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"coalesces" poems
THE SAXOPHONE STORY BY RAJ NANDY The Saxophone is perhaps the most expressive instrument next to the human voice. Was made by Adolphe Sax, a Belgian, through a deliberate choice! He wanted to offset the tonal disparity, - Between the string, wind, and brass instruments, with musical clarity ! He felt that the strings ones were overpowered by the wind instruments. While the wind instruments got overblown by the brass ones instead ! Now what would happen if the best qualities of these three instruments types, Could in a fusion blend and coalesces into a single instrument type ? So finally at the age of 20 years, in March Eighteen Hundred and Thirty Four, Adolphe Sax created a magical instrument for the World to hear and adore! It had the power of the brass, the flexibility of the strings, and the woodwind’s variety and tone; Which got christened after Adolphe Sax as the SAXOPHONE ! Adolphe’s famous composer friend Hector Berlioz in Paris City, Gave this new instrument wide publicity! In 1844 the Sax was presented in the Industrial Exhibition at Paris; And subsequently got patented on 20 March 1846. It soon got adopted by the Bands of the French Army. Making other instrument makers to become green with envy! The Sax was 80 years old when it became part of the musical instruments of the Jazz Band. A small bore mouth piece was created to suite the varying tonal qualities required by Jazz. Initially, 14 different sizes of Sax was created by Adolphe. Today only five types are in use for us to hear and see; The Soprano, Alto, Tenor, Bass and the Baritone Saxophone. They now form a part of our Jazz music's backbone! - By Raj Nandy FOOT NOTES : Adolphe Sax (1814-1894) , son of famous musical instrument maker Charles Joseph Sax of Belgium. Woodwind Instruments = Flute, Clarinet, Bassoon etc. Brass Instruments = Trumpet, Tuba, Cornet etc. String Instruments = Violin, Guitar, Harp, Banjo etc. The Saxophone today has become the very backbone of Jazz Music! ** ALL COPY RIGHTS ARE RESERVED BY: - RAJ NANDY **
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Apr 10, 2016
Apr 10, 2016 at 11:06 AM UTC
THE SAXOPHONE STORY
THE SAXOPHONE STORY BY RAJ NANDY The Saxophone is perhaps the most expressive instrument next to the human voice. Was made by Adolphe Sax, a Belgian, through a deliberate choice! He wanted to offset the tonal disparity, - Between the string, wind, and brass instruments, with musical clarity ! He felt that the strings ones were overpowered by the wind instruments. While the wind instruments got overblown by the brass ones instead ! Now what would happen if the best qualities of these three instruments types, Could in a fusion blend and coalesces into a single instrument type ? So finally at the age of 20 years, in March Eighteen Hundred and Thirty Four, Adolphe Sax created a magical instrument for the World to hear and adore! It had the power of the brass, the flexibility of the strings, and the woodwind’s variety and tone; Which got christened after Adolphe Sax as the SAXOPHONE ! Adolphe’s famous composer friend Hector Berlioz in Paris City, Gave this new instrument wide publicity! In 1844 the Sax was presented in the Industrial Exhibition at Paris; And subsequently got patented on 20 March 1846. It soon got adopted by the Bands of the French Army. Making other instrument makers to become green with envy! The Sax was 80 years old when it became part of the musical instruments of the Jazz Band. A small bore mouth piece was created to suite the varying tonal qualities required by Jazz. Initially, 14 different sizes of Sax was created by Adolphe. Today only five types are in use for us to hear and see; The Soprano, Alto, Tenor, Bass and the Baritone Saxophone. They now form a part of our Jazz music's backbone! - By Raj Nandy FOOT NOTES : Adolphe Sax (1814-1894) , son of famous musical instrument maker Charles Joseph Sax of Belgium. Woodwind Instruments = Flute, Clarinet, Bassoon etc. Brass Instruments = Trumpet, Tuba, Cornet etc. String Instruments = Violin, Guitar, Harp, Banjo etc. The Saxophone today has become the very backbone of Jazz Music! ** ALL COPY RIGHTS ARE RESERVED BY: - RAJ NANDY **
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50
Why do poets and photographers love fleeting things? Angled shafts of sunlight piercing a mass of clouds. A rainbow flashing from dragonfly wings. Water drops beading like shards of glass. The fluttering shape of a sycamore’s shade. The sun sinking into its reflection In a purple bay.  Smoke’s shadow. The rayed Curve of a finger reaching for perfection. Whatever churns, bursts, rocks, flies, Foams, flickers, roils, evades In pigments of impermanent dyes We try to fix before it fades Once I mourned the endless dying   Of here and now, the present always past Elegized each moment, sighing Beauty is loss and can never last. But now I think I had it wrong.  In fact (I learned this from an artist’s eye) Fleeting beauty reappears faster than we react, At the speed of a daydream flashing by. All around, light coalesces into form, Form explodes into light, And we live lavishly inside this storm If we can learn to see it right. Beauty multiplies, tapering, swelling: Reshaping, reforming, now familiar, now strange. This gaudy blur in which we’re dwelling Is the permanence of change.
