Submit your work, meet writers and drop the ads. Become a member
Sarina Nov 2012
fragile earth
tarnish its pulp
in my molars, adult

and a sheen that
lays paper

kites flying inside
gum nerves &

the brass touches
porcelain

you give me
cavities, my love
our life is so sweet

i feel your words
before they
are said

the homeostasis
as you speak

strength.
olympia Jul 2014
suddenly I'm able to see
everything. too much.
its all there. right
in front of me
everything is
elucidated

I just wish someone would
come back, and fog up these windows
I use for eyes and maybe
put back some of that
sweet mystery
into the world

I wish I was back in that
candy shop. When my only worriers
were the cavities that Dr. Patanaud
would discover
hiding in the dark crevices of
my mouth

But now, along with those cavities
in the deep and infinite caves
of my whole are secrets
that hurt more than cavities
that I wish my dentist could
fill. but he cannot

and so now, here
I am. with a
sore mouth. and sore
eyes. and sore
ears. sitting at the only
lit table in a romantically dark
room
Willow Sunbeam Jul 2016
Promised a life of sweetness
Said you wanted to take care
Feel better feel better feel better

For worse.

My soul says no to you

But body
she begs me
Always for more

I'm sick
I'm Tired

Of shoveling you in
putting you inside me
betraying all that I am

I am finished decaying
But sweet tooth wont stop panging
Oh, how desperate
always
for more

And I see that coat of yours fall to the floor... just a story the tongue
told to open a door

Now I find holes in my heart,
Cavities.
Galore
A love letter to sugar.
michael capozzi May 2014
i believe i grew into my age
when i realized that cavities are holes
and not sugar filled teeth. my heart
has cavities; and i must admit her
lips were sweet.
little gems
Red-Writing-Hood Oct 2012
Lollipops to cigarettes
Cooties turned to pregnancy
The cute little girls and boys we once knew at recess are no more, some are drop outs, some are on the news for ****** and others have seemed to disappear from existence
How did this happen?
How did the life we knew so well as children, filled with jump rope and four square, turn into the monstrosity of modern society
The drama now is about boys, drugs, and flunking school, the only so called 'drama' back then was when someone else had the blue crayon you needed to finish your color by number
Computers, televisions, and phones take over the lives of children nowadays, the big pass times when we were kids was to go back in the woods behind our houses and catch salamander, play hide and seek and cops and robbers when it started to get dark
Now?
It's lying to your parents to go out and get drunk, skipping class to go smoke **** and and turning the lollipop in your mouth into a cigarette
Did you ever consider that the lollipop tastes better? That maybe this sticky strawberry mess gives you a better outlook on life?
When you're a kid and you're happy with your crayons and hopscotch you don't care what problems you're faced with: if someones lost; find them, if someone's feelings are hurt; say sorry, if you wanna lose weight; lose it
This lollipop of yours has turned an upside-down world right-side-up again creating brighter perspectives and healthier pass times
So instead of curling our fingers around disgusting cancer sticks and pregnancy tests, maybe we should grab hold of that lollipops taste and lever let go...so the only downfall to life, is cavities.
Jess t Jun 2010
Naked bodies thrown upon the screen like naughty magic
Similar set up every time
Flesh, and curves, and limbs
Never a face
A true human-being
This repetitive action, back and forth
Splashed across the free connections throughout the world
To excite lonesome folk
Who wish this wasn’t a table of one
Embarrassing, filthy habit
Just one more click till the quick eruption
Of meaningless stimulation leaves you empty in all anatomical cavities
Copyright Jess tallini, 2010.
gothic mistress Nov 2010
my entrails seaping crimson blackness into my heart
Bitten by the rotting incisors you force into my flesh
My body seeking your gaping void
mere mortals describe as a mouth

Your dark hollow soul blackening Cutting my thin cold skin i let you in. Feeling our flesh merging in this torturing oneness,
Filling the cavities of endlessness.

i yearn to feel you feasting upon my clammy cold covering desiring for the essence of your inner being to take me whole devouring my crescent moon in undertones of a wild demonic frenzy

Extracting dark passion from your soul Staring into darkest nights of your mind's cavity.
Through your soul, a black gaping hole. Darklights seeping through my sanity.

searching for a searing flame
it matters not that my etheral love is a force from another plain
i can only believe in the feeling of you

Perpetual fear of being hurt long i went through.
This torturing love you wrung me through.

my cold dead heart lingers in a state of confusion
serving only to terrorize my mind
forever playing tricks on me
for a soul ive left behind
copyright gothic mistress and satan 2010
Karijinbba Apr 2020
Not a poem,;

A Repost:
Stay healthy beloved readers. I send you all my healing love:
~~~~~~~~~~~~~
Use apple cider vinegar or any vinagar asap even if you feel no tickle add sea salt gargle gargle gargle every hour if possible before and after eating! Or blend garlic and add vinagar gargle it!
men please do it! Go bathroom kitchen sink and look up at the ceilling open mouth wide gargle deep it shall burn a bit spit it out  do it sgain many times until it hurts no more.
Acid gets virus hiding in throat to come out and avoid getting the bicho nano bug into your lungs!?

A healthy immune system begins in the gut with a healthy balance of beneficial bacteria.

For far too many Americans, Candida overgrowth compromises the immune system, as it is constantly fighting the battle to keep Candida in control
If you do become ill, DO NOT feed the virus or the Candida with sugar. Yes, you need to drink a lot of fluids, but don’t drink sodas and sugary juices at this time. Cranberry unsweetened read lable cocktail has sugar get unsweetened one or grandberries fresh into blender or lemonade with stevia is a good choice. Try it warm or cold.

Gargle. Gargle. Gargle. Gargling lowers the viral load, leaving your throat body with fewer invaders to replicate.

So sip on this Mother Earth Organic Root Cider warm. Cold’s and flu often start in the throat or the nasal cavities.
At the first sign of a sore throat or sinus infection, sip on the root cider! If you don’t have it, use apple cider vinegar
Also flush your nose deep each side lean over sink to right and left sides flush nose for God's sakes alternate sea salt baking soda or use vinagar to nose too!? Rubb garlic on your nails eye bows.

Also, remember that a fever is one of nature’s means to fight infection.
Of course, you don’t want it to get too high (higher than 102) and drink plenty of fluids to prevent dehydration.
Filtered apple juice has boron brings down fever fast 4 to 6 onz every hour or if too sweet delute it half water half juice!
Vitamin A, vitamin D, vitamin E, and vitamin C are all vital nutrients for the immune system.
If you have any lip mouth sores you need to ballance minerals too much vitamin requires minerals fulvic humic

If you take high doses of vitamin C to fight a virus, remember that you should not abruptly stop taking vitamin C.
You should titrate down.
Vitamin C is needed by the immune system to make interferon, which the immune system produces to protect healthy cells from viral invasion.!!!

Zinc has been proven to be effective against the common cold and to be effective as a topical treatment for ****** sores.
ZINC It is believed to be effective due to preventing replication of the virus.
The immune system needs selenium to work properly and to build up the white blood cell count.
Berberine is an alkaloid compound found in several different plants, including European barberry, goldenseal, goldthread, Oregon grape, Phellodendron, and Coptis chinensis.

It has antibacterial, anti-inflammatory, antiviral, anti-parasitic, and immune-enhancing properties.
It’s been proven effective against a vast array of bacteria, protozoa, and fungi.
It can be used topically on cuts and other wounds, and it’s perhaps most commonly used to treat gastrointestinal issues.
Probiotics are always helpful in maintaining gut health, especially when the body is under a viral attack that involves the digestive system.
Probiotic foods and drinks without added sugar can help maintain a healthy balance of bacteria.

Garlic is anti-viral, anti-fungal, and antibacterial.
You can take garlic in a tonic or if you can handle it, chew raw garlic.
It not only will help fight the virus, it will help **** any secondary infections trying to take root.

Echinacea not only supports the immune system, it also has been proven to reduce the severity and duration of viral infections.

Colloidal silver is believed to interfere with the enzymes that allow viruses (bacteria and fungi as well) to utilize oxygen
A double-blind trail showed elderberry extract’s ability to reduce symptoms of influenza and speed recovery.

It also showed elderberry’s ability to enhance immune response with higher levels of antibodies in the blood.
It is believed to inhibit a virus’s ability to penetrate healthy cells and protect cells with powerful antioxidant S. Elderberry has also been shown to inhibit replication in four strains of ****** viruses and reduce infectivity of *** strains.

The flavonoids in green tea are believed to fight viral infections by preventing the virus from entering host cells and by inhibiting replication.

Though double-blind clinical trials are needed, olive leaf extract has been shown to inhibit replication of viruses. In one study, 115 of 119 patients had a full and rapid recovery from respiratory tract infections while 120 of 172 had a full and rapid recovery from viral skin infections such as ******.

Pau d’arco has been used in indigenous medicine for generations. One of its compounds, lapachol, has proven effective against various viruses, including influenza, ****** simplex types I and II and poliovirus. It is believed to inhibit replication.

Studies have shown that glycyrrhizin, a compound found in licorice root was more effective in fighting samples of coronavirus from SARS patients than four antiviral drugs. It reduces viral replication, cell absorption, and the virus’s ability to penetrate cells. It is also being used to treat ***.

St. John’s Wort has been proven effective against influenza, ****** simplex, and ***.

If you’re prone to viral infections or are dealing with a chronic infection like ***, as mentioned above, the first step is to get your gut in shape. This is absolutely imperative. The best article to do that with is Best Supplements To **** Candida and Everything Else You Ever Wanted To Know About Fungal Infections & Gut Health. Everyone who is chronically ill has an abundance of Candida. Yes, everyone.

Provided your gut is healthy, or if you just feel the need to skip that part, here are the supplements to take in order to make sure your immune system is able to fight off viruses:

While there are most supplements listed above, the combination of these listed here is more than enough to balance out the body and ward off viral infection.
~~~~~~~
A Repost By Karijinbba.
love kindnes helping one another
call neighbors help or ask for help...ask.
Akemi Apr 2017
my body is filled with cavities
little pockets of rot

it’s an open frame
where you stick your hand through
to feel nothing

i think i caught the plague
the doctor gave me pills i
spat out the window

you can’t trust anybody these days.
i had a dream of ducks swimming in ponds
little mass fabricated numbing agents
with mangled heads.
armon Jun 2014
raw ******* thumbs drawing open the canvas of cavities
hot stink, tangles of pink wrinkles, ground turkey and beef
pulse of the earth in the groan of the springs as the sequence of spirits inhabits a lopsided carpet of blood, cardiovascular, creation, crawling
pineapple sweat, *******, neck licking saliva stains, flesh slapping, teeth jousting, chins grinding
explosions, eruptions, screaming, biting, clutching the rim, apocalypse, APOCALYPSE, the guilty apocalypse
Madison A May 2013
a mouth full of cavities
and lungs full of algae infested waters
from sitting too long with no 
escape
from what traps us in these ominous, dank 
gorges.

gaunt faces with sunken eyes
from nights too haunted to sleep
swollen tongues with words unspoken
from submission to
silence
in the face of constant
deceit.

words
left in the veil of fog that masks the ground
every morning over the once green pastures,
stripping the color from the world,
leaving everything
grey 
with the corruption
of what once was
what still is
and what will
remain.

we lose ourselves in the unapproachable
reality
of what we have created
what we were born into
what we will never
escape.

we lose ourselves.
we lose ourselves.
we are all
gone.

we were always empty anyways.
walking amongst the hollow men.
we are the hollow men.
we
create
the hollow men.

we weren't always the hollow men.

tell me how to fill these holes that 
are found in our teeth
in our lungs
in our
souls.

where did all the substance go?
Astrid Ember Sep 2015
If the eyes are the gateway
to the soul, then I have
seen hell fire, and the
lights of heaven.

