s going to be a while before I’m home.”

“Well, wait a minute!” she protested.  “Why can’t Trevor and I go with you? Maybe Mom can drive us up there.”

Shane started to raise his voice, “Leave your mom out of this!” Then he realized his tone was a bit harsh and said more calmly, “You two got school tomorrow and there’s no need for you to be here now. Anyway, I don’t want to involve Mom.”

Shane and his wife, Megan, have been separated for four months now. It would be more than likely that they would be getting divorced. LeAnn, and her brother, Trevor—who was eleven-years-old—were staying with their father. It worked out that they remain in their home.  

“Dad”, LeAnn insisted. “She’s still our mom…”

“Just look out for Trevor. Ok?”

Shane got off the phone, and just sat there staring at the television but having no real desire to even pay any attention. That was the farthest thing from his mind. Around him were a few other tired people, looking about as frustrated, tired or worried as he was.

It has been a trying year for him. Still struggling with his marriage issues and now he was dealing with his father’s health problems. At age thirty-six, Shane was a young father when he married Megan. He felt it was the right thing to do considering she was pregnant at the time. The odds were against them remaining married, but they made if farther than anyone would have expected.  He certainly remained married longer than his parents—who were married for seven years—but he blamed his parent’s divorce on his womanizing, cheating father, a man he did not want to follow in his footsteps.

Dr. Bakkal had spoken to Shane, earlier. “Your father’s fortunate he made it in when he did. He was in requirement of two stents, and he was resistant to having them put in. I told him if he wants to continue to live, he’d be wise to get them. Otherwise, he’ll be in the same boat, but now we can prolong his life.”

“So he’s refusing?” Shane asked. That was his father, alright, stubbornly pigheaded to the bitter end.

“Thankfully, he signed for consent and he’s allowing you to be included in conversation over his medical issues. But really it is a good idea for him to have a power of attorney. You are his only son? ”

“Right.—I’m it”, Shane responded. “Well, that’s my dad for you. He thinks he’s got it all under control. Anyway, I’d be okay with being power of attorney, but who knows if he’d even have me. I don’t need to tell you he’s a stubborn man. He’s a proud man—too proud.”

“That he is”, Dr Bakkal agreed. “He doesn’t have a wife who can step up to the plate?”

Shane laughed a little. “He’s had four wives. My mom was the first. The lady he has been seeing now I’m sure saved his life. She was the one who demanded he go to the hospital and she drove him here. But she called me up and says she’s done with him.” The strain was obvious, as it was written all over Shane’s face. “He’s a headache, Doctor. He drinks too much. He smokes. He has yet to meet a vegetable…”

The doctor stated, “But things don’t sink in until we are forced to face them, sometimes. And he thinks because he looks alright on the outside, he’s okay on the inside—a fairly handsome man—a ladies man—who is, one used to being his own boss.”  

Shane agreed, but his face was grimaced. “That he is, Doctor. That he is. Yeah, but when the ladies get wind that he ends up treating them pretty shabbily—well, I’m not going to fill in the details. Four wives should tell you the answer.”

Dr. Bakkal put his hand on Shane’s shoulder. “Ah, but you seem to have a good head on your shoulders. I’ve no doubt you have some sense.”

Shane nodded.

Nodding his head—drifting in and out of sleep—Shane continued to wait in the lounge. Soon, Shane’s dad, Carl, had been able to get into his own room. Shane was able to go in and see him. Like Carl had told one of the nurses, he was “all wires, tubes and coils” and he had “enough numbers lighting up on fancy gadgets to keep the place busy” as his vitals were constantly monitored. Soundly sleeping, he seemed much smaller in his hospital bed with his face half shielded by an oxygen mask. What a strange sight it was. He hadn’t seen his dad in the hospital since his gall bladder surgery several years ago.  It was a bit unsettling for Shane to see him this way.

He didn’t want to wake his dad, so Shane just grabbed up a chair and sat by the foot of the bed. Before long, he had fallen asleep, too. When his phone range, he was entirely confused as to the time, even to what day it was.

“Hey, Dad, how’s grandpa doing?”

Looking at his watch and then peering out into the darkness out the window, he answered, “What’s that I hear…in the background? LeAnn, is that your mother there?”

“Yeah, Dad, I told her. She felt like we needed her and she’s making dinner for us.” Megan could be heard in the background talking with Trevor.

Shane frowned. “Oh, great! Didn’t I tell you not to involve Mom? You are perfectly capable of cooking, LeAnn. You do a good job, and—“

LeAnn abruptly handed her mother the phone. “Shane”, Megan said. “You can shut me out from helping you, but you can’t shut me out from helping my kids. Don’t act like you couldn’t use a hand.”

“I’ll be home soon”, he insisted. “It’s really not necessary. I’m not trying to be a **** about it…”

“You stay there as long as you need to. I can call Uncle Sal and tell him you might not be into work tomorrow.”

Shane worked as a manager and mechanic in his maternal uncle’s car repair shop. “Megan, I am quite capable of doing this kind of stuff, you know!” He hesitated and gave in to what he saw as interference.  Perhaps, guilt compelled her to come over. After all, she was the one who walked away. She was the one who was unfaithful, the one who strayed.  He added, “You want to look after the kids—then fine. I’ll worry about me”.  

“Well, you got it! I won’t interfere too much in your life, Shane. You’re just a chip off the old block,” she remarked, referring to his stubborn father. “The kids and I are doing just fine. I got it covered! Okay?”