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Jul 26, 2015
Jul 26, 2015 at 8:32 AM UTC
Fleeting Things
An amorphous cave hides behind a cascading flow of crystalline blue, sparkling and shining like radiant glass. Inside the incandescent cave, an effervescent and ephemeral scent of dulcet cinnamon coalesces into the air of the inside of this seemingly halcyon cave. The feelings, the emotions, the sights, all too inexorable in it's ineffable reality. It calls out, with it's mellifluous and beautiful, languid and sirenic voice, incandescent with epiphany, "Come child of man, meet me, greet me, welcome me, me as the idyllic felicity some dare to even dream of, and then let me embrace you and enrapture you and encompass you in my incorporeal and frozen, evanescent tranquility." This ephemeral and serene cave now even murmurs and sings a tranquil symphony suffused with rhapsodic zeniths. It... It truly was ephemeral... A horrible shriek, a shrill and a repulsive and repugnant and rancid smell. A decrepit cacophony of hollow, anguished wailing and screaming. Pain at my soul, and a harsh, hoarse and coarse voice filled with slaughter and cataclysm. A grotesque, hirsute maladroit leech, visceral and shunned from everything and everyone, even the Earth itself...
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Sep 11, 2015
Sep 11, 2015 at 12:55 PM UTC
The Ephemeral-Epiphany Cave Of Traps
Mirrored silver tag me blue reflective sky widgeon, merganser blithely sail broken ripples foretelling storm raucous cawing crows assemble anxious ducks explode airborne duly warned silent drone fateful wraith Eagle glides over the settling surface razor eyes seeking the meek the weak fleeing flock coalesces white bellies exposed to the sun banking hard return to serenity certain death deferred in nature alliances are clear predator prey vigilantly warning relentlessly defending Shrieking crow-beleaguered Eagle retreats no match for those united against him
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Feb 6, 2017
Feb 6, 2017 at 9:43 AM UTC
Flock
In dire straights the human being's collective conscience    coalesces    compassion. Always to create in those moments nothing short of miracles.
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May 3, 2016
May 3, 2016 at 8:28 AM UTC
Powerful Miracles
i belong to the daybreak when humans with sleepy eyes and mousy morning hearts are brave enough to face the scarily mundane world once again. i belong to nature to the hidden wonders of the world there's unknown modern hanging gardens of babylon and the secret sanctuaries where the teenagers of the megalopolis go to rest. i belong to the ocean in the deepest trenches no man has seen where it is quiet and still and darkness reigns supreme. i belong to outer space in the galaxies who are strangers we'd like to know there's dark matter that swirls space dust coalesces and stars are born to die all over again. i belong to the rain when the sky cries and the typhoons turn to drizzle the water runs through empty houses and thrift stores in the gutters and on and on, to underground, to God knows where. i belong to the night to the time when the busiest people submit to slumber but a few who are not bothered by lightyears sit by their windowsills to watch the stars. *i belong to the world and the world belongs to me.*
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Jul 11, 2016
Jul 11, 2016 at 9:31 PM UTC
I Belong
Silence At first a void Then sudden burst of energy Forces collide Atoms split and divide From nothing comes forth something Radiance breaking free of abyss Hot gaseous ball coalesces then cools To form a planetary sphere Which orbits a citrus giant Giving off golden light And warming touch To embrace a world And allow the basis for life All this by chance and happenstance? All complexity born from Random motion and chaos? How vast and unnumbered The twinkle in the heavens Yet all alone? Oh I gaze up at yonder skies And marvel at wonders My eyes have never known
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Mar 28, 2017
Mar 28, 2017 at 8:35 PM UTC
The Beginning