He claims me to be an
angel but I don't think he
sees the murky water full
of my pollution in my entire
being.
Eyes looking like a sea during
a storm.
So how can he claim me to
be so calm.
I am a life raft being
crushed under my own chaotic
waves of temper.

My body feels as
if it lives on a slab. How
can you claim that I am
so alive.

I will not deny that I am
strong. To a degree.
I will not claim to be a
lamb asking for more people
to try and butcher me.
Only rabid beasts
feed because there is meat.

They say my sweet blood
attracts mosquitos.
My rotten flesh attracts
maggots.
My short dress attracts the
monster.
Feeding on flesh they
strip away from my bones
with their teeth.

The cobra of my nightmares
loved to toy with me. I was
not a meal. I was play time.
He loved to watch me squirm.

He locked me away in a box
of secrets, of bruises, and
stolen virginities.
You can't lie down with the
enemy without getting *****.
I am still drawn to the
smell of his poison. I once
mistook it for home.
I got choked up on his
fumes of arrogance.
The *******
intended to **** me.
But he only freed
who I was meant
to be, a bit too soon.

I crumbled. I
wasn't in ruins for
long though. Like a much
needed bridge, I was
rebuilt quickly. Only to
extend my usage time.
Though, unlike the engineers
I learned.
  I used stronger materials.
  Dark methods no one would
  attempt to undo to get a
  snip of my wool.
  I became a goat instead.
A symbol of the unholy.
I thought it was
fitting, seeing how you
injected me with that
exact same thing.

You didn't feed it to
me, make me drink it,
or force it upon me.
you only planted it.
I watered it.
I watered
the being I was
to the point of
drowning.

You injected it like
a serum to fix my
paralyzed state.
Like a ******
addict absorbs their
dope in hopes they
actually see god this
time.

Unlike his brother,
I don't need opiates
to feel at home.
In jesus's arms.
All I have to do is
look in his eyes.

They're still bright.
Still...
I had a friend, when my
eyes were lightning.
He told me to burn
bright.
But you see,
I'm not very good at
listening.

I've used up that flame
to build my body, ground-up
with day dreams I was a phoenix.
I am vibrations
lost on the
decibel scale.
Screams stuck in
ears of the dead.
The tortured only
enduring what they
fought for.
We all knew what was
at risk
choosing this life.
I'm always gambling
my freedom.
Funny how we throw away
things we only lusted
after.
Especially when they get
boring, decayed in place.
Now what's really
tedious is when lost
dreams rot in your
brain like inoperable
cavities.
I was on a lot of drugs when I wrote this.
Felix Sladal Apr 2017
Yawning mouth of the city beckons
Glittering jagged teeth tearing into
Passing souls
Walking on slick black tounges
Sand beaten breath fogs windowed eyes
The beast we come to love
Even as we live incased in it's cavities
The plaque in the grime of eroding gums

When did you last brush your teeth
Your buildings, starting to turn gray
Your tongue a tad flavorless
Do you grow old, fat, and tired?
Or is that just us?

Changes float on the breeze so subtle
You'd never see them unless you left
People slowly turning to dust
Blowing away
But everything still stands
As if nothing ever happened
We live our lives in nooks and crannies
Ghosts pressed between the glass
Tiptoeing enamel streets

Plush gold chairs and minty fresh
Oh peppermint fresh
Rain trickled saliva slips over your
swinging silk face
Breath, taunting tints of lavender
Your back is straight
Stressed crowsfeet pupils shine
Wake up tomorrow to find today
Your eyes are brown but green
Your mouth is wide but tight
Your grin not as cheap as the others

Everyone starts to bleed together
All traits the same
So very different
You weren't drinking mint
Nor lavender
Freeze frame in memory
Pick and choose what we see today
Who to be yesterday
Next week pickle plum I'll jump through a fire just to feel me, feel you

We're running from something
Day to day
Feels like time, might be ourselves
Your shoulders are curved, the slightest of slouches
Your eyes are oh so green and teeth so straight
Thin lips and a long face
Once opon a time I almost knew you
But not today not ever
Self chained straining towards freedom
But happiness wrinkles you cheeks
Self imprisonment won't bruise the will
Don't listen to me, your far more free than I'll ever be
Whistle to the stars
Shrug your shoulder at life's questions
Look it in the eyes with your peridot irises, tell it you've got this
I wish I know what you were drinking
Rainwater and honey

Your eyes are weary brown
Rosy cheeks blush on bronze
Hair shifts to straw spun gold
You haven't aged but I feel so old
Going places while I stand still
Doesn't feel the reverse though that's the truth, if only in theory
You paint life, I paint paper
I maybe younger but I'm wilting faster.
Is it wrong that I wanted to kiss you
For a millisecond and no more
Atune to a time warp lost in free space

Green eyes Brown
Rigged lines graceful limbs
I'm a overcooked noodle
With a halfcooked plot
And everyone seem so put together
I'll poor the pesto on myself and call
me done.
Eugene OR some time near me birthday 2016
when swimming with dolphins
lost phase, depth of oceans

recurrence of persuasion
the cavities erosion
a pragmatic extension, the neural hyper tension

grace the evening
split precision aching
remedies for aging



repetition
of the alkaline waste
Victoria G Jan 2011
You may think Halloween's great
But it's the one holiday that I really hate
All the little sweet-toothed children
Always forget to brush their teeth

Even the one's that normally floss
When it's me vs. the candy, I've traditionally lost
Oh Halloween, I despise you
And all the cavities you bring

The SweetTarts and the lollipos
Caramel apples with nuts on top
Hershey's and Reese's
Skittles and all their sugary pieces

M&M;'s and Snickers
Why don't we just give out stickers?!
Jolly Ranchers and Gummi Bears
Instant cavities, everywhere!

So when October comes to an end
I wait for the patients they're sure to send
Filling after filling after filling
Children crying while I'm drilling

I don't like it, despite the business it provides
On the night of October 31st, I always hide
Not wanting to fuel the tragedy that always ensues
I hate Halloween, I really, really do.
Sometimes I sink into the couch when I'm deflated,
Then I jump up, limp over to a crutch, and become fixated.
Carvin a rut, punchin myself in the gut, getting faded.
Even the most fortunate son has misfortune to come.
I don't believe in bad luck.
I believe that you ****** up and that luck is based on mistakes, so you're the one that makes it.
Don't blame the universe for the problems that you've created.
Live as an example of someone who is always elated to view all things as a whole,
And chooses to focus on what's good for his or her own soul,

Fully accepting the ugly and embracing the beautiful,
Not reachin a peak then sinkin so low,
Just grind up some tea and speak to the old
Who inhabit the art that you teach, but don't reach for the gold,
Cuz focus on money keeps you away from your goals.

Restore your faith in humanity.
Replace it with insanity.
Product placement causes cavities.
Your plan is ****** sick.

Weekend warriors,
Just a buncha losers, all a buncha boozers.
Ya’ll take all the cash you earned and get your wrists slapped
Cuz you hand it all back to your rulers.

Put a rock on your lady’s finger, take a trip down to the jeweler, and then later you can trade her in for a sequel of half the value like a gamer, but who are you kidding, you ain't no player.  
By 2 years and 3 babies later you’re filing papers,
And the rock gets used as the paper's weight,
And who gets to keep it is a bigger debate than
Who has to get up and feed the kids every morning before eight,
And rush em off to school before beatin a desk for 5 days straight.
But that rock ain’t worth ****, isn’t that great?

She drowns in a pool of tears while he drowns his in beer til he gains enough courage or cowardice to stand on the tracks
And waits to be splattered like paint on the front of a freight.
Or maybe it’s the other way around since all males and females don’t share the same traits.
Either way they're all left with the same bad taste in their mouths, and they can't spit it out, no matter how much they try to *****, cry, smile, or pout.
So they just wait, and they wait, and they wait, and ask "Why?",
But that's not what life is about.
Get up. Get Out. Step away from the couch.
Start stepping to the beat of your own drum
Instead of beatin the beaten path;
Trying to climb a ladder with no rungs.
A refined freestyle from the other day.
little moon Apr 2014
the universe was toothache, the stars were giant cavities. “but it’s been far too long since i’ve had sugar,” cried the sun, the concerned star. “don’t lie to me,” said ever so smart mercury, “when we are right by the milky way.” the other planets jeered and the sun shed a tear and on the earth was rain, peeking through the clouds. you see, the sun was always body conscious. the planetary publication "zodiac almanac" always had an unruly comment or three to share, and after copious poring, the sun felt a little dimmer every time. but every night when the stars twinkled in all of their saccharine glory, they had the sun to thank. the sun, who boldly held itself up in the sky for the little specks on the planet earth, from the people taking walks in the park to the plants preparing to soak up their daily delight. they engaged in photosynthesis while the sun never felt too photogenic at all. the sun mused while listening to the twinkling music of the rotating planets and stars that kissed each other as they formed constellations, faint but audible nonetheless. the sun mused that it wasn’t shining brightly enough. it cried and wept and the people on earth mirrored its melancholy, for a day without the sun morphed into a day of rain-induced laziness.

mercury, who had since apologized, urged the sun to read a book to reinvigorate her intricate mind. jupiter and uranus suggested a workout for empowerment. mars recommended her to write an angry diatribe or five, she was so very fond of venting. venus reminded her again and again that she was beautiful. neptune sang her a lullaby every night. and saturn offered her a ring to lean on. pluto was on sabbatical, but sent her a postcard. all of these gestures were warm and lovely, but the sun still felt trapped and unworthy.

she felt too enormous, too blinding, and too far from earth, where she’d heard many wonderful stories about. the other planets had grown complacent with their distance from earth, but the sun always wanted more, and that was why it was so sunny sometimes, because she wanted to stretch out her wispy arms and embrace the world she knew she could never touch. so she never felt good enough.

but one day the earth seemed to have had enough, and the people were growing dreary of the absence of their beloved sunlight. the moon was especially privy to this information, as she’d watched over earth night after night (except in her first phases when she would rest), and witnessed many a complaint as the clouds would clock off from their shifts and heave sighs of resignation. they knew their golden friend was still weeping.

the moon decided to take a stand. she floated towards the sun even though they were so far away and told her softly: "darling, i know it’s sad that every day you can give so much to people who will never be able to give you anything back. i know it’s hard to peer over, having to watch their countless stories unfold and not ever being able to be one of them. but every time you shine down on that tiny planet over there, you change things. you are bigger because you are so full of light, gently cascading onto those lucky tiny specks down there. and i know you’ll never know what it feels to be fed rays of sunlight, but you can take all the moonlight you want from me and it won’t bother me at all."

and the sun cried more but this time, the tears were out of happiness, and the moon assuaged her again that it would all be fine. she knew she didn’t need to have her own sun, feeding her light, because she knew the light was within her, and her ***** friend, the moon. millenniums later the two would laugh about this.