“Hi, Dad! Love you!” Trevor boomed out from the background.

Megan laughed. “You caught that, didn’t you? I think the whole neighborhood did”.

There was no use trying to resist Megan’s help. “Tell the kids that their grandpa is comfortable, sleeping like a log. They can see him soon enough.” He stopped as a nurse came into the room to check in on his father. They briefly smiled at each other.

“Give them each a kiss and a hug for me”, he said, lastly, almost choking up. He wished it was like it was before—the four of them under one roof. But that was not going to happen.    

Shane met Megan at a party. She was a college student learning to be a teacher. He was working for his uncle in his auto repair shop. The plans were set for Shane to take over that shop one day. Uncle Sal had three daughters, none of them the least bit interested in taking over the business. When he met Megan, he was doing well for himself.

It was love at first sight for him. He was attracted to her fun loving personality, as well as her beauty. Her blue-green eyes would light up the room. At first, Megan wasn’t feeling the same way. Shane did slowly grow on her, this “grease monkey” with his serious nature and beyond his years. They would talk about their future together, for they really did enjoy each other’s company. But then reality hit them in the face when Megan became pregnant with LeAnn, and they married very soon. He wanted to marry her anyway, but now it was a matter of integrity. Shane wanted his child to have parents who were married and for his kid to know him better than he knew his dad.  

Megan gave up on her schooling, not becoming the teacher that she dreamed of. Shane often wondered if she resented him for this—like it was entirely his fault—though Megan never expressed that to him. A few years later and Trevor came. Plans to go back to school were put on hold. That light in those eyes seemed to grow dim, but he didn’t really notice that she was unhappy. He seemed to lose focus.

Such thoughts were punishing at this time, and he tried to bury them deep down. It was amazing that he was able to have a sound sleep in the hospital, resting in the chair in his father’s room. Next time he opened his eyes, the sun was shining. He looked up, disoriented a bit, as he noticed his dad looking at him, a small smile on his face and no more oxygen masks.

“Hell, Son”, Carl said in a gruff voice.. “You look worse than I do”. Carl’s thick head of grey hair was disheveled, and his usually, neatly trimmed mustache was invaded by surrounding ****** stubble.  

Shane got up and stretched and said back, “Thanks, Dad. Good morning to you, too.”   He looked at his watch and added, “Glad you’re alive. You scared the hell out me. You got your grandkids worried.”

“Well…get me out of this ****** hospital and I’ll show you I can get around just fine”.

“Whoa! Whoa! Superman—you are not! Just lay back, relax a while, and do what the doctors tell you.”

“Like what?” Carl asked with a furrowed brow.

Shane was careful not to lose his temper. “Well, for one, you can quit smoking. Two, you can give up the *****. Three—take your cholesterol medicine…”

“Ok….ok….you sound like your mother now”.

Shane knew it would go in one ear and out the other. He stood by the window looking down in the parking lot. “Yeah, Dad, Maybe I do sound like Mom, but someone’s got to tell it to you straight. Put some sense into you. Stop just for once and think of someone else besides you. If no one else, think of LeAnn and Trevor.” He paused and added, “Think about me for once.”

Carl laughed and mocked him, “Poor, little Shane’s got it so bad. I’m not against you, Son, okay? You’re a big boy, so man up! I’m sixty-nine years old! My old man was gone by fifty.” He started having one of his coughing spells, his cough like an old smoker’s cough.

Shane shot him a sharp look. “I guess I’m a fool to expect any better. Can’t make a silk purse out of a sow’s ear—as mom always says. Obviously, just wasting my time here!” He went to grab his jacket to leave.

Carl boomed, cheerfully, “Well speak of the devil!”

“What?” Shane asked, unaware of what was going on. He turned around and there was his mother standing in the doorway. He smirked and said, “Mom, I’m surprised to see you! LeAnn, right? ”

Rosina smiled and nodded as she entered the room. With salt and pepper hair, and an olive complexion, she commanded the room with her presence. Carl always referred to her as “Queen Bee”, for she had that quality—regal like a Roman statue when he first laid eyes on her—though she was down-to-earth in reality.

Carl groaned at the thought of her coming. “Is it safe for a person to be in here?” she asked, in her grand entrance.   She whipped Carl a stern glance. I’m not here for you!” Then she gave a look of concern her son, and told him, “I’m here because I’m supporting you, my dear. And yes, LeAnn called me.” She gave him a kiss on the cheek, and a quick hug, and he returned the loving gesture.


“Mom, you didn’t need to drive over an hour to come up here. But since you are—have a seat.”

“You sure as hell didn’t, Rosie”, Carl echoed.

“Oh be quiet!” she ordered Carl, putting him in his place. She dismissed the offer of the seat, and told her ex- husband. “I’m worried about my only son, but I also am interested in how you’re doing…if my grandchildren will still have a grandfather. Take better care of yourself and maybe they will.”

Shane comments were sardonic. “Maybe miracles still happen…like quitting smoking, boozing, and maybe doing some walking and healthier eating…but since when has Dad ever listened to you or me?”

Carl attempted to sit up and get out of bed, but the effort was ridiculous. He groaned in pain. “Give a poor guy some rest, already! You two are just a couple of nags!”

Rosina sneered. “Old nag—old hag—*******—say what you want about me, but you know I’m right! Anyway, you are outnumbered. Or am I, Shane, and the nurses and doctors all talking out their rear ends?”

Carl made a face. If only he could just get out of here.

