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Jessie Jan 2016
Page 1 The first time I met Duke, I was tripping on shrooms. In fact, it was the first time I dabbled in psychedelics as well-- just don’t underestimate me in the marijuana department. The moment I can recall vividly comprised of the walk from the music hall which brought us to underneath the Moody Towers residential buildings, where there is wind and benches. A square of dirt rests behind the two benches facing one another; the distance apart from the benches being just far away enough to notice the gap of distance when conversing with someone on the other side. There was a main square of dirt, consisting of hundreds of butts twirled within the earth, scraggly weeds, and one relatively low sitting, yet ominous tree. This tree often glowed during the segments of the day in which the sun found itself to gazing down on the towers and its delinquent inhabitants. On many occasion during these occurrences you could find me, or perhaps Duke, basking in the serenity of the simplicity of the slivers of light breaking free through the emerald green mass of the tree. On this particular night I’m recalling, it was nighttime, causing the yellow of porch lights to dim the other color palettes. Except the sky was royal purple, and the grass in the distant hillside was writhing and crawling and breathing-- according to the mushrooms. Half of the bodies there that night were standing, half sitting, and there couldn’t have been more than a dozen of us. Here is this person in my indirect line of sight, and I couldn’t quite pinpoint the gender, but cute regardless. My guess of girl pursuing boyhood turned out to be correct. Small, almost delicate frame like mine, only he attempted to conceal his when I had long ago grown out of that. With a plaid button down and the collar poking outside of his oversized dark casual suit blazer. It was tied off with baggy khaki pants and clunky black sneakers similar to the ones the chefs in the cafeteria wear with a sense of longevity.
Page 2 His hair took inspiration from the typical pubescent teenage boy, straight and shaggy, and nearly covering the ears and eyes with a combination of strips of platinum blonde, ***** blonde, and light brown wisps. His almond shaped almond colored eyes were framed with black, square and thick glasses, but they seemed to help compensate for size with the natural petiteness of his face. Pink snakebites resided beneath his bottom lip, emphasizing the common nature of his lips that often formed a tight line, even when speaking. I only saw him from a distance that night. We didn’t introduce ourselves to each other until the next day, at that same location. There were less people now, and I was no longer in an altered state of mind. Well, to be honest, I still most likely was, but it certainly wasn’t shrooms. I don’t remember who began the introduction first, but I know his was accompanied with an abundance of compliments on my outfit and level of cuteness. As masculine as his mind was, he could still have an appreciation for the arts, for unique style, as any natural born writer would be so inclined. So there, underneath moody, I met him, within a social circle so new to me yet so familiar within the ebb and flow in the air of cigarette smoke, sometimes so pungently thick and keen against the tide of stimulating conversation. I felt a sense of belonging new to me.
Page 3 And there again and again, I saw him. The central station of our friends. There I slowly got to know him. I learned he lived about an hour away from Houston, he was a creative writing major, he was a freshman just like me and lived in the same building as me. We were both INFP’s on that Meyers-Briggs personality test. I had never met another INFP. In fact, the more I thought about it, the more his general profile seemed familiar to me. And then I remembered. RoomSync, an app the university had us use to select a random roommate. I remember considering someone’s profile that possessed all the qualities of Duke, before my current roommate reached out to me, unfortunately. Duke might have been my roommate in another reality-- remember the Multiverse Theory. I wonder if that would have even changed anything. But that thought process is futile. Once, in the initial stages, Duke had been rambling about modern horror and the author of the fight club, and where the two converge with the product of a gruesome short story. Not many accepted Duke’s invitation to read the short story, but I volunteered. But that is when I remember the beginning of Duke’s admiration for fight club. The concept of it. In fact, one of the first nights, I remember vividly as the Fight Club Night. Where Duke insisted on starting up our own Smircle fight club sometime, what what better time to do so, he thought, then right at that moment with his buddy Otis while drunk on ****** life and four lokos and *****? They were both at least eight shots deep in their sorrows when they ended up disappearing for what seemed to the rest of us like mere seconds. When we found them, we had ventured that way due to the need and ability to smoke a bowl behind the dumpster a few steps nearby. And when we found them, only one was standing. In the recounting later, Duke had apparently taken a nasty blow to the stomach after slamming a few hits in himself.
Page 4 As he lay there, sprawled face-down on the pavement, disoriented and disheveled, for a solid eight minutes at least until he determined he wasn’t going to puke. The remainder of the night was spent accompanying the rest of the group with Otis, forever refusing to let go of the moral dilemma that had just been established by this pseudo-fight club on which it is incorrect on all accounts to punch a drunk person in the stomach, because they are, in fact, drunk. This might appear annoying after a while, but the radical and lively energy that would radiate from the banter of Duke and Otis made this situation anything but.

Page 5   And so were my first stories of Duke, and so it was for many stories to come. Our stay at this place began to feel more permanent as our bodies would steadily adjust to the ranging, sporadic temperatures outside and as our eyes took in absorbing the physical evidence of the seasons. As it was, at any time throughout the day, my route would take me down to our spot underneath Moody, where Duke might or might not be there himself, shmoozing around with cigarettes and doodles on pen and paper noteworthy of Tim Burton. I got to know Duke. He seemed to have mastered the skill in which I prided myself most in, and that is the warmth near him that urges someone near him to just open your heart and reveal your thoughts and secrets-- that blind trust. Duke had a way of getting to exactly what was on my mind. And in exchange of me sharing, out came the stories of Duke’s life, the sad, ****** up, abusive stories. I heard those the most, for they were also the most compelling, and most exciting, and ******* sometimes Duke could even make them funny.

These days, Moody feels empty. Just because of minus one.
This is a short story I wrote for a dear friend I met my first semester in college, and this dear friend committed suicide before Thanksgiving in 2015. The page numbers stand for the pages in which I wrote the original copy, on fragmented pieces of notebook paper. It’s a very rough draft, but I wanted to put it out into the world. You will be severely missed, forever and always, Duke.
Tyler Zempel Dec 2018
The Anatomist

My bed being warm is what I discover as my eyes open to the sun shine coming through my window.
A shame that I came back to reality when I did, I was having a hot dream I wanted to continue.
His soft lips serenaded my entire body head to toe.
His large member caused me to lick my lips begging for it to cover my face with his snow,
or to continue on pounding me, explode and invade my womb,
then walk me down the aisle as his wife, and with him as my groom.
But that was just a dream and I have the tool here now to satisfy my desires.
I have my own lover here who comes and satisfies my sweet innocent flower.

I take my shirt off and begin to play with my *******.
They are ultra-sensitive and get me in the mood to play with my guest.
He’s the best lover any girl could ask for and has aced all of my tests.
Every morning he comes into my room and gives me what I need, never taking a rest.

I slip my hand down into my underwear and begin to play with my moist slit.
At first I was nervous and dubious at taking him on as my lover, but over the past couple years I have commit
myself to being his ***** for him to use as he sees fit.
My love for him is wrong, but it’s a love I can’t quit.
If my parents ever found out…this love of mine they wouldn’t permit.
They would scold me and call me unfit,
probably disown me and take away my last name, Schmidt.
Judge, judge, judge, that’s all the world does, ******* hypocrites!

I begin to finger myself feverishly.
I begin to breath more quickly.
Moan after moan escapes from my vocal cords tirelessly.
I look towards my bedroom door anxiously.
Please lover, come and breed me.
Please lover, come and own me.
Please lover, come and punish me!
Please lover, come and make me yours!

The door creeks open as Duke enters the room.
He barks knowing he’s about to once again plant his seed deep in my womb.
My beautiful black lab, my ***** is his to consume.
I look forward to this moment every morning, it’s the only time our love is allowed to resume.

I toss the blankets off the bed and spread my legs for Duke to see.
Smooth young and tight, Duke is lucky I allow him to get it for free.
I whistle, Duke jumps up onto the bed.
He sniffs my slit as I nod to him to go ahead.
Stroke after stroke his tongue invades my slit as he eats me to my satisfaction.
Moan after moan of escalating intensity enters his ear to express my gratification.
I close my eyes and lose myself to his wonderful tongue action.
After a stress filled twenty-four hours of life, this is a welcomed distraction.

I push Duke’s head away from me then turn around and located his erected ****.
I immediately place it in my mouth since there’s no time for small talk.
As if a dog could talk back to me anyways.
It’s nice, no talk just foreplay.
My head bobs up and down as I take his manhood deeper and deeper down my throat.
After my killer head, I’m sure if he ever had to choose between me and a hot female dog, I would win his vote.
As pre-*** begins to drip out of his ****, I stop the head and flip over on my hands and knees with my *** up in the air.
I whistle at Duke to make him aware.
He climbs up onto me from behind and inserts himself into my soaking wet slit.
He furiously humps me and causes me to submit.
I scream his name and dig my nails into my bed.
I bit down on my pillow so my parents don’t hear, I don’t want them to stumble in and discover Duke deep inside me, my ***** lips wide spread.  
I feel Duke’s manhood swell as his seed pours out inside of me.
His sweet delicious man juice invading my womb is the only way I want our *** to be.
Finished, Duke jumps off the bed and runs out of my bedroom.
Typical man, never likes to cuddle after ***, at least he can never become my groom.

I take a deep breath and turn back around to come face to face…
with my younger sister.
She’s been watching from the entrance of my bedroom the entire time.
Shocked, a face so white and full of horror, disgusted at my crime.
Her mouth wide open, a word not said.
My heart sinks, **** I’m dead.

I approach my sister, ask her to step inside and shut the door.
Still in shock, “You...were…someone…I…adore.”

“Listen to me, what you just witnessed is actually a great and beautiful thing.
It beats sleeping around and having random flings.
No worries about pregnancy or sexually transmitted diseases.
My hormones are out of control and Duke’s **** is just so pleasing.”

“You’re ******* a Dog Sarah…a dog…this is ****** up beyond words!”

“Please don’t tell Mom and Dad Megan, they can’t find out about this ever.
If they were to find out, they would disown me forever.
I know keeping a secret this big is a huge endeavor.
I don’t want to be known as a vile transgressor.”

“Will you stop doing…what you’re doing with Duke, right now this second?”
Besides being disgusting, I would like your soul to still go to Heaven.
On the other side, during your final judgement, all of your thoughts and actions will be reckoned.
I don’t want you, in your final moments, to learn this hard lesson.
It’s not ok to fornicate with an animal.
Nothing about your logic behind it is rational.
It’s probably a sin that’s instantly damnable,
so, do the right thing, make the right decision and become admirable.”

“I need *** Megan; I’m addicted to it.”

“Use a ******* ******* or get a **** boyfriend, don’t ***** around with a ******* dog!
Do it one more time and I’ll tell Mom and Dad and they will banish your sorry *** to a synagogue.”

“Would you be willing to play around with me Megan?
I know…don’t judge me…I know, but I’m desperate.
I would love to play with you as well if you’d like.
You don’t even have to think of us as *****.
We would just be two hot sisters having some fun together so what do you say?
Will you help me satisfy my urges so I know longer drift astray?”

“You need serious help Sarah; I think I have no choice but to go to Mom and Dad with this.
I’m not sure what’s going on in that brain of yours, but something is amiss.”

With my arms shaking from my nerves getting the best of me,
I plant a kiss on Megan in hopes she will decide not to flee.
I slip my tongue into her mouth and begin to make out with her.
I look her in the eyes hoping to discover that she concurs.

Megan slowly pushes me away.
She tells me she’s straight and not ******* gay.
With a hard, right open hand, she slaps me hard across the face.
My skin instantly turns red and stings, the slap contained no grace.
Megan shakes her head in disappointment and storms out of my room.
What will happen next, only one can assume.
This poem, along with The Mathematician and This Historian are part of a short story I wrote in poetry form containing 10 poems.  The Mathematician, The Historian and The Anatomist are the first 3 poems of that story.
WHILOM, as olde stories tellen us,                            formerly
There was a duke that highte* Theseus.                   was called
Of Athens he was lord and governor,
And in his time such a conqueror
That greater was there none under the sun.
Full many a riche country had he won.
What with his wisdom and his chivalry,
He conquer'd all the regne of Feminie,
That whilom was y-cleped Scythia;
And weddede the Queen Hippolyta
And brought her home with him to his country
With muchel
glory and great solemnity,                           great
And eke her younge sister Emily,
And thus with vict'ry and with melody
Let I this worthy Duke to Athens ride,
And all his host, in armes him beside.

And certes, if it n'ere
too long to hear,                     were not
I would have told you fully the mannere,
How wonnen
was the regne of Feminie,                            won
By Theseus, and by his chivalry;
And of the greate battle for the *****
Betwixt Athenes and the Amazons;
And how assieged was Hippolyta,
The faire hardy queen of Scythia;
And of the feast that was at her wedding
And of the tempest at her homecoming.
But all these things I must as now forbear.
I have, God wot, a large field to ear
                       plough;
And weake be the oxen in my plough;
The remnant of my tale is long enow.
I will not *letten eke none of this rout
.                hinder any of
Let every fellow tell his tale about,                      this company

And let see now who shall the supper win.
There as I left, I will again begin.                where I left off

This Duke, of whom I make mentioun,
When he was come almost unto the town,
In all his weal, and in his moste pride,
He was ware, as he cast his eye aside,
Where that there kneeled in the highe way
A company of ladies, tway and tway,
Each after other, clad in clothes black:
But such a cry and such a woe they make,
That in this world n'is creature living,
That hearde such another waimenting                      lamenting
And of this crying would they never stenten,                    desist
Till they the reines of his bridle henten.                       *seize
"What folk be ye that at mine homecoming
Perturben so my feaste with crying?"
Quoth Theseus; "Have ye so great envy
Of mine honour, that thus complain and cry?
Or who hath you misboden
, or offended?                         wronged
Do telle me, if it may be amended;
And why that ye be clad thus all in black?"

The oldest lady of them all then spake,
When she had swooned, with a deadly cheer
,                 countenance
That it was ruthe
for to see or hear.                             pity
She saide; "Lord, to whom fortune hath given
Vict'ry, and as a conqueror to liven,
Nought grieveth us your glory and your honour;
But we beseechen mercy and succour.
Have mercy on our woe and our distress;
Some drop of pity, through thy gentleness,
Upon us wretched women let now fall.
For certes, lord, there is none of us all
That hath not been a duchess or a queen;
Now be we caitives
, as it is well seen:                       captives
Thanked be Fortune, and her false wheel,
That *none estate ensureth to be wele
.       assures no continuance of
And certes, lord, t'abiden your presence              prosperous estate

Here in this temple of the goddess Clemence
We have been waiting all this fortenight:
Now help us, lord, since it lies in thy might.

"I, wretched wight, that weep and waile thus,
Was whilom wife to king Capaneus,
That starf* at Thebes, cursed be that day:                     died
And alle we that be in this array,
And maken all this lamentatioun,
We losten all our husbands at that town,
While that the siege thereabouten lay.
And yet the olde Creon, wellaway!
That lord is now of Thebes the city,
Fulfilled of ire and of iniquity,
He for despite, and for his tyranny,
To do the deade bodies villainy
,                                insult
Of all our lorde's, which that been y-slaw,                       *slain
Hath all the bodies on an heap y-draw,
And will not suffer them by none assent
Neither to be y-buried, nor y-brent
,                             burnt
But maketh houndes eat them in despite."
And with that word, withoute more respite
They fallen groff,
and cryden piteously;                    grovelling
"Have on us wretched women some mercy,
And let our sorrow sinken in thine heart."

This gentle Duke down from his courser start
With hearte piteous, when he heard them speak.
Him thoughte that his heart would all to-break,
When he saw them so piteous and so mate
                         abased
That whilom weren of so great estate.
And in his armes he them all up hent
,                     raised, took
And them comforted in full good intent,
And swore his oath, as he was true knight,
He woulde do *so farforthly his might
        as far as his power went
Upon the tyrant Creon them to wreak,                            avenge
That all the people of Greece shoulde speak,
How Creon was of Theseus y-served,
As he that had his death full well deserved.
And right anon withoute more abode                               *delay
His banner he display'd, and forth he rode
To Thebes-ward, and all his, host beside:
No ner
Athenes would he go nor ride,                            nearer
Nor take his ease fully half a day,
But onward on his way that night he lay:
And sent anon Hippolyta the queen,
And Emily her younge sister sheen
                       bright, lovely
Unto the town of Athens for to dwell:
And forth he rit
; there is no more to tell.                       rode

The red statue of Mars with spear and targe
                     shield
So shineth in his white banner large
That all the fieldes glitter up and down:
And by his banner borne is his pennon
Of gold full rich, in which there was y-beat
                   stamped
The Minotaur which that he slew in Crete
Thus rit this Duke, thus rit this conqueror
And in his host of chivalry the flower,
Till that he came to Thebes, and alight
Fair in a field, there as he thought to fight.
But shortly for to speaken of this thing,
With Creon, which that was of Thebes king,
He fought, and slew him manly as a knight
In plain bataille, and put his folk to flight:
And by assault he won the city after,
And rent adown both wall, and spar, and rafter;
And to the ladies he restored again
The bodies of their husbands that were slain,
To do obsequies, as was then the guise
.                         custom

But it were all too long for to devise
                        describe
The greate clamour, and the waimenting
,                      lamenting
Which that the ladies made at the brenning
                     burning
Of the bodies, and the great honour
That Theseus the noble conqueror
Did to the ladies, when they from him went:
But shortly for to tell is mine intent.
When that this worthy Duke, this Theseus,
Had Creon slain, and wonnen Thebes thus,
Still in the field he took all night his rest,
And did with all the country as him lest
.                      pleased
To ransack in the tas
of bodies dead,                             heap
Them for to strip of *harness and of *
****,           armour *clothes
The pillers* did their business and cure,                 pillagers
After the battle and discomfiture.
And so befell, that in the tas they found,
Through girt with many a grievous ****** wound,
Two younge knightes *ligging by and by
             lying side by side
Both in one armes, wrought full richely:             the same armour
Of whiche two, Arcita hight that one,
And he that other highte Palamon.
Not fully quick, nor fully dead they were,                       *alive
But by their coat-armour, and by their gear,
The heralds knew them well in special,
As those that weren of the blood royal
Of Thebes, and *of sistren two y-born
.            born of two sisters
Out of the tas the pillers have them torn,
And have them carried soft unto the tent
Of Theseus, and he full soon them sent
To Athens, for to dwellen in prison
Perpetually, he n'olde no ranson.               would take no ransom
And when this worthy Duke had thus y-done,
He took his host, and home he rit anon
With laurel crowned as a conquerour;
And there he lived in joy and in honour
Term of his life; what needeth wordes mo'?
And in a tower, in anguish and in woe,
Dwellen this Palamon, and eke Arcite,
For evermore, there may no gold them quite                    set free

Thus passed year by year, and day by day,
Till it fell ones in a morn of May
That Emily, that fairer was to seen
Than is the lily upon his stalke green,
And fresher than the May with flowers new
(For with the rose colour strove her hue;
I n'ot* which was the finer of them two),                      know not
Ere it was day, as she was wont to do,
She was arisen, and all ready dight
,                           dressed
For May will have no sluggardy a-night;
The season pricketh every gentle heart,
And maketh him out of his sleep to start,
And saith, "Arise, and do thine observance."