"what was wrong with me?" inquired the sun.

"everything happens in phases," replied the moon.
wrote this a while ago to represent my and emelina's tattoos
Arlo Disarray Jul 2015
cavities fill my teeth
and the rot travels quickly
to my brain
leaving humongous holes
which ooze
with thoughts
and spill
my blood

the walls are trying
to **** me
with their
flawed and
suffocating
design

shreds of skin
flake from my
feet as I try to run
from the memories
which continuously
haunt me

I died a long
time ago

and my life
is my grave

my heart is my tombstone

and my thoughts are
the dirt that
covers my bones
Eva Ellen Oct 2014
You are the apple of my eye,
but this fruit's rotten to the core.
You're suffocating me in your grip,
but baby your hands are so warm.

You're a corrupt tyrant king,
and ***** tortured prisoner;
Make me your silent queen, broken cell mate,
and crying court jester.

You stroke my hair, but your hands
are on my shoulder.
You bring me to new heights but,
when I soar you grow colder.

You're sweeter than our honeymoon
phase on Valentine's Day baby.
But the dentist said your **** gives
me one year cavities.

You have no doubts, "our
dream's pristine and love is true".
Then how come my heart,
my soul, is black and blue?

I am more alone when you hold my
hand and say, "I'm here".
But I feel so sick with fear at the
thought of you not near.

It's crazy.
You're crazy.
I'm crazy.
Crazy (in pain)
Crazy (in love)
How could I go?
Why can't I leave?
Michael R Burch Dec 2020
LOVE POEMS by Michael R. Burch

These are love poems by Michael R. Burch: original poems and translations about passion, desire, lust, ***, dating and marriage. On an amusing note, my steamy Baudelaire translations have become popular with the pros ― **** stars and escort services!



Sappho, fragment 42
translation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains
uprooting oaks.



Preposterous Eros
by Michael R. Burch

“Preposterous Eros” – Patricia Falanga

Preposterous Eros shot me in
the buttocks, with a Devilish grin,
spent all my money in a rush
then left my heart effete pink mush.



Sappho, fragment 155
translation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!



Sappho, fragment 22
loose translation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Negligibles
by Michael R. Burch

Show me your most intimate items of apparel;
begin with the hem of your quicksilver slip ...



Warming Her Pearls
by Michael R. Burch

Warming her pearls,
her ******* gleam like constellations.
Her belly is a bit rotund ...
she might have stepped out of a Rubens.



She bathes in silver
by Michael R. Burch

She bathes in silver,
afloat
on her reflections ...



****** Errata
by Michael R. Burch

I didn’t mean to love you; if I did,
it came unbid-
en, and should’ve remained hid-
den!



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath ...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?



The Effects of Memory
by Michael R. Burch

A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember

now that I cannot forget.

And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...

our soft cries, like regret,

... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...
now that I have forgotten her face.



Moments
by Michael R. Burch

There were moments full of promise,
like the petal-scented rainfall of early spring,
when to hold you in my arms
and to kiss your willing lips
seemed everything.

There are moments strangely empty
full of pale unearthly twilight
―how the cold stars stare!―
when to be without you is a dark enchantment
the night and I share.



The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
―feverish, wet―
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.

Then the only light was the moon on the rise,
and the only sound, the communion of sighs.



Righteous
by Michael R. Burch

Come to me tonight
in the twilight, O, and the full moon rising,
spectral and ancient, will mutter a prayer.

Gather your hair
and pin it up, knowing
that I will release it a moment anon.

We are not one,
nor is there a scripture
to sanctify nights you might spend in my arms,

but the swarms
of stars revolving above us
revel tonight, the most ardent of lovers.



Once
by Michael R. Burch

Once when her kisses were fire incarnate
and left in their imprint bright lipstick, and flame,
when her breath rose and fell over smoldering dunes,
leaving me listlessly sighing her name ...

Once when her ******* were as pale, as beguiling,
as wan rivers of sand shedding heat like a mist,
when her words would at times softly, mildly rebuke me
all the while as her lips did more wildly insist ...

Once when the thought of her echoed and whispered
through vast wastelands of need like a Bedouin chant,
I ached for the touch of her lips with such longing
that I vowed all my former vows to recant ...

Once, only once, something bloomed, of a desiccate seed―
this implausible blossom her wild rains of kisses decreed.



For All that I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.



Le Balcon (The Balcony)
by Charles Baudelaire
loose translation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings―
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods ...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!

My translation of Le Balcon has become popular with **** sites, escort services and dating sites. The pros seem to like it!



Les Bijoux (The Jewels)
by Charles Baudelaire
loose translation by Michael R. Burch

My lover **** and knowing my heart's whims
Wore nothing more than a few bright-flashing gems;
Her art was saving men despite their sins―
She ruled like harem girls crowned with diadems!

She danced for me with a gay but mocking air,
My world of stone and metal sparking bright;
I discovered in her the rapture of everything fair―
Nay, an excess of joy where the spirit and flesh unite!

Naked she lay and offered herself to me,
Parting her legs and smiling receptively,
As gentle and yet profound as the rising sea―
Till her surging tide encountered my cliff, abruptly.

A tigress tamed, her eyes met mine, intent ...
Intent on lust, content to purr and please!
Her breath, both languid and lascivious, lent
An odd charm to her metamorphoses.

Her limbs, her *****, her abdomen, her thighs,
Oiled alabaster, sinuous as a swan,
Writhed pale before my calm clairvoyant eyes;
Like clustered grapes her ******* and belly shone.

Skilled in more spells than evil imps can muster,
To break the peace which had possessed my heart,
She flashed her crystal rocks’ hypnotic luster
Till my quietude was shattered, blown apart.

Her waist awrithe, her ******* enormously
Out-******, and yet ... and yet, somehow, still coy ...
As if stout haunches of Antiope
Had been grafted to a boy ...

The room grew dark, the lamp had flickered out.
Mute firelight, alone, lit each glowing stud;
Each time the fire sighed, as if in doubt,
It steeped her pale, rouged flesh in pools of blood.



The Perfect Courtesan
by Michael R. Burch

after Baudelaire, for the courtesans

She received me into her cavities,
indulging my darkest depravities
with such trembling longing, I felt her need ...

Such was the dalliance to which we agreed—
she, my high rider;
I, her wild steed.

She surrendered her all and revealed to me—
the willing handmaiden, delighted to please,
the Perfect Courtesan of Ecstasy.



Invitation to the Voyage
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

My child, my sister,
Consider the rapture
Of living together!
To love at our leisure
Till the end of all pleasure,
Then in climes so alike you, to die!

The misty sunlight
Of these hazy skies
Charms my spirit:
So mysterious
Your treacherous eyes,
Shining through tears.

There, order and restraint redress
Opulence, voluptuousness.

Gleaming furniture
Burnished by the years
Would decorate our bedroom
Where the rarest flowers
Mingle their fragrances
With vague scents of amber.

The sumptuous ceilings,
The limpid mirrors,
The Oriental ornaments …
Everything would speak
To our secretive souls
In their own indigenous language.

There, order and restraint redress
Opulence, voluptuousness.

See, rocking on these channels:
The sleepy vessels
Whose vagabond dream
Is to satisfy
Your merest desire.

They come from the ends of the world:
These radiant suns
Illuminating fields,
Canals, the entire city,
In hyacinth and gold.
The world falls asleep
In their warming light.

There, order and restraint redress
Opulence, voluptuousness.



What Goes Around, Comes
by Michael R. Burch

This is a poem about loss
so why do you toss your dark hair―
unaccountably glowing?

How can you be sure of my heart
when it’s beyond my own knowing?

Or is it love’s pheromones you trust,
my eyes magnetized by your bust
and the mysterious alchemies of lust?

Now I am truly lost!



Passionate One
by Michael R. Burch

for Beth

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.

Manna is "heavenly bread" and leaven is what we use to make earthly bread rise. So this poem is saying that one's lover offers the best of heaven and earth.



Second Sight
by Michael R. Burch

I never touched you―
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then―

eternally present
and Sovereign.



After the Deluge
by Michael R. Burch

She was kinder than light
to an up-reaching flower
and sweeter than rain
to the bees in their bower
where anemones blush
at the affections they shower,
and love’s shocking power.

She shocked me to life,
but soon left me to wither.
I was listless without her,
nor could I be with her.
I fell under the spell
of her absence’s power.
in that calamitous hour.

Like blithe showers that fled
repealing spring’s sweetness;
like suns’ warming rays sped
away, with such fleetness ...
she has taken my heart―
alas, our completeness!
I now wilt in pale beams
of her occult remembrance.



Love Has a Southern Flavor
by Michael R. Burch

Love has a Southern flavor: honeydew,
ripe cantaloupe, the honeysuckle’s spout
we tilt to basking faces to breathe out
the ordinary, and inhale perfume ...

Love’s Dixieland-rambunctious: tangled vines,
wild clematis, the gold-brocaded leaves
that will not keep their order in the trees,
unmentionables that peek from dancing lines ...

Love cannot be contained, like Southern nights:
the constellations’ dying mysteries,
the fireflies that hum to light, each tree’s
resplendent autumn cape, a genteel sight ...

Love also is as wild, as sprawling-sweet,
as decadent as the wet leaves at our feet.



Violets
by Michael R. Burch

Once, only once,
when the wind flicked your skirt
to an indiscrete height

and you laughed,
abruptly demure,
outblushing shocked violets:

suddenly,
I knew:
everything had changed

and as you braided your hair
into long bluish plaits
the shadows empurpled,

the dragonflies’
last darting feints
dissolving mid-air,

we watched the sun’s long glide
into evening,
knowing and unknowing.

O, how the illusions of love
await us in the commonplace
and rare

then haunt our small remainder of hours.