“Honey”, she said to Shane. I’ll be downstairs in the cafeteria. I’d like some coffee. You can join me down there if you’d like and we can talk.”

“In a little while, Mom, thanks”, he replied.

Rosina walked up closer to Carl and put her hand lovingly upon his chest. “I really do want you to get well, old man. I wouldn’t be here if I didn’t care.”

“I know you do”, Carl admitted. “That is one of your faults. You don’t stay ****** forever.”

Carl was more scared than he would let on. He hated hospitals. He would do anything to just be back home in his recliner, watching a football game and having a few beers. What he wouldn’t do for just one puff on a smoke, too. Anxious, he tried to hide his fear, but it was just a smoke screen. He didn’t want anyone to know how he truly felt, nor did he want anyone to feel sorry for him.

There was silence for several minutes. Shane had said all that he should say. After all, he knew his dad probably wouldn’t listen. “Hey, Dad”, he finally said. “LeAnn’s going to her school dance. There’s a boy that likes her, but I’m really not ready for that.”

Carl grinned. “She’s a pretty girl, alright. Takes after her grandma when she was something else—way back, you know. The girl looks more like your ma than you do, though always felt you took after her look instead of me”. Carl’s background was English, Scottish and Welsh, and Rosina was full Italian. To Carl’s side of the family, he looked like his dad. To his mother’s side, he resembled her. Trevor took very much after Megan, with light brown hair and those blue-green eyes.

“Yeah, she is growing into quite a beautiful young lady”, Shane agreed “I got to still go dress shopping with her…and, oh, let the fun begin!  Can’t think of anything more enjoyable than a day of running her all around the malls.”

“Well, let Megan take her, for God’s sake! Or let your mother do it.”

“Dad”, “It’s fine. It may not be my thing, but all the stuff I do with Trevor—going to his baseball games, soccer, to karate. Well LeAnn was more into that stuff but she’s getting more into girly things.”

Soon, a young woman came in with Carl’s lunch, and placed the tray in front of him on his table. “Cute, huh?” Carl remarked about her after she left. Shane did not say a word.

“You need to get back out there. Get out and meet a nice girl”, Carl said, picking over his food. Jell-O, apple sauce, broth, a roll and juice—he wanted a hamburger. But how could he get a good one here? There were too many “spies” as he called them watching over him.

At the moment, Shane seemed miles away from his dad. Whatever he was saying made no impact. He made it a point not to speak of his problems with Megan to his father, and he liked it that way.  By Shane’s expression, he felt his son was holding back on something. But the truth was, so was he hiding something.

“I got myself into this mess, I know”, Carl declared about his heart attack. “I came close to saying, ‘Sayonara—that’s all, folks!’” His remarks were typical—just blow everything off. He joked as if he wasn’t fazed by it all.

Shane had now closed his eyes, and kicked back a little, “Uh huh”, he agreed, though he was simply responding without thinking about what Carl really said.

Carl didn’t want to be tuned out. He had something to get off his chest. He said, “ Well, all that’s done and said, maybe this is the right time to tell you. Got plenty of time here with my own thoughts.” He hesitated, for it wasn’t easy for him to say it. “ It’s bout time you know”, he said. “I think with me almost bitin

today i achieved the farthest state from meditation
humanly possible
i slammed down the horn when the
wrinkled egg tried to place her stick in front of her.

my cat's hunger is only met by my
own intestinal growls,
and it's my anniversary.
i belong in a tribe of chimpanzees.

i'm too lazy to shower,
too angsty to sit still,
too apathetic to lift even one limb from that
sweet honey mud that clings to me,
that bubble of no-space, and
i have so many ideas.
i want to do everything.

but the pebbles turn to dark walls when
they should be cobblestone,
everyone cares and is trying to help me
i'm alone, alone, alone.

Darling lover

To me
You are
A galaxy


Now first and foremost don't get upset
That's not me hinting you need a gym membership
Or an objectified observation
What I am saying is you're more beautifully complex than an average constellation

You are not a cluster of stars some people chose to put together
Nor a tether of thought from a single perspective
Some 1 dimensional reflective image to simply sit by in my night sky

Oh no no no, you see to me

You're a complex galaxy

And in those parameters let us playfully define


Right now I'm within the confines of the gravity of your love<br>
It's magnitude of power reigns up to 10 to the 14 stars or above
That's hundred trillion flaming masses passively bound like glue
By simply you just being you

So above the gravity of such galaxies, my love there is nothing that comes more unquestionably and naturally true

Your pull reigns me in

Asks me to begin exploring every facet of your system

Your stars that I am drawn to? Your galactic seeds of wisdom

Burning into the retina of my inner eyes
Your sources of shining light and life brighten up my dark mattered skies
To the point where night and day could be lost amongst your cosmic fray
I am blessed to feel your warmth in my life in such colossal ways

Your planets you have formed?
Refined bodies of the life you've led
I mean a lot can be said of planet surface
And that molten core you spout sometimes
Or that forgotten cold core of lead

Like pieces of your history you chose to keep and store


I'm sure I could probe samples of what makes you so unique

But it's not my primary mission dear
It's not your past collisions I've come to seek


I mean, aren't we all a chaotic incalculable and at best self confessed mess anyways?