The yucca plant from my mother’s garden sits unattended and on the verge of death next to her eldest rose bush, now wildly overgrown and lightly blushing in the cosset of the midmourning sun.  Its withered rosettes droop down to its bed of maroon-stained stones in crisp, harum-scarum patterns as if the plant is spending its life like currency trying to touch its toes.  I oftentimes find myself wondering if the reason behind this slow rotting of mother dearest’s garden is hidden within her five-year absence.  If I didn’t know any better, I’d say her nursery missed the d                                               i                                                  g                                                      g                                                         i                                                             n                                                                 g of her weathered hands. She was the biosphere of my world; I suppose that it only makes sense for the earth to match my thirst.  We sit side by side, that yucca plant and I, as we struggle to nod our heads towards daylight while we rise on the side of the house that is more or less cloaked in shadow; the side that she would sunbathe on during scorching late afternoons.  Perhaps without her body giving shelter, all her garden is doomed to atrophy like muscle in the sunlight. I find irony in the way that my mother’s favored plant was the “ghost in the graveyard;” a perverted parallel to the game that she never wanted us to play.  I think it to be sort of sardonic that her pride swallowed the possibility of a cure being found within that ****** plant’s roots. She, a third generation American girl, had blood as muddled as the mud that buried that yucca’s heart. The boundary line between Mother and nature coalesces into one: Gaea six feet under melting into soil I hope she becomes seawater.
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Apr 5, 2014
Apr 5, 2014 at 1:41 AM UTC
Floristics
The yucca plant from my mother’s garden sits unattended and on the verge of death next to her eldest rose bush, now wildly overgrown and lightly blushing in the cosset of the midmourning sun.  Its withered rosettes droop down to its bed of maroon-stained stones in crisp, harum-scarum patterns as if the plant is spending its life like currency trying to touch its toes.  I oftentimes find myself wondering if the reason behind this slow rotting of mother dearest’s garden is hidden within her five-year absence.  If I didn’t know any better, I’d say her nursery missed the d                                               i                                                  g                                                      g                                                         i                                                             n                                                                 g of her weathered hands. She was the biosphere of my world; I suppose that it only makes sense for the earth to match my thirst.  We sit side by side, that yucca plant and I, as we struggle to nod our heads towards daylight while we rise on the side of the house that is more or less cloaked in shadow; the side that she would sunbathe on during scorching late afternoons.  Perhaps without her body giving shelter, all her garden is doomed to atrophy like muscle in the sunlight. I find irony in the way that my mother’s favored plant was the “ghost in the graveyard;” a perverted parallel to the game that she never wanted us to play.  I think it to be sort of sardonic that her pride swallowed the possibility of a cure being found within that ****** plant’s roots. She, a third generation American girl, had blood as muddled as the mud that buried that yucca’s heart. The boundary line between Mother and nature coalesces into one: Gaea six feet under melting into soil I hope she becomes seawater.
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41
My brow furrowed as she read my palm and whispered of growing interest. "What?" I asked; I had my qualms about the foretelling of a future I haven't decided to live. But I smell the darkness in the incense. I trace the tendrils of the incense with forehead firmly within my palm. The streets below are live with persons of little interest, hustling toward a fuller future. Renew me, my qualms. Not that I had qualms, banana-flavored incense replacing patois in my future. The lurid waves slide over my palm. instill a touch of colder interest. With each sandy step, I live. And as the water fills my shoes, I live. When I quietly lose interest the ocean shows it too has qualms. The brine coalesces like incense as my nails dig into the skin of my palm. For I seek a better future than the unforgiving future that chose not to live. The salt stings the holes in my palm and instantly I have no qualms, just a lingering fleck of incense arousing mild interest. The ocean betrayed not the slightest interest being the shepherd of my future. Rivulets of water became the incense That I would breathe to live. Instinct expressed fervent qualms, as I pressed my mouth with my open palm. It was the incense in which I held the most interest. Her finger traced my palm, mumbling of a better future ahead for me to live, free from petty qualms.