Smoke
by Michael R. Burch

The hazy, smoke-filled skies of summer I remember well;
farewell was on my mind, and the thoughts that I can't tell
rang bells within (the din was in) my mind, and I can't say
if what we had was good or bad, or where it is today.
The endless days of summer's haze I still recall today;
she spoke and smoky skies stood still as summer slipped away ...



How Long the Night
(anonymous Old English Lyric, circa early 13th century AD)
translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Shattered
by Vera Pavlova
translation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.
And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.
Suddenly, unthinkably, here he is,

taking my place.



The Darker Nights
by Michael R. Burch

Nights when I held you,
nights when I saw
the gentlest of spirits,
yet, deeper, a flaw ...

Nights when we settled
and yet never gelled.
Nights when you promised
what you later withheld ...



Moon Poem
by Michael R. Burch
after Linda Gregg

I climb the mountain
to inquire of the moon ...
the advantages of loftiness, absence, distance.
Is it true that it feels no pain,
or will she contradict me?

Originally published by Borderless Journal (Singapore)

The apparent contradiction of it/she is intentional, since the speaker doesn’t know if the moon is an inanimate object or can feel pain.



If
by Michael R. Burch

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
even for a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn―one moment less brightly,
one instant less true―
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.



Because You Came to Me
by Michael R. Burch

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt, I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.



Insurrection
by Michael R. Burch

She has become as the night―listening
for rumors of dawn―while the dew, glistening,

reminds me of her, and the wind, whistling,
lashes my cheeks with its soft chastening.

She has become as the lights―flickering
in the distance―till memories old and troubling

rise up again and demand remembering ...
like peasants rebelling against a mad king.



Medusa
by Michael R. Burch

Friends, beware
of her iniquitous hair―
long, ravenblack & melancholy.

Many suitors drowned there―
lost, unaware
of the length & extent of their folly.



Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave―
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots’ soirees,
hearts barricaded, wise . . .
and then . . . annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
dawns’ indiscriminate sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees―
tall stakes where you and I
left childhood’s salt libations . . .

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.



Mingled Air
by Michael R. Burch

for Beth

Ephemeral as breath, still words consume
the substance of our hearts; the very air
that fuels us is subsumed; sometimes the hair
that veils your eyes is lifted and the room

seems hackles-raised: a spring all tension wound
upon a word. At night I feel the care
evaporate—a vapor everywhere
more enervate than sighs: a mournful sound

grown blissful. In the silences between
I hear your heart, forget to breathe, and glow
somehow. And though the words subside, we know
the hearth light and the comfort embers gleam

upon our dreaming consciousness. We share
so much so common: sighs, breath, mingled air.



Elemental
by Michael R. Burch

There is within her a welling forth
of love unfathomable.
She is not comfortable
with the thought of merely loving:
but she must give all.

At night, she heeds the storm's calamitous call;
nay, longs for it. Why?
O, if a man understood, he might understand her.
But that never would do!
Darling, as you embrace the storm,

so I embrace elemental you.



Duet, Minor Key
by Michael R. Burch

Without the drama of cymbals
or the fanfare and snares of drums,
I present my case
stripped of its fine veneer:
Behold, thy instrument.

Play, for the night is long.



honeybee
by Michael R. Burch

love was a little treble thing―
prone to sing
and (sometimes) to sting



don’t forget ...
by Michael R. Burch

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.

The opening lines were inspired by a famous love poem by e. e. cummings. I have dedicated this poem to my wife Beth, but you're welcome to dedicate it to the light-bending person of your choice, as long as you credit me as the author.



Sudden Shower
by Michael R. Burch

The day’s eyes were blue
until you appeared
and they wept at your beauty.



She Was Very Strange, and Beautiful
by Michael R. Burch

She was very strange, and beautiful,
like a violet mist enshrouding hills
before night falls
when the hoot owl calls
and the cricket trills
and the envapored moon hangs low and full.

She was very strange, in a pleasant way,
as the hummingbird
flies madly still,
so I drank my fill
of her every word.
What she knew of love, she demurred to say.

She was meant to leave, as the wind must blow,
as the sun must set,
as the rain must fall.
Though she gave her all,
I had nothing left . . .
yet I smiled, bereft, in her receding glow.



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation―all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold.
And you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



Heat Lightening
by Michael R. Burch

Each night beneath the elms, we never knew
which lights beyond dark hills might stall, advance,
then lurch into strange headbeams tilted up
like searchlights seeking contact in the distance . . .

Quiescent unions . . . thoughts of bliss, of hope . . .
long-dreamt appearances of wished-on stars . . .
like childhood’s long-occluded, nebulous
slow drift of half-formed visions . . . slip and bra . . .

Wan moonlight traced your features, perilous,
in danger of extinction, should your hair
fall softly on my eyes, or should a kiss
cause them to close, or should my fingers dare

to leave off childhood for some new design
of whiter lace, of flesh incarnadine.



Redolence
by Michael R. Burch

Now darkness ponds upon the violet hills;
cicadas sing; the tall elms gently sway;
and night bends near, a deepening shade of gray;
the bass concerto of a bullfrog fills
what silence there once was; globed searchlights play.

Green hanging ferns adorn dark window sills,
all drooping fronds, awaiting morning’s flares;
mosquitoes whine; the lissome moth again
flits like a veiled oud-dancer, and endures
the fumblings of night’s enervate gray rain.

And now the pact of night is made complete;
the air is fresh and cool, washed of the grime
of the city’s ashen breath; and, for a time,
the fragrance of her clings, obscure and sweet.



A Surfeit of Light
by Michael R. Burch

There was always a surfeit of light in your presence.
You stood distinctly apart, not of the humdrum world―
a chariot of gold in a procession of plywood.

We were all pioneers of the modern expedient race,
raising the ante: Home Depot to Lowe’s.
Yours was an antique grace―Thrace’s or Mesopotamia’s.

We were never quite sure of your silver allure,
of your trillium-and-platinum diadem,
of your utter lack of flatware-like utility.

You told us that night―your wound would not scar.
The black moment passed, then you were no more.
The darker the sky, how much brighter the Star!

The day of your funeral, I ripped out the crown mold.
You were this fool’s gold.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.



Unfoldings
by Michael R. Burch

for Vicki

Time unfolds ...
Your lips were roses.
... petals open, shyly clustering ...
I had dreams
of other seasons.
... ten thousand colors quiver, blossoming.

Night and day ...
Dreams burned within me.
... flowers part themselves, and then they close ...
You were lovely;
I was lonely.
... a ****** yields herself, but no one knows.

Now time goes on ...
I have not seen you.
... within ringed whorls, secrets are exchanged ...
A fire rages;
no one sees it.
... a blossom spreads its flutes to catch the rain.

Seasons flow ...
A dream is dying.
... within parched clusters, life is taking form ...
You were honest;
I was angry.
... petals fling themselves before the storm.

Time is slowing ...
I am older.
... blossoms wither, closing one last time ...
I'd love to see you
and to touch you.
... a flower crumbles, crinkling, worn and dry.

Time contracts ...
I cannot touch you.
... a solitary flower cries for warmth ...
Life goes on as
dreams lose meaning.
... the seeds are scattered, lost within a storm.



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.



If You Come to San Miguel
by Michael R. Burch

If you come to San Miguel
before the orchids fall,
we might stroll through lengthening shadows
those deserted streets
where love first bloomed ...

You might buy the same cheap musk
from that mud-spattered stall
where with furtive eyes the vendor
watched his fragrant wares
perfume your ******* ...

Where lean men mend tattered nets,
disgruntled sea gulls chide;
we might find that cafetucho
where through grimy panes
sunset implodes ...

Where tall cranes spin canvassed loads,
the strange anhingas glide.
Green brine laps splintered moorings,
rusted iron chains grind,
weighed and anchored in the past,

held fast by luminescent tides ...
Should you come to San Miguel?
Let love decide.



Vacuum
by Michael R. Burch

Over hushed quadrants
forever landlocked in snow,
time’s senseless winds blow ...

leaving odd relics of lives half-revealed,
if still mostly concealed ...
such are the things we are unable to know

that once intrigued us so.

Come then, let us quickly repent
of whatever truths we’d once determined to learn:
for whatever is left, we are unable to discern.

There’s nothing left of us here; it’s time to go.



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



Roses for a Lover, Idealized
by Michael R. Burch

When you have become to me
as roses bloom, in memory,
exquisite, each sharp thorn forgot,
will I recall―yours made me bleed?

When winter makes me think of you―
whorls petrified in frozen dew,
bright promises blithe spring forsook,
will I recall your words―barbed, cruel?



Nothing Returns
by Michael R. Burch

A wave implodes,
impaled upon
impassive rocks . . .

this evening
the thunder of the sea
is a wild music filling my ear . . .

you are leaving
and the ungrieving
winds demur:

telling me
that nothing returns
as it was before,

here where you have left no mark
upon this dark
Heraclitean shore.



First and Last
by Michael R. Burch

for Beth

You are the last arcane rose
of my aching,
my longing,
or the first yellowed leaves―
vagrant spirals of gold
forming huddled bright sheaves;
you are passion forsaking
dark skies, as though sunsets no winds might enclose.

And still in my arms
you are gentle and fragrant―
demesne of my vigor,
spent rigor,
lost power,
fallen musculature of youth,
leaves clinging and hanging,
nameless joys of my youth to this last lingering hour.



Your Pull
by Michael R. Burch

for Beth

You were like sunshine and rain―
begetting rainbows,
full of contradictions, like the intervals
between light and shadow.

That within you which I most opposed
drew me closer still,
as a magnet exerts its unyielding pull
on insensate steel.



Love Is Not Love
by Michael R. Burch

for Beth

Love is not love that never looked
within itself and questioned all,
curled up like a zygote in a ball,
throbbed, sobbed and shook.

(Or went on a binge at a nearby mall,
then would not cook.)

Love is not love that never winced,
then smiled, convinced
that soar’s the prerequisite of fall.

When all
its wounds and scars have been saline-rinsed,
where does Love find the wherewithal
to try again,
endeavor, when

all that it knows
is: O, because!



The Stake
by Michael R. Burch

for Beth

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.



The One True Poem
by Michael R. Burch

for Beth

Love was not meaningless ...
nor your embrace, nor your kiss.

And though every god proved a phantom,
still you were divine to your last dying atom ...

So that when you are gone
and, yea, not a word remains of this poem,

even so,
We were One.



The Poem of Poems
by Michael R. Burch

for Beth

This is my Poem of Poems, for you.
Every word ineluctably true:
I love you.



BeMused
by Michael R. Burch

You will find in her hair
a fragrance more severe
than camphor.
You will find in her dress
no hint of a sweet
distractedness.
You will find in her eyes
horn-owlish and wise
no metaphors
of love, but only reflections
of books, books, books.