I don't think we're ever given enough time to ever truly know

And although I have no idea what keeps that spiral of a chance you call a galaxy going

Whether the source of your gravity's event horizon is or isn't showing
I don't have to know, because not everything's up for exploration
These lives we lead have an expiration, I mean we all have aspirations

I'm not here to find your habitable goldilocks location

Nor do I plan to build a death star, rule and reform your natural galactic formations

I don't plan to rule your galaxy to its farthest reigns
I mean I too have my own galaxy to maintain

And I can't even really promise I'll stay
Our universe is so big
I mean it's easy to get drawn away!

Like everyone else

I guess my vessel is just passing through

And trust me my dear I've tried merging galaxies

And it could never end well for me or you

I guess what I'm trying to say

Is such beauty is better kept modestly observed

Acknowledged and unfettered, rather than ruled


Cause anyone who thinks they own anything

Especially you or I

Is this universe's greatest fool

Chapter XXI
Hegira to Patmos

They dropped their moorings from Cala Cogone early, when the tide seemed to be separated from the waters like a head distanced from its body. On a lavish and romantic day they went to Genoa, to continue the logistics of the trip to Piacenza. During the trip Etréstles was stretched out in the bow under a Sun that seemed to be fearsome as it was a digestive task that would make him ingest his own dream, which perhaps he aspired to be more than a journey. While he slept, at the helm Etréstles dressed in a black robe and the comrades also sleeping with dreams that they painted with sign gestures on their faces.

Dream of Etréstles: "With the memory off-center ..., I was still in Izzana, dancing by the clouds on gray tulles of the layers of the sky that tried to stop being a Kingdom without a Crown and Sword". They glimpsed the stones melting and turning into gauze juxtaposed to the aerosolites that unfolded from the Sorcery, landing on the hands and heads of Vernarth and Himself. As he continued his dreamy journey, he dialogued with the auxiliary legate of his own dream. “He tells her that he sees them beyond where their liturgies collide. They cross eroding the vanished and itinerant reason”. He gets up and takes the moorings of the ship and ties them to his neck. Then everyone cooperates to walk along the edge of the ship, which all moved barefoot. This is how I would wake up!

Vernarth tries to wake him up, shakes him, but doesn't wake up. And when he tried to avoid him from sleep, he saw that he had the moorings around his neck, along with two Unicorns who were escorting him and were looking towards infinity, auspicious that Genoa was already coming in front of their horns. The others began to wake up and ate reclining, almost as if without any desire to get up from the deck full of self-sliding linen, which allowed everyone to pass their own meals, including those that were semi-consumed rolling on the deck. Etréstles,  transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead at the foot of the homonymous promontory, 36 km from Genoa.  Portofino, close to the hydro form of the Portofino Regional Natural Park.  Being able to find different entrance doors through S. Rocco, Portofino Vetta and Nozaregoino  that led you to paths with different levels of accessibility and landscape. On the route of the path that traveled from Northwest to Southwest on the same promontory, he received the full beauty of the Mediterranean vegetation, with its beautiful pines, bluish and clean waters of the Mediterranean, which filled his lungs and especially his stem, which silenced of peace to those who accompany you through this interesting and beautiful Natural Park with deep blue eyes.
Vernarth is wrapped with two layers of linen and stands in between eclipsing each of the Unicorns. They pass her horn through her pectoral, as if wanting to insinuate affection. But her propitiated gesture was to crown her with the Power of her phalanx, the impetus in Gaugamela, an Onyx Crown, to lighten the burden of sleep and wake up before reaching the shores of Genoa.
Calling in Genoa, they all descend in a separate part and say goodbye from afar, gesturing with their hands. Their ramblings revealed multi-level radiographs of the resolved aura that invited them to an enclave hostel, to re-enter the world of their daily chores. The Unicorns who would return back to Sardinia stayed on the ship that was in the blue bay. They positioned themselves at the bow one and at the stern the other, to lighten the sails and return to Izzana.

Vernarth and Etréstles walked with their bags, letting go of their feet towards La Via ** Settembre, they travel in an east-west direction, next to Corso Italia, the promenade that runs along the promenade, which is one of the favorite places to reform the destination of Piacenza. From this road they moved near the adjacent carriage station to the Caruggio neighborhood in Sottoripa. Here they entered an inn to eat and drink liqueurs made from natural herbal recipes and sweet citrus, some fish with bread, sauce and Genovés sourdough. to satisfy their hunger.
They had dinner and opened the exit to the terminal. Before, they went to the Ponte Monumentale where the church dedicated to Santa Rita is, called Iglesia de la Consolación, whose entrance, at the level of the old streets, is slightly lower than the current street. They pass a porch and enter. "Almost like a grand cloister sensation they perceived during their stay, as if centuries had passed, but which never ended in the wanderings of any secular period. It was the impression once entered and soaked on this road, which still remains active. From this original cloister, the invocation of images on the sides placed towards the church towards Via ** Settembre, as well as the closed portal in the market access plaza on Via Galata, recur, while the other two sides are they completed attractions to admire when the eastern market in Genoa appeared before them ”.