This maketh Emily have remembrance
To do honour to May, and for to rise.
Y-clothed was she fresh for to devise;
Her yellow hair was braided in a tress,
Behind her back, a yarde long I guess.
And in the garden at *the sun uprist
                           sunrise
She walketh up and down where as her list.
She gathereth flowers, party
white and red,                    mingled
To make a sotel
garland for her head,            subtle, well-arranged
And as an angel heavenly she sung.
The greate tower, that was so thick and strong,
Which of the castle was the chief dungeon
(Where as these knightes weren in prison,
Of which I tolde you, and telle shall),
Was even joinant
to the garden wall,                         adjoining
There as this Emily had her playing.

Bright was the sun, and clear that morrowning,
And Palamon, this woful prisoner,
As was his wont, by leave of his gaoler,
Was ris'n, and roamed in a chamber on high,
In which he all the noble city sigh
,                               saw
And eke the garden, full of branches green,
There as this fresh Emelia the sheen
Was in her walk, and roamed up and down.
This sorrowful prisoner, this Palamon
Went in his chamber roaming to and fro,
And to himself complaining of his woe:
That he was born, full oft he said, Alas!
And so befell, by aventure or cas
,                              chance
That through a window thick of many a bar
Of iron great, and square as any spar,
He cast his eyes upon Emelia,
And therewithal he blent
and crie
Ayeshah Mar 2010
(Readers I been going crazy to write  like this for a long time so if it suxs  too bad lol please read its a bit long also 4 those who do ty for reading & commenting)
________________­_______________
She seen his stares since earlier in the ball room & during most of their acquaintance's growing up also when he'd visited her family at her home in Hampshire... She bluntly ignored his many advances while
at the Queen's Ball and she also publicly shunned him in front of  many aristocrats, He asked her even then to be his wife, She flat out said NO! with out going through the proper channels it  "*******" just wasn't done,  Her chaperon Lady Gideon was no where to be found so she did what she thought was best and walked away from him as fast as her small frame would allow.  

She did indeed find Lady Gideon in the kitchens with  the cook in the "Blimey!" broom closet. NOW on this night she'd truly become his and pay for her misdeeds & mistreatment's of him at The Queen's Ball...Duke Lincoln Pierre held his new bride Virgina Abagael Pierre  
tightly as he assaulted her mouth thrusting his tongue in her mouth- parting her lips in a seductive dance, as his hands moved lavishly up & down her buttocks, betwixt her bodice caressing her breast.

Lincoln tried hard to control his need for his new bride,  He was supposed  to be with his "mates" for another hour or so whilst his-  " well now" his wife's maids readied her for their marriage bed.
Lincoln couldn't wait & as he rushed his guest out the door not even
waiting for Jefferey his Butler to do so, He ran taking the steps two at a time, His need for Virgina was more then lust.  He wanted her ever since she shunned him at the Queens ball & as he visited her home--  watching her bloom into womanhood, Tonight she'd pay for his humiliations of that night at the Ball. He burst open the door and bellowed  for the maids to Get OUT!

At once they went running like rats. All except Beatrix stood her
ground and told him in not to kind-of words that  "She" had to prepare Virgina properly and He was acting reckless.
Beatrix  was his nanny & nursery maid, she was  also there when he first open his sparkling  hazel round eyes, God rest "Duckies" soul, His mum, she died in this same bed whilst she gave her last breath for this handsome devil.  His Da,  poor man was getting on in age and this was a wish he left in his will to be fulfilled before he died. "Lin" as she'd called him must fulfill but without scaring the poor chit off.

She unfasten Virgina's stays & hooks as fast as her old hands would allow, before she could help her out of her bodice  "Lin" ushered her out....Well she'd said her peace and exit Lincoln's rooms praying as she left.....
Lincoln kept  up his assault  while Virgina had a look of fear & misunderstanding in her mahogany sapphire eyes, Her small frame was shaking to her very core,  Poor chit but it couldn't be helped he was in a rush to be done with virgins and their silly concepts of love ex specially this "his" new prudent bride,  Yet he wanted to make her come alive, bring out the "bleed'in devil" of lust he knew was trapped deep within Virgina's un tapped core.
Lincoln teased and licked as he removed her clothing, ripping a bit of fabric in is haste, she kissed him back! Shocking his own sense of sensibility.

He picked her up splayed her on the bed and stared at her dark luscious Honey chocolate  creamy coco skin, it shined like a lovely indigo ocean on a summers night.
With carious longing and dread,
it was still an interesting moment Virgina didn't know what to do and as he capture her waist she felt  even more unsure, sensing a thrilling sensation wash over her,  Her new husband Duke Lincoln Pierre kissed her with un-abandon lust Virgina instinctively crawled up to the head board on the bed, as she did so her new husband reached for her in a blink of an eye she was caught in his steel grip, she cried out not for pain but because she had no ideal what he meant to do with her,

Lincoln laughed and made a tsk tsk sound as he pulled himself atop of Virgina.  "My Lady I beseech you please leave off I mean you no harm''
Lincoln proclaimed yet his meek smile said he was lying,
Virgina only stared with her mouth gaped in a perfect lush O shape.  
Her husband undone he own clothes  in a heated rush.  
Once done he stalked towards her kneeling on the bed.  
With Virgina's gaze fixed tranquilly on his stiff shaft, she looked at it apprehensively  she wanted to move away yet her limbs wouldn't allow her to and with banned tears threatening to over flow
she ****** in her breath as her capture Duke Pierre her husband climb a top of her.  

Little did her husband know she'd wanted  him all her life she longed to become his bride but she had no ideal it entailed this rough treatment of her person to gain access.
She'd sit with her own nanny "Liv" short for Olivia  
at Hyde Park watching as his carriage made it's rounds.  She dreamed even then to marry him, his eyes always laughing and He was forever teasing her when He'd visited  her "now" deceased parents lord Duke&Duchess; Harrisburg. She'd dream he were always saving her from dragons and evil villains.

But tonight he seemed the Villain.
As he touched creatively over her she felt flushed, his hands trailed down to her hairline where her tulip was hidden as he proceeded to caress her he felt for her budded rosebud playing teasing  rubbing his fingers with gentleness over her.
He continued until Virgina's head was thrashing wildly left & right on the pillow she was scared and shocked not knowing what was coming over her,  she wanted something--   this need that was growing  building within her, she didn't understand and it made her feel weak with a longing she couldn't comprehend, as he removed his finger & hand a light yet cool breeze cam through the cracked window causing the sensation to slowly subside Lincoln moved down trailing kisses as he went his mouth hovered mere inches above her tight yearning rosebud he bet down and tasted honey as he licked in an out of his new bride, sliding his index finger within her tight silt wile wrapping his mouth around her budding rose, he ******, gently  causing Virgina automatically to lift her legs wrapping her hands in his golden brown hair.

He felt her throbbing shaking and he wanted to laugh because of him she now new what it meant to be pleasured,  Virgina began trembling with a urgency not knowing what her body wanted just that she liked this feeling that washed over her from her toes up to her Honey dark coco head.  Her long brown auburn hair fell in waves of curls around her as she melted to her husbands ministrations.

Lincoln could barely contain his want and in his eyes His new bride was a wanton ready for plucking like a ripe strawberry, His little filly was bucking beneath his demonstration's.
He'd played with the God's wile tempting the devil & now there was Hell to pay...  Sadly for his new ****** bride he could no longer hold back, he wanted to consume her, his control was failing, wreaking havoc on his now intoxicating senses.  

Virgina bucked up towards his mouth letting out a seductive cry breaking Lincoln's last restraints  
He spread her wide held her fast
both his hand on either side of her hips as he lead his shaft within her lustrous wet inviting opening, moving in her swiftly as to not cause any more unnecessary pain,
He felt her maiden-head give way but it was to late t pause, he try not to move slow,
which with half in sympathy he wanted to stop his penetrating ****** yet his need for release in his new ****** brides velvet tight silt kept him urging forward deeper&deeper; within her tight walls.

Virgina let out a piercing scream as she also called out Lincoln's name twas an interesting moment when a fierce jolt consumed both occupants of this lovers den, she cried out as he ******'ed deeper still within his new bride....

No longer did he want to  punish her he felt something chip away at his heart releasing a need to want more then her body as they coiled becoming meshed together in legs & limbs traveling on waves of ******* bliss.
Duke & Duchess Pierre

Always Me Ayeshah
Copyright ©
Ayeshah K.C.L.N 1977-Present YEAR(s)
All right reserved
The grand old duke of York
Had associations with a phedaphile
He marched the children  into his bedroom
And stuck his **** in them
Then he will cover it up
As if it never happened
He loves to put his **** up children dude
That is sick and rude
You see this duke of York
Loves to put his **** up kids
He will hang around schools
And feel his ******* getting hard
You see this duke of York
I ain’t scared to bash him up
You see had connections with Epstein
******* little ****
The kids were fucken scared
For their fucken life
The duke of York covered up abuse
He is fucken sick
You see he has serious problems
With the things he did
Probably they should lock him up
And throw away the key
Then it will be
The grand old duke of York
He has 10-000 friends
In jail and outside jail
But the truth is he won’t go to jail
Because he is related to the queen
The duke of York
Gets away with bad stuff
There are no consequences on what
He does go home go home
DUKE OF YORK
NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—
A bright robe, crowned with a pale, dark-eyed face—
A red-striped awning 'gainst an old grey wall—
A delicate opal gleam upon the tide.

I looked out from my window, and I saw
Venice, my Venice, naked in the sun—
Sad, faded, and unutterably forlorn!—
But still unutterably beautiful.

For days and days I wandered up and down—
Holding my breath in awe and ecstasy,—
Following my husband to familiar haunts,
Making acquaintance with his well-loved friends,
Whose faces I had only seen in dreams
And books and photographs and his careless talk.
For days and days—with sunny hours of rest
And musing chat, in that cool room of ours,
Paved with white marble, on the Grand Canal;
For days and days—with happy nights between,
Half-spent, while little Katie lay asleep
Out on the balcony, with the moon and stars.

O Venice, Venice!—with thy water-streets—
Thy gardens bathed in sunset, flushing red
Behind San Giorgio Maggiore's dome—
Thy glimmering lines of haughty palaces
Shadowing fair arch and column in the stream—
Thy most divine cathedral, and its square,
With vagabonds and loungers daily thronged,
Taking their ice, their coffee, and their ease—
Thy sunny campo's, with their clamorous din,
Their shrieking vendors of fresh fish and fruit—
Thy churches and thy pictures—thy sweet bits
Of colour—thy grand relics of the dead—
Thy gondoliers and water-bearers—girls
With dark, soft eyes, and creamy faces, crowned
With braided locks as bright and black as jet—
Wild ragamuffins, picturesque in rags,
And swarming beggars and old witch-like crones,
And brown-cloaked contadini, hot and tired,
Sleeping, face-downward, on the sunny steps—
Thy fairy islands floating in the sun—
Thy poppy-sprinkled, grave-strewn Lido shore—

Thy poetry and thy pathos—all so strange!—
Thou didst bring many a lump into my throat,
And many a passionate thrill into my heart,
And once a tangled dream into my head.

'Twixt afternoon and evening. I was tired;
The air was hot and golden—not a breath
Of wind until the sunset—hot and still.
Our floor was water-sprinkled; our thick walls
And open doors and windows, shadowed deep
With jalousies and awnings, made a cool
And grateful shadow for my little couch.
A subtle perfume stole about the room
From a small table, piled with purple grapes,
And water-melon slices, pink and wet,
And ripe, sweet figs, and golden apricots,
New-laid on green leaves from our garden—leaves
Wherewith an antique torso had been clothed.
My husband read his novel on the floor,
Propped up on cushions and an Indian shawl;
And little Katie slumbered at his feet,
Her yellow curls alight, and delicate tints
Of colour in the white folds of her frock.
I lay, and mused, in comfort and at ease,
Watching them both and playing with my thoughts;
And then I fell into a long, deep sleep,
And dreamed.
I saw a water-wilderness—
Islands entangled in a net of streams—
Cross-threads of rippling channels, woven through
Bare sands, and shallows glimmering blue and broad—
A line of white sea-breakers far away.
There came a smoke and crying from the land—
Ruin was there, and ashes, and the blood
Of conquered cities, trampled down to death.
But here, methought, amid these lonely gulfs,
There rose up towers and bulwarks, fair and strong,
Lapped in the silver sea-mists;—waxing aye
Fairer and stronger—till they seemed to mock
The broad-based kingdoms on the mainland shore.
I saw a great fleet sailing in the sun,
Sailing anear the sand-slip, whereon broke
The long white wave-crests of the outer sea,—
Pepin of Lombardy, with his warrior hosts—
Following the ****** steps of Attila!
I saw the smoke rise when he touched the towns
That lay, outposted, in his ravenous reach;

Then, in their island of deep waters,* saw
A gallant band defy him to his face,
And drive him out, with his fair vessels wrecked
And charred with flames, into the sea again.
“Ah, this is Venice!” I said proudly—“queen
Whose haughty spirit none shall subjugate.”

It was the night. The great stars hung, like globes
Of gold, in purple skies, and cast their light
In palpitating ripples down the flood
That washed and gurgled through the silent streets—
White-bordered now with marble palaces.
It was the night. I saw a grey-haired man,
Sitting alone in a dark convent-porch—
In beggar's garments, with a kingly face,
And eyes that watched for dawnlight anxiously—
A weary man, who could not rest nor sleep.
I heard him muttering prayers beneath his breath,
And once a malediction—while the air
Hummed with the soft, low psalm-chants from within.
And then, as grey gleams yellowed in the east,
I saw him bend his venerable head,
Creep to the door, and knock.
Again I saw
The long-drawn billows breaking on the land,
And galleys rocking in the summer noon.
The old man, richly retinued, and clad
In princely robes, stood there, and spread his arms,
And cried, to one low-kneeling at his feet,
“Take thou my blessing with thee, O my son!
And let this sword, wherewith I gird thee, smite
The impious tyrant-king, who hath defied,
Dethroned, and exiled him who is as Christ.
The Lord be good to thee, my son, my son,
For thy most righteous dealing!”
And again
'Twas that long slip of land betwixt the sea
And still lagoons of Venice—curling waves
Flinging light, foamy spray upon the sand.
The noon was past, and rose-red shadows fell
Across the waters. Lo! the galleys came
To anchorage again—and lo! the Duke
Yet once more bent his noble head to earth,
And laid a victory at the old man's feet,
Praying a blessing with exulting heart.
“This day, my well-belovèd, thou art blessed,
And Venice with thee, for St. Peter's sake.

And I will give thee, for thy bride and queen,
The sea which thou hast conquered. Take this ring,
As sign of her subjection, and thy right
To be her lord for ever.”
Once again
I saw that old man,—in the vestibule
Of St. Mark's fair cathedral,—circled round
With cardinals and priests, ambassadors
And the noblesse of Venice—richly robed
In papal vestments, with the triple crown
Gleaming upon his brows. There was a hush:—
I saw a glittering train come sweeping on,
From the blue water and across the square,
Thronged with an eager multitude,—the Duke,
And with him Barbarossa, humbled now,
And fain to pray for pardon. With bare heads,
They reached the church, and paused. The Emperor knelt,
Casting away his purple mantle—knelt,
And crept along the pavement, as to kiss
Those feet, which had been weary twenty years
With his own persecutions. And the Pope
Lifted his white haired, crowned, majestic head,
And trod upon his neck,—crying out to Christ,
“Upon the lion and adder shalt thou go—
The dragon shalt thou tread beneath thy feet!”
The vision changed. Sweet incense-clouds rose up
From the cathedral altar, mix'd with hymns
And solemn chantings, o'er ten thousand heads;
And ebbed and died away along the aisles.
I saw a train of nobles—knights of France—
Pass 'neath the glorious arches through the crowd,
And stand, with halo of soft, coloured light
On their fair brows—the while their leader's voice
Rang through the throbbing silence like a bell.
“Signiors, we come to Venice, by the will
Of the most high and puissant lords of France,
To pray you look with your compassionate eyes
Upon the Holy City of our Christ—
Wherein He lived, and suffered, and was lain
Asleep, to wake in glory, for our sakes—
By Paynim dogs dishonoured and defiled!
Signiors, we come to you, for you are strong.
The seas which lie betwixt that land and this
Obey you. O have pity! See, we kneel—
Our Masters bid us kneel—and bid us stay
Here at your feet until you grant our prayers!”
Wherewith the knights fell down upon their knees,

And lifted up their supplicating hands.
Lo! the ten thousand people rose as one,
And shouted with a shout that shook the domes
And gleaming roofs above them—echoing down,
Through marble pavements, to the shrine below,
Where lay the miraculous body of their Saint
(Shed he not heavenly radiance as he heard?—
Perfuming the damp air of his secret crypt),
And cried, with an exceeding mighty cry,
“We do consent! We will be pitiful!”
The thunder of their voices reached the sea,
And thrilled through all the netted water-veins
Of their rich city. Silence fell anon,
Slowly, with fluttering wings, upon the crowd;
And then a veil of darkness.
And again
The filtered sunlight streamed upon those walls,
Marbled and sculptured with divinest grace;
Again I saw a multitude of heads,
Soft-wreathed with cloudy incense, bent in prayer—
The heads of haughty barons, armed knights,
And pilgrims girded with their staff and scrip,
The warriors of the Holy Sepulchre.
The music died away along the roof;
The hush was broken—not by him of France—
By Enrico Dandolo, whose grey head
Venice had circled with the ducal crown.
The old man looked down, with his dim, wise eyes,
Stretching his hands abroad, and spake. “Seigneurs,
My children, see—your vessels lie in port
Freighted for battle. And you, standing here,
Wait but the first fair wind. The bravest hosts
Are with you, and the noblest enterprise
Conceived of man. Behold, I am grey-haired,
And old and feeble. Yet am I your lord.
And, if it be your pleasure, I will trust
My ducal seat in Venice to my son,
And be your guide and leader.”
When they heard,
They cried aloud, “In God's name, go with us!”
And the old man, with holy weeping, passed
Adown the tribune to the altar-steps;
And, kneeling, fixed the cross upon his cap.
A ray of sudden sunshine lit his face—
The grand, grey, furrowed face—and lit the cross,
Until it twinkled like a cross of fire.
“We shall be safe with him,” the people said,

Straining their wet, bright eyes; “and we shall reap
Harvests of glory from our battle-fields!”