If you like Her looks …

meet me in the long rows,
between Poetry and Prose,
where we’ll win Her favor
with jousts, and savor
the wine of Her hair,
the shimmery wantonness
of Her rich-satined dress;
where we’ll press
our good deeds upon Her, save Her
from every distress,
for the lovingkindness
of Her matchless eyes
and all the suns of Her tongues.

We were young,
once,
unlearned and unwise . . .
but, O, to be young
when love comes disguised
with the whisper of silks
and idolatry,
and even the childish tongue claims
the intimacy of Poetry.



There’s a Stirring and Awakening in the World
by Michael R. Burch

There’s a stirring and awakening in the world,
and even so my spirit stirs within,
imagining some Power beckoning—
the Force which through the stamen gently whirrs,
unlocking tumblers deftly, even mine.

The grape grows wild-entangled on the vine,
and here, close by, the honeysuckle shines.
And of such life, at last there comes there comes the Wine.

And so it is with spirits’ fruitful yield—
the growth comes first, Green Vagrance, then the Bloom.

The world somehow must give the spirit room
to blossom, till its light shines—wild, revealed.

And then at last the earth receives its store
of blessings, as glad hearts cry—More! More! More!

Originally published by Borderless Journal



POEMS ABOUT POOL SHARKS

These are poems about pool sharks, gamblers, con artists and other sharks. I used to hustle pool on bar tables around Nashville, where I ran into many colorful characters, and a few unsavory ones, before I hung up my cue for good.

Shark
by Michael R. Burch

They are all unknowable,
these rough pale men—
haunting dim pool rooms like shadows,
propped up on bar stools like scarecrows,
nodding and sagging in the fraying light . . .

I am not of them,
as I glide among them—
eliding the amorphous camaraderie
they are as unlikely to spell as to feel,
camouflaged in my own pale dichotomy . . .

That there are women who love them defies belief—
with their missing teeth,
their hair in thin shocks
where here and there a gap of scalp gleams like bizarre chrome,
their smell rank as wet sawdust or mildewed laundry . . .

And yet—
and yet there is someone who loves me:
She sits by the telephone
in the lengthening shadows
and pregnant grief . . .

They appreciate skill at pool, not words.
They frown at massés,
at the cue ball’s contortions across green felt.
They hand me their hard-earned money with reluctant smiles.
A heart might melt at the thought of their children lying in squalor . . .
At night I dream of them in bed, toothless, kissing.
With me, it’s harder to say what is missing . . .



Fair Game
by Michael R. Burch

At the Tennessee State Fair,
the largest stuffed animals hang tilt-a-whirl over the pool tables
with mocking button eyes,
knowing the playing field is unlevel,
that the rails slant, ever so slightly, north or south,
so that gravity is always on their side,
conspiring to save their plush, extravagant hides
year after year.

“Come hither, come hither . . .”
they whisper; they leer
in collusion with the carnival barkers,
like a bevy of improbably-clad hookers
setting a “fair” price.
“Only five dollars a game, and it’s so much Fun!
And it’s not really gambling. Skill is involved!
You can make us come: really, you can.
Here are your *****. Just smack them around.”

But there’s a trick, and it usually works.
If you break softly so that no ball reaches a rail,
you can pick them off: One. Two. Three. Four.
Causing a small commotion,
a stir of whispering, like fear,
among the hippos and ostriches.



Con Artistry
by Michael R. Burch

The trick of life is like the sleight of hand
of gamblers holding deuces by the glow
of veiled back rooms, or aces; soon we’ll know
who folds, who stands . . .

The trick of life is like the pool shark’s shot—
the wild massé across green velvet felt
that leaves the winner loser. No, it’s not
the rack, the hand that’s dealt . . .

The trick of life is knowing that the odds
are never in one’s favor, that to win
is only to delay the acts of gods
who’d ante death for sin . . .

and death for goodness, death for in-between.
The rules have never changed; the artist knows
the oldest con is life; the chips he blows
can’t be redeemed.



Pool's Prince Charming
by Michael R. Burch

this is my tribute poem, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler!
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.

I used poetic license about what Louie Roberts was or wasn't drinking at the 1981 U. S. Open Nine-Ball Championship. Was Louie drinking hard liquor as he came charging back through the losers' bracket to win the whole shebang? Or was he pretending to drink for gamesmanship or some other reason? I honestly don't know. As for the word “chthonic,” it’s pronounced “thonic” and means “subterranean” or “of the underworld.” And the pool world can be very dark indeed, as Louie’s tragic demise suggests. But everyone who knew Louie seemed to like him, if not love him dearly, and many sharks have spoken of Louie in glowing terms, as a bringer of light to that underworld.



My wife and I were having a drink at a neighborhood bar which has a pool table. A “money” game was about to start; a spectator got up to whisper something to a friend of ours who was about to play someone we hadn’t seen before. We couldn’t hear what was said. Then the newcomer broke—with such force that his stick flew straight up in the air and shattered the light dangling overhead. There was a moment of stunned silence, then our friend turned around and remarked: “He really does shoot the lights out, doesn’t he?” — Michael R. Burch



Rounds
by Michael R. Burch

Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Now agony still hounds me
though elsewhere mirth abounds;
hidebound I stand and try to think,
not sink still further down,
spellbound.

Their ecstasy astounds me,
though drunkenness compounds
resounding laughter into joy;
alloy such glee with beer and see
bliss found.

Originally published by Borderless Journal



Poems about Fathers and Grandfathers



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they've become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Sanctuary at Dawn
by Michael R. Burch

I have walked these thirteen miles
just to stand outside your door.
The rain has dogged my footsteps
for thirteen miles, for thirty years,
through the monsoon seasons...
and now my tears
have all been washed away.

Through thirteen miles of rain I slogged,
I stumbled and I climbed
rainslickened slopes
that led me home
to the hope that I might find
a life I lived before.

The door is wet; my cheeks are wet,
but not with rain or tears...
as I knock I sweat
and the raining seems
the rhythm of the years.

Now you stand outlined in the doorway
―a man as large as I left―
and with bated breath
I take a step
into the accusing light.

Your eyes are grayer
than I remembered;
your hair is grayer, too.
As the red rust runs
down the dripping drains,
our voices exclaim―

'My father! '
'My son! '



Sunset
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

Between the prophecies of morning
and twilight's revelations of wonder,
the sky is ripped asunder.

The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,

and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.

What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.



Sailing to My Grandfather
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

This distance between us
―this vast sea
of remembrance―
is no hindrance,
no enemy.

I see you out of the shining mists
of memory.
Events and chance
and circumstance
are sands on the shore of your legacy.

I find you now in fits and bursts
of breezes time has blown to me,
while waves, immense,
now skirt and glance
against the bow unceasingly.

I feel the sea's salt spray―light fists,
her mists and vapors mocking me.
From ignorance
to reverence,
your words were sextant stars to me.

Bright stars are strewn in silver gusts
back, back toward infinity.
From innocence
to senescence,
now you are mine increasingly.

Note: Under the Sextant's Stars is a painting by Benini.



Salat Days
by Michael R. Burch

for my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat...
though first, usually, he'd stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat―
how easy it was to find if you knew where to look for it...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

'Nobody knows that it's there, lad, or that it's fit tuh eat
with some bacon drippin's or lard.'

'Don't eat the berries. You see―the berry's no good.
And you'd hav'ta wash the leaves a good long time.'

'I'd boil it twice, less'n I wus in a hurry.
Lawd, it's tough to eat, chile, if you boil it jest wonst.'

He seldom was hurried; I can see him still...
silently mowing his yard at eighty-eight,
stooped, but with a tall man's angular gray grace.

Sometimes he'd pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name―'pokeweed'―while perusing a dictionary.

Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply...

'Well, chile, s'm'times them times wus hard.'



All Things Galore
by Michael R. Burch

for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch, Sr.

Grandfather,
now in your gray presence
you are

somehow more near

and remind me that,
once, upon a star,
you taught me

wish

that ululate soft phrase,
that hopeful phrase!

and everywhere above, each hopeful star
gleamed down
and seemed to speak of times before
when you clasped my small glad hand
in your wise paw

and taught me heaven, omen, meteor...



Attend Upon Them Still
by Michael R. Burch

for my grandparents George and Ena Hurt

With gentleness and fine and tender will,
attend upon them still;
thou art the grass.

Nor let men's feet here muddy as they pass
thy subtle undulations, nor depress
for long the comforts of thy lovingness,

nor let the fuse
of time wink out amid the violets.
They have their use―

to wave, to grow, to gleam, to lighten their paths,
to shine sweet, transient glories at their feet.
Thou art the grass;

make them complete.



Be that Rock
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

When I was a child
I never considered man's impermanence,
for you were a mountain of adamant stone:
a man steadfast, immense,
and your words rang.

And when you were gone,
I still heard your voice, which never betrayed,
'Be strong and of a good courage,
neither be afraid...'
as the angels sang.

And, O! , I believed
for your words were my truth, and I tried to be brave
though the years slipped away
with so little to save
of that talk.

Now I'm a man―
a man... and yet Grandpa... I'm still the same child
who sat at your feet
and learned as you smiled.
Be that rock.



Of Civilization and Disenchantment
by Michael R. Burch

for Anais Vionet

Suddenly uncomfortable
to stay at my grandfather's house―
actually his third new wife's,
in her daughter's bedroom
―one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas...

Lacking the words to describe
ah! , those pearl-luminous estuaries―
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser's fertile delta,
lands at the beginning of a new time and 'civilization.'

Leaving behind sixty miles of unbroken cemetery,
Alexander's corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.

Or so the people dreamed, in chains.



Keep Up
by Michael R. Burch

Keep Up!
Daddy, I'm walking as fast as I can;
I'll move much faster when I'm a man...

Time unwinds
as the heart reels,
as cares and loss and grief plummet,
as faith unfailing ascends the summit
and heartache wheels
like a leaf in the wind.

Like a rickety cart wheel
time revolves through the yellow dust,
its creakiness revoking trust,
its years emblazoned in cold hard steel.

Keep Up!
Son, I'm walking as fast as I can;
take it easy on an old man.



My Touchstone
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

A man is known
by the life he lives
and those he leaves,

by each heart touched,
which, left behind,
forever grieves.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt Sr. and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.

For fourteen years, he had not seen her
whom he first befriended,
then courted and married.

Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.

He never lost her; she only tarried
until he was able to meet her.

Keywords/Tags: George Edwin Hurt Christine Ena Spouse reunited heaven joy together forever



Poems about Mothers and Grandmothers



Dawn
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Bring your peculiar strength
to the strange nightmarish fray:
wrap up your cherished ones
in the golden light of day.



Mother's Day Haiku
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Crushed grapes
surrender such sweetness:
a mother’s compassion.