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Nov 25, 2010
Nov 25, 2010 at 1:17 AM UTC
Oceanic Crossing
This isn't the remedial rhythm your grandfather told you he listened to when he was a lad This rhythm is the sole possessor of unfathomable depths A melodic perception of what awaits at the steps of cognitive pools Each bubble coalesces at the apex and pops with a reckless flush Liquifed sound scatters and turns to dust You can hear it on your skin It's slight But you can almost decipher what that muse was mouthing before you took the dive Warning: Contents under forever Sand does not absorb these notes Infinitesimal grime only shocks and provokes Until the boiling point is reached The clock will strike half past infinity before you can even see Your reflection's hymn ripple across the well of eternity
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Nov 7, 2012
Nov 7, 2012 at 5:15 AM UTC
Paths: Futurebound
I feel the curve of your palm Like a phantom ache, And know that this impression Has permanence. Pondering the dust devils In mid-fall Your presence coalesces Like those phenomenal vortexes That spring up unexpectedly Swirling pieces of a world That is slowly falling Asleep. Snowflakes drifted in winter Occasionally catching mates To dance to earth with, And alone I traced And remembered patterns in the ice With initials scrawled. The world was a contradiction Of flowers and ice And I marveled at the strength it takes For a tiny seedling To briefly break through the Weight of the World. One more glimpse, One more chance, when the sun bathes the earth And children robed like a flock of crows Take a stretch of paper Relinquishing them To the real world. One more moment to see How the span of seasons Can change everything And nothing.
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Apr 11, 2016
Apr 11, 2016 at 8:29 AM UTC
The Seasons Changed Everything. And Nothing.
The moment when time coalesces When every futile aspiration succumbs And fragility becomes the armour of the arrogant When scars are beautiful without a lens And angels are able to stop crying themselves to sleep
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Jun 16, 2013
Jun 16, 2013 at 8:48 AM UTC
The End
chill in the stars and the brightness in the air cloudy skies clouded vision cluttered thoughts and inhibition surrendered to the ascetic force guiding my shaking hand to-and-from the ashtray & in the smoke and the doubt mind and soul became one rationality resists fantasy but coalesces into lust and on this night so black and white You stood; serene and from a dream casting over every ray of light You lovely merciless enamoring thing
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Oct 7, 2013
Oct 7, 2013 at 5:31 AM UTC
greyarea
Can't we choose the air that coalesces with our blood? Can't we decide the only time to let our lids shut and unlock? Can't we pick the only lumps we want to sprout from our structures? Can't we select the parts we would rather have blemished? Can't we prohibit the leaky drops of saline our eyes secrete? Or forbid our visage from exposing an out of control kaleidoscope? Can't we stop our pumps from thrashing and throbbing and telling on us? As well as command our malfunctioning extremities to quit giving away our state? Can't we instead just bring out our insides without dissecting the outside? Can't we just emit what we mean to sound off by just lip-syncing? Can't we really do anything without a swad of nerves tell us no? While having every stretch of muscle and vein say yes? Can't we just... Can't we really?
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Jun 1, 2013
Jun 1, 2013 at 4:37 PM UTC
Un-can-able
and when at last I rest I will forever hold the mystery of your life and love close to my heart of hearts at one with the universe and as I think of all the things I failed you with in so many ways remiss yet forgiven the bulwark of that state of bliss will be to know I loved you well not perfectly but well enough to be the deepest satisfaction of my life If such repose is as they say, eternal then eternally i will love you well and when time itself collapses and the universe, in a reverse big bang coalesces back into its birth my matter will rejoice because indeed the new physics does predict parallel infinite worlds that side by side coexist lucky me, reborn in an infinity of ways to infinitely love you once again.
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Jul 12, 2010
Jul 12, 2010 at 11:16 AM UTC
and when at last I rest
i let light trickle down: thoughts of a life i could stand to be less weary, to have some sweet smile, in the doorway, or on all sidewalks, or between the sheets. some sweet something, like you. finally, grasping an idea, a want; your gravity coalesces, in small bundles about me. i am inevitably drawn, in tightening circles, to the thought of my mounting resolve to give you all of the world, the skin of my lips, point eight litres of oxygen, all stars, all nights. and, so, i tie strings to your fingers, in dreams. i bide these two weeks, in hope.