Anon there rose a vapour from the sea—
A dim white mist, that thickened into fog.
The campanile and columns were blurred out,
Cathedral domes and spires, and colonnades
Of marble palaces on the Grand Canal.
Joy-bells rang sadly and softly—far away;
Banners of welcome waved like wind-blown clouds;
Glad shouts were muffled into mournful wails.
A Doge was come to be enthroned and crowned,—
Not in the great Bucentaur—not in pomp;
The water-ways had wandered in the mist,
And he had tracked them, slowly, painfully,
From San Clemente to Venice, in a frail
And humble gondola. A Doge was come;
But he, alas! had missed his landing-place,
And set his foot upon the blood-stained stones
Betwixt the blood-red columns. Ah, the sea—
The bride, the queen—she was the first to turn
Against her passionate, proud, ill-fated lord!

Slowly the sea-fog melted, and I saw
Long, limp dead bodies dangling in the sun.
Two granite pillars towered on either side,
And broad blue waters glittered at their feet.
“These are the traitors,” said the people; “they
Who, with our Lord the Duke, would overthrow
The government of Venice.”
And anon,
The doors about the palace were made fast.
A great crowd gathered round them, with hushed breath
And throbbing pulses. And I knew their lord,
The Duke Faliero, knelt upon his knees,
On the broad landing of the marble stairs
Where he had sworn the oath he could not keep—
Vexed with the tyrannous oligarchic rule
That held his haughty spirit netted in,
And cut so keenly that he writhed and chafed
Until he burst the meshes—could not keep!
I watched and waited, feeling sick at heart;
And then I saw a figure, robed in black—
One of their dark, ubiquitous, supreme
And fearful tribunal of Ten—come forth,
And hold a dripping sword-blade in the air.
“Justice has fallen on the traitor! See,
His blood has paid the forfeit of his crime!”

And all the people, hearing, murmured deep,
Cursing their dead lord, and the council, too,
Whose swift, sure, heavy hand had dealt his death.

Then came the night, all grey and still and sad.
I saw a few red torches flare and flame
Over a little gondola, where lay
The headless body of the traitor Duke,
Stripped of his ducal vestments. Floating down
The quiet waters, it passed out of sight,
Bearing him to unhonoured burial.
And then came mist and darkness.
Lo! I heard
The shrill clang of alarm-bells, and the wails
Of men and women in the wakened streets.
A thousand torches flickered up and down,
Lighting their ghastly faces and bare heads;
The while they crowded to the open doors
Of all the churches—to confess their sins,
To pray for absolution, and a last
Lord's Supper—their viaticum, whose death
Seemed near at hand—ay, nearer than the dawn.
“Chioggia is fall'n!” they cried, “and we are lost!”

Anon I saw them hurrying to and fro,
With eager eyes and hearts and blither feet—
Grave priests, with warlike weapons in their hands,
And delicate women, with their ornaments
Of gold and jewels for the public fund—
Mix'd with the bearded crowd, whose lives were given,
With all they had, to Venice in her need.
No more I heard the wailing of despair,—
But great Pisani's blithe word of command,
The dip of oars, and creak of beams and chains,
And ring of hammers in the arsenal.
“Venice shall ne'er be lost!” her people cried—
Whose names were worthy of the Golden Book—
“Venice shall ne'er be conquered!”
And anon
I saw a scene of triumph—saw the Doge,
In his Bucentaur, sailing to the land—
Chioggia behind him blackened in the smoke,
Venice before, all banners, bells, and shouts
Of passionate rejoicing! Ten long months
Had Genoa waged that war of life and death;
And now—behold the remnant of her host,
Shrunken and hollow-eyed and bound with chains—
Trailing their galleys in the conqueror's wake!

Once more the tremulous waters, flaked with light;
A covered vessel, with an armèd guard—
A yelling mob on fair San Giorgio's isle,
And ominous whisperings in the city squares.
Carrara's noble head bowed down at last,
Beaten by many storms,—his golden spurs
Caught in the meshes of a hidden snare!
“O Venice!” I cried, “where is thy great heart
And honourable soul?”
And yet once more
I saw her—the gay Sybaris of the world—
The rich voluptuous city—sunk in sloth.
I heard Napoleon's cannon at her gates,
And her degenerate nobles cry for fear.
I saw at last the great Republic fall—
Conquered by her own sickness, and with scarce
A noticeable wound—I saw her fall!
And she had stood above a thousand years!
O Carlo Zeno! O Pisani! Sure
Ye turned and groaned for pity in your graves.
I saw the flames devour her Golden Book
Beneath the rootless “Tree of Liberty;”
I saw the Lion's le
David R Feb 2022
Oh, the grand old Duke of York
He lost his right to the crown
he did something he didn't do
[woops!] and dropped his trousers down

And when they were up, they were up
And when they were down, they were down
And when they were only half-way up
They were neither up nor down

Oh, the grand old Duke of York
He eyed another's skirts
He did something he didn't do
And couldn't get rid of the dirt

And when they were up, they were up
And when they were down, they were down
And when they were only half-way up
They were neither up nor down

Oh, the grand old Duke of York
He lost 40 million crown
he met someone he never met
And let his country down

And when they were up, they were up
And when they were down, they were down
And when they were only half-way up
They were neither up nor down

Yes, the grand old Duke of York
He hid in his mother's skirts
When he did something he didn't do
And couldn't get rid of the dirt

Yay, that grand old Duke of York
He hired the best law men
He marched them up to the top of the hill
And he marched them down again

And when they were up, they were up
And when they were down, they were down
And when they were only half-way up
They were neither up nor down

Yes, that grand old Duke of York,
He had 10 million quid.
He gave it to someone he never met,
For something he never did.

[all together now:]
And when they were up, they were up
And when they were down, they were down
And when they were only half-way up
They were neither up nor down

Oh, the grand old Duke of York
Caught with royal pants down
When he did something he didn't do
And lost his right to the crown

And when they were up, they were up
And when they were down, they were down
And when they were only half-way up
They were neither up nor down
Nat Lipstadt Oct 2019
Oh Eliot, Poor Eliot, Your Fans Hung You in the Closet and I'm Feelin' So Sad^

<>
we tithed thee with donations plenty,
here a dollar, there a fiver, a coupon for free chips,
worthy of somebody’s eternal gratitude,
that would be you,
da Duke, Duke of York

the largest online free poetry site,
a million visitors a day, why you must be
the richest poet online billionaire, right?
you,
da Duke, Duke of York and

occasional poet...

in return, all we occasional poets demand
steady on instant access, immediate satisfaction,
after all, a part time job deserves your bestus-best,
just like every other large online site, that never crashes,
we’re not like just the rest, we are
p o e t s,
occasionally

so keep the servers engines, well stoked with Newcastle coal,
keep them up and running round the clock,
using only alternative energy,
of the unceasing sun light of merry old England!

quit that other job, you must,
instead of giving up on us,
give in to us,
a poetry break, a writing recharge,
though please add a limited liability
clause to the FAQ’s,
that poets’ lives must deal with the hiccup
occasional

you, da Duke, Duke of York,
newly now, an appointment royale as Major General,^^
you, the very model of a modern major general
possessing information vegetable, animal, mineral and
technical,
who knows the Queens  of England, who,
maybe even now is telling tales of your heroics with the hordes of
hysterical
occasional
poetical
globalists
demanding
light brigadests
charging the redoubt

and
when you have a moment spare,
a haircut, please.

no, that is not a request,
naturally

<>

10/19/19
Noontime NYC
natalino
^^Messers Gilbert and Sullivan

^ Oh Dad, Poor Dad,
Hung You In The Closet and I’m Feeling So Sad
By Arthur Kopit
Jonathan
Well, I made it out of lenses and tubing. The lenses I had because Ma-Ma-Mother gave me a set of lenses so I could see my stamps better. I have a fabulous collection of stamps, as well as a fantastic collection of coins and a simply unbelievable collection of books. Well sir, Ma-Ma-Mother gave me these lenses so I could see my stamps better. She suspected that some were fake so she gave me the lenses so I might be...able to see. You see? Well sir, I happen to have nearly a billion sta-stamps. So far I’ve looked closely at 1,352,769. I’ve discovered three actual fakes! Number 1,352,767 was a fake. Number1,352,768 was a fake, and number 1,352,769 was a fake. They were stuck together. Ma-Mother made me feed them im-mediately to her fly –traps. Well... (He whispers.) one day, when Mother wasn’t looking...that is, when she was out, I heard an air-plane flying...somewhere, far away. And I ran outside to the porch so that JI might see what it looked like. The airplane. With hundreds of people inside it. Hundreds and hundreds and hundreds of people. And I thought to myself, if I could just see...if I could just see what they looked like, the people, sitting at their windows looking out...and flying. If I Could see...just once...if I could see just once what they looked like...then I might...know what I-what I... (Slight pause.) So I...built a telescope in case the plane ever...came back again. The tubing from and old blowgun (He reaches behind the bureau and produces a huge blowgun, easily a foot larger than he Mother brought back from her last hunting trip to Zanzibar. The lenses were the lenses she had given me for my stamp. So I built it. My telescope. A telescope so I might be able to see. And... (He walks out to the porch.) and...and I could see! I could! I COULD! I really could. For miles and miles I could see. For miles and miles and miles! Only...
You take the time to build a telescope that can sa-see for miles, then there’s nothing out there to see. MA-Mother says it’s a lesson in Life. [Pause] But I’m not sorry I built my telescope. And you know why? Because, I saw you. Even if I didn’t see anything else, I did see you. And...and I’m...very glad.
Typed by: Jeremy Mash 2-16-06
when  i was just lad in my younger day
i had friend called duke we just love to play
roaming through the hills  the valleys down below
all the different places  duke i would go

remember when i bought him he was six weeks old
just a little puppy with a heart of gold
took him home with me gave him love and care
every where i went duke was always there

we had so much fun doing different things
happiness to me duke he always brings
and as  the years past by.  duke was growing old
his eyes began to fade he always felt the cold

then the angels came took old duke away
now in heaven up above he would have to stay
one day i will join him see old duke once more
then we can play again just like we did before
Brent Kincaid Apr 2017
My first friend was a big dog
A great big beautiful boxer.
His name was Duke; he loved me
Seemed prepared to stay forever,
Protecting me from any and all
In our house of anger and noise.
Two careless adults lived there
And no other girls or boys.

There was just the three of us;
I, the first child, and damaged,
Whose infancy was one of abuse,
Whose trust had been ravaged.
A child naturally cries sometimes
And irritates a self-centered dad
He can approach and gesture
And convince the dog he is mad.

Beloved friend, center of my world
Was gone from me the very next day.
Until I was an older child I was told
Dad raged then he took Duke away.
Duke didn’t know, nor did dad
That on that sad and scary day
Dad took not only my doggie friend
But he took trust in my dad away.

Duke was only doing his job, but
Dad saw it as a protective stance.
When that dog growled at him
He **** near peed in his pants.
“I won’t have a dog that threatens
Living in my own house with me!”
I know after living decades at home
What was threatened was dad’s authority.
Richard Riddle Nov 2015
I should, by all practical matters, quit looking through old photos of when my life was much "simpler." Childhood photos, to be exact. They serve only as a reminder of how old I am, and how much older I soon will be. (Yea, I know, ending a sentence with a prepostion is against  the rules of proper penning.)

Looking at these pics, I catch myself playing the game of "whatever became of who?" Those other kids on that cul-de-sac in Corpus Christi, Texas, "waaay, waaay" back in the mid to late forties. One, in particular, comes to mind.

His name was "Duke" Jones. Perhaps, the most popular "kid" on the block.He was our next-door neighbor. An excellent "fielder" when we played baseball, heck of a fast runner, not much of a hitter. But, he was a lot more than that. For, you see, Duke, was a dog. A Doberman Pinscher, a former guarddog at military installations during the war, and rehabilitated before re-entering civilian life. And, he loved children.

Duke knew everyone on the block, knew the postman, the milk deliveryman (yes,there was a time when dairies had milk delivered to your home, but that can be another story), knew which house we lived at, the vehicles our parents drove, he was our protector. If a stranger, such as a door to door salesman, entered his territory, he froze, staring, watching, positioning himself between us and the stranger. If that stranger stepped on to the walk leading to a front door, Duke would start moving, stealthily, instincts, training, taking control. If a strange vehicle entered,  he took notice, watched, intently. My mother and father often said, "We have the safest block in the city."
Our family had moved to another city in 1951, when we got a letter from Duke's "parents", telling us that Duke had passed away at age 16. Looking at that photo in my hand, Duke hasn't gone anywhere.

copyright: richard riddle: 11/02/15
Michael R Burch Feb 2020
Rondel: Your Smiling Mouth
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you’re far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I’ll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms’ twin chains!



The First Valentine Poem

Charles d’Orleans (1394-1465), a French royal, the grandchild of Charles V, and the Duke of Orleans, has been credited with writing the first Valentine card, in the form of a poem for his wife. Charles wrote the poem in 1415 at age 21, in the first year of his captivity while being held prisoner in the Tower of London after having been captured by the British at the Battle of Agincourt.

My Very Gentle Valentine
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation by Michael R. Burch

My very gentle Valentine,
Alas, for me you were born too soon,
As I was born too late for you!
May God forgive my jailer
Who has kept me from you this entire year.
I am sick without your love, my dear,
My very gentle Valentine.



Le Primtemps (“Spring” or “Springtime”)
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
drawn from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.

The original French poem:

Jeunes amoureux nouveaulx
En la nouvelle saison,
Par les rues, sans raison,
Chevauchent, faisans les saulx.
Et font saillir des carreaulx
Le feu, comme de cherbon,
     Jeunes amoureux nouveaulx.
Je ne sçay se leurs travaulx
Ilz emploient bien ou non,
Mais piqués de l’esperon
Sont autant que leurs chevaulx
     Jeunes amoureux nouveaulx.



Ballade: Oft in My Thought
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here—
        God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
        God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
and the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
        God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.



Confession of a Stolen Kiss
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation by Michael R. Burch

My ghostly father, I confess,
First to God and then to you,
That at a window (you know how)
I stole a kiss of great sweetness,
Which was done out of avidness—
But it is done, not undone, now.

My ghostly father, I confess,
First to God and then to you.

But I shall restore it, doubtless,
Again, if it may be that I know how;
And thus to God I make a vow,
And always I ask forgiveness.

My ghostly father, I confess,
First to God and then to you.

Translator note: By "ghostly father" I take Charles d’Orleans to be confessing to a priest. If so, it's ironic that the kiss was "stolen" at a window and the confession is being made at the window of a confession booth. But it also seems possible that Charles could be confessing to his human father, murdered in his youth and now a ghost. There is wicked humor in the poem, as Charles is apparently vowing to keep asking for forgiveness because he intends to keep stealing kisses at every opportunity!

Original Middle English text:

My ghostly fader, I me confess,
First to God and then to you,
That at a window, wot ye how,
I stale a kosse of gret swetness,
Which don was out avisiness
But it is doon, not undoon, now.

My ghostly fader, I me confess,
First to God and then to you.

But I restore it shall, doutless,
Agein, if so be that I mow;
And that to God I make a vow,
And elles I axe foryefness.

My ghostly fader, I me confesse,
First to God and then to you.



In My Imagined Book
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation by Michael R. Burch

In my imagined Book
my heart endeavored to explain
its history of grief, and pain,
illuminated by the tears
that welled to blur those well-loved years
of former happiness's gains,
in my imagined Book.

Alas, where should the reader look
beyond these drops of sweat, their stains,
all the effort & pain it took
& which I recorded night and day
in my imagined Book?

The original French poem:

Dedens mon Livre de Pensee,
J'ay trouvé escripvant mon cueur
La vraye histoire de douleur
De larmes toute enluminee,
En deffassant la tresamée
Ymage de plaisant doulceur,
Dedens mon Livre de Pensee.

Hélas! ou l'a mon cueur trouvee?
Les grosses gouttes de sueur
Lui saillent, de peinne et labeur
Qu'il y prent, et nuit et journee,
Dedens mon Livre de Pensee.



Charles d’Orleans (1394-1465) was a French royal born into an aristocratic family: his grandfather was Charles V of France and his uncle was Charles VI. His father, Louis I, Duke of Orleans, was a patron of poets and artists. The poet Christine de Pizan dedicated poems to his mother, Valentina Visconti. He became the Duke of Orleans at age 13 after his father was murdered by John the Fearless, Duke of Burgundy. He was captured at age 21 in the battle of Agincourt and taken to England, where he remained a prisoner for the next quarter century. While imprisoned there he learned English and wrote poetry of a high order in his second language. A master of poetic forms, he wrote primarily ballades, chansons, complaints and rondeaux. He has been called the “father of French lyric poetry” and has also been credited with writing the first Valentine’s Day poem.