When they entered, the masks were passed over the bones of their faces, indulgent towards both faces of the visitors, under a freshness of gravitational atmospheric fragrance, perhaps from the connected baptismal font or the lateral nave or the three naves separated by square pillars illuminating them. This is where Vernarth places his right hand on his forehead and his mouth, as a sign of catechesis detached from The Vault, the central nave and the counter-facade that were painted in fresco in 1874 by Giuseppe Isola, after reading about the intertextual verifying thus Vernarth. (Visioni dell'Apocalisse, Gloria di Nostra Signora della Consolazione and Giuditta rientra trionfante in Betulia), while Etréstles frenziedly admitted the frescoes through the side aisles that are the work of Giovanni Quinzio at an angle close to him. Observing everything, he was already indoctrinating to reprint new vigor to enter Piacenza triumphantly and head to the Region of Patmos. Giuseppe Isola's fresco was the great motive that struck his reason for being where he was to continue the threads upon threads of his lineage as the great Commander of the troops of Gaugamela and his Phalanges. Here is the church in its first tune with the duty of limitlessness before its steps to dominions that will make it recover their powers, from where they were first seen dressing in the clothes of an innocent child.


In the apse, there was the choir singing baroque pieces, and followed by elaborate wooden stalls from the 17th century. In the Altars on the left, on the Fifth Altar, Etréstles, captures a simultaneous vision. From that moment when it was the disappearance of this Santa Maria della Pace church, which could have been one structure on top of the other, perhaps in ruins but if the columns could go further from where their originals are born. Until then both had separated from each other, and they would meet again here in the apse, where they never lose sight of each other again, to turn towards the exit that required them to leave the sacred precinct. In the terminal, a grayish float awaited them, with silver trim on the edges of the structure, at the top of the front roof it said "Where you must never go and be". It was just the transport of an allegorical float. They were theatrical traveling artists, who had places available for travelers to Piacenza. The one that they just approached to move to the home, where they had to register at their own will and rejoin this excellent session "Parapsychological Regression".The Trebbia valley, a few kilometers from Piacenza. Vernarth noted that a shaft of the chariot made a strange sound. To which he notified the driver, telling him what he caught on the rear axle of the carriage. They go down to inspect all; not being able to detect anything that it would suppose would be an anomaly of filming of the instrumental east. Etréstles sees that some steeds were grazing on some meadows and he tells them all. Vernarth warns him and immediately heads to them. It reaches only a sorrel that was running its tongue over its hoof. The others flee. Vernarth approaches, and notices that he had a wound in his left hoof, noticing that in the center there was a strip of Green color, He takes his leg, and examines it. He takes out his dagger and begins to remove the stake that was inserted into his damaged leg. The others were gone, restarting the trip to Piacenza. Etréstles managed to climb a steed, and followed him - The float remained without them supposedly to arrive safely at Piacenza. But at 5 km, before reaching the city they are struck by a lightning bolt from a sudden storm. What misdirects his route - the passengers were left intact, only fatally suffered the loss of the driver. (It was verified by Vernarth when he arrived at his home in Piacenza).   As  Vernarth rode fast in the storm, trying to catch up with the carriage. Stress them towards the same to reach their brother. They rode propagating the pastures that passed near the forests of Val Trebbia. When the storm intensified instantly, it was wise to take refuge and wait for the flood to decrease. They were always close to each other. Etréstles about 18 km from Vernarth, they did not know it, but the horses sensed each other. They already distinguished, that they were close to each other, but it was necessary to take care of the horse, and have to check its hoof again. He checks it and notices that it had a green stripe in the four parts, like a pigment already placed concentrically in the middle of each hoof.


Ellipses Gaugamela - Final War
Vernarth bids farewells farewell. Once the Achaemenides are surrendered, he prepares to review them. Walk with Alikanto across the ****** plain. Reviewing his five hundred dead and three thousand wounded, he goes to recirculate in the footsteps of the attack, manages to see lead as a sentinel gathered wounded horses, but not serious. He approaches him and says Khaire; asking what unit they came from. He tells them of the Hosts of the command of Hefestion. The sentinel tells him, that he was enraptured by the fact before his eyes to see that all the horses of the line of Hefestion, Alexander the Great and Vernarth, to fascinate him that they had a green stripe on his left hoof. Wedge riders are formed, lining up the stable, towards the court of the guards and Macedonian monarchs. She dismounts from Alikanto and checks the chestnut trees, managing to insinuate that it could be Medea's ploy of the smiling charm towards her Hetairoi dancers, whose elite had bracelets on each leg on each chestnut. Also with the offensive weapon, they acted as the Macedonian's personal guard. Vernarth recalled that, before starting the offensive, with his blessed Xifos he inflicted light wounds on the left foot of his Phalanges in the act of "overtaking them before being stained by the enemy"

Vernarth says: Here is the cavalry that has received so much praise for «hammer» in the strategies, because it crushed the enemy units retained by the «anvil» or the «phalanx» that I had to command and lead the charge, intoning the riders. And even more the circumcisions that he gave them before entering combat. With the Hetairoi I was organizing squadrons of 200 to 300 soldiers, while they were checking the chestnut trees. In the campaign, they would ride the best horses, ******* or on the blanket, they were awarded the best weapons available. Each carried his long throwing spear Xyston, accompanied by a Kopis sword, for hand-to-hand combat, which in the interlude would defend his flax and bronze breastplate, with respective protective armbands and helmet, before lightly tackling his aggression . The horses were also partially protected, but not their hooves! I gave them the final instruction by decree to take them to the altarpieces and attend to them, so that they check their left hoof.Thus giving signs of great concern about the green stripe on each of its left hooves. Sentinel Hetairoi, with some of his servants, gather the animals and transport them where they have been ordered to tend and examine them. As the designs collapse over the night in gloomy litanies, Medea bursts into a great green outfit saying:

Medea: Vernarth, rancid are on my memory the potions and designs of those who want to talk about me or offer me in their lust.Where the zeal of anxiety deceives the wishful arms that welcome the victorious pleasure. Hooves are my skeptics and famous decisions, because I am weak in will but not in character. Green is the pouring of my converted powers into the veins of the horses. They were carriers in their eloquent ferocity. Instead of blood, I had sap from the magic vessels that I transferred to them so as not to doubt the doubts. Their object is that a green band was encased in their hooves as a sign of the Hipnos promontory through their Son Clovis, to plunge all the forests of the raging underworld, towards the heart of each "Valiant Hetairoi".