My footprints
so faint in the snow?
Ah yes, you lifted me.

An emu feather ...
still falling?
So quickly you rushed to my rescue.

The eagle sees farther
from its greater height:
our mothers' wisdom.



The Rose
by Michael R. Burch

for my grandmother, Lillian Lee, who used to grow the most beautiful roses

The rose is—
the ornament of the earth,
the glory of nature,
the archetype of the flowers,
the blush of the meadows,
a lightning flash of beauty.

This poem above is my translation of a Sappho epigram.



The Greatest of These ...
by Michael R. Burch

for my mother, Christine Ena Burch, and the grandmother of my son Jeremy

The hands that held me tremble.
The arms that lifted
fall.
Angelic flesh, now parchment,
is held together with gauze.

But her undimmed eyes still embrace me;
there infinity can be found.
I can almost believe such infinite love
will still reach me, underground.



Arisen
by Michael R. Burch

for my mother, Christine Ena Burch

Mother, I love you!
Mother, delightful,
articulate, insightful!

Angels in training,
watching over, would hover,
learning to love
from the Master: a Mother.

You learned all there was
for this planet to teach,
then extended your wings
to Love’s ultimate reach ...

And now you have soared
beyond eagles and condors
into distant elevations
only Phoenixes can conquer.

Amen

Published as the collection "Love Poems by Michael R. Burch"

Keywords/Tags: love, Eros, ******, erotica, passion, desire, lust, ***, dating, marriage, romance, romantic, romanticism
G Mar 2014
I crave so much
it curdles my blood
I need some release
I need to be loved

Love cakes my arteries
sweetness encroaches me
It's giving me cavities
bound as its devotee

Our life can't start soon enough
Getting off on hate just feels too rough
When due south we both will flee
When bodies close our parted sea
Ellen Joyce Jun 2013
And she takes the book waiting on the shelf,
smelling of milk, toothpaste and goodnight kisses,
it's pages cracked, worn thin with birthday wishes,
wearing wrinkles wizened by the layers of fingerprints
that traced the silk of mama's voice on every word.

She turns to find him all tucked up in bed,
head cushioned by a mop of curly hair,
arms clutching tight a tattered teddy bear.
His sleepy eyes draw her to his side
and she leans in another once upon a time.

Her voice kisses the curve of every word,
calling to life a world she has to see,
moulding reality to what it ought to be;
a place with swings, slides and just five minutes more ,
sighs breathed to birth a need held deep inside.

A land where all the games are fair,
with candy houses but no cavities in sight,
where all evil is banished by the light.
The winds of time are soothed and still
listening to the clicks of a clock that never stops ticking.

Her child's eyes flutter to dance in dreams of his own
and the bedtime lies shatter behind her eyes.
It's not her son longing for a land where no one dies.
Children are borne of pixie dust and shooting stars
to a world of wonder built for each alone .

Once upon a time is a prayer whispered by mama's at night
to restrain the hurts and horrors of the earth
with the soul wrenching fear she's felt since she gave birth.
See she has to believe in forever and a day
for her love for her son is growing all the while.

She has to believe in love and life and laughter.
She has to hold close the hope of
happily
ever
after.
Claire Waters Aug 2013
so i sit here
with a hole in my foot
with a hole in my head
with a hole in this book
with the hole in her eyes
when she gave me that look
with the hole in my face
when i saw what he took
the hole in my heart
i still don't know the crook
paper is just too easy to tear
and you think i'm easy
when you see i've been shook
i think i need a hook

now there's a hole in my stomach
and it's feeling tight and queezy as she ties
me up in knots of my poor esophagus
her knuckles white from squeezing
i breathing like a snake trying to shed
the desert sun is hot so
please lift this mask up off my head
i try to offer a white flag
but she kills me instead
cause she doesn't like the things
that she can't understand

and so she holds her fists like
they have holes in them
holds me like there are holes in me
cavities of ample opportunity
for punishment and further tearing, no tears,
none of this teething willful jeer
i'll split and rewire, i don't need old fears

i am only tired at best
the pieces did not defy gravity
they fell right out of my ****** chest
but landing is a skill you see
tear me apart for free and be my guest
ripping down the wallpaper
wrestling with the messes of stresses
no one will unremember
looking for the emotions
you desperately want to render
but while i'm still soft
i'm no longer tender
so remember when you enter that
no matter what the temper of the sender
or persuasion of the vendor
i will not surrender
to all these social mind benders

there is a hole in my flag
my blood is an involuntary badge
no more flags, white stains
too easily
Ivie Nov 2013
I hold the negative feeling closer; I hold them like a bag filled with candy on the night of Halloween in a little boy’s arms,
I haven’t learnt that they give you cavities yet, my brain wrapped up in folds and folds of sheets made up of envy
Envy is like an old tree roots, springing from everywhere trying to get to the surface, the surface prone to erosion, is ****** into the black hole of envy
I can’t deny that I don’t like you talking to her, no I don’t, and I don’t even who I am anymore
This is not the person that I used to be, you have changed me so much, I worsen and worsen like a sapling left without sunlight
They say I run, away from feelings, oh I have tried to run away from you for so long but I fail like the ant trying to climb the 18th floor building,
                                     And all this time I have kept my inhaler closer to my lips than ever
You hold me close like bag full of lyrics that are going to numb your burning slashes, that’s what I am, the medicine,
But I am never the lover or the girl who speaks of things that make you laugh, like the way the poppies laugh in the soft breeze or sunflowers in the meadows
I have said goodbye more times, than the no of times, the oranges have bled their citrus in my eyes while peeling and onions have made my cry while slicing
I need to slice all my feelings, dissect them, write the formulas and theories on the white sheets and paste them on my wall,
                                         For everytime I am on the “running back to you” stage of separation
I will hold the negative feelings as far as possible; his dentist just gave him a root canal and filled up 8 cavities,
I think he has had enough of candies without brushing twice for a while and I think I have had enough of you for a lifetime.
Sarina Jul 2013
There is a city that only I inhabit, and there is one in you, too
but that must mean houses are there
or a hotel one may stay during a visit. I guess it depends
on who you ask, if they believe in an everlasting love big enough
to fill the whole metropolis inside a person.
I did not know until I met you that cavities within me
could welcome a second resident and he would stay staring at
these organs without
thinking they look unnatural, like paintings x-rays EKG screens.
I am sorry for explaining this to everyone but I am just
so happy that my heartbeat  sounds like
a ticking clock to you – we hold bodies that tell their own time.
Im sitting in the dentist office while the doctor drills my teeth,
I wonder if they realize I’m so full of holes
I might slide right through this seat,
They can fill my cavities,
But They’ll never make me whole,
Cause they can fix my teeth,
But they can’t fix my soul.
I’m actually at the dentist right now.
Nat Lipstadt Jun 2023
(and I cannot live
from with-out)

<>
a poem in appreciation to Rossella Di Paolo

<>

I, too:
          - am an embryonic work in progress,
well into my seventh decade, with no ending in sight


                                I too,    
live in the house of poetry, the address likely differs,
but suspect the innards of the houses differs little,
the decor,  quite similar

         - my house shrewdly requests a rethinking,
                                    noting, it lives my artifice,

with in & with out

Then, we are a We:
                                  
          - my cavities house her, She, Poetry is of Ruth (1) born,

          - Poetry, She, reminds me, ”whither thou goest, I will go”


This duality:
          - where the haunting of words providential,
             emanate, both inhabiting & inhibits my breathing
              She, a fearsome creature, a fearful-something,
for it tears me and shreds tears its demands be wrung
from with in to with out

She, Poetry:
          - leaves me gaping, hollow, fills me with
            depressurizing boreholes exposed to the elements  of
            externalities of an admixed atmospheres, that nature demands             be refilled, fresh in, stale out,
for which the artifice trick is knowing which is which

when Poetry’s  birthing:
          - chest pounds, heart-rate beats heavy metal,
            abdomen contracts, there then, no languid in my language,
            no help untangling the alpha-bet jumbling,
            product of the screams of pushing,
squeezing it forth

you’re hoping to quick-catch newly formed combinations,
for if you fail, a poem
noisily crashes to and through the floorboard cracks,
where poetry’s chaotic glinting etes
maliciously glimmer~winks at me
with a sarcastic thank you

“ah, too bad, another creation stillborn,
gone to rest, biting the nether dust,
without hope of resuscitation…”*

just another unfinished work in progress

periodically
a survivor clean caught, transcribed, edited to be finished,
amniotic fluids cleared,
poem resurrected
blessed with eternal life,
readied to be shared and delivered,
affirmed

and you say to no one and to everyone:

this poem will be our poem,
wither it goes, ascending, descending,
all live in the house of poets,
one house,
many apartments,
each poem a god,
and
my God will be our God,
your God, my God,
in the House of Poetry
https://hellopoetry.com/poem/4717212/leave-if-you-can-ii-by-rossella-di-paolo/

(1) And Ruth said: “Entreat me not to leave thee, or to return from following after thee; for whither thou goest, I will go, and where thou lodgest, I will lodge. Thy people shall be my people, and thy God my God.

——
Leave if You Can II


I live in the house of poetry.
I ascend her stairs slowly
and leap back down.
I sit in the chair of poetry,
sleep in her bed, eat from her plate.
Poetry has windows
through which mornings and afternoons
fall, and how well she suspends a teardrop
how well she blows until I tumble / With this
I mean to say that
one basket brings
both wounds and bandages.  
I love poetry so much that sometimes I think
I don’t love her / She looks at me,
inclines her head and keeps knitting
poetry.
As always, I’ll be the bigger person.
But how to say it / How to tell her
I want to leave / honestly I want to
fry my asparagus…
I see her coming near
with her bottle of oil
and crazed skillet.
I see her,
her little bundle of asparagus
slipping out her sleeve.
Ah her freshness / her chaotic glint
and the way she approaches with relentless meter.  
I surrender / I surrender always because I live
in the house of poetry / because I ascend
the stairs of poetry
and also because
I come back down.

    — Translated by Lisa Allen Ortiz & Sara Daniele Rivera
Ryan Bowdish Sep 2013
Everyone near me
Has got someone
I keep forgetting
To find mine
They don't hear me
I think I'm done
Trying to polish out
That Disney shine
laura Nov 2017
bad boy, i got a weakness
i like the taste of blood licked from my
own hands from being reckless
tearing hearts out their intended
cavities and im afraid my mouth
is cold from being exposed

i guess i keep the charade
of getting mad at you
for not buying me cigarettes
or not telling me to quit them depending
if im interested in you

i go to the gym to heal
all of my mistakes instead of church
and its cuffing season
want you to tie me to your mast

and leave me there all season
then afterwards we'll never text each
other again because you're a bad boy
and you are no good for me
Ila Mar 2022
You tell me you miss me, yet you do nothing
You tell me you like me, yet you do nothing
You wanna kiss me, you wanna hug me, you wanna **** me

But the truth of the matter is that you left me
Remember I wasn’t the one who decided to go
You left us
You left me

******* and the way that I hate myself
For the feelings that I felt when you left me

Honestly, ******* and the way that I'm mad at you
For all the reasons and the ******* and the lies you told me

I know, I know.
It's not your fault that you have **** going on

It’s my fault that I'm mad,
Trying to look for a reason to not hate you as much as I do.
Trying to combat the feelings of missing you

And you tell me sweet nothings whispered into my ear
For you to only turn your back when I'm not there

And you tell me these lies like sweet honey pie
Cavities fill my teeth from the sweet, sweet words
But I know you don't care that you hurt me

But really. It's myself that I hate
For feeling these things

You and I are okay,
but still, I'm hurting every single day.