Keywords/Tags: France, French, translation, Charles, Orleans, Duke, first Valentine, rondeau, chanson, rondel, roundel, ballade, ballad, lyric, Middle English, Medieval English, rondeaus, rondeaux, rondels, roundels, ballades, ballads, chansons, royal, noble, prisoner, hostage, ransom, mouth, eyes, arms, *******, hands, feet, foot, fetish, obscene, ***, desire, lust, Valentine
radiating
street lamps
ionized the
indigo blue
haze charging
the night air

sparking the
city’s eclectic
currents coursing
through the
abandoned raceways
and empty streets

energizing the
phantoms of
the city’s
restive spirits

the ghosts of past
Great Falls Fests came
jitterbugging back
to life

transparent
veils lifting
and falling
with it, a voltaic
indigo blue
billowed out of the
abandoned stadium
pouring smoking
oboe moans
into the cavity
of the great gorge

“I was one of the last
to perform at
Hinchliffe Stadium”
Duke proclaimed
with his usual  
distinguished air

“it was also one of my
last concerts”, he added
with a tinge of
sorrow in his voice

“the band was rockin
the Art Deco tiles,
splintering and shattering
into bits of earth toned graffiti
the last vestiges of
a bygone Jazz Age
dissolving into the
disco fizz of the
Seventies”

the indigo mood
clamoured off
the rocks absorbing
the sonorous waves
like a stand of
hallowed
sequoias

“I’m trying to
remember what
my last tune
was that night.

was it Caravan?
or a Prelude to
a Kiss?  No no
too mellow
we always ended
on an upper
a real crowd pleaser,
I recall the boys swung
a medley before the grand finale
that medley included
Mood Indigo, Caravan,
Sophisticated Ladies,
Prelude to a Kiss.
We opened with Kinda Dukish
Rockin and Rhythm
we closed with
Satin Doll
Yes I’m quite sure
I waltzed them
off the floor
that night with
Satin Doll”

Duke ran his
fingers through
his processed hair.
He grabbed my shoulders
raised his baggy eyelids
And looked me straight
In the eye

“Yes, we followed
Tito Puente, he killed it
we upped our game
He was just starting out
But at this time Silk City
was going Caribe
Juan Tizol was
out of his mind that night,
I thought him and Babs
we're gunna jump ship
and join the Salsa Circus
Yeah El Rex and Celia Cruz
were that good

El Rex had the place
jumpin and jivin
it was a glimpse of the old days
livin in the here and now
just like the old days
I couldn't compete with that
so I waltzed them off
the floor with Satin Doll
a little cheek to cheek swoon
maybe some guys got lucky that night
and maybe some girls fell in love
Yeah Paterson was changing,
the ***** Leagues long gone
the last ****** Auto Races
crossed the final finish line weeks before
when the raceways in the stadium
replaced the raceways to the factories
we knew it was coming to an end
and with it all the good paying
jobs, whatta shame
just like me and the boys
watching El Rex
the Duke was dethroned by a King
just like Silk City
we had our day in the sun too
a Satin Doll Sun
Those were some good times,
sometimes”

Duke scratched
his head,
and he looked down into
the swirling noise
of the Great Falls
“on a night like this
the mood indigo
takes you into the
darkest hues of blues”

fragment from
Silk City PIT 6:
The Great Falls

Duke Ellington, Coleman Hawkins
Mood Indigo




Oakland
3/30/13
jbm

(FRAGMENT WORK IN PROGRESS)

Part 6 of extended poem Silk City PIT.  PIT is an acronym for Point In Time.  PIT is an annual census American cities conduct to count the homeless population.  Hope and Labor is the city motto of Paterson NJ, nick named The Silk City.
(FRAGMENT WORK IN PROGRESS)

Part 6 of extended poem Silk City PIT.  PIT is an acronym for Point In Time.  PIT is an annual census American cities conduct to count the homeless population.  Hope and Labor is the city motto of Paterson NJ, nick named The Silk City.
1090

I am afraid to own a Body—
I am afraid to own a Soul—
Profound—precarious Property—
Possession, not optional—

Double Estate—entailed at pleasure
Upon an unsuspecting Heir—
Duke in a moment of Deathlessness
And God, for a Frontier.
RAJ NANDY Jul 2016
Dear Poet Friends, our World today & especially Europe is threatened with terrorism from the religious fundamentalist groups like the ‘IS’ ! History teaches us that during the Middle Ages the Holy Crusades were launched with the combined forces of Christendom. May be History is repeating itself once again within a span of thousand years! Do kindly read with patience this True Story of the Holy Crusades in Verse, to see events in its proper historical perspective. Concluding portion as Part Two has also been posted here. You will find the portion on ''Motivation & The Medieval Mind'' to be interesting! Kindly take your time to read at leisure. No need to comment in a hurry please! Thanks, - Raj

               STORY OF THE HOLY CRUSADE: (1096-1099)
                                           PART ONE

                                       INTRODUCTION
For thousands of years the Holy Lands of Palestine on the eastern coast
of the Mediterranean Sea had witnessed,
Ferocious battles fought between the Christians, Jews, and the Muslims,
with much bloodshed;
For a strip of land few hundred miles in length and varying between some hundred miles in breadth,
Which they all righteously defended!
There the Ancient City of Jerusalem now stands as a World Heritage Site,
Sacred to the three of World’s oldest Religions and as their pride!
Jerusalem today is a symbol of unity amidst its religious diversity;
For on its Dome of the Rock, in the Church of the Holy Sepulchre, and the Synagogues, are etched thousand years of Ancient History.
In 1096, Pope Urban the Second, motivated Christendom and launched the First Holy Crusade,
To liberate Jerusalem from 461 Years of MUSLIM dominance!
Some Historians have listed a total of Nine Crusades in all,
And I commence with the FIRST, being the most important of all;
For it recaptured Jerusalem from the Seljuk Turks making it fall. (in 1099AD)
While subsequent Crusades did not make any appreciable dent at all!
Not forgetting the THIRD, led by King Richard ‘The Lion Heart’, -
Who made the Turk leader Saladin to agree,
For Christian pilgrims to visit the Holy shrines in Jerusalem and the Hills of Calvary.
The Crusades began towards the end of the 11th Century lasting for almost Two hundred years;
Had later turned into a tale of sorrow and tears!
Now to understand the Crusades in its proper perspective let us see,
The brief historical background of Europe during the early parts of
Second Millennium AD.

                         A BRIEF HISTORICAL BACKGROUND
The Normans:
During the first century of the Second Millennium, Europe was in a formative stage,     (11th Century AD)
It had began to emerge from its long period of hibernation called the ‘Dark Age’!
The Viking raids from those northern Norsemen had ceased subsequently,
As they became Christian converts settling in Northern France in the Duchy of Normandy.
In 1035 when Robert the Devil, 5th Duke of Normandy died on his way
to Jerusalem during a Holy Pilgrimage;
His only son William, who was illegitimate, was only seven years of age.
By 1063 AD these Norman settlers had intermingled and expanded their lands considerably,
By conquering Southern Italy and driving the Muslims from the Island of Sicily.
And in 1066 Robert’s son William shaped future events, -
By defeating King Harold at Hastings and by uniting England.
Now William the Conqueror’s eldest son Robert the Duke of Normandy,
Participated in the First Holy Crusade, which has become both Legend
and a part of History!
These Normans though pious, were also valiant fighters,
And became the driving force behind the Crusades from 11th Century
onward !

                     MUSLIM CONQUEST AND EXPANSION
After the death of Prophet Mohammad during 7th Century AD,
Muslim cavalry burst forth from Arabia in a conquering spree!
They soon conquered the Middle East, Persia, and the Byzantine
Empire;
And in 638 AD they occupied the Holy city of Jerusalem and
Palestine entire!
Beginning of the 8th Century saw them crossing the Gibraltar Strait,
To occupy the Iberian Peninsula by sealing ruling Visigoth’s fate!
Crossing Spain soon they knocked on the gates of Southern France,
When Charles Martel in the crucial Battle of Tours halted their rapid
advance!  (Oct 732 AD)
By defeating the Moors, Martel confined them to Southern Spain,
And thereby SAVED Western Europe from Muslim dominance!
Charles Martel was also the grandfather of the Emperor Charlemagne.
The Sunni–Shiite split over the true successor of Prophet Muhammad,
and other doctrinal differences of Faith,
Had weakened the Muslim Empire till the Mongols sealed their fate!

                         THE SELJUK TURKS
Meanwhile around Mid-eleventh Century from the steppes of Central Asia,
Came a nomadic tribe of Seljuk Turks and occupied Persia!
In 1055 they captured Baghdad and took the Abbasid Caliph under their Protectorate.
The Persian poet Omar Khayyam, and the great Rumi the mystic sage,
Had also flourished during this Seljuk Age!
In 1071 at the Battle of Manzikirt the Seljuks defeated the Byzantines
and occupied entire Anatolia,     (now Turkey)
And set up their Capital there by occupying Nicaea!
Deprived of their Anatolian ‘bread basket’ the Byzantine Emperor
Alexius Comnenus the First,
Appealed to Pope Urban II to save him from the scourge of those
Seljuk Turks!
The Seljuk Turks had also occupied Jerusalem and entire Palestine,
And prevented the Christian pilgrims from visiting its Holy Shrines!
The Seljuk, who converted to Islam, became staunch defenders of the
Muslim faith,
And played an historic role during the First Two Holy Crusades!

THE CHURCH AND THE SECULAR STATE (11th Century) :
The ecclesiastic differences and theological disputes between Western (Latin) and Eastern(Greek Orthodox) Church,
And the authority over the Norman Church at Sicily;
Resulted in the Roman and Constantinople Churches
ex-communicating each other in 1054 AD!
This East-West Schism was soon followed by the ‘Investiture Controversy’,
Over the right to appoint Bishops and many other doctrinal complexities;
Between Pope Gregory VII and the Holy Roman Emperor Henry IV  
of Germany.
Here I have cut short many details to spare you some agony!
Pope Gregory was succeeded by Pope Urban the Second,
Who was a shrewd diplomat and a great orator as Rome’s Papal Head.
Pope Urban seized this opportunity and responded to the Byzantine
Emperor’s desperate call,
Hoping to add lands to his Papal Estate after the Seljuk Turks fall!
Also to reign in those errant knights and warlords, -
Who plundered for greed and as mercenaries fought!
And finally, by liberating Jerusalem as Christendom’s Religious Superior,
Pope Urban hoped to assert his authority over the Holy Roman Emperor!
It is therefore an unfortunate fact of History, that the news of re-conquest of Jerusalem failed to reach Italy;
Even though Pope Urban died fourteen days later,
on the 29th of July, in 1099 AD!

                 MOTIVATION AND THE MEDIEVAL MIND
The Medieval Age was the Age of Faith, which preceded the Age of Reason;
A God-centred world where to think otherwise smacked of treason!
It is rather difficult for us in our Modern times,
To fully comprehend the Early Medieval mind!
The Church was the very framework of the Medieval Society itself,
With their Monasteries and Abbeys as front-line of defence
against Evil;
While combating the deceptions and temptations of the Devil!
It was a mysterious and enchanted Medieval World where superstition
and ignorance was rife;
Where with blurred boundaries both the natural and the supernatural
existed side by side !
When education was confined to the Clergy and the Upper Class of
the Society exclusively;
In such a world the human mind was preoccupied with thoughts
of Salvation and piety;
And in an afterlife hoping to escape the pains of Purgatory!
So in Nov 1095 at the Council of Clermont in France,
When Pope Urban II made his clarion call to liberate the
Holy Lands from the infidels,
The massive congregation responded by shouting, “God Wills It”,
‘’God Wills It’’,  - which echoed beyond France!
The Crusade offered an opportunity to absolve oneself of sins,
And to even die a martyrs death for a Holy cause, which motivated
them from within!
Now for actual action kindly read the Concluding portion,
I tried to make it short and crisp!


    STORY OF THE HOLY CRUSADE : CONCLUSION
                                 PART TWO

THE  PEASANT’S CRUSADE (April-Oct 1096) :
Even before the First Crusade could get officially organized,
A Peasant’s Crusade of around forty thousand took-off,
taking Pope Urban by surprise!
When these untrained motley body of men led by the French
Lord Walter Sans Avoir, and Peter Hermit reached Constantinople;
They disappointed Emperor Alexius, who for seasoned Norman
Knights had bargained.
So Alexius ferried them to Anatolia across the Bosporus Strait,
Only to be massacred there by the hardy Seljuk Turks who sealed
their fate!
Thus ended the Peasant’s Crusade, also known as “The People’s
Crusade’’.
But Peter the Hermit survived as he had returned to Constantinople
for help,
And participated with the main Crusade, motivating them till the
very end,
With his sermons and prayers till their objectives were attained!

THE CRUSADE LEADERS AND THEIR ROUTES:
Now let me tell you about those Crusade Leaders and their routes,
For this true story to be better understood.
In the Summer of 1096 French nobles and seasoned knights,
along with Bishop Adhemar the Papal Legate,
Set out in large contingents by land and sea routes, forming the
Christian Brigade!
Their rendezvous point being Constantinople, capital of the
Byzantine Empire,
And from there across the Bosporus to enter Turkey then known
as Anatolia;
To finally take on the Seljuk Turks, in response to the request  
made by Emperor Alexius.
Raymond the IV of Toulouse, the senior-most and richest of
the Crusaders,
Was an old veteran who had fought the Moors in Spain was one of
the Crusade leaders.
He brought the largest army and was accompanied by the Papal Legate, and his wife Elvira,
And later played a major role in the siege of Antioch, and Nicea.
Raymond along with the veteran and pious bachelor knight
Godfrey of Bouillon, who became the First Ruler of Jerusalem
after its capture and fall;
Was accompanied by Godfrey’s ambitious brother Baldwin and
a large contingent, -
They followed the land route to Constantinople.
The fierce Norman knight Bohemond of Taranto, along with
Robert II Duke of Flanders, and the Norman knights from
Southern Italy,
Followed the sea route to Byzantium from the Italian port of Bari.
I have mentioned here only a few, to cut short my story!
At Constantinople Emperor Alexius, administered a Holy Oath of
allegiance to the Crusade Leaders;
Hoping to win back his captured lands after the defeat of the
Seljuk Turks.

THE SIEGE OF NICEA (14th May – 19th Jun 1097) :
This captured Byzantine City was then the Seljuk Capital;
With 200 towers its mighty walls was a formidable defence!
Emperor Alexius sent his army to help the Crusaders in the siege,
And by blockading the food supply lines the city was besieged;
In the absence of the City’s ruler who had gone on a campaign
to the East, -
Alexius’ Generals secretly worked out a negotiation of surrender
and peace!
The Crusaders were angry and felt they were being cheated,
But Alexius gave them money, horses, and gifts to get them
compensated!
On the 26th of June the Crusader army was split into two contingents,
And the Turks ambushed and surrounded the vanguard led by Bohemund the Valiant.
Turk cavalry shooting arrows mauled part of the vanguard,
When the rearguard of Godfrey, and Baldwin charged in
and rescued them from the Turks!
Historians call this the Battle of Dorylaeum;  (1st Jul 1097)  
It was the first major battle  which provided a taste of
things to come!

SIEGE OF EDESSA:
Next a three month’s long and arduous march followed
under the sweltering Summer’s heat,
When five hundred lost their lives due to sheer fatigue!
Baldwin lost his wife God Hilda, a rich heiress;
Now with all her wealth going back to her blood line
as per tradition of those days,
Placed ambitious Baldwin under great mental and financial
distress!
So Baldwin with a few hundred knights headed East for the
rich Christian city of Edessa,
With intentions of claiming it as his own after the loss of his
wife Hilda!
The citizens there backed Baldwin and gave him an Armenian
Christian lady to be his wife,
And against their old childless Ruler Thoros, they plotted to
take his life!
It was not a great start for the idealism of the Crusade,
Since motivated by greed Baldwin had carved out his own
State;
While Edessa also became the First State to be established
by the Holy Crusade!

THE SIEGE OF ANTIOCH  (21 Oct 1097- 02 Jun 1098) :
Antioch was an old Roman city built around 300 BC,
Its six gates and towers fortified the city.
Its formidable walls were built by the Byzantine Emperor
Justinian the First,
And twelve years prior to the arrival of the Crusaders,
Antioch had got occupied by the Turks!
In the absence of a Centralised Command, the Crusade leaders
frequently argued and quarrelled;
Since the majority preferred a siege, so Antioch got finally
surrounded.
When food supply ran short during the winter, both
starvation and desertion plagued the Crusaders;
While Antioch’s Governor Yagi-Siyan appealed for
assistance from his distant brothers the Turks.
He tied messages on legs of trained homing pigeon,
A unique postal service of those early days!
End May 1098 brought news of a large Muslim army
commanded by Emir Kerbogha,
Had set course from Mosul to liberate Antioch from
the Crusaders!
The Crusaders now had to break in fast into Antioch,
or face those 75,000 strong Turkish force!
The Twin Towers on the southern side was manned by
an Armenian Christian Muslim convert named Firuz,
Who was bribed by Bohemund to betray Antioch!
Firuz let down rope ladders for the Crusaders to climb
inside,
And a massacre followed late into the ****** night!
Next day Emir Kerbogha’s troops arrived and the
situation got reversed,
The attackers now lay besieged by those Seljuk Turks!
After fifty-two days of trying siege food supply ran out,
Morale of the Crusaders were rather low, and some even
feared a route!
Now buried in the Church of St. Peter, Peter Bartholomew
the French priest found the ‘Holy Lance’,
About which he had a vision in advance!
This find raised the morale of the Crusaders, and some
even went into a spiritual trance!
For Peter claimed this ‘Holy Relic’ had pierced Christ’s body
after his Crucifixion;
And the Crusading army now moved out of the city in full
battle formation!
Soon after the Turkish army of Kerbogha retreated fearing
devastation!
This victory has been attributed to God and His miraculous
intervention!