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Jan 29, 2014
Jan 29, 2014 at 6:23 AM UTC
red
Would not then the Law of One be the Law of Love. No rules just nature within the infinite (I call it the deep and dark, dark referring to the unseen yet it is sentiently known and most readily embraced) deep dark sea of love from where all is sprung. Not only suggesting that all manifest is descended this way but more is available on the demand of our real needs. Yes love is responsive reactive willing in infinite facets this way!!! So I prefer to say love is all there is rather than love is all you need. I call the wild cards the X factor that is our individual willingness's which All are and is interdependent upon. Yet too I know this X factor is a fractal spawning too of loves nature to share All and so All feels for All when otherwise fragmented inwards into obscurity. Love is not obscurence of one another, love coalesces it's own essences. You know I invite All to tell the greatest story here by being bold in meekness. All love All, Ra!!!
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Sep 30, 2012
Sep 30, 2012 at 10:33 AM UTC
Un-one X'd
There were ripples of the sparkling stream. The crystalline water was mirroring the blue sky. That befriended with the sun’s wonderful beam. Beams of the dazzling looking golden eye. The background was overflowing with mountains. Mountains with snowcapped peaks, Their attainment of such exquisiteness is a real arcane. What is it above the sky that they seek? The eagles were gloating about their wings. O! How marvelous they were to glance upon! Thrushes flew above the river as they sing. Grazing on the grassland was a cluster of fawn. There I saw the elderly yet strong fisherman. Flinging his lure in an elegant technique. Attracting catfish and trout as much as he can, While sitting on the boulder beside the flowing creek. The loveliness of the lotus was luring me, Positioned silently on the cerulean water. The white arrowhead was charming as she could be, Her petals were diminutive as they always were. Far away, I saw a grandiose tall tower. Its peak was reaching for the high heavens. He stood there taking delight over his power, Amazed all travelers every now and then. The heavens above exposed a band of colors. Little time, after the floating dark skies cried. I then assumed that our life is filled with squalors. But don’t worry because later they are all bright. After the drizzle, dews sat calmly on the grasses. Scarcely and leisurely moving towards the ground, The sunlight coalesces with the dew with tender caress. How luxurious they looked wearing the golden crown! The children played alongside the river in pleasure. Girls were collecting flowers to make tiaras and garlands, While boys were skipping stones on the tranquil water Their little footprints placed themselves on the loose sands. And I was assembled comfortably on the greens. Beside flowed the river without paying any notice. It cleansed all of my hopelessness and spleen. Therefore I slept on the nature’s lap with internal peace…
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May 18, 2017
May 18, 2017 at 10:58 AM UTC
As the River Flowed
There were ripples of the sparkling stream. The crystalline water was mirroring the blue sky. That befriended with the sun’s wonderful beam. Beams of the dazzling looking golden eye. The background was overflowing with mountains. Mountains with snowcapped peaks, Their attainment of such exquisiteness is a real arcane. What is it above the sky that they seek? The eagles were gloating about their wings. O! How marvelous they were to glance upon! Thrushes flew above the river as they sing. Grazing on the grassland was a cluster of fawn. There I saw the elderly yet strong fisherman. Flinging his lure in an elegant technique. Attracting catfish and trout as much as he can, While sitting on the boulder beside the flowing creek. The loveliness of the lotus was luring me, Positioned silently on the cerulean water. The white arrowhead was charming as she could be, Her petals were diminutive as they always were. Far away, I saw a grandiose tall tower. Its peak was reaching for the high heavens. He stood there taking delight over his power, Amazed all travelers every now and then. The heavens above exposed a band of colors. Little time, after the floating dark skies cried. I then assumed that our life is filled with squalors. But don’t worry because later they are all bright. After the drizzle, dews sat calmly on the grasses. Scarcely and leisurely moving towards the ground, The sunlight coalesces with the dew with tender caress. How luxurious they looked wearing the golden crown! The children played alongside the river in pleasure. Girls were collecting flowers to make tiaras and garlands, While boys were skipping stones on the tranquil water Their little footprints placed themselves on the loose sands. And I was assembled comfortably on the greens. Beside flowed the river without paying any notice. It cleansed all of my hopelessness and spleen. Therefore I slept on the nature’s lap with internal peace…
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40
No longer connected to the ground the ultimate ascension is triggered eyes open as time slows, the feeling of eternity coalescing. No longer obstructed from my condition everything is revealed, turning all sight upon itself subsumed in the realization of being the bridge manifests, and the two shores appear now at the brink of what joins man and the divine the convergence of every challenge and disillusion spurs me beyond the very state of grace I step upon the bridge, exhaling one last breath before air turns into light as before me the world vanishes eyes open as the currents bend before me I look upon the world with perspective never before imagined. I reach out to touch them and so, in the hand of God, eternity Coalesces.