Your reason is valid,
and for that, I'm sorry that I feel this way.
Sorry, I'm feeling things tonight. I don't actually hate you, please don't hate me too.
J Jul 2017
How to conquer the world when you are manic and preserve it when you are depressed.

I had a close friend send me a text a few weeks ago
Reminding me how to breathe and that I had to get out of bed,
I thought if she could have read my mood from the west coast
As I rotted in cotton comforters in the east, I must have been pretty obvious
Maybe it’s because we have been friends for ten years or because
I plaster every up and down online to vague audiences, I cast out my emotions
Like frayed fishing line, trying to catch even a glimpse of someone who relates.
But when this friend texted me she said something that might help balance out
The high-highs with the unbearable lows is writing how I feel when I am both.
I did my best to put the feeling of flying at 100mph upside down with wings made of silken sheets into words but the minute I did they turned into wings of concrete and I lost my focus again. And so I went to answer my friend and I said ‘here is how to conquer the world when you are manic”

I am caffeine therapy,
engulfed in energy
I am yellow, I am green
I am everything at once,
I feel everything all at once.
Did I mention?
Hey, I'm really excited to tell you
I’m gonna save the world,
All of it.
Today.
try and stop me.
I woke up at 4 this morning
Watched the sun swallow shadows
Like it was yearning for something dark
To balance itself out.
Too much light is dangerous too.
I always like to watch the sunrise before I go out to save the world, Waking up early always gives me so much more time And today I will do a lot,  I want to save the world. I hope you know I'm going to.

I am yellow, I am green. I am everything at once.
I am traffic jams spread out across freeways,
I am six trips in a row to the same store because I kept forgetting what I needed,
Music playing so loud you can’t hear anything else
I wash down amphetamines with coffee
I am now Narrow energy. I'm traveling a perfectly paved road Home to a room where I cannot see the floor, but that’s okay because I’m
Going to save the world today.
It doesn't matter how fast I'm going as long as you see me get there.
I am validation starvation in calorie counting notebooks,
I am looks from strangers whose eyes wonder loudly how I got marks on my arms or how I'm bouncing my foot like energy is spewing out my body but still have bags under mine that insinuate exhaustion I never learned how to overcome.
I am a math equation stuck inside the text book
From that semester I dropped out;
I am heat energy dancing inside shattered beakers, I am weathered worn out sneakers still being used because it’s hard to let go,
I'm kissing catalytic conversations with those I love because I need a reaction to feel like they're listening,
I am potential energy ready to become kinetic,
I am energetic and today, I have the heart to save the world.
I am off track, my bad. Its like an “ADHD starter pack” but there's no warranty or handbook.
Anyway, I started by re-enrolling in classes because I have always been good at school,
Except for when I stopped going but I have always been good at school and I can understand why everyone around me might expect me to succeed, I emit determination from my mouth when my heart feels empty, but I did sign back up because
This time I'm ready, and this  time I won’t ever feel low again, I think i beat it finally
I feel it in my bones as I cross busy streets without looking either way
I'm invincible and incredible
I am yellow I am green
I am hydro energy feeding off the
Big deep blue sea,
I am gratitude as an action
Not a trinket I can break
and today I will save the world
and tomorrow I will not be low,
And today I will conquer my fears, all 647
And tomorrow I will tell my friends I love them
And today I will remind myself that skin cells
Replace themselves every 28 days
So I only have to wear long sleeves for that many more
And tomorrow I will wake up and do my homework
And today I will surely save the world,
I will never feel so low as I have ever again
How could I when there is so much to smile for?
I’m laughing so loud my neighbors are asking,
And my friends think I’m doing better and I tell them I am. I am.
I am yellow, I am serene,
I feel it in my skin that I am better
recovery feels like Holding hands at sixteen and iced tea, And this is easy!
I am yellow, I am green.
I am yellow, I am green.
I feel everything all at once.
floating between causes, altruism is a virus, slithering through my veins, celebrating how much I will do today. Did I mention how much I will do today?
I'm going to save the world.
After signing back up for classes I spread out my day like magazine clippings I'll never put onto a “dream board” because I will most likely forget about them, my dreams make better notes in my iphone where I can see them
As I check my contacts to see who I can talk to today. Or who will listen. I wonder who will listen. Or what kind of game I will play to make someone listen.
I am yellow, I am green. It’s noon and I am flying.
Here is how else I will save the world:
I will make sure I save myself first,
I'll clean my room and go to the gym
work off three weeks of sweets with three hours on the treadmill, I forgot how good it feels to run and I know that this is the last time I will ever, ever give up.
I’m better now. I run on a track that loops back in on itself because I find comfort in knowing it will always return no matter how many times I lose sight of where I'm going, I would get lost were I to run outside because when you are everything all at once you seldom stay in place, God there is just so much to look at. I will never look back at who I was even as late as yesterday.
I get lost inside rubix cube mentalities and short lived craft store hobbies, but I'm better.
I am yellow, I am green. And today I am going to be a wildlife photographer, And an artist, and when people ask me what I want to be I tell them
I will work for the United Nations and that I am going to save the world, they believe me and ask me how I'll do it and I realize that I have yet to start saving the world.
I woke up at 4, so sure today was the day,
I felt it in my heart like the time I took two of my adderalls by mistake because I forgot that I took one that day, I felt it and it was real. Throbbing like a bump from falling but real. I lost track of that feeling for a second and now it is fleeting.
What is happening?

I am yellow, I am green.
I am yellow, i am yellow I am yellow,
Are you still listening?
I'm potential energy locked inside a pendulum
Hanging from a chemical tree that dies fast and grows slowly, Im staggered progress dressed up like empathy, I'm baggage too heavy
I am yellow, I am green.
I am fleeting energy
The kind that sparks a few times
On telephone lines turned pink infront of sunsets in july, gone before your friends can see it too.
They never really see it, too.
I am yellow, I am green

I forgot to shower every day this week but
I'm too tired to get out of bed,
What is happening? Can you remind me what I was doing?
I was supposed to save the world today
I’m sorry.
I was really going to save the world today
I'm taking in as much caffeine as I can without
Making my heart feel like it will push its way
Through my ribs out of my chest
Though being able to feel in my chest again
Might not be so bad. I’m stuffing smoke inside my cavities to fill them up, doing my best to keep feeling inside the skin I wear when I can feel it
Going numb, even it hurts at least I can feel it, I wish I could inject caffeine right into my veins,
I wish you could jump infront of moving trains without Hurting everyone on board,
I wish I felt less like this but I wish I felt more,
I reread texts from last night where transitioning
Felt like fist fighting recovery, her having one up on me,

I am crimson, I am grey, I am fleeting energy.
I’m so sorry.


I thought I said that before
And I might have but I forgot, I feel cloudy
I stumbled through steel wool tall grass to make it
Out of bed today and the weight of every single mistake I have ever made feels like it will surely break my spine Right in half, I don’t know if I will make it through today.
I wish someone would save me today.
I am crimson, I am grey.
I need someone to save my world today.
authentic Aug 2015
They say that when you kiss someone you are supposed to feel fireworks going off in the back of your mind, a beautiful eruption of wonder in your chest, a tickling feeling in your stomach but fireworks only last seconds and I'm afraid of choking on the smoke it leaves in the aftermath. I'm afraid of burning out, of blowing up, of decaying into dust.
2. When I was 13 I broke my ankle running in the dark down the street. I do not remember what I was running from or what I was running to but I remember the fear and pain after I had stumbled onto the ground and tried to convince myself I could walk on it and I was fine. I am afraid of breaking and trying to be okay but only making it worse, I am stubborn by definition and will always try to stand and start running away again.
3. My cousin fell in love, hard with the boy with dark hair and funny jokes and nice clothes and ambition to do something with his life. They were together for over 6 years and on their wedding night, she found him in bed with someone else. I watched her crumble, drinking her coffee before it cooled down, burning the inside of her mouth, torching all of the words she couldn't say to him, all the words that she couldn’t say to anyone. She stopped talking, I sometimes wonder if she writes poetry to simply remember her language.
4. I remember when my dad found of my mom had cheated on him, he found himself on a downward spiral, running to the liquor cabinet for reassurance, hating himself sober, and he didn’t want anyone to help him. He was always stubborn like a kite stuck in a tree that didn't want to come down. He was okay with never being okay because after you lose the one thing that made you feel like your life was worth something, when they leave, it makes you feel like it isn’t anymore
5. I know that when I fall in love I will want to take him to the hilltop gardens and show him the place where I find rest and solace. The place I go when I don’t want to feel alone. I will make him listen to my favorite songs and let him touch the valleys of my body that I never really loved. I will memorize his smell, accustom myself to his physical language. And I know that since young love doesn’t always last I will never want to go the  gardens without hoping I suffocate, I will be swallowed by the lyrics of the songs we would dance to.
6. I don’t want to need him. I don’t want to have to forget the way he would tickle me when I was upset. I don’t want his taste drilling cavities in my teeth, I don’t want to miss him when he's not around
7. I do not mind feeling nothing, I do not mind being distant from love if that means I my heart won't die before I do
8. I don’t want to have to stop smoking so many cigarettes because he's worried about the way I breathe when I sleep. I don’t want to have to make sure I don’t smell of burnt lungs around his mother.
9. I hate the way I know I'll tremble, shake, quiver at the thought of him kissing someone else or letting my call go to voicemail when he's not busy, when he just doesn’t want to talk
10. I don’t want his mother to cry because she thinks you can do better than me. I don't want my mother to cry because she's scared of how I'll cope if you ever decide to leave, she's scared of losing her daughter.
11. I don’t like endings, I often times don't finish books or songs or poems. I have drafts hanging up on my wall as a reminder that unfinished things can be beautiful too. I am not very good at putting something away after having finished it. I think letting you go would **** me.
Kyle Powers Apr 2014
Her press on nails graced her sunken in cheek
Tracing the bone that seemed to cut like glass
Remembering days of endless driving
Her high heels out the window
The sun whispered sweet nothings
But no one knew how personal those were
And here she is
At the vanity of a ****** motel
Dusting powder across lesions that spattered her skin
****** patches on her skin
Just like holes in her skin
She cries
Removing the brown wig that she tossed for years
Brushing it in her hands
The tears held on as if they didn’t want to let go
Standing
She slips off her briefs
Gazing into the mirror
Horrified at the person staring back at her
Invisible bones now visible
Crevices and cavities too deep
Webs of veins that were colored too brightly
Wearing the anatomy of a man that was no longer there
A body not worth surgery
Wiping sweat off her forehead
Smearing her drawn on eyebrows
All she can hear is
“Your mother and I gave birth to a son named Raymond.
What happened?”
That name echoed in her head
Drawing pleads from her ears
She collapsed
Her thighs bruised from one too many needle-******
Tracing each hole with her finger
As if to draw out an answer
She
A forgotten woman
Who only tried to cope
Her t-shirts were too big
“Raymond, Your T-Cell count is too low”
A forgotten woman
Who only tried to cope
“Is this ‘cause you’re a ******, Raymond?”
A forgotten woman
Who only tried to cope
“Raymond, there is no cure for AIDS”
She wept
Mascara staining her pale face
Press on nails clutching her arms
Hugging herself
Because no one else was would
Rayon died alone
She was no longer forced to love from an infected vessel
To hurt from a torn home
To pray on laced knees
This hotel room became a mausoleum
Smelling of death and perfume
Rayon was a forgotten woman
Who only needed to cope
But exiled by a community of people
For loving too much
Nat Lipstadt Nov 2016
one thousand poem children