                     LIBERATION OF JERUSALEM
After the conquest of Antioch in June 1098, the Crusaders
stayed on till the year got completed.
Though the death of the Papal Legate in August got them
rather depressed;
While Bohemund of Taranto took over Antioch, which now
became the Second Crusader State;
And Raymond of Toulouse became the undisputed Leader
of The Crusade!
Next travelling through Tripoli, Beirut, Tire and Lebanon;
To liberate Bethlehem they sent off Tancred, and Baldwin
of Le Bourg.
On the 5th of June they liberated Bethlehem, and on the
Seventh of June they reached the gates of Jerusalem!
Facing acute shortage of food and water their initial attack
failed to materialise,
When priest Peter Desiderius’ vision of the deceased Papal
Legate came as a pleasant surprise!
This vision commanded them to fast, atone for their sins and
make amends,
By walking barefoot in prayer around the Holy City of Jerusalem!
After a final assault on the 15th of July 1099, they broke into
the City,
Killing all Muslims and Jews with impunity!
Pious Godfrey of Bouillon refusing to wear the crown, became
the First Ruler of this Third Crusader State;
And objectives of the Crusaders were finally attained!
With the formation of warrior monks of ‘Hospitallers’ and
‘Knight Templers’, wearing White and Red Crosses respectivel
RELEVANT LESSONS CAN BE DRAWN FROM PAST HISTORY!
Salty rancher spackle is to Earthy diva smackers as Swinging hotel number is to?
Rippling cling bread is to Three lizard chariots as Indigo lime tangent is to?
Nighttime reunion planet is to Nettle lane scuffle as Soaking spider *** is to?
Fancy trance logs are to Sticky fudge lather as Vivacious gator college is to?
Cheerful blossom face is to Secret tractor rocket as Canned gremlin emblems are to?
Jealous pitchfork generals are to Heartbreaking patchwork veranda as Folding robot noise is to?
Pretty rhino rash is to Lost locket vengeance as Back pocket weather is to?
Frosted candy sidewalk is to Sneaky kook code as Shiny waffle smoke is to?
Sapphire cloud romance is to Magnetic comet lava as Blue triangle envy is to?
Vanishing honey melody is to Thermal elf pajamas as Whistling iceboat shampoo is to?
Peach mint politics is to Frozen doll pennies as Rusty anchor catapult is to?
Swollen pony fever Throbbing sword kazoo as Silent turbine science is to?
Obese germ thunder is to Stacked lemon towers as Corrupt moon jockey is to?
Demented insect whistle is to Glass trophy cleanup as Purple geode bubble is to?
Nighttime razor slime is to Lacquered dragon maps as Tint paper mittens are to?
**** camel drops are to Velvet ****** shoes as Slippery red muffins are to?
Flying hot drool is to Pale chocolate telescope as Tin trumpet ballet is to?
Expensive puppy speed is to Flowered duck mirror as Cosmic needle factory is to?
Fractured laser doodles are to Cracked butter gravel as Rubber holster straps are to?
Majestic panther fortress is to Jeweled cork target as Iron swan taxi is to?
Poisonous pepper bouillon is to ****** goat soap as Chrome feather pirates are to?
Digital gorilla scriptures are to Timid hunter stench as Frozen domino video is to?
Eccentric troll opera is to Transparent wax village as Spoiled coral agony is to?
Bizarre green metal is to Pillow eating hamster as Leather cavern ***** are to?
Eternal hurricane evidence is to Powdered rainbow perfume as Smoking yellow prune is to?
Liquid wish cleanser is to Exploding meadow ladders as Brittle rose hammer is to?
Caged foam filter is to Cherry balloon string as Ivory cactus spider is to?
Carbon puppet watch is to Sad kings compass as Elastic lace whiskers are to?
Nitrogen trolley dust is to Lazy elephant toffee as Orange toad choir is to?
Dark pole zodiac is to Blue finger blanket as Illegal bug nozzle is to?
Stinky towel cookies are to White jade caskets as Sticky snail tea is to?
Converting stellated caramels is to Mythic aerosol socks as Rubber raspberry jokes are to?
Flying clock carousel is to Whisky nut worms as Plastic fish platforms are to?
Queasy Vaseline queens are to Moody pigeon pills as Aqua mice fur is to?
Spotted bowl shadow is to Idiotic radiance lotion as Bungalow toad hearse is to?
Gushing chimney fungus is to Funky lamb acrobat as Utopian **** sprinkler is to?
Twinkling bungalow tablet is to Botanical duck rope as Bug hat ram is to?
Broken clock fossil is to Black ginger confetti as Parisian cobra meatloaf is to?
Silly Xerox ribbon is to Obedient raccoon carny as Traditional cat linguini is to?
Last astral advisor is to Elastic badger riddles as Broken circle rifles are to?
Bagged squire channel is to Temporary mosaic cake as Ancient bacon thread is to?
Wireless math army is to Moronic neon money as Pearl razor radar is to?
Rubber buzzard blizzard is to Troubled bubble wizard as Crushed hash ******* is to?
Purple birdy cure is to Tangled frost blossoms as Silken bridal saddle is to?
Unisex owl accordion is to Sugar bottomed boat as Optical nougat treasure is to?
Flavored saline rain is to Black arrow clan as Transistorized clam guitar is to?
Sharpened twig scar is to Mutant beet sonar as Baked troll mask is to?
Boxed noodle secrets are to Traditional guru buttons as Glossy marshmallow strategy is to?
Vibrating melted jelly is to Silver furniture dream as Spewing collated seats is to?
Burnt mountain pickles are to Baby preacher shoes as Sympathetic pilot pain is to?
Narrow portal treaty is to Monkey warehouse vacancy as Painted tornado trap is to?
Porch penny sulfur is to Glowing pony fat as Patched mattress bait is to?
Frigid waitress fallacy is to Graphic shrimp salute as Misted sneezing window is to?
Moist apple moss is to Daddy’s zoom seed as Downtown Pope cart is to?
Tired felon trickle is to Holographic squirrel candle as Wild ray hay is to?
Deadly zero chalk is to Folding wilderness chart as Curved ******* vacuum is to?
Hollow porcelain pellets are to Strawberry rain stencils as Microwave taxi nomads are to?
Wasted machete balcony is to Crumpled creature confessions as Fridge fuzzed fruit is to?
Sloppy demon damage is to Squeaky puppet chuckle as Mental arcade combat is to?
Monster trout stories are to Lewd pirate cocktail as Locked mammal grommet is to?
Rotting rope network is to Tragic toy goat as Cotton submarine shoes are to?
Complex pepper dance is to ****** cloud cushion as Marching taxi holiday is to?
Mental petal collectors are to Spooned barn putty as Dork factory fiction is to?
Hot spotted tops are to Timed stepping pests as Yogurt notching tartar is to?
Crazy dog comics are to Ambitious cartoon sphinx as Pavlov’s zinc ballet is to?
Soiled spinster wedding is to Padded razor wound as Floating fish map is to?
Slippery leopard pants are to Perfumed nut button as Dart wizard party is to?
Needy alien elephants are to Barking garden gnats as Quasar focused paper is to?
Slanted heart **** is to Bronzed cliff sandals are to Cunning jockey jokes are to?
***** thumbprint massage is to Holistic princess memory as Sliding dental sword is to?
Drifting wood whistle is to Fluorescent carpet powder as Foam dragon whistle is to?
Chopped web shadow is to Immortal vermin soup as Collapsing porch conspiracy is to?
Stolen thunder chant is to Haunted comet heart as Swollen throat portrait is to?
Fragrant frost parfait is to Grumpy caveman *** as Random stingray solo is to?
Squeaky polar turbine is to Silent lava fever as Oversized lunar fulcrum is to?
Synthetic dew droppers are to Pocket poster paste as Hypnotic screen dog is to?
Symbolic whirlpool nausea is to Dreaming tree phantom as Log badge bracket is to?
Camp hippo map is to Horseradish seizure insurance as Distant insect mirror is to?
German lady sherbet is to Stuntman laundry wax as Hungry butterfly ghost is to?
Fly smudged foil is to Amped maze coil as Shifting optic terror is to?
Automatic sheep floss is to Panoramic tanker anchor as Throbbing bone pillow is to?
Mutant clown village is to Nightmare translation treasure as Spotted spectral chakra is to?
Blind roach tweat is to Hermit worm tiara as Divine logo ritual is to?
Glueless gun stamp is to Malicious spam pump as Floral toffee pods are to?
Dudgeon mist removal is to Menacing bolt smacker as Boating duke shadow is to?
Costly metal plungers are to Creaky buzzing gushers as Glowing star cushions are to?
Raked barge sludge is to Crusted cream glitter as Zircon gutter babble is to?
Fake gold scholar is to Amish ******* mogul as Faithful ***** choir is to?
Sacred limo prayers are to Fried mice café as Splintered ****** thimble is to?
Dealing rabbit decals is to Pelican bongo festival as Patched equator rot is to?
Freedom gourd gasoline is to Cobblers studying acorns as Desecrated dice crater is to?
Tattered tapestry rod is to Busted particle scanner as Bogus piffle catalogue is to?
Trifle truffle raffle is to Last lamb laminate as Segmented cake goggles are to?
Domestic tackle tactic is to Ticking tic talk as Cordial corps coordinates is to?
Tucked duck caftan is to Sunken ramp ruckus as Wretched ranch rhetoric is to?
Clearly incomprehensible directions are to Useful archaic nonsense as Antiquated skeletal outline is to?
Bewildered beasts feasting are to Lazy busybodies resting as Vaccinating brave volunteers are to?
Lucky wagon dragons are to Famous gargoyle gargle as Formal postman funding is to?
Furrowed shroud chowder is to Borrowed tartan pajamas as Martini mixed algebra is to?
Cowgirl balloon helium is to Chewy glucose habitat as Stationary monument movement is to?
Diamond powered powder is to Diagonal diameter diagram as Purposely condensed expansion is to?
Organic iodine capsule is to Gleaming beach probe as Dominant dome static is to?
Shaving wrinkled targets is to Petting sensible monsters as Selling invisible whiskey is to?
Frozen piano architecture is to Note dotted clouds as Screaming Korean worms are to?
Sonic plant website is to Telepathic climbing clam as Bored protein exercise is to?
Gourmet mollusk cone is to Numb poodle caravan as Asian raven radar is to?
Rosalyn stood in the castle tower
And gazed out over the plain,
It wasn’t exactly a sumptuous bower
For the drapes were old, and stained,
The furniture had seen better times
In the days of the knights of old,
But the cracked and broken window panes
Had made the bower cold.

She’d shivered as she had got undressed
And donned a filmy gown,
She pined for the sight she hoped to see
As she stood there, looking down,
Three knights stood guard at the outer moat
Their armour was dull and black,
They couldn’t be seen on a moonless night
But were there to ward off attack.

Attack from the southern Baron’s men,
Attack from the western marsh,
They came to rescue fair Rosalyn
For her sentence had been harsh,
Confined for life in that wintry tower
For her love for the Duke of Spur,
Who’d not been seen since the winter green,
Nor asked what became of her.

The rain came down in a sudden squall
He shivered, and scratched his head,
What could he do with the Duke of Spur
If the man had turned up dead?
He pushed his seat away from the desk
And he rose, and stretched, and yawned,
The cursor blinked on the final line
As the moon beamed in through the storm.

How could he save fair Rosalyn,
That was the question here,
He opened the door of the old bar fridge
And knocked the head off a beer,
He sat again at the keyboard then
And stared and stared at the screen,
He didn’t know where to go from there
But found himself in a dream.

He woke in the damp and windswept tower
Where Rosalyn lay asleep,
He thought that he must be crazy, that
His mind made a giant leap,
He saw the screen in the corner where
He sat, as if in a trance,
But here on the other side of the screen
He was caught, by some mischance.

Rosalyn woke from her slumber then
And she held her arms out wide,
‘I wondered when you would join me in
This tale from the other side.
I’ve seen you sitting and watching me,
You watched as I got undressed,
And I know it’s only a story but
In truth, I wasn’t impressed.’

‘I must be asleep and dreaming,’
He replied, ‘but you can’t be real,
I haven’t finished the story yet
But in here I can see and feel,
And there I am on the other side,
I’m sat in front of the screen.’
‘If you don’t shut up and make love to me,’
She said, ‘then I’m going to scream!’

He spent an hour in a wilful daze,
She held him close in her arms,
He kissed her eyes and her silken thighs
Revealed much more of her charms,
And when they were finally done, she said
‘Will you rescue me, or not?’
He lay as dead as he scratched his head,
‘I think I’ve lost the plot!’

He woke as the sun came slowly up
Stiff and cold in his room,
The cursor was dim and blinking as
The only light in the gloom,
He typed that a coil of rope was hid
On the other side of a drape,
Thinking that she could use it then
To make a swift escape.

She saw the rope and she tied it firm
To the leg of the solid bed,
The thought he was going to rescue her
Was the only thought in his head,
She dropped the rope so the Duke of Spur
Could climb and clamber in,
But when he climbed to the window ledge
The Duke of Spur was him!

David Lewis Paget
RW Dennen Sep 2014
I just want to be
a Duke of a Universe
is this too much to ask?
I could use
The Black Hole as a pool pocket
and the planets as pool-*****
and declare you
Vice Duke inspecting graffiti
on planet restroom walls,
and you report to me
those words of wisdom
of Plato, Nietzsche, Kilroy and cornbread...

I just want to watch
comets streek across
the heavens
and watch tiny pulsars blink minute rotations,
and newly created stars explode
and belch their heavenly gases
And see masses and masses
of nebulae
stretching outward
like blowy-toy-pinwheels
And I'll take the " Big Dipped"
and dip it in the " Milky Way"
while playing marbles
with tiny asteroids
And use the heavens as my
painter's canvas
and splash on newly Constellations
And use the many Suns
to warm my chilly hands,
The return from farthermost
planets of Sunless Lands

Oh my BOSS!!
I'm getting too serious
as you can easily see
And why worry?
Because I'm already
a Duke of a Universe,
The talk of the playground campus
The talk among every prominent
Neo-Freudian and Neo-Skinnerian
The talk about my wisdom writings
found near almost flushing toilet
at "QUACKSVILLE UNIVERSAL UNIVERSITY"
Here come the med cart
Here come the med cart

That's all folks
Michael R Burch Apr 2022
The Shijing or **** Jing or Shih-Ching (“Book of Songs” or “Book of Odes”) is the oldest Chinese poetry collection, with the poems included believed to date from around 1200 BC to 600 BC. According to tradition the poems were selected and edited by Confucius himself. Since most ancient poetry did not rhyme, these may be the world’s oldest extant rhyming poems.

Shijing Ode #4: “JIU MU”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

In the South, beneath trees with drooping branches
thick with vines that make them shady,
we find our lovely princely lady:
May she repose in happiness!

In the South, beneath trees with drooping branches
whose clinging vines make hot days shady,
we wish love’s embrace for our lovely lady:
May she repose in happiness!

In the South, beneath trees with drooping branches
whose vines, entwining, make them shady,
we wish true love for our lovely lady:
May she repose in happiness!


Shijing Ode #6: “TAO YAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

The peach tree is elegant and tender;
its flowers are fragrant, and bright.
A young lady now enters her future home
and will manage it well, day and night.

The peach tree is elegant and tender;
its fruits are abundant, and sweet.
A young lady now enters her future home
and will make it welcome to everyone she greets.

The peach tree is elegant and tender;
it shelters with bough, leaf and flower.
A young lady now enters her future home
and will make it her family’s bower.


Shijing Ode #9: “HAN GUANG”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

In the South tall trees without branches
offer men no shelter.
By the Han the girls loiter,
but it’s vain to entice them.
For the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

When cords of firewood are needed,
I would cut down tall thorns to bring them more.
Those girls on their way to their future homes?
I would feed their horses.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

When cords of firewood are needed,
I would cut down tall trees to bring them more.
Those girls on their way to their future homes?
I would feed their colts.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.


Shijing Ode #10: “RU FEN”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

By raised banks of the Ru,
I cut down branches in the brake.
Not seeing my lord
caused me heartache.

By raised banks of the Ru,
I cut down branches by the tide.
When I saw my lord at last,
he did not cast me aside.

The bream flashes its red tail;
the royal court’s a blazing fire.
Though it blazes afar,
still his loved ones are near ...

It was apparently believed that the bream’s tail turned red when it was in danger. Here the term “lord” does not necessarily mean the man in question was a royal himself. Chinese women of that era often called their husbands “lord.” Take, for instance, Ezra Pound’s famous loose translation “The River Merchant’s Wife.” Speaking of Pound, I borrowed the word “brake” from his translation of this poem, although I worked primarily from more accurate translations. In the final line, it may be that the wife or lover is suggesting that no matter what happens, the man in question will have a place to go, or perhaps she is urging him to return regardless. The original poem had “mother and father” rather than “family” or “loved ones,” but in those days young married couples often lived with the husband’s parents. So a suggestion to return to his parents could be a suggestion to return to his wife as well.


Shijing Ode #12: “QUE CHAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

The nest is the magpie's
but the dove occupies it.
A young lady’s soon heading to her future home;
a hundred carriages will attend her.

The nest is the magpie's
but the dove takes it over.
A young lady’s soon heading to her future home;
a hundred carriages will escort her.

The nest is the magpie's
but the dove possesses it.
A young lady’s soon heading to her future home;
a hundred carriages complete her procession.


Shijing Ode #26: “BO ZHOU” from “The Odes of Bei”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

This cypress-wood boat floats about,
meandering with the current.
Meanwhile, I am distraught and sleepless,
as if inflicted with a painful wound.
Not because I have no wine,
and can’t wander aimlessly about!

But my mind is not a mirror
able to echo all impressions.
Yes, I have brothers,
but they are undependable.
I meet their anger with silence.

My mind is not a stone
to be easily cast aside.
My mind is not a mat
to be conveniently rolled up.
My conduct so far has been exemplary,
with nothing to criticize.

Yet my anxious heart hesitates
because I’m hated by the herd,
inflicted with many distresses,
heaped with insults, not a few.
Silently I consider my case,
until, startled, as if from sleep, I clutch my breast.

Consider the sun and the moon:
how did the latter exceed the former?
Now sorrow clings to my heart
like an unwashed dress.
Silently I consider my options,
but lack the wings to fly away.



Chixiao (“The Owl”)
by Duke Zhou (c. 1100-1000 BC)
loose translation/interpretation by Michael R. Burch

Owl!
You've stolen my offspring,
Don't shatter my nest!
When with labors of love
I nurtured my fledglings.

Before the skies darkened
And the dark rains fell,
I gathered mulberry twigs
To thatch my nest,
Yet scoundrels now dare
Impugn my enterprise.

With fingers chafed rough
By the reeds I plucked
And the straw I threshed,
I now write these words,
Too hoarse to speak:
I am homeless!

My wings are withered,
My tail torn away,
My home toppled
And tossed into the rain,
My cry a distressed peep.

The Duke of Zhou (circa 1100-1000 BC), a member of the Zhou Dynasty also known as Ji Dan, played a major role in Chinese history and culture. He has been called “probably the first real person to step over the threshold of myth into Chinese history” and he may be the first Chinese poet we know by name today, and the spiritual ancestor of Confucius as well. The Duke was a capable and loyal regent for his young nephew King Cheng and successfully suppressed a number of rebellions. He has also been credited with writing the I Ching and the Book of Songs, also called the Book of Odes, and with creating yayue (“elegant music”) which became Chinese classical music. His poem “The Owl” was apparently written while he was away fighting on his nephew’s behalf, after court dissenters accused him of plotting to usurp the throne. Apparently the poem worked, as King Cheng welcomed his uncle back, and the Duke remained faithful till the end. Keywords/Tags: China, Chinese, translation, ode, odes, kingdom, king, duke, homeless, homelessness, homesick, homesickness

Keywords/Tags: Shijing, ****-Jing, Shih-Ching, translation, book, songs, odes, Confucius, Chinese, ancient, rhyme, rhyming, love, nature
Michael R Burch Feb 2020
Le temps a laissé son manteau ("The season has cast its coat aside")
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

The season has cast its coat aside
of wind and cold and rain,
to dress in embroidered light again:
bright sunlight, fit for a bride!

There isn't a bird or beast astride
that fails to sing this sweet refrain:
"The season has cast its coat aside!"