Outside ellipsis / near Piacenza
Vernarth and Etréstles in a post-storm clearing, a soft breeze greets them and they meet again, they greet Khaire! And together they reroute to the empty pastures, which would gradually begin to venture them through the farthest forests of the Val Trebbia. On some brown plains with poor colors that visited him falling as they faded on his mirage. From this unusual crossroads they will supremely perceive the closeness of Piacenza in their breathing.
Now they are in the vicinity of the Cimitero de Piaceza. Then they will have to go home on the Via Giovanni Codagnello, on the calendar of January 2020. The Parapsychological Regression continues.


Piacenza Cemetery, January 20, 2020
Vernarth and Etréstles entered the necropolis long before sunset. They were carrying a cake to celebrate Vernarth's birthday. Night Patrol joined the visit. In particular, they followed a night watch service that was active, trusting their guide Piacenza or the surrounding area, with 3 internal night patrol passages 365 days a year, for the rest of lives beyond all material life, perhaps turned into marble statues.
They hired a special service dedicated to the approved service for 2 people .; They were active during the caretaker's office opening hours (the same opening hours as the cemetery). With this service they overcame difficulties to walk after so much traveling. They leave the green-hoofed horses, now turned into statues. They request authorization from the entrance cemetery offices, to honor their belonging and to please those who visit them on their behalf. In Genoa, after having passed through the exterior without entering, they were ecstatic with the Staglieno Cemetery in Genoa (the most monumental in Italy).But if they enter the Piacenza, where the sanitary monumentality passed through the real function of such an enclosure in the contingency. It was commented by the neighboring offices that the migration of corpses from Bergamos were moved to Modena, Acqui Terme, Domodossola, Parma, Piacenza to carry out the respective ceremonies. Due to the great Viral Pandemic that decimated a great majority of Italian citizens in these areas. Vernarth became aware of the current reality, saw how a gravedigger conversed with the crowds, there was a nurse, a doctor and a prodigal man who concentrated on uploading moods to those who were there, almost like a caster, to relieve them of this transitory despite humanity.
They continue past the pyramidal pines, to the central pavilion. They sit on the edge of some flagstones, and take the cake to celebrate their birthday. They sing a hymn and they both enjoy it lovingly. Etréstles saw that he had a little cream left on his nose and cheekbone, running his hand to remove it. In the instant, the guard calls them; it was time to go because it was time to close the compound. They say goodbye with a monumental hug paying tribute to their brother!


Etréstles says: Honors Vernarth, for your immeasurable Valor! It is a great contribution that we divide our work and commitments. From here I go to the Messolonghi Cemetery. I will only wait for the crescent moon to meet the Charioteer, then leave with him and my beloved Drestnia. My Xifos Sword in my right hand and the head that I cut off in my left hand, in Gaugamela before that rugged fate! Khaire, My honors Commander Etréstles!. It remains in the shadow of some pyramidal pine trees of this sublime night, and then they distance themselves. Vernarth leaves the compound heading towards his house relatively close to the cemetery, on the Via Giovanni Codagnello.


Final session in Vía Codagnello, Piacenza:
Vernarth enters opens the door and everyone is waiting for him. Huge groups of friends, work colleagues, family, their pets, and especially the Parapsychologist, who had commanded this whole great session. They all approach her and in the instant, Vernarth awakes abruptly from the parapsychological session. They stabilize it and check your vital signs. There were many days of this odyssey. His awakening was mediatic, since they were attentive to him to question him and confess everything, but he was clear that his purpose would lead him to the confines of Patmos along with Raeder and Petrobus. It remained only to wait for the tenuity of a simple immortal warrior to assist in the services of John the Evangelist. The parapsychologist says you have to wake up, you can no longer be AND stay here in this temporary tube!
Once he has refused to wake up, he takes the itinerary to return to Macedonia. The visibly worn and stunned parapsychologist demands that he give up and obey his command. The effort was unproductive, only letting himself be carried by the grip of his right hand, taking his other with great vigor to remove it from shamelessness, from whom he does not suppress his pride to who still remains wounded by the swords that bleed his soul in Gaugamela. "Everyone is amazed and resigned !, pointing out that he must have always been in the surroundings of his beloved Macedonia, cutting the bursts of succulent insolence on the same temperate cliffs, where some variation of the sounds of the wind would make him saddle his Alikanto to acclaim the gods who came looking for him ”

Vernarth is engulfed in ambivalence, almost celebrating his birthday and waking up from his parapsychological journey. Both will take place, but the session will continue irrevocably. After a few days close to the first day of the crescent moon, he greeted him from a privileged place on his house Etréstles de Kalavrita who was with the Charioteer in his car and Drestnia, they went in that masterful car to join the chores of the Koumetrium Messolonghi (Editorial Palibrio - USA) .So returning to Messolonghi, to meet his disciples and essences of the foundation of his naturalness.