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Oct 21, 2012
Oct 21, 2012 at 3:38 AM UTC
Apotheosis
I look upon a web that hangs gently Before me, I look deep within the beads Of morning dew, I see reflections Of each part of me. Each strand was a part of me, I Was woven of many pieces, Some Held many dews of water, While others vacant, the thread Is clean no dew no spiders Motion nothing hangs there. But others a collection of movements, Dew coalesces there,  where  would I spin a new thought, what part of Me is hanging in anticipation, new Thoughts to be caught and fed upon. I wondered upon a Web, I looked in To its intricate design, I saw many parts Of myself within this elegant creation, Thoughts were the dew coalescing Upon silken line, I was empty in Parts waiting to be filled. I looked and smiled, touched silk with The tip of my fingers, vibrations fed Through like thought, and with that I walked, I wondered silently on.
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Jan 23, 2015
Jan 23, 2015 at 7:56 PM UTC
I Looked Upon The Web And Saw Unto Myself
There is a certain unplaced quality to the whole thing Like it was never planned to look as it does And the fact that it is the part that we aren’t supposed to see has always appealed to me The ripples and cracks Fissured by time As a clash between flux and permanence And will bent by entropy A rusted staircase like a lonely island dangling and looking weak and unsafe And who knows maybe it is For the paint is chipped black frosted like ice But it is hot and the air is heavy As it always feels in a place like this For there is rapture in a place that feels like it does not belong And like you do not belong there I contemplate the number of feet that stood right where I stand I think about the installation of such things I think about the man who stood and wrote his name in paint About how that got bent like that About when that wall fell down and when that glass broke The stories that touched this particular spot only for that brief moment The stories in which this is not even a footnote Where the organic flux meets the rigid industrial And all coalesces into a barren scape hidden away And forgotten for it fits in neither picture As the romance of the days that it saw beautifully have long been realized as nostalgic and useless And a brick may fall and hurt someone Or they may just tip their hat and continue on their way But despite all these things I have a sense of blindness And sublime captured by a world of temporary distinction
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Jul 23, 2014
Jul 23, 2014 at 6:42 PM UTC
Looking at the Backs of Buildings
Rubble and dust spinning in swirling disks around the fire until one place of greater attraction draws debris to itself and coalesces into an incandescent planet. Earth and sky begin full of promise.
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Nov 12, 2024
Nov 12, 2024 at 1:29 PM UTC
Genesis
I hate it all so much. This hatred burns and scalds my skin from the outside in and rips away flesh like picking rotted flowers from my bones. My clothes are no longer here. They left ashes in their place a slow wake of fire dust encircles me like its digging out a tomb. I hear the cackling of the sturdy floorboards beneath my feet begin to snap. I hear the laughter breaking free from the splinters and feel the spike of their railroad pike skin pierce me ripping away failing flesh like train cars until I am just cooked bone and hate and spilled muscle. My blood begins to soak into the oak of the earth’s soil. I hear it boil. It funnels down through dirt like drain-o. I peer into the hole like an open casket. I see the soul of the planet so like me. All cooked bone and boiled blood. All rotted flower and liquid muscle. It coalesces into an ocean of metal magma. It looks like it knows how to hate like me. The wakes wave like an invitation. I feel the gravity of my skeletal frame pull back into an arched bow and let go. I fall like an arrow on fire. My cooked bone crashes into an alloy ocean and shatters like fine china I am fire dust in the form of crashed skeleton and rotten flower. I fuse into this lake of burning wakes until the flames of our hate soak into a bonfire of failed flesh and metal I am home here There is no armament of wood and laughter There is only hate, blood, bone, metal, and rotted flower It looks like heaven.
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Nov 6, 2015
Nov 6, 2015 at 1:32 AM UTC
Hate and Heaven