Now rivers, fountains, springs and tides
dressed in their summer best
with silver beads impressed
in a fine display now glide:
the season has cast its coat aside!



The year lays down his mantle cold
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,
while birds and beasts of wood and fold
now with each cry and song declare:
“The year lays down his mantle cold!”
All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.



Winter has cast his cloak away
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!
Each bird and beast, without delay,
in its own tongue, sings this refrain:
“Winter has cast his cloak away!”
Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

Note: This rondeau was set to music by Debussy in his “Trois chansons de France.”

The original French rondeau:

Le temps a laissé son manteau
De vent, de froidure et de pluie,
Et s’est vêtu de broderie,
De soleil luisant, clair et beau.

Il n’y a bête, ni oiseau
Qu’en son jargon ne chante ou crie :
"Le temps a laissé son manteau."

Rivière, fontaine et ruisseau
Portent en livrée jolie,
Gouttes d’argent d’orfèvrerie,
Chacun s’habille de nouveau :
Le temps a laissé son manteau.



Le Primtemps (“Spring” or “Springtime”)
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
drawn from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.

The original French poem:

Jeunes amoureux nouveaulx
En la nouvelle saison,
Par les rues, sans raison,
Chevauchent, faisans les saulx.
Et font saillir des carreaulx
Le feu, comme de cherbon,
     Jeunes amoureux nouveaulx.
Je ne sçay se leurs travaulx
Ilz emploient bien ou non,
Mais piqués de l’esperon
Sont autant que leurs chevaulx
     Jeunes amoureux nouveaulx.



Ballade: Oft in My Thought
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here—
        God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
        God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
and the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
        God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.



Rondel: Your Smiling Mouth
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you’re far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I’ll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms’ twin chains!

The original Middle English text:

Rondel: The Smiling Mouth

The smiling mouth and laughing eyen gray
The breastes round and long small armes twain,
The handes smooth, the sides straight and plain,
Your feetes lit —what should I further say?
It is my craft when ye are far away
To muse thereon in stinting of my pain— (stinting=soothing)
The smiling mouth and laughing eyen gray,
The breastes round and long small armes twain.
So would I pray you, if I durst or may,
The sight to see as I have seen,
For why that craft me is most fain, (For why=because/fain=pleasing)
And will be to the hour in which I day—(day=die)
The smiling mouth and laughing eyen gray,
The breastes round and long small armes twain.



Confession of a Stolen Kiss
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation by Michael R. Burch

My ghostly father, I confess,
First to God and then to you,
That at a window (you know how)
I stole a kiss of great sweetness,
Which was done out of avidness—
But it is done, not undone, now.

My ghostly father, I confess,
First to God and then to you.

But I shall restore it, doubtless,
Again, if it may be that I know how;
And thus to God I make a vow,
And always I ask forgiveness.

My ghostly father, I confess,
First to God and then to you.

Translator note: By "ghostly father" I take Charles d’Orleans to be confessing to a priest. If so, it's ironic that the kiss was "stolen" at a window and the confession is being made at the window of a confession booth. But it also seems possible that Charles could be confessing to his human father, murdered in his youth and now a ghost. There is wicked humor in the poem, as Charles is apparently vowing to keep asking for forgiveness because he intends to keep stealing kisses at every opportunity!

Original Middle English text:

My ghostly fader, I me confess,
First to God and then to you,
That at a window, wot ye how,
I stale a kosse of gret swetness,
Which don was out avisiness
But it is doon, not undoon, now.

My ghostly fader, I me confess,
First to God and then to you.

But I restore it shall, doutless,
Agein, if so be that I mow;
And that to God I make a vow,
And elles I axe foryefness.

My ghostly fader, I me confesse,
First to God and then to you.



Charles d’Orleans has been credited with writing the first Valentine card, in the form of a poem for his wife. He wrote the poem in 1415 at age 21, in the first year of his captivity while being held prisoner in the Tower of London after having been captured by the British at the Battle of Agincourt. The Battle of Agincourt was the centerpiece of William Shakespeare’s historical play Henry V, in which Charles appears as a character.

At age 16, Charles had married the 11-year-old Bonne of Armagnac in a political alliance, which explains the age difference he mentions in his poem. (Coincidentally, I share his wife’s birthday, the 19th of February.) Unfortunately, Charles would be held prisoner for a quarter century and would never see his wife again, as she died before he was released.

Why did Charles call his wife “Valentine”? Well, his mother’s name was Valentina Visconti ...

My Very Gentle Valentine
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation by Michael R. Burch

My very gentle Valentine,
Alas, for me you were born too soon,
As I was born too late for you!
May God forgive my jailer
Who has kept me from you this entire year.
I am sick without your love, my dear,
My very gentle Valentine.



In My Imagined Book
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation by Michael R. Burch

In my imagined Book
my heart endeavored to explain
its history of grief, and pain,
illuminated by the tears
that welled to blur those well-loved years
of former happiness's gains,
in my imagined Book.

Alas, where should the reader look
beyond these drops of sweat, their stains,
all the effort & pain it took
& which I recorded night and day
in my imagined Book?

The original French poem:

Dedens mon Livre de Pensee,
J'ay trouvé escripvant mon cueur
La vraye histoire de douleur
De larmes toute enluminee,
En deffassant la tresamée
Ymage de plaisant doulceur,
Dedens mon Livre de Pensee.

Hélas! ou l'a mon cueur trouvee?
Les grosses gouttes de sueur
Lui saillent, de peinne et labeur
Qu'il y prent, et nuit et journee,
Dedens mon Livre de Pensee.



Charles d’Orleans (1394-1465) was a French royal born into an aristocratic family: his grandfather was Charles V of France and his uncle was Charles VI. His father, Louis I, Duke of Orleans, was a patron of poets and artists. The poet Christine de Pizan dedicated poems to his mother, Valentina Visconti. He became the Duke of Orleans at age 13 after his father was murdered by John the Fearless, Duke of Burgundy. He was captured at age 21 in the battle of Agincourt and taken to England, where he remained a prisoner for the next quarter century. While imprisoned there he learned English and wrote poetry of a high order in his second language. A master of poetic forms, he wrote primarily ballades, chansons, complaints and rondeaux. He has been called the “father of French lyric poetry” and has also been credited with writing the first Valentine’s Day poem.

Keywords/Tags: France, French, translation, Charles, Orleans, Duke, first Valentine, rondeau, chanson, rondel, roundel, ballade, ballad, lyric, Middle English, Medieval English, rondeaus, rondeaux, rondels, roundels, ballades, ballads, chansons, royal, noble, prisoner, hostage, ransom, season, seasons, winter, cold, snow, rain, summer, light, clothes, embroidered, embroidery, birds, beasts, sing, singing, song, refrain, rivers, springs, brooks, fountains, silver, beads
Michael R Burch Feb 2020
Le Primtemps (“Spring” or “Springtime”)
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
drawn from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.

Original French text:

Jeunes amoureux nouveaulx
En la nouvelle saison,
Par les rues, sans raison,
Chevauchent, faisans les saulx.
Et font saillir des carreaulx
Le feu, comme de cherbon,
     Jeunes amoureux nouveaulx.
Je ne sçay se leurs travaulx
Ilz emploient bien ou non,
Mais piqués de l’esperon
Sont autant que leurs chevaulx
     Jeunes amoureux nouveaulx.



The First Valentine Poem

Charles d’Orleans (1394-1465), a French royal, the grandchild of Charles V, and the Duke of Orleans, has been credited with writing the first Valentine card, in the form of a poem for his wife. Charles wrote the poem in 1415 at age 21, in the first year of his captivity while being held prisoner in the Tower of London after having been captured by the British at the Battle of Agincourt.

My Very Gentle Valentine
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation by Michael R. Burch

My very gentle Valentine,
Alas, for me you were born too soon,
As I was born too late for you!
May God forgive my jailer
Who has kept me from you this entire year.
I am sick without your love, my dear,
My very gentle Valentine.



Ballade: Oft in My Thought
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here—
        God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
        God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
and the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
        God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.



Rondel: Your Smiling Mouth
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you’re far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I’ll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms’ twin chains!

The original Middle English text:

Rondel: The Smiling Mouth

The smiling mouth and laughing eyen gray
The breastes round and long small armes twain,
The handes smooth, the sides straight and plain,
Your feetes lit —what should I further say?
It is my craft when ye are far away
To muse thereon in stinting of my pain— (stinting=soothing)
The smiling mouth and laughing eyen gray,
The breastes round and long small armes twain.
So would I pray you, if I durst or may,
The sight to see as I have seen,
For why that craft me is most fain, (For why=because/fain=pleasing)
And will be to the hour in which I day—(day=die)
The smiling mouth and laughing eyen gray,
The breastes round and long small armes twain.



Confession of a Stolen Kiss
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation by Michael R. Burch

My ghostly father, I confess,
First to God and then to you,
That at a window (you know how)
I stole a kiss of great sweetness,
Which was done out of avidness—
But it is done, not undone, now.

My ghostly father, I confess,
First to God and then to you.

But I shall restore it, doubtless,
Again, if it may be that I know how;
And thus to God I make a vow,
And always I ask forgiveness.

My ghostly father, I confess,
First to God and then to you.

Translator note: By "ghostly father" I take Charles d’Orleans to be confessing to a priest. If so, it's ironic that the kiss was "stolen" at a window and the confession is being made at the window of a confession booth. But it also seems possible that Charles could be confessing to his human father, murdered in his youth and now a ghost. There is wicked humor in the poem, as Charles is apparently vowing to keep asking for forgiveness because he intends to keep stealing kisses at every opportunity!

Original Middle English text:

My ghostly fader, I me confess,
First to God and then to you,
That at a window, wot ye how,
I stale a kosse of gret swetness,
Which don was out avisiness
But it is doon, not undoon, now.

My ghostly fader, I me confess,
First to God and then to you.

But I restore it shall, doutless,
Agein, if so be that I mow;
And that to God I make a vow,
And elles I axe foryefness.

My ghostly fader, I me confesse,
First to God and then to you.



In My Imagined Book
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation by Michael R. Burch

In my imagined Book
my heart endeavored to explain
its history of grief, and pain,
illuminated by the tears
that welled to blur those well-loved years
of former happiness's gains,
in my imagined Book.

Alas, where should the reader look
beyond these drops of sweat, their stains,
all the effort & pain it took
& which I recorded night and day
in my imagined Book?

The original French poem:

Dedens mon Livre de Pensee,
J'ay trouvé escripvant mon cueur
La vraye histoire de douleur
De larmes toute enluminee,
En deffassant la tresamée
Ymage de plaisant doulceur,
Dedens mon Livre de Pensee.

Hélas! ou l'a mon cueur trouvee?
Les grosses gouttes de sueur
Lui saillent, de peinne et labeur
Qu'il y prent, et nuit et journee,
Dedens mon Livre de Pensee.



Charles d’Orleans (1394-1465) was a French royal born into an aristocratic family: his grandfather was Charles V of France and his uncle was Charles VI. His father, Louis I, Duke of Orleans, was a patron of poets and artists. The poet Christine de Pizan dedicated poems to his mother, Valentina Visconti. He became the Duke of Orleans at age 13 after his father was murdered by John the Fearless, Duke of Burgundy. He was captured at age 21 in the battle of Agincourt and taken to England, where he remained a prisoner for the next quarter century. While imprisoned there he learned English and wrote poetry of a high order in his second language. A master of poetic forms, he wrote primarily ballades, chansons, complaints and rondeaux. He has been called the “father of French lyric poetry” and has also been credited with writing the first Valentine’s Day poem.

Keywords/Tags: France, French, translation, Charles, Orleans, Duke, first Valentine, rondeau, chanson, rondel, roundel, ballade, ballad, lyric, Middle English, Medieval English, rondeaus, rondeaux, rondels, roundels, ballades, ballads, chansons, royal, noble, prisoner, hostage, ransom, Valentine
RAJ NANDY Nov 2015
GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(
Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(
Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(
At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets
KV Srikanth Mar 2022
Most stylish walk
Most effective way to talk
Knew it all
Even before the talkies were to start


Made The Big Trail
With Raoul Walsh
On 70 mm and the film flopped
Career took a drop


Waited for 9 years
To be cast by Papa Ford
Ringo Kid in Stagecoach with Claire Trevor
Was born the greatest International Superstar

Westerns  War Drama and Sports films
All genres suited him
Topped the box office 4 decades
23 times made the Quigley list

A record yet to be broken
It needs another Duke Wayne
Kept audiences happy
Quality films he delivered yearly

Every movie now a classic
Revisiting them makes one nostalgic
50 year career
Ended due to the villain called cancer

In our hearts forever
Immortal in his fame
The only and only
Marrion Morrison who became
Duke Wayne

Here in India
All his movies
Sold out at the Box office
In their hearts built his edifice

My father a huge fan
Didn't cry when his parents died
Shed tears when he read that John Wayne had died


A great Patriot
Proud to be an American
Loved the American way
Dreamt the American dream

Most enviable filmography
One Classic after another
Overflowing box office receipts
Dedicated fan following one of the causes

An idol for the common man
Always in tune with his fans
Three generations of a family
Liked the Duke for different reasons naturally

Decades at the top
Found a place
In millions of hearts
For life and beyond

Everyman' tries to copy
John Duke Wayne s personality
Impossible to mimic his life
You can try and stop with his walk

Won an Academy Award
Playing Marshall Rooster Cogburn
True Grit with an eye patch
One more of his conquests


Also turned Director
Westerns and War the genre
Wore many hats with dignity
In his dignity lies his beauty

Started his Banner
Every film a surefire winner
Called the company Batjac productions
Launched many newcomers giving them  a new direction

Default favorite of millions
Had fans across beyond definitions
Always a Republican
Controversial views never affected his reputation

The name John Wayne
Stood for Macho Integrity and honesty
Saddled up for a cause
Whatever the opposition he never paused

Ford Hawks Huston and counting
Auteurs at the top
Colloaborated with the Duke
Their vision in film manifested

Professional to the core
First to come and last to go
Passion for his profession of choice
Made him people s number 1 choice

Am a great fan too
Not his fan i haven't seen two
God bless him his fans and  family
With great reverence i write this solliloqy
the grand old duke of york he had ten thousand men he was odd that way
his parents never new that the duke was gay
he took them up the hill took them one by one
he run out of breath now the duke has gone

his secret it was kept to this very day
the truth about the duke so very far away
his soldiers they still march up down the hill
his parents never knew and they never will
Duke was admiring his puppy self in the mirror,
when upon his nose a bright red spot did appear.
Turning his head first to the left, then to the right,
studying his nose and this strange red dot so bright.

His young Master Ryan had red dots across his nose.
“Freckles” Ryan had told the pup, with eyes so sad.
So if it was a freckle it was also bad.

Ryan,  his best friend was human, you see.
Duke was a puppy, one day a dog to be.
Humans sometimes got freckles.
Dogs sometimes got fleas.

He remembered another time,
When he had found a flea.
That was so long ago.
But not like this one, that
in the light seemed to glow.

Maybe if he barked, it would go away.
“ WOOF!” He said, and still it stayed.
Scared, his master Ryan he went to find.
lying his head in Ryan’s lap, he whined.

Ryan looked at his pup and laughed with glee,
a the red spot on his puppy’s nose he did see.
Duke looked up and was surprised to see,
that Ryan had hundreds of the same red fleas.

In the room Ryan’s Mother came,      
“So this is where my glitter went” She exclaimed.
Ryan laughed at his Mom and Duke was relieved.
This strange red spot that had made him so bitter,
was not a freckle or a flea, but only red glitter.


Kathleen Kohl/Levinski
For My Grandson Ryan
Avery Glows Dec 2018
Disclaimer: I did this as a creative rewrite for one of my university lit courses, and all the inspiration and quotes belong to Robert Browning the original writer of "My Last Duchess"

HIS LAST DUCHESS
ARRIVEDERCI
“That’s my last Duchess painted on the wall,
Looking as if she were alive.”
(I’m not)
Alas! Me, “a wonder.” He calls.
Now wretchedly refined and pasteurized.
To be consumed, now, for genteel eyes.
Pity! Should you ever see me roll mine.
Behind those curtains, you might have been surprised
To see my countenance whimpering
At you Sir; and seething, at Him.
Must you not be fooled by that sickly decorum
Upon which his manly pride resides.
The Duke—what rich talent in envy he has,
And of pithy idiosyncrasies! Pardon me now
As I speak of his infamies: Is it not,
Too preposterous of a Duke, to sulk
And take offense, over a blush?
(As if the blush was his to wield and shun.)
Am I not allowed to flush at all?
And must I be ashamed of being swooned
By the casual offers of life’s grandiosities?
Each and every, dropping of the daylight,
Ripen cherries in May and chivalrous gentlemen,
my dear white mule; must I then weep
at them all, only to prove my fancy for him.
And when does gracious gratitude itself
become in vain: a finite honour—
deemed excessive elsewhere?
Never had he plucked me out, for censure,
Before he gave commands, I knew he did
To pluck the smile out of my face.
Utterly clueless—he thought I was
To find myself throttled, for immodesty.
A wife, an appendage to a Duke,
Loosely felled, to stroke a green-eyed ego.
My fault it seems, is a mere generosity
Of affection: falsely opined, if not
Misread, to fare a defect of temperament,
A chronic malady, doth be cured by death.
To cement the farce he will, soon, bring you
Downstairs to meet a friend. (a fiend)
A prized possession: Neptune, taming a sea-horse.
His hubris incarnate, cast in bronze.
But you must know the truth, for the sea-horse
Did not perish for naught, she is freed from him
At last.
Oct, 2018
Charlie Houseman Sep 2018
My life is simple, humble pleasures
The girl I love, summer leisure
‘The Duke is dead’ the prime minister says
‘Your time has come, you must do your best’.

My heart grows large, my eyes turn red
One final kiss, I lose my breath
My mother weeps, my father stares
His parting words ‘you must do your best’.

We train for the task that lies ahead
Our tools of evil, our countries crest
Brothers forever, until the end
The sergeant says sternly ‘you must do your best’.

The foreign soil, our blood it thirsts
We do not falter, we march and curse
We face our destiny, we march abreast
My father’s voice follows me ‘you must do your best’.

The fight is hard, our spirit put to the test
Death follows us, we cannot rest
Our bravery triumphs, ‘oh how our country will be impressed’
We do our duty, we do our best.

But the victory is fleeting, our brothers fall
Staring eyes, cold skin, we loved them all
Our grief immense, we lay them to rest
They were the bravest, they did their best.