Hegira to Patmos
On a gray day in July 1820. Piacenza slept under the ambush of the revolution, in Italy there was a situation similar to that of another European nation. Vernarth was preparing his last details with the parapsychologist, to undertake his Hegira to Patmos, since he was a revolutionary and this was of great motivation to emigrate from this constant stage of Wars and sociopolitical processes. Manage to be a participant in this revolt in the Piedmont area. Its ideological axes were liberalism and nationalism. Given that the most affected countries were those of southern Europe (episodes from other areas, such as Germany or France, were much less important), with Spain as epicenter of a movement that extended to Italy and Portugal, and on the other hand Greece; It has been called the Mediterranean cycle as opposed to the Atlantic cycle that had preceded it in the previous generation (the first liberal revolutions or bourgeois revolutions, produced on both sides of the ocean: the Independence of the United States -1776- and the French Revolution -1789- ). As compromised great principalities of much of Europe were banned, it participates in great dissolution of collisions and invasions that involved it. In this way he would liberate his Homeland, especially his province of Piacenza.

Although the "Kingdom of Italy" as such did not exist, there were two great kingdoms that participated in the Revolutions of 1820: the Kingdom of Naples and the Kingdom of Piedmont. However, most of the revolutionary movements were driven by secret societies, such as coal. The Kingdom of Piedmont was also one of the most affected, since it was at the epicenter of Italian nationalism. It was controlled by Víctor Manuel I, member of the House of Savoy and defender of the Old Regime. The monarch had only been on the throne for 6 years, since he returned to Turin in 1814 due to the defeat of Napoleon. Since his return, various factions within the country advocated for a unification of all the Italian kingdoms. The unstable situation of its neighbor, the Kingdom of Naples, caused the carbonarians within Piedmont to revolt in March 1821.

Conclusive Hegira ellipsis to Patmos:
After this great conflict, he orders his parapsychologist to resume his final session in Patmos; he begins the procedure for the era that he had to trespass anachronistically, returning to the era of the Macedonian Empire. The parapsychologist asks him time, place, dates, clothing, customs, and manages to meet his request. He enters the portal, and in the backwaters of Messolonghi he meets Raeder and Petrobus. They were close to this heroic land, Messolonghi in the Gulf of Patras, the capital of Aetolia-Acarnania. Nothing less than in the land of his Brother Etréstles "Koumeterium Messolonghi".


"They all approach the vicinity, pray three times to heaven, and manage to be abducted to the underworld of Messolonghi. When they were snooping through the catacombs, they make out the surroundings of a luminous vault, thus distinguishing a woman passing by with others. It was the beautiful nymph Eurydice inaugurating The Constitution of a new Government”.
Eurydice and the gravediggers worked for the new government to be instituted. They were reviewing the last ground plans that converged on the tenth cemetery.
Eurydice ...: with the absence of Etréstles and Drestnia we will make her awakening continue, whose awakening phase closely relates to her wife.
Grave ...: Where do we start?
Eurydice ...: by the southwestern statue of Ashurbanipal, to pay tribute to Botsaris. Then, we will go up to receive the cordoned off tomb of Bramante and Ghiberti, so that the latter can advise us regarding the work to be erected.
They climb the northeast pavilion to the foundations of a mausoleum. They approach the slab of Ghiberti, who was loosening his fingers, sitting on the shore of a Pyramid-shaped cypress. Bramante vanished into the gray beams of light...

Ghiberti ...: I already know your mission. I am summoned to the Council on the day of the sailors' return. To start, they went to the mines to look for precious stones, stones to build Markos Botsaris.
Eurydice ...: Good! Well, in nine moons and nine suns they will return from the coasts of Morocco, the last docking point, so that they can then return. At the moment they are already warned.
Just back, there was a Lover with her right hand holding her chin.

Inamorada In Love ...: Five centuries ago I awaited my awakening, my lover promised to return ... with these verses...:
"I want to be different,
I want to take you my love...
and tell you that by missing you
there is no greater sadness than not seeing you ...
Forgive me for not coming back...
before my absence caused your death,
Wait for me ... I'm going to tell you ... how I miss you
Along with my immortality of feeling...!  How I miss you...!!

... He still tells me this, but from here, under the embankment of the cemetery I feel that he is far away and I can do nothing. Also, I have it in my memory and one day we will meet here. The Enamorada continues to sit and watch armies of soldiers being thrown into graves, their bodies severed. As she continues; ... there is more life here than on the surface, and the trenches replace the concave wombs, as vessels! As everything here lives, even the flowing and hallucinatory invocations are perceived from the Poets, Alchemists and Astronomers. They make the invisible go in a formidable adventure to the site of their magical hallucinations.
Eurydice ...: Stay on your stone, with your chiffon dress; here you will see the arrival of Etréstles. He will bring news from other lands to answer you. Now dispense if we delay, sadness will fall on the other beings who are being buried and transhumated. The Enamorada remained on the stone with her knees resting on her chest. Eurydice and her assistants went to their rooms. "
All this they manage to witness, and then go in search of Etréstles on the same tenth cemetery floor. Raeder and Petrobus were laughing and at the same time they were impressed, as if wanting to remember him when they have to leave directly from Messolonghi to Patmos, towards the Dodecanese region. In the meantime Vernarth was searching for his brother in all the nearby areas of the catacombs flashing penetrating light, unable to find him. He arrives at the ninth cemetery and is fascinated by a feminine image that would seem like a phantasmagorical chimera ..., it was Drestnia moistening some ferns on some crypts making gestures to see them already grown, even if they had just been planted...!