one thousand poems has mine soul commissioned,
a thousand more neath stone vault doors do attend,
patiently waiting revisions, rescission, catch and release permission,
waiting room patients, looking to buy a more favorable diagnosistician

this prolificacy,
nether curse or blessing,
this profligacy,
poem children fathered by single mom mothered,
borne nightly in dreams borne
from the northern, the southern,
the brains twilighted hemispheres,
who coordinate, drawing deep,
consulting a bartender's manual
a creation guide of mixology,
'how to intoxicate the brain'

cheap gin, multi-generational scotch,
visionary vermouth, the reddened cassis of life,
memories in the white grapes of possibilities,
futures unrealized, colorful takes and retakes,
a directors bespoke make-believe tales,
impossibilities, divine and mundane,
all into one admixture into the venous cavities poured,
nerves to blood to consciousness,
courtesy of the ganglia

the brain stem transmits them
fully formed to my
good morning sunshine
cracked and dried lips for re-emission

nigh head upon the pillow,
the hair trigger,
my rapid eye heartbeats, each a demanding sweetheart,
some performed to a discordant metronome,
in a controlled rage, my mental waste,
eliminated

the residuals,
purified with language as the
orchestrator, debate moderator

dreams, once recoded, once accorded,
the disordering tempestuous,  
neurons cease-to-fire,
now just words, just words, just womb excretions

did I admit to a thousand?

more like tens of ten,
one, two per eventide,
have washed  ashore, for some thirty years recorded

my brain pixilated,
its big shot game controller,
demanding purchase of more;
more storage space, more games,
not admitting in advance,
that it filters blends, conflates and purges

by combining
psalms and ditties, infantile rhymes and
new vocabularies of  human aging idiocies,
though newly acquired, immediately forgot,
so always room enough for
one more episode


I study the brain, I study sleep,
study living and dying occurring at
their point of intermediation,
dreams


*this more knowledge gives no relief,
it becomes this poem becoming,
testifying that I prosecute myself
based on the evidence,
and if insufficient,
dream up nascent visionaries
from places that come unlocked,
tales from the vault vivisected,
the proper verdict
assured

sixty six years
of accumulation,
and still know so little of
proper space utilization,
writing poems proper

but nightly come the dreams,
nightly comes the trial,
comes the judgements,
comes a man-made customized
whitewall tired judgement,
and to you
submitted for
judicial review

strange that each one of you
becomes, adopts, adapts my visage,
my words in you, reflected,
a jury of my peerage peers,
which is why my appeals are
always returned in the file labelled
"denial"

until the next nights dream
Anthony Williams Jul 2014
It was in total a fast track ticket to the moon
and I can't return to transaction dock 8 too soon
the star checkout lane at my local supermarket
tops balloons with rocket science aeronautics
that pilot's service areas binary counter perfect
exceeding expectations bent into global orbit

My items sped along to muzak her slim milky way belt
a smile beaming discount countdowns heaven sent
taking off in bit lips when her priceless item buttons
almost burst free to air with a strain of special promotions
helpfully assisting my every excess flight of fancy
made impulse buys a baggage allowance necessity

She stroked parts of her radical laser station
to fully engage hygienic wiped spills of imagination
and I felt the warp of hyperdrive tangelo engines
urging me into a dive to scan juice ripe tangerines
a last minute save fuelled by stalling flashback cavities
gyrating in tight nets as we escaped earth's gravity

With a twist of her wrist I was into fits-the-bill ecstasy
as the whirr of electronics cut loose such quality
with a lick of an index finger our mission was bagged
handled too efficiently for any danger of jet lag
no flyby chance to not exchange standby coupons
my trolley emptied of offers too galactic to pass on
by Anthony Williams
Chris Voss Nov 2013
In between sips of skim-milk splashed coffee; in between the sharp, fragmented, ink-drags of pen and indentation of paper and the simple sketch of a fish in a lake [the fish like the hand and the cog, and the lake like piano keys and copper machinery] The Imagist explained to me the conception of music and clockwork.
And the Human Condition.
"Humans," he sketched, "have a very peculiar sense of self - it ends at our skin. Cut off my arms and I'll survive, but sever the air from my lips and... At what point did our limbs become more a part of ourselves than the sky?"
And after a moment of measuring the weight of words, he thought to me, "Man, I don't know why I get myself into this... What made me think I could write a children's book?"

I told him how I wished I could write music. You could read it in my poetry; my metaphors about sheet music and night skies. My yearning to explore worlds that my starfall has never blinked in. And it struck me, bittersweet through the roots of my wisdom teeth, how we can never choose our art. Rather I'll bushwhack through, leaving trails of half-started, stutter-stepped poems, looking for something that sings like guitar strings.

The Imagist and I, we are children of a visual age.
I try to sculpt our twenty-seven minute attention spans through sporadic hand gestures.
He told me about his trip to Montana through drawings of the people he'd met,
from the three friends of friends who were a quarter of a face or less. Like Bob, the right eye and jawline, who knew something about everything  [He said it's like having a conversation with Wikipedia], to the deeply detailed dreamy girl who played the accordion.

Sometimes we wake up feeling like Mr. Potato Head, with our mouth where our eye should be.

In between sketches of friends who fell out of touch and John Ashbery poems, we gave credit to palindromes. The Imagist drew HannaH with a handlebar moustache and I realized that this poem ends when Two Creek closes - comforted by the fact that poetry can be about the simplest moments, the ones that I never understood exactly how beautiful they were until I read them in my own shaken handwriting.

In a mix-up of words, He discovered how sick he was of writing with something, rather than writing for something.
I evaluated my own pen and chewed on my tongue.

I wish I could draw portraits so that I'd remember first impressions.

When The Director showed up, we exchanged science and art. He explained to me the imaginary horizons of black holes and Hawking radiation, but even he taught it through a sketch in the top left corner of his science fiction movie script. At the foreign end of the table, The Imagist continued a conversation about the complexities of children's books, and theories someone developed through observing their attention-starved cats who bore uncanny likeness to kids, and the appeal of Furbies, while The Director asked me how I write a poem.
I told him it starts with a single line, something that zings in my mouth like cavities and canker sores, but not to take my advice because I have far too many illegitimate, ******* sons; clouds of words daunted by the clear skies of the rest of the page. After The Director's end credits, eventually I joined the foreign conversation where we had begun it, with The Imagist saying, "Our skin connects us to everything, it doesn't trap us in to our own narcissism."

And then they were gone too, each dissolved into a part of themselves and each other - to fall into place in a world that runs on six-billion beating hearts.

In between the grain of a yellow birch table that's hosted the gunfire of mouths and lonely bones, I stayed and played my part, losing my fingers in the varnish and pages of books, believing that I, my entirety, my open borderline skin, my wooden grain, my air in the wind, my ballpoint pen finger, was writing for something.
Sarina Mar 2013
Love on my toes, love in the cabinet, love jumps off balconies
it is an eighteen year old succubus offering spinal taps.
Bring the gentlemen their evening numbness before next
morning’s nightmare and ******* are scheduled on God’s map –
he just steps out for a moment, settles his sleeping mask on.

God is so unhappy: he understands nothing of love.
Get this recipe recited so we shall feed them pink and blue pills
which knobs can sting boys in the ***, a fleabite or bow
soon our leather heels chime through their ears like hooves.

The master may question their nutrition so hold out a paper cup
sloshing in female nectar, our vaguely cerise saliva
sustenance that comes from between slits carved for such –
these acids are love, love, love. Love from cavities, love pearls
knotted in the roots of a mother clam, fallopian love tubes.

Every shoebox offers warmth, complementary wakeup calls
a petite blonde to peel him out of his pajamas, too –
lay your husbands down into the doll-case if he has no love
as God is not watching here. Oh, how happy our gentlemen are.
Alyssa Dec 2015
Mom is sweet,
only likes candles that
smell good enough
to cause cavities.
I make sure to get her one
every year.
Become supplier when
her warm vanilla sugar habit
burns down the last wick.
She says it makes the house
smell home.
Turns bitter taste of argument
into something she can swallow,
wants to be able to inhale love.
Says that when candle smoke
feels more like a lover's arms
than your actual lover's arms
there's something about her that
burns out too.

When warm vanilla sugar//mom
cries
she melts.
Divorce making the cavities
in her mouth rot
faster than she can burn out
this flame. Her bedroom
the wick and my father spitting lighter fluid
while swearing he loves her.
I'm sure he does
but this wildfire of a marriage
cannot be contained in this house.
Needs to branch out,
call in reinforcements.
My policeman of a father
was never a trained fireman,
can only call in a blaze when he sees it.
So I stood by and watched while
their marriage burned
but never kept the house warm.

Now I cannot light a candle
without feeling loss. The memory
of my parents slow dancing
at my aunt's wedding
sits shot gun in my car.
It's the four lighters I carry
around with me at once.
It smells like ash.
But my mom says she'll buy
me a candle for christmas,
one that smells like family dinners,
one that smells like coming home
to both parents.
She says I can burn it in my new bedroom,
says we don't have to live in
the memory of a house,
can live in the parts of us
that go home for the holidays.
The parts that smell like
warm vanilla sugar,
a lover's arms,
a wedding's slow dance.
And maybe one day
every day can smell like that
too.

— The End —