The darkness surrounds us, our souls to stone
They want to end us, to send us home
I raise my weapon; one man lay dead
I have taken, life most precious, I have done my best.

The war is over, the Duke avenged
We wander home, those who were left
return to crowds, they stand abreast
They thank us all, ‘You are the best!’

The war is over, still a battle I fight
My hands tremble, sleepless nights
I see his face, where his body rests
My heart is cold, no pride, but guilt instead ‘I did my duty, I did my best’.

My parents proud, my love distressed
My suffering is silent, put to them instead
They grieve for me, the boy that left
The Man, broken, who survived, who tried his best.

A fatherless son, sonless mother
A widowed wife, man’s lost brother
Their pride is poison, a shot to my chest
I confess my sins, they do their best.

My life was simple, now changed beyond measure
The girl my wife, our children treasures
‘The Duke is dead!’ she says to them
‘Your father went, he did his best’.
A WW1 soldier struggles with his duty and his conscience.
Michael R Burch Feb 2020
Oft in My Thought
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here—
        God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
        God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
and the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
        God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.



The First Valentine Poem

Charles d’Orleans (1394-1465), a French royal, the grandchild of Charles V, and the Duke of Orleans, has been credited with writing the first Valentine card, in the form of a poem for his wife. Charles wrote the poem in 1415 at age 21, in the first year of his captivity while being held prisoner in the Tower of London after having been captured by the British at the Battle of Agincourt.

My Very Gentle Valentine
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation by Michael R. Burch

My very gentle Valentine,
Alas, for me you were born too soon,
As I was born too late for you!
May God forgive my jailer
Who has kept me from you this entire year.
I am sick without your love, my dear,
My very gentle Valentine.



Charles d’Orleans (1394-1465) was a French royal born into an aristocratic family: his grandfather was Charles V of France and his uncle was Charles VI. His father, Louis I, Duke of Orleans, was a patron of poets and artists. The poet Christine de Pizan dedicated poems to his mother, Valentina Visconti. He became the Duke of Orleans at age 13 after his father was murdered by John the Fearless, Duke of Burgundy. He was captured at age 21 in the battle of Agincourt and taken to England, where he remained a prisoner for the next quarter century. While imprisoned there he learned English and wrote poetry of a high order in his second language. A master of poetic forms, he wrote primarily ballades, chansons, complaints and rondeaux. He has been called the “father of French lyric poetry” and has also been credited with writing the first Valentine’s Day poem.

Keywords/Tags: France, French, translation, Charles, Orleans, Duke, first Valentine, rondeau, chanson, rondel, roundel, ballade, ballad, lyric, Middle English, Medieval English, rondeaus, rondeaux, rondels, roundels, ballades, ballads, chansons, royal, noble, prisoner, hostage, ransom
CK Baker May 2017
like that pill bitter Sunday morning (after)
with a nauseating hack
the previously uneventful Tuesday
derailed
in surrealistic tale
with Auntie and Jack (and a quarter of fate)
in the 748
on a night flight
from Sherwood to Lore

reverberating waves
of imminent summer haze
river flats
and flower fields
fly weights
and silver bait
shredders and shysters
and open gates
(into those everlasting
and sweated journeys of hope)

bloods and strays
and florentine grays
(reminiscent of Rockwell fame)
running horses
and overgrown country lanes
morning grace
and gentle cheer
eyes clear
on the river pass
blunted paddles for those ancient
and not so willing suckers!


duke making his own way
(to the corner club)
Parsons and Poe
stream from the torn screen door
cricket cadence
and symphony of the Deere
calm and deliberate
in the soft
and silent fields

meadows open for grazing
(guineas scamper across the till)
pocket apples fill
the country ripe air
drunken bees
and chestnuts
and electric fingers
strike the surface pool
(a cedar strip wedged on the white wash dock)

baited bull heads set to cast
evenings with hearts
and Nolten Nash
may flowers bloom
across the grass
~ time unmatched ~
with blue jays
and river bends
and channel cats
...and that warm
and recurring
Coleman drift
Fair stood the wind for France
When we our sails advance,
Nor now to prove our chance
Longer will tarry;
But putting to the main,
At Caux, the mouth of Seine,
With all his martial train,
Landed King Harry.

And taking many a fort,
Furnished in warlike sort,
Marcheth towards Agincourt
In happy hour;
Skirmishing day by day
With those that stopped his way,
Where the French gen'ral lay
With all his power;

Which, in his height of pride,
King Henry to deride,
His ransom to provide
Unto him sending;
Which he neglects the while,
As from a nation vile,
Yet with an angry smile
Their fall portending.

And turning to his men,
Quoth our brave Henry then,
"Though they to one be ten,
Be not amazed.
Yet have we well begun,
Battles so bravely won
Have ever to the sun
By fame been raised.

"And for myself (quoth he),
This my full rest shall be;
England ne'er mourn for me,
Nor more esteem me.
Victor I will remain,
Or on this earth lie slain;
Never shall she sustain
Loss to redeem me.

"Poitiers and Cressy tell,
When most their pride did swell,
Under our swords they fell;
No less our skill is
Than when our grandsire great,
Claiming the regal seat,
By many a warlike feat
Lopped the French lilies."

The Duke of York so dread
The eager vaward led;
With the main Henry sped
Amongst his henchmen.
Exeter had the rear,
A braver man not there; -
O Lord, how hot they were
On the false Frenchmen!

They now to fight are gone,
Armour on armour shone,
Drum now to drum did groan,
To hear was wonder;
That with the cries they make
The very earth did shake;
Trumpet to trumpet spake,
Thunder to thunder.

Well it thine age became,
O noble Erpingham,
Which didst the signal aim
To our hid forces!
When from a meadow by,
Like a storm suddenly,
The English archery
Stuck the French horses.

With Spanish yew so strong,
Arrows a cloth-yard long,
That like to serpents stung,
Piercing the weather;
None from his fellow starts,
But, playing manly parts,
And like true English hearts,
Stuck close together.

When down their bows they threw,
And forth their bilbos drew,
And on the French they flew,
Not one was tardy;
Arms were from shoulders sent,
Scalps to the teeth were rent,
Down the French peasants went -
Our men were hardy!

This while our noble king,
His broadsword brandishing,
Down the French host did ding,
As to o'erwhelm it;
And many a deep wound lent,
His arms with blood besprent,
And many a cruel dent
Bruised his helmet.

Gloucester, that duke so good,
Next of the royal blood,
For famous England stood
With his brave brother;
Clarence, in steel so bright,
Though but a maiden knight,
Yet in that furious fight
Scarce such another.

Warwick in blood did wade,
Oxford the foe invade,
And cruel slaughter made
Still as they ran up;
Suffolk his axe did ply,
Beaumont and Willoughby
Bare them right doughtily,
Ferrers and Fanhope.

Upon Saint Crispin's Day
Fought was this noble fray,
Which fame did not delay
To England to carry.
O, when shall English men
With such acts fill a pen;
Or England breed again
Such a King Harry?
Which takes us on a direct path to:
THE  INCIDENT.
Say you are a normal man—whatever that means—
But say it’s late June of 1993 and you’re laying on the couch,
Scratching your *****, trying to intuit your LDL level
Based on the two bowls of the Old Lady’s Cholesterol Chowder.
The Old Lady-- you can call her Peg or Mrs. Bundy—
Served it up in her special legacy china,
An assortment of recycled tin foil casserole dishes &
Vintage melmac handed down by your mother-in-law.
You are on the couch giving digestion your best shot,
Still scratching your agates when Peg comes
In from the kitchen with your second glass of
Two-buck chuck and a smoking fatty she’s just ignited,
Miraculously without burning the house down.
The TV is on—the TV is always on because
The TV has had no off button since 1984
You are tuned to the CNN evening news &
A report comes on that makes you sit up,
Snap to attention, straight up and take notice:
"WOMAN CUTS OFF HUSBAND'S *****!"
The media shrikes in Atlanta have your attention now,
Your complete attention;
Your eyes are riveted to the telescreen &
Your blood pressure spiking at 240 over 140.
During the previous night of June 23, 1993,
John Wayne Bobbitt arrives at the
Couple's apartment in Manassas, Virginia,
Highly intoxicated after a night of partying.
According to testimony given by Lorena Bobbitt
In a 1994 court hearing, he then rapes her.
Afterwards, Lorena Bobbitt gets out of bed,
Goes to the kitchen for a drink of water.
According to a journal article in the
National Women's Justice & Defense
League of Psychotic Castrating *******,
While in the kitchen she notices,
A carving knife on the counter & "memories of
Past domestic abuse races through her head."
Grabbing the knife, Lorena Bobbitt enters the bedroom
Where John is sleeping & proceeds to
Cut off nearly half his *****,
Half his Johnson,
In this instance aptly named.
So you have some schnook who’s named
After the iconic Hollywood superstar John Wayne . . .
Now understand something, John Wayne—
The ******* Duke of Earl--
Personifies everything alpha male:
Physique, animal magnetism & a pair of
Huge ***** swinging in his chaps as
He sashays across the screen.
In real life he’s a bullfight & cigar aficionado,
A big game hunter and sport fisherman, &
A hard drinking Hemingway hero
Who spends most of his time aboard
A customized WWII U.S. mine sweeper
******* to a pier behind his house in
Newport Harbor, California.
He’s the proverbial man’s man, &
There’s no one like him in America
Until maybe Eastwood or Willis comes along.
There’s a statue of him out in front of
The Orange County Airport that bears his name.
I have a photograph of him hanging in my garage
Next to a Mad-Dog 20-20 poster.
But I digress.
We return to the Bobbitt story because
It gets better, keeps getting crazier.
After assaulting her husband,
Lorena leaves the apartment with the severed *****,
Drives around aimlessly for a short while,
Then rolls down the car window &
Throws the ***** into a field.
Only then does the loony ***** realize
The severity of the incident.
She stops and calls 911.
After an exhaustive search by
Volunteers from the local Humane Society,
The ***** is located, packed in the ice-slurry of
A banana-flavored 7/11 Slurpee, &
Taken to the hospital where half-**** John Bobbitt
Gets a short-arm inspection and treated,
Mostly for shock and awe.
His ***** is later reattached by Drs. James T. Sehn &
David Berman during a nine-and-a-half-hour surgery
Filmed by Ken Burns and broadcast in its entirety by
WGBH Boston, a stunning illustration of
Your tax dollars hard at work
At the National Endowment for the Arts.
An abridged version later becomes the season premier of
"Girls Gone ******* ******, Manassas!"
Lorena goes on Oprah to explain herself.

Lorena Bobbitt ((née Gallo) was born in Ecuador.
Her maiden name, ironically,
Means **** in English.
Sheriff Joe Arpaio in Phoenix had this to say:
“Deport the *****. She may have an INS green card
But there’s no way she had a government permit to
Go around lopping ***** off in Virginia or any other state.
Who does she think she is, Janet Napolitano?”
Napolitano could not be reached for comment.
Shortly after the incident, episodes of "Bobbittmania,"
Or copycat crimes, were reported.
The name Lorena Bobbitt eventually became
Synonymous with ***** removal.
The terms "Bobbitt Punishment" and "Bobbitt Procedure" gained
Social cache with a radical break-away sect of N.O.W.
COPYCAT Catherine Kieu Becker, 48 (Garden Grove P.D.)  
Woman Accused of Cutting Off Husband's *****
Pleads Not Guilty/ VIDEO: Watch Jennifer Gould's Report
KTLA News   10:40 a.m. PST, February 3, 2012 /SANTA ANA, Calif.
"A 48-year-old woman accused of cutting off
Her husband's ***** and putting it
In the garbage disposal has pleaded
Not guilty to all the charges against her.
Catherine Kieu, of Garden Grove,
Was indicted earlier this month on
One felony count of torture &
One felony count of aggravated mayhem.
She also faces a sentencing enhancement for
Practicing surgical medicine without a license."
Sign up for KTLA 5 Breaking News Email Alerts
Comments (130) Add / View comments | Discussion FAQ
Happy627 at 10:35 PM January 18, 2012
"So my x-wife is a violent drunken *****?
Never once did I ever think of hurting her
But now I see I was wrong.
Vengeance's is the true answer & payback is hell.
So basically I should put an M-40
In her *** and light the fuse.
I should be acquitted from any wrong doing
Because she was a violent drunken *****.
Maybe all men should do this to their
Violent wives/girlfriends & teach them a lesson.
Cyanmanta at 1:10 AM January 11, 2012
In response to Doreen Meyer:
"So you're assuming that because he was the victim
He must have done something to deserve it
In some small way?
Typical of convenient feminism:
Assume all female victims are innocent &
Pure as driven snow,
While dismissing all male victims
With the idea that 'he had it coming.'
I wish I could pander shamelessly
To the media for preferential treatment,
But sadly, I am male (or as feminists would say)
The Evil Gender."
Westfield at 5:47 PM Jan.09, 2012
She should get her own show on the ***** channel.
(Bravo). KABC radio's John Phillips & his girlfriend
Nathan Baker would love to watch it."
Sluff it off, take a load off, baby.
Take a load off?
“Take a load off Annie,
Take a load for free;
Take a load off Annie, and
Bom bom bom bom
Bom be bom— & Dddddddddd,
You can put the load right on me.”
Send “The Weight” Ringtone to Your Cell

. . . Snipped, fixed, neutered, gelded,
Emasculated, eunuchized, or castrated?
(Castrating Forceps  (www.alibaba.com/
Showroom/castration-tool.html).
Bobbittized!
Johnny Zhivago Jun 2013
oh the average duke of sussex
he had 2000 soldiers
he marched them up to the top of the downs then rolled them down like boulders

and when they were here they were here
and when they were there they were there
and when they hit the barbed-wire fence they were neither here nor there

and when they were up they were up (in heaven)
and when they were down they were down (in hell)
and when they were only half way up
we called that life on earth
Vicki Kralapp Oct 2018
From my earliest remembrance,
to this hour I have maintained,
I've never been contented
with a life of the mundane.

I’ve sought to spend each day in life
in search of curious things,
like art and education,
and the richness that they bring.

I hope to write more poetry
and share my verse in print,
and with my use of written word,
paint art with shades and tints.

I’ve been to many distant lands,
but yet my heart implores,
I seek out farther mysteries,
our planet has in store.

But now my body slows me down,
like most as we grow old,
and though I try, oft I fall short,
of plans I can control.

So, to keep myself companion,
while I will myself to heal,
I’ve formed all my ambitions,
which one day I plan to reach.

Since I was just a little child
I dreamt of life abroad,
in Kenya with the Maasai tribe,
I’ve always been enthralled.

I've fancied a safari,
where the famous five are found,
a land where great giraffes stand tall,
against the setting sun.

But, it is the Land Down Under,
that is first among my plans,
and one day soon I’ll see the coast,
of Sydney once again.

My friends will come to greet me,
though a lifetime I’ve been gone,
and united we’ll share memories,
for the present and beyond.

I’ll go for walks amidst the bush,
and hear the magpie’s tunes,
I’ll stroll beside the ghostly gums;
with nature grow attuned.

I’ll tour along the Southern Coast,
drive past Apostles tall,
and see the sites of Melbourne fair,
with all its cultured draw.

Then off to Kiwi’s northern isle,
with nature’s beauty rare,
fulfilling dreams so long desired,
to glimpse the Mauri’s there.

Waitomo, with its glow worm caves,
and Rotorua’s pools,
with geysers, Eco thermal parks,
and Bay of Islands too.

As I make my way back to the states,
I’ll stop along the way,
to visit Fiji’s turquoise coast,
and snorkel time away.

I’ll learn about the culture,
and partake of Fiji’s fare,
and when I go, I hope to leave,
a part of my heart there.

The coast of California,
on my list of sites to see;
from the Wharf in San Francisco,
to the vineyards by the sea.

I dream of redwoods sure and tall:
the parks and smell of pines,
and stand amid the ancient firs,
lest they pass for all of time.

I plan to visit Florence,
where master artists roamed;
the heart of Tuscan Renaissance,
where da Vinci made his home.

I hope to cruise Amalfi’s coast,
with others at the helm,
to view the brilliance of the sights,
and others in the realm.

While in the South of Italy,
I’ll cross the briny foam,
and walk the hills in Athens,
where ancient Grecians roamed.

I dream of Amazonia,
where man has not destroyed,
and natives live within the wild,
with harmony employed.

The last one on my bucket list,
is one I’d left undone,
when first I made my maiden trip,
and I was twenty-one.

I’d hoped to see the Emerald Isle,
and England’s castles old,
Duke’s palaces and British Tate,
are marvels to behold.

I’ll drive the ring of Kerry,
and the magic Isle of Skye,
to see its Fairy Pools of hues,
and Highland’s brilliance sights.

The lush green grass of Glen Coe,
the Scottish hills await,
would be a lifelong dream fulfilled
when all my trials abate.

With this, my final dream fulfilled,
I see my list complete,
full circle with this Commonwealth,
my restless feet at peace.