They approach her intimacy and ask her greetings, Drestnia answers them abstractedly that Etréstles traveled to Patmos to applaud the maiden ceremonies that would be wed in the spring in the nearby meadows. Being able to settle in The Monastery of Zoodochos Pigi, and who later went to the hills of Castelli, as it has been known that everything has been celebrated on a hill that many hundreds of years ago has sheltered our historical fragrances in the unity of the ethereal until the present. Such ruins among some works as well as the Temple of Apollo that will continue to survive with its prevailing mystery not revealed.
Etréstles gives them their congratulations and wraps his arms around Drestnia. They evacuate the cemetery, remaining abstracted in the internal darkness of the catacombs with fewer lights than a feasible twilight of darkness, as if immediately leaving Etréstles to be with him in the spring, shedding light on herself taking them to the Castelli hills, which they would figure in the sweetened exaltation of the pollinations of the nymphs on the maternal and ****** maidens.

They go out and spread their impulses over the promontory of the Koumeterium of Messolonghi with Raeder and Petrobus on Raeder's shoulders. Vernarth invoked the north with her staff where Alikanto would appear with her hooves with greenish stripes.

Raeder says:  Let's go. On those warm currents to follow we will not unite you Vernarth. Smiling, the fantastic boy danced, forming figures that enlivened him to hold on to the legs of Petrobus. They both stared at Vernarth and raised high above the warm clouds. Beneath the Messolonghi miniature, she had Vernarth's sights on them; she was putting reins and her Hoplite tunic, to mount Alikanto. He looks around and makes a big sign to Raeder to follow him to where he was, they suspend themselves and manage to go back to the highest mass of misty airs that would take them against the clock towards Patmos to meet Saint John and Etréstles.

One time, when I was ten or eleven years old, for a holiday or something my uncle bought me a model set of a scale V-8 engine. He knew I was into cars, but without kids himself, had no idea that this kind of gift was worlds beyond my preteen intellectual abilities. It fell to the wayside that year, useless in comparison to the easy to open, assemble and operate toys my parents bought me instead.

I had completely forgotten about this model until one night in college when I couldn’t sleep because I was too wrapped up in my own existential crises of the time and too nostalgic looking at all the old car posters in my room. I remembered the V-8 engine, and how even at 21 I couldn’t name a single part in a car engine, let alone assemble one, which was sad because I had been driving them five years at that time. So, with some sort of unexplained sense of unfinished accomplishment, I felt a need to finish it. Or really, to start it.

I got out of bed and started to tear apart my closet, piece by piece, coming across old articles of clothing I never wore, a few aging airsoft guns and even a few smaller models I never assembled, but alas, no V-8 engine. With my labors unyielding, I grabbed a flashlight and headed quietly to the attic, hoping that would be lend a more fruitful search. It took me a little digging and a lot of splinter avoiding in my bare feet, but finally I found it. I blew most of the dust off the box, removing more with my hands, and held the box in my hands like a treasure. It was smaller than I remembered, and the age on the box said 12+, which now looking back on it means I should have been easily able to complete it when I got it.

I worked these thoughts out of my mind, instead turning my attention to the plastic wrap around the box which came off with ease. I pried the color-aged box top off to find a colony of loose parts, of all colors, alongside a small screwdriver, which at that moment gave me a sense of Excalibur in it’s placement. I touched the blue handle lightly, almost afraid to accept its reality at first. Then I just stared at the parts for a good five minutes before I remembered there was an instruction manual. I opened it to page one, and I began to build.

I must have worked on that model for five hours, by the light of my flashlight and the streaks of full moonlight that snuck in through the skylight above. Hours of part maneuvering and placing, losing, then replacing small screws and setting them into place with a tool made for hands half the size of mine word my fingers out. By the time I was finished, my fingers were a little sore and my flashlight was running low on batteries which didn’t matter because the sun was beginning to peer it’s eyes over the horizon. I looked at my creation before me, a lot smaller than I thought it would have been when I first received the box, and felt a sense of nostalgic victory. For years, this project taunted me from the dust piles and cobwebs of my attic, and now, too distant from my childhood to remember anything all too vividly, I completed a milestone that was meant for years prior. I thought about how, at age eleven, I would have proudly shown my father to gain his five minutes of fame for the day, and he’d ask me the name of a few parts of the engine as a quiz before asking me to grab him another beer and I’d feel like I was on top of the world. He’d tell me I could be a mechanic someday, or better year, a car designer. I’d smile and walk away accomplished.

That’s what I would have done then. Now, ten years later, I folded the pieces of the box and put them in the trash can, with the plastic wrap on top. I took my finely tuned engine, my product of nostalgic victory, and brought it back to the confines of the attic. I turned my flashlight back on, moving past splinters and upturned nails to the back, farthest corner, where a lonely black shadow kept all light from entering. I took my prized engine, which seemed even small now in my hands, and wiping away some of the cobwebs, placed it into that dark corner, displacing a slumbering daddy longlegs in the process. I placed the small blue screwdriver next to it, then thought better of it and wedged the sharp end into the wood in between two planks, with the crystalline blue handle glowing in the light of my flashlight, sticking straight out like the tool of Excalibur that it truly was to me.

I took one last look at my creation, then turned and left, knowing that, like my childhood, I’d never return to it. I locked the attic door on my way out and checked the floor for loose parts, covering up any traces of my journey back into one of the aspects of my childhood that I forgot to partake in.