But ‘til that time when I am healed,
and I can travel far,
I’ll dream of lands beyond my reach,
and one day touch the stars.
All poems are copy written and sole property of Vicki Kralapp.
Robin Carretti Jul 2018
Walking and saying
Things our wellbeing
The soul needing love possessions
Have absolutely no meaning

Playing and praying
Overstaying and Under-paying
Rising sun and Symphonic searching

" Is this the way it is?" Tis the season

But the tightness no business like
searching business
  She is combined and mixed like a song
fully lined both with keynotes somehow
we declined
The feeling that you cannot breathe
or  trust both of us
 we can  bearly **** it all in
My music playing just click my belt buckle
Will start to begin

The soul is not a crime or just a rhyme
I barely cannot breathe
I am in a chuckle, you see his
smile raising up his dimple

Ms. Thumbelina cobblestone
narrow-minded street your
in the tightrope symphonic beat

But its dark outside your ringlets
Waved him on got excitedly mesmerized
His Goblet of wine she curls up in
his body heat brilliantly dazzled
The sky to your dreams he is
reaching your
soft side skin
whats actually within
our souls

So  hooked into your ride not to slide
better grades and goals
The awesomeness symphonic hatter
Victorian divineness
Her paper cut out hearts as real
as they come
The Eastside Symphonic tip of his
Heavenly Bliss private Quarters
What becomes of the broken hearted
Heads or dimes not landing on her stone
Floor heart
The Duke of all trades of the hat he's smart

Cool running ******
Addictions to the mind so fanatic
What a good soul sometimes
He overexaggerates about
love and fate darkness drives him demonic
What are you kidding me
She doesn't rest her heart on his
soul for the burning desires of food
for thought
She keeps piling his poems like any sport
He's her everything she learns to be taught

Searching lips pricing
Red bloodshot eyes of crying onions
She is so fierce controlling
Musically like a Tiger roaring
He is like a design of graphics tattoo
The earring piecing the sweetest taboo

More soul searching
She's the snake purse
to his snake eyes fancy,
he took a ride
Upper-false teeth
The upper west side
have some prideThe dark side
became her thing
The wildflower not to stand to
bloom and bang like her band

Westside sounds came deep
his pride and joy like a parade
and wickedly dark his charade

It was  sneaking up on her backside
And the other side was just hiding
and smiling
She definitely saw the light lamp post how
the smells came stronger the darkness of desire
she was famished not to have vanished

Feeling like a *** roast love continued
She had a gift for her lover, not the
toast who would brag to boost
Two ****** British what
divine glasses at a cost
The symphonic soul
captured them like the
Dark-Knight of words
Symphonic sounds came
hearing names
soulful hummingbirds buzz-net

And there weren't any more
words there was silence
Eating shepherds pie table was set

Taking over another soul that's a lie
just like magic searching for a love
so long ago became tragic
You need more perseverance
Her true love gave her
an incredible sixth sense
of deliverance
The top seat at the concert
classical wicked taste of music
candescent erotically sonic

She had this certain quality
He was a symphonic love bounty
Her lips moved so fitting fantastically
The flower shops caught her eye
She couldn't sense what was real or a lie
The fast pace of the people all worked up.
What a soulful smell music sounds
she faintly known

To her ear wanted to hear only him shown

Besides the faintly illuminated
shapes evergreens were
heartily trimmed
She stood out bright as the ground
She was turning gray losing reality
not to be found or heard
So soulful her lips speak
she was walking with her head up
in the air fancy dancey
How those men could speak.
You could smell all the ethnic
flavors of foods
She felt the search for something
of a Saint, she was trying to
hard to be good
What a Haydn, his wife
was the mad hair driving

Miss Daisy soul of hers crazy curled
inside her book
She's the lady-like curler
How he played through her hair
Hunchback of Notre Dame who was to blame?
How his eyes wondered playing
and observing
But she was holding his stare

like a womanizer and his eyes flew
what a haunting moon
But Samatha the harp shady tree
He said, my fair lady,
He's stringing something together

What! creepypasta but sometimes her powers were weak
The symphonic love potent every other week

Some Gothic man symphonic music started
Playing Rossini Opera he could stand on his head.
She was pinned to his eyes
Pinterest such interest
she was all bloomed like a fly

By witches, flower came he passed her and he knew exactly who she was as is but wait not his?
The pleading the beg humbug far from her tunes of the ladybug

Razzamatazz all body of Jazz jitterbug
He winked she-devil
summoned him on
What a binding spell
She wiped the sweat off her face
She was beautiful with pale
porcelain skin
So alluring walking
with her parasol
This is my darkness of a read I hope you enjoy flowers even if they perk you up if they are the darkness stay alive to bloom there will always be a flower like you
An evening all aglow with summer light
And autumn colour—fairest of the year.

The wheat-fields, crowned with shocks of tawny gold,
All interspersed with rough sowthistle roots,
And interlaced with white convolvulus,
Lay, flecked with purple shadows, in the sun.
The shouts of little children, gleaning there
The scattered ears and wild blue-bottle flowers—
Mixed with the corn-crake's crying, and the song
Of lone wood birds whose mother-cares were o'er,
And with the whispering rustle of red leaves—
Scarce stirred the stillness. And the gossamer sheen
Was spread on upland meadows, silver bright
In low red sunshine and soft kissing wind—
Showing where angels in the night had trailed
Their garments on the turf. Tall arrow-heads,
With flag and rush and fringing grasses, dropped
Their seeds and blossoms in the sleepy pool.
The water-lily lay on her green leaf,
White, fair, and stately; while an amorous branch
Of silver willow, drooping in the stream,
Sent soft, low-babbling ripples towards her:
And oh, the woods!—erst haunted with the song
Of nightingales and tender coo of doves—
They stood all flushed and kindling 'neath the touch
Of death—kind death!—fair, fond, reluctant death!—
A dappled mass of glory!
Harvest-time;
With russet wood-fruit thick upon the ground,
'Mid crumpled ferns and delicate blue harebells.
The orchard-apples rolled in seedy grass—
Apples of gold, and violet-velvet plums;
And all the tangled hedgerows bore a crop
Of scarlet hips, blue sloes, and blackberries,
And orange clusters of the mountain ash.
The crimson fungus and soft mosses clung
To old decaying trunks; the summer bine
Drooped, shivering, in the glossy ivy's grasp.
By day the blue air bore upon its wings
Wide-wandering seeds, pale drifts of thistle-down;
By night the fog crept low upon the earth,
All white and cool, and calmed its feverishness,
And veiled it over with a veil of tears.

The curlew and the plover were come back
To still, bleak shores; the little summer birds
Were gone—to Persian gardens, and the groves
Of Greece and Italy, and the palmy lands.

A Norman tower, with moss and lichen clothed,
Wherein old bells, on old worm-eaten frames
And rusty wheels, had swung for centuries,
Chiming the same soft chime—the lullaby
Of cradled rooks and blinking bats and owls;
Setting the same sweet tune, from year to year,
For generations of true hearts to sing.
A wide churchyard, with grassy slopes and nooks,
And shady corners and meandering paths;
With glimpses of dim windows and grey walls
Just caught at here and there amongst the green
Of flowering shrubs and sweet lime-avenues.
An old house standing near—a parsonage-house—
With broad thatched roof and overhanging eaves,
O'errun with banksia roses,—a low house,
With ivied windows and a latticed porch,
Shut in a tiny Paradise, all sweet
With hum of bees and scent of mignonette.

We lay our lazy length upon the grass
In that same Paradise, my friend and I.
And, as we lay, we talked of college days—
Wild, racing, hunting, steeple-chasing days;
Of river reaches, fishing-grounds, and weirs,
Bats, gloves, debates, and in-humanities:
And then of boon-companions of those days,
How lost and scattered, married, changed, and dead;
Until he flung his arm across his face,
And feigned to slumber.
He was changed, my friend;
Not like the man—the leader of his set—
The favourite of the college—that I knew.
And more than time had changed him. He had been
“A little wild,” the Lady Alice said;
“A little gay, as all young men will be
At first, before they settle down to life—
While they have money, health, and no restraint,
Nor any work to do,” Ah, yes! But this
Was mystery unexplained—that he was sad
And still and thoughtful, like an aged man;
And scarcely thirty. With a winsome flash,
The old bright heart would shine out here and there;
But aye to be o'ershadowed and hushed down,

As he had hushed it now.
His dog lay near,
With long, sharp muzzle resting on his paws,
And wistful eyes, half shut,—but watching him;
A deerhound of illustrious race, all grey
And grizzled, with soft, wrinkled, velvet ears;
A gaunt, gigantic, wolfish-looking brute,
And worth his weight in gold.
“There, there,” said he,
And raised him on his elbow, “you have looked
Enough at me; now look at some one else.”

“You could not see him, surely, with your arm
Across your face?”
“No, but I felt his eyes;
They are such sharp, wise eyes—persistent eyes—
Perpetually reproachful. Look at them;
Had ever dog such eyes?”
“Oh yes,” I thought;
But, wondering, turned my talk upon his breed.
And was he of the famed Glengarry stock?
And in what season was he entered? Where,
Pray, did he pick him up?
He moved himself
At that last question, with a little writhe
Of sudden pain or restlessness; and sighed.
And then he slowly rose, pushed back the hair
From his broad brows; and, whistling softly, said,
“Come here, old dog, and we will tell him. Come.”

“On such a day, and such a time, as this,
Old Tom and I were stalking on the hills,
Near seven years ago. Bad luck was ours;
For we had searched up corrie, glen, and burn,
From earliest daybreak—wading to the waist
Peat-rift and purple heather—all in vain!
We struck a track nigh every hour, to lose
A noble quarry by ignoble chance—
The crowing of a grouse-****, or the flight
Of startled mallards from a reedy pool,
Or subtle, hair's breadth veering of the wind.
And now 'twas waning sunset—rosy soft

On far grey peaks, and the green valley spread
Beneath us. We had climbed a ridge, and lay
Debating in low whispers of our plans
For night and morning. Golden eagles sailed
Above our heads; the wild ducks swam about

Amid the reeds and rushes of the pools;
A lonely heron stood on one long leg
In shallow water, watching for a meal;
And there, to windward, couching in the grass
That fringed the blue edge of a sleeping loch—
Waiting for dusk to feed and drink—there lay
A herd of deer.
“And as we looked and planned,
A mountain storm of sweeping mist and rain
Came down upon us. It passed by, and left
The burnies swollen that we had to cross;
And left us barely light enough to see
The broad, black, branching antlers, clustering still
Amid the long grass in the valley.

“‘Sir,’
Said Tom, ‘there is a shealing down below,
To leeward. We might bivouac there to-night,
And come again at dawn.’
“And so we crept
Adown the glen, and stumbled in the dark
Against the doorway of the keeper's home,
And over two big deerhounds—ancestors
Of this our old companion. There was light
And warmth, a welcome and a heather bed,
At Colin's cottage; with a meal of eggs
And fresh trout, broiled by dainty little hands,
And sweetest milk and oatcake. There were songs
And Gaelic legends, and long talk of deer—
Mixt with a sweet, low laughter, and the whir
Of spinning-wheel.
“The dogs lay at her feet—
The feet of Colin's daughter—with their soft
Dark velvet ears pricked up for every sound
And movement that she made. Right royal brutes,
Whereon I gazed with envy.
“ ‘What,’ I asked,
‘Would Colin take for these?’
“ ‘Eh, sir,’ said he,
And shook his head, ‘I cannot sell the dogs.
They're priceless, they, and—Jeanie's favourites.
But there's a litter in the shed—five pups,
As like as peas to this one. You may choose
Amongst them, sir—take any that you like.
Get us the lantern, Jeanie. You shall show
The gentleman.’
“Ah, she was fair, that girl!

Not like the other lassies—cottage folk;
For there was subtle trace of gentle blood
Through all her beauty and in all her ways.
(The mother's race was ‘poor and proud,’ they said).
Ay, she was fair, my darling! with her shy,
Brown, innocent face and delicate-shapen limbs.
She had the tenderest mouth you ever saw,
And grey, dark eyes, and broad, straight-pencill'd brows;
Dark hair, sun-dappled with a sheeny gold;
Dark chestnut braids that knotted up the light,
As soft as satin. You could scarcely hear
Her step, or hear the rustling of her gown,
Or the soft hovering motion of her hands
At household work. She seemed to bring a spell
Of tender calm and silence where she came.
You felt her presence—and not by its stir,
But by its restfulness. She was a sight
To be remembered—standing in the straw;
A sleepy pup soft-cradled in her arms
Like any Christian baby; standing still,
The while I handled his ungainly limbs.
And Colin blustered of the sport—of hounds,
Roe, ptarmigan, and trout, and ducal deer—
Ne'er lifting up that sweet, unconscious face,
To see why I was silent. Oh, I would
You could have seen her then. She was so fair,
And oh, so young!—scarce seventeen at most—
So ignorant and so young!
“Tell them, my friend—
Your flock—the restless-hearted—they who scorn
The ordered fashion fitted to our race,
And scoff at laws they may not understand—
Tell them that they are fools. They cannot mate
With other than their kind, but woe will come
In some shape—mostly shame, but always grief
And disappointment. Ah, my love! my love!
But she was different from the common sort;
A peasant, ignorant, simple, undefiled;
The child of rugged peasant-parents, taught
In all their thoughts and ways; yet with that touch
Of tender grace about her, softening all
The rougher evidence of her lowly state—
That undefined, unconscious dignity—
That delicate instinct for the reading right
The riddles of less simple minds than hers—
That sharper, finer, subtler sense of life—
That something which does not possess a name,

Which made her beauty beautiful to me—
The long-lost legacy of forgotten knights.

“I chose amongst the five fat creeping things
This rare old dog. And Jeanie promised kind
And gentle nurture for its infant days;
And promised she would keep it till I came
Another year. And so we went to rest.
And in the morning, ere the sun was up,
We left our rifles, and went out to run
The browsing red-deer with old Colin's hounds.
Through glen and bog, through brawling mountain streams,
Grey, lichened boulders, furze, and juniper,
And purple wilderness of moor, we toiled,
Ere yet the distant snow-peak was alight.
We chased a hart to water; saw him stand
At bay, with sweeping antlers, in the burn.
His large, wild, wistful eyes despairingly
Turned to the deeper eddies; and we saw
The choking struggle and the bitter end,
And cut his gallant throat upon the grass,
And left him. Then we followed a fresh track—
A dozen tracks—and hunted till the noon;
Shot cormorants and wild cats in the cliffs,
And snipe and blackcock on the ferny hills;
And set our floating night-lines at the loch;—
And then came back to Jeanie.
“Well, you know
What follows such commencement:—how I found
The woods and corries round about her home
Fruitful of roe and red-deer; how I found
The grouse lay thickest on adjacent moors;
Discovered ptarmigan on rocky peaks,
And rare small game on birch-besprinkled hills,
O'ershadowing that rude shealing; how the pools
Were full of wild-fowl, and the loch of trout;
How vermin harboured in the underwood,
And rocks, and reedy marshes; how I found
The sport aye best in this charmed neighbourhood.
And then I e'en must wander to the door,
To leave a bird for Colin, or to ask
A lodging for some stormy night, or see
How fared my infant deerhound.
“And I saw
The creeping dawn unfolding; saw the doubt,
And faith, and longing swaying her sweet heart;
And every flow just distancing the ebb.

I saw her try to bar the golden gates
Whence love demanded egress,—calm her eyes,
And still the tender, sensitive, tell-tale lips,
And steal away to corners; saw her face
Grow graver and more wistful, day by day;
And felt the gradual strengthening of my hold.
I did not stay to think of it—to ask
What I was doing!
“In the early time,
She used to slip away to household work
When I was there, and would not talk to me;
But when I came not, she would climb the glen
In secret, and look out, with shaded brow,
Across the valley. Ay, I caught her once—
Like some young helpless doe, amongst the fern—
I caught her, and I kissed her mouth and eyes;
And with those kisses signed and sealed our fate
For evermore. Then came our happy days—
The bright, brief, shining days without a cloud!
In ferny hollows and deep, rustling woods,
That shut us in and shut out all the world—
The far, forgotten world—we met, and kissed,
And parted, silent, in the balmy dusk.
We haunted still roe-coverts, hand in hand,
And murmured, under our breath, of love and faith,
And swore great oaths for one of us to keep.
We sat for hours, with sealèd lips, and heard
The crossbill chattering in the larches—heard
The sweet wind whispering as it passed us by—
And heard our own hearts' music in the hush.
Ah, blessed days! ah, happy, innocent days!—
I would I had them back.
“Then came the Duke,
And Lady Alice, with her worldly grace
And artificial beauty—with the gleam
Of jewels, and the dainty shine of silk,
And perfumed softness of white lace and lawn;
With all the glamour of her courtly ways,
Her talk of art and fashion, and the world
We both belonged to. Ah, she hardened me!
I lost the sweetness of the heathery moors
And hills and quiet woodlands, in that scent
Of London clubs and royal drawing-rooms;
I lost the tender chivalry of my love,
The keen sense of its sacredness, the clear
Perception of mine honour, by degrees,
Brought face to face with customs of my kind.

I was no more a “man;” nor she, my love,
A delicate lily of womanhood—ah, no!
I was the heir of an illustrious house,
And she a simple, homespun cottage-girl.

“And now I stole at rarer intervals
To those dim trysting woods; and when I came
I brought my cunning worldly wisdom—talked
Of empty forms and marriages in heaven—
To stain that simple soul, God pardon me!
And she would shiver in the stillness, scared
And shocked, with her pathetic eyes—aye proof
Against the fatal, false philosophy.
But my will was the strongest, and my love
The weakest; and she knew it.
“Well, well, well,
I need not talk of that. There came the day
Of our last parting in the ferny glen—
A bitter parting, parting from my life,
Its light and peace for ever! And I turned
To ***** and billiards, politics and wine;
Was wooed by Lady Alice, and half won;
And passed a feverous winter in the world.
Ah, do not frown! You do not understand.
You never knew that hopeless thirst for peace—
That gnawing hunger, gnawing at your life;
The passion, born too late! I tell you, friend,
The ruth, and love, and longing for my child,
It broke my heart at last.
“In the hot days
Of August, I went back; I went alone.
And on old garrulous Margery—relict she
Of some departed seneschal—I rained
My eager questions. ‘Had the poaching been
As ruinous and as audacious as of old?
Were the dogs well? and had she felt the heat?
And—I supposed the keeper, Colin, still
Was somewhere on the place?’
“ ‘Nay, sir,’; said she,
‘But he has left the neighbourhood. He ne'er
Has held his head up since he lost his child,
Poor soul, a month ago.’
“I heard—I heard!
His child—he had but one—my little one,
Whom I had meant to marry in a week!

“ ‘Ah, sir, she turned out badly after all,
The girl we thought a pattern for all girls.
We know not how it happened, for she named
No names. And, sir, it preyed upon her mind,
And weakened it; and she forgot us all,
And seemed as one aye walking in her sleep
She noticed no one—no one but the dog,
A young deerhound that followed her about;
Though him she hugged and kissed in a strange way
When none was by. And Colin, he was hard
Upon the girl; and when she sat so still,
And pale and passive, while he raved and stormed,
Looking beyond him, as it were, he grew
The harder and more harsh. He did not know
That she was not herself. Men are so blind!
But when he saw her floating in the loch,
The moonlight on her face, and her long hair
All tangled in the rushes; saw the hound
Whining and crying, tugging at her plaid—
Ah, sir, it was a death-stroke!’
“This was all.
This was the end of her sweet life—the end
Of all worth having of mine own! At night
I crept across the moors to find her grave,
And kiss the wet earth covering it—and found
The deerhound lying there asleep. Ay me!
It was the bitterest darkness,—nevermore
To break out into dawn and day again!

“And Lady Alice shakes her dainty head,
Lifts her arch eyebrows, smiles, and whispers, “Once
He was a little wild!’ ”
With that he laughed;
Then suddenly flung his face upon the grass,
Crying, “Leave me for a little—let me be!”
And in the dusky stillness hugged his woe,
And wept away his pas

— The End —